As we close out 2024 and begin 2025, we’re thrilled to share this special edition, which celebrates some of the standout pieces from this past year. This issue contains some of the most interesting, thought-provoking, and well-written pieces from the past year. Inside this issue, you’ll find stories highlighting students on campus, some strong opinions, and much more. What’s more special about this issue is the fact that this is our first printed issue during our tenure, which hopefully will make The Charger more visible and accessible. Thank you to the administration and Mr. Spence for their support. And thank you to our readers, writers, photographer, and editors, without whom this would not be possible. We hope you enjoy this issue.
Meha Khanna and Anish Vedantham Editors in Chief, The Charger
CONTACT INFORMATION
The Charger is always looking for dedicated student writers, photographers, and designers. We welcome diverse and varied perspectives and responses to articles. If you are interested in joining the club, or if you have a comment, question, or story idea, please reach out to us at matt.spence@providenceday.org
DISCLAIMER
The views and opinions expressed in this issue and the articles contained within it do not reflect the official policy or position of The Charger, the editing staff, or Providence Day School.
Picture of the editors courtesy of Mr. Matt Spence.
Political violence constitutes one of the greatest threats to our constitutional republic.
THE UNSEEN THREAT TO DEMOCRACY
BYANISHVEDANTHAM
Menacing words and violent actions toward public officials constitute one of the greatest threats to democracy. As former Attorney General Merrick Garland warned, the Justice Department (DOJ) is “witnessing a deeply disturbing spike in threats against those who serve the public.”
The Department of Justice (DOJ) is “witnessing a deeply disturbing spike in threats aginst those who serve the public”
Attorney General Merrick B.
This violence knows no party lines, targeting figures like Reps. Marjorie Taylor Greene (R-Ga.) and Brandon Williams (R-N.Y.), Mayor Michelle Wu (D-Boston), and Lt. Gov. Eleni Kounalakis (D-Ca.). Swatting attacks—false emergencies reported to officials' homes—threaten harm or death.
In addition, over 15 state capitol buildings have faced bomb threats, leading to widespread evacuations, according to the Associated Press. This pattern of violence extended to President Donald Trump, who faced two assassination attempts during the 2024 campaign. Regardless of one's political leanings, attacks of this nature threaten the integrity of democratic systems by fostering an environment of fear and hostility.
This is concerning. American democracy is built on a foundation of freedom of speech and mutual respect. When violent threats target public officials, they undermine this fabric, discouraging officials from expressing their beliefs and eroding public trust in institutions.
Garland
Photo courtesy of the U.S. Institute of Peace on Flickr under Creative Commons BY-SA 2.0.
The problem extends to election officials, who have experienced a significant increase in threats. According to the Brennan Center for Justice, three out of four election workers have faced harassment. This pressure has contributed to unprecedented turnover; for example, 40 percent of North Carolina's head election workers have resigned.
In Texas, volunteer poll watchers have stepped down after experiencing harassment and stalking. Such violence impacts election security, as officials may make decisions under duress, leading to systemic vulnerabilities. In extreme cases, officials may resign, leaving critical positions vacant and democratic processes weakened.
The ongoing violence also affects policymakers. Fear of physical harm may lead politicians at all levels to compromise their principles, altering their decisions to appease those who employ intimidation tactics.
This unseen threat to democracy demands urgent recognition and rectification. Citizens must be vigilant and condemn violence in all forms. Awareness of the individuals and groups undermining the political system is crucial to fostering resilience against these undemocratic actions.
Vigilance, condemnation of violence, and a commitment to upholding democratic values are imperative. Politicians and citizens must stand united in their critique about the fundamentally undemocratic actions of this small but powerful minority.
This trend of increased political violence can be explained, in part, by rising shares of both Democrats (33 percent) and Republicans (36 percent) believing that violence is justified to advance political goals. Graph courtesy of Statista user William Roper under CC BY-ND.
BYMEHAKHANNA
Pop sensation.
Prolific songwriter.
Record-breaker.
These are Taylor Swift.
While her music has captured the hearts of millions, she’s also a feminist icon to many. This is, however, a fallacy. She may champion female empowerment in her music and public statements, but her actions contradict her performative nature.
Accusations of "white feminism" dog her. While she readily speaks out against misogyny directed at her, she falls short in addressing broader women's issues, particularly those affecting marginalized communities. Critics highlight her failure to acknowledge intersectional struggles and speak on global women’s rights violations; although many claim she is not responsible for effecting worldwide change, she asserts she wants to do so by “stand[ing] up to double standards.”
Her following affords her this rare platform to effect meaningful change. When she encouraged voter registration, more than 35,000 people signed up to vote. This was a worthy cause, but her lack of action surrounding other women’s rights issues that claim the livelihoods of millions globally speaks volumes about her selective support. In times where she could raise her voice to save lives and reduce oppression, she is not neutral. She is complicit.
Her penchant for pitting women against each other exemplifies her weaponization of feminism. She doesn’t elevate female voices; she silences detractors. In response to a joke on a Netflix show where a character claims another “goes through men faster than Taylor Swift,” she called out the alleged sexism. Instead of taking the joke in stride as many celebrities do, she allowed her fans to blame the actress, who was simply doing her job.
Feminist movements have been built upon women uplifting each other. Swift undermines this. If she only discusses feminism when it benefits her, is she really a feminist? Should this be the type of feminism we extol?
