Runs deep, bends time by peter hannan

Runs deep, bends time

1. Find peace

Choir: Find peace.

Speaker 1

Choir: Find rest

Speaker 2

Choir: Find peace.

Speaker 3

Choir: Find rest

Speaker 4

Choir: Find peace.

Speaker 5

Choir: Find rest

Speaker 6

Choir: Life is worry, care, grief, disappointment, Life is rage, betrayal, revenge.

We fear our deaths because we know. We envy dogs because they don!t Thanks evolution for that little tweak.

Don’t need Zen don’t need medication. You can have peace in this life.

2. 1348

Vocode: milletrecentoquarantotto

Choir: one thousand three hundred and forty-eight, Alto solo: That was the year

When the deadly plague descended

Was it a celestial event

Or was it the righteous anger of God

Choir interspersed: What was it? Celestial event.

Or was it the righteous anger of God ?

Vocode: giusta ira di Dio

Choir: Righteous anger of God.

Solo: Righteous anger of God as retribution for our sins

Vocode: la mortifera pestilenza

Solo: The disease came in stages

Tumours would appear all over the body

Then came the black blotches

These spots were a sign of impending death

Choir: The deadly plague

Vocode: non valendo alcuno senno né umano provedimento

Choir: All human knowledge

Solo: All human knowledge was useless

Few were cured, and death came after 3 days

It was spread by the slightest contact

After three days

Vocode: molti consigli dati a conservazion della sanità

Choir: Instructions were issued to preserve health

Solo: Instructions were issued to preserve health

Some said live modestly

Others said drink, enjoy life , dance and have fun

Solo and choir: Ecco la primavera. Che’l cor fa ralegare

Spring has come. Happiness is here

Solo : Too dangerous to mourn - no tears no ﬂowers.

From March to July one hundred thousand people died.

Choir: No tears no ﬂowers. One hundred thousand people

3. You will pass through the gate

Choir: you will pass though the gate

You know it .

Billions of humans have lived on earth

Not one of those billions have answered the question

What happens beyond the gate

The only people who know you can’t ask

4. Dr Kalashnikov

News voice: Best porridge I’ve eaten in a long time.

Kalashnikov puts the soldiers at ease with one simple phrase

Vocode: AK47

Choir: Automat Kalashnikova . AK47

Invented nineteen forty seven for the Russian army

News voice: You were in Afghanistan? Show me your riﬂe please .

Choir: Six hundred rounds a minute . Easy to use Doctor Kalashnikov.

News voice: AK behaves like a warrior in combat

Vocode: Wanted to be a poet

Wished he'd invented the lawnmower

Choir: He wanted to be a poet

He wished he'd invented the lawnmower.

Vocode: One hundred million of them

Choir: One hundred million of them

AK kills two hundred ﬁfty thousand a year.

Vocode: Revolution, insurrection, sedition.

Choir: Revolution, insurrection, sedition.

Vocode: Used by death squads, terrorists, cartels.

Choir: Used by death squads, terrorists, cartels.

Bass solo: He wrote a letter to the Patriarch

This is what he said

Vocode: My spiritual pain is unbearable.

Choir: My spiritual pain is unbearable.

Bass solo: My pain

Choir: Was I to blame for their deaths ?

Bass solo: Was I to blame ?

Choir: So much envy, greed and aggression

Bass solo: So much envy. So much aggression.

Vocode: I had never held a gun in my life. Russia declared war on us. I got like super super angry. I got my Kalashnikov riﬂe and I’m learning to shoot it. Yes, I’m prepared to use it.

News voice: Kira Rudik is a member of the Ukrainian parliament.

5. Cycles

Choir: We’re in cycles within cycles within cycles within cycles

There!s the cycle of planet earth 4 billion years so far.

If we don’t blow ourselves up

We should get 3 billion more.

Humans on this time line. Barely a dot

Human time on this planet. Barely signiﬁcant

We’re in cycles within cycles within cycles within cycles.

We won’t be here to see the end if all goes well.

We’re in cycles within cycles within cycles within cycles.

6. The women

Choir member speaking: We weren!t going to mention this

The lethal dark cloud that has hung over this city

The women. Yes, the women

Too many of us have been silent.

Silence can mean words alone can not express

Or silence can mean nothing to say

Or silence can mean nothing at all

Choir: What are we left with when she doesn’t come home?

When do we start to worry?

What are we left with when there’s no one there to worry?

What are we left with when she was was there yesterday? Will anybody care that she’s not here today?

What are you left with when her voice will never be heard again? When does somebody look into that?

What are we left with when hundreds don’t come home? How do we even process that?

What are we left with when thousands don’t come home? When do we need to worry?

What are we left with when the cycle is broken? You know It can never be ﬁxed.

What are we left with when the span is interrupted? Or rather , somebody interrupted the span.

What are are we left with when there are men who want to make women disappear? Will there ever be enough psychotherapy for that?

What are we left with?

Memorials, grieving, government commissions. Promises to do better, that it will never happen again

What are we left with ? (x9)

7. Afterlife

Choir: You may be dust

but your thoughts live on

You remember your mother- all kinds of things she said

Your memory is her afterlife

So many gone before you

Your memory is their afterlife

Vocode: You remember your mother- all kinds of things she said

Choir: You have the terrible ability to imagine your own end

When you pass through the gate

You will know the answer

The afterlife is in what you leave for other people

When you pass through the gate

Vocode: Twenty one twenty two (repeats) . Twenty twenty twenty twenty one. (repeats)

Choir: Twenty twenty twenty twenty one twenty two.

Tenor solo: To see the world we stayed home

Choir: We stayed home. Didn’t go out. Looked at screens.

Tenor solo: Looked at our screens

Stayed home

We watched each other on screens

We hid from each other on screens

We lived at home. We loved at home. We hated at home. We died at home. Grieved at home.

We saved people from dying. Couldn’t save people from dying

Some of us were there. Most of us saw this on screens

We learned to bake on screens. We learned Russian on screens. We read War and Peace on our screens.

How many hours. How many days. How many weeks.

We danced in the kitchen on our screens.

We danced in the hallway on our screens.

We sang into our devices. Good luck with that We saw our leaders behave like idiots .

Saw them grow beards. deny it was real.

Then get sick themselves.

Solo and choir: Dine in dream on. No travel no way

No school ever. Computers only.

Open up . I don’t think so.

The cure arrived

First shot second shot

First shot second shot repeat

Did everybody want one. Not a chance. Did everybody get one? What do you think?

repeat repeat repeat repeat

Some of us are still here. Some of us didn’t make it.

9. Talking to dead people

Choir: I ﬁnd myself talking to dead people.

Upside. They can!t talk back.

Downside. They can!t talk back

Wow! that zinger really would!ve got ‘em. That would have hurt! No coming back from that!

8. 2020

Speaker 1

Speaker 2

Choir: But it!s also I miss you

Speaker 3

Speaker 4

Speaker 5

Choir: You never said.

Talk now. They won’t be back. Ever.

Never. Ever.

Eternity is the thunder word. Runs heavy. Runs long. Runs deep.Bends time.

Performance notes:

There are a number of solos as well as spoken material in the piece performed by members of the choir.

These are as follows.

Section 1- Choir members were asked to say something about somebody they have lost. 5 of these are spoken in this section

Section 2- alto solo - sung

Section 4- news voice (M or F) - spoken: bass solo - sung

Section 6 - spoken introduction - (F) soprano solo (probably the speaker of the introduction)

Section 8 - tenor solo

Section 9 - Choir members were asked to . 6 of these are spoken in this section

Runs deep , bends time

1. Find peace

Spoken 1  =64   (to be spoken by individual singers) 5 9 A Twangle                                          Soprano    Find   peace   Alto 1    Find   peace   Alto 2    Find   peace   Tenor     Find   peace   Bass    Find   peace   Synth chd                                                            

2 Spk Speaker 1 13 17 Speaker 2 Spk 21 Speaker 3 Tw                           S   Find  rest   S  Find   peace   Find   rest   A1   Find  rest   A1  Find   peace   Find   rest   A2   Find   rest   A2  Find   peace   Find    rest   T    Find  rest   T   Find   peace   Find   rest   B   Find  rest   B  Find   peace   Find   rest   SynChd                              SynChd                                      

3 Spk Speaker 4 29 Spk 33 Speaker 5 Tw              S  Find    peace    S Find      rest    A1  Find   B     peace     A1 Find      rest    A2  Find      peace  A2 Find     rest     T   Find       peace    T Find      rest    B  Find   peace      B Find     rest     SynChd                                      SynChd                                  

