PARISASADAT MODARESI ARCHITECTURAL PORTFOLIO

(647)-328-8129 pmodaresi91@gmail.com Toronto, CA www.linkedin.com/in/parisa-modaresi

Architectural Portfolio

PARISASADAT MODARESI

PARISASADAT MODARESI - ARCHITECTURAL DESIGNER AND TECHNOLOGIST -

(647)-328-8129

pmodaresi91@gmail.com

www.linkedin.com/in/parisa-modaresi

Toronto, CA

As a recent graduate with a Bachelor of Architectural Science (BArch SC) from Ryerson University, I bring a rich tapestry of experience in architectural design. My expertise is anchored in the harmonious integration of sustainable and conceptual design principles, with a keen focus on innovative material applications through both creative and technical methodologies. I approach my design process with a mindset that is both open and adaptive, fostering an environment conducive to creativity and ease.

My professional demeanor is marked by a collaborative ethos, enabling me to navigate complex projects effectively within structured organizational frameworks. I am recognized for my leadership capabilities, which are instrumental in guiding cross-functional teams in diverse work settings. This leadership facilitates enhanced productivity, adaptability to evolving challenges, and the realization of exceptional outcomes.

OBJECTIVE As a dedicated and creative Architectural Designer and Technologist, I seek to join a dynamic team where I can contribute my extensive skills in 3D modeling, design, and technology. I am eager to apply my expertise in architectural design and my passion for sustainable and innovative solutions to create impactful and lasting structures.

E D U C AT I O N

European Architecture

Bachelor of Architectural Science

June 2019

Frankfurt University of Applied Sciences.

Frankfurt, Germany.

Ryerson University.

Toronto, Ontario.

September 2017 June 2021

SKILLS •

Advanced proficiency in 3D modeling and rendering tools including Rhino, Revit, and 3Ds Max.

cutting, and woodworking.

•

Strong communication, collaboration, and project

•

Skilled in drafting software such as AutoCAD Architecture.

•

Experienced in postproduction and rendering with Vray

•

Excellent problem-solving and critical thinking skills.

and Twin Motion.

•

Technical Skills

Competent in Adobe Suite (Photoshop, Illustrator,

•

BIM (Building Information Modeling) expertise.

InDesign).

•

Knowledge of sustainable design practices.

Expertise in model making, including 3D printing, laser

•

Understanding of architectural codes and regulations.

• •

LANGUAGES

English: Fluent

Farsi: Native

management abilities.

A F F I L I AT I O N October 2019 ACADEMIC MENTOR Winter 2020 Ryerson Architecture Course Union (ACU)

PROFESSIONAL EXPERIENCE ARCHITECTURAL TECHNOLOGIST AND DESIGNER Hariri Pontarini Architects (HPA), Toronto, ON

• • • • • • • •

August 2022 - Present

Spearheaded the Revit modeling for the New High Rise Project 1-Yonge Phase 2, demonstrating proficiency in architectural technology and design.

Led the development of the envelope model, successfully adjusting the facade from level 69 to 99, showcasing innovative design solutions.

Conducted conceptual mass design using Rhino, contributing to the aesthetic and functional aspects of the project.

Prepared detailed sectional drawings, shop drawings for curtain and window walls, ensuring accuracy and compliance with project specifications.

Managed shoring drawings, suite layouts, marketing plans, and black line plans, displaying versatility and comprehensive project understanding.

Initiated and designed conceptual plans for feature stairs in the lobby, adding a significant architectural element to the project.

Collaborated extensively with the team, utilizing skills in Revit, Rhino, AutoCAD, and presentational layout design.

Conducted regular site visits to ensure project alignment with design and architectural standards.

REFERENCE

Nadine El-Gazzar, Manager at HPA

Email: nel-gazzar@hp-arch.com

ARCHITECTURAL TECHNOLOGIST

G.L.Smith Planning & Design Inc. Toronto, ON • • • • • • • • •

Phone: 416-929-8924

April 2022 - July 2022

Work efficiently and with accuracy as part of both a collaborative team and individually.

Prepare 2D presentations and other materials to elegantly convey design ideas.

Understanding of municipal approval process for both planning and building.

High level of proficiency in AutoCAD. Experience in site planning and layout design.

Knowledge of zoning bylaws research and application.

Ability to interpret and coordinate work of consultant disciplines including civil, structural, mechanical, and electrical.

Knowledge of construction methodology, building assemblies, building science, materials application, and interpretation of manufacturer’s requirements.

ARCHITECTURAL TECHNOLOGIST AND DESIGNER

October 2021 – January 2022

Gottardo Group of Companies. Vaughan, ON • • • • • • • • •

Work closely with an integrated team to ensure projected designs meet client needs, are functional, safe, and economical in nature Preparation of design drawings and construction documents for various types of commercial projects.

Experience and proficient knowledge of Autodesk Revit.

Lead the overall design of various aspects of the project Sketch and develop design concepts and strategies for assigned projects.

Prepare 2D and 3D presentations, renderings, and other materials to elegantly convey design ideas.

Production of high-quality rendering and presentation materials.

Participate in all stages of the project delivery and work with several construction professionals, including surveyors and engineers, producing drawings and specifications Understand and keep up to date with market design trends.

ARCHITECTURAL AND INTERIOR DESIGNER

July 2019 - Sept 2021

Canadian Choice Home Services. Woodbridge, ON • • • • • • • •

Conducting meetings with clients to discuss their needs and style preferences.

Coordinating with contractors and tradespeople.

Creating design plans with preferences and safety requirements in place.

Overseeing costs and budget, and putting together project estimates Choosing design features such as furnishings, materials, and artwork.

Advertising services and bidding on new projects Preparing concept presentations

REFERENCE

Alireza Zhirafar

Email: alireza@canadianchoicehs.ca

Phone: 647-885-8778

PARISA MODARESI

Statement of Thesis Intent Sustainable Design The environment is under consistent threat due to human-made activities on the planet, which have resulted in different types of dangers.

Amongst these human-made activities, architects also play an essential role. This profession is associated with creating and building structures that help in various functions (Cengage, 2019). However, the growing need shows how Architects of the coming generation need more than building skills. These additional skills include environmental knowledge and integrating them within their professional fields.

In simpler terms, this is also known as the ability to provide a sustainable design (Dent, 2018).

Sustainable architecture is a broad concept that applies to structures built to reduce humanity’s environmental effects. An eco-friendly solution to modern architecture includes all aspects of the planning and development process, such as the use of building supplies, the repair and maintenance of heat, conditioning, drainage, sewage, and air filtration, as well as the incorporation of the urban fabric into the surrounding ecosystem (Cengage, 2019). Many of the methods and principles used throughout sustainable architecture have their roots in ancient architectural techniques, which were changed by the emergence of new structures and mass manufacturing throughout the industrial era. The modern awareness about the need for green development could be traced back more than 50 years to the celebration of the first Earth Day, the worldwide environmental revolution, as well as the laws that resulted from it around the world. Despite its advantages, sustainable architecture has not reached its peak or widescale adoption in different parts of the world (Dent, 2018). This thesis statement argues future architects need to spread awareness, adopt green building practices, and care for allnatural resources globally. I believe principally,

4

sustainability in architecture needs to consider natural resources and the consequences of their actions for future generations. This requires integrating green and sustainable building practices that comply with social, economic, and ecological sustainability (Cengage, 2019). I believe sustainable architecture is not limited to the future; instead, it can be applied in current times. This type of architectural methodology can be used to make modern buildings fully energy efficient. Solar cells, insulation, and modern, low-energy heaters are both easy and inexpensive ways to make an estate more environmentally friendly in its construction and service. Numerous public services create these environmentally friendly enhancements more appealing and accessible for consumers and large corporations alike (Dent, 2018). Thus, in summation, my vision for sustainable architecture starts with the choice of materials at the onset of the project lifecycle. A sustainable architect/ developer would generally use eco-friendly construction materials. Components that are reused or organic and those that need the least amount of energy to produce are by far the most attractive (Doe, 2017). Sustainable architecture is based on a theory that promotes renewable energy sources. Actions are required to build for energy consumption by using sustainable energy sources (wind, solar, geothermal).

