Music Appreciation Exam Materials - 708 Verified Questions

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Music Appreciation Exam

Materials

Course Introduction

Music Appreciation is an introductory course designed to enhance students understanding and enjoyment of music by exploring a wide range of musical styles, genres, and historical periods. Through guided listening, analysis, and discussion, students learn to identify musical elements, recognize influential composers and works, and appreciate the cultural and historical contexts of music. This course encourages critical listening skills and fosters a deeper appreciation for the role of music in diverse societies, helping students become more informed and engaged listeners.

Recommended Textbook

Americas Musical Landscape 5th Edition by Jean Ferris

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31 Chapters

708 Verified Questions

708 Flashcards

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Chapter 1: North American Indian Music

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28 Verified Questions

28 Flashcards

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Sample Questions

Q1) Which of the following best describes falsetto?

A) a singing style with strong vocal pulsation

B) a singing range that lies above the normal singing range

C) a strained, tense vocal sound

D) a nasal, harsh vocal sound

Answer: B

Q2) Vocables are meaningless syllables.

A)True

B)False

Answer: False

Q3) Native Americans think of their songs as received in a dream or vision.

A)True

B)False

Answer: True

Q4) When a solo voice performs in alternation with a group,this technique is called

A) falsetto

B) call and response

C) vocal composition

D) strophic form

Answer: B

Page 3

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Chapter 2: Folk Music

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35 Verified Questions

35 Flashcards

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Sample Questions

Q1) West African drumming is musically complex because

A) it requires the musicians to read difficult notation

B) it requires the use of the gourd banjo

C) the instruments are created out of natural materials

D) it involves multiple layers of underlying rhythms

Answer: D

Q2) Most ballads are attributed to known composers.

A)True

B)False

Answer: False

Q3) Disasters,famous murders and other historical events are subjects frequently found in

A) broadsides

B) field hollers

C) work songs

D) spirituals

Answer: A

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Chapter 3: Religious Music in Colonial Revolutionary and Federal Periods

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41 Verified Questions

41 Flashcards

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Sample Questions

Q1) The form of a fuging tune may be described as

A) AAB

B) ABC

C) ABA

D) ABB

Answer: D

Q2) When performed as a canon,the texture of "When Jesus Wept" is

A) monophonic

B) heterophonic

C) homophonic

D) polyphonic

Answer: D

Q3) Protestants sang hymns in their vernacular language.

A)True

B)False

Answer: True

Q4) Psalm tune texts are paraphrased from the Bible.

A)True

B)False

Answer: True

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Chapter 4: Secular Music in Colonial Revolutionary and Federal Periods

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24 Verified Questions

24 Flashcards

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Sample Questions

Q1) The text mentions that children and women took music lessons from immigrant professional musicians.Find out whether or not men studied in a similar manner.Why or why not?

Q2) When an instrumental piece depicts a non-musical sound such as gunfire,the piece is said to be __________.

A) programmatic

B) imitative

C) march-like

D) Revolutionary

Q3) Which of the following is not true regarding Benjamin Franklin?

A) he invented an instrument that Mozart enjoyed playing

B) he wrote about the subject of music

C) he believed that American music was superior to European music

D) he played musical instruments

Q4) Household music refers to vocal and piano pieces accessible to amateur performers.

A)True

B)False

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Q5) Describe the attention given to unity and variety in art music as opposed to design principles in folk and popular music.

Chapter 5: Religious Music in the Early Nineteenth Century

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26 Verified Questions

26 Flashcards

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Sample Questions

Q1) (p.several)

Which of the following least impacted professional American musical composers in the nineteenth century?

A) indigenous music

B) European trends

C) German musical masters

D) shape-note notation

Q2) "Amazing Grace" is in strophic form.

A)True

B)False

Q3) Some African-American spirituals eventually became regarded as art music.

A)True

B)False

Q4) The Great Revival featured musical events as well as prayer.

A)True

B)False

Q5) Reflecting on your own pre-collegiate music education,do you think that Lowell Mason would have been pleased with the outcome of that education? Outline his goals,and compare this with your own experience.

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Chapter 6: Popular Music of the Civil War Era

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30 Verified Questions

30 Flashcards

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Sample Questions

Q1) In a march,the section that is softer in dynamic level is called

A) the strain

B) the trio

C) the break

D) the beat

Q2) The "Star Spangled Banner" was named the American national anthem by President

A) Abraham Lincoln

B) Theodore Roosevelt

C) Herbert Hoover

D) Franklin Delano Roosevelt

Q3) Which best describes the "Hutchisons?"