4 Spk Speaker 6 S   Life  is  C wor ry  grief   dis ap point3  ment   3 Life  is  rage    be  S 45 tray  al  re venge  3  D   We    fear  our   deaths  49  be cause  we  know.    We  en vy   dogs   be   A1   Life  is  wor ry  grief   dis ap point3  ment   3 Life  is  rage     be A1 tray   al  re venge  3    We    fear  our  deaths   be   cause  we   know.    We  en vy   dogs   be A2   Life  is  wor ry  grief   dis ap point3  ment   3 Life  is  rage    be A2 tray  al  re venge  3    We    fear  our  deaths   be   cause  we  know.    We  en vy  dogs   be T    Life  is  wor ry  grief   dis ap point3  ment   3 Life  is  rage     be T tray   al  re venge  3    We    fear  our   deaths   be cause  we  know.    We  en vy   dogs   be   B   Life  is  wor ry  grief   dis ap point3  ment   3 Life  is  rage    be  B tray  al  re venge  3    We    fear  our  deaths   be   cause  we  know.    We   en vy  dogs   be  SynChd                             SynChd                                       

5 Tw              53                           Tw 57                                                     S cause    they  don't.    Thanks   e vo lu tion  for  that 3  lit tle  tweak  3 E Don't   need  Zen,  S don't    need  3  med i ca 3 tion       You  can  have  peace  in  this  life.  3 A1 cause    they   don't.    Thanks    e vo lu tion  for  that 3  lit tle  tweak  3 Don't   need  Zen,  A1 don't    need  3  med i ca 3 tion       You  can  have  peace  in  this  life.  3 A2 cause   they  don't.    Thanks   e vo lu tion  for  that 3   lit tle  tweak  3 Don't   need  Zen,  A2 don't    need  3  med i ca 3 tion       You  can  have  peace  in  this  life.  3 T cause     they  don't.    Thanks   e vo lu tion  for  that 3   lit tle  tweak  3 Don't    need  Zen,  T don't     need  3  med i ca 3 tion       You  can  have  peace  in  this  life.  3 B cause   they  don't.    Thanks   e vo lu tion  for  that 3  lit tle  tweak  3 Don't   need  Zen,  B don't    need  3  med i ca 3 tion       You  can  have  peace  in  this  life.  3 SynChd                          SynChd                 

6 Tw 61                                                     65              transition ca 15' S    Peace   in  this   life.  3  whistle these pitches       A1    Peace   in  this   life.  3  whistle these pitches       A2    Peace   in  this   life.  3  whistle these pitches       T     Peace   in  this   life.  3  whistle these pitches        B    Peace   in  this   life.  3  whistle these pitches        SynChd                 

7 2. 1348 Vocode Mille =86   trecento- quarant- otto Mille- trecento- quarant- otto vcd   5 Mille- trecento- quarant- otto Alto solo    solo    That   was   the  year   Soprano       One    thou  sand  three  hund3  red  and  for 3 ty  eight     One    s thou     sand  three  hund3  red  and  for 3 ty  eight   Alto       One    thou  sand  three  hund3  red  and  for 3 ty  eight     One  a thou    sand  three  hund3  red  and  for 3 ty  eight   Tenor        One    thou  sand  three  hund3  red  and  for  3 ty  eight     One    t thou      sand  three  hund3  red  and  for  3 ty  eight   Bass       One   thou sand  three  hund3  red  and  for 3 ty  eight     One    b thou     sand  three  hund3  red  and  for 3 ty  eight   Syn Perc                                                   prc                                                      synth chords          syn                         

8 vcd   9 vcd   13 solo     when  the  dead ly  plague   de scend ed       Was   it    a  ce les ti al   e solo vent?       Or  cresc. was  it    the   right eous   an ger   of  god   the    ang er  of  god  s      What   was  it?    What  was  it?    Ce les  tial   e s vent       Or   cresc. was  it    the   right eous  an ger   of   God?   a      What  was  it?    What  was  it?    CeCe lesles tial   e a vent       Or  cresc. was  it    the   right eous  an ger  of  God?   t       What   was  it?    What  was  it?    Ce les tial   e t vent        Or   cresc. was  it    the   right eous  an ger   of   God?   b      What  was  it?    What  was  it?      tial   e b vent        cresc.              prc                                                                 prc                                                           syn       syn                                    

9 vcd   17   Giusta A ira di Dio  Giusta ira di Dio vcd 21   Giusta ira di Dio B La   mortifera pestilenza 25 solo     the  an ger  of   god?        Right eous   an3  ger    3 of   God   solo     As  ret  ri bu tion    3  for   our  sins   3      The  dis  ease  3 s       Right  eous  ang er  of   God  3 Right eous  s ang     er  of  God  3   Right  eous  cresc.  ang er  of  God      Right eous  ang er      a       Right eous  ang er  of  God  3 Right  eous  a ang    er  of   God  3   Right eous  cresc.  ang er  of  God      Right  eous  ang er      t        Right eous  ang er  of  God  3 Right eous  t ang     er  of  God  3   Right eous  cresc.  ang er  of  God      Right eous  ang er      b       Right  eous  ang er  of   God  3 Right eous  b ang     er  of  God  3   Right  eous  cresc.  ang er  of  God      Right eous  ang er      prc                   prc     syn                                                          syn                                                          

10 vcd   29 La mortifera pestilenza vcd   33 La mortifera pestilenza solo came     in   sta ges.   3  Tum  ours   would   app ear 3    all  o3  ver  the  bo  3 dy  solo     Then  came  the    black   blot ches   3  These   spots  were   a  sign    of   im pend ing    death.   s       The   dead ly   plague.      The   dead ly   plague.    s     cresc. The  dead ly    plague.  3   The  dead ly    plague.  3 a       The    dead  ly    plague.      The    dead  ly    plague.    a     cresc. The  dead ly    plague.  3   The   dead  ly    plague.  3 t        The  dead ly   plague.       The  dead ly   plague.    t      cresc. The   dead ly    plague.   3   The  dead ly    plague.  3   b       The    dead  ly    plague.      The    dead  ly    plague.    b     cresc. The  dead ly    plague.  3   The   dead  ly    plague.  3   prc   prc   syn         syn                                                                                

11 vcd 37 C Non   valendo alcuno senno né   umano provedimento   41 vcd   45     solo          All  hu  man   know3  ledge     3 was   use   less   3  solo     Few   were  cured  and  death   came   af   ter   three   days  3  It   was  spread  by   the  slight est  con tact      s      All   hu man   know3     ledge.    3      All   s hu     man   know3   ledge.    3   spread       a      All  hu man   know3    ledge.    3      All  a hu    man   know3  ledge.    3    was   spread      t       All   hu man   know3     ledge.    3      All   t hu      man   know3  ledge.    3     It  was  spread     b      All   hu man   know3     ledge.    3      All   b hu     man   know3   ledge.    3    spread      prc       prc       syn                                                                           syn                                                                                   

12 vcd C   Non valendo alcuno senno né umano 49 provedimento   Molti consigli dati a conservazion della sanità vcd   53 solo       af  ter  three  days   af  ter  three     days    solo      In  struc tions   were  is3  sued    3 to   pre serve   health      s       Three     days.         s      In  struc tions    were   is sued    to  pre serve    health.      PrePre  serve serve  health health    a       Three    days.        a      In   struc tions    were  is sued    to   pre serve    health.     PrePre   serve serve  health health    t        Three     days.        t       In  struc tions    were   is sued    to  pre serve   health.           b       Three     days.         b      In struc tions    were   is sued    to  pre serve    health.           prc     prc   syn                                                                   syn                                                                           

13 vcd   57 Molti consigli dati a conservazion della sanità solo     Some  said   live   mod   est 3  ly     Oth ers   said  drink,   3 en joy  life  dance   and  have  fun  3 E    but light Ec co  la   pri  ma solo 61 ve    ra   la   pri ma ve ra    Che'l    cor  fa  ral le gra re     Spring   has  come    spring  has   come  s Some      cresc.      said           but light Ec  co  la   pri  ma s ve      ra  la   pri ma ve ra    Che'l    cor  fa  ral  le gra re       Spring    has   come  a Some     cresc.     said         but light Ec co  la   pri  ma a ve    ra  la  pri  ma ve ra    Che'l    cor  fa ral le gra re       Spring   has  come  t      Some    cresc.     said          but light Ec  co  la   pri  ma t ve       ra  la  pri ma ve ra    Che'l    cor  fa ral  le gra re       Spring   has  come  b Some     cresc.     said         but light Ec co  la   pri  ma b ve     ra  la   pri  ma ve ra    Che'l    cor  fa ral le gra re       Spring    has   come  prc                   prc                                                             syn                                   syn                         

14 solo 65     spring   has   come.    Hap pi  ness   is   here.  F   Too   69 dan gerous   to  mourn  3  No  tears  no  solo flow    ers.   3   From    March   to  Ju  ly  3 73   One  hund red  thou sand    peop le    died.   77 s     spring    has  come    Hap  pi ness  is   here.   No   tears  no  s flow    ers.   One   hun dred  thou sand  peop le    3  a     spring   has  come    Hap  pi ness  is   here.     No tears  no  a flow    ers.   One   hun dred  thou sand  peop le    3  t      spring   has  come    Hap   pi  ness  is     here.    No   tears  no  t flow      ers.   One   hun  dred  thou  sand   peop le    3  b     spring    has  come    Hap  pi ness  is   here.   No   tears  no  b flow    ers.   One   hun dred  thou sand  peop le    3  prc                                               syn                    syn                                           syn   transition ca 15'

