OZON is published biannually by City Showroom EE. Unless otherwise indicated, all materials on these pages are copyrighted and belong to the publisher, the authors and the photographers. No part of these pages, either text or images may be used unless explicit authorisation by the publisher. Therefore, reproduction, modification, storage in a retrieval system or retransmission, in any form or by any means, electronic, mechanical, is strictly prohibited without prior written permission.
Dimitris in LOUIS VUITTON jacket, LOUIS VUITTON boutique Athens Photographed by Costas Avgoulis
Sandra in MM6 Maison Margiela top, Studio Avra, earrings, FEGGERI LONDON Photographed by Aggelos Potamianos
OZON 2025 Summer Trends
Ladele
Marita
Lou
Jean-David Jacoby
-Am I hopeless? -Not really.
Look at me Unfiltered
Prompted by an article on the site, I stumbled upon a video lost somewhere in the digital paths of the internet — something we had created ten years ago. And I felt a strange wave of emotion wash over me. I remembered what it's like to feel you're doing what your instinct whispers to you, what is born from within you — without logic, without hesitation. What it’s like to fight for the impossible and actually reach it — because you believe in it. To give yourself completely to something that, at first, exists only in your own vision and in the eyes of a few people around you. And then, as if by miracle, more and more people join in. You feel that without them, nothing would exist.
Yesterday, I found myself again on the rocks of Attica. Gazing at the sea, like every time — but it felt as if I was seeing it for the first time. And yet, this recurring image, so familiar, captures like a photograph who I am and what I strive to create. If OZON has lasted thirty years in circulation — and above all, as an idea — it’s because, despite the changes, the feeling remains unchanged. It stands there, like a steadfast rock, facing a sea that’s constantly transforming. Sometimes it rages, sometimes it calms, sometimes it erupts all over again. And yet, it always feels new. A recurring revelation. A certainty.
I take a deep breath, hold it, and dive in. I slip into the water, swimming without a destination. With every breath, a new chance for something more. Until I tire andreturn to the rocks, to rest in the company of the sun. The one that makes me wake up every morning.
Konstantinos Vita- Space and Memory
Turning Delphi into a landscape of poetry and sound
How much depth can an image hold? How much memory echoes within a sound? In Delphi, inside the architectural pavilion of Dimitris Pikionis – a structure suspended between stone and spirit – Konstantinos Vita builds a world made of paintings, electronic music, and poetry. PCAI presents the exhibition Space and Memory, curated by Kika Kyriakakou, as part of the Ministry of Culture’s program All of Greece One Culture 2025.
The starting point? The deeply introspective poetry of Nikos-Alexis Aslanoglou. Eleven of his poems become the spark for visual landscapes, silences, and sounds – impressions of collective nostalgia. Through oil, acrylic, and pencil works, K. Vita opens a quiet dialogue with space, with the past, with the silence of stone and the voice of the present.
“Aslanoglou’s poetic language becomes a space of longing and realization,” says Vita. And truly – here, within the footsteps of ancient energy, memory is not a shadow. It is light. A form of life waiting to be discovered.
Dates:
29 & 30 July 2025, at 7 pm.
@ pcai.gr
0Z0N 2025 SUMMER TRENDS
UGG Store, Anagnostopoulou 4, Kolonaki, Athens
UGG brings the ultimate summer trend with its new sandals collection, full of Big Summer Energy! The GoldenGlow Slides and Sandals combine an airy feel, vibrant colors, and sustainable materials, while the men’s PeakMod offers modern design and comfort. With dynamic shapes and a playful spirit, UGG’s collection perfectly captures the essence of an authentic summer look!
A.KJAERBEDE THE CAT EYE EFFECT
A.Kjaerbede sunglasses from Copenhagen combine Scandinavian minimal design with the latest cat-eye frame trend. In bold summer colors and lenses in fun shades, they become the ultimate fashion statement. Modern, daring, and stylish, they bring a fresh twist to summer looks with an urban edge.
VANS AUTHENTIC AN ICON SINCE ‘66
The iconic Vans design that defined an entire culture is making a comeback—revamped and refreshed. With upgraded cushioning, improved fit, and striking prints and colors, it’s here to elevate every one of your summer looks!