A) the most popular singing family in America

B) a minstrel group from Alabama

C) a specialized segment of the United States Marine Band

D) a group of all-male minstrel performers

Q4) Since women were the primary benefactors of music lessons in nineteenth-century America,why are there so few recognized women composers from that era,especially considering that their teachers were highly educated European masters?

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Chapter 7: Early Concert Music

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32 Verified Questions

32 Flashcards

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Sample Questions

Q1) European virtuosos traveled to the United States when Europeans tired of their dazzling performances.

A)True

B)False

Q2) Ole Bull was the outstanding ____________ of his day.

A) pianist

B) violinist

C) conductor

D) singer

Q3) Nationalistic folk tales and legends often glorified the peasant rather than the noble.

A)True

B)False

Q4) Nineteenth century Romanticism was dominated by French artists,writers and composers.

A)True

B)False

Q5) Describe the technical aspects of the piano that allowed it to be an ideal Romantic instrument.

Q6) Why did early attempts to promote a nationalistic American art music fail?

Page 9

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Chapter 8: American Concert Music Comes of Age

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33 Verified Questions

33 Flashcards

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Sample Questions

Q1) It is likely that Amy Beach favored the art song genre because

A) she found symphonic composition very difficult

B) this genre was considered more fitting for a woman of her day

C) she had to give up her solo career

D) she was a solo vocalist as well as a composer

Q2) Which of the following composers produced a sound distinctively different from his/her European contemporaries?

A) John Knowles Paine

B) Amy Beach

C) Edward MacDowell

D) George Chadwick

Q3) Which of the following terms does <b>not </b>refer to an entire work?

A) suite

B) fugue

C) sequence

D) symphony

Q4) Nineteenth century symphonic literature was significantly impacted by technological advances.

A)True

B)False

Page 10

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Chapter 9: The Rise of Popular Culture

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34 Verified Questions

34 Flashcards

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Sample Questions

Q1) Each melodic section in a march or rag is called a

A) trio

B) break

C) strain

D) finale

Q2) Most Tin Pan Alley songwriters had significant interest in jazz and classical music.

A)True

B)False

Q3) Ragtime's roots were solely African-American.

A)True

B)False

Q4) A cakewalk contains a repeated,syncopated rhythm.

A)True

B)False

Q5) Which of the following likely would be of the most interest to ASCAP today?

A) create and promote computerized music notation software

B) oppose Napster

C) encourage the diversification of music education

D) promote the development of music education texts

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Chapter 10: Country Music

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36 Verified Questions

36 Flashcards

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Sample Questions

Q1) Country singers traditionally sang in a highly emotional manner.

A)True

B)False

Q2) Bluegrass contains elements of jazz.

A)True

B)False

Q3) Which is<b> not </b>true regarding the Grand Ole Opry?

A) it was an early radio show

B) it was centered in Nashville

C) it featured a form of opera music

D) it was established in the 1920s

Q4) Gospel is exclusively an African-American genre.

A)True

B)False

Q5) Which of the following women is not part of the "new country" scene?

A) Patsy Cline

B) Shania Twain

C) LeAnn Rimes

D) Mary Chapin Carpenter

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Chapter 11: Ethnic Traditions and the Urban Folk Revival

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21 Verified Questions

21 Flashcards

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Sample Questions

Q1) The Lomax and Seeger families were strictly performers.

A)True

B)False

Q2) Which of the following is <b>least</b> easy to define?

A) urban folk music

B) alternative country

C) Zydeco

D) Cajun

Q3) "Tom Dooley" exemplified

A) emerging ties between folk and country music

B) urban folk music's focus on themes of murder

C) the zydeco influence

D) Cajun overtones

Q4) Woody Guthrie's "This Land is Your Land" was written in response to which of the following songs that he greatly disliked?

A) God Bless America

B) America the Beautiful

C) America

D) Star Spangled Banner

Q5) Describe the ties between folk music performers and folk music preservationists.

Page 13

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Chapter 12: The Jazz Age

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29 Verified Questions

29 Flashcards

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Sample Questions

Q1) How did the vocally-based blues become a primary foundation for instrumentally-based jazz?

