Please silence cell phones, alarms, and notifications/alerts during the concert.
RECORDING & PHOTOGRAPHY
Audience video cameras and other recording devices are strictly prohibited. Concerts may incorporate professional video and/ or photography approved by the NRO. By attending NRO performances, you agree that you may be photographed, filmed, or otherwise recorded for use in marketing and/or promotional materials. No flash photography.
ENHANCE YOUR EXPERIENCE
Scan the QR codes found on our performance pages to get detailed program and conductor notes.
Photography by Elaine Collins, Jenny Cvek, Joshua Geurink, Nat Hickman, and Joe Kusumoto.
Welcome to the NRO
WELCOME LETTER: NRO BOARD CHAIR
Welcome to the National Repertory Orchestra's 2025 season, “Discover the NRO.” As a long-time local and proud member of this remarkable community, it fills me with joy to invite you to experience a summer of music that reflects everything we love about life in Summit County—its natural beauty, its vibrant spirit, and above all, its people. This summer, we will embark on a transformative journey through the universal language of music—a force that can inspire, unite, and transform lives.
Our theme, “Discover the NRO,” celebrates the profound artistry of our talented musicians and the deep connections forged through the shared experience of music. Whether you attend a concert, participate in a community outreach event, or engage with our musicians in new and unexpected ways, we hope this summer sparks something new—a sense of awe, a moment of reflection, or a deeper connection to the music and the people who bring it to life.
Music transcends boundaries. It connects people of all backgrounds, fostering community unity and understanding. This summer, the NRO is proud to offer a vibrant and diverse program highlighting music's timeless power to bring people together. You will experience performances in concert halls and under open skies, and discover that classical music doesn’t just live on the stage—it is a vibrant part of our lives.
I want to express my heartfelt gratitude for your continued support of the National Repertory Orchestra. Your passion allows us to provide meaningful musical experiences to audiences near and far, and the commitment of staff enables the magic of NRO to take shape in our community.
We look forward to sharing this season's magic with you. Let us make this a summer of discovery—of music, of connection, and of the joy that binds us all.
WELCOME LETTER: MAYOR OF BRECKENRIDGE
Hello! Welcome to the Town of Breckenridge and the National Repertory Orchestra.
The Town of Breckenridge is incredibly lucky to have the NRO in residence. Since their move here in 1993, the NRO has become a cornerstone of our cultural scene. Each summer, 80 of the nation’s most talented young musicians come to Breckenridge for an intensive residency filled with concerts and training. Many go on to perform in major orchestras around the world—carrying a piece of Breckenridge with them wherever they go.
Though we’re best known for skiing and snowboarding, Breckenridge has a thriving arts and cultural scene that surprises and delights year-round. The Breckenridge Backstage Theater hosts musicals, comedies, and dramas with impressive sets and casts. Breck Create’s Arts District offers hands-on classes in jewelry making, glass work, ceramics, painting, and more—including kid-friendly crafts. Breckenridge History leads tours of our historic district and operates several engaging museums. And Breck Film brings the latest movies to our charming downtown theater.
Beyond the arts, Breckenridge is home to an incredible trail network with over 60 miles of in-town trails that link to hundreds more throughout the county. Our bike path is a favorite among cyclists and E-bike enthusiasts. Sustainability is the foundation to how we create these experiences— encouraging car-free exploration and preserving our natural surroundings for generations to come.
At our core, Breckenridge is powered by passionate people who care deeply about this place. We’ve built a welcoming, fun, and inclusive community, and we’re proud to share it with you.
Kelly Owens Mayor, Town of Breckenridge
Johanna Gibbs NRO Board of Trustees Chair
You're a creative person. You understand the value artistic expression brings to your community. Like you, we are inspired by the arts.
Alpine Bank is a proud supporter of the National Repertory Orchestra.
alpinebank.com • Member FDIC
About the National Repertory Orchestra
Changing Lives Through Music!
The National Repertory Orchestra is dedicated to education. For over 60 years, the NRO has been a training ground for the next generation of classical music leaders. Each season, we bring together 80 of the most talented young professional musicians from around the world to perform concerts and engage with the community.
Our musicians participate in a rigorous schedule of rehearsals, concerts, and educational programs—all tuition-free. This transformative experience provides them with the skills, experience, and confidence needed to step into leadership roles with major orchestras across the globe.
Beyond the stage, the NRO is deeply committed to community engagement. We offer free concerts, family-friendly performances, and interactive education programs to inspire a lifelong love of music. Through the support of our community, we continue to make classical music accessible, vibrant, and relevant to today’s audiences while shaping the future of the art form.
BOARD OF TRUSTEES
Johanna Gibbs, Chair
Emily Wahl, Vice Chair
Anne Mills, Treasurer
Debra Fox, Secretary
Samuel Bufford
Tracey Lambert
Julia Metzger
Rob Miles
Pam Piper Yeung
Rick Poppe
Sally Queen
Beth Steele
Karen Warrick
Stephen Worrall
NRO SUSTAINERS
Patrice Lara, Chair
Carlie and Terry Barnhart
Michael Altenberg* and Libby Bortz
Ann Brewster
Barbara and Jim* Calvin
Geraldine Cohen
M.A. Deen
Robert and Nancy* Follett
Nancy and Tom* French
Annette* and Gerry Fricke
Pamela and Reggie Gray
Robin Hadley
Annette and Ken Hallock
Joan Manley Houlton
Ron Lara
Sandra Mortensen
Ann and Tom Rader
Kate and James* Taucher
Barbara Vonderheid
Pam and Sonny Wiegand
Dr. Glen and Bobbie Zelkind
*Deceased
SUMMER STAFF
SUMMER FELLOWS
OUR MISSION
The National Repertory Orchestra is a preeminent intensive summer music festival developing diverse, thoughtful, and socially conscious musicians through experiential learning. We inspire young musicians to be great leaders in their communities while Changing Lives Through Music!
OUR VISION
Breaking barriers between education, performance, and community to develop 21st century musicians. VIEW OUR DIVERSITY, EQUITY, AND INCLUSION STATEMENT AT NROMUSIC.ORG
Lavender Connelly Library Fellow
Abigail Dickson CEO Admin Fellow
Andy Junttonen Artist Liaison Fellow
Molly Kohl Marketing and Events Fellow
Haruka Taguchi Development Fellow
Carissa Ledesma Community Engagement Fellow
Ethan Man Recording & Production Fellow CEO
Åsa Armstrong Director of Development
Christin Maguire Director of Marketing
Kelly Sanders Director of Administration & Community Relations
Izabel Zambrzycki Director of Artistic Administration & General Manager
Lauren Morrow Event & Community Link Coordinator
Eric Anderson Orchestra Manager
Carrie White Carder Principal Librarian
Kevin Borgfeld Production Manager Stage Manager
Lindy Billhardt Assistant Librarian Talor Marren Community Engagement Manager
Zander Bacon Production Associate
Lakeif-Auru McDonald Recording & Production Fellow
Alexa Peevers Development Fellow
Lauren Skaare Personnel Fellow
Awards of Excellence
MICHAEL ALTENBERG LEADERSHIP AWARD
In honor of those who have demonstrated exceptional foresight, fortitude, and dedication to the NRO’s mission. The recipient sets a standard of patronage, volunteerism, and financial support that few have achieved.
Pam Piper Yeung
In a time of unexpected transition, Pam stepped into the Board President role with resolve and clarity. She led critical administrative reforms to enhance Board efficiency, formalized NRO’s initial DEI commitment, and fostered strong collaboration with the CEO and staff to bolster financial stability. Through exceptional leadership, unwavering support, and a rare blend of vision and action, Pam has set a remarkable standard in service to the NRO’s mission.
OUTSTANDING VOLUNTEERS OF THE YEAR AWARD
In recognition of outstanding service, dedication, and support of the NRO.
Kathy and John Landon
Kathy and John Landon’s longstanding commitment to the National Repertory Orchestra has greatly enriched the summer experience for both musicians and the community. Through the Community Link program, they warmly hosted fellows, with John overseeing the bike distribution program and Kathy helping to organize community dinners. John also served eight years on the NRO board, contributing to numerous committees. What resonates most with them is the NRO’s mission to educate young musicians and prepare them for a future in music, wherever it may lead.
ROBIN HADLEY PHILANTHROPY AWARD
In recognition of the unparalleled financial support of the NRO and other arts and cultural organizations in Summit County.
Samuel
L. Bufford and Julia Metzger
Julia and Sam began spending their summers in the mountains 15 years ago. After enjoying a few NRO concerts, they were inspired by the orchestra’s mission, and began making financial contributions and volunteering their time. They have served the Community Link program in several capacities, including hosting musicians, and have both served on the Board of Trustees. Outside of the NRO, Sam sings with the Summit Choral Society and Julie serves on the board of the Summit Historical Society and served on both the Election and Charter Commissions for the new town of Keystone, Colorado.
OUTSTANDING COMMUNITY SERVICE AWARD
Given annually to an individual/couple and organization that demonstrate long-term exemplary support, not only of the NRO but many Summit County non-profit organizations.
Susan Propper and Don Dankner
One of the most rewarding experiences for Susan and Don since they became full-time residents in Breckenridge has been their involvement in community non-profits. They have both served on the Summit Foundation and FIRC Boards, and as volunteer rangers for FDRD, in addition to being NRO host parents for over 10 years. They have also created the Mountain Scholars program at CMC, which provides mentoring and financial aid to first generation low income college students.
Climax Molybdenum Company
Climax Molybdenum Company is honored to be recognized as a committed community partner in Summit County and look forward to building on our collaboration with the NRO and other local organizations. The NRO’s focus on education and the arts aligns closely with Climax Molybdenum’s ongoing commitment to supporting strong, thriving communities.
INDIANA JONES: RAIDERS OF THE LOST ARK IN CONCERT • 2:00pm | RWC | pg. 50 7:30pm | RWC | pg. 50
KEYSTONE ENCORE • 10:00am | RRV | pg. 19
DISCOVER... JUBILATION • 6:00pm | RWC | pg. 54
• Education Programs
• Champagne Series
VENUE KEY
BAD
Breckenridge Arts District
BAR Breckenridge Associates Real Estate
BD Breckenridge Distillery
BFM Barney Ford Museum
BL Breckenridge Library
BRP Blue River Plaza
BT Breckenridge Troll
DA Dillon Amphitheater
ET Eclipse Theater
FHP Frisco Historic Park
FL Frisco Library
MSS Main Street Station
PP Prospector Park
PR Private Residence various locations, see pg. 23
QAA Quaking Aspen Amphitheater, Keystone
RP Rainbow Park, Silverthorne
RRV River Run Village, Keystone
RWC Riverwalk Center
SCCC Summit County Community & Senior Center, Frisco
SGPS South Gondola Parking Structure
DISCOVER... JOY • 6:00pm | RWC | pg. 60
DISCOVER... AWE • 6:00pm | RWC | pg. 64
LEARN MORE & BUY SEASON PASSES, TICKET BUNDLES, AND INDIVIDUAL TICKETS ONLINE AT NROMUSIC.ORG OR BY CALLING (970) 547-3100.
SL Silverthorne Library
SPAC Silverthorne Performing Arts Center
Venues are in Breckenridge unless otherwise
JOIN US AT AN OPEN REHEARSAL!
Most NRO rehearsals at the Riverwalk Center are free and open to the public!
Education Programs
The National Repertory Orchestra is passionate about fostering artistic growth and enabling aspiring musicians to access music education. With music as the lens, the NRO focuses on the connections between us and our world through meaningful and collaborative programs.
At its core, the NRO is an education organization, and we are proud to celebrate over 60 years educating the next generation of classical musicians with our prestigious, tuition-free program.
The NRO also provides workshops, masterclasses, and school programs to educate students of all ages about classical music, orchestral instruments, and the importance of music education.
TO LEARN MORE ABOUT OUR EDUCATION PROGRAMS, INCLUDING DATES AND HOW TO APPLY FOR SCHOLARSHIPS, VISIT NROMUSIC.ORG.
"NRO education programs allow kids to interact with music – often for the first time –creating a positive and meaningful experience that they will remember for the rest of their lives."
-TALOR MARREN, CE MANAGER
MASTERCLASSES & SECTIONALS
The NRO’s commitment to experiential learning is brought to life through a series of masterclasses and sectionals, taught by industry experts from preeminent orchestras. By working closely with renowned performers and educators, our musicians gain the skills and career guidance needed to thrive in today’s competitive orchestral landscape. These events are free of charge and open to the public. (see page 15)
SUMMIT COUNTY MUSIC LESSON SCHOLARSHIPS
The NRO supports young music scholars by providing needs-based music lesson scholarships for students in Summit County, Colorado. Beneficiaries of this program receive private instruction on the instrument of their choice.
INSTRUMENT PETTING ZOO
The NRO brings a collection of instruments for people of all ages to interact with, hold, and play, all with the expert guidance of NRO staff. We seek to ignite curiosity, and help individuals discover and develop a lifelong appreciation for music.
LIBRARY & CLASSROOM ENGAGEMENT
The NRO Alumni String Quartet visits local libraries, daycamps, and preschools throughout Summit County combining story time with engaging introductions to music fundamentals. The library performances are free and open to the public, offering all community members an interactive introduction to music.
ASPECTS OF ARTS ADMINISTRATION
The NRO offers a series of professional development seminars focused on key areas of arts administration, including operations, development, marketing, and artistic management. These sessions are designed to give our summer staff and fellows a well-rounded understanding of the behind-the-scenes work that supports a thriving arts organization to help launch successful careers in arts administration.
Masterclasses & Sectionals
Throughout the summer, NRO musicians participate in focused masterclasses and sectionals led by world-class conductors, principal players from major symphonies, and seasoned educators. These sessions provide invaluable one-on-one and small group instruction, allowing our fellows to refine their technique, deepen interpretation, and gain insights from some of the most respected professionals in the field.
Masterclasses will be added throughout the summer; check nromusic.org for the most up-to-date information.
COMMUNITY
ENGAGEMENT SEMINAR
JUNE 17 | 5:00PM
Tony Parce & Alumni String Quartet
SECTIONAL: WOODWINDS & BRASS
JUNE 18 | 1:00PM
JUNE 19 | 3:00PM
JUNE 20 | 1:00PM
Music Director Michael Stern
SECTIONAL: STRINGS
JUNE 18 | 3:00PM
JUNE 19 | 1:00PM
JUNE 20 | 3:00PM
Music Director Michael Stern
SECTIONAL: LOW STRINGS
JULY 8 | 1:30PM
Priscilla Lee, Associate Principal Cello with the Philadelphia Orchestra
SECTIONAL: UPPER STRINGS
JULY 8 | 1:30PM | BRECK. ELEMENTARY SCHOOL
Juliette Kang, First Associate Concertmaster with the Philadelphia
SECTIONAL: BRASS
JULY 8 | 4:00PM
Jeffrey Lang, Associate Principal Horn with the Philadelphia Orchestra
SECTIONAL: WOODWINDS
JULY 8 | 4:00PM | BRECK. ELEMENTARY SCHOOL
Ricardo Morales, Principal Clarinet with the Philadelphia Orchestra
SECTIONAL: PERCUSSION
JULY 9 | 1:30PM
Don Liuzzi, Principal Timpani with the Philadelphia Orchestra
ALL MASTERCLASSES & SECTIONALS TAKE PLACE AT THE RIVERWALK CENTER UNLESS OTHERWISE INDICATED, AND ARE FREE AND OPEN TO THE PUBLIC.
Community Link
Community Link is the National Repertory Orchestra’s volunteer initiative, a team of extraordinary individuals who are essential to achieving and amplifying the organization’s mission. Through the NRO’s Community Link program, volunteers offer their talents and time in a myriad of ways like assisting guests at rehearsals and concerts, creating home-cooked weekly dinners, and acting as hosts/guides to our summer staff and fellows.
As a token of our appreciation, we provide Community Link volunteers with a variety of perks and benefits including appreciation events and concert ticket discounts.
TO LEARN MORE ABOUT VOLUNTEERING WITH THE NRO, CONTACT OUR TEAM AT VOLUNTEER@NROMUSIC.ORG.
ADOPT A RIVER
The NRO has adopted the Blue River corridor between Watson Avenue and the dredge boat. Join us in picking up trash to maintain the pristine beauty of the pedestrian path in the heart of Breckenridge.
BIKE DISTRIBUTION
Volunteers play a pivotal role in tuning and distributing bikes to summer staff and fellows, supporting the town's mobility and sustainability initiatives.
HOSTS
Our hosts extend a warm Summit County welcome to summer staff and fellows, offering meals, practice spaces, and engaging activities like hiking and biking.
REHEARSAL DOCENTS
Rehearsal docents warmly welcome all attendees during NRO rehearsals, answering questions, distributing information, and creating a friendly atmosphere.
CONCERT USHERS
Concert ushers welcome NRO patrons to the Riverwalk Center, providing assistance, information, and guiding them to their seats, enhancing the overall concert experience.
HOUSING PREPARATION
Help facilitate a smooth transition for summer staff and fellows by setting up apartments with essential kitchen, bath, and bedroom items.
CHAMPAGNE SERIES
Prepare food, and assist staff in the set up and break down of our in-home concert series featuring intimate ensemble performances.
Free Community Engagement Events
For today’s symphony orchestras to thrive, musicians must be more than exceptional performers—they must also be advocates, educators, and active members of the communities they serve. During their summer fellowship, NRO musicians participate in a Community Engagement program—a vital component of their training that prepares them to be well-rounded, community-minded artists.
Community Engagement performances allow musicians to step outside the concert hall and connect directly with audiences of all ages and backgrounds. These free events bring live music to neighborhoods, parks, plazas, and public spaces throughout Summit County, creating opportunities for residents and visitors to experience classical music in casual, welcoming settings.
VIEW THE FULL CALENDAR OF FREE COMMUNITY ENGAGEMENT EVENTS ON PAGES 10-11 OR AT NROMUSIC.ORG.
Through these outreach events, NRO fellows develop the communication, collaboration, and leadership skills needed to build meaningful relationships through music. At the same time, Summit County benefits from a vibrant series of performances that enrich local culture, inspire new audiences, and foster a deeper appreciation for the arts.
"As you stroll through town, it feels as though you can hear the mountains sing, enveloped in the beauty of the music."
-DEBRA FOX, BOARD MEMBER
MUSIC IN THE MOUNTAINS
This series is held in historical and public art spaces throughout town, blending chamber music with engaging stories and context provided by our community partners about each unique location. This series combines live music with Breckenridge’s local history and public art.
Sponsored by Alpine Bank and Climax Molybdenum Company; In partnership with Breck Create and Breckenridge History.
POP-UP CONCERTS
In partnership with various organizations across Summit County, the NRO presents free pop-up concerts performed by chamber groups in public spaces throughout Breckenridge, Dillon, Frisco, and Silverthorne. Held in locations beloved by residents and visitors alike, these intimate performances are thoughtfully programmed to bring live music into the heart of the community.
