Brookhart Jonquil / Paul Myoda - Piero Atchugarry Gallery

Brookhart Jonquil

Paul Myoda

Camino a Izcua 1543 2 Pueblo Garz贸n | Uruguay Italy +39 3275550791 United States +1 9178582985 Uruguay +598 95646696 info@pieroatchugarry.com www.pieroatchugarry.com Brookhart Jonquil / Paul Myoda First print run of 2000 catalogues October 2015 Milan, Italy Texts by Brookhart Jonquil and Paul Myoda Graphic design: Arch. Pietro Dormia Photographs by: Brookhart Jonquil and Paul Myoda Printed by: Pixartprinting

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Index 7

Brookhart Jonquil

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Light objects

10 Plates 25 Biography 27 Biografia 28 CV 31

Paul Myoda

33 Nimbuses 34 Plates 47 Biography 49 Biografia 50 CV 55

Piero Atchugarry Gallery

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Galleria Piero Atchugarry

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Brookhart Jonquil

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Paul Myoda

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Brookhart Jonquil

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“Con i “Light objects” stavo cercando di usare la minor quantità di materia possibile, creando così un oggetto più di luce che di materia, e realizzandolo con la minor presenza fisica possibile.

Quindi gli specchi polimerici non hanno telaio, sono solo dipinti, con una resa molto minimalista. Con la serie di “in a perfect

world” stavo cercando di cogliere l’equilibrio tra l’etero ed una presenza materica importante. Così dopo, quando ho realizzato “Bright Looper” ho avuto questo pensiero ancora in mente, così ho concretizzato l’opera in modo molto più materico di quanto non lo siano i “Light objects”, l’ho rinforzato con compensato e alluminio, rendendolo più oggetto che luce.“ Brookhart jonquil

Light objects

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“With the light objects I was trying to use as little material as possible, to make the object more out of light than matter, to physically exist as little as possible, so the plexi mirrors are unbacked, just painted, very minimal. With the In a Perfect World series I was trying more to strike a balance between not-existing and having a very material presence, so afterward when I made Bright Looper I had this still in mind, so its much more substantial than the light objects, backed with plywood and aluminum,

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more of an object.

Brookhart jonquil

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Concentric Pentagons, 2014.

Acrylic mirror, fluorescent lights with ballasts, plywood, aluminum 152 x 61 x 23 cm

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Bright Looper, 2014 Acrylic mirror, fluorescent lights with ballasts, plywood, aluminum 152 x 61 x 23 cm

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Momentorum, 2015 One way mirror, fluorescent light, cable 61 x 116 x 30 cm

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Gravity’s Arrow #4, 2015 One way mirror, cement, cable, hardware 61 x 61 x 61 cm

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Gravity’s Arrow #2, Detail

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Gravity’s Arrow #2, 2015 Mirror, concrete, brass, steel 50 x 50 x 30 cm

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installation view of the exibition, “Never Odd or Even, Emerson Dorsch, Miami” 2011.

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In a Perfect World (III), 2013 Mirror, fiberglass, plywood, steel, 233.5 x 233.5 x 61 cm, edition 1/3

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Andromed’s Kiss, 2014 Meteorites, steel wire, aluminum, chewing gum, plaster, nylon, acrylic, resin, cypress wood, foam, tripods 152 x 152 x 152 cm

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Parts of Equal Moment Stand, 2015.

Mirror, cement, fluorescent lights, cable 101 x 101 x 63 cm

TwoTriangles, 2014 Acrylic mirror, fluorescent lights with ballasts, plywood, aluminum 130 x 61 x 23 cm

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Nonfold, 2015 Cement on linen 81 x 50 x 2.5 cm, edition 1/30

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lumber icosahedron, 2011 acrylic mirror, paint, lumber, custom hardware 228 x 244 x 122 cm

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Biography

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Brookhart Jonquil was born in Santa Cruz, CA in

mi Beach, the De la Cruz Collection in Miami, the

1984. Raised in Portland, OR and Tucson, AZ, he

Museum of Contemporary Art in Tucson, the Or-

received a BA in Art History and a BFA in Studio

lando Museum of Art, Fondazione Giorgio Cini in

Art from the University of Arizona, and went on to

Venice, and Fundación Pablo Atchugarry in Uru-

earn his Master’s Degree from the School of the

guay. He is a 2015 recipient of the South Florida

Art Institute of Chicago, where he was awarded a

Cultural Consortium Fellowship.

graduate fellowship.

