1 CASE STUDIES
1.1 Tharu Cultural Museum and Research Centre, Chitwan
The objectives of the case study of Tharu Cultural Museum are to know about the use of space, lighting system, circulation, access, display techniques, etc. are analyzed.
1.1.1 General information:
Location: Bachhauli-6, Sauraha, Chitwan

Established in July 2005
Site context: Agricultural land
Total Site area: 3009.39 sq. m
Activities: Permanent display about tharu culture, tharu traditional handicrafts training, cultural dances,
Orientation: East Entrance
Target people: External and internal tourist
Facilities: exhibition hall, souvenir, and handicraft shop
The Tharu Cultural Museum and Research Centre was established in July of 2005. It is situated in the heart of the Tharu community in Bachhauli village, Sauraha, Chitwan. It is a self-funded community-based museum. In the very beginning, it was funded by

collecting funds from the local people and the museum’s visitors. However now “the museum’s funds come from its cultural shows, souvenir and handicraft shop, food festival, and museum fees” (Mahato & Mahato, 2010, 121). In addition to that the “funds were/[are] collected from the performance of cultural dances, particularly the Tharu stick dance, which is very popular in Nepal” (Mahato & Mahato, 2010, 123). The land, where the museum situated, is still on the lease with a little amount of money to pay back. According to the director of the museum, necessary woods and timbers were provided by the Chitwan National Park in association with the local forestry department at Sauraha during the construction process. The buildings were not only made with the community’s support in labors and available materials in the village, but also using the Tharu traditional archeological designs (Sonny Eli Zaluchu, 2021).
According to office, about 15,000 visitors annually visit the museum.
1.1.2 Accessibility and approaches
Tharu Cultural Museum is accessibility through the village of width about 15’ which helps visitors to introduce Tharu house forms. Visitors enjoy and see activity of Tharu people in the village.


1.1.3 Architectural expression
The building is oriented towards east which is good oriented in Tharu style. Tharu architecture is expressed through expression of modern materials. Mud color in cement plaster is used to express traditional mud wall. The building has doubled stepped roof to take natural light through window. The wall is decorated with beautiful hand paintings. The building has slopped roof. The door is made of timber and beautifully crafted.

Main building
TheplanofmainbuildingofTharu buildingis shownbelow.Thespaceusedinbuilding is categorized in different Tharu functional units and display. The circulation is also rectangular and easy access to view. The different functions are displayed in different units of space, and it helps viewer to know easily about it without confusion. For example, there are different space of planninglike as dance, marriage, agriculture, God, death, appliances, kitchen appliances, etc. are display in the wall side and some sculpturewithdifferentactivityareshownincenterpartwithbettercirculationofspace.


1.1.3.1 Museum wall painting
The Museums wall paintings demonstrating the general lifestyle, and the birth, wedding, and death ceremonies of the indigenous Tharu of Chitwan. The Paintings are historically and archeologically very significant. The paintings not only tell the life cycle, life style of indigenous life style of indigenous Tharu people but also how the life of Tharu people has changed over time (Exhibitions – Tharu Cultural Museum, n.d.)
The Tharu Cultural Museum and Research Centre at Bachhauli, the nearest Tharu village to Sauraha, has various old assets, photographs and paintings which are major attraction to visitors.






1.1.3.2 Tharu sculptures
The Museum endeavors to demonstrate Tharu Culture via several sculptures. The museum has three sculptures:

Tharu woman in traditional dress,

A woman with grinding toll,

A man in a traditional dress.
1.1.3.3 Tharu Traditional Cookware’s
The Museum endeavors to demonstrate Tharu traditional cookware’s that were used for daily cooking. There are different types of cooking utensils which Tharu people are used are shown.


1.1.3.4 Lighting
Natural lighting through ribbon windows but not proper and effective.
Uncontrolled light system
No provision of proper artificial light for displays
Sufficient natural light in circulation areas.
1.1.3.5 Display techniques
Exhibits are separated by movable panel.


Unique wooden cart is exhibited at the Centre.
The exhibits displayed in the tool are painted in the wall to show how Tharu people use it.
1.1.4 Lacking
No service areas, cafeterias, and insufficient office spaces
No proper lighting considerations for display
No parking areas, approaching road is not wide enough
No service entries
No Tharu Architecture expression, use of modern materials