The Philadelphia Show 2024

BENEFITING THE PHILADELPHIA MUSEUM OF ART

THE PHILADELPHIA SHOW

Presenting our 62 nd

ANNUAL SHOWCASE of ANTIQUES, ART and DESIGN

Welcome to the 2024 edition of The Philadelphia Show: Antiques, Art & Design. We are proud to host a diverse array of dealers, both new and returning to the Show, to present everything from antiques, fine art, and period furniture to folk art, ceramics, jewelry, and textiles. We are so glad you are here.

Once again, the proceeds from the Show benefit the Philadelphia Museum of Art’s Learning and Engagement Division. Ticket sales allow the museum to expand our year-round family programming and provide free and low-cost museum visits for students and educators from the School District of Philadelphia. This year, we’re excited to welcome visitors to the museum’s new Learning & Engagement Center, a multi-purpose space hosting arts programming, interactive lectures, and welcoming community groups from across the city.

The Philadelphia Show is made possible by a slate of generous community and business leaders. We are grateful to our returning Presenting Sponsors: Eastern Atlantic States Regional Council of Carpenters and IBEW Local 98/NECA. We are also fortunate to have received support from our Premier Sponsors: Goldman Sachs & Co. LLC and Margate Wealth Management Group of Wells Fargo Advisors, as well as our Principal Sponsor Justi Group, Inc. We would also like to thank the following organizations for their contributions as Supporting Sponsors: Christie’s, CHUBB, Freedom Mortgage Corporation, Freeman’s | Hindman, Green Family Foundation, Jonathan Bassman Interior Design LLC, LF Driscoll, Pennsylvania Lumbermens Mutual Insurance Company, Philadelphia Rare Book Fair, PNC Private Bank, Pook & Pook, Inc., Auctioneers and Appraisers, Rago/Wright, Treadwell, and VARENHORST ARCHITECTS.

We are thankful to the Show’s individual sponsors who have contributed their resources, time, and energy to the Show. The Philadelphia Show Committee and The Women’s Committee of the Philadelphia Museum of Art are the backbone of this event, especially the Show Vice Chair, Ellen Simon, and Preview Party Chairs, Marsha Rothman and Sally Sharkey. Thank you as well to the staff of the Philadelphia Museum of Art who helped shape the Show and its associated events. Of course, Anne Hamilton, Honorary Chair, is synonymous with the Show, and continues to be the heart of the event. Many thanks are also due to Huntley Platt, Manager of the Philadelphia Show, for being the hub of this collaborative project.

Lastly, thank you to our outstanding dealers for bringing exceptional decorative arts, fine art, and design to Philadelphia, and to the very steps of the museum.

Sasha Suda

George D. Widener Director and CEO

Amy Fox Show Chair

Marta Adelson President, Women’s Committee

CALENDAR of EVENTS

Preview Party

THURSDAY, APRIL 25 EARLY ADMISSION

5 p.m.–9 p.m.

6 p.m.–9 p.m.

The Preview Party is your opportunity for a first look at the art and antiques offered this year at the 62nd edition of The Philadelphia Show: Antiques, Art & Design. Preview Party attendees obtain early access to the best selections in fine art, Americana, period furniture, folk art, ceramics, porcelain, silver, jewelry, textiles, and decorative accessories from over 40 galleries and antiques dealers.

Opening Hours

CALENDAR of EVENTS

NEW CONVERSATIONS WITH THE PHILADELPHIA SHOW

View programs from this year and previous years at thephiladelphiashow.com/lectures

Virtual Programs

TUESDAY, MARCH 26

12 p.m.

Industry and Invention: Art and Science in Nineteenth-Century Europe

New technologies and scientific discoveries changed the way European artists worked in the 1800s. Breakthroughs in chemistry brought new colors into painting studios and ceramic workshops. At the same time, innovative materials and manufacturing techniques encouraged designers to create new kinds of useful—yet artistic—goods. Join Philadelphia Museum of Art’s Assistant Curators Tara Contractor and Colin Fanning as they explore these intersections of art and science through the lens of the museum’s collection, and discuss how contemporary science can help us better understand the innovations of the past.

WEDNESDAY, APRIL 3

12 p.m.

Mary Cassatt and Paul Durand-Ruel: Impressionist Allies

A conversation between Flavie Durand-Ruel, Director of FDR Fine Arts, art historian and great-great-granddaughter of Cassatt’s dealer, Paul Durand-Ruel, and Jennifer Thompson, The Gloria and Jack Drosdick Curator of European Painting and Sculpture and Curator of the John G. Johnson Collection at the Philadelphia Museum of Art. They will discuss how Mary Cassatt and Paul Durand-Ruel promoted her artwork and shaped a taste for Impressionism in the United States.

CALENDAR of EVENTS

continued

In-Person Programs

SUNDAY, APRIL 21

11 a.m.

Collecting, Gathering, and Curating Americana: A Conversation with Michael Diaz-Griffith

Join Philadelphia designer Barbara Eberlein and Philadelphia Museum of Art’s Montgomery-Garvan Curator of American Decorative Arts, Alexandra Kirtley, as they host Michael Diaz-Griffith, the Director of the Design Leadership Network, for a provocative conversation about collecting art, designing interiors, visiting art shows, and the role of museums within today’s visually exciting world. Their talk stems from the many ideas and experiences Michael put forth in his recently published book The New Antiquarians: Young Collectors at Home. A book signing will follow the talk. The panel will take place in the new Learning & Engagement center at the North Entrance of Philadelphia Museum of Art.

SATURDAY, APRIL 27

10 a.m.

ANTIQUES ROADSHOW on Screen and in Person

Join PBS’s ANTIQUES ROADSHOW Senior Producer, Sam Farrell, featuring show exhibitors: Eric Hanks, Betty Krulik, Arlie Sulka, and David Walker who have appeared on ANTIQUES ROADSHOW as specialists in their fields and Alasdair Nichol, Deputy Chairman of Freeman’s | Hindman also a specialist on the show. They will discuss with Sam their favorite finds on the ANTIQUES ROADSHOW. The panel will take place in the tent before the Show opens on Saturday.Purchase tickets online.

SUNDAY, APRIL 28

10 a.m.

In Conversation with Malcolm Jenkins and Eleanor Nairne

A conversation with former PhiladelphiaEagles Safety, philanthropist, and entrepreneur Malcolm Jenkins and Eleanor Nairne, the Keith L. and Katherine Sachs Curator of Modern and Contemporary Art at Philadelphia Museum of Art, on Jenkins’ collection of contemporary African American art. The panel will take place in the tent before the Show opens on Sunday. There will be a book signing a erward in the new Learning & Engagement center at the North Entrance of Philadelphia Museum of Art. Purchase tickets online.

Dealer Talks

These casual conversations will be held throughout the day in various dealer booths. Eleven show dealers will share their expertise in their respective fields:

FRIDAY, APRIL 26

1p.m. The Gilded Age Art of Decorating the Table in France in the 19thCentury

Jasmine Doussiere at Silver Art by D & RBooth F2

2p.m. The Mysteriously Familiar Paintings of Jamie Wyeth

Vickie Manning at Somerville Manning Booth F1

3p.m.

Palmer Hayden and the Harlem Renaissance

Eric Hanks at M. Hanks Gallery Booth B4

4p.m. Highlights from James Robinson

James Robinson at James Robinson, Inc Booth A3

SATURDAY, APRIL 27

1p.m. The Art of Advertising: Highlights from the Golden Age of Illustration and Beyond

Laura Polucha at The Illustrated GalleryBooth F4

2p.m. All About Chinese Pith Picture Paintings

Paul Vandekar at Earle D. Vandekar of Knightsbridge Booth G8

3p.m. Profiles in American Folk Art

Ed Hilde at Olde Hope Booth A8

4p.m. Childs Gallery and the Art of Contemporary Quiltmaking with RodgerBlum

Rodger Blum at Childs Gallery Booth G7

SUNDAY, APRIL 28

1p.m. What I did in Prison: Napoleonic Prisoner of War Bone Ship Models

Diana Bittel at Diana H. Bittel Antiques Booth C2

2p.m. Distinguished Modern & Contemprary: Dolan/Maxwell celebrates our 40th anniversary

Ron Rumford at Dolan/Maxwell Booth E3

3p.m. The Women Behind Tiffany Studios

Arlie Sulka at Lillian Nassau, LLC Booth B2

CALENDAR of EVENTS continued

Show Tours

FRIDAY, APRIL 26

SATURDAY, APRIL 27

SUNDAY, APRIL 28

11:30 a.m.–12:30p.m.

