Red Hot Monde Magazine September/October 2024 Editor's Choice Edition

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EDITOR’S LETTER

Personal Message from Our Editor-in-Chief

MASTHEAD

Get to Know The Talented Individuals Behind The Scenes

ON THE COVER

Featuring Cover Muse Shelly Socol Founder of 1r Agency & Photographer YESI

RUNWAY

NYFW Shows Spring/Summer 2025 Season, Powered by Miami Swim Week

DECOR

The 42nd San Francisco Fall Show will Celebrate The Timeless Appeal & Elegant Contrast Of "Black and White"

Masterpieces and Modernity: An Exclusive Interview with Suzanne Tucker

GUIDE Your Go-To Source for Fashion Trends, Tips, and Style Inspiration

with Chithra Rajagopalan x Red Hot Monde Magazine Cover Reveal Party at Pamela Walsh Gallery

ear Readers, I am thrilled to introduce our October issue of Red Hot Monde Magazine, featuring Shelly Socol on the cover. As the founder of 1r Agency, Shelly has pioneered the e-commerce space, transforming how brands engage with the digital world. Her journey is one of innovation, leadership, and grace, making her the perfect embodiment of the modern woman in business.

Our cover shoot took place at Shelly’s beautiful home in Coconut Grove, Miami, a setting that truly reflected her personal warmth and professional strength. With the backdrop of lush gardens and majestic peacocks wandering freely, we captured the essence of who Shelly is—elegant, bold, and entirely captivating. The walls of her home, adorned with her favorite art pieces, gave us a glimpse into her deep appreciation for creativity and the arts, another passion that adds to her multifaceted personality.

The shoot was brought to life by an exceptional team. Photography was by the talented YESI, with styling by Anthony Bermudez, hair and makeup by Monica Gaviria, and videography by David Araujo. Each of them contributed to creating a visual story that highlights Shelly’s unique blend of high fashion and down-to-earth charm.

Shelly’s story is one that transcends her business success. As a mother, wife, art enthusiast, and trailblazing CEO, she manages to balance her personal and professional life with incredible poise. It’s a reminder to all of us that true success is not just about what we achieve but how we lead with empathy, strength, and vision.

It has been an honor to feature Shelly on our cover, and I hope her journey inspires you as much as it has inspired all of us.

We bridge the gap between artists, community, and commerce through our creative networks. By promoting talent and visual literacy, we strive to create a more just, ethical and inclusive world. We support emerging and unrepresented artists by providing them with opportunities to showcase their work and helping them grow their careers. Additionally, we maintain close relationships with mid-career artists and provide them with opportunities to advance their careers through various activities and visibility.

WWW.REDHOTMONDE.COM

IRYNA VOSKERICIAN Editor-in-Chief

Publisher RED HOT MONDE MAGAZINE

Editorial Designer MUHAMAD ZIDAN MUHARWAN

Executive Assistant FRANCE VILLEGAS

Website Administrator SUKHVEER SINGH

COVER

Photographer YESI

Cover Muse SHELLY SOCOL

Fashion Stylist ANTHONY BERMUDEZ

Hair Stylist MONICA GAVIRIA

Makeup Artist MONICA GAVIRIA

Videographer DAVID ARAUJO

Creative Director IRYNA VOSKERICIAN

CONTRIBUTORS

FRANCE VILLEGAS, AMAROTTO SWIMWEAR, ANDREA VENTUROLI, AXIL SWIM, BARQUITA, DANJANA FASHION, GREY/VEN, ËA LINGERIE, NYFW SHOW, EKAYE COLLECTION, ÖFUURË, OH POLLY, MILUS ROSE, ROSSELY TAPIA, MIAMI SWIM WEEK, MAISON AND CO, KENTSHIRE, SUZANNE TUCKER, BLOSSOM PROJECTS, KATYA RICH, MICHAEL MELTSER, SHALINI SRIVASTAVA, CHITHRA RAJAGOPALAN, TRISHA LEEPER, CHRISTOPHER CREEK WINERY, JOHN ANTHONY PAYE, PAMELA WALSH, CARLTON HOBBS, CHRISTOPHER STARK, DREW ALTIZER.

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Red Hot Monde Magazine is synonymous with affluence, heritage and the best of the best. Based in San Francisco, CA. Red Hot Monde is the unique platform for the most opulent and educated readers. Its audience has a shared appreciation for stylish excellence, quality, exclusivity, and culture. The most successful people rely on our brand to discover the products and experiences, and connect to them on a personal level through ideas and opinions we share in insightful interviews with the creators. Advertisers: If you have a product or service to sell, Red Hot Monde Magazine provides year long advertising programs with access to our highly trafficked website www.redhotmonde.com geared specifically to the fashion lifestyle industry. Please contact us pr@redhotmonde.com with subject “Advertising Proposal” and include your print-ready advertisement. Please allow up to 3-business days for review.

PHOTOGRAPHER YESI @YESI.

MODEL SHELLY SOCOL @SHELLY SOCOL AGENCY 1R AGENCY @1R.AGENCY

HAIR STYLIST & MAKEUP ARTIST

MONICA GAVIRIA @MONICA GAVIRIA

@MIAMIBRIDALANDBEAUTY

FASHION STYLIST ANTHONY BERMUDEZ @IAMANTHONYBERMUDEZ

VIDEOGRAPER DAVID ARAUJO

@DAVIDARAUJO.TV @LAFILMINC

CREATIVE DIRECTOR IRYNA VOSKERICIAN @IRYNAVOSKERICIAN

CEO OF 1R AGENCY

1r Agency is a leading force in the digital realm, collaborating with a diverse range of start-ups and established brands in the Fashion, Beauty, Skincare, CPG, Home & Retail Development and Health & Wellness sectors to bolster their direct-to-consumer (DTC) presence. 1r creates unique experiences that blend best-in-class e-commerce features and functionality with beautiful, tactile designs to tell rich brand stories. The agency's main pillars are creative, digital, and marketing, with service offerings spanning content strategy, creative direction, website design, website development and Integrations, business analysis and solutions, UX and strategy, paid social, paid search, email/SMS marketing, SEO.

What inspired you to launch one of the first e-commerce agencies? What gap did you see in the market that 1r could fill?

In 2006, when I was the Creative Direc-

tor of Accessories at Theory, I developed a keen interest in eCommerce and its impact on the future of retail. At that time, only a few established fashion brands like Tory Burch, Ralph Lauren, and DVF were venturing into eCommerce, while many small to medium-sized brands were hesitant to take the leap. Major names like Jimmy Choo and Burberry were starting to launch DTC, but others, like Theory, Rag & Bone, and Marc Jacobs, were still not online. Overall Fashion brands were slower to adopt eCommerce compared to other industries. They remained heavily reliant on traditional retail stores and expensive print advertising, often due to concerns over maintaining brand prestige and the tactile, exclusive shopping experience associated with in-person retail.

While big agencies like Razorfish catered to larger brands, there was a clear gap for agencies that understood fashion and could support small and mid-sized brands. 15 years ago, when we started the agency, it was the beginning of the eCommerce era. Fashion brands needed to shift their mindset—from viewing eCommerce as an “unwanted guest” in their ecosystem to recognizing it as crucial for establishing a brand presence and engaging with customers.

From day one, 1r aimed to elevate online brand experiences, showing brands that DTC could be a creative extension of their identity, a powerful marketing tool, and a strong revenue driver. The brands that thrived early on recognized the importance of owning their customer relationships and moving away from reliance on department stores. My firsthand experience on the business side of fashion gave me a deep understanding of the symbiotic relationship between fashion, design, and business.

Our approach wasn't just about design and tech; we were business consultants, helping clients integrate eCommerce into their broader operations. It was about creating self-sufficient ecosystems and navigating the financial and logistical challenges of going online.