References Cengage. (2019). Sustainable architecture. Encyclopedia.

Retrieved From: https://www.encyclopedia.com/environment/encyclopediasalmanacs-transcripts-andmaps/sustainable-architecture Dent, H. (2018). Integration of Architectural Design Under the Concept of Sustainable Development. The Medium. Retrieved from: https:// medium.com/studiotmd/integration-of-architectural-designunder-theconcept-of-sustainable-development-bb1feb1ec6c2 Doe, J. (2017). What is Sustainable Architecture?. Archdaily. Retrieved from: https://www.archdaily.com/940289/what-is-sustainable-architecture

Table of Contents ARCHITECTURE PROJECT

01 Oasis 02 Unity 03 Merging 04 Living 05

Trinity Museum Page 6

WORKING PROJECT

Page 10

06 Model Suite 07 Design Project 08 Working Drawing 09

Interior Design Projects Page 28

Page 16

Page 29

Page 20

Page 30

Page 26

Page 32

ART WORK

10

Artwork Page 34

PARISA MODARESI

01

TRINITY BELLWOOD PARK MUSEUM Post Covid-19 Urban space design 790 queen St W, Toronto Fourth year, Virtual studio Spring/summer 2020 INTRODUCTION Empty streets are haunting people due to the global pandemic situation, which leaves most of the countries on lockdown. It has been seen that pandemic make people think about big cities life.

People are thinking in a way that they have lost their career and existence in big cities. The restaurants only open their services for taking out food, and a lot of people from other categories are working from home. Indeed! Covid-19 left everybody thinks what its effects on public spaces will be.There has always been a special

6

effort to make cities greener. Inevitably, pandemic changes the distribution and type of green spaces as well. New expectations for green spaces may change the uses and design of green space planning. Green space designers may need to value more spaces for introspective and individualized use. Substantial and flexible public spaces will be considered as assets in post-COVID-19 phase because they would be transformed into valuable space in the case of emergency health purpose.

PORTFOLIO

AY + STREETS

ACCESS

Veronika Cherkasova, Stephanie Chimenti, Francesca Fantetti ,Ines Vojnovic-“ Trinity-Bellwoods City of Toronto Neighbourhood #81”.ARC820_ Architecture studio_winter2020,Ryerson University,Photoessay assignment.

Laneways + Streets Streets - Laneways

ACTIVITY

ACTIVITY Walking WALKING

Fitness Equipment Running Track FITNESS EQUIPMENT Tennins Court BIOPHILIC DESIGN BIOPHILIC DESIGN BIOPHILIC DESIGN REST RUNNING TRACK TENNIS COURT

DESIGN BIOPHILIC DESIGN BIOPHILIC DESIGN

Bench .

Public Laneways

BIOPHILIC DESIGN

BENCH

Running

Biking

RUNNING

BIKING

Playground Dog of Leash

Performance Yoga Stage PERFORMANCE Ice Skating

PLAY GROUND

DOG OFF LEASH

REST

YOGA STAGE ICE SKATING

Pavilion

Picnic

. PAVILION

. PICNIC

Veronika Cherkasova, Stephanie Chimenti, Francesca Fantetti ,Ines Vojnovic-“ Trinity-Bellwoods City of Toronto Neighbourhood #81”.ARC820_ Architecture studio_winter2020,Ryerson University,Photoessay assignment.

Public Amenities

How Biophilic Design Can Improve How Biophilic The Spaces Design and Cities Can How Improve We Work Biophilic The andSpaces Design Live In. and Can (2020).

Cities Improve Retrieved We Work The Spaces and Live andIn.Cities (2020).

WeRetrieved Work and Live In. (2020). Retrieved 30 June 2020, from https://medium.com/thrive-global/how-biophilic-design-can-improve-the30 June 2020, from https://medium.com/thrive-global/how-biophilic-design-can-improve-the30 June 2020, from https://medium.com/thrive-global/how-biophilic-design-can-improve-thespaces-and-cities-we-work-and-live-in-d77931b40b59 spaces-and-cities-we-work-and-live-in-d77931b40b59 spaces-and-cities-we-work-and-live-in-d77931b40b59

philic e Spaces Design and Cities Can Improve How We Work Biophilic The and Spaces Live Design and In. Can (2020).

Cities Improve We Retrieved Work Theand Spaces Liveand In. Cities (2020).We Retrieved Work and Live In. (2020). Retrieved m/thrive-global/how-biophilic-design-can-improve-the020, from https://medium.com/thrive-global/how-biophilic-design-can-improve-the30 June 2020, from https://medium.com/thrive-global/how-biophilic-design-can-improve-thend-cities-we-work-and-live-in-d77931b40b59 -d77931b40b59 spaces-and-cities-we-work-and-live-in-d77931b40b59

Health and Recreation

Place of Worship

Schools

Transit

7

PARISA MODARESI

FLOOR PLAN

I

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CRAWFORD ST

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8

Walking Lane Way

Grass Partitions

Elevated Walk Trail

Running Lane Way

Biking Lane Way

PORTFOLIO

9

PARISA MODARESI

02

OASIS

Residential /commercial Frankfurt, Germany Fourth year, Frankfurt University of applied science studio Fall 2019 INTRODUCTION The concept of interaction and the main idea behind this project is to see and to be seen the place where the audience communicates with each other, spending time and having fun.People can see the ongoing activities across the opening, and they get encouraged to interact with others and meet new people and make new friends.

The design provides a visual connection between the spaces while maintaining physical contact. Modernist architecture introduced

10

a level of simplicity and transparency. German Architect Ludwig Mies Van Der Rohe is a perfect example of someone who designed based on the principles of simplicity and clarity. The use of glass as a structural material had become prevalent throughout the early modernist movement. Subsequently, the glass began to redefine space by reshaping the way people thought about space. For Mies, using glass helped him achieve a feeling of space possessing fluid characteristics.This helped connect humans to nature, even going as far as changing the way humans perceive the environment.

-Frankfurt Studio 2019-

PORTFOLIO

AXO | -1/F

-Frankfurt Studio 2019SITE VIEW

1:1000 Studio 2019-Frankfurt

Site Plan

-Frankfurt Studio 2019AXO | 1/F

Basement

urt Studio 2019-

P.5

-Frankfurt Studio 2019AXO| NEZZANINE/F

Second Floor

-Frankfurt Studio 2019SITE CIRCULATION

View 1

View 2

View 3 P.17

P.5

Third Floor

P.19

P.5

Site Circulation

GROUND FLOOR PLAN 1:500

-Frankfurt Studio 2019-

P.4

GROUND FLOOR PLAN

P.21

11 P.7

PARISA MODARESI -Frankfurt Studio 2019SOLID & VOID

PROCESS DIAGRAMS

-Frankfurt Studio 2019PARTI

P.11

P.10

SECTION

12

PORTFOLIO

-Frankfurt Studio 2019-

13

PARISA MODARESI

-Frankfurt Studio 2019-

P.43

North Elevation

14

P.45

PORTFOLIO

15

PARISA MODARESI

03

UNITY OCAD University satellite campus (Phase 1) Stirling Rd, The Junction Triangle site, Toronto Third year, Integration studio 1 Fall 2018 INTRODUCTION The Junction Triangle Site, also called the Lower Junction (JCT), is located off Ruttan St, South of Bloor St, East of the Toronto Railpath and West of Lansdown. The site is surrounded with residential and industrial buildings, anchored by the MOCA gallery, which is well connected by new rail, bike ways and subways. The area is currently occupied by a variety of creative local and independent businesses such as publishers, woodworkers, metal shops, furniture makers, brewers, florists, the Drake Commissary, circus trainers,architects and publishers.The

16

new satellite building of OCAD is a school of art that is located on the junction Triangle site.Its design is based on the concept of transparency and the main idea behind this project is to see and to be seen. The place where students communicate with each other, get inspired, learn from the work of each other to design and create art pieces. Students see the ongoing activities across the pening and they get encouraged to interact with others and share ideas. The design provides visual connection between the spaces while maintaining a physical seperation.