KEYSTONE ENCORE
The NRO returns to Keystone, its former home base from 1987–1992, for an outdoor community concert series held in the Quaking Aspen Amphitheater and River Run Village. We are thrilled to be back in this scenic mountain setting, reconnecting with the community through vibrant performances in two of Keystone’s most beautiful venues.
In partnership with Keystone Neighbourhood Company and the Town of Keystone.
SYMPHONY IN THE STREETS
MONDAY, JULY 14 | 11:30 AM - 7:00 PM
Symphony in the Streets is a vibrant, day-long celebration that will transform Breckenridge into a sprawling outdoor musical venue, with ensembles from the NRO orchestra serenading audiences in parks and beloved locations across the town throughout the day.
OPEN REHEARSALS
Experience first-hand how the conductors and musicians prepare for upcoming concerts at one of our many free Open Rehearsals. You are invited to watch—and listen—as the music comes together in preparation for our performances at the Riverwalk Center in Breckenridge. These casual rehearsals are open to all, offering a chance to stop by, sip a cup of coffee, or catch up on emails while enjoying a behind-the-scenes glimpse of the orchestra at work.
FEATURING YAMAHA
A Piano for Every Lifestyle
Acoustic Pianos
Disklavier Player Pianos
Silent Pianos
AvantGrand Hybrid Pianos
TransAcoustic Pianos
Clavinova Digital Pianos
Champagne Series
Discover the Champagne Series, an intimate collection of chamber performances that celebrate the artistry of music. Set in elegant private homes across Summit County and Denver, these exclusive concerts feature the exceptional musicians of the National Repertory Orchestra.
Guests will enjoy a carefully curated selection of sweet and savory bites, fine libations, and an unforgettable musical performance.
ALUMNI STRING QUARTET
Poppe/Edwards Residence
Q Centennial x 1:00 PM – 4:00 PM
NRO WIND QUARTET
White-Petteruti Residence
Q Breckenridge x 4:00 PM – 7:00 PM
ALUMNI STRING QUARTET
Carver Residence
Q Silverthorne x 4:00 PM – 7:00 PM
NRO BRASS QUINTET
Trowbridge Residence
Q Breckenridge x 11:00 AM – 2:00 PM
TICKETS: $125 PER PERFORMANCE. SPACE IS LIMITED. RESERVE YOUR SPACE TODAY AT NROMUSIC.ORG OR BY EMAILING KELLY SANDERS, KELLY@NROMUSIC.ORG.
V. Songe d’une nuit du sabbat (“Dream of a witches’ sabbath”)
SPECIAL RECOGNITION
Michael Altenberg Leadership Award:
Pam Piper Yeung (pg. 8)
ABOUT THE PROGRAM
Welcome to the National Repertory Orchestra’s opening concert: "Discover Dreams"—a journey into the imagination through music that stirs the soul and awakens possibility. Set against the aweinspiring backdrop of Summit County, Colorado, where soaring peaks and endless skies invite reflection and wonder, this concert explores the many ways dreams shape our inner lives and creative worlds. From enchanted forests and romantic visions to fevered fantasies and whimsical tales, tonight’s program brings together works that capture the magic, mystery, and transformative power of dreaming. Just as the natural beauty of this region inspires adventure and contemplation, these musical stories invite us to look inward and beyond—to discover dreams in both their delicate beauty and bold intensity.
A Midsummer Night’s Dream by Felix Mendelssohn (1809-1847) is a musical portal into the realm of dreams—a place where mischief, magic, and wonder intertwine. Composed when Mendelssohn was just 17, the piece captures the spirit of Shakespeare’s enchanted forest with shimmering strings, playful woodwinds, and regal brass fanfares. From fairy dances to lovers’ quarrels, the music is full of character and color, conjuring a world that feels both ethereal and alive. As the opening piece in the NRO’s “Discover Dreams” concert, it sets the tone for an evening of imaginative storytelling and emotional exploration. The Scherzo, with its sparkling textures and quicksilver rhythms, evokes the light, mischievous energy of Puck and the fairies as they flit through the forest. The Nocturne shifts the mood, offering a serene and tender moment that reflects the quiet intimacy of sleeping lovers under a moonlit sky. The famous Wedding March, jubilant and regal, concludes the tale with celebration and harmony, capturing the joy of love fulfilled. This timeless work reminds us that creativity often begins in the realm of fantasy—and that some of the most powerful journeys begin not in waking life, but in the wonder of a dream.
Variations on a Rococo Theme by Pyotr Ilyich Tchaikovsky (1840-1893) is a lyrical and virtuosic showcase for cello and
IN
RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Anonymous
Robert and Cynthia Benson
Reggie and Pamela Gray Family
Joan Manley Houlton
Bonnie Kirschenbaum
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Michael Molloy
Dave Pfeifle
Pam Piper Yeung
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Barbara and David Weaver
CONCERT UNDERWRITER
Charlie Simpson Family in memory of
Carol Simpson – a lover of music.
CONCERT SPONSOR
Beaver Run Resort & Conference Center
*deceased
Scan to read expanded program notes and composer features.
orchestra, blending classical elegance with the composer’s unmistakable romantic voice. Written in 1876, the piece pays homage to Mozart, whom Tchaikovsky deeply admired, through a graceful theme reminiscent of the Rococo style—light, ornate, and refined. What follows is a series of imaginative variations that allow the soloist to explore a wide emotional and technical range, from delicate, singing lines to dazzling, acrobatic passages. While the work nods to the past, it is distinctly Tchaikovsky in its warmth, expressiveness, and inventive spirit. Each variation is a miniature world, rich with character and color, making the piece both a personal reflection and a celebration of artistic transformation. At once charming and profound, Variations on a Rococo Theme captures the essence of musical storytelling, offering listeners a journey that is as elegant as it is emotionally resonant.
Symphonie fantastique by Hector Berlioz (1803-1869) is a groundbreaking work of musical imagination, vividly portraying the emotional journey of a lovesick artist through five dramatic movements. In “Daydreams – passions,” the symphony opens with yearning melodies and shifting moods, reflecting the artist’s obsessive love. The second movement, “A ball,” swirls with elegance and unease as he glimpses his beloved amid the glittering dance floor. “Scene in the country” offers a pastoral calm with echoing shepherd’s calls, which is disrupted by timpani, providing a sense of foreboding. In “March to the scaffold,” the dream darkens: the artist imagines his own execution, with
thunderous brass and a chilling final moment as the beloved’s theme—his idée fixe—briefly returns. Finally, “Dream of a witches’ sabbath” plunges into surreal horror, filled with eerie bells, grotesque dances, and ghostly parodies. Across these five movements, Berlioz redefines symphonic storytelling, using music to explore obsession, fantasy, and the wild power of dreams.
"These musical stories invite us to look inward and beyond—to discover dreams in both their delicate beauty and bold intensity."
Discover... Tranquility
WEDNESDAY, JUNE 25 x 6:00 PM Q RIVERWALK CENTER
FEATURING
Michael Stern, conductor (pg. 66)
Carole-Anne Roussel, vocalist (pg. 71)
ON THE PROGRAM
RANJBARAN
Songs of Eternity
Carole-Anne Roussel, soprano
̶ INTERMISSION
MAHLER
Symphony No. 4, G major
Carole-Anne Roussel, soprano
I. Bedächtig, nicht eilen
II. In gemächlicher Bewegung, ohne Hast
III. Ruhevoll
IV. Sehr behaglich
SPECIAL RECOGNITION
Robin Hadley Philanthropy Award:
Samuel L. Bufford and Julia Metzger (pg. 8)
ABOUT THE PROGRAM
There’s a quiet in the high country that settles into the soul— morning mist on an alpine lake, the hush of snowfall, the stillness between breaths as you take in the mountain scenery. "Discover Tranquility" channels that peace through music steeped in serenity and spiritual reflection. From ancient poetry set to luminous melody to a symphony that gently contemplates innocence and the afterlife, this concert offers a sense of calm and transcendence. It invites us to slow down, listen closely, and find restoration through sound, just as we do in the tranquility of the mountains.
Songs of Eternity by Behzad Ranjbaran (b. 1955) is a luminous and deeply expressive work for soprano and orchestra, inspired by the poetry of 13th-century Persian mystic Jalal al-Din Rumi. Composed in 2002, the piece is a striking example of Ranjbaran’s signature style, blending the richness of Western symphonic tradition with the modal nuances and rhythmic subtleties of Persian music. The result is a sound world that feels at once ancient and modern, grounded and ethereal. Set in four movements, the work explores themes of divine love, spiritual longing, transformation, and the eternal nature of the soul. The texts, sung in English, reflect Rumi’s deeply contemplative yet passionate voice. Each movement paints a distinct emotional landscape, from meditative stillness to ecstatic release, drawing the listener into an interior world of reflection and transcendence. The soprano serves as both narrator and dreamer, her voice floating above a colorful orchestral tapestry that shimmers with warmth and intensity. Songs of Eternity adds a mystical and meditative dimension to the concert experience, inviting audiences to listen not just with the ear, but with the heart. In Ranjbaran’s hands, music becomes a vehicle for inner discovery and a bridge between the human and the divine.
Symphony No. 4 by Gustav Mahler (1860-1911) stands apart in his symphonic output for its graceful clarity, intimate scale, and philosophical depth. Completed in 1900, the symphony offers a fresh and often ironic take on themes of innocence, death, and the afterlife. Unlike Mahler’s monumental earlier symphonies,
IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Anonymous
Robert and Cynthia Benson
Reggie and Pamela Gray Family
Joan Manley Houlton
Bonnie Kirschenbaum
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Michael Molloy
Dave Pfeifle
Pam Piper Yeung
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Barbara and David Weaver
CONCERT UNDERWRITERS
Jim and Judy Graunke
CONCERT SPONSOR
Beaver Run Resort & Conference Center
*deceased
Scan to read expanded program notes and composer features.
"There’s a quiet in the high country that settles into the soul— morning mist on an alpine lake, the hush of snowfall, the stillness between breaths as you take in the mountain scenery."
his fourth symphony is scored for a relatively small orchestra and unfolds with transparency and charm, though always with deeper meaning beneath the surface. The opening movement is light and lyrical, full of delicate textures and cheerful melodies that occasionally hint at darker undertones. The second movement features a rustic, ghostly dance led by a solo violin tuned a whole tone higher (known as scordatura), creating an unsettling yet playful evocation of death in disguise. The heart of the symphony lies in the third movement, a profound and beautifully unfolding adagio that moves from quiet reflection to radiant transcendence. The finale introduces a soprano voice singing a folk-inspired poem that describes a child’s view of heaven—simple, sweet, and strangely haunting. Mahler’s Symphony No. 4 is both accessible and profound, blending beauty with mystery, and irony with sincerity. It offers listeners an emotional and spiritual journey, ending not in thunderous triumph, but in a quiet, sublime vision of peace beyond this world.
Discover... Passion
SATURDAY, JUNE 28 x 6:00 PM
Q RIVERWALK CENTER
FEATURING
Michael Stern, conductor (pg. 66)
Amelia Bailey, violin (pg. 76)
ON THE PROGRAM
STRAUSS
Don Juan, TrV156, Op. 20
DVOŘÁK
Romance for Violin and Orchestra, Op. 11, B. 39, F minor
Amelia Bailey, violin
RAVEL
Tzigane, rapsodie de concert
Amelia Bailey, violin
̶ INTERMISSION
TCHAIKOVSKY
Symphony No. 4, Op. 36, TH 27, F minor
I. Andante sostenuto
II. Andantino in modo di canzona
III. Scherzo: Pizzicato ostinato
IV. Finale: Allegro con fuoco
SPECIAL RECOGNITION
In Memory of Steven Russell
ABOUT THE PROGRAM
Passion fuels both adventure and artistry—it drives climbers to peaks and brings musicians to the edge of emotion. "Discover Passion" embraces music that pulses with desire, longing, and intensity. From bold romantic escapades to tender, lyrical confessions, and a final surge of emotional fire and triumph, this program explores the many faces of passion. It reflects the way we throw ourselves fully into love, art, and challenge—the way something beautiful can become completely consuming. In Summit County, passion is found in the thrill of a steep ascent, the glow of creativity sparked by mountain life, and the deep connections built through shared experience. Here, people chase what moves them, and this music mirrors that same relentless, heart-driven pursuit.
Don Juan by Richard Strauss (1864-1949) was composed in 1888 when the composer was just 24. It is a thrilling orchestral tone poem that established him as a major voice in the late Romantic era. Based on the unfinished play Don Juans Ende by Nikolaus Lenau, which itself was inspired by the Don Juan legend originating in Renaissance-era Spain, the piece captures the bold, impulsive spirit of the legendary seducer in a whirlwind of musical storytelling. From the opening bars, the music bursts with energy and confidence, using sweeping melodies, shimmering textures, and vivid contrasts to paint scenes of adventure, romance, and ultimately, disillusionment. Strauss’s orchestration is masterful, showcasing brilliant brass fanfares and intimate solo passages that reflect both the bravado and vulnerability of its central character. Rather than ending in triumph, the piece closes quietly and wistfully, suggesting Don Juan’s emotional exhaustion and tragic demise. With its daring structure and emotional scope, Don Juan marked a turning point in Strauss’s career and remains one of the most electrifying works in the orchestral repertoire—in fact, excerpts from Don Juan are staples of professional orchestral auditions due to the technical and musical demands on each instrument.
Romance for Violin and Orchestra by Antonín Dvořák (1841-1904) is a tender, lyrical work that showcases the composer’s gift for heartfelt melody and rich harmonic warmth. Originally adapted
IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Anonymous
Robert and Cynthia Benson
Reggie and Pamela Gray Family
Joan Manley Houlton
Bonnie Kirschenbaum
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Michael Molloy
Dave Pfeifle
Pam Piper Yeung
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Barbara and David Weaver
CONCERT SPONSOR
Beaver Run Resort & Conference Center
*deceased
Scan to read expanded program notes and composer features.
from an earlier string quartet, the piece unfolds with gentle grace, led by the violin’s expressive, singing line. The music is deeply Romantic in character—poetic, nostalgic, and full of subtle emotional shading. While relatively short in duration, it offers a complete emotional arc, moving from quiet introspection to passionate intensity and back again. It’s a beautiful showcase of the violin’s lyrical voice and Dvořák’s ability to speak directly to the heart.
Tzigane: Rapsodie de concert by Maurice Ravel (1875-1937) is a virtuosic showpiece for violin inspired by the fiery spirit of Romani Gypsy music. Composed in 1924 for Hungarian violinist Jelly d’Arányi, the work opens with a haunting, improvisatory cadenza that demands extraordinary technical skill. Despite not using actual folk tunes, Tzigane captures the essence of Eastern European flair with dramatic flair and sensuality, showcasing Ravel’s fascination with color, texture, and cross-cultural musical idioms.
Symphony No. 4 by Piotr Ilyich Tchaikovsky (18401893) is a powerful and emotionally charged work that explores fate, personal struggle, and ultimate resilience. The opening movement begins with a dramatic brass fanfare—representing the inescapable force of fate—which recurs throughout the symphony. What follows is a deeply expressive journey marked by emotional volatility, shifting between moments of intense anguish and tender lyricism. The second movement offers a melancholic, soulful melody in the oboe, evoking reflective sorrow, while the third is
a playful, pizzicato scherzo full of wit and rhythmic energy. The final movement explodes with triumphant energy and folk-inspired themes, ending the symphony in a blaze of defiant optimism. This work is often seen as autobiographical, composed during a turbulent period in Tchaikovsky’s life, and it balances raw personal expression with bold orchestral color.
"Here, people chase what moves them, and this music mirrors that same relentless, heart-driven pursuit."
Discover... Love
WEDNESDAY, JULY 2
x 6:00 PM
Q RIVERWALK CENTER
FEATURING
Michael Stern, conductor (pg. 66)
Xiaoquian Zhu, violin (pg. 76)
ON THE PROGRAM
WAGNER
Tristan and Isolde, WWV90
Prelude Liebestod ("Love Death")
BRUCH
Violin Concerto No. 1, Op. 26, G minor
Xiaoquian Zhu, violin
I. Prelude: Allegro moderato
II. Adagio
III. Finale: Allegro energico
̶ INTERMISSION
CLYNE
Within Her Arms
TCHAIKOVSKY
Romeo and Juliet overture-fantasy, TH 42c
SPECIAL RECOGNITION
NRO Sustainer's Evening (pg. 6)
ABOUT THE PROGRAM
Love in Summit County can feel as high as the mountains and as wide as the open skies—unexpected, grounding, and transformative. "Discover Love" is a concert that explores this force in all its complexity. Tonight’s music spans intimate grief, sweeping romance, aching yearning, and tragic destiny. Each piece paints a different portrait of connection and emotion, reminding us that love is not one feeling, but a powerful, evolving journey that shapes who we are. We discover love not only in grand gestures, but in quiet moments shared amid breathtaking landscapes, and in the unspoken bonds that hold a community close.
"Prelude" and "Liebestod" from Tristan and Isolde by Richard Wagner (1813-1883) are among the most emotionally charged and influential pieces in the Romantic repertoire. Completed in 1859, Tristan und Isolde is a groundbreaking opera that revolutionized harmony and musical structure, paving the way for modernism with its daring chromaticism and emotional depth. The Prelude opens with the famous “Tristan chord,” a harmonically ambiguous gesture that sets the tone for a work steeped in longing and unresolved desire. Its sweeping phrases and suspended harmonies mirror the opera’s themes of forbidden love and spiritual yearning. The Liebestod, or “Love-Death,” serves as a transcendent conclusion, as Isolde sings of being united with Tristan beyond death. Together, these excerpts form a powerful meditation on love, loss, and the dissolution of self through passion.
Violin Concerto No. 1 by Max Bruch (1838-1920) opens with a rhapsodic prelude that leads into a deeply expressive first movement. The slow second movement is rich with romantic intensity, offering the soloist moments of heartfelt introspection. The finale bursts with rhythmic vitality and sweeping melodies. Balancing classical form with Romantic expressiveness, Bruch’s concerto showcases the violin’s capacity for both passionate song and technical brilliance, making it a perennial favorite with audiences.
IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Anonymous
Robert and Cynthia Benson
Reggie and Pamela Gray Family
Joan Manley Houlton
Bonnie Kirschenbaum
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Michael Molloy
Dave Pfeifle
Pam Piper Yeung
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Barbara and David Weaver
CONCERT UNDERWRITERS
Barbara Calvin in memory of
Jim Calvin
Joanne Masica
William and Marilyn Taylor
CONCERT SPONSOR
Beaver Run Resort & Conference Center
*deceased
Scan to read expanded program notes and composer features.
"We discover love not only in grand gestures, but in quiet moments shared amid breathtaking landscapes."
