Work in Progress 6 - Emparthy Book

The 6 th Rangsit University

International Design Symposium

The 6 th Rangsit University International Design Symposium

The 6 th Rangsit University International Design Symposium

“The Age of Empathy : Work In Progress 6�

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The Age of Empathy : Work In Progress 6

Executive Committee Associate Professor Dr. Tan Jeanne Institute of Textiles & Clothing, The Hongkong Polytechnic University, Hongkong.

Franyo Aatoth Artist creator of exceptional graphic works. France.

Geri Forkner, Textile Artist, USA. Sridhar Ryalie, Design Researcher, India.

Mr.Hiroaki Kanal Fashion Designer, Japan.

Professor Vichoke Mukdamanee, National Artist.

Associate Professor Kamol Phaosavasdi, Chulalongkorn University.

Associate Professor Sone Simatrang, Silpakorn University.

Associate Professor Pisprapai Sarasalin, Dean, Faculty of Art and Design, Rangsit University.

Somchai Jongsaeng, Silpathon Award in Design.

Jitsing Somboon, Head of Designer, Greyhound.

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PROPOSAL & OBJECTIVE

The 6 th Rangsit University International Design Symposium

According to the principle of design thinking, valuable design requires a balance of significant facets including human values, technology and business. While technology makes creations feasible and business viability makes them profitable, design ideas are usually triggered by human needs and desire, as it is human nature to want things. Human life is surrounded by objects, artifacts, products and services designed for human needs and desire at all levels. Physiological needs, psychological or emotional pleasure, and ultimate self-actualization are solved and responded by necessary commodities, electronic devices, design products and creative activities, respectively. Nevertheless, among varied design products and services in the market, one of the most relevant factors that makes some designs more successful than others is an understanding of people’s needs and desire, or “Empathy”.

Empathy in design thinking involves an understanding of people, consumers and users, in terms of problems they encounter, physical needs and emotional desire. Unlike intuitive design approach widely employed by many designers, whose creations aim to express personal vision, narrate story or visualize imagination, designing with empathy focuses on human-centered design process, responding to human needs and desire. In order to gain insight into consumers, a deep research on several aspects of consumers, ranging from statistic facts, behavior, motivation, preference, lifestyle, experience to their environment, is required and studied through observing, engaging and empathizing with the target consumers. Such empathy is essential for designers and artists to create better designs and services. Based on an empathic understanding of consumer’s needs and desire, designers and artists employ their innate skills and creativity to create innovative design as a means to deliver best solutions for consumers.

Considering the importance of empathy in design thinking, the symposium aims to highlight a dialogue between an empathic understanding of consumer and designer’s endless creativity, both of which are the key to driving creative industries forward and ultimately creating a better future.

Welcoming Speech : Assoc.Prof. Pisprapai Sarasalin, Dean of Faculty of Arts and Design Vice President for International Affairs of Rangsit University, Dr. Chitriya Pinthong, Vice Presidents, Deans, distinguished keynote speaker, Mr. Hiroaki Kanai, distinguished participants, faculty members and students.

Valuable design requires a balance of significant facets including human values, technology and business. While technology makes creations feasible and business viability makes them profitable, design ideas are rooted in responding to human needs and desires. The ability to deeply understand people’s needs and desires, or “Empathy”, resulting in meaningful and successful work pieces in both Art and Design realms.

Unlike intuitive design approach, widely employed by many artists and designers, where personal vision expressed, story narrated and imagination visualized, designing with empathy focuses on human-centered design process. The process that requires “deep understanding” of the problems and realities of the people, surrounding environment and the interactions taking place. Deep research, on several aspects to gain insight about human being needs, behavior, motivations, preferences, lifestyles, experiences, environment, are done through observing, engaging and empathizing with the targeted end users and

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recipients. Empathy is essential for designers and artists in order to create artworks, designs and services by employing their innate skills and creativity to innovate design as the means to deliver best solutions for human being and the society.

Considering the importance of empathy in design thinking, the symposium aims to highlight a dialogue between an empathic understanding of consumers and designer’s endless creativity, both of which are the key to driving creative communities and industries forward and ultimately creating a better future for human flourishing.

The sixth Rangsit University International Design Symposium entitled “Empathy” is held under the collaboration of Rangsit University National and International Research Conference, the Faculty of Art and Design, the Faculty of Digital Art and the Council of Fine and Applied Arts Deans of Thailand. Our committee and participants are composed of professionals and academics from 13 countries - Thailand, Indonesia, Malaysia, Japan, India, China, Hong Kong, Germany, Spain, France, Italy, United Kingdom and the United States of America. Our annual event aims to not only foster an academic collaboration among international institutions, but also serve as a platform for researchers, designers, artists, thinkers, inventors, and makers from all disciplines to share their ongoing work.

And today, we are here to celebrate the work of Mr. Hiroaki Kanai, senior designer of ZARA MAN classic department, A Coruna, Spain Direction and design of ZARA MAN STUDIO Collection. In charge of outerwear developments. Mr. Kanai is a graduate from Arnhem Academy of Art and Design, Arnhem, the Netherlands and the Master of Arts graduate from the Royal College of Art, London United Kingdom in Fashion Menswear, programme. His graduate collection received widespread coverage in the fashion press where he was selected for the first ever catwalk show at the Whitechapel Gallery shoulder with Craig Green, Trine Hav Christensen and Sabina Brytesson. He was also featured at The Bright Young Things 2013, Selfridges, London/UK. The Bright Young Things is an annual initiative from Selfridges, choosing some of the UK’s most exciting rising stars from the worlds of fashion, art, design and give them a platform in the concept store, windows and online shop to get their talent exposed. I do believe that his sharing will be an inspiration to all of us to continue our work in progress.

Lastly, on behalf of the Faculty of Art and Design, I’d like to take this opportunity to express my profound gratitude to Dr. Chitriya Pinthong, Vice President for International Affairs for presiding over this Symposium. I’d like to extend a special thank to our executive committees for judging exhibition’s works, our keynote speaker, and all of our friends from around the world who have made the effort to come to Thailand and to share their works in this conference. Thank you to all who shared their times and energy to make the conference possible.

May I now request the honor of Dr. Chitriya pinthong to deliver the opening remarks.

Welcome all and Thank you very much.

Associate Professor Pisprapai Sarasalin Dean of College of Design, Rangsit University, Thailand

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OPENING SPEECH FOR DEAN 2018

The 6 th Rangsit University International Design Symposium

Opening Address by Dr. Chitriya Pinthong, Vice President for International Affairs, Rangsit University Dean of the Faculty of Art and Design, Assoc. Prof. Pisprapai Sarasalin, Distinguished Keynote Speakers and Panel Members, Distinguished Participants, Ladies and gentlemen, It is my great pleasure and honour to address the Sixth International Design Symposium organized by Faculty of Art and Design today.

Rangsit university community and The Art and Design community in Thailand witnessed accomplishment of RSU International Design Symposium conducted in the past five years. The symposium reassures us the faculty’s strength and determination to arrange an annually open forum for artists and designers from all disciplines to share their views on the current issue of interest which essentially bears effects upon contemporary art and design, with this year focal point on “Empathy”. As the higher education institution, we are proud of the symposium floor that span to serve the artists and designers in sharing their work in progress, as much as learning, exchanging, and gaining new insights from renowned resource persons both locally and at the international levels.

In this 4.0 era where the knowledge has crossed the boundaries and become deeply intertwined and integrated, the platforms and methodologies are blended, design thinking with Empathy has extended its capacity to work with various disciplines and in all dimensions.

Here at Rangsit University, we have witnessed Art and Design already contributed alongside engineering and biomedical technology team to craft new products and services in response to the needs and desires of the elders on the basis of Empathy.

At a further glance, we have acknowledged the development of Adaptive clothing in the field of Fashion design that has grown in the recent years, allowing autism, impaired ability persons, patients and elders to be more independence while quietly but powerfully contributing to the elevation of the aforementioned users’ self esteem and confidence.

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Beyond Thailand’s territory, The Design Lab at Stanford birthed “designing for social system� at the crossroad of social science and design, responding to the complex world of rapid social changes. Deep understanding of people or Empathy is at the core of the program. Being able to discover and choose interventions that have impact, in the multitude of possibilities requires Empathy to guide the decisions.

