SCOURGE OF HYACINTHS An Opera in Twelve Scenes Based on the radio play "A Scourge of Hyacinths" by Wole Soyinka
Music and Libretto by Tania León
Commissioned by 4. Münchener Biennale 1994, Künstlerische Leitung: Hans Werner Henze Revised, Grand Théâtre de Genève, 1999
ACT I
ACT II
Scene 1
Prison. From their cell, prisoners are watching a canoe trying to reach the prison walls to deliver letters and messages from outside. The messenger is not able to break through the labyrinth of the water hyacinths with the boat.
Scene 2
Prison. Miguel Domingo and two other prisoners, Detiba and Emuke, are led to their cells.
Scene 3
Flashback. Miguel’s mother Tiatin prays to Yemanja. She thinks the rampant growth of the water hyacinths is a punishment sent by the goddess: the water hyacinths block the water ways; the political system blocks the nation. Miguel intends to flee the country.
Scene 4
Prison. The superintendent reassures Miguel about his trial. Miguel’s fellow inmates wonder why, having been released on bail, he is back inside again.
Scene 5
Flashback. Tiatin tries to persuade her son to stay. She reminds him of their ancestry and the pride in the family name. The mother also believes that her favorite son enjoys the protection of the goddess Yemanja.
Scene 6
Prison. The prisoners discuss Miguel’s situation. Miguel keeps referring to the tremendous proliferation of the water hyacinths which render any kind of movement impossible.
Scene 7
Flashback. Tiatin tries to persuade her son to stay.
Scene 8
Flashback. At the airport. Miguel, accompanied by his friend Chime, tries to leave the country by plane. He recognizes a detective, however, who is shadowing him. Miguel and Chime decide to change their escape plan and to hide for awhile on the island of the goddess Yemanja.
Scene 9
Flashback. The crossing to the island of Yemanja turns out to be a disaster for Miguel and Chime. They never reach the island as the water hyacinths and searchlights become formidable obstacles to freedom.
Scene 10
Prison. A new warder tries to ingratiate himself with the prisoners. Miguel receives newspaper clippings about his case from another warder. The superintendent appears and collects the three prisoners for a trial. The prisoners are surprised that a trial should be held on a holiday.
Scene 11
At the same time as Miguel is being led out of the cell, Tiatin calls on the goddess Yemanja and prays for her son.
Scene 12
Prison. The three prisoners are led out through the gate. A distant crowd becomes audible. Three single shots are fired.
Cast of Characters Military Voice ............................................... spoken part Superintendent .......................................................... Bass Prisoner 1 (Miguel Domingo) ............................ Baritone Prisoner 2 (Kolawole Detiba) ................................. Tenor Prisoner 3 (Augustine Emuke) ........................... Baritone The Mother (Tiatin) ................................ Mezzo Soprano Chime (also plays Warder 2) .............................. Baritone Flight Announcer ........................................... spoken part Newsvendor (also plays Warder 1) ........................ Tenor Cleaner (also plays Officer) ................................... Tenor Guard ............................................................. spoken part
Contents Overture ........................................................................................................... page 1 Scene 1 ..................................................................................................................... 9 (Detiba, Emuke and Miguel)
Interlude, Scene 2 .................................................................................................. 29 Scene 2 .................................................................................................................. 37 (Detiba, Emuke, Miguel and Superintendent)
Postlude, Scene 2 .................................................................................................. 50 Scene 3 .................................................................................................................. 62 (Mother and Miguel)
Interlude, Scene 4 ................................................................................................ 105 Scene 4 ................................................................................................................ 117 (Detiba, Emuke and Superintendent)
Interlude, Scene 5 ................................................................................................ 133 Scene 5 ................................................................................................................ 146 (Mother and Miguel)
Postlude, Scene 5 ................................................................................................ 182 Scene 6 ................................................................................................................ 189 (Detiba, Emuke and Miguel)
Interlude, Scene 7 ................................................................................................ 223 Scene 7 ................................................................................................................ 226 (Mother and Miguel)
Scene 8 ................................................................................................................ 259 (Miguel, Newsvendor, Cleaner and Chime)
Postlude, Scene 8 ................................................................................................ 305 Scene 9 ................................................................................................................ 307 (Chime and Miguel)
Interlude, Scene 10 .............................................................................................. 332 Scene 10 .............................................................................................................. 336 (Warder 1, Warder 2, Superintendent, Detiba, Emuke and Miguel)
Interlude, Scene 11 .............................................................................................. 386 Scene 11 .............................................................................................................. 386 (Mother)
Interlude, Scene 12 .............................................................................................. 389 Scene 12 .............................................................................................................. 398 (Officer, Warder 1, Warder 2, Superintendent, Detiba, Emuke and Miguel)
Dedicated to Hans Werner Henze
Scourge of Hyacinths
Tania LeĂłn
Overture: The present. Blackout. Announcement from loudspeaker, followed by music Military Voice: A nation without discipline is a nation without a future. Indiscipline must be rooted out. Report any sign of indiscipline to your local B.A.I. Support the Brigade Against Indiscipline. Monitor your fellow worker. Report any Sign. Long live our glorious Fatherland.
Allegro assai ( = 110) Flute B Clarinet
Clarinet
Alto Sax.
Bassoon
Horn B Trumpet
Trumpet Trombone Clay D. Bongos T.T.
l.v.
T.B.
l.v.
l.v.
Perc. I to S.D.
S.D.
Perc. II B.D., Cym.
(secco)
Perc. III l.v.
Piano
Detiba 8
Emuke 8
Miguel
Allegro assai ( = 110) simile
Violin I simile
Violin II gliss. simile
Viola gliss. gliss.
simile
Cello pizz.
Bass Š Copyright 1994 by Southern Music Publishing Co., Inc. International Copyright Secured Printed in U.S.A. All Rights Reserved.
to Roto
2 =
sempre
4 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
l.v.
P. I Roto (with sticks)
S.D.
P. II
P. III
Pf.
secco
8
8
= Vn. I
Vn. II
Va.
Vc. pizz.
Cb.
arco
sempre
3
8 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
l.v.
l.v.
l.v.
P. I T.B.
to T.B.
l.v.
(l.v.)
P. II secco
l.v.
(rim)
l.v.
(l.v.)
P. III
Pf.
secco
8
8
pizz.
arco
pizz.
arco
pizz.
arco
Vn. I
Vn. II
Va. 3
Vc.
3
pizz. 2
pizz.
Cb.
4
11
to Alto Flute
Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
6
P. I 5
5
6
6
6
l.v.
l.v.
P. II
P. III
Pf.
8
8
Vn. I
Vn. II
Va. arco
pizz.
arco
pizz.
Vc.
Cb.
to S.D.
5
14 A. Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn. 3
P. I 6
3
S.D.
to Roto
P. II
P. III
Pf.
8
8
Vn. I 3
sub.
Vn. II sub.
Va.
Vc. 3
arco
Cb.
arco
sub.
3
6
18 A. Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I 3
3
Roto
3
Marimba
to Marimba
P. II
P. III
Pf.
8ba
8
8
Vn. I
Vn. II 0
Va. 3
Vc.
Cb.
3
3
7
21 A. Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
8
8
Vn. I
Vn. II
Va.
Vc.
Cb.
Alto Flute
8 attacca 25 A. Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I 5
P. II
P. III
Pf.
8
8
attacca senza vib.
Vn. I senza vib.
Vn. II senza vib.
Va. senza vib.
Vc. senza vib.
Cb.
9
Scene 1: The present. Prison cell. Prisoners, in silhouette, looking out a barred window. Recitative - Moderato ( = 84) 29
to Flute
A. Fl. to Bass Clarinet Cl. to Tenor Saxophone A. Sax.
Bn. -
Hn. -
Tpt.
Tbn. -
P. I
P. II
P. III niente
Pf.
niente
Detiba 8
Emuke 8
3
Miguel Hey,
come,
take
a
look.
There’s
Recitative - Moderato ( = 84) (senza vib.)
Vn. I (senza vib.)
-
Vn. II (senza vib.)
Va. (senza vib.)
Vc. (senza vib.)
-
Cb. -
a
ca
noe
try
ing
10 poco animando 32 Fl. Bass Clarinet
B. Cl. Tenor Sax.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
Talking Drums P. I 3
3 3
3
3
P. II Vibraphone 3
P. III
3
3
3
Pf.
Detiba 8
Emuke 8
3
3
Miguel to
break
through
the
hy
a
cinths.
poco animando con sord.
Vn. I con sord.
Vn. II con sord.
Va. con sord.
Vc.
Cb.
11 Più animato ( = 92) 35 Fl.
B. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I 7
5
P. II
3
P. III
3
3
3
3
3
3
6 3
6
3
3
3
5
3
3
3
3
3
Pf.
6
3
Detiba 8
Come
on,
Emuke 8
Miguel
Più animato ( = 92) sul pont. 5
5
5
5
Vn. I sul pont. 3
Vn. II
Va.
Vc.
Cb.
3
3
3
5
5
5
3
3
12
37 Fl.
B. Cl.
T. Sax. colla voce
Bn.
Hn.
Tpt.
Tbn. 6
T.D. P. I Mba. P. II Vibr.
3
3
3
3
3
6
6
6
P. III
Pf.
6
3
3
3
3 3
3
3
3
3
3
3
Detiba 8
champ
ion,
come on!
Emuke 8
Na
Miguel
6
6
6
6
6
6
6
Vn. I (sempre
) 6
6
6
6 6
Vn. II (sempre
)
vibr.
Va. pizz.
6
Vc. pizz.
Cb.
6
6
6
6
13
39
Flute
6
6
Fl. simile
B. Cl.
T. Sax.
Bn. 6
simile 6
Hn. Harmon
6
6
Tpt.
Tbn.
7
5
P. I 5 3
6
6
P. II niente 6
6
6
6
to Bass Drum
6
P. III
3
Pf.
3
3
3 3
Detiba 8
Come
on
champ
ion
3
Emuke 8
sign,
I
Miguel Come
on, 3
6
Vn. I decresc. 3
3
Vn. II decresc.
Va.
Vc. 3 3
Cb.
3 3
champ
ion
swear,
14 Poco meno mosso 41 Fl.
B. Cl. niente
T. Sax.
Bn. niente
Hn. niente
Tpt.
Tbn.
T.D. P. I Mba.
5
P. II B.D. (with Vibr. mallet) P. III
Pf.
Detiba 8
3
Emuke 8
na
sign
from
heav
Miguel He’s
Poco meno mosso vibr.
Vn. I vibr.
Vn. II vibr.
Va. arco (vibr.)
pizz.
arco (vibr.)
pizz.
Vc.
Cb.
more
than
15
43 Fl.
B. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II to Vibr. P. III
Pf.
3
Detiba 8
Man!
he’s
Emuke 8
en
Na
sign
Miguel half
Vn. I
Vn. II
Va.
Vc.
Cb.
way
from
hea
ven
16 Meno mosso (molto maestoso)
A tempo - Animato ( = 92) 45 Fl.
B. Cl.
T. Sax.
Bn.
Hn.
Tpt. (Harmon) Tbn.
T.D. P. I 3
Mba.
3
6
P. II Vibr. 6
3
P. III
7
6
7
Pf.
3
Detiba 8
more than
half
way
through
al
read
y
Emuke 8
3
Miguel What
A tempo - Animato ( = 92) sul pont.
Vn. I sul pont.
Vn. II
Va. arco
Vc. arco
Cb.
he
Meno mosso (molto maestoso) 7
7
7
17
47
fltz.
Fl. 6
6
(sim.)
6
6
B. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I 7
7
7
7
P. II
3
P. III
5
5
5
5
3
Pf.
Detiba 8
Emuke 8
3
Miguel
3
3
needs is
an
as
sist
ant
wield
ing
a
huge
pair
of
arco norm.
Vn. I arco norm.
Vn. II
Va. pizz.
Vc. pizz.
Cb.
18
49 Fl. 6
6
6
niente
B. Cl. niente
T. Sax.
Bn. -
Hn. to plunger mute
-
Tpt.
Tbn. -
T.D. P. I Mba. P. II Vibr.
7
7
P. III
-
Pf.
Detiba 8
Emuke 8
3
Miguel wa
ter
shears,
May
be
sul pont.
Vn. I
Vn. II niente
Va. arco sul pont., prestissimo
Vc.
Cb.
five
19 A tempo ( = 92) 51
fltz.
6
6
3
6
6
6
Fl.
B. Cl.
T. Sax. 6
Bn.
3
Hn.
plunger mute 3
Tpt.
Tbn. to Clay, Bgo., T.T. P. I 9
9
3
P. II niente
P. III
Pf.
6 3
3
Detiba 8
He
Emuke 8
3
Miguel yards
long.
A tempo ( = 92) Vn. I niente sul pont.
Vn. II
Va.
Vc. arco
Cb.
7
seems
to
be
do
ing
20
53 Fl.
B. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn. 3
Cl., Bgo., T.T. (with sticks) P. I Mba. P. II Vibr. P. III
3
3
3 3
3
Pf.
6 3
3
3
3
Detiba 8
quite
well
with
out
it.
Emuke 8
Miguel
pizz.
via sord.
Vn. I pizz.
via sord.
Vn. II
pizz.
via sord.
Va. via sord.
Vc. pizz.
Cb.
21 Ritmico deciso ( = 100) 55 Fl. 3
3
3
3
3
3
3
B. Cl.
T. Sax. 3 3
3
3
3
3
3
Bn.
3
3
3
Hn. 3
3
3
3
3
3
3
Tpt. 3
3
Tbn.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
P. I 3 3
3
P. II 3
3
3
l.v.
P. III
3
Pf.
3
3
3
Detiba 8
Come,
8
Come
on,
Come
on,
come
on,
man,
dig
in!
Come
on,
dig
in,
dig
in!
man,
dig
dig
in,
dig
in!
man,
dig
dig
in
Emuke in,
Miguel in,
come
on,
Ritmico deciso ( = 100) 3
arco, senza sord.
III
3
l.v.
0
3
3
3
3
3
3
0
Vn. I arco, senza sord.
3
3
Vn. II arco, senza sord. 3
3
3
3
Va. senza sord.
3
3
3
3
3
3
3 3
Vc. 3
pizz.
3
3
Cb. 3
3
3
3
l.v.
22
58 Fl. 3
3
3
B. Cl. 3
T. Sax. 3
3
Bn.
3
3
3
Hn. 3
3
3
Tpt. 3 3
3
3
3
3
Tbn.
3
3
3
3
3
3
3
P. I 3 3
3
3
3
3
P. II 3 3
3
3
6
6
P. III 3
3
Pf.
3
3
Detiba 8
man,
man,
dig
on,
man!
in!
Come on,
man!
Emuke 8
dig
in,
man,
come
Come on,
dig
3
in!
Miguel dig
in,
man,
come
on,
come 3
on,
man!
con sord.
3
3
6
6
5
5
Vn. I pizz.
arco
3
3
con sord.
3
6
Vn. II 3
3
con sord.
3
Va. 3
3
pizz.
arco
3
pizz.
arco
3
Vc. 3 3
Cb.
3
3
3
3 3
3
3
23 poco rall. 61
A tempo
Fl.
B. Cl.
T. Sax.
Bn. niente
Hn. straight mute
niente
3
Tpt. niente
Tbn. niente 3
6
P. I
P. II 7
7
P. III niente
Pf.
Detiba 8
3
3
3
Come
on,
Emuke 8
E
go
do
am.
If
not
Miguel Come
poco rall.
on,
A tempo 7
7
6
6
Vn. I
Vn. II
Va. 7
7 6
Vc. niente
Cb.
6
6
6
24 poco animando 63 Fl. niente
B. Cl.
T. Sax.
Bn. niente
Hn. niente
to Piccolo Tpt.
Tpt. niente
Tbn. niente
P. I
P. II
P. III
Pf.
Detiba 8
champ
ion,
dig
3
in, 3
man! 3
3
3
Emuke 8
to
day,
then
to
mor
row,
The
o
Miguel champ
ion,
dig
in,
man!
poco animando Vn. I
Vn. II
Va.
Vc.
Cb.
thers
25
66 Fl. 3
3
3
B. Cl.
T. Sax. 3
3
Bn.
Hn.
Tpt.
Tbn.
to Talking Drums P. I
P. II sempre
P. III
3
Pf.
3
Detiba 8
3
3
Emuke 8
go
join
am
try
if
’e
no
man
age
reach
us
to
day.
Miguel He’s
Vn. I
Vn. II
Va. 3
3
3
3
Vc. pizz.
Cb.
26 Poco più mosso, molto espressivo 69 Fl. 3
3
B. Cl.
T. Sax.
Bn.
3
Hn.
Tpt. 3
Tbn. 3
T.D. P. I
P. II
P. III
Pf.
Detiba 8
He
is
He’s
turn
Emuke 8
3
Miguel giv ing up
He’s
Poco più mosso, molto espressivo 3
con sord.
3
3
con sord.
3
Vn. I
Vn. II 3
Va. 3
3
Vc. 3
arco
Cb.
3
turn
ing
back
ing
27 Moderato con moto ( = 84 - 88)
Meno mosso
72 Fl.
B. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn. 6
6
3
3
6
P. I 6
P. II
P. III
Pf.
Detiba 8
giv ing up
Emuke 8
back
3
3
Miguel What
Moderato con moto ( = 84 - 88) Vn. I
Vn. II
Va.
Vc.
Cb.
do
you
ex pect?
He’d
Meno mosso
28
76 Fl.
B. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn. niente
P. I
P. II niente
P. III
Pf.
Detiba 8
Emuke 8
3
Miguel on
Vn. I
Vn. II
Va.
Vc.
Cb.
ly
get
trapped
same
as
we.
Interlude II - Scene Change
80
Molto Ritmico ( = 80 - 84)
29
Tempo libera
Tempo I
Tempo libera
Tempo I
Fl. B Clarinet
Cl.
T. Sax.
Bn.
Hn.
Piccolo Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
Emuke 8
Miguel
Supt.
Molto Ritmico ( = 80 - 84) Vn. I
Vn. II
Va.
Vc.
Cb.
30 Tempo libera
Tempo I
85 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt. 6
Metallic mute Tbn.
Cl., Bgo., T.T.
S.D.
l.v.
P. I S.D. P. II S. Cym., B.D.
secco
P. III
Pf.
8
8
Tempo libera Vn. I
Vn. II
Va.
Vc.
Cb.
Tempo I
31
89 Fl.
Cl.
T. Sax.
Bn.
Metallic mute Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
8
8
tutta forza
Vn. I tutta forza
Vn. II tutta forza
Va. tutta forza
Vc. tutta forza
Cb.
32 Meno mosso 93 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
8
8
Meno mosso Vn. I sub.
Vn. II sub.
Va. sub.
Vc. sub.
Cb. sub.
33
98 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt. 5
Tbn.
Talking Drum
6 3
P. I 6
P. II
P. III
Pf.
8
8
Vn. I
Vn. II
Va.
Vc.
Cb.
34 Tempo I ( = 80 - 84) 103 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt. 5
5
5
Tbn.
P. I
P. II niente secco
P. III
Pf.
8
8
Tempo I ( = 80 - 84) Vn. I
Vn. II
Va.
Vc.
Cb.
35
107 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I 3
P. II secco
secco
secco
P. III
Pf.
8
8
tutta forza
Vn. I tutta forza
Vn. II tutta forza
Va. tutta forza
Vc.
tutta forza
Cb.
36 ritardando 112 Fl.
Cl. to Alto Sax. T. Sax. to Contrabassoon Bn.
Hn.
Tpt.
Tbn.
Clay, Bongo, Tom tom P. I 3
P. II
P. III
Pf.
8
8
ritardando tutta forza
Vn. I tutta forza
Vn. II tutta forza
Va. tutta forza
Vc. tutta forza
Cb.
