dedicated to our dear friend Bobo Ivancich and ou_r dear travel companion Uther.
under the patronage of
organized by
in collaboration with
special prize
special thanks to
conceiver and curator Paolo De Grandis president co-curator Carlotta Scarpa director editorial coordination Francesca Romana Greco organizational manager image coordination and design © Sofía Arango Echeverri artistic assistant Leonardo De Grandis technical support
open 19th Edition catalogue PDG Arte Communications C.F. 94073370275 Via P. Orseolo II 16, 30126 Venezia Lido - Italy Tel.+ 39 041 5264546 Fax +39 041 2769056 info@artecommunications.com www.artecommunications.com print Europrint - Treviso edited by © PDG Arte Communications 2016
stefano bressani
Italy
antonio falduto uto
Italy
miresi
Italy
federico nero
Italy
carlo nieddu arrica
Italy
tomas
Italy
giuseppe verri
Italy
verteramo
Italy
recycle group
Russia
yahon chang
Taiwan R.O.C.
lee tsung -jen
Taiwan R.O.C.
liu po-chun
Taiwan R.O.C.
lina condes
Ukraine
portraits of artists
46 44 42 40 36 34 32 30 28 26 22 20 18
16
12
open prize
li chevalier
France
summary.
preface
8
6
preface. This year OPEN, International Exhibition of Sculptures and Installations reaches its nineteenth edition. Conceived and curated by Paolo De Grandis, co-curated by Carlotta Scarpa, the exhibition is organized by PDG Arte Communications with the patronage of the Ministry for Cultural Assets and Activities and Tourism and by the Ministry of Foreign Affairs and International Cooperation. 19 years of history of sculptures and installations in the open air in public spaces and unconventional ones that open for the enjoyment of a heterogeneous public, like the recent exhibition area in the Molino Stucky, the most important example of industrial archaeology preserved in Venice: now home to the Hilton and a culture centre. This interaction between the work of art and the public space for lingering or passing through brings beauty into everyday life through the activation of the onlooker’s aesthetic perception with the consequent withdrawal of his usual rational interpretation of reality. Reflection becomes a constant in OPEN, as well as a challenge for the artist to create unprecedented expressive developments through the dialogue between work and space. The artists taking part in the exhibition combine an extremely free use of the expressive medium to contaminate the spaces of Molino Stucky, from the great sculptures of Liu Po-Chun, Stefano Bressani and Giuseppe Verri which can be seen on the Fondamenta della Giudecca to the plastic works of the two Russian artists of the Recycle Group where the leitmotiv of recycled material debunks the new contemporary myths, and then to the installation by Li Chevalier where the particular technique with which the canvas undergoes a sequence of layers of ink is expanded in a serial intervention, to Yahon Chang, the Master from Taiwan who recently made his debut at the MACRO in Rome in the second stage of the long-term project From La Biennale di Venezia to MACRO. International Perspectives coordinated by Paolo De Grandis and Claudio Crescentini and whose works will be remodelled for OPEN. Linguistic experiments in a research into the expressive possibilities of colour as an emotional presence and pure physical value for Lee Tsung-Jen, Lina Condes, Verteramo, Carlo Nieddu Arrica and Tomas. Heterogeneous works, different paths all sharing a vitalism that goes beyond the limits imposed by
– 8 –
the surface, by the colour allowed to flow as though it were a pulsation, to new schemes of composition of tones and spatial backgrounds. Photography is expressed in a research and an aesthetic that are as different as they are surprising in the works of Miresi and Federico Nero. Setting Venice: the first sets out to capture its views, secret corners, atmospheres, fragrances and architectural details, while the second presents an imperceptible whole through a neat symmetry that transforms industrial archaeological sites into symbolic and conceptual abstractions. Parallel paths which, though originating in absolute freedom of expression, free from a compulsory theme, contaminate one another. The experience is repeated and amplified when the parallelism involves other zones, other linguistic games. As in the film PRE/ POST CARDS by Antonio Falduto (UTO) which will be presented in a world preview at OPEN and which concentrates on the temporal dichotomy of a world torn between the attempt to enable an ever present past to survive and the fascination of the most deviated aspects of a march in serried ranks towards the future. An analysis in which the director chooses to present questions by means of archetypes and modern myths. The film was shot in four cities: Cape Town, Rome, Rio de Janeiro and New York, involving more than seventy models. This year OPEN collaborates with curators Serena Mormino, Bianca Laura Petretto, Daniele Crippa, Yang Wen-I and Carola Cometto. With the strength of this extraordinary formula, OPEN contributes to modifying the fabric of a city, making it an international platform of works in the open air, to show an amazed audience a new, involuntary, amazing way of enjoying art in the light dynamic of a walk outside over-familiar and restricting walls and perimeters, changing its content before their eyes. The very idea and constant challenge of OPEN is to create a yearly art event in the open air and to gain followers in the world, arriving this year in Korea where Paolo De Grandis has been invited to the Biennale of Sculpture in Changwon to take part in an international symposium where he will illustrate his own twenty years of experience at OPEN.