PORTFOLIO

FIRST FLOOR PLAN

B

STERLING RD

10

FINALFORM FORMPARTI PARTIPROCESS PROCESS FINAL 5 8

9

8

11

UP

DN

UP

6

DN

2

4

7

A

3

1.LOBBY 2.LIBRARY 3.LOADING 4.BOOK STORE 5.GENERAL RECEPTION 6.CAFE 7.KITCHEN/STORAGE 8.CERAMIC STUDIO 9.WET LAB/PLASTER/HANDBUILDING 10.GAS KILN/CLAY MIX AREA

ADMINISTRATIVE CERAMIC LEARNING SUPPORT COMMINUCATION AMENITY INTEGRATED FOUNDATIONAL PHOTOGRAPHY

SECOND FLOOR PLAN FIRST FLOOR PLAN 1:200

14

13

12

4

9

10

11

15

16 8 2 17

3

DN

UP

1 20 18

21

22

UP 5

2

2

7

19 6

1.LOUNGE 2.CLASSROOM 3.IT SERVICES 4.GATHERING SPACE 5.COMPUTER LAB 6.CRITIQUE ROOM/DISPLAY 7.ACADEMIC ADMIN & SUPPORT 8.GALLERY 9.PHOTOGRAPHY OFFICE 10.COMMUNICATION

SECOND FLOOR PLAN 1:200

11.FOUNDATIONAL OFFICE 12.PHOTOGRAPHY OFFICE 13.FOUNDATIONAL OFFICE 14.INTEGRATED ADMIN SUPPORT 15.STAFF LOUNGE 16.COMMUNICATION OFFICE 17.MEETING ROOM 18.INTEGRATED TECHNICAL OFFICE 19.CERAMIC OFFICE 20.COMMUNICATION

21.FINANCE 22.FACILITIES

ADMINISTRATIVE CERAMIC LEARNING SUPPORT COMMUNICATION AMENITY INTEGRATED FOUNDATIONAL PHOTOGRAPHY

17

PARISA MODARESI

BUILDING SECTION

SECTION A 1:200

SOUTH ELEVATION SOUTH ELEVATION 1:200

18

ADMINISTRATIVE CERAMIC LEARNING SUPPORT COMMUNICATION AMENITY INTEGRATED FOUNDATIONAL PHOTOGRAPHY

PORTFOLIO

19

PARISA MODARESI

04

MERGING Exchange Idea, Collaboration with Sophie Twarog OCAD University satellite campus (Phase 2) Stirling Rd, The Junction Triangle site, Toronto Third year, Integration Studio 2 Winter 2019 INTRODUCTION

junction point as it sits between multiple districts that meet.

The building aims to weave together the city, the park, and the school to bring coherence to the Junction Triangle. Addressing these conditions brings forward methods of addressing how to extend the park while still inviting the city in? How to respect and preserve the industrial site while creating a persuasive presence entering from Bloor? How to clarify the school’s program while simultaneously adding to its scale on campus?

1

D

UP

MERCHANT LN

F

1 A

UP

section

STORAGE ADMINISTRATION OFFICE 103 106

DN

OTB

9000

CERAMIC STUDIO 102

UP

LECTURE HALL 107

9000

LOBBY GALLERY CAFE 105

GROUND PLAN 1:100

3

C

section

B

9000

section

2 1

Ground Floor Plan

WEST

9

10

11

9000

9000

9000

1

12

13

9000

14

9000

15

9000

16

9000

17

9000

20

SOUTH

4

DN

OFFICE 104

OFFICE 109

UP

UP

3

NORTH

OTB

9000

SERVICE ELEVATOR

UP

STAIR ABOVE

5

LIBRARY 108

section

DN

OTB

9000

LOADING 101

6

section

9000

FRAGMENT

7

2

EAST

Industrial sites such as paint, ceramic and chemical factories, all in varying stages of growth or neglect sit adjacent with residential and commercial sites on the reclaimed topography of the brownfields. The Junction Triangle aims to undertake the develop-ment in promoting densified urban living within a city of dynamic communities. At the macro scale, the site exists within three major edges of railroad tracks to form a

Winter 2019 PORTFOLIO

PHASE II - OCADUx Parisasadat Modaresi & Sophie Twarog Winter 2019

MOCA (Museum of Contemporary MOCA (Museum (Museum of of Contemporary Contemporary Art Art MOCA

DISTRICTS

EDGES EDGES

NODES NODES

DISTRICTS DISTRICTS

STEP STEP 11

225 Sterling Sterling Rd Rd 225

Green Laneway Laneway Green

EDGES

NODES

LANDMARKS LANDMARKS

STEP STEP 2 2

The Drake’s Drake’s Commissary Commissary The

LANDMARKS

EXISTING EXISTING CONDITIONS CONDITIONS

STEP STEP 3 3

STEP STEP 4 4

STEP STEP 5 5

PARTI

STEP STEP 6 6

MATERIAL STUDY OUTER PANE (6 mm) HEAT OUTER PANE (6 mm) HEAT STRENGTHENED FLOAT GLASS STRENGTHENED FLOAT GLASS

Breaking down down the the program program into into boxes boxes that that step step out out in in plan plan shape shape the the landlandBreaking scape by by framing framing the the main main spine spine of of the the public public park park between between boulevards. boulevards. PathPathscape ways ways emerge emerge through through the the separation separation of of the the masses masses to to form form inner inner corridors corridors that frame frame access access and and views views on on site. site. The The varying varying lengths lengths and and heights heights orient orient that the building building towards towards the the park park as as the the central central mass mass provides provides a a throughway throughway to to the the school’s school’s central central courtyard. courtyard. The The park park spills spills into into the the school school through through skylights skylights the and gracefully gracefully placed placed windows windows while while the the school school flows flows into into the the park park through through its its and extension of exterior workshops lounges, and gallery spaces on the terraces. extension of exterior workshops lounges, and gallery spaces on the terraces.

Situated among among warehouses warehouses and and workshops, workshops, the the large large volume volume is is well well integratintegratSituated ed in in its its surroundings surroundings while while distinguishing distinguishing itself itself as as the the center center of of the the site site though though ed its its floating floating materiality materiality of of the the shimmering shimmering façade. façade. The The layered layered envelope envelope creates creates a reciprocity reciprocity between between the the inside inside and and the the outside outside as as it it does does not not privilege privilege one one a over the the other. other. The The structure structure is is enclosed enclosed in in a a triple triple glazed glazed curtain curtain wall wall system system over with copper copper mesh mesh to to control control solar solar gain gain and and glare glare while while maximizing maximizing park park views views with and maintaining maintaining a a visual visual appeal. appeal. Stairwells Stairwells are are laid laid out out generously generously to to become become and places places for for encounter encounter as as well well as as marking marking areas areas for for access access to to the the planted planted roof roof area. area.

CAVITY W/ EXPANDED COPPER MESH CAVITY W/ EXPANDED COPPER MESH MIDDLE PANE (6 mm) HEAT MIDDLE PANE (6 mm) HEAT STRENGTHENED GLASS STRENGTHENED GLASS SOLAR CONTROL SOLAR CONTROL MAIN CAVITY (12mm) AIR/GAS FILL MAIN CAVITY (12mm) AIR/GAS FILL INNER PANE (6mm) STRENGTHENED INNER PANE (6mm) STRENGTHENED FLOAT GLASS W/ PVC INTERLAYER FLOAT GLASS W/ PVC INTERLAYER SEALANT SEALANT

INTERIOR SUN SUN PERMEANCE PERMEANCE INTERIOR

STEP 1

VIEWS TO TO EXTERIOR EXTERIOR VIEWS

MATERIAL SAMPLE SAMPLE MATERIAL

STEP 2

STEP 3

NORTH

NORTH

1

PARTI

2

9000

9000

3

3

3

4

5

9000

6

9000

1

7

9000

2

3

5

6

7

9000

9000

17

4

9000

9000

9000

9000

9000

OUTER PANE (6 mm) HEAT STRENGTHENED FLOAT GLASS

Breaking down the program into boxes that step out in plan shape the landscape by framing the main spine of the public park between boulevards. Pathways emerge through the separation of the masses to form inner corridors that frame access and views on site. The varying lengths and heights orient the building towards the park as the central mass provides a throughway to the school’s central courtyard. The park spills into the school through skylights and gracefully placed windows while the school flows into the park through its extension of exterior workshops lounges, and gallery spaces on the terraces.

