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From the editor...
Iwill not start this letter by saying goodbye. Instead, I will say thank you. Thank you to PDBY for providing me and so many others with a beautiful space that allows us to be our most authentic selves. Please continue to be a welcoming harbour where weird little souls and oddballs can congregate and have the most unhinged conversations or go on the strangest side quests and adventures together.
As I’m constantly and painfully reminded, I’ve been at the paper for so long that I’ve become part of the office furniture (thanks, Kerri). Jokes aside, I hope that many others will love PDBY and its community so much that they will join me in my furniture status.
This office chair has met some of the most wonderful weirdos here who have left footprints on her heart (and in this paper) – thank you for your gift of acceptance and open-mindedness that I will carry with me always. Shoutout to the editorial of 2022 who showed me how great the paper could be – especially Leah, Kelly, and Ashleigh (love you all, and so grateful that we have remained friends). The next year was a crazy rollercoaster ride – Banathi, you sure kept things interesting, but thanks for always being there, bestie. And Jade, I appreciate all of your help during the late nights of 2023 and your dedication to making Shoot Your Shot and, later, socials soar as sections. In 2024, our editorial housed one of the funniest people ever met (I’m looking at you, V) and one of the chillest (Chabie).
Please bear with me a bit longer, as we have at last arrived at 2025.
I wouldn’t have survived this year without the help of my fantastic team. Owami, thank you for taking on both Web and Social Media and making each section shine and encourage engagement. Nicole (where my hug at?), you were the Multimedia section along with KerriAnne, and I’m so grateful that you stuck it out despite all the setbacks to ensure the visuals were giving in each edition. Jason, thanks for strengthening News, always being eager to cover events, and growing with your team. Aleksa, you helped Features offer fresh articles about diverse topics and encouraged your journos to dig deep. Dom, you embodied Entertainment and provided a safe space for your team to turn trending topics in the entertainment industry into thoughtprovoking pieces (also, thanks for no thrifting articles!).
Neo, I appreciate how you inspired your journos through your own love of the game and made Sport a spirited powerhouse of content that keeps readers engaged. Hannah, your dedication to polishing and perfecting every article is incredible, and thanks for making my life so much easier. Annelize, thank you for being my ride-or-die (long live copout!). I know how many late nights it took, but Layout truly thrived in every edition and brought colour and spice to the pages – loved all the images you created for funky spaces and the Tay-Tay you added to every edition. And a massive thank-you to KerriAnne for helping me to keep this paper afloat and all the ducks in a row. Your admin skills are unmatched, your visuals are vibey, and you can organise events and people like nobody’s business!
Finally, thanks to Carel for continuing to drive the paper forward – we don’t always make it easy, but it’s appreciated.
Before I forget, I wish to express my sincere gratitude to you, dear reader, for picking up the paper or consuming our content digitally. We know you come for the Shots, but we hope you stay for articles that resonate with you and enrich your student life. Instead of saying goodbye to everything I am leaving behind, I will say good luck. Good luck to the new editorial. Dom, the paper is in your capable hands now, and I know you and your team will steer this sturdy ship to amazing new waters.
Signing off, Karla
Letter policy yourcampusnews.
PDBYMedia, formerly Perdeby, is the official independent student newspaper of the University of Pretoria. We are committed to providing fresh and entertaining news content for UP students, by UP students, about UP issues.
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Tuks FM Turns 45
Mpho Mahlangu
Tuks FM is a vibrant and dynamic campus radio station situated at the University of Pretoria. It is one of South Africa’s leading and award-winning campus radio stations. This year, Tuks FM celebrates a huge milestone filled with moments that have shaped the history and ultimately the future of many lives. Tuks FM turns 45.
From a humble studio in 1981 to a dynamic multimedia platform today, Tuks FM remains a training ground and family for countless broadcasters, creatives, and thought leaders. This campus station has given many students a room to learn, grow, and ultimately create a name for themselves in the media industry. It has contributed to establishing many professionals and it continues to do so even after 45 years.
PDBY spoke to Nicole Da Silva, an employee at Tuks FM. She said: “Tuks FM’s 45-year legacy is a testament to the station’s role in shaping influential voices in broadcasting, journalism, and the creative industries. It means being part of a legacy that values innovation, authenticity, and youth-driven storytelling. Over the years, Tuks FM has evolved from being one of South Africa’s first licensed community broadcasters into a dynamic multimedia platform with a strong and growing digital presence. While our core mission to be a voice for students and young South Africans has remained the same, the way we fulfil that role has expanded significantly. We now engage audiences across multiple platforms, reflecting the changing ways young people consume and create media.
I hope we continue to have a lasting impact as a top performing campus radio station by empowering the youth and staying at the forefront of innovation in community broadcasting.” She further explained her personal vision for the station. “I plan to build on this success by continuing to invest time and energy in fresh talent, motivating them to make content that reflects our audience’s evolving interests, and ensuring that Tuks FM remains a space where future media leaders and creatives are nurtured and empowered.” In the spirit of celebration, Da Silva shared some of the most memorable milestones in Tuks FM’s history and how they have shaped the station. “Some of the most memorable milestones in Tuks FM’s history include its first broadcast on 9 February 1981 with a live performance by the then new artist David Kramer, becoming the first campus station in South Africa to play CDs and hosting the first “New Year’s Bash” in Hatfield Square with 6 000
attendees. The station also gained national attention with bold (and sometimes controversial) campaigns like “JOU MA” and set records such as receiving 90 000 SMS votes during the “School of Rock” campaign. A historic moment came in 2001 with the first on-air birth ever recorded in broadcasting history. These moments reflect Tuks FM’s spirit of innovation, boldness, and drive to push the boundaries. They have helped shape the station into the pioneering multimedia platform that it is today, which continues to empower young voices and lead in campus and community broadcasting.” While Tuks FM caters for more audiences, its primary audience is students. PDBY spoke to Venus Nare, a second-year Political Science student, who gladly shared her insights. “What I love most about Tuks FM is the music. I love their playlist. It is a good way to pass time, honestly.” She further elaborated on how Tuks FM contributes to campus culture. “I think TuksFM contributes to UP’s campus culture through collabs they have with artists, bringing them to the Piazza. I believe it’s a refreshing feel for students in that break between classes, but I mostly enjoy the late night shows because it gets deep, and that’s when I personally get in my feels. The segments bring a lot of clarity, comfort, and great words of advice.”
between insight and entertainment. It reminds me of what makes Tuks FM special: we are informative, but never boring. We make important things click with our generation and Wednesday Wrap is a perfect example of that.”
Aluta Gaulana, a student employee/volunteer of the station, shared her thoughts and experiences. “I think I have definitely had a number of good experiences at Tuks FM, but one of them that stands out for me was when I was running the sexual awareness campaign and we received a large amount of people who wrote as anonymous individuals about their sexual assault stories. That for me was a big moment because that is when I realised that I am part of something so big.
I am a part of a radio station that people trust and continue to trust. A radio station that gives people a voice in all departments of life.” Gaulana also shared her favourite shows and what they mean to her. “Without a doubt, my favourite show is Wednesday Wrap.It is honestly brilliant. It is that one show where politics and current affairs sound so good, you would swear you are listening to campus gossip. The way the team breaks down heavy, important topics into something relatable, sharp, and so easy to digest? Genius.
It is not even my own show; it is my fellow radio presenters who run it but I tune in religiously. They have mastered that balance
Ending her thoughts on a positive note, Gaulana passionately concluded, “Tuks FM’s 45-year legacy is proof that young voices matter, and that when given the space, we can shape culture, conversations, and communities. Being part of that legacy is a huge honour. For me, it means holding the mic not just for myself, but for the next generation of creatives, thinkers, and changemakers. I plan to build on this legacy by staying bold and pushing new ideas, bringing fresh energy, and making sure the station keeps evolving with the times. Whether it is through creating innovative features, mentoring upcoming presenters, or just staying consistent with quality and heart. I want my journey here to contribute to Tuks FM by being more than just a campus radio station, but a cultural landmark for youth media in South Africa.”
Tuks FM has been a home for many hearts over the past 45 years, and even as it continues to evolve and expand, it is still relevant, unique, and inspiring. Here’s to honouring 45 years of broadcasting excellence, community building, and shaping South Africa’s next generation of media professionals!
Visual: Sourced
Tax at Tuks in Collaboration with the Office of the Tax Ombud
Lutricia Phiri
On 30 July, the University of Pretoria’s Student Tax SubHouse hosted an important event celebrating their ongoing collaboration with the Office of the Tax Ombud (OTO). The evening marked the conclusion of the academic term for the outgoing Tax at Tuks Executive Committee and served as a platform for student engagement in the field of taxation. It was also an opportunity to strengthen awareness of tax matters among students, creating a space for learning, networking, and inspiration.
According to several attendees, invitations were extended to students based on their exceptional performance in their Taxation modules. This academic recognition gave them the opportunity to interact directly with the Tax Ombud of South Africa, Ms Yanga Mputa, a figure who continues to break barriers and inspire.
The event included interactive tax-themed games to enhance students’ basic understanding of the tax system, followed by a powerful keynote address from Mputa and a vote of thanks to close the evening.
Introducing Ms Yanga Mputa
In July 2023, Mputa became the first Black woman to be appointed as South Africa’s Tax Ombud. Her academic credentials include a BProc, LLB, and LLM, and her professional journey in the public sector began in 1999. Over the years, she has risen from Deputy Director to Director, and then Chief Director in the tax arena, eventually taking up national leadership in her current role. From Doubt to Determination
Reflecting on her early years, Mputa recounted how, as a young Black woman pursuing a postgraduate diploma in Tax Law at the University of KwaZulu-Natal in 1994, she often felt uncertain. She was one of only three Black students in her lecture hall and struggled with self-doubt. But, she explained, it was determination, not certainty, that carried her forward. “You don’t have to have perfect confidence to succeed,” she shared. “You only need enough belief to keep going.” Her story served as a message of encouragement to students who may be questioning their place in the profession.
Standing on the Shoulders of Giants
Discussing her historic appointment, Mputa acknowledged that her achievement was not hers alone. She highlighted that the position she holds today is part of a broader narrative, one shaped by powerful women who came before her. Among them, she cited Chief Justice Mandisa Maya and Advocate Thuli Madonsela, both of whom redefined the role of women in South Africa’s legal landscape.
Her words made clear that her success is a collective victory, a milestone made possible by the progress of others who broke barriers and reimagined possibility for Black women in the profession.
Building the Office of the Tax Ombud
Providing context on the institution she now leads, Mputa traced the origins of the Office of the Tax Ombud. She explained that the idea was first introduced by the Katz Commission in 1995, but it was not until 2013 that the office was formally established, with retired Judge Bernard Ngoepe as the country’s first Tax Ombud.
Today, the office operates as an independent and impartial recourse for taxpayers, and it is based on international best practices from countries like Canada and the United Kingdom. Its goal is to ensure that South African taxpayers are treated fairly in their interactions with SARS.
Expanding the Mandate
Elaborating on the scope of the Office, Mputa pointed out that its mandate extends beyond addressing individual taxpayer complaints. In addition to investigating service, administrative, and procedural issues, the Office also identifies and addresses systemic issues in tax administration. These broader reviews may be requested by the Minister of Finance or initiated by the Ombud herself with ministerial approval. However, the Office does not intervene in matters of legislation, policy, or any issues that are under formal legal objection or appeal. Its role, she noted, is grounded in the pursuit of everyday fairness and justice.
Being a Minority in the Lecture Hall
Touching on her early academic experiences, Mputa described how isolating it was to be one of the few Black students in a legal tax class in 1994. Her remarks provided insight into the racial disparities that once defined the higher education system, and how far the profession has come. “Despite feeling like I didn’t belong,” she said, “I asked questions, I studied hard, and I kept going.”
Pathways Within the Tax Profession
Turning her focus to students’ futures, Mputa outlined a range of career opportunities within the tax industry. She emphasised that the profession is evolving, particularly with the rise of digitisation and automation. Roles are emerging in areas such as:
• Cybersecurity and digital fraud prevention (e.g. e-Filing profile hijacking)
• Taxpayer rights advocacy
• Alternative Dispute Resolution (ADR) under the Tax Administration Act
• Policy development and drafting at the National Treasury
• Tax administration and interpretation at SARS She noted that qualifications like an LLB, LLM, or postgraduate diploma in tax law, paired with strong research and analytical thinking skills, are essential for success in these paths.
Technology and Crime Risks
Highlighting the emerging risks in the tax environment, Mputa expressed concern about the misuse of artificial intelligence (AI). She explained that while AI improves efficiency in tax administration, it also creates new vulnerabilities, including
cybercrime and data breaches.She disclosed that the OTO is currently finalising a systemic investigation into SARS’s digital systems, with a draft report to be released in September 2025. Legal minds, she stressed, are urgently needed to shape how AI interacts with law and tax systems.
Looking Beyond the Ombud Role
Though currently serving as Tax Ombud, Mputa made it clear that her journey is far from over. She encouraged students to reflect on their unique value by asking themselves, “Where can I add value?” Whether in the courtroom, boardroom, Treasury, or classroom, she urged future professionals to lead with courage and to make space for others as they rise. “When you find your seat at the legal table,” she concluded, “bring a chair for someone else.”
Navigating Challenges with Resilience
In speaking about her personal challenges, Mputa shared that she has faced moments of self-doubt, marginalisation, and barriers in the legal profession. What helped her persevere was resilience, a willingness to learn, and the courage to keep moving forward despite obstacles. Her ability to transform adversity into purpose remains a central theme in her message to students.
Empowering the Next Generation
In closing, Mputa offered a word of advice to young women, particularly those uncertain about their next steps in life. “It is okay to doubt yourself. It is okay to feel unsure. But that should not stop you. You do not need perfect confidence, just enough belief to keep going.”
Her story is not only one of personal triumph but also of advocacy, mentorship, and unwavering belief in the potential of others.
Conclusions
The collaboration between Tax at Tuks and the Office of the Tax Ombud served as more than just a celebration; it was a reminder of the power of representation, access to information, and the importance of student excellence. Mputa’s presence left a lasting impression, not only as a trailblazer in the tax profession, but as a mentor and role model to aspiring legal minds.
The event reaffirmed that students have a place in shaping South Africa’s fiscal future and that through resilience, education, and ethical leadership, they can create a more just and inclusive tax system. This night was not only about tax, it was about transformation, empowerment, and legacy.
