The 6th Rangsit University International Design Symposium "Work in Progress 6 : Empathy"

The 6th Rangsit University

International Design Symposium

QUALIFICATIONS Royal College of Art, London, UK. • Master of Arts, Majoring in Fashion Design Menswear (June 2012) Arnhem Academy of Art and Design, Arnhem, the Netherlands.

• Bachelor Degree in Fashion Design (June 2006)

WORK EXPERIENCE • • • • • • •

Oct. 2016- Current.

ZARA MAN classic department, senior designer, A Coruna, Spain Direction and design of ZARA MAN STUDIO Collection. In charge of other outerwear developments.

Dec. 2015-Oct. 2016.

Etudes Studio Menswear senior designer, Paris, France.

In charge of designing new product range for 17SS/17AW.

Sep.- Dec.2015.

EACH x OTHER, Menswear senior designer, Paris, France.

Direction and design of 16SS/16AWcollections.

Oct. 2012– Oct. 2016.

HIROAKI KANAI (NMHK Co. Ltd), Director/Designer, London, UK. Direction and design of14AW/15SS/15AW/16SS collections.

May– Oct. 2012.

Mason Jung, London, UK. Design and production management of 13AW collection.

Aug. 2006 -Aug. 2010.

Freelance designer/ Consultant in the Netherlands/ Germany.

Teaching at ESMOD Berlin and the South China Agricultural University.

Feb. – Aug. 2005.

Haider Ackermann, Assistant designer, Antwerp, Belgium.

Assisting his creation/designing/pattern-cutting. 05AW/06SS collections.

Skills • • • • •

Profound experience and knowledge in both women’s and men’s wear design.

Excellent skills of creative pattern-cutting and draping technique.

Knowledge of design techniques, tools, and principles involved in production of precision technical plans, drawings, and garments.

Computer Literacy. Comfortable and efficient in creating designs on the computer.

Highly refined knowledge of colors, fabrics and clothing materials.

Honors/Exhibits •

Bright Young Things 2013, Selfridges, London/UK, Aug-Oct 2013.

•

Art Plus Fashion, Whitechapel gallery, London/UK, March 2012.

• •

Brioni competition, Creative Prize, the Royal College of Art, London, June 2011.

Asia Pacific Week Berlin/ INFASHION, Fashion show and showroom, Berlin/Germany Sep. 2008.

Finalist, ITS#FIVE, an international fashion design contest, Trieste/Italy, July 2006.

•

Sales of capsule collection in store and online, window display at the Oxford street store.

Catwalk presentation with Craig Green, Trine Hav Christensen and Sabina Brytesson.

HIROAKI KANAI

The Age of Empathy :: Work In Progress 6

The Age of Empathy :: Work In Progress 6

Executive Committee Associate Professor Dr. Tan Jeanne Institute of Textiles & Clothing, The Hongkong Polytechnic University, Hongkong.

Franyo Aatoth Artist creator of exceptional graphic works. France.

Geri Forkner, Textile Artist, USA. Sridhar Ryalie, Design Researcher, India.

Mr.Hiroaki Kanal Fashion Designer, Japan.

Professor Vichoke Mukdamanee, National Artist.

Associate Professor Kamol Phaosavasdi, Chulalongkorn University.

Associate Professor Sone Simatrang, Silpakorn University.

Associate Professor Pisprapai Sarasalin, Dean, Faculty of Art and Design, Rangsit University.

Somchai Jongsaeng, Silpathon Award in Design.

Jitsing Somboon, Head of Designer, Greyhound.

The Age of Empathy :: Work In Progress 6

The Age of Empathy :: Work In Progress 6

Thai Designer 01 :: Prof. Vichoke Mukdamanee ( Thailand ) 02 :: Assoc.Prof. Sone Simatrang ( Thailand ) 03 :: Assoc.Prof.Kamol Phaosavasdi ( Thailand ) 04 :: Somchai Jongsaeng ( Thailand ) 05 :: Jitsing Somboon ( Thailand ) 06 :: Department of ARCHITECHTURE CO.,LTD ( Thailand ) 07 :: Manatspong Sanguanwuthirojana ( Thailand ) 08 :: Thavitee Wacharapai ( Thailand ) 09 :: Dr.Panot Susuwan ( Thailand ) 10 :: Wonder Anatomie ( Thailand ) 11 :: Athibodee Suwannachot ( Thailand ) 12 :: Ek Thongprasert ( Thailand ) 13 :: Ohm Ratchawej ( Thailand ) 14 :: Chairat Na Bangchang ( Thailand ) 15 :: Chotvit Suwong ( Thailand ) 16 :: Nouwarat Thepsiri ( Thailand ) 17 :: Pipop Budsarakumwadee ( Thailand ) 18 :: Jaturong Hirankarn ( Thailand ) 19 :: Apichart Nyamniyom ( Thailand ) 20 :: Anan Paparso ( Thailand ) 21 :: Hathai Boonnak ( Thailand ) 22 :: Teerawat Nuchareon ( Thailand ) 23 :: Nattapong Atisup ( Thailand ) 24 :: Wisut Yimprasert ( Thailand ) 25 :: Poraphon Chinwannachot ( Thailand ) 26 :: Teeranop Whangsillapakhun ( Thailand ) 27 :: Anupong Suttalak ( Thailand ) 28 :: Nipon Smanmit ( Thailand ) 29 :: Achara Narklada ( Thailand ) 30 :: Vichai Mekkerdchoo ( Thailand )

31 :: 32 :: 33 :: 34 :: 35 :: 36 :: 37 :: 38 :: 39 :: 40 :: 41 :: 42 :: 43 :: 44 :: 45 :: 46 :: 47 :: 48 :: 49 :: 50 :: 51 :: 52 ::

