26 & 27 July 2025
共鳴的距離
探索親密
This two-day assembly departs from Ha Bik Chuen’s ‘motherboards’ and the citizen-initiated conservation work ‘Sesudah banjir itu’ (When the flood is over) to reflect on how we engage with histories we didn’t live through, practices we didn’t invent, and stories we may never fully resolve. Moving between physical objects and conceptual infrastructures, the assembly explores how intimacy can be shaped—and even deepened—by distance: through glass, across generations, within structures of care.
這場為期兩天的聚會從夏碧泉的「母版」與民間發起的保育工作 《 Sesudah banjir itu 》（當洪水退去）出發，探討我們如何與不曾 經歷的歷史、未曾構想的實踐，以及那些可能永遠無法釐清的敍 事建立聯繫。在實物與不同概念框架之間遊走，活動將探索親密感
如何通過距離被塑造甚或深化，無論是透過玻璃、跨越世代，還 是不同形式的關懷。
Participants: Nasikin Ahmad, Hidayatul Azmi, Merve Bedir, Mark Chung, Özge Ersoy, Ruhaeni Intan, Marianus Nuwa, Grace Samboh, Vivian Ting, Sidhi Vhisatya, Michelle Wong
參與者：Nasikin Ahmad、Hidayatul Azmi、Merve Bedir、 鍾正、Özge Ersoy、Ruhaeni Intan、Marianus Nuwa、
Grace Samboh、丁穎茵、Sidhi Vhisatya、黃湲婷
Supported by
Day 1 ｜ 第一日
26 July 2025 Saturday
2025 年 7 月 26 日（星期六）
2pm Introduction: Reframing Strangeness by Michelle Wong and Attuned distances by Hyphen— (Grace Samboh)
引言：黃湲婷《重置陌像》及
Hyphen (Grace Samboh)《共鳴的距離》
2:30pm Scaffolding as infrastructuring the common by Merve Bedir
《建構共同協作》Merve Bedir
3:15pm Relearning Maumere from Wuring: Artistic encounters and methodological tryouts by Marianus Nuwa
《透過烏靈重新認識毛梅雷―藝術邂逅與方法論的試驗》 Marianus Nuwa
4pm Discussion (Respondent: Vivian Ting)
討論（丁穎茵回應）
4:30pm Sesudah banjir itu #32 (After the flood #32, 2023) by Griya Seni Hj. Kustiyah Edhi Sunarso, Hyphen—, Tom Nicholson with Ary 'Jimged' Sendy, Aufa Ariaputra, Nasikin Ahmad
《當洪水退去 #32（Sesudah banjir itu #32）》（2023 年）
Griya Seni Hj. Kustiyah Edhi Sunarso, Hyphen—, Tom Nicholson with Ary 'Jimged' Sendy, Aufa Ariaputra, Nasikin Ahmad
5:15pm A hundred years of Oesman Effendi: Painting, practice, and decentralized selves by Hidayatul Azmi
《Oesman Effendi 的百年―繪畫、實踐與去中心化的 眾我》Hidayatul Azmi
6pm Discussion (Respondent: Vivian Ting)
討論（丁穎茵回應）
Day 2 ｜ 第二日
27 July 2025 Sunday
2025 年 7 月 27 日（星期日）
2pm Possibilities of owning other's text (2021) by Julia Sarisetiati & Ary 'Jimged' Sendy
《擁有他人文本的可能性》（2021 年）
Julia Sarisetiati & Ary 'Jimged' Sendy
3:10pm On unpacking someone else’s library: The history of one’s self and one’s times encoded in a collection of books by Ruhaeni Intan (Hyphen—)
《「個人」有多個人？照看並公開他人的圖書館》
Ruhaeni Intan（Hyphen―）
3:50pm Community archive and the precarity of custodianship by Sidhi Vhisatya
《社群文獻與保管的不確定性》
Sidhi Vhisatya
4:30pm Discussion (Respondent: Özge Ersoy)
討論（Özge Ersoy 回應）
5:10pm On conserving materials, anatomies and memories by Nasikin Ahmad
《關於保存物料、結構及記憶》Nasikin Ahmad
5:50pm Blink, bling, and transparent things by Mark Chung
《眨眼、閃耀與透明之物》鍾正
6:30pm Discussion (Respondent: Özge Ersoy)
討論（Özge Ersoy 回應）
Collaborators 其他參與者*
Hidayatul Azmi , commonly known as Ami, co-founded Forum Ladang Rupa in 2015 with her friends, an alternative learning space focused on developing modes of art appreciation in Bukittinggi, West Sumatra. Her illustrations have been included in books published by BukuMojok, Gramedia and several selfpublished titles. Ami completed her master’s degree in cultural and media studies at Gadjah Mada University. She is currently interested in exploring intercultural dialogues across localities within collective art practices.