From the start, we were lucky to partner

with some incredible brands like Mara Hoffman, James Perse, and Sam Edelman, who embraced this new era and flourished.

CLIENTELE AND SERVICES

Your Agency Has Worked With Some Iconic Brands And Celebrities. Can You Share Some Notable Clients And How Your Approach Differs When Working With High-Profile Clients?

The stakes are high for celebrity clients, but they’re equally high for any business we work with. Our goal is always to provide white-glove service, regardless of the client. Our approach doesn’t change based on the celebrity status of a client; we consistently strive to create a unique brand experience and deliver the highest level of service.

There are certainly nuances when working with celebrities. Their high profile often requires a more flexible and adaptive approach to project management and timelines. The main difference is the need for infinite flexibility in delivering solutions. Time constraints and the demands on celebrity clients mean that we must seize opportunities to connect with them whenever they arise, even if it’s outside of our normal process.

Being prepared for any in-person interaction is crucial. We need to think ahead about the decisions that need to be made and present options without restricting choices until the last possible moment. Celebrity teams are usually juggling multiple projects, initiatives, and social activities, so it’s essential to bring all our teams—business, product development, social, design, and operations—to the table to help launch the project.

Celebrity-led launches often attract high traffic due to their exposure, so it’s critical to coordinate with PR teams and all third parties to ensure everyone is in sync. Perhaps celebrities come to 1r Agency because they trust us. Over the years, we’ve had the privilege of working with iconic brands and celebrities like WYN Beauty by Serena Williams, Joopiter by Pharrell Williams, and Westman Atelier with Gucci Westman, a makeup artist to top Hollywood stars.

INDUSTRY INSIGHTS

With Your Extensive Experience In The Fashion Industry, What Are The Most Significant Trends And Changes You've Observed In Online Retail Over The Years?

Since starting 1r in 2010, I've witnessed the online retail industry evolve at an incredible pace. One of the most significant shifts has been the lowered barriers to entry for brands looking to establish an online presence. Today, it’s easier than ever to get a brand online, with minimal investment required to produce and operate an eCommerce store. This shift allows brands to focus more on product development, R&D, PR, and marketing.

However, with opportunity comes increased competition. The multitude of channels available for selling and marketing continues to expand rapidly, making it crucial for brands to differentiate themselves. The key questions now are: How do you stand out? How do you stay authentic? What is your unique value proposition? Brands must be clear on which channels work best for them and which convert most effectively. The pro-

cess of getting consumers to complete a purchase has become more complex, and it’s crucial for brands to approach this as a learning journey. Adopting an agile mindset, leveraging data, and constantly refining your voice are essential strategies.

When we first started, established brands often viewed eCommerce as a necessary but secondary channel—something to layer on top of their existing business processes. Many saw e-commerce as a catchall solution for their business problems, whether it was inventory issues or pricing challenges. But over time, eCommerce and digital channels have become the backbone of a brand’s business.

'Staying ahead of the curve when it comes to technology is essential, but it shouldn’t come at the expense of a brand’s health and growth. While we strive to be innovative and at the forefront of online experiences, we don’t push our clients to be early adopters just for the sake of it. We focus on future-proofing our clients and ensuring they benefit from the latest advancements without becoming guinea pigs for untested technologies.

1R WAS A GREAT PARTNER FOR US TO REDESIGN AND REPLATFORM OUR SITE. THERE WERE A LOT OF COMPLEXITIES MOVING FROM A CUSTOM PLATFORM AND CUSTOMIZABLE PRODUCT WITH SUBSCRIPTIONS. 1R STRIKES A GOOD BALANCE IN DELIVERING BOTH CREATIVE AND TECHNICAL SOLUTIONS TO MAKE OUR PROJECT SUCCESSFUL.
Ross Miller

In the early days, meetings with brands often involved their CEO, buyer, or head of retail alongside someone from the technology department. Now, the digital team or CMO plays a central role in defining the business strategy. This shift underscores how integral eCommerce has become to a brand's overall success.

How Do You Stay Ahead Of The Ever-Evolving Digital Space, And What Strategies Do You Employ To Keep Your Clients On The Cutting Edge?

Our role is to stay ahead of the latest trends and technologies, but it’s not a one-size-fits-all approach. We leverage our community of clients to understand what works best for specific brands and verticals. Our job is to inform our clients about what’s available, while also ensuring they remain true to their brand identity.

Our strategy involves holistic optimization across all aspects of eCommerce, including social media, email marketing, SEO, logistics, and user experience. We prioritize seamless integration and the effective use of the platforms we work with, ensuring our clients maximize their capabilities.

Innovation is often internal for us, focusing on building and integrating services that extend our clients’ budgets and timelines. For example, when we first started building on Shopify Plus, there wasn’t a recognized enterprise-level approach to source control, CI/CD, or deploying Shopify Plus solutions. We developed an enterprise approach to ensure our clients could scale without barriers, pushing the boundaries of automation and optimization.

Ultimately, our focus is on creating a frictionless experience between digital and in-store interactions. Anything that mimics a high-touch, personalized experience is paramount to the consumer journey. Personalization must feel natural, and not overly intrusive. It’s important to find the balance between personalization and privacy.

Acquisition and retention succeeds when a brand knows who they are at their core and delivers on that promise consistently. These are fast-changing times, and technology is advancing at lightning speed, but creating cultural capital through a brand’s story and values remains essential. This means meeting consumers where they are, both online and offline, and delivering a human connection that aligns with their expectations.

While the term “omni-channel” is often used, I prefer to say that it’s about meeting your consumer where they are, providing a seamless and engaging experience across all touch points.

CREATIVE PROCESS AND BRAND DEVELOPMENT

Can you walk us through your creative process when taking on a new project? How do you ensure that the development of materials and ideas are both on-brand and on-target?

Our creative process is rooted in deeply understanding our client’s vertical and business, with the goal of elevating their brand aesthetic while staying true to their unique identity. We start with a comprehensive discovery period where we bring together cross-functional teams— creative, technical, business, product, and solutions—to research the brand, competitors, and market opportunities. Our approach is holistic, informed by data and stats to ensure we design with the end-user in mind.

rience in designing for the web or the specific platform being used. This can lead to disconnects between design and development, longer timelines, and inefficiencies. At 1r, our creative teams work closely with technical teams to ensure a streamlined approach that aligns with our clients’ KPIs and platform capabilities. During our discovery phase, we produce two creative outputs— one conservative and the other more boundary-pushing. This helps ensure alignment with the client’s visual direction before diving into detailed designs. We focus on understanding the brand’s history, vision, and future trajectory to create an experience that is not just for launch day but for long-term growth.

1r’s DNA is very brand-centric. I think everything we do starts from that creative lens. This is evident even from the proposal phase, where we tailor our approach to each prospect. Our QA process is rigorous, ensuring no creative drop-off between the initial deep dive and the final launch. We take a highly curated approach, considering a brand’s future roadmap and ensuring seamless integration with all other channels.

1R HAS CREATED AN EXCEPTIONALLY IMPACTFUL AND MODERN DIGITAL EXPERIENCE FOR DIBS BEAUTY. THEIR EXPERTISE IN DESIGN, E-COMMERCE STRATEGY, AND WEB DEVELOPMENT, COUPLED WITH THEIR HANDS-ON COLLABORATION WITH OUR TEAM, HAS LED TO TREMENDOUS GROWTH AND OPPORTUNITIES FOR OUR BRAND.
Mindy Luong

What role do sales, merchandising, brand extension, marketing, and public relations play in your approach to guiding clients?

integrated as part of the broader business ecosystem.

We need to have knowledge across all touch points—brand story, customers, wholesale, retail, etc.—to advise appropriately. eCommerce is not just a consumer-facing project; it’s also a business-facing one. We approach it with the same weight and attention as we do the front-end, consumer-facing elements.