Vans Store, The Mall Athens, Marousi
PAISIOS MENTESIDIS CREATED FOR THE ADVENTUROUS
Each piece is crafted exclusively by hand with effort, imagination, and skill. Seeking raw materials from the earth, unique uncut stones and crystals, PAISIOS creates daily one-of-a-kind jewelry that is never recreated, bearing unique marks and details destined to become heirlooms and remain timeless.
This summer, the Under Armour Apparition brings back the iconic 2000s retro aesthetic with a modern twist. Featuring breathable mesh, suede details, and UA HOVR technology for comfort and support, it's the perfect sneaker for all-day wear. Pair it with techwear or oversized athleisure for a cool, effortless style that stands out.
LEVI'S
Baggy
Baggy
Find them at official Levi’s® stores and selected retailers.
THE JORTS YOU NEED
Levi’s® reintroduces jorts as a staple of the summer wardrobe, presenting them as must-have items with relaxed fits, modern proportions, and effortless style. For the ladies, the Baggy Dad Jort offers the laid-back feel of a piece borrowed from your boyfriend, while the Mid-Thigh Short provides a more elegant option. They’re worn with carefully styled boho-chic pieces, such as airy tops, oversized shirts, or fitted polos and loafers —
suiting every occasion, from the beach to evening walks, with both style and comfort. In the men’s collection, the spotlight is on the 478 Baggy Short as the all-day casual pick, and the new Baggy Capri, which reaches mid-calf, offering a bold alternative take on the classic shorts.
HAIR AND MAKEUP Ioanna Domazaki WORDS Niki Katatsori
Unlabeled Talent
Ladele writes the way she feels and sings the way she lives — with intensity, truth, and cracks. Between pop melodies and rap confessions, she creates a world where music obeys no rules. It moves freely, like a thought, like a feeling. And she invites us to listen to her as she is: raw and deeply human.
Shirt: Stylist's own
Skirt & Sneakers: adidas originals
OZON Your latest track "Barbie" blends pop elements with rap lyrics. Do you feel the need to choose between the two genres, or do you prefer to move freely between them?
LADELE I don’t see music as something that needs to fit into boxes and categories — that’s why I do music in the first place. I’ve always loved blending my influences and creating something new. I’m grateful to be working with people who trust my vision and don’t try to limit me.
Ο You’ve taken part in groundbreaking projects like “Salò: The Concert”, where rap music meets lyrical art and Pasolini’s poetic work. How do you balance and combine such different influences in your own artistic identity?
L "Salò" was a clash of worlds. Writing lyrics and performing at the National Opera House was a big challenge for me — it had never crossed my mind that rap culture could exist on that stage. The process definitely wasn’t easy; we had to let go of our comfort zones in a way that was new to us, interact in a setting that was unfamiliar, and express themes like power, oppression, and freedom with authenticity and empathy. It was a brilliant initiative by Aris Biniaris, and I think it was an absolute success. It’s one of the first times the National Opera opened its doors so fully to contemporary music culture.
Ο You recently took part in “Society Uncensored” at the Onassis Foundation — a project that highlighted Greek rap’s power as a social tool. When you write, what motivates you the most? Do you feel a sense of responsibility in what you communicate — socially or personally — or do you just go with the flow of expression?
L That sense of responsibility is inside me, but I don’t see it as a burden or something I have to fulfill. I don’t write to preach or to send a message, but because there’s something inside me that insists on being heard. When something really burns in me, I feel the need to express it — otherwise, it remains unsaid.
Ο In past interviews, you’ve talked about “female rap” and your desire to empower it. What does that mean to you today — and what’s changed in the Greek scene since then?
L The truth is, I don’t identify with the term “female rap”, and I make a point to say that every time. For me, rap — like any genre of music or art — has no gender. It’s a form of expression, it’s your voice, your energy. In Greece, I see more and more women who don’t follow the usual templates and bring something fresh and authentic to the scene — and that gives me hope. For me, the most important thing is to make music with soul and to break away from labels that try to limit us.
Ο What do you love most about Thessaloniki, where you spend most of your time?
L What I love most is the feeling that something might happen, even when nothing’s moving. Thessaloniki holds a sense of anticipation, like it’s holding its breath. I think I carry it with me through all seasons, but its winter has an intensity that touches me. It frustrates me that the city feels neglected, like we all forgot about it. If it were a person, I’d tell it: “Get it together.” It still has so much to give.