Global feminist movements are currently demanding real change. In the words of Swift, they seek to “deconstruct an entire belief system.” However, she resorts to token gestures that are increasingly outdated and superficial. Yet many still laud her instead of focusing on feminist revolutionaries like Bisan Owda and Faila Kataliko who are on the frontlines, risking their lives for change. Such individuals are far more “iconic” to the cause of feminism. Most importantly, they are working to reform a system built on oppression to be one focused on equity.
BEHIND THE SCENES: A LOOK INTO PROVIDENCE DAY’S AMAZING FACILITIES TEAM
BYALLANAWREN
Providence Day encompasses 46 acres with more than 800,000 square feet of buildings, including a bustling dining hall that serves students from Transitional Kindergarten to 12th grade. From clean classrooms to transportation services to weekend events, the school operates smoothly thanks to the dedicated work of the Facilities team.
The Facilities Department comprises six main groups: custodial and housekeeping, grounds and landscaping, infrastructure and building maintenance, construction management, campus events, and transportation. Together, they ensure the efficient operation of the entire campus.
Despite its essential role, the department’s contributions often go unnoticed by students and faculty. Mr. Lee Snodgrass, Manager of Construction, highlights their impact:
“Think about what needs to happen to maintain your house. We make sure the power is on, the house is heated or cooled, paint when needed, unclog the toilets, clean up all messes, mow the grass, plant flowers, and clean the gutters and windows.”
Mr. Snodgrass continues: “We deliver mail, provide moving services, and also catch a snake or two. We also transport people back and forth, and drive them for trips and athletic events. We also maintain top notch athletic fields to play on.”
Mr. Lee Snodgrass, Manager of Construction
The Dickson-Hemby Technology Center
It’s evident that the responsibilities of Facilities are both diverse and vital. Despite the effort, the team finds it incredibly rewarding.
Mr. Bob McGovern, Head of Maintenance, reflects on the varied nature of their work: “It is something different almost every day; some days are more challenging than others, but I like that it is something different all the time,” he says. “Also, the people I work with are really great people, and I enjoy coming in and working with them.”
“Each day is usually slightly different than the previous day,” Robbie Miller, manager of grounds, says. “We have a very active campus and as a result we work around the campus schedule as much as possible.”
Each day brings new challenges and jobs. Their work continues after the school day ends, and year round as they work over the summer, as well.
Mr. Ben Sigg, Manager of Transportation, finds joy in facilitative student experiences: “I love watching kids be kids as they have a good time,” he says. “Sometimes it's a fun field trip or an athletic event. Being off campus is always fun because, for the students, field trips are their favorite days.”
He adds: “Our schedule is also very weather dependent, so we need to remain flexible each week. Our job also changes seasonally, as the fall sports are different from the spring sports and then we get a slate of summer camps throughout summer break.”
Students can contribute to the smooth functioning of the campus by cleaning after themselves and expressing gratitude to the Facilities staff. Mr. McGovern emphasizes the impact of student cooperation:
Mr. Bob McGovern, Head of Maintenance
Mr. Robbie Miller, Manager of the Grounds
COACH: PROVIDENCE DAY’S FURRY COMPANION
BYDRENNANSHALL
Since his recent arrival on campus, Coach, an English cream golden retriever, has brought joy, comfort, and a wagging tail to students navigating their school day.
Coach is a year old and already a campus celebrity at Providence Day School, connecting with students across all grade levels.
“It’s a joy to bring my dog to work every day and share him with our community,” said Ms. Ashley Liberto, Coach’s handler and the 6th-grade dean.
Coach’s training journey has been both challenging and rewarding. In addition to learning general behavioral and social skills, Coach mastered a variety of commands needed to become a certified therapy dog. His training included individual instruction, group classes with fellow dogs, and real-life scenarios designed to test his skills. These experiences helped prepare him for his therapy dog certification exam.
“One of our toughest experiences was going to the airport,” Ms. Liberto said. “He had to walk off-leash through the airport when it was busy and loud.”
After passing his certification—and receiving plenty of treats—Coach became a regular presence on campus. He greets students in the morning carpool and visits lower school classes to participate in activities.
Coach, with handler Ms. Liberto, completing his training to become a therapy dog.
Coach visiting Charlotte Douglas International Airport, a tough experience for him.
FEATURES
Between breaks, Coach can be found relaxing on the stairs of the Dickson-Hemby Technology Center. He also makes appearances at school events, including this year’s pep rally and homecoming football game. Through these interactions, students learn valuable life skills such as empathy and the importance of finding joy amid life’s challenges.
“I hope the kids learn empathy and focus on the joy in the world,” Ms. Liberto said. “It’s easy to get bogged down by negativity, but seeing Coach and the happiness he brings to everyone is amazing.”
Throughout his day-to-day activities on campus, Coach helps create a relaxing and joyful atmosphere for both students and faculty. Whether playing tug-of-war during his free time or simply offering a calming presence, Providence Day’s therapy dog has made the campus more welcoming. His playful spirit and gentle nature have fostered a sense of community that enriches the school environment for everyone.
Coach reading with sixth grade students (top left), visiting lower schoolers in their class (top right), reclining on the DH steps during Homecoming Week in his pajamas (bottom left), and visiting seniors in the College Guidance office (bottom right). All pictures in this article courtesy of Ms. Ashley Liberto.
CHARGER GARDENS: SUSTAINABILITY AND COMMUNITY IMPACT
BYHARJANSINGH
Providence Day School involves both students and faculty in its widespread community effort to promote sustainability while also providing food for local communities.
