Northwest Film Forum: December 2014 + January 2015

Page 1

DEC /JAN

2014/2015 SEASON CALENDAR

MAKE YOUR OWN DSLR LENS with Dave Hanagan January 18, 11am–3pm

1515 12TH AVENUE SEATTLE, WA 98122 NWFILMFORUM.ORG

WATCH LEARN MAKE


CINEMA FESTIVAL

WELCOME TO THE FUTURE OF FILM: NORTHWEST FILM FORUM IS 20 YEARS YOUNG IN 2015, AND WE HAVE A YEAR OF CELEBRATION AHEAD.

FROM OUR START AS A SMALL PRODUCTION COLLECTIVE, WE’VE GROWN INTO SEATTLE’S MOST COMPREHENSIVE FILM ARTS CENTER. CELEBRATE OUR ANNIVERSARY YEAR STARTING THIS DECEMBER, WITH A LOOK BACK AT CINEMA CLASSICS, EXPERTS FROM FILM FORUM HISTORY LEADING OUR CLASSES, THE 10TH BIRTHDAY OF OUR ANNUAL FAMILY FILM FESTIVAL AND A CHANCE TO LAUNCH THE NEXT 20 YEARS OF INDEPENDENT FILM IN SEATTLE AT OUR ANNUAL HOLIDAY PARTY ON DEC 12.

CLASSES

#@20 YEARS

LETTER FROM THE EXECUTIVE DIRECTOR

This winter, new films by two cinematic lions will premiere at the Film Forum: Frederick Wiseman’s National Gallery, a three-hour immersion in the London art institution, arrives in December, while Jean-Luc Godard’s 3-D film, Goodbye to Language, winner of critical accolades and the Jury Prize at Cannes, comes on January 12. In a kind of Godardian flourish we will present the film along with Seattle Art Museum and Cinerama, as a special event on a single night.

W IN TER

Both masters have had their work screened at the Film Forum over our history, which, with this calendar, amazingly, rounds to 20 years. In two decades, film has evolved dizzyingly as an art and a practice; in 1995, filmmaking was still about film, and practices were not far from those of the 1960s. Godard, it’s true, began using video in the 1970s, but that was the departure of a true radical. When we opened our doors in 1995 we kept film in a fridge, for filmmakers. Either of our two lions would have been able to make work as visiting filmmakers, on one of our commissions of work.

By the time I came on board, in 2008, we were showing a dizzying spectrum of moving picture stories, from classic 35mm and 16mm to work that sometimes came to us on thumb drives. In our two decades, we have watched filmmaking evolve from a “fine art” to a “humanity” at some of our top universities. But film also belongs, more than ever, to the people: legitimate movies can be made now (they have been) with pocket cameras, with the cameras on smart phones.

So what if you still love film, love its living, biochemical properties, its reds and blacks and autumn leaves, its smell? Hope that it will return one day, like vinyl? It could: film’s capacity for holding visions is infinite, and, as National Gallery invites you to see, the infinite belongs in the hands of the everyday and the living: us. And as for Northwest Film Forum, we will support the making of films and filmmaking, for as long as it is with us, even as we also screen, teach and support the making of great new stories on any medium, in any format, on any data streaming from any Cloud.

Film In

Lyall Bush Executive Director


CINEMA/HIGHLIGHTS

6OTH ANNIVERSARY SCREENING! December 4

SEVEN SAMURAI

16MM PRINT! Skype intro by author Richard D. Pepperman! Sponsored by the Seattle Film Institute! Akira Kurosawa, 1954, Japan, 16mm, 207 min One of the most thrilling movie epics of all time, Seven Samurai tells the story of a sixteenth-century village whose desperate inhabitants hire warriors to protect them from invading bandits. This three-hour ride from Akira Kurosawa—featuring legendary actors Toshiro Mifune and Takashi Shimura—seamlessly weaves philosophy, entertainment, delicate human emotions and relentless action into a rich, evocative and unforgettable tale of courage and hope.

1OTH BIRTHDAY CELEBRATION! January 22 - Feabruary 7

nwfilmforum.org / 206.329.2629

1OOTH ANNIVERSARY SCREENING—TO THE DAY! December 7

IN THE LAND OF THE HEAD HUNTERS

Edward S. Curtis, 1914, United States/Canada, 65 min In 1911, famed Northwest photographer Edward S. Curtis travelled to Vancouver Island to visit the Kwakwaka'wakw, and decided to make one of the first motion pictures while documenting their way of life. It look three years of preparation for Head Hunters to come to life on a grand scale, including the weaving of the costumes; building of the war canoes, housefronts, poles; and the carving of masks, all for the silver screen.