Q2) Which of the following is <b>not</b> a way in which Chicago jazz differed from New Orleans jazz?

A) Chicago style featured different instruments

B) Chicago style featured more complex improvisation

C) Chicago style featured a backbeat

D) Chicago style abandoned blues form

Q3) Which of the following became a center for jazz immediately following the exodus of jazz musicians from New Orleans?

A) New York

B) Chicago

C) St. Louis

D) Dixieland

Q4) Classic blues was conceived primarily as entertainment.

A)True

B)False

Q5) Jazz roots are partially found in European marches and dances.

A)True

B)False

Page 14

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Chapter 13: Jazz 1930-1960

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28 Verified Questions

28 Flashcards

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Sample Questions

Q1) Which of the following women most defied traditional female roles in the jazz world?

A) Billie Holiday

B) Mary Lou Williams

C) Bessie Smith

D) Ella Fitzgerald

Q2) Which of the following did not perform with the others?

A) Charlie Parker

B) Lester Young

C) Thelonius Monk

D) Dizzy Gillespie

Q3) The dissonant complexity of post-1940s jazz made it like classical music in that

A) it was always strictly notated

B) it did not feature improvisation

C) it was more amenable to listening than to dancing

D) it was rarely performed at festivals

Q4) Harlem was not open to white music patrons in the big band era.

A)True

B)False

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Chapter 14: Jazz Since 1960

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25 Verified Questions

25 Flashcards

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Sample Questions

Q1) Which of the following combines rock rhythms with collective improvisation,extreme ranges in volume,and rapid shifts in tempo and mood?

A) bebop

B) third stream

C) fusion

D) cool

Q2) Collective improvisation relies on

A) highly detailed written scores

B) few individual solos

C) musical interplay between ensemble members

D) a steady beat to hold the ensemble together

Q3) "Third stream" blends jazz and classical music techniques.

A)True

B)False

Q4) Which of the following introduced the free jazz style in his album Free Jazz?

A) Miles Davis

B) Ornette Coleman

C) John Coltrane

D)D.Wynton Marsalis

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Chapter 15: Latin Popular Musics

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31 Verified Questions

31 Flashcards

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Sample Questions

Q1) Which of the following Latin areas is <b>least</b> influential in North American popular music today?

A) the Caribbean

B) Brazil

C) Argentina

D) Mexico

Q2) Conjunto ensembles are associated with Mexican Americans

A)True

B)False

Q3) The habanera is a dance from

A) Cuba

B) Brazil

C) Argentina

D) Mexico

Q4) Which of the following does<b> not</b> reflect African influences?

A) tango

B) reggae

C) bata drums

D) mariachi

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Chapter 16: Rock and Roll

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30 Verified Questions

30 Flashcards

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Sample Questions

Q1) One of the first blacks to become technically adept with studio recording technology was

A) Jimi Hendrix

B) Ray Charles

C) James Brown

D) Aretha Franklin

Q2) Elvis Presley was deeply rooted in the country music tradition.

A)True

B)False

Q3) The end of the 1950s marked a time of great excitement regarding the future of rock and roll.

A)True

B)False

Q4) Gospel refers to a family including both white and black musics.

A)True

B)False

Q5) "Payola" refers to the practice of plugging records in exchange for payment.

A)True

B)False

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Chapter 17: Popular Music Since 1970

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17 Verified Questions

17 Flashcards

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Sample Questions

Q1) The earliest roots of disco are in the 1970s.

A)True

B)False

Q2) Which of the following artists focused on socially relevant topics ranging from the Vietnam War to world hunger?

A) Bruce Springsteen

B) Madonna

C) Paul McCartney

D) Kurt Cobaine

Q3) "Chicago" was a group that incorporated jazz elements into rock.

A)True

B)False

Q4) Disco was a commercial _________ music.

A) dance

B) concert

C) movie

D) folk

Q5) Hip-hop grew out of the rap movement.

A)True

B)False

Page 19

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Chapter 18: Music for Theatre and Film

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38 Verified Questions

38 Flashcards

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Sample Questions

Q1) Which of the following shows became famous as a record album before it was produced on stage?

A) West Side Story

B) Jesus Christ Superstar

C) Godspell

D) Guys and Dolls

Q2) Which of the following is a current American composer who is sometimes considered America's premiere composer for the musical stage?