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LECTURE HALL 007

LIBRARY ARCHIVE 008

CAVITY W/ EXPANDED COPPER MESH

9000

9000

UP

UP

UP

UP

UP

UP

INTERACTIVE STUDIO 211

3D DESIGN STUDIO 210

16

MIDDLE PANE (6 mm) HEAT STRENGTHENED GLASS

9000

9000

16

CONTROL ROOM 006

15

SENIOR DESIGNSTUDIO 209

SOLAR CONTROL COMPUTER LAB 214

UP

15

9000

9000

SHARED DESIGN STUDIO 213

CRITIQUE SPACE 212

MAIN CAVITY (12mm) AIR/GAS FILL INNER PANE (6mm) STRENGTHENED FLOAT GLASS W/ PVC INTERLAYER

OTB

OTB

OTB

PRINTING 3D 009

G RD LIN

9000

STER WEST

1

14

SEALANT

9000

14

SPRAY/DRY BOOTH 005

PLUMBING 010

13

2

EAST

1

WEST

LOUNGE AREA

FOUNDATION STUDIO 208

13

2

INTERIOR S

EAST

9000

9000

SRTORAGE 207

section

section

B

B

HVAC 011

FRAGMENT 1

12

MEDIA WORKSTAITION 206

12

UP

FRAGMENT

FRAGMENT

1

OTB

9000

9000

OTA

OTB

OTB UP

section C

section

1

F

section WOOD SHOP 004

C

ELECTERICAL ROOM 012

11

11 UP

UP

DN

9000

9000

UP

section D

10

10

CERAMIC STUDIO 205

CRITIQUE SPACE 204

CLASS ROOM 203

MEETING ROOM 202

CLASS ROOM 201

section

9000

9000

MERCHANT LN

D OTB

METAL SHOP 002

CNC CUTTING/LASER CUTTING 003

MATERIAL STORAGE 001

9

9

SITE PLAN 1:200

section A

1

section

1

SOUTH

SOUTH

A

Site Plan

BASEMENT LEVEL PLAN 1:200

LEVEL 2 PLAN 1:200

Second Floor Plan

21

PARISA MODARESI

4

6

5

SEMBLY

EMBLY

E

F

B

G

F

ALL ASSEMBLY

ATING (N32)

I

SSEMBLY

9

10

11

12

13

14

15

16

17

ROOF 18000

B

J

Level 4 14000

ATING (N32) Level 3 10000

Level 2 6000

B

EAST ELEVATION 1:200

WALL SECTION D_D 1:50

WALL SECTION F_F 1:50

17

West Elevation

16

15

14

13

12

11

10

9

ROOF 18000

Level 4 14000

Level 3 10000

Level 2 6000

22

PORTFOLIO

4

BUILDING MODEL

23

PARISA MODARESI

BUILDING SECTION AT A_A 1:100 1

2

2A

3

ROOF LEVEL 18 000 m CRIT SPACE

FOUNDATION STUDIO

FOUNDATION STUDIO

LEVEL 4 14 000 m

FOUNDATION STUDIO

LEVEL 3 10 000 m

MEDIA WORKSTATION

LEVEL 2 6000 m

LOBBY/GALLERY

GROUND LEVEL 0m

BUILDING SECTION AT B_B 1:100

BASEMENT LEVEL -4000 m

24

WOOD SHOP

CRIT SPACE

KITCHEN

BASEMENT LEVEL -4000 m

4

5

6

PORTFOLIO

7

ELECTRICAL ROOM

BUILDING SECTION B-B

25

PARISA MODARESI

05

LIVING Youth homeless shelter 88 Mc Gill St, Toronto Second year, Design studio 2 Winter 2018 INTRODUCTION Beyond the need of shelter and food, the residents need an opportunity to improve their life quality. They are a socially excluded group, whose need reach further than the simple fact of finding a place to sleep.Therefore, the building is divided into two types of housing: Transitional and Crisis.It is Transitional for young people who want to get back on track for a better future but they need someone to support them to find their way towards a

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successful life. It is Crisis for a number of people who want to stay for a few nights. When home has heart, a person should feel it and see it. Residents support each other and care about themselves. The concept of my building is interlocking and interaction between the spaces to make people always feel connected. helped connect humans to nature, even going as far as changing the way humans perceive the environment.

PORTFOLIO

6 DN

Church st

UP

5

1

2

3

7 4 UP

8

DN

9

10

Mc gill st

LEVEL 1 (DAY CENTER) SCALE 1:200

11

DN

612

DN

DN

LOBBY-1 HALF COURT BASKETBALL-2 GALLERY-3 COFFE SHOP-4 OFFICE-5 STORAGE-6 CHANGE ROOM-7 LOADING/GARBAGE ROOM-8 LAUNDRY-9 BIKE STORAGE-10 HYGIENIC CENTER-11

Building Diagrams

ES

EXPERIMENTAL SECTION

PERSPECTIVE SECTION

PERSPECTIVE SECTION

27

PARISA MODARESI

06

WORK EXPRIENCE

INTERIOR DESIGN PROJECTS 02

INTERIOR DESIGN PROJECT 5707,30 SHORE BREEZ DRIVE MAY2021

BEFORE

40

WORK EXPRIENCE

40

02 INTERIOR DESIGN PROJECT 5707,30 SHORE BREEZ DRIVE MAY2021

Condominium Project 5707,30 Shore Breez Drive May 2021

portfolio Parisasadat Modaresi

WORK EXPRIENCE

46 v

BEFORE

AFTER

Town House Project 46 Vedette Way, Woodbridge January 2021

AFTER 28

39

PORTFOLIO

07

MODEL SUITE Model Suite Commercial / Office building Oakville, Ontario Gottardo group of companies

Working as an architectural technologist on this project to prepare the construction drawing for tender, permit, and construction and as an interior designer to choose the right carpet tile, paint, and material for this unit.

This project aims to create a comfortable environment for the

employees who work there. The interior formal language is based on highlighting each office while still bringing all of them in unity at the workstation area.

All the offices are connected through the central workstation, which each employee circulates from the ground floor to the second floor. Light is filtered through the wooden screen wall that brings warmth to the waiting area and creates more privacy for the staff member from the visitors at the office.

N

4c

PROJECT NORTH

D

NO.