The Cost of Eating Healthy
Datis du Preez
Arecent article in The Conversation by post-doctoral researcher Tinashe P. Kanosvamhira titled “What students eat” conducted a survey at a South African university cafe. “The results were scary and further highlighted the shocking state of affordable and crucially healthy food options at the University of the Western Cape. As it turns out, menu prices directly impact dietary behaviours, giving rise to various other issues and resulting in poorer academic performances by students. I was thus intrigued to see how these findings apply at the University of Pretoria, especially in the context of the current economic climate (paired with a culture of overconsumption) and unequal access to healthy food,” he said.
A Grave Situation
Just this year, Daily Maverick reported that, among students, food insecurity figures reach as high as 38.3%. This number is further fuelled by delays in NSFAS funding and an unprecedented cost-of-living crisis. It is also no secret that a poor diet has a direct correlation to underperforming academically. Unbalanced and non-nutritional meals have a huge effect on cognitive function, energy levels, attention span, and attendance. Many other health-related issues emerge. It is certain that, as a whole, students are simply underachieving and are robbed of the opportunity to perform and work optimally. Furthermore, it is argued that this crisis perpetuates systemic inequality, reinforcing a cycle of poverty and limited opportunities.
What’s on the Menu at UP?
At first glance, UP students are spoilt for choice in terms of food options. There are seemingly endless stalls, restaurants, coffee shops, and fast-food kiosks – some even from famous South African franchises. The UP website reports that, daily, approximately 7 000 students benefit from their ten dining halls and three food trailers. However, it is one thing to evaluate the variety of businesses. It is another to ask whether these meals are affordable and, most importantly, healthy.
Upon a general survey of a few menus from across campus, a clear and predictable pattern emerges: unhealthy, fast food is substantially cheaper than healthier options. In broad terms, one can say that healthier food tends to cost almost double the amount of junk food. Then, in instances where junk food costs far more than healthy food (such as in the case of a certain burger franchise we all love), students have no problem paying higher prices for convenience and, to put it simply, name brands. When choosing between a R80 wrap and a similarly priced burger combo meal, the result is almost certain.
Can students be blamed? University life is full of stress and deadlines. Pair that with a lack of sleep and only so many hours in the day, and students constantly crave the pick-me-up. The problem is that this lifestyle comes with an often-cheaper price tag and creates a diet culture rooted in haste, convenience, and overindulgence in overprocessed food. When franchises charge more for a mere logo, this culture is reinforced. A global trend of overconsumption further enables students to overspend. Contrary to popular belief, your daily coffee is not a necessity, and even if it is, simply make it at home. In 2017, Stellenbosch Media Forum reported that out of 100 students that were questioned, the 82 coffee drinkers spent an average of R300 on coffee per month. This was worked out at approximately R12.50 a cup. It is obvious that coffee prices have only increased year-on-year, meaning that spending patterns today are much more concerning.
What UP Students Say
PDBY interviewed a random selection of students to determine what their preferences are and where their priorities lie. Jarred van Staaden, a first-year BA General student, explains that he eats at Monastery Hall approximately four times per week. “It is just a lot easier and more convenient, [especially being able to pay with your student card]. Price doesn’t really play a role, but Monastery is a lot cheaper than other places.”
He adds that he often orders toasted sandwiches in the morning and combos in the afternoon. “I definitely think about the health side of
things. There is a right balance. There isn’t something that I don’t like about it.” Another student, who preferred to stay anonymous, notes that they bring a packed lunch to campus. “When you do not have to wait in line, you save a lot of time. I also think that it works out cheaper.”
What UP Has Done to Address the Issue
The various dining halls, such as Monastery Hall, offer a good balance between variety, price, and health. Students have the option of quality food without the need for pricey name-brand products. Furthermore, the university runs the successful Student Nutrition Programme (SNAPP), addressing student hunger. Recently, UP has, in collaboration with the Vodacom Bulls and the ISUZU Daisies, initiated food collection drives. On 30 July, a Food Pack-a-Thon was held at Hatfield campus, furthering the aim of addressing student hunger.
Tips for Your Food Budget
Many students rely on restaurants and kiosks, often resulting in overspending. To alleviate budgetary constraints, it is suggested that students set up a food budget. An effort must be made to plan meals and to bring along a packed lunch to campus. This ensures lower spending on food during the day. It is recommended to pay attention to grocery stores’ marketing and social media pages for updates on sales and deals. An overlooked tip is to utilise leftovers and food scraps. So much perfectly good food is thrown away and wasted.
It is important to note that no one can speak for anyone’s experiences. Similarly, execution of these tips is easier said than done. However, every effort must be made to promote healthy habits both in terms of your budget and the type of food that you buy. Student hunger is a real, growing problem, and the results have a direct impact on academic performance and rising inequality.
Visual: Sourced
Visual: Sourced
Garments with a Voice: Cutting Edge UP
Ompha Mudau
Six garments created by final-year Clothing Retail Management students at the University of Pretoria (UP) have been selected for the “Bokgabo Ba Mašela: The Art of Textiles” exhibition currently on display at the Javett Art Centre at UP. The garments were developed through the Product Development module (KLR411) in the Department of Consumer and Food Sciences.
According to module coordinator Dr Hanri Taljaard-Swart, the aim is for students to conceptualise and present a viable, sustainable clothing business. This includes the creation of a full business plan, a visual concept presentation, and a garment collection that incorporates ethical practices such as upcycling, community involvement, and sustainable material use.
Dr Taljaard-Swart said, “It’s not only complex but also extremely enlightening and enriching for students.” The opportunity for student garments to be included in the “Bokgabo Ba Mašela” exhibition emerged midway through the semester. Dr Taljaard-Swart confirmed that the collaboration came about organically when Javett-UP curators visited the department to enquire about mannequins and were introduced to the students’ work. After further discussions and visits, selected students were given the opportunity to have their garments considered for inclusion.
Of the six garments selected, three are upcycled designs, while the remaining three include original embroidery from Mapula Embroideries, a long-time community partner of the department based in Winterveld. UP has collaborated with Mapula Embroideries for the past seven years, and the students work
Faces of Humanities
Rainbow Nation Reimagined
Mpho Mahlangu
House Humanities does it again in a beautiful evening of art and confidence by celebrating the ongoing diversity in the “Faculty of Community” with an event filled with storytelling. House Humanities hosted what many students called “an iconic event”, introducing their first ever Face of Humanities event. The programme was filled with enthusiasm, passion, joy, and unity. The event took place on the evening of 29 July at the UP Musaion.
Opening the night on a light and exciting note was Hunadi Seimela, House Humanities’ Cultural Officer, who took on the role of being Programme Director for the evening.
The Dean of the Faculty of Humanities Prof. Kevin Thomas took to the stage, easing the audience into the event and sharing a heartfelt message that explained what “Face of Humanities” is He passionately shared: “The Faculty of Humanities is one that is diverse, shape shifting, and made up of a number of different components. Humanities is not about a single department. It is not just about social work, criminology, psychology, clinical service professions, philosophy, or history. It is about everything. It is about the School of the Arts, everything that is within [it], and everything that is different [about it]. It is about the languages, the classic social sciences, and the applied social sciences. Humanities is not just about us in the Deanery, and it is not just about the students who make up Humanities. It is about everything and everybody who makes up Humanity. So, the “Face of Humanities” is all of those things put together, and that is what Humanities is about. It is about diversity. It is about the inclusion of everyone. In the brief [for] this [event], House Humanities said they want to make this a showcase of how the Humanities can be studentcentred and how students can speak to other students and to the world at large about what Humanities is all about. I think that is a very noble aim and we said that this is the first one of these [events]. I hope it is not the end of it. I hope that this is the beginning of something that will grow and grow and grow to be much larger and to be a showcase for how students can show us about the diversity of Humanities, about inclusion, and about what the Humanities is in the world.”
The event consisted of three main pageant segments and five brave contestants. The first segment was cultural wear, where contestants displayed their celebration of culture through fashion and answered what the Rainbow Nation reimagined looks like from their perspective. The second segment was casual wear. In this segment, the audience burst into screams and praises as the contestants displayed Kasi Streetwear, classy office wear, and a clean everyday look. The third and final segment was formal wear – elegant, classy, and beautiful. Although the event was centred around the pageant, that was not the only dish the event served There were many performances that evoked mixed emotions from the audience. These included performances by the Milanzi Melody and Royal Melodies choirs, poetry and cultural dance by Angela and Thobeka, and a solo, heart-capturing performance by Malachi Prigge. Prof. FG McNeil of the Anthropology Department also shared a few wise words about culture and the impact it has on people.
A student spoke to PDBY after the event. “This was honestly the best event I have ever attended this year. The audience was present, the performers and the hosts did an incredible job. A huge shoutout to the House Humanities Executive Committee and a huge congratulations to the new Faces of Humanities, they were all brilliant. This was definitely a night to remember. I do not regret attending. The only thing I regret is not bringing more people to witness this beautiful event with me,” she said excitedly.
closely with the embroiderers to co-create visual designs for their garments. Dr Taljaard-Swart said that the garments were chosen by curators Dr Gerard de Kamper and Uthando Baduza. Selection was based on visual impact and alignment with the broader themes of the exhibition, which focuses on storytelling, heritage, and women’s voices in textile art.
Among the standout designs is a tiered dress created using a student’s father’s old office shirts, representing femininity and strength. Another uses doilies to reflect on the historical role of women in the home and the loss of value in domestic craft. “These garments were not just technically well-executed; they carried stories and made an impact as part of the exhibition,” said Dr Taljaard-Swart.
She explained that modules like KLR411 prepare students to think critically about the fashion industry, requiring them to consider the origins of materials, production ethics, and the societal messages embedded in their designs.
In terms of public engagement, Dr Taljaard-Swart expressed hope that museum visitors would “pause, look, take it all in, and listen”. She added that viewing the garments in a gallery setting offers a different perspective from seeing them in a classroom or store, encouraging viewers to engage more deeply with the themes of sustainability, collaboration, and identity.
The “Bokgabo Ba Mašela: The Art of Textiles” exhibition is open to the public and showcases textile-based work from a variety of contributors, including community groups and established designers. The inclusion of student garments from UP reflects a growing emphasis on purpose-driven creation within the fashion education space.
Free Pads for all UP Students
Andrea Ford
Are you aware that our university offers all students free sanitary pads? Student Health Services (SHS) is freely available to all students of the University of Pretoria and this women’s month, PDBY would like to bring your attention to their female reproductive health resources.
With a quick Google search of “UP Student Health Services” and a scroll to the bottom of their homepage, you should find the pink poster for the free sanitary pad drive. Here you will find a link to fill out a request form, which requires your name, student number, email address, and campus. You will then be emailed a collection time for your specific campus. It may be wise to plan ahead of when you expect your period by requesting the pads a few days in advance.
In addition to free pads, the SHS offers pap smears, preventative programs, HIV counselling and testing, and pregnancy counselling services. All it takes is an email to info.shs@up.ac.za to set up a consultation. Our success as students is contingent on our health and ability to fulfil the demands of our degrees. This is compromised when menstruating individuals’ lives are disrupted due to lack of sanitary products. Access to free pads helps to alleviate this while also saving money on unaffordable, commercial period products.
Spread the word of this campaign to empower your fellow students who bleed monthly. Knowing and sharing the resources available nurture our rights as students to reach our full potential while staying healthy.
Pest Control Gets a Precision Upgrade
Ompha Mudau
Apostgraduate student from the University of Pretoria (UP) has contributed to new research on fruit fly control methods that could support more effective pest management practices in South African agriculture. Msizi Ramaoka, a Master of Science in Agriculture graduate, conducted research on improving the “attractand-kill” technique used to manage fruit fly infestations. His findings have been published in the peer-reviewed journal Crop Protection. The research focused on the behavioral responses of oriental and Mediterranean fruit flies, two major pests affecting fruit production in the country. Ramaoka investigated how bait placement, environmental temperature, and food availability influenced the success rate of lures designed to attract and kill the flies. According to the published results, bait was most effective when placed in the upper canopy of fruit trees, particularly during warmer conditions and when alternative food sources were limited. These results are expected to help refine current pest control strategies by increasing precision and reducing chemical use.
Fruit fly infestations are a significant concern for commercial fruit growers in South Africa, especially for crops intended for export. Although the scale of losses varies by region and season, the presence of fruit flies can result in entire shipments being rejected at export level, leading to significant financial losses for farmers and suppliers. While no industry experts or agricultural scientists were available for comment at the time of writing, a third-year Zoology student Mthunzi Ncongo responded to the research with interest. “This sort of situation inspires me to do better and work harder because I can actually see something that postgraduate researchers are doing,” he said. Fruit flies remain a persistent challenge in agriculture due to their rapid reproduction and adaptability. Research such as Ramaoka’s contributes to long-term efforts to manage pest populations without excessive reliance on pesticides, which carry environmental and regulatory concerns.
UP continues to support postgraduate research in applied sciences aimed at addressing real-world agricultural problems. Ramaoka’s work adds to a growing body of research that seeks to improve sustainable farming practices in South Africa.
Let the Voices Battle: STUKU’s Acapella Showdown
From 5 to 8 August, the University of Pretoria’s Aula and Musaion Theatres came alive with vocal magic as STUKU hosted the highly anticipated Sing It Acapella competition. This annual event is more than just a music contest; it has become a proud tradition that blends artistry, multiculturalism, and community spirit in which residences, day houses, and faculty houses have the chance to showcase their talent.
This year’s competition began with preliminary rounds on 5 and 6 August, giving audience members a taste of the exceptional talent that would define the finals. The grand finale, held on 8 August, was opened by the Vice Principal of Student Life Prof. Themba Mosia. He called the event a “serious highlight for the University of Pretoria” and thanked families for attending, while apologising for venue restrictions that limited the number of supporters in the Musaion Theatre.
“This is not just a concert,” Prof. Mosia emphasised, “it’s a celebration of student diversity and community spirit.” He praised the dedication of performers, noting the countless hours of preparation invested despite academic demands. “As far as we’re concerned, you’re all winners,” he told participants, underscoring the university’s commitment to not only nurturing academic excellence but also active engagement in student societies. Special thanks were given to Director of Student Affairs Dr Kgadi Mathabathe, STUKU, and the parents whose support makes such events possible.
The finale began on a high note with Dregeana’s electrifying boxing-themed performance. The performances ranged throughout the night, from Madelief’s vibrant salsa-themed showstopper, which left the audience in awe, to Ikageng’s inspiring “Many To One” theme celebrating unity and Ubuntu. Braksters, a collaboration between The Tower Residence and House Khutso, brought fun and flavour withtheir “Braksters Kitchen” theme. Despite a brief hiccup during Nakhaya’s set due to a power outage and minor ticket-related drama at the door, the night never lost momentum. The undisputed scene stealer however, was Blossom’s Delight. With an FBI training academy concept,
they defied expectations, combining tough exteriors with velvety smooth vocals in an almost flawless performance. Their set earned them a standing ovation and swept up most of the evening’s awards.