3. You will pass through the gate

Vocode  =96  

will pass through the gate Vcd 5 A You will pass through the gate 9 13 Soprano    S   You  will  pass   through  the   gate.     You  will  pass    through  the   gate  You  will  pass   through  the   gate.   Alto    A   You  will  pass  through   the   gate.     You  will  pass   through   the   gate  You  will  pass  through   the   gate.   Tenor     T    You  will  pass   through  the   gate.     You  will  pass   through  the  gate   You  will  pass   through  the   gate.   Bass    B   You  will  pass  through   the   gate.     You  will  pass   through   the   gate  You  will  pass  through   the   gate.   Synth    Syn                              Arp                                                                            Arp Chords        Arpchd                                                                 

You

16 Vcd 17 21 Vcd 25 29 What happens beyond the gate S     You  know   it.   You  know  it.    You  know   it.   B  Bill ions   of   hu 3 mans   have  lived    on  earth.    S   Not   one  of  those  bill  3 ions    have   ans wered  the  ques 3 tion    what  hap pens  be yond  3  the  gate.    A    You  know   it. You  know  it.  You  know    it.  Bill ions  of  hu  3 mans  have  lived   on  earth.    A   Not  one  of   those   bill 3 ions    have  ans wered   the   ques 3 tion    what  hap pens  be  yond  3  the  gate.    T      You  know   it.   You  know  it.    You  know   it.    Bill ions   of   hu 3 mans   have  lived    on  earth.    T    Not   one  of  those  bill  3 ions    have   ans wered  the  ques 3 tion    what  hap pens  be  yond  3  the   gate.     B    You  know   it. You  know  it.  You  know    it.  Bill ions  of  hu  3 mans  have  lived   on  earth.    B   Not  one  of   those   bill 3 ions    have  ans wered   the   ques  3 tion    what   hap pens   be yond   3  the  gate.    Syn                          Syn                       Arpchd                      Arpchd                                                                        

17 Vcd What happens beyond the gate 33 37 The only people who know Vcd The only people who know You can't ask 41 The only people who know The only people who know You can't ask S   The   C on ly   peo3  ple    3 who  know    you  can't  ask   you   can't  ask   S    you  can't    ask.   A   The  on ly   peo3  ple     3 who   know    you   can't   ask    you  can't   ask  A    you   can't   ask.   T    The   on ly   peo3  ple    3 who  know    you  can't  ask   you   can't  ask  T     you  can't    ask.   B   The  on ly   peo3  ple     3 who   know    you   can't   ask    you  can't   ask  B    you   can't    ask.   Syn        3     3             Syn                  Arpchd                        Arpchd                                                

18 Vcd 45 Syn                   transition ca 15' Arpchd                        

4. Dr. Kalashnikov

Newsreader voice    =132 ( Dr K. speaking Russian) spoken by a choir member 5 Best porridge I've eaten in a long time. 9 Kalashnikov puts the soldiers at ease with one simple phrase Vocoder   Doctor Kalashnikov Bass solo    5 9 Soprano    Alto 1    Alto 2    Tenor     Bass    Perc-pno       Synth chd                                          Drums                          

20 News A 13 News

Dr K. speaking Russian) You were in Afghanistan? Show me your riﬂe please. 21 Vocd S Au   to  mat  Ka  lash ni ko va  13  A  K  for  ty  se ven.   articulated In  vent ed  nine  teen   for ty  sev en    for  the  Russ ian  ar my.  S   In ven ted  nine  teen   for ty  17 se ven    for  the  Russ ian  ar my  A1 Au   to  mat  Ka  lash ni ko va   A  K  for  ty  se ven.   articulated In  vent ed  nine  teen   for ty  sev en    for  the  Russ ian  ar my.  A1   In ven ted  nine  teen   for ty  se ven    for  the  Russ ian  ar my  A2 Au    to  mat  Ka lash ni ko va   A    K   for ty  se ven.   articulated In vent ed  nine  teen   for ty  sev en    for  the  Russ ian  ar my.  A2   In ven ted  nine  teen   for ty  se ven    for  the  Russ ian  ar my  T Au    to  mat  Ka lash ni ko va   A  K   for ty  se ven.   articulated In  vent ed  nine  teen   for ty  sev en    for  the  Russ ian  ar my.  T    In ven ted  nine  teen   for ty  se ven    for  the  Russ ian  ar my  B Au   to  mat  Ka lash ni ko va   A   K    for ty  se ven.   articulated In  vent ed  nine  teen   for ty  sev en    for  the  Russ ian  ar my.  B   In ven ted  nine  teen   for ty  se ven    for  the  Russ ian  ar my  SynChd              SynChd                                      

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21 News ( Dr K. speaking Russian) S B Six     very articulated hun dred   rounds  a  min ute   Ea  sy  to  use.    25 Six   hun dred   rounds  a  min ute.  Ea sy  to  use.   3 S 29  Doc  very soft/smooth tor  Ka lash3   ni kov  3    A1 Six    very articulated hun dred   rounds  a  min ute   Ea sy  to  use.    Six  hun dred   rounds  a  min ute.  Ea sy  to  use.  3 A1  Doc  very soft/smooth tor  Ka lash3   ni kov  3    A2 Six    very articulated hun dred   rounds  a  min ute   Ea  sy  to  use.    Six  hun dred   rounds  a  min ute.  Ea sy  to  use.  3 T Six     very articulated hun dred   rounds  a  min ute   Ea sy  to  use.    Six  hun dred   rounds  a  min ute.  Ea sy  to  use.  3 B Six    very articulated hun dred   rounds  a  min ute   Ea sy  to  use.    Six  hun dred   rounds  a  min ute.  Ea sy  to  use.  3 Prc-pno                                       Prc-pno                                                                 SynChd  SynChd                         

22 News 33 AK behaves like a warrior in combat Vocd wanted to be a poet wished he'd invented the lawnmower Vocd S 33 Doc  tor  Ka lash3   ni kov  3  37 S  C He   smooth want ed  to  be  a  po  et.    He  wished  he'd  41 in vent ed  the  lawn  mower.   He  want ed  to  be  a  po  et    He  wished  he'd  A1 Doc  tor  Ka lash3   ni kov  3  A1  He   smooth want ed  to  be  a  po  et.    He  wished  he'd  in vent ed  the  lawn  mower.   He  want ed  to  be  a  po  et    He  wished  he'd  A2 He    smooth want ed  to  be  a  po  et.    He   wished  he'd  in  vent ed  the  lawn  mower.   He  want ed  to  be  a  po  et    He  wished  he'd  T He      smooth want ed  to  be  a  po  et.     He  wished  he'd  in  vent ed  the  lawn  mower.   He   want ed  to  be  a  po  et     He  wished  he'd  B He     smooth want ed  to  be  a  po  et.     He  wished  he'd  in  vent ed  the  lawn  mower.   He   want ed  to  be  a  po  et     He  wished  he'd  SynChd      SynChd                                                       

23 Vocd One hundred million of them Vocd S in  vent ed  the  lawn  mower.   D    One  very articulated hund red  mill ion  of   cresc. them.   S A    K  kills  two  hund red  fif 3 ty   49 thous  and  a  year.  3   One   hund red  mill cresc. ion  of   them.   A   K  kills  two  hund red  fif 3 ty   thous  and  a  year.  3 A1 in  vent ed  the  lawn  mower.      One  very articulated hund red  mill ion  of   cresc. them.   A1 A    K  kills  two  hund red  fif 3 ty   thous  and  a  year.  3   One  hund red  mill cresc. ion  of   them.   A   K  kills  two  hund red  fif 3 ty   thous  and  a  year.  3 A2 in  vent ed  the  lawn  mower.      One    very articulated hund red  mill ion  of   cresc. them.   A2 A    K  kills  two  hund red  fif 3 ty   thous   and  a  year.  3   One    hund red  mill cresc. ion  of   them.   A   K  kills  two  hund red  fif 3 ty   thous   and  a  year.  3 T in   vent ed  the  lawn  mower.       One  very articulated hund red  mill ion  of   cresc. them.   T A     K  kills  two  hund red  fif 3 ty   thous   and  a  year.  3   One  hund red  mill cresc. ion  of   them.   A   K  kills  two  hund red  fif 3 ty   thous   and  a  year.  3 B in  vent ed  the  lawn  mower.      One   very articulated hund red  mill ion  of   cresc. them.   B A   K  kills  two  hund red  fif 3 ty   thous  and  a  year.  3   One   hund red  mill cresc. ion  of   them.   A  K  kills  two  hund red  fif 3 ty   thous  and  a  year.  3 Prc-pno                                              SynChd             SynChd                                               