A) John Kander

B) Claude-Michel Schonberg

C) Andrew Lloyd Webber

D) Stephen Sondheim

Q3) Irene and Vernon Castle were famous ____________ on the Broadway stage.

A) singers

B) comedians

C) dancers

D) lyricists

Q4) Gilbert and Sullivan were early twentieth century American operetta composers.

A)True

B)False

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Chapter 19: Music for Films

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20 Verified Questions

20 Flashcards

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Sample Questions

Q1) A "temp" is a synopsis of a film's plot.

A)True

B)False

Q2) The theremin was the earliest

A) electronic instrument used in films

B) keyboard instrument used in films

C) movie recording device

D) sound editing system

Q3) A temp is written by

A) a playwright

B) a composer

C) a choreographer

D) an author

Q4) Current film scores are sometimes "packaged" by Hollywood for an MTV-inspired audience.

A)True

B)False

Q5) Silent films involved no music at all.

A)True

B)False

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Chapter 20: American Opera

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25 Flashcards

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Sample Questions

Q1) What is the dramatic role of each of the following opera components? aria,recitative,overture,chorus

Q2) Which of the following opera components is strictly instrumental?

A) aria

B) recitative

C) overture

D) chorus

Q3) Gertrude Stein was an influential music educator who lived in France.

A)True

B)False

Q4) Which of the following is <b>not</b> normally included in an opera?

A) acting

B) costumes

C) elaborate staging

D) spoken dialogue

Q5) The "da capo aria" is best illustrated by which of the following forms?

A) BAB

B) AAB

C) ABA

D) ABB

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Chapter 21: Experimental Music - Revolution

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24 Verified Questions

24 Flashcards

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Sample Questions

Q1) Which of the following sets of composers both discovered tone clusters at the same time?

A) Cage and Varese

B) Ives and Cowell

C) Varese and Ives

D) Cowell and Cage

Q2) Which of the following most appeals to mathematical principles?

A) programmatic music

B) 12-tone music

C) music of chance

D) concrete music

Q3) Which of the following is <b>not</b> associated with Henry Cowell's music?

A) Irish folklore

B) German Romanticism

C) modal music of the church

D) music of the East

Q4) Combining two or more rhythmic patterns creates polyphony.

A)True

B)False

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Chapter 22: Mainstream Concert Music - Evolution

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Sample Questions

Q1) Which of the following composers worked very diligently to promote the music of American composers to the American public?

A) Aaron Copland

B) Samuel Barber

C) William Grant Still

D) Harry T. Burleigh

Q2) In the 1920s,young American composers traveled to _________ to study music.

A) Germany

B) England

C) France

D) Italy

Q3) Which best describes the Harlem Renaissance?

A) cultural movement in 1920s Harlem focusing on "high art" in various art forms

B) jazz movement in 1920s Harlem focusing on promoting jazz performers

C) music movement in 1920s Harlem in which concert music was the focus

D) art music movement in 1920s Harlem that focused on rural black roots

Q4) Coplands' Rodeo is true to classical ballet format.

A)True

B)False

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Chapter 23: The Avant-Garde Continued

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Sample Questions

Q1) Tape music and concrete music were developed in which two countries?

A) America and Germany

B) Germany and France

C) France and America

D) America and Italy

Q2) Abstract expressionist painters share many ideals with the composers of ______ music.

A) concrete

B) 12-tone

C) aleatoric

D) program

Q3) It is possible to play a continuum of pitches by using the _____________ on a synthesizer.

A) oscillator

B) fingerboard

C) keyboard

D) mouse

Q4) Jazz improvisation can be considered a form of indeterminate music.

A)True

B)False

Page 25

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Chapter 24: The Recent Mainstream

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Sample Questions

Q1) William Schuman and Lou Harrison are considered experimental composers.

A)True

B)False

Q2) Which composer was inspired by a wide variety of music,including Native American music,Chinese opera and Gregorian chant?

A) William Schuman

B) Lou Harrison

C) John Cage

D) Terry Riley

Q3) William Schuman primarily writes for orchestra.

A)True

B)False

Q4) Modern melodies are often more __________ than melodies of the nineteenth century.

A) smooth

B) angular

C) singable

D) melodic

Q5) How do modern "traditionalists" differ from experimentalist composers? What do they have in common?