The diversity of the night shone not only in themes and costumes but also in song choices, from Beyonce’s “16 Carriages” to Ciza’s “Isaka” and Natasha Bedingfield’s “Unwritten”.
Year after year, Sing It Acapella raises the bar, and 2025 was no exception. From impressive harmonies to creative storytelling, the performances reflected both the individuality of each group and the pride of being part of UP’s vibrant student life.As the final notes faded and the long night came to an end, it was clear that this was more than an event, but rather a reflection of the university’s community, proving once again that UP students are, in Prof. Mosia’s words, “a cut above the rest”.
Awards
Most Multicultural: Curelitzia
Best Music Catalogue: Blossoms Delight
Best Own Composition: Blossoms Delight
Best Vocal Performance: House Mags
Best Choreography: Blossoms Delight
Best Soloist: Blossoms Delight
Best Theme: Blossoms Delight
Most Creative Use of Costume: House Ukuthula
Best Stage Presence: Blossoms Delight
People’s Choice Award: Tiriyani
Best Social Media Presence: House Ukuthula
Overall Winners:
1st: Blossoms Delight
2nd: Curelitzia
3rd: Madelief
4th: House Mags
5th: House Ukuthula
Relebogile Manana and Lutricia Phiri
Visual: Christiaan Sutherland
Trailblazing with Purpose: UP Law Student Kiara Ramluckun Wins Prestigious Abe Bailey Bursary
Relebogile Manana
On 14 July, in a moment she describes as “surreal”, University of Pretoria law student Kiara Ramluckun received life-changing news: she had been selected as a recipient of the prestigious Abe Bailey Travel Bursary. In an interview with PDBY, she said that the notification had arrived unexpectedly during recess, and as she humorously put it, she first assumed it was just another Whatsapp from a friend telling her that they were going to take second semester seriously.
But to her shock, this was no ordinary notification. When she saw the words “Abe Bailey Travel Bursary” flash on her screen, time stood still. “It was like seeing a ‘marks are out’ message, but on a colossal scale,” she recalls. After reading the subject line “Successful Candidate”, then carefully triple-checking the email details, Ramluckun celebrated with what can only be described as a happy victory lap around her house. “I literally took a lap inside of my home shouting ‘thank you God’,” she said.
The Abe Bailey Travel Bursary is one of South Africa’s most esteemed travel bursaries that provides young leaders with the opportunity to participate in an educational tour of the United Kingdom, designed to cultivate leadership, crosscultural understanding, and intellectual exchange. The selection process is as rigorous as one would expect, with the bursary open to candidates from all faculties, including junior staff. For Ramluckun, the opportunity is both an affirmation of her hard work and a launchpad for a future she is already building.
For someone who appears to be naturally curious and globally engaged, the upcoming UK tour could not be more fitting. Kiara is especially excited to visit the Palace of Westminster, known as the Houses of Parliament, which is one of the world’s most iconic political institutions. “As someone who likes to roam around campus a lot, all of the museum visits, city tours, and discussions with scholars are highly anticipated,” she adds.
Beyond sightseeing, she is equally as focused on the leadership development aspect of the tour. “I believe that the knowledge I will gain from this tour will enhance my leadership capabilities in terms of fostering stronger enterprise and effective relations and performance throughout my professional career journey,” she explains. She also sees the tour as a chance to deepen her understanding of international law and socio-economic relations between the UK and South Africa. She also sees the tour as a
chance to deepen her understanding of international law and socio-economic relations between the UK and South Africa. Back home, Ramluckun is no stranger to leadership and service. As Chairperson of the Events and Outreach Committee in UP’s Constitutional Tribunal, she is leading a Constitutional Literacy Programme in collaboration with Africa’s largest law firm, Edward Nathan Sonnenbergs Inc. (ENS) Africa. This initiative aims to educate high school learners about their constitutional rights and social justice issues.
The programme goes beyond theory as it involves school visits, educational sessions, and even a planned debate, which gives learners the opportunity to critically engage with real work, legal, and social questions. “It’s about creating a space where they feel empowered to use their voices,” she says. “I’ve been learning so much from the ENS Pro Bono team, and I hope to build a strong foundation for our future benches with them.”
In the spirit of Women’s Month, Ramluckun and the Constitutional Tribunal have also launched a donation drive to collect toiletries, sanitary products, and feminine hygiene items for distribution to those in need. “We would like to encourage students and staff to be sure to drop off any of these items at our office before the end of August,” she says.
Ramluckun’s drive to inspire other young women is personal to her. Growing up with a mother who was one of the few female engineers in a male-dominated field, Ramluckun witnessed firsthand the power of perseverance, passion, and presence. “Her story, although different in career fields, inspired me to inspire other young women just as much,” she shares. At UP, she is constantly surrounded by powerful female role models, including Chief Justice Toto and Deputy Chief Justice Diamond of the Constitutional Tribunal. “I am constantly in awe of how these women have thrived in their legal studies and soon-to-be careers, and how they’ve applied their legal expertise into real-life, practical issues within the university.”
Now, it’s Ramluckun’s turn to pave the way. “I want young women to see that it is possible for them to thrive and lead in these spaces. I believe that it’s important for women to see that there is a seat at the table waiting for them, and that there is nobody else in this world that is going to represent their voice better than them,” she says. Through mentorship, outreach, and advocacy, Kiara hopes to uplift other women in law and use the legal system as a tool for transformation. “I hope this achievement serves as a reminder to young women that they are capable of achieving the most remarkable things, and so much more.”
As Kiara prepares for her journey abroad, she carries with her a firm commitment to using her voice for good and making space for others to do the same.
Bridging Beliefs : Celebrating Interreligious Week with UP’s Faculty of
Lutricia Phiri
From 4 to 7 August, the University of Pretoria’s Faculty of Theology and Religion hosted its highly-anticipated Annual Interreligious Week. This was a vibrant series of events that brought together students, academics, and religious leaders to celebrate and engage with South Africa’s rich religious and cultural diversity.
Organised by Religion lecturer Ms Iwana Hartmann, the week offered thought-provoking dialogue, powerful storytelling, and immersive experiences designed to deepen understanding between different belief systems. More than just an academic initiative, Interreligious Week created a safe and inclusive space for reflection, learning, and connection – a week where theology came alive.
Day One: A Journey Through Memory at Freedom Park
The week began with an eye-opening excursion to Freedom Park in Pretoria, a site that honours the country’s long journey toward freedom and reconciliation.
Theology students were led by an enthusiastic and knowledgeable guide named Jacob who shared powerful, historical insights throughout the tour.
The group’s first stop was the Place of the Eight Pillars, symbolising the core values of South Africa’s democracy, including truth, reconciliation, diversity, and respect. Here, students reflected on the legacy of the Truth and Reconciliation Commission and discussed how these principles continue to shape our national identity today.
The next destination was Isivivane, a sacred area where stones represent all nine provinces of South Africa, with two additional stones symbolising international support during the liberation struggle. Jacob explained the deep spiritual symbolism of the site, particularly how indigenous African communities believe in the spiritual power of trees like the Buffalo Thorn. These trees are seen as bridges between the living and the ancestral worlds. Rituals such as placing stones and speaking to the tree are believed to connect families with their ancestors.
A student asked Jacob why visitors must walk in a clockwise direction during the ritual. He explained that this symbolic movement reflects the passage of time and honour for tradition.
Each stone in the circle has historical significance, for instance, the boulder from KwaZulu-Natal is linked to King Shaka Zulu and his military victories while the stone from Limpopo reflects the ancient civilisation of Mapungubwe. Students also passed by the Wall of Names, where the names of victims and even some perpetrators of apartheid and colonial oppression are inscribed. Jacob explained that including these names was a deliberate decision to encourage reflection, accountability, and national healing.The final part of the tour was the Museum and Reflection Room, where various guest speakers delivered powerful presentations on African spirituality, storytelling, and interfaith collaboration.
Storytelling, Spirituality, and Sacred Wisdom
Ms Thandi Ramncwana, a seasoned storyteller, captivated students with tales passed down through generations.
Theology and Religion
She explained how storytelling is not just entertainment but a vital form of education in African culture, “a classroom without walls,” she called it. Her stories highlighted traditional values of community, identity, and resilience. “We knew God long before colonisation,” she said, challenging the misconception that African spirituality lacks structure or belief in the divine.
Another powerful voice was Rev. Moerane from the South African Council of Churches, who was instrumental in developing interfaith liturgies at Freedom Park. He shared that when he began the project, the site was nothing more than a hill. Today, it is a beacon of spiritual and historical reflection. “We are not here to reform you,” he reminded attendees. “When you enter this space, bring your humanity, not your dogma.”
His reflections on interfaith harmony, African proverbs, and the meaning of inclusive prayer added depth and richness to the tour. The message was clear: faith should unite, not divide.
Day Two: Disability and Spirituality
The second day of Interreligious Week opened with a deeply personal and emotional conversation. Ms Ntsikie Loteni, Director of the UP Transformation Office, shared her story of living with a disability and how her faith journey has helped her overcome barriers and stereotypes. Her testimony sparked meaningful conversations among students –conversations about accessibility, diversity, inclusion, social justice, and the intersection between faith and lived experience. It was a day that reminded everyone that spirituality should empower and uplift, especially those who face life’s greatest challenges.
Day Three: Religion in Conversation
Day three was dedicated to religious dialogue. Various speakers, including students and academics, engaged in spirited discussions about religious conflict, identity, and cooperation in a modern world. Conversations ranged from the role of the youth in interfaith work to the challenges faced by religious minorities in South Africa.
One of the standout moments was a discussion on how interfaith dialogue can transition into interreligious collaboration, moving beyond tolerance toward meaningful partnerships and shared goals. Students shared their thoughts, experiences, and even challenged one another’s perspectives in a respectful and enlightening environment.
Day Four: Celebrating Belief Systems
The final day brought everything together and wrapped the week up fittingly. Representatives from major religious traditions including Judaism, Islam, Christianity, Hinduism, and African Traditional Religions came together for a multi-faith panel. Each speaker explained their doctrines, history, cultural practices, and sacred rituals. Students asked thoughtful questions, and the room was filled with energy, curiosity, and respect.
This diverse gathering allowed students to move beyond stereotypes and learn about different religions directly from practitioners. It was a day of cultural exchange, mutual respect, and the realisation that, despite our differences, there is more that unites us than separates us.
Raising the Bar The Launch of Mentors and Moot
Datis du Preez
“Train. Transform. Transcend.” These words form the foundation of a newly-launched moot court organisation with a major twist: it is an independent, student-led body. Mentors and Moot marks the beginning of a new era of training young and upcoming law students while fostering a real sense of community. PDBY had the privilege of interviewing chairperson Auerello Pillay to find out more about the inspiring plans for this ambitious, trend-setting organisation.
I know what you are thinking…what on Earth is “moot”?
A moot court competition sees law students argue their case in a simulated court environment. The facts are hypothetical, and competitors are required to analyse the facts, conduct extensive legal research, and prepare oral and written arguments which are presented to a “judge”. It boasts a long history of training law students and preparing them for their first day in court. It is key in developing critical skills that are required to be a successful lawyer.
This is where Mentors and Moot comes in: an independent student organisation that combines mooting and mentorship. Pillay explains that they identified that these two concepts often exist independently. That is what sets Mentors and Moot apart: mentors are meticulously selected and paired with mooters to ensure that they enable their mentees to perform to the best of their abilities. In addition, students are awarded the opportunity to compete in memo writing competitions and oral advocacy rapid rounds. At the heart of their vision lies transformation, true transformation. Pillay adds that, to Mentors and Moot transformation is not just a buzz word, “it is something we want to make a practical reality through training”. This is achieved through different levels of training targeted at people from different backgrounds and speaking positions.
“That is the only way to truly transform and achieve a more diverse legal profession.” It is emphasised that adequate skills training is necessary to allow people to compete at higher levels. “We prioritise training as something that is instrumental to transformation, and consequentially, resulting in transcendence,” he explained.
On 26 July, Mentors and Moot hosted a social to introduce the entire network of prospective mooters to its chairpersons, leadership body, and mentors. “We did not want the mentorassigning process to be a blind and strictly technical Google Form, but a more intimate process was followed whereby we pair people based on things that are closer to their heart instead of general interests.” The evening concluded with a session wherein everyone shared a vulnerable fact about themselves and then explained how they overcame adversity. The aim was to select mentors that would “enable students and promote an aspect of their development that would overcome the vulnerability that they shared”.
Mentors and Moot has a very exciting and inspiring longterm plan. Pillay notes that their plan is, firstly, to establish themselves regionally. “In doing so, we would ideally be affiliated with major attorneys or advocates associations, and through that, expand our reach throughout the province and then the country.”
Further emphasis was placed on the value of a good mentor. “Not only do we focus on our mentors as not being perceived as these “higher-ups” that know all the answers, but as human beings who are capable of being vulnerable, failing, and growing to relate more to our mentees.”
Aspiring mooters can join Mentors and Moot by following the organisation on social media platforms by using their username, @mentorsandmoot, or by joining their WhatsApp channel. Currently, they are able to accept general memberships as the competition would have started and mentors would have been assigned by time of publication. It is important to register via a Google Form
Visual: Sourced
Visual: Aurello Pillay
Unfiltered Voices: How Do You Feel About Being a Woman in South Africa?
Chase Meyer
As I sit at my desk, staring at my lukewarm bowl of noodles, I find myself reflecting on how best to honour my last Women’s Month at the University of Pretoria. My first instinct is to write an article cataloging the historical accolades and strides women have achieved throughout history. Perhaps an informative piece exploring the waves of feminism in South Africa – a rich history that is sorely lacking from the national curriculum. On the other hand, I could write an article about how far we still need to go as a country, where I might attempt to summarise the ever-growing chasm of inequalities, stereotypes, and violence that shadows the existence of every woman in South Africa.
empowered.
I respect and enjoy the freedom to practice our religious beliefs. However, we are faced with many challenges, like gender stereotypes along with gender-based violence. Safety in SA, especially for us women, is a major concern as we are always seen as easy targets. Overall, as women, we have our pros and cons. Empowered.
What can I write that rings true for all women? How can I honour the women in my life?
Ultimately, I realised that it is not our mandate to decide how women should be honoured or celebrated during Women’s Month. It is our responsibility to listen.
Below are anonymous submissions by South African women answering the vital question: How do you feel about being a woman in South Africa?
As a woman in SA, I feel...
● Empowered to be the best version of myself.
● Every day is a unique challenge to get ahead in life.
● Fear for my safety daily when I step outside my door. Afraid.