11:30 a.m.–12:30p.m.

11:30 a.m.–12:30p.m.

Philadelphia Show Committee members introduce groups to various dealers who will share knowledge in their areas of expertise. Reserve your place on a tour featuringnotable objects offered by the exhibitors. Ticket price includes entrance to the Show. Reservations required.Ticket price: $25

Children’s Events

TREASURE HUNT —

WOMEN: MODELS, MAKERS, AND MORE

SATURDAY, APRIL 27

SUNDAY, APRIL 28

11a.m.–6 p.m.

11a.m.–5 p.m.

Attendees of all ages are invited to take part in a self-guided treasure hunt. Visitors begin their search with a treasure map available at the information desk at the entrance of the show. The hunt continues inside the museum in the Robert L. McNeil, Jr. Galleries featuring early American art. Organized by the Philadelphia Show Committee.

ART TABLE

SUNDAY, APRIL 28

11 a.m.–5 p.m.

Create your own art with members of the Philadelphia Show Committee with an activity designed by the Philadelphia Museum of Art’s Division of Learning and Engagement staff. Children under 14 should be accompanied by an adult.

IBEW Local Union 98 & NECA are proud to be sponsors of The Philadelphia Show

MARK LYNCH JR. BUSINESS MANAGER

SPONSORS

PRESENTING SPONSORS

PREMIER SPONSORS

MAJOR SPONSOR

PRINCIPAL SPONSOR

Justi Group, Inc.

SUPPORTING SPONSORS

Christie’s

CHUBB

Freedom Mortgage Corporation

Freeman’s | Hindman

Green Family Foundation

Jonathan Bassman Interior Design LLC

MEDIA SPONSORS

LF Driscoll

Pennsylvania

Lumbermens Mutual Insurance Company

Philadelphia Rare Book Fair

PNC Private Bank

American Fine Art Magazine Incollect

Pook & Pook, Inc.,

Auctioneers and Appraisers

Rago/Wright

Treadwell

VARENHORST ARCHITECTS

The Magazine Antiques

Margate Wealth Management Group of Wells Fargo Advisors is pleased to sponsor

Margate Wealth Management Group of Wells Fargo Advisors

767 5th Avenue , 33rd Fl New York, NY, 10022

Oice: 9735646901

andrew.perry@wellsfargoadvisors.com

margatewmg.com

INDIVIDUAL UNDERWRITERS

PENNSYLVANIAN

Amy A. Fox and Daniel H. Wheeler

Matt and Anne Hamilton

The Maguire Foundation

BENEFACTOR

Robert and Julie Jensen

Bryan

Ellen and Ronald Caplan

Edith R. Dixon

KEYSTONE

The McCausland Foundation

Stephen and Jenifer Smith

The Leslie Miller and Richard Worley Foundation

Penny Fox

Hannah L. Henderson

Leigh P. and John S. Middleton

Martha H. and I Wistar

Morris III

Mr. and Mrs. Jeffrey S. Yass

Marta and Bob AdelsonJohn Alchin and Hal Marryatt

PHILADELPHIAN

Catherine Altman

Janice and Arthur Block

Laura Buck†

Nicole Cashman and Nigel Richards

Sophie B. Donaghy

Marlene and Brian Dooner

Julia and David Fleischner

The Ford Family Foundation

Mr. and Mrs. Christopher H. Gadsden

Barbara Gisel and Albert C. Oehrle

Susanna Lachs and Dean Adler

Ira Lubert and Pamela Estadt

The Mandell Family

Zoë S. Pappas

Sarah Miller Coulson

Barbara A. Podell and Mark G. Singer

Quaker City Foundation

Marsha W. Rothman

Anne and Steve Rubin

Sally G. Sharkey

Boo and Morris Stroud

Judith Taylor

Constance and Sankey Williams

PATRIOT

Mr. and Mrs.

John A. Affleck

Julie and James

Alexandre

Sally and Devin Aronstam

Barbara and Richard Barnhart

Carol and Horace Barsh

Dr. Ellen Bass

Mr. and Mrs.

Thomas L. Bennett

Lawrence H. and Julie C. Berger

Don and Laura Besecker

Gwen Goodwill Bianchi

Frederick L. Bissinger

Dr. and Mrs. Robert Booth, Jr.

Ira Brind and Stacey Spector

Michele and Jeffrey Brotman

Mr. and Mrs. R. Kent Cadwalader

Ann Calvert

Mr. and Mrs.

Richard R. Carr

Sara Cerato

Mr. and Mrs. George Chou

Kristine Christensen

Ruth Colket

Peggy Cooke

Dr. and Mrs. G. W. Crooks

Marianne N. Dean

Romulo L. Diaz Jr. and Dennis J. Bann

Barbara Eberlein and Jerry Wind

Peter C. Egan

Kirstin and Jeffrey Engelman

Katherine and Bill Eyre

Jaimie and David Field

Grete and Martyn Greenacre

Julia Haller and John Gottsch

Alta and Peter Hamilton

Deborah and Kurt Hilzinger

Honickman Foundation

Liz and Tim Huston

Cynthia Lee Johnson

Thomas K. Johnson II

Elizabeth G. Kuensell

Virginia M. Y. Lee

The Levitties Foundation

Peter Ligouri and Regina Voit Baime, MD

Michele and Paul Lockwood

Charles and Claudia Lucas

Elinor Marrazzo

Linda and David M.

McCarthy, MD

Mr. and Mrs. Robert D. McNeil

The Hon. John J. Medveckis and Marina Kats

Janice and Britt Murdoch

Dr. and Mrs. Stanley Muravchick

Karen R. Nagel

Paul and Heidi Nichini

Louis and Katharine Padulo

Claudia Powers

Jennifer S. Rice and Michael C. Forman

Sandy and Phil Ringo

Ms. Caroline B. Rogers

Laura and Kirk Rothrock

INDIVIDUAL UNDERWRITERS

Mark and Robin Rubenstein

Irene McMenamin Shabel

Sam and Happy Shipley

Stephanie Simmerman

Ellen B. Simon

Martha McGeary Snider

Lawrence K. Spitz and Carol Klein

Keith R. Straw

LIBERTY

Anonymous

Barbara and Todd Albert

Liz and David Anderson

Robin Blumenfeld

Sandra Cadwalader

Dr. and Mrs.

Joseph N. Daniel

Margo Eremus

Kathy and Ted Fernberger

Melissa Hancock

FRIEND

Scott and Gigi Bruce

Joan Thalheimer

Seth Thayer

Elissa Topol and Lee Osterman

Mr. and Mrs.

Archbold D. van Beuren

Eve and William Walker

Lee and Bill Warden

John Whitenight and Frederick LaValley

Robin and Jerry Williams

Lisa and Lars Williamson

Nanette and Robert Zakian

Susan and David Zelouf

Eliza and Peter Zimmerman

List as of April 8, 2024

Mr. and Mrs.

James R. Holt

Ms. Angela V.B. Hudson

Joan M. Johnson

Mary P. McPherson

Sally and Stephen Mickelberg

Harvey Shipley Miller

Karyn Mullen

Carolyn Bedrosian Nagy

Aleni Pappas

Lisa Roberts and David Seltzer

Lyn M. Ross

Katherine Sachs

Susanna T. Saunders

Susan Vitale

Helen J. Wheeler

Henry and Cathy NassauEric Rugart

OPENS MAY 18

Woman Arranging Her Veil (detail), around 1890, by Mary Cassatt (Philadelphia Museum of Art: Bequest of Lisa Norris Elkins, 1950-92-3)

ACKNOWLEDGMENTS

The Philadelphia Show gratefully acknowledges the following individuals and businesses who have given their time, energy, and resources to support the 2024 Show. Our continued success is due in large measure to their considerable generosity.

The Philadelphia Museum of Art recognizes Philadelphia as part of the ancestral homelands of the Lenape peoples. A long history of broken treaties, forced migrations, and fraudulent agreements displaced many of the Lenape from this land. This museum and our staff strive to understand our place within the legacy of colonization and to act as allies to Lenape people and their vibrant communities today, including the federally recognized Nations: Delaware Tribe, Delaware Nation, and the Stockbridge-Munsee Community. We pay honor and respect to Lenape ancestors by committing to build a more inclusive and equitable space for all.