1525 [5'-0"]

2382 [7'-10"]

3149 [10'-4"]

2292 [7'-6"]

2287 [7'-6"]

2298 [7'-6"]

2296 [7'-6"]

2287 [7'-6"]

2279 [7'-6"]

2296 [7'-6"]

2284 [7'-6"]

P2 1689 [5'-7"]

212

WORKSTATIONS

P2

720 [2'-4"]

1615 [5'-4"]

204 P2

2738 [9'-0"]

2736 [9'-0"]

277 PENNSYLVANIA AVENUE CONCORD, ONTARIO, L4K 5R9 TEL.(905) 761-7707 FAX. (905) 761-6588

208

OFFICE

P3

4512 [14'-10"]

3348 [11'-0"]

OFFICE

207

210

OFFICE

NIC P1

P3 2436 [8'-0"]

205

3345 [11'-0"]

3121 [10'-3"]

INFILL OLD DOOR LOCATION

4612 [15'-2"]

765 [2'-6"]

203 4383 [14'-5"]

2211 [7'-3"]

1145 [3'-9"]

209

P1A

REF

KITCHEN

P3

P3

P3

E

4377 [14'-4"]

DW

206

2284 [7'-6"]

2922 [9'-7"] 9150 [30'-0"]

211

OFFICE 208

7

P2

1835 [6'-0"]

P4 2298 [7'-6"]

P4

1820 [6'-0"]

P3

E

2447 [8'-0"]

2211 [7'-3"]

P4 914 [3'-0"]

EXTENDED WALL 2'-0"

R PARTITION

200

200 205

1880 [6'-2"]

1223 [4'-0"]

1967 [6'-5"]

2277 [7'-6"]

207

DEC 08, 2021

RECEPTION

210

OFFICE

DATE NOV 08, 2021

REVISION

3807 [12'-6"]

3096 [10'-2"]

P2

943 [3'-1"]

EXTENDED WALL 2'-0"

6 2930 [9'-7"]

202

912 [3'-0"]

9150 [30'-0"]

4471 [14'-8"]

206

1517 [5'-0"]

3205 [10'-6"]

1683 [5'-6"] P3

E

UMBER

: SM)

IT

201 2588 [8'-6"]

209

OFFICE

UMBER

AREA: 1 SM)

725 [2'-5"]

204

P2 3660 [12'-0"]

TION WALL FURRING T SCREEN.

TIE

P2

202

P2

LL

E

1225 [4'-0"]

BOARDROOM

BY

ISSUED FOR PRICING

2.

201

7316 [24'-0"]

P2

203

4457 [14'-7"]

TION - UNRATED WALL EA. SIDE OF DS @ 16" O.C. INSULATION DED CEILING;

TRUE NORTH

ISSUED

1.

NIC

P1 1232 [4'-1"]

6706 [22'-0"]

WALL TO MATCH P1

ED TION NG PARTITION TO W 1'-0" DRYWALL VE

NIC

P1

5

2289 [7'-6"]

RE RATED TION PE 'X' DRYWALL 5 8" METAL STUDS W407 INSULATION CK;EXTENDED

N

The Model Suite is located at 2315 Bristol Circle, Oakville, Ontario.

3664 [12'-0"]

MODEL SUITE 2315 BRISTOL CIRCLE A

9150 [30'-0"]

B

9150 [30'-0"]

OAKVILLE, ONTARIO

C

MODEL SUITE

FLOOR PLAN

SECOND FLOOR PLAN DRAWN:

PARISA MODARESI

CHECKED: SCALE: DATE:

1 : 100 DECEMBER 08, 2021

PROJECT DRWG. NO.

A-1.0

29

PARISA MODARESI

08

DYNAMIC FACADE

DESIGN PROJECT

Plants rely on solar energy to survive. They are using photosynthesis to transfer the sunlight into energy they can use. Just 100,000 sq-ft of solar panels in Atlanta could produce 455-watt hours per sq-ft porary architectural design and capitalizing on the capabilities of parametric design to simultaneously achieve variation and repetition across a field of self-similar building components (in this case, facade panels).

In this specific project, is superficial as a building skinusing and does not have a responsibility to perform challenge environmentally as a passive orand active system.

Plants relythe onapplication solar energy to survive.

They are photosynthesis One significant in constructing modulating the Wave This being the case, the project purposefully reflects explicitly on the potential building of facades. to transfer the sunlight into and energy they can use.

Justaffective 100,000 sq-ft of contemporary is the complexity controlling kinetic components forming the One significant challenge in constructing and modulating the Wave is the complexity of controlling kinetic components forming the different configurations. of solar panels in Atlanta different configurations.

Four times could the design iteration was re-modelled in order achieve architectural perfect the operation of the kinetic Earlier designs drawn using models on in order to achieve produce 455-watt hours per sq-fttoporary Four system. times the design iteration was 3-D re-modelled Rhinocerosdesign softwareand did not demonstrate clearly whether the effectiveness of the system was working effectively or not. Even the Wave may have moredesigns drawn capitalizing on the capabilities of parametric design to perfect the operation ofthough the kinetic system.

Earlier kinetic configurations, I experienced difficulties with the objective of synchronizing the system. Inusing square-tic, this issueon had been highly considered when simultaneously achieve variation 3-D models constructing the repetition prototype. across a field of self-similar building components (in and Rhinoceros software did not demonstrate clearly whether the

this case, facade panels).

In this specific project, the application is superficial as a building skin and does not have a responsibility to perform environmentally as a passive or active system.

This being the case, the project purposefully and reflects explicitly on the affective potential of contemporary building facades.

30

effectiveness of the system was working effectively or not. Even though the Wave may have more kinetic configurations, I experienced difficulties with the objective of synchronizing the system. In square-tic, this issue had been highly considered when constructing the prototype.

PORTFOLIO

DYNAMIC FACADE

Plants rely on solar energy to survive. They are using ph could produce 455-watt hours per sq-ft porary architectu and repetition across a field of self-similar building comp In this specific project, the application is superficial as a This being the case, the project purposefully and reflects One significant challenge in constructing and modulatin Four times the design iteration was re-modelled in order Rhinoceros software did not demonstrate clearly whethe kinetic configurations, I experienced difficulties with the constructing the prototype.

PLAN VIEW

RIGHT ELEVATION

LEFT ELEVATION

FRONT VIEW

PLAN PLAN VIEW VIEW PLAN VIEW PLAN VIEW PLAN VIEW

FRONT VIEW FRONT VIEW VIEW FRONT VIEW FRONT FRONT VIEW

LEFT ELEVATION RIGHT ELEVATION LEFT ELEVATION RIGHT ELEVATION LEFT ELEVATION LEFT ELEVATION RIGHT ELEVATION RIGHT ELEVATION SIDE VIEWS

31

PARISA MODARESI

09

WORKING DRAWING 7203 29.2 5.1

20.7

E

E

63-24-36

63-24-36

72.14

E

63-24-36

E

63-24-36

88-14-24-2

157.2

102

63-24-24

126

159.3 157.1L 157.1L

22.1

140 67.8 87 68.2

66.11

LOW

69.4

27

.2

12

2

40.4

D4

PASS THRU

69.3 27

.2

27.1

68.2

27.4

72.3

123

130.4 68.2

D1

135x2

81.3R

23.7

46.3

5

29.1

73

141

64-24-30-4 E

68.2

27.1

37

.11

165

80.2

62.20L

129

42.4

63-24-54

23.7

50.2

143

80.2

D11

95.2

D17.1

D45

107.2

1100

71.15

80.2F

63-24-54

63-24-42

E

63-24-42

E

118

66.2

4.9

38

.8

12

12

140

2

12

2

.11 37

.5

16

52

0.1

1.1 13

69.4

72.3 66.1

108.2 81.3R

D11

5

87.7

NIC

EQUIPMENT PLAN SCALE:

1:30

NIC

PASS THRU 68.3

27.4

73

1 A2

105

106

D51 115.1

33

767

37.11

27.4

40.3

i

4.9

1.1

12

68.21

29.1

32

101

D51

13

1119

12

D2

138

4.9

D10 136.5S

135x2

SERVICE AREA

4.9

40.4

115.1

12

127

68.2

37.11

32

NIC

73.2 E

D14

STAFF

141.1

29.2

1165

110

5

25.1

109

KITCHEN

75.9

3664

95.1

63-24-54

26.7

20.4

86.2

5

1188

1968

E

57.2

157.2

63-24-42

E

63-24-36

COMBI PIPING

BARRIER FREE PASS-THRU COUNTER MAXIMUM HEIGHT OF 860 mm AFF.

105

PORTFOLIO

FLOOR PLAN NOTES FLOOR PLAN NOTES

1977

867

1350

867

101

1964

2566

D' I

N TER I E U R

D' I

N TER I E U R

DU DU

N/A N/A 7 N/A 8 N/A N/A 9 PROVIDE & INSTALL SCHLUTER STRIP AT TILED CORNERS. REFER TO SHEET A10.