Don your party hat and get ready to pin the filmstrip on the projector at our blowout 10th birthday party edition of Children's Film Festival Seattle!

2OTH ANNIVERSARY SCREENING! December 19 –21 New digital restoration!

HOOP DREAMS

Steve James, 1994, United States, DCP, 170 min Roger Ebert said it best: Hoop Dreams’ depiction of two high school ball players trying to make it in the prejudiced cauldron of Chicago in the ‘90s is “the great American documentary” (the Oscars snubbed it entirely). Steve James’ vision of the pipeline of poor, black basketball talent brings to mind the Windy City from Upton Sinclair’s The Jungle. In high school, black athletes are still cheap enough to treat like penny stocks, and we watch as two of them brave the ringer of all-white private schools, poverty and the constant risk of injury for a shot at a scholarship.

This one-of-a kind celluloid ride around the globe, is the largest international festival of its kind on the West Coast—a celebration of family films that are inspiring, magical, and definitely not available on Netflix. Come see how we've grown since we got our start in 2005! This year, we'll show you more than 175 films from all over the world, plus a mind-blowing mélange of live performances, animation, features, shorts, meetand-greets with filmakers and hands-on workshops, all crafted with care to appeal to the next generation of cinematic globe-trotters. Full schedule available online December 5.

MAKE YOUR OWN DSLR LENS with Dave Hanagan

A HISTORY OF EXPLOITATION CINEMA with David Church DECEMBER 2 - JANUARY 20 Tuesdays, 6:30pm–8:30pm *no class Dec 23 & 30 TUITION $150 / $125 NWFF Member

Exploitation films emerged across the 20th century as an outlet for issues and imagery that more mainstream films would not address. Today, these films are often seen as campy or outrageous schlock, but this film history course illustrates their place as important documents of the social anxieties of their time. Film topics include 1930-40’s sex-hygiene films, 1950’s rock ‘n’ roll teen pics, 1960’s sexploitation, 1970’s blaxploitation, 1970’s vigilante films, and 1980’s slasher films.

JANUARY 18 Sunday, 11am–3pm TUITION $85 / $70 NWFF Member

PART-TIME PRODUCING with Michael Seiwerath

JANUARY 21 WEDNESDAY, 6:30pm-9:30pm TUITION $60 / $45 NWFF Member

In this workshop, seasoned producer Michael Seiwerath (Police Beat, The Immaculate Conception of Little Dizzle, My Last Year with the Nuns) will talk through his experience on feature films, from the creative inception and fundraising to the premiere at Sundance and other International Film Festivals. Expect war stories and advice on balancing film producing with other gainful employment.

Bored with your run-of-the-mill high definition video? Liven up your filming with handmade lenses! In this class, students will use DIY methods to create their own lens from easily available and affordable materials. The lenses we create will not have the sharp focusing properties that commercial manufacturers aspire to; rather, we’ll make creative use of different lens deficiencies to create images that suggest antique portraits or dreamy, other-worldly effects.

DRUMROLL PLEASE… As we count down to 2015, and our 20th Anniversary!

IN THE YEAR TO COME, please join us in looking back over the last two decades, and—if you’ll pardon the pun—projecting into the future. As a not-forprofit, membership-based organization, when we look back we see the impact that our supporters have had, we see the growth in our membership as it parallels the growth of our regional filmmaking community and we see the demand for programs geared toward a steadily younger filmmaker.

YOUR CONTRIBUTION TO OUR ANNUAL FUND IS IMMENSELY APPRECIATED, and during the coming year of increased screenings, classes and events in celebration of our first two decades, your support will have an even greater impact on the region’s filmmakers and film lovers of all ages.

FOR THOSE OF YOU WHO ARE NEW TO NORTHWEST FILM FORUM: PLEASE JOIN US!

An annual donation of $50 or more makes you a member, and helps us continue to grow as an internationally recognized home for the next generation of media makers.

HOW TO GIVE - DONATE ONLINE at nwfilmforum.org - BY MAIL ATTN: Development, 1515 12th Avenue, Aeattle, WA 98122 - OVER THE PHONE 206.329.2629 - OR IN PERSON!