Within Her Arms by Anna Clyne (b. 1980) is a poignant and intimate work for string ensemble, composed in 2008 as a memorial to the composer’s mother. Scored for 15 solo strings, the piece unfolds in a continuous arc of tenderness, sorrow, and quiet strength. Inspired by the Buddhist mantra “May she be safe, may she be happy,” the music offers a sonic space for remembrance and emotional stillness. Clyne’s use of gentle dissonance, suspended harmonies, and slowly shifting textures creates a sense of suspended time, where grief and beauty coexist. Despite its somber
inspiration, the work radiates warmth and love, offering comfort rather than despair. Within Her Arms is a powerful example of how music can hold space for loss while honoring the enduring presence of those we carry in memory.
Romeo and Juliet by Piotr Ilyich Tchaikovsky (1840-1893) is a passionate and dramatic orchestral work inspired by Shakespeare’s iconic tragedy. Though not a literal retelling, the piece captures the emotional essence of the story through richly expressive music. The introduction evokes a solemn, hymn-like atmosphere, representing Friar Laurence. This gives way to a violent theme of conflict symbolizing the feud between the Montagues and Capulets, followed by one of Tchaikovsky’s most famous melodies—a sweeping, tender theme that embodies the love between Romeo and Juliet. The music unfolds with cinematic intensity, shifting between violence and vulnerability, tension and lyricism. The final section recapitulates the love theme with tragic poignancy before closing with a sense of mournful resolution. This overture-fantasy showcases Tchaikovsky’s gift for storytelling through music, blending romance and tragedy with unforgettable emotional impact.
Fourth of July Spectacular
FRIDAY, JULY 4
x 10:00 AM Q RAINBOW PARK, SILVERTHORNE
x 6:00 PM
Q RIVERWALK CENTER
FEATURING
Carl Topilow, conductor (pg. 69)
ON THE PROGRAM
WILLIAMS
Liberty Fanfare
TRADITIONAL Star Spangled Banner
DILORENZO
American Prelude
Fantasy “Majestic Mountains”
ARR. BRUBAKER
What’s Up at the Symphony?
BADELT
ARR. RICKETTS Pirates of the Caribbean
WILLIAMS
Indiana Jones: Raiders of the Lost Ark, “Raiders March”
SILVESTRI Back to the Future
CONTI Rocky Suite
WILLIAMS
E.T. the ExtraTerrestrial, “Bicycle Chase”
̶ INTERMISSION
WILLIAMS March from 1941
RODGERS Victory at Sea
ARR. WENDEL “Orange Blossom Special”
STRAUSS SR. Radetzky March
ARR. HOLCOMBE
“International Dixieland Jamboree”
SOUSA “The Liberty Bell”
PUENTE “Oye Como Va”
RODGERS/ BENNETT
“Armed Forces Salute”, arr. Lowden & Berens
SOUSA “The Stars and Stripes Forever”
ABOUT THE PROGRAM
Liberty Fanfare by John Williams (b. 1932) was composed for the Statue of Liberty’s centennial in 1986, blending bold brass and soaring strings to evoke the spirit of American freedom. It’s a triumphant celebration of liberty and national pride.
The Star-Spangled Banner, the United States' national anthem, features lyrics by Francis Scott Key written during the War of 1812 after he famously observed the American flag flying over Fort McHenry. Lesser known is that the melody was adapted from “To Anacreon in Heaven,” a popular British drinking song composed by John Stafford Smith.
American Prelude Fantasy “Majestic Mountains” by Anthony DiLorenzo (b. 1967) was commissioned by Carl Topilow and the NRO in celebration of our 25th anniversary season in 1985. Inspired by the grandeur of Colorado's natural landscapes, this original work evokes the breathtaking beauty of mountain vistas and wide-open skies.
What’s Up at the Symphony? arranged by Jerry Brubaker (b. 1946) is a playful medley of classical favorites famously featured in Looney Tunes cartoons. The arrangement is a nostalgic tribute to the way cartoons introduced generations to orchestral music—often with a mischievous twist.
Pirates of the Caribbean by Klaus Badelt (b. 1967) and arranged by Ted Ricketts is the bold, swashbuckling theme from Disney’s Pirates of the Caribbean (2003). The adventures of Captain Jack Sparrow come to life in this high-energy medley about cursed pirates and the high seas.
“Raiders March” by John Williams (b. 1932) is the iconic theme to Raiders of the Lost Ark (1981) that introduces audiences to Indiana Jones, the daring archaeologist and adventurer. The theme has since become synonymous with heroism and cinematic adventure. Watch the full movie accompanied by the NRO on July 19th (see pg. 50).
IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Anonymous
Libby Bortz
Steve Corneillier
Susan Propper and Donald Dankner
Michael and Marylynn Eipper
Adrienne and Allen Frechter
Nancy French
Carolee and John Hayes
Sandra Holdgreve
Glen and Georgia Kraatz
Charlie Simpson Family
Michael Stern
Tom and Emily Wahl
Pam and Sonny Wiegand
Suzy Iliff Witzler
CONCERT UNDERWRITERS
Steve Corneillier and daughters
Brittony and Nicole in memory of Kathleen Corneillier.
CONCERT SPONSORS
Breckenridge Distillery
Town of Silverthorne (Rainbow Park)
Town of Breckenridge (Riverwalk Center)
*deceased
Back to the Future by Alan Silvestri (b. 1950) is the dynamic score for Back to the Future (1985). Its bold brass and rhythmic drive perfectly complements the film’s timetraveling thrills.
Rocky Suite by Bill Conti (b. 1942) from the Rocky films features “Gonna Fly Now,” the ultimate underdog anthem. Bill Conti’s music captures the grit, determination, and triumph at the heart of the story.
“Bicycle Chase” by John Williams (b. 1932) is the thrilling music from E.T. The Extra-Terrestrial (1982) that underscores the iconic bike flight scene with sweeping orchestration.
The "March from 1941" by John Williams (b. 1932) was composed for Steven Spielberg’s war comedy 1941 (1979). With its energetic tempo and brassy fanfare, the piece parodies traditional patriotic marches while still delivering Williams’ signature cinematic flair.
Victory at Sea by Richard Rogers (1902-1979) was originally composed for a World War II television documentary, Rodgers’ music captures the courage and sacrifice of America’s naval forces.
"Orange Blossom Special" arranged by Robert Wendel (b. 1951) is known as “the fiddle player’s national anthem.” This fast-paced bluegrass classic, that mimics the sound of a roaring train, gives the orchestra a chance to show off with toe-tapping flair.
Radetzky March by Johann Strauss Sr. (1804-1849) was composed to honor Austrian field marshal Joseph Radetzky, combining military precision with infectious rhythm and spirited clapping sections.
"International Dixieland Jamboree" arranged by Bill Holcombe (1924-2010) celebrates Dixieland jazz's roots and international influences with vibrant solos that bring a festive mood to the fore.
"The Liberty Bell" by John Philip Sousa (1854-1932) is a popular march originally written for an unfinished operetta, "The Devil's Deputy." It was retitled after Sousa attended the Columbian Exposition in Chicago—which also debuted the original Ferris Wheel— and was insipired by a spectacular painting of the Liberty Bell.
"Oye Como Va" by Tito Puente (1923-2000) fuses AfroCuban rhythms with a smooth groove. Its infectious beat has made it a crossover hit for generations.
"Armed Forces Salute" by Richard Rodgers (1902-1979) and Robert Russell Bennett (1894-1981) honors the five branches of the U.S. military with their official songs in a powerful tribute to service members, past and present.
"The Stars and Stripes Forever" by John Philip Sousa (18541932) has been designated the official national march of the United States, with a brilliant piccolo solo and patriotic energy that make it a fitting finale to any celebration.
NRO On the Lake
MONDAY, JULY 7
x 6:00 PM
Q DILLON AMPHITHEATER
FEATURING
Michael Stern, conductor (pg. 66)
Matthew Wiest, cello (pg. 80)
Maya Lindsey, harp (pg. 87)
ON THE PROGRAM
ROSSINI
The Barber of Seville, Overture
CUMMINS
The Optimist's Fanfare
BERLIOZ
Roman Carnival, Overture
DVOŘÁK
Slavonic Dances
Op. 46, No. 1 in C major: Presto
Op. 72, No. 2 in E minor: Allegretto grazioso
Op. 46, No. 8 in G minor: Presto
̶ INTERMISSION
WAGNER
Tannhaüser, WWV 70: Overture
ASSAD
Baião N' Blues
SAINT-SAËNS
Carnival of the Animals
Matthew Wiest, cello
Maya Lindsey, harp
13. The Swan
OFFENBACH
Orpheus in the Underworld: Overture
ABOUT THE PROGRAM
NRO on the Lake is a beloved annual tradition that brings the magic of orchestral music to the stunning shores of Lake Dillon. Set against the sweeping backdrop of the Rocky Mountains, this free outdoor concert at the Dillon Amphitheater offers a unique opportunity to experience the National Repertory Orchestra in a relaxed, scenic setting. Under the baton of Music Director Michael Stern, the program features a dynamic mix of classical favorites, spirited overtures, and contemporary gems—celebrating the joy of live music in the heart of Summit County.
The Barber of Seville by Gioachino Rossini (1792-1868) was composed in a remarkable three weeks, and its overture has since become one of the most beloved in the operatic repertoire. The piece begins with a slow, lyrical introduction, leading into a lively and rhythmic main section characterized by Rossini's signature crescendos. These crescendos build excitement through repeated motifs that gradually increase in volume, showcasing Rossini's ability to transform simple ideas into thrilling musical passages. Notably, the overture was repurposed from earlier works and does not contain any thematic material from the opera itself.
The Optimist's Fanfare by Liam Cummins (b. 2004) is a bold, uplifting work that captures the spirit of hope and forward momentum. As its title suggests, the work radiates positivity and confidence, offering a fresh voice from a young composer whose music already reflects maturity, craftsmanship, and a clear sense of expressive purpose. At 21 years of age, Cummins is an emerging American composer whose music blends youthful energy with a strong sense of eclecticism, lyricism, and melody. The piece was originally premiered by a collegiate wind ensemble and has quickly gained attention for its accessible yet sophisticated style.
Roman Carnival by Hector Berlioz (1803-1869) is a vibrant orchestral work that repurposes themes from his opera Benvenuto Cellini. The overture captures the festive spirit of a Roman carnival, opening with a lively saltarello dance rhythm. Berlioz's masterful orchestration brings to life the exuberance and color of the carnival scene, making it a perennial favorite in concert halls. It also features an expressive English horn solo, one of Berlioz’s many innovations in highlighting woodwind color.
Slavonic Dances by Antonín Dvořák (1841-1904) were originally composed for piano four-hands and later orchestrated at the request of his publisher. These dances draw inspiration from Czech
IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
CONCERT UNDERWRITER
Betty A Keith*
CONCERT SPONSOR
Town of Dillon
*deceased
folk music, capturing the rhythms and melodies of traditional dances. The pieces are celebrated for their infectious energy and melodic charm, reflecting Dvořák's deep connection to his cultural roots.
The Tannhäuser Overture by Richard Wagner (1813-1883) encapsulates the central themes of his opera, contrasting sacred devotion with earthly desire. The overture begins with the solemn "Pilgrim's Chorus," symbolizing spiritual yearning, which is then juxtaposed with the sensual and alluring melodies representing the Venusberg. This musical dichotomy sets the stage for the opera's exploration of redemption and human passion.
Baião N' Blues by Clarice Assad (b. 1978) is a contemporary orchestral piece that celebrates the fusion of Brazilian baião rhythms with the soulful elements of blues music. Commissioned in 2023, the composition showcases Assad's ability to blend diverse musical traditions, creating a vibrant and rhythmic dialogue between cultures. The piece employs syncopated rhythms and modal harmonies that reflect the influence of both northeastern Brazilian music and American jazz.
"The Swan" from Carnival of the Animals by Camille SaintSaëns (1835-1921) is a movement renowned for its serene beauty. In this piece, the cello's lyrical melody gracefully floats over a gentle piano accompaniment, evoking the
image of a swan gliding effortlessly across water. Its timeless elegance has made it one of Saint-Saëns' most cherished compositions.
Orpheus in the Underworld by Jacques Offenbach (18191880) is a satirical operetta that includes the famous "Galop Infernal," commonly known as the can-can. The overture, arranged by Carl Binder for the 1860 Vienna production, captures the operetta's playful and irreverent spirit. Its lively melodies and rhythms set the tone for the comedic and whimsical narrative that follows. The work parodies classical mythology and operatic conventions, making it a landmark in the development of operetta as a genre.
PRESENTED BY:
TUESDAY, JULY 15 ECLIPSE THEATRE
Listen Like a Local
Summit Public Radio & TV
m ountains:
Classical – KCME from Colorado Springs at 89.3 FM
Jazz – KUVO from Denver at 89 7 FM
Diverse Music – Colorado Sound from Timnath at 94 3
Spanish Language – KQSE La Nueva Mix from Gypsum at 107 1 FM
Country – KSKE Ski Country from Avon at 95. 3 FM
Summit Public Radio & TV
Not-for-profit, all volunteer, FM radio and antenna television re-
Learn More at SPRTV.org. Connect with us: FB @SummitPublicRadio&TV IG @SummitPublicRadio
TEAM BRECKENRIDGE YOUTH SKI TEAM
It is our mission to provide youth athletes with the positive environment and balanced guidance that fosters self-confidence, embraces goals, and nurtures a lifelong love for the mountains and snow sports.
Topilow Pops!
WEDNESDAY, JULY 9
x 6:00 PM
Q RIVERWALK CENTER
FEATURING
Carl Topilow, conductor (pg. 69)
Connor Bogart, vocalist (pg. 70)
Natalie Green, vocalist (pg. 70)
ON THE PROGRAM
HERMANN
Hello Dolly!, Overture and "Before the Parade Passes By," arr. Wendel
JOEL
Medley from Movin' Out, arr. Wendel
WILLSON ARR.
ANDERSON
The Music Man, “Seventy-Six Trombones”
STYNE
Funny Girl, “Don't Rain on My Parade”
LAMBERT AND MORRISON
The Drowsy Chaperone, “Adolfo”
MENKEN
Music from Aladdin, arr. Amy
TOPILOW
ABOUT THE PROGRAM
Maestro Topilow leads the orchestra in a high-spirited program that spans Broadway showstoppers, Hollywood hits, jazz favorites, and classic pops repertoire. With something for everyone—from nostalgic melodies to contemporary crowd-pleasers—Topilow Pops is a celebration of musical joy, perfect for audiences of all ages. Get ready for a night of surprises, stories, and pure fun!
Hello, Dolly! Overture and “Before the Parade Passes By" by Jerry Herman (1931-2019) are from the Broadway hit Hello, Dolly! (1964) that won 10 Tony Awards and remains one of musical theater’s most iconic shows. These beloved Broadway classics burst to life with brassy charm and show-stopping flair.
The Medley by Billy Joel (b. 1949) comes from the Broadway jukebox musical Movin’ Out (2002), which tells stories of American youth during the Vietnam era using Joel’s popular songs. This highenergy medley blends Joel’s iconic pop-rock hits into a toe-tapping celebration of working-class grit and heart.
JONES
"Clarinetist on the Roof" ̶ INTERMISSION
The Fantasticks, Overture, arr. Topilow
SCHWARTZ Wicked, "Popular"
MIRANDA
Hamilton, "You'll Be Back," arr. Brubaker
ANDERSSON/ ULVAEUS “Mamma Mia” "Dancing Queen"
BERNSTEIN
West Side Story, “Mambo,” arr. Peress
THE BEATLES
Beatlemania, “Eleanor Rigby,” arr. Fry
DUA LIPA
Barbie, “Dance the Night"
SCHÖNBERG
Les Misérables, Medley and “Bring Him Home"
“Seventy-Six Trombones” by Meredith Willson (1902-1984), Arr. Leroy Anderson (1908-1975) is the signature number from the musical The Music Man (1957), telling the tale of a traveling con man who finds redemption in a small Iowa town. Nothing says smalltown Americana quite like a parade led by seventy-six trombones— this rousing number is pure musical joy, full of brass, bounce, and bravado.
“Don’t Rain on My Parade” by Jule Styne (1905-1994) is from the musical Funny Girl (1964) that tells the story of vaudeville star Fanny Brice. “Don’t Rain on My Parade” became an anthem of self-assurance, made famous by Barbra Streisand’s powerhouse performance on Broadway and in the 1968 film adaptation.
"Adolfo" by Lisa Lambert and Greg Morrison is from The Drowsy Chaperone (2006), a loving spoof of 1920s musicals. “Aldolfo” introduces a flamboyant, overconfident Latin lothario, offering a humorous nod to melodramatic musical stereotypes in a show that’s both a parody and a tribute.
IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Anonymous
Libby Bortz
Steve Corneillier
Susan Propper and Donald Dankner
Michael and Marylynn Eipper
Adrienne and Allen Frechter
Nancy French
Carolee and John Hayes
Sandra Holdgreve
Glen and Georgia Kraatz
Charlie Simpson Family
Michael Stern
Tom and Emily Wahl
Pam and Sonny Wiegand
Suzy Iliff Witzler
CONCERT UNDERWRITERS
Steve Corneillier and daughters
Brittony and Nicole in memory of
Kathleen Corneillier.
CONCERT SPONSOR
Breckenridge Distillery
*deceased
Music from Aladdin by Alan Menken (b. 1949) comes from his Oscar-winning score for Disney’s Aladdin (1992) blends Middle Eastern-inspired motifs with Broadway showmanship.
"Clarinetist on the Roof" by Carl Topilow is an original piece inspired by the musical Fiddler on the Roof (1964).
The Fantasticks Overture by Tom Jones (1928-2023) arranged by Carl Topilow is from the world's longest running musical The Fantasticks (1960). Whimsical and poetic, these selections evoke the dreamlike quality of young love and imagination.
"Popular" by Stephen Schwartz (b. 1948) debuted in 2003 in the Broadway phenomenon Wicked—recently released as a feature film in 2024—telling the untold story of the 'Good' and 'Wicked' witches of Oz. This bubbly number sparkles with wit, sass, and irresistible charm.
“You’ll Be Back” Lin-Manuel Miranda (b. 1980) is from Hamilton (2015), a Broadway show that redefined musical theater with its blend of hip-hop, history, and storytelling.
“You’ll Be Back,” sung by King George III, satirizes the British monarchy’s view of the American Revolution with catchy melodies and dry humor.
“Mamma Mia” and “Dancing Queen” by Benny Andersson (b. 1946) and Björn Ulvaeus (b. 1945) are hit songs from the Swedish pop group that dominated international charts in
the 1970s. Their songs found new life in the stage musical Mamma Mia! (1999) and its film adaptations.
“Mambo” by Leonard Bernstein 1918-1990) is from his renowned musical West Side Story (1957), which set Shakespeare’s Romeo and Juliet in 1950s New York. The song underscores a pivotal scene where rival gangs and starcrossed lovers first collide, blending Latin rhythms and jazz influences.
“Eleanor Rigby” by the Beatles was released in 1966 and featured in the musical Beatlemania (1979). The song marked a stylistic shift for The Beatles, with a haunting string arrangement by producer George Martin.