N/A

FIRE SEPARATION. (SITE VERIFY). INSTALL NEW FINISH AS PER SHEET A10.

12 N/A PROVIDE SUFFICIENT PLYWOOD BACKING BEHIND ALL WALL MOUNTED EQUIPMENT. FINISH AS PER SHEET A10.

13 PROVIDE SUFFICIENT PLYWOOD BACKING BEHIND ALL WALL MOUNTED EQUIPMENT. FINISH AS PER SHEET A10.

PATCH & REPAIR ANY EXISTING FLOOR TILE DAMAGE. 14 PATCH & REPAIR ANY EXISTING FLOOR TILE DAMAGE. N/A 15 N/A

COPYRIGHT DISCLAIMER: COPYRIGHT DISCLAIMER:

THIS DOCUMENT IS THE PROPERTY OF G.L. SMITH PLANNING & INC., COPYRIGHTED ASPROPERTY DATED, ALL RESERVED. AUTH THIS DOCUMENT IS THE OFRIGHTS G.L. SMITH PLANNING & FROM G.L. SMITH PLANNING & DESIGN INC. FOR USE OF THIS INC., COPYRIGHTED AS DATED, ALL RIGHTS RESERVED. AUTHO DOCUMENT IS NOT TRANSFERABLE. THE RECIPIENT FROM G.L. SMITH PLANNING & DESIGN INC. FOR USEOF OFTHIS THISDO HEREBY ADVISED THAT IT IS RELEASED FOR USE UNDER THEDOC FO DOCUMENT IS NOT TRANSFERABLE. THE RECIPIENT OF THIS HEREBYAND ADVISED THAT IT IS RELEASED FOR USE UNDER THE FOLL TERMS CONDITIONS: TERMS AND CONDITIONS: THE DOCUMENT IS TO BE USED ONLY IN CONJUNCTION WITH THE DOCUMENT TOANY BE USED ONLYOF IN CONJUNCTION T PROJECT. REUSEISOF PORTION THE DOCUMENTWITH IN AN PROJECT. REUSE OF ANY PORTION OF THE DOCUMENT IN ANY CIRCUMSTANCE CONSTITUTES COPYRIGHT INFRINGEMENT. CIRCUMSTANCE CONSTITUTES COPYRIGHT INFRINGEMENT. THE DOCUMENT IS FOR DESIGN INTENT AND INFORMATION O THE DOCUMENT IS FOR DESIGN AND INFORMATION ON DOES NOT CONSTITUTE AS-BUILTINTENT CONDITIONS. THE RECIPIENT DOES NOT CONSTITUTE AS-BUILT THETHE RECIPIENT THE OBLIGATION TO VERIFY THE CONDITIONS. CONDITIONS OF SUBJECR THE OBLIGATION TO VERIFY THE CONDITIONS OF THE SUBJECT AND TO COMPLETELY COORDINATE ALL DIMENSIONS, FABRI AND TO COMPLETELY COORDINATE ALLSYSTEMS, DIMENSIONS, METHODS, RELATED AND INTEGRATED ETC., FABRICA WITH RE METHODS, RELATED AND INTEGRATED SYSTEMS, ETC., WITH RES ALL ASPECTS OF THE WORK. ALL ASPECTS OF THE WORK.

1.

G.C. TO ASSUME RESPONSIBILITY FOR SAFE AND LEGAL DISPOSAL OFOF ALL WASTE 1. G.C. TO ASSUME RESPONSIBILITY FOR SAFE AND LEGAL DISPOSAL ALL WASTEMATERIALS MATERIALS GENERATED UNDER THISTHIS CONTRACT. GENERATED UNDER CONTRACT.

2.

G.C. TO ASSUME RESPONSIBILITY FOR ALLALL FEES LEVIED RELATED TOTO WASTE DISPOSAL. 2. G.C. TO ASSUME RESPONSIBILITY FOR FEES LEVIED RELATED WASTE DISPOSAL.

3.

G.C. TO ASSIST IN DISCONNECTION OF OF ANY HARDWIRED EQUIPMENT. 3. G.C. TO ASSIST IN DISCONNECTION ANY HARDWIRED EQUIPMENT.

G.L. SMITH PLANNING & DESIGN INC. MAKES NO WARRANTY G.L. SMITH PLANNING & DESIGN INC. MAKES NO WARRANTY A SUITABILITY OF THE DOCUMENT FOR THE RECIPIENT'S INTENDE SUITABILITY OF THE DOCUMENT FOR THE RECIPIENT'S INTENDED RECIPIENT AGREESTO TOWAIVE WAIVEAND ANDDEFEND DEFEND AN RECIPIENT SPECIFICALLY SPECIFICALLY AGREES ANY CLAIMS G.L. SMITH SMITHPLANNING PLANNING&&DESIGN DESIGNINC., INC.,ITSITS CLAIMS AGAINST AGAINST G.L. CONSULTANTS, ANY OF OF ITS ITSRELATED RELATEDENTITIES, ENTITIES,VENDORS, VENDORS,OR OR CONSULTANTS, ANY CONTRACTORS, FOR ANY ANYLOSS LOSSINCURRED INCURREDAS ASAARESULT RESULTOF OF P CONTRACTORS, FOR PRO IMPROPER OF THIS THIS DOCUMENT. DOCUMENT. IMPROPER USE USE OF

THE AGREES TO TORETURN RETURNOR ORDESTROY DESTROYTHIS THISDOCUMEN DOCUM THE RECIPIENT RECIPIENT AGREES COMPLETION OR TERMINATION TERMINATIONOF OFWORK WORKPERFORMED PERFORMEDININ COMPLETION OR CONJUNCTION WITH THIS THIS PROJECT. PROJECT. CONJUNCTION WITH

CH 3189

CH 3189

SYMBOLLEGEND LEGEND SYMBOL

BB 46 23

48 4 33 A9

48

33

PROVIDE DOOR AND FRAME. PROVIDE DOOR AND FRAME. REFER TO SHEET A10.

REFER TO SHEET A10.

EXISTING DOOR AND FRAME EXISTING DOOR AND FRAME TO REMAIN. TO REMAIN.

A9

4

1

101

1

NOTE REFERENCE NOTE REFERENCE

101

DOOR NUMBER DOOR NUMBER

STORAGE STORAGE 103 103

ROOM NAME & NUMBER ROOM NAME & NUMBER

NIC NIC

NOT INCLUDED. OTHER NOT INCLUDED. OTHER TENANT PREMISE. TENANT PREMISE.

STORAGE SHELVING LEGEND STORAGE SHELVING LEGEND

847

SHELVING TYPE

SPG STORG. PROD. OR TARRISON ITEM-DEPTH-LENGTH-TIERS SPG STORG. PROD. OR TARRISON ITEM-DEPTH-LENGTH-TIERS 63-24-24 OVERHEAD SHELVING #63 (REFER TO DETAIL 10/A8, 11/A8 & 12/A8) 63-24-30-4 63-24-24 OVERHEAD SHELVING #63 (REFER TO DETAIL 10/A8, 11/A8 & 12/A8) 63-24-36 63-24-30-4

1044

1044

CA C N AD A N A A DA

S

1 1

DATE DATE

ISSUED FOR ISSUED FOR

# Date Description # Date Description PROJECT TITLE: PROJECT TITLE:

781

781

552

1964

OF OF

ONTARIO

400

400

H C 55 29

BB 46 23

2 A9

2 A9

I GNER S

1

SERVICE SERVICE AREA AREA 101

2566

1071

BH 96 2C8 H 5 5 29

I GNER S

DE S

ISSUE ISSUE

1

2706

BH 96 28

DE S

ONTARIO

S

2504

4

3254

1071

R

Gary L. Smith

495

85

2706

495 400

4

3254

13

R

Gary L. Smith

PROVIDE & INSTALL SCHLUTER STRIP AT TILED CORNERS. REFER TO SHEET A10.

