ISSUE 2 - 2024
Meet Our Growing Team! In Depth Articles Quality Content
Smaller Scales
UNIQUE PROJECTS in 1:24 & 1:48
The projects in this magazine are not suitable for children under 14. Petite Properties Magazine is published by LUMO Publishing. Branding & Content © PETITE PROPERTIES LTD ® 2024 ©LUMO PUBLISHING 2024 The name PETITE PROPERTIES is a registered trade mark of Petite Properties LTD LUMO Publishing is division of Petite Properties LTD® LUMO Publishing: The Old Methodist Church, High Street, Metheringham, Lincolnshire. LN4 3EA
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...Behind the scenes of our glamorous cover shoot!
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Welcome to Issue two
LUMO PUBLISHING 2024 ©
welcome! Contributors
Making issue 2 of this magazine a reality, would not have been possible without the support of our wonderful contributors... Thank you for having continued faith in this new publication! Teresa Azzinnaro Sharon Blackburn Steven Bearpark Bob (& Philip Thompson) Ann Evans & Rob Tysall Sarah Harper Ann Holmes Andy Hopwood Leslie Hopwood Patty Lindsey Sam Lovell Roz Maclean Jennifer Maddox Sylvie Nicolet Jean Oxtoby Lee Robinson Penny Rose Liz Sewell Jan Southerton Charlotte Stokoe Philip Thompson & Last, but never least; the wonderful members of the Petite Properties’ Modelling Community (on Facebook)
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Dear Reader, Bea camping this summer... We may only be two issues deep into our publishing adventure, but when working on this latest issue, we hit a most unexpected problem… Not enough pages! Back in 2022, when we began to plan this new magazine, we were mindful that to take on the production of 100 pages of quality content every three months was going to be a huge challenge… and I don’t mind admitting that Mo and I were more than a little daunted by the prospect. But oh how we shouldn’t have worried! Instead, we’ve had to get out a publishing shoehorn to try and squeeze everything we wanted to include, into only 100 pages. But thankfully; squeeze it all in we did! In this issue, you will not only find the incredible work of numerous professional miniature artisans, but we’ve also showcased the stunning smaller scale creations of amateur and hobby miniaturists too! From the stunningly detailed floral creations of the talented Jan Southerton (page 4), to the jaw-droppingly lifelike model buildings made by Lee Robinson (page 7). I think that it is safe to say, we have something to inspire and interest every smaller scale miniaturist in our exciting second edition! Alongside inspiring updates from our regular contributors; Steven Bearpark (page 69), Jennifer Maddox (page 32) and not forgetting dear Bob (page 99), we also are delighted to welcome onboard the talented writer Ann Evans, photographer Rob Tysall (page 98) and wallpaper designer Pat Lindsey (page 59) into our growing PP magazine family. And finally… If you love to sink your creative teeth into smaller scale projects, then you will be excited to know that we have squeezed in an inspiring collection of step by step projects; including an in depth ‘Book Box’ mini-series (page 55), Mo in Belton House’s which could be easily adapted to suit any of the Orangery... smaller scales. So at last, it’s time to put down the shoehorn, as Mo and I invite you to dive head first into this brand new issue… Happy mini-ing!
& Bea & Mo Broadwood PETITE PROPERTIES LTD www.petite-properties.com
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CONTENTS
32
regulars Doors 30 A’door’able More doors to admire &
features
Flower Lady 4 The Talented professional miniaturist Jan Southerton shares her stunning small scale blooms
inspire! of Discussion 39 Point Do you shop with Temu? There are great savings to be had, but at what cost? Bookshelf 48 The Our quarterly celebration of handy reference books Spaces 76 Creative Sam Lovell explains why
creativity can happen in the smallest of spaces
The Club 91 Join Meet the members of San Diego Miniature Crafters
95
Just For Fun Mo asks Kensington Festival Organiser Charlotte Stokoe some unusual questions
7
Harper 12 Potty Meet mini potter Sarah Harper, who is totally potty for pots! STORY: 18 COVER Parterre & Orangery
The inspiration behind PP’s latest elegant garden scene
French Gîte 26 ATalented miniaturist Philip Thompson shares his quarter scale sun drenched diorama
66 & Pictures 98 Words We welcome Ann Evans & Rob Tysall to PP’s magazine family
LNR Models Lee Robinson shares his stunningly realistic quarter scale creations
Half Scale feature: Raven Lodge: We explore Penny Rose’s overgrown 1:24 dolls house with a sad back story
inspiration Interiors 14 Inspirational Teresa Azzinnaro takes us on a tour of her 1:24th country cottage
Miniaturist of the Moment
35 We celebrate PPMC member Sylvie Nicolet’s stunning smaller scale creations
& Out 44 Inside We take a look at the stunning interior of Roz Maclean’s nostalgic quarter scale cottage.
Vernacular: 50 Spectacular Kingston Lacy Inspirational Dorset architecture with a surprising Venetian twist!
Scale Minis 59 Small Patty Lindsey shares her tiny 1:144 creations on: 79 Spotlight Hedgerow Cottage One kit, transformed by three miniaturists; equals three very different dolls houses
Birthday Miniatura! Bash Corner 86 Happy We look forward to the 100th 88 Kit Sharon Blackburn recreates Miniatura Show with Andy Hopwood
35
her favourite pub in 1:76 scale
18
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CONTENTS
7
91
help & advice
projects
Up Parterre 32 Light 22 The Lighting expert Jennifer Create realistic stone walls Bea explains her step by step approach to creating a realistic & versatile 1:48 stone finish. Make: 31 Quick Weathered Stonework
Bring your 3D printed fountains, statues & urns to life!
Workbench 64 Bea’s Bea shares her top 10 tools Miniature Maestro
69 Our super talented
regular contributor, Steven Bearpark is back with another instalment of his Raven’s Perch build
Book Box In 1:24 55 ACreate a hidden cottage within the covers of a book! We kick off the first instalment of Bea’s new mini series!
To Basics: 84 Back Paint
Bea give her sage advice on the different types of paint available
Printis 63 Wallpaper 1:48 floral paper by Patty Lindsey
12
Maddox continues her exclusive series on illuminating smaller scale miniatures
Bob 99 Ask Meet PPMC’s celebrity member and all round cheeky chappy – Bob!
4 39
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The flower lady
the
lady Jan Southerton
Jan Southerton
Making miniature flowers in any scale, takes immense talent. To make realistic miniature flowers in quarter scale takes the talents of a master crafts-lady! I’ve had the privilege to have known Jan and her stunning creations for many years. Indeed Mo and I can often be found drooling over her beautiful stand at the Miniatura show. Somehow, Jan manages to recreate stunning flowers and plants in the smaller scales, without losing any of their delicate details and flourishes. Quite simply, it is an honour to showcase her work in this issue... Enjoy!
J
an readily admits that she is a serious ‘plantaholic’ who specialises in making plants, flowers and items for the garden in both 1:24th and 1:48th scale (plus 1:12 too). She began to create miniature flowers through her work, making and decorating wedding cakes. A friend suggested that she made some for her dolls house and Jan hasn’t stopped since! Jan first discovered the miniature world when she was four. Her father built her a 1:12th scale village in 4| PETITE PROPERTIES
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their back garden, she also had a tea shop with cakes and pastries that she had made herself out of plasticine. Fast forward to the present day and Jan has now been a professional (full time) miniaturist for about twenty five years! Over the years, Jan gradually realised that she spent more and more time making flowers and
The flower lady plants and less time working on other types of miniatures. Like many miniaturists, Jan spends her days working in a shed in the garden, which she confesses; is long overdue for a revamp. Years ago, Jan had a stand next to Petite Properties at a dolls house fair and she was impressed by the variety of houses and furniture that were available in 1:48th scale. The display enticed her to have a go at creating in quarter scale and she quickly found that although she normally uses polymer clay for 1:12th flowers, it was not always a practical medium for 1:48th creations.
“
My favourite flowers are roses and orchids in all scales, always a challenge especially in the small scales. Jan.
”
Jan is a passionate and avid full scale gardener and her love of horticulture really helps with her miniature related research. The first step to making a flower or plant is to find a full scale version of it. Jan then dissects and measures each individual petal! If she is using clay, she mixes a paler shade, then using a selection of cutters of which some are homemade, Jan cuts and shapes petals, before finally assembling the flowers onto wire stems. After baking, colour and leaves are added where needed. Jan also uses paper flowers, cut with punches, then shaped and assembled onto the stems. Jan has found that (unsurprisingly) smaller scale flowers and plants are a bit more of a challenge and sometimes it’s impossible to reproduce a certain flower; so she can be restricted as to what she can create. However, Jan feels that smaller scale designs work well and can really bring a garden setting to life! Recently Jan completed a commission for a 1:48th scale flower shop, which she found very satisfying to work on and create. Although the smaller scales are tricky to work in, Jan confesses that her main challenge is time, as she never seems to have enough hours and finds her brain works quicker than her fingers! Over the years, she has avoided any major disasters, but has often had little eureka moments, when she has stumbled across a better way of making certain flowers and plants.
Jan’s amazing 1:48th scale creations...
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The flower lady In the full size world, Jan’s garden is quite tiny, but despite its diminutive size, it is packed with flowers and plants which are a constant source of inspiration for her work. She also enjoys trips to Chelsea and Hampton Court, where she is inspired to come up with even more ideas for her creations in the miniature world. Commissions welcome! Whilst Jan admits to having to do a certain amount of planning, often when a new idea hits, she tends to drop everything to work on the new idea before it fades! (I can relate to this too! Bea). Luckily for fans of Jan’s work, she does accept commissions, as she really enjoys working on them. You would think that as a professional
miniaturist Jan would enjoy time away from the miniature world... but no! In her spare time she is a keen quarter scale fan and enjoys making up 1:48th scale kits. If you are keen to see Jan’s flowers up close, you’ll be pleased to know that she exhibits her work at Miniatura and Lyndhurst fairs; both of which are held twice a year. Meanwhile, her desk is covered with a commission for a 1:12th scale cherry tree! But Jan has some good news for us smaller scale fans, as she plans to concentrate on more small scale plants and flowers in the future! (Yay! – Bea)
“
I really cannot call what I do for a job or work. I love what I do and until the quality of my work degenerates, I intend to go on forever!”
”
Jan, The Flower Lady...
Business name: The Flower Lady Email: jantheflowerlady@gmail.com Telephone No: 01794 323 158
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1:76
Lnr models by lee robinson
A 1:76 Thatched Farmhouse
When I first saw Lee’s model buildings, I don’t mind admitting that I did a double take... At first glance, I thought they were photos of full scale properties; but evidently not so! The level of detail Lee manages to incorporate into his miniature buildings is aspirational and we were over the moon when he agreed to share his work in this feature. Many of you may not model in the same scale as Lee, but there are certainly elements of his work that will definitely inspire you, whilst also celebrating the level of detail that is achievable in such a tiny scale! Enjoy...
I
’ve been making models for the last 15 years and now specialise in recreating people’s homes in miniature. I came properly to the miniature world through model railways, attempting to make my young children’s train set more interesting. LNR Models came about during lockdown in 2020 when I’d just finished a model railway commission piece and was at a loose end. I’d built a demonstration model for myself and taken an ad hoc picture of me holding it, posting it on twitter with the caption “Would
Lee’s first commission www.petite-properties.com
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Lnr models anyone like a model making of their own house?” I was literally inundated with enquiries the next day. I only had 300 followers, but through the magic of sharing, I’d been seen by plenty of interested people. I literally haven’t stopped since. From little acorns... I’ve been a professional miniaturist since my first paid commission, so 4 years and I am dedicated to creating realism in my work. Like many miniaturists I got ‘kicked out’ of the kitchen, so I moved into the dining room/conservatory and that’s my space now. I work a full time job on top of my model making business, so my working day starts once dinner has been made and sorted. What I do during a typical working evening depends on where I am in a project, but if I’m well underway, I will prepare my desk with all the materials I’m going to need for the session. I also set my camera up and make sure the lights are set and then open up my live stream to record my work in real time. I also have a process I run through, so for my viewers it’s pot luck as to whether they get to see boring cutting out or some more interesting making.
A real house & Lee’s model version...
“
Like many miniaturists I got ‘kicked out’ of the kitchen, so I moved into the dining room/conservatory and that’s my space now. Lee.
”
Dipton Mill Inn in 1:76
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My design and production process begins with studying photographs, Google Earth and customer supplied measurements. I then spend many, many hours manipulating photographs into elevations in Photoshop and then painstakingly creating plans and visuals to start the making process. This is often a hidden process to my builds and one that most people seem to not realise, but this can take anywhere between a couple of hours up to 20 to 25 depending on how complex the building is, or how little information there is to go from. Then I will cut out the elevations, make the windows etc, leaving them to one side until I have hand scribed and painted the stonework. Windows are then next, followed by the roof and then finally planting the model on a base and landscaping. There’s much, much more to it than that, but that’s it in a nutshell.
Mini disasters & eureka moments..! I find making my models look exactly like the subject is the most challenging aspect of what I do. I want to make them look like mini recreations, not a model if that makes sense? I once had a mini disaster when a model was almost complete. I was just adding a little finishing touch to the paved area by the side of some patio doors and was speeding up the drying process with a hair drier…I promptly melted the patio doors and had to cut out them out and replace. You’d never know in the end, but I gave myself an extra 3 or 4 hours work… A modern build...
My most favourite creation is always the most recent one. I’ve just finished a diorama of a wonderful thatched farmhouse in Devon, and undertook a 14 hour round trip to hand deliver it. So at the moment; that’s my favourite! I particularly love working on stone buildings as they’re just so full of character. I suppose the models I least like building are the ones that I underestimated… the ones I didn’t think would need as much time as they do; but that still doesn’t stop me putting 100% in to them.
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Lnr models On the flip side I also have eureka moments all the time! Even after 15 years of model making, I can be working on something, like adding mortar to a stone wall and think “well why didn’t I think of that sooner!” Working on a live stream can sometimes be really rewarding, because people will offer a solution to something that you might not have thought obvious before. Many other miniature makers inspire me, but also looking around at the world around you. I’m constantly looking at architecture and wondering how I’d make a particular feature in miniature. I am a bit of an over thinker too and I leapt out of bed at 3am and went back down to my computer to redraw an elevation that wasn’t matching up. The commission process... When I am undertaking a commission, I ask for a few photographs to estimate the scope of the project and usually an address to look up on Google Earth. Once I’ve assessed the scope, I’ll take into account the materials and time necessary and give a price. If the price is acceptable, I’ll ask for a deposit and then give an estimated schedule. I have a waiting list, so I give my customers notice of where they are and when I expect to start.
Victorian stone elegance in 1:76
They are informed when their project is about to start and then, subject to approval, work is shared on social media of the process. If it’s a private job, then work is shared with the customer only. Currently I have a waiting list of about 6 months for commissions at the moment, but from start to finish a commission can take between 50 to 100 plus hours, which equates to around 4-6 weeks on average.
“
On my desk right now is a 1:50 scale recreation of a 500 year old French Chateau, which is slowly taking shape... Lee
”
Lee promotes his work through X (Twitter), Instagram & TikTok... And from there, people find his website. Lee also has a YouTube channel, through which he showcases his work & also shares his tips and tutorials too!
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Lnr models Sadly I’ve no room to collect any miniatures myself, but I am fascinated with other miniaturists work and I have a small collection of other random pieces on my workbench. I would love to attend some modelling shows as an exhibitor, but as all my work is bespoke, I don’t really have anything physical to show once it’s gone to the customer. However, I’d love to develop into more Another stunning model by Lee in 1:76 saleable products and branch out into making model kits for the hobbyist. A lot of people enjoy watching what I do, but they don’t feel confident to have a go themselves; so I’d like to help give them an entry point. Business name: LNR Models Ultimately what I love most about my work Email: lee@lnrmodels.co.uk is seeing my customer’s joy when they see Website: www.lnrmodels.co.uk their property in miniature. And through Etsy: www.etsy.com/uk/shop/LNRModels my live streaming, I enjoy the joy it also Facebook: www.facebook.com/LNRModel brings to people just watching me make my Instagram: www.instagram.com/lnr_models creations and sharing my creative journey. X (Twitter): www.x.com/lnr_models Photo credits: Lee Robinson
Lee
PETITE PROPERTIES Modelling Community Founded in 2019, our PP Facebook group (PPMC) was created as an online forum, where our customers can come together and share their Petite Properties’ creations, get advice and ultimately... be inspired! It is also a platform where the PP Team are able to assist our customers and also share news and announcements too. Membership of our Facebook community is open to
SMALLER SCALE enthusiasts working in any of the following scales: 1:24, 1:48, 1:144 & 1:43.5, 1:76, 1:148.
We now have over 3000 members, spread all over the world. To celebrate this vast pool of talent and knowledge, we will be regularly featuring many PPMC members and the smaller scale miniatures that they create, in future issues of this brand new magazine! So, if you would like to join in the fun, simply head to the link below... We look forward to welcoming you aboard!
The PP Team
www.facebook.com/groups/petiteproperties www.petite-properties.com
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Sarah harper
Potty Above: 1:24 dresser by Jane Harrop & pots by Potty Harper...
SARAH HARPER
I
started producing miniature pots just last September, so I'm quite a new 'miniaturist'. But I began my miniature journey about 30 years ago, when I bought the plans to build a dolls house. My dad cut out the pieces and I put it together, but that's as far as I got. I had three young children and just couldn't afford to decorate it at the time, so it was put to one side and I hate to say; forgotten about. Fast forward about 25 years and I began working again on the house. I came across tutorials on the internet showing how to make wooden furniture and I fairly successfully made a few pieces for the kitchen. Last September, I saw a video of someone making a miniature vase on a tiny potter’s wheel and it looked a lot of fun, so I purchased one and had a go. It wasn't as easy as it looked and I spent a fair amount of time just making a lot of mess, working through all types of clay until I finally cracked it. I'd struggled to find the kinds of pots that I had all around my home in miniature, so I began making them for myself. I found potting really relaxing, almost therapeutic and before I knew it I had dozens of mini pots. I contacted Andy Hopwood of Miniatura to ask his opinion on whether my pots might be something that others would be interested in for their own dolls houses and he encouraged me to start selling. 12 | PETITE PROPERTIES
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Although I started in 1:12 scale, I really love the challenge of the smaller scales, so I now also produce 1:24 and I am trying out 1:48 too. I was a visitor to Kensington Dolls House Festival a few years ago and saw the work of Robert Crouch. I was blown away by just how much detail can be found in these tiny houses.
“
When making super tiny pots, the main two things you need are a steady hand & a lot of patience... preferably at the same time! Sarah.
”
Sarah harper The creative process... Research for my work comes from all around me and my house is full of the full size versions of the small pots that I produce. When I met my husband, he was a collector of antique bottles and pots and so I am surrounded by inspiration and ideas. I use a wheel to make all of my pots and I don't like to use molds at all, which means every pot is different. Once the pot is formed it's taken off the wheel and left to dry. After a day or so the pots have their first firing, when the pots are cold they can be glazed, left to dry and then fired again. It usually takes about a week for the whole process, although I usually get around fifty pots done together. My favourite pots to make are the two tone preserve pots, as they come in such a huge variety of sizes and are great for holding utensils or flowers.
Although currently I mainly produce 1:12 and 1:24, I would like to try to perfect the 1:48 using a wheel, it's a challenge but I'll keep at it. I currently sell on Etsy and exhibit at Miniatura and York Dolls House Fair. I will also be exhibiting at Kensington Dollshouse Festival’s Christmas show too.
Sarah
Business Name: Potty Harper Website: www.pottyharper.co.uk Etsy: www.pottyharper.etsy.com Instagram: @potty_harper
Below: Sarah’s quarter scale pots...
Above: (Left) A 1:24 dresser by Jane Harrop & (right) a 1:48 dresser by Petite Properties...
Sarah’s full size collection of pots & bottles... www.petite-properties.com
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The interior of Teresa’s Washtub Cottage
Inspirational Teresa azzinnaro
1:24 - Washtub Cottage 14 | PETITE PROPERTIES
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Back in 2007, I wrote a mini series of project books which show how to create and fill 1:24th scale interiors. Each of the three books that make up the series feature various room settings within a country cottage dolls house. Over the last seventeen years, many thousands of copies of The Country Kitchen, Country Sitting Room and Country Bedrooms have been sold all around the world and they are still being referred to and used by half scale fans to this day! Needless to say it was a wonderful surprise when Teresa Azzinnaro, from the U.S, recently shared her photos of the interior of her 1:24th scale cottage on the Petite Properties’ Modelling Forum… and I was even more delighted when she agreed to allow me to Feature her cottage here in issue 2!