The Charger Gardens is a growing project aiming to grow to more produce and have a bigger impact on the community.
Recently, the Charger Gardens has been relocated. The garden now sits behind the tennis courts due to the ongoing construction of the new Lower School building, Auerbach Hall. The garden consists of a variety of local fruits and vegetables; each planted at various times throughout the year. Once harvested, these fruits and veggies are donated to various communities within Charlotte in desperate need of food assistance.
While the families receiving these donations likely benefit the most from this program, students can still benefit greatly from working in the garden. In fact, having a communal garden “gives students in their regular school day an opportunity to get a break and connect with nature,” says Mr. Hudson; the head of the Upper School Sustainability Club. Mr. Hudson spends hours caring for the Charger Gardens, helping to keep the program thriving.
Students and faculty helping in Charger Gardens. Courtesy of Mr. Jack Hudson.
Hudson encourages other students to do the same, even if it means just stopping by once a week.
Additionally, he emphasizes how being a part of the program not only allows students to immerse themselves in the natural world, but it also serves as a “service learning space that benefits students who do the actual work and helps [them] get an understanding of the broader Charlotte community.”
Charger Gardens is a wonderful example of how the PD community works together to help local populations, while giving students the opportunity to connect with nature and get involved with their community.
For those interested in getting involved, Mr. Jack Hudson is available to answer questions and provide guidance at jack.hudson@providenceday.org.
Some of the produce from the garden. Picture courtesy of Mr. Hudson.
The new location of the Charger Gardens, near the tennis courts. Pictures courtesy of Mr. Hudson.
IS POLLING INACCURATE? A LOOK AT THE 2024 ELECTION RESULTS
BYKATIEMAESWEENEY
The recent presidential election has reignited debates about the accuracy of polling.
President-elect Donald Trump defied many expectations by winning every swing state with a margin of more than a point, despite pre-election polls suggesting a closely contested race with a slight edge for Vice President Kamala Harris.
The outcome raises important questions: were the polls inaccurate, or did other factors shape the apparent disconnect?
Polling inherently comes with uncertainty, as most polls have a margin of error ranging from two to five points. This means that while a poll showing Harris with a slim lead might suggest she was favored, it did not rule out a Trump victory within that range. For instance, Michigan’s final pre-election poll by The New York Times predicted Harris at 49 percent and Trump at 48 percent. The actual result—Trump 49.6 percent and Harris 48.2 percent—fell comfortably within the margin of error, suggesting that the poll itself wasn’t necessarily inaccurate.
However, the differences between prediction and result may also be credited to a number of unexpected voting trends.
Historically, Black voters have strongly supported Democratic candidates. However, this election saw a notable increase in support for Trump, particularly among younger Black voters. Pollsters largely underestimated this shift, which played a crucial role in tipping the scales in key swing states.
The recent presidential election has reignited debates about the accuracy of polling. Image courtesy of Flickr user justgrimes under Creative Commons BY-SA 2.0.
Additionally, polls leading up to the election showed a narrowing lead for Harris, with many voters expressing a desire for change. This sentiment aligned more with Trump’s campaign messaging than Harris's, influencing late-deciding voters.
Finally, Republican voters, often less responsive to pollsters due to their skepticism of traditional media and polling institutions, showed up in larger-than-expected numbers. This “silent vote” phenomenon has been observed in past elections but appeared particularly pronounced this year. It’s worth noting that this was observed in spite of the fact that most pollsters weighted their polls to reflect this concern.
The 2024 election serves as a reminder that polling is a tool for understanding trends, not predicting outcomes with absolute certainty.
While the results surprised many, they ultimately aligned with dynamics captured within the margin of error. Trump’s ability to defy media narratives, capitalize on shifting voter priorities, and broaden his appeal among key demographics reshaped expectations, making his victory both surprising and explainable. The lesson from this election is not necessarily that polls are broken but that voter behavior is complex and ever-evolving.
Mr. Trump and Ms. Harris were engaged in a fierce battle during the 2024 election. Most polls–on both the national level and in the swing states–showed them essentially tied and within the margin of error. Pictures courtesy of Flickr user Gage Skidmore under Creative Commons BY-SA 2.0.
HURRICANE HELENE’S LOCAL IMPACT
BYAUSTINSKEETE
In the final days of September, Hurricane Helene made landfall in the U.S., becoming the fifth named storm to do so this year. The hurricane carved a 500-mile path of destruction across six states, killing approximately 230 people, with many still missing and presumed dead. A significant number of the fatalities occurred in western North Carolina
Some areas of the state received more than two feet of rain in just three days, causing rivers and streams to swell to historic levels. Entire homes were swept away in the resulting floods.
“We’ve had biblical flooding here,” Buncombe County Assistant Director of Emergency Services Ryan Cole told the Citizen-Times.
Asheville Mayor Esther Manheimer called the damage "unprecedented" and "catastrophic" in an interview with Fox News. “It is going to take a long time to dig out so that we can rebuild and continue to be the amazing city that we are,” Manheimer said.
The damage was not confined to the western part of the state. While only two deaths were reported in Mecklenburg County, the property damage along the Catawba River was severe.
Property damage along the Catawba River was also severe.
Many areas of North Carolina suffered “unprecedented” and “catastrophic” damage due to Helene.
Hunter Wilson, owner of Tailrace Marina, told The Charger that his business was heavily damaged by the storm.
“I bought it in April of this year. Five months later, a hurricane destroys the place,” Wilson said.
