Trio élégiaque No. 1 in G minor
Elena Bennett, piano
Ela Tokarska, violin
Carmine Miranda, cello
Three Romances for Violin and Piano, Op. 22
Sergei Rachmaninoff (1873-1943)
Clara Schumann
I. Andate molto (1819-1896)
II. Allegretto
III. Leidenschaftlich schnell
Ela Tokarska, violin
Elena Bennett, piano
Piano Trio No. 1 in B Major, Op. 8
Johannes Brahms
I. Allegro con moto (1833-1897)
II. Scherzo: Allegro molto
III. Adagio non troppo
IV: Finale: Allegro molto agitato
Robert Marler, piano
Boris Abramov, violin
Carmine Miranda, cello
Program Notes
Trio élégiaque No. 1 in G minor is a haunting and emotionally charged chamber work composed by Sergei Rachmaninoff at the tender age of nineteen. Written in 1892, this piece showcases the composer’s early yet remarkable talent and emotional depth. The work is a single-movement piano trio that combines elements of both Russian and Western European musical traditions.
The trio opens with a melancholic and introspective theme presented by the cello, creating an atmosphere of profound introspection. The piano and violin join in, weaving intricate textures that traverse through moments of turbulent passion and poignant lyricism. Rachmaninoff skillfully balances moments of delicate lyricism with passionate outbursts, showcasing his ability to convey deep emotions through music.
Throughout the composition, the themes are developed and transformed, leading to moments of heightened drama and tension. The work’s structure is fluid, with seamless transitions between sections, allowing the emotional narrative to unfold organically. Rachmaninoff’s use of harmony and chromaticism adds a sense of richness and complexity to the music.
The Trio élégiaque is a reflection of Rachmaninoff’s personal struggles and emotions during that period of his life, marked by his father’s death. The elegiac character of the piece is evident through its mournful melodies and poignant harmonies, reflecting the composer’s grief and longing.
Despite its youthful origin, the Trio élégiaque already exhibits the hallmarks of Rachmaninoff’s style, including his distinctive use of melody, lush harmonies, and virtuosic piano writing. This composition serves as a precursor to the grandeur and emotional intensity that would come to define Rachmaninoff’s later works.
In conclusion, Rachmaninoff’s Trio élégiaque in G minor is a poignant and introspective work that captures the composer’s early musical voice and emotional depth. Its seamless blend of Russian and Western influences, coupled with its evocative melodies and harmonies, make it a significant piece within Rachmaninoff’s oeuvre and the chamber music repertoire.
Program notes by Dr. Robert Marler, School of Music Faculty
Three Romances for Violin and Piano, Op. 22 is a captivating musical work composed by Clara Schumann during the year 1839. These intimate and emotionally charged pieces showcase Schumann’s distinctive Romantic style, filled with expressive melodies and intricate harmonies.
The first Romance begins with a lyrical violin melody that intertwines gracefully with the piano’s accompaniment. The music evolves through a series of enchanting variations, conveying a sense of introspection and tenderness. Schumann’s use of shifting tonalities and delicate phrasing captures the listener’s attention, drawing them into a world of heartfelt sentiment.
The second Romance takes on a more playful character, contrasting the previous movement. The violin and piano engage in a lively dialogue, engaging in a musical dance that alternates between moments of spirited exuberance and moments of gentle reflection. Schumann’s skillful manipulation of dynamics and articulation adds depth to the narrative, allowing the performers to explore a range of emotions.
In the final Romance, Schumann returns to the introspective mood of the first movement. The violin’s mournful melody is accompanied by a delicate piano motif, creating an atmosphere of bittersweet melancholy. As the piece unfolds, the music becomes increasingly passionate, building to a climactic moment of emotional intensity before subsiding into a peaceful resolution.
Program notes by Dr. Robert Marler, School of Music Faculty
Piano Trio No. 1 in B Major by Johannes Brahms is a captivating work that showcases the composer’s early Romantic style and profound emotional depth. Composed when Brahms was just 21 years old, the piece reflects his admiration for classical forms while infusing them with his unique harmonic language and melodic inventiveness.
The Piano Trio in B Major comprises four movements:
1. Allegro con brio: The opening movement begins with a grand and energetic theme presented by the piano, followed by the violin and cello. The development section delves into intricate counterpoint and dramatic changes in dynamics, demonstrating Brahms’ mastery of structure and emotion.
2. Scherzo: Allegro molto - Trio: The second movement is a lively scherzo characterized by its playful rhythms and contrasting sections. The central trio provides a serene contrast with its delicate melodies, showcasing Brahms’ ability to balance lightness with depth.
3. Adagio: In the third movement, Brahms presents a lyrical and introspective Adagio. The piano, violin, and cello engage in a soulful dialogue, expressing a range of emotions from melancholy to soaring beauty. The movement’s emotional intensity makes it a cornerstone of the work.
4. Finale: Allegro: The final movement is a tour de force that showcases Brahms’ dramatic flair. It opens with a spirited main theme and features variations on a Hungarian folk melody. The movement unfolds with vigor and exuberance, culminating in a brilliant conclusion that underscores the trio’s thematic unity.
Brahms’ Piano Trio in B Major stands as a testament to the composer’s early genius and his ability to blend tradition with innovation. The work captures the essence of the Romantic era, with its emphasis on emotional expression and the interplay of instrumental voices. Audiences are treated to a rich musical tapestry that embodies both youthful exuberance and profound introspection, making it a timeless gem in the chamber music repertoire.
Program notes by Dr. Robert Marler, School of Music Faculty
Upcoming Concerts and Events
Organ Masterclass David Briggs
Wednesday, September 13, 10:00 a.m.
McAfee Concert Hall
Organ Concert David Briggs
Thursday, September 14, 7:30 p.m.
McAfee Concert Hall
Jazz Small Groups II and III
Friday, September 15, 12:00 p.m.
Wilson/MPAC Atrium
Composition Honors Recital
Tuesday, September 19, 7:30 p.m.
McAfee Concert Hall
Faculty Jazz Group
Wednesday, September 20, 7:30 p.m.
Massey Concert Hall
Belmont University String Chamber Orchestra
Friday, September 22, 12:00 p.m.
Wilson/MPAC Atrium
Faculty Concert Series
Commercial Voice Faculty
Monday, September 25, 7:30 p.m.
Massey Concert Hall
World Percussion
Friday, September 29, 12:00 p.m.
Wilson/MPAC Atrium
Classical Singers Recital
Sunday, October 1, 2:00 p.m.
McAfee Concert Hall
For more information on upcoming concerts and events, please visit www.belmont.edu/cmpa or “like” Belmont University School of Music on Facebook.