Teresa azzinnaro
I
have been a miniaturist most of my life. I turned became almost like the other parents to help our sixty this year and find myself retired after an new granddaughters. But now I’m back to miniatures injury. It initially was difficult to transition to having in my retirement. I love this scale as I enjoy the so much time to myself. I have worked all my life as a detail and the smaller size. It is more manageable nurse, working with the mentally ill and enjoyed my space wise and I have always been drawn to cottage patients and co-workers who have become lifelong themed genre. Now I work several days a week on friends. Miniatures have been a great therapy and miniatures and so I have been able to complete old way to adjust to retirement. I started working and projects in other scales and also complete my first collecting miniatures since I was probably 6 or 7 years (but not last) 1:24th scale house. old. I had a grandmother; Arta Grow, who as a source of income as my grandfather was disabled, collected and dressed antique dolls. I spent a lot of time in my Washtub Cottage was my first childhood with her and created beside her as she was attempt at half scale and I felt that it a great teacher. I remember when she had found a was not too overwhelming. The vintage dollhouse and furniture at a garage sale and cottage also lent itself to be customized that was the beginning for both of us into the as much as I wanted. And of course it miniature world. We belonged to a doll club and at felt like a cozy place to live, the type of one point I had a dollhouse that my dad built and I place I would love to live... if I could! furnished at a doll show in Spokane, WA. I must have Teresa. been about 10 years old at that time. I have worked on miniatures off and on since then. As always life, kids, work had put miniatures on pause. I have always come back to them and they have always been a creative outlet for me. A country kitchen in 1:24... Over the years, I have worked mainly in 1 inch scale and 1:48 scale, as it was more accessible. I was unaware of 1:24 scale until I remember going to a miniature show in Seattle, when I and my family, stumbled upon the scale when we were on a trip. That opened up a whole new world. I remember seeing a 1:24 scale vendor and was intrigued, but at the time there were not many resources for that scale (before the internet). However, it planted a seed in my mind and always thought I wanted to try that scale. Now, at sixty, I have completed my first 1:24 scale house!
“
”
I don’t remember exactly, but I discovered Petite Properties about 10 years ago by Googling online. I bought all the books and a 1:48 scale kit. I started making all the 1:24th scale furniture from the books and loved it. I knew at some point I wanted to build a house and so bought their Washtub Cottage kit. I then went on hiatus from miniatures, as my daughter adopted twin girls from foster care as a single woman and my husband and I www.petite-properties.com
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Teresa azzinnaro I rarely pre-plan a project. Instead, I have a general idea and things often evolve differently when I get started. With Washtub Cottage I had a fairly clear image from the start, but the details did evolve; especially the lightning. I have also had to be more creative and made my first lamp from pieces and bits I had lying around. However, I then discovered Evan Designs* and that really helped me. The inspiration for this half scale project came mainly from my imagination and was inspired by the kind of full size cottage that I would love to live in. Most of the inspiration for the interior came from the Petite Properties’ books and the furniture I had completed years ago needed a suitable cottage to showcase them in. I also had purchased a Bespaq upholstered couch and chairs years ago and wanted to use this in the cottage as well.
My Washtub Cottage is lit and I have used odds and ends of lighting that I have collected over the years. Now I have bought some products from Evan Designs* and I am really impressed with their products and tutorials. Especially since I have not electrified many miniatures before. During the build process of my cottage, I had to switch the outer walls so that the window placement was more suitable for the internal furniture placement that I had in my mind. I love pale soothing colours and so I used this kind of colour palette to create old, worn and comfy interiors. Sweet dreams...
Teresa’s back story for her cottage... This is where I would want to retire; a cottage in the country, surrounded by beautiful landscapes…
Plenty of character in the sitting room...
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Foam embossed panel...
A cosy cottage bedroom...
Teresa’s Top Tip Take your time and let everything dry fully before moving on to next step. I get inpatient at times and want to keep moving along and that has not always served me well, as I end up having to redo or start over! With my cottage now complete, I am really pleased with how it turned out. I have also been enjoying the online Petite Properties group and the inspiration others provide, which helps to keep me motivated to finish what I have started. Although I have a craft room where I have many of my miniatures displayed on shelves, I am so pleased with my cottage, it will be displayed in my living room on a bookcase!
UT SOLD O
Teresa
For further information about *Evans Lights, see their advert on page 100 If you would like to follow in Teresa’s footsteps and join the fun and smaller scale inspiration at Petite Properties Modelling Community on Facebook, simply head to: www.facebook.com/groups/ petiteproperties
Teresa used this collection of project books written by Bea, to help her with the interior of her Washtub Cottage. Limited numbers of Country Sitting Rooms and Country Bedrooms are available via PP’s online shop.
Bringing 1:24th to life... www.petitepropertiesltd.com www.petite-properties.com
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elegance
Belton House has long been our family’s favourite weekend destination. It’s close proximity and beautiful setting draws us back again and again. From summer picnics, to Easter egg hunts and festive Christmas illuminations, we visit this popular National Trust estate throughout the year. Putting the beautiful house to one side, it is the grounds that I find particularly inspiring. During a fun Mother’s Day visit with my daughters earlier in the year; out came the sketch book and tape measure and a brand new project was born!...
Belton House’s Orangery, Lincolnshire...
T
o date, Belton House in Lincolnshire has inspired many PP creations. The house itself is a notably handsome Georgian country house and its beautiful grounds and gardens can be enjoyed all year round. Back in March, I had the beginning of an idea to design an Orangery and Parterre garden and a visit with my daughters to celebrate Mother’s day together enabled me the opportunity to do the 18 | PETITE PROPERTIES
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research I needed to get my new quarter scale diorama project off the ground! Those of you who know me well, will already know that I don’t really do (or like to do) exact copies of full scale buildings. Instead, I prefer to blend together various architectural elements to create something completely new. Wandering around the out buildings of the main house, I noticed a fabulous
Cover story
PP’s brand new 1:48 Orangery kit will be exclusively launched at the 100th Miniatura Show! Dutch gable, which when blended with the overall style and internal foot print of Belton’s elegant Orangery, made for an excellent starting point for my new design.
Beautiful inside & out!
Beautiful Dutch gables at Belton House directly The interior of Belton House’s Georgian Orangery is as inspired Bea’s 1:48 Orangery design... elegant as the exterior. The large lofty room is topped with a row of skylights and a small fish pond gurgles away in the centre of the room. The Orangery is Inside the full size Orangery the pond filled with palms and other (complete with statue) is such a relaxing exotic flowers, whilst ornate statues are space... dotted tastefully here and there.
One of Bea’s many research photos of the Orangery’s roof
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Cover story parterre noun: parterre; plural noun: parterres a level space in a garden occupied by an ornamental arrangement of flower beds & paths As the design for the Orangery and Parterre began to take form, other important details also fell into place too. Mo and I worked closely together to compile an affordable collection of suitable quarter scale urns, plinths and a statue that would all be featured both inside the Orangery and also used to create natural focal points within the Parterre Garden itself. During this development process, we weren’t happy with a grey base colour for the new 3D resin accessories, so Mo decided to instead print in a new colour; a natural stone finish. This change of colour not only better suited the overall style of the formal garden, but also made painting and finishing the resin garden items super simple and quick! (See page 31.) Following my inspiration from the full scale Orangery, I was keen to include an ornamental fish pond within the new model. This internal feature required adaptations to be incorporated to both the Orangery structure and the base kit too. To create the illusion of water, I used a small piece of acetate and sponged on a little PVA to create some subtle surface texture. Using a hole-punch I cut some circular pieces of green tissue paper to form the lily pads, which were stuck into position onto the rippled surface of the acetate.
The goldfish, or rather the illusion of goldfish, were created using tiny off cuts of yellow and orange tissue paper, stuck to the ends of super fine, green florist wire. The opposite ends of the wire were stuck into some florist oasis, hidden in the base, directly underneath the aperture for the pond. A few of PP’s landscaping strands were added to hide the wires and add some weeds. When all the elements were put together; a realistic little fishpond emerged! Standing back and taking in the final quarter scale diorama, I am thrilled with how it turned out. My collaboration with Jan Southerton and her stunning floral creations, added the amazing finishing details. Working with Mo enabled the development of additional 3D printed accessories, (now added to the PP range), made this brand new PP kit so much fun to work on; from beginning to end! Does the Orangery look familiar? If you are a fan of Netflix period dramas, then you may have spotted Belton House’s Orangery on the small screen... The Orangery was recently featured in a Bridgerton spin off series - Queen Charlotte; A Bridgerton Story, where Belton House doubled as the main filming location for King George’s residence, with many scenes filmed within the Orangery itself! Belton House & Orangery are in the care of the National Trust & further information about this very special country house can be found of their website...
www.nationaltrust.org.uk
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Collaboration ~ Collaboration ~ Collaboration ~ Collaboration ~ Collaboration ~ Collaboration
A little help from my talented friend! Jan made a stunning array of suitable container plants for both the Parterre and the interior of the Orangery...
It’s all coming up roses! One of the huge plus points of designing and working on an Orangery and Parterre garden, was that it provided me with the opportunity to work collaboratively with the talented flower maker; Jan Southerton. As you will already have seen previously in this magazine (page 4), Jan’s blooms are truly exceptional and incredibly detailed too! After a few hastily snatched discussions at the Spring Miniatura, Jan and I came up with a plan... Minion Mo sent her a selection of PP’s new 3D printed garden urns and also a Rose Walk kit and trellises too. Then we waited for Jan to wave her magic wand and ‘hey presto’ ...a little cardboard box of secretness arrived swiftly in the post! I really do wish that Jan had been present in person when we opened her parcel; stunned silence was quickly followed by so many ‘Oooos and ahhhs!’
Jan’s quarter scale plants and flowers were the PERFECT finishing touch for our new Parterre Garden Base. The roses are my absolute favourite, whilst Mo was completely taken by the orange trees; complete with tiny fruit! Everything detailed and precisely scaled to perfection... So finally, our huge thanks to Jan for adding a generous dollop of miniature horticultural magic to our very latest 1:48 garden scene!
Business name: The Flower Lady Email: jantheflowerlady@gmail.com
Perfection in quarter scale!
Jan’s plants & flowers were the perfect finishing touch! www.petite-properties.com
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Stone wall Project - 1:48
the PARTERRE Stone wall project Quarter Scale
Recreating realistic boundary walls in a walled garden in the smaller scales, can be as simple or as detailed as you want. I created stone walls for my quarter scale Parterre, by scribing into dried Decorators Filler. Alternatively, you could of course use brick or stone printed papers, which are readily available online. It really is up to you!
Paint
materials
Soot Ash (Dark grey) Dirty Stone Mortar (Cement colour) Dirty Stone (Mid stone) Top of the milk (Ivory) Mucky Paint (Dark brown)
Interior decorators filler (in powdered form) PVA Adhesive Dark brown eye shadow* Dark grey eye shadow* Green eye shadow* (*Optional)
tools Scribe tool (or anything with a fine pointed end) Butter knife Plastic cup 22 | PETITE PROPERTIES
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Clear plastic ruler (30cm/12”) Assorted paint brushes Assorted sponges
Stone wall Project - 1:48
Scribed stonework This scribing technique is one that I use most regularly on the miniatures which I create. It is not the quickest technique, but to my mind it is probably the most effective and versatile AND it doesn’t cost the earth! For me that is a definite win-win! Working with interior decorators filler is not the easiest medium, but adhering to the three P’s - preparation, practice and patience, you will quickly be able to create many different realistic surface finishes. So to explain all about the technique and the material it uses; let’s start at the very beginning...
What is Decorator’s Filler?
Decorator’s Filler is a powdered plaster based product which, when mixed with cold water, forms a firm paste. The paste is then used to fill cracks and holes in interior plasterwork (walls & ceilings) of full size houses. You can readily find interior decorator’s filler at DIY stores or in the DIY section. It is also available to order online. NOTE: In the U.S. decorator’s filler is also known as ‘Spackle’
What type of Decorator’s Filler should i use? First of all you need an interior decorator’s filler, NOT an exterior filler. The decorator’s filler that I prefer to use comes in powdered form, which is then mixed thoroughly with cold water; but some fillers on the market are pre-mixed and come as paste. I personally do not use or recommend ready mixed products, as I have found that the consistency is not as refined and can be too coarse and granular. Another recommendation is to avoid buying a branded filler. So for example (in the UK), avoid Poly Filler. This is because branded fillers are premium products and as such they do what they should do and set like concrete! This is a trait that you don’t want, as you need to be able to scribe easily into the surface, when the product has set. For this reason, I personally buy the cheapest (own brand) of decorators filler that I can find and if you are trying out this technique, I highly recommend that you do the same!
Preparation.. But before we even open the box of filler, lets first take a moment to prepare the surface that we wish to apply the finish to! The main structure of PP’s 1:48 model buildings and base kits is always MDF. This is because MDF is an amazingly versatile and strong medium, which can be easily sourced in a wide variety of thicknesses; which make it an ideal modeller’s base medium. Decorators filler can not be applied straight onto the MDF, as when dry, it would simply fall off as there is nothing to adhere it to the surface. This is why the surface must first be primed with PVA adhesive. A quick side note - Whenever I refer to PVA adhesive, I do not mean craft varieties of the glue. Instead, I mean a builder’s bond PVA, which is stronger and stickier than craft glue and can be readily found in DIY stores. (See Back To Basics - page 22, in issue 1 for further information on this subject) To prime the MDF, liberally and thoroughly apply PVA onto the surface, then leave to dry completely. Apply two coats of PVA onto any edges or joints and again leave to dry.
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Stone wall Project - 1:48
Mixing the filler.. How much filler you mix at a time, is really up to you and will of course depend on the size and area you plan to cover. I use plastic pint glasses and tend to half fill with powdered filler then add the cold water. I use an old trusty butter knife to both mix and apply the filler paste.
Practice.. Mixing the correct stiff consistency is something that really has to be learnt by trial and error. You need to add enough water to make a stiff paste that isn’t powdery, but not too much that the filler becomes sloppy. For this reason I strongly recommend that you find some off cuts of MDF / flat wood, prime them and then practice mixing and applying the filler to the surface. Only when you feel confident, make a start on the finish of your actual kit! Evenly spread the mixed filler onto the surface of the MDF; approximately 2 to 3mm thick.
1
Patience.. Now here is where the patience part of the technique kicks in! Do not be tempted to speed dry your filler... So don’t put it in the sun, on a radiator or even in an airing cupboard. Simply leave it in a room temperature environment and allow it to dry out slowly and completely. If you begin to attempt to scribe the filler when it is still damp, it will crumble and fall away from the surface... So remember, be patient and let it dry!
Scribing the stonework ‘Scribing’ simply means to etch into the surface of the dry filler using a pointed tool. This creates an indentation in the filler which resembles the mortar joints of stonework. You can use pretty much anything that is comfortable to hold in your hand and has a pointed end. The finer the point, the more delicate the mortar lines will be. You can either scribe your stonework freehand or create coursed stonework using a clear plastic ruler (so that you can see if your course lines are wonky!) I use a soft bristle brush to remove any dust or plaster debris as I scribe. If you are nervous about scribing free hand, simply draw stone blocks onto the dry filler with a sharpened pencil. Then if you are happy with the arrangement, trace over the lines with your scribe tool. 24 | PETITE PROPERTIES
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After priming the walls of my parterre, I evenly applied decorator’s filler onto the surface. When dry, I drew the layout for the edging stones directly onto the dry plaster. It is important NOT to apply the filler to areas where parts of the kit touch during construction.
2 I used a clear plastic ruler and a homemade scribe tool to score irregular horizontal lines into the surface of the plaster. Then I added irregular vertical lines to create the individual stone blocks.
Stone Wall Project - 1:48
3
Painting scribed stonework is incredibly simple; the hardest thing about it is being patient and waiting for each paint application to dry completely, before applying the next. Starting with the base coat, this becomes the mortar colour that shows in the scribed grooves between each stone. Working the paint well into each groove, I first liberally apply Dirty Stone Mortar* to the stone wall. Whilst the mortar paint was still wet, I splodged on Soot Ash* To the areas of the wall that would have the most build up of dirt in the full scale world. Leave to dry completely!
4 Using a cosmetic sponge paint the surface with Dirty stone*. Do not overload the sponge with paint, as this will cause the paint to bleed into the mortar lines between the stones. It is better to apply several light coats, rather that one heavy coat. Once again, leave to dry completely...
5 To finish the stone effect, apply a little dark brown and green eye shadow, again to the areas that would have the most dampness and dirt. I used a small sponge applicator to apply the eye shadow and then blended it with my fingertip.
*Petite Properties Paint Range
Dirty Stone Mortar*
Soot Ash*
Dirty Stone*
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Build it and they will come...
I
’m Phil and 69 years ago dad bought me a treadle fretsaw for my 8th birthday. It kick started a love of modelling and craft work that’s lasted all my life. About 30 years ago, interest in building 12th scale dollhouse began and for the last 5 years I’ve been modelling in 1:48th scale to challenge myself a bit more and to be able to build projects that required less room to store or display. Inspired by a scratch built cottage a few years back somewhere on the Internet, I pencilled it into my to-do list to build a version as a diorama. I wanted to see if I could replicate a building as accurately as 26 | PETITE PROPERTIES
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Philip thompson possible from a picture using kit bashed Petite Properties kits. If successful it meant it would open up many more ideas for future projects such as modelling buildings I have pictures of from my childhood. For garden inspiration, I searched pictures of French cottage landscapes and found some adverts for French Gîtes set in just the sorts of gardens I had imagined. So, I had the building and the surroundings pretty much set in my mind before starting. For the first time, I had the use of a filament 3D printer (a Christmas gift). This was put to good use making stone walls, terracotta pots, a fish pond and
even a battered Citroën 2CV to be seen peeking out of the garage. Also, I printed a texture roller to emboss in clay, a rough paved area around the cottage. My thanks go to the talented folk who give their 3D designs freely on the internet. It had to be done in 1:48th scale due to constraints on shelf space, plus I already had some experience of kit bashing the Petite Properties 1:48th scale Daffodil Cottage. This project would take two of said cottages kit bashed and joined together to achieve the final building.
The modified cottages were joined together at different heights to fit the design. I chose to apply filler to the pre primed outer surfaces and to do a little carving to simulate worn plaster on stone. Some stone steps gave access to the cottage door from the yard.
“
An interesting and satisfying build, which turned out as I had first envisaged. Quite a step away from my normal modelling and not a blade of static grass in sight. I love to look at it every day; colourful sunny and cheerful… Philip.
“
Modifications to the original Daffodil Cottage kits involved lowering the pitch of the roofs and making a complete new front to cover both buildings out of 2mm MDF. I was able to use the door and windows from the kits as needed. Cutting out the door and window placements was an easy task with a sharp scalpel.
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I was and am still pleased with the outcome, but next time would use a different glue e.g. UHU. The chimney from the kit was modified to a type more suited to the buildings style. The base is an off cut of 9mm plywood some 325*255mm in size. This meant the project would just fit the last remaining space on my display shelf. The surface was primed with PVA wood glue with a layer of DAS clay 3mm thick rolled on top where it was needed. My 3D printed texture roller made quick work of imprinting a rough paving texture into the clay around the cottage, yard and driveway. The garage was a vital part so care was given to fashioning a pair of heavy old doors which when left ajar, displayed the 2CV inside. Having decided earlier not to have an opening cottage, I glued in a few items of furniture before sealing it shut. This works well as the viewer can peek through the windows and see detail adding to the realism. The effect is enhanced by having lights fitted into each room. The cottage roof was another prominent part and I wanted something to simulate pan-tiles. I bought a card punch with the correct shape and scale and started the rather tedious job of punching out a large number of tiles. Each tile was then pressed against a cocktail stick to give it the characteristic curved shape. Very slowly, each roof segment was filled with tiles stuck on with PVA glue. This caused a problem as the glue wetted the card tiles and they sank and slowly lost a lot of their curve during drying.
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3D printing the stone wall to almost surround the diorama, whilst leaving an entrance to the drive was a great success and really enhanced the overall look. The printer also made a round ornate fish pond into which I put plants and a few Fimo Koi Carp topped off with a layer of resin “water”. Whilst the printer was warm, I made a garden pergola and a collection of terracotta pots.