Tonkao Nitasganjananon ( Thailand ) Lalita Seemontara ( Thailand ) Supreeya Suthamtarikul ( Thailand ) Seksarit Thanaprasittikul ( Thailand ) Tawan Wongsawan ( Thailand ) Sirada Vaiyavatjamai ( Thailand ) Jinabhadr Kantaputra ( Thailand ) Vishnunad Katanyuthaveethip ( Thailand ) Assist.Prof.Chaiporn Panichrutiwong ( Thailand ) Assist.Prof. Sutat Palama ( Thailand ) Assist.Prof. Chuchai Assawaarekun ( Thailand ) Assoc.Prof. Pakorn Prohmvitak ( Thailand ) Gomesh Karnchanapayap ( Thailand ) Phanas Phokthavi ( Thailand ) Hathaichanok Chiengthong ( Thailand ) Suttichart Sarapaiwanich ( Thailand ) Patara Nimmol & Phakhaphon Woraphan ( Thailand ) Panas Chanpum ( Thailand ) Chinatip Tangsiripat ( Thailand ) Thidarat Boonrak ( Thailand ) Podjanee Kakaew ( Thailand ) Darunee Pungwongyat ( Thailand )

The Age of Empathy :: Work In Progress 6

Painting, Water Color// Chairat Na Bangchang (THAILAND) Title :: Illustration for Ploy gam phetch Dimension :: 31 cm. x 41 cm.

Techniques & Materials - Painting, Water Color

Illustration For Ploy Gam Phetch I love native stage, that is why my work is made of casual composition and brush stroke.

This illustration brings out the idea of the novelist that wrote about Nepalese moving to different cultures. I have included some Asian boy toy such as paper wind mill pattern in fabric art that portrays Eastern civilization through the use of Eastern color scheme.

The 2 pictures of the ladies, I paint like the collage effect and I use roses symbolizing ladies

The Age of Empathy :: Work In Progress 6

Chalermprakeit Temple, Nontaburi

Chalermprakeit Temple, Nontaburi

Painting, Water Color// Chotvit Suwong (THAILAND) Title :: Chalermprakeit Temple, Nontaburi/ Burmeses Temple, Mae Hong Sorn Dimension :: 62.5 cm. x 47 cm. / 40 cm. x 26.5 cm.

Techniques & Materials - Painting, Water Color

The Age of Empathy :: Work In Progress 6

Photography// Pipop Budsarakumwadee (THAILAND) Title :: Red Cloud ; October 2014/ Green Aurora ; October 2015 Techniques & Materials - Photography

Red Cloud ; October 2014 We travelled to Iceland, 10 days of our journey we walked in a circle, one day we saw a huge red cloud in the 0 degree Celsius. It occurs when an air hit the volcano. It lifted the cloud and make the cloud bigger.

Green Aurora ; October 2015 After seeking for the northern lights at Abisko National Park in Artic Circle Lapland in Sweden. We found a wonderful northern light.

The Age of Empathy :: Work In Progress 6

Photography// Apichart Nyamniyom (THAILAND) Title :: Last Light Dimension :: 31 cm. x 41.5 cm.

Techniques & Materials - Photography

Last Light “When the dark comes, the last light shown to the window. Every day pass by, nothing can control. Dawn, night and sunrise are normal circle like everyday”

The Age of Empathy :: Work In Progress 6

Painting// Teerawat Nuchareon (THAILAND) Title :: Painting in the cave; Amphour Long, Phrae Province.

Dimension :: Techniques & Materials - Painting

The Age of Empathy :: Work In Progress 6

Sculpture// Mr.Wisut Yimprasert (THAILAND) Title :: Self portrait in December 2017 Dimension :: 31 Cm. X 31 Cm. X 47 Cm. Techniques & Materials - mixed technique - wood, stainless steel, stone, gold leaf

Self-portrait in December 2017 Everyday throughout the years, all of us face problems. Some people gave up their problems. But some struggled with them. This art piece is to study the form shown by wood to sculpture. The art pigment and the juxtaposition of different kind of material.

The Age of Empathy :: Work In Progress 6

Sculpture// Mr.Poraphon Chinwannachot (THAILAND) Title :: Relationship.

Dimension :: 26 Cm. X 30 Cm. X 39 Cm. Techniques & Materials -Brass

Relationship.

As I have been inspired by the relationship of human beings toward mankind together.

Could be a lover, dear friends, or people who have a relationship with us.

The Age of Empathy :: Work In Progress 6

Mixed Technique// Mr. Tnop Wangsillapakun (THAILAND) Title :: The New-ist Vibes Dimension :: 23.4 x 33.1 in Techniques & Materials Photography (Kong Punthumajinda), set design (Studio Marketting Materials), offset printing (6 color with special color enhanced technique), printed on 210g. paper with spot UV coating, series of 5 designs

The New-ist Vibes In 2018, Thailand Creative and Design Center(TCDC) organized the first ever Design Week in Bangkok. A set of poster series was created under the theme "The New-ist Vibes" to represent our unique design of Bangkok.

The Age of Empathy :: Work In Progress 6

Mixed Media// Anupong Suttalak (THAILAND) Title :: “ The River of no return �

Dimension :: 430 x 300 cm.

Techniques & Materials -Mixed media The River of no return The flow of change can be observed or realized from the present state. The change leads to a historical story centered on human and society. As the saying goes, The River never flows back. The current image of the stream is the sum of the elements that are connected in a continuum. At present, the city is seen as Urban characterized with high rise buildings, houses, densely populated embracing the diverse society and culture. The growing modern city that we see is not the whole thing but merely the surface that coats the hidden layer of another subtle picture - the canal community and ways of lives.