– 9 –
open prize. Special prize to the 73rd International Film Festival of Venice Patronised by Associazione Culturale PDG Arte Communications September 2016 Venice Lido PDG Arte Communications launches the XVI Edition of the OPEN Prize, on the occasion of OPEN 19, International Exhibition of Sculptures and Installations. The prize will be awarded to a Director taking part in the 73rd Venice International Film Festival whose work reveals, in an unprecedented way, a fruitful interest in the fascinating theme of the mutual interaction between art and cinema, two art forms which live on image and are nourished by the desire to express emotions. Prize created by the artist Gianmaria Potenza.
Penna 2008 bronze, lost wax fusion 37 x 7 x 7 cm
– 10 –
France
Human Theatre
2016 experimental ink on canvas 100 x 100 cm
Temptation
2016 experimental ink on canvas 100 x 100 cm
Deux Rives n.2
2016 experimental ink on canvas 100 x 100 cm
Touche Subliminale
2011 experimental ink series over wooden easel 12 pieces variable dimensions
Li Chevalier lives and works in her two art studios in Beijing and Paris. She graduated from Central Saint Martins College of Art & Design in London after she gained her first post graduate degree in Philosophy at Sorbonne University in Paris. Her first major exhibition was held at the National Museum of Fine Arts in China in 2010. Other solo shows followed, including Today Art Museum Beijing, the Museum of Fine Arts in Shanghai (2011), the State Opera in Beijing (2013), the Contemporary Art Center Submarine Base Bordeaux (2014). Li Chevalier’s works have been featured in numerous museums and international art fairs including the Royal Academy of Arts London (2007), Art Capital at the Grand Palais (2006- 2009), Rodin Museum Beijing (2013), Museum of Contemporary Art Shanghai Dolland (2012), Museum of Modern Art Beijing (2012), Peking University (2012), the National Library of China (2012), Museum of Today’s Vision Beijing (2011), Beijing International Fair (2011), the National Museum of Wuhan (2010), Sunshine Museum Beijing (2010), Art Salon of the French National Fine Arts Society at the Carrousel du Louvre (2009), International Art Fair Glasgow (2008), Northern Art Fair UK (2008), International Art Fair in Shanghai (2008), International Art Fair in London (2007), National Gallery of Qatar Al Bida (2003). Two of her major paintings have been part of the collection of the French Embassy in China since 2011 and are exhibited at the French Ambassador Residence, alongside works by two other Franco-Chinese artists Zao Wuki and Chu Tequn.
li chevalier
– 14 –
Italy
curated by Serena Mormino
supported and patronised by
patronised by
acknowledgements Gianluca Riboni
SKULTOFLOWER
2016 water repellent neoprene, polystyrene, weathering steel 325 x 235 x 235 cm
photo credits Juljan Rushaj
– 18 –
“Welcome to the Fabrics Planet.” Scissors and Cylinder are his visiting cards. Stefano Bressani is an Artist and a Master of a singular technique in the contemporary art panorama, of which he is the founding father. Born in Pavia in 1973, he is keen on the figurative art and the world of the colours; the experimentation is part of his way of thinking and conceive of life. Approaching the world of fabrics, he fits into the segment of the sculpture, interpreting art in a new way. In 2013 the studies on OBELISKUS have been started, which is the first outdoor sculpture realized in weather resistant materials, and it was exposed in Venice and during the Triennale of Milan. He has always been a fan of Picasso and he founds his personal kind of image decomposition; he was invited in an official exhibition of Picasso in 2015. Internationally known as an innovative contemporary artist, Bressani boasts numerous exhibitions in galleries, museums and institutional contexts in Europe and America.