10 PROVIDE & INSTALL (600mm wide x 3000mm high) PLYWOOD BACKING BETWEEN EXISTING STUDS TO ACCOMMODATE COMBI OVEN FILTERS/PIPING. PATCH & REPAIR GYPSUM BOARD.EXISTING MAINTAIN EXISTING PROVIDE & INSTALL (600mm wide x 3000mm high) PLYWOOD BACKING BETWEEN STUDS TO 11 FIRE ACCOMMODATE SEPARATION. (SITE VERIFY).

INSTALL NEW FINISH AS&PER SHEET A10. BOARD. MAINTAIN EXISTING COMBI OVEN FILTERS/PIPING. PATCH REPAIR GYPSUM

0

552

1977

1910

1910

1350

1974

1974 576

576

1968

12

697

14

85

767

1071

E

63-24-36

E

63-24-36

3664

E

63-24-36

E

63-24-36

3664

63-24-24

11

900

847

FOR SHELVING SUPPORT. REFER TO DETAILS 11/A8, 12/A8, 13/A8.

6 N/A

PROFESSIONAL STAMPS:

GENERAL GENERALNOTES NOTES

3

1968

63-24-36

14

0

767

E

E

14

40

101

101 900

N/A FOR SHELVING SUPPORT. REFER TO DETAILS 11/A8, 12/A8, 13/A8.

5

7

10

D14

867 400 10 TYP 2504

CH 2940

1554

1687

1687

NIC NIC

E

697 865

40

790

14

1071

3

88-14-24-2 63-24-36

86214

E

1982

3

63-24-24

865 369

CH 2940

20

64-24-30-4

520

6

9

E

3

E

1554

790

4

20

64-24-30-4

5

PROVIDE BACKING WALLBULKHEAD AS REQUIRED TO SUPPORT WALL MOUNTED MICROWAVE. REFER TO LINE OF STEEL IN STUDS ABOVE. 3 DETAIL 14/A8.

PROVIDE BACKING IN WALL AS REQUIRED TO SUPPORT WALL MOUNTED MICROWAVE. REFER TO 4 N/A DETAIL 14/A8.

6

476

862

520

63-24-36

14

E

14

63-24-54

63-24-54

1 A9 476

4

LINE N/A OF STEEL STUDS BULKHEAD ABOVE. 2

4

15

867 10 TYP

2375

6 4

1 A9

1982

63-24-54

63-24-42

879

4

1420

2 A9

2375 63-24-54

879

102 369 1420

6

D14

2 A9

E

63-24-42

E

63-24-42

E

63-24-42

E

2006

3

8

88-14-24-2

6

2006

14

3 A9

63-24-36

3 A9

KITCHEN 6 6 KITCHEN AREA AREA 14 102

6

11

E

6

63-24-36

11

E

63-24-54

63-24-54

6

6

CH 2805

63-24-36

11

CH 2805

E

63-24-42

E

63-24-42

E

102

11

1980

ER ER GN GN DE S I DE S I

3590

102

APPROXIMATE LOCATION OF FRONT COUNTER. CONSULT MILLWORK DRAWINGS FOR ACTUAL LOCATION. APPROXIMATE LOCATION OF FRONT COUNTER. CONSULT MILLWORK DRAWINGS FOR ACTUAL 1 N/A LOCATION.

NADAANADA CA C

1980

PROFESSIONAL STAMPS:

2

1

7203

I NT E I NT E R RI IO O

7203 3590

4711 Yonge St. Suite 800 Toronto, ON. 4711 Yonge St. Suite M2N 800 6K8 Toronto, ON. T.416.497.3662 M2N 6K8 www.glsmith.c T.416.497.3662 www.glsmith.ca

SHELVING TYPE

DRAINBOARD #88 (REFER TO DETAIL 12/A8) DRAINBOARD #88 NOTES: (REFER TO DETAIL 12/A8)

102417/ NS.XXXXX 102417/ NS.XXXXX 6510 COUNTRY HILL NW 6510CALGARY, COUNTRY AB HILL NW CALGARY, AB

QUANTITY

QUANTITY 1

11 15

REVISION

63-24-42 63-24-36

53

REVISION

63-24-54 63-24-42 88-14-24-2 63-24-54

33 31

88-14-24-2

1

1. PROVIDE BLOCK/BACKING IN WALLS & CEILING AS REQUIRED FOR SHELF SUPPORT. NOTES:

NIC

NIC

NIC NIC

1.

2. LOCATION OF NEW SHELVING AS PER SHEETAS A2.REQUIRED FOR SHELF SUPPORT. PROVIDE BLOCK/BACKING IN WALLS & CEILING

2.

LOCATION OF NEW SHELVING AS PER SHEET A2.

# Date

WALL TYPE LEGEND WALL TYPE LEGEND

FLOOR PLAN, SCHEDULE AND WALL TYPE LEGEND FLOOR PLAN, SCHEDULE AND WALL TYPE LEGEN

LINEWALLS INDICATES LOCATION PARTITIONS OF FIBREGLASS REINFORCED PANELEXISTING (FRP) LOCATION. EXISTING FRP TO REMAIN, INSTALL WHERE REQUIRED. EXISTINGDOTTED DEMISING AND INTERIOR TO REMAIN. MAINTAIN FIRE SEPARATIONS. PATCH & REPAIR ANY NEW EXISTING DAMAGE TO WALL CONSTRUCTION.

DOTTED LINENOTES: INDICATES LOCATION OF FIBREGLASS REINFORCED PANEL (FRP) LOCATION. EXISTING FRP TO REMAIN, INSTALL NEW WHERE REQUIRED. GENERAL 1. PROVIDE FIRE CAULKING AT ALL PIPES, CONDUITS, WIRES AND FRAMING PENETRATIONS THROUGH FIRE RATED SEPARATIONS. HILTI CANADA FS-ONE INTUMESCENT FIRESTOP SEALANT, HILTI CANADA

GENERAL NOTES: 1-800-363-4458.

PRINT DATE:

FLOOR PLAN SCALE:

A1 A1

DRAWN BY: DRAWING Toronto, ON. NO CHECKED BY: PARISA MODARESI M2N 6K8 PA/XX

1:30

SYMBOL LEGEND

1:30

PROJECT NO: 102417

1 AX

SECTION NUMBER DRAWING NUMBER

1

NOTE REFERENCE

610 X 610 RECESSED FLUORESCENT FIXTURE

PROFESSIONAL STAMPS:

425

72.14

400

304

2572

119

495

72.3

2

3

1968

583

0

2 72.3

0 BH 2346

A8 1 .1

1A A8.1

#1

7

#5

#2

48

6 CH 2955

150 CH 2948

33

CH 2819

THE DOCUMENT IS TO BE USED ONLY IN CONJUNCTION WITH THIS PROJECT. REUSE OF ANY PORTION OF THE DOCUMENT IN ANY O CIRCUMSTANCE CONSTITUTES COPYRIGHT INFRINGEMENT.

6

40

GBB 2125

CH 3189

G.L. SMITH PLANNING & DESIGN INC. MAKES NO WARRANTY AS SUITABILITY OF THE DOCUMENT FOR THE RECIPIENT'S INTENDED US RECIPIENT SPECIFICALLY AGREES TO WAIVE AND DEFEND ANY AN CLAIMS AGAINST G.L. SMITH PLANNING & DESIGN INC., ITS CONSULTANTS, ANY OF ITS RELATED ENTITIES, VENDORS, OR CONTRACTORS, FOR ANY LOSS INCURRED AS A RESULT OF PROP IMPROPER USE OF THIS DOCUMENT.