Hidayatul Azmi，通常被稱為 Ami，於 2015 年與朋友共同創立了 Forum Ladang Rupa。這是一個專注於西蘇門答臘省武吉丁宜發展不 同藝術欣賞模式的替代學習空間。她的插畫曾被收錄在 BukuMojok、 Gramedia 和自發出版的書籍中。Ami 在加查馬達大學獲得了文化與媒 體研究碩士學位。她目前對探索集體藝術實踐中跨地域的跨文化對話感 興趣。
Merve Bedir is an architect who works with infrastructures of hospitality and mobility about/towards the collective intelligences and imaginaries of the landscape. She holds a PhD from Delft University of Technology, and a BArch from Middle East Technical University in Ankara. Currently a visiting professor at the École Polytechnique Fédérale de Lausanne-EPFL Architecture, she also co-founded Aformal Academy in Pearl River Delta region, Kitchen Workshop in Gaziantep, and Center for Spatial Justice in Istanbul. Her recent publications include ‘Kitchen Workshop: Cityzenship as Infrastructure’ in Feminist Infrastructural Critique (2024), and ‘New Silk Roads’ in e-flux architecture (2019, 2024). Her fellowships include Pogon (Zagreb, 2024), BAK (Utrecht, 2022), Alserkal Foundation (Dubai, 2021), and Schloss Solitude (Stuttgart, 2019).
* In addition to p.104–p.111
Merve Bedir 是一位建築師，致力關注景觀與集體智慧和共同想像的 關係，以及接待和流動性作為理論和實踐框架的可能性。代爾夫特理工
大學博士和安卡拉中東技術大學建築學士，目前為洛桑聯邦理工學院 建築學院客席教授。珠江三角地區 Aformal Academy 、加濟安泰普 Kitchen Workshop 和伊斯坦堡 Center for Spatial Justice 的共同 創辦人。 近期出版見於《 Feminist Infrastructural Critique 》（2024 年）的「Kitchen Workshop: Cityzenship as Infrastructure」和 刊登於《e-flux architecture》的「New Silk Roads」（2019 年、 2024 年）。曾獲 Pogon（薩格勒布，2024 年）、BAK（烏德勒 支，2022 年）、Alserkal Foundation（杜拜，2021 年）和 Schloss
Solitude（斯圖加特，2019 年）獎助金。
Özge Ersoy is Senior Curator at Asia Art Archive. Her research explores expanded approaches to archiving, collecting, exhibition-making, and publishing in contemporary art. Her writings have appeared in How to Pin Down Smoke: ruangrupa since 2000 (Afterall, 2025, forthcoming), Curating Under Pressure: International Perspectives on Negotiating Conflict and Upholding Integrity (Routledge, 2020), and The Constituent Museum (Valiz and L’Internationale, 2018), among other publications. She was Research and Programming Associate for the 13th Gwangju Biennale (2021) and Assistant Curator for ‘Sarkis: Respiro’ at the Pavilion of Turkey in the 56th Venice Biennale (2015).
Özge Ersoy 現為亞洲藝術文獻庫資深策展人。其研究圍繞當代藝術 範疇內與檔案建構、收藏、展覽製作及出版相關的實踐。文章收錄於 《How to Pin Down Smoke: ruangrupa since 2000》（Afterall， 將於 2025 年出版）、《Curating Under Pressure: International Perspectives on Negotiating Conflict and Upholding Integrity》 （Routledge，2020 年）及《The Constituent Museum》（Valiz 與 L’Internationale 聯合出版，2018 年）等出版物。曾擔任第 13 屆光州 雙年展（2021 年）的研究和項目統籌，以及第 56 屆威尼斯雙年展土耳 其館《撒克斯：呼吸》（2015 年）的助理策展人。