Being a woman in SA can make you feel liberated and
Being a woman in South Africa often means navigating deeprooted gender inequality and high rates of gender-based violence despite constitutional protections and legal rights. It also involves incredible strength and resilience, as women lead in activism, business, and community upliftment. Yet, daily life can be a balancing act between cultural expectations and the pursuit of personal and professional freedom.
I am tired. All of the women in me are tired. Being a woman in South Africa: ● Is sometimes like navigating in a jungle blindfolded, not knowing if the enemy is familiar or unknown.
● It’s a concern that values, principles, and culture are fading into an emerging toxic generation.
Spill the Tea: I’m Just a Girl
Promise Erero
“Nearly everything I know about love, I've learnt from my long-term friendships with women.” – Dolly Alderton, Everything I Know About Love
Girlhood is a culture that has shaped what it means to have relationships with women. From romanticising the mundane activities of life to healing one’s inner child, girlhood encompasses the beauty of life in a way that brings out the best in women. Girlhood can mean different things to people in different parts of the world and in different periods of time. Girl Museum dives into how definitions of girlhood reflect the social and political needs of women. Historically, this has mostly meant fighting for women’s rights. Girlhood holds so much weight and stretches beyond our emotional needs. Dana Lee from The Strand explores how girlhood is also embedded in the uprising of certain fashion trends that allow women to dress how they feel expresses themselves best. Girlhood is the foundation
of a movement towards a better life for all women.
When you are asked what love means to you, words such as endearment, warmth, and adoration are used. Although it can be said that all types of relationships can have aspects of this kind of love, there is something so special about an appreciation of someone in a non-transactional manner. The love we get from girlhood feels like a love based on the aspects of being a girl that were not welcome by a patriarchy that praised hardness and “strength”. In a world where seriousness and the ability to be feared is seen as powerful, girlhood uplifts the squeals and giggles, the tears of joy (and sadness), and the pointless complaining about work that will be completed regardless. Softness is not a weakness, and neither is empathy.
Sitting in a room full of laughter and tears, it suddenly dawns on you that this is the whole point of life – to indulge in humanity. What it means to be a part of girlhood is so much more than biology. It lies in the moments when you go to the bathroom with your friend to check if there’s food in your teeth, the moments where you get ready together before a function, and the moments of expression and appreciation for how much you need each other. Girlhood is a love letter realised, and this women’s month, everyone should experience the joys of real girlhood.
Loud, Soft, and Unapologetic: The Power of Women’s Voices
Martha Mumba
Living in a world that has, for centuries, dictated what women should or shouldn’t do, wear, or say is quite frustrating. But, there is a revolutionary aspect of our voices that defies what is expected of us. Speech in all of its forms, such as poetry, protests, lectures, literature, meetings, boardrooms, cafes, or voice notes, holds a lot of value when a woman has that space. Our voice, whether filled with gentleness or fire, has the power to shift thoughts and ideas and challenge societal norms. Our voices confirm our existence. Speech declares that we exist, we are here – we know, we feel, we think, and most importantly, we have something to say. It has power that we might not know we have. It shows that we matter.
Women’s month commemorates the fearless women that fought for our rights against apartheid pass laws in 1956, and it honours those who continue to resist oppressive regimes and prejudices in many spaces. According to the South African Government on Information and Services, women empowerment does not mean giving women jobs; it is about ensuring that our voices shape the lives and policies of this nation. The simple but powerful act of speech could vary from student leaders raising concerns in meetings to lecturers redefining and shifting the content of their courses. It could even be a woman sharing her story online. Our voices hold power and continue to shape the world.
The historical silencing of women, especially queer, black, and
working-class women, has been a tool of oppression for centuries, and we continue to face this every day. In Afghanistan, women’s voices are being oppressed. In Palestine and Sudan, women’s pain is being overlooked. In South Africa, women live in fear because of the prominence of gender-based violence in our country. Too often, their stories are erased, unheard, or forgotten.
The act of reclaiming our voices does not always have to be loud. Some voices lead with softness; some sing, write, or cry, and some stand tall in crowds. All of these are acts of resistance. We see a shift in history when we hear women speak in lecture halls, on social media, through activism, arts, and academia, or even personal conversations on the Aula lawn. Our voices may not always be welcomed, but they are ours to use. Even when it trembles, another woman is waiting, listening, and finding courage in your truth.
When our voices are dismissed as “too emotional”, “too angry”, “too soft”, or “too much”, we simply speak LOUDER. Keep speaking. Your volume has never been a problem – it is society’s willingness to listen.
This women’s month should serve as a reminder that all forms of women’s speech, whether soft, loud, sung, written, whispered, or prayed, has come a long way and will continue to echo through time. We should take up space with our words, and we must ensure that our voices are not noise that fills silence – they are sound waves that hold history, healing, and hope for a better future for all.
● Being a professional woman of colour decades into a democracy but still combating sexism, racism, and dealing with one’s own impostor syndrome in the boardroom as well as out of the boardroom.
As a woman in South Africa, I am anxious. Anxious about whether every time I leave my house, I’ll come back or if it will end with a “Justice for Tshepang” movement.
Scared.
Unsafe.
Being a woman in this country carries a lot of complicated emotions. It can vary from pride and joy to shame and fear. To be able to honour Women’s Day, we first need the protection and safety of all women in this country.
I am privileged to contribute to this beautiful country. We are surrounded by resilient women who are building our country and our future every single day. My personal philosophy has always been simple: you either break, or you build. Make sure to build! Unsafe and targeted.
It’s quite paradoxical in the sense that the women you are surrounded by are models of excellence and strength and there’s this great potential being fulfilled, but also having to be constantly on guard, not being able to trust the systems that are supposedly meant to protect you and your rights, but I don’t know, I think as a person, as a woman, I’m just trying to make the most of the time I have on this earth and just go with the flow. The world is ending, and I’m going to choose to just live.
Mansplaining Women
Milan Govender
Have you ever wondered what is going on behind the pensive eyes of a woman? Let’s look at the sociology, science, and neurobiology of women. Women are not aliens, and the way they think is not a foreign language. Women are not mysterious creatures – you just need to pay attention.
The Debrief
We start with a divine feminine ritual, sacred to many of us: the debrief. A debrief might sound like a gossip session, but it is a nuanced conversation about social behaviours and the anal-ysis of someone’s ethics, morals, and character. When it comes to problem-solving, women tend to take the processing route. They want to understand and analyse the problem, which is why the debrief is so sacred. Verbal processing and the openmindedness of considering our friends’ opinions is a result of our increased emotional and social maturity. Women have more right-left brain connectivity, which means that their intuitive and analytical thinking cor-responds with each other. So what might look like a frivolous conversation is actually a deep-ly intellectual discourse that many men don’t experience because of the stigma surrounding men’s emotions.
Pretty Privilege
A criticism that many women face is that they are too “appearance-obsessed”. “Pretty privi-lege” is an exercised principle in many social spaces that is often overlooked. Women are highly conscious of this because pretty people get pretty reactions and pretty things. A wom-an’s attractiveness, even though it is problematic and sad, is oftentimes a form of social cur-rency for her. So when society raises you to believe that your beauty is of high value, it be-comes a place of security. There shouldn’t be shame surrounding women trying to meet the beauty standard that society has rigidly set. Many believe that women care too much about their appearance, but maybe some men don’t care enough.
Always Tuned In
Another bit of insight into the female brain is that they are more aware of risks, and they are highly functional in a crisis This is a result of having a heightened EQ, empathy, and social awareness. If you think about it, women are always actively concerned about outside threats. We all know women cannot walk on a street at night, use public transport, go to class, or go to the club without a decent load of anxiety. That fear conditions their psychology to be more alert and responsive in any situation. While this is a tragedy, it enhances their ability to detect risks, threats, and potential instability in different areas of their life. This could be seen in women picking up dangerous rhetoric in conversations (she’s not sensitive, she’s in tune) or immediately noticing a lapse in physical health.
Female thinking is not less rational. It is more nuanced, adaptable, and relational. It takes some time to understand it because it is complex, but it shouldn’t be confused with superficial thinking. If you want to understand a woman, you have to understand that female socialisa-tion and neurobiology are shaped by their experiences. Women know what they are talking about – don’t doubt their judgement.
Visual: Nicole Hagemann
Visual: Nicole Hagemann
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4. Taylor Swift track that slipped away into a moment in time.
8. Film following the life of the American swimmer who swam unassisted from Cuba to Florida.
9. Classic novel following the lives of 4 sisters.
10. Female character who said: “I’m flying, Jack.”
11. Musical following the friendship between the witches from Oz.
13. Red residence with an elephant mascot.
Riddle:
1. South African netball team who represent Gauteng.
2. Musical comedy trilogy about a university acapella group.
3. Popular TikTok trend referring to a casual meal made for one person.
4. Greek goddess associated with love and beauty.
5. Female character caught in a steamy love triangle during the hottest season of the year.
6. Person who advocates for the social, economic and political equality of all genders.
7. British singer who titles her albums by her age.
12. Fictional character from Kansas who wore ruby slippers.
I make it feel like your crush texting back is destiny itself. What am I?
Fun facts:
1. The “it’s giving” phrase? It originally came from Black queer ballroom culture way before TikTok picked it up.
2. Lana Del Rey’s Born to Die is over 10 years old… but it’s still one of the mostused TikTok sounds for moody edits.
3. “Silent walking” got hyped on TikTok as a new mindfulness practice. Babes, it’s literally just walking without headphones.
(Riddle answer: Delusion.)
Running, Relaxing, Recharging Campus Life Beyond the Lecture Hall
Hannah Hambly
As the semester ramps up, it’s easy for us to feel overwhelmed by deadlines and pressure to perform. But the reality is that the most successful students are not only putting in long hours at the library or continually studying; they are also the ones who are able to take time to breathe, relax, and connect with others. We are lucky to be UP students. Just beyond our lecture halls is a vibrant community full of activities that can ease our academic pressure and provide an opportunity to relax and boost our mental health.
Taking a Running Start
For many, running is more than exercise – it is a form of therapy. Christiaan Sutherland, a fourth-year student and a regular participant in “Running to Coffee”, continually advocates for the routine to keep him grounded during the semester. He said, “The ‘Running to Coffee’ [events] run every Tuesday, Friday, and Sunday morning, and also Wednesday afternoon (at LC de Villers). Follow their Instagram for more information, @pta_coffeerun.”
Walk It Off
If running is not your style, maybe try walking. The UP Sports Campus (LC de Villiers) offers a space for peaceful walking, which is the perfect space for a mental rest or a casual catch-up with your friends. If you want some added scenery, you can take
Socialising through Societies
UP has “more than a hundred official societies to choose from”, making student life “vibrant”. These societies fall under several types, such as religious, political, social, cultural, academic, and others. There are also specific faculty societies, such as “Women in Law” and “Legal Shebeen” in the Law faculty. But generally, there are other societies such as the “Exoloratio Society”, which meets at LC de Villiers for their club nights each week and organise hikes, climbs, and bouldering for all levels. If literature or arts is more your style, then there is the “Inklings Society”, which gives students an opportunity to showcase their original work at plays, open mic nights, and drama events. There is also the “Tuks Gaming Society”, which provides a space for students to come together and enjoy various kinds of games (such as board games, card games, and video games). Students should do their own research through Instagram, LinkedIn, and the UP website to determine where they belong.
Sporting and Supporting
Not only are there societies you could join, but the university also offers a variety of sports. In aquatic sports, there’s lifesaving, swimming, triathlons, underwater hockey, and waterpolo. If water is not your style, then there are other sports you could try. If you prefer to be an individual in your competitiveness, then there are sports for you too, such as karate, golf, gymnastics, judo, fencing, squash, and much more. There are also team sports, such as cheerleading, netball, basketball, hockey, and even ultimate frisbee.
With a little investigation, Hatfield becomes more than just lectures and tests – it is basically a playground. As a student, it is important to take advantage of what opportunities come your way and to forge strong connections that will benefit you in the long run.
The Book Girlie’s Corner
Kyra Erwee
For centuries, women have found and raised their voices within literature. The very roots of feminism sprouted from works by Mary Wollstonecraft and Phillis Wheatley. Women rebelled through their writing. Softly and poised, they fiercely challenged the societies they found themselves in. When the literary world was dominated by men, Jane Austen became a pioneer among female writers, criticising the unfair treatment and belittling of women during the 18th and 19th centuries. Maya Angelou redefined female power by looking oppression dead in the eye during a time when women’s voices were ignored – she was their mouthpiece.
For most of our history, literature was controlled by one half of the world’s population. The perspectives, opinions, and ideologies of this half inevitably became the norm. But times are changing, and more people are realising how important it is to listen to the silenced half. When you read female literature, you do not just read about her, you feel with her. Reading these works is not only an act of support; it’s an act of enlightenment. So, if you are just a girl standing in front of a bookshelf, asking it for your next spectacularly feminist read, we’ve got you. Whether you are searching for something political, personal, or inherently reflective, we guarantee that one of these masterpieces have been waiting to be picked up by you.
Sister Outsider by Audre Lorde
This bold collection of essays on gender, race, sexuality, and power is a must read if you care about social justice or simply making the world a better place. Lorde addresses the necessity of intersectional feminism and the obligation of supporting women of colour. Not all women experience oppression in the same way, and that’s why feminism needs to include all of these experiences.
This deeply personal memoir of Angelou’s early life explores themes such as identity, willpower, and trauma. The book tells the story of how Angelou and her brother Bailey were abandoned by their mother and sent to live with their grandmother in a small Southern town. At eight years old, Angelou gets attacked by a man and has to live with the consequences of this traumatic event for the rest of her life. Despite this, she learns how to love herself, how to treat herself and others with kindness, and what it truly means to be a woman. The book is both powerful and poetic, soft and bold. Asking For It by Louise O’Neill
We Should All Be Feminists by Chimamanda Ngozi Adichie
This novel is indubitably one of the most powerful and famous feminist texts of the 21st century.
This deeply personal, thoughtful, and persuasive essay by Adichie explores modernday feminism and challenges topics such as everyday sexism, patriarchal standards, economic and social powers, and how the idea of being a feminist is still seen as negative. The essay is both striking and welcoming. It portrays injustices without alienating a group of readers. The essay makes feminism easy to understand and reminds us that the issues women are facing are not only feminist issues – they are human rights issues. Everything I Know About Love by Dolly Alderton
This 2015 young adult novel follows Emma O’Donovan, a teenage girl, in a small Irish town. She has everything a girl could want. Popularity, beauty, male-attention. But Emma’s life completely unravels after she is sexually assaulted at a party. Living in a close-knit, judgemental town where reputation means more than morals, Emma has to face the darkness of rape culture. In this powerful read, O’Neill explores themes such as victim blaming, slut shaming, consent, mental health, and trauma. Her book was longlisted for a Baileys Women’s Prize for Fiction and has been widely recommended for anyone who wants to understand the damaging effects of rape culture.