We see ourselves as conductors in the eCommerce ecosystem, ensuring that all partners, players, and stakeholders are aligned. Brands that embrace a comprehensive, integrated strategy across all channels are the most successful. Isolating any channel will not work. At 1r, we believe creativity powers commerce, and our success lies in understanding what our clients need and how to get them there.

What are the top Services Major Brands and Celebrities Seek from Your Agency?

At the end of the day, clients come and stay with us for all sorts of reasons. Our relationships with them ebb and flow as their business needs change. There’s no one-size-fits-all approach because every brand requires a different strategy.

We started out primarily as a web design and development agency, but we quickly saw the need to expand our services to cover the entire spectrum of digital eCommerce. When content became a central focus in the industry, we added a deeper creative offering to support content strategy across all digital channels. We noticed that many brands weren't optimizing the content they were creating, or using it in a way that truly worked for them, and we wanted to change that.

A common mistake brands make is working with designers who lack expe-

As an agency, we take a 360-degree view of our clients’ businesses, encompassing all aspects of marketing, sales, and public relations. Every element is crucial for success, and each aspect feeds off the other. Our job is to navigate the best way to allocate our clients' budgets and resources, ensuring that eCommerce is

For years, we had been dreaming of bringing digital marketing into the fold, to be more involved in the growth of our clients' businesses. About three years ago, we launched our growth services, which include paid media, organic social, and email/SMS marketing. The goal was to maximize the impact of our clients’ budgets and drive measurable business results.

PHOTOGRAPHER

YESI @YESI.

MODEL SHELLY SOCOL

@SHELLY SOCOL

AGENCY 1R AGENCY

@1R.AGENCY

FASHION STYLIST

ANTHONY BERMUDEZ

@IAMANTHONYBERMUDEZ

HAIR AND MAKEUP ARTIST

MONICA GAVIRIA

@MONICA GAVIRIA

@MIAMIBRIDALANDBEAUTY

VIDEOGRAPER DAVID ARAUJO

@DAVIDARAUJO.TV

@LAFILMINC

CREATIVE DIRECTOR

IRYNA VOSKERICIAN

@IRYNAVOSKERICIAN

ARTIST ANTONIA KUO WARDROBE

PHOTOGRAPHER

YESI @YESI.

MODEL SHELLY SOCOL

@SHELLY SOCOL

AGENCY 1R AGENCY

@1R.AGENCY

FASHION STYLIST

ANTHONY BERMUDEZ

@IAMANTHONYBERMUDEZ

HAIR AND MAKEUP ARTIST

MONICA GAVIRIA

@MONICA GAVIRIA

@MIAMIBRIDALANDBEAUTY

VIDEOGRAPER DAVID ARAUJO

@DAVIDARAUJO.TV

@LAFILMINC

CREATIVE DIRECTOR

IRYNA VOSKERICIAN

@IRYNAVOSKERICIAN

ARTIST ANTONIA KUO

WARDROBE LEATHER SKIRT VERONICA BEARD POLO LACOSTE SHOES GIUSEPPE ZANOTTI

Introducing growth services was a significant move for us, helping us transition from being just a digital partner to becoming a true business partner. Our philosophy is straightforward: "if they grow, we grow." This shift has allowed us to form deeper, more meaningful partnerships with our clients.

PASSION FOR ART

We understand you have a passion for art. How does this passion influence your work in the fashion and e-commerce industry?

Art, design, creativity, style, and fashion are the core of who I am. I studied fine arts in Israel at Bezalel Academy of Art and Design and later at Cooper Union in NYC. I’ve always had a deep passion for creating and collecting art, and this passion is one of the pillars of 1r Agency. It’s the foundation upon which the agency was built, and it helps attract fellow creatives and art and design enthusiasts.

creative vision and approach to brand development?

My mother, Sharon Socol, an art photographer and collector who sits on the board of photography for The Whitney ignited my passion for art early. I’ve been an avid collector of emerging artists over the years, starting in my early 20s after attending Bezalel Academy of Art and Design in Jerusalem where I studied fine arts with a focus on performance art, drawing, sculpture, and photography.

CHOOSING 1R FOR DESIGN AND THE BUILDING OF OUR SITE WAS A REALLY GREAT DECISION THAT COULDN'T HAVE WORKED OUT MUCH BETTER. THEY DELIVERED A BEAUTIFUL AND MODERN SITE WITH FUNCTIONALITY THAT WILL REALLY HELP US TAKE OUR BRAND TO THE NEXT LEVEL IN THE YEARS TO COME.
Adam Ellicott

My work at the agency seamlessly blends my passion for art, love for design and brands, and enthusiasm for pushing the boundaries of storytelling, whether through visual art or digital platforms. At its core, it's about conveying emotion and creating a lasting impact on the viewer. My work in the digital space has inspired the pieces I've collected over the years.

We leverage our strong client relationships to share experiences when possible, always being mindful of what can and cannot be shared. Our clients’ trust is paramount.

Luckily for us, we have a lot of really great relationships with our clients. We do our best to leverage those who are more willing to allow us to share our experiences. For example,

“1R was a great partner for us to redesign and re-platform our site. There were a lot of complexities moving from a custom platform and customizable product with subscriptions.

1R strikes a good balance in delivering both creative and technical solutions to make our project successful.” Ross Miller, SVP of Digital for Function of Beauty

“Through the years, 1r Agency has been our digital backbone, crafting and maintaining our website. The client services team's dedication is unparalleled—a true partnership of trust and success. I couldn't imagine our journey without them.” Katelyn Lorry, Associate Director, Digital Engagement, Seaport

My affinity for beautiful things and innate respect for how they are created drive everything we do at 1r. I am constantly thinking about how our brand is perceived externally. I believe that when our prospects or existing clients see how seriously we take our brand’s appearance, it promotes trust in how we approach our work. They know we care as much about our own brand as we do about theirs. I am always evolving, reiterating, and driving how we, as a brand, present ourselves at every touchpoint, never staying stagnant. I am the primary motivator of this, and I feel our team and our clients recognize and appreciate it.

Are there any particular art movements or artists that inspire your

My collection includes pieces from artists like The Starn Brothers, Sara Cwynar, Antonia Kuo, Ben Tong, Rafaël Rozendaal, Elliot & Erick Jimenez, & Louise Bourgeois, just to name a few. Recently I collaborated with Maria Vogel, an Art Advisor, hosting a dinner party during Frieze NYC, for young artists and collectors at our family's SOHO loft.

MEDIA AND PUBLIC RELATIONS

As a media resource for outlets like Bloomberg and Business of Fashion, how do you balance providing insights to the media while maintaining confidentiality for your clients?

When interviewed by outlets like BOF, Vogue, Bloomberg, and Glossy, I’m often asked to weigh in on new trends, brand launches, and the overall state of DTC.

“1R has created an exceptionally impactful and modern digital experience for DIBS Beauty. Their expertise in design, e-commerce strategy, and web development, coupled with their hands-on collaboration with our team, has led to tremendous growth and opportunities for our brand.” Mindy Luong, Vice President of Digital for DIBS Beauty

What’s most powerful is my ability to share insights from our vast experience across diverse clients, brands, and verticals. When speaking to the press, I synthesize learnings from all our clients, providing valuable insights without focusing on individual brands. I emphasize overarching trends while integrating unique interpretations, helping brands remain competitive while staying true to their identity and goals.

What are some key messages or trends you emphasize when speaking to the press about the future of e-commerce and fashion?

While it’s crucial to stay competitive and up-todate with the latest industry trends, I always stress the importance of brands aligning their key messages and digital investments with their core identity. Brands need to look within to ensure they’re staying true to who they are today and where they see themselves going in the next year, 5 years, or even 10 years.

I encourage brands to plan not just for the immediate future but to think longterm. This includes considering how their digital strategies and brand messages will evolve over time. It’s about being adaptable and forward-thinking while staying grounded in the brand’s core values.