DEC /JAN SUNDAY

BUY FILM TICKETS

REGISTER FOR CLASSES

RENT GEAR

General Admission: $11.00 Member: $6.00 Child/Senior/Student w/ID: $8.00 www.nwfilmforum.org or call Brown Paper Tickets at 1.800.838.3006

All classes and workshops are held at Northwest Film Forum (1515 12th Ave.). Students must register and pay tuition in advance. Tel: 206.329.2629 email: craig@nwfilmforum.org

It’s easy. Just schedule filmmaking gear in advance through phone or email, and note that some gear requires certification before you can rent it. Members get 50% off regular rental prices. Browse listings on our website and inquire at equipment@nwfilmforum.org, or call us at 206.329.2629. Pick Up/Drop Off by appointment only, 10am–6pm M-F.

Event dates and times are subject to change so don't forget to check our website! MONDAY

O1/ DECEMBER = Class Start Date

TUESDAY

O2

WEDNESDAY

O3

A History of Exploitation Cinema

THURSDAY

O4

Seven Samurai

08

09

1O

11

14

15

16

17

18

21

22

23

24

25

Robert Williams Mr. Bitchin'

Hoop Dreams

National Gallery Next Dance Cinema

O5 National Gallery

SATURDAY

O6 National Gallery Intro To FCP X

O7

In the Land of the Head Hunters National Gallery National Gallery Next Dance Cinema Holiday High Notes Audio Recording

FRIDAY

National Gallery Down for Dada

National Gallery Down for Dada CAPITOL HILL ARTWALK

12

13

20TH ANNIVERSARY HOLIDAY LAUNCH PARTY

Next Dance Cinema Beginning Adobe Premiere Pro iPhone Production

19

2O

Hoop Dreams

Hoop Dreams

26

27

Film Forum Office Closed WINTER HOLIDAYS December 25 – January 1

28

29

30

31

O1/ JANUARY

O2

O3

O7

O8

O9

1O

Intro To FCP X DLSR Filmmaking and 60D Certification

Intro to Screenplay Pitch and My Last Year with the Nuns Queries CAPITOL HILL ARTWALK

My Last Year with the Nuns

14

15

17

Film Forum Office Closed WINTER HOLIDAYS December 25 – January 1

O4

O5

06

Arri Light Kit Certification

11

12

My Last Year with the Nuns My Last Year with the Nuns Working With Green Screen The Homestretch Adieu Au Language 3D Intro to Screenplay Pitch and Queries Red Digital Cinema Basics Post-Production Sound and Audio Editing

18

Make Your Own DSLR Lens

19

Citizen Journalist Editors Collective

13

My Last Year with the Nuns

2O

My Last Year with the Nuns

21

My Last Year with the Nuns

22

16

Beginning Adobe Premiere Pro

23

24

Part-Time Producing Children's Film Festival Seattle January 22 – February 7

25

26

27

Children's Film Festival Seattle January 22 – February 7

28

29

30

31


SEATTLE PREMIERE!

SEATTLE PREMIERE!

December 14

ROBERT WILLIAMS MR. BITCHIN’ Artist Robert Williams in person! Co-presented with Fantagraphics

Mary C Reese, Doug Blake, Nancye Ferguson, Michael LaFetra, Stephen Nemeth, 2013, United States, 89 min December 5 - 11

NATIONAL GALLERY

Frederick Wiseman, 2014, France/United States, 173 min

A revealing look into multiple American counter-cultures, this documentary follows the great American artist and underground legend Robert Williams, from LSD to the top of the art world.

Frederick Wiseman’s latest in-depth documentary takes us behind the scenes of a London institution, on a journey to the heart of a museum inhabited by masterpieces of Western art from the Middle Ages to the 19th century. December 7

HOLIDAY HIGH NOTES Northwest Boychoir Apprentices sing in the season! Live music! Various directors and countries, 50 min

Our annual Holiday High Notes concert is the perfect way to celebrate the holiday season. Join us as we welcome the renowned Northwest Boychoir Apprentices to our cinema to sing in joyful accompaniment to a new collection of vintage and classic holiday film footage. The choir's seasonal repertoire and angelic voices are the the perfect soundtrack to a cinematic wonderland of silent film Santas, animated elves and giddy children from days gone by. Special prices: $12 General Admission/$8 Film Forum members and Northwest Boychoir members.