EXIST ±3150

NOTE:

COLOUR SCHEME:

1. THE GENERAL CONTRACTOR IS TO ENSURE THE FOLLOWING ITEMS ARE BUILT IN ACCORDANCE WITH STRUCTURAL DRAWINGS AND TO MEET CODE REQUIREMENTS (INCLUDING SEISMIC AND LATERAL RESTRAINT) AS REQUIRED: - SUSPENDED SHELVING SUPPORTS, HWT SUPPORT - SEISMIC AND LATERAL RESTRAINT FOR DUCTWORK - SUSPENDED CEILING PANELS, GYPSUM BOARD / T-BAR CEILINGS IN RELATION TO SEISMIC AND LATER RESTRAINT. 2. THE GENERAL CONTRACTOR IS RESPONSIBLE THAT ALL SUB-TRADES HAVE RETAINED A QUALIFIED STRUCTURAL ENGINEER TO REVIEW THEIR APPROPRIATE WORK. STRUCTURAL ENGINEER(S) TO ISSUE LETTER (ON THEIR LETTERHEAD) STATING THAT ALL WORK MEETS THE REQUIREMENT OF BUILDING CODE FOR SEISMIC RESTRAINTS. 3. STRUCTURAL ENGINEER(S) TO PROVIDE ORIGINAL SIGNED AND ORIGINAL SEALED SCHEDULES #B AND #C TO ARCHITECT PRIOR TO SUBSTANTIAL PERFORMANCE INSPECTIONS (BC PROJECTS ONLY)

THE RECIPIENT AGREES TO RETURN OR DESTROY THIS DOCUMENT COMPLETION OR TERMINATION OF WORK PERFORMED IN CONJUNCTION WITH THIS PROJECT.

ISSUE

ARENA OR CANADIAN SHIELD

SECURITY CAMERA LEGEND (16.3)

1

DATE

#

Description

NUMBER OF CAMERAS

8

BH 2896

CEILING PLAN NOTES

100

100

102417/ NS.XXXXX 6510 COUNTRY HILL NW CALGARY, AB

U/S OF T-BAR CEILING T-BAR CEILING

13

90

3000

13 BATTEN BOARD CEILING TILES SUSPENDED FROM T-BAR

W3a

900

NIC

ISSUED FOR

# Date PROJECT TITLE:

CAMERAS

530

NIC

DU

THE DOCUMENT IS FOR DESIGN INTENT AND INFORMATION ONLY DOES NOT CONSTITUTE AS-BUILT CONDITIONS. THE RECIPIENT RET THE OBLIGATION TO VERIFY THE CONDITIONS OF THE SUBJECT PR AND TO COMPLETELY COORDINATE ALL DIMENSIONS, FABRICAT METHODS, RELATED AND INTEGRATED SYSTEMS, ETC., WITH RESPE ALL ASPECTS OF THE WORK.

CEILING TILE WORKING POINT

0

61

BH 2132

1

767

#4

61

GBB 2750

529 115

N TER I E U R

THIS DOCUMENT IS THE PROPERTY OF G.L. SMITH PLANNING & DE INC., COPYRIGHTED AS DATED, ALL RIGHTS RESERVED. AUTHORIZ FROM G.L. SMITH PLANNING & DESIGN INC. FOR USE OF THIS DOCUMENT IS NOT TRANSFERABLE. THE RECIPIENT OF THIS DOCU HEREBY ADVISED THAT IT IS RELEASED FOR USE UNDER THE FOLLO TERMS AND CONDITIONS:

5

1

D' I

COPYRIGHT DISCLAIMER:

LGB ±2800 GBB 2350

#6

#3

RI

EXHAUST FAN

400

S

FOR LIGHTING, CONTACT: CANLYTE, CUSTOMER SERVICE TEL: (905) 285-9100 x4031 JOHN ROWE

SUPPLY AIR GRILLE

6

LGB ±2800

OF

RETURN AIR GRILLE

LGB ±2800

#7

I GNERS

ONTARIO

RECESSED DOWN LIGHT

2566

CH 2805

CEILING TILE WORKING POINT

DE S

R

Gary L. Smith

ER

1

GN

NIC

#8

2

DE S I

583

610 X 1220 RECESSED FLUORESCENT FIXTURE.

SUSPENDED ACOUSTIC CEILING TILE GYPSUM BOARD GYPSUM BOARD BULKHEAD LAY-IN GYPSUM BOARD FIRE RATED - TYPE 'X' GYPSUM BOARD AS HIGH AS POSSIBLE

SACT GB GBB LGB FRGB AHAP

I NT E

DENOTES CEILING HT & MATERIAL

SACT 2800

NADA CA

O

1980

CA N

3590

CEILING TILE WORKING POINT

T.416.497.3662 www.glsmith.ca

CHECKED BY: PROJECT NO: PA/XX 102417

ELECTRICAL SCHEDULE

7203

ADA

1 A1

FLOOR PLAN SCALE:

SCALE:

2022-04-27 AS NO PRINT DATE: SCALE: DRAWN BY: DRAWING NO 2022-04-27 4711 Yonge St. AS N PARISA MODARESI Suite 800

1. PROVIDE FIRE CAULKING AT ALL PIPES, CONDUITS, WIRES AND FRAMING PENETRATIONS THROUGH FIRE RATED SEPARATIONS. HILTI CANADA FS-ONE INTUMESCENT FIRESTOP SEALANT, HILTI CANADA 1-800-363-4458.

1 A1

Description

DRAWING TITLE: # Date Description

DRAWING TITLE:

EXISTING DEMISING WALLS AND INTERIOR PARTITIONS TO REMAIN. MAINTAIN EXISTING FIRE SEPARATIONS. PATCH & REPAIR ANY EXISTING DAMAGE TO WALL CONSTRUCTION.

DRIVE THRU AREA 107

SERVICE AREA

FRP FINISH FRP-2 U/S OF BULKHEAD TILE FINISH WT-1

INSTALL NEW T-BAR GRID AND CEILING TILE.

2

INSTALL NEW EXHAUST HOODS. REFER TO DETAIL 4/A8 & 7/A8.1. REFER TO MECHANICAL DRAWINGS. EXACT LOCATION OF BAGEL TOASTER TO BE CONFIRMED PRIOR TO INSTALLATION OF HOOD

3

HATCHED AREA INDICATES LOCATION OF PLYWOOD BACKING FOR LCD MONITORS. (BACKING RUNS FULL LENGTH). REFER TO 6/A8.1.

4

106

115

1

2100

EXISTING SPEAKERS & EMERGENCY EXIT SIGNS TO REMAIN.

5

LCD SCREENS SUPPLIED & INSTALLED BY TDL GROUP CORP. REFER TO DETAIL 6/A8.1, 6A/A8.1

6

INSTALL NEW GYPSUM BOARD BULKHEAD REF. TO DETAIL 1/A8.1, 1A/A8.1.

7

GYPSUM BOARD BULKHEAD C/W RECESSED POT LIGHTS. REF. TO ELECTRICAL DRAWINGS.

8

REVISION

# Date

Description

DRAWING TITLE:

REFLECTED CEILING PLAN AND DETAILS

PROVIDE CEILING RECESS - CONSTRUCTION & LIGHTING TO MATCH EXISTING. RECESS C/W "L" SUPPORT FOR ESSO CEILING TILES..

PRINT DATE:

2 A3

BULKHEAD DETAIL @ DROPPED CEILING SCALE:

1:5

SCALE:

2022-04-27 DRAWN BY:

AS NO DRAWING NO:

PARISA MODARESI

1 A3

REFLECTED CEILING PLAN SCALE:

CHECKED BY: PA/XX

1:30

PROJECT NO:

33

102417

A3

PARISA MODARESI

02

10

BLINDING SCARF Colour Pencil Drawing Woman in Iran Concept 9x13 November 2018

ARTWORK

01 SORROW

PHOTOGRAPHY

Black Pencil Sketch Portrait 9x12 August 2017

05 DESERT WARMTH Photography Desert November 2018

04 SONGS OF LEAVES Photography Inspired by Vivaldi’s Summer Presto March 2011 November 2020

34

PORTFOLIO

03 MOTHER OF MOTHER

CONCEPTUAL ART

Colour Pencil Drawing Post Partum Despression Concept 8.5 x11 April 2011

06 UNTOLD STORY Photography Iran June 2019

35

pmodaresi91@gmail.com Toronto, CA www.linkedin.com/in/parisa-modaresi

Architectural Portfolio

(647)-328-8129