"Dance the Night" by Dua Lipa is a disco-pop hit created for the film Barbie (2023) that brings sparkle, strut, and unstoppable energy. Written by Mark Ronson and Andrew Wyatt, the track helped shape the movie’s glamorous and empowering soundtrack.
Les Misérables Medley and “Bring Him Home” by ClaudeMichel Schönberg (b. 1944) are from the global musical sensation Les Misérables (1980). Based on Victor Hugo’s eponymous novel, the musical tells the story of a former prisoner seeking redemption in post-revolutionary France, with music that mirrors the characters’ inner struggles and the grand scale of the historical events they face.
Discover... Spirit
SATURDAY, JULY 12 x 6:00 PM Q RIVERWALK CENTER
FEATURING
Jeffrey Kahane, conductor (pg. 68)
Juan Diego Vega Ordóñez, viola (pg. 78)
ON THE PROGRAM
ORTIZ
Kauyumari
HINDEMITH
Trauermusik (“Mourning Music”)
Juan Diego Vega Ordóñez, viola
WEBER
Andante & Rondo ongarese, J. 79
Juan Diego Vega Ordóñez, viola
̶ INTERMISSION
PROKOFIEV
Symphony No. 5, Op. 100, B-flat major
I. Andante
II. Allegro marcato
III. Adagio
IV. Allegro giocoso
TONIGHT’S PARTNER
This concert benefits Summit County's First Responders, including: Summit County Animal Control & Shelter, Summit County Emergency Services Training Center, Summit County Rescue Group, and Summit County Water Rescue Team.
SPECIAL RECOGNITION
Outstanding Community Service Award:
Susan Propper and Donald Dankner (pg. 8)
ABOUT THE PROGRAM
The spirit of the mountains lives in every gust of wind, every story told by the land, and every person who seeks meaning here. "Discover Spirit" taps into that essence with music that ranges from ritualistic and celebratory to meditative and majestic. Tonight’s works embody energy, resilience, cultural heritage, and bold vision. This is a concert that doesn’t just uplift—it awakens the deeper forces that move us, both within and beyond ourselves.
Kauyumari by Gabriela Ortiz (b. 1964) is a vibrant and rhythmically charged orchestral work that draws on the Mexican heritage of the composer. The title refers to the Blue Deer, a sacred figure in the cosmology of the Huichol people of Mexico, representing spiritual guidance, renewal, and artistic inspiration. Ortiz channels this mythological imagery through bold orchestration and dynamic textures, weaving together indigenous rhythms with contemporary techniques. The music pulses with ritualistic energy, propelled by percussion and shifting meters that reflect the heartbeat of traditional ceremonies. Throughout the piece, contrasting timbres and colors evoke a sense of spiritual journey—both grounding and transcendent. Ortiz’s ability to fuse cultural heritage with modern orchestral language makes Kauyumari a compelling exploration of identity, mythology, and movement. It is a powerful example of how music can tell stories beyond words, bringing listeners into a world that is deeply rooted in tradition yet alive with innovation and urgency.
Trauermusik by Paul Hindemith (1895-1963) was composed in just a few hours on the day of King George V’s funeral in 1936. At the time, Hindemith was in London for a scheduled performance and was asked to write a piece suitable for national mourning. The result is a deeply expressive meditation on loss and reflection, written for solo viola and string orchestra with remarkable clarity and restraint. The music unfolds in four interconnected sections, balancing modern harmonic language with traditional solemnity. Hindemith, a violist himself, infused the solo part with introspective lyricism and quiet dignity. A quotation of a Bach chorale in the final section provides
IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Anonymous
Robert and Cynthia Benson
Reggie and Pamela Gray Family
Joan Manley Houlton
Bonnie Kirschenbaum
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Michael Molloy
Dave Pfeifle
Pam Piper Yeung
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Barbara and David Weaver
CONCERT UNDERWRITERS
Barbara and Sam McCleneghan
CONCERT SPONSOR
Beaver Run Resort & Conference Center
*deceased
Scan to read expanded program notes and composer features.
a spiritual anchor, linking the contemporary voice with a timeless tradition. Trauermusik remains one of Hindemith’s most personal and widely performed works—an elegant, understated tribute to the power of music in times of collective grief.
Andante & Rondo ongarese by Carl Maria von Weber (17861826) is a dazzling showpiece for solo viola and orchestra, offering a delightful blend of Romantic expressiveness and classical structure. The Andante opens with a lyrical, singing line that highlights the soloist’s ability to phrase with grace and nuance. This calm introduction is followed by the energetic Rondo Ongarese, a spirited Hungarian-style dance full of rapid passages, syncopations, and dramatic contrasts. The virtuosic writing allows the soloist to display both agility and flair, making it a favorite among performers and audiences alike.
Symphony No. 5 by Sergei Prokofiev (1891-1953) stands as one of the composer’s greatest symphonic achievements— monumental in scope, emotional depth, and architectural strength. Written during the final stages of World War II, the symphony is often interpreted as a celebration of the human spirit, though its darker undercurrents suggest a more complex, even ironic, reflection on triumph and struggle. The opening movement is expansive and noble, building a sense of grandeur and resolve. A biting, sardonic scherzo follows, brimming with sharp rhythms and mocking energy. The third movement is lyrical yet haunting, offering introspective
beauty tinged with melancholy.
The finale propels forward with propulsive force, moving from exuberance to chaos and back again in a whirlwind of orchestral color. Prokofiev’s mastery of contrast, melody, and form makes this symphony a landmark of 20th-century repertoire—at once heroic and ambiguous, jubilant and deeply human.
"The spirit of the mountains lives in every gust of wind, every story told by the land, and every person who seeks meaning here. "
Free Family and Kids Concert
WEDNESDAY, JULY 16
x 9:30 AM - CRAFTS
10:30 AM - MUSIC
Q RIVERWALK CENTER
FEATURING
Jason Seber, conductor (pg. 68)
Yamaha Piano Competition Winners
Charlotte Jiang
Aiden Chan
ON THE PROGRAM
WILLIAMS
Star Wars: Suite, Main Title
DEBUSSY
Clair de Lune
MONTGOMERY
Starburst
BACH
Concerto No. 1, BWV 1052 in D minor
Aiden Chan, piano
I. Allegro
MOZART
Piano Concerto No. 17, K. 453 in G major
Charlotte Jiang, piano
I. Allegro
HOLST
The Planets
IV. Jupiter, the Bringer of Jollity
ELGAR
Enigma Variations, Op. 36
IX. "Nimrod" Moderato
WILLIAMS
E.T. The Extra-Terrestrial, "The Flying Theme"
TODAY’S PARTNER
Join us at 9:30am for a free crafts hour provided by The Frosted Flamingo.
ABOUT THE PROGRAM
Welcome to the National Repertory Orchestra’s Family and Kids Concert—one of our favorite summer traditions! This special concert is just for you and your family, and it’s all about having fun with music. Today, we’re going on an exciting adventure with our theme "Discover Imagination: Lost in Space"! Get ready to blast off with the orchestra as we explore planets, stars, and faraway galaxies—all through sound. You’ll hear music that zooms, sparkles, and soars, and you’ll get to meet the instruments that help bring those sounds to life. So buckle up and get ready for a journey that’s out of this world!
Star Wars Suite by John Williams
When you hear the opening blast of trumpets in Star Wars, you know something exciting is about to happen! You can imagine battles in space, brave heroes, and thrilling escapes.
Clair de Lune by Claude Debussy
Clair de Lune means “moonlight” in French, and this dreamy piece of music sounds just like its name. Close your eyes and let the music take you to a quiet, starlit place where dreams come to life.
Starburst by Jesse Montgomery
Starburst is an exciting piece that uses bright sounds and fast rhythms to create music that sparkles, zooms, and explodes with energy. You might imagine shooting stars or colorful sparks flying in every direction.
Concerto No. 1 by Johann Sebastian Bach
Concerto No. 1 is like a musical rollercoaster—it starts with bold, exciting sounds and takes you on a thrilling ride. Listen closely and you’ll hear the piano and orchestra talking to each other, like friends telling an epic adventure story.
Piano Concerto No. 17 by Wolfgang Amadeus Mozart
Mozart wrote his Piano Concerto No. 17 when he was just 28 years old, and it’s full of joyful melodies and playful back-and-forth between the piano and the orchestra. Listen closely—you might even hear a tune inspired by his pet bird, who liked to sing along when Mozart played.
"Jupiter" from The Planets by Gustav Holst
Jupiter is biggest of the planets, and this piece sounds just as big and joyful! The music bounces and dances, with fast rhythms and bold
IN RECOGNITION AND GRATITUDE OF TODAY'S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
CONCERT SPONSOR
Town of Breckenridge
*deceased
melodies that feel like a parade in space. Then, the music becomes slow and grand, like you're floating through the stars.
"Nimrod" from Enigma Variations by Edward Elgar
This music might sound slower and softer, but it’s full of feeling. "Nimrod" is part of a bigger piece where the composer wrote different sections about his friends. It’s often played to honor people and remind us of kindness and courage. Listen closely—sometimes quiet music can say just as much as loud, exciting music.
"The Flying Theme" from E.T. The Extra-Terrestrial by John Williams
Have you ever imagined flying on a bike across the moon? That’s exactly what happens in this magical scene from the movie E.T., and this music matches the feeling of soaring through the sky. The orchestra starts soft and mysterious, then lifts into a beautiful, sweeping melody that feels like you're flying!
YAMAHA PIANO WINNERS
Classical Pianos Denver began hosting the Yamaha Piano Competition in 1988. Since then, hundreds of young piano players have gotten their start on a globally significant musical journey. The NRO is honored to host 4 of this year's winners in a pair of concerts this summer.
Charlotte Jiang
Charlotte Jiang is a 9-year-old 4th grader who has studied piano with Mrs. June Haun since age 6. A passionate pianist, she has won awards in the Schmitt Music and Yamaha Piano Competitions, and the CSMTA Rising Star Festival. Charlotte also enjoys reading, math, ice skating, and music.
Aiden Chan
Aiden, 10, is a passionate pianist and fourth grader at Hulstrom K-8. He studies with Ms. Crystal Lee and loves performing in her monthly class. Inspired by Mozart, Beethoven, and Haydn, he enjoys tackling challenging classical pieces and exploring the beauty of melody, harmony, and rhythm in music.
Chamber Concert
WEDNESDAY, JULY 16 x 6:00 PM
RIVERWALK CENTER
FEATURING
Alumni String Quartet (pg. 73)
Solveig Geenen, violin
Sadie Hamrin, violin
Tyler Brugmann, viola
Haley Rasmussen, cello
Yamaha Piano Competition Winners
Urvi Dhenge
Sebastian Maa
ON THE PROGRAM
BRITTEN
String Quartet No. 2, Op. 36 in C major
I. Allegro calmo, senza rigore
II. Vivace
III. Chacony: sostenuto
SMITH Carrot Revolution
̶ INTERMISSION
MOZART
Piano Quartet No. 1, K. 478 in G minor
Urvi Dhenge, piano
I. Allegro
SCHUMANN
Piano Quintet in E-flat major
Sebastian Ma, piano
I. Allegro brillante
MENDELSSOHN
String Quartet No. 6, Op. 80 in F minor
I. Allegro vivace assai
II. Allegro assai
III. Adagio
IV. Finale: Allegro
ABOUT THE PROGRAM
String Quartet No. 2 by Benjamin Britten (1913-1976) was composed in 1945 to commemorate the 250th anniversary of composer Henry Purcell’s death, as both a tribute and a modern reimagining of English Baroque traditions. Written shortly after his return from a wartime tour of concentration camps, the piece reflects both somber introspection and bold creativity. The quartet’s structure is highly original, with three contrasting movements culminating in a monumental final chaconne—a direct reference to Purcell’s favored form of variation over a repeating bass line.
Carrot Revolution by Gabriella Smith (b. 1991) is a vibrant, genredefying string quartet that playfully subverts classical conventions while embracing an edgy, groove-driven aesthetic. The title, inspired by a Cézanne quote about seeing “a carrot as it is,” reflects Smith’s interest in perception, freshness, and the radical potential of artistic clarity. From the opening moments, the piece launches into an energetic, almost punk-like texture—full of slap pizzicato, aggressive bowing, and percussive string techniques. Smith draws from a wide range of influences, including folk fiddling, minimalism, and experimental rock, blending them into a kinetic and unpredictable sound world. Amid the chaos, lyrical passages surface, offering glimpses of vulnerability and warmth.
Piano Quartet in G by Wolfgang Amadeus Mozart (1756-1791) is notable for its expressive depth and structural innovation, particularly in the emotionally charged first movement, Allegro. Written during a prolific period of chamber music composition, this quartet was one of the first significant works for piano and string trio—paving the way for future composers to explore this ensemble. The key of G minor, often reserved by Mozart for dramatic intensity, sets a stormy, urgent tone. The piano plays a central role, not merely accompanying but engaging in a rich, often virtuosic dialogue with the strings. Themes are developed with exceptional clarity and balance, blending lyrical lines with bursts of tension and syncopation. The movement’s sonata form structure allows for striking contrasts and seamless transitions, demonstrating Mozart’s genius for marrying formal precision with emotional nuance.
Piano Quintet in E-flat major by Robert Schumann (1810-1856) was composed in 1842 during Schumann’s so-called "chamber music year," marking a significant development in the genre, pairing piano with string quartet in a way that balances power and intimacy. The
IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
CONCERT UNDERWRITERS
Adrienne and Allen Frechter
CONCERT SPONSORS
Breckenridge Distillery
Breckenridge Grand Vacations
*deceased
first movement, Allegro brillante, opens with bold, ascending figures that immediately set a confident and exuberant tone. Schumann’s writing showcases the piano as both a driving force and a collaborative partner, often trading melodies and motifs with the strings. Rich harmonic textures and rhythmic interplay give the movement a sense of constant propulsion and grandeur. One of the quintet’s defining features is its use of motivic transformation—small melodic ideas are passed between instruments and evolve throughout the piece.
String Quartet No. 6 by Felix Mendelssohn (1809-1847) was his final major composition, written in the wake of his beloved sister Fanny’s death. Unlike his earlier quartets, which often exude classical elegance, this one is raw, turbulent, and unrelenting in its grief. The opening movement is driven by urgency and agitation, with jagged rhythms, sudden dynamic shifts, and impassioned melodies. Mendelssohn pushes the quartet to its expressive limits, channeling sorrow and unrest into tightly woven counterpoint and dense textures. Subsequent movements maintain a somber tone, blending restless energy with moments of haunting lyricism. The quartet’s emotional weight and dramatic power reveal a composer grappling with profound loss.
YAMAHA PIANO WINNERS
Classical Pianos Denver began hosting the Yamaha Piano Competition in 1988. Since then, hundreds of young piano players have gotten their start on a globally significant musical journey. The NRO is honored to host 4 of this year's winners in a pair of concerts this summer.
Urvi Dhenge
Urvi, a soon-to-be 9th grader, has studied piano with Ms. Crystal Lee since age 9. In 2023, she won 1st place in the CSMTA Concerto Competition and performed with the Aurora Symphony Orchestra. Urvi’s passion for classical piano has flourished under Ms. Lee’s exceptional and inspiring guidance.
Sebastian Maa
Sebastian, 16, is a pianist at the Denver School of the Arts with 13 years of experience, studying under Ms. Jasmine Steadman. He’s earned top honors in piano competitions, and enjoys performing with his jazz band and accompanying musical theater productions.
Patients travel from around Colorado and beyond to receive the unique, personalized care Shaw offers in the healing setting of the Rocky Mountains.
SHAWCANCERCENTER.ORG/HEALING
Indiana Jones: Raiders of the Lost Ark In Concert
SATURDAY, JULY 19
x 2:00 PM & 7:30 PM
Q RIVERWALK CENTER
FEATURING
Jason Seber, conductor (pg. 68)
ON THE PROGRAM
INDIANA JONES: RAIDERS OF THE LOST ARK
Starring
Harrison Ford
Karen Allen
Paul Freeman
Ronald Lacey
John Rhys-Davies
Denholm Elliott
Directed by
Steven Spielberg
Music by
John Williams
TONIGHT’S PARTNER
This event is presented in partnership with Breck Film.
ABOUT THE PROGRAM
In a place like Summit County, where towering peaks meet endless sky and every trail seems to lead to something unexpected, discovery is part of everyday life. Whether you're exploring the great outdoors or uncovering something new within yourself, the mountains inspire curiosity, courage, and a sense of adventure.
It’s this same spirit that makes Indiana Jones: Raiders of the Lost Ark—presented here with a live orchestral performance by the National Repertory Orchestra—a perfect centerpiece for our season celebrating discovery.
Originally released in 1981, Raiders of the Lost Ark was the result of a legendary collaboration between George Lucas and Steven Spielberg. It redefined what adventure on the big screen could be, blending pulse-pounding action with razor-sharp wit, cinematic spectacle, and a dash of historical mysticism.
At the center of it all is Indiana Jones, played with rugged charm by Harrison Ford—a fearless, quick-thinking archaeologist with a whip in one hand and a fedora tipped low against the sun. Set in the 1930s, the film follows Indy as he races against Nazi forces to recover the Ark of the Covenant, an ancient relic said to hold immense, supernatural power.
With an impressive team of supporting actors including Karen Allen, John-Rhys Davies, Denholm Elliott, and Paul Freeman, combined with innovative special effects techniques by Industrial Light & Magic, Raiders of the Lost Ark has captured the imagination of movie-goers for generations and continues to inspire adventures yet to come.
The film’s success lies not only in its thrilling plot and memorable characters, but also in its masterful use of music to shape the experience. John Williams’ iconic score is a character in its own right—brave, bold, and full of movement. The instantly recognizable main theme, with its soaring brass and heroic rhythm, has come to symbolize adventure itself.
IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Anonymous
Libby Bortz
Steve Corneillier
Susan Propper and Donald Dankner
Michael and Marylynn Eipper
Adrienne and Allen Frechter
Nancy French
Carolee and John Hayes
Sandra Holdgreve
Glen and Georgia Kraatz
Charlie Simpson Family
Michael Stern
Tom and Emily Wahl
Pam and Sonny Wiegand
Suzy Iliff Witzler
CONCERT UNDERWRITER
Juhree Wendl
CONCERT SPONSOR
Timothy Faust Photography
*deceased
In this performance, the National Repertory Orchestra brings the music to life in real time, led by conductor—and NRO alum—Jason Seber, and synced perfectly with the action on screen. It’s a way to experience the film as never before: the drama becomes more intense, the triumphs more soaring, the quiet moments more emotionally resonant, all because of the richness and immediacy of live orchestral music.
As part of our season celebrating discovery, this performance invites us to consider the deeper meaning behind Indy’s journey. Yes, he’s searching for a lost artifact— but in doing so, he faces his fears, makes sacrifices, and learns to trust others. The film is ultimately a celebration of adventure, and this immersive cinematic event pays tribute to the power of story, sound, and imagination to transport us to new places and unlocks our own quest for discovery.