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Chapter 25: Prelude

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Sample Questions

Q1) The distance between two tones is referred to as

A) an interval

B) a space

C) a measure

D) a triad

Q2) Which of the following is most related to the number of pulses or beats per measure?

A) bars

B) meter

C) rhythm

D) harmony

Q3) The "home tone" of a piece,which is also the name of the key of a composition,is called the

A) subdominant

B) tonic

C) dominant

D) unison

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Chapter 26: Music in Early America

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Sample Questions

Q1) Which of the following is true regarding African slaves in eighteenth century America?

A) African music was sometimes expressed via Christian worship.

B) African musicians were not taken into slavery.

C) Slaves were able to preserve traditional music via written notation.

D) Slaves lost all trace of their traditional musics.

Q2) African,European and Native American music had which of the following in common in eighteenth-century America?

A) It was performed with no rhythmic pulse.

B) It was usually performed by amateurs rather than professionals.

C) It was monophonic.

D) It was confined to the concert hall.

Q3) Which of the following would be an incorrect generalization regarding Native American traditional music?

A) It is strongly connected to spirituality.

B) It sounded the same from culture to culture.

C) It was interrelated to other art forms.

D) It was sometimes depicted in visual art.

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Chapter 27: The Tumultuous Nineteenth Century

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Sample Questions

Q1) Which of the following is <b>not</b> true regarding nineteenth century American music?

A) there was an increased fusion of other arts with music

B) musicians were increasingly dependent on approval of the public

C) musicians relied on each other for practical and moral support

D) music was rarely connected to art forms such as poetry

Q2) Which of the following is not usually associated with Romanticism?

A) fascination with the unknown

B) balance and reason

C) love of nature

D) fierce independence

Q3) Romanticism dates from which of the following periods?

A) 1750-1800

B) 1800-1850

C) 1825-1900

D) 1900-1950

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Chapter 28: The Growth of Vernacular Traditions

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Sample Questions

Q1) American vernacular music reflects which of the following?

A) regional influences

B) sophisticated compositional rules

C) highly recognized composers

D) European compositional style

Q2) Which statement is <b>not</b> true regarding vernacular music in America?

A) Vernacular music was popular in early American music.

B) Vernacular music composition required extensive musical training.

C) Vernacular music was associated with minstrel shows and circuses.

D) Vernacular music was sporadically preserved.

Q3) Which of the following is <b>least</b> associated with the vernacular?

A) collage

B) comic books

C) swing music

D) impressionism

Q4) Which type of musical genre is frequently associated with the term "vernacular?"

A) classical

B) art music

C) popular music

D) Baroque

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Chapter 29: A Diversity of Popular Musics

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Sample Questions

Q1) Which can be said about the "beat generation?"

A) they detested vernacular music

B) they promoted only visual art

C) they were champions of nonconformity

D) they ignored American culture

Q2) American vernacular music of the 1990s was probably most influenced by

A) art and literature

B) technological advances and computerization

C) European trends

D) 1950s rock

Q3) American vernacular music especially diversified after the birth of

A) jazz

B) rock

C) country

D) new wave

Q4) Which of the following was a visual pop artist?

A) Jean-Paul Sartre

B) Andy Warhol

C) James Dean

D) Chuck Berry

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Chapter 30: Music for Theater and Film

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Sample Questions

Q1) The inclusion of provocative dance scenes in musicals reflected which of the following trends in American culture?

A) the waning of the severe Protestant ethic

B) the growth of diversity in America

C) the legalization of alcohol sales

D) the grounding in European traditions

Q2) The connection between music and theatre dates back to

A) Nineteenth century Italy

B) ancient Greece

C) Sixteenth century Germany

D) Eighteenth century America

Q3) Broadway has recently revived many older musicals for which of the following reasons?

A) aesthetic

B) financial

C) lack of imagination

D) no available story lines

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Chapter 31: Tradition and Innovation in Concert Music

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Sample Questions

Q1) Which of the following is<b> not</b> frequently found in current American concert music?

A) inclusion of non-Western music

B) a unified musical language

C) interaction of the arts

D) multimedia performances

Q2) Some scholars connect pointillist visual art with musical manipulation of A) rhythm

B) form

C) timbre

D) meter

Q3) Which of the following is a musical trend that could not have occurred prior to the Twentieth Century?

A) fusion of literature and music

B) use of chance in performance

C) manipulation of recorded sound

D) written preservation of music

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