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Typocircle Speakers:

A2/SW/HK 6 June - 10 August

“A2-Type is a new type foundry set up by the London based design studio A2/SW/HK. Established to release and distribute over a decade’s worth of specially crafted typefaces the foundry offers access to a unique collection of fonts. Launching in Autumn 2010 with a selection of 15 fonts specially created for print, screen and environment. Scott and Henrik are members of Alliance Graphique Internationale, AGI.” A2/SW/HK


Typocircle Speakers 04 - A2/SW/HK

Client: Ergonomics Project: Real Design 2009 - 2010 Design Museum, London Exhibition identity, applied graphics and brochure including bespoke display typeface Exhibition design by Michael Marriot Photography by Luke Hayes & A2/SW/HK

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Typocircle Speakers 04 - A2/SW/HK

Client: Ergonomics Project: Real Design 2009 - 2010 Design Museum, London Exhibition identity, applied graphics and brochure including bespoke display typeface Exhibition design by Michael Marriot Photography by Luke Hayes & A2/SW/HK

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Typocircle Speakers 04 - A2/SW/HK

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Typocircle Speakers 04 - A2/SW/HK

Client: V&A Museum London Project: Cold War Modern, Design 1945 - 1970, 2008 Art Direction, bespoke typefaces and design

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Typocircle Speakers 04 - A2/SW/HK

Client: Ergonomics Project: Real Design 2009 - 2010 Design Museum, London Exhibition identity, applied graphics and brochure including bespoke display typeface Exhibition design by Michael Marriot Photography by Luke Hayes & A2/SW/HK

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Typocircle Speakers 04 - A2/SW/HK

Client: Gavin Martin Associates & Colournet LTD Project: Deliver a great idea We suggested making use of an unused canvas - the humble proof bag. Used by printers to deliver wet proofs to their clients, the bags were screen printed with a life-sized collection of eccentric objects.

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Typocircle Speakers 04 - A2/SW/HK

Client: Foreground, Frome Project: Intervation/ Decoration, 2008 Visual identity, bespoke typefaces and design

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Typocircle Speakers 04 - A2/SW/HK

Client: Foreground, Frome Project: Intervation/ Decoration, 2008 Visual identity, bespoke typefaces and design

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Typocircle Speakers 04 - A2/SW/HK

Client: Phil Collins Project: “The world wont Listen” Art Direction, bespoke typefaces and design

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Typocircle Speakers 04 - A2/SW/HK

Client: Phil Collins Project: “The world wont Listen” Art Direction, bespoke typefaces and design

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Typocircle Speakers 04 - A2/SW/HK

Awards Tokyo Type Directors Club, 2 entries in annual, Antwerp typeface + A2-TYPE typeface specimen Graphis Poster 2012, 3 Gold Awards Type Directors Club of New York, 2012, 1 Certificate of Typographic Excellence Letter2 (ATypi 2011), Winner: New Rail Alphabet Type Directors Club of New York, TDC57, 2011, 2 Certificates of Typographic Excellence Granshan International Type Design Competition, 3rd prize in the Display Category (Zadie typeface), Armenia, 2010 Type Directors Club of New York, TDC56, 2010, 1 Certificate of Typographic Excellence Granshan International Type Design Competition, 1st prize in the Display Category (Vogue Floral typeface), Armenia, 2009 ISTD — 2009 International Typographic Awards 2009, 1 Premier Award & 4 Certificates of Excellence D&AD, Design & Art Direction, 2009 Annual, in book x 2 Graphis Poster 2010, 1 Gold Award Tokyo Type Directors Club, 2009 Annual, in book x 1 LAUS 08, ADG FAD, Nomination Z-GRAF 10, Croatia, Honorable Mention ADI Design Awards 2007, Art & Design Institute of China Academy of Art, ADI Achievement Award Tokyo Type Directors Club, 2008 Annual, in book x 2 Kraszna-Krausz Photography Book Award, Kraszna-Krausz Foundation and the National Museum of Photography, Film & Television, Bradford, 1 Nomination Graphis Logo Design 7, 2007, 1 Gold Award Graphis Poster 2007, 1 Platinum Award & 1 Gold Award The Howard Smith Paper Graphic Design and Print Awards 01 (2007), Winner, Graphic Design, Books and Magazines Design Week Awards 2007, Branded Packaging, Commended, Nørrebro Bryghus AIGA, American Institute of Graphic Arts, 50 best covers of 2006 Print Magazine, USA, Regional Award, 2006 TAMGA, International Trademark Contest 2005, Honorary mention AXA Award, Nomination, 2005 Type Directors Club of New York, 2005, 3 Certificates of Typographic Excellence ISTD, International TypoGraphic Awards 2004, Winner: Overall TypoGraphic Award, 2 Premier Awards & 2 Certificates of Excellence The Danish Design Prize 2004, Visual Identity, Winner, Nørrebro Brewery — in collaboration with Punktum Design Design Week Awards 2004, Temporary Exhibition Design, Winner, Turner Prize 2002 Design Week Awards 2004, Poster Design, Winner, Teaching Posters Design Week Awards 2004, Editorial Design, Nomination, Apparition, The Action of Appearing Type Directors Club of New York, 2004, 1 Certificate of Typographic Excellence The Consort Royal Graphic Design and Print Awards 2003, 2 Gold Awards, 1 Overall Gold Award (London region) Art Directors Club of New York, 2003, 1 Distinctive Merit Award, Exhibition design 2003 Type Directors Club of New York,2003, 2 Certificates of Typographic Excellence Danish Design Centre, The Danish Design Prize 2002, 1 Nomination, Identity Scheme Communications Arts Design Annual 2002 D&AD, Design & Art Direction 2002 — 1 Silver Nomination, Identity Scheme Danish Design Centre, The Danish Design Prize 2001, 1 Nomination, Identity Scheme Consort Royal Awards 2002 — 2 Silver Awards, Corporate Literature & Miscellaneous ADCNY, Art Directors Club New York 2002 — 1 Distinctive Merit & 1 Merit Award, Identity Schemes ISTD, International TypoGraphic Awards 2001— 2 Premier Awards & 3 Certificates of Excellence ADCNY, Art Directors Club New York 2001 — 1 Distinctive Merit Award, Editorial Design

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Typocircle Speakers 01 - Magpie Studio

Client: Jackson Gilmore Project: Cook up a successful rebrand Jackson Gilmour are a family run, award-winning catering company. With a prestigious client list that includes HRH the Queen and a staff of chefs with more than a few Client: Royal Mail Michelin stars between them, they needed a rebrand that Project: How to-offer Spread the of word expressed their as one the best in the business. Our solution is inspired by the typographic beauty of the original King James Bible. A modern take on the 400 year old book resulted in a pocket-sized Bible with extracts relevant to the stamps. The stamps were then tipped-in by hand to form a crucifix.

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Typocircle Speakers 04 - A2/SW/HK

Client: Hayward Gallery Project: The New Decor, 2010 Art Direction, bespoke typeface and design Cover typeface: Flash by Edwin W. Shaar, Linotype

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Typocircle Speakers 04 - A2/SW/HK

Client: Royal Mail Project: How to - Spread the word

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