VOLUNTEERS

Amy Fox, Chair

Ellen Simon, Vice Chair

Anne Hamilton, Honorary Chair

Ellen Caplan, PMA Board Chair

The Philadelphia Show Committee

The Women’s Committee

Dealers’ Committee

LECTURE SERIES PANELISTS

Tara Contractor

Michael Diaz-Griffith

Flavie Durand-Ruel

Barbara Eberlein

Colin Fanning

Sam Farrell

Eric Hanks

Malcolm Jenkins

Alexandra Kirtley

Betty Krulik

MARKETING AND DESIGN

Andrey & Melissa

Barb Barnett

Graphic Design LLC

MUSEUM STAFF

Carlos Basualdo

Natalie Bilansky

Marcia Birbilis

Lindsey Bloom

Laura Coogan

Katie Costello

Paul Dien

Warren Duane

Alexa Epstein

Maggie Fairs

Nancy Finn

Joshua Frank

E B Design Agency

John Smiroldo and Phil Lajoie at Incollect

Eleanor Nairne

Alasdair Nichol

Arlie Sulka

Jennifer Thompson

David Walker

McClafferty Printing

Kathleen Foster

Karleen Gardner

Rylander Handford

Kitty Bowe Hearty

Lauren Hunter

Steve Keever

Alexandra Kirtley

Michael Maniero

Valarie McDuffie

Mary Menchel

Debra Myers

Lindsey Nevin

Caroline New

Nancy O’Meara

Jennifer Pardee

Jessica T. Smith

Sasha Suda

Angela Thompson

Kate Virdone

Kimberly Watson

Rebecca Wui

Andrew Wurst

COMMITTEES

SHOW COMMITTEE

Anne Hamilton*, Honorary Chair

Amy Fox*, Chair

Ellen Simon*, Vice Chair

Marta Adelson*, President, The Women’s Committee

Catherine Altman*

Carol Blank Barsh*

Gwen Goodwill Bianchi

Janice Block

Robin Blumenfeld

Reid N. Bodek

Michele Brotman

Ann Calvert

Ellen Caplan*

Susan Charleston

Patty Cheek

Dunham Townend Churchill

Candace Coleman

Veronica M. Connor

Sarah Coulson*

Edie Dixon

Sam Ehlinger

Kirstin Engelman

Margo Eremus

Katharine Eyre

DEALERS ’ COMMITTEE

Ed Hild, Chair

Margo Dolan

Evelyn Fell

Grace Fitts

Penny Fox

Linda Fuller

Eleanore H. Gadsden*

Grete Greenacre

Suzett Hamilton

Hannah Henderson*

Cynthia B. Holstad

Angela Hudson*

Suzanne C. Jacobs

Joan Johnson*

Carol W. Jones

Anja Levitties

Michele Lockwood*

Ami Lonner

Holly Luff

Linda McCarthy

Mimi Melvin

Betty Miller

Leslie Anne Miller

Joan R. Momjian

Martha H. Morris*

Karyn Mullen

Liz Murray

Karen R. Nagel

Carolyn Bedrosian Nagy

Arlene Olson

Katharine A.S. Padulo

Zoë S. Pappas*

Barbara Podell

Sharon Pollack

Judy C. Pote

Olivia Rabe

Gretchen Riley

Ann Dee Rome

Marsha W. Rothman*

Laura Rothrock*

Anne Rubin*

Susanna T. Saunders

Sally Sharkey*

Stephanie Simmerman

Keith Straw

Boo Stroud

Nancy Taylor

Elissa G. Topol

Nathalie Verma

Susan Vitale

Eve Walker

Beverly M. Wilde

Robin Williams*

Lisa Williamson*

Pam Yih

Susan Zelouf

Betty Krulik

Arthur Liverant

Richard Rosello

Arlie Sulka

*Steering Committee

©2024 Chubb. Coverages underwritten by one or more subsidiary companies. Not all coverages available in all jurisdictions. Chubb® and its logo, are protected trademarks of Chubb.

A rare and likely unique double-sided “Franklin and Wassington” commemorative snu box,  attributed to Jean-Martin Renaud ( French, 1746-1821) circa 1785      To be o ered in the American Furniture, Folk And Decorative Arts auction, April 30, Philadelphia

PHILADELPHIA

CHICAGO Cincinnati Denver New York Palm Beach Atlanta Boston Cleveland Detroit Miami Milwaukee Naples Richmond St. Louis San Diego Scottsdale Washington, D.C.

Collaboration. Dedication. Solutions.

For different reasons, art inspires all of us. And because it does, it inspires passionate people in our community to make it available for all to experience and enjoy. We’re proud to support the visual arts in Philadelphia and those who share their talents with the world around us. Proud supporter of The Philadelphia Museum of Art, The Philadelphia Show.

Let’s talk about your why. Contact Mary Ashenbrenner, PNC, at 215-585-1041 or mary.ashenbrenner@pnc.com, or visit pnc.com/privatebank.

The Collection Of Barry D. Hogan

Lancaster, Pennsylvania

Friday, May 17th, 2024

Auctions and Appraisals

Pook and Pook, Inc. provides expert appraisal and auction services for estates, individual and corporate collections, and museums. We are always accepting quality consignment of period furniture, fine art, Native American and ethnographic material, Asian objects, antique toys, games, dolls, and trains, coins, paper currency, jewelry, textiles and couture, pottery, folk art, sports memorabilia, militaria and antique firearms, silver and vertu, books and ephemera, vintage automobiles, and real estate.

P: (610) 269-4040|INFO@POOKANDPOOK.COM|WWW.POOKANDPOOK.COM

Connecting buyers and sellers across Fine Art, Design, Pottery, Glass, Jewelry, and beyond.

Contact us today for a free evaluation of works in your collection!

consign @ ragoarts.com | 609 397 9374

DAVID WEBB

Sapphire, emerald, ruby, and diamond brooch result: $25,200

WENDELL CASTLE

Match Point bench result: $88,200

TOSHIKO TAKAEZU

Moon result: $541,800

ANDY WARHOL

John Wayne (from the Cowboys and Indians series) result: $201,600

PHILADELPHIA BALLET

BRYN MAWR

PHILADELPHIA

A Glorious Selection of Rare Maps & Atlases, Color-plate Books, Audubon Prints, Natural History Engravings & Watercolors.

An East Perspective View of the City of Philadelphia… Engraving with original hand color. London: Carrington Bowles, 1778

Image size: 11 1/4 × 17 1/4 in.

1308 Walnut Street

Philadelphia, PA 19107

215-735-8811

www.aradergalleries.com

loricohen@aradergalleries.com

GEORGE HEAP (1714-1752) & NICHOLAS SCULL (1687-1761)

www.averygalleries.com

100 Chetwynd Drive, Bryn Mawr, PA 19010

Worthington Whittredge (1820–1910), The Trout Pool, c. 1870 Oil on canvas, 15 3/8 x 12 3/4 inches (39.1 x 32.4 cm), Signed lower left: W. Whittredge

Extraordinary ag with a white ground, featuring a red, hand-sewn, single-appliqued eagle, surrounded by 14, hand-sewn, indigo blue stars, inscribed “Delaware” along the hoist binding; Made by proli c Manhattan ag maker Sarah Mc Fadden, dubbed “ e Betsy Ross of New York,” between 1852 - 1860 for the Hudson River Steamship “Delaware.” Conscripted into federal service in 1861 and out tted with guns, the cra was renamed the U.S.S. Delaware, and served the next 4 years as a Civil War gun boat. In 1865, it was sold to the Revenue Marine, better known as the Revenue Cutter Service, where it served until 1903 (re-named the U.S.R.C. Louis McLane in 1873); a erwards sold to the private sector as a merchant steamer (re-named the Louis Dolive in 1903). An 1852 painting by J. & J. Bard, celebrated illustrators of Hudson River Steamers, shows the vessel with a very similar ag in navy blue, with an arch of 15 stars. An incredible, pre-Civil War ag from a boat with a spectacular story.

ag - 47.75” x 72”, frame - aprx. 60” x 84”

Extraordinary ag with a white ground, featuring a red, hand-sewn, single-appliqued eagle, surrounded by 14, hand-sewn, indigo blue stars, inscribed “Delaware” along the hoist binding; Made by proli c Manhattan ag maker Sarah Mc Fadden, dubbed “ e Betsy Ross of New York,” between 1852 - 1860 for the Hudson River Steamship “Delaware.” Conscripted into federal service in 1861 and out tted with guns, the cra was renamed the U.S.S. Delaware, and served the next 4 years as a Civil War gun boat. In 1865, it was sold to the Revenue Marine, better known as the Revenue Cutter Service, where it served until 1903 (re-named the U.S.R.C. Louis McLane in 1873); a erwards sold to the private sector as a merchant steamer (re-named the Louis Dolive in 1903). An 1852 painting by J. & J. Bard, celebrated illustrators of Hudson River Steamers, shows the vessel with a very similar ag in navy blue, with an arch of 15 stars. An incredible, pre-Civil War ag from a boat with a spectacular story.