Jonquil has exhibited widely throughout the US

Jonquil is rapresented by Emerson Dorsh in

and abroad. His work has been shown at Eyebe-

Miami , and Piero Athcugarry gallery in Uruguay

am in New York, the Bass Museum of Art in Mia-

and in Italy.

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BIOGRAFIA Brookhart Jonquil è nato a Santa Cruz, CA nel 1984. Cresciuto a Portland, OR e Tucson, AZ, ha conseguito una laurea in Storia dell’Arte e un BFA in Studio Art presso la University of Arizona, e ha proseguito la formazione con un Master nell’ istituto d’Arte di Chicago, dove è stato premiato con una borsa di studio di laurea.

Jonquil ha esposto in molte sedi sia negli Stati Uniti che all’estero. le sue opere sono state esposte presso Eyebeam a New

York, il Bass Museum of Art di Miami Beach, la De la Cruz Collection di Miami, il Museo di Arte Contemporanea di Tucson, l’Orlando Museum of Art, la Fondazione Giorgio Cini di Venezia, e la Fundación Pablo Atchugarry in Uruguay. E’ stato premiato dal Consorzio Culturale del sud della Florida .

Jonquil viene è rappresentato dalla Emerson Dorsh a Miami, e dalla galleria Piero Atchugarry in Uruguay in Italia.

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CV Education 2010 2007 2007 2005

MFA- School of the Art Institute of Chicago BFA- University of Arizona BA in Art History- University of Arizona Leipzig Academy of Art (guest student)

Solo Exhibitions 2015 Art Wynwood, Emerson Dorsch, Miami 2013 YYYYYY, Bass Museum of Art, Miami Beach

In a Perfect World, Emerson Dorsch, Miami 2012 Orpheus and Eurydice, Art Live Fair, Miami

Inverted Night

De la Cruz Collection Project Room Miami

Volume, 323 Projects, Los Angeles 2011 PULSE Miami, Emerson Dorsch, Miami

Never Odd or Even, Emerson Dorsch, Miami

Physical Spectrum, Los Caminos, St. Louis 2009 Still Breathing, Gallery X, Chicago 2006 space.ing, Lionel Rombach Gallery, Tucson

Group Exhibitions 2015 Map of the New Art, Fondazione Giorgio Cini,

Vence, New Art, Florida Atlantic University,

Boca Raton

7th Biennial, Art and Culture Center of Hollywood, Hollywood Florida

Spaces of the Soul, Fundación Pablo Atchugarry, Uruguay

Ideal Perfection, LVL3, Chicago

Coworker, Swampspace, Miami

Locally Grown, American University Museum,

Washington DC

Alternative Contemporaneity: TAZ, MoCA North Miami

Vienna for Art’s Sake, Winterpalais of the

Belvedere, Vienna 2014 Vizcaya-fy or Bust, Vizcaya Museum and Gardens, Miami

More Than One and Less Than Two, Gordilloscud

der, Brooklyn

The New Romantics, Eyebeam, New York

Index, Museum of Modern Art, Santo Domingo,

Dominican Republic

The Florida Prize in Contemporary Art, Orlando

Museum of Art, Orlando

All Florida, Boca Raton Museum of Art, Boca Raton

Miami Performance International Festival, Edge

Zones, Miami 2013 Better Than Universe, Daegu Art Factory, Daegu,

South Korea

It’s About Time, Miami International Airport Gallery, Miami Extra, Academia de San Carlos, Mexico City

Back of Beyond, Deering Estate, Miami

DWNTWN Art Days, Miami

Back by Popular Demand, The Collabo Show, Miami

Turn On, Kunsthalle Beacon, Beacon NY

Sharper Image, Ethan Cohen Fine Art, New York

Sharper Image II, artSTRAND, Provincetown MA

Tibetans Have a Word for That, Jaqueline Falcone, Miami 2012 PULSE Miami, Emerson Dorsch, Miami