As a subject matter expert, I’ve had the opportunity to provide insights on significant market movements. For example, I’ve commented on Coty’s investment in SKKN by Kim Kardashian, discussed

strategies for balancing growth and retention, and advised emerging beauty brands on how to avoid pitfalls during rapid expansion.

These are the messages I focus on when speaking to the press, reflecting my approach to understanding and navigating the complex, fast-paced world of eCommerce and fashion.

FUTURE OF E-COMMERCE

Looking ahead, what do you believe are the next major trends or innovations that will shape the future of e-commerce and online retail?

The future of eCommerce lies in interconnectedness, rapid production, and the adoption of SaaS-based platforms. AI, particularly generative AI, will significantly impact search and marketing. In fashion, I anticipate a shift towards more authenticity, the end of fast fashion, and a focus on personalized brands with strong

customer relationships. Sustainability is also critical, with an emphasis on understanding the entire product lifecycle.

We haven’t scratched the surface of AI’s potential. Tools that generate bulk meta and alt tags or optimize email campaigns are just the beginning. AI will factor into various tools, from email service providers like Klaviyo to platforms like Shopify, helping brands create workflows and content more efficiently. Additionally, sustainable returns will evolve, with brands increasingly reselling lightly used products instead of sending them back to warehouses. Personalization, virtual technology, and data are crucial. Brands must tailor content and products to individual consumers based on browsing history and preferences. Understanding consumer engagement is essential, and brands must contin -

uously iterate to meet consumers where they are.

How is 1R preparing to adapt to these upcoming changes and continue to provide value to your clients?

We prepare our team to embrace AI, driving efficiency and guiding clients on its use. eCommerce requires a collaborative approach, involving multiple disciplines and teams. At 1r, we are adapting, learning, and embracing AI as a tool for productivity and innovation. We want to be early adopters, not just for personal or professional gain, but to help our clients and brands stay ahead of the curve.

Our team is dedicated to learning as much as possible to maintain our position as an authority in e-commerce and technology. That’s the value we bring to our clients—staying informed, being flexible, and guiding them through the ever-changing digital landscape.

What advice would you give to aspiring entrepreneurs looking to start their own agency or enter the e-commerce space?

The agency space is highly competitive, so having a clearly defined value proposition and a strong differentiator is crucial. Ask yourself, “Is there room for more agencies?” If you’re entering this market, you need to offer something specialized and personalized. Your value proposition must be well-defined, and you should be creating something that doesn’t exist yet.

Starting an agency requires a roadmap, strategy, and operational guardrails. It’s essential to approach your business from multiple angles and be flexible enough to evolve. Every year, we at 1r set our strategic plan with a focus on what’s next. Even if we’re doing something well, we’re always looking for ways to improve. Sometimes it’s about making small, considered changes, but the key is to always be willing to evolve.

How important is it to have a multidisciplinary approach, combining

elements of creative design, marketing, and technology, in today’s e-commerce landscape?

Creative design, marketing, and technology are deeply interconnected in today’s eCommerce landscape. While it’s essential for brands to tailor their messages and content for each digital platform— whether it’s a website, social media, or email—the overarching themes, tone of voice, and messaging must remain consistent across all channels. Building a strong relationship with the consumer is key.

To be truly successful, you can't lean too heavily on one aspect over the others. For instance, creating a visually stunning experience is important, but if users struggle to find the shopping cart or complete the checkout process, you’re not meeting their needs with best practices.

eCommerce touches on many facets— technology, content, product, storytelling, marketing, and customer service. At 1r, we recognize the importance of a multidisciplinary approach, ensuring we engage with all the relevant teams and practices involved in an eCommerce business. Our approach is entirely collaborative, reflecting the interconnected nature of the industry.

PERSONAL INSIGHTS

What has been the most rewarding project you’ve worked on at 1r, and why?

There are so many rewarding projects, each bringing growth and learning. However, a few stand out for various reasons. Joopiter, Pharrell Williams’s art auction site, was a particularly intriguing project due to its high-profile, global reach and inherent complexity.

While we were confident in our team's ability to deliver, working on an art auction site with instant online bidding was outside our typical scope. However, this project truly demonstrated our team's ability to collaborate, innovate, and execute on a global stage. We were integral in creating the entire product, incor-

porating cutting-edge technologies and ensuring its success on such a visible platform.

Vera Bradley was undoubtedly one of the largest and most complex projects our team has ever undertaken. Our role as the lead conductor involved coordinating not only with the client but also with 18 other third parties that needed to be integrated into the system. Delivering a solution for a brand of that stature—with over 160 brick-and-mortar stores and a significant multi-million-dollar online business—showcases the technical expertise and professionalism of 1r. Our ingenuity in managing such a massive project proves that we can deliver on a grand scale, regardless of the challenges. Notably, this was the largest Shopify Plus implementation at that time in 2020 Personally, I have a few favorites, such as Westman Atelier, where we’ve been involved from day one, watching their exponential growth into one of the most important beauty brands on the market. DIBS Beauty is another favorite, where their clear value proposition and calculated business growth have been impressive.

WYN Beauty by Serena Williams is also a project that I am very proud of. It has been an honor to work with such a legend on the eCommerce portion of her beauty brand. The brand celebrates showing up as the best version of yourself and being the premier destination for color beauty. It was exciting to work hand in hand with their team in devising strategic solutions that facilitated the presentation of various product shades across different sections of the site while ensuring top-tier performance and accommodating dynamic content.

Most rewarding for me, however, is seeing our long-standing partnerships with clients like Carhartt Work In Progress, White + Warren, Norma Kamali, Boston Seaport, COTY, Havaianas, WS Development, and many others. This is a testament to our team’s dedication, especially our client service team, who truly see the brands they manage as their own.

1R'S VISIONARY LEADERSHIP

HAS SCULPTED SKINLOCAL INTO A SKINCARE PHENOMENON, WHERE PASSION MEETS INNOVATION, AND BEAUTY MEETS PURPOSE. THEIR MASTERY OF SEO, CREATIVE EXPERTISE, AND DEVELOPMENTAL INSIGHTS HAVE NOT ONLY FUELED GROWTH BUT HAVE ALSO SET A NEW STANDARD FOR EXCELLENCE IN THE INDUSTRY.

Can you share a defining moment in your career that significantly impacted your professional journey?

I’ve had a rather unique career journey that’s shaped who I am today. Before founding 1r, I had some incredible experiences that taught me a lot about resilience and building from the ground up. Back in 1992, I worked for the National Organization for Women, supporting women running for political offices across California. It was empowering to be part of something so meaningful at a time when women’s voices were just starting to gain more traction in politics. After that, I took on the role of Executive Director of the Elie Wiesel Foundation in Israel, where I established educational centers for Ethiopian immigrant children and their families. This was a profound experience—creating something from nothing, helping to build a future for those kids and their families.

When I returned to the States, I entered the fashion world at Theory as the Creative Director of Accessories. It was an exciting time, and again, I found myself building from scratch, pushing boundaries, and creating something entirely new. But honestly, nothing compares to the challenge and fulfillment I’ve found in owning, building, and creating my Agency, 1r. This journey has been deep-

ly personal and rewarding on so many levels. It’s not just about the success we’ve had as a company—it’s about the impact we’ve had on the lives of our employees. I’ve been incredibly fortunate to have people stay with us for years, grow their careers, get married, have families, and build their lives alongside us. Our success is truly a reflection of them.

One of the most defining moments for me was during COVID. Like many companies, we had to downsize, and letting people go was incredibly painful. During that time, over communication became our lifeline. The executive team and I made ourselves constantly available, increasing the frequency of town halls to bi-weekly, sometimes even daily. It was a difficult period, but it taught us the importance of leaning into those sharp edges and being there for each other.