"This immersive cinematic event pays tribute to the power of story, sound, and imagination to transport us to new places and unlocks our own quest for discovery."
Discover... Resilience
WEDNESDAY, JULY 23 x 6:00 PM
RIVERWALK CENTER
FEATURING
Giancarlo Guerrero, conductor (pg. 67)
Maya Lindsey, harp (pg. 87)
ON THE PROGRAM
BEETHOVEN
Leonore Overture No. 3, Op. 72b
̶ INTERMISSION
DEBUSSY
Danses sacrée et profane (“Sacred and Profane Dances”)
Maya Lindsey, harp
I. Danse sacrée: Très modéré
II. Danse profane: Modéré
SHOSTAKOVICH
Symphony No. 10, Op. 93, E minor
I. Moderato
II. Allegro
III. Allegretto
IV. Andante; Allegro
TONIGHT’S PARTNER
This concert is presented in Partnership with Shaw Cancer Center and Breast Imaging Clinic.
Join us in wearing pink to support a cause close to our hearts - the fight against cancer.
ABOUT THE PROGRAM
The mountains teach us that strength is not found in avoiding hardship, but in facing it head-on and rising again. "Discover Resilience" follows a musical path from struggle to transcendence. It begins with a dramatic fight for freedom, transitions into graceful introspection, and culminates in a searing portrait of defiance in the face of oppression. These works echo the courage it takes to endure—and the beauty that can emerge on the other side. We come to the mountains to be challenged, to be changed, and to remember that resilience is not just survival, but the will to grow stronger through it all.
Leonore Overture by Ludwig van Beethoven (1770-1827) stands as one of the most dramatic and emotionally charged concert overtures in classical music. Originally composed as part of his opera Fidelio, Beethoven revised this overture multiple times in his quest to balance the work’s musical and dramatic elements. Leonore No. 3, the third version, is the most expansive and symphonic, often considered too powerful and sweeping to precede the staged opera itself—but perfect as a stand-alone orchestral work. The overture condenses the essence of Fidelio into a single musical arc, capturing its core themes of hope, courage, and the triumph of freedom over oppression. The music begins in a state of dark tension, gradually building through a series of lyrical and heroic episodes. A trumpet call—performed offstage—signals the arrival of rescue, a pivotal moment in the opera. The overture then bursts into a victorious finale, propelled by Beethoven’s trademark energy and rhythmic drive. Leonore No. 3 reflects Beethoven’s deep belief in human dignity and moral perseverance.
Danses sacrée et profane by Claude Debussy (1862-1918) is a graceful and luminous work composed in 1904 for harp and string orchestra. Commissioned by the Pleyel harp company—a renowned manufacturer based in Paris—to showcase a new type of chromatic harp, the piece beautifully blends impressionistic color with classical elegance. The first movement, the Danse sacrée, is solemn and refined, evoking an ancient, almost ritualistic mood through modal
IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Anonymous
Robert and Cynthia Benson
Reggie and Pamela Gray Family
Joan Manley Houlton
Bonnie Kirschenbaum
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Michael Molloy
Dave Pfeifle
Pam Piper Yeung
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Barbara and David Weaver
CONCERT SPONSORS
Beaver Run Resort & Conference Center
Shaw Cancer Center and Breast Imaging Clinic
*deceased
Scan to read expanded program notes and composer features.
harmonies and flowing rhythms. In contrast, the Danse profane is light, lyrical, and sensuous, moving with a gentle waltz-like character that captures Debussy’s fascination with movement and atmosphere. Together, the two dances explore a balance between the spiritual and the earthly, the timeless and the fleeting. The solo harp glides effortlessly through both worlds, its shimmering textures enhanced by the soft backdrop of the strings. Danses sacrée et profane
"We come to the mountains to be challenged, to be changed, and to remember that resilience is ... the will to grow stronger through it all."
remains one of Debussy’s most enchanting works and a cornerstone of the harp repertoire.
Symphony No. 10 by Dmitry Shostakovich (1906-1975) was composed in 1953 shortly after the death of Joseph Stalin as a powerful and deeply personal work that reflects the composer’s complex relationship with the Soviet regime. Spanning four movements, the symphony explores themes of repression, survival, and personal identity. The opening movement is expansive and brooding, filled with dark lyricism and a sense of foreboding. The second movement—a violent, driving scherzo—is often interpreted as a musical portrait of Stalin himself. In the third movement, Shostakovich introduces a motif based on his initials (D-SC-H), asserting his creative voice amidst oppression. The finale moves from uncertainty to triumph, ending with a defiant burst of energy. Rich in symbolism and emotional intensity, the Tenth Symphony is both a reflection on a brutal chapter of history and a testament to artistic resilience. It remains one of Shostakovich’s most profound and widely performed symphonic statements.
Discover... Jubilation
SATURDAY, JULY 26 x 6:00 PM
Q RIVERWALK CENTER
FEATURING
Michael Stern, conductor (pg. 66)
William Cabison, conductor (pg. 69)
Iris Wu, violin (pg. 76)
David Caplan, cello (pg. 79)
ON THE PROGRAM
SIMON
Four Black American Dances
William Cabison, conductor
I. Ring Shout: Soulfully
II. Waltz: With ebb and flow, rubato
III. Tap!: Jubilantly
IV. Holy Dance: Mysteriously
BRAHMS
Double Concerto for Violin and Cello, Op. 102, A minor
Iris Wu, violin
David Caplan, cello
̶ INTERMISSION
STRAVINSKY
Pulcinella: Suite
1. Sinfonia
2. Serenata
3. Scherzino
4. Tarantella
5. Toccata
6. Gavotta con due variazioni
7. Vivo
8. Minuetto
9. Finale
MÁRQUEZ
Conga del Fuego Nuevo (“New Fire Conga”)
TONIGHT’S PARTNER
This concert benefits Tree Top Child Advocacy Center.
ABOUT THE PROGRAM
Some days in Summit County feel like a celebration just for being alive—the accomplishment of cresting a high peak, the laughter of friends on a hike, the last light of the day creating a rosy symphony of alpenglow. "Discover Jubilation" captures that spirit with music that dances, sings, and bursts with color. This program blends rhythmic joy, virtuosic flair, witty surprises, and sheer rhythmic energy into an evening of musical exuberance. It’s not just a concert—it’s a celebration.
Four Black American Dances by Carlos Simon (b. 1986) celebrates the richness and diversity of Black American musical traditions. Composed in 2023, the piece is structured in four movements, each inspired by a different social or dance tradition rooted in African American culture. These include the Ring Shout, the Waltz, the Tap Dance, and the Holy Dance—each reimagined through Simon’s contemporary lens. The music blends elements of jazz, gospel, blues, and classical technique, creating a sound that is both rhythmically dynamic and emotionally expressive. Simon’s orchestrations are colorful and bold, with driving percussion, lyrical melodies, and shifting textures that reflect the joy, resilience, and spiritual depth of the communities that shaped these traditions. Beyond its musical vitality, the work honors cultural history, giving voice to stories and movements that have shaped American identity. Four Black American Dances is not only a celebration of dance, but a celebration of heritage—alive with rhythm, soul, and the power of collective memory.
Double Concerto for Violin and Cello by Johannes Brahms (18331897) showcases the deep interplay between two solo instruments and orchestra. Composed in 1887, it was Brahms’ final orchestral composition and a gesture of reconciliation toward his longtime friend, violinist Joseph Joachim. The concerto unfolds over three movements, blending drama, lyricism, and virtuosic flair. The opening movement is bold and intense, with fiery exchanges between the violin and cello that eventually give way to soaring melodies. The slow second movement is tender and introspective,
IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Anonymous
Robert and Cynthia Benson
Reggie and Pamela Gray Family
Joan Manley Houlton
Bonnie Kirschenbaum
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Michael Molloy
Dave Pfeifle
Pam Piper Yeung
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Barbara and David Weaver
CONCERT UNDERWRITERS
Terri and George Barile
CONCERT SPONSOR
Beaver Run Resort & Conference Center
*deceased
Scan to read expanded program notes and composer features.
with both soloists sharing a deeply expressive dialogue. The finale dances with Hungarian-inspired rhythms, full of joyful energy and warm camaraderie. Unlike a traditional solo concerto, Brahms’ Double Concerto emphasizes collaboration over competition, weaving the solo lines together with the orchestra in a rich, unified texture.
Pulcinella: Suite by Igor Stravinsky (1882-1971) is adapted from his ballet Pulcinella, which premiered in 1920. Commissioned by Sergei Diaghilev for the Ballets Russes, the piece marked the beginning of Stravinsky’s neoclassical period—a dramatic shift from the intense modernism of works like The Rite of Spring. In Pulcinella, Stravinsky reimagined music attributed to 18th-century composer Giovanni Battista Pergolesi and others, infusing it with his own harmonic twists, rhythmic surprises, and orchestrational flair. The suite, arranged in 1922, condenses the ballet into a concert piece featuring a lively sequence of dances and character portraits. Listeners will hear elegant melodies interrupted by sudden dissonances, shifts in tempo, and quirky instrumental colors. Each movement brims with charm and humor, echoing the mischievous spirit of Pulcinella, a classic figure from Italian commedia dell’arte.
Conga del Fuego Nuevo by Arturo Márquez (b. 1950) is a vibrant orchestral work that fuses Afro-Cuban rhythms with Mexican musical traditions. Drawing inspiration from
the conga—a Cuban carnival dance and drum—the piece showcases Márquez’s skill in blending folkloric elements with classical forms. The title references the Aztec "New Fire" ceremony, symbolizing renewal and transformation. The composition features driving percussion, energetic brass, and lyrical melodies, creating a dynamic and festive atmosphere.
"Some days in Summit County feel like a celebration just for being alive."
Discover... Inspiration
WEDNESDAY, JULY 30 x 6:00 PM Q RIVERWALK CENTER
FEATURING
JoAnn Falletta, conductor (pg. 67)
Thomas Ryskamp, piano (pg. 87)
ON THE PROGRAM
ZYMAN
Encuentros
SAINT-SAËNS
Piano Concerto No. 4, Op. 44, C minor
Thomas Ryskamp, piano
I. Allegro moderato – Andante
II. Allegro vivace – Andante – Allegro
̶ INTERMISSION
RIMSKY-KORSAKOV
Scheherazade, Op. 35
1. The Sea and Sinbad's Ship
2. The Tale of Prince Kalendar
3. The Young Prince and the Princess
4. The Festival at Bagdad; The Sea; Ship Breaks upon a Cliff Surmounted by a Bronze Horseman
TONIGHT’S PARTNER
This concert benefits music nonprofits in Summit County: Alpenglow Chamber Music Festival, Summit Choral Society, and Summit Concert Band.
SPECIAL RECOGNITION
Outstanding Community Service Award: Climax Molybdenum Company (pg. 8)
ABOUT THE PROGRAM
Surrounded by the pristine beauty of Summit County, it's easy to feel inspiration take hold. There are moments in the mountains when something stirs within—a sweeping view, a rousing conversation, an encounter with wildlife—and suddenly, we’re moved to dream bigger. "Discover Inspiration" brings together music that speaks to the mind and heart with clarity and brilliance. From dynamic contrasts and cross-cultural threads to radiant storytelling and sweeping emotional arcs, these pieces remind us of the power of creativity to transform, uplift, and connect us across time and place.
Encuentros by Samuel Zyman (b. 1956) explores the idea of “encounters”—both musical and cultural. The title, Spanish for “encounters” or “meetings,” reflects the composer’s Mexican heritage and his interest in the intersection of diverse musical traditions. Composed in 1993, the piece features propulsive rhythms, bold harmonies, and rich textures that create a vibrant sense of momentum and contrast. Drawing from both Latin American idioms and contemporary classical language, Encuentros captures the energy of a bustling dialogue—at times conversational, at others confrontational, always dynamic. Zyman’s orchestration is colorful and assertive, with sections of driving percussion, lyrical woodwinds, and brass that punctuate with power and precision. The music unfolds in a single movement, but within it are a series of shifting moods and motifs, reflecting the complex nature of encounters: joyful, tense, surprising, and transformative. With its expressive range and rhythmic vitality, Encuentros is a compelling example of cross-cultural conversation through music. It celebrates the ways we come together—through ideas, through conflict, through harmony—and how those meetings, whether musical or human, shape and enrich our shared experience.
Piano Concerto No. 4 by Camille Saint-Saëns (1835-1921) is one of his most original and structurally inventive works. Composed in 1875, the concerto departs from traditional form by unfolding in two large movements, each containing multiple contrasting sections that flow seamlessly into one another. This creates a sense of continuous
IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Anonymous
Robert and Cynthia Benson
Reggie and Pamela Gray Family
Joan Manley Houlton
Bonnie Kirschenbaum
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Michael Molloy
Dave Pfeifle
Pam Piper Yeung
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Barbara and David Weaver
CONCERT UNDERWRITERS
Elizabeth Hainen and Dave DePeters
Janey and Russ Trowbridge
CONCERT SPONSOR
Beaver Run Resort & Conference Center
*deceased
Scan to read expanded program notes and composer features.
development and narrative, rather than the standard threemovement concerto structure. The piano writing is both virtuosic and lyrical, showcasing Saint-Saëns’ remarkable skill as a pianist and composer. The work balances brilliant passages of technical display with moments of poetic introspection, set against rich and dynamic orchestral textures. The concerto’s dramatic intensity is heightened by its recurring themes, which are transformed and reintroduced throughout, giving the piece a sense of unity and purpose. Though not as frequently performed as his Second Concerto, the Fourth remains a unique and deeply rewarding work—both for performers and audiences.
Scheherazade by Nikolai Rimsky-Korsakov (1844-1908) is a dazzling symphonic suite inspired by the tales of One Thousand and One Nights. Composed in 1888, the work combines exoticism, storytelling, and brilliant orchestration into a vivid musical journey. Rather than telling specific stories, Rimsky-Korsakov evokes the mood and spirit of the legendary Scheherazade, the clever storyteller who spins captivating tales to delay her execution by a vengeful sultan. Her voice is represented throughout the piece by a recurring solo violin melody—graceful, lyrical, and ever-evolving. The suite unfolds in four movements, each suggesting a different adventure at sea or in distant lands, featuring swashbuckling shipwrecks, romantic interludes, and bustling marketplaces. Rimsky-Korsakov, a master orchestrator, uses the full palette of the orchestra to bring these scenes to life, layering
glittering textures, colorful harmonies, and dynamic contrasts. From sweeping strings to bold brass fanfares, the music is rich with fantasy and imagination. Scheherazade is a celebration of storytelling itself—how music can ignite the imagination, build suspense, and transport us to places far beyond the concert hall.
"There are moments in the mountains when something stirs within ... and suddenly, we’re moved to dream bigger."
Discover... Joy
SATURDAY, AUGUST 2
x 6:00 PM
Q RIVERWALK CENTER
FEATURING
Michael Stern, conductor (pg. 66)
William Cabison, conductor (pg. 69)
Helen Freeman, flute (pg. 82)
Peter Davies, oboe (pg. 82)
Jenna Zelasko, trumpet (pg. 86)
ON THE PROGRAM
SIERRA
Alegriá
William Cabison, conductor
PROKOFIEV
Classical Symphony, Op. 25 (Symphony No. 1)
William Cabison, conductor
I. Allegro con brio
II. Larghetto
III. Gavotte: Non troppo allegro
IV. Finale: Molto vivace
BARBER
Capricorn Concerto
Helen Freeman, flute
Peter Davies, oboe
Jenna Zelasko, trumpet
I. Allegro ma non troppo
II. Allegretto
III. Allegro con brio
̶ INTERMISSION
BEETHOVEN
Symphony No. 7, Op. 92, A major
I. Poco sostenuto - Vivace
II. Allegretto
III. Presto
IV. Allegro con brio
SPECIAL RECOGNITION
Outstanding Volunteers of the Year Award:
Kathy and John Landon (pg. 8)
ABOUT THE PROGRAM
Joy has a way of showing up in the little moments: sun-warmed trails, spontaneous laughter, or music shared under an open sky. "Discover Joy" captures that feeling with a program that sparkles with energy and warmth. This evening’s program dances through festive rhythms and bursts of brightness, and concludes with a powerful celebration of vitality that seems to build and build until it carries us all with it. In Summit County, people come to feel that kind of joy. It’s not something you chase; it finds you in the freedom of the mountains and the magic of a shared experience.
Alegriá by Roberto Sierra (b. 1953) captures the spirit of joy and celebration. The Spanish word “alegría” translates to “joy” or “happiness,” and Sierra channels this emotion through energetic dance rhythms, bold harmonies, and a brilliant palette of instrumental color. Drawing on his Puerto Rican heritage and a wide array of Latin American musical influences, the piece blends traditional Caribbean syncopation with contemporary classical technique, resulting in a work that feels both festive and sophisticated. Percussion plays a central role, propelling the music forward with dynamic momentum, while melodies swirl through the orchestra in joyful dialogue. The piece unfolds in a single, continuous movement, building layers of rhythm and texture that burst with life and movement. Alegría is more than just a celebration—it’s a statement of cultural pride and creative freedom.
Classical Symphony by Sergei Prokofiev (1891-1917) is a sparkling homage to the clarity and charm of the Classical era, particularly the style of Haydn. Written during a time of political upheaval in Russia, the symphony is surprisingly lighthearted and elegant, filled with wit, grace, and rhythmic vitality. Prokofiev aimed to write a symphony that could have been composed in the 18th century, but with his own modern sensibilities woven in. The result is a four-movement work that balances classical form with unexpected twists in harmony and orchestration. The opening movement is bright and buoyant, the second offers lyrical sweetness, the third dances with a playful gavotte instead of a traditional minuet, and the finale bursts with energy and clever surprises.
IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Anonymous
Robert and Cynthia Benson
Reggie and Pamela Gray Family
Joan Manley Houlton
Bonnie Kirschenbaum
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Michael Molloy
Dave Pfeifle
Pam Piper Yeung
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Barbara and David Weaver
CONCERT UNDERWRITERS
Janet and Brad Bradbury
Kathy and John Landon
CONCERT SPONSOR
Beaver Run Resort & Conference Center
*deceased
Scan to read expanded program notes and composer features.
"In Summit County, people come to feel that kind of joy. It’s not something you chase; it finds you in the freedom of the mountains and the magic of a shared experience."
Capricorn Concerto by Samuel Barber (1910-1981) is a neoclassical work for flute, oboe, trumpet, and strings, named after the house in Mount Kisco, New York, where Barber lived with composer Gian Carlo Menotti. Written during Barber’s time in the U.S. Army, the concerto draws
inspiration from Baroqueera concerto grosso forms, particularly those of Bach, but infuses them with 20thcentury harmony, rhythm, and wit. The three solo instruments engage in playful, conversational interplay with each other and the string orchestra, weaving in and out of the texture with crisp clarity and occasional bursts of brilliance.