Today in the exponential disrupting world, we all know that artificial intelligence is around the corner and Singularity is not something far beyond imagination. Empathy is absolutely vital. It functions in an even more important role than responding to the needs and desires of the human being but it is the Compass that will lead us to the right direction where Art and Design will significantly and definitely involve, include and interact.

Appreciating the significance of Art and Design and Empathy that will vastly touch and better our lives, I would like to take this opportunity to express my admiration and thankfulness to the keynote speaker and panel members for enthusiastic participation and contribution from the very beginning. I truly believe that your invaluable knowledge and expertise to be contributed today will be a great inspiration for all of us. Thank to the dean of the Faculty of Art and Design and the faculty members whose vision would lead to foster academic collaboration among concerned international institutions while setting a platform for researchers, designers, artists, thinkers and inventors from relevant disciplines to share their work in progress.

To allow ample time for this important and meaningful event, I have the pleasure to declare open the Sixth Rangsit University International Design Symposium and wish you all a pleasant and fruitful time at Rangsit University.

Thank you

Associate Professor Pisprapai Sarasalin Dean of College of Design, Rangsit University, Thailand

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HIROAKI KANAI ADDRESS: 17 Paseo Darsena, 15001 La Coruna, Spain Mobile: +33 768435854 Email: hiroaki.kanai@network.rca.ac.uk https://www.dropbox.com/sh/z1kmp6rcj5jzus1/AADadjyqsSAq6OC-1USISoXxa?dl=0 QUALIFICATIONS Royal College of Art, London, UK. • Master of Arts, Majoring in Fashion Design Menswear (June 2012) Arnhem Academy of Art and Design, Arnhem, the Netherlands.

• Bachelor Degree in Fashion Design (June 2006) WORK EXPERIENCE

HIROAKI KANAI Fashion Designer, Japan

• Oct. 2016- Current.

ZARA MAN classic department, senior designer, A Coruna, Spain Direction and design of ZARA MAN STUDIO Collection. In charge of other outerwear developments.

• Dec. 2015-Oct. 2016.

Etudes Studio Menswear senior designer, Paris, France. In charge of designing new product range for 17SS/17AW. • Sep.- Dec.2015.

EACH x OTHER, Menswear senior designer, Paris, France. Direction and design of 16SS/16AWcollections.

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• Oct. 2012– Oct. 2016.

HIROAKI KANAI (NMHK Co. Ltd), Director/Designer, London, UK. Direction and design of14AW/15SS/15AW/16SS collections.

• May– Oct. 2012.

Mason Jung, London, UK. Design and production management of 13AW collection.

• Aug. 2006 -Aug. 2010.

Freelance designer/ Consultant in the Netherlands/ Germany. Teaching at ESMOD Berlin and the South China Agricultural University.

• Feb. – Aug. 2005.

Haider Ackermann, Assistant designer, Antwerp, Belgium. Assisting his creation/designing/pattern-cutting. 05AW/06SS collections.

Skills

Honors/Exhibits • Bright Young Things 2013, Selfridges, London/UK, Aug-Oct 2013.

Sales of capsule collection in store and online, window display at the Oxford street store.

• Art Plus Fashion, Whitechapel gallery, London/UK, March 2012.

Catwalk presentation with Craig Green, Trine Hav Christensen and Sabina Brytesson.

• Brioni competition, Creative Prize, the Royal College of Art, London, June 2011.

• Asia Pacific Week Berlin/ INFASHION, Fashion show and showroom, Berlin/Germany Sep. 2008.

• Finalist, ITS#FIVE, an international fashion design contest, Trieste/Italy, July 2006.

• Profound experience and knowledge in both women’s and men’s wear design.

• Excellent skills of creative pattern-cutting and draping technique.

• Knowledge of design techniques, tools, and principles involved in production of precision technical plans, drawings, and garments.

• Computer Literacy. Comfortable and efficient in creating designs on the computer.

• Highly refined knowledge of colors, fabrics and clothing materials.

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Artist & Designer 01 : Assoc.Prof. Dr. Tan Jeanne / HONG KONG 02 : Franyo Aatoth / FRANCE 03 : Geri Forkner / USA 04 : Professor Vichoke Mukdamanee 05 : Assoc.Prof. Kamol Phaosavasdi 06 : Assoc.Prof. Sone Simatrang 07 : Somchai Jongsaeng 08 : Jitsing Somboon 09 : Simon Cheng / MALAYSIA 10 : David Luscombe / ENGLAND 11 : Vimal Kerketta / INDIA 12 : Gyula Sagi / GERMANY 13 : Mai Weiting / CHINA 14 : Chen Ningning / CHINA 15 : Li Mengsi / CHINA 16 : NotanLab / INDONESIA 17 : Eldwin Pradipta / INDONESIA 18 : Benton C Bainbridge / USA 19 : Samuel R. Forkner /USA 20 : David Schafer / USA 21 : Chairat Na Bangchang 22 : Chotvit Suwong 23 : Pipop Budsarakumwadee

24 : Apichart Nyamniyom 25 : Teerawat Nuchareon 26 : Wisut Yimprasert 27 : Poraphon Chinwannachot 28 : Tnop Wangsillapakun 29 : Anupong Suttalak 30 : Nipon Smanmit 31 : Achara Narklada 32 : Vichai Mekkerdchoo 33 : Tonkao Nitasganjananon 34 : Lalita Seemontara 35 : Supreeya Suthamtarikul 36 : Seksarit Thanaprasittikul 37 : Tawan Wongsawan 38 : Jinabhadr Kantaputra 39 : Sirada Vaiyavatjamai 40 : Vishnunad Katanyuthaveethip 41 : Assist.Prof. Chaiporn Panichrutiwong 42 : Assist.Prof. Sutat Palama 43 : Assist.Prof. Chuchai Assawaarekun 44 : Assoc.Prof. Pakorn Prohmvitak 45 : Gomesh Karnchanapayap 46 : Phanas Phokthavi

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47 : Hathaichanok Chiengthong 48 : Suttichart Sarapaiwanich 49 : Patara Nimmol 50 : Phakhaphon Woraphan 51 : IGLOO Studio 52 : Nattapong Atisup 53 : Panas Chanpum 54 : Chinatip Tangsiripat 55 : Thidarat Boonrak 56 : Podjanee Kakaew 57 : Darunee Pungwongyat 58 : Dr. Panot Susuwan 59 : Department Of Architecture Co., Ltd. 60 : Thavitee Wacharapai 61 : Manatspong Saguanwuthirojana 62 : Wonder Anatomie 63 : Ek Thongprasert 64 : Athibodee Suwannachot 65 : Ohm Ratchawej 66 : Nouwarat Thepsiri 67 : Jaturong Hirankarn 68 : Anan Paparso 69 : Hathai Boonnak

The Age of Empathy : Work In Progress 6

IN EXHIBITION

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Textile// Associate Professor Dr.Tan Jeanne (HONG KONG)

Title : Twist Dimension : 100 cm. X 180 cm Techniques & Materials - The textile is produced with technique of Jacquard Weaving using 12 harness satin weave patterns.

- The interwoven materials are Polymeric Optical Fibers (POF), Cotton,and Polyester.

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Oil on Canvas// Franyo Aatoth (FRANCE)

Title : Bourjons, 2017 and Broussailles 5, 2017 Techniques & Materials - Oil on Canvas

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Felting// Geri Forkner (USA)

Title : Making Multiple : The Journey to Becoming an Expert Techniques & Materials - Felting

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Design// Professor Vichoke Mukdamanee

Title : Pay a Final Tribute and Farewell to His Majesty The Late King Dimension : 120 cm. x 120 cm.

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Design// Associate Professor Kamol Phaosavasdi Title : My own form of politics in art” ( Polite / Politics) My own form of politics in art” ( Polite / Politics) The typical connotations behind a sculpture may be power and masculinity. as a sculpture in this art piece, the viewer will be immersed in a dual-sensory experience - with an apparent triviality upon first glance, closer examination will reveal a scent, adding a further appeal to its strength-symbolic metal form. By allowing this piece to be opened up to a plethora of interpretations, this work, titled “Polite Politics” presents itself in a way that is more than meets the eyes. Adjustable on space.