The canal community and ways of lives along Khlong Rangsit or Rangsit canal, the totally different scene from the skyscrapers and modern city however definitely linked closely to the coated scene of the ever expanding urban, is located in Pathumthani Province. The canal was excavated during the reign of King Rama V. to be used as a transporting route and irrigation system for farming. The canal Lifestyle has been continuously changing because of the modernization and the development.

The river of life has been transformed into a canal road - along the canal. The beauty of life along the canal is vividly changing. The canal houses are being demolished to be replaced by the new road constructed, accommodating the needs of the larger city.

The Age of Empathy :: Work In Progress 6

Art Installation// Nipon Smanmit (THAILAND) Title :: The Unhewn Forms Dimension :: Techniques & Materials -Painted timbers are hanged and decorate with Light of Round Lamps

The Unhewn Forms

The imagination of children is interesting. I’m reminded of a game I played with my friends when was a young boy. When we saw clouds we would turn their shapes into things with our imagination. The first of us to state what it was would be the winner. Really clouds are formless and there are no details which define them, but kids can use their imagination continuously.

One important point which interests me is how the unhewn form can influence the imagination of the viewer. The process of human perception cause the viewer to recallimages in his memory when confronted with an unknown form. A finished image will be the result.

I create a variety of unhewn forms for the viewer to contemplate. Some pieces may be easier to imagine as a thing. It is interactive, simply. Some pieces may be harder to imagination because their form is not clear. The viewer has to spend more time to make a decision. My aim is to enhance the effect of interaction.

The Age of Empathy :: Work In Progress 6

Sculpture// Mrs. Achara Narklada (THAILAND) Title :: Atta Upajara Samadhi Techniques & Materials - Sculpture Atta Upajara Samadhi An art, we can tell that it reflect the subconscious come from the accumulations of aesthetic and art ability. It is individual and has different idea. Every time a small piece of wood are compound, the eyes stare and the mind concentrates on the work forward. All of these make “Atta Upajara Samadhi� happened in the mind. What happened means concentrating to the work creator is doing, invent the work from inside the mind at that time. But whenever it compound a new one, the outcome will always be different like the mind that always changes through the time.

Consider carefully, the small wooden pieces was compounded to be a big piece. This is not different from the idea that big organization comes from many small units. If every pieces chosen are fit to the others, it would be a fine and strong organization. But if not, it means the collapse.

The Age of Empathy :: Work In Progress 6

Mono Print Water Color// Mr. Vichai Mekkerdchoo (THAILAND) Title :: Society Diary Dimension :: 64.00 x 86.00 cm Techniques & Materials - Mono Print Water Color Nowadays, society has changed rapidly with new evolution and innovation coming in continuously. World has quick development which one side has benefits to humankind. However, there are lots of questions that we are able to trust such all new things that occurred or not. Something enter to society but make something vanish away, is this correct? From this concept, the writer would like to present another view point of society that comes with new innovation.

From works "Portrait of Society" the writer wants to present another side of portrait of society which has complexity and distrust by presenting works in Mono Print Water Color technique for this view point purpose.

The Age of Empathy :: Work In Progress 6

Mix media, Social Media, Photography// Ms. Tonkao Nitasganjananon (THAILAND) Title :: Earthpathy Dimension :: 00px by 600px (Instagram) and present through the live slideshow

Earthpathy

Earthpathy is the series of visual objects in photomicrography and motion photomicrography showing the boundaries of human perception on everyday objects. Using contemporary technology to define the art today which touching the Human lifestyles and experiences.

Techniques & Materials 1.Photography & Motion Photography Techniques Smartphone and Portable Microscope Zoom (60-120x) 2.Live Gallery Techniques Social Media Platform, Instagram and http://slidesome.com

The Age of Empathy :: Work In Progress 6

Product Design ( Art and Craft )// Mrs.Lalita Seemontara (THAILAND) Title :: Modern muse “ La Fleur “ Dimension :: First Art work : 35 cm. x 40cm.

Second Art work : 33 cm. x 45 cm.

Techniques & Materials First Art work : Laser cut on stainless steel sheet.

Second Art work : Crochet with copper wire and decorated with laser cut stainless steel sheet.

Earthpathy Jewelry is a vital body decoration for women of all races in all ages. Jewelry is used to decorate the body for beauty. It can indicate the social status and culture. In this jewelry design, inspired by the woman gowns in the 1890s and 1900s, women wore laces and lace neck collars.

The pattern of lace comes from nature, such as flowers, vines, leaves, trees etc.

The design of the ornament in this work has introduced the concept of women's lace in the 1890-1900 to inspire the art pieces.

The Age of Empathy :: Work In Progress 6

Fashion Design// Mrs. Supreeya Suthamtarikul (THAILAND) Title :: The Age of Empathy: Simply Minimal Dimension :: 150x30 x2 CM. Techniques & Materials - Digital Printing, cutting fabrics attachment.

- Duchess Satin Fabrics, Net Fabrics, Felt Fabrics.

The Age of Empathy: Simply Minimal The design concept is basically based on the facts of present general economic situation of Thailand. Limited incomes and heavy household debts are still a huge burden to many people particularly the B class level customers and below. Creating a reasonable price main contemporary classic dress with minimal design yet allowing customers to add the attachments on the main contemporary classic dress at their own wills and personal creativities. Customers do not have to spend too much money to buy the main classic dress at the beginning but they can gradually acquire additional attachments to create different looks of the dress and have more fun.