Matt Drews in “Nightingale” by Jacob Rosen and Kate Wallich.

January 9 - 15

MY LAST YEAR WITH THE NUNS

Welcome to Northwest Film Forum: our mission is to discover and champion the work of visionary filmmakers, and to engage the general public and artists alike in deeper exploration of the art of film.

BECOME A MEMBER

INTRO TO

PRO X

with Bernard Mann

Final Cut Pro X is an ideal non-linear digital editing program, with an interface that allows aspiring filmmakers to produce polished and well-told stories in no time. In this class, you will learn how to import footage and organize your media while mastering editing techniques for digital video and sound.

with Chris Julian

Anne de Mare, Kristen Kelly, 2014, United States, 89 min Three homeless teens fight to stay in school, graduate and build a future. Each of these smart, ambitious teenagers—Kasey, Anthony and Roque— will surprise, inspire and challenge you to rethink stereotypes of homelessness, as their stories connect with larger policy issues of juvenile justice, immigration, foster care and LGBTQIA rights.

JANUARY 5 Monday 6:30–8:30pm TUITION $40/$30 Members

December 10 & 11

DOWN FOR DADA Co-presented with The Sprocket Society! Live accompaniment by Lori Goldston! Two nights of explosive dada moods and rhythms emblazoned on film—an appropriately radical 1920s film movement that ties nicely to our 20th anniversary celebrations. We'll feature canonical shorts by Viking Eggeling, Hans Richter, Man Ray, René Clair, plus a rare screening of Richter's feature Dreams That Money Can Buy.

with Craig Downing

JANUARY 7 Wednesday 6:30pm-8:30pm TUITION $40/$30 for Members Learn the basic skills of DSLR video filmmaking. Using our Canon 60D, this certification class covers standard camera functions and the artistic possibilities of DSLR cameras. Students will learn how to manually control the necessary exposure functions to create professional video content.

Craig Downing Education Manager

MORE INFORMATION

Line Sandsmark Development Director

Weekly screening information: 206.267.5380 Administrative offices: 206.329.2629 (Mon–Fri, 10am–6pm) Find us on Facebook @Northwest Film Forum Find us on Twitter @nwfilmforum Find us on Flickr @nwfilmforum Send mail to: Northwest Film Forum, 1515 12th Avenue, Seattle, WA 98122

For our full schedule, visit nwfilmforum.org

AJ Epstein, Megan Griffiths, Nicholas Hanauer, Brad Lenz, Alan Pruzan, Chanel Reynolds, Lance Seth Rosen, Sudeshna Sen, Angela Russell

Molly Michal Marketing Manager and Development Associate

Courtney Sheehan Program Director

Liz Shepherd Youth Programs Dir.

INTERNS

Jesse Chappelle Education Maritza Carina Chavez Youth Programs Adam Chimeo Volunteer Coordinator Charles Adam Conatzer Programs Bernard Mann Studio Katie Pappageorge Youth Programs Vera Petukhova Programs Britt Rynearson Grants Grace Stetson Membership Coordinator Austin Sveilis Youth Programs Bradetta Vines Education

OFFICE VOLUNTEERS

Amy Billharz, Madeline Berman, Gisella Bustillos, Adam Chimeo, Tavis Hamilton, Bryson Michael, Sarah Strunin, Kyle Franklin, Peter Moran

COMMUNITY SPLENDOR

Randy Allmon, Jon Francois and Mat Griesse DJ Services Andrew Dimitrov Bartending

Elisa Huerta-Enochian, Bernard Mann & Margaret Schuler Photography Lee Thelen Bookkeeping and CPA Consulting Hilary Pickerel & Dana Standish Proofreading

Lars Berg Andersen, Vanessa and Alistair McMeekin, Eduardo Sandoval, Paul Siple and John Ned Videography Michelle Yang Design

PROJECTIONISTS Amber Adams, David Ayala, Brenan Chambers, Ryan Davis, Samantha Herndon, Catherine Matson, Vera Petukhova, Spencer Sundell, Matthew Witschonke

WORKING WITH GREEN SCREEN:

THEORY & PRACTICE with Bernard Mann JANUARY 11 Sunday, 11am–5pm TUITION: $180 / $160 NWFF Members

In this one-day workshop, you will learn all the industry methods for lighting and shooting your subject, using a green screen. Afterwards, you will learn how to composite your footage using an advanced keyer over a background. In post, you will learn how to effectively position the subject over the new background, resulting in movie-making awesomeness.

