The Big Ideas - Diplomat with The New York Times

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แƒฏแƒฃแƒšแƒ˜แƒ แƒแƒšแƒ•แƒแƒ แƒ”แƒ–แƒ˜: แƒ แƒ˜แƒกแƒ˜ แƒ’แƒ•แƒฏแƒ”แƒ แƒ แƒ˜แƒ“แƒ”แƒœแƒขแƒแƒ‘แƒ˜แƒก แƒจแƒ”แƒกแƒแƒฎแƒ”แƒ‘ แƒกแƒแƒ™แƒฃแƒ—แƒแƒ แƒ˜ แƒ—แƒแƒ•แƒ˜แƒก แƒ›แƒ แƒแƒ•แƒแƒšแƒ˜ แƒจแƒ แƒ˜แƒก แƒแƒฆแƒ›แƒแƒฉแƒ”แƒœแƒแƒก แƒจแƒ”แƒกแƒแƒซแƒšแƒแƒ แƒ›แƒ—แƒ”แƒšแƒ˜ แƒชแƒฎแƒแƒ•แƒ แƒ”แƒ‘แƒ แƒ“แƒแƒกแƒญแƒ˜แƒ แƒ“แƒ”แƒก

Julia Alvarez: What We Believe About Identity Unearthing the many layers of a self can take a lifetime

JULIA ALVAREZ is the author, most recently, of โ€œAfterlife,โ€ a novel, and โ€œAlready a Butterfly,โ€ a picture book for young readers. She was awarded a National Medal of Arts in 2014 (CREDIT: Bill Eichner)