Symphony No. 7 by Ludwig van Beethoven (1770-1827) premiered in 1813 and was an immediate success, praised for its vitality and emotional force. Each of the four movements pulses with distinctive rhythmic momentum, leading Richard Wagner to famously call it “the apotheosis of the dance.” The second movement, a solemn and haunting Allegretto, provides a contemplative contrast to the otherwise exuberant character of the work and has become one of Beethoven’s most beloved slow movements. The outer movements surge forward with joy and power, full of bold harmonies, surging crescendos, and driving rhythms. The final movement, in particular, is a whirlwind of kinetic energy, bringing the symphony to a thrilling conclusion. Symphony No. 7 captures Beethoven at his most rhythmically inventive and emotionally expansive—an ode to life, movement, and unstoppable momentum.
Discover... Rejuvenation
WEDNESDAY, AUGUST 6 x 6:00 PM
Q RIVERWALK CENTER
FEATURING
Michael Stern, conductor (pg. 66)
Spencer Stover, violin (pg. 76)
ON THE PROGRAM
COPLAND
Appalachian Spring: Suite
PIAZZOLLA
Cuatro Estaciones Portoñas (“The Four Seasons of Buenos Aires”), arr. Desyatnikov
Spencer Stover, violin
III. Primavera Porteño (“Buenos Aires Spring”)
VIVALDI
Le Quattro Stagioni (“The Four Seasons”), Op. 8
Spencer Stover, violin
I. La primavera (“Spring”), RV 269
̶ INTERMISSION
SCHUMANN
Symphony No. 1, Op. 38, B-flat major (“Spring”)
I. Andante un poco maestoso; Allegro molto vivace
II. Larghetto
III. Scherzo: Molto vivace
IV. Allegro animato e grazioso
ABOUT THE PROGRAM
To be in Summit County is to feel the world reset, like fresh snow melting into spring or a breath finally released at the top of a long hike. In this place, many find rejuvenation in the simple act of disconnecting—making space for stillness, clarity, and a slower pace of life. "Discover Rejuvenation" brings that sense of renewal to life through music that blossoms, breathes, and awakens. Drawing inspiration from nature’s rhythms and the seasons of life, each piece on tonight’s program offers a fresh beginning and a reminder that energy can be reborn again and again.
Appalachian Spring by Aaron Copland (1900-1990) is a quintessentially American work that captures the open spirit and quiet strength of rural life. Originally composed in 1944 as a ballet for choreographer Martha Graham, the piece was later adapted into an orchestral suite that has become one of Copland’s most beloved compositions. The music evokes a sense of spaciousness and simplicity, with gentle harmonies, clear textures, and melodies that feel both timeless and familiar. Set in 19th-century Pennsylvania, the story centers on a young pioneer couple building a life together— an idea reflected in the music’s blend of hope, determination, and grace. One of its most memorable moments is the use of the Shaker hymn “Simple Gifts,” which Copland weaves into a powerful expression of gratitude and humility. Appalachian Spring remains a moving portrait of renewal and possibility, capturing the landscape, values, and optimism at the heart of the American imagination.
"Buenos Aires Spring" from Cuatro Estaciones Portoñas by Astor Piazzolla (1921-1992) is one of four tangos from Piazzolla's Cuatro Estaciones Porteñas. It is a bold and evocative reimagining of Vivaldi’s famous seasons through the lens of Argentine tango. Composed in the late 1960s, this movement captures the energy, unpredictability, and vibrant spirit of spring in the bustling city of Buenos Aires. Unlike traditional depictions of nature’s renewal, Piazzolla’s spring is urban and edgy—full of shifting rhythms, sharp contrasts, and passionate gestures. The music blends tango’s rhythmic intensity with elements of jazz and classical style, creating a distinctive voice
IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Anonymous
Robert and Cynthia Benson
Reggie and Pamela Gray Family
Joan Manley Houlton
Bonnie Kirschenbaum
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Michael Molloy
Dave Pfeifle
Pam Piper Yeung
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Barbara and David Weaver
CONCERT UNDERWRITERS
Shari and Chris Dorton
CONCERT SPONSOR
Beaver Run Resort & Conference Center
*deceased
that is both deeply personal and unmistakably modern. Originally written for Piazzolla’s quintet, the piece has since been arranged for solo violin and string orchestra by Leonid Desyatnikov, who cleverly weaves in subtle quotations from Vivaldi’s Spring. The result is a lively and layered work that celebrates both tradition and reinvention.
"In this place, many find rejuvenation in the simple act of disconnecting— making space for stillness, clarity, and a slower pace of life."
"Spring" from Le Quattro Stagioni by Antonio Vivaldi (16781741) opens the cycle of four violin concertos that musically depict the changing seasons in Vivaldi's iconic work. “Spring”
Scan to read expanded program notes and composer features.
bursts to life with bright, dancing rhythms and cheerful melodies that evoke birdsong, blooming flowers, and the freshness of new beginnings. Vivaldi’s writing is rich with imagery, guided by a poetic sonnet (possibly written by the composer himself) that accompanies the score. In the first movement, birds sing and gentle breezes blow; the second movement offers a serene scene of a sleeping shepherd, while the third brings the spirited energy of a countryside celebration. The solo violin plays with agility and brightness, weaving through the textures of the orchestra like sunlight through new leaves.
Symphony No. 1 by Robert Schumann (1810-1856) was composed in 1841 during a burst of creative energy early in his marriage to Clara Wieck, the symphony reflects Schumann’s deep emotional life and poetic imagination. Inspired by a line from a poem by Adolf Böttger about the arrival of spring, the symphony opens with a bold brass fanfare that suggests the breaking of winter’s grip. The four movements are filled with freshness and rhythmic vitality, often evoking the natural world through musical gesture and mood. The second movement offers a gentle, lyrical interlude, while the scherzo dances with cheerful energy. The finale surges forward with exuberance and light. Schumann’s orchestration is colorful and expressive, and the work as a whole is a joyful declaration of life’s renewal and creative possibility.
Discover... Awe
SATURDAY, AUGUST 9 x 6:00 PM Q RIVERWALK CENTER
FEATURING
Michael Stern, conductor (pg. 66)
Winner(s) of the Concerto Competition
ON THE PROGRAM
MOZART
Symphony No. 39, K. 543, E-flat major
I. Adagio - Allegro
II. Andante con moto
III. Menuetto: Allegretto
IV. Allegro
Concerto TBD
Winner(s) of the Concerto Competition
̶ INTERMISSION
MUSSORGSKY
Pictures at an Exhibition, arr. Ravel Promenade
1. Gnomus (“The Gnome”) Promenade
2. The Old Castle Promenade
3. Tuileries
4. Bydło (“Cattle”) Promenade
5. Ballet of the Chicks in Their Shells
6. Samuel Goldenberg and Schmuÿle
7. Limoges
8. Catacombs
Cum mortuis in lingua mortua (“With the Dead in a Dead Language”)
9. The Hut on Fowl's Legs
10. The Great Gate of Kiev
ABOUT THE PROGRAM
Standing beneath a sky full of shimmering stars or gazing across mountaintops from a field of wildflowers, awe has a way of stopping us in our tracks. "Discover Awe" channels that sense of grandeur and wonder into music that expands our perspective and deepens our sense of presence. Tonight’s works move from noble elegance to vivid, visual storytelling that builds toward a breathtaking finale— one that leaves us not just moved, but transformed by the scale and splendor of what we’ve heard. It is a fitting finale to a season devoted to exploration and discovery. Just as visitors come to Summit County seeking new experiences and broader horizons, this concert brings the season to a close by reminding us of the power of music—and nature—to shift our perspective, stir our emotions, and leave us changed.
Symphony No. 39 by Wolfgang Amadeus Mozart (1756-1791) is a work of elegance, warmth, and masterful craftsmanship. Composed in 1788, it is the first of his final three symphonies, all written within a remarkably short span of time. Though it lacks the dramatic nickname of its companions (Symphonies Nos. 40 and 41), No. 39 is no less extraordinary. It opens with a majestic slow introduction—bold, noble, and expansive—that leads into an Allegro filled with lightness and grace. The symphony is notable for its absence of oboes, giving the winds a uniquely rich color, particularly in the clarinet writing. The second movement unfolds with tender lyricism and gentle melancholy, while the third—a refined minuet— includes a rustic and charming trio featuring an expressive Ländlerlike theme in the woodwinds. The finale is joyful and energetic, showcasing Mozart’s wit and seemingly effortless invention. Despite being written during a time of personal and financial difficulty, the symphony radiates optimism and vitality. It is a celebration of balance, clarity, and emotional nuance. Symphony No. 39 stands as a brilliant example of Mozart’s maturity as a symphonist, offering a perfect synthesis of classical form, emotional depth, and luminous beauty.
IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS
SEASON UNDERWRITERS
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Anonymous
Robert and Cynthia Benson
Reggie and Pamela Gray Family
Joan Manley Houlton
Bonnie Kirschenbaum
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Michael Molloy
Dave Pfeifle
Pam Piper Yeung
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Barbara and David Weaver
CONCERT UNDERWRITERS
Linda Dameron and Leonard Himes
Mark and Barbara Puccia
CONCERT SPONSOR
Beaver Run Resort & Conference Center
*deceased
Scan to read expanded program notes and composer features.
Pictures at an Exhibition by Modest Mussorgsky (1839-1881) is a powerful and imaginative suite originally composed for solo piano in 1874 and later famously orchestrated by Maurice Ravel in 1922. The piece was inspired by a memorial exhibition of artworks by Mussorgsky’s friend, the Russian painter Viktor Hartmann. Each movement depicts a different artwork, with the recurring Promenade theme representing the composer himself walking through the gallery, pausing to reflect on each piece before moving to the next.Ravel’s orchestration transformed the suite into a dazzling orchestral showpiece, highlighting its vivid character scenes with brilliant instrumental color. The movements range from the playful and delicate (“Ballet of the Unhatched Chicks”) to the eerie and grotesque (“The Hut on Fowl’s Legs” or “Baba Yaga”). The suite concludes with the majestic and triumphant “The Great Gate of Kiev,” a grand finale that builds to a powerful, awe-inspiring climax. Mussorgsky’s music blends drama, humor, and pathos, capturing not just the images but the emotional responses they evoke. Ravel’s colorful instrumentation brings the scenes fully to life, allowing listeners to hear bells, chatter, footsteps, and more through orchestral texture. Pictures at an Exhibition remains one of the most beloved and frequently performed orchestral works, a masterful celebration of imagination, memory, and the interplay between visual art and music. It invites audiences to become visitors in a sonic gallery, experiencing a rich blend of fantasy, culture, and emotion through Mussorgsky’s uniquely expressive voice.
"This concert brings the season to a close by reminding us of the power of music—and nature—to shift our perspective, stir our emotions, and leave us changed."
Music Director Michael Stern
Conductor Michael Stern has long been devoted to building and leading highly acclaimed orchestras known not only for their impeccable musicianship and creative programming, but also for collaborative, sustainable cultures that often include a vision of music as service to the community. He also is passionate about working with young musicians not only in music making, but also to incorporate the idea of “service” into their experiences as they become the artists and advocates of the future who will take classical music into the 21st century and beyond.
Stern is Music Director of the National Repertory Orchestra and Orchestra Lumos (formerly the Stamford Symphony). He is Music Director Emeritus of the Kansas City Symphony where he just concluded his 19-year tenure at the end of the 20232024 season. He co-founded Iris Orchestra in 2000 and was Founding Artistic Director and Principal Conductor until 202122, when he had planned to step down from his post. After his departure, he now serves as Artistic Advisor to the newly reimagined Iris Collective.
As part of his ongoing activities to engage and mentor young musicians, he was asked by Yo-Yo Ma to be the Music Director of YMCG, Youth Music Culture Guangdong, where he and Ma worked with students and young professionals in partnership with the Guangzhou Symphony Orchestra. He has also been invited to the National Orchestral Institute, Music Academy of the West, and has been a regular guest at the Aspen Music Festival and School, where he also worked with students at the American Academy of Conducting at Aspen.
Stern’s illustrious American conducting engagements have included the Boston Symphony at Tanglewood, the Chicago Symphony at Ravinia, the Atlanta Symphony, and the Minnesota Orchestra. He debuted with the New York Philharmonic in 1986, and has served as guest conductor with the Philadelphia Orchestra. Internationally, he has led major orchestras in London, Stockholm, Paris, Helsinki, Budapest, Israel, and Moscow, Taiwan, and Tokyo. Stern has been Chief Conductor of Germany’s Saarbrücken Radio Symphony Orchestra (the first American chief conductor in the orchestra’s history), Principal Guest Conductor of the Orchestre National de Lyon in France, and Principal Guest Conductor of the Orchestre National de Lille, France.
Stern received his music degree from the Curtis Institute of Music in Philadelphia, where his primary teacher was the noted conductor and scholar Max Rudolf. Stern is a 1981 graduate of Harvard University, where he earned a degree in American history.
Special Guests
JOANN FALLETTA Guest Conductor
Multiple GRAMMY® Award-winning conductor JoAnn Falletta serves as Music Director of the Buffalo Philharmonic, Music Director Laureate of the Virginia Symphony, Principal Guest Conductor of the Brevard Music Center, and Conductor Laureate of the Hawaii Symphony. She was named one of the 50 great conductors of all time by Gramophone Magazine and ASCAP has honored her as “a leading force for music of our time.”
As Music Director of the Buffalo Philharmonic, Falletta became the first woman to lead a major American orchestra. She has guest-conducted over a hundred orchestras in North America, and many of the most prominent orchestras in Europe, Asia, and South America. With a discography of over 135 titles, Falletta is a leading recording artist for Naxos. She has won two individual GRAMMY® Awards, for Richard Danielpour’s “The Passion of Yeshua” with the BPO and Spiritualist by Kenneth Fuchs with the London Symphony. Her Naxos recording of John Corigliano’s Mr. Tambourine Man with the BPO received two GRAMMY® Awards. Her Scriabin recording with the BPO is nominated for a 2024 GRAMMY® Award for Best Orchestral Performance.
Falletta is a member of the esteemed American Academy of Arts and Sciences, has served by presidential appointment as a Member of the National Council on the Arts during the George W. Bush and Obama administrations and is the recipient of many of the most prestigious conducting awards. She has conducted over 1,700 orchestral works by 600-plus composers, (continued pg. 72)
GIANCARLO GUERRERO Guest Conductor
Giancarlo Guerrero is a six-time GRAMMY® Award-winning conductor whose imaginative programming and “curatorial and interpretive creativity” (Chicago Tribune) draw out of his orchestras “exceptionally powerful and enchanting performances” (BBC Music Magazine).
The 2024-25 season marks Guerrero’s sixteenth and final season as Music Director of the Nashville Symphony, with whom he commissioned and premiered nearly two dozen pieces and released twenty-one commercial recordings, garnering thirteen GRAMMY® nominations and six GRAMMY® Awards. Guerrero will serve as Music Director Designate of Sarasota Orchestra in 2024-25 and becomes Music Director in the 2025-26 season.
Guerrero has been a frequent guest conductor in North America, performing with the New York Philharmonic, Chicago Symphony, National Symphony Orchestra, San Francisco Symphony, and the orchestras of Boston, Baltimore, Cleveland, Cincinnati, Dallas, Detroit, Indianapolis, Los Angeles, Milwaukee, Montréal, Philadelphia, Seattle, Toronto, Vancouver, and Houston. Internationally he has led orchestras in Germany, London, Spain, Portugal, France, Brazil, Belgium, Italy, the Netherlands, New Zealand and Australia.
Guerrero made several recordings with the NFM Wrocław Philharmonic – where he served as Music Director for six seasons – including the Billboard charttopping Bomsori: Violin on Stage on Deutsche Grammophon (continued pg. 72)
Special Guests
JEFFREY KAHANE
Guest Conductor
Celebrated for his “imagination, devotion and supreme musicianship” (Los Angeles Times), Jeffrey Kahane is now in the fifth decade of an expansive and eclectic musical career. As a pianist, conductor and scholar, his career highlights run the gamut from concertos with the New York Philharmonic and San Francisco Symphony, to recitals with Yo-Yo Ma and Joshua Bell, and European tours at the podium of the Los Angeles Chamber Orchestra, along with countless lectures and artistic collaborations. Kahane is currently Music Director of both the San Antonio Philharmonic and the Sarasota Music Festival.
During the 2024-2025 season, Kahane conducts the San Antonio Philharmonic in more than a dozen performances, including a special series of concerts featuring the GRAMMY®-winning vocal band Roomful of Teeth, an artistic partner to the orchestra. He also performs as a piano soloist in programs including an engagement at Northwestern University, where he is featured in a program with his son, composer Gabriel Kahane.
During his 20 seasons as Music Director of the Los Angeles Chamber Orchestra, he led the orchestra on tours of the United States and Europe. He was instrumental in the creation of several new series. In addition to the dozens of works commissioned or premiered by the orchestras where he has served as music director, Kahane has premiered piano concertos written for him by composers Kevin Puts and Andrew Norman. He has also given multiple performances of Heirloom, a new concerto written for him (continued pg. 72)
JASON SEBER
Guest Conductor
Jason Seber is known for his inviting and engaging approach on and off the podium. A strong believer in the eclectic experiences which today’s symphony orchestras offer their communities, he strives to make music of many genres and styles accessible, relevant, and meaningful to diverse audiences across the country.
Seber has conducted many leading American orchestras, including the Baltimore, Colorado, Detroit, Houston, Indianapolis, Kansas City, Milwaukee, Nashville, National, North Carolina, Phoenix, San Diego, and St. Louis Symphony, the Louisville and Minnesota Orchestra, the Buffalo Philharmonic, and the Cincinnati Pops, among others. Upcoming performances include debuts with the Oregon Symphony and the Dallas Symphony. Seber has conducted over 25 full feature films and has had the pleasure of performing with a wide range of artists including Patti Austin, Mason Bates, Andrew Bird, Boyz II Men, Ashley Brown, Melissa Etheridge, Ben Folds, Cody Fry, Renee Elise Goldsberry, Indigo Girls, Wynonna Judd, Lyle Lovett, Katharine McPhee, Natalie Merchant, Brian Stokes Mitchell, My Morning Jacket, Leslie Odom Jr., Aoife O’Donovan, Pink Martini, Ben Rector, Stephen Schwartz, Doc Severinsen, Violent Femmes, and Bobby Watson.
Seber served as associate conductor of the Kansas City Symphony from 2016 to 2022. In this position he led the Symphony (continued pg. 72)
Special Guests
CARL TOPILOW
Music Director Laureate
Through his more than four decades as the NRO’s music director and conductor, Carl Topilow has influenced and nurtured countless young musicians and aspiring conductors. In his new role as Conductor Laureate, he is remaining active with the organization and enjoying his work with music director Michael Stern.
Topilow is the founding conductor of the Cleveland Pops Orchestra and music director and conductor of the Firelands Symphony Orchestra in Sandusky, Ohio. Past positions have included conductor and director of the orchestral program at the Cleveland Institute of Music, and principal pops conductor with the Toledo Symphony, Southwest Florida Symphony and Mansfield Symphony. He has served as guest conductor for 133 different orchestras in 37 states and 12 foreign countries, invariably finding NRO alumni wherever his travels take him.