RED DIGITAL CINEMA BASICS with Brody Willis

JANUARY 12 & 14 Mon & Wed 6:30pm-9:30pm TUITION: $140 ($125 NWFF Members

Learn the fundamentals of set-up and operation of the Red Epic digital camera in this introductory course.

JANUARY 17 & 18

Saturday & Sunday, 10am-3pm TUITION: $330 / $295 NWFF Members

Learn to edit with Premiere Pro, a professional digital media editing tool. This class will provide training and give you the skills to confidently, efficiently and effectively edit films, as you focus on the basics of the interface, the timeline, workflows and how to refine your cut

POST-PRODUCTION SOUND AND AUDIO EDITING with Nate Eiford JANUARY 12 & 15

Monday & Thursday, 6:30pm-9:30pm

TUITION: $100 / $85 NWFF Members

This class will cover the fundamentals of audio editing and sound mixing for video, including using the post-production mixing and processing tools that will enable you to clean up noise and achieve consistency of sound.

Monday & Thursday, 6:30pm-9:30pm TUITION: $100 / $85 NWFF MEMBERS

Learn the essentials of audio, microphones, recorder technology and recording techniques, and enable your production (no matter the budget) to sound professional.

INTRO TO SCREENPLAY PITCH AND QUERIES with Erik Bernard

JANUARY 11 & 18 Sundays, 6pm-9pm TUITION: $90 / $70 NWFF Members

This class will show screenplay pitches and queries that produce results, discuss screenplay structure, and review the process of getting a screenplay written, developed and into pre-production.

iPHONE PRODUCTION with Jay Hix Jones

DECEMBER 13 & 14 Saturday & Sunday, 12p–4pm TUITION: $150 / $130 for Members

Turn your smart phone into a movie-making powerhouse. From lens adapters and external mics to shoulder mounts, you will learn how to shoot quality videos on your phone, without breaking the bank.

The Arri Soft Bank light kit is an industry standard for professional shoots. Master the techniques used with this versatile light kit, and you will be able to deliver professional results for almost any location. In this certification class, learn the fundamentals of lighting for video, and the basics of setting up these lights, with common terminology.

DLSR FILMMAKING AND 60D CERTIFICATION

Christopher Day House Manager

DECEMBER 13 & 14

AUDIO RECORDING

with Casey Schmidt

Stephen Anunson, Andrew Birchall, Catherine Creason, Stanwood Dolph, Bryce Erlandson, Rachael Guerrieri, Michael Hoerr, Michael Lorefice, Dana McLeod, Sean McBride, Louie Romo, JP Schmidt

Saturday & Sunday, 10am-3pm

CERTIFICA- FOR FILM AND VIDEO Nate Eiford TIONS with DECEMBER 8 & 11 ARRI LIGHT KIT CERTIFICATION

Matt Cunningham Technical Director

Jonah Kozlowski Equipment Coordinator

ADOBE PREMIERE PRO CS6 BEGINNING

to End Homelessness

BOX OFFICE VOLUNTEERS

C C LL A A S S E S SSES

FINAL CUT

Wednesdays, 6:30pm–9:30pm

THE HOMESTRETCH Co-presented with the Committee

Lyall Bush Executive Director

Our members play an important role in the growing independent film scene in the Northwest, while enjoying benefits that include 50% off film tickets & rentals. Annual memberships start at $45! Enquiries: membership@nwfilmforum.org.

Sheppard Salusky President Peter J. Vogt Vice President John DeShazo Secretary John C. Comerford Treasurer

TUITION: $330 / $295 NWFF Members

Velocity Dance Center and Northwest Film Forum pair up to present the 6th annual Next Dance Cinema, offering insight into how contemporary dance con- January 12 tinues to expand the possibilities of the screen. Presenting new, short dance films from the region/country/world, Next Dance Cinema is a part of Velocity's annual December festival Next Fest NW.

16MM PRINTS!

Volunteering at the Film Forum is an opportunity for anyone interested in learning more about movies and/or making films on a budget, and a great way to meet fellow filmmakers and film lovers. Enquiries: volunteer@nwfilmforum.org.