ag - 47.75” x 72”, frame - aprx. 60” x 84”

Set of four highly carved mahogany Philadelphia side chairs. Circa 1770–75

Robert Freeman

BOOTH #E3

Norman Ackroyd Fred Becker Radcliffe Bailey Katie Baldwin Morris

Blackburn Robert Blackburn Peter Brooke Sam Brown Michael

Canning Elizabeth Catlett Minna Citron Claude Clark Ed Clark Lynne

Clibanoff Dexter Davis Dorothy Dehner Beauford Delaney Allan

Edmunds Amze Emmons Steven Ford Sue Fuller Sam Gilliam Terry

Haass Stanley W Hayter Joseph Hecht Nona Hershey Paul Keene

Norman Lewis Tom Lias Emily Mason Alice Trumbull Mason Dindga

McCannon Joan Miro Norma Morgan Jean Morrison Gabor Peterdi

Helen Phillips Mavis Pusey Krishna Reddy Harvey Quaytman Judith

Rothschild Betye Saar Rachel Selekman David Shapiro Gail Singer

Steven Sorman Benton Spruance Donald Teskey Shelley Thorstensen

Dox Thrash Cheryl Warrick Joyce Wellman

CHERYL WARRICK

5 Beauchamp Place, London, SW3 1NG, UK

+44 (0) 7900 286 792 • ella@gladwellpatterson.com • gladwellpatterson.com

Booth G5

Gustave Cariot

Meules dans un Paysage Vallonné, 1927 Oil on Canvas, 23½” x 31¾”

Hugh

(1870–1937)

View,

WILLIAM TROST RICHARDS (1833–1905)

Seascape with Crashing Waves, 1889

Oil on canvas, 20 x 40 inches, Signed and dated 1889, lower right

ANN SOPHIA TOWNE DARRAH (1819–1881)

Cattle by the Sea, c. 1867

Oil on canvas, 26⅛ x 38⅛ inches, Signed lower right Exhibited Pennsylvania Academy of the Fine Arts Annual Exhibition, 1867

BOOTH E2

Notable for their landscapes and coastal subjects, Ann Sophia Towne Darrah (1819–1881) and William Trost Richards (1833–1905) were born in Philadelphia just over a decade apart. Both pupils of Hudson River School artist Paul Weber (1823–1916), their watercolors and oil paintings were highly regarded for their detail and fidelity to nature. Today, their paintings can be found in major museums and private collections throughout the United States.

Offering original illustrated art from the late 19th- to mid-20th centuries, with a focus on works from the Golden Age of American Illustration and original covers for The Saturday Evening Post.

Featuring artwork by J.C. Leyendecker, Maxfield Parrish, Norman Rockwell, N.C. Wyeth, Jessie Willcox Smith, and more.

Fort Washington, PA (by appointment)

www.illustratedgallery.com

(267) 405-3639

laura@illustratedgallery.com

Instagram_glyph@theillustratedgallery

Norman Rockwell, Yes Sir! That’s Hills Brothers Coffee, 1929. Oil on canvas. 23¾ x 33⅜ in.

A fine cast-iron figure of Diana de Gabii, after the Antique model, a Roman work excavated by Gavin Hamilton in 1792 in Gabii, Italy, the Roman work now on view at the Louvre, itself a replica of the ca. 347 Greek original, the robed goddess shown in the process of fastening her cloak, French, ca. 1880. 67 ins. high,20 ins. wide.

PORTRAIT OF THE HAWAIIAN CHIEFESS, LILIHA, ATTRIBUTED TO JOHN HAYTER

An extremely rare and previously lost portrait of Liliha (1802–1839), a member of the Hawaiian Royal family and Royal Governor of the Island of O’ahu. In 1824 the Royal family visited London, and were painted by the court painter, John Hayter (1800–1895). Lost for some 160 years, the original oil portraits of the King and Queen were found in 1986 in Ireland, and this portrait of Liliha emerged in the United States in late 2023.

Signed

Ernie Barnes (American, 1938–2009)

The Fullback, 1968

Oil on canvas, 40 × 30 inches

lower right: Ernie Barnes

Brigadier General Samuel McClellan

Signed lower left by "Ralph Earl, Pinxt, 1797" Woodstock, Connecticut In

Booth

Horace Pippen (1888–1946), Love Note, 1944, oil on canvas, 10¼ x 8¼ inches.

Booth

Cassatt (1844–1926), The Lamp, c.1891 Drypoint, so -ground, etching, and aquatint printed in

(267) 496-8161

251 N. 3rd St. Phila., Pa. 19106

E-mail: fjpurcell2@aol.com

francisjpurcell.com

Booth F3

FOUNTAIN, MARBLE 3 YOUNG BOYS & BOY WITH FISH C. 1900

A fine and rare hand carved English and Continental white marble water fountain. The base is carved with flowing water above the pedestal with three young boys mounted on top is a three lobed fountain bowl carved from one piece of marble, also having a moulded edge. Above is a boy with spouting fish which is signed by the 19th C. Firenze Italian artist “P. Bozzanti” The fountain is piped for water and is a most rare survival. Provenance: Crowther of London Note: Small repairs and restorations as found in a piece of the is age. The bottom base pedestal was added at one point to raise and protect the entire fountain from the effects of the base pool of water. A great Garden item.

OscarHeyman for Marcus&Co

Charles Willson Peale (American, 1741–1827) circa 1780 Actual

Specializing in Antique French Silver and Antique French Fine Arts

Left & Right: 18th Century French Ormolu and Marble Book Ends Center: Antique French Silver Drageoir by Nicolas Richard Masson, Paris, 1794–1798

Resting During the Harvest by Albert-Auguste Fourié, Paris, 1854–1937

Booth E6

Mario Korbel (1882 –1954)

Lived/active: New York, Illinois/France and Germany

Classical Woman Flanked by Peacocks

Signed/stamped: Mario Korbel, Gorham Co. Founders/QAPB (on base) Ca. 1925

Bronze

Excellent condition, wonderful patina 10¼"h, 17"w, 4½"d

Provenance: James Graham Gallery, New York.

omas Armstrong III by descent to Whitney “Bunty” Brewster Armstrong. Booth

Outstanding Decorative Arts from the 17th to the 20th century. E

Chinese Export Immortal Figures Mounted on the Back of Animals, Circa 1780

The figures depict two immortals riding mythical beasts. Cao Guojiu has castanets on a white horse, and Lan Caihe has a floral basket on a white elephant.

Dimensions: 8 1/4 inches high

Paul Vandekar

web: www.Vandekar.com

Earle Vandekar of Knightsbridge Inc. PO Box 586, Downingtown, PA 19335 Booth

Tel: 212-308-2022

• Cell: 917-576-1354

Member of the British Antique Dealers' Association (BADA), Art & Antique Dealers League of America & Antiques Council

Booth G4

A show and sale of contemporary craft and design.

November 15-17 Preview Party November 14 Pennsylvania Convention Center

Carson Sio Philadelphia, PA Metal

THE PHILADELPHIA SHOW 2024

PMA Collects

BYALEXANDRAKIRTLEY

The Montgomery-Garvan Curator of American Decorative Arts at the Philadelphia Museum of Art

As the Philadelphia Museum of Art approaches its 150th year in 2026, we celebrate the PMA’s collections that hail from around the world, delight visitors, and represent the work of artists and artisans throughout many centuries. The collections are built on the generosity of charitable donors and the discerning eyes of curators and conservators. Over our century and a half, the museum’s collections have been enhanced by the offerings of dealers, including those who exhibit at The Philadelphia Show (TPS), who bring a broad assortment of art to entice curators.

Throughout the early American galleries, special labels will alert visitors to works of art acquired at TPS. These works were either acquired by the museum directly or were purchased by collectors who in turn have given or promised them to the museum, as trustees Joan Johnson, Leslie Miller, and Lyn Ross have. Below are highlights of works of art purchased from TPS, many of which are on view in the galleries.