Carl’s book, The Orchestral Conductor’s Career Handbook, published by Rowman and Littlefield, is now available through rowman.com and carltopilow.com. Containing abundant references to his work with the NRO, it has been endorsed by past NRO guest conductors Leonard Slatkin, JoAnn Falletta, Gerard Schwarz, Giancarlo Guerrero, Miguel Harth-Bedoya, and others. During the past several months, Carl has or will host and serve as instructor for three workshops for orchestral conductors in Cleveland. (continued pg. 72)
WILLIAM CABISON Conductor Fellow
Hometown
Los Angeles, California
Education
UCLA Herb Alpert School of Music, Bachelor of Arts (2017)
Mannes School of Music, Master of Music (2023)
JULIET WHITCOMB AND ELLIOT SCHRAGE CHAIR
William Cabison’s roles include Conducting Fellow at the Buffalo Philharmonic Orchestra, Assistant Music Director at New York University, and Guest Conductor at Mannes Opera. They have guest conducted at Lincoln Center, as well as with the Buffalo Philharmonic Orchestra and the Los Angeles Philharmonic, and received the Carl Schachter Award in Conducting from the Mannes School of Music and the Dean’s Medal from the UCLA Herb Alpert School of Music.
Special Guests
A performer since the age of five, Connor studied opera at the Eastman School of Music in New York, and has since toured the globe as a professional performer.
Notable theater performances have included leading roles in Miss Saigon (Chris), West Side Story (Tony), Sweeney Todd (Anthony), Rock of Ages (Stacee Jaxx), The Last Five Years (Jamie), Company (Bobby), Joseph and The Amazing Technicolor Dreamcoat (Joseph), Forever Plaid (Sparky), as well as Altar Boyz (Abraham).
A native of Northeast Ohio, Connor decided to leave the violin behind to study vocal performance/opera at the prestigious Eastman School of Music in New York (U. S. News and World Report ranked #1 Music Conservatory in America 20102012) under the direction of Dr. Robert McIver. During his time at Eastman, he was a member of the nationally ranked male acappella group, The University of Rochester Yellowjackets, (as seen on NBC's "The Sing Off") as a featured soloist. After recording several award winning albums with the group, he executive produced Yellowjacket albums was a national finalist for the world famous vocal band Rockapella in their search for a new second tenor.
Connor has been a guest artist with The Charlotte Symphony, The Fort Worth Symphony, the National Repertory Orchestra, The Cleveland Pops, The Symphony of Southeast Texas, The Detroit Symphony Orchestra, The Rochester Philharmonic, The Toledo Symphony, (continued pg. 72)
Vocalist
Natalie is a graduate of Point Park University’s Conservatory of Performing Arts and member of Actors’ Equity Association.
Regionally, Natalie has worked with dozens of theatres, with leading roles in plays, musicals, classical & devised theatre. She is a regular voiceover artist with American Greetings and has taught dialects and acting at Beck Center. As a vocalist, she boasts a 3-octave range (C3-C6; belt to G5).
Natalie is the Lead Singer/Manager for Grand Avenue Band and owner of Au Reve Entertainment.
CONNOR BOGART Vocalist
NATALIE GREEN
Special Guests
CAROLE-ANNE ROUSSEL Vocalist
Carole-Anne Roussel is a Quebec soprano, appreciated for the purity and flexibility of her voice, and her natural stage presence. Recipient of the prestigious Prix d'Europe in 2021 and winner of the Queen Elisabeth Competition of Belgium in 2023, her mentor is Quebec soprano Hélène Guilmette, and she has also been an artist in residence at the Queen Elisabeth Music Chapel of Belgium under the tutelage of José Van Dam. She holds a master's degree with distinction from the Conservatoire de musique de Québec, where she studied with mezzosoprano Sonia Racine and vocal coach Martin Dubé.
In recent years, she has held roles such as Norina in Don Pasquale at ItalfestMTL, Leïla in Bizet's Les Pêcheurs de Perles with Jeunesses Musicales Canada, Countess Adèle in Le Comte Ory with Tempêtes et Passions, the Little Match Girl in Three Tales from Andersen with the Quebec Opera Festival, Echo in Ariadne auf Naxos at Highlands Opera Studio, Helena in A Midsummer Night's Dream at Opera NUOVA, Laurette in The Miracle Doctor at La Relève Musicale de Québec, and Annina in The Saint of Bleecker Street at the Conservatoire de musique de Québec. Over the past two years, she has performed as a soloist with the Québec Symphony Orchestra in Mahler’s 4th Symphony, with the Montreal Youth Symphony Orchestra under the direction of Louis Lavigueur, with Appassionato in Barber’s Knoxville, with Le Concert d’Anvers in (continued pg. 72)
JoAnn Falletta, continued including over 135 works by more than 70 women. Credited with performing more than 150 world premieres, ASCAP has honored her as “a leading force for music of our time”. In 2019, JoAnn was named Performance Today’s first Classical Woman of The Year, calling her a “tireless champion,” and lauding her “unique combination of artistic authority and compassion, compelling musicianship and humanity.” After earning her bachelor’s degree at Mannes, Falletta received master’s and doctoral degrees from The Juilliard School. Learn more at joannfalletta.com.
Giancarlo Guerrero, continued He has also held posts as Principal Guest Conductor of The Cleveland Orchestra, Miami Residency and the Gulbenkian Symphony in Lisbon; Music Director of the Eugene Symphony, and Associate Conductor of the Minnesota Orchestra.
Born in Nicaragua, Guerrero immigrated during his childhood to Costa Rica, where he joined the local youth symphony. He studied percussion and conducting at Baylor University and earned his master’s degree in conducting at Northwestern. Guerrero is particularly engaged with conducting training orchestras and has worked with the Curtis School of Music, Colburn School in Los Angeles, National Youth Orchestra (NYO2), and Yale Philharmonia, as well as Nashville Symphony’s Accelerando program and biannual Composer Lab & Workshop for young and emerging composers. Learn more at giancarlo-guerrero.com.
Jeffrey Kahane, continued by Gabriel Kahane, as a way of tracing the connections between music and three generations of family history.
When not on the road, he teaches a small class of gifted pianists and coaches chamber music at the University of Southern California’s Thornton School of Music, and occasionally guest conducts the USC Thornton Symphony. Learn more at jeffreykahane.net.
Jason Seber, continued in over 300 performances on the Classical, Pops, Classics Uncorked, Family, Film + Live Orchestra, Education, and Christmas Festival series. He also served as co-host for the Symphony’s podcast, “Beethoven Walks into a Bar.” Prior to Kansas City, Seber was the education and outreach conductor at the Louisville Orchestra from 2013 to 2016 and music director of the Louisville Youth Orchestra from 2005 to 2016.
A passionate advocate for music education, Seber has led the Honors Performance Series Orchestra in concert at Carnegie Hall, Sydney Opera House, and Royal Festival Hall in London. He is a frequent guest conductor of the National Repertory Orchestra each summer and he has served as the All-State Orchestra conductor for Georgia, Kansas, Missouri, and Pennsylvania.
Carl Topilow, continued Topilow’s wife Shirley is the President and CEO of the Cleveland Pops Orchestra. Their daughter Jenny, an NRO alumna from the 2001 and 2003 seasons, is a violinist with the Charlotte Symphony Orchestra. Their daughter Emily is a marketing specialist at the Cleveland Clinic and performs as violinist with a local community
orchestra. Carl’s hobbies include reading, foreign languages, travel, golf, spectator sports, and especially enjoys his time with his two grandchildren, Edie and Arlo.
Topilow is proud of the accomplishments of his NRO assistant conductors. The orchestras with which they have held or hold positions include the Annapolis Symphony, Baltimore Symphony, Binghamton (NY) Symphony, Boise Philharmonic, Buffalo Philharmonic, Cincinnati Symphony, Cleveland Orchestra, Colorado Symphony, Columbus (OH) Symphony, Evansville Philharmonic, Houston Symphony, Illinois Philharmonic, Indianapolis Symphony, Kansas City Symphony, Limoges (France) Opera, Louisville Orchestra, Naples Philharmonic, New Haven Symphony, Quad Cities Symphony, Richmond Symphony, Santa Fe Symphony, Seattle Symphony, Springfield (MA) Symphony, St. Paul Chamber Orchestra, Symphony of Northwest Arkansas, Symphony in C, Symphony of Southeast Texas, Thunder Bay Symphony, and Toledo Symphony.
Connor Bogart, continued
The Mansfield Symphony, The New Haven Symphony, The Akron Symphony, The Rappahannock Pops, The Youngstown Symphony, Music In The Mountains (The Dallas Symphony), The Firelands Symphony, and the Cleveland Orchestra. He has served as executive music supervisor and composer to The Discovery Channel for their series, The Kustomizer, and as a songwriter, has had several of his original songs featured on national television, including MTV, ABC, TNT and ESPN.
He has since toured the U.S, and along with his band, has performed as the opening act on over 20 national tours, including Ashlee Simpson, Huey Lewis and The News, Rick Springfield, Hall & Oates, and Mariah Carey. Connor performs on tour with Neil Zaza's One Dark Night Rock Symphony, as well as a headlining act on Princess, Holland America, Celebrity and Royal Caribbean cruise lines with his group "The Matinee Idols," and as the Guest Rock Tenor in Princess' Cruises newest production show, "Rock Opera".
Carole-Anne Roussel, continued Mendelssohn’s A Midsummer Night’s Dream, with the Vlaams Radiokoor in Dvořak’s Stabat Mater, and at the Les mots/maux d’amour gala at the Opéra de Québec under the baton of JeanMarie Zeitouni. She has previously performed with the Orchestre de l’Estuaire, with the Orchestre symphonique de Lévis in Haydn’s Paukenmesse, and with the Rhapsodes Choir in Mozart’s Requiem. She is also very active in several organizations in Quebec City, including Tempêtes et Passions, La Relève Musicale de Québec, and Ensemble Renouveau.
During her career, she has also participated in workshops and programs for young artists, such as Domaine Forget in Saint-Irénée, CSNY in June in New York, the Orford Arts Centre, the Canadian Vocal Arts Institute in Montreal, Highlands Opera Studio in Ontario, Opera NUOVA in Alberta, as well as workshops at La Monnaie Opera in Brussels and workshops organized by Tempêtes et Passions in Quebec City. Carole-Anne is a recipient of scholarships from the Prix d'Europe, the Conseil des Arts et des Lettres du Québec, the HansJürgen Greif Foundation, the Sandra and Alain Bouchard Fund, and the Jeunesses Musicales Canada AIDA Fund.
Alumni String Quartet
From Columbia, Missouri, Solveig is currently pursuing her master's degree at the University of Michigan studying with David Halen. She previously studied with Gerardo Ribeiro at Northwestern University. Solveig holds a section violin position with Ann Arbor Symphony. An advocate for accessible music education, Solveig served as President of the Evanston Young Artists program in her time at Northwestern, which provides free lessons to underserved students in the Chicago area. Previously, she attended the Aspen Music Festival and School as a violin fellow.
From Bemidji, Minnesota, violinist Sadie Hamrin recently completed her first season as a New World Symphony fellow and began this summer season with the Spoleto Festival Orchestra. She spent the past two summers as co-concertmaster of the National Repertory Orchestra, appearing as a soloist under the direction of Michael Stern. She holds a MM from McGill University and BM from Baylor University. Sadie’s free time is most often spent running, in nature, or doing crafts.
Tyler Joseph Brugmann, born in St. Louis, Missouri, began playing viola at the age 7. He received his Bachelor of Music degree in Viola Performance from Indiana University Bloomington Jacobs School of Music as a student respectively of both Edward Gazouleas and Stephen Wryczynski and a Bachelor of Arts degree in Spanish Linguistics. After completing his degrees, Tyler went on to study with both David Harding and Tatjana Chamis Mead at Carnegie Mellon University. He recently earned his Master’s Degree in Viola Performance as well as an Advanced Music Certificate. Tyler Brugmann is an active orchestral player, and continues to perform with Erie Philharmonic, Westmoreland Symphony Orchestra, Johnstown Symphony, Altoona Symphony, and Butler Symphony Orchestra.
From Willow Grove, Pennsylvania, Haley has just completed her first year of Master’s studies at the Indiana University Jacobs School of Music where she studies with Brandon Vamos. She currently plays with the Terre Haute Symphony Orchestra as Assistant Principal Cello II and subs with the Columbus Indiana Philharmonic. Haley was a previous student of Anne Martindale-Williams at Carnegie Mellon University. There, she received a BFA in Cello Performance, minors in Music Education and Psychology, and an Advanced Music Studies Certificate. This past winter, Haley toured with Hans Zimmer Live as a member of the Odessa Orchestra & Friends, playing shows in Riyadh and all over the States. In their 2024 season, Haley played principal cello with the National Repertory Orchestra and performed Haydn’s C Major Cello Concerto. In her free time, Haley enjoys doing anything crafty, baking bread, and playing with her cats.
TYLER BRUGMANN viola
SOLVEIG GEENEN violin
SADIE HAMRIN violin
HALEY RASMUSSEN cello
8 WAYS TO EXPERIENCE
THE BRECKENRIDGE DISTILLERY
FROM TOURING THE award-winning spirit’s production facility to indulging in world-class cuisine, Breckenridge Distillery is truly an adventure for the senses. Whether you have time for the full experience at the Distillery on Airport Road, or you’re simply curious about tasting its awardwinning spirits while strolling Main Street, the Distillery makes it easy, fun and delicious to discover what it’s all about. Here are 9 ways you can experience the Breckenridge Distillery.
MODERN-AMERICAN STEAKHOUSE
Executive Chef Robbie Reyes style brings an international flare to the Breckenridge Distillery Restaurant’s menu. Their modern-American steakhouse atmosphere showcases seasonal and approachable dishes that impart not only the fantastic spirits of Breckenridge Distillery but also our upscale mountain dining experience. Their family-style menu features a 45-ounce Aged Tomahawk Ribeye, 16-ounce Garlic Rubbed Creekstone Prime Rib and other seasonally focused dishes. As always, the menu revolves around local produce, comfort foods with a twist and shareable dishes meant to encourage interaction and conviviality. Enjoy Happy Hour with $13 plates.
COCKTAILS
If it’s edible, chances are Liquid Chef Billie Keithley has made a cocktail out of it. And that’s one of the reasons she loves working for the Distillery so much. Because of the Distillery’s special liquor license, Keithley can’t go out and buy spirits and cordials
elsewhere, so she creates them herself. Products like amaros, bitters, vermouth and liqueurs are all made in-house.
“Which means we can put our own twists on them,” she says.
Keithley and Bar Manager Griffin Bovich are creating schnapps, shrubs, syrups and juices, among other fresh products, for every specialty cocktail. Popular menu staples include the Obi Wan Old Fashioned, made with Breckenridge Port Cask Whiskey.
SUNDAY TOURS
Every Sunday, guests are taken on a behind-the scenes tour of the Breckenridge Distillery’s production facility. This abbreviated tour starts by tasting their award-winning Breckenridge Vodka and Breckenridge Gin in their original production facility. Their expert guides will take guests on a 1 hour tour and finish up the experience with a tasting of their Breckenridge Bourbon Whiskey. Book a tour at BreckenridgeDistillery.com/tour.
TASTINGS
The Breckenridge Distillery offers one of the most highly awarded craft bourbons on the marketing and you can try it. Guests can
choose from a limited menu of spirits and have the option to upgrade their tasting to try their highend flights. A great way to explore their award-winning line of hooch. Tastings are on a first-come, firstserve basis at both locations.
AFTER HOURS TOURS
Breckenridge Distillery offers guests a VIP experience during their After Hours Tours. Use your senses to experience the inner workings of how these handcrafted spirits go from grain to bottle while learning about the history of whiskey and how the distillery was founded. Guests also have the opportunity to try spirits that have yet to be released to the public. Tours are offered at 5:00pm and 6:15pm by reservation only. Book a VIP tour at breckenridgedistillery.com.
FOUNDER’S LAB
Nerd out with our distillers and become a master blender for a few magical hours. Breckenridge Distillery’s distillers are experts in nosing, flavor categorization and pairing substrates together to create a whole that far exceeds the expected sum of its parts. Guests will be taught to break down aggregate flavors while building a whiskey blend
complete with mouthfeel and finish. You will hand bottle your creation and complete the experience with a customized label. By reservation only.
PRIVATE DINNERS
Book a private dinner or event at the Breckenridge Distillery. Parties up to 30 people can reserve their exclusive spaces surrounded by aging whiskey barrels, old barn wood, leather couches and an authentic mountain vibe. This exclusive, private dining area comes with a personal wait staff and can be used for families, microconferences, executive meetings or small parties. For inquiries and bookings, email events@ breckenridgedistillery.com
MAIN STREET TASTING ROOM IN DOWNTOWN
In the heart of downtown Breckenridge, get a taste of not only the Distillery’s spirits but also a taste of what the Breckenridge Distillery is all about. From merchandise to personable, knowledgeable staff, this small tasting room is a glimpse of what you can experience at their main location on Airport Rd.
Learn more about current hours and offerings at breckenridgedistillery.com.
TOP PHOTO BY BRENT TAYLOR; BOTTOM PHOTO BY LIAM DORAN
Meet the Orchestra
Each year, 80 of the most promising young musicians from across the country and around the world are selected through a highly competitive audition process to join the National Repertory Orchestra. These emerging artists, typically in the early stages of their professional careers, come to Breckenridge for an intensive eightweek summer festival that prepares them for life as full-time orchestral musicians. Each participant receives a full scholarship covering tuition, housing, and meals—an investment of approximately $10,000 per fellow—allowing them to focus fully on their craft.
12 COUNTRIES 23 STATES 72 CITIES
During their time with the NRO, musicians perform an extraordinary range of repertoire—more than any other festival of its kind—spanning classical masterworks, contemporary pieces, film scores, and pops programming. Under the leadership of Music Director Michael Stern and a rotating roster of esteemed guest conductors and industry professionals, they engage in a rigorous schedule of full orchestral rehearsals, chamber music coaching, masterclasses, and sectionals.
Beyond the stage, NRO musicians are immersed in real-world experiences that help shape them into well-rounded, socially conscious artists. Through our Community Engagement initiative (pg. 18), musician fellows perform throughout Summit County, gaining valuable experience in audience engagement while contributing to the cultural vibrancy of the community.