BOARD OF DIRECTORS

JANUARY 7, 14, 21 & 28

C IN EMA

VOLUNTEER

David Falcon Ayala Business and Systems Manager

Jamie Hook & Deborah Girdwood

Saturday & Sunday, 11am–5pm

NEXT DANCE CINEMA

STAFF

FOUNDERS

DECEMBER 6 & 7

December 8, 9, 13

Our two cinemas are yours to rent for public and private events—we offer discounts for non-profits and our members. Enquiries: matt@nwfilmforum.org.

@20 # YEARS

Bret Fetzer, 2014, United States, 75 min This quintessential Capitol Hill coming-of-age story is an adaptation of local thespian Matt Smith’s popular one-man show. Through his animated recollections, Matt brings to life 1960s Capitol Hill, when Roy Street divided populations and nuns ruled with righteous anger.

RENT OUR VENUE

INTRODUCTION TO SCRIPT ANALYSIS with Peter Tolfree

JANUARY 8 & 15 Thursdays, 6:30pm–9:30pm TUITION: $75 / $60 for Members

CITIZEN JOURNALIST:

AN INTRODUCTION TO INDEPENDENT JOURNALISM

Learn the fundamental building blocks of screenplay writing. Through the study of short films and script analysis, we will explore how our favorite feature films convey stories through a balance of visual and spoken language.

with Alex Garland

EDITORS COLLECTIVE

JANUARY 6 & 8 TUES & THURS, 6:30pm – 9:30PM TUITION: $80 ($60 NWFF MEMBERS

JANUARY 6 - 27 Tuesdays, 6:30pm – 9:30pm TUITION: $200/$185 for Members

In the age of electronic media, facts are editorialized, opinions are confused with news, and much goes unreported or misrepresented. In this class, we'll better prepare students to document the world around them and pursue independent journalism, including optional tools for the job, your rights as a citizen journalist and how to best share your work.

with Dina Guttmann

Bring your own footage to class, as we look at how different editing styles are used in all types of videos (from silly commercials to avant-garde wonders). With the support of a professional editor, you will spend time editing your own material, and work together as a class to improve your craft.


NON-PROFIT U . S . P O S TA G E

PA I D

nwfilmforum.org

S E AT T L E , WA PERMIT NO. 952

WE GRATEFULLY ACKNOWLEDGE

OUR DONORS

$40,000+ 4Culture, The Andy Warhol Foundation for the Visual Arts, National Endowment for the Arts

$30,000–$39,999 The Paul G. Allen Family Foundation $10,000–$29,999 Anonymous, Lenore Hanauer, Nicholas and Leslie Hanauer, Office of Arts and Culture Seattle, Vogt Family Foundation $5,000–$9,999 Peter Adkison, Ames Foundation, ArtsFund, The Boeing Company, James Brown & Mary Ingraham, A.J. Epstein, KCTS 9, Sheppard Salusky, Carlo and Eulalie M. Scandiuzzi, Washington State Arts Commission $2,000–$4,999 Anonymous, Kim Bishop, Tom Challinor, Flying J Foundation, Glenn Fox, Tony and Daisy Fulgham, Janet Galore & Demi Shaft Raven, Brad Lenz & Kristie Gamer, Karen & Dave Howe, Carole Fuller, Alan Pruzan & Juliet Waller Pruzan, The Pruzan Foundation, Herman and Faye Sarkowsky, Mary-Claire Van Leunen & Mark Brown, Peter J. Vogt, Wendi Wills $500–$1,999 Sherman Alexie, Richard and Karla Aylen, Bad Animals, Ken Birdwell, John Henry Browne & Rikki Harmon, Lyall Bush, Capitol Hill Chamber of Commerce, John Comerford, John DeShazo & Susannah Anderson, Elizabeth Fergus Foundation, Laura and John Hammarlund, Jim Haven, Jewish Community Foundation, Jack & Pam Jolley, Steven Kessler, Koerner Camera Systems, Elizabeth Linke, David Meissner, Kaelyn Langer- & Anthony Mendonca, Jane Orvis and Steve Luke Hanson, Julie & Mike O’Brien, Deborah Person, Chanel Reynolds, Lance Rosen & Kristen Parsons, Jennifer Roth & Mark Goodermote, Cathy Sarkowsky, Lynn Shelton & Kevin Seal, Nicole Stellner & Peter Eberhardy, Aron Michael Thompson, Richard Vender Meer, Case van Rij, Branson Veal, Curtis Vredenburg, Edwin and Noreen Weihe, Jennessa & Rob West, Philip & Christina Wohlstetter $250–$499 David Brewster, Joshua Brevoort, Robin Cole,