stefano bressani
Italy A Post/Card is a card from the Time/After (Post). So if there is a Time/After, there is also a Pre/Time and its Pre/Card. These images are collection of the imagery and the imaginary, searching for an impossibile order. Same sender and receiver. Entropy and Euthanasia of the Human Race. Symptoms of the Human Regression: Loss of collective memory, ideologies, faith, archetypes and toys. Oedipus and Mickey Mouse rusty and about to be trashed icons. If there is no Archetype and Utopia what is our future? Maybe a comforting and predictable near Future? Who will we send our Pre/Post Cards to? And what will we write on them? PRE/POST CARDS frame 2016 film duration 38 min. production Zebra x Pictures production designer Marta Zani music score Tiziano Novelli additional music score Fabio Monzù Rosselli graphic designer Marco Fortunati costume designer Maleen Nokel
– 20 –
Antonio Falduto (UTO) was born in Rome. He graduated from DAMS University in Bologna. He trained as an assistant on the sets of Federico Fellini and Ettore Scola. In 1991 he directed the experimental film Antelope Cobbler (winner of the jury price at Festival d’Annecy/ Italian Cinema). Between 2001 and 2009 he directed a number of environmental and social short films. In 2010 he was co-writer of Gangor (Rome Int. Film Festival, competition) and in 2011/12 he wrote and directed The Italian Consul (Taormina Int. Film Festival, competition). In 2013 he realized Macrocosmi, a multimedia show for the Macro Museum and the Planeturium of Rome, commissioned by Comune di Roma\Zetema. In 2014 he directed the documentary Cinearchtectures. He is a lecturer at UNINT University in Rome.
antonio falduto (uto)
Italy
Ombre Veneziane n.2
2014 photograph on Alu-Dibond 100 x 70 cm
Born in Verona, Miresi lives and works in Berlin. A student of Nurdio Trentini, she studied art in Verona and graduated in Literature in Geneva. Her artistic activity took the shape of methodological continuity at the beginning of the ‘80s. In 1983 she was invited to the Arcaici di fine secolo exhibition, in which the curator, Giorgio Cortenova, delineated a synthetic panorama of new Abstract art, the alternative, in those years, to triumphant Figurative art. Miresi distinguished herself as protagonist of those new studies that rejected the theorems of post-Modern theories. In 1986 she was present at the exhibitions La secessione astratta degli anni Ottanta (Umbertide) and Energia e lirismo (Galleria del Milione, Milan), which unites Dorazio, Turcato, Verna, Pinelli, Miresi and Celeste under a profile of ideal continuity. In 1988 she participated in Astratta - Secessioni astratte in Italia dal dopoguerra al 1990 (Palazzo Forti, Verona; Palazzo della Permanente, Milan; Kunsthalle, Darmstadt), curated by G. Cortenova. In 1990 she took part in the exhibition entitled Colore-struttura, una linea italiana, 1945-1990, held in Prato and curated by L. Caramel and E. Mascelloni. From the second half of the ’90s Miresi’s painting encounters iconic themes within which her artistic language expands in a heated dialectic between space and surface - a problem that, begun with experiences in Abstract art, today finds within itself the revelation of the image of identifiable everyday shapes and forms. Since 2010 Miresi has developed her passion for fotography. She is now photographing still in the poetic of a painter. Her major objective is to show new and different perspectives on architectonic objects, for example in Venice and the old Funkhaus Radio DDR (GDR) in East Berlin.
miresi
– 22 –
Italy
curated by Carola Cometto
Supersymmetry 45°28’9.88”N 12°14’15.37”E
2015 true giclée print diasec 150 x 208 cm
Supersymmetry 45°25’40.11”N 12°19’12.34”E
2016 true giclée print diasec 130 x 180 cm
Federico Nero was born in Padua in 1977. Starting as a young graphic artist, Nero grew to become one of the most talented Italians working in the creative image field. He would later become a professor of the subject at Padua Institute of Photography. For his creative research, he traveled and assisted Vittorio Moltedo in Paris, collaborated with artist Michael Lin in Shanghai and director Pedro Almodovar in Madrid. In 2006, drawing upon his heterogeneous experiences Nero became a fashion photographer. He moved to Milan in 2010, where he worked with Safilo Group and shot luxury brands campaigns. Since 2012, Nero distanced himself from commercial photography, focusing on contemporary art practices. In 2014, his film Rêve Lucide was presented at Temporary Art Saintonge13, in Paris. In May 2016 Supersymmetry, an ongoing project that uses industrial archeology, photographed and filmed at night, to give life to futuristic three-dimensional bodies, was presented in Milan by curator Carola Cometto.