The floodwaters swept away an entire dock and severely damaged others, with total damages estimated at around $500,000.
The financial toll from Hurricane Helene is expected to exceed $50 billion, with 95% of the damage uninsured, meaning most of the cost will fall on those affected.
Although Wilson’s marina is insured, he said that getting a payout would be challenging.
“It’s going to be an absolute battle between our team and the insurance team,” he said.
Note: Austin Skeete (author) and Evan Albert (photographer) visited areas affected by Hurricane Helene to survey the damage and speak to people affected by the damage. All photos courtesy of Evan Albert.
Property damage sustained by Wilson could cost up to $500,000 to repair.
The F Block of Tailrace Marina, owned by Hunter Wilson, was destroyed
ARTIFICIAL INTELLIGENCE’S ENERGY CONSUMPTION
BYSRIHITHTIRNATI
With the growing integration of artificial intelligence (AI) in the corporate sector, companies need to consider how these advanced technologies will impact their energy consumption and the environment.
Although firms like Meta, Microsoft, and OpenAI have not disclosed specific energy usage figures, The Verge reports that Microsoft is “investing in developing methodologies to quantify the energy use and carbon impact of AI while working on ways to make large systems more efficient, in both training and application.” Estimates can still be made to determine the worldwide impact of AI on environmental sustainability and energy consumption, despite the lack of transparency.
Projections suggest that by 2027, the AI sector could consume between 85 to 134 terawatt-hours annually, comparable to the energy usage of the Netherlands. This increase in consumption could result in a doubling of carbon dioxide emissions over the next decade, according to Goldman Sachs.
The projected rise in energy demand has raised concerns about the costs associated with AI and whether the potential profits justify the energy expenditure. For instance, Google spent $191.4 million to operate its AI system Gemini, and the announcement led to a five percent increase in Google’s share price, according to CNBC. The question remains whether the revenue and stock gains to companies will be worth the anticipated rise in energy consumption, especially given that Goldman Sachs predicts a 160 percent increase in data center power demand by 2030 due to AI.
Currently, technology companies such as Google, Microsoft, and OpenAI are experiencing the highest increases in power consumption due to AI implementation. Google’s data center electricity usage alone increased by 17 percent in 2023, a trend the company expects to continue. This increase contributed significantly to nearly one million metric tons of carbon emissions, according to The Verge. Similarly, OpenAI’s latest GPT-4 model reportedly uses 10 watt-hours of electricity per query. Despite these increases, many tech firms have set ambitious goals for carbon neutrality. Google, aiming to be carbon neutral by 2050, acknowledges that as AI integration increases, so will energy demands, making emissions reduction challenging.
Utility companies are optimistic about AI's potential to boost demand for their products and services. Morningstar analysts predict that companies such as Southern Co., Pinnacle West Capital, and WEC Energy Group could benefit the most. However, utilities will need to address challenges such as managing peak demand and investing in energy storage and grid updates while striving to use clean energy.
To minimize energy consumption while leveraging AI, companies can employ various strategies. The World Economic Forum highlights a couple of ways companies can reduce the climate cost of AI. Training an AI model is more energy-intensive than deploying it, so focusing on long-lasting models can help. Optimization, which involves finding cost-efficient methods to store and interpret data, is another approach. The most sustainable strategy, although costly in the short term, is transitioning to clean energy sources such as solar or hydroelectric power. Ultimately, corporations must balance environmental responsibility with efficiency and AI’s potential for connecting with consumers.
START OF A LEGACY FOR CHARLOTTE FC
BYRYANHARRIS
There’s hardly any doubt that Charlotte FC— Charlotte’s professional soccer team—has been very successful since their debut in 2022.
The club has experienced many highs throughout the years, including their Major League Soccer (MLS) playoff berths in 2023 and 2024. Their success can be attributed to the community that has been created within the club, as well as to the amount of improvement the club has made since their first year in the league.
While Charlotte FC continues to improve and grow, so does the fan base and community. Their inaugural match in March of 2022 drew more than 74,000 fans, setting the MLS single-game attendance record. Pre-game traditions like tailgates and marches, as well as ingame cheers and chants, attract residents from across the Carolinas and inspire people to be a part of this unique community in the city. People now know that if they attend a Charlotte FC game, they are guaranteed a new and exciting experience.
Along with the fans, the management and the training facility have contributed to the early success of the club. Since the inaugural season, players like Kristian Kahlina and Ashley Westwood have led the team on and off the field. The team is constantly changing and managing different styles of play, and although the club has already had two head coaches, both coaches brought new tactics and ideas to the club to help them improve.
Dean Smith, the current head coach, led them to a fifth place finish in the league and a playoff berth. Although Charlotte FC didn’t make it far in the playoffs, it showed fans that the club is constantly improving.
Charlotte FC has an amazing community that will support them no matter the circumstance. As the club continues its improvement, we will keep seeing the exceptional management and dedicated fan bases shine. It’s clear that the city of Charlotte is behind the club and look forward to seeing what Charlotte FC will produce in the future.
Kristian Kahlina, Charlotte FC’s goalkeeper, has led the team on and off the field.
Charlotte FC has been a succesful club since its debut in 2022.
COLLEGE FOOTBALL’S DYNAMIC NEW LANDSCAPE
BYCHARLIEHITT
The 2024 college football season has kicked off with a series of significant developments that are reshaping the sport. From the introduction of name, image, and likeness (NIL) to college athletes to expanded playoffs to conference realignments, this year’s season is set to be one of the most transformative in recent memory.