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Drawing// Associate Professor Sone Simatrang

Title : “ Every face has a story (No.1) �

Dimension : 120cm. x 180cm. x 70cm Techniques & Materials - Installation Art, adjustable on space - Drawing portraits from the real persons - A4 paper, Acrylic Panel, Water drink glass

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Design// Somchai Jongsaeng

Dharmashram The Dhamma training community for all ages, learning to lead a life of awareness in Dhamma, Natures and Self-dependent, to live a more meaningful life and die a noble death.

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Design// Jitsing Somboon

Title : The master of Thai Dimension : Acrylic on silk weaving 120 x 100 cm

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Photography 3D// Simon Cheng (MALAYSIA)

Title : AI Assault Mech Dimension : 84.1cm. X 118.9 cm Techniques & Materials - Photography 3D modeling develop with Sketchup and render with Luxion Keyshot.

AI Assault Mech This mech has artificial intelligence in its body.

This AI can help his pilot. The mission is for attack and defend.

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Acrylic on Dollar Bills// David Luscombe (ENGLAND)

Title : Dollar Wall Dimension : 84.1cm. X 118.9 cm Techniques & Materials - Acrylic on Dollar Bills

Dollar Wall It is a pop art style. The artist paint some icon on the old American notes to make particular interested art pieces.

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Zbrush Digital Sculpting// Vimal Kerketta (INDIA) Title : Likeness Sculpts Dimension : 59.4 cm. X 84.1 cm Techniques & Materials - Zbrush Digital Sculpting

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Ink on Paper// Gyula Sagi (GERMANY)

Title : Op.114, 2016 and Op.130, 2016 Techniques & Materials - Ink on Paper

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Painting// Mai Weiting (CHINA) Title : Sense of quality Dimension : 21.0 cm. x 29.7 cm.

Techniques & Materials - Painting

Sense of quality The newspapers in the works are made up of fashion, fashion products and other elements, which incorporate a rich color palette to express the sense of quality of the entire picture. The theme of the work is “a sense of luxury.� To make the screen more sophisticated, one of the elements of the trend trend is used: irregular newspaper elements.

Flexible use of contrasting colors brings a strong visual impact.

Through various painting materials and techniques, different paintings are created. The visual effects of the screen are multi-layered, additive, random, and uncontrollable. It is because of this trait that it will produce ever-changing results. The overall picture is strong, the details are diverse, and the visual effect of the work is extensive and original.

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Painting// Chen Ningning (CHINA) Title : Summer Moji/ The thorns of the late night Dimension : 21.0 cm. x 29.7 cm.

Techniques & Materials - Painting

Summer Moji/ The thorns of the late night In the picture, the black green is interwoven with the busy work and stress in life, and the yellow green is interwoven with the feeling of relaxing and relaxing in the weekends, holidays and parties. The clean air after summer rain, the full vapor in the air, the fragrance of peppermint and lime make people bright. Fresh breath makes people free from heavy pressure and savor romantic and refreshing summer days.

Through various painting materials and techniques, different paintings are created. The visual effect of the picture is multi-storey, repeated, random and uncontrollable. It is precisely because of such a character that it will produce ever-changing effects. The overall picture is strong, the details are super, the visual effects of the works are extensive, and the originality is high.

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Painting// Li Mengsi (CHINA)

Title : Commemorating Monroe Dimension : 59.4 cm.x 42.0 cm.

Techniques & Materials - Painting

Commemorating Monroe Monroe is a world star, sexy and beautiful incarnation, the decoration of the surrounding newspapers, the lining of Monroe just like from the pictorial out of the general, plus the pop style, color contrast, make the Pope more strong antiquity.

Through many kinds of painting materials and techniques, different paintings can be created, and the visual effect of the picture will be stronger. Use the same elements to create the same atmosphere. The visual effects of the works are extensive and original.

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Light-Space// NotanLab (INDONESIA)

Dimension : 1.5 x 1.5 m.

Techniques & Materials - light-space,cuttout paper and reverse video projection

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Plaster Masks// Eldwin Pradipta (INDONESIA)

Dimension : 1.5 x 6m.

Techniques & Materials - plaster masks

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Ipad, Television Screen, Computer// Benton C Bainbridge (USA)

Dimension : Installation 3 square meters Techniques & Materials - ipad, television screen, computer

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Film&Video// Samuel R. Forkner (USA) Title : Line, Color & the Whole Stor the creation of the mural painting at Wat Phlapphla Chai Dimension : - 1920 x 1080 px, High Definition video (HD 1080p at 24fps), stereo sound - This piece should be displayed as large as possible for the space provided.

Techniques & Materials A medium-end, high definition video camera with a manual zoom lens was used. The editing process was completed with Adobe CS6 Premiere Pro software, with hardcoded subtitles made in Adobe InDesign. Extensive color timing and matte-work was done both in Premiere and SpeedGrade. For the sound, Audacity sound editing software was used to create musical loops, doctor bad recorded sound, and create transitions between speakers or for different clips of the same speaker.

Line, Color & the Whole Stor the creation of the mural painting at Wat Phlapphla Chai The interior walls of the ubosot at Wat Phlapphla Chai have been recently painted with new murals. The artists used modern industrial pigments and color theory from the abstract expressionist painters, among many other interesting techniques, to complete their traditional work. Wat Phlapphla Chai is a hard to find Buddhist temple in Bangkok. It is located near Maitri Chit road in the Pom Prap district. This documents the approach by the group of artists during their working process at the temple in old Bangkok from 2012 to 2018. Here, the artists discuss the restrictions on their work and their methodology. The documentary itself strives to be a stylistic work. Paradoxically, both a formal and casual approach are used. And it uses sound in a unique post-modern way. The film is colorful and contains a lot of great Thai art.

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Furniture// David Schafer (USA) Title : Soundmaker Dimension : 800x1200x850mm Techniques & Materials - Furniture grade plywood base with SS rod and Perforated sheet

Soundmaker The Soundmaker is part of a suite of “playstations” that were designed and fabricated by me and my team for Raintree International School in the Nanglichi area of Bangkok. These playstations embody our theories and perspectives on early childhood education. The traditional process is often focused primarily on academic learning, but we believe in “empowering” kids...

Allowing them to engage the natural world Providing scenarios for teamwork and social responsibility Encouraging open ended exploration and unstructured learning

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Painting, Water Color// Chairat Na Bangchang (THAILAND) Title : Illustration for Ploy gam phetch Dimension : 31 cm. x 41 cm.

Techniques & Materials - Painting, Water Color

Illustration For Ploy Gam Phetch I love native stage, that is why my work is made of casual composition and brush stroke.This illustration brings out the idea of the novelist that wrote about Nepalese moving to different cultures. I have included some Asian boy toy such as paper wind mill pattern in fabric art that portrays Eastern civilization through the use of Eastern color scheme.

The 2 pictures of the ladies, I paint like the collage effect and I use roses symbolizing ladies

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Chalermprakeit Temple, Nontaburi

Painting, Water Color// Chotvit Suwong (THAILAND)

Chalermprakeit Temple, Nontaburi

Title : ChalermprakeitTemple,Nontaburi/Burmeses Temple, Mae Hong Sorn Dimension : 62.5 cm. x 47 cm. /40 cm. x 26.5 cm.

Techniques & Materials - Painting, Water Color

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Photography// Pipop Budsarakumwadee (THAILAND) Title : Red Cloud ; October 2014 / Green Aurora ; October 2015 Techniques & Materials - Photography

Red Cloud ; October 2014 We travelled to Iceland, 10 days of our journey we walked in a circle, one day we saw a huge red cloud in the 0 degree Celsius. It occurs when an air hit the volcano. It lifted the cloud and make the cloud bigger.

Green Aurora ; October 2015 After seeking for the northern lights at Abisko National Park in Artic Circle Lapland in Sweden. We found a wonderful northern light.

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Photography// Apichart Nyamniyom (THAILAND) Title : Last Light Dimension : 31 cm. x 41.5 cm.