federico nero
– 24 –
Italy
curated by Bianca Laura Petretto
patronised by B&BArt Museo di Arte Contemporanea Italia
Relitti n.1
detail 2016 oil painting, wood, fabric, metal, rope 280 x 160 cm
Carlo Nieddu Arrica was born in Cagliari, where he lives and works. His installations and painting productions, the main topic of which is the sea and the horizon, began in the late 90’s through participations in collective and individual exhibitions, mainly in Italy. He is part of the international movement of the Wanderers and of the experimental studio of the B&BArt contemporary art museum in Italy. Canoeist, artist and writer by accident, he loves to stress that his horizon, which is broken and at the same time secure, is an invitation to look forward, to discover a new space and reality. His navigation expands through the eyes of an explorer who observes the force of nature and imagines vital places, beyond the limits of the rocks, the land and the horizons. The narration in his artworks reflects a light, fleeting mood, through the geometrical shapes of his rocks, the silent clouds, the stormy waves of matter and rarefied timeless spaces. The sea is seen from a different perspective, from above and in section, limit and vision in a context that reveals a beloved obsession: the Devil’s Saddle, the promontory overlooking the sea in the Gulf of Cagliari, which preserves legends and stories of angels and demons. The artist, refined and polite observer of transparent effects, has experimented in his installation Relitti n.1 the need to leave the sea something that remains. A bow contains pieces of wood and drowned memories that were lost, but can always be transformed and live again. The artwork presents the observer with simple and brief atmospheres that transport thoughts over the surface of the water or plunge into the dark depths of the sea. It is a declaration of love for the sea, the horizon and for elsewhere, wandering in the wide blue yonder.
carlo nieddu arrica
– 28 –
Italy
acknowledgements Thanks to Giuliana Guazzaroni for having enhanced his artwork with a virtual reality performance. The performance represents the first nucleus of Energy Drink. It was realized in a blank space before creating the artwork. The performance is a second layer of reality and is enjoyable with a virtual reality headset.
Energy Drink
2016 PVC, paper, oil paint 203 x 303 cm
photo credits Giuliana Guazzaroni
Luca Tomassini (Tomas), born in 1970, is an independent painter based in San Ginesio, Italy. His painting is imagination. It evokes environments that might be part of a dream. He uses symbols, allusions, dream figures. Sometimes he escapes from reality and he transports himself in a different world. A world that could be an ancestral past, or our next future. He interprets the heritage of humanity through invisible metaphors and elevates humanity to divinity. He is a kind of visionary who uses brushes and canvases to build new universes. There is a purpose of representing and communicating something in his paintings. A sort of thing that extends up to the future bringing myths and allegories, and reinterpreting them in a post contemporary key. Since 1996 he participated in different solo and group exhibitions in Milan, Rome, Turin, Spoleto, Macerata and abroad. In 2016 he presented the interactive show, Walking Eight, in collaboration with Giuliana Guazzaroni, at TOC Festival Tolentino, Palazzo Parisani-Bezzi, Museo Napoleonico.
tomas
– 30 –
Italy
Open - La Porta
2016 wood 220 x 150 x 220 cm
photo credits Mauro Leva
Giuseppe Verri was born in Rome, on the 24th of July 1970. The dream of his lifetime: becoming a sculptor-engineer. He graduated at Tor Vergata University, Rome, in Civil Engineering (oversized structures). “I remember that at the age of 4, I loved spending my afternoons in the meadowlands near my home in Rome, where the University Tor Vergata was build, afterwards. I enjoyed exploring the ruins of Roman Empire, but... whenever I found a puddle and mud, I could not stop from shaping figures, bodies...” His endless passion for Art in general and Primitive Art in particular, began at the age of 14teen. The perception of the Essence of Nature and the basic simplicity in their realizations, leaded him to gather something further than his work, self: art exhibitions for young artists, cultural associations committed to Art, etc. Nowadays, he is the manager of the Agritourist Company named “CASALE DELLA MANDRIA”, which is also his permanent exhibition art site. It is located in the appealing Village of Lanuvio, Castelli Romani, setting of several archaeological sites. A passion that gives him the strength to generate, craft, original creatures, which can be found only in the primitive caves of distant and ancient cultures: Mayas, Incas, Aztecs and Africans. Appreciations of his work enabled him to participate and win several competitions of art and other events.