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แƒ“แƒ”แƒคแƒ˜แƒกแƒ˜แƒ— แƒ“แƒแƒฌแƒ”แƒ แƒ˜แƒšแƒ˜ แƒ”แƒ แƒแƒ•แƒœแƒ”แƒ‘แƒ (แƒ“แƒแƒ›แƒ˜แƒœแƒ˜แƒ™แƒ”แƒš-แƒแƒ›แƒ”แƒ แƒ˜แƒ™แƒ”แƒšแƒ˜, แƒฉแƒ˜แƒœแƒ”แƒš-แƒแƒ›แƒ”แƒ แƒ˜แƒ™แƒ”แƒšแƒ˜, แƒ—แƒฃแƒœแƒ“แƒแƒช แƒแƒคแƒ แƒ-แƒแƒ›แƒ”แƒ แƒ˜แƒ™แƒ”แƒšแƒ˜) แƒฏแƒ”แƒ  แƒแƒ  แƒ˜แƒงแƒ แƒ›แƒแƒ’แƒแƒœแƒ˜แƒšแƒ˜. แƒฃแƒœแƒ“แƒ แƒ“แƒแƒ’แƒ•แƒ”แƒ™แƒ›แƒแƒงแƒแƒคแƒ˜แƒšแƒ”แƒ‘แƒ˜แƒœแƒ แƒจแƒ”แƒกแƒแƒ‘แƒแƒ›แƒ˜แƒกแƒ˜ แƒ•แƒ”แƒšแƒ˜, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช แƒกแƒฎแƒ•แƒแƒ“แƒแƒกแƒฎแƒ•แƒ แƒ”แƒ แƒแƒ•แƒœแƒ”แƒ‘แƒแƒกแƒ—แƒแƒœ แƒ”แƒ แƒ—แƒแƒ“ (โ€œแƒจแƒแƒ•แƒ™แƒแƒœแƒ˜แƒแƒœแƒ˜โ€, โ€œแƒ”แƒกแƒ™แƒ˜แƒ›แƒแƒกแƒ˜โ€), แƒฉแƒ•แƒ”แƒœ แƒแƒ  แƒ›แƒแƒ’แƒ•แƒ˜แƒชแƒแƒ•แƒ“แƒ. แƒฉแƒ•แƒ”แƒœ แƒ‘แƒฃแƒœแƒ“แƒแƒ•แƒœแƒแƒ“ โ€œแƒ”แƒกแƒžแƒแƒœแƒฃแƒ แƒ˜ แƒฌแƒแƒ แƒ›แƒแƒจแƒแƒ‘แƒ˜แƒกโ€ แƒ•แƒ˜แƒงแƒแƒ•แƒ˜แƒ—, แƒ แƒแƒช แƒœแƒแƒ›แƒ“แƒ•แƒ˜แƒšแƒแƒ“ แƒกแƒฏแƒแƒ‘แƒ“แƒ แƒกแƒฎแƒ•แƒ, แƒกแƒแƒ—แƒแƒ›แƒแƒจแƒ แƒ›แƒแƒ”แƒ“แƒแƒœแƒ–แƒ” แƒ’แƒแƒ’แƒแƒœแƒ˜แƒš, แƒจแƒ”แƒฃแƒ แƒแƒชแƒฎแƒ›แƒงแƒแƒคแƒ”แƒš แƒขแƒ”แƒ แƒ›แƒ˜แƒœแƒ”แƒ‘แƒก (โ€œspic,โ€ โ€œwetback,โ€ โ€œgreaserโ€). แƒ“แƒแƒ•แƒ˜แƒ‘แƒแƒ“แƒ” แƒœแƒ˜แƒฃ-แƒ˜แƒแƒ แƒ™แƒจแƒ˜, แƒ›แƒแƒ’แƒ แƒแƒ› แƒ แƒแƒชแƒ แƒ”แƒ แƒ—แƒ˜ แƒ—แƒ•แƒ˜แƒก แƒ•แƒ˜แƒงแƒแƒ•แƒ˜, แƒฉแƒ”แƒ›แƒ˜ แƒ›แƒจแƒแƒ‘แƒšแƒ”แƒ‘แƒ˜ แƒกแƒแƒ›แƒจแƒแƒ‘แƒšแƒแƒจแƒ˜ แƒ“แƒแƒ‘แƒ แƒฃแƒœแƒ“แƒœแƒ”แƒœ. แƒ˜แƒกแƒ˜แƒœแƒ˜ แƒ˜แƒกแƒ”แƒ• แƒ”แƒ›แƒ˜แƒ’แƒ แƒแƒชแƒ˜แƒแƒจแƒ˜ แƒฌแƒแƒ•แƒ˜แƒ“แƒœแƒ”แƒœ, แƒ แƒแƒ“แƒ”แƒกแƒแƒช แƒแƒ—แƒ˜ แƒฌแƒšแƒ˜แƒก แƒ•แƒ˜แƒงแƒแƒ•แƒ˜. แƒ›แƒ” แƒ•แƒ˜แƒงแƒแƒ•แƒ˜ แƒแƒ›แƒ”แƒ แƒ˜แƒ™แƒ”แƒšแƒ˜, แƒ›แƒแƒ’แƒ แƒแƒ› แƒแƒ แƒ - แƒแƒ›แƒ”แƒ แƒ˜แƒ™แƒ”แƒšแƒ˜. แƒ”แƒ›แƒ˜แƒ’แƒ แƒแƒœแƒขแƒ˜ แƒ•แƒ˜แƒงแƒแƒ•แƒ˜, แƒ›แƒแƒ’แƒ แƒแƒ› แƒœแƒแƒ›แƒ“แƒ•แƒ˜แƒšแƒ˜ - แƒแƒ แƒ. แƒ—แƒแƒ•แƒ˜แƒ“แƒแƒœแƒ•แƒ”, แƒฉแƒ”แƒ›แƒ˜ แƒ•แƒ˜แƒœแƒแƒแƒ‘แƒ˜แƒก แƒ’แƒแƒ แƒ™แƒ•แƒ”แƒ•แƒ แƒ›แƒแƒ แƒขแƒ˜แƒ•แƒ˜ แƒแƒ  แƒ˜แƒงแƒ. แƒแƒ  แƒ•แƒ˜แƒชแƒแƒ“แƒ˜ แƒ แƒแƒ’แƒแƒ  แƒ›แƒ”แƒšแƒแƒžแƒแƒ แƒแƒ™แƒ แƒฉแƒ”แƒ›แƒก แƒ•แƒ˜แƒœแƒแƒแƒ‘แƒแƒ–แƒ”, แƒ›แƒแƒ’แƒ แƒแƒ› แƒ•แƒ˜แƒชแƒแƒ“แƒ˜ แƒ แƒ แƒ›แƒแƒฌแƒฃแƒฎแƒ”แƒ‘แƒ“แƒ. แƒžแƒแƒžแƒฃแƒšแƒ-