24 Vocd 53 Revolution insurrection 57 Revolution insurrection B solo  61   F He  wrote   a  let  ter   65  to   the   pat3  ri  arch.    3 S E    Rev   o lu tion  in  sur rec  tion   Rev  o  lu tion  in   sur rec tion   se  di  tion  57 S Used    by  death    squads   ter  ror ists   car   tels.   A1    Rev  o lu tion  in  sur rec tion   Rev  o  lu tion  in  sur rec tion   se  di  tion  A1 Used    by  death   squads   ter ror ists   car   tels.   A2    Rev  o lu tion  in  sur rec tion   Rev  o  lu tion  in  sur rec tion   se  di  tion  A2 Used    by  death   squads   ter ror ists   car  tels.   T     Rev  o lu tion  in  sur rec tion   Rev  o  lu tion  in  sur rec tion   se di  tion  T Used     by  death   squads   ter  ror ists   car   tels.   B    Rev  o lu tion  in  sur rec tion   Rev  o  lu tion  in  sur rec tion   se di  tion  B Used    by  death   squads   ter ror ists   car   tels.   Prc-pno                                              SynChd              SynChd                                                                                                                                 

25 Vocd 69 My spiritual pain is unbearable B solo This    is  what   he  said.   69    My        73 pain.   3  B solo  Was  I     to  77  blame      Un  bear a  ble   81  3 S    My  spir  it  ual  pain   3 is  un bear a3  ble.   3  Was   I  to  3 S blame    for   their  deaths?  3 Was   I  to  blame?   3  My   spir i tual  al  3 pain    is  un bear3  a  ble  3 A1    My  spir it  ual  pain   3 is  un bear a3  ble.   3  Was   I  to  3 A1 blame    for  their  deaths?  3 Was   I  to  blame?  3  My  spir i tu al  3 pain   is  un bear3  a  ble  3 A2    My  spir it ual  pain  3 is  un bear a3  ble.   3  Was  I  to  3 A2 blame   for  their  deaths?  3 Was  I  to  blame?  3  My  spir i  tu al   3 pain    is  un bear3  a ble  3 T     My  spir it ual  pain  3 is  un bear a3  ble.   3  Was   I  to  3 T blame     for  their  deaths?  3 Was   I  to  blame?  3    3    3 B    My  spir  it ual  pain  3 is  un bear a3  ble.   3  Was  I  to  3 B blame   for  their  deaths?  3 Was  I  to  blame?  3    3    3 SynChd                                           SynChd                                                                                                                     

26 Vocd 89 93 I had never held a gun in my life. B solo    So  much   en  3 vy  85   So        much     ag  B solo 89 gre    sion     S G    So  much  en cresc. vy,   greed   and  a gres 3 sion     So  much  cresc. en vy,   greed   and  a gres 3 sion   A1    So   much  en cresc. vy,   greed   and   a gres 3 sion     So  much  cresc. en vy,   greed   and  a gres 3 sion   A2    So  much  en cresc. vy,   greed   and  a gres 3 sion     So   much  cresc. en vy,   greed   and   a gres 3 sion   T     So  much  en cresc. vy,   greed   and  a gres 3 sion     So  much  cresc. en vy,   greed   and  a gres 3 sion   B    So  much  en cresc. vy,   greed   and  a gres 3 sion     So  much  cresc. en vy,   greed   and  a gres 3 sion   Prc-pno                                                                                                     SynChd                                   SynChd                                                            SynChd                        

Russia declared war on us I got like super super angry I got my Kalashnikov riﬂe and I'm learning to shoot it.

27 Vocd 97

101 S  H  My  spir i tu al  3 pain.   101  My  spir i  tu 3 A1   My  spir i tu al  3 pain.    My  spir i tu 3 A2   My  spir i tu al  3 pain.    My  spir i tu 3 T    My  spir i tu al  3 pain.     My  spir i  tu 3 B   My  spir i tu al  3 pain.    My  spir i tu 3 Prc-pno                                                         SynChd                                                           SynChd                           

28 News Kira Rudik is a member of the Ukrainian parliament. 109 Vocd Yes, I'm prepared to use it S al    pain.   My  spir i tu al  3 105 pain.    My  spir i  tu al   3 pain.  109 A1 al   pain.   My  spir i tu al  3 pain.    My  spir i tu al  3 pain.  A2 al   pain.   My  spir i tu al  3 pain.     My  spir i tu al  3 pain.  T al     pain.   My  spir i tu al  3 pain.    My  spir i  tu al   3 pain.  B al   pain.   My  spir i tu al  3 pain.    My  spir i tu al  3 pain.  SynChd                                         SynChd                       transition ca 15'

Vocode . =84 \ \ cycles within cycles x4 5 Soprano & \ \ Alto & \ \ Tenor & ) \ \ Bass % \ \ Synth 1 & \ \ Synth bass % ) \ \ , Q , , , Arp chords & \ \ , Q , , Q , O , Q , % \ \ D & ) - . Arp & \ \ E . ! ! F E . ! ! F E F . ! ! E . ! ! F E . Q . . Q " " F . " " F . " " F . . F . . . . Q . E . ! ! F E F . ! ! E . ! ! F E E F . ! ! . Q " " F . Q " " F . . E . " " F . " " F % \ \ . . Q F . Q " " . . F . " " . . . F . . F . " " . Q . E F . Q " " F . " " F . ! ! E . " " F E E . . Q F . Q . . . " " F . . F . . . . Q . . Q F F . ! ! F . " " E . . F . " " F . " "

5. Cycles

30 S & A D E We're h . Q ! in . Q cy. cles . . with. Q in . cy. Q cles . . with. 9 in . cy. Q cles . . with. Q in . cy. cles. . QD S Cy& . . . cles . Q13 cresc. E i cy. ! . Q cles . Q . . E cy. Q ! . Q cles. . . D i D There's . the . 17 cy. . cle . . of . A & h Cy. Q . . cles .E cy. ! . cles . Q . . E cy. ! . Q cles. . . D D E We're . Q ! in . Q cy. cles . A & . with. Q in . cy. Q cles . cresc. . with. in . i cy. Q cles . . with. Q in . cy. cles. . QD B D i There's . the . cy. # cle . " T & ) D E We're h . Q ! in . Q cy. cles . . with. Q in . cy. Q cles . . with. in . cy. Q cles . . with. Q in . cy. cles. . QD T Cy& ) . . . cles . Qcresc. E i cy. ! . Q cles . Q . . E cy. Q ! . Q cles. . . D B % h Cy. Q . . cles . - E cy. " . cles . Q . . E cy. " . Q cles. . . D D E We're . Q " in . Q cy. cles . B % . with. Q in . cy. Q cles . cresc. . with. in . i cy. Q cles . . with. Q in . cy. cles. . Q - D D There's i . the . Syn1 & D . Q - -- .. D D - Q . D . Q Syn1 & - -- .. D D - Q . & SynB % ) - Q D . - - Q . - . - Q . D D . SynB % ) - - Q . - . - Q . D , ArpChd & ) . D % & - Q -- .. D D - Q . , Q , , , , , , , ArpChd & - Q -- .. D D - Q . , Q , % , , , , , , , & ) , , , ,

31 S plan& . et . earth - . D four . bil. lion . years . . E so . " . . . far . . 21D If . we . S don't &blow . our. selves . up . Q - D we . should . Q getthree . Q bil. 25 . lion . Q . more. . D A & . of . plan. et . earth . - D four . bil. lion . years . . E so . " . . . far . - # A & D If . we . don'tblow . our. selves . up . Q - D we . should . Q getthree . Q bil. . lion . Q . more. . Q D T & ) D i There's . the . cy. cle . " . of . plan. et . earth . - D four . bil. lion . years . . E so . " . . T & ) . far . - # D If . we . don'tblow . our. selves . up . Q - D we . should . Q getthree . Q bil. . lion . Q . B cy% . # cle . " . of . plan. et . earth - # D four . bil. lion . years . . E so . " . . . far . . B % - D If . we . don'tblow . our. selves . up . QD we . should . Q getthree . Q bil. . lion . Q . more. . D Syn1 & - Q . . . , ,, , Syn1 & . . D D . Q .. ., , D - . SynB % ) ,-- - . D SynB % ) D . Q , E . Q !. . . QD ArpChd & ) - Q . . . , ,, , ArpChd & ) . . D D . Q .. ., , D - . % , , , , , , , , % , , , , , , , , , , & )