Scene II: The Present. Prison. Five men stop in front of cell. Three prisoners are gestrued inside. Energico ( = 88)
37 Poco meno mosso
117 Fl.
Cl.
A. Sax.
Contrabassoon
Cbn.
senza sord.
Hn.
Tpt. senza sord.
Tbn.
P. I 3
P. II
P. III
Pf. (dampen at base of string when struck)
3
Detiba 8
Emuke 8
Miguel
Supt.
3
Yes,
Energico ( = 88)
you
too,
Mis
3
3
ter
Do
min
go.
You’ll
be
shar
Poco meno mosso
Vn. I
Vn. II
Va. pizz.
3
Vc.
Cb. 3
ing
38 Molto ritmico ( = 76) 120
3
3
3
3
3
3
3
3
Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
3
P. I 3
P. II Military Drum, Bass Drum P. III
3
Pf. 3
3
Detiba 8
Emuke 8
Miguel
Supt. 3
this
cell
with
your . . .
with
these
two.
Molto ritmico ( = 76) Vn. I
Vn. II pizz.
Va. arco
Vc. pizz.
Cb.
arco
39 Marziale, poco più mosso 123
fltz.
Fl. cresc. fltz.
Cl. cresc. fltz.
A. Sax. cresc. fltz.
Cbn. cresc.
Hn.
Tpt.
Tbn.
P. I cresc.
P. II cresc.
P. III cresc.
Pf.
(senza ped.)
Detiba 8
Emuke 8
Miguel
Supt.
Marziale, poco più mosso Vn. I
Vn. II arco
Va.
Vc.
Cb.
40
126 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
P. II
P. III
Pf.
Detiba 8
Emuke 8
Miguel
Supt.
Vn. I
Vn. II cresc.
Va.
Vc.
Cb.
41
129
fltz.
Fl. fltz.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I cresc.
P. II cresc.
P. III cresc.
Pf.
Detiba 8
Emuke 8
Miguel Supt.
Vn. I
Vn. II
Va.
Vc.
Cb.
42 Agitato ( = 96) 132 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt. Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
Emuke 8
Miguel I
Supt.
Agitato ( = 96) Vn. I
Vn. II
Va.
Vc.
Cb.
did not walk
in
to court of
my
own free will.
No!
43 ritardando 135 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
Emuke 8
Miguel
3
I
did not walk in
be cause I want ed
to.
Oh yes...
I
did
go
to
the
Supt.
ritardando arco
pizz.
arco sul pont.
norm.
3
norm.
3
Vn. I sul pont.
arco
Vn. II arco
pizz.
arco sul pont.
norm.
Va. 3
sul pont.
norm.
Vc. 3
arco
Cb.
pizz.
arco sul pont.
pizz.
arco norm.
air port as
44 A tempo
Meno mosso
138 Fl.
Cl. 3
3
A. Sax. 3
3
Cbn.
Hn.
Tpt.
Tbn. with brushes (open) P. I with brushes (open) P. II with brushes (open) P. III
Pf.
Detiba 8
Emuke 3
8
Miguel 3
planned. . .
I
was
con fi
dent. . .
Read
Supt.
A tempo
Meno mosso
arco
Vn. I arco
Vn. II arco
Va. arco
Vc. arco
Cb.
senza vibrato
y
to
clear
my
45 A tempo 141
Tempo libero
fltz.
Fl. fltz.
Cl.
A. Sax. to Bassoon Cbn.
Hn. niente
Tpt.
Tbn. niente
P. I niente
to Mba. P. II niente
to Vibr.
P. III niente
Pf.
Detiba 8
Emuke 8
Miguel name.
A
ver
dict
of
Supt.
A tempo
Tempo libero
Vn. I sul pont.
ord.
sul pont.
ord.
Vn. II
Va. sul pont.
Vc.
Cb.
ord.
46 = 80 144
3
Fl. 3
Cl. 3
A. Sax.
Bn. 3
Hn.
Tpt.
Tbn.
P. I Mba. P. II Vibr. P. III
Pf.
3
3
Detiba 8
What
are
Emuke 8
3
3
3
3
Miguel (sobbing)
guilt
y?
Supt.
= 80 3
Vn. I niente 3
Vn. II niente 3
Va. niente 3
Vc. niente 3
Cb. niente
you
try
ing
to
47
147 Fl.
Cl. niente
A. Sax.
Bassoon
Bn.
Hn.
Tpt.
Tbn. to Clay, Bongo, Tom-tom P. I (with fingers)
6
6
6
6
6
P. II
P. III
Pf.
Detiba 8
say?
You
were
grant
bail!
ed
Emuke 8
Miguel Supt.
Vn. I
Vn. II
Va.
Vc.
Cb.
Man
3
can’t
es
cape
in
48
150
3
Fl. 3
Cl. niente 3
A. Sax.
Bn.
Hn.
Tpt. 3
Tbn.
Cl., Bgo., T.T.
with hands
5
P. I Mba.
6
6
5
6
P. II Vibr. P. III
Pf.
Detiba 8
3 3
3
Emuke 8
des
tin
y.
Some
time
dis
ting
na
fate,
na
Miguel Supt.
3
Vn. I 3
Vn. II 3
Va. 3
Vc. 3
Cb.
49
153 Fl. niente
Cl. niente
A. Sax. niente
Bn. niente
Hn.
Tpt.
Tbn. niente
P. I 6
6
6
6
6
P. II
P. III niente niente
Pf.
Detiba 8
3
Emuke 8
fate,
na.
Miguel
Supt.
Vn. I niente
Vn. II niente
niente
Va. niente
niente
Vc. niente
Cb.
niente
50
Postlude II - Scene Change = 100 156
Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
Shaker
3
3
3
3
3
3
3
3
3
P. I Conga (hands)
3
3
Wood Ch.
Wood Ch. (sticks)
6
Roto
P. II Conga B.D. (sticks)
3
3
3
Bell Ch.
3
l.v.
l.v.
P. III niente
Ped. B.D.
Pf.
8ba
8
8
= 100 sul pont.
Vn. I sul pont.
Vn. II sul pont.
Va. sul pont.
Vc. sul pont.
Cb.
51
161 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
(Shaker)
3
3
3
Cl., Bgo., T.T.
3
P. I (Roto)
3
3
3
P. II (Bell Ch.)
M.D.
to Vibr.
P. III (Ped. B.D.)
Pf.
8
8
(sul pont.)
pizz., tutta forza
(secco)
(sul pont.)
pizz., tutta forza
(secco)
(sul pont.)
pizz., tutta forza
(secco)
(sul pont.)
pizz., tutta forza
(secco)
(sul pont.)
pizz., tutta forza
(secco)
Vn. I
Vn. II
Va.
Vc.
Cb.
52
166 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt. Tbn.
3
3
3
3
P. I 6
3
3 3
3
6
P. II Vibr.
B.D.
P. III Ped. B.D.
Pf.
secco 8ba
8
8
arco norm.
pizz., tutta forza
secco
arco norm.
pizz., tutta forza
secco
arco norm.
pizz., tutta forza
secco
arco norm.
pizz., tutta forza
secco
arco norm.
pizz., tutta forza
secco
Vn. I
Vn. II
Va.
Vc.
Cb.
53
171 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I 3
Marimba
P. II Cym. P. III B.D.
Pf.
8
8
arco
(sim.)
Vn. I arco
(sim.)
Vn. II gliss.
arco
(sim.)
Va. gliss. (sim.)
arco
3
Vc. gliss. arco
Cb.
arco
0
54 Meno mosso; quasi cadenza 175 Fl. niente
Cl. niente
A. Sax. niente
Bn. niente
Harmon mute Hn. niente
Tpt. 6
Harmon mute Tbn. niente
P. I
P. II 3
3 3
P. III
Pf.
8
8
Meno mosso; quasi cadenza arco norm.
col legno
l.v.
5
Vn. I niente col legno 5
arco norm.
Vn. II niente col legno
niente
arco norm.
Va. 5
niente
niente
niente
niente
Vc.
Cb. niente
5
55 A tempo 180 Fl.
Cl.
A. Sax.
Bn.
Hn. 5
Tpt. 5
Tbn. Quijada (timbale sticks), Cl., Bgo., T.T
3
6
P. I cresc.
Cowbell, Roto P. II cresc.
2 Conga (hands), Bell Chime
to B.D.
P. III cresc.
3
3
Pf.
8
8
A tempo (see note)* Vn. I
Vn. II
Va.
Vc.
Cb. *Note: begin gliss. with tremolo vibrato, shift to senza vibrato.
3
Ped B.D.
3
56 Meno mosso; quasi cadenza
=
185 Fl.
Cl.
A. Sax.
Bn.
Hn. 5
Tpt. niente
5
Tbn.
Quijada, Cl., Bgo., T.T., Guiro, Nail Ch.
3
3
Guiro
3
P. I Cowbell, Roto
3
P. II B.D. P. III
Pf.
8
8
Meno mosso; quasi cadenza
= pizz.
secco
pizz.
secco
pizz.
secco
pizz.
secco
pizz.
secco
arco
Vn. I arco
Vn. II
Va.
Vc.
Cb.
arco
Nail Ch.
57
190 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I cresc. poco a poco
P. II cresc. poco a poco
P. III
Pf.
8
8
Vn. I niente
Vn. II niente
Va. niente
Vc.
Cb. niente
58 =
=
(Percussion remains in 12/8)
194 Fl. 6
Cl.
A. Sax. 6
Bn.
Hn. 6
Tpt. 6
Tbn.
P. I (cresc. poco a poco)
P. II (cresc. poco a poco)
P. III
Pf.
8
8
=
= pizz., secco
(Percussion remains in 12/8)
arco
3
3
3
3
3
3
Vn. I niente
Vn. II niente
Va. niente
3
pizz., secco
arco
Vc. niente pizz., secco
Cb.
3
59 = 60, dolce 3
198
3
Fl. 6
Cl.
A. Sax. 6
Bn.
Hn. 6
Tpt.
6
Tbn.
P. I
P. II
P. III
Pf.
8
8
= 60, dolce 3
3
Vn. I 3
Vn. II 3
Va. 3
Vc.
Cb.
60 3
202 Fl. niente
niente
niente
Cl. niente
A. Sax. niente
Bn. niente
niente
Hn. niente
Tpt.
Tbn. niente
P. I
P. II
P. III
Pf.
8
8
3
Vn. I niente
Vn. II niente
Va. niente
Vc. niente
Cb.
61
207 Fl. niente 3
3
Cl. niente
to Tenor Sax.
A. Sax. niente
Bn. niente
Hn. niente
Tpt.
Tbn. niente
P. I
P. II
P. III niente
Pf.
8
8
3
3
Vn. I niente
Vn. II niente
Va. niente 3
3
3
3
3
3
Vc. 5
Cb. niente
3
3
3
62
Scene III: The past. The Domingo home. Evening. The Mother is chanting at a shrine. Domingo enters as Mother chants. 213
= 54
3
Fl. niente
Cl.
T. Sax. 3
Bn. niente
niente
Hn. niente
Tpt.
Tbn.
Tam Tam (soft mallets opposite sides of rim) P. I Marimba P. II Vibraphone (2 bows)
l.v.
P. III
3
Pf.
3
Mother Oh
Ye
man
ja,
sis
ter
of
the
clear wa
ters!
Miguel
= 54 3
Vn. I niente
Vn. II niente
Va. niente
niente 3
3
Vc. 3
Cb.
3
niente
63 = 217
= 54
3
Fl. niente
Cl. niente niente
niente
T. Sax.
Bn. 3
Hn.
Tpt.
Tbn.
l.v.
to Shaker
Shaker
P. I 3
P. II niente 3
l.v.
P. III
3
3
Pf.
3
3
Mother 3
Fill
me
with
wis
dom,
hm
find
Miguel
= 3
= 54
3
Vn. I niente 3
3
Vn. II niente niente
3
Va. niente
niente pizz. 3
3
l.v.
Vc. 5
niente
8va
loco
Cb.
me
the
path.
64
220 Fl. 2
colla voce
2
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
Shaker P. I Mba.
2
P. II niente
Vibr. (soft mallets, slow motor on) P. III
Pf.
2
2
Mother Cut
through
the
weeds,
hm,
which
Miguel
0
Vn. I
Vn. II
Va.
Vc. niente
Cb. niente
niente
en
fold
65
224 Fl.
Cl.
T. Sax.
Bn. niente
Hn.
Tpt.
Tbn.
P. I 7
6
P. II 5
l.v.
l.v.
P. III
l.v.
Pf.
Mother my
house
in
a
ful
some
em
brace.
Oh
Ye man
ja,
Miguel
l.v.
Vn. I niente niente 0
Vn. II niente 0
Va. niente
Vc.
Cb. niente niente
66
228 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
to Tam Tam
Tam Tam (both sides of rim)
P. I Mba. P. II Vibr. P. III
Pf.
2
2
Mother save
us
from
shame
Miguel
Vn. I
Vn. II
Va. niente
Vc.
Cb.
hang
ing
o
ver,
o
ver
our
67 poco a poco piĂš mosso 232
fltz.
Fl.
Cl.
T. Sax.
Bn.
Harmon mute Hn. B Trumpet, Harmon mute Tpt. Harmon mute Tbn.
P. I Roto (Maracas on sticks)
7
7
Maracas
4 5
P. II
P. III niente
Pf.
Mother heads.
Oh
Ye
man
ja,
Eh
hm,
pro tect
ress of
Miguel
poco a poco piĂš mosso 0
ricochet
Vn. I niente ricochet
Vn. II niente ricochet
l.v.
ricochet
l.v.
Va. niente
Vc. niente l.v.
Cb. niente
the
68 (poco a poco piĂš mosso) 236 Fl.
Cl.
T. Sax.
Bn. niente
Hn. niente
Tpt. niente
Tbn. niente
P. I niente
P. II sempre l.v.
Vibr. (slow motor)
5
5
3
P. III
Pf.
Mother in
no
cent,
hm.
Let your
lu
mi
Miguel
(poco a poco piĂš mosso) sul G
Vn. I 0
Vn. II
Va. niente
Vc.
Cb.
nous
wa
ters
un
roll
a,
69 A tempo (
poco ritardando
= 54)
240
fltz.
Fl. fltz.
Cl.
T. Sax. fltz.
Bn. niente
senza mute
fltz.
Hn. niente
senza mute
fltz.
Tpt. niente
senza mute
fltz.
Tbn. niente
Nail Chimes
Talking Drum
l.v.
P. I 5
P. II 4
(l.v.)
Congas (hands) s
s
P. III
Pf.
Mother a
car
pet
of
light.
Miguel
poco ritardando
A tempo (
= 54)
Vn. I niente
Vn. II niente
Va.
Vc. niente
Cb.
s
s
70 A tempo (
= 54)
244 Fl. fltz.
Cl. sub.
T. Sax. fltz.
Bn. sub.
fltz.
Hn.
Tpt. fltz.
Tbn. sub. 3
Talking Drums
3
P. I
P. II niente
P. III
l.v.
7
Pf.
Mother Point your span gled
fin
in
the,
the di rec
tion
I
must pro
ceed.
Miguel
A tempo ( = 54) pizz.
5
arco
0
5
Vn. I
pizz.
arco
pizz.
arco
pizz.
arco
7
Vn. II sul pont., prestissimo pizz.
Va. pizz.
arco
pizz.
Vc. sub. pizz.
Cb.
l.v.
4
arco
71 Meno mosso; quasi cadenza 248 Fl.
Cl. niente
sub.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
Tam Tam (soft mallets on sides of rim) P. I
P. II 7
(slow motor)
6
(l.v.)
3
7
P. III
Pf.
2
2
2
Mother Show
me
a
sign.
Un veil your
self
be
fore
me
to
Miguel
Meno mosso; quasi cadenza 0
Vn. I niente
Vn. II niente arco
Va. niente
Vc. arco
Cb.
72 A tempo (
= 54)
252 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I l.v. sempre
Tubular Bells P. II (l.v.)
P. III
Pf.
2
2
Mother night!
Let your eyes
be
the
twin
stars,
locked
Miguel
A tempo (
= 54) 4
pizz.
Vn. I niente
pizz.
Vn. II niente pizz.
5
Va. 5
niente
pizz.
4
5
Vc. niente
Cb. niente
pizz.
4 2
one
73 poco ritardando 256 Fl. niente
Cl. niente
T. Sax.
Bn. niente
Hn. niente
niente
Tpt.
Tbn. niente
Nail Chimes P. I Marimba P. II
P. III
Pf.
Mother on
each
foot.
Res
cue,
res
cue
this
house from
shame,
Miguel
poco ritardando 4
4
l.v.
Vn. I 4
4
4
l.v.
Vn. II 5
5
Va. 5
5
5 4
arco
Vc. 4
Cb.
5
arco
4
l.v.
74 Più mosso ( = 92) 260
3
Fl. 3
Cl.
T. Sax. 3
Bn.
3
Hn.
Tpt. 3
Tbn.
l.v. P. I 4
P. II 3
P. III
5
7
l.v.
Pf.
l.v. 3
7
3
Mother from
the
deep
shame. 3
3
Miguel Tia tin. . .
Tia tin
Più mosso ( = 92) Vn. I 3
arco
pizz.
Vn. II
Va.
Vc. 3
Cb.
75 ritardando 264 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
to Sand Block P. I to Sand Block P. II Vibr.
to Glockenspiel
l.v.
P. III
Pf.
Mother
Miguel What are you
do
ing
up
so late?
Tia
tin.
It’s
ritardando Vn. I
Vn. II arco
Va. pizz.
Vc.
Cb.
your
76 = 96
(rit.) 268
fltz.
fltz.
Fl. fltz.
Cl. Tenor Sax.
fltz.
T. Sax. fltz.
Bn.
Harmon mute fltz. Hn. Harmon mute fltz. Tpt. Harmon mute fltz. Tbn.
S.B. P. I S.B. P. II Glock. P. III
Pf.
3
3
3
3
love
ly
Mother Hy
a
cinths
such
Miguel son.
(rit.) Vn. I
Vn. II
Va.
Vc.
Cb.
= 96
a
77
272 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Mother 3
name
for
this in flic tion.
Sea
weed.
Par
a
Miguel
arco con sord.
Vn. I arco con sord.
Vn. II
Va.
Vc.
Cb.
site!
78
276
fltz.
Fl. fltz.
fltz.
Cl.
T. Sax. fltz.
Bn.
Hn.
Tpt. fltz.
Tbn.
P. I niente
P. II niente
P. III
Pf.
Mother Use
less
to
hu
mans.
Chokes
the
Miguel
Vn. I sul pont., prestissimo
Vn. II
Va.
Vc. arco
Cb.
ports.
79
279 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
to T,T,m Bgo., T.D. P. I to Marimba P. II Glockenspiel P. III
Pf.
3
Mother Im
per
ils
na
vi
ga
tion.
Hard
ship
Miguel
Vn. I
Vn. II
Va.
Vc. (secco)
Cb.
arco
for
the
80
282
fltz.
Fl.
Cl. niente
T. Sax.
Bn. niente
Hn. niente
Tpt.
Tbn. niente
T.T., Bongos, T.D. (Tam Tam beater) P. I Marimba (hard mallets) P. II Glock. (rubber mallets) P. III
Pf.
3
Mother fish
er
Ask
men!
your
un
Miguel
Vn. I niente niente
Vn. II
Va.
Vc.
Cb.
cle
De
ma
sia,
81
285 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt. straight mute Tbn.
P. I
P. II Vibraphone (fast vib.)
Glock.
P. III
Pf.
Mother with
his
fish
ing
trawl
ers.
Un
Miguel Tia
tin,
what’s
the
mat
ter?
Vn. I pizz.
Vn. II pizz.
Va. pizz.