The Silent Treatment, Art Live Fair, Miami

Size Scale Repetition, General Practice, Miami

Collage Pottage, Swampspace, Miami Young Curators, New Ideas IV, Meulensteen,

New York

The Air Show, Museum of Contemporary Art, Tucson

Let’s Begin with a Line, Emerson Dorsch, Miami

Arte No Es Fácil, Links Hall, Chicago

SoBay, Deering Estate, Miami 2011 Four Minutes, Thirty-Three Seconds, Cannonball, Miami ROY G BIV, Waterhouse and Dodd, New York

Displacement, Zhou B Art Center, Chicago 2010 Bubble Raft, Emerson Dorsch, Miami

7.06052010, MVSEVM, Chicago

Alphabetization, Noble and Superior Projects, Chicago

Transformations and Reflections, MFA Thesis Exhibition, Sullivan Gallery, Chicago

Usefulness, Boomerang Project Space, Chicago

Inaugural Exhibition, Museum of Contemporary

Art, Tucson 2009 LiveBox Lab, Around the Coyote, Chicago

Sugar, Around the Coyote, Chicago

Third Arm, SUGS at Art Chicago 2008 ECHO, Chicago

Dollar Store, Kunsthalle Chicago, Chicago 2007 The Most Curatorial Biennial of the Universe, Ape

xArts, New York

Salon de Refusés, Dinnerware Contemporary Arts, Tucson

PerformIt, Plugged Video Collective, Tucson

Web Biennial 2007, Istanbul Contemporary Art

Museum, Istanbul Human Presence, Gallery Centella, Tucson

Athens Video Art Festival, Technopolis, Athens 2006 BFA Exhibition, Union Gallery, Tucson

Sculpture, Lionel Rombach Gallery, Tucson Heart Rock, Solar Culture Gallery, Tucson

Marin Varbanov International Art Festival, Oriahovo

City Gallery of Art, Bulgaria

Facts and Figures, ShaneHouse Gallery, Tucson

Public Collections

Fountainhead Collection, Miami

Museum of Contemporary Art, Tucson

University of Arizona Museum of Art

Oriahovo City Gallery of Art, Bulgaria

Fundación Pablo Atchugarry, Manantiales, Uruguay

Honors, Awards and Grants 2015 South Florida Cultural Consortium Fellowship 2015 Tigertail Artist Access Grant 2013 1st place Artist Project Award Bass Museum of Art / Locust Projects 2010 James Nelson Raymond Fellowship (Art Institute of

Chicago Graduate Fellowship) 2007-10 School of the Art Institute of Chicago Grant 2007 Tucson Pima Arts Council Individual Artist Grant 2006 University of Arizona School of Art Creative

Achievement Award 2006 Dean’s Fund for Excellence Grant 2007 Samuel Kingan Scholarship for Art 2002-06 Dorrance Merit Scholarship 2002-06 UA Achievement Scholarship 2002-06 UA Spirit of Discovery Scholarship 2006-07 UA University Grant

Residencies 2014 BRIClab, Brooklyn 2014 ACRE, Steuben, WI / Chicago 2012 Museum of Contemporary Art, Tucson 2011 Cannonball, Miami 2006 Marin Varbanov International Art Festival, Oriahovo, Bulgaria

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Tribute In Light Over the Brooklyn Bridge, 2002 Digital Illustration by Paul Myoda and Julian LaVerdiere

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Paul Myoda

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“Paul Myoda è uno scultore con sede a Rhode Island che crea sculture di luce interattive. Per questa nuova serie “nimbuses” (aureole), Myoda utilizza rappresentazioni storiche di aureole in arte religiosa - greca, buddista, induista, islamica, cristiana e altre - come trampolini per contribuire a definire nuove composizioni dinamiche di luce. Diverse aureole geometriche si presentano atravverso questi momenti storico-artistici (a forma di cerchio, quadrato, esagono e mandorla), ma con grandi differenze in vigore, date le diverse modalità di rappresentazione prospettica, vale a dire, proiettiva, obliqua o inversa.

Ogni sistema prospettico pone tematiche e le rispettive aureole in diverse relazioni spaziali, e offre quindi un atteggiamento di-

verso per lo spettatore, dalle emozioni coinvolgenti e corporee a quelle di distacco e ultraterrene.