The Age of Empathy :: Work In Progress 6

Fashion Design// Mr. Seksarit Thanaprasittikul (THAILAND) Title :: WHAT REMAINS IS FUTURE No.2 (2018) Dimension :: Techniques & Materials - Pattern Cutting, Sewing, Tailoring Materials: Wool, Interlining, Canvas, Fusible Interfacing, Lining

WHAT REMAINS IS FUTURE No.2 (2018) This project is a continuous progress from the project “What Remains Is Future�, previously exhibited in 2017. The phrase suggests that beautiful future can be created from what remains in the present time. The creation is an interpretation of the statement into design concept with an aim to fnd new possibilities in fashion design.

The Age of Empathy :: Work In Progress 6

Film&Video// Mr.tawan Wongsawan (THAILAND) Title :: ASA change Dimension :: 8 Mins Techniques & Materials - VDO Motion

ASA Change ASA change is initiated from the questions we have for the role of architects, and whether we can contribute our potential and knowledge to do something more than just designing a building or a house for those who can pay, something more significant that affects people’s lives at a much larger social scale.

The Age of Empathy :: Work In Progress 6

Illustration// Mrs. Sirada Vaiyavatjamai (THAILAND) Title :: Series of 3 Illustrations ‘The Origin of Compassion’: North, Central and South of Thailand Dimension :: 6 x 20 inches of 3 Illustrations Techniques & Materials - Digital Illustration

Series of 3 Illustrations ‘The Origin of Compassion’: North, Central and South of Thailand The series of three Illustrations ‘The Origin of Compassion: North, Central and South of Thailand’ were inspired by an interpretation from conceptual thinking, as an empathy of nature offering human basic senses and determine a diverse culture of Thai perceive. The Illustrations represented a considerable spiritual essence of deep appreciation for human five basic senses; sight, hearing, taste, smell and touch. Empathetic design in this project conveyed significant elements of what nature kindly introduced to us and the interactions with our environment and cultures. Thailand cultural expressions can be reflected by diverse geographical, natural, cultural and the relationships between South East Asian Nations or ASEAN. There are many different religions and beliefs among the countries. In Thailand, there are diversities influenced by various traditional of Chinese, Indian and Islamic cultures. The cultures mixed transferred and attributes characteristics of the beliefs and inspiration throughout the country. Regions of Thailand considerably inspired different identities from natural geography and mythology.

North of Thailand mostly influenced by Myanmar cultures. Central and Northeast of Thailand mainly significant from Laos country. And south part is reflected by Malaysia and Indonesia countries. The different cultures reflected in traditional art and heritage senses to represent local wisdom, history, crafts and textiles. The visual concept of Illustrations intended as a value attached to an identity associated with regions influenced cultures. The Illustrations is expressed a symbolic of human senses, combine the translation selected in three regions of Thailand. The symbolic of the illustrations indicate visual identity of ‘Thai woman’, ‘natural elements’ and ‘colors of influenced countries of ASEAN’. In the North of Thailand, represents ‘smell sense’, identified by Its geography, hill and various kinds of plants and flowers while ‘bird’ bringing flower essence to human. In the Central region reflects ‘taste sense’ using ‘Thai Women’ and one of popular Thai fruit ‘banana’ with plant surrounding. For the Southern, the visual conveys ‘hearing sense’, ‘Thai woman’ and ‘wave’ of natural sea in graphic form whereas ‘fish’ jumping and flicked a pattern to woman and emerge an ability to create an exquisite textile pattern.

One of the important identity to represent Thailand as and ASEAN country is color. Color is a product of culture (2017, Mahidol university) The colors of ASEAN, recognizes the importance of color in design, Its impact on various cultures and remind the history associates with the origins cultures.

The Age of Empathy :: Work In Progress 6

Digital Art// Mr.Jinabhadr Kantaputra (THAILAND) Title :: Music Instrumental of Love Dimension :: 20 X 30 Inches Techniques & Materials - Computer generated using two applications: Adobe Illustrator and Adobe PhotoShop

Music Instrumental of Love All the time in the world, love is eternity and beauty. Art and music inspired by love through time, especially love of young lovers. In this time, I make the art work of the young lover sharing their feeling by playing music. The man plays his ukulele while the woman plays her piano. They play melody that is stimulating tone and it wakes up the girl spirit represented by a wildflower bird clapping in the leaf hair cage showing on her head. At the time music they play makes them fall in love with each other without the man saying a word to her.

I intend to give this art piece to the faculty of music, Rangsit University. I expect that my work would help making the beautiful and romantic environmental in a hall or music room. It will pleasure for musical students, teachers and visitors.

The Age of Empathy :: Work In Progress 6

Illustration// Mr. Vishnunad Katanyuthaveethip (THAILAND) Title :: “Manjhi the Mountain Man” Dimension :: 20” x 24” Techniques & Materials - Infographic

“Manjhi the Mountain Man” Dashrath Manjhi the mountain man. Who moved a mountain inspired by love for his wife, and further inspired by the will to give his fellow villagers an easier road to travel. Manjhi singlehandedly moved 270,000 cubic feet of earth, through his dedication and commitment over the course of 22 years. He was able to reduce the distance between the Atri and the Wazirganj blocks of the Gaya district from 43 miles to about 0.6 miles.

Manjhi died on 17 August 2007 at the age of 73, while suffering from gall bladder cancer in All India Institute of Medical Science (AIIMS), New Delhi. He was given a state funeral by the Government of Bihar. For his feat, Manjhi became popularity known as the ‘Mountain Man’. The Bihar government also proposed his named for the Padma Shree award in 2006 in social service sector.

A stamp was released by India Post in the “Personalities of Bihar” series on 26th December 2016.