Ο Your style is uniquely yours — a mix of bold pieces, minimalism, and soulinspired elements. Where do you draw your stylistic inspiration from?
L I don’t think I have a specific style. It’s more about expressing how I feel each day. Sometimes I want to hide, other times I want to be seen. I might wear something very soft and then break it up with something tougher or more uncomfortable. I don’t think it through too much. As long as I feel like what I’m wearing holds me — not physically, but emotionally — it works. I love silence in clothes: black, brown, khaki… but also a bit of lace where you don’t expect it. I don’t like bein gpredictable. Today I might feel strong and distant, tomorrow vulnerable and playful. All of that is me. And that’s how I dress.
Ο What do you dream of?
L For me, a dream is a driving force. Something big — not necessarily for others, but for me. It’s something I build every day, not something I’m waiting to randomly happen. I keep it inside. There’s no need to shout it out. It’s both personal and artistic — those two things are one and the same for me.
@ladelemaestro
PHOTOGRAPHY Mike Tsitas STYLIST Thanos Koutsolampros HAIR AND MAKEUP Ioanna Domazaki ALL LOOKS BY CALVIN KLEIN Jeans WORDS Yorgos Kelefis
Seduction against All Odds
We first got to know her through GNTM, but today Marita has left all labels behind. With a steady presence, a strong personality, and an aesthetic that defies categorization, she is now a model who breaks stereotypes — quietly, yet unmistakably. She walked into the studio with a smile, a positive attitude, and a professional demeanor. With simplicity and style, she brought to the set a sense of balance — between strength and effortlessness.
OZON What did you want to be when you were a child, and how did modeling come into your life?
MARITA As a child, I wanted to be a thousand different things — from a fashion designer and a painter to a singer and an architect. The only constant was that I always knew I wanted to be involved in the arts. I had a creative nature from a young age and always felt more comfortable expressing myself through creativity. Modeling came into my life completely unexpectedly while I was living in England — a modeling agency discovered me randomly on the street. From that moment on, I just let life guide me… and somehow, that’s how this journey began.
O With some time having passed since your participation in GNTM, what do you think you learned from it, and how did it change you?
M GNTM was a very intense and positive experience for me. It pushed me out of my comfort zone and placed me in a world full of competition, pressure, and at the same time, creativity — and I learned a great deal. I learned how to handle criticism, to perform under pressure, to stand more firmly on my feet, and to assert myself. It was like a crash course in self-awareness. I may have entered without knowing exactly what to expect, but I came out with a clearer sense of who I am and what I want.
O As a model with a background in Marketing Management, do you see yourself participating in the strategic side of fashion in the future?
M Absolutely. Modeling gave me visuals and experiences from the “front end,” but my marketing studies opened my mind to what happens “behind” every campaign, brand, and success story. I enjoy understanding why something works, how strong storytelling is built, and how an image becomes an experience. In thefuture, I definitely see myself getting more involved in fashion’s strategic side — whether that means branding, creative campaigns, or even building something of my own. I want to bring both sides together: aesthetics and business.
O Your image combines strength with effortless finesse. How do you define beauty today?
M To me, beauty today isn’t just about looks — it’s mostly about the energy someone gives off. It’s that something you feel when someone enters a room and immediately captures you, not because they’re trying to, but simply because they’re
being themselves. That wasn’t always obvious to me. I grew up trying to fit into ideals and “fix” things about myself. But as time went by — and through my work — I realized that true finesse isn’t about style or makeup, it’s about authenticity. Strength, to me, isn’t about volume or intensity — it’s about steadiness and confidence. Knowing where you stand, even when you’re vulnerable. The most beautiful version of ourselves is the one that doesn’t try to look like anyone else — it just is.
O In a time where diversity is finally becoming central in the fashion industry, how do you feel representing a new, modern image of the female body in modeling?