I made an interpretation of an old olive tree using the twisted wire technique and three pine trees using rubberised horse hair on wooden skewers. The planting was done using about a third of bought plants and two thirds of homemade flowers/plants etc. The wisteria type plant on the front wall of the cottage is a piece of twig snipped from my garden and dried. An addition of some lovely items from the Petite Properties 1:48th range added to the Mediterranean look and finally, I made some bread and cheeses from Fimo presented out under the pergola to provide a welcome lunch for the arrival of my first guests to the Gîte… An interesting and satisfying build which turned out as I had first envisaged. Quite a step away from my normal modelling and not a blade of static grass in sight. I love to look at it every day; colourful sunny and cheerful…
Philip
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A-door-able doors
A-DOOR-ABLE
doors
Blue doors & Human rulers
If there is one thing that the response to issue 1 of our new magazine taught me; it is that I am NOT alone in my love of doors! ...And it seems that my dear hubby Tony is not the only partner who is repeatedly made to a human scale ruler. From France to North Wales, here’s just a few of the door photos that have both inspired me and made me smile!
Martell, Dordogne France. Avril Burdett (& Hubby)
Portmeirion Gwynedd, North Wales Lin Douglas (& Hubby)
St.Edward’s Church Dorset Mr B (again!)
This is a stunning door and I particularly love the studwork and the colour too...
My first thoughts when seeing this photo was that either Lin’s husband was very tall or this door is very small?
…And finally, this tiny door at St.Edward’s Church makes, Tony look like a giant. But as he stands at 5ft 9” (1.75m) it shows how truly small the door actually is!
“The door has a knocker near the top, could this be for the horse mounted postman so he doesn’t have to dismount?” Avril. Avril’s Hubby is 5ft 11” or 1.8 metres
Apparently he is 6ft (1.83m), but if the door sign is to be believed; the fire engine housed here must be a miniature!?
I particularly love the carved Purbeck stone lintel which crowns the top of this old door and the ghost arched lintel that rises above it.
Love doors too? Then why not join in the fun? We would love you to get on board and send us your door images. They can be from anywhere in the world and feature a human scale ruler, or not; it is completely up to you! All we need is a little bit of information about the door in your photo and if you do include a human ruler in your photograph, please let us know how tall they are too. Send your images and information to – Adoorable Doors - ppmag@petitepropertiesltd.com 30 | PETITE PROPERTIES
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Weathered
STONEWORK I’m not sure this really is a ‘quick make’? I think it’s more of a ‘quick technique’! Although even that sounds very grand for what is essentially a messy paint activity. But by getting your hands and fingers dirty, it creates the perfect weathered finish on stone coloured printed statues, urns and fountains. So have some hot water ready to wash your hands... and lets get started!
1 For this simple paint technique there is no need to prime the PP resin miniature that you are painting. It is up to you whether you remove any supports before, or after painting. Right: PP’s 1:48 Ornate Fountain in stone.
2 I used a mix of inexpensive dark brown and medium grey acrylic paint, blended together. It is important to use acrylic paint with a matt finish or the eye shadow applied later will not adhere to the fountain. Apply the paint all over the fountain using a water colour paint brush.
Work the paint into all the grooves and crevices. Whilst the paint is still wet, rub the fountain in your hands and between your fingers. This will remove some of the paint from the surface. If required, you can also use a small piece of tissue or a cotton bud to reach into the basins of the fountain. Then set aside to dry completely (and go wash your hands!)
This elegant full size statue can be found over looking the pond inside the Orangery at Belton House...
3d printed accessories* (Used in our Parterre garden) Ornate fountain & garden statue Pair of large ornamental urns Pair of large lidded urns Small lidded urns (set of 4) Large tapered plinth x2
tools Water colour paint brush Piece of tissue / cotton bud
Paint (Matt finish) Dark brown acrylic paint Medium grey acrylic paint
This paint technique could also be used in 1:24 too!
3 (Optional) The final finishing touch for this paint technique is also a super simple one - eye shadow... Green eye shadow to be specific; with lime green being ideal! Sparsely rub the eye shadow over the fountain using a sponge eye shadow applicator. www.petite-properties.com
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Jennifer maddox
light Jennifer maddox Above: Bluebell Cottage on base lit with 1:48 scale lights
F
ollowing on from my introduction to lighting in the first Petite Properties magazine, we will now start looking at specific lighting scenarios. The first kits I started producing were for lighting 1:48th or quarter scale houses. It came about from a conversation with other miniaturists who couldn’t find suitable lighting kits and were also scared about trying to light such small miniatures. For people producing incredibly detailed models it was upsetting that they felt they couldn’t undertake lighting, when it didn’t need to be scary or complicated. My mission was started: produce a simple, beginner friendly ‘plug and play’ kit and educate people that they could “do lighting!” The kits went through an evolution where I found more suitable LEDs and tweaked the design to better suit the kits. I was invited to teach at a few miniature clubs, and I was delighted by the responses. Lighting really adds realism and allows you to see all the intricate details in each room. Great examples are kits with stained glass windows. You can see all the colourful details when they are lit up. So, how do we light a 1:48th scale kit? With so many different designs of 1:48th buildings now available it can be daunting to know where to start, but the principles are always the same. You have two options for lighting. The easiest is concealed lights where your aim is to light the room but not have 32 | PETITE PROPERTIES
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the complication of light fixtures. Here the LEDs are simply taped to the ceiling and because they are so tiny they are basically invisible.
LED fixed in place with Magic Tape
The second option is to make light fixtures such as wall lights, table lamps or ceiling lights to add realism. In 1:48th scale this usually means using small semitransparent or glass like beads for the light to shine through. The easiest kits to light are traditional buildings. A shell with a fixed half roof at the back and a lift away front panel. Here we can run the wires up the back of the model with a small hole drilled just under the ceiling/floor piece to run the lights into the middle of each room, with the upper floor LEDs fixed to the rear roof panel before it is glued in place. Wires can be taped at the back (see top tips) for neatness and then any exterior finish applied over the top. We then have the 360 degree models, and with these it’s usually possible to hide wiring on the exterior frontage by running it up the side of a chimney breast etc. Wires can be taped down with Magic Tape (writable tape) and then exterior finishes applied over
Jennifer maddox the top to hide the wiring. For cottages with fully removable roofs the LEDs can be used as wall lights or fed into beads as table lamps. Bases make lighting a bit easier because the battery box and resistors can be hidden away underneath. Alternative wiring methods If you want to hide your wiring like in larger scale models, a Lino cutter is a great little tool. Small sets are readily available with different sized cutters and these can be used to cut a channel into MDF to hide the wires. I used one for one of my projects and found the cutter went through the MDF like butter and it was easy to cut a line along a pencil mark. It just took 2 or 3 passes to be deep enough. It’s much easier than using a Dremel or a Stanley knife. Above: Cutting grooves Once the wires are laid into with a lino cutter tool the grooves, cover with magic tape for a smooth finish.
Top Tips Covering wiring... Use Magic Tape / Invisible Tape to fix down wiring. This is writable tape designed for crafts, but is perfect for the thin wires on the nano LEDs in the lighting kits. The tape is incredibly thin so when pressed/smoothed down well it disappears into the surface it’s applied to. You can use it on top of bare MDF or a painted surface. If the surface is smooth, it will stick. Because you can write on it, it takes paint very well and because it’s super thin the wires blend into the surface much better than any other tape. Magic Tape also doesn’t go sticky like masking tape and doesn’t dry out. I’ve had magic tape on projects for years now and it still looks the same as day one. I usually measure a length to suit the wire I am installing, cut the tape in half lengthways and then while holding the LED wire in place, place the tape over the wire at one end and then smooth it down gradually, keeping the wire in the middle of the tape as you go. For ceiling lights I measure out the length of tape required, cut in half as before and then place the tape over the LED wire just below the LED, making sure the LED is facing down (into the room) and the wire is stuck in the middle of the tape. The tape should be sticky side up! I then place the tape onto the ceiling panel, so the LED is roughly in the middle and smooth down the tape. You can then paint, wallpaper or cover with external surfaces or landscaping as required.
LED wires placed in grooves
Battery Boxes Battery boxes are the largest and most awkward element of the kits. I’m often asked if a coin cell battery can be used rather than the larger AAA Alkaline batteries and sometimes, they can be, but usually for the best results you need the bigger batteries. As a rule of thumb and after a lot of testing, a 3v coin cell will power up to 5 LEDs of the same colour. More than this and I found that the LEDs are dimmer and the battery doesn’t last very long.
Magic tape covering wiring & painted on St Thomas Church roof
Coin cells are just not designed to power high demand LEDs and have only a few milliamps of capacity. While they will do the job for a while I only recommend them where space is so limited it’s the only option.
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Jennifer maddox Coin cells also don’t cope well with LEDs of different forward voltages (the amount of voltage required for the LED to light up). Without getting too complicated, if you mix white and red, once the battery starts to deplete, only the red LED will light up because the red LED requires less voltage. The white LEDs will be unlit. With AAA batteries there is enough juice in them to overcome this problem which is why I only use AAA batteries with 1:48th lighting kits. Miniaturists are always creative and you will probably find more ways to hide a battery box than I can describe here but as a few ideas, the simplest is just to hide it behind the model. More creative ideas include: • Making a shed or log pile etc to hide the box • Using a base/plinth to hide the box and extra wiring (See Bluebell Cottage on page 32) Covering the box with vegetation/landscaping
St Thomas’ Church by Christina Stockdale (1:48)
Next article: Realistic fire effects... If you have a particular lighting scenario you are struggling with, or a model type you would like to see featured please get in touch with me or Bea and I will do my best to cover it in a future article.
materials (just make sure you can still change the batteries!) Other smaller scale buildings The lighting kits and all these tips and techniques are equally applicable to most of the other smaller building scales such as 1:76th (OO gauge) and 1:43.5 (O gauge). For 1:144th scale, the buildings are so tiny that it does make it trickier to hide the battery and resistors, so a base is essential for a neat result.
Jennifer
Business name: Small Scale Lights Online shop: www.smallscalelights.co.uk Blog: www.smallscalelights.co.uk/blog Facebook: www.facebook.com/smallscalelights
Photo credits: St Thomas Church – Christina Stockdale La Maison De Ville – Karen Cheney All others images by Jennifer Maddox
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La Maison De Ville by Karen Cheney (1:48)
Miniaturist
of the
Sylvie nicolet
Sylvie lives in Loir et Cher in France and is an active and key member of Petite Properties’ Modelling Community. A talented miniaturist in her own right, Sylvie is always keen to share her work, through which she readily helps others when they have questions or need advice. However, Sylvie is very modest about her creations, which are beautifully and creatively conceived, made and finished. We are delighted to be able to share Sylvie’s stunning work with www.petite-properties.com PROPERTIES | 41 you and we hope that you enjoy her fabulous smaller scale creations as much as PETITE we do!
Sylvie nicolet
A
In 2015, the day I discovered the Petite Properties’ website and Pumpkin Cottage in 1:48. Like many other miniaturists, I was running out of space and couldn't do anything in 1:12 scale. I loved working on a smaller scale and fell in love with these pretty houses, so well designed and adaptable at the same time. Small, but hugely adaptable… My favourite scale is 1:48, because you can build, but also furnish and decorate small houses and then include them in streets, gardens and dioramas. I also work in smaller scales such as 1:76, for example for my Mystery Lane Book Nook, because 1:48 was too big to be the size of a book. I sometimes have fun with the 1:144 scale, which is more complicated for decorating (thanks to the magnifying lamp). These scales
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Above: Mystery Lane Book Nook...
take up much less space than 1:12, are quicker to build and can be adapted to different and varied styles. Conclusion: you can do a lot more!
“
My favourite scale is 1:48, because you can build, but also furnish and decorate small houses and then include them in streets, gardens and dioramas. Sylvie.
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s the daughter of Sylvie Nicolet an architect, I've always had a passion for house plans and decoration, so going miniature was the ideal solution! I started very young with matchboxes and shoeboxes. After the birth of my two daughters, I bought my first dolls' house kit in 1:12 scale , then a second, then I made boutiques and gift boxes...
Sylvie nicolet I wait until I have an idea, a desire, an image that pops into my head and then I do a lot of research on Pinterest, FaceBook or another website to get a feel for the atmosphere I'm looking for. I create a kind of mood board of inspiration and then I go for it. I also adapt according to any technical problems I encounter or my inspiration, which can change. I like working on everything, it's varied and fun, we use lots of different techniques and materials, we electrify, saw, cut, model, paint etc... It’s all fun to do and you always learn a bit more. I'm not trying to reproduce reality, but rather a world born of my imagination and my dreams, which are fed by the films, books and series on fantasy, science fiction, magic and the Celtic world that have accompanied me since childhood. Often cosy, quite refined and full of little details, a world that resembles me, where I feel good, miniature is a form of therapy isn't it?
Above: Sylvie’s Fairy Hut in quarterscale...
I really like plaster for making stone walls, and alcohol markers for tinting furniture, doors and windows without adding the thickness of paint. I also use polymer clays such as Fimo and DAS, which are very useful for decorating, cobbled streets, making cakes and food, etc. I also like to try out new techniques that I've seen on miniaturist groups, where people help each other out and learn a lot.
Left: La Rue De Arts A 1:48th scale street scene...
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Sylvie nicolet Meubles teintés marqueur alcool
Meubles en place faery hut...
Research is crucial! For me, research is crucial before I start a new project! I need to visualise my project in advance, to see if it's going to be feasible, even if in the end the project isn't always exactly what I'd imagined. All my projects are my favourites! Each one has its own special atmosphere. I could mention La Tour du Temps, Somedreams cottage and campsite, La Rue des Arts, which reminds me of the artists' villages in the Nice region where I was born...L'Imaginarium, which brings together my favourite films and series, Faery hut and Faery shop, which evoke the world of fairies, and those to come... I've just finished Cemetery Lodge and I'm going to work on the base for it. Modelling, grass, flowers and plants, and a few graves around the house. My dream would be to receive a big parcel full of various kits, houses, furniture and accessories, to unwrap it with shining eyes and ask myself what I could do with it all: give free rein to my imagination, let the ideas flow and create new mini-worlds.
Sylvie
Above: L’Imaginarium
Name: Sylvie Nicolet (Somedreams) Facebook: Somedreams, 1:12 & 1:48 scale miniatures. Instagram: sylvien41.somedreams
The pieces of Cemetery Lodge painted & ready for construction
Sylvie likes to use plaster for making stone walls 38 | PETITE PROPERTIES
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Discussion point
of Temu, who? In each issue of this new magazine, we will be delving deeper and exploring a wide variety of contentious subjects which although they affect our miniature world, aren’t ever addressed or discussed in print. So from copyright issues to online scammers, we won’t be shying away and plan to tackle them all. But for this issue, we turn our gaze onto the latest online shopping craze – TEMU… and we ponder; are cheap scale model imports good for the miniature world… or not? Is it a good idea to buy cut price craft supplies from online giants like TEMU and ultimately is it safe to do so; or is it just a waste of money?
S
ome of you will no doubt already be familiar with TEMU and companies similar to it. Selling solely online, TEMU offers an almost infinite number of low cost products. From home ware to leg warmers for your dog; TEMU has it covered. The sheer range of items that this online giant offers for sale is seemingly endless and all are available to order via their extensive online sales website.
What is TEMU? TEMU is an online marketplace operated by the Chinese e-commerce company PDD Holdings. Temu ships items directly from China; which is undisputedly a world leading wholesale market for almost every imaginable product! TEMU’s seemingly unmatchable low prices are the result of a multitude of different factors. But it is widely recognized, that due to low manufacturing costs, cheaper labour, well-trained workers, efficient machinery and supportive government export policies; TEMU is able to offer cut price products and deliver them all over the world for *free… (*On orders over £15 - UK)
What does Temu mean in English? ‘To meet, to encounter’ So where is the catch? Over the last couple of years, I have watched TEMU’s advertising campaign spread online and it is now heavily present on most of the top social media platforms. Following in SHEIN and Wish’s footsteps, for many, TEMU has become a go to online shop for a vast majority of everyday items. However, unlike many other big online retail giants, the desirability of TEMU’s low prices is also compounded by free shipping; making their cheap goods potentially even harder to resist. But before we all get carried away, are there any flies in the ointment? The quality of items ordered from TEMU is often publically questioned on social media. From my personal experience, I have personally not always been sent the exact same item that I was shown when I placed my order. So in this instance, I would have to say that the old warning ‘buyer www.petite-properties.com
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Discussion point beware’ is one adage to keep in mind when online shopping on any platform, including TEMU. Amongst their variety of products, TEMU has a whole section of their online sales platform dedicated to popular hobbies and craft activities. The sheer extent of product choice and their price point, both combine to make shopping for miniatures and miniature related craft items extremely tempting! At a time when hobby budgets are limited, TEMU does offer the opportunity to make our crafting money go that bit further… But at what cost? Buyer Beware..? In many ways TEMU is very similar to Amazon. Both are online retail giants and both create a platform for multiple businesses to sell their goods though. On PP’s online forum there has been much discussion about TEMU and whether or not is it ethically right to shop with them and is it financially safe to do so? Regarding the latter, I can only speak from my personal experience of shopping with them and I have not had any issues with payment security. Instead I have found the ordering process to be the same as with any other online shopping platform that I have used previously.
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Buying online, from companies like TEMU is not for everyone. As with most things there are pros & cons to shopping this way... Bea
Bea bought her drawer pulls, feet & rings to make her display domes (in issue 1) from TEMU
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Another package from TEMU... But I am NOT a fan of their almost complete lack of protective packaging!
‘Temu uses standard security measures on its website, including HTTPS across all pages and TLS and SSL encryption protocols when processing transactions. As previously stated, Temu's transactional system is probably as secure as Amazon, Ebay, or any other online marketplace.’ NordVPN -9 May 2024 https://nordvpn.com/blog/is-temu-safe/ (Source)
So, if you are tempted to shop with TEMU (as I sometimes do) there are factors that you might wish to consider; some are positive and some are negative. Asia is a known power house of mass production, which undeniably provides affordable products covering literally every element of modern life and it is no different in the miniature world. These days, imported Asian dollshouse miniatures are no new entity. These low cost, readily available scale miniatures are a familiar sight, both online and at dolls house shows around the world. Some see them as an affordable way to access, what in all honesty can be a costly hobby. Others dislike them for their often clunky dimensions and lack of general refinement. But not everyone has the same crafting or collecting budget.
Discussion point In the railway world too, the production of model trains and accessories that once was based in the UK, has now been out sourced to countries such as China; mainly for the obvious economic and financial benefits. In many ways it is an understandable move, as it enables companies to offer scale products at competitive prices. However, this in turn of course raises the inevitable questions regarding quality and accuracy to scale. Whether you choose to shop with TEMU is fundamentally both an individual and personal choice. If you are in any doubt, then I strongly recommend that you do further research on the company yourself. TEMU does address common questions about themselves on their website, but I did find the information a struggle to locate. However, their official stance on a range of issues can be found here -
www.temu.com/uk/confidence
Some of Bea’s TEMU purchases...
Shopping with TEMU, or similar online companies…
The Pros
& Cons
Low cost – I have seen that in many areas TEMU offers products at unrivalled prices. Due to their production processes, combined with cutting out the middle sales party, they are able to keep their prices incredibly low… seemingly whole sale prices. I have also seen products that are sold by TEMU also stocked in local budget retail outlets, with TEMU’s prices beating the shops selling the same imported items.
Quality – Well as my own rules dictate (to me), buyer beware! Quality with some items that I have purchased can be an issue. But, it is not always the case. Some items that I have ordered have been surprisingly well made and I have been so impressed that I have ordered more!
Convenience – In today’s busy world, who doesn’t like to unwind with a bit of late night scrolling? I know I certainly do! TEMU offers (what appears to me to be) an inexhaustible number of products, covering an inordinate range. Sometimes it is fun to disappear into a TEMU rabbit hole… you might go in looking for miniature accessories and end up debating whether you really do need tote bags or Christmas ribbon? Free postage - Free postage and packaging (on orders over £15) is undoubtedly an attractive bonus for customers. And despite the goods being shipped from Asia, there are seemingly no additional fees or duties to pay either (This is from my experience in the UK, in other countries it may be a different situation.) Refunds – I have experienced items being damaged in transit and have always received a very prompt, efficient and full refund.
Scale accuracy - When purchasing miniatures, I have noticed that there is often a lack of information given regarding scale. Sometimes the scale is provided, but many times you have to try and work it out. Also when a scale is given, I would question the accuracy and size of items offered. So, I really do think that if you are contemplating purchasing miniature items from the site, that you proceed with caution and (once again) double check any measurements provided. Inadequate packaging – A particular frustration that I have with TEMU is its packaging, or more specifically; its lack of it! Most of my orders have arrived with everything stuffed tightly into a simple plastic postage bag. These bags offer the content no real protection and as a result, breakages are inevitably pretty common. Also I have noticed that if an item comes packaged in a small cardboard box, the box will have been badly squashed and damaged by the time that it arrives. www.petite-properties.com
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Discussion point So what will TEMU’s impact in the miniature world be…? Over the last year or so I have spent a lot of time attempting to quantify the impact that the emergence of sites like TEMU will have on the miniature world as a whole. Obviously their incredibly low prices are a natural starting point. Money doesn’t grow on trees and not everyone has a large budget to spend on their hobby. Affordability has always been a crucial part of Petite Properties’ business plan and value for money is something we always strive to offer our customers. However, given TEMU’s mass production and manufacturing ability, it is no surprise that existing small businesses and independent artisans working in the miniature world are completely unable to compete. So does this mean that these small businesses and makers will lose vital trade? Well the hard answer is probably yes; on some level at least. Kit producers like ourselves and those who make smaller scale accessories, may find that their customers will be tempted by the incredibly low prices TEMU offers, and money spent within the existing miniature world may well go elsewhere instead. But before we become too gloomy, I think it is important to remember that cheaper imports in the miniature world are no new arrival and have been around almost from the very beginning of the miniature boom.