Myoda fonde questi sistemi e geometrie insieme, per individuare allineamenti o disallineamenti, e per esplorare i risultati di ciò che è disorientamento o trascendenza.

Le sculture di Myoda cominciano come schizzi e si sviluppano in vari schemi 2D e 3D e applicazioni di progettazione basate su algoritmi e sono quindi fabbricati utilizzando sia tecniche assistite da computer che dagli gli strumenti tradizionali a mano. I circuiti interattivi comprendono microprocessori e sensori infrarossi, che vengono programmati per rispondere alla presenza di spettatori con diversi effetti di luce, ritmi e intensità. “ Paul Myoda

Nimbuses

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“Paul Myoda is a sculptor based in Rhode Island who creates interactive illuminating sculptures.

For this new series “Nimbuses”, Myoda uses historic representations of nimbuses in religious art — Greek, Buddhist, Hindu, Islamic, Christian and others — as springboards to help shape new dynamic compositions of light. Several geometric nimbuses occur throughout these histories (circle, square, hexagon and almond shape), but with great differences in effect due to the different modes of perspectival representation, i.e., the projective, oblique or reverse. Each perspectival system places subjects and their nimbuses in different spatial relationships, and therefore provides a different attitude of spectatorship, from the immersive and corporeal to the detached and otherworldly.

Myoda patches these systems and geometries together, to locate alignments or misalignments, and to explore what disorientation, or transcendence, results.

Myoda’s sculptures begin as loose sketches, are developed in various 2D, 3D and algorithmically based design applications, and are then fabricated using both computer-aided technologies and traditional hand tools. The interactive circuits include microprocessors and infrared sensors, which are programmed

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to respond to the presence of viewers with different light effects, rhythms and intensities.

Paul Myoda

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Almond Nimbus, 2015 Acrylic, reflective acrylic, aluminum, LEDs, infrared sensor, microprocessor 95 x 45.5x 28.5 cm

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Circular Nimbus, 2015 Acrylic, reflective acrylic, aluminum, LEDs, infrared sensor, microprocessor 42 x 41 x 28.5 cm

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Hexagonal Nimbus, 2015 Acrylic, reflective acrylic, aluminum, LEDs, infrared sensor, microprocessor 45 x 40.5 x 28 cm

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Square Nimbus, 2015 Acrylic, reflective acrylic, aluminum, LEDs, infrared sensor, microprocessor 44.5 x 42 x 26 cm

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Square Nimbus, alternative view

John_bonham; triplets, 2014.

Acrylic, aluminum, reflective acrylic, LEDs, microprocessor.

60 x 61 x 30 cm, edition 1/3

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John Bonhams Trapset, 2014.

Acrylic, reflective acrylic 45 x 38 x 35 cm, Edition of 1/3

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Spines #2, 2012 Aluminum, thermoplastic, high power LEDs 40 x 25x 45 cm, Edition 1/3

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Recursion #2, 2012 Aluminum, thermoplastic, high power LEDs 40 x 25 x 45 cm, Edition 2/3

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Borderline Personality Disorder #3, 2013 Aluminum, thermoplastic, reflective mylar, high power LEDs, motor, microprocessor, circuit 17.8 x 17.8 x 30.5 cm, Edition 1/3

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Biography

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Paul Myoda is a sculptor based in the woods of

Cultural Council’s World Views Program and had

Chepachet, Rhode Island. Regularly exhibited

a studio on the 91st floor of WTC I. In March of

both nationally and internationally, his sculptures

2002 he co-created the Tribute in Light in memo-

and installations are known for their elegance and

ry of the tragic events of September 11th, 2001,

their expression of organic forces through artiicial

which has since become an annual installation.

materials and systems.