M I feel that representing a new image of the female body in modeling is both an honor and a responsibility. Not because I’m simply part of a current trend, but because the essence of diversity isn’t just about including more types of bodies — it’s about changing the language and perception around beauty and worth. Fashion has always held enormous power — it can shape standards, open or close doors, and dictate what’s acceptable. That’s why diversity isn’t just a trend; it’s a revolution in how we communicate and accept one another. By representing a more modern image, I want to show that every body carries a story, every person deserves space and respect, and that true beauty stems from honesty — with yourself and with society.
O How would you describe your personal style when you dress off set and off the runway?
M When I’m not on set or the runway, my style is more relaxed and authentic. At work, I often have to be very “feminine” and commanding, but in my everyday life I feel more comfortable in something simpler, more masculine. In those moments, I’m not trying to project anything specific — I just feel like I’m expressing myself more openly and without any masks. For me, style is a way to balance these two sides of myself, and that’s what makes it unique and personal. Just like the philosophy of Calvin Klein, which doesn’t dictate a specific standard, but allows everyone to interpret style in their own way. It’s a minimalist yet bold aesthetic that gives space for personality to shine through. For example, during this shoot wearing pieces from Calvin Klein’s summer collection, I feel like myself. The clothes don’t “impose” anything — they simply create space to highlight who I already am.
They’re like a canvas that you can make your own by the way you wear them — not the way you’re supposed to.
O Which part of Athens do you live in, and what do you love about it?
M I live in Kypseli, a neighborhood that, despite being in the heart of Athens, still holds onto those sweet, authentic habits that are becoming rare. It’s truly a place where you walk around and greet the greengrocer, the florist, the woman who makes my favorite Georgian pies. Kypseli has always been a hangout for artists and people who express themselves with authenticity. Here, I feel that expression is selfless — unfiltered, without vanity — just real. And that’s exactly why I love it so much.
O With a strong presence on social media and in the Greek fashion scene, what’s your next big step? What do you dream of?
M For a long time, I struggled to truly be myself on social media. It’s one thing to be with friends, laughing, saying whatever comes to mind — and another to try to show who you are in front of a screen. I felt like I had to play a role. Recently, I felt the need to take a short break from social media. I needed space to breathe, to try new things, to step outside “the box.” During that pause, I met new people, found myself in unfamiliar situations — and through all of that, I started discovering new parts of myself. Even though I love fashion, style, and makeup — and they are key ways I express myself — I also feel there are other sides of me I want to start sharing. Things that don’t always fit into a “perfect” feed or the usual formats. I dream of getting to a point where I can show every side of myself on social media — without restrictions, and without feeling like I have to follow certain rules. Just to be myself, and for that to be enough.
@maritajotes
PHOTOGRAPHY Maria Koutroumpi STYLIST Nepheli HAIR AND MAKEUP Giorgos Kaisaris, @kaytzey.cuts, Lilly Dick TOTAL LOOK @rofos.knit WORDS Niki Karatsori
LOU
Queering Kagkouras
LOU is not just a musician or performer — she is an explosive phenomenon that breaks down the boundaries between avant-garde and urban underground, between English and Greek, between “High Art” and “Low Art.” With her own “Kagkouring” style, she starts from Menidi, ends up in Berlin, and invites us to a queer party where no one remains indifferent. Provocative, open, and explosive, LOU is the new face aiming to overturn and recreate the music scene.
single “Invitation to Kagkouration” το 2023.
“We only
Όπως το “Kagkouring”, “Berlinagkouras”, “Kagkouration”.
O Ζούμε μια εποχή ασφυκτική
(Track: “Invitation to KAGKOURATION”).
KIKI label. O
“εισβάλλεις” ή πως ξαναγράφεις τους όρους του παιχνιδιού;
OZON You started writing and singing in English, and you’ve said that English lyrics come more naturally to you. But now you’re strongly incorporating Greek into your songs. How did this shift come about?
LOU It all started with the single “Invitation to Kagkouration” in 2023. It’s really fun to sing “We only fucked once and she calls me baby.” I find great expressive freedom in mixing Greek with English and creating my own words. Like “Kagkouring,” “Berlinagkouras,” “Kagkouration.”
O We live in a suffocating era — socially, politically, culturally. Do you see your music as a form of resistance against what’s happening, or is it more of an internal space of protection?