This raw, funny, messy, and deeply honest memoir consists of stories from Alderton’s twenties. She explores everything from wild parties and heartbreak to mental health and female friendships. At first, it may seem as though the book will reach a pivotal point where Alderton meets a man, but there is a much deeper message hidden among the chaos: the most lasting, grounding, and transformative love is all around us – our beautiful friends. This book feels like a hug from your best friend. And there you have it – a few wonderfully feminist reads to keep you company during this important time. Happy reading, and happy Women’s Month!
I Know Why the Caged Bird Sings by Maya Angelou
Visual: Nicole Hagemann
Visual: Alyx Bell
Visuals: Sourced
Hey Girl Friend
Sivenathi Makhanda
The women in our lives that we are lucky to call friends – true friends – can only be described as irreplaceable. They have given us their friendship and places in their hearts, offering to us their love and care. So for this women’s month, let’s be thankful for the relationships we have with the women around us.
For many of us, some of the best and deepest friendships in our lives are the friendships we hold with women. Have you ever wondered why that is? Friendships between or with women are usually more emotionally open because women regularly allow themselves to be vulnerable. Some men struggle with this (thank you, toxic masculinity), making friendships with men different because of the deep connections that friendship with women brings.
An article titled “The power of making and nurturing female friendships” by Kate Leahy at Flash Pack lists multiple reasons as to why female friendships are important. True female friendships are built on supporting each other, on being there for one another. Women value and seek friendships that offer emotional support and are deeply intimate. By allowing themselves to be vulnerable with others, they give each other complete trust, growing the loyalty and depth of the friendships. According to the article, female friendships increase the health of the women within them. It said that valuable friendships
increase the health of young adults. Being surrounded by women also helps reduce stress because it releases oxytocin, leading to the release of chemical serotonin.
Female friendships rely heavily on being open with one another, which makes growing and maintaining them something that isn’t easy. It requires you to be open and receptive, something that many people, especially men, struggle with. Men aren’t socialised to express their emotions or to even seek platonic relationships with women, which is to the detriment of themselves.
Cultivating and honouring friendships with women usually leads to more rewarding relationships.
Although it may be hard to create bonds with women, meeting the requirements (of being open, honest, and expressing yourself emotionally) often leads to authentic relationships that make us know how loved, appreciated, and cared for we are. Opening ourselves up, no matter how difficult, can result in us gaining wonderful, pure, and longlasting friends.
Women and the friendships we have with them are extraordinary. They are usually relationships that allow us to feel heard, seen, and loved. So this women’s month, whoever you are, let’s all take a moment to thank the women in our lives that we are lucky enough to call our friends.
From Campus Cutie to Career Baddie Preparing Yourself for Life after University
Finishing your degree is both an exciting and daunting experience. Transitioning from a safe university space to the ruthless working world can feel a lot like leaping into the unknown. No one is ever truly and completely ready. You may feel uncertain about the whole process, especially when all you hear from people is “just put yourself out there” without any guidance on how to do this.
A well-prepared CV is crucial to finding the job of your dreams, especially during your final months of university. It is your first, and often only chance, to make a lasting impression on a potential employer. But where do you start? Don’t panic! This article will provide you with a comprehensive, easy guide on how to build a CV that gets noticed. Think of it as your first step towards the career of your dreams.
Create a tailored and personalised CV
I’m sorry, but generic CVs don’t get noticed. You have to carefully customise your CV for every application you make. When you find a job opportunity, study its description and highlight the key attributes you will need for it. Words like “leadership”, “public speaking”, “bilingual”, or even “legal research” will often come up in these descriptions. You can then tailor your CV to fit this description in accordance with your experience.
Include your experience
An employer’s favourite word is “experience”, so every bit counts, even if it’s not specifically related to your field. An employer in the legal field may appreciate a course you did on business development or if you are a Microsoft Excel pro. Include all part-time jobs, internships, and volunteer work you have done. It is important to list your achievements, not just a generic duty For example, say that you assisted in drafting legal documents instead of just saying that you worked at a law firm. on’t be afraid to showcase your skills
It may feel like a CV is a bragging document, but don’t let this stop you from putting down all your skills. You have worked hard on them! Employers want well-rounded graduates, so this is not the time to be humble. Your CV should reflect soft skills like leadership, adaptability, effective collaboration, problemsolving, etc. It is also important to list skills that may help you in your specific field, like being proficient in Microsoft Excel, Word,
OneNote, LexisNexus, Juta etc. Also list the various languages you are able to speak – it may come in handy. Use a professional, comprehensible format
Stick to the basics. Use one font and one size throughout your CV – Arial, Calibri, or Times New Roman are the best, especially when in 11 or 12pt. Use bold headings and bullet points to list your skills, experiences, etc. Remember to add enough spacing so that he document is easy to read. It may be a good idea to limit your CV to two pages because employers are busy too.
Listing your education
This is arguably the most important part of any CV. You did not go through all of these gruelling years for nothing! It is important to list your achievements in chronological order.
In your main CV, list your earned degrees and the years you graduated. It is also important to list your biggest achievements here – Dean’s List, Golden Key, etc. If your final results are not in yet, write “Expected graduation: 20**”. Remember that you do not have to list all your grades in your main CV – your academic record will be attached as an annexure, as explained below.
Add a matching cover letter
Your CV shows what you have achieved, but your cover letter shows why you want the specific role and who you are beyond your qualifications. Remember that a good cover letter includes your passions and two or three reasons as to why you would be a good fit for the company, and it’s personalised to the firm or company you are applying to.
Attach important documents
Finally, it’s important to attach the following documents to your CV:
• Your academic record (you can download your entire record from the UP Portal). Don’t rewrite it, just attach it as is. This makes it more credible.
• Your matric certificate.
• Your degree, as is. Once you graduate, you will receive an electronic copy of your degree.
• Your driver’s license. Most employers want to know whether you are able to provide your own transport or not.
• A form of identification (your South African ID document, your passport, etc.).
• A professional photo of yourself (this is optional).
Here is a list of websites that can help you create your CV:
• LiveCareer
• Canva
• Careers24 CV Builder
• Resume.io
• VisualCV
• Zety
Kyra Erwee
How the Entertainment Industry is “Holding Space” For the Gays
Domonique Bennetts
Dr John Kani, one of South Africa’s greatest political playwrights, said, “Protest theatre has a place again. It’s not against whites or apartheid. It is against injustice and anything that fails our people.” As powerful as this is, it’s a double-edged sword. Yes, we love the effect that protest theatre has, but in today’s day and age, this has grown into more than theatre productions. It also means that there is something to protest about: a group facing discrimination.
One of the many groups facing injustice right now is the LGBTQIA+ community, especially in the United States. Due to the Trump administration’s strict stance against the LGBTQIA+ community, many policies are currently working to erase any form of basic rights the members of this community once had. Specialised LGBTQIA+ mental health care services have been discontinued. Guidance documents providing general LGBTQIA+ education have been removed. Trans women have been restricted from competing in female sports categories, and trans female inmates have been moved to men’s prisons. The military no longer accepts trans applicants. Diversity, Equity, and Inclusion (DEI) programmes have been terminated, and funding for LGBTQIA+ healthcare, including USAID HIV treatment programmes, has been discontinued. The most stirring policy change: only recognising two biological sexes. This policy immediately erases trans and gender nonconforming individuals.
The LGBTQIA+ community has limited access to healthcare treatment. Job opportunities and security have become restricted. Trans women are placed in direct danger when being forced into male-occupied spaces. And this is just on paper. One can only imagine what these decisions are doing to the community’s mental health, trust in government, and ability to walk around freely without the fear of being targeted. The legal, social, and economic ramifications of these policies are inconceivable.
Unfortunately, we have seen this before. The history of social injustices in South Africa is undeniable, and the ramifications of government policies still affect people to this day. Through protest theatre, attention was drawn to racial injustices and the effects of it on people and society at large. Playwrights such as John Kani and Athol Fugard used theatre as a platform to speak up against racial discrimination, and songs such as Dan Heymann’s “Weeping” and Savuka’s
“Asimbonanga” showcased what was happening in South Africa to an international audience. Years later, protest through various forms of media is still alive and a worldwide phenomenon. Protest through representation can be seen in some of the latest Broadway productions, newly released albums, and actions taken by queer entertainers for their audiences.
Death Becomes Her – For the “Gaze”
Many of you have heard the trending TikTok sound “That was rude… that was pretty f*****g rude”. Theatre kids are rolling because of where that comes from. It is a snippet of a musical number from the Broadway musical Death Becomes Her (2024), based on the classic 1992 film of the same name. Yes, the production focuses on satirising the obsession with eternal youth, beauty, and perfection. But the film has also been called a “queer classic”, and the Broadway musical production took that legacy very seriously. The second song in the soundtrack, “For the Gaze”, makes it very clear from the getgo who this musical is for.
Pages and pages could be written about how Death Becomes Her is beautifully queer, but what has really touched audiences is the cast’s delicate treatment of the current climate in the US. The musical was nominated for numerous categories at the 2025 Tony Awards, and naturally, the cast performed live at the ceremony. Megan Hilty performed “For the Gaze”, and the song and costume choices explicitly showed support for LGBTQIA+ rights, especially trans rights.
The most memorable moment in the performance was Hilty’s costume change into a shawl that was actually the trans Pride flag. As she danced centre stage with the trans flag over her shoulders, six dancers, each in a colour from the Pride flag, accompanied her, making a very clear statement. Hilty belted out the lyrics, “Forgive me if I’m coming on too strong, I just want to be loved and feel like I belong”, which is both cheekily powerful and heartbreaking all in the same breath. The performance referenced various gay icons and films that have brought a sense of belonging and security to many. In one performance, the whole world was made aware of how crucial it is to represent the LGBTQIA+ community. A few costume changes and some carefully crafted lyrics gave a voice to the voiceless, and Hilty’s motherly wink as she sang those identity-affirming words could bring tears to one’s eyes. Who Believes in Angels?
– Solidifying Queerness
Another piece of protest is Sir Elton John and Brandi Carlile’s latest album, Who Believes In Angels? Released in April, this album touches on John and Carlile’s experiences as queer individuals.
what happens to us after we die. At the end of the day, they are simply Brandi and Elton, and they have very personal experiences regarding love, family, and faith. These songs show that their sexuality does not exempt them from the same emotions, worries, and life changes seen as “heterosexual” experiences. The rawness of these songs solidify their identities and put LGBTQIA+ representation at the forefront.
From Elphaba to Jesus and Why Representation Matters
Hilty makes various queer references, including dressing as both Liza Minnelli and Judy Garland. The Wizard of Oz and Garland’s Dorothy have been iconic symbols in the queer community because of the themes of acceptance and belonging. Garland was considered a “gay icon”, and so was her daughter, Minnelli. Minnelli’s own performance in Cabaret (1972) dealt with ideas relating to homosexuality and bisexuality.
The title song, “Who Believes in Angels?”, makes clear reference to their doubts and fears as they navigate life as members of the LGBTQIA+ community. They constantly question their belonging in the world and how their identities can co-exist alongside their faith. They ask the question, “What does it cost to buy your soul back when you die? What are the angels gonna do with you and I?”, which subtly touches on the constant debate over whether homosexuality is sin or not –a question that many queer individuals who want a spiritual life often struggle with.
The album also includes emotionally raw solo numbers such as “You Without Me” and “When This Old World Is Done With Me”, which deal with the everyday thoughts of parenthood and
Who is Moxie for?
Katlego Malema
What is intersectional feminism, and why does it exist? Kimberlé Crenshaw defines intersectional feminism as a “prism for seeing the way in which various forms of inequality often operate together and exacerbate each other”.
The film Moxie claims feminism and inclusivity as their biggest theme, but many believe that it failed greatly at showcasing that. The story is centred around sixteen-year-old Vivian, a symbol for white feminism, who starts an anonymous magazine called Moxie. This was inspired by her mom who was an active member in the “Riot Grrrl” movement that called out the sexism in her school. However, Vivian only does this when she starts paying attention to the injustices in her school because of the gender discrimination that negatively affects her friends.
The typical “Riot Grrrl” movement used to confront issues, such as sexism in punk rock spaces, is inherently problematic. In Moxie, Vivian’s mother reveals that her own “Riot Grrrl”
group was not essentially diverse and intersectional, which is quite similar to how the film played out. Instead of making amends for the exclusivity of the “Riot Grrrl” movement, the film only perpetuates the problem. They get diversity points for the inclusion of various marginalised identities, but representation for the sake of representation is a huge let-down, especially when the complexities of these misogynyaffected identities are not explored, not even once. So, placing a white, straight, able-bodied, cisgender teenage girl as the main character who, so blinded by her privilege as a white cis woman, only realises that unfairness is a thing because of the lived experiences of her Asian, Black, disabled, and trans peers, was not the greatest idea to present the film’s initial aim.
Vivian’s character is an indicator of white supremacy and patriarchy that is perpetuated by white feminism but disguises itself as empowerment that seeks to silence other misogyny-affected identities. When Vivian’s identity as Moxie is compromised, her advocacy is praised while the other Moxie girls still face oppression from the sidelines, giving them no
recognition and erasing their work while she reaps the benefits. This renders them silent and without a voice.
In one of the scenes, one of the Moxie girls, Lucy, an Afro-Latina, tries addressing the crowd at school during an assembly about the harassment she faced, but her microphone ends up being cut off. This shows that she is seen as not deserving of being heard – a real problem in today’s world where white people affected by misogyny take precedence over women of colour, acting as a saviour while overshadowing the work of other misogyny-affected identities. What the movie could have done differently, since the initial idea was to atone for the exclusivity and racism prevalent in the “Riot Grrrl” movement, was focus on the lived traumas of the other Moxie members while shining a brighter light on how white misogyny-affected people benefit from white supremacy and the patriarchy. This would ultimately form a “Riot Grrrl” movement that strays away from the white saviour theme and gives everyone a voice in order to shed light on some of the big issues in our society, such as discrimination.