Techniques & Materials - Photography

Last Light “When the dark comes, the last light shown to the window. Every day pass by, nothing can control. Dawn, night and sunrise are normal circle like everyday”

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Painting// Teerawat Nuchareon (THAILAND) Title : Painting in the cave; Amphour Long, Phrae Province.

Techniques & Materials - Painting

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Sculpture// Wisut Yimprasert (THAILAND) Title : Self portrait in December 2017 Dimension : 31 Cm. X 31 Cm. X 47 Cm. Techniques & Materials - mixed technique - wood, stainless steel, stone, gold leaf

Self-portrait in December 2017 Everyday throughout the years, all of us face problems. Some people gave up their problems. But some struggled with them. This art piece is to study the form shown by wood to sculpture. The art pigment and the juxtaposition of different kind of material.

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Sculpture// Poraphon Chinwannachot (THAILAND) Title : Relationship.

Dimension : 26 Cm. X 30 Cm. X 39 Cm. Techniques & Materials -Brass

Relationship.

As I have been inspired by the relationship of human beings toward mankind together. Could be a lover, dear friends, or people who have a relationship with us.

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Mixed Technique// Tnop Wangsillapakun (THAILAND) Title : The New-ist Vibes Dimension : 23.4 x 33.1 in Techniques & Materials Photography (Kong Punthumajinda), set design (Studio Marketting Materials), offset printing (6 color with special color enhanced technique), printed on 210g. paper with spot UV coating, series of 5 designs

The New-ist Vibes In 2018, Thailand Creative and Design Center(TCDC) organized the first ever Design Week in Bangkok. A set of poster series was created under the theme “The New-ist Vibes� to represent our unique design of Bangkok.

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Mixed Media// Anupong Suttalak (THAILAND)

Title : “ The River of no return �

Dimension : 430 x 300 cm.

Techniques & Materials -Mixed media

The River of no return The flow of change can be observed or realized from the present state. The change leads to a historical story centered on human and society. As the saying goes, The River never flows back. The current image of the stream is the sum of the elements that are connected in a continuum. At present, the city is seen as Urban characterized with high rise buildings, houses, densely populated embracing the diverse society and culture. The growing modern city that we see is not the whole thing but merely the surface that coats the hidden layer of another subtle picture - the canal community and ways of lives.

The canal community and ways of lives along Khlong Rangsit or Rangsit canal, the totally different scene from the skyscrapers and modern city however definitely linked closely to the coated scene of the ever expanding urban, is located in Pathumthani Province. The canal was excavated during the reign of King Rama V. to be used as a transporting route and irrigation system for farming. The canal Lifestyle has been continuously changing because of the modernization and the development. The river of life has been transformed into a canal road - along the canal. The beauty of life along the canal is vividly changing.

The canal houses are being demolished to be replaced by the new road constructed, accommodating the needs of the larger city.

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Art Installation// Nipon Smanmit (THAILAND) Title : The Unhewn Forms Techniques & Materials -Painted timbers are hanged and decorate with Light of Round Lamps

The Unhewn Forms The imagination of children is interesting. I’m reminded of a game I played with my friends when was a young boy. When we saw clouds we would turn their shapes into things with our imagination. The first of us to state what it was would be the winner. Really clouds are formless and there are no details which define them, but kids can use their imagination continuously.

One important point which interests me is how the unhewn form can influence the imagination of the viewer. The process of human

perception cause the viewer to recallimages in his memory when confronted with an unknown form. A finished image will be the result.

I create a variety of unhewn forms for the viewer to contemplate.

Some pieces may be easier to imagine as a thing. It is interactive, simply.

Some pieces may be harder to imagination because their form is not clear. The viewer has to spend more time to make a decision. My aim is to enhance the effect of interaction.

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Sculpture// Achara Narklada (THAILAND) Title : Atta Upajara Samadhi Techniques & Materials - Sculpture

Atta Upajara Samadhi An art, we can tell that it reflect the subconscious come from the accumulations of aesthetic and art ability. It is individual and has different idea. Every time a small piece of wood are compound, the eyes stare and the mind concentrates on the work forward. All of these make “Atta Upajara Samadhi� happened in the mind. What happened means concentrating to the work creator is doing, invent the work from inside the mind at that time. But whenever it compound a new one, the outcome will always be different like the mind that always changes through the time.

Consider carefully, the small wooden pieces was compounded to be a big piece. This is not different from the idea that big organization comes from many small units. If every pieces chosen are fit to the others, it would be a fine and strong organization. But if not, it means the collapse.

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Monoprint Watercolor// Vichai Mekkerdchoo (THAILAND) Title : Social Diary Dimension : 64.00 x 86.00 cm Techniques & Materials - Monoprint Watercolor

Nowadays, society has changed rapidly with new evolution and innovation coming in continuously. World has quick development which one side has benefits to humankind. However, there are lots of questions that we are able to trust such all new things that occurred or not. Something enter to society but make something vanish away, is this correct? From this concept, the writer would like to present another view point of society that comes with new innovation. From works “Portrait of Society� the writer wants to present another side of portrait of society which has complexity and distrust by presenting works in Mono Print Water Color technique for this view point purpose.

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The 6 th Rangsit University International Design Symposium

Mix media, Social Media, Photography// Tonkao Nitasganjananon (THAILAND) Title : Earthpathy Dimension : 00px by 600px (Instagram) and present through the live slideshow Techniques & Materials - Photography & Motion Photography Techniques Smartphone and Portable Microscope Zoom (60-120x) - Live Gallery Techniques Social Media Platform, Instagram and http://slidesome.com

Earthpathy Earthpathy is the series of visual objects in photomicrography andmotion photomicrography showing the boundaries of human perception on everyday objects. Using contemporary technology to define the art today which touching the Human lifestyles and experiences.

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Product Design ( Art and Craft )// Lalita Seemontara (THAILAND) Title : Modern muse “La Fleur” Dimension : First Art work : 35 cm. x 40cm.

Second Art work : 33 cm. x 45 cm.

Techniques & Materials First Art work : Laser cut on stainless steel sheet.Second Art work : Crochet with copper wire and decorated with laser cut stainless steel sheet.

Earthpathy Jewelry is a vital body decoration for women of all races in all ages. Jewelry is used to decorate the body for beauty. It can indicate the social status and culture. In this jewelry design, inspired by the woman gowns in the 1890s and 1900s, women wore laces and lace neck collars.

The pattern of lace comes from nature, such as flowers, vines, leaves, trees etc. The design of the ornament in this work has introduced the concept of women’s lace in the 1890-1900 to inspire the art pieces.

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The 6 th Rangsit University International Design Symposium

Fashion Design// Supreeya Suthamtarikul (THAILAND) Title : The Age of Empathy: Simply Minimal Dimension : 150x30 x2 CM. Techniques & Materials - Digital Printing, cutting fabrics attachment.

- Duchess Satin Fabrics, Net Fabrics, Felt Fabrics.

The Age of Empathy: Simply Minimal The design concept is basically based on the facts of present general economic situation of Thailand. Limited incomes and heavy household debts are still a huge burden to many people particularly the B class level customers and below. Creating a reasonable price main contem-porary classic dress with minimal design yet allowing customers to add the attachments on the main contemporary classic dress at their own wills and personal creativities.Customers do not have to spend too much money to buy the main classic dress at the beginning but they can gradually acquire additional attachments to create different looks of the dress and have more fun.

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The Age of Empathy : Work In Progress 6

The Age of Empathy : Work In Progress 6

Fashion Design// Seksarit Thanaprasittikul (THAILAND) Title : WHAT REMAINS IS FUTURE No.2 (2018) Dimension : Techniques & Materials - Pattern Cutting, Sewing, Tailoring Materials: Wool ,Interlining, Canvas,Fusible Interfacing, Lining

WHAT REMAINS IS FUTURE No.2 (2018) This project is a continuous progress from the project “What Remains Is Future�, previously exhibited in 2017. The phrase suggests that beautiful future can be created from what remains in the present time.

The creation is an interpretation of the statement into design concept with an aim to fnd new possibilities in fashion design.

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Film&Video// Tawan Wongsawan (THAILAND) Title : ASA change Dimension : 8 Mins Techniques & Materials - VDO Motion ASA Change ASA change is initiated from the questions we have for the role of architects, and whether we can contribute our potential and knowledge to do something more than just designing a building or a house for those who can pay, something more significant that affects people’s lives at a much larger social scale.