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ne of the baffling things that happened when my family arrived in the United States in 1960 was having to find a term for ourselves. No one seemed to know where the Dominican Republic was. Back then there werenโ€™t that many Dominicans in the United States โ€” the dictatorship made it difficult to emigrate. So when my family was asked where we were from, we couldnโ€™t just say, โ€œWeโ€™re Dominican, you know, like Sammy Sosa or Alex Rodriguez.โ€ Our classmates often mistook our country for the other Caribbean nation of Dominica. โ€œOh, you lucky dog! We went there for spring break!โ€ At least Dominica was in the same neighborhood of islands. The hyphenated nationality (Dominican-American, Chinese-American, even African-American) hadnโ€™t yet been invented. If we had to check a box, the sorry options we were given (โ€œNegro,โ€ โ€œEskimo,โ€ etc.) didnโ€™t include us. We were vaguely of โ€œSpanish origin,โ€ which was better than the more deprecating slurs of the playground: โ€œspic,โ€ โ€œwetback,โ€ โ€œgreaser.โ€ I was born in Nueva York, but my parents returned to their homeland when I was a month old. They immigrated again when I was 10. I was American, but not American. I was an immigrant but not really. From the get-go, my identity wasnโ€™t easy to untangle. I didnโ€™t know how to talk about who I was,