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Bea’s check list:
If it seems too good to be true, then it probably is! It may be an old saying, but it is certainly a wise one! As a result of my own rules, I particularly stay away from purchasing any higher value items. Instead I stick to a £15 and below rule, to reduce the potential impact of any costly mistakes. Read the reviews. As a rule, I am cynical about the first few pages of reviews for an item. Instead, I usually click backward through the review pages and pay particular attention to any which also include customer photos; as these give you a much better idea of what the item is actually like. If in doubt, don’t. If you are not sure, don’t buy it, it is as simple as that! Count! Make sure that what you are buying is what you think you are buying. The picture may show 5 items, but the cost shown is actually only for 1! Lower your bar of expectation. The item you are looking at may cost a tiny fraction of a similar item that you have seen in a
Will these cheap miniature kits and accessories help to encourage the next generation of smaller scale modellers? Bea
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Back in the early 90s I bought many boxes of cheap imported 1:12 furniture for our daughter’s dolls house from a local market. The quality was questionable and everything was a bit chunky, but the pieces were loved by our girls and most importantly they were affordable to us at a time when our family was young and money was tight. This also does raise the question; will these cheap miniature kits and accessories help to encourage the next generation of smaller scale modellers? Unlike at model railway events, children are not a common sight at the dolls house shows which we attend. So will the next generation overlook our shared hobby, if they are not enticed into ‘making’ during childhood? 42 | PETITE PROPERTIES
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shop, so don’t expect them to be the same… There is a reason why it is cheaper! Size matters! Items often ‘appear’ to be larger on screen, than they actually are in real life. So do make sure that you ALWAYS carefully (and meticulously) check the measurements that are given.
Stocking up for PP workshops...
Discussion point Friend or foe..? So maybe, in a roundabout way, TEMU could be a good thing for our miniature modelling world? As I have already confessed, it is frighteningly easy to be sucked into the TEMU website and before you know it, you are scrolling through looking at items; not quite knowing how on Earth you got to that section in the first place! So what if the scale is a bit off? The miniature kits and accessories that TEMU sells may spark a little bit of joy in someone who has never made something in miniature? …And we all know first -hand how addictive making smaller scale miniatures can be! Maybe TEMU will be the gentle hook which entices new miniaturists into the hobby? Maybe customers will try a TEMU kit and catch the miniature bug, which will lead them to explore other areas of our wonderful miniature world? How many of you reading this magazine began by buying mass produced miniatures… but have now progressed further and deeper into the
hobby? I do realise that I am finishing this article with a whole load of questions, rather than a neat and concise little sum up. But I think that this topic is too big to come to one black and white conclusion. Ultimately, the optimist in me hopes that TEMU will be an effective new draw; one that brings excited newcomers into the hobby. In the meantime, I also hope that those miniaturists who are already part of the miniature world will continue to support existing individual artisans and small businesses, or else they may well fold and be lost forever… …Of course only time (or a handy crystal ball) will tell!
The small print… If you choose to shop at Temu or any other similar online business, you do so at your own risk. Any advice given is merely intended as a shared opinion, which may, or may not be helpful.
Members of the Petite Properties’ Modelling Community on Facebook have their say..! Jane Puncher (Scotland) I'm inundated with TEMU adverts via Facebook and have been tempted, BUT I firmly believe we should buy from local sources whenever possible or at least from shops in the same country! It would be dreadful if we lost our local or national shops due to lack of folk buying from them. A definite advantage of buying locally is that you can visit in person which not only means you can see/feel the quality of the item, but also get great advice from them in person. I've also heard of poor quality from TEMU and to be honest not surprised - apart from in the sales, if it’s cheap, then it’s more likely to be of poor quality....
www.temu.com Jean Marsden (UK) I have heard different opinions about TEMU, some good and some bad. I have decided not to shop with them because I’m not sure it is safe to do so, because I don’t want cheap looking items and mainly because I like to shop British.
Marie Bilson (Australia) I love TEMU, but if you buy miniatures you need to read the sizing carefully. Always use PayPal for any site, even Etsy; that is the safest way.
Kate Bircher (Australia) I buy from them semi-regularly. Primarily art/craft tools and components/embellishments I use for creating miniatures rather than pre-made miniature items. I have purchased miniatures from them in the past but found their scale can be a bit hit and miss. Yes they are cheap, and some of their items reflect that, but some of the items we have received are better quality than I expected. I've never had any customer service issues with them, I use their app on my phone, I use Paypal to pay, their delivery times to Australia are faster than AliExpress and it takes similar time to items from the UK to arrive here. I have no complaints and don't necessarily believe all the scaremongering spread on the internet about the "perils" of shopping with them.
Shirley Hays (UK) I have used them, but you have to be careful, as what you see advertised is not always what you get. The product is usually ok, but the quantity shown in the advert is quite often a set of four or five, but you only actually get one item. You have to read the description very carefully.
Christine Henderson (UK) I will not have anything to do with TEMU as they must be taking trade away from all the fantastic artisan makers and they are a huge Asian company. I do, however, appreciate that, if finances are an issue, it is a case of buying from them or going without. Just not for me.
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Roz maclean
& Roz maclean One of the advantages of modelling in the smaller scales is that you can easily enjoy the best of both worlds. A quarter scale dolls house is not limited to merely being a container for room scenes and furniture; it can be so much more! 1:48 scale dwellings of all genres can easily be displayed within landscaped settings. Allowing miniaturists to create a more complete smaller scale scene; both inside and out! With the development and emergence of new technologies, such as laser cutting and 3D printers, the small scale world has literally been blown wide open; allowing ever more detail and realism to be included in only the smallest of spaces. In this feature we plan to specifically showcase dolls houses which not only have amazing interiors, but have also been placed with the context of a complimentary outdoor display. 44 | PETITE PROPERTIES
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To kick off this special feature, we are delighted to share Roz Maclean’s stunning November Cottage, which has been lovingly brought to life; both inside and out!
The exterior of Roz’s November Cottage (1:48)
possible from a picture using kit bashed Petite Properties kits. If successful it meant it would open up many more ideas for future projects such as modelling buildings I have pictures of from my childhood. For garden inspiration, I searched pictures of French cottage landscapes and found some adverts for French Gîtes set in just the sorts of gardens I had imagined. So, I had the building and the surroundings pretty much set in my mind before starting. For the first time, I had the use of a filament 3D printer (a Christmas gift). This was put to good use making stone walls, terracotta pots, a fish pond and
Roz maclean
I
’ve been collecting miniatures for about 25 years, but only started making minis around 5 or 6 years ago. I always loved houses and as a child I had a Barbie house and a Lundby house; which I wish I still had! I became really fascinated with lifelike miniatures when my Mum began collecting dollshouse furniture and food and I couldn’t get over how real it looked. I was hooked then. I commissioned my Dad to make me a huge Victorian house, which I have still not finished furnishing!
When social media came on the scene this was a game changer. There were so many fantastic pages and groups to look at and enjoy. Then I came across the magazine, Dolls House and Miniature Scene and remember seeing a fully decorated Petite Properties house and garden. I just couldn’t stop looking at it and knew I really had to give it a go. The detail in such tiny scale was just amazing. Being able to get so much decoration and detail in a much smaller scale seemed like the answer since I have no more space! It was so nice to see a whole scene outside the house too.
A no
stalg
i c sit
ting room
...
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“I bought my first 1:48th scale house and furniture and decided to give it a try. But I admit, it sat in my ‘to-do’ pile for a very long time as it was a bit daunting to try something completely different to what I was used to. Once I got started on it however, I couldn’t stop until it was finished.” Roz.
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I was always artistic and crafty and I love making things, so it was only natural that I tried to make some room boxes, furniture and all the items that went in it. I then progressed onto helping my Dad with a model railway and all the landscaping and to making tiny food, which I sell in my Etsy shop.
The kitchen, is Roz’s favourite room to create in miniature... www.petite-properties.com
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Roz maclean Inside… I sat for ages looking through all the houses trying to decide which one to try first. I love the wartime era and wanted to make it a wartime house and garden, so I was looking for a nice simple house; but with a few different rooms for decorating. November Cottage fitted the bill nicely, plus my Mum and Dad’s birthdays are November, so it seemed fitting. A fantastic outdoor Museum near where I live called the Highland Folk Museum has a lovely little cottage
November Cottage is stunning; inside & out!
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with a little garden, which gave me inspiration for the build. I wanted to keep it fairly simple with the decoration inside and outside, with it being from the wartime era. I also tried to choose decoration and colours that would tie in too. When I start a new project I don’t tend to plan out or sketch anything before I begin. I’m kind of a ‘just crack on and wing it as I go’ kind of miniaturist! I knew I wanted a slightly bigger base to make a bigger garden, so this was probably the only thing I planned and measured out, so I could cut the wood to
Roz maclean size. Generally, I tend to just make a big long list of items I have to make to add in each room and then work my way down the list. I was initially a bit apprehensive about giving it a go, as I’d never made anything in such a small scale. But once I started, I couldn’t stop. It was a bit fiddlier to do the smaller furniture and decoration, but it’s so much quicker to complete a project than a huge 1:12th one. I knew I had to wallpaper first, before putting anything together and thought I’d got the different papers in the right place, but I ended up doing a piece wrong (the downfall of not planning and just winging it!) so I had to manoeuvre a new section of wall paper in with tweezers! However, I am really pleased with the amount of detail I managed to get into each room. I was a bit worried about this and thought it might be a bit sparse, but it turned out great. I love the kitchen. Kitchens are my favourite room to do and I always do them first! I love making food and I sell items in my Etsy shop, but I found it very tricky to go from 1:12th to 1:48th as I’m so used to knowing what sort of size they should be just by eye. There’s only so much detail you can add to such small items, but it worked out great. When it came to furniture and decoration, I went a bit crazy and ordered loads of Petite Properties furniture kits, but only managed to use some due to the size of the rooms. But that just means I have more for the next project! I have a 3D printer, so managed to print some tiny items for decoration. I even managed to scale down and print some real photos of my late Granny as a baby and a child. These are displayed in the bedroom on the dresser and on the wall of the children’s room. My party piece when decorating rooms, is that I like to add in some extra walls or a cupboard or chimney breast to add interest and depth, so in the bedroom and living room I fashioned a chimney breast using mount board and papered to match the walls. This meant they were hollow, and I could feed the wires up for the fireplace. I hadn’t used smaller scale lighting before so had to read up on how best to do this as I wanted to add a few lights. Roz made all the 1:48 I used a great set from food in the kitchen, with Jennifer Maddox at such incredible detail!
Can you spot the tiny photos of Roz’s Grandmother? Small Scale Lighting (see page 32) to light the lamp-post, the rooms, fireplaces and one in the air-raid shelter. I drilled holes up from under the base and the battery pack sits under the base so it’s easy to turn on. The lights on the ceilings on the ground floor rooms, I had to tape to the ceiling then paint the same colour as the ceiling, so they blend in nicely. If I made another November Cottage, I don’t think I would change anything in the build, but I’d love to do another using different materials and colours to have a totally different house. I am so delighted with my finished November Cottage and how it has turned out. The house and furniture kits are so well made and fantastic to put together. I’m pleasantly surprised at how much detail I could cram into such a small house. I am a real stickler for realism and will happily work on something for ages to make sure it looks as real as possible. I love to make it feel like you are there in the scene when you look at photos.
Roz
If you love Roz’s 1:48 food, why not head to her Etsy shop... www.etsy.com/uk/shop/ MyMiniMakesByRoz In ISSUE 3 we go ‘outside’ and explore the beautiful quarter scale garden, which Roz has imaginatively created for her nostalgic November Cottage… www.petite-properties.com
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The bookshelf
the In issue one, I shared my love and passion for real books. The advances in technology and the rise of the internet now mean that we have a wealth of research material literally at our finger tips. But for me (and seemingly for many readers too) you just can’t beat flicking through the pages of a real book. Recently, as Tony and I took a mini break to explore beautiful Devon, I made the most of my time off to visit another great source of second hand books... and promptly ended up coming home with a considerable new stack!
T
he National Trust is a conservation charity in the UK. It was founded in 1895, to protect and preserve buildings and land of beauty or historic note for the nation. Tony and I have been members of the National Trust for quite a few years and many of the houses, castles and cottages that we have visited together have been both incredibly inspiring and helpful for the design work I do at Petite Properties. However, there is another, often overlooked, plus point to visiting National Trust properties… and that is their second hand book shops that can often be found tucked away near the gift shop! Over the years, I have found these humble little book stores to be a veritable treasure trove of inspiration and they contain rich pickings when it comes to books about architecture or internal period decor. The second hand books are donated to the National Trust by members and are normally sold through either a donation honesty box or via a minimal pricing structure (£1 paper backs / £2 hardbacks… that kind of thing). For me, Visiting these eclectic little second hand book shops has become almost as much fun as visiting the actual National Trust attractions and over time, they have The stack of books which Bea brought back from Devon! 48 | PETITE PROPERTIES
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helped me considerably expand my personal architectural reference library; which I use and refer to, almost every day. At the time of typing this article, I am currently ensconced in a tiny tent in deepest Devon, as Tony and I are doing a camping tour of the south west (UK) and we have been visiting so many fascinating National Trust properties; from castles to water mills... and everything in between. The result… any spare boot space in our car is steadily filling up with newly found reference books, all of which cover a vast array of subjects from the vernacular of rural farm houses to a celebration of outdoor loos! But whilst I flick through my latest favourite acquisitions, it is time to Bea searching for once again highlight the inspiration at Dunster Castle... recommendations of two members of the Petite Properties Modelling Community. I also hope that you find the time to have a good wander around a second hand book shop near you; as you never know what inspiration is hidden, between the pages of an unwanted book!
The bookshelf Georgian House Style Handbook By Ingrid Cranfield. (2008) Publisher: David & Charles Ltd
Victorian House Style Handbook By Linda Osband. (2008) Publisher: David & Charles Ltd
Edwardian House Style Handbook By Hilary Hockman. (2007) Publisher: David & Charles Ltd
Synopsis: This is an invaluable pocket source book bursting with images of original and well-restored Georgian features. It is the ideal handy reference for the home owner, either to take to the architectural salvage yard or DIY store to identify authentic styles and colours, or simply to enjoy the best of Georgian design. It contains a room-by-room tour of Georgian homes, covering everything from grand opulence to modest dwellings. It is beautifully illustrated throughout, with design details such as close-ups of titles and door knobs.
Review by Antiques Magazine: Great deal of very practical information is packed into the small square pages. An ideal handy reference for identifying authentic styles and colours, whether restoring a Victorian house to its former glory, or simply sourcing design inspiration from the period.
Synopsis: This book follows in the footsteps of the previous two titles in this series and is an invaluable point of reference for information about Edwardian interior features; many of which can be easily replicated in the smaller scales.
Recommended by Nicola Arkinstall
Recommended by Nicola Arkinstall
Recommended by Claudia C. Schmidt
If you would like to find a National Trust Property, or one of their delightful second hand book shops near you, simply head to: www.nationaltrust.org.uk Do you have a favourite book that you have found helpful for your miniature projects, which you would like to recommend to readers? Then why not get in touch with us, so that we can share it here! We look forward to sharing your recommendations in future issues! The Bookshelf - ppmag@petitepropertiesltd.com www.petite-properties.com
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Kingston Lacy, Dorset
vernacular Kingston lacy In the last issue, I revisited (quite literally) the place which first ignited my passion for architecture; Haddon Hall. However, given my sentimental attachment, I knew that this very special romantic medieval house would be a hard act to follow… But follow it I must, and so my focus moves from beautiful Derbyshire to deepest Dorset, where another very special and equally inspiring property awaits…
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Spectacular vernacular
K
ingston Lacy is an elegant manor house close to the Dorset coast. Now in the loving care and capable hands of the National Trust, Kingston Lacy was once home to the Bankes family; who moved there after they were forcibly ousted from their previous home – Corfe Castle. Over time, this grand house has been altered and remodelled to reflect the changing fashions of architecture. When Tony and I visited Kingston Lacy back in 2019, my immediate impression was one of surprise, as to be honest, the house was not what I was expecting! Hidden amongst a sea of rustic Purbeck stone cottages, Kingston Lacy looks like it would be more at home amidst the sun-drenched French countryside… rather than the rolling green Dorset hills! It is an elegant and beautifully proportioned house which to my eye resembles the sophisticated symmetry of a full size dolls house.
eventually making Venice his home. So it is no surprise that Venetian architecture strongly influenced his remodelling of the Kingston Lacy and inspired much of the detailing and finishes both inside and out. Sadly, for William there was no happy ending to his story. He never got to live in and enjoy the house that he so lovingly and painstakingly remodelled as a home. After only clandestine visits to his beloved Kingston Lacy; William died in exile in 1855. Room by room… William’s vision for the interior of Kingston Lacy, was far from understated and overall its primary rooms are suitably embellished and opulent. However, in amongst its sumptuous marble laden interiors, there are also cosy rooms, which feel surprisingly homely too. My favourite room in the house, was probably the least formal and fanciest by far! Located on the ground floor the Audit Room is a comfortable,
Over the years, individual architectural elements of this house have been incorporated into many of my smaller scale ‘shabby chic’ designs. But predominantly it was our Le Grand Chateau which is probably PP’s most direct miniature descendant of this full scale Dorset beauty. Venetian Splendour & Exile… Kingston Lacy began life as a restoration mansion in the 1660, however the first direct reference to an Anglo-Saxon manor house on the Kingston estate dates all the way back to 1120! Over time the mansion house has been remodelled and adapted, following countless passing fashions. Using their inherited and accumulated wealth, combined with fortuitous marriages, the Bankes family were certainly not low key in their ongoing renovation and embellishment of their home, with it resembling the Venetian Palace style property that we see today. Owner William John Bankes is mostly credited with the finished house. However, due to his homosexuality, William was forced to leave Britain and fled to Italy to avoid prosecution;
The Audit Room: Bea’s favourite room in the house www.petite-properties.com
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Spectacular vernacular functional room last used by Ralph Bankes. Ralph was the final member of the Bankes family to own Kingston Lacy and he bequeathed the estate to the National Trust in 1982. Despite its generous proportions and lofty ceiling, the room felt welcoming and cosy. Maybe it was due to the décor, but I could easily imagine kicking off my shoes and curling up in a fireside chair to read a good book… Maybe Ralph used to do just that? The library I think if I had to design my dream library, the one at Kingston Lacy would definitely come somewhere close to perfection. Aside from its book lined walls, its
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I think if I had to design my dream library, the one at Kingston Lacy would definitely come somewhere close to perfection. Bea.
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warm colour scheme and comfortable armchairs make you want to pause and take a seat. I can image that whiling away a rainy afternoon by the fire in the library would be the perfect way to relax and unwind. But despite how wonderful the Library at Kingston Lacy is, when I visited, there was one element of the room that I was positively itching to see. The keys! Because they are not just any keys, they are the keys to a castle… Corfe Castle to be exact!
Above inset: The keys to the castle are displayed about the fireplace
The atmospheric Library at Kingston Lacy
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Spectacular vernacular Those of you who have followed my previous articles in Dolls House & Miniature Scene will already know of my deep affection for Corfe Castle (also in Dorset) and to see the castle’s keys was a real dream come true! The Bankes family of Kingston Lacy did at one time also own Corfe Castle. They were Royalists and as such Lady Bankes defended Corfe Castle in 1643 from a three-year siege against the Parliamentarians during the English Civil War. Sadly, their story and the castle’s fate didn’t end well and Lady Bankes was double crossed and Corfe fell into the hands of the Parliamentarians. The castle was ruined, but Lady Bankes was given the keys, as a sign of her enemy’s respect for her for holding onto the castle for so long; especially in the absence of her husband. The castle’s infamous keys are now modestly displayed in the library at Kingston Lacy and yes… I had goose bumps when I saw them! The State Bedroom The State Bedroom is exactly what you expect from the primary bedroom in such a fine house, yet it was also surprisingly inviting too. The huge ‘State Bedstead’ is carved from walnut and holly, but sadly was it was unfinished at the time of William Bankes’ death, so he never got to see it, let alone sleep in it either.