32 S C & Huh . mans . . on . this . time. . line . 29 . D D i Barely . â ly . a . dot. . D Humh . . an . . time . . on . this . plan. et. . . S 33 & D Barei . O â ly . sig. nif3 . i. cant. . 3 D D h D We're . in . Q cy. 3 cles . 37 . with. in . cy. Q 3 cles . A & Hu. h manson . this . time. # line . ! . D D i Barely . â ly . a . dot. . D Humh . # an . " . time . . on . this . A plan& . et. . . D Barei . O â ly . sig. nif3 . i. cant. . 3 D h D We're . in . Q cy. 3 cles . . with. in . 3 T more. & ) . Q D Huh . mans . . on . this . time. # line . ! . i Barely . â ly . a . dot. . D Humh . # an . " . time . T & ) . on . this . plan. et. . . D Barei . O â ly . sig. nif3 . i. cant. . 3 D h D We're . in . Q cy. 3 cles . . with. in . 3 B % Hu. h manson . this . time. i Barely . â ly . a . dot. . D h Hum. # an . " B % . time . . on . this . D Barei . O â ly . sig. nif3 . i. cant. . 3 D h D We're . in . Q cy. 3 cles . . with. in . cy. Q 3 cles . Q D with. in . Q 3 Syn1 &-- - . D D - O . - . D- - D . Syn1 & - . . , , Q , - Q - . D SynB % ) D . . . . - . D D . O . . . - O . D E . " . - - E . " . SynB % ) - . D - Q E . ! . - Q E . ! . Q - E . ! . Q ArpChd & )- - . D D - O . - . D-D . ArpChd & ) - . . , % , , , , , , % , , & - Q -- .. D , Q , , , , ,

33 S & D with. Q in . cy. 3 cles . Q . with. in . Q cy. Q 3 . cles. .41 D i E We . ! won't . . be . . here .S & D to . see . . the . Q . end . Q . D D the . 45 end - . decresc. D if . . . Q . all h . . goes . . well , A cy& . Q cles . D with. Q in . cy. 3 cles . Q . with. in . Q cy. Q 3 cles. . !E D i E . ! We . # be . . here . A & - D to . see . # the . Q . end . Q . D D the . end - . decresc. D if h . . Q . all . # goes . . wellT cy& ) . Q cles . D with. Q in . cy. 3 cles . Q . with. in . Q cy. # Q 3 cles. . !D i E We . ! won't . # be . . here . - D to . T see & ) . # the . Q . end . Q . D D the . end - . decresc. D if . # . Q . all . # goes . . well h -B cy% . cles . Q . with. in . Q cy. # Q 3 cles. . ! - D i E We . " B won't % . # be . . here .D to . see . # the . Q . end . Q . D D decresc. the . end - # D if h . # . Q . all . goes . . Syn1 & D - Q . , . D - Q, , Q , , Syn1 & , , Q , , , , Q , , , , Q SynB % ) - Q E . ! . Q - E . Q ! . - Q E . ! . - . Q . . - . D SynB % ) - . Q . . - . D - . Q . . - . D - . Q . . ArpChd & D - Q . ,, .. D - Q% , , , , , , , , Q , , ArpChd & , , Q , , , , Q , , , , Q , , Q , , % , , Q , , , , Q , , , , Q

34 Vcd 57 cycles within cycles x4 S & 49 F i D We're . in . Q cy. 3 cles . . with. in . cy. Q 3 cles . decresc. D with. Q in . cy. 3 cles . Q g . with. in . Q cy. Q 3 . cles. . S &A &i D We're . Q in . Q cy. 3 cles . decresc. . with. in . Q cy. Q 3 cles . g D with. Q in . cy. 3 cles . Q A & . with. in . Q cy. # Q 3 cles. . !T & ) i D We're . in . Q cy. 3 cles . . with. in . cy. Q 3 cles . D with. Q in . decresc. cy. 3 cles . Q . with. in . Q cyg . # Q 3 cles. . !T & ) B well % , Q i D We're . Q in . Q cy. 3 cles . Q . with. in . decresc. cy. Q 3 cles . D with. in . cyg . 3 cles . Q . with. in . Q 3 B cy% . # Q cles. . !Syn1 & - Q -- .. D D - Q . ,, Syn1 & .. D - Q- -- Q .. D D - Q . ,, ,, - Q -- .. D SynB % ) , Q - Q . . - . . Q , Q , Q SynB % ) - Q . . D . E . " D - E . " D . D E . " D ArpChd & - Q -- .. D D - Q . ,, ArpChd & .. D - Q- -- Q .. D D - Q . ,, ,, - Q -- .. D % , Q , , , , , , , , , % , , , , , , , , , , , , , Q , , , , , transition ca 15'

6. The women

We weren't going to mention this The lethal dark cloud that has hung over this city

   =72 (to

member) 5 A

Spoken

be spoken by a choir

Soprano solo    Soprano    Alto 1    Alto 2    Tenor     Bass    Synth chd       Bass trem    Drums                                                         

The women. Yes, the women. Too many of us have been silent.

Silence can mean words alone can not express. Or silence can mean nothing to say. Or silence can mean nothing at all.

36 Spk

Spk 13 S solo  S solo  S  S  B  What  are  we  left   with    when  she  does 'nt  come  A1  A1   What  are  we  left   with    when  she  does 'nt  come  A2  A2   What   are  we  left   with    when  she  does 'nt  come  T   T    What   are  we  left   with    when  she  does 'nt  come  B  B   What   are  we  left   with    when  she  does 'nt  come  SynChd   SynChd                              Drm                                                        Drm                                                         

37 S solo    Aah      21   Aah    3        Aah      S solo 25        C             Aah S home?     When  do  we  start 3   to  wor3   ry  3   What  are  we  left   with    when  there's  no one  there   to  wor ry   S  What  are  we  left   with    when  she  was  there   yes ter day?   3    Will    a ny bo dy  care   that  she's  not  3 here   to day   A1 home?      When  do  we  start 3   to  wor3   ry  3   What   are  we  left   with    when  there's  no one  there   to  wor ry   A1  What  are  we  left   with    when  she  was  there  yes ter day?  3    Will    a ny bo dy  care   that  she's  not   3 here   to day   A2 home?     When  do  we  start 3   to  wor3   ry  3   What  are  we  left   with    when  there's  no one  there   to  wor ry   A2  What  are  we  left   with    when  she  was  there  yes ter day?  3    Will  a ny bo dy  care  that  she's  not  3 here   to day   T home?      When  do  we  start 3   to  wor3   ry  3   What   are  we  left   with    when  there's  no one  there   to  wor ry   T   What   are  we  left   with    when  she  was  there  yes ter day?   3    Will    a ny bo dy  care   that  she's  not  3 here   to day   B home?     When   do  we  start 3   to  wor3   ry  3   What  are  we  left   with    when  there's  no one  there   to  wor ry   B  What  are  we  left   with    when  she  was  there  yes ter day?  3    Will    a ny bo dy  care   that  she's  not  3 here   to day   SynChd            SynChd                                                                   Drm                                          Drm                                 

38 S solo 29               Aah      S solo    33 Aah       S  What   are  we  left   with    when  her  voice  won't  be  heard 3  a gain?  3   When  does  some bo dy  look 3  in to  that ?  3 S  What   are  we  left    with     when    hund reds    don't   come  home?     How  do  we  e 3 ven   pro  cess  that?  A1  What   are  we  left    with    when  her  voice   won't  be  heard 3  a  gain?  3   When When  does does  somesome bobo dy dy  look look 3  inin to to  that ? that ?  3 A1  What   are  we  left   with     when    hund  reds    don't   come  home?     How  do  we  e 3 ven   pro cess  that?  A2  What   are  we  left   with    when  her  voice   won't  be  heard 3  a  gain?  3   When  does  some bo dy  look 3  in to  that ?  3 A2  What    are  we  left   with     when  hund reds    don't   come  home?     How  do  we  e  3 ven   pro  cess  that?  T  What     are  we  left    with    when  her  voice  won't  be  heard 3   a gain?  3   When   does  some bo dy  look 3   in to  that ?  3 T  What     are  we  left   with     when   hund  reds    don't   come  home?     How  do  we  e 3 ven   pro cess  that?  B  What   are  we  left   with    when   her  voice  won't  be  heard 3  a gain?  3         3      3 B  What   are  we  left   with     when  hund  reds    don't   come  home?     How  do  we  e  3 ven   pro cess  that?  SynChd              SynChd                                                                                           Drm                          Drm                                 