L My songs speak about queer love and social class. “She’s an avant-garde artista and I’m a kagkouró” (Track: “Invitation to KAGKOURATION”). For the past two years, I’ve been in constant questioning about what is High Art and what is Low Art. My project “Queering Kagkouras” is in
itself a political act that aims to break the rule of heteronormativity, to open space for inclusivity, and to critique all of the above in a different “Kagkouriko” way — my own way. It’s no coincidence that I’m on the KIKI label.
O “Costa Rica” brings queer lyrics into a trap scene almost monopolized by cis straight men. Do you feel like you’re “invading” or rewriting the rules of the game?
L I feel both at the same time. The track, as well as the upcoming music video, are a special response to the subjectification of the female body by the trap and hip-hop scene, and to the concept of the “Male gaze.” I want to provoke with the artistic cover of the track as well as with the raw, explicit queer lyrics, but I also believe I’m educating the eyes and ears of the Greek audience by emphasizing that there isn’t only the heteronormative way. The comments and DMs I’ve received lately are hilarious — people feel uncomfortable with my lesbian masculinity, but it was about time someone said it! Right?
O What does “Queering Kagkouras” mean to you?
L Breath, breaking down, redefining, inclusivity.
O Trap, chant, autotune, folk element — you combine sounds that under other circumstances would seem incompatible. How do you decide what “fits” in your music? Or do you not care if it fits?
L That’s just who I am. I’m made up of huge contradictions that I try to reconcile. I went to a music school where we sang Mozart in class but played toumbeleki and Lepa during breaks. I studied classical piano and jazz singing, but now I do trap.
O You grew up in Menidi, a neighborhood with a strong class stigma, and now you live in Berlin, a city that embraces queer identity almost as normality. What do you carry inside from each place?
L I love Menidi, but I can’t stay there long, not even in my childhood home. I have some nice images, like Stamos’ ice cream shop and the car workshop with Maseratis and Lotus cars, my mom laughing, but in Berlin I feel better.
@ooooooooolou
Costa Rica is released by Kiki Music and exclusively distributed to Panic Records
JEANDAVID JACOBY
A Hellenist in Paris
grecophile. A creator with deep sensitivity and dedication to the art of fragrance, Jean-David Jacoby combines Greek mythology with French perfumery, crafting scent-narratives that touch memory, emotion, and light. His brand, Hellenist Paris, is a niche perfume house that brings to the forefront the richness of Greek heritage through unique compositions inspired by myths, stories, and the natural landscape of Greece. Each fragrance is designed with meticulous attention to detail, using exquisite materials and traditional techniques, thus offering a luxurious experience that connects the past with the present, Greece with Paris. Jean-David welcomed us to his elegant apartment in the Haussmann district of Paris and, without even intending to, revealed what it truly means to be the ultimate French Grecophile.
OZON How did your journey with per fumes start and why Greece?
JEAN-DAVID JACOBY For me, becoming a perfumer wasn’t a conscious choice, but rather a vocation that revealed itself to me from a very young age. As a sensitive, introverted child, I was fascinated by the invisible world of scents. I tried to capture and analyze every fragrance around me. I remember reading Perfume by Patrick Süskind when I was quite young, a book my parents gave me because they understood how deeply scent affected me. That book was a revelation — the idea of perceiving the world through fragrance, of thinking about the world through scent, felt like my destiny. Greece was my second revelation, at around the same age. A trip to Santorini opened my senses to new, unfamiliar aromas: the scent of fig trees in the evening after a day of sun, the dry, sun-baked herbs, the wind carrying the salt of the Aegean Sea. Even as a child, I was deeply moved by this sensory experience. Years later, when I returned to Greece, I felt like I had come home. Everything felt familiar, everything made me feel at ease. It was an obvious connection. So, when I began creating my brand, that same clarity, that same sense of belonging, guided me towards Hellenist Parfums.
O How do you envision the role of scent in storytelling — can a fragrance express a narrative, like literature or film?
JDC Absolutely. A fragrance is not just a product — it's a story that unfolds on the skin. Like literature or cinema, it can carry emotion, tension, surprise, even silence. I’ve always seen scent as a form of storytelling without words. Each Hellenist fragrance begins with a narrative intention. À l’Ombre d’Artémis invites you into the secret groves of Chios: the green milkiness of fig tree, the wild sweetness of blackcurrant, the cool shade of oakmoss. A rose blooms in the undergrowth, grounded by sandalwood — untamed yet graceful, like the goddess who guards the wild. Les Dieux aux Bains tells the story of ancient rituals, where rosemary and water flowers mingle with eucalyptus and vetiver — a sacred sensuality that lingers on the skin like steam rising from marble. In that way, perfumes are emotional scripts. They speak to memory, mythology, and mood. They don’t just accompany a story — they become it.