An individual who has made waves in the theatre, film, and music industries while actively standing up for LGBTQIA+ rights is Cynthia Erivo. Not many non-theatre kids knew about her until Wicked (2024) was released and her “Defying Gravity” war cry flooded the internet. This performance in itself can be seen as a form of protest. If you have been crazy enough to jump on the Wicked bandwagon, you will know that Glinda and Elphaba had a romantic relationship in Gregory Maguire’s original novel, which has made “Defying Gravity” a queer anthem that encourages self-acceptance. Considering the subtle subtext in this film and its growing popularity, it has been a milestone achievement for the LGBTQIA+ community. It has brought about celebration and greater understanding, and having a queer actress play this role makes it all the more meaningful. Along with this, Erivo has recently been cast as Jesus in Tim Rice’s Jesus Christ Superstar. This production is loosely based on Jesus’ life as told by the Gospels and goes into greater depth concerning his doubts, feelings, and relationships with Judas Iscariot and Mary Magdalene. Considering the religious depth of this production and Erivo’s public queer identity, the decision has been seen as controversial because of the debate on whether queerness is accepted in the Christian community. So casting an openly queer woman as Jesus was quite a bold, and very explicit, statement.
One thing that has changed about protest through entertainment is that it’s no longer as cut and dry as performing a play or writing a few monumental lyrics. Today, protest looks more like giving yourself the space to be authentic. It is representation, vulnerability, and authenticity. The greatest attack on the LGBTQIA+ community is the attempt to erase their existence. So, the greatest protest countering this is the ability to stand firm. As Erivo has been doing in the Wicked press tour, the entertainment industry continues “holding space” for the existence and acceptance of the LGBTQIA+ community.
So, who is Moxie for? It’s certainly not for BIPOC (black, indigenous, people of colour), trans, disabled, and fat women. Moxie is not for women’s empowerment, at least not all women.
Visual: Boikgantsho N. Songo
Visual: Kutloano Khoza
A Dream Reprised Joseph and Its Place in South African Theatre After 50 Years
Melissa Aitchison
Few musicals can boast the kind of enduring charm and cultural impact that Joseph and the Amazing Technicolor Dreamcoat can. Born from the early creative genius of Andrew Lloyd Webber and Tim Rice, this vibrant retelling of the biblical tale of Joseph has dazzled audiences across the globe for decades with its kaleidoscope of musical styles, highenergy performances, and the timeless message of resilience and forgiveness. Now, five decades since it first graced the South African stage, the beloved musical returns in a spectacular 50th Anniversary production at Montecasino’s Pieter Toerein Theatre in Johannesburg. With a fresh and, frankly, gorgeous cast, dazzling visuals, and an infectious sense of nostalgia, this landmark revival not only celebrates the enduring appeal of Joseph, but also pays homage to the show’s remarkable journey through South African theatre history.
Critics and audiences alike are positioning Joseph as one of the year’s biggest theatrical successes. After capturing audiences in Cape Town, this technicolour production is now stunning Johannesburg with its sequins and star-studded cast. Dylan Janse van Rensburg shines in the titular role of Joseph, and he embodies the triple threat perfectly with his dancing, acting, and showstopping vocals. His rendition of “Close Every Door” left the audience completely spellbound. If Joseph is the heart of the show, then the Narrator –played by Lelo Ramasimong – is the soul. It is this role that ties the story together with passionate ease. Together, Ramasimong and Janse van Rensburg steal every scene.
However, the rest of the cast are far from “also-rans”. Joseph and the Amazing Technicolor Dreamcoat is a high-energy, two-hour musical that barely pauses for breath. From the opening bars to the final megamix, the ensemble never lets up. They are the fuel that keeps Joseph charging forward at full speed. Chris Jaftha disappears into his multiple roles, delivering distinct and unrecognisable performances as Pharaoh, Jacob, and Potiphar. As Potiphar’s wife, Yethu Kibi captivates with a bold, sensual performance that is hard to forget. Joseph’s brothers are a force on stage, each bringing intensity, humour, and heart to a performance that thrives on their shared rhythm. The magic of the production being executed wonderfully by the cast lies in the details, from Niall Griffin’s eye-catching costumes to the electrifying choreography by Duane Alexander and Jared Schaedler.
This production really takes the phrase “revival” to heart as the cast takes everything you know and love about the original and elevates it like you have never seen or heard before. The modernised dance breaks and choreography, as well as updated musical styling, creates a unique fresh show for a new audience. The show is also a prime example of Pieter Toerien’s “Bonsai” musical format: big shows in small theatres. This is a way to bring the spectacle and storytelling right to the audience’s fingertips. But how did this musical come to be what it is?
Joseph and the Amazing Technicolor Dreamcoat first began as a 22-minute performance for a school choir in 1968. This short cantata grew and grew until the full 2-hour musical was created, making its West End debut on 17 February 1973. It was the first musical that Andrew Lloyd Webber and Tim Rice worked on together that was publicly produced and successful. The pop-rock opera retells
the biblical story of Joseph from the Book of Genesis. The production follows Jacob’s favourite son, Joseph, as he is given a beautiful multi-coloured coat, which sparks jealousy in his eleven brothers. They attempt to kill him but instead sell him into slavery in Egypt and lie to their father by saying that Joseph is dead. In Egypt, Joseph spends many years a slave but rises to power because of his ability to interpret dreams. Joseph eventually becomes Pharaoh’s righthand man after predicting a famine coming after years of bountiful harvests. During the famine, Joseph’s brothers come to Egypt for food but do not recognise him. Joseph tests them, but after seeing that his brothers have changed for the better, he eventually reveals his identity and forgives them. The family is then joyfully reunited at the end of the show.
The musical found its audience through its broad appeal. The score seamlessly blends different musical genres including rock-and-roll, French ballads, calypso, country, and even 1920s Charleston, allowing for a diverse musical experience. Some songs are even parodies of specific musical influences such as the Pharoah being a satirical version of Elvis.
Joseph made its way to South African shores in 1974, only a few months after its West End debut. Since the first production, there have been fifteen more produced in the last fifty years, averaging to one production every three or so years. However, a large chunk of these shows was put on in the 1970s and 1980s, with nine productions being shown in the first fifteen years after its premiere. Joseph has become a part of the furniture in South African culture in the past fifty years, and this is mainly because of religion.
During the apartheid era, Christianity was the dominant religion in South Africa and operated as the unofficial state religion. Censorship laws heavily favoured Christian values, with publications frequently being banned if they were considered offensive to religious beliefs. Books, songs, and films were often prohibited on the grounds of blasphemy or for challenging the conservative moral norms of the time. Against this backdrop, theatrical productions based on biblical stories faced fewer obstacles with censorship laws. A show like Joseph and the Amazing Technicolor Dreamcoat, rooted in scripture, provided a safe, acceptable option for theatre companies navigating strict censorship laws. Christianity continues to play a central role in South African society. According to the 2022 census, 85.3% of the population identifies as Christian. As a result, staging Joseph remains a logical choice as it is family-friendly, resonates with a large portion of the population, and offers a broad appeal. Despite its religious origins, the show’s dynamic music and universal storytelling allow for it to resonate across cultural and spiritual backgrounds. It’s a show that speaks to everyone through its music, story, and charm.
As it celebrates 50 years in South Africa, Joseph and the Amazing Technicolor Dreamcoat proves that some stories never lose their shine. With its themes of forgiveness, resilience, and reconciliation, it continues to strike a chord with audiences across generations and faiths. Joseph is more than just a musical; it’s a mirror to the past of South African theatre and a testament to its creative present. In this revival, nostalgia meets innovation, and the familiar tale is newly woven with colour, energy, and emotional depth. Like Joseph’s coat itself, the show remains a symbol of transformation, stitched together by artistry, spirit, and a dream that refuses to fade.
It is Better to Have Loved and Lost
It has been said that love can sometimes be viewed as jumping into a pit. You hope to fall forever, but occasionally, you hit the ground. And yet, you get up, climb out the pit, and jump again. Because despite the risks, falling is the best feeling in the world. Love is a powerful force. It inspires art, music, myth, and poetry. It brings joy, meaning, and connection, but it is often the very reason we grieve. Where there is deep love, there is always the possibility of deep loss. And loss, no matter how painful, is proof that love is real.
The paradox of ecstasy and grief has been explored for millennia. Ancient myths like that of Orpheus and Eurydice show the desperation of trying to hold on to love beyond death. The myth follows Orpheus, a man who travels to the Underworld to bring back his wife, Eurydice. Hades allows it, but on one condition: he must not look back at her until they both reach the surface. Tragically, Orpheus looks back too soon and loses her forever. Many people have claimed that they simply would not have turned around, but if you were Orpheus and you loved Eurydice, you would have. In every version of the myth (whether he turns because he hears her stumble, or he fears he’s been tricked, or he thinks they’ve both made it out), he turns around because he loves her. It is a tragedy because he loves her enough to go to the Underworld to try and save her, but also loves her so much that he cannot save her. To Eurydice, however, it is not a tragedy because Orpheus’s turning around proves that she was loved and loved deeply. The myth reminds us of how fragile love can be and how loss often arrives in its shadow.
Art often shares this sentiment with sculptures such as Michelangelo’s Pietà, which depicts the Virgin Mary cradling the lifeless body of Jesus in her arms. The piece portrays the sorrow of a mother’s love torn by tragedy and grief, which shows that heartbreak is not always romantic. There is a saying that there is no greater pain than outliving the love you created, and this is shown in the carved stone. The beauty of the sculpture lies in its stillness, a frozen moment of eternal loss.
Edvard Munch’s Love and Pain, often called Vampire, blurs the line between affection and suffering in intimate relationships. The woman’s embrace over the man’s neck appears tender but also consuming, symbolising how love can both nurture and drain someone emotionally. Her red hair flowing over the man suggests passion intertwined with danger, highlighting love’s dual nature as both comforting and overwhelming. Munch’s bold use of colour and swirling brushstrokes convey a deep emotional turmoil, reflecting his own struggles and showing how love often carries the seeds of pain and loss within it.
Music can also deeply capture the pain of love and loss. Stephen Sondheim’s “Send in the Clowns” is a heart-wrenching expression of regret and sorrow over love lost. The song conveys the raw emotions of missed opportunities and the heavy burden of reflecting on what could have been. Phoebe Bridgers’s “Waiting Room” hauntingly reveals how love can sometimes leave us waiting: unsure, vulnerable, and aching. The subtle sadness woven through the melody makes listeners feel the ache of emotional distance and the fragile hope for connection. Both Sondheim and Bridgers capture the emotional complexity of love and its hopes, regrets, and quiet heartbreaks. While Sondheim’s song reflects on the sorrow of missed chances and the bitter awareness of love slipping away too late, Bridgers’s track explores the loneliness and vulnerability of waiting for connection that may never come. Together, they reveal how love is rarely simple or perfect; it is often a mixture of longing, loss, and fragile hope. These songs show that love’s beauty is inseparable from its pain, and that navigating this tension is a deeply human experience.
Art and music is a powerful way to express feelings of love and its loss, but all of this brings about the question: why do we keep falling in love, knowing how often it ends in heartbreak? Perhaps because, as much as it hurts, loss confirms the presence of love. If there was nothing to lose, nothing would ache. To grieve is to have felt deeply, to have lived. Love, in all its beauty and fragility, continues to be one of the most human experiences we share. And even when it breaks us, most of us are willing to fall again. Because for a while, the fall feels like we’re flying.
Melissa Aitchison
Visual: Maliyha Naidoo
Visual: Claude Barnardo
“You’re Pretty Good At That…For A Woman”
Cara Heymans
It is no secret that, historically, women have had to settle for second fiddle. Women were expected to sit at home, make babies, and keep their house in order. They were not afforded the opportunities for personal growth, career development, or any form of independence that men were. However, it turns out that boredom breeds creativity, and despite the odds, women were able to innovate. Of course, just because they made it does not mean they got credit for it. Known as “The Matilda Effect”, men were acknowledged for the heavy lifting that women did. Let’s change that.
Esther Lederberg
Microbial genetics is the study of how microorganisms can inherit genetic information. Lederberg made several notable discoveries in the field that changed how bacteria was studied in a lab, including methods that are still used today. Despite her revolutionary work, her then-husband Joshua Lederberg and colleagues George Wells Beadle and Edward Tatum were credited and awarded the Nobel Prize in 1958. Nowadays, her work is used in cancer therapies, the production of pharmaceuticals, and even techniques used to develop the detection of SARS-CoV-2 through nasal swab analysis.
Katherine Johnson
A child prodigy who graduated from college at 18, Johnson was a maths extraordinaire who was drawn to NASA. She was renowned for being able to do intricate and complex calculations, as well as her determination to sit at the table, pushing through the systemic barriers of gender and race. She asked questions and got involved, determined to prove herself to the team. This landed her a position on the team in charge of getting the first man to the moon. She calculated the exact trajectory needed to get Apollo 11 safely to and from the moon, but went largely unrecognised until 2015 when she was awarded the Presidential Medal of Freedom by former US President Barack Obama.
Zelda Fitzgerald
The surname may sound familiar to you. That is because she was married to F. Scott Fitzgerald, author of The Great Gatsby. Allegedly. The truth of the matter is that he lifted scraps of writing from her personal diaries to use in his own work. Zelda was given opportunities for her own writing to be published, which upset her husband and disrupted their already-crumbling marriage. When she asked for a divorce, he locked her in their house and refused to let her leave until she took back the request. He would later negatively review her published works and accuse her of plagiarism, the very thing he had done years earlier. Although her husband’s success
overshadowed her own, Zelda’s work slowly began to be acknowledged by the world posthumously. Her party life may have been unsustainable, but the creativity that flowed through her allowed her to leave a legacy.
Alice Ball
Until the 1940s, leprosy was treated with chaulmoogra oil. However, the methods of application were flawed and not wholly effective. Alice Ball changed that, making the oil injectable and effectively acting as a cure. Unfortunately, at the age of 24, she died, and the president of the University of Hawaii credited the finding to himself without acknowledging Ball’s work. Thankfully, in 2000, she was finally recognised with a memorial on university grounds.
Chien-Shiung Wu
After World War II, Princeton lecturer Wu was offered a job at Columbia, where she was the first person to confirm beta decay as theorised by Enrico Fermi. She was approached by two fellow physicists, Tsung Dao Lee and Chen Ning Yang, for her expertise in the field, but her contributions led to the pair of them receiving Nobel Prizes for her discoveries. She continued to develop her research in the meantime, however, and is credited with improving Geiger counters for measuring nuclear radiation levels. She also lent valuable insight into sickle-cell anaemia research.
Maria Anna Mozart
Nicknamed “Nannerl”, Maria used to tour Europe with her brother, the pair under the tutelage of their father. They would wow crowds with their talent, both in performance and in composition. However, when Nannerl turned 18, she stopped performing in public or showcasing her talent in accordance with societal customs. As a result, much of her work is lost today and none of her compositions have survived, despite Wolfgang being stunned by his sister’s work. Theorists suggest that some of his works may be hers as well, as she used to scribe for him when he was too young to write them himself. Some even argue she may have published under his name for her legacy to live on.