Vc. pizz.
Cb.
82
288
molto cantabile
Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II Glock.
Vibr.
Glock.
P. III
Pf.
Mother der
the
yel
low
glow,
glow
Miguel
pizz.
l.v.
Vn. I l.v.
Vn. II
Va. (l.v.)
Vc. (l.v.)
Cb.
83
292 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn. T.D.
5
5
5
T.T.
4
to T.D.
P. I
P. II Vibr.
Glock.
to Vibr.
P. III
Pf.
Mother of
the
night
sky,
un
der
stand
why
they’re
here.
Miguel
Vn. I
Vn. II arco, senza vib.
Va.
Vc.
Cb.
84 =
=
296
fltz.
Fl. niente fltz.
Cl. niente fltz.
T. Sax. niente
Bn.
senza sord.
fltz.
3
Hn. niente
Tpt. 3
Tbn.
T.D.
3
T.T.
P. I
P. II niente
P. III
Pf.
Mother We
have
no
use
for
the
weeds,
Miguel
=
= arco
Vn. I arco
Vn. II
Va. niente
Vc. arco
Cb.
85 Più mosso
Gently rocking (
= 60)
300 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II Vibr.
l.v. sempre
P. III
Pf.
Mother But
the
gods...
Come,
come
Miguel
Gently rocking (
Più mosso
= 60)
Vn. I
Vn. II con sord.
Va. senza sord.
Vc.
Cb.
clo
ser,
Mi
guel.
Some
86
305 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II Vibr.
Vibr.
(l.v.)
Crt.
Vibr.
P. III Crotales
Pf.
(l.v.)
Mother times
I
can
sense a
pulse
in
their
still
ness,
es
pe
cial
ly
at
Miguel
senza sord.
Vn. I con sord.
Vn. II
Va.
Vc. niente
Cb.
87 Più mosso ( = 96 - 100) 310 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II Vibr. (plastic mallets)
Glock.
(l.v.)
P. III
(stopped note)
Pf.
(senza Ped.)
Mother night.
What
do
you
see,
Mi
guel?
Do you feel
Miguel
Più mosso ( = 96 - 100) l.v.
l.v.
Vn. I senza sord.
Vn. II senza sord.
Va.
Vc. niente
Cb.
l.v.
88
314 Fl.
Cl.
T. Sax.
Bn.
Hn. straight mute Tpt.
Tbn. niente
P. I Roto P. II Glock. P. III
Pf.
Mother a
ny thing about them?
There
Miguel Nothing new,
Vn. I
Vn. II
Va.
Vc.
Cb.
you’re
right.
It
is
an in flic
tion!
is
no
thing
89
317 Fl.
Cl. niente
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
Clay, Bgo. (back of mallets)
Tam Tam (mallets)
l.v.
P. I Marimba P. II Bass Drum P. III
Pf.
Mother a
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
ny one
can do.
It was
sent...
it
was
sent.
90 Poco meno mosso 321 Fl.
Cl. niente
T. Sax.
Bn. niente
Hn. niente
Tpt.
Tbn. niente
P. I niente
P. II 3
niente
P. III niente
Pf.
3
3
3
3 8ba
Mother It
will
be
re
moved
when
She
is
ap
peased!
Is
Miguel
Poco meno mosso
Vn. I
Vn. II 3
Va. niente 3
3
pizz.
Vc. niente 3
pizz.
Cb. niente
3 3
3
3
3
this
91 =
ritardando
325 Fl. niente
Cl. niente
T. Sax. niente
Bn. niente
Hn. niente
to Cornet
Tpt. niente
Tbn. niente
P. I
P. II
P. III
Pf.
(senza Ped.)
Mother the first
time
these
wa
ters
have
been
Miguel
= Vn. I niente
Vn. II niente pizz.
Va. pizz.
Vc. pizz.
Cb.
ritardando
block
a
92 =
accelerando 328
(waver tone)
Fl. (waver tone)
Cl.
T. Sax. (waver tone)
Bn.
Hn.
Tpt. niente (waver tone)
Tbn.
S.D. P. I S.D. P. II Glock.
l.v.
P. III
Pf.
3
3
re mem
ber
Mother ded?
Sure
ly
you
Miguel Block a
ded
accelerando Vn. I
Vn. II arco
Va. arco
Vc. arco
Cb.
How?
Oh
.=
the ce ment block ade?
Good
God!
93 accel. 332
A tempo ( = 96 - 100) fltz.
Fl. niente
Cl. niente
T. Sax. niente
Bn. niente
Hn. niente
Tpt.
Tbn. niente
P. I
P. II Bass Drum P. III
Pf.
Mother The
wa
Miguel Strange
re coll ec tions you have
to
night!
accel.
A tempo ( = 96 - 100) 3
Vn. I martellato
3
Vn. II 3
Va. 3
Vc. 3
Cb.
ter
94
335 Fl.
Cl.
T. Sax.
Bn.
Hn.
Ct.
Tbn.
P. I
P. II Cym. P. III
Pf.
Mother hy a cinths...
A
sea
block
ade.
Miguel
senza vib.
waver tone
senza vib.
waver tone
senza vib.
waver tone
Vn. I
Vn. II
Va.
Vc.
Cb.
95 poco a poco accel. 339 Fl.
Cl. to Alto Sax.
T. Sax.
Bn.
Hn.
Tpt. niente
Tbn.
Clay, T.T., Cowbell P. I niente
Roto (plastic mallets with maracas)
3
Marimba
3
P. II niente
Conga (sticks) P. III
3
Pf.
3
3
3
Mother The wa ter
hy a cinths brought it all
back.
The
Miguel
poco a poco accel. Vn. I sub.
Vn. II sub.
Va. sub. 3
3
Vc. sub.
3 3
Cb. sub.
96 A tempo 343
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl.
Cl. Alto Sax.
A. Sax.
Bn.
Hn.
Tpt.
Tbn. Clay, T.T., Cowbell 3
S.D.
Bgo.
3
P. I Mba.
3
6
Roto
3
P. II Glock. (plastic mallets) Conga (sticks)
3
3
Ped. B.D. 3
Conga (sticks)
3
P. III
3
Pf.
3
3
3
3
3
3
3
3
3
3
Mother na
tion
was
block
a
ded.
As
Miguel
A tempo 3
3
3
3
Vn. I pizz.
3
3
3
Vn. II pizz.
3
3
Va. 3
pizz.
3
3
3
3
3
Vc. 3
pizz.
3 3
Cb. 3
97
347 Fl.
3
Cl.
A. Sax.
Bn. 3
Hn.
3
Ct. niente
Tbn.
3
C.B. P. I 3
P. II niente
P. III
Pf.
3
Mother it
is
Miguel
arco
Vn. I 3
arco
Vn. II 3
arco
Va. 3 3
arco
3
arco
Vc.
Cb.
now!
98 Meno mosso ( = 80) 351 Fl.
Cl.
A. Sax.
Bn.
Hn.
Ct.
Tbn.
S.D. (brushes) P. I
P. II
P. III
Pf.
Mother These
Miguel
Meno mosso ( = 80) Vn. I
Vn. II
Va. pizz.
arco
pizz.
pizz.
arco
pizz.
Vc.
Cb.
99
355 Fl.
Cl.
A. Sax.
Bn.
Hn.
Ct.
Tbn.
P. I S.D. (brushes) P. II
P. III
Pf.
Mother spong
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
y
un
in
vi
ted
guests --
Like
the
ar
my
100
360
3
Fl. 3
Cl. 3
A. Sax. 3
Bn.
Hn. 3
Ct. 3
Tbn.
P. I
P. II
P. III
Pf.
Mother in
ter
lo
pers.
They
think
they
are
Miguel
3
Vn. I 3
Vn. II 3
Va. arco
3
arco
3
Vc.
Cb.
gods...
Bah!
101
365 Fl.
Cl.
A. Sax.
Bn. niente
Hn. niente
Ct.
Tbn. niente
P. I
P. II
P. III
Pf.
(senza Ped.)
Mother Their em brace
suf
fo
cates
the
Miguel
Vn. I
Vn. II
Va. (arco)
Vc. pizz.
Cb.
na
102 PiĂš mosso ( = 96 - 100)
369 Fl.
Cl.
A. Sax.
Bn.
Hn. niente
Harmon
Ct. Harmon Tbn. niente
P. I Marimba P. II
P. III
Pf.
Mother It
tion. 6
Miguel 3
You
are im pos si ble to
night.
. . .wa ter hy
a cinths
PiĂš mosso ( = 96 - 100) Vn. I
Vn. II
Va. pizz. Vc. arco Cb.
pizz.
arco
pizz.
at
this time
of the night?
103 = 84 374 Fl. niente
Cl. niente
A. Sax. niente
Bn. niente
Hn. niente
Ct. senza sord. Tbn. niente
P. I
P. II
P. III
Pf.
3
3
Mother is
n’t
just
the
time
3
of the
night,
is
it?
Miguel No,
= 84 Vn. I
Vn. II
Va.
Vc.
Cb. niente
104
379 Fl.
Cl.
A. Sax.
Bn.
Hn.
Ct.
Tbn.
P. I
P. II niente
P. III
Pf.
Ped. al niente
Mother 3
Miguel it’s not.
I have to
leave.
The
car
Vn. I
Vn. II
Va. arco
Vc. arco
Cb. niente
is wait ing.
INTERLUDE IV - SCENE CHANGE Lento, molto lontano (
= 60)
384 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II Bass Drum P. III
Pf.
8
8
Lento, molto lontano (
Vn. I
Vn. II
Va.
Vc.
Cb.
= 60)
105
106
392 Fl. 8
9
8
Cl. 8
A. Sax.
Bn.
Straight mute Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
8
8
Vn. I niente
Vn. II niente
Va. niente
Vc. niente
Cb.
107
396 Fl. 9
8
Cl.
A. Sax. 9
8
Bn.
Hn. niente
Tpt. Straight mute Tbn. niente
P. I Marimba
5
P. II 9
9
to Vibr. P. III
9
5
Pf.
9
8
8
Vn. I
Vn. II
Va. pizz.
Vc. pizz.
Cb.
108
400
fltz.
Fl. niente
8
88
Cl. 8
A. Sax. niente
Bn.
Hn.
Tpt.
Tbn.
T.T. P. I niente
P. II Vibr. (slow motor) P. III
Pf.
8
8
Vn. I niente
Vn. II niente
Va. niente (pizz.)
Vc. (pizz.)
Cb.
109
404 Fl. fltz.
Cl. 8
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
S.D., T.T. (very light sticks) P. I 8
8
8
P. II
P. III
8
8
Pf.
l.v.
8
8
pizz.
arco
pizz.
arco
Vn. I
Vn. II pizz.
Va. 5
arco
pizz.
Vc. arco
pizz.
Cb. 5
110
409 Fl.
Cl. 8
8
A. Sax. 8
8
Bn. 4
4
Hn.
Tpt. 4
Tbn.
8
P. I
P. II niente
P. III
4
Pf.
8
8
Vn. I
Vn. II 4
arco
pizz.
arco
pizz.
arco
pizz.
Va. 4
Vc. 4
pizz.
arco
Cb. 4
4
4
111 Più mosso 413 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
8
8
8
8
8
8
8
8
8
8
P. I Roto (sticks)
8
8
8
8
8
8
8
P. II
P. III
Pf.
secco
8
8
Più mosso Vn. I
Vn. II 4
arco
Va. 4
4
arco
Vc. arco
Cb. 4
4
4
112 rit. 417 Fl. 9
Cl. 8
9
8
8
A. Sax. 8
Bn.
via sord.
senza sord.
Hn.
Tpt. via sord. Tbn.
8
P. I niente
8 8
8
Marimba
8
P. II Vibr. P. III
Pf.
8
8
rit. Vn. I niente
Vn. II 4
Va. 44
4
pizz.
Vc. pizz.
Cb. 4
4
113 (rit.)
Tempo I (quasi cadenza)
421 Fl.
Cl. 9
A. Sax. 9
9
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
8
8
(rit.) Vn. I
Vn. II
Va.
Vc.
Cb.
Tempo I (quasi cadenza)
114
425 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
Talking Drums P. I
P. II to Bass Drum P. III niente
Pf.
8
8
Vn. I
Vn. II
Va.
Vc.
Cb.
115 rit. al fine 429 Fl. 10
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II B.D. P. III niente
Pf.
8
8
rit. al fine Vn. I
Vn. II
Va.
Vc.
Cb.
116
433 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
8
8
Vn. I
Vn. II
Va.
Vc.
Cb.
SCENE IV: The present. Prison hallway. Afternoon. Superintendent walks towards cell.
117
= 80 436 Fl. Bass Clarinet
3
B. Cl. 3
A. Sax.
Bn. 3
con sord. Hn. Straight mute
3
Tpt.
Tbn.
P. I Snare Drum P. II 3
P. III
3
Pf.
Detiba 8
Emuke 8
Supt. We
are hemmed in
= 80 arco
Vn. I arco
Vn. II arco
Va.
Vc.
Cb.
by
the la goon.
The pri
son
is o
ver
crowded.
118
439 Fl.
B. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
Emuke 8
Supt. 5
They send e v’ry bo dy
3
in
here
as
sul pont. Vn. I sul pont. Vn. II
Va.
Vc. arco
Cb.
if
space
is
no
119 Più mosso 442 Fl. to B Cl. B. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I Marimba P. II
P. III
Pf.
Detiba 8
Emuke 8
Supt. pro blem.
I
am
sor
ry
a
bout
3
how things turned
out for you.
Più mosso Vn. I
Vn. II
Va. pizz.
Vc. arco
Cb.
pizz.
6
arco
120
446 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I Marimba P. II
P. III
Pf.
Detiba 8
Emuke 8
Supt. don’t take
Vn. I
Vn. II
Va.
Vc.
Cb.
that
sen
3
tence ser ious
ly,
Mis ter
Do
min
go.
121 ritardando 450 Fl.
Cl.
A. Sax.
Bn.
senza sord.
Hn.
Tpt.
Tbn.
Snare Drum P. I Marimba (hard sticks) P. II Congas (sticks) P. III
Pf.
Detiba 8
Emuke 8
Supt. This
re
gime
wants
to
put
a
scare in peo ple,
ritardando Vn. I
Vn. II
Va. pizz.
(pizz.)
Vc. (pizz.)
Cb.
122 A tempo
Meno mosso
454
to Piccolo
Fl. to Bass Clarinet Cl.
A. Sax.
Bn.
Hn. (straight mute) Tpt. (straight mute) Tbn.
P. I
P. II Vibraphone P. III
Pf.
Detiba 8
Emuke 8
3
Supt. that’s all.
A tempo
You must take your mind off
the
Meno mosso
Vn. I
Vn. II
Va. arco
Vc. arco
Cb.
ver
dict. . .
123 A tempo 457
Piccolo
fltz.
to Flute
Picc.
B. Cl.
A. Sax.
Bn.
Hn. fltz.
Tpt. fltz.
Tbn.
P. I
P. II Congas (sticks)
l.v.
to Vibr. (mallets)
P. III
Pf.
Detiba 8
Emuke 8
3
Supt. 5
The appeals won’t be heard for some
Mis
time,
ter
Do min go.
Once they’ve had
A tempo Vn. I
Vn. II
Va.
Vc. pizz.
Cb.
124 ritardando 460 Fl.
B. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I niente
P. II l.v.
P. III niente
Pf.
Detiba 8
Emuke 8
3
3
Supt. e
nough of
their
lit
tle
joke,
it
ritardando Vn. I
Vn. II
Va. pizz.
Vc. pizz.
Cb.
will
be
com
mu
ted
to
125 Tempo I ( = 80) 463 Fl.
B. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
Emuke 8
3
3
Supt. life,
Mis
ter
Do
min
go.
Tempo I ( = 80) pizz.
l.v.
pizz.
l.v.
pizz.
l.v.
Vn. I
Vn. II
Va. pizz.
Vc. arco
Cb.
l.v.
126
466 Fl.
B. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II Glockenspiel
laissez vibrer
P. III
Pf.
Detiba 8
Emuke 8
3
3
Supt. I
shall
drop in
on
my
Vn. I
Vn. II
Va. arco
Vc.
Cb.
e
ven
ing
rounds,
Mis
127
470 Fl.
B. Cl.
A. Sax.
Bn.
3
3
Hn.
Tpt.
Tbn. 3
P. I Snare Drum P. II 6
3
3
(l.v.)
P. III
3
3
Pf.
3
3
3
Detiba 8
Emuke 8
3
3
Supt. ter
Do
min. . .
arco
Vn. I arco
Vn. II arco
Va.
Vc. pizz.
Cb.
arco
6
128
474 Fl.
B. Cl.
A. Sax.
Bn.
3
3
Metallic mute
Hn. Harmon mute Tpt. Harmon mute Tbn. 6
P. I Snare Drum P. II Congas (Glock. mallets)
6
P. III
3
3
Pf. 6
Detiba 8
Why
did you
come back?
Emuke 8
Na,
Supt.
Vn. I
Vn. II
Va. pizz.
Vc. pizz.
Cb.
fool
129
479 Fl.
B. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
Tom toms (brushes on rim) P. I
P. II (with brushes on rim) P. III
Pf.
Detiba 8
You
why
you
why you --
why --
did you --
re turn,
you --
why --
you came back --
Emuke 8
Na
fool ish
ness,
fool
ish,
Na
fool,
Na
fool ish ness,
fool ish,
Supt.
pizz.
Vn. I pizz.
Vn. II pizz.
Va. arco
pizz.
arco
pizz.
arco
pizz.
arco
pizz.
arco
pizz.
arco
pizz.
arco
pizz.
arco
pizz.
Vc.
Cb.
Na
130
484 Fl.
B. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
why did
you
re
turn,
you came back,
why --
why --
did
you
re
turn,
you were free,
you were,
you were free,
Emuke 8
fool,
you came
back,
why
did you,
na,
fool ish,
na
fool,
na
fool,
na fool,
na
Supt.
Vn. I
Vn. II
Va. arco
pizz.
arco
pizz.
arco
pizz.
arco
pizz.
arco
pizz.
arco
pizz.
Vc.
Cb.
131
489 Fl.
B. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
you were
free.
3
Emuke 8
fool,
fool ish
fool
Supt.
Vn. I
Vn. II
Va. arco
Vc. arco
Cb.
132
494 Fl.
B. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I Snare Drum P. II
P. III
Pf.
Detiba 8
3
Emuke 8
ish.
Supt.
Vn. I
Vn. II
Va. pizz.
arco
pizz.
arco
Vc.
Cb.
INTERLUDE V - SCENE CHANGE
133
Energico, agitato ( = 104) 499 Fl.
Cl.
A. Sax.
Bn.
Metallic mute Hn. Harmon mute Tpt. Harmon mute Tbn.
3
Cl., Bgo., T.T. (sticks)
3
P. I 3
S.D.
3
Roto
P. II Congas (sticks) P. III
Pf.
Energico, agitato ( = 104) Vn. I
Vn. II
Va. (arco)
Vc. pizz.
Cb.
3
3
134 fltz.
505 Fl. B Clarinet
Cl.
A. Sax.
Bn.
senza sord. Hn.
Tpt.
Tbn.
3
3
3
3
3
3
P. I 3 3
P. II
P. III
3
Pf.
Vn. I
Vn. II
Va.
Vc.
Cb.
3
3 3
3
3
135 509
fltz.
Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
Quijada
C.B.
Cl., Bgo., T.T.
3
3
P. I 3 5
P. II
P. III
Pf.
Vn. I
Vn. II
Va.
Vc. arco
Cb.
5
5
3
3
3
136 513 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt. senza sord. Tbn.
Quijada
Cl., Bgo., T.T.
l.v.
3
3
P. I 5
5
5
5
3
5
P. II 5
P. III B.D.
Pf.