Paintings

The charming pair of c. 1791 portraits of Matthew, Benjamin, and Julia McConnell (the Children of Matthew and Ruth McConnell) (Figure 1 and 2) were purchased by Philadelphia collectors Leslie Miller and Richard Worley from Olde Hope Antiques. They had admired the portraits in Olde Hope’s booth at The Winter Show in New York and then again here in Philadelphia. Most likely painted by William Clarke, an English-born artist who was active in Lancaster and Philadelphia from 1785 to 1806, the portraits depict the children in front of windows in their fashionably-furnished house: Matthew stands, while Julia is seated in a red-upholstered, yellow-painted Windsor armchair set on what is likely a painted canvas floor cloth as her brother Benjamin looks on, and the pendant portraits are united by similarly draped green curtains trimmed by yellow fringe. The children engage with each other, their animals, and the viewer. Curator Carol Soltis has persuasively posited that, through their gestures and young Matthew’s book, the compositions present McConnell family

Attributed to Wiliam Clarke (active 1785–1806)

Philadelphia, 1791

Oil on canvas, 57 x 45 1/2 x 2 3/4 inches (framed)

Promised gi of Leslie Miller and Richard Worley

Attributed to Wiliam Clarke (active 1785–1806)

Philadelphia, 1791

Oil on canvas, 45 3/4 x 55 3/4 x 3 inches (framed)

Promised gi of Leslie Miller and Richard Worley

harmony. Matthew’s finger is holding a place in his copy of Aesop’s Fables, the ancient collection of parables of cunning animals that reveal ethical truths and were especially popular in early Philadelphia; that, combined with the dog to his le and the large cat (whose name was Fox) on his sister’s lap in the pendant portrait, suggests that Matthew has his finger on the fable of “The Dog and the Cat,” which explains the overt gestures towards the two family pets. The moral of “The Dog and the Cat” advocates for children to play well together as well as seek family harmony in all that they do. For over three decades, Miller and Worley have supported numerous dealers at The Philadelphia Show with a wide variety of purchases, including Portrait of the Parsee Merchant-Philanthropist Sir J. J. (Jamsetji Jeejeebhoy) (Figure 3)from the London dealer Martyn Gregory. It was painted in China for the Indian market between 1842 and 1860 by the renowned painter Lam Qua and is a promised gi to the museum.

FIGURE 1: Portrait of Matthew McConnell

Photo by Gavin Ashworth

FIGURE 2: Portrait of Julia and Benjamin McConnell

Photo by Gavin Ashworth

Merchant-Philanthropist Jamsetji

Jeejeebhoy (Sir J. J.)

Lam Qua (1801–1860)

China, 1842–1860

Oil on canvas, 38 1/2 × 29 1/2 inches (unframed)

Promised gi of Leslie Miller and Richard Worley

Photo by Gavin Ashworth

Berks or Lehigh County, Pennsylvania, 1792

Made for Magdalena Leabelsperger (1772–1844)

Tulip poplar, pine, painted decoration; brass, iron, 53 x 30 1/2 x 24 inches

Purchased with the Thomas Skelton Harrison Fund, the Fiske Kimball Fund, and the Joseph E. Temple Fund, 1982

FIGURE 4: Chest over Drawers

FIGURE 3: Portrait of the Parsee

Furniture

Pennsylvania German art has long been an anchor of PMA’s American collections. In 1982, dealers James and Nancy Glazer offered an intricately painted chest over drawers made in 1792 for the young Maria Magdalena Leabelsperger (or Leibensperger; 1772–1844) of Berks and later Lehigh County, where successive waves of German settlers established distinctive artistic traditions. Former curator Beatrice B. Garvan acquired it just in time for the special exhibition the PMA co-organized with Winterthur in 1982. (Figure 4)

At opening night in 2010, dealer Kelly Kinzle offered a Philadelphia-made reed organ in the overtly classical style of the 1830s. A Danish-born émigré to Philadelphia, Emilius Nicolai Scherr (1794–1874), made the reed organ-type instrument (which he called a phys-harmonica), but it is unknown who made the cabinet itself. A reading desk and a sewing and dressing box are housed inside the deep lid.1 (Figure 5) Kinzle also sold a pair of trick-leg tables to the museum in 2020 through the online show necessitated by the pandemic. (Figure 6)

Alexandria, Virginia, dealer Christopher Jones sold the museum two chairs made in Bermuda between 1730 and 1750 using that island’s indigenous red

Emilius Nicolai Scherr (1794–1874)

Philadelphia, 1836/1837

Mahogany, mahogany veneer, maple, maple veneer, white pine; painted and gilded plaster; ivory, ebony, mother-of-pearl; white metal, brass, silvered glass; leather, wool baize, cut silk velvet, 38 3/8 x 35 5 /8 x 15 5/8 inches

Purchased with the Thomas Skelton Harrison Fund and with the gi s (by exchange) of the Titus C. Geesey Collection, Linda M. Girard Barlow, Sarah McLean Williams in memory of Mrs. William L. McLean, Lydia Thompson Morris, Lewine Russell, the Elizabeth Wandell Smith Collection, and Rhoda and Ira Albom, 2010

FIGURE 5: Reed Organ with Writing Table and Sewing and Dressing Box

cedar (Juniperus bermudiana) (on view in Gallery 102). Two early 19th century pieces of Philadelphia-made furniture acquired at TPS are a study in contrast: an 1812 Bishop’s Chair (Figure 7) was purchased from Sumpter Priddy, and a Child’s Sofa was purchased from Gary Sullivan. A rare survival, the diminutive Child’s Sofa (Figure 8) suggests the size of its sitters, while the oversized Bishop’s Chair calls attention to the vaulted status of its intended sitter (specifically, Bishop William White 1748–1836) when he was seated in it in the chancel of one of Philadelphia’s three Episcopal cathedrals. A er an exciting research project, the original label of cabinetmaker Richard Alexander (1780–1823) was reunited with the Bishop’s Chair, which was made in 1812 for Saint James Episcopal Church (torn down in 1869) at Market and Ninth streets.2 Before the acquisition of the Bishop’s Chair, little was known about Alexander, but now much is known about him and his work: the shop he leased from Bishop White, the number of journeymen and assistants he employed—including a free Black woman—and client accounts he maintained before his untimely death at the age of 43.

In 2018, the museum added a characteristically Southern furniture form to its collection of furniture from the South: a Bottle Case on Stand (Figure 9) from Nathan Liverant & Son. Part of a small group of furniture most likely made in Tidewater, Virginia, the rich walnut stand is sparingly ornamented with lightwood inlay and retains its original drawer (used as a shelf) and interior bottle partitions.3

Philadelphia, c. 1810

Mahogany, oak, tulip poplar, white cedar, brass, 28 1/2 × 36 × 17 3/4 inches

Purchased with The Frank Joseph Saul and Joseph Donald O’Keefe Fund, and with the proceeds from the sale of deaccessioned works of art, 2021

FIGURE 6: Pair of Trick-Leg Card Tables

FIGURE 7: Episcopal Bishop’s Chair

Richard Alexander (1780–1823)

Philadelphia, 1812

Mahogany, maple, tulip poplar, white pine, yellow pine; replacement upholstery

64 1/8 × 26 × 23 1/2 inches

Gi s (by exchange) of the Haas Community Funds, Mrs. Burnett A. Lewis in memory of her husband, Frederick Hastings Lewis, the Titus C. Geesey Collection, R. Wistar Harvey, the heirs of J. Stogdell Stokes, Lisa Norris Elkins, Robert Lehman, Mrs. Henry Breyer, E. Swi Newton in memory of his wife, Ethel Jennings Newton, Frank and Alice Osborn, Mr. and Mrs. C. Jared Ingersoll, and J. Stogdell Stokes, 2011

FIGURE 9: Bottle Case on Stand

Tidewater Virginia, 1795–1810

Walnut, yellow pine, brass

34 × 18 × 14 inches

Purchased with funds contributed by Mr. and Mrs. Jesse Zanger (Cordelia Dietrich) and the Dietrich American Foundation, 2019

FIGURE 8: Child’s Sofa

Philadelphia, c. 1825

Mahogany, mahogany veneers, tulip poplar, modern velvet

upholstery, brass nails

20 × 32 1/2 × 12 1/2 inches

Purchased with funds contributed by Anne Hamilton and Hannah L. Henderson, 2019

Glass

From the 2019 Show, curator David Barquist and I were enthralled by two pieces of glass in the booth of Ian Simmonds. We acquired the Celery Vase (Figure 10) made in Pittsburgh between 1815 and 1825 by Page and Bakewell with exquisitely engraved decoration. Artisans—many of whom were recruited from France, such as Alexander Jardelle—advanced the technique at Page and Bakewell of Pittsburgh. The charming late 1830s Pitcher (Figure 11) can be firmly attributed to Philadelphia’s Union Flint Glass Company located in the Kensington section of the city from 1826 to 1840; Richard Synar (or Synor), the glassworks’ proprietor, owned a pair of identical pitchers. Small and quite substantial in its weight, this pitcher has the appearance of fine cut glass but is made using the less expensive technique of pressed glass.