One of the most impactful changes is the legalization of NIL compensation for players, which has revolutionized the recruiting landscape and increased player movement through the transfer portal for all sports. Football players like Shedeur Sanders and Arch Manning can now capitalize on their popularity by earning money from jersey sales and promotional opportunities while boosting their schools’ visibility.
Some universities are taking NIL a step further—on September 17, the University of Tennessee announced a 10 percent increase in ticket prices for all sports, with the extra funds allocated as a “talent fee” to help pay their athletes.
Tennessee is likely not the only school doing this. Louisville's Athletic Director, Josh Heird, said that he anticipates other schools following in their footsteps. This includes schools like Alabama, Georgia, Ohio State and Texas, all of which consistently sell out their stadiums.
Shedeur Sanders, one of the major beneficiaries of NIL compensation for college athletes. Image courtesy of Flickr User 2C2K Photography via C.C 2.0.
The University of Tennessee’s Neyland Stadium. The university announced a 10 percent increase in ticket prices for all sports as a “talent fee.” Courtesy of Jay McCracken.
Chapel Hill, Duke, and Wake Forest.
Another major development is the expansion of the College Football Playoff. After a decade of the four-team format, the playoff will now feature 12 teams, with seven at-large bids and five spots reserved for conference champions. This expanded format is expected to bring more excitement and competition to the postseason.
The college football season has always held a special place, particularly in the South, and this year promises to be no different. With these transformative changes, the 2024 season could surpass previous expectations, offering fans an unforgettable experience.
Kenan Memorial Stadium, home of the ACC’s UNC Chapel Hill. The ACC is gaining two west coast members due to conference realignment. Courtesy of Shreya Narang.
STUDENT MUSICIANS OF PROVIDENCE DAY
BYKATIEMAESWEENEY
From independent releases on Spotify to DJing and composing original pieces, Providence Day student musicians are creating niches for themselves in the world of music.
Several talented musicians recently shared their inspirations, creative processes, and plans for the future.
Koda, an orchestra student, has been immersed in music since kindergarten, starting with singing and eventually expanding to playing the cello and other instruments. It wasn’t until after fifth grade, though, that they decided to pursue music independently. Their favorite part of the creative process?
“Probably after hearing it all come together,” they said. “It takes hours to figure out harmonies sometimes, and having it all sound really nice is very rewarding.”
One of the biggest challenges, Koda explained, is mastering effects like echoes and reverb, adding that when it all comes together, it is incredibly rewarding. Drawing inspiration from Kpop and R&B, Koda has big plans to pursue music further in college. Their journey as an artist is just beginning, but their commitment to refining their sound is clear.
Zach Solomon and Santiago Esparza, co-creators behind the name “Lil Zit,”take a more unconventional approach to music. Esparza, also known as “Lil Mower,” plays the slide whistle and produces, while Zach handles most of the vocals and keyboard. Their music is heavily influenced by Yuno Miles, an inspiration they both credit with pushing them into music.
“It’s all about the feeling it gives people,” Santiago said.
Their emotional connection to the music is a driving force in their creative process. Already looking ahead to the future, the duo is working on their third album, hoping to keep releasing music for years to come.
Koda uses electronic software to create their music. Courtesy of Koda.
Owen Moore, known as DJ OPM, has been connected to music from a young age, with his parents introducing him to bands like the Red Hot Chili Peppers. Moore’s passion for music grew when he began playing the cello in fifth grade, but his love for composition really took off in ninth grade when he met Providence Day’s orchestra director, Mr. Adrian Gordon.
“I had never met anyone who composed music before,” Moore said. “At the end of my freshman year, I decided to give it a shot. I wrote my first piece for the orchestra and have been composing ever since.”
Moore’s favorite part of making music is the ability to channel emotions into sound.
“It’s about starting with a feeling and expressing that through music,” he said.
Whether it’s a guitar riff or a melody on the cello, Moore thrives on translating emotions into musical form. Inspired by artists like Diplo and Black Coffee, as well as The Strokes and local Charlotte band Blankstate (stylized blankstate.) for his guitar work, Owen plans to continue pursuing music, possibly as a minor or double major in college: “I just want to keep playing and making music wherever I end up.”
For Quentin Yarbrough, music has been a passion since he was six, when his parents bought him a drum set. Over the years, Yarbrough expanded his instrumental repertoire to include guitar and bass, though drums remain his favorite.
“With drums, I feel like I’m not in my head about anything,” Quentin said. “But guitar is more expressive.”
One of Quentin’s favorite parts of making music is connecting multiple ideas into a cohesive piece.
“There’s nothing more satisfying than when it all comes together,” he said.
Enrolled in the jazz ensemble, Quentin credits jazz with expanding his understanding of music theory. His influences are broad, but one band stands out—Deftones
“They really got me into making music,” Quentin said.
While he’s unsure whether music will become a professional path, he’s committed to continuing it as a lifelong passion, whether through a college minor or personal projects.
Owen Moore DJing (top) and conducting his orchestral piece (bottom). Courtesy of Owen Moore.
MR. GORDON ON COMPOSITION AND MUSIC
BYCHLOEMCGOVERN
While many people’s internal monologues are filled with words, Mr. Adrian Gordon’s thoughts are made up of music.
His true gratification comes from hearing the music in his head brought to life by an orchestra.
“I don’t hear voices, I hear melodies,” says Mr. Gordon, Providence Day’s orchestra director.