Getting through COVID and the years that followed was a pivotal moment in my career. I learned so much about myself as a leader—about the importance of transparency, consistency, and empathy. Every decision we made had a direct impact on our team and their families, and I felt the weight of that responsibility deeply. COVID tested us, but it also brought us closer and crystallized how strong and resilient our team is.

How do you balance the demands of motherhood with running a successful agency? What advice would you give other working moms? Has being a mom changed your perspective on your career and goals? If so, how? What values do you hope to instill in your children through your work?

Finding that life/work balance is something I’m constantly working on—especially since running my own business is like raising another child. When I started my agency, my two kids were very young, so it was incredibly challenging.

I didn’t take a vacation for years and put everything financially into building the company. Over time, I learned just how vital it is to allow myself downtime to rest and pursue other passions. Surprisingly, it wasn’t just the rest that helped me; it was exploring those other interests that actually boosted my energy and inspired the direction of the company.

Being a mom has completely reshaped how I approach work and life. It’s forced me to become more focused and diligent with my time. Many of the parents who work for me are among the most productive people I know, which makes sense—we know how to make every moment count.

Balancing travel and work with being an emotionally and physically present parent was a challenge, but I made it a priority to shut down at 6 pm and focus solely on my kids. Family dinners are non-negotiable. While my children have definitely felt my absence at times, they’ve also learned a lot from watching me build something from the ground up. It’s pretty funny, actually—my son can perfectly imitate how I pitch to new clients, right down to how I introduce myself and the agency. So, I guess it’s made an impact.

How would you describe your management style? How has it evolved over time? What are the key qualities you look for when building and leading your team? How do you foster a culture of creativity and innovation within your agency?

My management style has always been My management style has always been about hiring people who are smarter than me and then clearing the blockers for them. I’m not a micromanager at all. I have so much respect for the expertise my team brings, and I support them fully. I’ve been incredibly fortunate to have an executive team that’s been with me for over 12 years, and many of my managers and directors have been at 1r for nearly a decade. It’s a true testament to the culture we’ve built together.

For me, professional growth is non-ne-

gotiable. 1r is a smaller agency, which gives people a chance to flex their skills and really grow. I’ve seen employees come in at entry-level roles and rise to Director and even C-level positions. Creating a space where people can grow within the organization and not feel stagnant benefits both the employee and 1r.

I also encourage exploration—per sonally and professionally. We’ve had team members leave for other oppor tunities and then return to 1r. My door is always open. I never want to hold anyone back from exploring what’s out there.

cisions when building and running your agency?

Education and exposure are also key. There hasn’t been a single year where professional growth wasn’t a top priority for the agency. We always aim to expand our team’s knowledge and skills, which ultimately drives 1r forward.

From day one, we’ve shared the agency’s annual strategic goals with the entire team, so they always have the big picture in mind and understand how they play a role in achieving it. When day-to-day work gets tough, this framework helps everyone stay grounded.

What core principles guide your de-

A guiding principle for me is that everyone on our team is inherently creative. At 1r, creativity isn't just a buzzword—our motto, "Creativity Powers Commerce," is something we truly live by. I firmly believe that creativity isn’t confined to our designers; it’s something everyone, whether in finance, development, project management, or any other role, should tap into. I constantly challenge our team to think outside the box, to find innovative solutions not just for our clients, but for themselves and the agency as a whole. Creative thinking is the heartbeat of 1r.

Another principle I hold dear is the importance of constant evolution, both personally and professionally. Evolution doesn’t need to be rapid; it can be slow, thoughtful, and deliberate. I’m very conscious of the many mistakes I’ve made over my 15-year journey, but I see those mistakes as opportunities to recalibrate rather than as failures. I encourage everyone on our team to stay agile, remain open, and to adjust their course when necessary.

Finally, I can't stress enough the power of teamwork at 1r. I’m incredibly fortunate to be surrounded by such a collaborative and dedicated group of people. Our team excels in this area—everyone is always willing to come together, roll up their sleeves, and do whatever it takes to achieve our goals. It’s that collective spirit that truly sets us apart.

How has networking influenced your career, and how do you continue to innovate and grow?

In recent years, I’ve made it a point to focus on in-person networking, particularly within the beauty industry. I’ve attended some of the most incredible conferences across the states, and it’s been transformative for me as a professional, a CEO, and as a woman. I’ve met some of the most innovative and inspiring people, forging deep and meaningful connections. It’s reignited my passion and given me new insights to bring back to 1r. For me, continued education is crucial. I’m insatiable when it comes to learning new things, exploring different disciplines, and pushing my thinking further. Innovation isn’t just about technology— it’s about evolving yourself, your mind, and your approach. We all have the ability to change; it’s just about making the decision to leap into uncharted territory and see where it takes you.

FEATURED CLIENTS

PHOTOGRAPHER YESI @YESI.

MODEL SHELLY SOCOL @SHELLY SOCOL

AGENCY 1R AGENCY @1R.AGENCY

FASHION STYLIST ANTHONY BERMUDEZ @IAMANTHONYBERMUDEZ HAIR AND MAKEUP ARTIST MONICA GAVIRIA @MONICA GAVIRIA @MIAMIBRIDALANDBEAUTY

VIDEOGRAPER DAVID ARAUJO @DAVIDARAUJO.TV @LAFILMINC

CREATIVE DIRECTOR IRYNA VOSKERICIAN @IRYNAVOSKERICIAN

PHOTOGRAPHER

YESI @YESI.

MODEL SHELLY SOCOL

@SHELLY SOCOL

AGENCY 1R AGENCY

@1R.AGENCY

FASHION STYLIST

ANTHONY BERMUDEZ

@IAMANTHONYBERMUDEZ

HAIR AND MAKEUP ARTIST

MONICA GAVIRIA

@MONICA GAVIRIA

@MIAMIBRIDALANDBEAUTY

VIDEOGRAPER DAVID ARAUJO

@DAVIDARAUJO.TV

@LAFILMINC

CREATIVE DIRECTOR

IRYNA VOSKERICIAN

@IRYNAVOSKERICIAN

ARTIST ESAÍ ALFREDO

WARDROBE

DENIM SET PRISCAVERA

JEWELER ROWEN

ROSE ASYMMETRIC

PEARL NECKLACE
SHOES JACQUEMUS

PHOTOGRAPHER

YESI @YESI.

MODEL SHELLY SOCOL

@SHELLY SOCOL

AGENCY 1R AGENCY

@1R.AGENCY

FASHION STYLIST

ANTHONY BERMUDEZ

@IAMANTHONYBERMUDEZ

HAIR AND MAKEUP ARTIST

MONICA GAVIRIA

@MONICA GAVIRIA

@MIAMIBRIDALANDBEAUTY

VIDEOGRAPER DAVID ARAUJO

@DAVIDARAUJO.TV

@LAFILMINC

CREATIVE DIRECTOR

IRYNA VOSKERICIAN

@IRYNAVOSKERICIAN

ARTIST RAFAËL ROZENDAAL

JEWELERCHICK

WARDROBE TOP L'ACADEMIE
BY MARIANNA ZELIE TOP SKIRT L’ACADEMIE
BY MARIANNA ZELIE
MAXI SKIRT
EARRINGS
BY LISA

PHOTOGRAPHER

YESI @YESI.

MODEL SHELLY SOCOL

@SHELLY SOCOL

AGENCY 1R AGENCY

@1R.AGENCY

FASHION STYLIST

ANTHONY BERMUDEZ

@IAMANTHONYBERMUDEZ

HAIR AND MAKEUP ARTIST

MONICA GAVIRIA

@MONICA GAVIRIA

@MIAMIBRIDALANDBEAUTY

VIDEOGRAPER DAVID ARAUJO

@DAVIDARAUJO.TV

@LAFILMINC

CREATIVE DIRECTOR

IRYNA VOSKERICIAN

@IRYNAVOSKERICIAN

SPRING/ SUMMER 2025

The platform NYFW Shows Powered by Miami Swim Week®, returned for its second year at New York Fashion Week for the Spring/Summer 2025 season. Originally gaining prominence in Miami as "Miami Swim Week® - The Shows," this fashion vertical, founded by Moh Ducis, brought its flair to NYC. 12 emerging and established designers from around the globe showcased their Spring/Summer 2025 collections, with the exception of Grey/Ven who presented its resort capsule collection. All of the brands displayed a series of looks ranging from swimwear to haute couture. Brands featured included Amarotto Swimwear, Andrea Venturoli, AXIL SWIM, Barquita, Danjana Fashion, Grey/ Ven, ëa Lingerie, eKaye Collection, ÖFUURË, Oh Polly, MILUS ROSE, and Rossely Tapia.