FIGURE 10: Celery Vase

Attributed to Bakewell, Page & Bakewell

Pittsburgh, 1815–1825

Blown lead glass with cut and engraved decoration, 8 1/2 × 5 1/2 inches

Purchased with the Center for American Art Acquisition Fund, 2019

Miniatures

The engaging personal likenesses found in these watercolors on ivory connect our visitors to the people who both made and consumed art. Among the many the museum has acquired from portrait miniature dealer Elle Shushan at TPS is the c.1850 Portrait of a Young Boy by miniaturist John Carlin (1813–1891), currently on view in G103. (Figure 12) The deaf-mute son of a Philadelphia cobbler, Carlin supported himself by painting houses and signs; eventually, a er serving an apprenticeship under John Neagle and traveling to Europe, he settled in New York City and became that city’s most prominent miniaturist. His vividly colored Portrait of a Young Boy displays Carlin’s penchant for combining landscape views into his portraits.

11: Pitcher

Union Flint Glass Works

Philadelphia, 1837–1842

Blown lead glass with cut decoration, 6 1/8 × 6 3/8 × 3 1/2 inches

Purchased with funds contributed by the Levitties Foundation, 2019

FIGURE 12: Portrait of a Young Boy

John Carlin (1813–1891)

New York, c. 1850

Watercolor on ivory, 2 5/8 inches (height)

Purchased with the Center for American Art Fund, 2011

FIGURE

Gorham Manufacturing Company

Providence, Rhode Island, 1897–1898

Silver with Japanese cloisonné enamel decoration, 3 3/4 × 7 1/2 inches

Purchased with funds contributed by Marguerite and Gerry Lenfest, 2016

Silver

The museum has acquired multiple works from TPS to fill gaps in the American silver collection, including its nearly comprehensive collection of Philadelphia silver. On view in the American art galleries are: a silver-plate on copper Mug by George Armitage (1760/74–1827) (Figure 13) of Philadelphia donated by Jonathan Trace a er PMA curator and silver catalogue author David Barquist admired it at the 2007 TPS; a three-piece Tea Set (Figure 14) with exquisite Japanese cloisonné enamel decoration by Gorham Manufacturing Company of Providence, RI, purchased from Spencer-Marks (G206); and an early Cann (Figure 15) made by the colonial Philadelphia silversmith Henry Pratt (1708–1749) acquired from Shrubsole. Canns (known under the more general term of “mug” in Britain) have a low and distinctive foot ring, a bulbous body, and a handle. The simple elegance, quality of execution, and outstanding condition made this gleaming silver Cann the perfect choice as the signature image for The 2024 Philadelphia Show.

NOTES

1 See Alexandra Alevizatos Kirtley, “Fit for Any Amusement: An Elaborate 1830s Philadelphia Reed Organ.” Antiques 178, no. 3 (May–June 2011): 154–59 and Alexandra Alevizatos Kirtley, American Furniture 1650–1840: Highlights from the Philadelphia Museum of Art (New Haven and London: Yale University Press for the PMA, 2020; second printing, 2021) cat. no. 208.

2 See Kirtley, 2020, cat. no. 175.

3 See Kirtley, 2020, cat. no. 295.

FIGURE 14: Tea Set

FIGURE 15: Cann

Henry Pratt (1708–1749)

Philadelphia, 1730–1749

Silver with engraved decoration, 4 13/16 × 5 3/16 × 3 9/16 inches

Purchased with the Richardson Fund, 2014

FIGURE 13: Mug

George Armitage (1760/74–1827)

Philadelphia, 1797–1827

Silver-plated copper and brass, 4 5/8 x 5 1/2 x 3 5/8 inches

Gi of Mr. and Mrs. Jonathan Trace, 2007

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shown above: Thomas Moran A Cloudy Day, East Hampton and Norton Bush, Sierra Sunset

An American Panorama; North, South, East, and West Auction | May 9, 2024

CHAIRS, LOAN EXHIBITIONS, and BENEFICIARIES

1962

Mrs. Moreau D. Brown and Mrs. Donald M. Pillsbury

Orrery

Nearly New Shop and Chapel

1963

Mrs. Moreau D. Brown

Benjamin Franklin Chapel

1964

Mrs. Moreau D. Brown

Federal Furniture

Air Conditioning, Patient Areas

1965

Mrs. Moreau D. Brown

Cadwalader

Air Conditioning; Greenhouse and Fence, Gates 11; Engstrom Unit

1966

Mrs. Moreau D. Brown

Wistar-Wister Medical Intensive Care Unit

1967

Mrs. Moreau D. Brown and Mrs. Brooke Roberts

Morris Family Surgical Intensive Care Unit

1968

Mrs. Brooke Roberts and Mrs. Benjamin H. Barnett

Wharton Family & Walnut Grove Gates Day Care Center

1969

Mrs. Brooke Roberts and Mrs. Benjamin H. Barnett

Silver Respiratory Intensive Care Unit

1970

Mrs. Brooke Roberts and Mrs. Benjamin H. Barnett

Cliveden Rehabilitation Center

1971

Mrs. Benjamin H. Barnett and Mrs. Stuart B. Andrews

Signers of the Declaration of Independence Heart Station, Gate 9

1972

Mrs. Benjamin H. Barnett and Mrs. Stuart B. Andrews

Philadelphia’s China Trade Emergencies Service Area

1973

Mrs. Stuart B. Andrews and Mrs. Robert L Mayock

A Tribute to William Penn New Medical Equipment; Redesigned and Remodeled Delivery Rooms

CHAIRS, LOAN EXHIBITIONS, AND BENEFICIARIES

1974

Mrs. Stuart B. Andrews and Mrs. Robert L. Mayock

Miniature & Children’s Furniture Laminar Flow for Operating Rooms

1975

Mrs. Robert L. Mayock and Mrs. Edwin C. Donaghy, Jr.

100 Years of American Art: The Philadelphia School Dining Room, Gates 10; Short Procedures Unit

1976

Mrs. Robert L. Mayock and Mrs. Edwin C. Donaghy, Jr.

A Palette of Pennsylvania Folk Art Régéthermic Food System

1977

Mrs. Erwin R. Schmidt, Jr. and Mrs. E. Newbold Smith

Underfoot: Floor Coverings Used in America Régéthermic Food System

1978

Mrs. Erwin R. Schmidt, Jr. and Mrs. E. Newbold Smith

Magnificent Menagerie Linear Accelerator; X-Ray Department

1979

Mrs. Erwin R. Schmidt, Jr. and Mrs. Samuel S. Stroud

Samplers: Skills & Sentiment Completely Equipped X-Ray Room, Emergency Area

1980

Mrs. Samuel S. Stroud and Mrs. Thomas W. Langfitt

Battle of the Blaze New Enlarged Dialysis Treatment and Rehabilitation Area

1981

Mrs. Thomas W. Langfitt and Mrs. John S. Brittain

Christ Church Philadelphia: Art, Architecture & Archives Patient Waiting and Treatment Area, Radiation Therapy

1982

Mrs. John S. Brittain and Mrs. Martin L. Beller

The Windsor: A Philadelphia Style Volunteer Services

1983

Mrs. Martin L. Beller and Mrs. William C. Buck

Flight of Fancy Resuscitation Area Support Systems, Emergency Department

CHAIRS, LOAN EXHIBITIONS, and BENEFICIARIES

1985

Mrs. William J. Erdman II and Mrs. Robert L. Stevens

Neat & Tidy

Electron Microscope with Elemental X-Ray Analysis Capability, Department of Pathology and Laboratory Medicine

1986

Mrs. Robert L. Stevens and Mrs. Cletus W. Schwegman

Collector’s Choice

3-D Linear Accelerator for Radiation Therapy

1987

Mrs. Cletus W. Schwegman and Mrs. John B. Doherty

The Federal Procession: A Salute to the Constitution

Center for Human Appearance, Division of Plastic Surgery, Department of Surgery

1988

Mrs. John B. Doherty and Mrs. Giuseppe G. Pietra

Courting the Winds

Center for Human Appearance, Division of Plastic Surgery, Department of Surgery

1989

Mrs. Giuseppe G. Pietra and Mrs. Harry G. Rieger, Jr.