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The Age of Empathy : Work In Progress 6

Digital Art// Jinabhadr Kantaputra (THAILAND)

Title : Music Instrumental of Love Dimension : 20 X 30 Inches Techniques & Materials - Computer generated using two applications:Adobe Illustrator and Adobe P h o toShop

Music Instrumental of Love All the time in the world, love is eternity and beauty. Art and music inspired by love through time, especially love of young lovers. In this time, I make the art work of the young lover sharing their feeling by playing music. The man plays his ukulele while the woman plays her piano. They play melody that is stimulating tone and it wakes up the girl spirit represented by a wildflower bird clapping in the leaf hair cage showing on her head. At the time music they play makes them fall in love with each other without the man saying a word to her.

I intend to give this art piece to the faculty of music, Rangsit University.

I expect that my work would help making the beautiful and romantic environmental in a hall or music room. It will pleasure for musical students, teachers and visitors.

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The 6 th Rangsit University International Design Symposium

Illustration// Sirada Vaiyavatjamai (THAILAND) Title : Series of 3 Illustrations ‘The Origin of Compassion’: North, Central and South of Thailand Dimension : 6 x 20 inches of 3 Illustrations Techniques & Materials - Digital Illustration

Series of 3 Illustrations ‘The Origin of Compassion’: North, Central and South of Thailand The series of three Illustrations ‘The Origin of Compassion: North, Central and South of Thailand’ were inspired by an interpretation from conceptual thinking, as an empathy of nature offering human basic senses and determine a diverse culture of Thai perceive. The Illustrations represented a considerable spiritual essence of deep appreciation for human five basic senses; sight, hearing, taste, smell and touch.Empathetic design in this project conveyed significant elements of what nature kindly introduced to us and the interactions with our environment and cultures.

Thailand cultural expressions can be reflected by diverse geographical, natural, cultural and the relationships between South East Asian Nations or ASEAN. There are many different religions and beliefs among the countries. In Thailand, there are diversities influenced by various traditional of Chinese, Indian and Islamic cultures. The cultures mixed transferred and attributes characteristics of the beliefs and inspiration throughout the country. Regions of Thailand considerably inspired different identities from natural geography and mythology.

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Illustration// Vishnunad Katanyuthaveethip (THAILAND)

Title : “Manjhi the Mountain Man” Dimension : 20” x 24” Techniques & Materials - Infographic

“Manjhi the Mountain Man” Dashrath Manjhi the mountain man. Who moved a mountain inspired by love for his wife, and further inspired by the will to give his fellow villagers an easier road to travel. Manjhi singlehan-dedly moved 270,000 cubic feet of earth, through his dedication and commitment over the course of 22 years. He was able to reduce the distance between the Atri and the Wazirganj blocks of the Gaya district from 43 miles to about 0.6 miles.

Manjhi died on 17 August 2007 at the age of 73, while suffering from gall bladder cancer in All India Institute of Medical Science (AIIMS), New Delhi. He was given a state funeral by the Gover-nment of Bihar. For his feat, Manjhi became popularity known as the ‘Mountain Man’. The Bihar government also proposed his named for the Padma Shree award in 2006 in social service sector. A stamp was released by India Post in the “Personalities of Bihar” series on 26th December 2016.

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Illustration// Vishnunad Katanyuthaveethip (THAILAND) Title : “Mirror, mirror” Dimension : 20” x 24” Techniques & Materials - Infographic “Mirror, mirror” If the designer has the ability to reach the mind and realize the needs of the consumer clearly. Just like the designer saw himself in the mirror. That is how successful designer can respond to consumer needs and desire effectively.

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Illustration// Assist.Prof.Chaiporn Panichrutiwong (THAILAND) Title : “The Little Prince” Dimension : 150X 120 cms Techniques & Materials - Acrylic colors and a150x120 cm canvas

“The Little Prince” “The Little Prince” or “Le Petit Prince” is the most famous novel of Antoine de Saint-Exupéry. It was first published in 1943 and has been translated into 300 languages. I believe that almost all readers are impressed by it, just like I am. “The Little prince” is one of my favorite books. I found it difficult to understand when I first read it. It’s not a typical children book which is full of imagination, interesting illustration and creative content, but it also gives the adult readers the very interesting point of view through the little prince’s curiosity and the conflict between him and other characters he met in his journey. The Little prince is a symbol of everyone’s youth. We have started our own journey since we were born. Each of us stopped by different planets and explore the universe in own way. All experience we have had creates the unique opinion, thoughts and personalities. We can’t deny hat the uniqueness can sometimes cause the conflicts and problems. One of the simple ways to ease the tension between those problems is to have the “Empathy”, and to understand that each person has his or her own “The Little Prince”.

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Digital Painting// Assist.Prof.Sutat Palama (THAILAND) Title : Suwana Macha Dimension : 29.5 x45.5cm.

Techniques & Materials - Digital Painting and print on paper.

Suwana Macha Suwana Macha and Sida are sister, which have the same father. Their father name Thoskan. Her mother is a fish one of the character in Thai literature. She is very beautiful, top half is human, below is fish. Her skin is gold. She was mix with human and animal. She has a good part and lust part like all human. Who usually should grow up with moral.

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The Age of Empathy : Work In Progress 6

The Age of Empathy : Work In Progress 6

Digital Painting// Assist.Prof.Sutat Palama (THAILAND) Title : Individual relationship Dimension : 29 x44.5cm.

Techniques & Materials - Digital Painting and print on paper.

Individual relationship

Everything has it own intra personal. People were born with selfness and intrapersonal.Human is born to live in society. We can’t live without relationship. ​ Esteem, Wealthy is important, but if we lack it we still can alive.

From the research of Kurt Gray printed in academies Journal, Psychological Science. The going to be kill prisoner usually tell their past about the love which they had related. The most important relation is the relation with yourself.

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Digital Art// Assist.Prof Chuchai Assawaarekun (THAILAND) Title : Improvisation Reform Dimension : Approximately 26x20� , 23x32�

Techniques & Materials - Computer Generated Photo

Improvisation Reform The color of the tile pattern on the wall of the temple Wat Ratchabophit.

Have a beautiful,bright and cheerful when you see it. It is similar to a colorful play of Fauvism artists, if introduced to create new form.

More contemporary It is likely to create a more contemporary artistic taste than the original.

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The Age of Empathy : Work In Progress 6

Sculpture// Assoc.Prof. Pakorn Prohmvitak (THAILAND) Title : “Kanom-Thong-Moun of King Suriya Chaiworaman 9” Dimension : 1.10 x 0.10 x 0.20 m Techniques & Materials - Using the bottle that has the size that can contain “Kanom Thang Moun” properly.

- The bottle should be thick enough to give the sense of torturing all the apsaras contained inside.

- placing nine bottles on one row to have the sense of series,no starting, no ending, but unique when having a first glance and can find the meaning of 9.

- using brown paper that has a texture look like “Kanom Thong Moun”.

“Kanom-Thong-Moun of King Suriya Chaiworaman 9” This feminist approaching idea started from my first visit to Angkor Wat in 2013.There are more than a thousand apsara. All of them are half naked. I felt immediately at that time that King Suriya Chaiworaman had as many girls as these statues, serving his sexual pleasure, and he had a very big harem.

Not only in ancient times but also nowadays, we can see the evidence where millions of tourists are passionately touching the apsara statues on the breasts. Tourists do this with the attitude that women are the object of sexual pleasure.

This experience inspired me to create the art piece, “Kanom Thong Moun of King Suriya Chaiworaman 9”.

The idea of this art piece is to provoke the viewers to be aware of the idea, “men dominate-women”, which should be changed. Using the number 9 implies that it has never gone to zero. After bottle number nine there is nothing. This message should provoke the viewer to push ZERO to go away, and have something visible, so that the un-dominated society can exist.

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Sculpture// Gomesh Karnchanapayap (THAILAND) Title : The Happiness Of The Citizen Is The Real Royal Smile Dimension : (Height) 33 x (Width) 33.5 x (Depth) 58 cm.