NYFW Shows Powered by Miami Swim Week®, the blackand-white color-block trend commanded the catwalk. The first look by Grey/Ven featured a black halter top with white side accents paired with a white tex tured mini skirt, emphasizing a sleek silhouette and mod ern minimalism. Building on this foundation, the second look by AXIL SWIM intro duced timeless elegance with a chic black one-piece swimsuit, highlighted by a subtle white trim along the neckline for added sophisti cation. Lastly, the third look ëa Lingerie reimagined the trend with a daring lingerie set, where bold black straps contrasted sharply with intricate white leopard print detailing, culminating in a dynamic, eye-catching design that exuded confidence and modernity.

Leather was a standout of the show! The first look by Grey/Ven features sleek black leather pants paired with a cropped jacket and contrasting bikini top, offering a modern, edgy vibe that blends sophistication with boldness. In the second look by Andrea Venturoli, a maroon leather mini-skirt with a crocheted leg overlay introduces texture and innovation, combining a rustic, hand-crafted feel with high-fashion design. The rich maroon tones elevate the leather’s chic, casual appeal. The third look by Danjana Fashion show cases an asymmetric black leather outfit with slits and wrap details, creating a striking and dar ing silhouette that highlights leath er's versatility in bold, sultry evening wear.

Flowing silk dresses stole the spotlight. The first look by ÖFUURË showcased a bold rust and orange silk dress with delicate polka dots, flowing ruffles, and an asymmetrical hemline, combining romance and versatility, enhanced by a chic headscarf. The second look by Andrea Venturoli presented a rich burgundy floral silk dress with a voluminous silhouette and structured draping, emphasizing the fabric’s opulence and timeless elegance, perfect for day-to-night transi tions. In the third look by Ama rotto Swimwear, a white silk dress with vivid red floral patterns and a halter neckline offered a softer, more romantic aesthetic, balancing casual refinement and sophisticated appeal, ideal for warmer seasons.

DECOR

THE 2024 SAN FRANCISCO FALL SHOW WILL CELEBRATE THE TIMELESS APPEAL & ELEGANT CONTRAST OF "Black and White"

THE42ND SAN FRANCISCO FALL2024SHOW

The San Francisco Fall Show and the Fine Arts Museums of San Francisco (FAMSF) are thrilled to announce an ongoing affiliation. A portion of the legendary Opening Night Gala will benefit FAMSF. This will also mark the 42nd anniversary of the San Francisco Fall Show, the longest running art, antiques and design fair on the West Coast, renowned and respected across the globe and an integral part of the San Francisco Bay Area’s art and design communities.

FAMSF oversees two unique museums— the de Young in Golden Gate Park, showcasing price less collections of American art from the 17th through the centuries, textile arts, and art of Africa, Oceania, and the Americas, and the Legion of Honor in Lincoln Park, whose collections include European decorative arts and paint ings, ancient art, and one of the largest col lections of prints and drawings in the country. The FAMSF mission is to connect visitors with local and global art in order to promote their knowledge of and curiosity about the past, deepen their engagement with the art and ideas of today, and stimulate their creative agency in their own futures.

ten in the stars – a natural synergy between the pre-eminent antiques and art fair on the West Coast and the FAMSF world class museums. This collaboration elevates and enhances the outreach of both organizations, resulting in an unparalleled celebration of art, antiques and

“We are pleased to partner with the San Francisco Fall Show and thank them for their commitment to the arts and our mission” states Thomas P. Campbell, Director and CEO of the Fine Arts Museums of San Fran“With their support, we invite the Bay Area community to engage with the art and ideas of our time through a multitude of inspiring exhibitions, public programming, and education initiatives presented at the de Young and Legion of Honor in 2023.”

San Francisco Fall Show Chair Suzanne Tucker, the driving force behind this partnership, declares: “I am delighted the show gala supports our beloved museums and honored to be working with the extraordinary FAMSF team. This relationship is writ-

The 2024 San Francisco Fall Show will take place at Fort Mason October 17-20, 2024 – the Opening Night Gala will be on October 16, 2024.

For more information please visit www.sffallshow.org

CREDITS 1Maison and Co 19th century hand-painted buffet. Florence, Italy. 2Kentshire French mid-century "Boule" style onyx and pearl ring, 1960. 3Carlton Hobbs A white lacquer penwork adjustable center table with depictions of exotic figural vignettes. English, circa 1820.

Masterpieces

This is the 42nd edition of the San Francisco Fall Show, which is quite an achievement. Can you tell us about the origins of the show and how it has evolved over the years?

It all started in the late 1970s with two ladies who were both relatively new to San Francisco: Toby Rose and Nancee Erickson. They embarked on a mission to bring a world class, international art and antiques fair to San Francisco (no small feat) and Toby Rose ran it for an impressive 25 years, building its reputation. Over the last 42 years, the show has grown into THE leading international art, antiques, and design fair on the West Coast. It’s always an exciting annual event and the Show has certainly evolved with the times and with trends in collecting and decorating. The 80’s were all about glitz and glam and now we’re into a less showy world where the old “rules” are broken and we mix it all up in a far more collected and sophisticated way.  A few years back, "Art" was added to the

name of the show which was by popular demand from many of the dealers who specialized in fine art, sculpture and photography. It opened the show up to a broad range of art galleries, appealed to attendees and emphasized that our world is not cookie-cutter but rather more individual and collected.

We have also invited our dealers to think beyond the classic world of antiques which was required to be 100 years old or more, and bring a cross-section of pieces – vintage as well as contemporary pieces.  This has brought a more current and quite frankly, a more interesting vibe to the show which has been very well received. The San Francisco Fall Show remains one of the oldest and most revered shows in the country, if not the world, with both national and international dealers exhibiting.

What do you believe sets the San Francisco Fall Show apart from other art and design fairs, both nationally and internationally?

Our show is unique because we attract the finest dealers who bring the best quality and exquisite pieces, uniquely curated for the show. I try to shop all of the major US and European shows and the San Francisco Show is truly one of the best, being one of the oldest and most revered shows in the country. Plus, we are known for our now legendary, quite fabulous Opening Night Gala set amongst the art and antiques along with the glam and glitterati.

The theme this year, “Black & White,” is timeless yet bold. What inspired you to select this theme, and how do you see it ty-

ing together the various art forms—decorative arts, fashion, photography, and more?

Unlike other art fairs, we are a show that always has a theme, from Animalia to Egyptomania, Nautical to Wanderlust, Jewelry & Gems and so forth. A theme is a great way to focus a show, inspire your dealers and excite an audience. Celebrating the timeless appeal and elegant contrast of Black & White in the worlds of decorative arts, fashion, photography, fine art, and beyond seemed overdue. From Piranesi’s prints to De Kooning’s brush strokes, from Escher’s mazes to Matisse’s charcoals, from lacquer and japanning to ebony and mother of pearl, Black & White is the monochromatic thread that ties it all together. Inspired by the timeless tuxedo, the cinematic glamour of Hollywood, and of course Truman Capote’s legendary Black & White ball, the show will explore the artistic and emotional dimensions of this enduring color duo –at once chic and bold, dramatic but simple, polar opposites yet perfect partners.