Portraits Plain and Fancy: American Portraiture, 1760–1840 Division of Neurosurgery

1990

Mrs. Harry G. Rieger, Jr. and Mrs. Leonard Jarett

Undercover: Sewing & Symbolism Department of Anesthesia

1991

Mrs. Leonard Jarett and Mrs. John B. Hagner

Devine Design: A Shaker Legacy Department of Radiation Oncology

1992

Mrs. John B. Hagner and Mrs. Clyde F. Barker

The Art of Embellishment: Painted and Stenciled Masterworks from the Museum of American Folk Art Multidisciplinary Procedures Unit

1993

Mrs. Clyde F. Barker and Mrs. Thomas A. Gennarelli

Seen But Not Heard Multi-organ Transplant Program

1994

Mrs. Thomas A. Gennarelli and Mrs. Robert F. Grieb

In the Sporting Tradition Chemotherapy and Oncology Short Procedure Unit

CHAIRS, LOAN EXHIBITIONS, AND BENEFICIARIES

1995

Mrs. Robert F. Grieb and Mrs. Mark A. Kelley

The Cook’s Fancies

The Trauma Center at Penn

1996

Mrs. Mark A. Kelley and Ms. Dale D’Angelo

A Touch of Class: Silver in Social Settings

The Scheie Retina Center at Penn

1997

Ms. Dale D’Angelo and Mrs. David M. McCarthy

Pioneering Americana: A Mercer Museum Centennial Department of Oral and Maxillofacial Surgery

1998

Mrs. David M. McCarthy and

Mrs. S. Matthews V. Hamilton, Jr.

America’s Painted and Guilded Legacy: Nineteenth Century Painted Furniture Complex Aortic Surgery Program

1999

Mrs. S. Matthews V. Hamilton, Jr. and Mrs. William G. Luff, Jr.

Sassy Seating: Brewster to Stickley Otolaryngology Consultation Center at Penn

2000

Mrs. William G. Luff, Jr. and Mrs. Peter D. Quinn

It’s About Time Institute on Aging

2001

Mrs. Peter D. Quinn and

Mrs. A Richard Gerber

In Celebration: Needlework Treasures from the Philadelphia Museum of Art Department of Medicine

2002

Mrs. A. Richard Gerber and Mrs. James L. Mullen

This Glorious House Stenton Institute for Environmental Medicine

2003

Mrs. James L. Mullen and Mrs. Thomas B. Helm

Historical Blue Straffordshire Apheresis/Infusion Unit

2004

Mrs. Thomas B. Helm and Mrs. Stephen C. Rubin

Folk Art on Fire Department of Radiology, Ultrasound Section

2005

Mrs. Stephen C. Rubin and Mrs. Joseph E. Smith

Vaulting Ambition: Gothic Revival in Philadelphia 1830–1860 Department of Medicine, Division of Gastroenterology

2006

Mrs. Joseph E. Smith and Mrs. Gerald R. Williams, Jr.

The Schuylkill Villas Department of Surgery, Division of Cardiothoracic Surgery

CHAIRS, LOAN EXHIBITIONS, and BENEFICIARIES

2007

Mrs. Gerald R. Williams, Jr. and Mrs. Robert E. Drury

Philadelphia Empire Furniture: Bold, Brash & Beautiful Department of Anesthesiology and Critical Care, Waiting Areas of the Surgical Intensive Care Unit

2008

Mrs. Robert E. Drury and Ms. Lana McDonald

Fore & Aft: Philadelphia Collects Maritime Penn Lung Center

2009

Ms. Lana McDonald and Ms. Elizabeth Cavanaugh-Kerr

Patriots and Presidents: Philadelphia Portrait Miniatures, 1760–1860

Penn Center for Patient Safety and Advocacy

2010

Ms. Elizabeth Cavanaugh-Kerr and Mrs. Theodore G. Cheek

A Call to Arms: Chinese Armorial Porcelain

Penn Center for Ocular Imaging

2011

Mrs. Theodore G. Cheek and Mrs. J. Barton Riley

Celebrations: Antiques that Mark the Moment

Penn Center for Ovarian Cancer Research

2012

Mrs. J. Barton Riley and Mrs. William H. Eyre, Jr.

Where History Meets Medicine: Antiques from the Nation’s First Hospital Penn Lung Transplant Ex Vivo Lung Profusion Program

2013

Mrs. William H. Eyre, Jr. and Mrs. J. Bruce Kneeland

Pewter: The Philadelphia Story

Penn Emergency Medicine

2014

Mrs. J. Bruce Kneeland and Mrs. Jeffrey Kenkelen

Historic Deerfield: Art and Life in an Extraordinary New England Village

The Penn Center for Human Performance

2016

Mrs. S. Matthews V. Hamilton, Jr. and Mrs. J. Bruce Kneeland

Secret Treasures: The Passion of Collecting as Seen Through Dealers and Their Collections

Penn Acute Research Collaboration

2017

Mrs. S. Matthews V. Hamilton Jr.,

Mrs. J. Bruce Kneeland and Mrs. Nancy Taylor

What so Proudly We Hail

Penn Radiation and Oncology Quality of Life Program

2018

Anne Hamilton and Nancy Taylor

Philadelphia Collects Philadelphia

The Pine Building at Pennsylvania Hospital

2019

Eleanore H. Gadsden, Chair

Anne Hamilton, Honorary Chair

The Art of Silver Division of Education and Public Programs, Philadelphia Museum of Art

2020

Eleanore H. Gadsden, Chair

Anne Hamilton, Honorary Chair

Virtual Show

Division of Education and Public Programs, Philadelphia Museum of Art

2021

Eleanore H. Gadsden, Chair

Anne Hamilton, Honorary Chair

All Creatures Great and Small Division of Education and Public Programs, Philadelphia Museum of Art

2022

Eleanore H. Gadsden, Co-Chair

Ellen Caplan, Co-Chair

Anne Hamilton, Honorary Chair

Zero to Sixty Division of Digital Resources and Content Strategy, Philadelphia Museum of Art

2023

Ellen Caplan, Chair

Amy Fox, Vice Chair

Anne Hamilton, Honorary Chair

Faces in the Crowd

Division of Learning and Engagement, Philadelphia Museum of Art

2024

Amy Fox, Chair

Ellen Simon, Vice Chair

Anne Hamilton, Honorary Chair

Division of Learning and Engagement, Philadelphia Museum of Art

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A WINTERTHUR TRADITION

August 7–8

10 am – 6 pm both days

Sullivan Arena, on the beautiful campus of St. Anselm College

Manchester, NH

One of the most anticipated events of the year by both dealers and collectors. There is something for everyone.

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ST. GEORGE'S SCHOOL MIDDLETOWN, RI

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The Art and Antique Dealers League of America is proud to be represented in The Philadelphia Show by these fine dealers:

European Decorative Arts Company Kelly Kinzle

Betty Krulik Fine Art, Ltd.

Lillian Nassau, LLC

Rehs Galleries

James Robinson, Inc.

Schwarz Gallery

Jayne Thompson Antiques

Earle D. Vandekar of Knightsbridge aadla.com

The Antiques Council Manages These Four Great Shows

Proceeds from The Philadelphia Show benefit the Division of Learning and Engagement at the Philadelphia Museum of Art.

Our Learning and Engagement programs serve diverse audiences of all ages and abilities from the youngest learners to families, teens, teachers, and adults.

Many of our programs are free-of-charge. School tours are free for all School District of Philadelphia students and teachers.

American Fine Art Magazine Page 108

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Brunk Auctions Page 92

Cherokee Construction Page 23

Christie’s Page 24 CHUBB Page 79 The Cra Show of the Philadelphia Museum of Art Page 109 The Delaware Show Page 98 Doyle

Auctioneers and Appraisers

Inside front cover, Page 20

Eastern States Regional Council of Carpenters

Page 95

Eldred’s Auction Gallery

Page 97

Fontaine’s Auction Gallery

Page 25

Freedom Mortgage Corporation

Page 26

Freeman’s | Hindman

Page 10

Goldman Sachs & Co. LLC

Page 96

HUB International

Page 9, Back cover

IBEW Local 98/ NECA

Inside back cover Incollect.com

Page 90

John Milner Architects

Page 27

Jonathan Bassman

Interior Design LLC

Page 38

EXHIBITOR INDEX

Booth: C3

Arader Galleries

1308 Walnut Street Philadelphia, PA 19107

Phone: 215-735-8811

loricohen@aradergalleries.com aradergalleries.com

Page 39

Booth: B5

Avery Galleries

100 Chetwynd Drive

Bryn Mawr, PA 19010

Phone: 610-896-0680

info@averygalleries.com averygalleries.com

Page 40

Booth: C2

Diana H. Bittel Antiques

By appointment

510 Fishers Road

Bryn Mawr, PA 19010

Phone: 610-525-1160

Alt Phone: 610-715-1595

dhbantique@aol.com dianahbittel.com

Page 41

Booth: G3

Jeff R. Bridgman

American Antiques

Historic York County, PA

Phone: 717-502-1281

Alt Phone: 717-676-0545

info@jeffbridgman.com jeffbridgman.com

Page 42

Booth: A6

Ralph M. Chait Galleries, Inc.