Mr. Gordon’s musical journey began in first grade with piano and chorus, eventually expanding into his passion for composing. Along the way, he joined an a cappella group and began violin lessons. His first composition came during his college years at the request of his professors, who encouraged him to explore alternative styles. From that moment, Mr. Gordon fell in love with the limitless possibilities of composition.
“There are endless ways to compose a piece,” he said, describing methods such as writing on paper, voice recording, and using computer composition software. He often mixes these methods to refine his work. “Sometimes, the music just flows, but sometimes, I have to layer it all together.”
However, the publishing process proved to be a more difficult part of his journey. After facing months of waiting and rejection from publishing companies, Mr. Gordon decided to take matters into his own hands. He founded his own publishing company, Leap Year Music, which allowed him to finally hear his first piece, Apocalypse, performed by an orchestra. The experience of hearing his vision realized was a turning point in his career.
“It was amazing to hear the music sound just as I had imagined,” he says
Mr. Gordon conducting. Courtesy of Mr. Gordon.
ARTS 22
While Mr. Gordon finds great joy in watching his compositions come to life, he admits that some aspects of the process are challenging. Consistency in writing and displacement of melodies are two specific hurdles he regularly encounters. Additionally, composing music that is both suitable and challenging for the age group performing it requires a careful balance.
“It’s a challenge,” he says, “but those are often the pieces that turn out the best.”
As he continues to navigate his path as a composer, Mr. Gordon stresses the importance of letting go of the pressure to become “the next big thing.” His advice for aspiring composers?
“Just start. Use whatever tools you have and get your ideas down.”
He believes that thoughtful creativity, dedication, and taking initiative are essential to bringing one’s imagination to life.
Mr. Gordon’s journey demonstrates that success in composition isn’t just about talent; it’s about passion, persistence, and a willingness to share your work with others. His story is a reminder that, with enough dedication, anyone can turn their creative vision into reality.
Mr. Gordon composing at the piano. Courtesy of Mr. Gordon
GWYNETH BYRNE: A MULTIINSTRUMENTALIST
BYCHLOEMCGOVERN
Providence Day freshman Gwyenth Byrne can effortlessly transition between electric and acoustic guitar, piano, vocals, and viola as a member of the jazz band, ChargHers a capella group, and orchestra ensemble.
Her musical journey began at the age of 4 with her first piano lesson, sparking a passion that has only grown over the years. Her grandfather, a skilled flamenco guitarist, inspired Gwyneth to expand her repertoire to include guitar.
Gwyneth is actively involved with Bold Music, an arts organization where she performs at events every few months. To prepare for these performances, she dedicates time to mastering pieces that challenge her skills.
“The music requires different chords than what I’m used to,” she says, emphasizing her commitment to growth as a musician.
Her practice routine for learning a new guitar song is methodical. She starts by reviewing the lyrics and chords, focusing on any challenging sections. Once she can play the entire piece roughly, she revisits it to correct any mistakes. Her preparation goes beyond memorization; she hones her finger dexterity, ensuring precise and quick coordination, and perfects the instrument’s pitch and tone while incorporating elements of music theory.
Gwyneth's next performance is scheduled for this month, at a Bold Music event, where she will again demonstrate her talent and dedication. Despite her early start, she believes it’s never too late to begin playing an instrument and exploring the world of music.
Gwyneth exemplifies the power of pursuing one’s passions from a young age, proving that with dedication and enthusiasm, anyone can find their unique musical voice.
Gwyneth Byrne playing acoustic guitar. Courtesy of Gwyneth Byrne.
ARE ALGORITHMS STIFLING CREATIVITY?
BYLAURENNEWMAN
Art fundamentally reflects society’s deepest thoughts and worries. As such, the role of social media algorithms in shaping creativity has become a growing concern. These algorithms, designed to show users personalized content, may appear to be a convenient tool for consuming media. However, they often do more harm than good, especially for creatives.
Artists, like all social media users, are influenced by what they consume. Whether they’re scrolling through Instagram, TikTok, or YouTube, the content they encounter can shape their creative output. Algorithms, the hidden curators of these platforms, determine what appears on our feeds based on past behavior, effectively creating echo chambers. According to ESCP professor Lorena Blasco-Arcas, “online echo chambers are environments where a person only encounters information or opinions that reinforce theirs.” This environment stifles creativity by limiting exposure to diverse perspectives and new ideas. For artists, this can mean creating within a bubble, recycling similar themes and concepts rather than challenging themselves with fresh, innovative thoughts.
The issue extends beyond just content consumption. Creatives looking to share their work face similar algorithmic constraints. If their art doesn’t align with what the algorithm deems popular, it may never reach a wider audience. This pressure to conform can lead artists to compromise their originality in favor of producing content that fits the platform’s trends, thereby diluting the authenticity and diversity of artistic expression.
This paradox is troubling. The internet, with its potential to democratize storytelling, should be a space for diverse voices and ideas. Yet, the algorithms used by a few powerful companies to prioritize certain content for monetary gain limit this potential. Instead of broadening our worldviews, they often reinforce existing beliefs, filtering out content that challenges or provokes us.
Because of this, media literacy is a crucial skill, especially for young creatives. Artists must be aware of how algorithms shape what they see and question whether their feeds reflect a diverse range of perspectives. They must ask themselves whether they encounter content that challenges their views or prefer to scroll through content that reinforces what they know.
To combat this, artists and audiences alike must actively seek out new, diverse content and resist the pull of the algorithmic comfort zone. By doing so, they can break free from the echo chambers and ensure that creativity and originality continue to flourish in the digital age.
slurs. If you choose to listen, discretion is advised.