HOROSCOPES
Capricorn (Dec 22 – Jan 20) - Cynthia Erivo
You are a good balance of fearless and soft. Your willingness to stand up for those around you is admirable. Thank you for fighting for what’s right with grace and humility.
Aquarius (Jan 21 – Feb 19) - Amelia Earhart
Your mysterious energy is what’s allowed you to leap your way forward. Keep being a pioneer because people look to you for direction.
Pisces (Feb 20 – Mar 20) - Rosa Parks
Being stubborn is not necessarily a bad thing – it’s allowed you to come this far. Keep standing your ground and your efforts will eventually be recognised.
Aries (Mar 21 – Apr 20) - Antjie Krog
People think your honesty is stifling, but it might be your best quality. Your dedication to standing up for what’s right is both admirable and enviable.
Taurus (Apr 21 – May 21) - Frida Kahlo
You have been through a lot of difficult things in your life, but your adaptability has been a defining factor in your life. Keep being a beacon of hope for those around you.
Is Feminism Worth It?
The world was industrialised, urbanised, socialised, televised, and globalised during a time in which men were understood to be the absolute peak of performance. Physical performance, financial performance, executive leadership performance, and even social performance. Of course, we now know (hopefully) that this notion was a social construct and scientifically disproven. We can also take into account that men were given significantly more privilege in all of these dimensions, which meant that more was expected of them. So the world got harder for men. And to those who were given nothing, a lot was still expected. So the world got a lot harder for women. To anyone with a logical train of thought, life doesn’t need to be so hard. But societal expectations, gender roles, stereotypes, prejudices, biases, and socalled “tradition” seem to get in the way of a more efficient, enjoyable life for everyone.
A perfect example of this is how men are expected to work strenuously and provide for their families while women dream of employment opportunities. The current economic model is not gender-specific, but we blindly commute to work carrying briefcases of gender nuances that, quite frankly, do not need to be there. Men are often viewed as natural leaders and women are often shown as taking up caregiver roles or pink-collar jobs such as nurses, teachers, assistants, and childcare workers.
Men would not mind some of the financial load being taken off their plates, and women would appreciate the men plating up dinner. Being a homebody is not gender-specific either. If you want to be a stay-at-home-human, that shouldn’t be a problem. If you want to be a hired hustler, that shouldn’t be a problem. However, “tradition” (aka social conditioning) gets in the way of a paramount, canon, and climatic revelation: you have the free will and autonomy to shift your perception of gender. This urges us to reflect on why we feel the need to uphold these societal standards if they hold no legal, religious, ethical, or occupational consequences. Women in the workplace are shamed for being direct while men are praised. Men are expected to work until they die and it’s labelled as their “legacy” while women are expected to be fulfilled by bearing children and baking cookies. Men need to be given the space for genu-
ine emotional expression and women need to be given the space for genuine recognition and respect. Men should not be pressured into being hypersexual and women should not be shamed for being sexually active, nor fall victim to objectification of the former.
While on the topic of societal standards, we can take a look at what it entails to be a “manly” man and a “lady-like” woman. Masculinity still has the marketing of a 1950s’ Marlboro advert, while femininity has the PR strategy of a cronut with sprinkles and anxiety. Masculinity is like a 90s’ action film: abs, rage, and refusal to see a therapist. Femininity is perceived as being a damsel-in-distress, but we all know that, in Pretoria, we’re all damsels in distress, aren’t we?
Many may disagree with abandoning traditional gender norms, but no one is obliging you to abandon them, and you should not oblige anyone to conform to them. Personal beliefs are a two-way street. Everyone deserves to have their opinion respected, unless that opinion comes at the cost of others’ detriment. So, maybe you could do some reflection on whether or not your beliefs come at the expense of disrespecting others. Maybe equal rights and liberties should not be a plot twist.
Feminism aims to redefine gender roles as universal life skills, for example, cooking, changing a lightbulb, watching the kids, setting up the WiFi. Fair labour distribution makes everyone’s lives easier, creates less work and unemployment, increases productivity, and makes more smiles (and not the “smile for me gorgeous” smile, the “just-got-my-allowance” smile).
When you hear the word “feminist”, what comes to mind? A revenge tour? Hating on men? Feminism advocates for the full social, economic, and political equality of the genders. Pro-women does not translate to anti-men. Pro-women is anti-violence, anti-discrimination, and anti-inequality. Feminism is not a race of the genders; it’s about equality in opportunity, treatment, and freedom, breaking down unrealistic standards for everyone. Feminism is about snapping the fragile “rules” we tightly grip onto – on who we can and cannot be. Feminism is about being able to have the freedom to live without the judgement of a checklist of fabricated criteria. If that sounds like something you would enjoy, why wouldn’t you be a feminist?
Gemini (May 22 – Jun 21) - Viola Davis
Some people see your vulnerability as a weakness, but you have continuously worn your heart on your sleeve. Being in tune with your emotions could be your greatest success.
Cancer (Jun 22 – Jul 22) - Miriam Makeba
You are that friend who constantly brings a sense of peace and your sweetness captivates us. Thank you for being a homely foundation for those you love.
Leo (Jul 23 – Aug 22) - Yang Liping
Commitment is something you value from every facet of your life. You are loyal, and everyone needs someone like you in their lives. Keep being dedicated, but don’t lose yourself in the process.
Virgo (Aug 23 – Sep 22) - Devi Sankaree Govender
Your courage and wit are reasons why you are who you are. Sometimes you need to step on some toes to get things done, and we admire you for that.
Libra (Sep 23 – Oct 22) - Serena Williams
You are an inspiration to many because of your ability to juggle many balls at once. You are strong and absolutely brilliant.
Scorpio (Oct 23 – Nov 21) - Meryl Streep
You may keep to yourself, but this can be a blessing in disguise. Keeping things private gives you power. Stay true to who you are, and keep being full of grace.
Sagittarius (Nov 22 – Dec 21) - Taylor Swift
Many people don’t see the hard work that you put into everything you do, but one day, it’s going to pay off. Karma is a relaxing thought, and you know that all too well.
Visual: Sourced
Milan Govender
Mane Attraction: A Deep Dive into Equestrian Culture at UP
Cayden Coetzer
Amid the clatter of hooves, early morning rides, and long evenings spent in the saddle or on the road, a remarkable group of UP students are quietly living a double life. They are scholars by day – attending lectures, writing tests, managing timetables – and equestrians always. Their hearts beat to the rhythm of horse hooves, their weekends are spent between arenas and stables, and their university experience is anything but ordinary.
This is the world of UP’s student riders – a close-knit, dedicated, and fiercely passionate group of young athletes who juggle academic pressures with the complex, physically demanding, and emotionally rich sport of horse riding. From the grace of dressage and the speed of showjumping to the versatility of eventing and the adrenaline of polo, these students live a life where their equestrian dreams are inseparable from their everyday reality.
The Horse and the Rider: Four Disciplines, One Passion
Each equestrian discipline carries its own magic and its own mountains to climb. For these students, their chosen disciplines are not just hobbies: they are personal, powerful, and formative.
Dressage: The Dance of Discipline
For Cassandra Laroue, dressage is the art of striving for perfection. “To put it very simply, we teach our horses to dance,” she says. A rider since childhood, Laroue was guided into dressage by her first coach and her mother. What began as a direction became a deep love. “Dressage may not be as thrilling as some of the other equestrian disciplines, but it demands enormous concentration… I love raising the bar, constantly searching for ways to improve,” she shares. “It’s in the consistent training over many years where I have found joy.”
Her bond with her horse? “Phenomenal,” she says without hesitation. “Once you truly make a friend of your horse, they will do almost anything for you,” she assures.
Showjumping: Balance Between Speed and Precision
For Jessica Rabjohn, the appeal of showjumping lies in the fine balance between control and risk. Rabjohn shares, “To me, showjumping means balance. You need to have the perfect balance between being quick and careful, being strong and soft, and taking risks and playing it safe.”
Rabjohn began riding at the age of three, drawn to jumping by her mother, a showjumper herself. Her training weeks are rigorous and adapted to a demanding university schedule. “I always keep my calendar up to date with shows and tests in order to manage my time effectively while studying and training,” she explains.
Rabjohn also acknowledges the often-overlooked technicality of her
Tsport. “People think that horse riding is easy… but showjumping is a lot more technical than people think. We make split-second decisions while on track, and analyse and ride every distance perfectly,” she insists. Her most unforgettable moment was winning the 2022 Junior 1m Gauteng Championship – her first time on the podium, and a hard-earned victory.
Eventing: The Triple Challenge
Described as “the equestrian version of a triathlon,” eventing stole Abby Hanes’ heart because it brings together the best of several disciplines.
“Dressage showcases precision, showjumping tests agility, and cross-country challenges you with solid obstacles and terrain. It’s incredibly demanding, but never boring,” she says.
Hanes is as eloquent about the sport as she is passionate. She says, “To me, eventing is more than a sport – it’s a lifestyle. It’s taught me resilience, discipline, and how to trust deeply in another living being.” Trust is the word she uses to describe her bond with her horse, Cupid. Together, they conquered the Junior Open class at the South African Youth Eventing Championships – a title that remains her most cherished riding memory. “He’s part of my heart,” she says simply.
Polo: Where Speed Meets Strategy
Charlie Dewar brings a completely different energy – the fast-paced, adrenaline-fueled world of polo. “It’s a sport with two teams of four trying to score as many goals as possible – like hockey, but on horseback.”
Dewar’s love for polo runs deep. “My dad’s played since he was 18, so I’ve been riding [for as long as] I can remember… I’ve loved polo since I was tiny. The complexity and the combination with the horses makes it unique and special.” He doesn’t sugarcoat the difficulty of balancing academics and polo. “Badly,” he jokes. “Lots of polo, a little bit of academics.” But his passion is undeniable. From training young horses to weekend matches, his life revolves around the sport.
A standout moment for Dewar is when Osculation, a horse he trained himself, won Best Playing Pony at the Highveld Champs in 2023. “She was the first horse I schooled alone,” he remembered.
Breaking Stereotypes, Building Bonds
Despite their dedication and athleticism, many student riders still encounter stereotypes. “People think we just sit there,” says Rabjohn, “that the horse does all the work.” Laroue echoes this but adds, “I take that as a compliment, because if it looks easy, I’m doing my job right.”
Others face the old “horse girl” label – sometimes in jest, sometimes not. But most riders shrug it off. “I’ve learned to embrace it,” says Laroue. “I know how hard I work and that’s all that really matters.” More damaging, though, is
the assumption that equestrian sports are only for the privileged. “Many of us work incredibly hard behind the scenes to make our passion possible,” Hanes points out. “It’s far from glamorous most days. There’s grit, setbacks, early mornings, and a whole lot of mud.”
Support, Struggles, and Sacrifices
The UP equestrian community may be small, but it is mighty and deeply connected. “Everyone I’ve met who rides has been incredibly supportive and kind,” says Hanes. “We help each other with transport, cheer each other on at shows, and share livestreams when we can’t be there.”
Rabjohn notes the quiet, practical support among riders, saying, “Friends at UP help each other by keeping lecture notes when someone’s away competing.”
Still, it is not easy. Between long commutes, training schedules, and academic demands, sacrifice is a given. Laroue, who lives an hour from campus, spends over 10 hours a week just travelling. “Finding the time to be successful at both is the greatest challenge,” she says.
The Takeaway: More Than a Sport
These riders want people to realise that this is more than a sport – it is a way of life. “Riding isn’t just a sport, it’s a way of life that teaches discipline, compassion, and perseverance.” says Hanes. Rabjohn hopes that readers gain a “greater appreciation for how dangerous, technical, and difficult this sport is”. For Laroue, it is about the beauty of the bond. “Wars were fought and won with horses. Civilisation was built on the back of a horse. We owe so much to them.” Dewar wants readers to see how welcoming horseriding can be. “It is much more welcoming and accessible than you might think, if you are willing to put in the work.”
Student riders at UP are not just mastering essays and exams – they are mastering balance, grit, and trust in one of the oldest, most demanding sports in the world. Whether it is the elegance of dressage, the intensity of showjumping, the unpredictability of eventing, or the thrill of polo, one thing unites them all: a deep, unwavering connection to the horse.
In a world where young people are often asked to choose between passion and practicality, these students are proof that with enough heart, you can have both. And through the clatter of hooves and the stillness of early morning rides, they are carving out a path that is uniquely their own, one stride at a time.
The Transfer Window So Far
he transfer window is heating up as teams try to fix their mistakes from last season or build on an already successful formula. For example – Liverpool FC. The Premier League champions have thrown cash across the pitch. Jeremie Frimpong was signed from Bayer Leverkusen for £29.5 million to replace homegrown star Trent Alexander Arnold as right back. Former Bournemouth left back Milos Kerkez followed for £40 million to strengthen that position. Frimpong’s teammate in Germany, Florian Wirtz, was signed on a deal that could raise to £116.5 million. Their shopping spree did not end there: they acquired Hugo Ekitike in a deal that could reach £79 million. At the time that this article was written, the Reds have also had a bid of £110 million for Alexander Isak rejected.
This is a scary sight for the rest of the Premier League. At first glance, the only appropriate rating for this transfer window is an A. But if you look back to 2024 when Real Madrid had just won the UEFA Champions League and La Liga, they were on top of the world after a successful debut season from Jude Bellingham. Then they added Kylian Mbappé to the mix. A significant portion of the football world believed that the season was over before it even began. But this was far from the truth – there were too many cooks in the kitchen, and their 2024/2025 season ended in flames. Could this prove to be the case yet again?
The Hugo Ekitike fiasco saw Newcastle United’s
reputation take a hit. The Magpies’ £70 million bid for the striker was rejected by Eintracht Frankfurt, and when it became apparent that Liverpool wanted the player, Ekitike wanted them back. The Reds bid £69 million plus an additional £10 million, which secured them their man. This isn’t the first player Newcastle have missed out on, reportedly missing out on the likes of Joāo Pedro, Bryan Mbeumo, and James Trafford. Their only notable signings so far have been Anthony Elanga for up to £55 million and goalkeeper Aaron Ramsdale on loan. They currently find themselves in another striker battle, this time with Manchester United, for the signature of Benjamin Sesko. Therefore they get a D. Arsenal Football Club, the perennial second-place finishers who lacked that all-important striker, have finally signed one, bringing in Viktor Gyökeres from Sporting Lisbon for up to £63.5 million. He is a player who looks like he eats, sleeps, and breathes goals, but he is still an unknown commodity in the Premier League. Martin Zubimendi was brought in from Real Sociedad for £51 million to control the tempo of the midfield and the game. The Gunners confused fans and the football world with the signing of Noni Madueke from Chelsea for up to £52 million. He predominantly plays as a right wing, even though they already have one of the best in the world in Bukayo Saka. Goalkeepers Kepa Arrizabalaga and Christian Nørgaard were also signed as back-up players to strengthen the squad. Whether this is enough to propel them to the title remains to be seen. For this reason, they get a B-.