39 S solo  37 D  Aah      Aah      S solo  41  Aah      3     Aah      S    What  are  we  left   with    when  thou  sands    don't   come  home?   When   do  we  need 3   to  wor3   ry?    3 S Now   is  it  time  3  to  wor ry?    What  are  we  left   with    when   the  cy  cle   is  brok  en   3    You   know  it   can  ne  3 ver   A1    What   are  we  left   with    when  thou  sands    don't   come  home?   When  do  we  need 3   to  wor3   ry?    3 A1 Now   is  it  time  3  to  wor ry?    What  are  we  left   with    when  the  cy cle   is  brok  en   3    You    know  it   can  ne 3 ver  A2    What  are  we  left   with    when  thou sands    don't   come  home?   When  do  we  need 3   to  wor3  ry?    3 A2 Now   is  it  time  3  to   wor ry?    What  are  we  left   with    when  the  cy cle   is  brok  en   3    You    know  it   can  ne 3 ver  T     What  are  we  left   with    when  thou sands    don't   come  home?   When   do  we  need 3   to  wor3  ry?    3 T Now    is  it  time  3  to  wor ry?    What  are  we  left   with    when  the  cy  cle   is  brok en   3    You    know  it  can  ne 3 ver  B    What   are  we  left   with    when  thou  sands    don't   come  home?   When  do  we  need 3   to  wor3   ry?    3 B Now    is  it  time  3  to  wor ry?    What  are  we  left   with    when  the  cy  cle   is  brok  en   3    You    know  it   can  ne 3 ver  SynChd                  SynChd                                                                                      Drm                                  Drm                                         

40 S solo 45  E  some   bo dy   S solo 49   some  bo dy     Aah     S   be   fixed.    What   are  we  left    with    when  the  span   is  in ter rup   ted     Or   ra ther  some bo dy    in ter S rup  ted  that  span    What  are  we  left   with   cresc. What   are  we  left   with     When  there  are  men   who  want  to  make  wo men   A1   be   fixed.     What   are  we  left    with    when  the  span   is  in ter rup   ted     Or    ra ther  some bo dy    in  ter A1 rup   ted  that  span    What  are  we  left   with   cresc. What   are  we  left   with     When  there  are  men   who  want  to  make  wo men  A2   be   fixed.    What   are  we  left    with    when  the  span   is  in ter rup   ted     Or    ra ther  some bo dy    in ter A2 rup   ted  that  span    What   are  we  left   with   cresc. What   are  we  left   with     When  there  are  men   who  want  to  make  wo men  T    be   fixed.    What   are  we  left   with    when  the  span    is  in ter rup   ted     Or    ra ther  some bo dy    in ter T rup    ted  that  span    What   are  we  left   with   cresc. What  are  we  left   with     When  there  are  men   who  want  to  make  wo men   B   be   fixed.    What   are  we  left    with    when  the  span   is  in ter rup   ted     Or    ra ther  some bo dy    in ter B rup   ted  that  span    What   are  we  left   with   cresc. What   are  we  left   with     When  there  are  men   who  want  to  make  wo men  SynChd                SynChd                                                                     Drm                                  Drm                                 

41 S solo 53         Aah         F 57 S solo   Aah           Aah    61  3      S   dis  app ear  dis app ear   dis app ear   dis app ear     Will  there  e ver  be  e nough  psy cho  ther a py  for  that?    S   Will  there  e ver  be  e nough  psy cho ther a py   for  that?   What  are  we  left   with   A1   dis app ear  dis app ear   dis app ear   dis app ear     Will  there  e ver  be  e nough  psy cho  ther a py  for  that?    A1   Will  there  e ver  be  e nough  psy cho ther  a py   for   that?   What   are  we  left   with   A2   dis app ear  dis app ear   dis app ear   dis app ear     Will   there  e ver  be  e nough  psy cho  ther a py  for   that?    A2   Will  there  e ver  be  e nough  psy cho ther a py   for  that?   What   are  we  left   with   T    dis  app ear  dis  app ear   dis app ear   dis app ear     Will  there  e ver  be  e nough  psy cho  ther a py  for  that?    T    Will  there  e ver  be  e nough  psy cho ther a py   for  that?   What  are  we  left   with   B   dis app ear  dis  app ear   dis app ear   dis  app ear     Will  there  e ver  be  e nough  psy cho  ther a py  for  that?    B   Will  there  e ver  be  e nough  psy cho ther a py   for  that?   What   are  we  left   with   SynChd                                 SynChd                                             Drm                                          Drm                                 

42 S solo  G 65  Aah    3 S solo        Aah            69  3      S   Mem  or i als   griev ing    gov ern ment   com miss ions    Prom is es  to  do  bet ter  that  it  will  ne ver  hap pen  a gain    S  What   are  we  left   with   What  are  we  left   with   decresc. What  are  we  left   with   grad. morph to speaking voice What  are  we  left   with   What  are  we  left   with   A1   Mem    or i als   griev ing    gov  ern ment   com miss ions    Prom is es  to  do  bet ter  that  it  will  ne ver  hap pen  a gain    A1  What   are  we  left   with   What  are  we  left   with   decresc. What  are  we  left   with   grad. morph to speaking voice What  are  we  left   with   What  are  we  left   with   A2   Mem  or i als   griev ing    gov ern ment   com miss ions    Prom is es  to  do  bet ter  that  it  will  ne ver  hap pen  a gain    A2  What   are  we  left   with   What  are  we  left   with   decresc. What  are  we  left   with   grad. morph to speaking voice What  are  we  left   with   What  are  we  left   with   T    Mem    or i als   griev ing    gov  ern ment   com miss ions    Prom  is es  to  do  bet ter   that  it   will  ne ver  hap pen  a gain    T  What     are  we  left   with   What   are  we  left   with   decresc. What   are  we  left   with   grad. morph to speaking voice What   are  we  left   with   What  are  we  left   with   B    Mem  or i als   griev ing    gov ern ment   com miss ions    Prom is es  to  do  bet ter  that  it  will  ne ver  hap pen  a gain    B  What    are  we  left   with   What   are  we  left   with   decresc. What   are  we  left   with   grad. morph to speaking voice What   are  we  left   with   What  are  we  left   with   SynChd          SynChd                                               Drm                                  Drm                                 

43 S What   are  we  left   with   What  are  we  left   with   What  are  we  left   with   What  are  we  left   with   73 A1 What   are  we  left   with   What  are  we  left   with   What  are  we  left   with   What  are  we  left   with   A2 What   are  we  left   with   What  are  we  left   with   What  are  we  left   with   What  are  we  left   with   T What     are  we  left   with   What  are  we  left   with   What   are  we  left   with   What  are  we  left   with   B What    are  we  left   with   What  are  we  left   with   What   are  we  left   with   What  are  we  left   with   SynChd   Drm                                  transition ca 15'

44 7. Afterlife Vocode    =80 Soprano    Alto    Tenor     Bass    Synth mel    Synth bass                          Arp Chord                    Arp                                                                                                                                                              

45 Soprano 5 A   You  may  be   dust      but  your  9 thoughts   live  on    thoughts     live   on.  Soprano   13 B all  kinds   of  things   she  said.      Your    Alto   You  may  be    dust      but  your  thoughts   live  on    thoughts     live   Alto on.    You  re  mem  ber   your  moth  er      Your    Tenor    You  may  be   dust      but  your  thoughts   live  on    thoughts     live   on.  Tenor     You   re mem ber    your   moth  er      Your    Bass   You  may  be    dust      but  your  thoughts   live  on    thoughts     live   Bass on.   all  kinds   of   things    she  said.      Your    Synth mel                                     Synth mel                                Synth bass                                      Synth bass           Arp Chord                     Arp Chord                   Arp   

You remember your mother. All kinds of things she said

46 Vocode 21

Soprano 17 mem  ory    3  is  her  af  3 ter  life.      So  ma ny    3  gone  be fore 3  you    3 Soprano     Your    mem ory    3  is  her  af  3 ter  life.   Alto mem  ory    3  is  her   af 3 ter life.    So  ma ny    3  gone  be fore 3  you     3  Alto     Your    mem ory    3  is  her   af 3 ter life.     Tenor mem   ory    3  is  her  af  3 ter  life.    So  ma ny    3  gone  be fore 3  you     3  Tenor      Your    mem ory    3  is  her  af  3 ter  life.   Bass mem   ory   3  is  her   af 3 ter life.      So   ma ny    3  gone  be fore 3  you    3 Bass     Your    mem ory   3  is  her   af 3 ter life.     Synth mel      3      3           3    3      3   Synth mel      3      3              Synth bass         Synth bass       Arp Chord           Arp Chord                                  

You remember your mother. All kinds of things she said

47 Vocode 25

Soprano  C   You  have    the   ter rib le  3  a Soprano bil   i ty   3  to  im a  gine  your  own    end.    33   When  you  pass   3 through   the   gate   Alto    You  have    the  ter rib le  3  a   Alto bil  i ty   3  to  im a gine   your  own    end.    Tenor     You  have    the   ter rib le  3  a Tenor bil    i ty   3  to  im a  gine  your  own    end.      When  you  pass   3 through   the   gate   Bass    You  have    the  ter rib le  3  a   Bass bil  i ty   3  to  im a gine   your  own    end.    Synth mel                         Synth mel                  3       Synth bass           Synth bass            Arp Chord                                       Arp Chord                                  