He was an adjunct professor at The City College of New York and has been an assistant professor

A graduate of the Rhode Island School of Design

in Brown University’s Visual Art Department since

and Yale University, Myoda is recognized as an

2006.

artist, designer, critic and educator. Based in NYC from 1990-2006, Myoda was represented by the

Myoda’s works are part of the collections of the

Friedrich Petzel Gallery, and was co-founder of

Queens Museum of Art, Museum of Contempo-

Big Room, an art production and design collective

rary Art, San Diego, the Museum of Contemporary

in New York City. He was also a contributor to Art

Art, Miami and the Library of Congress. Recently

in America, Flash Art and Frieze. He is a recipient

he has had solo exhibitions at the Dorsch Gallery

of grants from the National Endowment for the

in Miami, the Project 4 Gallery in Washington DC,

Arts, Warhol Foundation and Howard Foundation,

and at the Yellow Peril Gallery in Providence, RI.

among others.

He is represented in Uruguay and Italy by the

In 2001 he participated in the Lower Manhattan

Piero Atchugarry gallery.

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BIOGRAFIA Paul Myoda è uno scultore con base nei boschi di Chepachet, Rhode Island. Regolarmente esposto sia a livello nazionale che internazionale, le sue sculture e le installazioni sono note per la loro eleganza e la loro espressione di forze organiche attraverso materiali e sistemi artificiali.

Laureato alla Rhode Island School of Design e Yale University, Myoda è riconosciuto come un artista, designer, critico e maesto. Quando viveva a NYC nel periodo 1990-2006, Myoda era rappresentato dalla Friedrich Petzel Gallery, ed è stato co-fondatore di Big Room, una produzione artistica e di design collettivo a New York City.

Era anche un collaboratore di Art in America, Flash Art e Frieze. Ha ricevuto una borsa di studio dal National Endowment for the Arts, Warhol Foundation e Fondazione Howard.Nel 2001

ha partecipato al view mondial del Lower Manhattan Cultural Council e avevaun atelier al 91esimo piano della WTC I . Nel marzo del 2002, ha co-creato il Tribute in Light in ricordo dei tragici eventi dell’11 settembre 2001, che da allora è diventata un’installazione pubblica annuale. E ‘stato professore a contratto presso il City College di New York, ed è stato un assitente nel dipartimento di arti visive della Brown University dal 2006.

Le opere di Myoda fanno parte delle collezioni del Queens Museum of Art, NY, del Museum of Contemporary Art, San Diego, del Museum of Contemporary Art, Miami e della Biblioteca del Congresso, Washington D.C.. Recentemente ha avuto mostre personali presso la Galleria Dorsch a Miami, il Project 4 Gallery di Washington DC, e al Yellow Peril Gallery di Providence, RI. E ‘ rappresentato in Uruguay e in Italia dalla galleria Piero Atchugarry.

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CV Education 1992–94 MFA. Yale University, New Haven, CT 1989-90 MFA track. California Art Institute, Valencia, CA 1985–89 MFA. Rhode Island School of Design,

Providence, RI

Solo Exibition 2015 <synesthesia> University of Maine Museum of Art,

Bangor, Maine 2014 <synesthesia> Plug-In, Istanbul, Turkey 2013 Glittering Machines III, Yellow Peril Gallery, Provi

dence, RI 2012 Glittering Machines II, Project 4 Gallery,

Washington, D.C. 2011 Glittering Machines, Dorsch Gallery, Miami, FL 2000 Dust, Friedrich Petzel Gallery, NY, NY 1997 Clouds, Friedrich Petzel Gallery, NY, NY 1995 Gargoyles II, Bard College, Annandale-on- Hudson, NY

Gargoyles, Friedrich Petzel Gallery, NY, NY 1993 Strawman II, Jason Rubell Gallery, Miami, FL

Strawman, Friedrich Petzel Gallery, NY, NY

Group Exibition 2015

2014

Spaces of the Soul, Fundacion Pablo Atchugarry, Manantiales Uruguay Cutlog, New York, NY Scope NYC, New York, NY Blueprint 2.0, curated by Sebastian Bremer, Florian Idenburg and Jing Liu of SO_IL, Museum of Contemporary Art, Tuscon, Arizona

WBlueprint 2.0, curated by Sebastian Bremer,

Florian Idenburg and Jing Liu of SO_IL,

Kunsthal KAdE, Amersfoort, Netherlands

Articulated Structures: Paul Myoda, Jacqueline

Ott, Jane South, Dedee Shattuck

Gallery, Westport, MA 2013 Untitled, Miami art fair, presented by Emerson-Dorsch Gallery, Miami, FL

PVD: TLA, curated by Maya Allison, Studio 1504,

Abu Dhabi

Small Works, Dedee Shattuck Gallery, Westport, MA

Locally Made: One Room, RISD Museum,

Providence, RI

Bushwick Open Studios, Yellow Peril at

LightSpace, Brooklyn, NY

Work Harder: Installations from Yellow Peril at

LightSpace, curated by Robert P. Stack.