Vn. I
Vn. II
Va.
Vc.
Cb.
33
3
137 517 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
arco
Vn. I arco
Vn. II
arco
Va. arco
Vc. arco
Cb.
138 521 Fl.
Cl.
A. Sax.
Bn.
Hn. senza sord. Tpt.
Tbn.
3
3
P. I 3 3
P. II 5
5
P. III
Pf.
Vn. I
Vn. II
Va. pizz.
arco
arco
arco
arco
Vc. pizz.
Cb.
3
3
139 525 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn. Quijada l.v.
Cowbells
Quijada
P. I
P. II 5
P. III
Pf.
Vn. I
Vn. II
Va. arco
Vc. arco
Cb.
5
l.v.
140 529 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
3
3
C.B.
P. I 3
33
5 3
P. II
P. III
Pf.
Vn. I
Vn. II
Va.
Vc.
Cb.
5
141 533 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
Quijada
l.v.
P. I 5
5
P. II 5
P. III
Pf.
Vn. I
Vn. II
Va. pizz.
Vc. pizz.
Cb.
142 537 Fl.
Cl.
A. Sax.
Bn.
Metallic mute Hn. Harmon mute Tpt. Harmon mute Tbn.
P. I
P. II 5
P. III
Pf.
Vn. I
Vn. II
Va.
Vc.
Cb.
5
143 540 Fl.
Cl.
A. Sax.
Bn.
via sord.
Hn. via sord.
Tpt. via sord.
Tbn.
3
3
P. I 3 3
3
5
3
P. II
P. III
Pf.
5
Vn. I
Vn. II
Va. arco
Vc.
arco
Cb.
5
144 Adagio (
= 52)
544 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt. 8
Tbn. niente
(Percussion continues as before) P. I (Percussion continues as before) P. II (Percussion continues as before) P. III
Pf.
Adagio ( Vn. I
Vn. II
Va.
Vc.
Cb.
= 52)
145 548 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt. 8
Tbn. 5
8
P. I niente
P. II niente
P. III niente
Pf.
Vn. I
Vn. II
Va.
Vc.
Cb.
146
SCENE V: The past. (Announcement from loudspeaker outside the Domingo house, followed by music) Military Voice: A nation without discipline is a nation without a future. Indiscipline must be rooted out. Monitor. . . Report. . . Support! Support! Support the Brigade Against Indiscipline.
552
PiĂš mosso, agitato
= 88
Fl. 9
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Mother We have fought bat tles
Miguel Tia
= 88 Vn. I
Vn. II
Va.
Vc.
Cb.
tin . . .
PiĂš mosso, agitato
and
won.
147 556 Fl.
Cl.
A. Sax.
Bn.
3
Hn. 3
Tpt.
Tbn. 3
P. I
P. II
P. III
Pf.
3
Mother We
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
bear
hon or
a
ble
scars.
148 560 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I Marimba P. II 3
Vibraphone
3
P. III 3
senza Ped.
Pf.
3
Mother We
have
a
name
to
main
tain.
Miguel I
pizz.
arco
pizz.
arco
Vn. I
Vn. II pizz.
arco
Va. 3
pizz.
arco
3
Vc.
Cb. 3
know.
149 Molto piĂš mosso, agitato
Meno mosso
564 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
T.T.
5
5
P. I 5
5
5
Roto
5
5
5
P. II Glock.
l.v. sempre
P. III 6
6
Pf.
Mother 3
Miguel
3
3
More
than
the
Molto piĂš mosso, agitato Vn. I
Vn. II
Va.
Vc.
Cb.
3
fam
i
ly name.
Like
Meno mosso
grand fath er,
I
150 accel. 568 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
5
5
5
5
5
5
P. I
P. II (l.v.)
6
Military Drum (brushes)
P. III
Pf.
Mother 3
Miguel 3
gam ble.
But
not with my
life.
Day
break
accel. Vn. I
Vn. II
Va. pizz.
Vc. pizz.
Cb.
musn’t find me in this house.
151 Più mosso
Recitativo
572 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I 3
P. II Sus. Cym. P. III
to Celesta
Pf.
3
3
3
3
Mother Shall
I
see
you
a
gain?
Your timing is a sad one.
Miguel
Più mosso
Recitativo
Vn. I
Vn. II
Va.
Vc. (pizz.)
Cb.
152 = 76
poco rit. 3
576
3
3
3
3
3
3
Fl. 3
3
3
3
3
3
3
3
3
3
Cl.
A. Sax. 3
3
3
3
3
3
3
3
3
3
Bn.
Hn.
Tpt.
Tbn.
P. I 3
3
3
3
3
3
3
3
P. II 3
3
3
3
P. III
3
3
3
3
3
3
3
to Piano
Cel.
Mother Next Sat ur day
the
Do
min
go
clan
re un ion.
Come
Miguel
poco rit. Vn. I
Vn. II
Va.
Vc. 3
Cb.
3
3
3
3
3
3
3
3
3
153 (rit.)
leggiero
= 66
3
582 Fl.
3
3
3
3
Cl. 3
3
3
A. Sax. 3
3
3
3
3
3
Bn.
Hn.
Tpt.
Tbn. Talking Drums
5
5
3
3
3
P. I 3
3
3
3
3
3
P. II Maracas
3
3
P. III 3
Pf.
3
3
3
3
3
3
3
Mother sit
here.
O
Miguel
(rit.)
leggiero
= 66
Vn. I
Vn. II
Va. 3
arco
3
3 3
Vc. 3
Cb.
3
3
arco
3
3
3
3
duai
ye,
ye,
Do
min
154 587 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Mother go:
Down
Miguel
Vn. I
Vn. II
Va. gliss. e tr.
Vc.
Cb.
155 591 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I 5
(Marimba) P. II 5
Med. Kalimba P. III
Pf.
Mother at
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
the
gam,
gamb
ling
ta
ble.
Lost
all
his
mo ney,
156 595 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
5
P. I
P. II Maracas P. III 5
Pf.
2
2
Mother the
plan ta
tion,
the
sta
bles,
Miguel
Vn. I
Vn. II 2
Va.
Vc.
Cb.
2
the
an
ces
tral
home.
No thing
left,
157 =
Recitativo
599 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
7
P. I
P. II Kalimba P. III
Pf.
l.v. al niente 3
Mother no
thing
no
thing
left
to
risk --
Ex
cept
Miguel
= Vn. I
Vn. II
Va.
Vc.
Cb.
Recitativo
his
name
158 = 72 603 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
7
P. I
P. II Maracas P. III
Pf.
Mother So
he
staked it. The name of
the Do min gos
a
gainst
Miguel
= 72 Vn. I
Vn. II
Va.
Vc. pizz.
Cb.
arco
all his debts,
the name
of the Do
159 PiĂš mosso
= 76
609 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I 3
6
gliss.
P. II Congas
3
3
P. III
Pf.
cresc.
Mother min
gos
a
gainst
all
his debts.
You are
Miguel 5
The
Do
min
go re pu ta tion can be a
bur den
PiĂš mosso
= 76 tutta forza
Vn. I tutta forza
Vn. II tutta forza
Va. trill. e gliss. molto cant.
Vc. tutta forza
Cb.
in
no
160 614 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
2
Mother dan
ger.
I
have
lit
can
2
dles
to
Ye
Miguel
Vn. I
Vn. II
Va.
Vc. pizz.
Cb.
arco
man
161 Recitativo
poco rit.
618 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I Roto (mallets)
5
5
Marimba
P. II 5
P. III
Pf.
3
3
Mother ja.
You
are
3
in no
cent. . .
Mi guel?
Have
Miguel
Recitativo Vn. I
Vn. II
Va.
Vc.
Cb.
poco rit.
you
done
162 Più mosso
(rit.) 622 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
Cl., Bgo., T.T. P. I
P. II
P. III
Pf.
Mother some
thing,
Mi
guel?
You
Miguel You still doubt
(rit.)
Più mosso
Vn. I
Vn. II
Va.
Vc. pizz.
Cb.
me?
163 = 88 626 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II Conga (stick maracas) P. III
Pf.
Mother You doubt yourself.
I
see
Miguel You
3
doubt me?
= 88 Vn. I
Vn. II
Va. pizz.
Vc. arco
Cb.
pizz.
you
in
the
em
164 Recitativo
630 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
3
3
Mother brace
of
em brace
of
Ye
man ja, eh
Ye man
Miguel
Recitativo Vn. I
Vn. II
Va. arco
Vc. arco
Cb.
165 634 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I Wood Chimes 3
Marimba
l.v.
P. II
P. III
Pf.
3
3
3
Mother ja,
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
eh.
Pro
tect
ress
3
of the
in
no
cent.
166 638 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I Wood Chimes
l.v.
P. II Bell Chimes P. III
Pf.
3
Mother No thing,
no thing
can
harm
you!
Miguel Ha!
Vn. I
Vn. II
Va.
Vc.
Cb.
The pro
167 Più mosso 642 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Mother
Miguel tec
tion
of
Ye
man ja?
As
for
the name,
the name of the Do
Più mosso Vn. I
Vn. II
Va. arco
Vc. pizz.
Cb.
min
168 = 80
A tempo, ritmico (
= 110)
646 Fl. 5
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
with hands
Cl., Bgo., T.T
Shaker
P. I Marimba P. II Bell Chimes
Kalimba
P. III
Pf.
Mother The
Do min
gos
do
not
run,
Mi
guel,
3
Miguel gos. . .
= 80
A tempo, ritmico (
Vn. I
Vn. II pizz.
Va.
Vc. pizz.
Cb.
= 110)
169 650 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I Stick maracas (on rubber pad) P. II
P. III
Pf.
Mother the
Miguel
Vn. I
Vn. II arco
Va.
Vc.
Cb.
Do
min
gos
do not
run.
170 A tempo 654 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
C.B., T.T. P. I Roto
Shaker
P. II to Pedal B.D.
l.v.
P. III
Pf.
Mother As
slaves they
Miguel
A tempo Vn. I
Vn. II (waver tone)
Va. pizz.
Vc. pizz.
Cb.
ran,
ran,
as
slaves
they
ran,
ran,
ran,
they
171
658 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I stick maracas P. II Roto Ped. B.D.
Congas (hands)
P. III
Pf.
Mother ran.
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
E
ven
in
the
A
mer
i
cas
172
662 Fl. 8 5
5
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I 8
P. II Kalimba P. III
Pf.
Mother with
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
their
gods.
173 Meno mosso, ritmico 666 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt. straight mute Tbn.
Quijada
l.v. Tam tam (on rim with sticks)
P. I 8
l.v.
C.B.
Roto
Wood Chimes
Roto
l.v.
P. II Bell Chimes
Congas
to Vibr. (slow motor)
P. III Ped. B.D.
Pf.
Mother 3
But on this,
the o
ri
gi nal
earth
of
San
go,
Miguel
Meno mosso, ritmico arco
pizz.
arco
pizz.
arco
pizz.
Vn. I
Vn. II
Va. arco
pizz.
arco
pizz.
Vc.
Cb.
Ye man
ja,
174 671 Fl.
Cl.
A. Sax.
Bn.
(senza sord.) Hn.
Tpt. straight mute Tbn.
P. I
P. II
P. III
Pf.
3 3
Mother O
sun, O
so
si!
Pa
O
mo
wa
le
Man
uel!
Pa
Miguel
arco con sord.
Vn. I arco con sord.
Vn. II arco
Va. arco con sord.
Vc.
Cb.
175 Recitativo
poco rit. 676 Fl.
niente
Cl. niente
A. Sax. niente
Bn. niente
Hn. niente
Tpt.
Tbn. niente
P. I Marimba P. II Vibraphone P. III
Pf.
3
3
3
Mother O
mo wa
le swore:
"May San
Miguel
poco rit.
Recitativo
Vn. I
Vn. II senza vib.
Va.
Vc.
Cb.
go’e
a
xe
strike me
176 680 Fl. niente
Cl. niente
A. Sax. niente
Bn. niente
Hn. niente
Tpt.
Tbn. niente
P. I l.v.
P. II l.v.
P. III
Pf.
5
Mother dead,
5
dead
Miguel
Vn. I
Vn. II
Va. niente
Vc. niente arco
Cb. niente
177 684 Fl. niente
Cl. niente
A. Sax. gliss.
niente
Bn. niente
Hn. niente
Tpt.
Tbn. niente
Talking Drum P. I
P. II
P. III
Pf.
3
3
Mother If
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
I
al
3
low
a ny mor
tal
to
chase
our
fam
i
ly
from
this
178 Più mosso
Ritmico ( = 88)
688 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I l.v.
P. II Ped. B.D.
l.v.
P. III
Pf.
3
3
3
3
Mother 3
land."
His
wife
Miguel
Più mosso
Ritmico ( = 88)
Vn. I
Vn. II
Va. pizz.
Vc. pizz.
Cb.
built
this,
Hmm,
this
3
179 Recitativo 692 Fl. niente niente
Cl. niente niente
A. Sax. niente
niente
Bn. niente niente
Hn. niente
niente
Tpt.
Tbn. niente
niente
P. I
P. II
P. III
Pf.
3
3
Mother shrine.
I have kept
the
flame
a
live.
She
Miguel
Recitativo pizz.
arco
pizz.
arco
pizz.
arco
pizz.
arco
pizz.
arco
Vn. I niente
Vn. II niente
Va.
Vc. niente
Cb. niente
has
180 696 Fl.
Cl. niente
A. Sax.
Bn. niente
Hn. niente
Tpt.
Tbn. niente
Talking Drum P. I
P. II
P. III
Pf.
3
Mother 3
ne
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
ver,
ne
ver
failed
the
Do
min
go
181 A tempo 700 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Mother clan!
Miguel
A tempo Vn. I niente
Vn. II niente
Va. niente
Vc. niente
Cb.
182
POSTLUDE V - SCENE CHANGE = 80 (rubato ad lib.) 704
Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II Bass Drum P. III
Pf.
= 80 (rubato ad lib.) Vn. I
Vn. II
Va.
Vc.
Cb.
183 709 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
Perc. I:
= ca. 66 -- alternating between small and medium Kalimbas (any pitches)
P. I
P. II
P. III niente
Pf.
Vn. I
Vn. II
Va.
Vc.
Cb.
184 712 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
(Kalimbas) P. I
P. II
P. III
Pf.
Vn. I
Vn. II
Va.
Vc.
Cb.
185 715 Fl.
Cl. to Tenor Sax. A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Vn. I
Vn. II
Va.
Vc.
Cb.
186 718 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
(Kalimbas) P. I
P. II Bass Drum P. III niente
Pf.
Vn. I
Vn. II
Va.
Vc.
Cb.
187 721
3
Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I Marimba P. II
P. III
Pf.
Vn. I
Vn. II
Va.
Vc.
Cb.
188 724 Fl. niente
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
(Kalimbas) P. I
niente l.v.
P. II
P. III
Pf.
3
Vn. I
Vn. II
Va.
Vc.
Cb.
SCENE VI: The present. Prison Cell. Evening. (Announcement followed by music) Detiba, Emuke and Miguel alternately pacing the floor and sitting. 727
= 66
189
Military Voice: Report any sign. Monitor your fellow worker. A nation without discipline is a nation without a future. Support! Support! Support the Brigade against Indiscipline.
Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
Emuke 8
Miguel Strange
= 66 Vn. I
Vn. II con sord.
Va. con sord.
Vc. con sord.
Cb.
to
think
it
is
the
same
la
goon. . .
We
used to go
boat
ing
190 731 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
Emuke 8
5
3
Miguel from the fam i
ly
home in A ke
ga;
Quite
of ten
we would take this
route
Pri son ers
Vn. I
Vn. II
Va. niente
Vc.
Cb.
would look
191 735 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
Emuke 8
3
6
Miguel out
from
the win dow
and wave
Vn. I
Vn. II
Va.
Vc. niente
Cb.
at us.
There was no thing like the wa ter hy a cinth
then!
192 739 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
3
Detiba 8
E mu ke, 3
3
3
leave the man
3
3
Emuke 8
You know wet in
I
think?
E ven God
no fit for give
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb. niente
peo ple like you!
a
lone
193 accel. 743 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
3
3
5
Emuke 8
No,
Lef me!
I wan’ say
it one time
and then
I
no go say an y thing a gain.
Miguel
accel. Vn. I
Vn. II
Va. senza sord.
Vc. senza sord.
Cb.
194 Tempo I ( = 66) 747 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
dim.
Detiba 8
3
6
3
Emuke 8
When the man turn up for court to day,
Miguel
Tempo I ( = 66) Vn. I
Vn. II
Va.
Vc.
Cb.
I
no
be lieve
my
eyes.
I
say
to
my self,
195 = 80 751 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II Congas, with hands P. III
3
Pf.
Detiba 8
Well,
I
6
Emuke 8
a bi des man dey
cra
ze?
Miguel
= 80 Vn. I
Vn. II
Va.
Vc.
Cb.
196 755 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
3
3
Detiba 8
said
the same thing, did n’t I
We’re all
in
the same boat,
the
same boat.
3
3
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
No,
we no dey
in side
de same
boat.
We
197 Tempo I ( = 66) 759 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
6
3
Emuke 8
dey in side cus ody so we
no
get
choice.
e’
get
bail.
Miguel
Tempo I ( = 66) Vn. I
Vn. II
Va.
Vc.
Cb.
He
get high
con nec tion
so they gi’ am
198 763 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
bail.
Then
he take in
own
leg
walk a
in
side
court --
199 Più mosso, ritmico 767 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
3
Emuke 8
af
ter
dey
done
change de cree
to cap
i
tal
of fense.
What
Miguel
Più mosso, ritmico Vn. I
Vn. II
Va.
Vc.
Cb.
kin’
sense
200 = 80 771 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
3
3
3
Pf.
3
3
3
3
Detiba 8
Well,
it was n’t we
Emuke 8
be dat?
Miguel
= 80 Vn. I
Vn. II
Va.
Vc.
Cb.
a
lone.
I
o ver
heard
some
re port ers,
law yers --
say ing
201 Tempo I ( = 66) 775 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
3
3
3
Detiba 8
the same thing.
I
passed
the
time
ask
ing my
self,
“Why
did
he come
back?”
Emuke 8
Well,
Miguel
Tempo I ( = 66) Vn. I
Vn. II
Va.
Vc.
Cb.
what
kin’
sense
202
779 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
be dat?
Hm. What
kin’
sense?
Un less mo
ney
203
783 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
3
3
Detiba 8
Hm, 3
Hn, Hn.
Ei
ther
mo
ney
or
3
con
nec tion.
3
3
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
done pass reach tri
bu
nal hand
Un
less
mo ney
done
pass reach tri bu
nal
hand,
hn, hn.
I
thought
204
787 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
3
3
5
Detiba 8
may be
ev er y thing
had been
fixed for him.
But
when it came
3
to
his
turn
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
Un
less
mo
ney
done
reach pass tri bu
205 Recitativo 791 Fl. B Clarinet
Cl. Tenor Sax.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I 19
Tub. Bells
P. II Mil. drm.
P. III sub.
Pf.
3
3
“Mi
guel
Detiba 8
and the chair 3
man
read
out --
3
Emuke 8
nal,
hn, hn.
Miguel
Recitativo Vn. I
Vn. II
Va.
Vc.
Cb.
Do min
go” --
206 Tempo I ( = 66) 795 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II Vbs., fast motor 3
3
3
3
3
3
P. III
3
3
Pf.
Detiba 8
guilt
y
as charged.”
I
tell you
Emuke 8
What
kin’
sense?
Miguel In
Tempo I ( = 66) Vn. I
Vn. II
Va.
Vc.
Cb.
all
those
pleas
ure
rides,
I
207
799 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II (Vbs.) 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
P. III
3
Pf.