48 Soprano    37 41 Soprano    When  you  pass   3 through  that    gate  45 D  You   will   know   the   ans  wer    Alto    When  you  pass   3 through  that    gate     When  you  pass   3 decresc. through   the   gate   Alto   You   will   know   the   ans  wer    Tenor      When  you  pass   3 decresc. through   the   gate   Tenor    You   will   know   the   ans  wer    Bass     When  you   3 pass  through   that   gate   Bass    When  you  pass   3 through  that    gate   Will   know   the   ans  wer  Synth mel         3           3       Synth mel         3      Synth bass                     Synth bass                              Arp Chord                         Arp Chord                                          

49 Vocode

will know the answer to the question 53 Soprano  E   The  af  ter  life   is  in  what  you   leave   for   oth  er  Soprano peo  ple    61 F  When  you  pass   3 through  the   65  gate  decresc   Alto    The  af  ter  life   is  in  what  you   leave  Alto   for   oth  er  peo ple     When  you  pass   3 through  the    gate     decresc When  you  pass   3 through   the  Tenor     The  af  ter life   is   in  what  you  leave   for  oth  er  Tenor peo    ple    When  you  pass   3 through  the    gate  decresc   Bass    The  af  ter life   is   in  what  you  leave  Bass   for  oth  er  peo  ple    When  you  pass   3 through  the    gate     decresc When  you  pass   3 through   the  Synth mel  ! (Arp now in 8th notes)                     Synth mel                         3 Synth bass                          Synth bass                               Arp Chord                                    Arp Chord                                       

You

50 Soprano   When  you   pass   3 through   the  69   gate.     When  you  pass   3 through  the    gate.  73  77 Soprano  81 Alto   gate       When  you  pass   3 through  the    gate.   Alto  Tenor    When  you  pass    3 through   the    gate.     When  you  pass   3 through  the    gate.   Tenor   Bass   gate       When  you  pass   3 through  the    gate.   Bass  Synth mel                3              3       Synth mel  Synth bass                                     Synth bass            transition ca 15'

51 8. 2020 Vocode Twen =86     ty  one  twen ty  two  twen ty  one  twen ty  two  Twen ty  one  twen ty  two  twen ty  one  twen ty  two  Twen ty  one  twen ty  two  twen ty  one  twen ty  two  Twen ty  one  twen ty  two  twen ty  one  twen ty  two  Vcd 5 Twen    ty  one  twen ty  two  twen ty  one  twen ty  two  A Twen   ty  twen ty  twen ty  twen ty  one  Beats   Bts                                Tenor solo    Soprano    S    Twen   ty  twen ty    twen  ty  one  twen ty  two   Alto    A    Twen  ty  twen ty    twen ty  one  twen ty  two   Tenor     T     Twen  ty  twen ty    twen ty  one  twen ty  two   Bass    B    Twen   ty  twen ty    twen  ty  one  twen ty  two   Synth chd         SynChd                                                         

52 Vcd 9 Twen    ty  twen ty  twen ty  twen ty  one  Bts                                                Bts                     13                                       Tsolo        To    see  the   world     We  stayed     home   Tsolo        looked   at   our   screens   Stayed      home   S     We     stayed  S home.      Did n't   go   out.     Looked   at    screens.       We   A     We   stayed   A home.     Did n't   go    out.     Looked  at   screens.      We  T      We     stayed   T home.       Did n't   go    out.     Looked  at   screens.      We  B     We    stayed  B home.     Did n't   go   out.     Looked   at   screens.      We  SynChd              SynChd                                                               

53 Vcd Twen    ty  twen ty  twen ty  twen ty  one  Bts 17                                       21            Bts                                              Tsolo        We  watched  each   oth er   on  screens    Tsolo      We  hid  from   each  oth 3 er   on     screens      We  lived   at  home    we  S stayed      at    home   We     stayed   We   watched   We  lived    S    We   lived    We   lived  A stayed     at   home   We   stayed   We   watched  We    lived   A    We    lived   We  lived  T stayed      at   home   We   stayed   We  watched  We  lived    T     We   lived   We  lived  B stayed      at   home   We     stayed   We   watched  We  lived    B    We   lived   We   lived  SynChd              SynChd                                                                

54 Vcd 37 B Twen    ty  twen ty  one  twen ty  two  Bts                     29                                     Bts                                                  Tsolo loved      at   home      we  hat  ed  at  home   3   We    died        at     Tsolo home.      Grieved     at     home.      We   saved  S at       home      We   loved    at   home       We   died  S at       home      We    grieved     at   home.      A at      home     We  loved   at   home     We   died  A at      home     We   grieved   at   home.    T at       home      We  loved   at   home      We  died  T at       home      We   grieved    at   home.     B at      home      We  loved    at   home       We   died  B at      home      We   grieved     at   home.      SynChd                   SynChd                                                                    

55 Vcd Twen    ty  twen ty  one  twen ty  two  Vcd 45 C Twen    ty  twen ty  twen ty  twen ty  one  Twen ty  twen ty  twen ty  twen ty  one  Bts                            Tsolo      peo ple   from   dy 3 ing     Could'nt   save   peo 3 ple   from    Tsolo dy     ing     some  of   us    3 were  there    Most  of   us  saw   3 S    Peo  ple    from   dy ing    S     Could 'nt    save   them  A    Peo  ple   from  dy  ing    A     Could  'nt    save   them  T     Peo  ple   from   dy  ing    T       Could 'nt    B    Peo  ple   from  dy ing    B      Could  'nt    SynChd                                 SynChd                                                       

56 Tsolo this      on   screens   49   Tsolo      We    learned  to   bake    on  screens    We    learned  Russ  ian     on    53 screens   S      But   rhythmic we  saw  it    Saw  it  on  our   screens.    But  we  lived   it.   Lived  it  on  our    screens   S     So   much  time      on  our  screens     A      But  rhythmic we  saw   it   Saw  it  on  our   screens.    But   we  lived  it.   Lived  it  on  our   screens   A     So  much  time       on  our  screens     T       But  rhythmic we  saw   it   Saw  it  on  our   screens.    But   we  lived  it.   Lived  it  on  our   screens   T      So  much  time      B      But  rhythmic we  saw    it   Saw  it  on  our   screens.    But  we  lived  it.   Lived  it  on  our    screens   B     So   much  time    SynChd              SynChd                                                

57 Vcd Twen    ty  twen ty  twen ty  twen ty  one  Vcd     Twen ty  twen ty  twen ty  twen ty  one  57 D Twen ty  twen ty  twen ty  twen ty  one  Twen ty  twen ty  twen ty  twen ty  one  Tsolo      We  read   War     and   Tsolo Peace      on  our   screens      S All     our   vi  sits     on  our  screens        War   and   Peace  S       How  ma  ny   hours.   How  ma  ny    days.   How   ma ny   weeks.     A All      our  vi  sits    on  our  screens      War  and   Peace  A       How    ma  ny    hours.   How  ma ny   days.   How  ma ny    weeks.      T      On   our  screens       War  and   Peace  T       How  ma  ny   hours.    How  ma  ny    days.   How   ma ny   weeks.     B     On   our  screens        War   and   Peace  B      How    ma  ny    hours.  How   ma ny   days.    How  ma ny    weeks.     SynChd          SynChd                                      

58 Vcd 65 E Twen    ty  twen ty  one  twen ty  one  twen ty  two  Tsolo       We  danced  in   our  kit 3 chen    on  our   screens    We    danced  in   the  hall 3 way    61  on  our   screens    Tsolo      We  sang   in to  our   de 3 vi   ces      Good  luck   with  that    S      Danced  in  our  hall  3 ways    Danced   in  our  kit 3 chens   S      We  sang   our  de vic  es       A      Danced  in  our  hall  3 ways    Danced  in  our  kit 3 chens   A      We  sang  our   de vic  es      T       Danced  in  our  hall 3 ways    Danced  in  our  kit 3 chens   T       We  sang    our  de vic  es       B      Danced   in  our  hall 3 ways    Danced  in  our  kit 3 chens   B      We   sang  our   de vic  es       SynChd                            SynChd                                                                           

59 Vcd Twen    ty  twen ty  one  twen ty  one  twen ty  two  Tsolo         We   saw  our  lead ers    be have  like  id i ots  3 Tsolo saw      them  grow  beards  3  de   ny   it   was   real  3 73  then  get  sick   them  selves  Dine      rhythmic! in  dream   on   No    tra vel   no  way   S        Id  i ots   id i   ots   id  i  ots   S      Grow   beards.    De  ny  it.    Get  sick   them  selves  Dine      rhythmic! in  dream  on   No   tra vel   no  way   A        Id  i ots   id i   ots    id i  ots   A      Grow   beards.   De   ny  it.    Get  sick   them selves  Dine      rhythmic! in  dream   on   No    tra vel   no  way   T         Id i ots   id i  ots   id  i  ots   T       Grow    beards.   De  ny  it.    Get  sick    them  selves  Dine      rhythmic! in  dream   on   No    tra vel   no  way   B        Id i ots   id i  ots    id i  ots   B      Grow    beards.   De  ny  it.    Get  sick   them  selves  Dine      rhythmic! in  dream  on   No  tra vel   no  way   SynChd                                          SynChd                                                          