The Age of Empathy :: Work In Progress 6

Illustration// Assist.Prof.Chaiporn Panichrutiwong (THAILAND) Title :: “The Little Prince” Dimension :: 150X 120 cms Techniques & Materials - Acrylic colors and a150x120 cm canvas

“The Little Prince” “The Little Prince” or “Le Petit Prince” is the most famous novel of Antoine de Saint-Exupéry.

It was first published in 1943 and has been translated into 300 languages. I believe that almost all readers are impressed by it, just like I am.

“The Little prince” is one of my favorite books. I found it difficult to understand when I first read it. It’s not a typical children book which is full of imagination, interesting illustration and creative content, but it also gives the adult readers the very interesting point of view through the little prince’s curiosity and the conflict between him and other characters he met in his journey.

The Little prince is a symbol of everyone’s youth. We have started our own journey since we were born. Each of us stopped by different planets and explore the universe in own way. All experience we have had creates the unique opinion, thoughts and personalities. We can’t deny hat the uniqueness can sometimes cause the conflicts and problems. One of the simple ways to ease the tension between those problems is to have the “Empathy”, and to understand that each person has his or her own “The Little Prince”.

The Age of Empathy :: Work In Progress 6

Digital Painting// Assist.Prof.Sutat Palama (THAILAND) Title :: Suwana Macha Dimension :: 29.5 x45.5cm.

Techniques & Materials - Digital Painting and print on paper.

Suwana Macha Suwana Macha and Sida are sister, which have the same father. Their father name Thoskan. Her mother is a fish one of the character in Thai literature. She is very beautiful, top half is human, below is fish. Her skin is gold. She was mix with human and animal. She has a good part and lust part like all human. Who usually should grow up with moral.

The Age of Empathy :: Work In Progress 6

Digital Painting// Assist.Prof.Sutat Palama (THAILAND) Title :: Individual relationship Dimension :: 29 x44.5cm.

Techniques & Materials - Digital Painting and print on paper.

Individual relationship Everything has it own intra personal. People were born with selfness and intrapersonal.

Human is born to live in society. We can't live without relationship.

Esteem, Wealthy is important, but if we lack it we still can alive. From the research of Kurt Gray printed in academies Journal, Psychological Science. The going to be kill prisoner usually tell their past about the love which they had related. The most important relation is the relation with yourself.

The Age of Empathy :: Work In Progress 6

Digital Art// Assist.Prof Chuchai Assawaarekun (THAILAND) Title :: Improvisation Reform Dimension :: Approximately 26x20� , 23x32�

Techniques & Materials - Computer Generated Photo

Improvisation Reform The color of the tile pattern on the wall of the temple Wat Ratchabophit. Have a beautiful, bright and cheerful when you see it. It is similar to a colorful play of Fauvism artists, if introduced to create new form. More contemporary It is likely to create a more contemporary artistic taste than the original.

The Age of Empathy :: Work In Progress 6

Sculpture// Assoc. Prof. Pakorn Prohmvitak (THAILAND) Title :: “Kanom-Thong-Moun of King Suriya Chaiworaman 9�

Dimension :: 1.10 x 0.10 x 0.20 m Techniques & Materials - Using the bottle that has the size that can contain "Kanom Thang Moun" properly.

- The bottle should be thick enough to give the sense of torturing all the apsaras contained inside.

- placing nine bottles on one row to have the sense of series, no starting, no ending, but unique when having a first glance and can find the meaning of 9.

- using brown paper that has a texture look like "Kanom Thong Moun".

"Kanom-Thong-Moun of King Suriya Chaiworaman 9" This feminist approaching idea started from my first visit to Angkor Wat in 2013.

There are more than a thousand apsara. All of them are half naked. I felt immediately at that time that King Suriya Chaiworaman had as many girls as these statues, serving his sexual pleasure, and he had a very big harem.

Not only in ancient times but also nowadays, we can see the evidence where millions of tourists are passionately touching the apsara statues on the breasts. Tourists do this with the attitude that women are the object of sexual pleasure.

This experience inspired me to create the art piece, "Kanom Thong Moun of King Suriya Chaiworaman 9".

The idea of this art piece is to provoke the viewers to be aware of the idea, "men dominatewomen", which should be changed. Using the number 9 implies that it has never gone to zero.

After bottle number nine there is nothing. This message should provoke the viewer to push ZERO to go away, and have something visible, so that the un-dominated society can exist.

The Age of Empathy :: Work In Progress 6

Sculpture// Mr. Gomesh Karnchanapayap (THAILAND)

Title :: The Happiness Of The Citizen Is The Real Royal Smile Dimension :: (Height) 33 x (Width) 33.5 x (Depth) 58 cm.

Techniques & Materials - Digitally sculpted in ZBrush, utilizing 3D Printing in order to turn it to physical form, and the final art work’s cast in bronze.

The Happiness Of The Citizen Is The Real Royal Smile As one of the citizens of Kingdom of Thailand, I’ve always known how much our kings have been sacrificing for the well-being of Thai people. In the reign of King Bhumibol Adulyadej, we all know his majesty spent his entire life improving the commonwealth of the nation.

His majesty’s empathy toward his subjects led to the conceptions of many royal projects which brought about happiness to the land.

The Age of Empathy :: Work In Progress 6

Photography// Mr.Phanas Phokthavi (THAILAND)

Haphazardly Wrapped

Title :: Haphazardly Wrapped Dimension :: 3 pcs 30 X 70 cm

Sometimes beautiful Sometimes dash Sometimes mystic

Techniques & Materials -Experimental digital photography -Canon EOS 600D -Canon 50 mm f 1.8 -Photographic paper

Although our lives are real, it is hard to see the real truth.