Techniques & Materials - Digitally sculpted in ZBrush, utilizing 3D Printing in order to turn it to physical form, and the final art work’s cast in bronze.

The Happiness Of The Citizen Is The Real Royal Smile As one of the citizens of Kingdom of Thailand, I’ve always known how much our kings have been sacrificing for the well-being of Thai people.

In the reign of King Bhumibol Adulyadej,we all know his majesty spent

his entire life improving the commonwealth of the nation.His majesty’s empathy toward his subjects led to the conceptions of many royal projects which brought about happiness to the land.

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Photography// Phanas Phokthavi (THAILAND) Title : Haphazardly Wrapped Dimension : 3 pcs 30 X 70 cm Techniques & Materials -Experimental digital photography-Canon EOS 600D -Canon 50 mm f 1.8 -Photographic paper Haphazardly Wrapped Although our lives are real, it is hard to see the real truth.Whether by accident or intent, The truth is obscured with many factors, external factors, internal factors, and their environment. All factors haphazardly assemble as a wrapper that distorts reality. So the visible image is unsteady, Sometimes still - Sometimes moving Sometimes clear - Sometimes muddy Sometimes revealed - Sometimes concealed Sometimes beautiful Sometimes dash Sometimes mystic But every time blurry.

Or this is the real truth.

This set of experimental photographs demonstrates people through an existing wrapper that causes unclearness in identities, thoughts, and actions. The concept is to parallel the blur of the truth in the current society.

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Digital Art// Hathaichanok Chiengthong (THAILAND) Title : A dead end Dimension : 49x68 cm.

Techniques & Materials - Digital art

A dead end ​ ll people have fear.We are not living in a perfect circle, and nature A is a perfect circle Nature is support humans all the time. We only exploit nature and we never give anything back.when nature suffers because it is destroyed by human. We should learn to love nature before it is too late.

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Graphic Design Visual Communication// Suttichart Sarapaiwanich (THAILAND) Title : เปล่า / PALE Dimension : 1. “เปล่ า / PALE” Book : 14.5 x 21 cm (3 Copies)- Digital art 2. “Behind the PALE / เปล่า” : 21 x 27 cm (3 Copies) 3. Picture in Frame : 50 x 70 cm (1 Piece), 30 x 40 cm. (2 Pieces) Techniques & Materials - Digital Print

เปล่า / PALE Today in Printing business, Every publisher’ve many problems. Many readers change to read everything in smart gadget. Some publishers closed because this changing. Direction of book design’s separate in two ways, print cheaper book for everyone or print expensive book for collector. Comic book also’ve same problem. Many people still judge comic book’s for children and it always a cheap book. So I want to create my new comic book to another level by use creative and graphic design.

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Mix media// Film & Video//Animation Patara Nimmol Phakhaphon Woraphan (THAILAND) Title : An Eagerly Operation Collaborative Between Teacher And Student Dimension : Techniques & Materials - Video Art ; Using 2D Animation, Video presentation,Visual Animated and school books - Receipt ; Using projector on Wall - The Symbol ; Creating a Symbol of the operation.

An Eagerly Operation Collaborative Between Teacher And Student The re-presentation of our experiences of education and relation between “Teacher(server)”and “Students(users)” in order to share the informal conversation along with the effort to research, to understand, to build and to select related material. Therefore, we would like to share this conversation to the audiences through a variety of media which include, 2D Animation, Visual Movement, Projection on wall and documents.

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Graphic Design Visual Communication// IGLOO Studio (THAILAND)

Igloo Studio is a creative company, specialized in animation and production design. We are a group of artists and professionals who come together to create meaningful stories and produce high quality animation for the worldwide audience.

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Toy Art // Nattapong Atisup (THAILAND)

“ TOY “ I study though the internet and discover materials. Five years ago resins are not popular.

Now, these resin technology have developed. Resin needs to be studied to bring out new ideas. If experiments does not work then it is a lesson.

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Film & Video// Animation//Digital art// Panas Chanpum (THAILAND) Title : Implementation of Visual Effects Techniques for Architectural Visualization Dimension : Stills image: 3840*2160 pixel Video: 1280*720 / approx.

1.5 min Techniques & Materials - This project used 3D Visual Effects Process to development final output,Visual Effects that used in this piece is Procedural Cities generation, 3D Look Development and 3D Passes Compositing.

Implementation of Visual Effects Techniques for Architectural Visualization Nowadays Visual Effects is important factor to enhance the digital art in various form, Not only in Film and Animation. Fundamental Knowledge o f creating piece of Visual Effects can be adapted to various field, modern architectural visualization is mainly created by computer graphic.

This Project is created with implementation of Visual Effects technique t hat normally have been intensively used in Film and Advertising production due to realism and workflow flexibility, Applied Visual Effects Technique to architectural visualization will improve the realism and flexibility to improve image quality toward ideal images.

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Film & Video// Chinatip Tangsiripat (THAILAND) Title : Loop Dot Dimension : Full HD (1080p) 20 Seconds.

Techniques & Materials - Using Perspective Half-Tone to calculate point position and size base on picture.

- Using Noise to calculate trajectory when moving point to new location.

Loop Dot “Empathy” in my point of view is to understand each other. We can understand other people through our hearth and brain. We use our hearth to feel other people feeling, and we use our brain to think about other people feeling. In this work, I emphasize the process of Empathy through symbolic of hearth, brain, light bulb. The meaning of “Hearth” is to illustrate the feeling. And I use “Brain” as a symbol of logical. After we feel each other we need to think of how it should be, or how we should act. After that, I use “light bulb” to illustrate the state that people complete their understanding each other. The process will continually go on infinite because we need to adapt our feeling and logical all the time.

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Printmaking// Thidarat Boonrak (THAILAND) Title : Line & Life Dimension : 70 x 80 Techniques & Materials - Printmaking

Line & Life “Line & Life” was inspired by the combination and relationship of the nature.

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3D Animation// Podjanee Kakaew (THAILAND) Title : 3d Action Animation Design To Cuitivate Good Conscience To Children to Care About Environment Case Study Garbage Discarding Topic Dimension : 2 minute Techniques & Materials - 3D Animation

3D ACTION ANIMATION DESIGN TO CUITIVATE GOOD CONSCIENCE TO CHILDREN TO CARE ABOUT ENVIRONMENT CASE STUDY GARBAGE DISCARDING TOPIC

Current animation The media is becoming popular and attracting a large number of viewers. Because it can create interesting. Imagine exotic imagery, sound, movement techniques.To give the audience access to the emotions and objectives presented. Or can create something beyond human power can actually be created. Animated, action-oriented or action-packed animation. There is always a good response. Because create exciting. The first action film in the sense.It appears in The Film Encyclopedia that it is defined as “a large section of a film. It’s nteresting feature is its quick cut. The subcategories of this type of movie are: Western Pioneer Films Film serial killer or crime movie. Sometimes it also includes comedy films that focus on the characters’ exaggerated action, such as

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popular action movies such as animated film and Kung-Fu panda by DreamWorks Animation. The continued positive response is evident from the sequel to the movie. The basis of the action movie is driven into the challenge of violence, the pursuit of melee. And the use of physical skills in combat. This film is likely to show a protagonist struggling with difficulty. Be it a potentially life-threatening situation. Or chase But generally, it ends with the protagonist’s victory.

This research focuses on the design of animated films. 3D Action Inc lude the content of the children’s awareness of the garbage into the trash. This is a collection of techniques and theories that contribute to the success of motion picture animation.