Detiba 8
Emuke 8
3
You
Miguel nev
Vn. I
Vn. II
Va.
Vc.
Cb.
er
thought
I
would be look
ing. . .
Out
wards
from
this
side.
208
803 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II (Vbs.)
3
3
3
3
3
3
3
3
P. III
Pf.
Detiba 8
Emuke 8
3
5
can talk all the gram mar wey
you
want.
Me
and
De ti ba
we
3
Miguel The
Vn. I
Vn. II
Va.
Vc.
Cb.
hy
3
a cinths
must
have
stopped
the mo tor
boats.
no get
choice.
209
807 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II (Vbs.) 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
P. III
Pf.
cresc.
Detiba 8
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
The
man
wan’
pre
tend
say
’e
no
hear
me.
210 Recitativo, con moto 811 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II (Vbs.) 3
3
3
3
3
3
P. III
Pf.
3
Detiba 8
3
Thy’ve made life
mis
Emuke 8
Miguel
Recitativo, con moto Vn. I
Vn. II
Va.
Vc.
Cb.
er a ble,
mis
5
er a ble for ever y one,
Be
fore, ca
noes with mo tors would come to the
211 = 88 815 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II (Vbs.)
3
3
3
3
3
3
3
3
P. III
Pf.
3
Detiba 8
walls.
Some thing
to
look for
ward
to.
Dur
Emuke 8
Miguel
= 88 Vn. I
Vn. II
Va.
Vc.
Cb.
ing ten
months
we’ve
been
212
819 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II (Vbs.) 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
P. III
Pf.
5
Detiba 8
here,
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
weeds
5
gained the upper hand.
3
Not
one
ca noe has
been
a ble
to find
its
way
5
anywhere close to the wall.
213
823 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II (Vbs.) 3
3
3
3
3
3
3
3
3
3
3
3
P. III
Pf.
3
3
3
5
3
Detiba 8
Let
the
man
have
his
peace,
E mu
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
3
Wet in make you
come back,
Mis ter?
I
wan’
know.
ke.
214
827 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II (Vbs.) 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
P. III
Pf.
3
3
3
Detiba 8
He’ll
tell
us
3
in
his own
time.
5
Emuke 8
Your
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
fam
i
ly
get
mon
ey,
dem
get
pro
3
per
ty,
dem
get
plen ty in flu
215 Ritmico 831 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
3
3
3
Detiba 8
Af
3
ter
3
all,
we’ll
have plen
ty
of
it.
on
our
hands
Emuke 8
ence.
Miguel
Ritmico Vn. I
Vn. II
Va.
Vc.
Cb.
Wet in
hap pen?
I
just
wan’
know
A
216 Tempo I ( = 66) 835 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
3
3
Detiba 8
whole life
3
sen tence
of
it.
3
3
Emuke 8
That’s
if they no
fire
us
Miguel
Tempo I ( = 66) Vn. I
Vn. II
Va.
Vc.
Cb.
to
mor
row.
I
no trust them.
Wet in you
217 Recitativo 839 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
3
3
Emuke 8
think?
Dey no go
fire
us?
We
go
3
see.
3
3
All
3
3
Miguel That’s what I’m
a
fraid of,
I’m a
fraid
they
won’t.
Recitativo Vn. I
Vn. II
Va. niente
Vc. niente
Cb. niente
I
know
218 Rubato ad lib. 843 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
T.D.
5
5
5
P. I T.T.
P. II B.D.
P. III
Pf.
Detiba 8
3
Emuke 5
8
is that this na wick ed coun
Miguel
Rubato ad lib. Vn. I
Vn. II
Va. con sord.
Vc.
Cb.
try
If you wait un
3
til man com mit crime,
then you come change the pun ish ment,
dat one na
219
846 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
(T.D.)
5
5
5
P. I (T.T.)
P. II (B.D.)
P. III
Pf.
Detiba 8
Emuke 6
8
foul.
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
I
no know a
ny o
ther coun
try
wey dat kin’
ting,
dey
hap
pen.
On
ly
ar my mind
220 Tempo I ( = 66) 849 Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
3
3
Detiba 8
So ja man
come,
so
ja
man
go.
3
3
Emuke 8
fit
think
dat kin’ ting,
fit
Miguel
Tempo I ( = 66) Vn. I
Vn. II con sord.
Va. con sord.
Vc. con sord.
Cb.
think dat
kin,
dat
kin
ting.
221
852
=
Fl.
Cl. n
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
3
Detiba 8
Emuke 8
Miguel I don’t be
lieve
it.
That same
ca noe
is
back
= Vn. I
Vn. II
Va. n
Vc. n
Cb. n
try
ing
222
856
=
Fl.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Detiba 8
Emuke 8
Miguel to
= Vn. I
Vn. II
Va.
Vc.
Cb.
break
through
the
hy
a
cinths.
INTERLUDE - SCENE VII
223
= 120 Moderato (ad lib.)
860 Fl.
Cl. ( = ca. 80)
Alto Sax.
3
3
3
3
3
3
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
Tam Tam
Maracas, improvise
l.v.
P. I Roto (sticks) P. II
Timbales
( = ca. 80)
Congas, improvise
P. III
Pf.
= 120
Moderato (ad lib.) gliss.
Vn. I
Vn. II
Va.
Vc.
Cb.
224 863 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Vn. I sempre
Vn. II
Va.
Vc.
Cb.
225 865 Fl. to Bass Clarinet
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
Clay, Bongos, T.T. P. I C.B. (small) P. II B.D. P. III
Pf.
Vn. I
Vn. II
Va.
Vc.
Cb.
9
W. Chimes
226
SCENE VII The Past. The Domingo home. Evening. (the Mother continues her chores). 869
= 84
Fl. Bass Clarinet
B. Cl.
A. Sax.
Bn.
Hn. straight mute Tpt. con sord.
Tbn.
P. I Marimba P. II B.D. (rim) with Cym. sticks P. III
Pf.
Mother I
know...
I
Miguel
= 84 Vn. I
Vn. II
Va. pizz.
Vc. pizz.
Cb.
227 =
873 Fl.
B. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II Timbale P. III
Pf.
Mother know you’re
safe
Miguel.
Miguel
= Vn. I
Vn. II
Va.
Vc.
Cb.
228 878
Ritmico ( = 92)
Fl.
B. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I (secco) P. II
P. III
Pf.
Mother These
Miguel
Ritmico ( = 92) Vn. I
Vn. II
Va. pizz. col legno Vc.
Cb.
men
can not
harm
you.
I’ve
been
pro
229 883 Fl.
B. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
3
P. I 3
Sus. Cym. P. II
P. III
Pf.
5
Mother mised.
They dare not touch one hair of
your
head.
Miguel Pro
mised?
Vn. I
Vn. II arco Va. pizz.
arco
Vc. arco Cb.
230 888 Fl.
B. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn. T. - t. P. I 3
Cym.
Agogos
P. II Timbale/ Conga P. III 6
5
Pf.
Mother I’ve been
pro
mised.
Miguel Pro
Vn. I
Vn. II
Va. col legno Vc. pizz. Cb.
mised?
Pro
mised?
Who by?
231 893
Più mosso
Fl. to B Clarinet
B. Cl. n. A. Sax.
Bn. n.
Hn. n. Tpt. 0
Tbn. n.
P. I
P. II 0
P. III
Pf.
(secco)
Mother 3
5
Miguel Some one in gov ern ment?
Più mosso Vn. I
Vn. II
Va.
Vc.
Cb.
in the ar my?
in the know?
Some one
232 897
=
Fl.
Cl.
A. Sax.
Bn.
Hn. very brassy Tpt. 5
Tbn. Sn. Dr. with brushes P. I
Sn. Dr. with brushes P. II 3
Vibraphone P. III (slow Ped.)
Pf.
Mother
Miguel 5
5
in the cor ri dors
of pow er?
arco
The pow er which dir ects the mo
sempre spiccato
Vn. I arco Vn. II arco Va.
arco Vc. sempre spiccato pizz. Cb.
tions
of
the wa
ter hy
a
cinths?
=
233 900 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
Guiro P. I
P. II (back of mallets) P. III
Pf.
Mother Don’t
blas
pheme,
Mi guel,
Mi
guel.
Miguel 2
I
Vn. I
Vn. II
Va.
Vc.
Cb.
have
234 Waltz-like (
904
= 84) flt.
Fl. /
B Clarinet
Cl. /
A. Sax.
Bn.
Hn. /
Tpt.
Tbn. /
Bongoes (with maracas sticks) P. I Marimba P. II Slap stick P. III
Pf.
Mother
Miguel 4
no
thing
I
4
be
lieve
in
Sat
Waltz-like (
= 84)
Vn. I
Vn. II
Va. pizz.
Vc.
Cb.
ur
235 908
flt.
flt.
Fl. /
/
Cl. flt.
flt.
A. Sax. /
/
Bn.
Hn. /
/
/
/
/
/
Tpt.
Tbn.
Cow bell (played with stick of maracas also) P. I
P. II Slap stick
Bell chimes
P. III
Pf.
Mother
Miguel days,
Vn. I
Vn. II
Va.
Vc.
Cb.
hm,
I
watch you
walk ing,
en
tranced,
to
the boat
house
236 913
flt.
Fl.
Cl. flt.
A. Sax.
Bn.
Hn. /
/
Tpt.
Tbn. /
/
(stick maraca) P. I /
P. II l.v.
small kalimba
P. III
Pf.
Mother
Miguel and
Vn. I
Vn. II
Va.
Vc.
Cb.
now
and
now
to
Ye
man
ja’s
is
land.
237 917
flt.
Fl.
Cl. flt.
A. Sax.
Bn.
Hn. /
Tpt.
Tbn. /
/
Guiro
w/ hands
P. I
P. II
P. III
Pf.
Mother
Miguel When you
Vn. I
Vn. II
Va.
Vc.
Cb.
re
turn,
you
bring
back
4
the flesh of
4
that greet ing, hm --
238 922
Poco più mosso, ritmico
Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
3
5
Talking drums (with stick maracas)
P. I
P. II
P. III
Pf.
Mother 3
3
3
3
Miguel
3
Sa
laam
a
leik um,
O mi
Poco più mosso, ritmico col legno
Vn. I
col legno
Vn. II
Va. col legno
Vc. col legno
Cb.
Tu
Tu,
O
3
mi
é
3
3
ró.
Peace
you can touch
with
your
239 927 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I Wood chimes
medium kalimba
P. II
P. III
Pf.
3
Mother Ye
Miguel hands.
Vn. I
Vn. II
pizz.
col legno
pizz.
pizz.
col legno
pizz.
col legno
pizz.
Va.
Vc. pizz.
Cb.
240 931 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
(regular T.D. stick) P. I to Marimba P. II Bell Chime P. III l.v.
Pf.
3
3
3
3
3
Mother 3
3
man
ja
knows
our
hearts
and
minds.
She’s
Miguel
col legno
Vn. I col legno
Vn. II
col legno
pizz.
col legno
pizz.
col legno
arco
Va.
Vc.
Cb.
kind,
241 935 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
Marimba P. II B.D. (rim)
(secco)
l.v.
(secco)
P. III
Pf.
3
Mother She’s
just,
Miguel 3
Neith er
arco
god
dess
nor maid
pizz.
Vn. I / arco
pizz.
Vn. II / arco
pizz.
Va. / arco
pizz.
Vc. arco
/ pizz.
Cb. /
has threat
ened
3
my
life,
But
men
of stud ded
242 939 Fl.
Cl.
A. Sax.
Bn.
flt.
Hn.
Tpt. flt.
Tbn.
P. I
P. II l.v.
secco
l.v.
secco
secco
secco
/
l.v.
P. III
secco
Pf.
no Ped.
Mother
Miguel boots,
whips
and
guns. . .
E
nough!
pizz.
Vn. I
pizz.
Vn. II
pizz.
Va.
pizz.
Vc. pizz.
Cb.
arco
243 Meno mosso
943 Fl. flt.
Cl.
A. Sax. flt.
Bn.
Hn.
Tpt.
Tbn.
T.Drum P. I
P. II
P. III
Pf.
Mother 3
Miguel I’m leaving.
In
no cent
I
am
Meno mosso
in
arco (molto vib.)
Vn. I arco (molto vib.)
Vn. II arco (molto vib.)
Va. arco (molto vib.)
Vc. senza vib.
Cb.
no
molto vib.
cent.
I
am
244 948 Fl.
Cl. /
A. Sax.
Bn. /
Hn. /
Tpt.
Tbn. /
P. I
P. II
P. III
Pf.
Mother 3
Miguel 5
in
no
cent. . .
I don’t wish to
die to prove it
to
an
y
one
Not
Vn. I /
/
/
/
/
/
/
/
/
/
/
/
/
Vn. II
Va.
Vc.
Cb.
245 Recitativo ( = 96)
952 Fl.
Cl.
A. Sax. Bn.
Hn.
Tpt.
Tbn. Vibra slap
l.v.
(stick maracas to T. Drum)
P. I Roto Tom & Marimba with mallet
R.T.
Marimba
P. II Agogos P. III
Pf.
Mother Where will you go 3
Miguel 3
3
e ven
to
the
Do min
go
clan!
It’s
Recitativo ( = 96) Vn. I
Vn. II
Va.
Vc.
Cb.
all
ar
ranged
I shall
stay
246 958
flt.
Fl.
flt.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn. (with stick maracas) P. I Roto
Marimba
Roto
Marimba
P. II Agogos and Conga
to Crotales
P. III
Pf.
Mother 3
3
Miguel 3
5
with my
friend
Chi
me.
To mor row
he’ll
3
drive
me
o
ver
to
the
pizz.
col legno
pizz.
pizz.
col legno
pizz.
pizz.
col legno
pizz.
pizz.
col legno
pizz.
pizz.
col legno
pizz.
Vn. I
Vn. II
Va.
Vc.
Cb.
East.
247 963 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
to S.D. P. I Wood chimes
Marimba
P. II Crotales l.v.
to B.D. (rim)
P. III
Pf.
Sost. Ped.
Mother 5
Miguel Ka me bar
or
Quar ter fort
By boat to
arco
Vn. I arco
Vn. II
Va.
Vc.
Cb.
Ma lan to Bay. . .
248 Meno mosso
968 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
S.D. P. I dim.
to Marimba P. II Vibraphone (slow motor) P. III
Pf.
Mother I
Miguel
pray
hy
a
cinths
have not
ta
ken
o
ver.
gliss.
5
3
5
3
Vn. I sub.
Vn. II sub.
Vc.
Cb.
you.
3
5
the
Meno mosso
Va.
for
3
3
If
shall
Tia
249 972 Fl.
Cl.
A. Sax. to Contrabassoon Bn.
Hn.
Tpt.
Tbn.
P. I Marimba P. II
P. III
to Celesta
Pf.
3
Mother 3
3
Go
Miguel tin
Vn. I
Vn. II
Va.
Vc.
Cb.
with God --
which ev er
one
you
be
lieve
in
Hm...
Ye
man
ja
250 977 Fl. n.
n.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Celesta
l.v.
l.v.
Pf.
3 3
3
3
You
are
3
3
Mother 3
will
pro
tect
you. (lovingly)
Miguel Tia tin
Vn. I
Vn. II
Va.
Vc.
Cb.
my fav or
ite,
251 982 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn. Clay Drums any combination, Bongos with hands T. - t.
6
P. I
P. II Bell chimes P. III n.
Pf.
3
Mother 3
Mi guel...
It’s
so
late
The streets
Miguel Tia
tin
Chi
sans sord.
me
has
col legno
Vn. I arco sans sord.
col legno
arco
col legno
Vn. II
Va. pizz.
arco
col legno
pizz.
arco
col legno
Vc.
Cb.
been...
are
not
safe
252 Recitativo 987 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
6
P. I
P. II
P. III
Pf.
3
5
5
Mother at this hour...
Miguel,
How could you! Where does
he
live? Where do you have to go?
Miguel 5
Chi
me has been wait ing.
E ko ran tu
Recitativo arco Vn. I arco Vn. II
Va. pizz. l.v. Vc. pizz. Cb.
Road.
253 = 84
991 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II n.
Congas P. III
Pf.
Mother The
first
flights
Miguel 5
By the time the tri bu nal
5
3
is sues a bench war rant,
= 84 Vn. I
Vn. II
Va.
arco
pizz.
arco
pizz.
Vc.
Cb.
out of
O ke ja
be
gin
at
half
past
254 = 76
994 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II n.
P. III
Pf.
3
Mother five.
Why
3
don’t you stay
3
the night?
Stay 5
Miguel 5
I’ll be o ver
5
the bor der
I
must have a car
5 5
at my dis po
sal
Chi
me has gone to all
= 76 pizz.
arco, con sord.
pizz.
arco, con sord.
pizz.
arco, con sord.
Vn. I n.
Vn. II n.
Va. n.
arco
pizz.
arco con sord.
pizz.
arco con sord.
Vc. n.
arco Cb.
n.
255 998 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
6
6
5
3
P. I
P. II Agogos P. III
Pf.
3
3
3
5
3
Mother Stay
3
the
3
night.
In
vite
him
to stay the night.
I’ll pre pare
5
Miguel 5
this trou
ble...
it’s not fair.
Tia tin,
Tia
tin.
Vn. I n.
n.
n.
n.
n.
n.
n.
n.
n.
n.
n.
n.
n.
n.
n.
Vn. II
Va.
Vc.
Cb.
256 1001 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
6
6
5
5
P. I
P. II
P. III to Celesta
Pf.
5
Mother late sup per,
late
sup per.
Miguel 5
You
real ly
are
a
ma
zing
You
in voke
Vn. I n.
Vn. II n.
senza vibrato
Va. n.
pizz. Vc. n.
pizz. Cb. n.
257 rallentando al fine
1004 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III l.v.
Celesta
Pf.
Mother 3
Be
qui
et,
qui
Miguel 5
an cest ral
ghosts to
keep me from
flee
ing,
rallentando al fine Vn. I
Vn. II
Va.
Vc.
Cb.
Then
et,
258 (rall.) 1008 Fl. n.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II n.
Crotales
P. III
Pf.
3
3
3
Mother qui
et.
You
un
der
stand
no
thing.
Miguel aid
ing
and
a
bet
ting. . .
(rall.) Vn. I n.
Vn. II n.
Va. n.
Vc. n.
Cb. n.
259
SCENE VIII: The Past. Airport. Before dawn. Miguel and Chime walking nervously. Usual airport activity. Flight announcements over loudspeaker are interrupted by military voices.* Announcement: Flight 370 to Mola via Yenoku - Boarding passengers please proceed to Gate 11 immediately...
= 84
1012 Fl.
Cl.
A. Sax.
Cbn. Military voice: The bane of our nation must be rooted out. Report any signs. Monitor your fellow worker. All symptoms of indiscipline must be rooted out. A nation without discipline is a nation without a future.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
6
6
6
6
6
Pf. 6
6
Vendor 8
Cleaner 8
Chime 8
Miguel
= 84 sord.
(colla voce)
sul pont., as fast as possible
(colla voce)
sul pont., as fast as possible
Vn. I sord.
Vn. II -
sul pont., as fast as possible sord.
Va. -
sul pont., as fast as possible sord.
Vc. -
sord. sul pont., as fast as possible
Cb. -
*The flight announcement occurs before the music begins; the military voice begins on the downbeat of measure 1012.
260
Announcement: Last call for Flight 307 to Ebiya and Nima now boarding at Gate 15. Repeat: Flight 307 now boarding at gate 15.
1015
Play m. 1017 five times
as fast as possible
Fl. as fast as possible
Cl. as fast as possible
A. Sax. Contrabassoon
Cbn.
Hn.
Tpt.
Tbn.