Brooklyn, NY 2012 Interaction/Immersion, curated by R.K. Projects

and Allison Paschke, Pawtucket, RI

Firstworks; Pixilerations [v.9], Sol Koffler Gallery, RISD, Providence, RI

Because Dreaming is Best Done in Public, Laurie

M Tisch Illumination Fund, NY, NY

Illuminations: Paul Myoda & Stephanie Pender,

Chazan Gallery, Providence, RI 2011 Firstworks; Pixilerations [v.8], Granoff Center,

Providence, RI

Beyond 9/11, Milk Gallery, NY, NY

Big Screen Plaza, curated by Stephanie Dodes,

projections in NY, NY Home: Dream Home, Praxis International Art,

curated by Grela Orihuela, Miami, FL 2010 Faculty Triennial 2010, David Winton Bell Gallery,

Brown University, Providence, RI 2009 Firstworks; Pixilerations [v.6], 5 Traverse Gallery,

Providence, RI

Art Basel Miami Beach, presented by Creative

Time and D.A.P./Distributed Art

Publishers, Miami, FL

2008 Scene/Seen: Recent Acquisitions from the

Luckman Fine Arts Complex Permanent

Collection, 1979-2006. Luckman Fine Arts

Complex, California State University,

Los Angeles, CA

The Downtown Dinner, Lower Manhattan Cultural

Council Exhibit/Benefit, NY, NY 2007 Ruy Klein Architects. Exhibition at the Bayard Ewing Building, RISD Department of

Architecture and Landscape Architecture,

Providence, RI

Firstworks; Pixilerations [v.4]: Stories +/-Ornament.

Sol Koffler Gallery, Providence, RI

Faculty Exhibition: 2007, List Art Gallery, Brown

University, Providence, RI, 2005 The Gift, Queens Museum of Art, Queens, NY

Dark Places, Santa Monica Museum of Art,

curated by Joshua Decter,

Santa Monica, CA

Digital Urbanisms, Pace University, Digital Salon,

curated by Annette Weintraub,NY, NY 2004 Popular Science, C.A.R.E. Packages for the 21st

Century. Urban Lodestar,

NY, NY 2004 Tribute In Light, temporary model in the NYC Pano

rama, Queens Museum, Queens, NY 2003 Designing the High Line, Grand Central Station,

NY, NY 2002 New York after New York, Musee de d’Elysee, Lau

sanne, Switzerland

A New World Trade Center, Venice Biennale of Ar

chitecture, Venice, Italy 2001 A New World Trade Center, Max Protetch Gallery,

NY, NY

I Love New York, Friedrich Petzel Gallery, NY, NY 2000 Pleasure Treasure: Recent Acquisitions from the

Collection of Eileen and Peter Norton.

Harriet & Charles Luckman Fine Arts Gallery, Los

Angeles, CA 1999 Memes, Andrew Kreps Gallery, NY, NY

Blueprint, Gallery Spark, (curated by Sebastiaan

Bremer & Pieter Woudt.

Catalogue pp. 13, 15), NY, NY 1998 Free Coke, GreeneNaftali Gallery, NY, NY 1997 KolnSkulptur 1, sculpture park, Koln, Germany Here and There, Friedrich Petzel Gallery, NY, NY

Landscape: The Pastoral to the Urban, Bard

College, curated by Vasif Kortun,

Annadale-on Hudson, NY 1996 Video Sans Titre, Galerie Froment-Putman, Paris, France 1995 Works on Paper: Paul Myoda & Nicola Tyson, Frie

drich Petzel Gallery, NY, NY

La Belle et la Bete, Musee d’Art Moderne de la

Ville de Paris, (curated by Lynn

Gumpert), Paris, France

The Monster Show, curated by Bonnie Clearwater,

Center of Contemporary Art,

Miami, FL

Komix, Brooke Alexander Editions, NY, NY 1994 Bring Your Own Space, W 139, Amsterdam, Holland