The icon ruins of Corfe Castle, Dorset
The dark & atmospheric State Bedroom
As sumptuous as the room is, decorated in deep emerald green wallpaper, my eyes were Above: Delph tiles immediately drawn frame the fireplace to the fireplace. As a collector of blue and white china, the stunning Delph tiles which framed the fireplace were (for me) a real highlight of the room.
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Spectacular vernacular The White Bedroom In contrast to the State Bedroom, the White Bedroom was light and bright and filled with painted furniture, water colours and children’s portraits. An extremely feminine room, featuring pastel striped wallpaper and abundant floral textiles, it definitely felt like a bedroom of the lady of the house. Kingston Lacy was a place that I had wanted to visit for a long time. With such a tangible connection to my most happy place (Corfe Castle) I was excited to finally make it across its very grand threshold. Was it what I expected? Definitely not, but this welcoming and elegant house was certainly well worth my pilgrimage to visit. So if you are ever in deepest Dorset, I highly recommend that you take an afternoon away from the hustle and bustle and immerse yourself in the opulence, calm and quiet splendour of this architectural (and more than a little bit Venetian) jewel!
If you would like to find out more about Kingston Lacy or Corfe Castle, which are both owned by the National Trust, head to...
www.nationaltrust.org.uk
A side view of Kingston Lacy
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As in every house & historical property we visit, I certainly know when to activate my human ruler setting! Tony. A Grandfather clock & a Grandpa!
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The White Bedroom...
In issue 3, our focus moves from Venetian elegance to a more humble style of dwelling, when we take a trip to beautiful Cornwall and explore a medieval farmhouse that has survived the centuries...
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Book box Project - 1:24
project part 1 - The interior Paint
tools
materials
Dirty Stone Mortar (Cement colour) Stormy Skies (Dark grey) Dirty Stone (Mid stone) Top of the milk (Ivory) Mucky Paint (Dark brown) Red Squirrel (Terracotta) Wood Stove (Soft black)
Scissors, craft knife / scalpel Ruler (with metal finger guard) Pencil Brick stencil (1:24 - optional) Scribe tool Butter knife (or similar) Assorted Paint brushes Sponge (for painting) Pegs & cocktail sticks (optional)
Interior decorator’s filler (in powdered form, see page 22) PVA Adhesive Water colour paper Balsa wood off cuts Scrapbook paper Polystyrene off cuts Tissue paper Thick card or foam board Eye shadow: Dark grey & dark brown Wall lighting (optional) (materials for the interior only)
Wooden box I bought my box from ‘The Works’ (UK) Width: 25cm Depth: 20cm Height: 10cm
The idea for this project came from an old antique dolls house which I used to play with as a child. It belonged to my Mum and had been old when she had played with it as a child herself. The dollshouse was a simple cupboard house, with a gable end and an opening front to reveal two simple rooms; one up, one down. Looking back at it now, I can tell that this simple cupboard house was roughly 1:24th scale.
Create a hidden cottage inside the covers of a book!
Recently, I came across the simple box shown above, stood on one end in a shop display. It instantly made me think of the little cupboard house I used to play with... and a spark of inspiration was ignited! www.petite-properties.com
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Book box Project - 1:24 For lighting notes - see page 58
1
2 I used interior decorators filler to create the flagstone in the ground floor room, using exactly the same technique as shown on page 22. The only difference is the size and shape of the ‘flagstones’ which I engraved into the dry filler plaster.
Box Lid First remove any hinges and catch from the box, so that the lid and box are Separated from one another.
Box
Alternatively, you could stick down irregular pieces of card to create a similar stone floor effect.
Note: Remember to also decorate the lid to mirror the interior of the box!
3 I painted the entire
4 After a brief rummage through my ‘creative stash’ I
floor with Dirty Stone Mortar, ensuring that the paint was worked into all of the grooves. When dry, I sponged the surface with Stormy Skies and left it to dry thoroughly.
found some 30cm x 30cm sheets of scrapbook paper, which I thought would make perfect cottage style wallpaper. Using a ruler I divided the box into two rooms and painted the interior where required. I then measured and cut the wallpaper required for each of the two rooms. Before fitting the paper, I lightly distressing it with a little brown eye shadow around the bottom, corners and top edges. The wallpaper was stuck into position using PVA Ceiling paper adhesive.
5
Box
To create the two chimney breasts and also the sloped attic roof, I used off cuts of polystyrene.
7
Polystyrene can be easily cut to shape with a craft knife.
6
Cover the polystyrene chimney breasts with pieces of tissue paper, stuck into position with PVA adhesive. Allow the tissue paper to pucker up to create the texture of rough plasterwork. Leave to dry and harden thoroughly, ideally overnight. Paint with two coats of your chosen colour. I used Top Of The Milk. When dry, distress with a little eye shadow if required.
I used thick card to create the backing for the fireplace apertures in both chimney breasts. I painted the card using a brick stencil and then added a soot effect to the bricks by applying a little dark grey eye shadow. I cut two pieces of card to the required size and stuck them onto the rear of each chimney breast. 56 | PETITE PROPERTIES
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Book box Project - 1:24 Prefer 1:48? Then simply use a smaller box, or add more internal rooms!
8 Measure the internal dimensions of both the box and the lid. Using either foam core board, thick card or MDF, cut out two floor sections to fit neatly inside; one for the box and one for the lid. To create faux floorboards, I cut strips of textured water colour paper; approximately 6mm wide. I then stuck the strips onto the pre-cut floors using PVA adhesive. I trimmed the excess ends of the paper floorboards using a craft knife. When the adhesive had dried, I painted the floorboards with a base coat of Mucky Paint, working the paint thoroughly into the grooves between the boards. Leave to dry. Dry brush the floorboards with Dirty Stone, applying brush strokes in the same direction as the boards are laid.
(My paper floorboards are approximately 6mm wide)
course my hidden cottage interior needed ceiling beams and these were quickly and easily created 9usingOfbalsa wood. I ordered a balsa wood bundle online and only used a tiny amount for this project... the rest has been safely stored away in my creative stash for another day! Using a craft knife, cut the balsa wood beams to the length and sizes required. To age the beams, whittle off their corner edges in some places and also cut small grooves into them. Stick each beam onto a cocktail stick, so that they are easier handle when painting. Next, dilute some Mucky Paint with a little water, to create a ‘dark brown wash’ and paint each beam evenly. When completely dry, distress each beam with a little charcoal grey eye shadow. (Foam)
10
Cover the ceiling (the underside of the floor) with scrapbook paper, carefully trimming off the excess with a craft knife. Stick the ceiling beams into position, onto the papered ceiling. Leave to dry. Stick the two pre constructed floors into position inside the box and also the lid. Again, leave to dry.
11 If you wish to create sloped roofs in the upper room, cut pieces of polystyrene to fit. Remember to ensure that these sloped sections fit snugly around the chimney breast.
Slope
12 Fit both the chimney breasts and the sloped sections of the ceilings into position. Cover the internal roof with scrapbook paper and pre-made beams.
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Book box Project - 1:24
14 If you wish to include lighting in the interior of you book box, you need to (Lid)
incorporate it as you go through the process. I added wall lights to the ground floor fireplace, so this meant that I needed to make access holes in the polystyrene for the wires. For the wall lights I made small holes in the exterior of the box and then cut tiny channels in the wood to conceal the wires. All of the lights I installed will be lit by batteries located outside of the box itself. I also wanted a glowing interior inside the wood burner (ground floor) so I first filled it with coloured plastic off cuts then I made a hole in the rear of the stove, so that I could fit a bulb inside.
in any remaining beams or internal 15 Stick detailing into position. I used PP’s Rustic Wood Stove (kit in 1:24) in the ground floor fireplace. I also made the first floor hearth stone from thick card, painted and distressed.
Lid
In the next issue In the next issue, Bea tackles the exterior of the book box and shares how she transformed it into a highly realistic leather bound book, using various craft materials and a generous sprinkling of PP magic! 58 | PETITE PROPERTIES
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1:144 scale living room...
Patty lindsey
I
'm Patty Lindsey from Dallas, Texas and I design and make 1:48 and 1:144 scale miniatures and reproduce wallpapers from vintage sample books. While I have always loved making little things, I really didn't join the organized miniature world until I went to a small show in Dallas in 1978, where we signed up to form a club with others who lived in our area. Our club was formed by the Borrowers and they named our club 'Mini Cousins' after the country cousins in the Borrowers story. There are only two of us now, but we still get together and are making 1:144 scale houses. I also have a miniature group on Facebook called Small Scale Minis that has over 500 members. It's like having a worldwide, virtual miniature club!
As a child, I was always making little scenes or fairy houses with whatever I could find in the yard. I think my parents felt sorry for me and bought a metal dollhouse that was 1:16 scale with printed walls and floors. Sadly, that dollhouse was stolen, along with all our other toys when we moved to Texas from Washington state.
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I love the challenge of making something as detailed as I can even though the scale is so small. Patty.
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My miniature adventure began in earnest when I had to have foot surgery and wasn't able to walk for several weeks. I needed something to do that didn't take up a lot of space so the first minis that I made were paintings in 1:12 scale. It didn't take long before I was hooked on making minis and wanted to create more. 1:12 scale seemed so small then! We were lucky to have a great miniature shop in Dallas, www.petite-properties.com
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Patty lindsey Through the Keyhole, that had everything we needed and things we didn't know we needed. That's where I learned the phrase about small scales that "it's all illusion." From hobbyist, to professional miniaturist... I've been selling on eBay for ten years and was a dealer in the Dallas Miniature Showcase from 2019 to 2023. I had sold a few things to the local miniature shop such as porcelain dolls and other minis in 1:12 scale. Smaller scales were beginning to become more popular, so they asked if I could make wallpapers for them. I started selling on eBay when they retired in 2015. With the exception of my ready-to-use LED lighting circuits, all my minis are created on the computer. Color pieces are printed on a laser printer and furniture inserts are designed on the computer and cut on a laser cutter. I find that I can achieve finer detail by printing in high resolution on a laser printer. Some pieces, like the tiny 1:144 kitchens, are hand scored, laminated and glued on little inserts. The yellow kitchen shown below is in a "Beauty and the Beast" Dutch Baby house by Michell Bryant.
The computer is invaluable in designing upholstered furniture in 1:48 and 1:144. The inside structures of the upholstered sofas and chairs are printed on heavy card stock. The padding is very thin batting and the upholstery is silk that I dye in various colors as well as some tiny print fabrics.
Two sofas, two scales 1:48 & 1:144
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1:144th scale bedroom furniture with open drawers Challenges & lighting... I love the challenge of making something as detailed as I can even though the scale is so small. In the smaller scales, drawers and doors don't open like they do in larger scales. If I can make it look like a drawer is open or that a wardrobe door opens in 1:144, the illusion works. I used to be an electronics technician and love making battery operated lighting circuits and lighted Christmas trees in 1:48 and 1:144 scales. I'm currently working on a dilapidated haunted house in 1:144 scale. Maybe Norman Bates' mother will be in a rocker in the attic, as thunder and lightning surrounds the house? Filmy looking ghosts will be seen in some of the rooms, highlighted by eerie colored lighting effects and motion sensor switches will control various aspects of the scene. It’s all about the research... In 2014, smaller scales were becoming more popular and the shop owner asked if I would create wallpapers in 1:24 and 1:48. It quickly became evident that 1:48 would be the dominant scale of the two. My first wallpapers were my own designs such as the Sunflower Surprise in 1:48, a textured yellow wall with a sunflower border. A sunflower was growing in a creek by my house so I photographed it and used it on a black background in the border. When I told my friend, Judy Johnson, the paper doll artist, that I started making wallpapers, she sent a CD with wallpaper scans from books that her grandmother collected. She had already restored a few pages of the wallpaper samples so all I had to do was make them smaller. When I had reproduced the samples on the CD, I asked if she had more. She sent everything - approximately 2,000 pages of pages in books and loose pages! Of course, not everything lends itself to being reduced to small scales. Some patterns are too large and some, believe it or not, are too small!
Patty lindsey The oldest sample books were from 1919 and 1920. The most recent book was from 1953. I was able to find a few more books online from 1925 and 1935 to fill in some missing years. I was pleasantly surprised to find the book from 1925 had names of famous women from that year - and some of the gaudiest art deco patterns I've ever seen. One pattern was named "Dorothy Perkins" who, at 17 in 1925, was famous for being the youngest person to be charged with murder in New York City. The technical bit... Making a wallpaper design can be a tedious task. It usually takes about a week to reproduce a wallpaper in miniature and is accomplished on the computer in a graphics program. The first step is to restore the sample to its original colours as sample books this old will usually have water damage, torn edges, or will have turned dark from age. After restoring the wallpaper sample, the pattern has to be reproduced to a workable width and length to create a repeat. Needless to say, striped patterns are the easiest to reproduce and only take a few days to make after they've been restored to their original colours. A 1:144 cabin with horse wallpaper & flagstone fireplace...
Old ‘full size’ wallpaper books Some intricate floral designs are more difficult to restore and have taken two to three weeks to reproduce. However, sometimes I've tried to make wallpapers that seem to have beautiful patterns but end up being grotesque when they're repeated. Those designs never make it off the computer and end up in the digital trash bin. Some of the best ideas come from my wonderful customers when they ask if I have a certain design or want me to make something different. Brenda Greeson asked me to make a wallpaper set for a 1:144 cabin she was building. That turned in to Wee Wallpapers 7, an extended width set with 'country' patterns. Brenda also needed a whole sheet of flagstones with a fireplace to assemble that she could light with a tiny LED bulb. I wanted my wallpaper prints to be a bit different so my first eureka moment was to design flooring to go with the wallpapers in 1:48 scale. There are also separate sheets of flooring, distressed bricks, and stones, printed on heavier card stock. Some have a glossy shine like a waxed floor and others, such as bricks and stones, have a matte finish. Below: Printed bricks, stones, etc...
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Patty lindsey In 2017, one of my buyers asked if I could “make them smaller.” After a bit of math, 1:144 1:144 wallpaper was created with flooring. I started with three sets that 1:48 continue to be very popular. There are a total of fifteen sets now that have 4 to 5 wallpapers with flooring. Some have printed rugs and the Christmas set has printed tree skirts. I make all the wallpapers in 1:48 first and then reduce them to 1:144 when I have a sufficient number of new (old) patterns. Future projects... I'm working on a Colonial house in 1:144 that is covered in my printed distressed bricks on the outside. Disaster struck when some of the tiny Above: Patty’s brick windows and the front Covered Colonial house door disappeared! is a work in process... Eureka moment number 2! I made new windows and a 'stained glass' front door on the computer and laminated them. I liked the look so much that I made more windows for the front with stained glass features. I give a little bag of rubbing compound with every sheet of bricks so the cut edges can be covered to match the bricks. I sell my minis on eBay under the ID of 'myminidolls.' I was a dealer at the Dallas Miniature Showcase in 2019, and 2021 to 2023 but skipped it this year and only sell online at eBay now. At the present time, I use my website, minikinmall.com, to show some of my minis and to link to eBay.
Visit Patty’s website: www.minikinmall.com (Includes a link to her eBay items.)
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We asked Patty; What are you working on right now? My desk is really the computer where I create everything. The keyboard is on a cutting board so I can work there if the mood strikes. I have another workbench set up with everything I need to make LED lighting circuits. My laser cutter is upstairs next to another computer in front of my husband's 3D printer; we have lots of equipment! The inserts I use for the printed furniture pieces are cut on the laser. I was having a lot of trouble cleaning the soot from the cut pieces until I had a brainstorm. I put the cut pieces in a container of ground cornmeal, put a lid on the container, and shake the dickens out of the pieces. Then I pour the contents into a mesh strainer and shake that inside a plastic bag to separate the pieces from the cornmeal. The cornmeal is just moist enough to attract the soot and all the pieces come out clean. It's re-usable, about 5 or 6 times, until it turns grey. I have a few "projects" waiting for more hard-to-find pieces. One project is Arnold's Drive-In from "Happy Days" in 1:43 scale. It will have a rotating sign above the building and older cars in the parking lot. The piece I'm missing is Fonzie's 1963 blue Triumph motorcycle. I may have to go with a stand up photo cut out. That may be the next exciting project unless something else catches my eye before I find the elusive motorcycle. I love being retired, able to work at my own pace, and being the only boss I have to please. However, she makes me work too late if she has a brainstorm of an idea.
Patty
1:48 wall paper
Covent Garden
1:48th scale Wallpaper
By Patty Lindsey MinikinMall.com ©2024 All Rights Reserved This wallpaper must not be reproduced in anyway.
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Bea broadwood
WORKBENCH Bea’s top 10 tools
Bea’s workbench in The Old Chapel Room
One of the best things about making smaller scale miniatures is that you really don’t need to buy any expensive or complicated tools. The tools I use on a daily basis range from inherited antiques to everyday craft items. In order to select my top ten, I have limited my choice to include only those tools that I keep at hand and use daily. To be honest, my list is not very rock and roll, but these are the tools I use and love and I hope you find the list helpful too!
1
Fine tip glue applicator (plus bud vase)
Without question this is my most favourite and most used tool. Given the size and scale of the miniatures that I design and create, controlled precise glue application is vital! I use several different styles of fine tip applicators, but I store all of them in the same way – Upside down! This helps to prevent the adhesive drying out in the tip and blocking the applicator. When we moved PP into the Old Methodist Church, overnight I inherited more flower vases than is probably polite. Amongst the vase collection were a number of (what I would call) tiny bud vases and these have now been repurposed as glue holders and are used daily on my workbench.
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2 Scalpel or craft knife I know that technically this should count as two items, but I am bending my own rules and counting them as one! The scalpel I use for intricate or delicate cutting, such as removing tabbed kit pieces from the support backing. I also use a scalpel if I am trimming brick paper as the small blade allows precise cutting. I also use a craft knife too, mainly for general cutting of card or trimming paper. However, if I had to choose my favourite of the two; it would have to be the scalpel.
Top tip: Always use a new blade, whenever you start a new project!
Bea broadwood
3
Engineer square
I have a range of engineer squares (in lots of different sizes) that I use when constructing kits during the development stage. However, one engineer square that I have had from the very beginning was given to me by my late father. It is a heavy beast and has probably supported parts of every house kit that I have ever built.
5 Tweezers Like most of my tools, I have a little collection of tweezers in my workbench drawer; as I am always putting them down and losing them! My favourites are my long nosed and pointy tweezers as these are perfect for positioning tiny parts; especially tiny seed bead handles!
7
Ruler Standard craft equipment, I know, but vital nonetheless! I have two that I use all the time; a 6”/15cm plastic (transparent) ruler and a metal 12”/30cm ruler with an (all important) finger guard. The plastic ruler I use for simply measuring and scribing horizontal lines. The metal ruler I use when cutting card or paper with a craft knife. I used to use a plain metal ruler, until a moment of distraction resulted in me cutting off the end of my index finger. So now I ALWAYS use a ruler with a finger guard… for obvious reasons!
9 Scissors I have that many scissors, they should really be the focus of an article in their own right. But for the purpose of this feature, I am going to narrow my sights and focus on the pair that I use the most. They are nothing special and pretty standard really; but I simply couldn’t create anything without them! My choice might be a surprising one; embroidery scissors. These super sharp, snippy little scissors are ideal when working in the smaller scales and I particularly use them to trim the ends off of roof tile strips.
4 House hold pegs I suppose many would not consider pegs to be a useful tool as such, but I wouldn’t be without them! I have a small metal bucket full of pegs on the work bench and use them to hold kit pieces together whilst the adhesive dries. Over the years, I have collected various sizes and styles of pegs that I use for different jobs. Pegs with a flat pinch bed are great for sandwiching glazing between two window parts, whilst tiny sewing pegs are useful to access tiny spaces, which are par for the course when working in the smaller scales.
6
Cosmetic Sponges I simply wouldn’t be without these fabulous little sponges. They’re perfect for working in the smaller scales and I keep a ready supply of all different shapes and sizes in my work bench drawers. Denser than normal sponges, with a much more closed texture, they can be washed after use in hot soapy water and reused when dry.
8 Scribe tool This tool leads to an exterior finish technique that I use regularly on my model buildings. It involves the application of interior decorator’s filler, which is applied to the exterior of a model. When dry, I scribe whatever texture I require into the surface using a pointy tool. Now when I say pointy tool, I mean whatever you have to hand that has a fine point. It is not a specific tool, but my scribes are well worn from years of use. I wrapped masking tape around the grip to make it more comfortable to hold and use.