16 East 52nd Street, 10th Floor New York, NY 10022

Phone: 212-397-2818

info@rmchaitgal.net rmchait.com

Page 43

Booth: D4

HL Chalfant American Fine Art & Antiques

1352 Paoli Pike West Chester, PA 19380

Phone: 610-696-1862

info@hlchalfant.com hlchalfant.com

Page 44

Booth: G7

Childs Gallery

168 Newbury Street Boston, MA 02116

Phone: 617-266-1108

info@childsgallery.com childsgallery.com

Page 45

Booth: D3

Dixon-Hall Fine Art

130 Potter’s Pond Drive Phoenixville, PA 19460

Phone: 610-935-2570

dixonhall@verizon.net dixonhallfineart.com

Page 46

Booth: E3

Dolan/Maxwell

2046 Rittenhouse Square

Philadelphia, PA 19103

Phone: 215-732-7787 info@dolanmaxwell.com dolanmaxwell.com

Page 47

Booth: F5

European Decorative Arts Company

Phone: 516-621-8300 eurodecart@gmail.com eurodecart.com

Page 48

Booth: D2

Gemini Antiques Ltd.

PO Box 635

Oldwick, NJ 08858

Phone: 917-991-7352 leonweiss@me.com geminiantiquesltd.com

Page 49

Booth: G5

Gladwell & Patterson

5 Beauchamp Place

London SW3 1NG

Phone: +44 20 7584 5512 admin@gladwellpatterson.com gladwellpatterson.com

Page 50

Booth: E5

Bernard Goldberg Fine Arts, LLC

By appointment

Phone: 212-813-9797 info@bgfa.com bgfa.com

Page 51

Booth: E2

Hawthorne Fine Art

By appointment only

575 Fifth Avenue

New York, NY 10017

Phone: 212.731.0550

info@hawthornefineart.com hawthornefineart.com

Page 52

Booth: A5

The Illustrated Gallery

By appointment only

Ft. Washington, PA

Phone: 267-405-3639

laura@illustratedgallery.com illustratedgallery.com

Page 53

Booth: A4

Barbara Israel Garden Antiques

By appointment only

Katonah, NY 10536

Phone: 212-744-6281

eva@bi-gardenantiques.com bi-gardenantiques.com

EXHIBITOR INDEX

Page 54

Kelly Kinzle

Booth: G1

P.O. Box 235

New Oxford, PA 17350

Phone: 717-495-3395

kelly@kellykinzleantiques.com kellykinzleantiques.com

Page 55

Booth: D1

Betty Krulik Fine Art Ltd.

260 Birch Lane

Irvington, NY 10533

Phone: 917-582-1300 bkrulikfineart@gmail.com bkrulikfineart.com

Page 56

Glen Leroux

Booth: G2

51 Riverside Avenue

Westport, CT 06880

Phone: 203-227-8030

Phone: 203-451-0454 glenaleroux@yahoo.com

Page 57

Booth: A2

Levy Galleries

227 West 17th Street New York, NY 10011

Phone: 212-628-7088

frank@levygalleries.com levygalleries.com

Page 58

Booth: B6

Nathan Liverant & Son, LLC

168 South Main Street

Colchester, CT 06415

Phone: 860-537-2409

mail@liverantantiques.com liverantantiques.com

Page 59

Booth: B4

M. Hanks Gallery

2501 E Chapman Ave Suite 235 Fullerton, CA 92831

Phone: 657-217-5043

ehanks@mhanksgallery.com mhanksgallery.com

Page 60

Booth: E1

Moderne Gallery

2220 East Allegheny Avenue Philadelphia, PA 19134

Phone: 215-923-8536

info@modernegallery.com modernegallery.com

Page 61

Booth: B2

Lillian Nassau LLC

220 East 57th Street

New York, NY 10022

Phone: 212-759-6062

info@lilliannassau.com lilliannassau.com

Page 62

Booth: C5

The Old Print Shop

49 West 24th Street, 2nd Floor New York, NY 10010

Phone: 212-683-3950

Alt Phone: 212-832-9493

info@oldprintshop.com oldprintshop.com

Page 63

Booth: A8

Olde Hope, Inc.

PO Box 718

New Hope, PA 18938 and 115 East 72nd Street, 1B New York, NY 10021

Phone: 215-297-0200

Phone: 215-806-2406

Phone: 215-262-3288

info@oldehope.com oldehope.com

Page 64

Booth: E4

Peter Pap Oriental Rugs, Inc.

1225 Main Street Dublin, NH 03444 and 4570 Mission Street San Francisco, CA 94112

Phone: 415-956-3300

Phone: 603-563-8717 inquiries@peterpap.com peterpap.com

Page 65

Booth: C4

Rehs Galleries

20 W 55th St, 5th floor New York, NY 11019

Phone: 212-355-5710 info@rehs.com rehs.com

Page 66

Booth: F3

Frances J. Purcell

251 North 3rd Street Philadelphia, PA 19106

Phone: 215-574-0700

mail@francisjpurcell.com francisjpurcell.com

Page 67

Booth: A3

James Robinson, Inc.

480 Park Avenue

New York, NY 10022 and 2 South Beach Street Nantucket, MA 02554

Phone: 212-752-6166

info@jrobinson.com jrobinson.com

Page 68

Booth: G6

J K Russell Antiques

110 Spring Street PO Box 414 South Salem, NY 10590

Phone: 914-763-8144 jkr@jkrantiques.com jkrantiques.com

Page 69

Booth: D5

Schmidt/Dean Gallery

1879 Old Cuthbert Road

Warehouse #13 & #32

Cherry Hill, NJ 08034

Phone: 856-520-8458 schmidtdean@netzero.net schmidtdean.com

Page 70

Booth: B1

Schwarz Gallery

1806 Chestnut Street Philadelphia, PA 19103

Phone: 215-563-4887

mail@schwarzgallery.com schwarzgallery.com

EXHIBITOR INDEX

Page 71

Booth: A1

S.J. Shrubsole, Corp.

26 East 81st Street

New York, NY 10028

Phone: 212-753-8920 inquiries@shrubsole.com shrubsole.com

Page 72

Booth: A7

Elle Shushan

By appointment

Philadelphia, PA

Phone: 215-587-0000

Elle@ElleShushan.com ElleShushan.com

Page 73

Booth: F2

Silver Art by D&R

By appointment

Baltimore

Phone: 202-257-4448

Marseille, France

Phone: +33 6 11 67 16 08

jasmine@silverartbydandr.com silverartbydandr.com

Page 74

Booth: F1

Somerville Manning Gallery

101 Stone Block Row

Greenville, DE 19807

Phone: 302-652-0271

info@somervillemanning.com somervillemanning.com

Page 75

Booth: E6

Jayne Thompson Antiques

847 Kennedy Bridge Road

Harrodsburg, KY 40330

Phone: 859.748.5628

info@jaynethompsonantiques.com jaynethompsonantiques.com

Page 76

Booth: D6

Jeffrey Tillou Antiques

PO Box 1609

Litchfield, CT 06759

Phone: 860-567-9693

jeffrey@tillouantiques.com tillouantiques.com

Page 77

Booth: G8

Earle D. Vandekar of Knightsbridge

PO Box 586

Downington, PA 19335

Phone: 212-308-2022

info@vandekar.com vandekar.com

Page 78

Booth: G4

Walker Decorative Arts

99 Main Street Nyack, NY 10960

Phone: 646-684-9393

david@walkerdecarts.com walkerdecarts.com

Over the past 20 years of providing professional design and creative thinking, we’ve had the good fortune to collaborate with a variety of distinguished institutions, including:

The Andalusia Foundation

American Philosophical Society

Art in Embassies, US Department of State

Bryn Mawr College

Columbia University

Congregational Library and Archives

Fenimore Art Museum

Germantown Friends School

James A. Michener Art Museum

Lehigh University College of Business

Library Company of Philadelphia

Penn State University Press

Philadelphia Museum of Art

Princeton University Art Museum

Rowan University

Winterthur Museum, Garden & Library

Woodford Mansion

Woodmere Art Museum

Learn more and get in touch at barbbarnett.com

James Robinson A2

Levy Galleries

RESTROOMS

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We create tailored experiences, educational programs, and resources for our members, who include principals of architecture, interior design, and landscape architecture firms as well as professionals from a iliated disciplines, media partners, and corporate leaders. Visit our website to learn more.

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Mark Lynch Jr. Business Manager