Oh Boy, It’s a Girl, Kunstverein München, Germany

Untitled Groupshow, Metro Pictures, NY

Museum auf Zeit, slide projections at Museum

Fridericianum, Kassel, Germany

Don’t Look Now, curated by Joshua Decter,

Thread Waxing Space, NY, NY 1993 Frauenkunst/Maennerkuns

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Public Art 2002-13 Tribute In Light, annual memorial illuminated in

memory of September 11th, 2001,

NY, NY

Public Collections

Library of Congress Queens Museum of Art, NY

Museum of Contemporary Art, San Diego, CA

Museum of Contemporary Art, Miami, FL

The Harriet and Charles Luckman Fine Arts

Complex at California State University,

Los Angeles, CA Rubell Family Collection, Miami, FL

Fundación Pablo Atchugarry, Manantiales, Uruguay

Awards and Grants 2013 Humanities Research Grant, Brown University Richard B. Salomon Faculty Research Award

Undergraduate Teaching and Research Awards: 2

students, Brown University Humanities Initiatives Funded Project: Design and

the Civic Space. With Erik Ehn,

Theatre Arts and Performance Studies; Dietrich

Neumann, History of Art &

Architecture; and Roger Nozaki, Swearer Center

Creative Arts Council Curriculum Development

Grant for 3D Printing 2012 Creative Arts Council Curriculum Development

Grant for Kinetic Sculpture Studio.

Humanities Research Grant, Brown University

Dean of the Faculty Grant, Brown University 2011 Undergraduate Teaching and Research Awards:

3 students, Brown University Humanities Research Grant, Brown University 2010 Undergraduate Teaching and Research Awards:

2 students, Brown University

Creative Arts Council Curriculum Development

Grant for Experimental Musical

Instrument Design with Joseph Rovan (Dept. of Music) Humanities Research Grant, Brown University 2009 Research Experiences for Undergraduate (REU)

grant, Engineering LEDs to Illuminate

Public Art, National Science Foundation (NSF),

with Prof. R. Zia (Dept. Engineering)

Creative Arts Council Curriculum Development

Grant for The Art and Science of Light

with Prof. R. Zia (Dept. Engineering) Humanities Research Grant, Brown University

Grant from Brown University’s Instructional

Technology Group 2008 Undergraduate Teaching and Research Awards: 4

students, Brown University, with

Prof. R. Zia (Dept. Engineering) Humanities Research Grant, Brown University 2007 Howard Foundation Fellowship: 21st Century

Architectural Ornamentation

Wayland Curricular Development Grant, Brown

University: The Art + Science of Light 2004 Popular Science, C.A.R.E. Packages for the 21st

Century. 2nd Prize, Urban Lodestar 2003 Friends of the Highline, Designing the High Line,

Jury Selection, 2003

The Sixteenth Annual Brendan Gill Prize, Award for

the Tribute in Light, Awarded for the

work of art that best captures the spirit of New York 2002 International Association of Art Critics, Award for

Best Public Art Show Awarded to the

creative team, of the Tribute in Light Memorial

NY Society of Architects: 96th annual Distingui

shed Service Award, Awarded to the

creative team, of the Tribute in Light Memorial

Society for Publication Design: Gold Medal,

2001

2000

Magazine Cover of the Year Awarded to the New York Times Sunday Magazine, Septem ber 23, 2001, For the Image of “The Phantom Towers” by Laverdiere & Myoda LEF Foundation, Public Art Grant Granted to Crea tive Time for development of the Tribute in Light Memorial Aber D. Unger Foundation, Public Art Grant Gran ted to Creative Time, for development of the Tribute in Light Memorial New York Times Company Foundation, Arts Grant, Granted to Creative Time, for the development Tribute in Light Memorial National Endowment for the Arts, Creativity and Presentation Grant Granted to Creative Time’s DNAid initiative 2000 Warhol Foundation, Public Art Grant Jerome Foundation, Emerging Artist Grant Titus Foundation, Public Art Grant Greenwall Foundation, Artist Grant