The Age of Empathy : Work In Progress 6

3D Animation// Darunee Pungwongyat (THAILAND)

Title : The Study Of Bodylanguage In 3d Animation Design Case Study : The Danger Of Smoking Effects On People Near By Dimension : 2 minutes Techniques & Materials - 3D Animation

THE STUDY OF BODYLANGUAGE IN 3D ANIMATION DESIGN CASE STUDY : THE DANGER OF SMOKING EFFECTS ON PEOPLE NEAR BY Physical language expression is characterized by or unique character. It is very important to tell the story in the animation to be more interesting to follow. And better communication, the drama will be able to communicate. Should be educated by the person or thing that really lives. To know how to express the body language with the character of the character. These will help to make the character in the animation more unique and realistic. ​ Researchers are interested in transmitting body language through stories of the harmful effects of cigarettes. Currently, smoking cigarettes not only pose a danger to smokers. But smoking also pose a danger to those who smoke, even if they do not smoke. We call it smoke. Second hand smoke It is a very important and very serious

health problem for young children or children. When second-hand smoke is present, there is an increased risk of acute diarrhea, with no known risk for respiratory infections. Acute otitis media, allergic asthma, long-term effects on chronic lung disease. There is a risk of lung cancer in the future. And affect brain function in the level of intelligence. ​ From the above study, the researcher can see the importance of body language expression in the animation. Therefore, the researcher studied more information related to the expression of body language. And second hand smoke. Then it is produced as a three-dimensional animation. To be aware of the hazards of cigarettes that affect the close person.

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The 6 th Rangsit University International Design Symposium

Film & Video// Dr.Panot Susuwan (THAILAND) Title : Miracle Cures Dimension : 66 Mins

Miracle Cures Telling story by Observation Cinema and Real Documentary from fact,truth and reality on situation. Thai traditional medicine is the local knowledge that includes the knowledge of herbs and recipes for cooking and the way the practices in the treatment that combines with the belief in each local together to make the treatment of dedicated. While the Thai society is currently in the time of change through the culture at the health of the various groups have a greater role in managing health and disease with the knowledge and belief and understand the different. As well as the private believe the belief in the doctrine of the recipe the belief in the current . Knowledge of the Thai traditional medicine as the intangible cultural heritage.

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The Age of Empathy : Work In Progress 6

Design// Department Of Architecture Co., Ltd. (THAILAND)

Title : “ The Flow ” a multi-purpose pavilion

“ The Flow ” a multi-purpose pavilion The floor plate of the pavilion is lifted up out of the ground … cut, folded, creased, bended forming different spatial configuration to allow for possibilities of activities. The project is an e xploration on how architecture can trigger i magination of the public to freely re-interpret, re-invent and re-occupy the place in any way they wish….out of its ground.

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Design// Thavitee Wacharapai Title : Thailand Creative and Design Center (TCDC), Bangkok

Title : “ Thailand Creative and Design Center (TCDC), Bangkok ”

“ Thailand Creative and Design Center (TCDC), Bangkok ” A creative space is not ‘creative’ because of how it looks but it is a place that inspires. The architecture is a platform for actions, conversation, exchanges of ideas and surrounds us with inspiration resources.they wish….out of its ground.

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Design// Manatspong Saguanwuthirojana (THAILAND) The Factoria Over the past few years, Hypothesis has been g rowing and diversifying its practice with reg ards to its design scopes as well as project types. Our growth inevitably requires us to find a bigger home. We found this old warehouse in 2017, and that was when The Factoria began.

The existing warehouse, once an automobile f acility, located in the heart of Bangkok in S ukhumvit 26, is now injected with new programs: a canteen, a bar, a fabrication lab, an art studio, and design offices. The renovation prim arily uses simple steel structures with glass panels to create programmatic spaces that sit along the periphery of the warehouse and face an open court in the middle. The interior court can serve a range of temporal programs - dining, working, seminars, workshops, exhibitions, even weddings and fashion shows. It is populated with movable metal racks and loose furnit ure which can be reconfigured into different layouts based on different activities. The warehouse becomes a creative production house c atering for various artistic pursuits that take p lace within, hence the name The Factoria, which means a factory in Latin.

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Fashion// Wonder Anatomie (THAILAND)

Title : Fashion Collection

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Fashion// Ek Thongprasert (THAILAND)

Title : Fashion Collection

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Fashion// Athibodee Suwannachot (THAILAND) 086

Title : A 100-METRE DRESS

The Age of Empathy : Work In Progress 6

Ink On Paper// Ohm Ratchawej (THAILAND) Title : Garuda/Parinibbana Dimension : 21 cm. X 29.7 cm./29.7 cm. X 42.0 cm.

Techniques & Materials - Ink on paper

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Color pencils// Nouwarat Thepsiri (THAILAND) Title : Journey/“Thai kids” The Cardiac Children Foundation of Thailand Dimension : 31 cm. x 42 cm./20 cm. x 30 cm.

Techniques & Materials - Color pencils Journey/“Thai kids” The Cardiac Children I love color and pencil, it makes me paint as if I am meditating. I love Thai art and ASEAN art since. I were young.

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Darkroom printed// Jaturong Hirankarn (THAILAND)

Title : You are living all over me Dimension : 48 cm. x 60 cm.

Techniques & Materials - Darkroom printed - Double exposurefrom two black&white negatives

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Painting// Anan Paparso (THAILAND) Title : Oil painting Dimension : 120 cm. x 100 cm.

Techniques & Materials - Painting

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Painting// Hathai Boonnak (THAILAND) Title : Mahachanok Dimension : 32 cm. x 40 cm.

Techniques & Materials - Painting, water color

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SYMPOSIUM & EXHIBITION

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Symposium & Exhibition

รศ.พิศประไพ สาระศาลิน​​​/ ประธานที่ปรึกษา

ดร.สุชีพ กรรณสูต​​​​/ กรรมการ​

ASSOC.PROF.PISPRAPAI SARASALIN

DR.SUCHEEP KARNASUTA​​​ (ผู้ทรงคุณวุฒิในประเทศ)

อาจารย์อำ�นวยวุฒิ สาระศาลิน / ​​​ที่ปรึกษา

อาจารย์เสกสฤษฎ์ ธนประสิทธิกุล​​/ กรรมการ ​SEKSARIT THANAPRASITTIKUL​​​ (ผู้ทรงคุณวุฒิต่างประเทศ) อาจารย์ชินภัศร์ กันตะบุตร​​​/ กรรมการ JINABHADR KANTAPUTRA​​​ (ผู้ทรงคุณวุฒิต่างประเทศ) อาจารย์สิรดา ศ.ไวยาวัจมัย​​​/ กรรมการ SIRADA VAIYAVATJAMAI​​​ (ผู้ทรงคุณวุฒิต่างประเทศ) อาจารย์อำ�พรรณี สะเตาะ / ​​​กรรมการ​​​ AUMPANEE​ SATOH ​​​​(ศิลปินนักออกแบบต่างประเทศ) อาจารย์เสกสฤษฎ์ ธนประสิทธิกุล​​/ กรรมการ​ SEKSARIT THANAPRASITTIKUL​​​ (ศิลปินนักออกแบบต่างประเทศ) นางชฎารัตน์ บุญถนอม​​​/ เลขานุการ

AUMNOUVUT SARASALIN

ดร.สุชีพ กรรณสูต​​​​/ ประธานกรรมการ DR.SUCHEEP KARNASUTA

อาจารย์นัฐวุฒิ สีมันตร​​​ประธานฝ่ายนิทรรศการ NUTTAVUT SEEMONTARA​

อาจารย์สุเทพ โลหะจรูญ​​​/ กรรมการ SUTEP LOHACHAROON

อาจารย์สุธาสินี แสงขำ� / ​​​กรรมการ SUTHASINEE SANGKHUM

อาจารย์อนุพงศ์ สุทธะลักษณ์ ​​​/ กรรมการ ​​ANUPONG SUTTALAK อาจารย์ลลิตา สิมันตร​​​​/ กรรมการ