Whether by accident or intent, The truth is obscured with many factors, external factors, internal factors, and their environment. All factors haphazardly assemble as a wrapper that distorts reality.

So the visible image is unsteady, Sometimes still - Sometimes moving Sometimes clear - Sometimes muddy Sometimes revealed - Sometimes concealed

But every time blurry.

Or this is the real truth.

This set of experimental photographs demonstrates people through an existing wrapper that causes unclearness in identities, thoughts, and actions. The concept is to parallel the blur of the truth in the current society.

The Age of Empathy :: Work In Progress 6

Digital Art// Ms.Hathaichanok Chiengthong (THAILAND) Title :: A dead end Dimension :: 49x68 cm.

Techniques & Materials - Digital art A dead end All people have fear.We are not living in a perfect circle, and nature is a perfect circle Nature is support humans all the time. We only exploit nature and we never give anything back.when nature suffers because it is destroyed by human. We should learn to love nature before it is too late.

The Age of Empathy :: Work In Progress 6

Graphic Design Visual Communication// Mr. Suttichart Sarapaiwanich (THAILAND) Title :: เปล า / PALE Dimension :: 1. “เปล า / PALE” Book : 14.5 x 21 cm (3 Copies) 2. “Behind the PALE / เปล า” : 21 x 27 cm (3 Copies) 3. Picture in Frame : 50 x 70 cm (1 Piece), 30 x 40 cm. (2 Pieces) Techniques & Materials - Digital Print

เปล า / PALE

Today in Printing business, Every publisher’ve many problems. Many readers change to read everything in smart gadget. Some publishers closed because this changing. Direction of book design’s separate in two ways, print cheaper book for everyone or print expensive book for collector. Comic book also’ve same problem. Many people still judge comic book’s for children and it always a cheap book. So I want to create my new comic book to another level by use creative and graphic design.

The Age of Empathy :: Work In Progress 6

Mix media// Film & Video//Animation Mr. Patara Nimmol Mr. Phakhaphon Woraphan (THAILAND) Title :: An Eagerly Operation Collaborative

Between Teacher And Student

Dimension :: Techniques & Materials - Video Art ; Using 2D Animation, Video presentation, Visual Animated and school books - Receipt ; Using projector on Wall - The Symbol ; Creating a Symbol of the operation.

An Eagerly Operation Collaborative Between Teacher And Student The re-presentation of our experiences of education and relation between “Teacher(server)” and “Students(users)” in order to share the informal conversation along with the effort to research, to understand, to build and to select related material. Therefore, we would like to share this conversation to the audiences through a variety of media which include, 2D Animation, Visual Movement, Projection on wall and documents.

The Age of Empathy :: Work In Progress 6

Film & Video Animation//Digital art// Mr. Panas Chanpum (THAILAND) Title :: Implementation of Visual Effects Techniques for Architectural Visualization Dimension :: Stills image: 3840*2160 pixel Video: 1280*720 / approx. 1.5 min Techniques & Materials - This project used 3D Visual Effects Process to development final output, Visual Effects that used in this piece is Procedural Cities generation, 3D Look Development and 3D Passes Compositing.

Implementation of Visual Effects Techniques for Architectural Visualization Nowadays Visual Effects is important factor to enhance the digital art in various form, Not only in Film and Animation. Fundamental Knowledge of creating piece of Visual Effects can be adapted to various field, modern architectural visualization is mainly created by computer graphic. This Project is created with implementation of Visual Effects technique that normally have been intensively used in Film and Advertising production due to realism and workflow flexibility, Applied Visual Effects Technique to architectural visualization will improve the realism and flexibility to improve image quality toward ideal images.

The Age of Empathy :: Work In Progress 6

Film & Video// Mr. Chinatip Tangsiripat (THAILAND) Title :: Loop Dot Dimension :: Full HD (1080p) 20 Seconds.

Techniques & Materials - Using Perspective Half-Tone to calculate point position and size base on picture.

- Using Noise to calculate trajectory when moving point to new location.

Loop Dot “Empathy” in my point of view is to understand each other. We can understand other people through our hearth and brain. We use our hearth to feel other people feeling, and we use our brain to think about other people feeling. In this work, I emphasize the process of Empathy through symbolic of hearth, brain, light bulb. The meaning of “Hearth” is to illustrate the feeling.

And I use “Brain” as a symbol of logical. After we feel each other we need to think of how it should be, or how we should act. After that, I use “light bulb” to illustrate the state that people complete their understanding each other. The process will continually go on infinite because we need to adapt our feeling and logical all the time.

The Age of Empathy :: Work In Progress 6

Printmaking// Ms.Thidarat Boonrak (THAILAND) Title :: Line & Life Dimension :: 70 x 80 Techniques & Materials - Printmaking

Line & Life “Line & Life” was inspired by the combination and relationship of the nature.

The Age of Empathy :: Work In Progress 6

3D Animation// Ms.Podjanee Kakaew (THAILAND)

Title :: 3d Action Animation Design To Cuitivate Good Conscience To Children to Care About Environment Case Study Garbage Discarding Topic Dimension :: 2 minute Techniques & Materials - 3D Animation

3d Action Animation Design To Cuitivate Good Conscience To Children to Care About Environment Case Study Garbage Discarding Topic Current animation The media is becoming popular and attracting a large number of viewers.

Because it can create interesting. Imagine exotic imagery, sound, movement techniques.