P. I Kalimba
P. II
P. III
6
6
6
6
6
6
Pf. 6
6
Vendor 8
Cleaner 8
Chime 8
Miguel
Play m. 1017 five times. Vn. I
Vn. II
Va. pizz.
l.v.
l.v.
pizz.
l.v.
l.v.
Vc.
Cb.
261 1018 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
T.T. (wire brushes) P. I Roto toms, 2 T.T. (bamboo brushes)
3
P. II Agogos P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
Of
course
I’m
com
ing with
you.
I’m
go
ing
262 1022 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I Kalimba P. II Agogo P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
to
de
li
ver you
per
son
al
Miguel
Vn. I
Vn. II
Va. col legno
pizz.
col legno
pizz.
Vc.
Cb.
ly
to
my
busi
ness
part
ners
263 1026 Fl.
Cl.
A. Sax.
Cbn.
Hn. Harmon mute Tpt.
Tbn. T. Drum P. I
P. II
P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
in
Ma
lan
to
Bay.
Stay
Miguel There’s no
need.
as fast as possible
Vn. I as fast as possible
Vn. II
Va. as fast as possible
Vc.
Cb.
sul C
right
here
264 1030 Fl.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn. with wire brushes P. I Roto toms, 2 T.T. with bamboo brushes
3
P. II Agogos P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
while
I
get
the
tic
kets.
Miguel I’ll
Vn. I
Vn. II
Va.
Vc.
Cb.
go
o
ver
to
the
[1] Military Voice: A corrupt nation is a nation without a future. Loyalty to the nation and to the nation only. Keep watch on those nearest to you.
1
1034
[2] The nation is your first family. Be your family’s eyes and ears. Long live our glorious Fatherland!
2
Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn. 6
5
P. I 3
P. II
P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
Miguel news stand
and
see
what...
1 Vn. I
Vn. II
Va.
Vc.
Cb.
2
265
266 1039 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
6
Miguel Let’s
Vn. I
Vn. II
Va.
Vc.
Cb.
get
me
out
of
here.
Meet
me
at
the
5
pa per stand.
267 Announcement: National Airways regret to announce…
1042 Fl.
Cl.
A. Sax.
Cbn. Harmon mute
Hn. Harmon mute
Tpt.
Tbn.
P. I
P. II
P. III
6
Pf.
6
6
6
6
senza Ped.
Vendor 8
Cleaner 8
Chime 8
Miguel Oh
Vn. I
Vn. II
Va.
Vc.
Cb.
no!
268 1045
Announcement: ... a delay of Flight 107 to Gamu due to technical reasons. Further announcements will be made shortly.
Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I Marimba P. II
P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
3
3
3
3
skies
all
the
way.
Miguel Not
to day
please, no,
no,
not
today. Clear
ord. (presto)
Vn. I ord. (presto)
Vn. II ord. (presto)
Va.
Vc.
Cb.
269 Meno mosso
Recitative
1048 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I
P. II B.D.
P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
Miguel 3
Please God,
Meno mosso Vn. I
Vn. II
Va.
Vc.
Cb.
3
please, who e ver,
I
Recitative
will ne ver
be
im pa tient
with Ye man ja.
270 1051 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
3
Miguel 3
3
La
Vn. I
Vn. II
Va.
Vc.
Cb.
dy
of
lu
mi
nous
wa
ters,
for your faith
ful
Tia tin,
blow a way mists and clouds
from the skies,
271 Tempo 1 ( = 84)
1054 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I
P. II Agogos P. III
Pf.
Vendor 8
Beg
your par don
Sir...
I
thought
Cleaner 8
Chime 8
Miguel re ward
her
fi
del i ty to
you...
What?
Tempo 1 ( = 84) Vn. I
Vn. II
Va.
Vc. pizz.
Cb.
you
272 [Vendor bends down to get papers, Miguel runs off suddenly.]
1057 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt. Harmon mute Tbn. (stick, maracas on bongo) P. I 3
TomT., Slit D.
Roto
TomT., Slit D.
3
P. II 3
Agogo P. III
Pf.
Vendor 8
asked
for the
pa
per.
Sure.
Cleaner 8
Chime 8
Miguel One, one
of each.
pizz.
Vn. I pizz.
Vn. II pizz.
Va. pizz.
Vc. pizz.
Cb.
273 1060 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I 3
3
P. II 3
P. III
Pf.
5
Vendor 8
Sir?
Cleaner 8
Chime 8
Miguel
pizz., sempre presto, staccato
Vn. I pizz., sempre presto, staccato
Vn. II pizz., sempre presto, staccato
Va.
Vc.
Cb.
Wey
de man?
O
ga!
Mis ter
man!
Ah
ah!
274 1063 Fl.
Cl.
A. Sax.
Cbn. flt.
Hn. flt.
Tpt. flt.
Tbn.
P. I 3
3
P. II 3
P. III
Pf.
5
Vendor 8
What
Cleaner 8
Chime 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
kin joke be dis?
Fool
ish peo
ple
275 1066 Fl.
Cl.
A. Sax.
Cbn. flt. Hn.
Tpt.
Tbn.
P. I 3
3
P. II
P. III
Pf.
Vendor 8
waste
Cleaner 8
Chime 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
a
man’s
time.
..ask for
pa pers...
then
take
off.
276 Liberamente
1070 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
6
Pf.
6
6
6
Vendor 8
Cleaner 8
3
Chime 8
Ven dor!
I
Miguel
Liberamente (presto)
Vn. I (presto)
Vn. II (presto)
Va.
Vc.
Cb.
asked
a
friend
to
wait
for me.
Ra ther tall...
277 1073 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III to Celesta
Pf.
5
Vendor 8
Glass
es?
What?
The ver y man.
Cleaner 8
3
Chime 8
brief case.
Blue shirt,
yel low tie. . .
Rim
less.
Rim
Miguel arco
Vn. I
Vn. II
Va.
Vc. arco
Cb.
less.
With out
a rim.
He
278 Tempo I ( = 84)
1077 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I Roto, Tom Tom (reg. sticks)
3
P. II Agogos (reg. sticks)
P. III Celesta
to Piano
Pf.
Vendor 5
or der pa pers, then
dis
ap pear.
Cleaner 8
Ex
Chime 8
Miguel
Tempo I ( = 84) Vn. I
Vn. II
Va. pizz.
Vc. pizz.
Cb.
cuse me Sah,
you
be
279 1082 Fl.
Cl.
A. Sax.
Cbn.
0
0
Hn.
Tpt.
Tbn.
P. I Kalimba
P. II Agogos
P. III
Pf.
Vendor 8
3
Cleaner 8
Mis ter
Chi
me?
I
dey
clean
toi
Chime 8
Miguel
Vn. I
Vn. II
Va. col legno
pizz.
col legno
pizz.
Vc.
Cb.
let
when one
man
come
in
side.
280 1087 Fl.
Cl.
A. Sax.
Cbn.
0
0
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Vendor 8
Cleaner 8
E
beg
me make
I
come
call
breve
you.
Chime 8
Toi let!
Miguel
Vn. I
Vn. II
Va. col legno
pizz.
col legno
pizz.
Vc.
Cb.
Which one?
281 1091 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I
P. II Agogo P. III
Pf.
Vendor 8
5
3
3
3
3
Cleaner 8
Down
Chime 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
stairs.
Stairs
we dey be hind
E
thio
pian
Air
lines.
282 1095 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I
P. II to Vib. slow motor
P. III
Pf.
Vendor 8
Cleaner 8
He
Chime 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
say
’e
no
feel
well
at
all.
283 1098 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn. assorted bells and rattles P. I assorted bells and rattles P. II l.v. P. III
6
Pf.
6
Vendor 8
Cleaner 8
Chime 8
Miguel
sul pont.
Vn. I sul pont.
Vn. II sul pont.
Va. sul pont.
Vc. sul pont.
Cb.
6
6
6
6
6
6
284 1100 Fl.
Cl.
A. Sax.
Cbn. straight mute Hn.
Tpt. straight mute Tbn.
P. I
P. II Agogo
P. III
Pf.
Vendor 8
Cleaner 8
5 5
5
Chime 8
Mi
guel?
Mi
guel?
Are you all right?
I 5
Miguel Psst
O ver here.
Hur
ry
be fore some one comes in.
Vn. I
Vn. II
Va. pizz. Vc. pizz. Cb.
285 1102 Fl.
Cl.
A. Sax.
Cbn.
0
0
Hn.
Tpt.
Tbn. Tom T.
to T. Dr.
P. I Kalimba
P. II Agogo
P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
thought
you
were
ill.
Miguel 3
All
Vn. I
Vn. II
Va. col legno
pizz.
col legno
pizz.
Vc.
Cb.
is
not
well
Chim
me.
I
saw
286 1106 Fl.
Cl.
A. Sax.
Cbn.
Hn. Harmon mute
Tpt.
Tbn. T. Dr. P. I Kalimba P. II
P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
Miguel 3
my
man!
The
N.
3
S.
O.
de
tec
(as fast as possible) Vn. I (as fast as possible) Vn. II
Va. Sul C Vc.
Cb.
tive
on
my
case.
287 1110 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I Roto with hands
3
P. II
P. III
Pf.
senza Ped.
Vendor 8
Cleaner 8
Chime 8
He
3
could
Miguel I’m
not sure
he saw
me --
I
ducked
ve
ry
fast
Vn. I
Vn. II
Va.
Vc. n.
Cb.
288 1112 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn. Bongo with hands
P. I 3
Slit
P. II 3
B.D. with hands
Timbale
P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
be
on
a
noth
er
case.
Miguel One can
Vn. I n.
Vn. II n.
Va.
Vc.
Cb.
ne
ver
be
sure
of
a
ny
289 1116 Fl.
Cl.
A. Sax.
Cbn. flt.
flt.
flt.
flt.
Hn.
Tpt.
Tbn.
P. I 3
3
3
P. II
P. III
6
6
6
6
Pf.
Vendor 8
Cleaner 8
Chime 8
Miguel thing.
Ev’
ry
bod
y’s
a
fraid
arco sul pont., as fast as possible
Vn. I arco sul pont., as fast as possible
Vn. II arco sul pont., as fast as possible
Va.
Vc.
Cb.
290 1119 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn. assorted soft bells P. I
P. II
P. III
6
Pf.
6
Vendor 8
Cleaner 8
Chime 8
He
could
be
Miguel A
ny
one
can
put
two
and
two
Vn. I n.
Vn. II n.
Va. n. arco
Vc. arco
Cb.
to
geth
er
291 1122 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
on
a
noth
er
case.
Miguel What
Vn. I
Vn. II
Va.
Vc.
Cb.
if...
What
if...
What
if
he
sees
me
at
the
air port?
292 1126 Meno mosso ( = 50 - 54) Fl.
Cl.
A. Sax.
Cbn. senza sord.
Hn.
Tpt. senza sord.
Tbn.
P. I Marimba P. II
P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
Miguel I’m
not
go
ing
to
get
on
that
flight.
It
Meno mosso ( = 50 - 54) Vn. I
Vn. II
Va.
Vc.
Cb. n.
would
be
293 1130 Fl.
Cl.
A. Sax. n.
Cbn. n.
n.
n.
n.
n.
n.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
Miguel sui
ci
dal.
They’ve
been
do
ing
spot
checks
Vn. I
Vn. II
Va.
Vc.
Cb. n.
n.
294 accel.
1134 Fl. n.
Cl. n.
A. Sax.
Cbn.
Hn. Harmon mute Tpt.
Tbn.
P. I Slapstick P. II
P. III
6
Pf.
6
6
6
Vendor 8
Cleaner 8
Chime 8
Miguel 3
since the coup,
re mem ber?
Back
accel. Vn. I n.
Vn. II n.
Va. n.
Vc.
Cb.
295 1138
Tempo I ( = 84)
(accel.)
Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn. Vibraslap P. I
P. II Agogos P. III
Pf.
Vendor 8
Cleaner 8
3
3
3
Chime 8
Right!
The car.
We
tra
vel
by
road...
Miguel to
the
o
ri
gi
nal plan?
Right!
(accel.)
Tempo I ( = 84)
Vn. I
Vn. II pizz.
Va. pizz. Vc. pizz. Cb.
296
Military Voice: No nation survives without vigilance. Report anything unusual. Report anything suspicious. Assist your local B.A.I.
1142 Fl.
Cl.
A. Sax.
Cbn.
Hn. straight mute Tpt.
Tbn. Tam Tam T. Dr. ad lib.
3
3
P. I l.v.
P. II with glock. mallet
as fast as possible (any notes)
Glock.
P. III l.v.
Pf.
5
5
5
5
Vendor 8
Cleaner 8
Chime 8
Miguel 3
Ev
Vn. I
Vn. II
Va.
Vc.
Cb.
r’y
where
you
turn --
l.v.
297 poco accel.
1145 Fl. n.
Cl. n.
A. Sax. n.
Cbn. n.
Hn.
Tpt.
Tbn.
P. I l.v.
P. II
P. III
6
6
Pf.
6
6
Vendor 8
Cleaner 8
Chime 8
Yes!
6
Miguel damn
it,
e
ven
in
the
toi
poco accel. Vn. I n.
Vn. II
Va. n.
Vc.
Cb. n.
let!
Come
on!
Time
to
298 1148
(poco accel.)
Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn. (move around) Assorted bells in box P. I
P. II (with glock. mallets) P. III
6
Pf.
6
Vendor 8
Cleaner 8
Chime 8
Miguel move!
(poco accel.) Vn. I
Vn. II
Va.
Vc.
Cb.
6
6
6
6
299 1150
(poco accel.)
Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I sempre
n.
P. II ad lib P. III sempre
6
6
Pf.
6
6
6
6
6
6
6
Vendor 8
Cleaner 8
Chime 8
Miguel Don’t
look
(poco accel.) Vn. I
Vn. II
Va.
Vc.
Cb.
right or left,
go
for the
ex
it
Don’t look now,
I’ve just seen
my man.
6
300 1152
A tempo ( = 84)
Meno mosso
Recitativo
Repeat following stage directions
Fl. n.
Cl. n.
A. Sax. n.
Cbn. n.
Hn. n.
Tpt.
Tbn. n.
P. I
P. II
P. III
Pf.
6
Vendor 8
Cleaner 8
Chime 8
Miguel 3
Don’t
think
Meno mosso
he’s seen me.
Let’s head back home
a
gain.
The
A tempo ( = 84)
con sord.
is land
Recitativo
Vn. I con sord.
n.
con sord.
n.
Vn. II
Va. n. con sord.
Vc. n. con sord.
Cb. n.
vil
lage --
301 1155 Fl. n.
to Bass Clarinet
Cl. n.
A. Sax. n.
Cbn. n.
Hn. n.
n.
Tpt.
Tbn. n.
P. I
P. II
P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
Miguel my mo
ther
goes there
to wor
ship.
I’ll bor
row her ca noe.
Twen
ty
min
utes
pad
dling.
Vn. I n.
Vn. II
Va.
Vc.
Cb. n.
302 1157
A tempo ( = 84)
Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn. T. Dr.
5
ad lib.
3
P. I
P. II
P. III
Pf.
Vendor 8
Cleaner 8
Chime 8
I’ll come with you.
I’ve done it
in
fif
A tempo ( = 84) Vn. I
Vn. II n.
Va. n.
Vc. n.
Cb.
teen.
Un cle De
ma sia
can pick me
up --
Tia tin
will
ar range it.
303 1161 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
6
Pf.
6
6
6
6
6
6
Vendor 8
Cleaner 8
Chime 8
3
5
Miguel 5
No
more
speak
ers
scream ing
the
ob
senza sord., sul pont.
poco a poco ordinario
senza sord., sul pont.
poco a poco ordinario
senza sord., sul pont.
poco a poco ordinario
scen
i
ty
of the...
Vn. I
Vn. II
Va. senza sord., sul pont.
poco a poco ordinario
Vc. senza sord., sul pont.
Cb.
poco a poco ordinario
6
6
304
Military Voice: What are the watchwords of our national goal? Discipline. Selfreliance. Vigilance. A nation which bargains away its integrity loses respect. An idle nation encourages saboteurs against its very existence. It is the duty of every citizen to . . .
1163 Fl.
Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
6
Pf.
6
Vendor 8
Cleaner 8
Chime 8
Miguel
ordinario
Vn. I ordinario
Vn. II ordinario
Va. ordinario
Vc. ordinario
Cb.
6
6
6
6
6
6
6
POSTLUDE - SCENE VIII = 120 1164
ca. 12”
305
Moderato (ad libitum)
flt.
Fl. 3
Bass Clarinet
B. Cl. flt.
5 3
A. Sax.
flt.
Cbn.
flt.
Hn.
flt.
Tpt.
flt.
Tbn.
= 80 Clay, Bgo. T.T. (mallet maracas) P. I
Marimba
= 80
P. II niente
= 120 Congas (hands)
P. III
Pf.
= 120
Vn. I
Vn. II
Va.
Vc.
Cb.
ca. 12”
Moderato (ad libitum)
306 1166 Fl.
B. Cl. niente
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
= 120 very light Maracas
Stick Maracas (over practice pad) 3
3
3
3
P. I 3
niente
P. II
P. III niente
Pf.
Vn. I
Vn. II
Va.
Vc.
Cb.
SCENE IX The Past. Middle of lagoon surrounded by water hyacinths. Just before dawn. (Miguel and Chime struggling to paddle canoe through thickly clogged water.) 1168
= 68
307
Alto Flute
A. Fl. n
B. Cl. n
A. Sax.
Cbn. n
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
sempre
Pf.
6
sempre
6
6
6
6
6
6
6 6
Chime 8
Dawn
is break ing.
What are we going to
do?
Miguel Keep
= 68 sord.
Vn. I n.
sord.
Vn. II n.
sord.
Va. n.
sord.
Vc. n.
sord.
Cb. n.
n.
308 1171 Alto Fl. Bs. Cl. n.
A. Sax. 6
6
6
Cbn. 6
n.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
6
Pf.
6
6
6
6
6
Chime 8
Miguel try ing.
Safe
3
ty
is
on the
o ther side
of that beach head.
con sord.
Vn. I n.
Vn. II
Va.
Vc.
Cb.
6
6
6
309 1174 Alto Fl. n.
Bs. Cl. n.
A. Sax.
Cbn. n.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
6
6
6
6
6
6
6
6
6
6
Chime 8
I
see it.
Miguel Look,
the prow
of the an cient wreck.
Tia tin
swears
it
con sord.
Vn. I con sord.
Vn. II con sord.
Va. con sord.
Vc.
Cb.
was
lured
there,
310 1177 Alto Fl. n.
n.
n.
n.
n.
n.
Bs. Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
6
6
6
6
6
6
6
6
6
Chime 8
Miguel wrecked
by Ye man
ja
to
3
Vn. I 3
Vn. II
Va.
Vc.
Cb. n.
pun ish
311 1180 Alto Fl. n.
n. 6
6
Bs. Cl. 6
n.
A. Sax.
Cbn. n.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
6
6
6
6
6
6
6
6
6
Chime 8
3
Miguel
3
the
Eu
3
3
ro
pe
an
in
va
ders.
Her is land
is...
Vn. I
Vn. II
Va.
Vc.
Cb. n.
n.
312 1183 Alto Fl. n.
Bs. Cl. 6
n.
A. Sax. 6
6
6
Cbn. 6
6
6
n.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
6
6
6
6
6
6
6
Chime 8
Miguel 3
for
bid
den
to
stran
gers.
Vn. I n.
Vn. II
Va.
Vc. n.
Cb.
313 1186 Alto Fl. n.
Bs. Cl. n.
A. Sax.
Cbn. n.
6
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
6
Pf.
6
6
6
6
6
Chime 8
Miguel We’ll
nev
er
get
there,
Chi
me.
Vn. I
Vn. II
Va. n.
6
Vc.