In recent years, musical artists have faced increasing scrutiny over their lyrics. Artists as big as Taylor Swift have altered their songs to align with evolving social standards, as seen when she removed the word “gay” from her song “Picture to Burn.” However, in earlier decades, societal norms lacked these social restraints, allowing artists to prioritize storytelling and emotional impact without concern for backlash. While some older lyrics might be viewed as offensive today, they also serve as historical markers of societal attitudes and the progress communities have made toward acceptance.
One of the most debated examples of insensitive lyrics comes from Guns N’ Roses’ “One in a Million,” which includes racial and homophobic slurs, though they later removed the song from the reissued album. Such explicit language has been rightly criticized for perpetuating harmful stereotypes. Yet, these lyrics also reveal the heteronormativity and discriminatory attitudes prevalent in the 1980s. Instead of simply canceling these songs, they should be viewed as reflections of the challenges marginalized groups faced during that period.
Mark Knopfler and Dire Straits’ “Money for Nothing,” a 1985 hit, similarly highlights this dynamic. The song tells the story of two appliance store workers criticising on rock stars’ seemingly effortless wealth. In their frustration, the workers use slurs to describe musicians they felt didn’t deserve fame. Knopfler intentionally included this overheard language, explaining he wanted to “use a lot of the language that the real guy actually used… because it was more real.” While the slurs were omitted in radio versions, the lyrics offer a window into the societal norms and language of that time rather than Knopfler’s personal beliefs.
OPINION
Similarly, Aerosmith’s “Dude (Looks Like a Lady)” lyrics that, by today’s standards, might be criticized for perpetuating stereotypes. However, the song wasn’t born from malice; it recounts an encounter where band members mistook Mötley Crüe frontman Vince Neil for a woman. Rather than targeting gender nonconformity, the lyrics reflect the humor and surprise of the moment. These examples underscore the importance of considering the artist’s intent and the cultural backdrop when evaluating older works.
Both “Money for Nothing” and “Dude (Looks Like a Lady)” exemplify the idea that rather than disregarding insensitive lyrics for being out of touch, it is important to look at them from the perspective of the artist, which more often convey their experiences rather than explicit homophobia.
Other songs viewed as controversial in their time have since come to symbolize progress. The Kinks’ “Lola” (1970) is a notable example. Inspired by a crew member's experience with a transgender woman, the song captures the narrator’s initial confusion—“I'm not dumb but I can't understand / Why she walked like a woman but talked like a man”—before moving toward acceptance. Lines like “Girls will be boys and boys will be girls” reflect an openness to understanding gender diversity rarely seen in mainstream music at the time. “Lola” conveys a theme of acceptance and illustrates the progress society has made when it comes to the acceptance of the LGBTQ+ community.
The impact of words is ever-evolving, with terms once considered benign now viewed as offensive. Music, as a reflection of its era, captures these shifts in societal values. Lyrics that were appropriate when written may become controversial decades later, but they offer us a chance to reflect on how far society has come. Past lyrics force people to reflect on the history and perspectives of the times, and help everyone to see the progress (or sometimes, the lack of progress) society has made.
Mark Knopfler’s “Money for Nothing” intentionally included this overheard language, explaining he wanted to “use a lot of the language that the real guy actually used…because it was more real.”
A REMEDY FOR AMERICA’S POLARIZED POLITICS
BYAUSTINSKEETE
The 2024 election season, full of divisive debates, relentless political ads, and tense family gatherings reaffirmed one thing: our nation is divided. In fact, a Pew Research Center study found that we are more ideologically divided today than at almost any point since the Civil War, with political polarization and related violence escalating. Combined with Congress’s abysmal 13% approval rating, it’s clear that the current system has devolved into dysfunction, with partisanship stalling meaningful progress. In this context, the question is no longer whether change is needed—it’s how to achieve it.
One potential solution is proportional representation, a system that could elevate underrepresented voices, reduce polarization, and curb extremism. To understand its potential, we must first examine the fundamental flaws in America’s two-party system.
The U.S. electoral framework favors a winner-take-all approach, where candidates need only a simple majority to claim victory. While efficient, this structure inevitably consolidates power within two dominant parties, leaving third-party candidates with little chance of success. The resulting "spoiler effect" occurs when votes for a third-party candidate split one party’s base, enabling the opposition to win.
This system is problematic for several reasons. First, it disenfranchises significant portions of the electorate. Minority political groups and smaller parties, which might receive a substantial percentage of votes in a state, often end up with no representation in Congress. As Douglas Amy, a leading expert on electoral voting systems, explained, “Any political minority—whether they be African Americans in a white district or liberals in a conservative district—usually find it impossible to amass enough votes to elect their own representative.”
Source: Pew Research Center Report
As Partisan Hostility Grows, Signs of Frustration With the Two-Party System
Furthermore, the system ignores the growing segment of Americans who feel alienated by both major parties. According to a study conducted by Pew Research Center, over 25% of Americans believe neither Democrats nor Republicans adequately represent their views. These voters are left with no realistic alternatives, undermining the inclusivity and diversity that a democratic system is supposed to embody.
Proportional representation addresses these issues by allocating seats in Congress based on the percentage of votes each party receives. This system ensures that minority parties and underrepresented groups can have a voice, better reflecting the country’s political diversity.