To give the audience access to the emotions and objectives presented. Or can create something beyond human power can actually be created. Animated, action-oriented or action-packed animation. There is always a good response. Because create exciting. The first action film in the sense. It appears in The Film Encyclopedia that it is defined as "a large section of a film. It's nteresting feature is its quick cut. The subcategories of this type of movie are: Western Pioneer Films Film serial killer or crime movie. Sometimes it also includes comedy films that focus on the characters' exaggerated action, such as popular action movies such as animated film and KungFu panda by DreamWorks Animation. The continued positive response is evident from the sequel to the movie. The basis of the action movie is driven into the challenge of violence, the pursuit of melee. And the use of physical skills in combat. This film is likely to show a protagonist struggling with difficulty. Be it a potentially life-threatening situation. Or chase But generally, it ends with the protagonist's victory.

This research focuses on the design of animated films. 3D Action Include the content of the children's awareness of the garbage into the trash. This is a collection of techniques and theories that contribute to the success of motion picture animation.

The Age of Empathy :: Work In Progress 6

3D Animation// Ms.Darunee Pungwongyat (THAILAND) Title :: The Study Of Bodylanguage In 3d Animation Design Case Study : The Danger Of Smoking Effects On People Near By Dimension :: 2 minutes Techniques & Materials - 3D Animation

THE STUDY OF BODYLANGUAGE IN 3D ANIMATION DESIGN CASE STUDY : THE DANGER OF SMOKING EFFECTS ON PEOPLE NEAR BY Physical language expression is characterized by or unique character. It is very important to tell the story in the animation to be more interesting to follow. And better communication, the drama will be able to communicate. Should be educated by the person or thing that really lives. To know how to express the body language with the character of the character. These will help to make the character in the animation more unique and realistic.

Researchers are interested in transmitting body language through stories of the harmful effects of cigarettes. Currently, smoking cigarettes not only pose a danger to smokers. But smoking also pose a danger to those who smoke, even if they do not smoke. We call it smoke. Second hand smoke It is a very important and very serious health problem for young children or children. When second-hand smoke is present, there is an increased risk of acute diarrhea, with no known risk for respiratory infections. Acute otitis media, allergic asthma, long-term effects on chronic lung disease.

There is a risk of lung cancer in the future. And affect brain function in the level of intelligence.

From the above study, the researcher can see the importance of body language expression in the animation. Therefore, the researcher studied more information related to the expression of body language. And second hand smoke. Then it is produced as a three-dimensional animation. To be aware of the hazards of cigarettes that affect the close person.

SYMPOSIYM & EXHIBITION

Symposiym & Exhibition รศ.พิศประไพ สาระศาลิน / ประธานที่ปรึกษา ASSOC.PROF.PISPRAPAI SARASALIN อาจารยอํานวยวุฒิ สาระศาลิน / ที่ปรึกษา AUMNOUVUT SARASALIN ดร.สุชีพ กรรณสูต / ประธานกรรมการ DR.SUCHEEP KARNASUTA อาจารยนัฐวุฒิ สีมันตรประธาน / ฝายนิทรรศการ NUTTAVUT SEEMONTARA อาจารยสุเทพ โลหะจรูญ / กรรมการ SUTEP LOHACHAROON อาจารยสุธาสินี แสงขํา / กรรมการ SUTHASINEE SANGKHUM อาจารยอนุพงศ สุทธะลักษณ / กรรมการ ANUPONG SUTTALAK

อาจารยลลิตา สมันตร / กรรมการ LALITA SEEMONTARA ดร.สุชีพ กรรณสูต / กรรมการ DR.SUCHEEP KARNASUTA (ผูทรงคุณวุฒิในประเทศ) อาจารยเสกสฤษฎ ธนประสิทธิกุล / กรรมการ SEKSARIT THANAPRASITTIKUL (ผูทรงคุณวุฒิตางประเทศ) อาจารยชินภัศร กันตะบุตร / กรรมการ JINABHADR KANTAPUTRA (ผูทรงคุณวุฒิตางประเทศ) อาจารยสิรดา ศ.ไวยาวัจมัย / กรรมการ SIRADA VAIYAVATJAMAI (ผูทรงคุณวุฒิตางประเทศ) 13. อาจารยอําพรรณี สะเตาะ / กรรมการ AUMPANEE SATOH (ศิลปนนักออกแบบตางประเทศ) อาจารยเสกสฤษฎ ธนประสิทธิกุล / กรรมการ SEKSARIT THANAPRASITTIKUL (ศิลปนนักออกแบบตางประเทศ) นางชฎารัตน บุญถนอม / เลขานุการ CHADARAT BOONTHANOM นางสาวรณิดา หาญเพชรไทย / ผูชวยเลขานุการ RANIDA HARNPETTHAI

Symposiym & Exhibition ฝายงบประมาณ// อาจารยสุเทพ โลหะจรูญ / หัวหนาคณะทํางาน SUTEP LOHACHAROON นางสาวทัศนีย บูรณจารุพันธุ / คณะทํางาน TASSANEE BURANJARUPAN นางชฎารัตน บุญถนอม / คณะทํางานและเลขานุการ CHADARAT BOONTHANOM ฝายนิทรรศการ// อาจารยอนุพงศ เจริญมิตร / หัวหนาคณะทํางาน ANUPONG CHAROENMITR อาจารยดนุ ภูมาลี / คณะทํางาน DANU PHUMALEE (สูจิบัตร) รศ.ปกรณ พรหมวิทักษ / คณะทํางาน ASSOCIATE PROFESSOR PAKORN PROHMVITAK (ศิลปน นักออกแบบตางประเทศ) อาจารยธิติพงศ เนื่องพิมพ / คณะทํางาน THITIPONG NUANGPIM (ศิลปน นักออกแบบตางประเทศ) อาจารยโกเมศ กาญจนพายัพ / คณะทํางาน GOMESH KARNCHANAPAYAP (ศิลปน นักออกแบบตางประเทศ) ผศ.ธรรมศักดิ์ เอื้อรักสกุล / คณะทํางาน ASSISTANT PROFESSOR THAMMASAK AUERAGSAKUL อาจารยปฐม สุปรียาพรคณะทํางาน PATHOM SUPREEYAPORN