Truman Capote’s iconic Black & White Ball is mentioned as a source of inspiration. Are there any specific nods to this historic event that attendees can expect to see during the gala or show?

There are, in the sense that we were thinking “chic and elegant, yet bold and graphic” when it came to the design and the visual aspects of the show. There may not be ball gowns and masks but there is a lot of chatter about what to wear so I know that our gala attendees will not disappoint in terms of the fashions we will see!

Modernity

With over 40 dealers from around the world, how do you go about selecting which exhibitors to feature? What criteria do you use to ensure the show represents such a diverse range of periods and styles?

We have a wonderfully loyal group of returning dealers each year and a discerning internal committee vetting prospective dealers. Many aspects are considered, including references from other dealers and/or professional organizations, the need for a specific category to be represented at the show, etc. New dealers are often referred to us by existing dealers, though in a few cases we hear of a distant dealer and invite them to exhibit.

Are there any particularly rare or historically significant pieces on display this year that visitors should keep an eye out for?

I am thrilled to welcome Barry Lawrence Ruderman, a new dealer this year, who specializes in antique and rare maps and will showcase the first manuscript map of San Francisco Bay from 1772, by Juan Crespi as part of the first official expedition by the Spanish. Talk about a piece of Bay Area history!

The Designer Vignettes are always a highlight of the show. Can you share a bit

about the process behind selecting the designers and their collaborations with exhibitors? What makes this year’s vignettes especially exciting?

When I became the Chair of the San Francisco Fall Show in 2015 (2024 will be my tenth year as Chair!), I brought back the Designer Vignettes in the Grand Entry Hall. In year’s past, they had always been a marvelous introduction to the Show and there’s no better way to set the stage, drum up excitement for what’s to come, and illustrate the Show’s theme. We are beyond fortunate that de Gournay has been our wonderful “partner in crime” since the very beginning, creating truly stunning wallpapers and embroideries – often custom creations – with the most creative designers and thereby making the vignettes absolutely unforgettable. Noted vignette designers over the years have included: Veere Grenney, Emma Burns and Philip Hooper of Sibyl Colefax & John Fowler, Paolo Moschino and Philip Vergeylen, Alex Papachristidis, Nina Campbell, Charlotte Moss, Hutton Wilkinson, Paul Wiseman, Alessandra Branca, Ken Fulk, and many more…

2024 will raise the bar even higher. I have been working behind the scenes with each of our vignette designers (Mark D. Sikes, Martyn Lawrence Bullard, Chloe Redmond Warner and Ann Pyne and Elizabeth Pyne Singer of McMillen Inc.)

and they have come up with some truly visionary concepts to interpret our Black & White theme (see above), showcasing treasures from our wonderful dealers, all against a spectacular backdrop of de Gournay wall coverings and embroideries.

How do you see contemporary design interacting with antiques and historical pieces in this year’s show? Is there a piece or exhibit that you feel exemplifies this dialogue between past and present?

I'm not a purist, and I definitely believe in marrying contemporary pieces with antiques, modern elements with antiquities, and mixing the high with the low. I love how our Show juxtaposes the contemporary art offered by Berggruen Gallery or Modernism with the patina of Maison & Co’s Gustavian furniture or the ancient antiquities from Phoenix Ancient Art. It is that “design dialogue” between past, present and future that makes our show so relevant.

With such an impressive lineup of speakers, from Charlotte Moss to Bunny Williams and Mark D. Sikes, which talks or book signings are you most looking forward to, and why?

Our Lecture Series Chair Chesie Breen of NivenBreen in New York has applied her expert guidance and strategic planning experience to put together an outstanding series of lectures and book signings featuring some of the most prominent – and promising – men and women in the worlds of art, antiques, design, architecture, and history. The lectures will explore a wide variety of topics, from collecting to entertaining, from design history to design future, from soulful minimalism to exuberant maximalism, and much more… I will attend them all (really can’t pick a favorite…) and I guarantee you will be entertained, educated and inspired!

This year’s Opening Gala will benefit the Fine Arts Museums of San Francisco (FAMSF). Can

you tell us more about the importance of this partnership and how the show has supported the arts community over the years?

I am delighted that a portion of the Show’s Opening Night Gala supports our beloved museums and I am honored to be working with the extraordinary FAMSF team. This relationship is written in the stars - a natural synergy between the pre-eminent antiques and art fair on the West Coast and the FAMSF world class museums. This collaboration elevates and enhances the outreach of both organizations, resulting in an unparalleled celebration of art, antiques and design.

Both Aerin and Wes have deep connections to fashion—Aerin through her lifestyle brand and

Wes through Carolina Herrera. How do you see their influence impacting the intersection of fashion with the other art forms at this year’s show?

I am a strong believer in the “cross-pollination” of all design disciplines – it is a powerful catalyst for innovation and creativity. Fashion especially can offer new perspectives and frameworks for considering other art forms by providing a unique lens through which to explore aesthetics, functionality, and narrative. Both Aerin and Wes, besides being good friends, have a shared passion for design and are avid collectors of antiques and art. I am already so curious to know what both of them will be taking home!

As the Show Chair, you must have a unique perspective on

the exhibits. Do you have a personal favorite item or a specific period or style that captivates you more than others?

I have a soft spot for anything with good lines, beautiful finishes, deep patina, and intriguing provenance. I'm not a purist, though and I definitely believe in marrying contemporary pieces with antiques, modern elements with antiquities, and mixing the high with the low. Being a designer, I shop these antiques shows and art fairs year-round, and it all depends on what speaks to me for my various projects or perhaps something that I personally might want to take home. I’m always being asked what one should buy in the way of vintage or antique pieces so my mantra is one should always have something with age in any room –preferably not yourself :).

What keeps you passionate about chairing this event year after year? What continues to excite you about bringing such a diverse array of art and design to the Bay Area?

San Francisco’s design community is relatively small yet has a massive base of collaborative creativity and talent.  Exceedingly supportive of one another on both a personal and professional level, the design community has always actively en-

THE

SAN FRANCISCO FALL SHOW ISN’T

JUST

AN ART AND ANTIQUES FAIR;

IT’S A

CELEBRATION OF CREATIVITY ACROSS TIME, WHERE CONTEMPORARY DESIGN DIALOGUES WITH THE PAST.

gaged to give back, share knowledge, achievements and resources with peers. And there is a great need to support the somewhat dying arts of craftsmanship and artisans, education and apprenticeships. In other words: San Francisco is the perfect host to welcome the world’s top art and antiques dealers. And on a personal level: I have worked with many of the Show’s dealers for decades…. they are an enthusiastic and passionate bunch, wholly committed to their trade and exceptionally knowledgeable. They are in many ways the caretakers of the “human experience” in all its glory, and I love them for it.

As we celebrate the 42nd year of the San Francisco Fall Show, what do you envision for the future of the event? How do you see it evolving in the next decade?

Naturally or perhaps obsessively, I am already internally brainstorming our 2025 theme (and the years beyond).  Throughout the year, people always reach out to me and I to them about supporting the show, sponsoring events, and our patrons are extraordinarily loyal and generous. I feel I have an obligation to them to keep the show going, to keep it exciting, and to keep it very San Francisco. I have a remarkable team with our show Director, Susan Engel, and my own marketing Director, Vera Vandenbosch, so together we are always planning on how to make the next show even better!

Lastly, what advice would you give to someone attending the show for the first time, especially if they are new to collecting or appreciating art and antiques?

I would say: cast aside any preconceived notions you may have about “antiques” and your grandmother’s house. Come see for yourselves, ex-

plore the booths, meet the dealers, learn a lot (ask lots of questions: they are more than welcome and very much encouraged!) and whether large or small, take home a fabulous find. If you’re in the under 40 crowd, join the Young Collectors and come and have a blast surrounded by gobs of eye-candy!  Don't miss the Opening Night Gala on October 16 and take a tip from what every top designer knows - the San Francisco Fall Show makes for an extraordinary experience - it’s the never ending treasure hunt!

