MSA BA1 HABITAT C- GOING DOWN

Tong

Li

Architecture MSA Student 2023.10

PORT FO LIO

SITE ANALYSIS:

CLIENT INFORMATION:

Client: -Cemetery woker Requirement: -showing spacce -Social space ( solving Loniness) -Comfortable visual space -Natrual Lights

03

Site Location: Southern Manchester Cemetery M13 9PZ

“ GOING DOWN ” HABITAT C

Cemetery workers take care of everything in cemeteries—from digging graves and keeping the landscape tidy to helping bereaved families during funerals. They ensure that the final resting places are respectfully maintained, providing both a physical and emotional haven for those remembering their loved ones.

HUMAN PROPORTION:

Project Design Space for living / Year 1

INITIAL MASSING:

INITIAL MODEL:

INITIAL DESIGN:

I manipulate several shapes in these 15 squares for my first massing, and the final stage is to precisely alter the shape to achieve my desired shape given the site’s parameters. .

The perfect housing arrangement for a cemetery worker would reduce their loneliness, especially during a pandamic episode, and assist them in escaping the high-stress workplace (around 15 people per day). I came up with this idea because cemeteries are isolated from one another and cemetery workers must bring their equipment with them.

MIND MAP :

VISUAL INITIAL FLOOR PLAN :

Mind map of what cemetery workers requirment of their temperary place during Pandamic

INITIAL FLOOR PLAN : 1 ’ Two Mian space

2 ’ Natural placement

3 ’ Ground floor space arrangement

4 ’ Undergroud floor space arangement

EXPLOSIVE DIAGRAM :

SITE SHADE DIAGRAM :

LIGHT WELL DESIGN STUDY :

1’

9:00 AM

12:00 AM

2’

3:00 AM

5’

SITE SELECTION PROCESS: :

3’

4’

PRECEDENT STUDY :

NAME: HOUSE SH BUILDING SITE: TOKYO COMPLESTION: 2005.11 TEAM: MONOKO KISTUJI

ROYAL ONTARIO MUSEUMBUILDING :NAME TORONTO,CANADA :SITE 2007 :COMPLESTION STUDIO LIBESKIND :TEAM - Building’s five intersecting metal-clad volumes, which are reminiscent of crystals—inspired by the crystalline forms in the ROM’s mineralogy galleries. He created a structure of organically interlocking prismatic forms turning this important corner of Toronto, and the entire  Royal beacon.

Ontario Museum museum complex, into a luminous The design inviting glimpses up, down, and into (https://architizer.com/projects/royalgalleries, from its interior bridges and from the street. The entire ground level is unified into a   Royal Ontario Museum seamless space with clarity of circulation and transparency.

Royal Ontario Museum (https://architizer.com/projects/royal  (https://architizer.com/projects/royal-ontario-museum/) / RESCOURCE LINK: https://libeskind.com/work/royal-ontario-museum/ Museum Projects 7(/image-search/popular-images/) / 17 Brands

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Farmison & Co

- Because the property is enclosed on all but one side, HOUSE SH was created by architect Monoko Mistuji. Her intention was to bring sunshine straight into the room. The situation was exacerbated by the fact that a condominium with a southern balcony that overlooked the location was right across the street (zero privacy). Ideally, they are trying to use sunlight to create the illusion of a larger area. The smoothly curved wall that results offers an infinite feeling of depth.

RESCOURCE LINK: https://www.nakam.info/en/works/house-sh/

ELEVATION D-D :

ROOM PLANNING : ( From first floor to underground floor)

PLAN :

A-A

B-B SPACE AND FUNITURE ARRANGEMENT :

SECTION :

A--

--A

A--

--A

B--

--B

B--

--B

C--

--C

C--

--C

C-C

Atmosphere : Texture & Color of site

SURRONDING MATREIAL The surrounding Stucture meanly using dark blue rusty metal, The cemetery has its own theme colors and materials. Would it be an interesting choice for cemetery workers to use the same cemetery colors and materials as house colors for them.

COLOUR PALETTE The site features a primarily dark color scheme with low levels of saturation and luminance, which evokes a somber and gloomy atmosphere. Adding some vibrant colors would be intriguing that improve the mood.

2’

STORY BOARD:

VISUAL MATERIAL APPLY:

1’

MIDDLE SAPCE

4’

3’

ENTRANCE PRESSPECTIVE

UNDERGROUND PRESPECTIVE

In order to better understand the flow of people in this space, I created a series of storyboards as a reference and used the site’s materials to produce visual representations.

SITTING AREA

SITE ELEVATION DRAWING :

LEFT PREPECTIVE :

RIGHT PRESPECTIVE:

BACKW PRESPECTIVE:

FINAL MODEL:

1:50

NAME: GOING DOWN BUILDING SITE: SOUTHERN CEMETERY COMPLESTION: 2023 TEAM: TONG LI