
MIGUEL RUIZ
ARCHITECTURE
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ARCHITECTURE
PLAY / EXPLORING FORM
PHYSICAL MODEL
This project explored various paper manipulation techniques such as folding, scrunching, and cutting to create three different pieces. These creations served as an initial exploration of ideas leading to the final piece, titled “Landing,” an amalgamation and refinement of what I’ve learned.









AUTOCAD, SKETCHUP, LUMION, PHOTOSHOP
A consecutive series of architectural projects exploring the relationship between lines, shapes, and spatial experience. The project begins with Shape Generation, a design exercise where lines are created within a framework of specific rules..
One of these generated shapes is then selected as the foundation for Hierarchy, where varying line weights are applied to emphasize particular elements of the shape. These weighted lines suggest the creation of spaces, highlighting the dynamic between form and void.
In the final phase, Form & Space, the exploration transitions into three dimensions, where the implied hierarchy is materialized into physical spaces. This transformation reveals the potential of simple geometric lines to generate a complex architectural form.
This project strengthens the idea that through constraints, new possibilities for form and space can unfold, expanding the ways in which we perceive the built environment.

SHAPE GENERATION

HIERARCHY












DIALOGUE: SOLID & VOID
PHYSICAL MODEL
Never One, Without the Other explores the dynamic relationship between solid and void, investigating the delicate balance that exists between the two. The design revolves around two interdependent cubes that cannot stand alone. Both of which, incomplete without the other. The form of the cubes reflects this interdependency, creating two diamonds merged at their center. This symbolizes the connection between solid and void, where both components gives definition and purpose to the other.
To ground the composition, the base is designed with triangular forms that provide structural support for both cubes. The interaction between solid and void is further heightened by the base’s design, which enables the two forms to hold each other in place, reinforcing the concept of mutual dependence.






ABSTRACTION & EXPRESSIONISM
RHINO, PHYSICAL MODEL
The objective of this project was to create an abstract model that represents “me.” Fragments is an exploration of my identity through form, space, and material. It was a process that proved to be both challenging and introspective.
Over the years, I have subconsciously created masks to navigate various situations, adapting my persona to fit societal expectations. This project became a way confront the layers of these masks and uncover my true self.
Through this abstract model, I aimed to reflect not only the visible self but also the parts that remain hidden, yet shape the whole.
In this project, I wanted to represent the three main elements of psychoanalyst, Carl Jung’s studies: The Persona, The Shadow, and The True Self.





Trapped within a translucent material that represents the mask that conceals my true nature.
Sharp, uneven spikes that symbolize the aspects of myself that I reject and those I’ve lost.
One of the spikes breaking through the mask symbolizing the my rediscovery.





REVIT, LUMION, PHOTOSHOP
Veridis Quo is a conceptual building designed for the iconic French electronic music duo, Daft Punk, blending their futuristic, robotic persona with the high-tech architectural style of Renzo Piano. The building is composed of three distinct spaces, stacked in a vertical arrangement to create a harmonious flow of creativity and reflection.
The gallery occupies the ground floor, providing a sleek, open space to showcase art installations. Above this, the recording studio sits at the heart of the building, enclosed in glass and steel, designed for optimal acoustics and a seamless connection to the desert environment. Atop the structure, the reading room provides a serene retreat, offering panoramic views of the surrounding desert landscape.
The overall design embodies the futuristic look, drawing inspiration from Piano’s mastery of transparency, light, and minimalism, while reflecting Daft Punk’s signature blend of man and machine.





Bold, industrial aesthetic while ensuring durabilty and structural strength.
Allows for transparency and natural light to flow throughout the interior, enhancing the connection to the building’s desert surrounding.
POLYMER-MODIFIED CONCRETE
Provides a contrast to the lighter glass and steel. Enhanced durability, resistance to cracking and moisture, which is optimal for the desert air.