O How do you balance creativity with the responsibility of managing a luxury brand on a global scale?
JDC It’s a daily dance — between instinct and structure, poetry and Excel sheets. I try to preserve sacred spaces for creative
thinking, while also surrounding myself with talented professionals who help translate our vision into strategy and operations. The key is to never lose sight of the emotional power of what we do — even in the most technical decisions.
O What are the other members of the Hellenist team?
JDC Hellenist is a collective adventure. I work closely with renowned perfumers — Maurice Roucel, Pierre-Constantin Guéros, Alexandra Carlin, and Suzy Le Helley — each bringing their own sensitivity and signature. I also collaborate with the visual artist Carlo Amen, whose work infuses the brand with a raw, poetic energy that deepens the storytelling. Around us is a constellation of partners — distributors, photographers, designers — in Greece, France, Belgium, the US and beyond. Hellenist is a brand, but above all, it is a creative family built around a shared passion for beauty, myth, and emotion.
O How have Greeks responded to Hellenist? Has anything surprised you about how your work has been received locally?
JDC The Greek reception has been incredibly moving. There was a mix of pride and tenderness — like someone recognizing themselves in a mirror they didn’t expect. What surprised me the most is how intergenerational the reaction has been: from young people rediscovering mythology through scent, to elders who told me it reminded them of places or sensations long forgotten.
O What has been the most touching or emotional reaction you've received from someone who wore a Hellenist fragrance?
JDC A woman once told me that wearing Les Bras de Morphée made her feel like she was being held, comforted, almost cradled. She had just gone through a difficult period, and the perfume became her armor — and her escape. I never imagined a creation of mine could offer that kind of emotional solace.
O If you could have any famous figure — past or present — wear a Hellenist fragrance, who would it be and what scent would you envision for them?
JDC Maria Callas, without hesitation. She embodied a rare balance of intensity and fragility, like a voice suspended between fire and silence. I would choose Le Chant d’Achille for her — a fragrance that captures both the heroic and the intimate. It opens with a luminous burst of lemon and black
pepper, full of tension and presence — like the first notes of an aria. Then, gradually, comes the tenderness: neroli, orange blossom, white musks. And finally, the deeper, more complex layers — the immortelle and geranium, like a hidden sorrow beneath the brilliance. It’s a perfume for someone who knows what it means to carry beauty as a burden — and to offer it to the world, anyway.
O What is your favorite place in Greece — and which scent do you associate with it?
JDC It’s difficult to choose just one, but two places in particular keep calling me back. Amorgos, especially its Hora, holds a kind of magnetic stillness — yet it’s alive with texture. Narrow alleys carved into steps, wind weaving through the passageways, old stone houses leaning into one another, and whitewashed chapels clinging to the hill like secrets. There are windmills at the crest, musicians in the tavernas, and the scent of grilled octopus and sun-dried herbs carried through the air by the ever-present meltemi. That wind — sometimes soft, sometimes brutal — gives the island its rhythm and its soul. Amorgos smells like sage, baked stone, ouzo, jasmine blooming after nightfall. And then Tinos, wilder and more austere — its villages carved from marble, its hills dotted with dovecotes. One place there stays with me: a disused marble quarry by the sea, where rainwater and tide have shaped natural pools in the stone — pools the color of pale turquoise. It smells of sun on white rock, fig trees, and the clean mineral tang of the Aegean crashing nearby. A kind of sacred geometry between nature and time. Both islands remind me that scent lives in silence and in sensation. It doesn’t shout — it lingers.