6 6
Cb. n.
314 1189 3
Alto Fl.
n.
Bs. Cl. n.
n.
A. Sax.
Cbn. n.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
3
6
Pf.
6
6
6
6
6
3
3
3
Chime 8
Keep
Miguel
Try
3
It’s
o
ver
an
hour
since. . .
3
Vn. I
Vn. II
Va. 3
Vc.
Cb.
ing.
It
315 1192 Alto Fl.
Bs. Cl.
A. Sax.
Cbn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
6
6
6
6
6
6
Chime 8
looks
freer
a
head.
Miguel I
don’t
un
der
stand
it.
She
Vn. I n.
Vn. II n.
Va. n.
Vc. n.
Cb. n.
3
pad
dles
316 1195 Alto Fl. n.
Bs. Cl. n.
A. Sax.
Cbn. n.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
6
Pf.
6
6
6
6
6
Chime 8
Miguel this
thing
to
the
is
land.
Last
Sat
ur
day,
Vn. I n.
Vn. II
Va.
Vc. n.
Cb. n.
n.
317 1198 Alto Fl.
Bs. Cl.
A. Sax. 6
Cbn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
6
Pf.
6
6
6
6
6
Chime 8
Keep
try
ing.
Sat
ur
day? 3
Miguel 3
3
I
watched
her...
Last
Sat
ur
day
3
I
watched
Vn. I n.
Vn. II n.
con sord.
Va. n.
Vc.
Cb. n.
318 1201 Alto Fl. 6
Bs. Cl. 6
6
n
n
n
A. Sax. 6
Cbn. 6
n
n
6
n
6
n
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
6
6
6
6
6
6
Chime 8
3
Miguel
3
3
her
go. . .
and
re
Vn. I n
Vn. II n
Va. n
Vc.
Cb.
6
6
turn.
319 Poco più mosso
1204 Alto Fl. n
Bs. Cl. n
A. Sax.
Cbn. n
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
6
6
6
6
6
6
6
6
Chime 8
Miguel We
Poco più mosso Vn. I n
Vn. II
Va.
Vc.
Cb.
6
have
320 1207 Alto Fl. n
n
Bs. Cl. n
A. Sax. 6
Cbn. n
6
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
6
Pf.
6
6
6
6
6
Chime 8
Miguel reached
a
dead
end.
The
Vn. I
Vn. II
Va.
Vc.
Cb. n
sun...
is
inch
ing
321 1210 Alto Fl. n 6
Bs. Cl. n
6
A. Sax.
Cbn. n
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
6
6
6
6
6
6
Chime 8
Miguel up. . .
This
damned
can
Vn. I
Vn. II n
Va.
Vc.
Cb. n
n
oe. . .
322 1213 Alto Fl. n
Bs. Cl. n
A. Sax.
Cbn. n
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
6
6
6
6
6
6
Chime 8
Mi
guel,
keep
try
ing
Miguel
3
3
Ma
rooned
a
mong
3
the
hy
a
cinths.
Vn. I
Vn. II n 3
Va.
Vc.
Cb. n
323 1216 Alto Fl. n
Bs. Cl. n
A. Sax. 8
Cbn. n
8
Hn. n
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
6
6
6
6
6
6
Chime 8
Mi
guel,
there’s no
need
to
sound
so
de
spond
ent.
Miguel 5
The
pa
trols. . .
Dragged out
Vn. I n
Vn. II n
Va. n
Vc.
Cb. n
of
324 1219 Alto Fl.
Bs. Cl. n
n
A. Sax.
Cbn. n
n
Hn. n
n
Tpt.
Tbn. n
P. I
P. II
P. III
Pf.
6
6
6
6
6
6
Chime 8
Mi
guel,
keep...
Miguel one
Vn. I
Vn. II
Va.
Vc.
Cb.
set
of
par
a
sites
by
an
o
ther.
No,
we’ll
turn
325 1222 Alto Fl. n
Bs. Cl. n
A. Sax. 6
Cbn.
Hn. n
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
6
6
6
6
6
6
Chime 8
We’ll
turn
Turn
Miguel a
round.
No,
no!
What
are
you
do
ing?
Vn. I n
Vn. II n
Va. n
Vc.
Cb. n
n
326 1225 Alto Fl. 6
Bs. Cl. 6
A. Sax.
Cbn. 6
n
Hn. n
Tpt.
Tbn. n
P. I
P. II
P. III
6
Pf.
6
6
6
6
6
Chime 8
ing!
Miguel Not
Vn. I
Vn. II
Va.
Vc.
Cb.
in
this
tan
gle!
The oth
5
er way, face the
5
oth
er
way!
327 Meno mosso
1228 Alto Fl.
6
6
6
6
Bs. Cl. 6
6
6
A. Sax. 6
6
Cbn. 6
6
6
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
6
6
6
6
6
6
6
6
Chime 8
Miguel 3
Chi me!
If
you
fall,
I don’t have the
Meno mosso Vn. I n
Vn. II n
Va. n
Vc. n
Cb. n
strength to pull
you out!
328 1232 6
Alto Fl.
6
6
7
6
6
Bs. Cl. 6
6
6
A. Sax. 6
Cbn. 6
6
6
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
6
6
6
6
6
6
Chime 8
3
3
Miguel 3
If
I
fall,
let
Vn. I n
Vn. II n
Va. n
Vc. n
Cb. n
the
ten
ta
cles
drag,
329 1235 Alto Fl. n
Bs. Cl. n
A. Sax.
Cbn. n
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
6
6
6
6
6
6
Chime 8
3
Miguel drag
me
down
Vn. I n
Vn. II n
Va. n
Vc. n
Cb. n
to
their
bed
of
330 1238 Alto Fl. /
6
Bs. Cl. n
/
A. Sax. 6
Cbn. n
/
Hn. /
Tpt.
Tbn.
P. I
P. II
P. III
6
Pf.
6
6
6
6
6
Chime 8
Miguel slime.
(sul pont. as fast as possible)
Vn. I n (sul pont. as fast as possible)
Vn. II n
Va. n
/
n
/
n
/
Vc.
Cb.
331 1241 Alto Fl. n
Bs. Cl. n
A. Sax.
Cbn. n
Hn. n
Tpt.
Tbn.
5
7
3
5
P. I
P. II
P. III
Pf.
6
6
6
6
6
6
Chime 8
Miguel
Vn. I
Vn. II
Va. n
Vc. n
Cb. n
332
INTERLUDE - SCENE X = 74
1244
Flute
Fl. B Clarinet
Cl. Alto Sax.
A. Sax. Bassoon
Bn.
Hn.
Tpt.
Tbn. Tom toms, Clay drums 17
P. I Tom tom, Slit drum
= 124
P. II Timbales
P. III 12
Pf.
W. 2 8
Detiba 8
Emuke 8
Miguel
= 74 Vn. I
Vn. II
Va.
Vc.
Cb.
333 1247 Fl. to E Piccolo Clarinet Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn. 23
P. I
P. II
P. III
Pf.
W. 2 8
Detiba 8
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
334 1248 Fl.
Picc. Cl.
A. Sax.
Bn.
= 74 straight mute
Hn.
Tpt.
Tbn.
P. I n
P. II 18
P. III n
Pf.
W. 2 8
Detiba 8
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
335 1249 Fl.
Picc. Cl.
A. Sax.
Bn.
Hn. n
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
W. 2 8
Detiba 8
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
336 Lively ( = 74)
1250
SCENE X: The Present. Cell C. Morning. (Warder 2 approaches cell where Miguel, Detiba, and Emuke are playing draught, a game. Detiba and Emuke hear Warder 2 approaching.)
Fl.
Picc. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn. S.D. with brushes
P. I C.B.
3
P. II T.T. Timbales
P. III Ped. Bass D.
Pf.
Lively =74 W. 2 8
Detiba 8
New
ward er.
You want us to
Emuke 8
New
ward er.
Miguel
Lively ( = 74) Vn. I niente
Vn. II niente
Va. niente pizz.
Vc. niente pizz.
Cb. niente
arco.
try
him
or not?
337 1253 Fl.
Picc. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
Shaker
P. I Sus. Cymbal
Agogos
w/ marimba mallets
to Marimba
P. II secco Congas
Agogos/Timbales
P. III
Pf.
3
3
W. 2 8
I
3
Detiba 8
Your
let
ter.
Emuke 8
3
Miguel Why not?
Go
Vn. I niente
Vn. II niente
Va.
Vc.
Cb.
a
head.
see
you
peo
ple
sab
338 1256 Fl.
Picc. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn. Percussion I - III, play second time only S.D. & T.T. w/ brushes
P. I 3
Marimba
P. II Agogos/Ped. Bass D./Congas
P. III
Pf.
3
W. 2 8
be play draught
o.
Detiba 8
Emuke 8
Go,
go
Miguel
pizz.
s.
Vn. I
glis
3
niente pizz.
Vn. II niente pizz.
Va. niente pizz.
Vc. niente pizz.
Cb. niente
339 1259 Fl. gli ss
.
3
Picc. Cl. 6
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
C.B.
S.D. with brushes
P. I backs of mallets
S.D.
P. II Congas
P. III Ped. Bass D.
Pf.
W. 2 8
Me?
Detiba 8
3
3
3
3
Emuke 8
a way.
Miguel
arco
Vn. I arco
Vn. II arco
Va.
Vc.
Cb.
Go
and
do
your
spying
some
where
else.
Spy?
Me?
340 1262
flutter
Fl. flutter
Picc. Cl. flutter
A. Sax. flutter
Bn.
flutter
Hn. Harmon mute flutter
Tpt. flutter
Tbn.
P. I
P. II
P. III
Pf.
3
W. 2 8
To
God,
who
make
me!
Detiba 8
3
5
Emuke 8
Make
Miguel
pizz.
Vn. I pizz.
Vn. II pizz.
Va.
Vc.
Cb.
you no take
God
name
play for this place you hear?
341 1265 Fl.
Picc. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn. Guiro
S.D.
P. I C.B./Congas with sticks
P. II Timbales/Ped. Bass D.
Agogos
P. III
Pf.
W. 2 8
A
mi du.
Detiba 8
What’s your
Emuke 8
Miguel
pizz.
arco
Vn. I niente arco
pizz.
niente
Vn. II arco
niente
pizz.
niente
Va. niente
niente
niente
niente
niente
niente
Vc.
Cb.
name?
Smoke?
342 1268 Fl.
Picc. Cl. 5
6
6
6
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I to Marimba
P. II Agogos
P. III
Pf.
3
W. 2 8
Detiba 8
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
Thank
you, Sir.
Me?
We
343 1271
flutter
Fl.
Picc. Cl.
A. Sax.
Bn.
Hn. flutter
Tpt.
Tbn.
with open brushes
P. I Marimba
P. II with open brushes
P. III
Pf.
W. 2 8
tin I dey
get from
gov ern ment
I
go
spy for them?
Detiba 8
5
Emuke 8
We
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
had to be sure.
We
had
to. . .
Our friend
here needs
cou rier
344 1274 Fl.
Picc. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
W. 2 8
3
3
3
Detiba 8
ser vice.
He wants
to send
a
let ter.
He’s will
ing
to
pay.
Emuke 8
Miguel
5
Ev ’ry bod y knows
arco
Vn. I arco
Vn. II arco
Va. arco
Vc.
Cb.
345 1277 Fl.
Picc. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
(S.D.) P. I Conga with mallets
Marimba
P. II Timbale P. III
Pf.
5
W. 2 8
O
oh,
na
you be the. . .
Detiba 8
Emuke 8
5
3
3
3
3
3
3
Miguel the
Vn. I
Vn. II
Va.
Vc.
Cb.
house
Give it
to
her
in
per
son.
It’s
my
mo
ther.
346 1280 Fl.
Picc. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn. 3
brushes
3
3
T.T. (with stick)
P. I
P. II brushes
3
3
to B. D.
3
P. III
Pf.
3
W. 2 8
I
go
bring
re ply?
If
I
no meet
her?
Detiba 8
Emuke 8
Miguel
5
There’ll
be no
need.
She does n’t leave the
Vn. I
Vn. II
Va.
Vc. arco
Cb.
house
ex
cept
347 1283 Fl.
Picc. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
To S.D. P. I
P. II
P. III
Pf.
W. 2 8
Detiba 8
3
5
Emuke 3
8
5
Hear that,Mis ter?
Hm,
Miguel 3
on Sat ur day
Vn. I
Vn. II
Va.
Vc.
Cb.
mor nings.
She’ll
make you
hm.
Hear that, Mis ter Post mas ter Gen er
3
worth your
while.
al?
348 1286 Fl.
Picc. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn. T.T.
P. I n
P. II
P. III
Pf.
to Celesta
3
3
3
3
3
W. 2 8
I
can
man
age
bring you
a
ny
thing you
want:
Food,
drink,
mo ney,
just write
am for note.
Detiba 8
3
Emuke 8
Ha!
Ho. . .
Hey. . . 3
Miguel No.
Vn. I
Vn. II
Va. pizz.
Vc. pizz.
Cb.
349 1289 Fl. 5 5 3
3
5
5
5
5
5
7
5
Picc. Cl. 3 6
5 5
3
A. Sax.
Bn.
Hn.
Tpt.
Tbn. Quijada
C.B.
T.T.
to Tamb.
P. I Agogo, sticks.
P. II Timbale, sticks.
P. III
Pf.
W. 2 8
Detiba 8
Emuke 8
Hmm!
Miguel Soon we won’t be need ing a ny thing.
Vn. I
Vn. II
Va. pizz.
Vc. pizz.
Cb.
Pedal B.D.
to B.D.
350 1292 Fl.
Picc. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn. Bongos
Tambourine
Tambourine
P. I sempre secco
S. Cymbal
C.B.
P. II secco B.D.
P. III sempre secco
Pf.
W. 2 8
Ban
du
fu.
Yes.
Ban
du
fu!
Detiba 8
What is
that?
Ban du. . .
Yes!
is
that. . .
I’ll
3
Emuke 8
Ban
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
du fu?
351 1295 Fl.
Picc. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn. (Bongos)
(Tamb.)
(sempre secco)
Bongos
Tamb.
P. I Tubular bells
(ad lib., any pitch)
P. II (B.D.)
Glock., gliss
P. III
Celesta
to Piano
(ad lib. any pitch)
Pf.
3
W. 2 8
Two
(slapping thigh with hands)
3
pri
5
Detiba tell you.
It’s sup posed to make you in vi si ble. {
8
Va
nish.
E mu ke.
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
Va nish?
It’snon sense.
son ers
352 1298 Fl.
Picc. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
(Tamb.)
P. I n
P. II (B.D.)
P. III
Piano
Pf.
5
(thigh slaps)
W. 2 8
va
nish
be fore my
Detiba 8
Emuke 8
Miguel
Vn. I
Vn. II
Va. arco
Vc. arco
Cb.
ve ry
eyes.
You
tie
the ban du
fu
for
your
353 1301 Fl.
Picc. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
(Tamb.)
P. I (stick maracas on rubber pad.)
P. II n (B.D.)
P. III
(play given pitches)
Celesta
Pf.
5
W. 2 8
Detiba 8
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
waist,
put
am
where
it
must
touch your
bo
dy.
Then,
354 1304 Fl.
Picc. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
(Tamb.)
P. I n
n Wood chimes
P. II (B.D.)
P. III
Pf.
3
3
W. 2 8
you
re
cite the in can ta
tion.
Detiba 8
Emuke 8
Miguel
Vn. I
Vn. II
Va. pizz.
Vc. pizz.
Cb.
You call the name of
a ny an ces
tor
you
get wey done
die.
355 1307 Fl.
Picc. Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn. Nail Chimes
(Tamb.)
P. I Maracas, sticks on rubber pad.
S.Cym.
P. II n
(B.D.)
P. III
(strum inside piano)
Pf.
3
5
(thigh slaps)
W. 2 8
then
your
own name.
If
Detiba 8
Emuke 8
Miguel
pizz.
Vn. I pizz.
Vn. II pizz.
Va.
Vc.
Cb.
you get
o
ri
ki,
you
call all your
o
ri
ki.
356 rit.
1310
Tempo I
Fl.
Picc. Cl. Tenor Sax.
T. Sax. n
Bn.
Hn. n
Tpt.
Tbn. n (Tamb.)
P. I (Wood Chimes) T.T.
P. II (B.D.)
P. III
Pf.
5
3
W. 2 8
Then
fi
nal ly,
the place where you want
land.
Dat
Detiba 8
Emuke 8
Miguel
arco
rit.
Tempo I
Vn. I arco
Vn. II arco
Va. arco
Vc. (molto vib.) arco
Cb. (molto vib.)
one,
Ha!
Ve ry im
357 Recitativo
1313 Fl.
Picc. Cl. n
T. Sax. n
Bn. n
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
(dynamics ad lib.)
W. 2 8
por
tant
be
cause
if
you
Detiba 8
Emuke 8
Miguel
Recitativo Vn. I
Vn. II
Va.
Vc.
Cb.
no
tell
358 1316 Fl.
Picc. Cl.
T. Sax. n
Bn. n
Hn. n
n
Tpt.
Tbn. n n
P. I
P. II
P. III
Pf.
6
3
6
W. 2 8
ll
dis me di
cine
where
Detiba 8
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc. n
Cb. n
it
must
take you,
e
fit land you for in side jun gle or o ver seas.
359
,
1319
Tempo I ( = 74)
Fl. 6
5
5
5
5 5
Picc. Cl. 6
5
T. Sax. 5
5
5
n
Bn.
Hn. n
Tpt.
Tbn. n Bongos, T.T., Clay D.
P. I to Sus. Cym.
Agogo, T.T., Wood Chimes
P. II (B.D.)
P. III n
Pf.
,
3
W. 2 8
or
e ven back in
side
your
en
e
my
hand.
(thigh slaps)
Detiba 8
(thigh slaps)
Emuke 8
Miguel
,
Tempo I ( = 74) pizz.
Vn. I pizz.
Vn. II pizz.
Va. pizz.
Vc. pizz.
Cb.
360 1322 Fl.
Picc. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
(Tamb.)
P. I Sus. Cym.
P. II secco (B.D.)
P. III
Pf.
3
3
3
wo
wey make am,
W. 2 8
3
My friend, the
ba
ba
la
Detiba 8
How much
’e
go cost?
3
3
3
Emuke 8
How
much
’e. . .
’e
go cost?
Miguel
arco
Vn. I arco
Vn. II arco
Va. arco
pizz.
Vc. arco
Cb.
pizz.
all
361 1325 Fl.
Picc. Cl.
T. Sax. n
Bn.
Hn. n
Tpt.
Tbn. n to Tamb., T.T., C.B., Bongo
(Tamb.)
P. I (Sus. Cym.)
to T.T., Slit dr., Agogo
(B.D.)
to Congo, Agogo, Timbale
P. II
P. III n
Pf.
6
W. 2 8
de in gre dients wey dey in side.
The hair
from pri vate part of per son wey
just die…
Hmmm…
Twelve ki los.
Detiba 8
What!
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc. arco
Cb.
362 1328 Fl.
Picc. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn. Tamb., T.T., C.B., Bongo
P. I T.T., Slit dr., Agogo
P. II
Congo, Agogo, Timbale
P. III
Pf.
W. 2 8
E’…
E’
fit…
E’
fit
lend
you.
Detiba 8
Blood y
fraud!
E mu ke!
Don’t be…
…such a fool!
You’re bet ting
on the wrong
Emuke 8
You…
Miguel
arco
Vn. I arco
Vn. II arco
Va. pizz.
Vc. pizz.
Cb.
Twelve
thou
sand…
What?
horse.
363 1331 Fl.
Picc. Cl.
T. Sax.
Bn. n
Hn. n
Tpt.
Tbn. n (Tamb.)