giuseppe verri
– 32 –
Italy
acknowledgements Paolo Roffina, Gruppo AMAGPAG
Manhattan Two Stars Below
2016 pigmented resin, aluminium 100 x 70 cm
– 34 –
Roberta Verteramo is an italian artist based in London. She attended Art School at the Albertina Academy of Fine Arts in Torino and in Valencia. Verteramo’s early eclectic art sensibility led the Academy to offer her a teaching position a few years after her graduation. She later became a conservator of contemporary art, establishing the Triennale Museum laboratory in Milan, where she had the opportunity to meet and collaborate with internationally known artists and designers. Verteramo’s eclectic inspiration led her to design ironic objects, displayed at a personal exhibition supervised by Philippe Daverio at Fuori Salone del Mobile 2011 in Milan, as well as to engage in performing art in collaboration with La Fura dels Baus, Barcellona. Her accomplishments were covered by some major art journals. In 2014 she moved to London, where she became active in the realm of luxury, crafting original and highly sophisticated artwork. Verteramo’s art production is part of private collections and Foundations the world over.
verteramo
Russia
Online
detail 2014 plastic, thermo-shaping 120 x 80 x 60 cm
courtesy of La Fabrique Barbot et Fournier
Recycle Group consists of Andrey Blokhin (b. 1987) and Georgy Kuznetsov (b. 1985), two contemporary artists who work primarily with industrial mediums such as acrylic, plastic mesh, and polyurethane rubber to examine contemporary culture through a quasi-archaeological lens. As their name suggests, the duo is concerned about the rising level of material waste as a byproduct of widespread consumerism. Series of sculptures represented at this exhibition demonstrates remains of ancient civilizations, questioning whether the aspects of today’s throwaway, technology-obsessed society will be worth immortalizing in history later. Their works also draw upon classical Western traditions such as narrative relief carving and Christian iconography to compare contemporary times with other histories – social media with religion, corporate leaders with kings, and online existence with mausoleums. “Whereas before it used to be ‘Do you remember the event?’ now it’s ‘Do you remember the picture I posted on Instagram?’” Their work has been widely exhibited, including solo shows at the 56 Venice Biennale of Contemporary Art, Multimedia Art Museum in Moscow and Busan Biennial in South Korea, with public placements at London School of Economics and Political Science, City of London as well as The Grand Palais in Paris. Both Andrey Blokhin and Georgy Kuznetsov live and work in France and Russia.
recycle group
– 36 –
Taiwan R.O.C.
curated by Francise Chang
Work in Action
2015 ink on paper variable dimensions
Faces Series-Heaven, Earth and Hell
2016 ink on linen 2000 x 215 cm each scroll
Born in 1948, Yahon Chang lives and works in Taipei, Taiwan. He creates large format paper and canvas artworks that blend Eastern and Western mediums such as ink and acrylic on Chinese rice paper or on canvas together. He uses various sizes of Chinese brushes that require the body and the brushes to gesturally maneuver around the painting. His sculptural works are also rich with calligraphy elements, where the outline of the shape is the imprint of calligraphic brushstroke. There is a profound spirituality in the expressionistic technique presented in his artwork, inspired by the conception of Literati tradition and Zenism, together with the freedom of expression in colours, and in the dynamic of brushstrokes. The early works of Yahon Chang always entailed the visualisation of meditative monks or unknown figures that emerged from his meditation. His portraits evoke a particular state of mind that draws the viewer into its gaze and its stillness. Chang’s figurative compositions have a subversive affiliation with the Chinese altar setting, as if it is a commemoration for human beings in the past, present and future. There is a certain mysterious quality to Yahon’s painting that cements a state of serenity within the viewer, as if they could see through the painting into a flux of time that is neither past nor future, but a state of eternal existence. His painting draws from his life, encompassing his rejections, struggles, acceptance and love in this world, exploring the space between the state of being and the subconscious, that questions human existence, social discrimination and spirituality.
yahon chang
– 38 –
– 40 –
Taiwan R.O.C.