Michael Cozzi & Karen Moskowitz, S.J. Chiro, Robert and Grace Cumbow, Alice Cunningham & Blair Osborn, Sara Dickerman, Kyla Fairchild & Ron Wilkowski, E. Steven Fried, Chris & Amy Gulick, Kurt Guenther, Nancy and Joe Guppy, Jennifer Haight & Josh Windsor, Travis Kannier, Brynn & Iyabo Karch, Susanne Keller & Al Williams, KidFlixGlobal, Stan Larsen, William Lewis, Amanda Mason, Ryan McMackin, Julie O'Brien & Mike O'Brien, Judy Pigott, Babu Rajendran & Jeanette Idiart, Eleanor Poley, Deborah Relyea, Matthew and Janet Richter, Deborah Ro, Michael Seiwerath, Sudeshna Sen, Adam Sekuler & Shannon Stewart, Amit Shah, Karin S Nelson, Spencer Sundell, Andrea Weatherhead, Michael Weidemann,

In–Kind Support 3RTechnology, ACT Theatre, Eric Ames,

Susannah Anderson, Anthology Film Archives, Arabica Lounge, ARCADE, AIA Seattle, AIGA Seattle, ArtsWest, Bakery Nouveau, BAMRoseCinemas, Bluesky Guest House, BMann Photo, Book-It Theatre, James Brown & Mary Ingraham, Café Pettirosso, Café Presse, Caffé Vita, Capitol Hill Seattle, Captain Lenz & First Mate Gamer, Carole McClellan Atelier, Century Plaza Hotel & Spa and Absolute Spa Group, Chinook Book, The Confectional, Cupcake Royale, Dahlia Bakery, John DeShazo, Earshot Jazz, Earthbox Inn & Spa, Film Forum, Film Society of Lincoln Center, Galvin Flying Services, Gary Manuel Salon, Graham & Dunn PC, Grand Central Bakery, Megan Griffiths, Hammerquist Studios, Greenworks Co-operative, Hard Rock Café Seattle, High Five Pie, Hilliard’s Beer, Holiday Inn, Honest Tea, Honey Crumb Cake Studio, Honey Hole Sandwiches, Hot Cakes Molten Chocolate Cakery, Hotel LeSoleil Portland, Hotel DeLuxe Portland, Hotel Sorrento, Elisa Huerta-Enochian, Husky Deli, IFC Center, IMDB.com, Jodee’s Desserts, Britta Johnson, KPLU 88.5, KUOW 94.9, Le Fournil Bakery, Rebecca Luke, Macrina Bakery, McMenamin’s, McRae Theater Equipment, Meyer Wells, Mighty House Construction, Mighty-O, Naked City Brewery & Taphouse, New Century Theatre Company, The North American Post Publishing, Inc., Oddfellows Café + Bar, Oola Distillery, ORArchitects, Pagliacci Pizza, Paradigm Studio, PICA TBA Festival, Pratt Fine Arts Center, Alan Pruzan, Publicola, Chanel Reynolds, Scarecrow Video, Seattle Art Museum, Seattle Met, Seattle Public Theater, Seattle Repertory Theatre, Seattle Shakespeare Company, Seattle Theatre Group, See Kai Run, Carrie Seidler/ East Village Hospitality, Sentinel Hotel Portland, Shanik Restaurant, Lynn Shelton, SMITH’S, Eric Stapelman/Shibumi Izakaya, Sugarpill, Talarico’s Pizzeria, Tallulah’s, Telisa Steen, The Stranger, Taproot Theatre, Theo Chocolate, Three Dollar Bill Cinema, unclebob.tv, VAIN Salon, Vancouver International Film Centre, Victoria Marriott Inner Harbor Hotel, Peter J. Vogt, Walla Walla Vintners, West of Lenin, Whole Foods, YWCA Hotel Vancouver, Zebra Club

Major Funding Support provided by THE ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS

ADA FILMS, LLC

THE VOGT FAMILY FOUNDATION

THE PRUZAN FOUNDATION


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