@hellenistparfums hellenistparfums.com
PHOTOGRAPHY
Costas Avgoulis
FASHION EDITOR
Thanos Koutsolampros
MAKEUP & HAIR
Iridanca
MODELS
Lilly (AGENCIA)
Dimitris (AGENCIA)
STUDIO
W Space Athens
Tank top: TOMMY HILFIGER, TOMMY HILFIGER store, THE MALL Athens
Short pants: VANS, VANS store, THE MALL Athens
Shoes: VANS, VANS store, THE MALL Athens
Jacket: CALVIN KLEIN, CALVIN KLEIN store, THE MALL Athens
Jacket & skirt: MARELLA SPORT, SOTRIS store
Shoes: VANS, VANS store, THE MALL Athens
Top & Pants: MM6 MAISON MARGIELA, Studio Avra
Shoes: VANS, VANS store, THE MALL Athens
Shirt: SOTRIS, SOTRIS store Pants: ADIDAS
Hat: ADIDAS Dress: VALENTINO, RATS VINTAGE
Shoes: UGG, UGG store Kolonaki
Socks: Stylist’s archive
look: YIORGOS ELEFTHERIADES
Jacket: LOUIS VUITTON, LOUIS VUITTON boutique Athens
Pants: LEVI’S, RATS VINTAGE
Shirt: ACT No1, SOTRIS store
Short pants: LOVERBOY, SOTRIS store
Shoes: UGG, UGG store Kolonaki
PHOTOGRAPHY
Giorgos Maniatopoulos
FASHION EDITOR
Thanos Koutsolampros
MAKEUP & HAIR
Konstantinos Sakkas (Dtales)
MODELS
Piotr (ACE)
Lawrence (D MODEL)
Previous page
Shirt: PHYSIQUE DU ROLE, SOTRIS store
This page
Total look: UNDER ARMOUR, UNDER ARMOUR store Athens
Next page
Vest: LEVI’S, LEVI’S store
Shirt: PHYSIQUE DU ROLE, SOTRIS Store
Pants:
Shoes: ADIDAS
Next page
T-shirt: TOMMY HILFIGER, TOMMY HILFIGER store, THE MALL Athens
Piotr wears
Next page
Shirt: SOTRIS, SOTRIS store
Pants: Stylist’s archive
Shoes: UNDER ARMOUR, UNDER ARMOUR store Athens
Shirt: LEVI’S, Pants: Stylist’s archive
Lawrence wears
Shirt: PARASKEVA
Short pants: GRAMICCI
Top & Pants: PROENZA SCHOULER, Studio Avra Shoes: Stylist’s archive
page
Total look: LOUIS VUITTON, LOUIS VUITTON boutique Athens
Next
Shirt: PARASKEVA
Short pants: GRAMICCI
PHOTOGRAPHY
Aggelos Potamianos
FASHION EDITOR
Thanos Koutsolampros
HAIR & MAKE UP
Efi Ramone (Beehive artists)
MODEL
Sandra (ACE)
UN FILT –ERED
Previous page
Shirt: JACQUEMUS
Short pants: MACCAIN , Mod space
Shoes: ADIDAS
Socks: Stylist’s own
This page
Total look: GAENUS
Shoes: ADIDAS
Next page
Sunglasses: CARRERA, Safilo
Shirt: GIANNI VERSACE COUTURE, Mod space
Shirt: JACQUEMUS
Earrings: Stylist’s own
Next page
Sunglasses: CARRERA, Safilo
Shirt: GIANNI VERSACE COUTURE, Mod space
Skirt: MACCAIN, Mod space
Shoes: ADIDAS
Knitwear & Trousers: DIESEL, Eleven store
Shoes: ADIDAS
Sunglasses: POLAROID, Safilo
Earrings: FEGGERI LONDON
Shirt & Skirt: MILKWHITE
Shoes: Stylist’s own
Previous page
This page
Top: MM6 MAISON MARGIELA, Studio Avra
Earrings: FEGGERI LONDON
Body: MM6 MAISON MARGIELA, Studio Avra
Trousers: MAGGINA
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PHOTOGRAPHY
Thanos Poulimenos
FASHION EDITOR
Thanos Koutsolampros
HAIR & MAKE UP
Ilias Koutsaftikis (Beehive artists)
MODEL
Aaron (D MODEL)
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Shirt: SANCTAMUERTE, SOTRIS stores
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Total look: LOUIS VUITTON, LOUIS VUITTON boutique Athens
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A Blue Moon in Lesbos
Apollo, 2023, Courtesy Base-Alpha gallery Antwerp
Live and Let Live, 2020, Private Collection
What remains when we leave a house? And what does it mean to return—if only in thought—to a place that once belonged to you? George Maraziotis temporarily leaves Antwerp behind and, under the curatorship of Nikolas Vamvouklis, is invited to become the new resident of K-Gold Temporary Gallery on the island of Lesvos. The exhibition Blue Moon is an in-situ installation deeply connected to the concept of dwelling and the fragile yet precious nature of human relationships.