P. I (Slit dr.)
P. II (Congos)
P. III
Pf.
W. 2 8
Detiba 8
Emuke 8
Eh?
3
3
Miguel E mu
Vn. I
Vn. II
Va.
Vc.
Cb.
ke!!
Try
mine,
E mu ke.
Al
read y paid
for,
nev
er
been
364 1334 Fl.
Picc. Cl.
T. Sax.
Bn.
Hn. senza sord.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
W. 2 8
Detiba 8
Emuke 8
Miguel 3
used.
The in
Vn. I n
Vn. II n
Va. arco
Vc. n arco
Cb. n
can
ta
tion
is
writ
ten
here.
365 1337 Fl. n
Picc. Cl. n
T. Sax. n
Bn.
Hn. n
Tpt. n
Tbn. n
P. I
P. II (B.D.)
P. III n
Pf.
W. 2 8
Detiba 8
You?
Emuke 8
3
Miguel
6
3
I
al wayslaughed
at
such things.
It’s…
a…
It’s
a
maz
ing
what des
Vn. I n
n
n
n
n
n
Vn. II
Va.
Vc. n
Cb. n
n
per a tion does.
366 1340 Fl. n
n
n
n
n
n
Picc. Cl.
T. Sax.
Bn. n
Hn. n
n
n
n
Tpt.
Tbn.
P. I
P. II (B.D.)
P. III
Pf.
W. 2 8
Detiba 8
Bet
ter
luck
else where
my friend.
Emuke 8
3
3
Miguel Here.
May
be
it
works
for you.
Vn. I
Vn. II
Va. n
Vc. n
Cb.
n
367 1343 Fl.
Picc. Cl.
T. Sax.
Bn. 6 6
6
6
Hn. n
Tpt.
Tbn. n Sn. dr.
P. I Sn. dr.
P. II (B.D.)
P. III n marziale
Pf.
(senza Ped.)
Warder 1 W. 2 8
Some
peo ple
dey, wey
e ven
hea ven
no fit help
Detiba 8
Emuke 8
Miguel
pizz.
Vn. I pizz.
Vn. II
Va.
Vc.
Cb. n
368 1346 Fl.
Picc. Cl.
T. Sax.
Bn.
Hn.
Tpt. n
Tbn. (Sn. dr.)
P. I (Sn. dr.)
P. II (Sus Cym., B.D.)
P. III
Pf.
(senza Ped.)
W. 1 8
Detiba 8
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
Mis ter
Do min
go,
369 1349 Fl.
Picc. Cl.
T. Sax.
Bn.
Hn.
Tpt. n
Tbn. (Sn. dr.)
P. I (Sn. dr.)
P. II (Sus. Cym., B.D.)
P. III
Pf.
5
W. 1 8
the Su per in ten dent want ed you to see these…
Ev ’ry bod y is
speak ing a gainst the sen tence
Detiba 8
Emuke 8
Miguel
Vn. I
Vn. II
Va. col lengo
arco
div.
col lengo
arco
div.
Vc.
Cb.
370 Miguel: [reading] The Roman Catholic Archbishop: "No one has the right to take a human life under a law which did not exist at the time of a presumed offense." -- I’m glad sombody is mentioning presumption of guilt. [pause] The Traditional Rulers’ Council is appealing for clemency. [throws paper away]
1352
repeat until conductor’s cue
Fl.
Picc. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn. (Sn. dr.)
P. I n 1
(Sn. dr.)
P. II sub.
2 (Sus. Cym.)
1
P. III 2
Pf.
2
W. 1 8
Detiba 8
What are
they
say
ing
Emuke 8
We
tin
den
dey
talk?
We
tin
Miguel
repeat until conductor’s cue
senza vibr.
Vn. I senza vibr.
n
Vn. II n
Va.
Vc.
Cb.
371 1355 Fl.
Picc. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
(Sn. dr.)
P. I (Sn. dr.)
P. II n (B. dr.)
P. III
Pf.
W. 1 8
3
Detiba 8
Keep
cool
They all
say
the same thing.
Emuke 3
8
Keep
Miguel
3
Cle
Vn. I
Vn. II
Va.
Vc.
Cb.
men cy!
3
Cle
men
cy
Is
that the
is sue?
cool
Same,
dif fe
rent
372 1358 Fl.
Picc. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I n
P. II (B.D.)
P. III
Pf.
W. 1 8
3
Detiba 3
8
on
ly
dif fe rent
ly.
The
Na tion
Emuke 8
ly,
same
Miguel It
Vn. I
Vn. II
Va.
Vc.
Cb.
is
not
the same
thing.
That is
the kind of lan guage that flat ters
the
bes tial e gos
of such a breed of ru lers.
373 1361 Fl.
Picc. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II (B.D.)
P. III n
Pf.
Superintendant W. 1 8
Detiba 8
3
al Con science Cru sade
5
3
is or ga niz ing a
vi
gil
out side the
pri son
Helps
to put pre
5
Emuke 8
...right,
3
dat
be
right
Hell,
Miguel No!
Vn. I
Vn. II
Va.
Vc.
Cb.
hell
374 1364 Fl.
Picc. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Supt.
Detiba 8
sure
on the re gime.
with
the re gime.
Be
Emuke 8
Miguel
3
They will not he si tate
Vn. I
Vn. II
Va.
Vc.
Cb.
to
o
pen fire
on them.
No
deaths
on my con
science.
5
yond our con trol,
is n’t it?
375 1367 Fl.
Picc. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
S.D.
P. I S.D.
P. II B.D.
(secco)
(secco)
P. III
Pf.
5
5
Supt. E v’ry bod y
get dressed.
Mis ter Do min
Detiba 8
Emuke 8
Miguel
Vn. I
Vn. II
Va. col legno
ord.
col legno
ord.
Vc.
Cb.
go --
and you two
376 1370 Fl.
Picc. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
5
Supt. 3
You’ve all
3
been
sent for.
We don’t know.
Detiba 8
Emuke 8
3
Miguel Who by?
Vn. I
Vn. II
Va.
Vc.
Cb.
377 1373
’
Fl.
Picc. Cl.
T. Sax.
Bn. n
Hn. n
Tpt.
Tbn. n
P. I
P. II n
P. III
Pf.
senza Ped. 5
Supt.
3 6
Or ders
from the same Se cu ri ty U nit
6
as for your in ter ro ga tion
6
6
Detiba 8
In ter ro ga tion?
Emuke 8
Miguel
’ Vn. I
Vn. II
Va.
Vc.
Cb.
6
Re o pen ing the case? A hear ing to
378 1375 Fl.
Picc. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I n
P. II
P. III
Pf.
3
Supt. It
could
be
a
Spe cial Pa nel
Detiba 8
day?
Emuke 8
To day 5
5
Miguel 5
To day is a pub lic hol i day.
Vn. I
Vn. II
Va.
Vc.
Cb.
The courts
are not sit ting.
What?
No long
er
the
Court
of
Ap peal
379 1378 Fl.
Picc. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Supt. 5
The Head
3
of State has ta ken o ver their func tions.
He has set up
his own pa nel
The on
ly
kind that would
sit on
a
pub lic hol
Detiba 8
Emuke 8
Miguel Will
Vn. I
Vn. II
Va.
Vc.
Cb.
our
380 1381 Fl.
Picc. Cl.
T. Sax. n
Bn. n
Hn. n
Tpt.
Tbn. n
P. I
P. II
P. III
with very soft sustaining pedal
Pf.
3
Supt. i
day.
I’ve
told
you all
I know.
You’re luck
y
to
be
Detiba 8
Emuke 8
Miguel law yers
be
pres ent?
Vn. I
Vn. II senza vib.
Va. pizz.
arco
pizz.
pizz.
arco
pizz.
Vc.
Cb.
a
way
3
from the
pre
mi ses
381 1384 Fl.
Picc. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
Supt. 6
to
day.
Ex
e
cu tion.
Armed
rob bers.
The stakes are being set up.
Detiba 8
Emuke 8
3
3
Miguel Are they pizz.
arco
pizz.
arco
Vn. I
Vn. II
Va. arco
Vc.
arco
Cb.
shot
in the
382 1387 Fl.
Picc. Cl. n
T. Sax. n
Bn. n
Hn. n
Tpt.
Tbn. n
P. I
P. II
P. III
Pf.
Supt. On
the
o
pen ground out
Detiba 8
Emuke 8
Miguel pris on
yard?
Vn. I n
n
n
n
Vn. II
Va.
Vc.
Cb.
side
383 1390 Fl.
Picc. Cl. n
n
T. Sax. n
Bn. n
Hn. n
Tpt.
Tbn. n
P. I S.D.
P. II
P. III
Pf.
Supt. the
pri
son,
in
pub lic.
We
ne
ver
know
in
ad
vance
whose turn
Detiba 8
Emuke 8
Miguel
Vn. I n
Vn. II n
Va.
Vc.
Cb.
384 1393 Fl. n
n
n
n
n
n
n
n
n
n
n
n
Picc. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
3
3
3
Supt. it
is
Un less they are our own pris
on ers
of course.
All
we
Detiba 8
Emuke 8
Miguel
Vn. I n
n
n
Vn. II n
Va. n
Vc.
Cb.
n
n
get
are
in
struc tions
to pre
385 1397 Fl.
Picc. Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
3
3
3
Supt. pare
the stakes.
Like
this morn ing.
You are
luck y
to
be
out
of
it.
Detiba 8
Emuke 8
Miguel
Vn. I n
n
n
Vn. II n n
Va. n
n
n
n
n
n
n
n
Vc.
Cb.
386
INTERLUDE - SCENE XI 1401
= 80
Mother
Violoncello
Piano
1406
(
)
1409
3
dim.
3
(
)
SCENE XI The present. Domingo home. (The Mother chanting desperately to Yemanja) 1413
Andante ad libitum 4
Oh
5
(
)
Ye man ja,
Sis
ter of the
clear. . .
Sis ter of the once
clear wa
ters
Mo ver of
n
the
un der tows. . .
387 moving a bit . . .
1418
[with increasing bitterness]
Your
ters
wa
are
mud
died.
Your
once clear path,
Un
der tows that
suck my house
n
1422
[struggling to retain self-control]
hold
down
to sea bed.
I
shall not
a
ban don
faith. . . I. . .
A
wait
a
sign.
n
Poco piĂš mosso
1427
Pro tec tress of the
in
no
cent,
Let
Poco rit.
my son be
an eel
with out
ss
cales,
n
1432
poco a poco meno mosso (through bar 39)
A tempo (piĂš mosso)
That
yet
sur vives
both
heat
and
cold,
Flood
and
drought.
Let
388 1436
him
1440
breast
these
ra
pids.
A piacere
Let
him
reach
the
calm
sanc
tu
a
ry
Tempo I 5
Of
your
Oh
clear spring wa ters.
Ye
man
ja,
Keep
faith
with your faith
ful
ser
vi
tor.
n
1444
A piacere
Don’t a
ban don my
frail
crafts
In mid stream,
No,
not
a mong the
ful
some
n
1449
hy a cinths.
Oh
5
Ye man
ja,
Pro tec
tress,
se
er
of
all,
Sis
ter. . .
n
INTERLUDE - SCENE XII Scene Change 1455
389
= 100
Picc.
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
Bngs., C.B., Clay drm., T.T. (mallets)
P. I cresc. through repeat Agogos, Roto, Slit dr. (sticks)
P. II cresc. through repeat B.D., Ped. B.D., Agogos, Congas (sticks)
P. III cresc. through repeat
Pf.
cresc. through repeat
= 100 Vn. I
Vn. II
Va.
Vc.
Cb.
Timbale
Bell Chime
Agogos
390 1458
4
Picc. 4
B Clarinet
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
(Bngs., C.B., Clay drm., T.T.)
P. I cresc. (Aggo., Roto drm., Slit drm.)
P. II cresc. (Agogo, B.D., Bell Chm., Cong., Ped. B.D., Timb.)
P. III cresc.
Pf.
Vn. I
Vn. II
Va.
Vc.
Cb.
4
391 1461 Picc. 4
Cl. 5
4
4
4 4
T. Sax.
, Bn. 12
gliss.
Hn.
Tpt. gliss.
Tbn.
(Bgo., C.B., Clay dr., T.T.)
P. I (Agogo, Roto, Slit dr.)
P. II Agogo, B.D., Chime, Conga, Ped. B.D., Timb.)
P. III
4
Pf.
4 8
Vn. I
Vn. II
Va. pizz.
Vc. pizz.
Cb.
392 1463 Picc.
Cl.
3
T. Sax. 7
Bn.
Hn.
Tpt.
Tbn.
(Bngs., C.B., Clay drm., T.T.)
P. I (Aggo., Roto drm., Slit drm.)
P. II (Aggo., B.D., Bell Chm., Cong., Ped. B.D., Timb.)
P. III
Pf.
pizz.
Vn. I
pizz.
Vn. II
pizz.
Va.
pizz.
Vc.
pizz.
Cb.
393 1465
4
Picc. 4
4
5
4
Cl.
T. Sax.
Bn.
Hn.
Tpt.
Tbn.
Bngs., C.B., Clay drm., T.T.
P. I cresc. Aggo., Roto drm., Slit drm.
P. II cresc. Aggo., B.D., Bell Chm., Cong., Ped. B.D., Timb.
P. III cresc.
4 4 4
4
Pf.
4 4 4 4
Vn. I
Vn. II
Va. pizz.
Vc. pizz.
Cb.
394 1467 Picc.
Cl. 4
4
4 4
T. Sax.
Bn. 12
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
4
4
Pf. 4
4
Vn. I
Vn. II
Va.
Vc.
Cb.
395 1469 Picc.
Cl. 4
4
4 4
T. Sax.
Bn. 12
Hn.
Tpt.
Tbn.
P. I cresc.
P. II cresc.
P. III cresc.
4
Pf.
4
Vn. I
Vn. II
Va.
Vc.
Cb.
396 ←
1471
=
→
Picc. cresc.
Cl. cresc. 3
T. Sax. 7
cresc.
Bn. cresc.
Hn. sempre staccato
cresc.
Tpt.
Tbn. cresc.
S.D.
P. I (cresc.)
sempre marcato S.D.
P. II (cresc.)
sempre marcato B.D.
Ped. B.D.
P. III (cresc.)
(simile)
Pf.
←
pizz.
Vn. I
=
→
5
sempre marcato pizz.
Vn. II sempre marcato pizz.
Va. 5
sempre marcato
pizz.
Vc. sempre marcato
5 5
pizz.
Cb.
397 1474 Picc. sempre staccato
Cl. sempre staccato
T. Sax. sempre staccato
Bn. sempre staccato
Hn.
, Tpt.
Tbn.
P. I
P. II (Ped. B.D., B.D.)
P. III
Pf.
Vn. I
Vn. II
Va.
Vc.
Cb.
,
398
SCENE XII: The present. Prison corridors. Same time. Miguel, Detiba and Emuke, escorted by Warder 2 and Guard come to halt before a thick door. = 80 1477
Picc.
Cl. sempre staccato
Alto Sax.
A. Sax.
Bn.
Hn. sempre staccato
Tpt.
Tbn. sempre staccato Clay, T.T.
S.D.
P. I Roto
S.D.
P. II
B.D.,Cym.
P. III
simile
Pf.
W. 2 8
Supt. 8
Detiba 8
Emuke 8
= 80 Vn. I sempre marcato
Vn. II sempre marcato
Va. sempre marcato
Vc. sempre marcato
Cb.
399 1480 Picc.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I n
P. II
P. III
Pf.
W. 2 8
Supt. 8
Detiba 8
(whispers to Detiba) 3
They 3
change them
all the time.
5
Emuke 8
Dese no
be
our
reg u lar es corts.
Vn. I
Vn. II 3
Va. n 3
Vc. n 3
Cb. n
400 1483 Picc.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I
P. II
P. III
Pf.
(to Officer on other side of door)
3
W. 2 8
Supt. 8
Detiba 8
Emuke 8
Vn. I
Vn. II
Va.
Vc.
Cb.
O
pen
the gates.
401 (Door is unbolted and creaks open, immediately followed by noise from a crowd outsitde.) They moan, hopeless and without aggression, "No", "No", "No".
1486 Picc.
sempre stacc.
Cl.
A. Sax.
Bn. sempre stacc.
Hn.
Tpt. sempre stacc.
Tbn.
Sn. dr.
P. I (Sn. dr.)
P. II n
P. III
Pf.
(Gives paper to Officer)
Officer
W. 2 8
3
Here.
Detiba
Supt. 8
You have the ex e at?
O kay.
O
pen.
Emuke
Detiba 8
Miguel Emuke 8
Vn. I
Vn. II
Va.
Vc.
Cb.
402 1490 Picc.
Cl. stacc.
A. Sax.
Bn.
Hn. stacc.
Tpt.
Tbn. stacc. (Sn. drm., Clay drm., T.T.)
P. I (Sn. drm., R.T.)
P. II B.D., Sus Cym.
P. III
Pf.
Officer 8
Detiba 8
Emuke 8
Miguel
Vn. I marc.
Vn. II marc.
Va. marc.
Vc.
Cb.
403 1493 Picc. n
Cl. n
A. Sax. n
Bn. n
Hn. n
Tpt. n
Tbn. n (Sn. dr., Clay dr., T.T.)
P. I (Sn. dr., R.T.)
P. II (B.D., Sus. Cym.)
P. III
Pf.
Officer 8
I den
ti
fy
yourselves as
I call out
Detiba 8
Emuke 8
Miguel
Vn. I n
Vn. II n
Va. n
Vc. n
Cb. n
404 (door begins to close)
1496 Picc.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
(Sn. dr., Clay dr., T.T.)
P. I (Sn. dr., R.T.)
P. II (B.D., Sus. Cym.)
P. III
Pf.
3
Officer 8
your name.
Ko la wo le
A de ti ba.
Au gus tine
Detiba 8
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
3
Yes
E mu ke.
405 1500 Picc.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I (Sn. Dr.)
P. II (B.D.)
P. III
Pf.
Officer 8
Mi guel
Do
min go
Detiba 8
Emuke 8
Pre
sent.
Miguel I am
Vn. I
Vn. II
Va.
Vc.
Cb.
here.
406 1503 Picc.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
(Sn. dr.)
P. I (Sn. dr.)
P. II n (Sus. Cym.)
P. III
Pf.
Officer 8
By vir
Detiba 8
Emuke 8
Miguel
Vn. I
Vn. II
Va.
Vc.
Cb.
tue of
war
rant signed by
the
3
Head of State
and
407 (door slams shut and is bolted. In silhouette the Superintendent appears with Warder 1.)
1506 Picc.
n
Cl. n
A. Sax. n
Bn. n
Hn. n
Tpt. n
Tbn. n
(Sn. Dr.) P. I
P. II
P. III
Pf.
Warder 1 Officer 8
Com
3
man
der
of
the Armed
For
ces. . .
Superintendant
Detiba 8
Emuke 8
Miguel
Vn. I n
Vn. II n
Va. n
Vc.
Cb.
408 1510 Picc. n
Cl. n
A. Sax. n
Bn. n
Hn. n
Tpt. n
Tbn. n
(Sn. dr.)
P. I (Sn. dr.)
P. II (Mil. dr.)
P. III
Pf.
W. 1 8
Did you know, sir?
I
Supt. Did
Vn. I n
Vn. II n
Va. n
Vc. n
Cb. n
I
know what?
just
won dered
if
you
knew,
409 (Three pistol shots, one after the other.)
1514
(Silence.)
Picc.
Cl.
A. Sax.
Bn.
Hn.
Tpt.
Tbn.
P. I lunga P. II ca. 7" P. III
Pf.
W. 1 8
Supt. 8
Vn. I
Vn. II
Va.
Vc.
Cb.
Sir
the
three stakes...