For example, in New Zealand, the indigenous Māori population created the Te Pāti Māori party to advocate for their rights. Under a proportional representation system, the party has secured seats in parliament, amplifying their community’s influence. In the U.S., a similar system could empower Republicans in deeply blue states like California or Democrats in conservative strongholds like Alabama.
Proportional representation could also mitigate polarization. Since it’s difficult for a single party to achieve a majority in such systems, coalitions—alliances between multiple parties—become essential. Coalitions encourage compromise and cross-party collaboration, fostering a more functional and cooperative government. For instance, a coalition of moderate Democrats and Republicans could govern without being dominated by extreme factions.
Finally, proportional representation offers a mechanism to combat extremism. Moderates within a party could split off to form their own faction, participating in governance without forfeiting representation. By giving voters more choices, this system weakens the grip of polarizing figures and ideologies, promoting a healthier democratic process.
Critics of proportional representation often argue that it could lead to governmental gridlock by fracturing Congress into numerous small factions. However, this concern overlooks safeguards like electoral thresholds. In Germany, for example, parties must earn at least 5% of the vote to gain seats, preventing an overload of fringe parties. Proposed thresholds for the U.S. range from 10% to 20%, high enough to exclude unserious candidates while still broadening representation.
Additionally, critics overestimate the unity of America’s current two-party system. Internal divisions are already evident, as illustrated by the ousting of Kevin McCarthy, generally regarded as a moderate Republican, by members of his own party. Proportional representation wouldn’t create chaos—it would formalize and better manage the factions that already exist.
It’s clear that Americans are demanding solutions to institutional dysfunction and polarization. Proportional representation offers a way forward, providing a more inclusive, cooperative, and effective system of governance.
By embracing this reform, the U.S. could honor its democratic ideals, ensuring that every voice counts and that the country’s diverse political landscape is fairly represented. As the nation prepares for another election cycle, it’s worth considering whether clinging to the status quo is truly sustainable or if it’s time to refine our democracy for the better
MEET THE EDITORS
Meha Khanna is a senior at Providence Day School, and the Editor-in-Chief of The Charger. She has been writing for the newspaper since her freshman year and editing since her sophomore year. Meha loves The Charger because it exposes her to a variety of different perspectives and gives her an opportunity to help students write about their own passions. Outside of writing, she is an Indian classical dancer, aerialist, and orchestral violinist. She is a passionate environmental and political activist, and she helps lead the schools sustainability and SAGE clubs and serves on the GSD leadership team.
Anish Vedantham is a senior and the Editor-in-Chief of The Charger. He has been writing since sophomore year. Anish is a part of the Global Studies Leadership Team, Model UN, Science Olympiad, Students for Students, and the Cross Country and Track teams. As a participant in both academic and athletic facets of the school, Anish enjoys watching writers display passion for their interests and seeing their successes highlighted for others to enjoy.
Elizabeth Pritchard is the Arts editor for The Charger and is a current senior at Providence Day. Elizabeth started writing for the newspaper her freshman year and began editing her sophomore year. Outside of the newspaper, she is the founder of National Art Honor Society at Providence Day and Project Palette, a non-profit where she teaches art to children.
Maddy Padmanabhan is a sophomore at Providence Day, and the editor of The Charger’s Arts section. This is her second year working with The Charger. Outside of the newspaper, Maddy participates in PD’s theatre productions, writes for the STEM Journal, and does martial arts outside of school. She has a passion for working with others and loves helping people improve their skills and development; this year, her goal as editor is to make sure writers can feel skilled and confident in their craft.
Cooper Kahn is a junior and is the editor for the Features section of The Charger. This is his second year writing for The Charger and first year as a section editor. In addition to writing for the newspaper, Cooper is involved in Cross Country and Track, Men’s Acapella, serves as a teaching assistant at Temple Beth El Religious School, volunteers for Freedom School. Cooper’s hope for the Features section is to share articles that highlight the hard working Providence Day School community.
Charlie Hitt is the editor of the Sports section for The Charger and has been writing since his junior year. Charlie loves watching sports—particularly Boston Celtics and Carolina Panthers games—and is the play-by-play broadcaster for varsity football, basketball, and soccer games at PD. He has also been a film/TV actor for over five years, having most notably acted as a lead character in Lifetime’s murder-mystery “Secret Lives of Housewives,” as well as upcoming indie film “The Grand Strand.”
Austin Skeete is a senior at Providence Day School. He is an editor for the Trending section and has been writing for The Charger since his sophomore year. This is his first year on the editing team of The Charger and he looks forward to working with the other editors to make this year's paper the best one yet. Outside of writing, he is a captain of the Cross Country and Track teams and enjoys reading science fiction books.
Julia Maybry is the editor of the Trending section for The Charger, and she has been writing since freshman year. At Providence Day, Julia participates in the Track and Cross Country team, and outside of school, she plays piano. Julia takes a strong interest in current events, whether they are pop culture or major political events. As the editor of the Trending section, Julia hopes to see writers learn about and take interest in whatever is happening at the moment, as doing so only broadens their world perspective.
Allana Wren is a sophomore at Providence Day, who joined the newspaper club in ninth grade. She loves writing, in both journalistically and creatively writing. Allana started off writing in the Student Life section of the paper, and she is now editing for Opinion. Allana is loves the Opinion section and enjoys seeing all the different passions students have. Aside from the being a newspaper editor, she is one of the tenth grade leaders for Providence Day’s Global Studies Diploma. She also is a part of the cheer team and loves to dance outside of school.
Mr. Matt Spence is the faculty editor for The Charger.