10 Cotton buds Ok, maybe I am pushing the term ‘tool’ again here, but I can’t ignore the part that cotton buds play in my work. I literally use then all the time! It doesn’t matter whether I am building smaller scale furniture, making houses or even creating a miniature landscape, I use cotton buds to clean away excess adhesive as I work.
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Half scale 1:24
Raven Lodge in 1:24
Penny rose (& bob)
Half scale
I have always had a soft spot for half scale. Small enough to be easily displayed, without dominating a room… yet large enough to be able to incorporate a very high level of detail. It is a dolls house scale that really does have the best of both worlds. So to champion this often over looked smaller scale, we are planning to include a regular 1:24th scale feature in each and every issue. To kick off our half scale celebration, we are excited to share Penny Rose’s unusual dolls house, complete with its very own intriguing back story!
M
y name is Penny Rose. I’m 61, a wife, Mum and Nana and I work full time, so juggling time is often quite a task; forgoing sleep at an important stage of a build often occurs; just don’t tell the office! I truly became a miniaturist just over 2 years ago. A personal tragedy made me look for a craft I could lose myself in. Creating each piece for that tiny world, takes me away from this one, transferring me to that one. Somewhere along the line people started to tell me I was good at it, well one day I may fully believe them. 66 | PETITE PROPERTIES
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I tend to have an idea rolling around my head for my next project, without much paper planning and often whilst still doing the previous one. This can be confusing and annoying as I can rush the final finishes in my eagerness to start something new. However, research is a vital part for me as I am quite a perfectionist. I find as many images that I can of my subject, to get as close as possible to the ‘real thing’ and so that in turn I can get as close to my idea of perfection as possible.
Half scale 1:24
The (very sad) story of Raven Lodge… John Hanley came from a well to do family, Ella Smith, the woman he loved did not. His family forbade him from marrying her or they threatened to cut him out of the family fortune. The couple left England in secret aboard a ship headed for a new life in the American gold states where John promised Ella a ranch house of grandeur never yet seen. John and Ella built their house and as promised started to fill it with the best John could find. He travelled a lot in their first year of marriage leaving Ella alone in a place she hardly knew. The Ravens soon took up residence on the property, becoming her only friends. In the year 1838 John returned from a long business trip, bringing more than just the gifts in his carriages; he had an illness that was slowly taking hold of his young body that could not be treated. A life had started to grow within Ella as John’s ebbed away; his final act was to purchase a fine crib for the baby and write to his parents in England to tell them of their soon to be grandchild.
The house base was bought for me as a 60th birthday gift from the UK Laser Shop on Ebay. Once it was built, its own story just came to life. Its sad tale was already there before a single slat or shingle was ever laid. I researched 1800’s prairie period as much as possible and then ‘stole’ elements from that time period from random stock pictures on Google showing the sides of real buildings, outhouses, water pumps etc. I read random articles about the illnesses of the time and general burial procedures which poorer people undertook. This was always going to be a darker piece, but it does show that life will still claim it... the ravens.
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I really love working on the exterior of my projects, as it finally brings the whole story together. Penny Rose.
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Two days later Ella buried her beloved husband in a plot at the front of the house where she could see him from the porch. As Ella’s time arrived, all alone, she felt something was wrong. Day turned into night, turned into day and night. Finally, their lifeless baby daughter was born. Ella consumed with despair buried the child next to her father, no name given and walked away into the night. No one knows what became of Ella Hanley. Three months later John’s parents arrived from England and striped all of value from that little house on the prairie no search for Ella ever undertaken, the dwelling was left to fall into decay... Now only the Ravens remain.
Penny Rose
The overgrown exterior of Penny’s lodge... www.petite-properties.com
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Other than that, I work with soft woods of all kinds, which I source online. I’m also the biggest scavenger, hoarder and eclectic magpie on the planet. I never look at a piece of rubbish the same way anymore and neither does Bob… I also raid his garage on a regular basis too. Raven Lodge, like everything else, is still a work in progress, I say the outside is done, but is it? Many things have made me chuckle along the way, such as making the ringing bell to come out of John’s grave, it actually pulls freely (warped sense of humour). Overall I’m pleased with the exterior… for now! Like many other miniaturists, display space at home is a premium. We are 2 homes joined into 1, married later in life, so together we have a lot of junk! Most of my creations have been gifts, a wedding present, Christmas prezzies etc, so I don’t have many of them on display. Bob built me shelving for them in ‘The Batcave’ – aka my craft room, named many years ago by my family!
The interi
or is still a
rogress’... ‘work in p
I really love working on the exterior of my projects, as it finally brings the whole story together. Although I work on a section at a time, the whole picture is in my mind already planned. By working methodically, it gives me the chance to change where a piece will finally go; for example, the water pump was planned to go on the end of the porch, clearly neither practical nor realistic! So, it moved to the front yard… Nope, that didn’t work, so I finally placed it at the side of the porch in front of the log pile. I think a lot of my inspiration comes from YouTube. I follow people like ‘Minstral Fantasy World’ and ‘Where the Gnomes Live’ for construction help and especially ‘Abandoned Miniature’ as his work is incredible! I have many, many more that I watch on YouTube which are dependent on what I’m looking for at the time. I don’t own a 3d printer, not that I could work one out if I did! Or any kind of programmable cutter, so all my work is done by hand with mostly simple tools. However, I do use a Dremel, and a scroll saw which my hubby, Bob bought me; and to the surprise of most of my family I still have all my fingers! 68 | PETITE PROPERTIES
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I don’t think I have a dream project, its always my next one I have in mind that excites me, which for the record is going to be an Alaskan Trappers Cabin. At some point I will come back to complete the interior of Raven Lodge, but it is shelved for now; the interior will be another chapter!
Penny Rose
An old water pump...
House kit featured in this article is from: Ebay: UK Laser Shop If you have a half scale (1:24) dolls house or miniature creation which you would like featured in this magazine, don’t be shy; get in touch with us today! ppmag@petitepropertiesltd.com
Steven Barepark
Raven’s Perch Build Hi everyone, and welcome to the first instalment of my Petite Properties “Ravens Perch” build in 1:48 scale. In this episode I’ll build some of the basic structure, make a weathered, wooden base for the verandah and get quite unexpectedly sidetracked with figure painting!
P
etite Properties kits are ideal for being finished in a variety of styles and before I started this build, indeed even before I received the kit, I searched the internet for images to inspire and give me a sense of where I was wanting to go with a build. I was attracted to the gothic revival styling of Raven’s Perch and how this lent itself very well to a Halloween theme, which is a theme I really want to explore for the centrepiece of a small 1:48 scale model railway.
Steven This would be the start of my search for reference photos and material to draw on and be inspired by. I find it really useful to have a body of reference material at hand to stimulate ideas, and to show me how things really look - as opposed to relying on my (often faulty) memory. I find my smart phone is a great tool for storing reference pictures and taking photos of real-world objects to help with colours especially. www.petite-properties.com
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Steven bearpark ‘Artificial Intelligence’ is coming more into the fore as a tool to create images and apart from being particularly annoying when people try to pass them off as original photographs or works of art, I do think it can be used to help formulate ideas for miniature builds. The cartoon-like images I’ve included here were created by using a free-to-use tool called Adobe Firefly and are based on a sketch I made and uploaded into it, together with adding a few keywords such as ‘Halloween, trees, pumpkins’. Now, these aren’t finished ideas by any stretch of the imagination, but they do start to free up the mind to start to wander over other ideas. I’ll leave that with you to think over: the use of AI is only in its infancy and already contentious.
Steven’s AI generated research images...
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The cartoon-like images I’ve included here were created by using a free-to-use tool called Adobe Firefly and are based on a sketch I made and uploaded into it, together with adding a few keywords such as Halloween, trees, pumpkins. Steve.
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The movie industry has long developed a repertoire of visual prompts and effects that speak to our emotions and movies too can be a wonderful resource - the artists at Walt Disney are particularly adept at creating scenes with structures, scenic elements, space and colour, and a lot can be learnt from their work. Browse and study other artists work, see how they tackled the subject. I’m not saying to slavishly copy, but I see no shame in borrowing ideas and learning from the masters. Bea has done a fabulous job of finishing Raven’s Perch in the stock images on the PP website, and one element of that build that I particularly like is her use of a limited, de-saturated, cool colour palette. By now, though, I’m itching to get started so, let’s get on with the basic build. 70 | PETITE PROPERTIES
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Starting the Build... I’ve two bags of pieces of laser cut card and MDF on my work bench: one for Raven’s Perch itself, the other for the display base. The display base is not essential, but I enjoy creating landscaping, and this base will be a great start. The large number of pieces can seem a little daunting at first, and so the first thing I do is to read the instructions, at least twice, then open the bags of pieces and familiarise myself with them: what are they, where they go, what pieces join together. It’s always tempting to start building straight away, but don’t skip on this preparation. I fit the pieces together before applying glue (dry fitting) and double check with the instructions as I go along. I find that the instructions are very clear and well laid out. PP Kits...
Steven bearpark
The base kit...
Not too many tools are required for this part of the build, the parts are cleanly cut and fit together really well, but what I find really useful are metal blocks often referred to as 3-2-1 blocks.
They have six flat faces (3 inches x 2 inches x 1 inch, hence the name) and all angles are right angles so they can be used to make sure that pieces are positioned at right angles and held together whilst the adhesive sets. They’re also useful as weights to keep pieces pressed together. For adhesive, I generally use Gorilla brand wood glue for wood (mdf) (because I like the handy bottle size and applicator nozzle) but any brand of regular PVA based white glue works well. It sets slowly so that slight adjustments can be made, but not so slowly that progress can’t be made. Sidetracked Already! Something I like to have at hand when I’m making any miniature scenery or buildings is a human figure of the appropriate scale. We’re all familiar with how people look in a scene much more than we are a scale rule, and if it looks right, it’s probably near enough (unless, of course, we want to create an exact scale replica of something). To me, nothing helps get a feel for whatever I’m creating better than a human figure. Not only that, but they help spark the imagination as I progress. 3-2-1 blocks in action...
MODELU have an extensive & affordable range of 3D printed figures... I made an initial selection of three figures that will fit in well with the finished building, and I already have a vignette in mind for them on the finished diorama, but more about that later. The figures are 1:48 scale (to match the scale of Raven’s Perch), and are “People in Conversation, Bundle 1” from Modelu. Whilst there was no need to paint them at this stage, as soon as they dropped through the door with the post I knew I had to paint them. So, please excuse me as I meander from the main task in hand as the adhesive sets on the MDF of the base. I promise not to get too distracted as we progress through this project, but can I convince you too that these figures will come in handy as we go on? I can? Thank you!
Steven’s top tips for painting 3D figures... There are, of course, many ways to paint a model figure, many different brands of paints and many different finished styles. There is a vast library of all this available on YouTube, should you wish to explore this aspect of modelling further, and I’ve tried a lot of different methods before landing one that suits my temperament (i.e. not too much “faffing about”) and time I have available or want to devote to this aspect. I’d encourage you to try different techniques until you find one that suits you. I learn through not achieving the www.petite-properties.com
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Steven bearpark results I want. I’ll cover the technique I used to paint these figures more fully in another not-too-distant edition of this magazine, but for now I’ll explain briefly:
I first use an airbrush for the undercoat, but it is possible to use rattle cans (aerosols) at this stage or a paintbrush, but the technique will be slightly different. First coats of paint for me are made with Tamiya acrylics: in particular XF-19 Sky Grey, XF-53 Neutral Grey and XF-2 White. I’ve found that a dedicated primer is not necessary at all before these coats. If I ever have any problems with my airbrush, its usually when using primer, so not having to use it is a big bonus for me. I have diluted the colours heavily with isopropyl alcohol (rubbing alcohol) and I keep little jars of these colours already diluted. The coats dry very quickly and there’s no danger of obscuring some of the fine detail under layers of thick primer. An even coat of Sky Grey is used over all the figure, followed by a light application of the darker Neutral Grey sprayed only from underneath the figure (shading) and then a similar application of White only from above (highlights). The aim here is to create a version of the model rather like a monochrome photograph, where details are enhanced by the light and shade. Light falls differently on small scale figures than it does on life-size objects, and this process of adding highlights and shade helps to deceive the eye. The picture here shows before and after the shading/highlight process and I hope you can see a difference between the two. 72 | PETITE PROPERTIES
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I wonder what they’re studying?
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I don’t usually paint eyes at this scale or smaller - the time and effort required to not mess them up simply isn’t worth it for me, and do you really miss them in these figures? Steve.
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The first thing to do is to carefully separate the 3D printed figures from their support structures. Not too difficult at this scale, but experience has proven that at the smaller scales: hands, feet and tools can fall victim to overzealous use of a sharp blade or pair of snips. I find printed resin to be quite fragile (or that may be me just being heavy handed). Some like to leave the feet attached to the base until the painting process is over, I prefer to attach a little “handle” of scrap polystyrene with superglue (cyanoacrylate) to the bottom of a foot or somewhere unobtrusive, or drill a small hole and insert a short length of wire. Either way is good, but I do find that the figure is sometimes easier to manipulate through my painting process with a little handle attached, and I don’t get (quite so much) paint on my hands.
On with the colour, and the skin is usually the first thing I will paint. I use very thin washes of colour throughout, and the beauty of this is that I can build up the depth of colour with successive coats whilst finding that the pigment naturally settles into the creases and features - enhancing the grey pre-shading. I tend to use a size 2 brush at this scale - a good brush will have a fine point for fine work and this size of the brush allows for a reservoir of paint so that an even coat can be applied without having to dip back into the paint too many times.
After...
Before...
Steven bearpark I used figures in this diorama to constantly check that things looked in proportion. Things might have taken a sinister turn - I wonder what they’re studying? OK, back to the building now that the glue has well and truly set on the base... Back to the build and creating the verandah planks... There are quite a lot of parts, and getting them out of the bag, studying the instructions and a bit of dry-fitting was absolutely essential. There is an overall base on which the two substructures of the main house and tower fit together. The front part of this base forms the verandah of the building. I want this to have the appearance of worn timber planks and I’ll do this now whilst I have easy access to the base without anything else attached. On the top surface of the base I glued a 1.5 mm thick sheet of basswood faced plywood using the same glue as the rest of the build and weighted it down until it set. There’s no need to buy anything special for this task - tins of vegetables, bottles of paint, cups of tea… lots of household objects make good weights. When that was dry I flipped it over, and with it on the cutting mat I used a sharp retractable blade cutter to make several passes around the edges of the MDF base, using the base as a guide, until the original shape emerged. It’s always better to use several light passes with the blade rather than trying to cut through with force - safer and less likely to veer wildly off the intended line. The base is now thicker than intended, but this won’t affect any of the future build process.
I then marked the outline of the planks with a ruler and pencil, keeping them parallel, but not worrying too much about their spacing so as to create random widths of between 3 or 4 mm. Then, freehand, I traced the lines with a light pass of the cutter, not going any deeper than half a millimetre or so. Its not the plan to cut through the layer of plywood entirely, but to simply create the mark of planks. I could use a rule to guide the blade, but I find that the slight variations and wobbles made without a rule help create a more natural, worn appearance. The line is widened by making two more passes, along the same line, but each at a slight angle from vertical - one leaning over to the right, and one to the left so as to create a ‘V’ shape cut overall. In practice, this V-cut is much easier done by first leaning the blade over to the right (a more natural position) and making the cut, then turning the work around and make the same cut with the blade in the same position down the opposite side of the line. There are also tools available to make a V-cut in one pass, but again, I find that the imperfections created by my method add to the effect. Steve used a scalpel to cut a ‘V’ shape into the balsa wood to define the individual floorboards
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Steven bearpark de-saturated browns, so the first coat of colour was with a water based wood stain of light grey. I used ‘Dove Grey’ from Village Green and whilst you can use acrylic paint for this, I find this wood stain to be easy and economical to apply. While this was drying, but before it was totally dry, I rubbed it over with a sanding pad to remove some of it off in patches on the surface, leaving bare patches of the original wood that will be coloured in the next step. This is quite a random process and didn’t require much finesse.
Steve’s balsa wood floorboards...
Some similar cuts are made across the width of the individual planks to create the effect of joined planks. In a real construction, these joints will be staggered and follow regularly spaced joists running at right angles to the planks, and it really adds to the realism of the model if this is reproduced. Coffee stirrers or similar could be used to create a similar planked effect. Random grain and crack marks are next made on the wood along the line that these would naturally follow - along the planks. I like to use the back edge of the point of a sharp scalpel/craft knife to do this, covering the area with quite rapid, short strokes, and occasional longer, more considered scratches wherever the fancy takes. I paid more attention to the ends of planks and random areas of more intense wear. I want to create a well worn and weathered appearance, and the more marks made, the more worn it will look. I quick rub over with a sanding pad gets rid of any loose splinters that may have been made, and the ‘fur’ that is often on the surface of balsa wood and breaks the element of believability. I’ll keep to a muted palette of colours for the wood (remember me mentioning Bea’s use of a de-saturated colour palette?). Left to its own devices, wood tends to weather to a grey colour with 74 | PETITE PROPERTIES
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I used oil paints for the final part of the process: raw sienna, raw umber and burnt umber, with an odourless solvent (such as Sansodor from Windsor & Newton). I used to like to use turpentine, but find that the vapour is really irritating to my nose, throat and chest. These colours are applied in very thin, random washes over the wood, but in applying more of the darker colours to the ends of the planks or the deeper cracks. If too much is applied then it is easily wiped off or diluted down with a brush dipped in solvent. This is one of the strengths of using oils - they blend really well, can be diluted and worked for ages once applied. You can refer to my photos to see how this effect builds up from plain plywood to weathered planks. It’s all a matter of personal preference and taste, but I didn’t want any bright colours. As you’ll discover throughout this build - I’m aiming for a well worn, neglected appearance. I will revisit everything as the build progresses to add more shade and depth and maybe some green in “damp” corners. Of course, as I soon discovered, much of the floor planking I’ve just made would be forever covered by the bases of the tower and main building. There was only need to mark out enough planks for the verandah area! I guarantee that I’ll make more mistakes along the way.
Steven bearpark On a roll now - Flying through the next bit... I find that the instructions that come with PP kits are very comprehensive and easy to follow, so its not my intention to go through every step with you, unless to reinforce a particular point where I’ve probably gone wrong or struggled. So far, I’ve only diverged from the plans with the addition of the verandah decking and by not putting in the floors of the bedrooms in the main house section. I want to keep access as much as I can for my clumsy fingers should I decide to decorate the ceilings and floors and it will be easier for me to do that before I put the floors in. This didn’t affect the structural integrity of the build at all, but I couldn’t do this in the tower as the floors Right: Raven’s Perch, Steve’s work in progress...
fit into cut outs in the walls, so those small rooms may be problematic for me. Final thoughts... So, having made a start, I find that the little characters keep popping back to keep an eye on progress and I hope its meeting with their approval. I’ll have to think of names for them, though Doris and Charles spring to mind for two of them as these were names of my grandparents. I’ll leave the adhesive to fully set now before returning to look at fitting the roofs, chimney and covering the exterior. I’m very much looking forward to detailing the verandah area and really starting to put some character Into the house, but that will have to wait until at least some of the walls are done. I sometimes find that it’s useful to pause for a couple of days at a time during a build and just take time to look at it, place the little characters in the scene and see how they interact with it in my imagination, or perhaps how they would be able to move about the landscaping. Is there space for them, are they able to get from point A to B, what would they expect to find there, do things look in proportion? It’s in those mindful moments that ideas are generated. But maybe that’s just me going nuts? Happy modelling everyone.
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Steven
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Sam lovell
creative Proof that you don’t need a lot of space, to get creative!
Sam lovell
under the stairs Whilst it is of course amazing to have a purpose built hobby area or dedicated room, for many miniaturists, space restrictions mean it is often an unattainable reality. Our homes and the way we now live and work come together to dictate how much hobby space is available, or unavailable to us and sometimes we have no choice but to get creative about ‘where’ we get creative! As a child I spent a lot of time playing in the cupboard under the stairs (sadly, my letter from Hogwarts never did arrive), but that tiny space was a fun place to hang out and it seems smaller scale enthusiast Sam Lovell whole heartedly agrees!
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y creative space is under the stairs, painted shocking pink, decorated with items collected and given to me as gifts that give me inspiration. It’s small, but has a place for everything and everything in its place. Despite living in my home for 25 years, the penny only just dropped that I could actually utilise this area to fit my purpose. That coupled with a desk I had originally bought to work from home, which soon was ambushed for minis, I’ve only been mini making in my craft space for a year despite being a Miniaturist for 22 years! My miniature houses are smaller scale and so is my real life abode, space is of a premium. Having always craved a dedicated creating space I realised it in this ‘dead space’.