Club World Cup champions Chelsea have continued
to buy players like they are grocery shopping. The pick of the Blues’ signings so far have to be João Pedro, Liam Delap and Jamie Gittens. The deal to bring Pedro to Stamford Bridge will amount up to £60 million, while English winger Gittens cost the Blues £51.5 million and Delap’s relegation clause was activated from Ipswich Town for £30 million. The West Londoners are reportedly also after Xavi Simmons and Alejandro Garnacho.This approach seems to be working for the Blues, but only time will tell to what extent. For now, they get a B because they have also sold players and balanced the books well. Last but not least, we have Manchester United. The Red Devils finished 16th last season, one place ahead of Tottenham Hotspurs who secured 17th. Both teams have the most issues to fix for the upcoming season. United responded to their troubles by signing Matehus Cunha from Wolves for £62.5 million, as well as Bryan Mbeumo from Brentford for up to £71 million. They are now looking to add a striker, and they are competing with Newcastle for Sesko after missing out on Delap. They get a C+ because their goalkeeping department and defensive midfield remain unaddressed.
The transfer window fills fans up with excitement and hope every season. There are few better feelings than your club signing the player you hoped and dreamed of for months. The dopamine rush is brilliant, but none of us know what lies ahead. All we know is that we will be in for another thrilling season of Premier League action with new faces across various teams.
Court is in Session Why the 2025 US Open is a Game-Changer
Cayden Coetzer
The 2025 US Open is shaping up to be one of the most anticipated tournaments, and not just because of the star-studded lineup or high-stakes matches. This year, tennis is shaking things up.
From 24 August to 7 September, the Grand Slam held in New York City is undergoing major changes that reflect a wider shift in how global sporting events are evolving to engage new audiences – especially younger, digitally connected ones. For university students interested in sport, media, or even international trends in entertainment, this tournament offers more than just thrilling forehands and five-set dramas. It is a glimpse into the future of global sports.
One of the biggest changes to this year’s US Open is the expansion of the main draw to 15 days, kicking off on a Sunday instead of the traditional Monday. This scheduling tweak may seem small, but it is designed to maximise global viewership and allow more exposure for early-round matches. The move aligns with a growing trend among sports leagues worldwide: extend the experience, make it more immersive, and open more windows for broadcasting opportunities.
For students studying media, business, or marketing, this is a textbook example of how sports events are becoming multifaceted entertainment platforms and not just competitions.
In another bold move, the US Open will host a new fastset mixed doubles event during Fan Week, complete with a $1 million prize pool. This addition brings a fresh twist to the tournament: think high energy, shorter matches, and co-ed competition.
The fast-set format (typically one set to four games, with a tiebreak at 3-3) makes for a quicker, more digestible experience – perfect for younger audiences who might not commit to a four-hour singles match. It also adds to the tournament’s “festival atmosphere”, encouraging fans to explore the grounds, engage with interactive events, and see their favourite stars up close in a more casual setting.
While Wimbledon leans heavily into tradition, the US Open is embracing change. These new formats reflect a broader effort by the United States Tennis Association (USTA) and global tennis bodies to modernise the game – not just in how it is played, but in how it is consumed. From digital streaming partnerships to AI-enhanced match analytics, tennis is steadily aligning itself with the
expectations of a technative generation.
And yet, the Open is not abandoning its roots.
Iconic hard courts at Flushing Meadows, packed night sessions in Arthur Ashe Stadium, and long-standing rivalries remain at the heart of the tournament.
Eden Park Awaits
Cuma Mancotywa
On a crisp, spring evening at Eden Park, the Springboks will march onto the field to meet the All Blacks in the third round of the 2025 Rugby Championship – a meeting that promises to go down as the biggest test match of the year.
Eden Park: The Fortress
Let the facts speak for themselves: in 50 consecutive games at Eden Park, the All Blacks have gone unbeaten. They have not tasted defeat there in over a decade. For South Africa, the last win at this hallowed ground came a staggering 88 years ago in 1937. In 2013, the two titans clashed at Eden Park in a game marred by controversy. New Zealand won 29-15, following the notorious red card to Bismarck du Plessis for a high tackle on Dan Carter. Since then, the venue has been kept away from us, guarded like a treasure chest, only opened for the most sacred of rivalries. And now, in 2025, the Springboks return, older, wiser, and four-time world champions, ready to challenge fate. The Razor Era
Under the leadership of the energetic Scott “Razor” Robertson, the All Blacks are undergoing what seems to be their most promising rebuild in years. Robertson, the breakdancing tactician who led the Crusaders to seven straight Super Rugby titles, inherited the top job after Ian Foster stepped down following their defeat in the 2023 Rugby World Cup final. But here’s the twist: Robertson has never beaten a Rassie Erasmus-led Springbok side. Despite a dominant 50-match winning-at-home streak, that statistic will be in the front of everyone’s minds. Robertson’s men enjoyed a mid-year series against France, a team still searching for its own post-Dupont identity. Though experimental, the French pushed the All Blacks hard, sharpening the New Zealand blade ahead of this Eden Park epic.
Whether you are a tennis diehard, a business major intrigued by sport commercialisation, or a media student curious about global event strategy, the 2025 US Open has something to offer everyone. It is a living case study in sports globalisation where tradition and transformation intersect.
From Coco Gauff’s powerful returns to Carlos Alcaraz’s lightning reflexes, this year’s Open is as much about the players as it is about the platform they play on – a platform that is becoming more dynamic, inclusive, and fan-oriented.
So even if you are buried in lectures or prepping for tests, consider tuning in – not just for tennis, but for the innovation unfolding on the court and behind the scenes.
Boks Calm
While the All Blacks faced fire, South Africa took a different route. At home, the Springboks hosted two test matches against Italy and one against Georgia, cruising to victory and using the time to rotate talent and reinforce attacking shape. Far from meaningless, the matches offered fans a glimpse of a new-look at the Springbok attack, balancing brute force with tactical finesse. The Springboks also used the window to refresh, regroup, and renew off the field amid a PR blitz, commercial sponsorships, and rising global stature as the world’s most recognisable rugby brand. But make no mistake – behind the boardroom polish, the fire still burns.
This is not just a test. This is the rugby version of the Super Bowl. It’s Rassie vs Razor. It’s Kolisi’s legacy against Cane’s command. It is green vs black: a clash of traditions, strategies, and raw willpower. Everything is on the line – the Rugby Championship title, World Number One bragging rights, an 88-year Eden Park curse, a 50-match unbeaten home streak. The question is not just who will win – it is rather who will survive.
This is the match you plan your weekend around, the one you cancel plans for. The one that will break your TV and rewrite rugby history. The Springboks arrive at Eden Park not as hopefuls, but as hunters. Can they finally break the curse, or will Razor’s All Blacks keep the fortress sealed for another decade? Only time will tell, but rest assured rugby fans – this is one for the books.
Visual: Christiaan Sutherland
Hlomla Henna
Sport
Tuks Takes Bronze at the USSA Championships
Cuma Mancotywa
In South African netball, a new era is unmistakably underway: one defined by leadership from legends and the relentless pursuit of excellence. At the centre of this transformation stands Bongi Msomi, a former Spar Proteas captain turned visionary coach, and the ever-resilient UP-Tuks netball team. The 2025 University Sports South Africa (USSA) Netball Championships in Gqeberha displayed not just elite talent and rivalry, but the unfolding of a new, powerful story in the sport.
Once the heartbeat of South Africa’s national side, Msomi made her mark as a world-class centre and the inspirational captain of the Spar Proteas. After her playing days, she embraced a new challenge: becoming the head coach of the University of Johannesburg (UJ) netball team in 2019.
Msomi quickly turned UJ into a serious contender. By 2023, she had guided the team to their first-ever Varsity Netball final, where they narrowly lost to UP. In 2024, UJ returned to the final, but were beaten by Kovsies. Then in 2025, everything fell into place. Under Msomi’s leadership, UJ’s “Orange Army” claimed their first USSA Women’s Netball Championship, edging past Kovsies in a tense final that saw them win 42–41.
The Spar Women’s Challenge Returns
Betty Molefe
The SPAR Women’s Challenge returns on Saturday 5 October in Johannesburg.
Are you ready for an increase of vitality, strength, and patience?
The legendary 5km and 10km races are going to start at 08:00 from Marks Park Sports Club.
Location: Marks Park Sports Club, Johannesburg
Date: Saturday, 5 October
Starting time: 08:00
Distances: 5km or 10km
It is expected to bring thousands of women together to celebrate resilience, unity, and positive living. Furthermore, it is a nationwide movement that emphasises community, health, and women’s empowerment. The event is a great way to meet new people, regardless of your level of athletic abilities.
The SPAR Women’s Challenge is the place to be, whether you are running to beat your own personal record, cheering on a friend, or simply taking the atmosphere of the race in. You will be inspired as you feel the power of women coming together with purpose and unforgettable memories while staying active and having fun.
So come join the SPAR Women’s Challenge, where fitness meets fun and sisterhood comes to life.
The win marked a historic high for UJ netball and a defining moment in Msomi’s post-playing career. But her winning streak did not stop there. At a later point in the year, she was appointed assistant coach of the Golden Fireballs, who captured the Telkom Netball League (TNL) 2025 title, further cementing her legacy as one of South African netball’s most influential figures.
Meanwhile, the UP team entered the 2025 USSA tournament looking to improve on their bronze-medal finish in 2024. With new head coach Amanda Mynhardt, former Proteas captain, and captain Caroline Paul, UP brought grit, structure, and strong leadership to the courts of Gqeberha. UP faced stiff competition from the get-go, including tough matches against Kovsies and UJ in the group stage. They drew 42–42 against UJ and lost 48–33 to Kovsies. Despite those setbacks, UP fought back to claim bronze once again, making it two consecutive third-place finishes at the USSA Championships – a strong showing in a fiercely competitive field. The 2025 tournament was also notable for its leadership off the court. Former Spar Proteas captains
Bongi Msomi (UJ) and Amanda Mynhardt (UP) stood on opposing sidelines, representing a new generation of elite coaches shaped by international experience.
Msomi’s animated, high-energy presence contrasted with Mynhardt’s strategic calmness. Yet both inspired their teams with insight, poise, and passion, proving that former players can drive the sport forward from the bench just as much as they once did on the court.
From orange glory and Tuks tradition to legendary players and rising coaches, 2025 has redefined what leadership looks like in South African netball. And at the heart of it all stands Bongi Msomi – still leading, still winning, and still rewriting history.
Tuks Football Season: The Varsity Cup Heat Is On
et ready, UP! Varsity Diski is back, and it is bigger, bolder, and packed with action. This season is all about fast footwork, goals, and full-on UP pride. Whether you are a die-hard football fan or just in it for the good vibes, now is your chance to back the boys in red and white. Tuks FC is ready to dominate on the field, and they need you in the stands! What could be better than the cheering and support of fellow students to push them to the top?
The Varsity Cup Diski Challenge kicks off on 7 August and runs until 2 October. Every game is a chance to show up, show out, and bring the noise.
So grab your friends and head to the field. This is not just football – it is about the talent and unity that comes with passion. From dramatic goals to nail-biting finishes, each match promises serious entertainment. So don’t miss the chance to witness Tuks FC show their talent and channel their winning energy. Be there. Be loud. Be proud. Because at UP, we back our boys.
Can’t Spell One Without Women
Cara Heymans
What do you think of when you hear the phrase “Formula One”? Seven-time World Champion Lewis Hamilton?
That TikTok audio about Lando Norris? Or perhaps you think about the movie released in late June starring Brad Pitt and Damson Idris; the one that follows a retired F1 driver who returns to the sport to help a backfield team achieve glory. Leading the team to glory is a female technical director, (yay!), who, for some reason, has a one-night stand with Brad Pitt’s character, risking her career (not so yay). Many see this as a disappointing choice from Hollywood.
Over the years, a concerted effort has been made to improve the diversity in the motorsport world, from the eradication of “grid girls” to the introduction of F1 Academy. By depicting one of the two women in this film to hold a position of power in such a degrading manner massively sets back the progress made when it comes to making room for the women within motorsport. A lot more room needs to be made because there have been some amazing women in the sport.
Maria Teresa de Filippis (raced 1958 – 1959)
De Filippis was the first female driver to compete in a grand prix. She began her racing career at the age of 22 because she was inspired by her brothers. They bet that she couldn’t drive fast enough. She could.
Lella Lombardi (raced 1965 – 1982) Lombardi was the first female driver to score Driver’s Championship points in a grand prix. In her second grand prix following her F1 debut, Lombardi scored one point, which was cut to half a point after several spectator deaths ended
the race early. She has raced in other motorsport areas too such as the 24 Hours of Le Mans and NASCAR.
Desiré Wilson (raced 1972-1999)
South African born-and-raised, Wilson is considered the most accomplished female driver in motorsports. She is the first (and, for now, the only) woman to win an F1 race, having won the second race of the 1980 Aurora AFX F1 Championship. Successes followed her in other competitions too such as the Monza 1000km.
Susie Wolff (raced 2001 – 2015) Wolff’s most notable career highlight is her time
spent as a development driver for Williams where she became the first woman to compete in a grand prix weekend since 1992. After she retired from racing in 2015, she became team principal, and later CEO, of Formula E team Ventura Racing (now Maserati MSG Racing). Upon her departure at the end of 2022, Wolff was named managing director of F1 Academy, an all-female racing series.
Abby Pulling (raced 2018 – present )
Pulling is the second winner of F1 Academy. Won by Marta García in its inaugural season, which was not broadcast (to much controversy), Pulling took the Driver’s Championship title in 2024 with 338 points (for reference, second place Doriane Pin earned 217). She now races in Formula E and the 2025 GB3 Championship for Rodin Motorsport.
Laura Müller (worked 2022 – )
This article has, thus far, focused on female drivers (rightfully) earning their place on the grid, but we also need to acknowledge the women who work behind the scenes to keep the ships sailing. This includes presenters, technical analysts, and engineers. In 2025, Müller made history with Haas F1 Team by becoming the first female full-time race engineer in history. She works with Estaban Ocon and has previously worked in simulations and performance engineering. This list is not even close to exhaustive with so many women over the course of history proving that they are capable of achieving so much when given the opportunity to. Perhaps next time, Hollywood should choose to share one of their stories rather than resorting to clichés and misogyny.
Visual: Sourced
Visual: Sourced
Betty Molefe