Through a new series of sculptures and interventions, Maraziotis invites us to reflect on what “home” means and what time leaves behind. The artist continues his visual exploration of the identities of private space, creating works that float between the real and the imaginary—like dreams or memories that gently haunt us. He focuses on the idea of displacement and the tension that arises when familiar objects are removed from their original context, gaining new and unexpected meanings. This shift pertains not only to materiality but also to the emotional experience of movement, loss, and the search for belonging.
The exhibition begins with a moving thread: the recording of oral histories from former tenants of the neoclassical residence that now houses the K-Gold Temporary Gallery in Agia Paraskevi, Lesvos. Their voices—echoes from the past—are transformed into works made of neon, marble, metal, and mirrors. Through these, the immaterial nature of memory gains form and presence. At the same time, the artist reinstates architectural elements that had been removed from the building, acting as bridges between past and present, as gestures of reconciliation with the history of the place.
The result is a hybrid landscape where familiarity meets the uncanny—a setting that seems to breathe, filled with whispers, memories, and emotion. Here, personal and collective testimonies are woven into a poetic journey among fragments of life, anticipation, and tenderness.
Blue Moon, 12 July- 31 August 2025
@kgoldtemporarygallery @yorgosmaraziotis
Displaced, 2024, installation at 12 Antwerp, Courtesy AIM EU
SOTRIS Store
Κύπρου 47
2108981451
www.sotris.gr
MILKWHITE
Αθανασίου Αξαρλιάν 5, Αθήνα 210 3315233
www.Milkwhite.gr
FEGGERI LONDON
www.feggeri.com
YIORGOS ELEFTHERIADES Boutique
Τσακάλωφ 29, Αθήνα 210 3616272 www.yiorgoseleftheriades.com
Ευαγγελιστρίας 14, Αθήνα 210 3230676 www.eleven.com.gr
ΠΟSSITIVE ΘΙΝΚΙΝG www.possitivethinking.com
A.KJAERBEDE
Αγίας Παρασκευής 41, Χαλάνδρι 6932400856
www.akjaerbede.gr
Levi’s store
Ευαγγελιστρίας 8, Αθήνα 211 10 88 128 www.levi.com
Under Armour store
Βουλής 22, Αθήνα 211 10 88 118 www.underarmour.gr
TOMMY HILFIGER
Ανδρέα Παπανδρέου 35, Μαρούσι, THE MALL ATHENS 2106104975
www.tommy.com
CALVIN KLEIN JEANS
Ανδρέα Παπανδρέου 35, Μαρούσι, THE MALL ATHENS 2106195576
www.calvinklein.com
VANS Store
Παπανδρέου 35, Μαρούσι, THE MALL ATHENS 2106198418
www.vans.com
STUDIO AVRA
Ιοφώντος 14, Αθήνα 210 7234711
www.studioavra.gr
RATS VINTAGE CLOTHING
Αθηνάς 31, Αθήνα 2111157960
www.ratsvintage.com
UGG STORE
Αναγνωστόπουλου 4, Κολωνάκι 2111088163
www.ugg.com
Under Armour Brand Houses:
Αθήνα, Πειραιά, Γλυφάδα, Golden Hall, Νέα Ερυθραία, Θεσσαλονίκη, Πάτρα, Κέρκυρα.
ADIDAS
Καλαμιώτου, Αθηναΐδος 5, Αθήνα 2103257032
www.adidas.com
LOUIS VUITTON
Βουκουρεστίου 19, Αθήνα 2103613938 eu.louisvuitton.com
PARASKEVA.CO www.paraskeva.co
P.L.US
Fashion Room Service Thessaloniki edition at Colors Urban Hotel with 25 fashion designers and brands. Private Soirée and official party by Beefeater London Dry Gin.