60 Vcd G Twen    ty  twen ty  one  twen ty  one  twen ty  two  Vcd Twen    ty  twen ty  one  twen ty  one  twen ty  two  Tsolo No      school  e ver   Com   put ers   on  ly    O pen  up    I   don't  think  so        The  cure   Tsolo arr      ived     rhythmic! First   shot  sec  ond  shot      First   shot  sec  ond  shot      First   shot  sec  ond  shot    re peat   S No      school  e ver   Com put ers   on ly    O pen  up    I   don't  think  so      S     rhythmic! First   shot  sec  ond  shot      First   shot  sec  ond  shot     First   shot  sec  ond  shot    re  peat   A No     school  e ver   Com   put ers   on  ly    O pen   up    I  don't  think  so      A     rhythmic! First   shot  sec ond  shot       First   shot  sec ond  shot      First   shot  sec ond  shot    re  peat   T No      school  e ver   Com   put ers   on  ly    O pen  up    I   don't  think  so      T      rhythmic! First   shot  sec  ond  shot      First   shot  sec  ond  shot     First   shot  sec  ond  shot    re  peat   B No      school  e ver   Com put ers   on ly    O pen   up    I  don't  think  so      B     rhythmic! First   shot  sec  ond  shot      First   shot  sec  ond  shot      First   shot  sec  ond  shot    re peat   SynChd                                        SynChd                                                                        

61 Vcd Twen    ty  twen ty  one  twen ty  two  89 Twen ty  twen ty  one  twen ty  two  Tsolo First       shot  sec  ond  shot   re  peat    Did  ev ery bo dy  want  one?   Not  a  chance  85  Did  ev ery bo dy  get  one?   What  do  you  think?  3 Tsolo re      peat  re peat  re peat    re  peat  re peat  re peat         Some  of  us  are  still  here   S First      shot  sec  ond  shot   re peat    Did   ev ery bo dy  want  one?   Not  a  chance   Did   ev ery bo dy  get  one?   What  do  you  think?  3 S re     peat  re peat  re peat    re  peat  re peat  re peat        Some  of  us   are   still  here    A First      shot  sec ond  shot   re  peat    Did  ev ery bo dy  want  one?   Not  a  chance   Did  ev ery bo dy  get  one?   What  do  you  think?  3 A re    peat  re peat  re peat    re peat  re peat  re peat        Some  of  us   are  still  here   T First       shot  sec  ond  shot   re peat    Did  ev ery bo dy  want  one?   Not  a  chance    Did  ev ery bo dy  get  one?   What  do  you  think?   3 T re     peat  re peat  re peat    re peat  re peat  re peat        Some  of  us   are  still  here      B First      shot  sec  ond  shot   re  peat    Did  ev ery bo dy  want  one?   Not  a  chance   Did  ev ery bo dy  get  one?   What  do  you  think?  3 B re    peat  re peat  re peat    re peat  re peat  re peat        Some  of  us   are  still  here     SynChd                       SynChd                                        

62 Tsolo       Some  of  us  93    did n't  make  it.     S      Some  of  us     did n't  make  it.    (unvoiced)  Twen ny   Twen ny   Twen ny   Twen ny    A      Some  of  us     did n't  make  it.    (unvoiced)  Twen ny   Twen ny   Twen ny   Twen ny    T       Some  of  us     did n't  make  it.    (unvoiced)  Twen ny   Twen ny   Twen ny   Twen ny    B      Some  of  us     did n't  make  it.     (unvoiced)  Twen ny   Twen ny   Twen ny   Twen ny    SynChd       transition ca 15'

9. Talking to dead people

Spoken    =104 (spoken by individual choir members) 5 A Soprano    Alto 1      I  find   my  self   talk  ing  Alto 2      I  find  my self   talk  ing  Tenor       I  find   my  self   talk ing  Bass      I  find  my self   talk ing  Bass synth           Arp                                                                                                                                                 Synth Chd                               Twangle  

64 Spk 9 13 S  I  find   my self   I  find   my self.   Up  side   A 1 to    dead  peo ple   I  find  my self   talk ing  to  dead    peo ple     Up side   A 2 to    dead  peo ple  I  find   my self  I  find   my self.   Up side    T to    dead   peo ple   I  find  my self   talk ing  to  dead    peo ple     Up  side   B to   dead  peo ple   I  find  my self   talk ing  to  dead    peo ple       Up side   Bsyn       SynChd              Twng

65 Spk 17 B S   they   don't  talk   back.   Down side     they  don't    talk   Wow!    rhythmic   That  A 1   they  don't   talk  back.  Down  side     they   don't    talk   Wow!    rhythmic   That  A 2 they    don't  talk   back.      Down side    they  don't   talk   back.   Wow!   rhythmic   That  T they     don't  talk   back.     Down side    they  don't   talk   back.  rhythmic  It's  wow!     B they   don't   talk  back.     Down  side    they   don't   talk   back.   It's  wow!   rhythmic   That    zing  er   Bsyn                   SynChd                                         Twng

66 Spk S   got    em!  A 1   got     em!  A 2   got     em!   T    That    zing  er   real  ly  would  've  got    em!   It's  wow!    B real   ly  would  've  got    em!   It's  wow!     That    zing  er   Bsyn          SynChd          Twng

67 Spk 21 S      That   would  've  hurt      No    com ing   A 1     That  would 've  hurt       No    A 2    That   would  've  hurt      T    That    zing  er   real  ly  would  've  got    em!   That  would 've  hurt      B real   ly  would  've  got   em!  That  would 've  hurt       No    Bsyn                 SynChd                                    Twng

68 Spk 25 C Speaker 1 S back    from  that!  A 1 com  ing    back  from  that!   A 2   No    com ing   back   from  that!  T    No    com ing    back  from  that!  B com  ing    back  from  that!   Bsyn           SynChd                                                   Twng

69 Spk 29 Speaker 2 33 Speaker 3 D S   But  it's  al A 1    But  it's   al  A 2    But  it's   al T    But  it's  al B   But  it's  Bsyn              SynChd                                                         Twng

70 Spk 37 Speaker 4 S   so   I  miss  you.     A 1 so     I  miss  you    A 2   so     I  miss  you    T    so   I  miss  you.     B al  so   I  miss   you.    Bsyn               SynChd                                                       Twng

71 Spk 41 Speaker 5 45 Speaker 6 E S   You  A 1   You  A 2   You  T    You  B   You  Bsyn            SynChd                                                                Twng

72 Spk S ne   ver    said     Talk   now    they   won't    be   back    ne  ver   S 53   =64 57 F   E ter  ni  ty  A 1 ne   ver    said      Talk   now    they   won't    be   back    ne  ver   A 1    E ter ni ty  A 2 ne   ver    said     Talk   now    they   won't    be   back    ne  ver   A 2    E ter ni ty  T ne    ver    said     Talk   now    they   won't    be   back    ne  ver   T     E ter ni ty  B ne  ver    said      Talk   now    they   won't    be   back    ne  ver   B    E ter ni ty  Bsyn                           Bsyn                      SynChd                                                                                                          SynChd                                    Twng Twng                                                    

73 S 61    is   the   thun  der  word   Runs  hea vy    65 runs   long.   S  G decresc. to end Runs     long.  69    Runs      deep    73  Bends     time.       Runs  deep   Runs   deep   A 1    is  the   thun  der  word   Runs  hea  vy     runs    long.   A 1  decresc. to end Runs     long.     Runs     deep     Bends    time.        Runs  deep   Runs   deep   A 2    is   the  thun der  word   Runs   hea vy     runs   long.   A 2  decresc. to end Runs      long.     Runs     deep     Bends    time.        Runs  deep   Runs   deep   T     is  the   thun der  word   Runs  hea vy    runs   long.   T   decresc. to end Runs     long.     Runs     deep     Bends    time.        Runs  deep   Runs   deep   B    is  the   thun  der   word   Runs  hea vy   runs  long.   B  decresc. to end Runs    long.     Runs      deep    Bends     time.      Runs  deep   Runs   deep   Bsyn                   Bsyn                                        SynChd        SynChd                                                                   Twng                                                                  Twng (continues to end)             

74 S 77   Bends  time  Bends    time.  3      81      85        A 1   Bends  time  Bends    time.  3  whistle these pitches  whistle these pitches                A 2   Bends  time  Bends    time.  3   whistle these pitches                T    Bends  time  Bends    time.  3    whistle these pitches                B   Bends  time  Bends    time.  3    whistle these pitches                Bsyn                      SynChd                                          