ยฉ 2022 The New York Times Company and Julia Alvarez

แƒ แƒ—-แƒ”แƒ แƒ—แƒ˜ แƒ“แƒแƒ›แƒแƒ‘แƒœแƒ”แƒ•แƒ”แƒšแƒ˜ แƒ แƒแƒ›, แƒ แƒแƒช แƒฉแƒ”แƒ›แƒ˜ แƒแƒฏแƒแƒฎแƒ˜แƒก แƒจแƒ”แƒ”แƒ แƒ—แƒ”แƒ‘แƒฃแƒš แƒจแƒขแƒแƒขแƒ”แƒ‘แƒจแƒ˜ 1960 แƒฌแƒ”แƒšแƒก แƒฉแƒแƒกแƒ•แƒšแƒ˜แƒกแƒแƒก แƒ›แƒแƒฎแƒ“แƒ, แƒ˜แƒงแƒ แƒฉแƒ•แƒ”แƒœแƒ˜ แƒ’แƒแƒœแƒ›แƒกแƒแƒ–แƒฆแƒ•แƒ แƒ”แƒšแƒ˜ แƒขแƒ”แƒ แƒ›แƒ˜แƒœแƒ˜แƒก แƒžแƒแƒ•แƒœแƒ. แƒแƒ แƒแƒ•แƒ˜แƒœ แƒ˜แƒชแƒแƒ“แƒ แƒกแƒแƒ“ แƒ˜แƒงแƒ แƒ“แƒแƒ›แƒ˜แƒœแƒ˜แƒ™แƒ”แƒšแƒ—แƒ แƒ แƒ”แƒกแƒžแƒฃแƒ‘แƒšแƒ˜แƒ™แƒ. แƒ›แƒแƒจแƒ˜แƒœ แƒจแƒ”แƒ”แƒ แƒ—แƒ”แƒ‘แƒฃแƒš แƒจแƒขแƒแƒขแƒ”แƒ‘แƒจแƒ˜ แƒ‘แƒ”แƒ•แƒ แƒ˜ แƒ“แƒแƒ›แƒ˜แƒœแƒ˜แƒ™แƒ”แƒšแƒ˜ แƒแƒ  แƒ˜แƒงแƒ - แƒ“แƒ˜แƒฅแƒขแƒแƒขแƒฃแƒ แƒแƒ› แƒ’แƒแƒแƒ แƒ—แƒฃแƒšแƒ แƒ”แƒ›แƒ˜แƒ’แƒ แƒแƒชแƒ˜แƒ. แƒแƒกแƒ” แƒ แƒแƒ›, แƒ แƒแƒ“แƒ”แƒกแƒแƒช แƒ’แƒ•แƒ”แƒ™แƒ˜แƒ—แƒฎแƒ”แƒ‘แƒแƒ“แƒœแƒ”แƒœ แƒกแƒแƒ˜แƒ“แƒแƒœ แƒ•แƒ˜แƒงแƒแƒ•แƒ˜แƒ—, แƒฉแƒ•แƒ”แƒœ แƒฃแƒ‘แƒ แƒแƒšแƒแƒ“ แƒ•แƒ”แƒ  แƒ•แƒ˜แƒขแƒงแƒแƒ“แƒ˜แƒ—: "แƒฉแƒ•แƒ”แƒœ แƒ“แƒแƒ›แƒ˜แƒœแƒ˜แƒ™แƒ”แƒšแƒ”แƒ‘แƒ˜ แƒ•แƒแƒ แƒ—, แƒ˜แƒชแƒ˜แƒ—, แƒ แƒแƒ’แƒแƒ แƒช แƒกแƒ”แƒ›แƒ˜ แƒกแƒแƒกแƒ แƒแƒœ แƒแƒšแƒ”แƒฅแƒก แƒ แƒแƒ“แƒ แƒ˜แƒ’แƒ”แƒกแƒ˜". แƒฉแƒ•แƒ”แƒœแƒก แƒ™แƒšแƒแƒกแƒ”แƒšแƒ”แƒ‘แƒก แƒฎแƒจแƒ˜แƒ แƒแƒ“ แƒ”แƒจแƒšแƒ”แƒ‘แƒแƒ“แƒแƒ— แƒฉแƒ•แƒ”แƒœแƒ˜ แƒฅแƒ•แƒ”แƒงแƒแƒœแƒ แƒ™แƒแƒ แƒ˜แƒ‘แƒ˜แƒก แƒ–แƒฆแƒ•แƒ˜แƒก แƒกแƒฎแƒ•แƒ แƒ”แƒ แƒจแƒ˜, แƒ“แƒแƒ›แƒ˜แƒœแƒ˜แƒ™แƒแƒจแƒ˜. โ€แƒแƒฐ, แƒ˜แƒฆแƒ‘แƒšแƒ˜แƒแƒœแƒ˜ แƒฎแƒแƒ ! แƒฉแƒ•แƒ”แƒœ แƒ˜แƒฅ แƒ•แƒ˜แƒงแƒแƒ•แƒ˜แƒ— แƒกแƒแƒ’แƒแƒ–แƒแƒคแƒฎแƒฃแƒšแƒ แƒแƒ แƒ“แƒแƒ“แƒ”แƒ’แƒ”แƒ‘แƒ–แƒ”!โ€ แƒงแƒแƒ•แƒ”แƒš แƒจแƒ”แƒ›แƒ—แƒฎแƒ•แƒ”แƒ•แƒแƒจแƒ˜, แƒ“แƒแƒ›แƒ˜แƒœแƒ˜แƒ™แƒ แƒ˜แƒ›แƒแƒ•แƒ” แƒ™แƒฃแƒœแƒซแƒฃแƒšแƒ”แƒ‘แƒ˜แƒก แƒกแƒแƒ›แƒ”แƒ–แƒแƒ‘แƒšแƒแƒจแƒ˜ แƒ˜แƒงแƒ.

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