curated by Yang Wen-I
Green Wave
2016 ink and acrylic on cotton paper 60 x 120 cm
– 42 –
In Green Wave, Lee Tsung-Jen’s tranquil and mysterious river landscape, shades of light, shifts in atmosphere, the interaction of the figurative and the abstract, and the visualization of mind and matter are all issues of a larger agenda, the modernization of Chinese ink painting in Taiwan. In particular, the picture grants the viewers an insight into a biographical narration that is about capturing plain-air landscape with an objective, realistic approach on the one side, and the empathic bodily experience of the human ecological environment on the other side, both features of his ongoing research into blending the acrylic and ink techniques. Having been awarded first prize in the National Ink Painting Competition in his twenties, the artist has since put on over fifty solo and group exhibitions in Taiwan and abroad. Widely recognized as a pioneering revitalizer of traditional ink painting, he is currently head of the Chinese Painting and Calligraphy Department, National Taiwan University of Arts, and serves as juror, adviser, and supervisor on various public and private committees. Between 2012 and 2015, he was the director of the NTUA Art Museum.
lee tsung-jen
Taiwan R.O.C.
curated by Yang Wen-I
The City Bodies
2013 steel and iron 380 x 190 x 190 cm
– 44 –
Created in 2013 by Liu Po-Chun, a much-acclaimed Taiwanese sculptor, the work unmistakably touches upon the psychology of a torn, tattered, and fragmented cityscape set in our global post-industrial, surplus-and-excess-prone society and personified by human bodies. The disintegration of their microcosm’s geography into irregular small units of used scrap iron parts is imaginative and radical yet unsettling, as it conveys an image of the human condition on the verge of falling apart, triggering us to rethink mankind’s fragile existence in an age of crisis. One of Taiwan’s most productive and engaged artists, Liu Po-Chun possesses not only a profound knowledge of contemporary sculpture, he has also actively taken part in various artistic projects and exhibitions around the globe, most recently at the Musée de l’Homme, Paris. For two decades he has been a professor at the Sculpture Department, National Taiwan University of Arts, presently serving as dean of its Fine Arts College.
The City Bodies is a monumental scrap iron assemblage of four colossal figures on a pedestal.
liu po-chun
Ukraine
Story about bachelors whose mind spoiled with an idea not to marry to have relations with a lot of women... Toxic relations... Fun
curated by Daniele Crippa
supported by
ESTANCIA EL MILAGRO LA CANDELARIA - SALTA - ARGENTINA
Celebatarian
2015 acrylic on canvas 200 x 100 cm
Lina Condes is an artist of a new generation, who has a composite way of thinking – a wide-scale use of various genres, technologies, methods that modern visual practice abounds in. similar to a DJ creating a peculiar fusion of images he mixes up in unexpected combinations, Lina combines painting and sculpture, graphics and design, video and fashion. In her images one can find a mixture of design creation with the open emotivity of a free paintbrush born from her own painful personal experience. Lina creates compositions based not on the “presence effect”, which dictates an appropriate spatial solution with its illusion of depth but just on an “image-feeling”, where on the foreground come a certain flatness, decorativeness of the surface, local colouring, as well as a sharp, even a hysterical heart-rending line. These schematic figures, reduced to pictograms, mingle into compositions of knots and designs, creating on the field of the picture, here and there, zones of condensation and tenseness, or, on the contrary, detente. It’s just this pictographic ligature, organically interlaced into the artistic canvas of the image, that is the most recognisable feature of an artist’s handwriting. It is self understood that it goes about not about an absolute know-how: the scale of analogies of where in modern art the pictogram signs were used, is rather wide – we may find here Kathy Harring, Ralf Winkler (A.P.Penk), and some others... However the author managed to privatize this motion, making universal men the protagonists of his play, his emotions, his plot lines and collisions. One of such lines is presented in the form of a certain cartooned “kama-sutra” taking off from the image a mantle of unnecessary seriousness and primness and making it light, ironic, playful. Another one provokes something like a detective plot, out of nothing, because it’s hard to get rid of literary associations with the Conan Doyle’s Dancing men, pushing them to plunge into the solving of secret pictographic meanings, which may have been beyond the plans of the author...
MUSEO
lina condes
– 46 –
portraits of artists.
li chevalier
stefano bressani
antonio falduto (uto)
miresi
federico nero
carlo nieddu arrica
tomas
giuseppe verri
verteramo
recycle group andrey blokhin
recycle group georgy kuznetsov
yahon chang
lee tsung-jen
liu po-chun
lina condes
finito di stampare nel mese di agosto del 2016 da Europrint, Treviso.