CHADARAT BOONTHANOM

LALITA SEEMONTARA​​​​

RANIDA HARNPETTHAI

นางสาวรณิดา หาญเพชรไทย / ผู้ช่วยเลขานุการ

106

The Age of Empathy : Work In Progress 6

Symposium & Exhibition

ฝ่ายงบประมาณ// อาจารย์สุเทพ โลหะจรูญ / ​​​​หัวหน้าคณะทำ�งาน

ผศ.ธรรมศักดิ์ เอื้อรักสกุล / คณะทำ�งาน

SUTEP LOHACHAROON

ASSISTANT PROFESSOR THAMMASAK AUERAGSAKUL

นางสาวทัศนีย์ บูรณจารุพันธุ์​​​/ คณะทำ�งาน

อาจารย์ปฐม สุปรียาพร​​​​/ คณะทำ�งาน

TASSANEE BURANJARUPAN

PATHOM SUPREEYAPORN

นางชฎารัตน์ บุญถนอม / ​​​​คณะทำ�งานและเลขานุการ

อาจารย์พิสิษฐ์ โพธิ์แก้ว​​​​/ คณะทำ�งาน

CHADARAT BOONTHANOM

PISIT POKAEW

นายลอย บุญจันทร์ / คณะทำ�งาน​

ฝ่ายนิทรรศการ// อาจารย์อนุพงศ์ เจริญมิตร / ​​​หัวหน้าคณะทำ�งาน​​​​

LOYD BOONJUN

นายไพฑูรย์ เข็มกลัด / คณะทำ�งาน

ANUPONG CHAROENMITR​​​

PITOON KHEMKLAD

อาจารย์ดนุ ภู่มาลี / คณะทำ�งาน​ DANU PHUMALEE​​​​ (สูจิบัตร) รศ.ปกรณ์ พรหมวิทักษ์​​​​/ คณะทำ�งาน

นายฉลอ เสียสูงเนิน / คณะทำ�งาน

ASSOCIATE PROFESSOR PAKORN PROHMVITAK​

NITHTIWAT FONGDAVIRAT

CHALOR SIASOONGNOEN

นายนิธิวัฒน์ ฟองดาวิรัตน์​​​/ คณะทำ�งาน

(ศิลปิน นักออกแบบต่างประเทศ)​ อาจารย์ธิติพงศ์ เนื่องพิมพ์​​​/ คณะทำ�งาน THITIPONG NUANGPIM​​​​ (ศิลปิน นักออกแบบต่างประเทศ) อาจารย์โกเมศ กาญจนพายัพ​​​/ คณะทำ�งาน GOMESH KARNCHANAPAYAP​​​ (ศิลปิน นักออกแบบต่างประเทศ)

นายหลวย แข่งขัน / คณะทำ�งาน​ LAUY KANGKHAN

นางนุชรัช พระมุนี​​​​/ คณะทำ�งาน NUCHARACH PRAMUNEE

นางสาวจุฑาทิพย์ กาญจนไตรภพ​​​/ คณะทำ�งาน และเลขานุการ CHUTATHIP KARNCHANATRAIPHOP

107

The 6 th Rangsit University International Design Symposium

Symposium & Exhibition ฝ่ายศิลปะการจัดวางแฟชั่น// อาจารย์สุปรียา สุธรรมธารีกุล​​​/ หัวหน้าคณะทำ�งาน

ฝ่ายจัดเลี้ยง// อาจารย์ณัฐพงศ์ ศรีปุงวิวัฒน์ / ​​​หัวหน้าคณะทำ�งาน

SUPREEYA SUTHAMTARIKUL

NATTAPHONG SRIPUNGWIWAT

อาจารย์ลลิตา สมันตร​​​​/ คณะทำ�งาน

อาจารย์ลัดดาวัลย์ สารพัฒน์ / คณะทำ�งาน

LALITA SEEMONTARA

LADDAWAN SARAPAT

อาจารย์เสกสฤษฎ์ ธนประสิทธิกุล​​​/ คณะทำ�งาน

นางสาวนวรัตน์ ป้องจิตใส​​​/ คณะทำ�งานและเลขานุการ

SEKSARIT THANAPRASITTIKUL

NAWARAT PONGJITSAI

อาจารย์พชร รัตนคุปต์​​​​/ คณะทำ�งาน

ฝ่ายประชาสัมพันธ์// อาจารย์ดนุ ภู่มาลี / ​​หัวหน้าคณะทำ�งาน

PATCHARA RATTANAKUP

ฝ่ายพิธีการ และต้อนรับ// อาจารย์ลลิตา สีมันตร​​​​/ หัวหน้าคณะทำ�งาน

DANU PHUMALEE

อาจารย์ถวัลย์ วงษ์สวรรค์ / คณะทำ ​​​ �งาน

LALITA SEEMONTARA

TAWAN WONGSAWAN

อาจารย์ไพลิน โภคทวี​​​​/ คณะทำ�งาน

อาจารย์กำ�จร แซ่เจียง​​​​/ คณะทำ�งาน

PAILIN PHOKTHAVI

KAMJORN SAECHEONG

อาจารย์สิรดา ศ.ไวยาวัจมัย​​​/ คณะทำ�งาน

อาจารย์ลัดดาวัลย์ สารพัฒน์​​​/ คณะทำ�งาน

SIRADA VAIYAVATJAMAI

LADDAWAN SARAPAT

อาจารย์อนัญญาลัลน์ วัฒนะนุพงษ์​​/ คณะทำ�งาน

นางสาวไปรมา บุญชู​​​​/ คณะทำ�งานและเลขานุการ

ANUNYARAN WATTANANUPONG

PRAIMA BOONCHU

นางสาวนวรัตน์ ป้องจิตใส​​​/ คณะทำ�งาน NAWARAT PONGJITSAI

นางสาวดวงพร ทองเจิม​​​​/ คณะทำ�งาน DUANGPHORN THONGJOEM

นางสาวรณิดา หาญเพชรไทย​​​/ คณะทำ�งานและเลขานุการ RANIDA HARNPETTHAI

108

The Age of Empathy : Work In Progress 6

Symposium & Exhibition ฝ่ายบันทึกภาพ// อาจารย์พิสิษฐ์ โพธิ์แก้ว / ​​​​หัวหน้าคณะทำ�งาน

CHALOR SIASOONGNOEN

PISIT POKAEW​​​​​​​

นายลอย บุจันทร์​​​​/ คณะทำ�งานและเลขานุการ

อาจารย์อนันต์กิตติ์ จันทรไกร / คณะทำ�งาน

นายฉลอ เสียสูงเนิน / คณะทำ�งาน

LOYD BOONJUN

ANUNKIT CHANKRI

อาจารย์พิพัฒน์ ลิ้มประไพพงษ์​​​/ คณะทำ�งาน PIPAT LIMPRAPAIPONG

นางสาวไปรมา บุญชู​​​​/ คณะทำ�งานและเลขานุการ PRAIMA BOONCHU

ฝ่ายลงทะเบียน และประเมินผล// อาจารย์ชินภัศร์ กันตะบุตร​​​/ หัวหน้าคณะทำ�งาน JINABHADR KANTAPUTRA​

อาจารย์วิษณุนาท กตัญญูทวีทิพย์ / คณะทำ ​​​ �งาน​ VISHNUNAD KATANYUTHAVEETHIP

ฝ่ายสถานที่ และโสตทัศนูปกรณ์// อาจารย์เอกชัย สมบูรณ์​​​/ หัวหน้าคณะทำ�งาน​

อาจารย์ศิริเพ็ญ ธนานันทกิจ​​​/ คณะทำ�งาน

EKACHAI SOMBOON

นางนุชรัช พระมุนี​/ ​​​คณะทำ�งาน

อาจารย์เกรียงศักดิ์ สุวรรณบูล / ​​​คณะทำ�งาน KRIANGSAKDI SUWANBOOL

อาจารย์กิตติวัฒน์ โลหะการ​​​/ คณะทำ�งาน KITTIWAT LOHAKARN

อาจารย์อนันต์กิตติ์ จันทรไกร / คณะทำ�งาน

SIRIPEN THANANANTAKIT​​ NUCHARACH PRAMUNEE

นางสาวดวงพร ทองเจิม / ​​​​คณะทำ�งาน DUANGPHORN THONGJOEM

นางไพริน กันภัย​​​​/ คณะทำ�งานและเลขานุการ PAIRIN KANBHAI

ANUNKIT CHANKRI

นายไพฑูรย์ เข็มกลัด / คณะทำ�งาน PITOON KHEMKLAD

109

The 6 th Rangsit University International Design Symposium

110

The Age of Empathy : Work In Progress 6

The 6 th Rangsit University International Design Symposium

“The Age of Empathy : Work In Progress 6”

111

College of Design, Rangsit University 52/347 Muang Ake, Paholyothin Rd., Lakhok, Pathumtani 12000 Thailand Tel : +66 02-9972222 # 3631 Fax : +66 02-9972222 # 3567 E-mail : workinprogress@rsu.ac.th www.rsu-workinprogress.com