TIMELESS BLUE GLAMOUR IN GOLD

Create a captivating look with a blue crepe gown, accentuated by shimmering silver and pearl accessories, and topped off with stylish white slingbacks and a mini bag.

Make a statement in a shimmering gold column gown, paired with exquisite gold earrings and bangles, ankle-strap sandals, and a chic white clutch for an unforgettable look.

RED HOT GALA ETHEREAL BEAUTY

ay of HopeSoirée

The Ray of Hope Soirée brought together community leaders, performers, and philanthropists for an inspiring evening aimed at raising funds for Blossom Projects. With a fundraising goal of $85K, the event successfully raised around $50K, a testament to the generosity and support of those who attended.

One of the evening's key moments was the fireside chat featuring Fiona Ma and Soniya Peliya, offering powerful insights into leadership and community engagement. Guests were also treated to captivating performances by Duniya Dance and Drum Company, Paul Singh Dhol, and Xpressions-Dance of India, adding cultural richness and energy to the evening.

The event was graced by local civic leaders, including Mayor Cecilia Taylor of Menlo Park, Mayor Greer Stone of Palo Alto, Mayor Antonio Lopez of East Palo Alto, Cody Einfalt, Assistant City Manager of Los Altos Hills, and David Canepa, San Mateo County Board of Supervisors Vice President, along with members of the Menlo Park Rotary Club.

The culinary and beverage experiences were exceptional, with wine sponsored by Lofty Wine and food catered by Shosha. Special thanks go to Chithra Rajagopalan, President of the Board for Blossom Projects, whose leadership helped make the evening a success.

The Ray of Hope Soirée was a night to remember, filled with inspiration, community, and hope for a brighter future.

The Beauty

With Fashion Week behind us, it's time to delve into the trends that will define the fall and winter seasons of 2024/2025. This season, the runways have provided plenty of inspiration for makeup artists and hairstylists, and the boldest looks are ready to be tried now—no need to wait for autumn.

1

SATIN SKIN Out goes the ultra-dewy skin, and in comes the satin finish. It's a softer, more polished look with a gentle glow, offering a refined yet healthy appearance without the intense shine.

2 VOLUMINOUS HAIRSTYLES

Minimalist, sleek hairstyles have dominated for years, but New York Fashion Week signaled the return of voluminous hair. This isn't subtle volume—it’s full-bodied, bold, and dynamic, giving the look movement and edge.

RENEW & REFRESH YOUR LOOK

7 KEY TRENDS for FALL

3 RED SHADES IN MAKEUP Red is notoriously tricky in makeup, as it can make the eyes appear tired. However, this season’s runways embraced it boldly. Paired with eyeliner and well-defined waterlines, red eyeshadow and liner are making a statement. Makeup artists encourage bold experimentation, so don’t hesitate to play with this daring trend.

4

MESSY SMOKEY EYES Smokey eyes are a timeless favorite, but for Fall 2024, they take on a more carefree, grungy style. Shadows are smudged out to the brows and nose bridge, with an intentionally undone finish. Think of it

as a "morning after" effect, with a hint of rebellion.

5

STATEMENT BROWS Brows are having a major moment. This season, creativity takes center stage—whether it’s brows adorned with flowers, patterns, or tinted with bold shadows. Even bleached brows make an appearance, transforming brows into an artistic focal point.

6

FALSE LASHES False lashes are back in full force. After a stretch of minimalist looks, lashes are once again the centerpiece of the makeup. At Fashion Week, we saw lashes embellished with crystals, glitter, and even painted neon hues like bright green. Don’t forget to try bold lower lashes for an extra pop.

7 GRAY HAIR

Perhaps one of the most surprising trends is the embrace of natural gray hair. Saltand-pepper strands are no longer hidden but celebrated. This trend encourages those with graying hair to showcase their uniqueness with pride.

While not every trend will suit everyone, these looks inspire us to experiment and explore new facets of beauty. This season encourages us to embrace individuality—whether it’s trying bold red eyeshadow, voluminous hairstyles, or proudly showcasing natural gray hair. Fall 2024 is about pushing past conventional beauty norms and expressing creativity. Don’t be afraid to step outside your comfort zone. Whether it’s a subtle change or a bold transformation, the Rich Beauty Team is here to help you step into the season with confidence and style.

KATYA RICH MAKEUP ARTIST

Makeup artist, beauty expert, and award-winning participant in international competitions, is the official makeup artist for New York, Los Angeles, and San Francisco Fashion Weeks. She is also the founder of the Rich Beauty Team in San Francisco.

PHOTOGRAPHER MICHAEL MELTSER & MODEL SHALINI SRIVASTAVA

CHITHRARA J NALAPOGA

Experience the success of our Red Hot Monde August cover reveal party featuring Chithra Rajagopalan! With only two weeks of planning, the event came together beautifully. Special thanks to John Anthony Paye, Pamela Walsh, and everyone who made the night unforgettable, with bites from Best Day Catering, wines from Christopher Creek Winery, and photos by Trisha Leeper. The event also supported Blossom Projects, promoting education, empowerment, and mental health advocacy.

OOur Red Hot Monde August cover reveal party featuring Chithra Rajagopalan was an unforgettable night, and we’re thrilled to share that it was a great success. With only two weeks to plan, the event came together beautifully, thanks to an amazing team and the support of our community. Special thanks to John Anthony Paye for the invaluable connections and to Pamela Walsh for hosting us in her stunning, historic gallery space. Guests indulged in delicious bites from Best Day Catering and savored wines from Christopher Creek Winery. Katya Rich worked her magic with hair and makeup, while photographer Trisha Leeper captured the evening’s best moments.

This event also served as a prelude to the main gala for Blossom Projects, aiming to raise more awareness for the cause. By highlighting Chithra Rajagopalan’s incredible journey on our cover, we hope to further shine a spotlight on the importance of education, empowerment, and mental health advocacy that Blossom Projects champions.

We’re incredibly grateful to everyone who attended and supported this celebration, making it a night to remember.

The Trending Food & Drink

AWARD WINNING WINES

About Us

Christopher Creek Winery is a family-owned boutique winery with a long history of producing award-winning, handcrafted, and estate bottled wines, with an annual production of around 4,000 cases.

Christopher Creek is located in Healdsburg, California, on 11 rolling acres in the famous Russian River Valley AVA, with another 15 acres planted high on Bradford Mountain in Dry Creek AVA.d in 1972, with the winery opening up shortly after that, in 1974.

Those first vines are still producing exceptional wines and can be enjoyed daily as our Reserve Petite Sirah and Reserve Syrah.

CHRISTOPHER CREEK WINERY

The Family

With a history in the wine industry dating back to the 1400s in Italy, the Foppoli family, along with a few close friends, acquired the winery in 2012 and have maintained the unique, family-run feel that Christopher Creek has been known for since they came in business.

The Foppoli family has been making boutique wines in California for nearly 100 years. The American practice started five generations ago when Giuseppe Foppoli created a high-end private label in a small production facility located in the North Beach section of San Francisco. Giuseppe only allowed the wine to be sold to a select list of long-time customers and in the two high-end private social clubs that he ran in the city.

Today, Guiseppe’s grandsons and their father have woven these traditions into the fabric of Christopher Creek Winery.

A versatile wine that continues to showcase the endless pairing opportunities of Zinfandel. A bright blackberry and leather nose that strolls right into the medium weight mid-palate. At home with anything from charcuterie plates to chicken cacciatore, the finish will entice you to have 'just one more glass....'

Classic bramble of plum on front end. This wine showcases the vines age with structure and depth on mid palate leading into ripe tannins and a structure that will reward those who are patient.

CHRISTOPHER CREEK WINERY 2018 Zinfandel Russian River 750ml $49.00

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