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Minis aren’t necessarily limited to this space alone, which is probably something most of us can relate to. I am always finding little bits and pieces all over the place. But this said though, I have many crafty pursuits, nothing else is crafted in my ‘mini’ space as that would be sacrilegious! Small, but perfectly formed... Having a small footprint, I had to consider what and how I was going to fit things in. Being beneath the stairs, there are only two walls,
Sam’s tiny landscaped pond...
Sam’s creative retreat is tucked away under the stairs...
one reducing down with the tread of the staircase. Luckily the desk I had chosen is a wall leaning design standing on two legs and clears the top of the highest step. A low, front opening floor cabinet fits under the lowest step with space to store the printer and die cutting machine on top and paints, glues, etc inside. This leaves just enough room for a four tier storage unit and a chair. The desk top is square, so not necessarily the largest of space to work on. I always have more than one project on the go of varying scales, everything sits side by side in whatever stage they are at. This isn’t a problem with 1:48th, as the actual house can sit there not taking up much room. But for larger scales, only the actual piece I am constructing can reside on the desk. Not that this poses an issue as my tools/ supplies are close to hand.
I’m not particularly tidy, but despite that it sometimes looks as if there's utter chaos, there is some actual order. I line each piece of work up in a production line and having a notebook to hand keeps track of ideas or what needs doing next and the most important item is my desk as I can leave everything Sam’s adorable kitchen out without needing to wall cupboard constantly put things in 1:48 away. I don’t have a favourite piece of quarter scale work as I genuinely love every piece I make. It never fails to please me how much detail can be created in such a tiny size, once you realise it’s more about the impression of what you are looking at as opposed to complete realism.
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I'm a jack of all trades, at any one time I can be assembling a furniture kit, constructing a property, kit bashing an item to customise it or building something from scratch; such as a kitchen cupboard to a duck pond. I do prefer working in quarter scale, as I can realise my ideas into reality much quicker.
Minis aren’t necessarily limited to this space alone, which is probably something most of us can relate to... Sam.
Miniatures are the glue that keeps me together sometimes. Of course I still have flights of fancy where my dream space would be a lean to on a stone cottage, with a door that opens out to a cottage garden. Flooded with natural light, a checkerboard tile floor and bespoke shelving to display my creations. I’ve a good imagination clearly!
A quarter scale seaside cottage...
The very fact I've now an area to solely create miniatures is the best thing about my creative space. It is my happy place where I can practice mindfulness and be totally absorbed. www.petite-properties.com
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Sam lovell Sam Lovell is an enthusiastic smaller scale miniaturist, who lives in UK. As a member of Petite Properties’ Modelling Community, Sam was keen to share her modest ‘under the stairs’ work area and show that you don’t need a huge space to have a huge amount of miniature fun!
In reality my petite space will suffice for now and only a couple of projects are displayed there. One being my very first dabble into quarter scale. The rest of my creations are dotted around my home for all visitors to ‘Oooo’ and ‘Arghh’ over (and they do!). After all, our projects are 3D pieces of art.
Sam
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Spotlight on
spotlight Here in PPHQ, we have always been amazed how one kit design can be transformed to look totally different to the next, when it is in the hands of different miniaturists. So, we thought it would be fun to explore this concept further in this regular feature and turn the spot light onto one design and see just what our customers have created with it? Hedgerow Cottage in 1:48 by Liz Sewell
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hose of you who used to follow my monthly column in Dolls House & Miniature Scene Magazine, will already know of my deep love of beautiful Dorset. This beautiful county and its Jurassic coastline has been the destination to many childhood and idyllic family holidays. But Dorset’s quintessential architecture is not just pretty, it has been inspiring too and PP’s back catalogue is littered with Dorset inspired designs. The idea for PP’s Hedgerow Cottage was first conceived on a visit to Lulworth Cove; a place where I have been a regular summer visitor ever since I was a child. Inspired by the full scale thatched cottages found in East and West Lulworth. Thick pastel coloured walls, tucked under heavy and curvaceous thatched roofs. Hedgerow Cottage not only channels the architecture of Lulworth, but also celebrates a perpetual summer garden scene in quarter scale. Over the years, this understated little cottage has been a big hit with our customers too and in this issue we celebrate how three different miniaturists have brought it to life!
Introducing:
Liz Sewell
When she moved to her current home, 4 years ago, my mother gifted me a magnificent 12th scale Tudor manor house, which she built and furnished decades ago. It had been a hobby which she took very seriously for many years, and she was no stranger to all of the miniatures fairs all around the country. Along with the Tudor manor and its fabulous contents, she also gifted me boxes and boxes (and yet more boxes) of spares, tools, materials, etc. I’ve always liked crafting, so I started carrying out a small refurbishment of the Tudor house; which needed a little attention after years in storage in a damp garage. Despite there being no room left in my spare room (because of the Tudor beast), my sister ‘offloaded’ another of Mum’s (huge) former houses to me – this time a Georgian style house. I looked at it through squinted eyes and saw immediately that there was potential to transform it into a French country house/ chateau – I’d been eyeing up 12 scale chateau kits
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Spotlight on
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I didn’t realise it at the time, but there are a few elements of the garden which mirror my own – the arbour seat with the lavender pots for instance, are coincidentally the same shape and colours as the one on my patio and a previous owner of my home also planted big trees in completely the wrong places! Liz.
Liz’s quarter scale cottage garden mirrors her own full size one!
online for a few months intending it to be my next project after the Tudor house, but they were horrifically expensive. Much to Mum’s horror, I bought a jigsaw and set to it, cutting out bigger holes for multiple French doors. I also covered the exterior of the house in plaster and threw away the perfectly nice roof - my heart was set on a traditional French style mansard roof, although quite how to build one in the right proportions, angles and ridge detailing was a bit of a mystery at that point. One evening, as usual, I was Googling all things ‘French chateau dolls house’ and came across a link to a lovely 1:144 chateau kit - Le Grand Chateau by PP – I thought it would look perfect in my 1:12th scale French country house/wannabe chateau. I clicked on the link for a notification once Tony had done his magical thing (something I didn’t realise at the time that I would do many more times in the future) and restocked. I was slightly scared of the kit when it arrived, but eventually I got started and found that it was much easier to build than I initially imagined ( thanks to the excellent instructions) and I was really pleased with the finished article. Bea’s instructions for the roof finish were excellent – tissue paper and wire – who’d have
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thought they could produce such a great result! I had also found the answer to creating the same style roof for the 1:12th scale house. The tiny PP chateau sat on a shelf in my living room for a while and I admired it every evening – I loved it. The collector in me decided I should really get the set, and that was the start of the very slippery slope. The 1:12th scale houses took a temporary back seat. (They’re still on the back seat.) It would only take a few weekends to finish them both, but after I’d completed the PP 1:144 chateau range my eyes turned to the 1:48 versions. I ordered one to see what I thought of it. That was a fatal move and the PP team will confirm that my attention was completely diverted from that moment. I haunt their website, my name crops up too often in their online orders, and I pop up in person in front of them at the shows. I’m almost expecting a restraining order sometime soon! (We love seeing you Liz! The PP Team.) It was inevitable that after I had exhausted all the grand French and English houses in the PP portfolio, I saw Bea’s completed Hedgerow Cottage at a Miniatura show and loved it. Hedgerow’s base was my first miniature garden and building it was a nerve-racking learning curve. It was also my first thatched roof too, which is obvious from the photos!
Spotlight on I didn’t do a lot of planning as I’m always too impatient just to crack on. That said, I always try to follow Bea’s photos and the techniques in her book as closely as possible, as she’s the real artist and expert. Because this was my first garden, I didn’t get the plaster landscaping right at all and had to redo some of it after the grass had gone down (I wouldn’t recommend doing it that way round at all!). I wanted the garden to work properly for the occupants of the house – it bothered me that they couldn’t walk round the exterior (because I’d glued the house down in the wrong position and I hadn’t put enough plaster around the perimeter of the garden), that a tree was planted firmly where there would logically be a seating area, and that the well was propped up horizontally on a slope! All these issues were fixed, messily, months post-completion – a lesson learned!
Creative weekends... I now really like working in 1:48th scale; but I can be impatient (hence the two unfinished 12 scale houses) and the relatively modest amount of time spent to achieve an amazing result in a smaller scale is really satisfying. Another bonus is that in theory they’re easy to accommodate, unless of course you go a bit mad and have a massive production line in place! My job can be quite stressful and, once the usual household chores are done on a Saturday, I sit down at the kitchen table, which is almost always covered with my cutting mat, a big pot of paintbrushes, and various glues, with my tool kit and boxes of paints hidden on and under the chair seats) and completely focus on creating something beautiful for the rest of the weekend (with any luck!). However, I do have a confession... While my houses are decorated inside, with flooring, painted or sometimes wallpapered or panelled walls, skirting boards, staircases, doors, fireplaces, etc, I’ve yet to furnish them – I keep telling myself that that’s a project for once they’re all built, but then there’s always a new PP kit calling for me. And my furnishing plans were completely thrown out of the window as soon as I saw the first few Port Piran buildings – I knew exactly what I’d be doing with any spare time in the coming months!
Liz
Introducing:
Ann Holmes
I have been fascinated by miniatures since l was a child and always wanted a dolls house when l was small. Dad was a joiner and undertaker and although he made me a beautiful dolls cot with turned spindles, there was no sign of the much sought after dolls house. This all changed when l bought a 6 roomed Manor House in 1997, once home l didn’t know where to start, not long after l saw a flyer advertising The Yorkshire Miniaturists Association in York; joining this group was the best thing l ever did! 27 years later and l am still hooked and I have been chairperson of the YMA since 2011. I have a large spare room dedicated to my houses, shops, gardens, room boxes etc, but l was running out of room, so downsizing to 1/48th scale solved the problem. Our YMA stand at the York Racecourse Fair is right opposite the Petite Properties stand which is far too tempting. Their stand is a delight to look at all day and after setting up our own stand, l get to have a good look before the fair opens to the public. I immediately fell in love with Hedgerow Cottage, it would be my dream house. I was a bit nervous about my ability to build something this small, as it would only be my second 1:48th kit, having previously built the Shepherds Hut. Below: Ann’s dream cottage; in miniature!
Spotlight on I read the instructions three times and then put them to one side, it was not until we were all house bound due to Covid, that l got the incentive to make a start. Hedgerow Cottage proved to be the perfect lock down project, in between stitching a 1:12th rug. However, my nerves quickly disappeared; everything went together very well, (the instructions being clear and concise). I particularly enjoyed making the thatched roof out of felt, this and other exterior finishes are described in great detail in Bea’s Exterior Finishes book. I enjoy creating gardens and the outside scenery getting inspiration from my own garden, but the autumnal colours of Hedgerow Cottage were inspired from a photograph of a thatched cottage near Helmsley, North Yorkshire. I am embarrassed to say l have only just started on furnishing the cottage, l was distracted by the unexpected surprise gift of Cobblestone Snicket from my daughter. She was probably so tired of hearing me talk about this collection of buildings and my indecision on buying them. Her plan was to give me one kit at a time for Birthdays and Christmas, but this massively back fired when l got to the door and the post man before she did and saw the large box with the tell tale PP label!
Introducing:
Jean Oxtoby
I have been making miniatures for over twenty five years. I always wanted a dolls house but never realised it was a “thing” until I was browsing in a Semi detached cottages!
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I am absolutely delighted with my Hedgerow Cottage and would love to make it again, maybe with a larger base which would give me room for a vegetable patch and chickens. Our club recently acquired a flock it machine for members use and l would like to use this to create a more wild natural garden... Although l have my eye on the Gardener’s Cottage and if a Head Gardener lived there it would have to be very tidy, choices, choices...!
Ann
Ann is making a start on filling her cottage with this wonderful 1:48 bed!
newsagents and saw a dolls house magazine, that was it, I was hooked straight away. I’m afraid I don’t remember where I came across Petite Properties, but the houses looked so charming I couldn’t resist and of course there was the added advantage of taking up less space.
Spotlight on I acquired some little people Joining two kits together who needed homes, a is a really clever and effective adaptation! country cottage seemed ideal, but obviously I would need two. So I looked on the PP website and fell in love with Hedgerow Cottage, so as I needed two it seemed a good idea to turn them into a pair of semi detached cottage. I knew the outside would be render with a thatched roof but I had seen a picture of a real cottage with the front part stone with render above. I loved the uneven edge of the stone against the render and decided that was how I wanted mine to look. The thatch is air dry clay and the kitchen roofs are Bea’s tried and tested method of slates made from birthday cards. The interiors are my imagination, trouble is I start and don’t know when to stop. I squeezed a bathroom and little attic space into each cottage. I’ve made Memory Lane as a harbour, that was my first excursion into 1/48 scale, I’ve got Cobblestone Snicket waiting in the wings and have nearly finished Stragglethorpe Manor. I have done Grandma’s Retreat; it isn’t on a base as it will accompany the Hedgerow Cottages. The bathroom suites were on cards from Mini Dollhouse Furniture bought at a stall. The stair carpets are images off the internet and printed on paper, the furniture is from Petite Properties and the other little bits and pieces are what I have made.
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Putting these little kits together is a real joy and pleasure and the detail you can include is amazing, although I definitely need tweezers, it’s easier than trying to pick the little pieces up with your fingers. Jean.
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In Issue 3 we put our 1:48 Robin’s Nest Kit in the spotlight and take a closer look at how three talented miniaturists have brought it to life!
Side by side; the interiors
The cottages aren’t lit; I haven't quite been brave enough to take up that challenge yet! I loved doing these cottages they were so easy to put together and look really good when they are finished.
Jean
www.petite-properties.com
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Back to basics
back to Paint As far as ‘back to basics’ goes, the subject of paint is undeniably another fundamental one within the creative world. To my mind it is in the same category for baseline decision making, as which kind of adhesive to choose and as with selecting adhesive; paint preferences can also a very personal choice. In my day job at PP, I am known to prefer to keep my material choices pretty simple and the types of paint I use to create the miniatures I make are the same… But, with so many different types of paint available – which ones should you use and which ones should you avoid?
B
ack in issue one of this magazine, I explored how I go about selecting paint colours and shades, but this time, I am instead going to focus on the type of paint itself. So let’s take a closer look at the most common types of basic paint available and their craft uses.
Acrylic Paint By definition acrylic paint is ‘a fast-drying paint made of pigment suspended in acrylic polymer emulsion’. There are many different types and brands of acrylic paint available and it is a type of paint that most miniaturists will already have plenty of in their creative cupboard! To put it simply, acrylic paint is an oil based paint, which will adhere to pretty much any surface, making it ideal for painting plastic or metal. It is also my go to paint to use on 3D printed resin miniatures too!
Paper/Card Wood/MDF Metal Plastic/Resin
Poster Paint Poster paint -This style of paint is a real back to basics; as it is, quite literally, commonly used in schools. Tempera is a simple water based product that can be mixed to create infinite colours. Although it isn’t everyone’s cup of tea, as it can have quite a chalky finish and pigment levels can vary widely between manufacturers. 84 | PETITE PROPERTIES
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Paper/Card Wood/MDF Metal Plastic/Resin
Back to basics Watercolour Paint (Tube variety) – This is not a paint variety that I personally use for miniatures, but I know miniaturists who have had great success with this medium. Obviously as a water based paint, there are limitations as to how it can be used, but it can be mixed with varying amounts of water, to create gentle translucent washes to dense colour; depending on the concentration.
Paper/Card Wood/MDF Metal Plastic/Resin
Spray Paint When I was writing this feature, I realised that I actually use aerosol spray paints quite a bit; it is a great all-rounder. I use muted shades when I am base coating inexpensive landscaping trees or bushes. I also use spray paints, when I bring printed 3D miniatures to life. However, I only use spray paint that has a matt finish… Of course, when applying spray paint, you must always follow the manufacturer’s safety instructions regarding ventilation etc.
Paper/Card Wood/MDF Metal Plastic/Resin
Emulsion Paint This is the type of paint that you paint the walls of your home with. It is available in a wide variety of different finishes from dead flat matt to semi glossy silk. Tester pots are a cost effective way to tap into this style of paint and as a bonus; most come in a matt finish. Period inspired ranges in particular include some lovely muted colours, whilst common high street brands offer more vibrant colour options. Emulsion paint is also water based, so brushes and sponges can be washed in hot soapy water.
Paper/Card Wood/MDF Metal Resin (some) Plastic
Bea says... I do have a few tester pots of emulsion paint in my creative cupboard; most of which are left over from various past decorating projects (life size). But the great thing is that the emulsion paint contained in tester pots is that it is almost always a matt finish. It is an ideal paint to choose if you need a larger quantity for those bigger ‘miniature’ projects.
Of course this list is far from being a definite tally of different paints, however these are the most commonly used (non-specialist) varieties. However, if you use a specific paint and would like to share its merits with our readers – do get in touch, as we would love to hear from you.
ppmag@petitepropertiesltd.com www.petite-properties.com
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Miniatura celebrates 100 shows
100th Mini McGregor World famous miniatures show marks a massive milestone! The next Miniatura show will be on 14th & 15th September 2024 at Stoneleigh Park NAEC and will feature the established mix of expert artists and passionate amateurs showing some of the best modelling techniques in the world. This time will be extra special, many exhibitors have exciting plans to celebrate the occasion with new products, free giveaways and showstopper displays. 1:24 & 1:48 Potting Stand by Jane Harrop
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Way back 41 years ago, our hobby was generally considered to be for children and as such most folk associated it either with 1:16th scale mass produced items such as Caroline's Home or 1:6th scale for Barbie or Cindy dolls. The amazing craftsmanship we now accept and associate with miniatures at shows like Miniatura was in its infancy here in UK although very popular in USA. One twelfth scale was quite new to many and I remember illustrating talks with a 12 inch plate and it's mini version at one inch as possibly the simplest way to explain the whole concept. Things soon grew to embrace 1:24th and 1:48th scales. These days the hobby is enriched by makers who make small scales their specialism such as Petite Properties and other well known makers.
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uch landmarks are a great opportunity for a bit of nostalgia, and we asked one of the original organisers Muriel Hopwood for a few memories of those earliest days with a particular focus on the question of scale. It would be easy to imagine that having accepted one inch to the foot as the dominant scale, the miniatures community might have happily worked in that size for many years before going smaller. In fact, the opposite is true. It is the very nature of miniaturists to wonder “what if…?” and from the earliest shows we have listings for exhibitors who include that magic phrase “also some 1:24th scale”. Everyone worked in 1:12th scale at this time, but it’s such an easy leap of logic to assume that creative people would see smaller scales as a natural By Life Of Riley progression.
By Andy hopwood
Muriel Hopwood
Miniatura celebrates 100 shows A quick survey of the exhibitors coming to our next event shows that the 40% figure seems to still hold true but now with more and more exhibitors specialising. We have always wanted Miniatura to reflect the hobby and tried to meet the needs of the community as best we can. At the same time we want to bring in new ideas and push the envelope of the world of miniatures, just as those earliest small scale pioneers did back in the early 1980’s. Smaller scale furniture constructed by Rob Crouch Fast forward to the turn of the century and a quick look at some of our old show guides. Not only was 1:24th scale appearing on 40% of exhibitor’s tables alongside 1:12th scale but even smaller scales were now being represented.
So we shall see you at our 100th Miniatura Show in our 41st year and we can all be amazed at what new and wonderful exhibits explore the ever increasing world of ever decreasing size!
Andy
Nowadays it’s accepted that some collectors focus on just 1:24th or 1:48th scale but between the year 2000 and the modern day some brave exhibitors had to take the plunge to dedicate themselves entirely to 1:24th scale. This would never have happened were it not for the support of the buying public creating that demand. I like to imagine it was that intrepid spirit in all pioneers that does not ask the question “why?” it rises to the challenge of “why not?” As I write for Petite Properties new magazine which seeks to champion these scales and reflects this pioneering attitude I am reminded of Gillian Monks of Jack & Jill, whose publication “Small Sensation” flew the flag for many years. Our community is so lucky to have people in it who want to promote the miniatures hobby to the world, it is as inclusive as it is inspiring, and everyone should be a part of it!
Tiny lit stove by Laser Shrink Ray
Save the date! 100th miniatura show 14th & 15th september, 2024
A half scale master piece by Top Toise Designs (Photo by Stewart Writtle)
www.miniatura.co.uk Photos from: Rob Crouch, Jane Harrop, Laser Shrink Ray, Life Of Riley, Mini McGregor & Top Toise Designs Also featuring the photography of Rob Tysall. www.petite-properties.com
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Kit bash corner
the
The Salt Barge Inn...