REVIT, LUMION, PHOTOSHOP
The Red Roof interpretive center at Soil Born Farms in Rancho Cordova is designed to immerse visitors in the interconnected themes of food, health, and the environment.
The design concept blends traditional farmhouse elements with modern, sustainable materials creating a welcoming space that bridges indoor and outdoor experiences.
The central open space on the ground floor serves as a circulation hub, facilitating movement not only within the Interpretive Center but also connecting visitors to the surrounding ranch facilities. This open, flexible space encourages engagement with the farm’s rich history and current activities, fostering a deeper connection to the land and its stories.
Through its thoughtful integration of design, sustainability, and function, the interpretive center offers a comprehensive experience that celebrates the farm’s legacy and its ongoing role in promoting a healthy, environmentally-conscious lifestyle.


The building’s form is defined by two wings, symbolizing the dynamic relationship between healthy living and the natural world. A striking red roof, inspired by classic barn houses, ties the structure to the ranch’s long history, while modern materials reinforce the farm’s commitment to sustainability.






EXPLODED AXONOMETRIC
PUBLIC
UTILITIES









This project involves designing a realistic tiny house to provide temporary housing for young farming apprentices at Soil Born Farms. The California Farm Academy Apprenticeship Program is designed to equip beginning farmers with the essential training, work experience, and business management skills necessary to succeed in farm management.
The Tiny House on Wheels (THOW) will serve as a flexible and efficient living space for apprentices participating in this program. The THOW will provide a sustainable and comfortable solution to meet their housing needs while prioritizing eco-friendly materials and energy efficiency.
This project focused on getting first-hand experience creating construction documents. It has allowed for a deep dive into the technical aspects of construction, drafting up architectural drawings, specifications, schedules, etc.







CNC FURNITURE
SKETCHUP, VCARVE
This project focused on designing furniture using a design software, using the CNC machine to cut the parts, and finally assembling it all together.
I designed a versatile, custom-fitted storage bench that offers both functionality and aesthetic appeal. The bench is designed to provide extra storage for a variety of items such as books, vinyl records, and other personal belongins. Its flexibility allows it to be easily repurposed for different functions around the house, adapting to its environment.
The final design features removable dividers and a minimal, floating look that complements modern interior styles.







This project involved the interior design of an existing commercial space for a fictional client. In this case, I chose to design for a friend who wants to open a jazz bar in Sacramento.
Starting this project, I developed a concept board that highlighted a dark, moody ambiance with deep tones and green highlights to create a sense of grandeur while remaining immersive and inviting.
The spaces are divided distinctly in respect to their functions. The main room has tables and chairs for guests to dine, drink, and enjoy the performance. This also includes the stage area for the band and a bar.
This project served as practice for careful use of color, lighting design, and integrating different softwares together.



A KEY ASPECT OF THE DESIGN WAS THE CEILING WHERE I USED RHINO 8 AND GRASSHOPPER FOR THE FIRST TIME. I WANTED TO EXPLORE PARAMETRIC DESIGN METHODS AND USING GRASSHOPPER’S ALGORITHMIC TOOLS, I WAS ABLE TO EXPERIMENT WITH VARIOUS FORMS AND PATTERNS ULTIMATELY LANDING ON THE TRIANGULAR DESIGN.

GRASSHOPPER SCRIPT


EXPLODED AXONOMETRIC VIEW

THE ORIGINAL FLOOR PLAN WAS DESIGNED FOR WONDERFUL UNION, A VIP MUSIC EVENTS COMPANY. THE PREVIOUS CONCEPT HAD AN OPEN OFFICE AND A MERCHANDISE WAREHOUSE WITH SMALLER OFFICES, BREAKOUT ROOMS, AND SMALL BOOTHS.
I DECIDED TO REMOVE THE MIDDLE OFFICES TO MAKE ROOM FOR THE BAR AREA AND INCREASE SQUARE FOOTAGE FOR THE MAIN FLOOR OF THE JAZZ BAR. I REPURPOSED THE OFFICES ON THE LEFT SIDE TO BE RESTROOMS AND REDESIGNED THE ENTRANCE TO BETTER FIT THE FUNCTION OF THE BAR.