Residencies 2001

1998

World Views, Lower Manhattan Cultural Council’s residency, WTC I, NY, NY American Museum of Natural History, Genetics Lab, Invertebrate Wing, NY, NY Zementwurke Loeb, Salzburg, Austria

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Piero Atchugarry gallery Located in Pueblo Garzón, Uruguay, the Piero Atchugarry is a contemporary art gallery effective on primary and secondary market. The gallery was founded in September 2013 with an exhibition comprised of Post-War Italian art, showing works by Bruno Munari, Piero Dorazio, Getulio Alviani, Agostino Bonalumi and Turi Simeti. On January 5, 2014 the gallery moved to a larger space in Garzón, occupying an old converted stable. This location represents an interesting challenge in displaying contemporary art due to the architecture of the gallery.

In December 2013 the gallery began a program of residences. Artists from all over the world are invited to regenerate and create specific artworks inspired by the calm and beauty of the Uruguayan landscape and nature. As of today the following artists have participated in this program: Raffaele Rossi (Italy, b.

1958), Daniel Papaleo (Argentina, b. 1968) and Humberto Cazorla (Venezuela, b. 1953), Octavio Podesta (Uruguay, b. 1929), Diego Santurio (Uruguay, b. 1977), Luca Benites (Brazil, b. 1981) and Veronica Vazquez (Uruguay, b. 1970). The program aims to educate the public on artistic processes by converting the gallery into an artist studio. Visitors are welcome to come and explore artistic practices in situ, as well as to meet and exchange ideas with the artists. Each visiting artist develops a body of work in Garzón and creates a site-specific installation for the sculpture park of 22 hectares (54 acres) surrounding the gallery, leaving a permanent memory of his or her passage.

In December 2016 the gallery will open a second location, expanding in the United States and occupying a warehouse of 1000 square meters on NE 55th Street NE 4th Avenue in the heart of Little Haiti, Miami.

This upcoming artistic area will be an exciting location to promote international contemporary art and foster careers of emerging and established artists.

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Galleria Piero Atchugarry Con sede a Pueblo Garzón, in Uruguay, la Piero Atchugarry è una galleria d’arte contemporanea che agisce sul mercato primario e secondario. E’ stata fondata nel settembre del 2013, con una mostra composta da opere del dopoguerra italiano, che ha vantato opere di Bruno Munari, Piero Dorazio, Getulio Alviani, Agostino Bonalumi e Turi Simeti. Il 5 gennaio 2014 la galleria si trasferisce in uno spazio più grande a Garzón, che occupa una vecchio stabile agreste ristutturato. Questo spazio rappresenta una sfida interessante nel mostrare arte contemporanea grazie al contasto dell’architettura della galleria.

sta (Uruguay, b 1929 ), Diego Santurio (Uruguay, b. 1977), Luca Benites (Brasile, b. 1981) e Veronica Vazquez (Uruguay, b. 1970).

Il programma si propone di educare il pubblico sui processi artistici convertendo la galleria in uno studio dell’artista. I visitatori sono invitati a venire ed esplorare pratiche artistiche in situ, come pure ad incontrare e scambiare idee con gli artisti stessi.

Ogni artista in visita a Garzón sviluppa una serie di opere e crea un’installazione site-specific per il parco di sculture di 22 ettari che circonda la galleria, lasciando un ricordo permanente del loro passaggio.

Nel dicembre 2013 la galleria ha iniziato un programma di residenze. Artisti provenienti da tutto il mondo sono invitati a rigenerarsi e creare opere d’arte specifiche, ispirate dalla calma e alla bellezza del paesaggio e della natura uruguaiano. Addoggi i seguenti artisti hanno partecipato a questo programma:.

Raffaele Rossi (. Italia, b 1958), Daniel Papaleo (. Argentina, b 1968) e Humberto Cazorla (. Venezuela, b 1953), Octavio Pode-

Nel dicembre 2016 la galleria aprirà una seconda sede, espandendosi negli Stati Uniti e occupando uno stabile di 1000 metri quadrati su NE 55th Street NE 4th Avenue, nel cuore di Little Haiti, Miami. Questa area artistica in divenire sarà un luogo stimolante per promuovere l’arte contemporanea internazionale e supportare le carriere di artisti sia emergenti che già affermati.