Kit bash corner Sharon blackburn
W
hen Sharon had the idea to make a replica model of her favourite pub, she decided to use an existing PP kit as the base structure. Then Sharon cleverly adapted the design and with a few scratch built additions and a little bit of creative magic and The Salt Barge Inn was born! Sharon has been a miniaturist for over 25 years. Many years ago a work colleague asked her if she would revamp a mini room box. Sharon agreed and to her surprise found that she really enjoyed working on it. Needless to say she was hooked on miniatures from that day on! Having had several 1:12 dolls houses in the past, Sharon found that after downsizing her full size home, she simply didn’t have room for them anymore. So 88 | PETITE PROPERTIES
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sadly the dolls houses had to be sold. However, Sharon could not bear to part with any of the minis that went inside the houses and for now she is keeping hold of all of them. After moving home, Sharon had a bit of a break from miniatures. But one day she had to urge to have a go at the smaller scales. She eagerly dived in and started with Hedgerow Cottage (see page 81) and found that she really enjoyed building it. From there Sharon got the bug and built Cobblestone Snicket, which is a medieval inspired quarter scale street scene. Sharon loved it, especially when she realised her smaller scale street could be displayed on a shelf… then she became excited as she went on to realise that she could have multiple minis on a shelf! As well as more shelves! Yes Sharon was hooked!
Sharon’s Story… “The Salt Barge Inn is my local pub. I have always admired the building since moving to Northwich nearly 5 years ago and I just knew I had to make it in miniature. The full size pub was built and opened in 1861 and is situated opposite the Lion Salt Works Museum. The Salt Barge Inn is very popular with locals and walkers alike, with log burners and an open fire in winter. A pictorial history of the Salt Mine is illustrated throughout the ‘top bar’ and coupled with an open fire, makes for a cosy drinking den. Marbury Country Park and the Anderton Boat Lift are nearby and moorings are available on the Trent and Mersey canal, which boasts a direct route to the pub I did spend a long time planning my pub and I had thought about making a model for a while, but never got round to doing it. I had no idea where or how to start, not to mention the scale I wanted to model in either. That was until I discovered 1.76thscale from Petite Properties. I joined their Facebook community, where I saw other member’s work; which gave me the inspiration and confidence to have a go myself.”
Sharon
Sharon scratch built the side extension From thick card...
in 1: Sharon’s pub
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Sharon used PP’s 1:76thPurbeck Cottage (Low relief), as she felt it was a near perfect match to the original full size pub. All she had to do was adapt the ground floor windows and add a roof over them. Although she didn’t just rely on the kit, Sharon also carefully scratch built the extension part of the pub, using thick card, then added the details and the roof. I asked Sharon how she found working in 1:76 for the first time?
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Surprisingly easy! I just loved it. I find PP buildings so easy to put together and are so precisely made. I also found I can actually make some of the mini details myself; which I love doing… I do love adding lots of details! Sharon.
Helpful Scale Information
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1:76 scale = 4mm : 1 foot (or 30.48mm) & is also referred to as OO Gauge. 1:76 is the most popular model railway scale in the UK. ‘Low relief’ is a term which refers to the overall depth of a model building. ‘Low relief’ buildings are not full depth model buildings, instead they represent either half depth, or sometimes even just the facade of the building. ‘Low relief’ models buildings help to create the illusion that a miniature scene is deeper in size than it actually is. www.petite-properties.com
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Kit bash corner Sharon found that she didn’t need to use any special techniques and instead loved finding mini prints from the internet and adapting them. She also changed the look of the windows by making bay windows from card. Sharon found this a bit tricky to do, but found that with a good craft knife and sheer determination, she got there in the end! The doorway on the PP kit was almost identical to the pub, so Sharon just it cut off the frame and used the top part. She also made the roof over the bay windows and door with card then used some PP roof tiles. Did you have any happy accidents? I lost my PP curled up cat when it pinged off when cutting it from the framing and onto the floor it flew! Thankfully I managed to find it under the desk, after I had emptied the bin and after using my craft light… Just picture the scene; on your knees, bottom in the air, head to the floor, craft light in one hand, ‘Ah there you are you little ....’ I'm sure I’m not the only one? Sharon.
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With Sharon’s kit bash adventure complete, she is really pleased with her replica pub and she was especially delighted when I asked her if we could include it in this issue! Sharon’s stunning 1:76th Salt Barge Inn is now proudly display on a shelf in her workroom; whilst she waits for inspiration for her next smaller scale project to strike!
Name: Sharon Blackburn Etsy: www.Sharonsminiknits.Etsy.com Instagram: @sharonsminiknits
If you would like to follow in Sharon’s footsteps, why not join in the fun at: Petite Properties Modelling Community (on Facebook) & get inspired by smaller scale miniaturists from all around the world!
www.facebook.com/groups/petiteproperties
Join the club
the Club member Rachel McCurry
This month, we welcome the wonderful members of the San Diego Miniature Crafters and member Lesley Hopwood has very kindly volunteered to tell us more about their very special group.
Tell us about your club? Founded in 1972, the San Diego Miniature Crafters (SDMC) were the eleventh club chartered under the National Association of Miniature Enthusiasts. Founding member Gloria Osborn, a nonagenarian, is still an active member of the club today. SDMC meets monthly at the St. Andrews Lutheran Church in La Mesa, a suburb of San Diego. The church has been welcoming and is a great central location as the membership of 35 comes from all corners of San Diego county. Meeting on the fourth Tuesday of the month, meetings are a busy time with sharing, business, snacks and projects. SDMC are consistently involved in three activities: projects, an opportunity to continue learning about mini-making; exhibits, opportunities to share our love of miniatures and hosting an annual miniatures show.
Leslie Hopwood www.petite-properties.com
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Join the club How do you decide which projects to undertake, either as a club or as individuals? Being a large club, the membership decides on projects by ‘majority rules’. Following a period for members to offer suggestions and ideas, a vote is held for the favorite. The Project Chairman organizes the purchase of materials and monthly activities to support the build, being sure to include mini-making techniques. Each project is a little different; it may be a series of small things that are put together for something big. Other times, the projects may be small and easily completed to celebrate a holiday. While the Project Chairman isn’t necessarily the only instructor, members jump in to share what they know along the way. Members are always interested in painting techniques, especially aging. We’ve done florals from detailed work taught using specialty papers to easy vines with steel wool and landscape foam. ‘What’s the best glue?’ is on ongoing conversation. (I hope you all enjoyed our Back to Basics feature on adhesive in issue 1? - Bea) Does the club exhibit at any events? In the past, we have celebrated National Dollhouse Month (October) with exhibits in local libraries. When the San Diego airport had a series of art displays, San Diego Miniature Crafters were invited to participate welcoming visitors with a wide range of homes, shanties and adobe patios.
Below: Street in the Shire: 1:48
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Club member Pam Brauner Exhibits are popular at the San Diego Miniatures Show and Sale. Each year members display more than forty -five charming examples of their work. The Carlsbad Miniature Engineering and Craftsmanship Museum has an ongoing exhibit of our work. In a partnership that began a decade ago, it has become a popular destination. Over the last two years, we have been committed to completing a very special project for the museum.
club noun/klɅb an organisation of people with a common purpose or interest, who meet regularly and take part in shared activities
Join the club
A Street in the Shire began when members individually built Petite Properties’ Cobblestone Snicket. Once the buildings were completed, Michael Sue Nanos created a village street that is rich with era appropriate details including a well-researched apothecary garden with plants by Julia Tollafield. This display will no doubt be very popular. What has been a favourite club project? The recent Petite Properties Shepherd Hut may be one of the club’s favorite builds. The club provided the kit to be worked on during meetings, as well as a base and glass cloche to protect our project after it was finished. The build was easily straight forward and then took a fun twist as individual interpretations began. She-sheds, garden caravans and shepherd huts were only a few of the finished builds.
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A Street in the Shire: Club members completed building with the purpose of creating a display for the Carlsbad Miniature Engineering & Craftsmanship Museum. Once completed, the buildings were turned over to Michael Sue Nanos for aging and final details. Micheal Sue researched goods sold during the time period along with what was grown in apothecary gardens. Michael Sue created the street screen and Julia Tollafield made the individual plants for placement in the curated garden. Photo Credit: Sergio Murguia During meetings we constructed the interior furnishings, planted surrounding gardens and wondered who might live there? Left: Inside Leslie Hopwood’s 1:24 Shepherd’s Hut Below: Julia Tollafield’s completed hut
Members share a passion for little things and enjoy making friends along the way! Lesley.
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Club member Sabrina Ingals
Shepherd Hut: three projects have been submitted. This was a club project that was worked on during the project portion of meetings. Julia created a Garden Caravan, Debi turned hers into a relaxing She Shed and Leslie made a place for the shepherd to call home while in the field. Photo credit: SDMC www.petite-properties.com
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Join the club SDMC current project: This photo is just the beginning of our current project, the conservatory. Purchased for club members from Curated Farmhouse on Etsy. This sample is from Julia Tollafield. Photo credit: SDMC What are your clubs plans for the future? Completing our conservatory project is our current priority, alongside continuing plans for our 50th Annual Miniatures Show & Sale in February. The conservatory building (Curated Farmhouse/ETSY) is a combination of group and individual efforts. As with most projects each build is similar in its basic structure, but will be wildly different as the details are added. Members are installing stained glass, wrought iron and a wide variety of architectural details. When on display, conservatories will be a variety of bright gardens, relaxing get-aways and collections of spooky plantings. What do you get out of being a club member? Is the club open? Members share a passion for little things and enjoy making friends along the way. Club meetings are inspiration for a mini-makers artistic yearnings and encouragement for mini-collectors. Beginners and experienced mini-makers alike enjoy the process of seeing a project come together and tell a story. San Diego Miniature Crafters is currently open for new members... (See contact information: top right)
Leslie Hopwood San Diego Miniature Crafters San Diego, California - America Facebook: www.facebook.com/sdminiatures/ Instagram: sandiego.minishow Website: www.sdminiatureshow.com 94 | PETITE PROPERTIES
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Club contact information: Leslie Hopwood Email: sd.minishow@gmail.com
Debi Cerone’s ‘She Shed’ in 1:24
The Kensington Dolls House Festival 2024
just for Charlotte stokoe In 2004, Charlotte was contacted by Caroline Hamilton, the founder of The London Dollshouse Festival (LDF), who was planning to retire from organising this world famous dolls house and miniatures show. The LDF was established in 1985 and had become an important annual event for miniaturists and dolls house collectors worldwide. Charlotte was at the point of closing her shop in Covent Garden, so it was perfect timing for her to take on this new challenge. Since taking over at the helm of the London Dollshouse Festivals, Charlotte has introduced two other shows in London each year, as well as an online showcase that now reaches over 8000 collectors worldwide. She has produced two films about dolls houses and miniatures, organises talks and workshops with leading craftsmen and authorities in the world of miniatures and has introduced the ‘Perfection in Miniature Awards’, which is an annual competition with for miniaturists to enter their best work. The London Dollshouse Festivals have become one of the most respected specialist dolls house and miniatures shows in the world, with 130+ craftsmen attending each show, from all over the globe, all at the top of their field. www.petite-properties.com
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Kimie Okumura at KDF
Charlotte stokoe What sets Kensington Dolls House Festival apart from other shows? Obviously I am biased, but I feel that we really think hard about every aspect of the show, not just from the point of view of the exhibitors, but also the visitors and we try to make the event as enjoyable as we can for everyone taking part. We are known for having the best miniaturists attend from around the world (in fact generally around 2/3rds of the exhibitors only attend our shows in the UK and around ⅓ - ½ of the exhibitors travel from overseas to the show), but we also want to make the show appealing to all ages and all budgets, so we make sure we have activities for children and stalls with items of all price brackets so no one leaves the show feeling they couldn’t afford to buy something for their dolls house. We also try to arrange trips to places of interest around the time of the shows to give visitors the chance to see inspiring places with like minded people. We are also the only show that now has an online event in their calendar. This enables makers and buyers that can’t travel to London, be part of the LDF experience! What do you enjoy most about being a show organiser? Where do I start! It is exciting to discover new makers who you know are going to excite the customers who come to the show. We always try to support new artisans with help and advice on exhibiting at a show, as it can be quite nerve racking. I love the moment that the doors open and I can breathe a sigh of relief as this is when my work is pretty much done and I can enjoy the show along with the visitors.
In three words, why should I visit KDF? Blow your mind If you didn’t organise Kensington Dolls House Festival, what would be your dream job? When I was younger I trained as a dancer and I now love to go and watch all kinds of dance, so I suppose working for a dance company, or my other passion is film and I have worked as a Casting Director, but working on sets, or locations would have been fun I think. In fact I have made two short films about dolls houses so I have lived my dream a little bit in reality! What is your go to snack on show days? Obviously chocolate of any kind. What does your work desk look like? A sea of unorganised chaos? A peaceful hub of minimalistic Zen-ness? A colour coded temple of organisation? Messy, but you know where everything is? - Yes, but I am great at colour coding all my lists on my computer, which is essential for me.
What would your Mastermind subject be? I suppose Dance related... the life of Margot Fonteyn if I was trying to be intellectual, but I always say I could kill on the sitcom Fraiser.
Rob Crouch & his stand at KDF
What was the last TV programme that you binged? (And was it any good?) I love TV, so I watch a lot but I’m currently watching Ripley on Netflix which is excellent. Do you collect anything? (not allowed to say anything miniature related) I have a real collector’s addiction and as a child I collected egg cups. This got out of hand and my bedroom had egg cups on every surface and everyone would give me egg cups for presents. When I got into my 20’s I realised this was going to be a real problem and sold most of my collection and I now fight
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Charlotte stokoe
Chinese cork sculptures on Charlotte’s office shelf
against the will to collect anything, as once I start, I can’t stop, but I do have a small collection of Chinese cork sculptures which I think are so beautiful and you can pick them up cheaply if you are lucky. What is your favourite dish to cook? (or order)? That’s always changing but I feel that eggs, pine nuts and Jersey Royals can improve any dish! If you were a biscuit, which one would you be? I would never be a biscuit, I would always be a chocolate bar. Tell us something about yourself that KDF visitors and exhibitors won’t already know? I think I have told you quite a lot already!
If you could organise a dolls house show anywhere in the world, where would it be? I think Japan. We had some fantastic Japanese makers attend the show this year and there are loads more that haven’t been (yet!). They are really talented and understand the craft, the skill and patience that is required to make miniatures so I think it would be an incredible show. Why is London the greatest city in the world? Although I was not born in London, I have lived here since I was 16 and would never want to live anywhere else. It is getting more difficult to live and visit London but that is because it has so much going for it! It’s beautiful and inspiring, there is always something to see or do and somewhere to go that you haven’t been before. I am definitely a city person and this is the best city in the world!
Charlotte
charlotte@dollshouseshowcase.com www.dollshouseshowcase.com @kensingtondollshouse London Dollshouse Festivals
Caravan in an egg by The Borrowed Isle at KDF
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Ann evans & rob tysall
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Pictures Ann evans & rob tysall Visitors to the Miniatura Shows are sure to have spotted the writing and photography team of Ann Evans and Rob Tysall as they interview and photograph stallholders, visitors and of course the amazing miniatures created by so many of you. We’re delighted that Ann and Rob will be joining the Petite Properties Magazine family, contributing articles and photos of talented miniaturists and their smaller scale work.
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he duo have been working together as free lance writer and photographer for an incredible 30+ years. Going under the label of Words & Images UK they’ve had published many hundreds of magazine articles in print format and online. “We’re often mistaken for an old married couple,” said Ann. “Then it’s a case of which one of us comes out with the quip – he/she should be so lucky! “Humour has been the mainstay of our work story. We always enjoy whatever project we’re working on and we’ve had some amazing adventures – both in the UK and abroad, writing, interviewing and photographing. “Miniatures and collectables have always been prominent in what we write about although we’ve covered just about every topic imaginable over the years, from full-sized aircraft and military vehicles, to working dogs, food & drink, arts & crafts, celebrity chefs, stately homes & gardens, and a multitude of other topics.” As a photographer, Rob has followed in his father Doug Tysall’s footsteps. He ran Tysall & Garrett Photography in Rugby for many years. 98 | PETITE PROPERTIES
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For a time during the 80s Rob had a few instances in front of the camera himself, as a model! Rob’s other passion is for music and from his teenage years up until lockdown his other job was a singer and percussionist – performing as far away as Bahrain in the Middle East with top tribute band AB/CD and supporting the Stereophonics before a crowd of 60,000 people; as well as playing local in his own bands, duos and for a time as a solo performer. “As writing is a way of life for Ann, so photography is a way of life for me,” said Rob. “And we’re looking forward to meeting more miniaturists and seeing the great miniatures they create and writing them up for Petite Properties Magazine.” Ann and Rob have lots of ideas lined up for magazine features, concentrating on the smaller scales. They are hoping to bring you dolls house miniatures in the tiniest of scales as well as the quirky, the weird and the wonderful. Ann added, “We hope to bring readers fascinating insights into the world of miniature artisans and hope their stories will inspire others to give this wonderful craft a try.”
Ann
Philip thompson
ask “I’m Bob… Some 5 years ago I was scratch built to represent the size of a 1:48th scale person for reference. Since then, I’ve gained a face, hair, a snazzy bow tie and a large fan club. My choice of pets is a bit strange, I help out with the projects and I love fried chicken… I am also a helpful, knowledgeable and modest chap and I like answering questions and solving crafting dilemmas! ” Bob.
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Hi Bob, can you advise on painting for different wood looks - old, new, battered paint, Tudor etc? Sue Cambridge
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Hi Sue…. Bob here! If you really want to study old wood in detail may I suggest you put your reading specs on and have a close look at my groyn in the picture below…
The wood is Basswood readily available from hobby stores. Now, if you treat yourself to an X– ACTO Precision Razor Saw you can drag the fine teeth along the length of wood and voila… you have a visible grain. This works with wood and the thin MDF that Petite Properties kits are made from. You can’t of course do this with card components.
A quarter scale groyne...
Then comes the painting. I like to use thin paints and favour the Vallejo Model Air range. Their Flaky paint... “concrete” colour works very well on Tudor beams and such or you can pick whatever shade of brown or grey you fancy. The trick is not to ‘paint’ the wood as such, you use layers of watered down paint as washes which soak in and give a more natural look. After drying, you can enhance the grain that you scratched in earlier by either (very) dry brushing some white or light grey across the grain and the paint will stick to the highlights. Chalk pastels work very well for this too… again, less is more. For worn and cracked flaky paint I’ve recently been trying out Crackle Medium for use with acrylics. Easy to do, you pick the top colour you want then paint an undercoat of a contrasting colour. When dry, you brush onto the undercoat some crackle medium where you want your top coat to be worn and flaky. This causes the final top coat to crack and look flaky… Very effective! As for painting new wood, again I favour the thinner paints. Vallejo do a Model range which are a bit thicker than their Air range but are thinner than some www.petite-properties.com
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Philip thompson acrylics you get from craft shops. I really don’t like thick paint and I’m no fan of high gloss either but that’s my preference. For really, really battered paint, I call for my friend Rufus to pop over and jump up and down on the wood.
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Does Philip work you too hard? Jennifer Savage
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Hello Jennifer… Bob here! If you saw the blisters on my fingers at the end of a roofing job then you would appreciate how much the boss expects of his workers. Poor old Rufus got so tired one day he fell asleep half way up the ladder. His duty of care to us is a bit lax too. Some months ago Rufus and I were having a sit down eating our favourite fried chicken when the boss decided to clean the workbench. Next thing I knew, I was upside down looking at the
world from the inside of a see through Dyson cleaner. Spent two days watching the silly old fool searching every nook and cranny in the fun palace trying to find me. Tried shouting and waving my arms about but to no avail. Anyhoo, the boss’s long suffering wife (the only one who ever empties cleaners) found and rescued me… Not a lot of people know this but at best, the boss is just a mediocre modeller. Has to be said, the quality of his projects is mainly down to the skills of Rufus and myself. We do love him though… the laughs we have when he spills glue and paint on his best trousers! Rufus at work...
If you have a problem (or a question) and if no one else can help… May be you should ask Bob? Send your questions for BOB to ppmag@petitepropertiesltd.com & remember; no problem is too BIG for Bob!
100 | PETITE PROPERTIES
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Issue 2 Websites to visit
Ideas research Things i need!
Things to make Wish list
notes
for t ou 3! h c t ssue a W i
Issue 3: www.petite-properties.com
1:48 Diorama by Christopher Burns
Coming in issue 3 “The title of my diorama is ‘The Body Snatcher’ and it’s inspired by my love of ancient burial grounds. I love how nature often attempts to reclaim these quiet places of solitude, but also how they act as a fascinating record of local history.”
Christopher Burns.
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