อาจารยพิสิษฐ โพธิ์แกวคณะทํางาน PISIT POKAEW นายลอย บุญจันทร / คณะทํางาน LOYD BOONJUN นายไพฑูรย เข็มกลัด / คณะทํางาน PITOON KHEMKLAD นายฉลอ เสียสูงเนิน / คณะทํางาน CHALOR SIASOONGNOEN นายนิธิวัฒน ฟองดาวิรัตนคณะทํางาน NITHTIWAT FONGDAVIRAT นายหลวย แขงขัน / คณะทํางาน LAUY KANGKHAN นางนุชรัช พระมุนี / คณะทํางาน NUCHARACH PRAMUNEE นางสาวจุฑาทิพย กาญจนไตรภพ / คณะทํางาน และเลขานุการ CHUTATHIP KARNCHANATRAIPHOP

Symposiym & Exhibition ฝายศิลปะการจัดวางแฟชั่น// อาจารยสุปรียา สุธรรมธารีกุล / หัวหนาคณะทํางาน SUPREEYA SUTHAMTARIKUL อาจารยลลิตา สมันตร / คณะทํางาน LALITA SEEMONTARA อาจารยเสกสฤษฎ ธนประสิทธิกุล / คณะทํางาน SEKSARIT THANAPRASITTIKUL อาจารยพชร รัตนคุปต / คณะทํางาน PATCHARA RATTANAKUP ฝายพิธีการ และตอนรับ// อาจารยลลิตา สีมันตร / หัวหนาคณะทํางาน LALITA SEEMONTARA 2. อาจารยไพลิน โภคทวี / คณะทํางาน PAILIN PHOKTHAVI อาจารยสิรดา ศ.ไวยาวัจมัย / คณะทํางาน SIRADA VAIYAVATJAMAI อาจารยอนัญญาลัลน วัฒนะนุพงษ / คณะทํางาน ANUNYARAN WATTANANUPONG นางสาวนวรัตน ปองจิตใส / คณะทํางาน NAWARAT PONGJITSAI นางสาวดวงพร ทองเจิม / คณะทํางาน DUANGPHORN THONGJOEM นางสาวรณิดา หาญเพชรไทย / คณะทํางานและเลขานุการ RANIDA HARNPETTHAI

ฝายจัดเลี้ยง// อาจารยณัฐพงศ ศรีปุงวิวัฒน / หัวหนาคณะทํางาน NATTAPHONG SRIPUNGWIWAT อาจารยลัดดาวัลย สารพัฒน / คณะทํางาน LADDAWAN SARAPAT นางสาวนวรัตน ปองจิตใส / คณะทํางานและเลขานุการ NAWARAT PONGJITSAI ฝายประชาสัมพันธ/ อาจารยดนุ ภูมาลี / หัวหนาคณะทํางาน DANU PHUMALEE อาจารยถวัลย วงษสวรรค / คณะทํางาน TAWAN WONGSAWAN อาจารยกําจร แซเจียง / คณะทํางาน KAMJORN SAECHEONG อาจารยลัดดาวัลย สารพัฒน / คณะทํางาน LADDAWAN SARAPAT นางสาวไปรมา บุญชู / คณะทํางานและเลขานุการ PRAIMA BOONCHU

Symposiym & Exhibition ฝายบันทึกภาพ//

ฝายลงทะเบียน และประเมินผล//

อาจารยพิสิษฐ โพธิ์แกว / หัวหนาคณะทํางาน PISIT POKAEW อาจารยอนันตกิตติ์ จันทรไกร / คณะทํางาน ANUNKIT CHANKRI อาจารยพิพัฒน ลิ้มประไพพงษ / คณะทํางาน PIPAT LIMPRAPAIPONG นางสาวไปรมา บุญชู / คณะทํางานและเลขานุการ PRAIMA BOONCHU

อาจารยชินภัศร กันตะบุตรหัวหนา / คณะทํางาน JINABHADR KANTAPUTRA อาจารยวิษณุนาท กตัญูทวีทิพ / ยคณะทํางาน VISHNUNAD KATANYUTHAVEETHIP อาจารยศิริเพ็ญ ธนานันทกิจ / คณะทํางาน SIRIPEN THANANANTAKIT นางนุชรัช พระมุนี / คณะทํางาน NUCHARACH PRAMUNEE นางสาวดวงพร ทองเจิม / คณะทํางาน DUANGPHORN THONGJOEM นางไพริน กันภัย / คณะทํางานและเลขานุการ PAIRIN KANBHAI

ฝายสถานที่ และโสตทัศนูปกรณ// อาจารยเอกชัย สมบูรณ / หัวหนาคณะทํางาน EKACHAI SOMBOON อาจารยเกรียงศักดิ์ สุวรรณบูล / คณะทํางาน KRIANGSAKDI SUWANBOOL อาจารยกิตติวัฒน โลหะการ / คณะทํางาน KITTIWAT LOHAKARN อาจารยอนันตกิตติ์ จันทรไกร / คณะทํางาน ANUNKIT CHANKRI นายไพฑูรย เข็มกลัด / คณะทํางาน PITOON KHEMKLAD นายฉลอ เสียสูงเนิน / คณะทํางาน CHALOR SIASOONGNOEN นายลอย บุจันทร / คณะทํางานและเลขานุการ LOYD BOONJUN

RANGSIT UNIVERSITY

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