Alumni of the National Repertory Orchestra now hold positions in nearly every major symphony orchestra in the United States and many abroad, including the New York Philharmonic, Chicago Symphony, Cleveland Orchestra, and Berlin Philharmonic. Their success stands as a testament to the professional caliber of the NRO experience—and the lasting impact this unique program has on shaping the future of classical music. 2025 MUSICIANS BY THE NUMBERS:
Musicians: Strings
Amelia Bailey
VIOLIN co-concertmaster
Xiaoqian Zhu
VIOLIN co-concertmaster
co-principal violin II
Hometown
Purcellville, Virginia
Education
University of Virginia, Bachelor of Arts (2021)
Manhattan School of Music, Master of Music (2023)
ADRIENNE AND ALLEN FRECHTER CHAIR
Hometown Monrovia, California
Education
San Francisco Conservatory of Music, Bachelor of Music (2024)
San Francisco Conservatory of Music, Master of Music (2026)
SANDRA HOLDGREVE CHAIR
co-principal violin II
Hometown Beijing, China
Education
Johns Hopkins University Peabody Institute, Bachelor of Music (2026)
JANA EDWARDS AND RICK POPPE CHAIR
Hometown
Sierra Madre, California
Education
New England Conservatory, Bachelor of Music (2023)
San Francisco Conservatory, Master of Music (2025)
ROB AND JAN MILES CHAIR
Hometown Southampton, Pennsylvania
Education
Pennsylvania State University, Bachelor of Music (2024)
Carnegie Mellon University, Master of Music (2027)
ANNE MILLS CHAIR
Hometown Dallas, Texas
Education
Northwestern University, Bachelor of Music (2027)
TOM AND EMILY WAHL CHAIR
Hometown Taipei, Taiwan / Naples, Florida
Education
University of Michigan, Bachelor of Music (2020)
University of Michigan, Master of Music (2022)
DEBRA FOX AND DR. JULES
ROSEN CHAIR
Hometown Marietta, Georgia
Education
Mercer University, Bachelor of Music (2023)
University of Michigan, Master of Music (2026)
MONEY ARENZ FAMILY CHARITABLE FUND CHAIR
Spencer Stover VIOLIN
Iris Wu VIOLIN
Natalie Boberg VIOLIN
Ayana Dalley VIOLIN
Naomi Fan VIOLIN
Ella Askren VIOLIN
Hometown Pittsburgh, Pennsylvania
Education
Eastman School of Music, Bachelor of Music (2024)
MARK AND BARBARA PUCCIA CHAIR
Abigail Harms
Ashtin Johnson
Anna Kelleher
Hometown
Nashville, Tennessee
Education
Vanderbilt University, Bachelor of Music (2025)
CHARLIE SIMPSON FAMILY CHAIR
Hometown Pryor, Oklahoma
Education
University of Missouri, Bachelor of Music (2018)
Florida State University, Master of Music (2020)
University of Cincinnati College-Conservatory of Music, Doctor of Musical Arts (2026)
LIBBY BORTZ CHAIR
Hometown
Chevy Chase, Maryland
Education
University of Maryland, Bachelor of Music (2023)
University of Maryland, Master of Music (2025)
JUHREE WENDL CHAIR
Hometown Lexington, Massachusetts
Education
Eastman School of Music, Bachelor of Music (2023)
Northwestern University, Master of Music (2025)
SHAW CANCER CENTER & BREAST IMAGING CLINIC CHAIR
Hometown
Norman, Oklahoma
Education
University of Michigan, Bachelor of Music (2022)
Boston University, Master of Music (2024)
FIRST RESPONDERS CHAIR
Hometown Decatur, Alabama
Education
Eastman School of Music, Bachelor of Music (2026)
JOAN MANLEY HOULTON CHAIR
Hometown Chicago, Illinois
Education
University of Maryland, Bachelor of Music (2020)
Roosevelt University Chicago College of Performing Arts, Master of Music (2023)
MICHAEL STERN CHAIR
VIOLIN
Suwon Kim VIOLIN
Angelene Ku VIOLIN
Kaitlyn McLaughlin VIOLIN
Matt Musachio VIOLIN
VIOLIN
VIOLIN
Leila Fanien VIOLIN
Musicians: Strings
Juan Pablo Ramirez Ortiz VIOLIN
Tegwen Sak VIOLIN
Eleanor Sturm VIOLIN
Justine Jing Xin Teo
VIOLIN
Hometown Guatemala City, Guatemala
Education
Panamerican University, Bachelor of Music (2023)
TREETOP CHILD ADVOCACY CENTER CHAIR
Hometown
San José, Costa Rica
Education
Eastman School of Music, Bachelor of Music (2024)
Rice University, Master of Music (2026)
ALPENGLOW CHAMBER MUSIC FESTIVAL CHAIR
Hometown
Hong Kong, SAR
Education
Indiana University
Jacobs School of Music, Bachelor of Music (2027)
SUMMIT CONCERT BAND CHAIR
Hometown
Taipei, Taiwan
Education
Eastman School of Music, Bachelor of Music (2024)
Eastman School of Music, Master of Music (2026)
TIMOTHY FAUST
PHOTOGRAPHY CHAIR
Hometown Carson City, Nevada
Education
University of Massachusetts Amherst, Bachelor of Music (2023)
University of Maryland, Master of Music (2025)
SUMMIT CHORAL SOCIETY CHAIR
Juan Diego
Vega Ordoñez VIOLA co-principal viola
Hometown
Ibague, Colombia
Education
Universidad Nacional de Colombia, Bachelor of Music (2020)
Sam Houston State University, Master of Music (2023)
BOCHATEY FOUNDATION CHAIR
Hometown Singapore, Singapore
Education
Chicago College of Performing Arts, Bachelor of Music (2020)
Chicago College of Performing Arts, Master of Music (2022)
BRECKENRIDGE GRAND
VACATIONS - BGV GIVES CHAIR
Hometown
Zhubei City, Taiwan
Education
Taipei National University of Arts, Bachelor of Music (2022)
Manhattan School of Music, Master of Music (2025)
TOWN OF KEYSTONE CHAIR
Rebecca Villalta VIOLIN
Yu-Jen Weng VIOLIN
Tzu-Yun Anna Huang VIOLA co-principal viola
Ian Aistrup VIOLA
Michael Brennan VIOLA
Jeremy Mends VIOLA
Sarah Nichols VIOLA
Hometown Sudbury, Massachusetts
Education
Boston University, Bachelor of Music (2026)
KEYSTONE NEIGHBOURHOOD COMPANY CHAIR
Rosa Ortega Iannelli
Hometown San Juan, Puerto Rico
Education
Temple University, Bachelor of Music (2018)
Lynn Conservatory, Master of Music (2023)
THE KERR FOUNDATION CHAIR
Hometown Patchogue, New York
Education
Manhattan School of Music, Bachelor of Music (2019)
University of Memphis, Master of Music (2023)
PATRICE AND RON LARA CHAIR
Hometown Hannover, Germany
Education
Oklahoma City University, Bachelor of Music (2022)
DePaul University, Master of Music (2024)
SUSAN PROPPER AND DONALD DANKNER CHAIR
Hometown Houston, Texas
Education
University of North Texas, Bachelor of Music (2024)
Indiana University
Jacobs School of Music, Master of Music (2026)
JANE ALEXANDRA STORM FOUNDATION CHAIR
Christine Kao
CELLO co-principal cello
Hometown Albany, New York
Education
Baldwin Wallace University, Bachelor of Music (2023)
University of Cincinnati College-Conservatory of Music, Master of Music (2025)
JOHN TOBEY EVENTS CHAIR
David Caplan
CELLO co-principal cello
Hometown Chiayi, Taiwan
Education
National Taiwan Normal University, Bachelor of Music (2023)
Indiana University
Jacobs School of Music, Master of Music (2025)
CAROLEE AND JOHN HAYES CHAIR
Hometown Skokie, Illinois
Education
University of Illinois at UrbanaChampaign, Bachelor of Music (2021)
University of Michigan, Master of Music (2023)
ANNETTE AND KEN HALLOCK CHAIR
VIOLA
Sophia Schölch VIOLA
Musicians: Strings
Nathaniel Aistrup CELLO
Yu-Yao (Rachel) Chiu CELLO
Max Healy CELLO
Andrew Shinn
Hometown Sudbury, Massachusetts
Education
Boston University, Bachelor of Music (2026)
GLEN AND GEORGIA KRAATZ CHAIR
Matthew Wiest
Hometown Indianapolis, Indiana
Education
University of Colorado Boulder, Bachelor of Music (2023)
Eastman School of Music, Master of Music (2025)
BARBARA CALVIN CHAIR
Hometown
Hsinchu, Taiwan
Education
Taipei National University of Arts, Bachelor of Music (2018)
Taipei National University of Arts, Master of Music (2023)
Ball State University, Doctor of Music (2026)
BEAVER RUN RESORT & CONFERENCE CENTER CHAIR
Lucas Caceres
DOUBLE BASS
co-principal double bass
Hometown
Mooresville, North Carolina
Education
The Juilliard School, Bachelor of Music (2026)
PAM AND SONNY WIEGAND CHAIR
Hometown San Antonio, Texas
Education
Texas Christian University, Bachelor of Music (2023)
University of Michigan, Master of Music (2025)
HELEN LEMAY CHAIR
Colin Roberts
DOUBLE BASS
co-principal double bass
Hometown Houston, Texas
Education
University of Houston, Bachelor of Music (2026)
BARBARA AND DAVID WEAVER CHAIR
Hometown
Chicago, Illinois
Education
Cleveland Institute of Music, Bachelor of Music (2022)
DePaul University, Master of Music (2024)
KATHY AND JOHN LANDON CHAIR
Halden
Hometown Sudbury, Massachusetts
Education
Cleveland Institute of Music, Bachelor of Music (2026)
BRECKENRIDGE DISTILLERY CHAIR
CELLO
CELLO
Aistrup DOUBLE BASS
Asa Dawson
DOUBLE BASS
Hometown
Lanham, Maryland
Education
University of Maryland, Bachelor of Music (2023)
Johns Hopkins University
Peabody Institute, Master of Music (2026)
BARBARA AND SAM MCCLENEGHAN CHAIR
Javier Hernandez
DOUBLE BASS
Arden Ingersoll DOUBLE BASS
Hometown
San Antonio, Texas
Education
Indiana University
Jacobs School of Music, Bachelor of Music (2023)
Indiana University
Jacobs School of Music, Master of Music (2025)
EPIC PROMISE - VAIL RESORTS CHAIR
Hometown
Medford, Massachusetts
Education
Eastman School of Music, Bachelor of Music (2023)
Yale School of Music, Master of Music (2026)
ALPINE BANK CHAIR
Musicians: Winds
Hometown
Springfield, Virginia
Education
Eastman School of Music, Bachelor of Music (2026)
JOHN AND ELIZABETH CROSSMAN* CHAIR
Hometown
San Antonio, Texas
Education
Indiana University, Bachelor of Music (2023)
Indiana University
Jacobs School of Music, Master of Music (2025)
DAVID PFEIFLE CHAIR
Hometown Hoffman Estates, Illinois
Education
Northwestern University, Bachelor of Music (2027)
DOWNSTAIRS AT ERIC'S CHAIR
Hometown Palatine, Illinois
Education
Rice University, Bachelor of Music (2026)
STEVE CORNEILLIER CHAIR
Hometown Dallas, Texas
Education
Eastman School of Music, Bachelor of Music (2023)
The Juilliard School, Master of Music (2025)
WILLIAM AND MARILYN TAYLOR CHAIR
Hometown Clearwater, Florida
Education
New England Conservatory, Bachelor of Music (2024)
MARK ADDISON* CHAIR
Hometown Alberta, Canada
Education
The Glenn Gould School, Bachelor of Music (2024)
Rice University, Master of Music (2026)
BONNIE KIRSCHENBAUM CHAIR
Hometown Boynton Beach, Florida
Education
Florida State University, Bachelor of Music (2018)
Cleveland Institute of Music, Master of Music (2020)
BETTY A KEITH* CHAIR
Helen Freeman FLUTE
Mara Goree FLUTE
Claire Kim FLUTE
Anika Veda FLUTE
Robert Diaz OBOE
Emily Luo OBOE
Adrian Gonzalez OBOE
Peter Davies OBOE
Najee Greenlee CLARINET
Marian Mayen CLARINET
Yoomin Sung CLARINET
Hometown Flint, Michigan
Education
Rice University, Bachelor of Music (2026)
SAMUEL L. BUFFORD AND JULIA METZGER ENDOWED CHAIR
Hometown Charleston, South Carolina
Education
University of Cincinnati College-Conservatory of Music, Bachelor of Music (2023)
University of Cincinnati College-Conservatory of Music, Master of Music (2025)
JOANNE MASICA CHAIR
Hometown Brownsville, Texas
Education
University of North Texas, Bachelor of Music (2022)
Boston University, Master of Music (2025)
JEAN DEPETERS CHAIR
Hometown Seoul, South Korea
Education
Korea National University of Arts, Bachelor of Music (2023)
University of Southern California, Master of Music (2025)
SHARI AND CHRIS DORTON CHAIR
Hometown Littleton, Colorado
Education
Brigham Young University, Bachelor of Music (2023)
Yale University, Master of Music (2026)
LINDA DAMERON AND LEONARD HIMES CHAIR
Hometown
Cambridge, Massachusetts
Education
Emory University, Bachelor of Science (2023)
Cleveland Institute of Music, Master of Music (2025)
ALAN AND KATHY SONNANSTINE CHAIR
Hometown Conway, South Carolina
Education
University of South Carolina, Bachelor of Music (2025)
MICHAEL AND MARYLYNN EIPPER CHAIR
Hometown
Hong Kong, SAR
Education
McGill University, Bachelor of Music (2024)
Manhattan School of Music, Master of Music (2026)
PAT AND STEVE LARSON CHAIR
Rodolfo Mireles-Manzano CLARINET
Emma Fuller BASSOON
Nathan Muz BASSOON
Aaron Nealy BASSOON
Matthew So BASSOON
Musicians: Brass
Aiden Call HORN
Gabe Christensen
Lily Kern HORN
Hometown Wooster, Ohio
Education
Baldwin Wallace University, Bachelor of Music (2024)
JIM AND JUDY GRAUNKE CHAIR
Hometown Brownsville, Texas
Education
San Francisco Conservatory of Music, Bachelor of Music (2023)
Southern Methodist University, Master of Music (2026)
SUMMIT FOUNDATION CHAIR
Hometown Spring, Texas
Education
Brigham Young University, Bachelor of Music (2024)
HAMILL FOUNDATION CHAIR
Hometown Tucson, Arizona
Education
Curtis Institute of Music, Bachelor of Music (2027)
REGGIE AND PAMELA GRAY FAMILY CHAIR
Hometown Frisco, Texas
Education
Northwestern University, Bachelor of Music (2025)
KAREN AND JAMES WARRICK CHAIR
Hometown Highland Park, Illinois
Education
Northwestern University, Bachelor of Music (2026)
CLIMAX MOLYBDENUM COMPANY CHAIR
Hometown Buffalo, New York
Education
Northwestern University, Bachelor of Music (2024)
Rice University, Master of Music (2026)
JANEY AND RUSS TROWBRIDGE CHAIR
Hometown Hudson, Ohio
Education
Curtis Institute of Music, Bachelor of Music (2027)
TOWN OF DILLON CHAIR
HORN
Alessandra Liebmann HORN
Jeremy Bryant TRUMPET
William Lewis TRUMPET
Chris Petrella TRUMPET
Adolfo Peña HORN
Musicians: Brass
Jenna Zelasko TRUMPET
Austin Murray TROMBONE
Naomi Wharry TROMBONE
Hometown
Grand Rapids, Michigan
Education
Central Michigan University, Bachelor of Science (2021)
Southern Methodist University, Master of Music (2024)
TOWN OF SILVERTHORNE CHAIR
Hometown
West Palm Beach, Florida
Education
Vanderbilt University, Bachelor of Music (2026)
COLORADO CREATIVE INDUSTRIES CHAIR
Hometown Macon, Georgia
Education
Columbus State University, Bachelor of Music (2024)
The Juilliard School, Master of Music (2026)
MICHAEL MOLLOY CHAIR
Hometown Louisville, Kentucky
Education
Curtis Institute of Music, Bachelor of Music (2028)
JANET AND BRAD BRADBURY CHAIR
Hometown Idabel, Oklahoma
Education
University of Central Oklahoma, Bachelor of Music (2024)
Yale University, Master of Music (2026)
TOWN OF BRECKENRIDGE CHAIR
Hometown Roanoke, Texas
Education
The Juilliard School, Bachelor of Music (2026)
SUZY ILIFF WITZLER CHAIR
Andrew Zaharis TROMBONE
AJ Abbey BASS TROMBONE
Christian Jeon TUBA
Musicians: Percussion, Harp, Piano
Hometown Philadelphia, Pennsylvania
Education
Curtis Institute of Music, Bachelor of Music (2027)
BOB FOLLETT CHAIR
Hometown
Cincinnati, Ohio
Education
Temple University, Bachelor of Music (2026)
M.A. DEEN CHAIR
Hometown Wylie, Texas
Education
Southern Methodist University, Bachelor of Music (2026)
COL (RET) J.L. BERKHEISER CHAIR
Hometown Park City, Utah
Education
University of Utah, Bachelor of Music (2023)
New England Conservatory, Master of Music (2025)
PAM PIPER YEUNG CHAIR
Hometown Seoul, South Korea
Education
The Juilliard School, Bachelor of Music (2028)
SALLY AND BRUCE QUEEN CHAIR
Hometown Daegu, South Korea
Education
Johns Hopkins University Peabody Institute, Bachelor of Music (2022)
Yale University, Master of Music (2024)
Frost School of Music, Doctor of Music (2027)
TERRI AND GEORGE BARILE CHAIR
Hometown Byron Center, Michigan
Education
Hillsdale College, Bachelor of Arts (2019)
University of Cincinnati College-Conservatory of Music, Master of Music (2021)
NANCY FRENCH CHAIR
"Learning this much orchestral repertoire has been paramount in preparing me for my professional career."
-2024
MUSIC
FELLOW
Maya Lindsey HARP
Livi Keenan TIMPANI
Daniel Cline PERCUSSION
Jordan Fajardo-Bird PERCUSSION
Mingyu Son PERCUSSION
Thomas Ryskamp PIANO
Minwoo Jeong PERCUSSION
Ways to Give
YOUR SUPPORT COUNTS!
When you contribute to the NRO, you are not just supporting a performance, you are investing in the future of classical music. Over 70% of our budget comes from charitable giving, ensuring that our young professional musicians have life-changing opportunities and enabling us to offer innovative education and community engagement programs for all ages and abilities.
ANNUAL GIVING
Support the Orchestra you love and the future of classical music with a gift today! Whether you choose to allocate your gift to our greatest need or a specific program/initiative, your support makes a meaningful impact.
ENDOWMENT
Your gift to the National Repertory Orchestra Endowment Trust is invested and a portion of the earned income is used to support NRO’s education mission, and all excess earnings reinvested, allowing the fund to grow.
PLANNED GIVING
Designating the National Repertory Orchestra in your will is a great way to make a gift without impacting your current finances and lifestyle. Other gifts like annuities, trusts and IRA rollovers can provide significant tax savings to you.
Online
Please visit NROmusic.org or scan the QR code below to make a one-time donation or to schedule recurring gifts.
By Stock
With your gift of stock to the National Repertory Orchestra, you receive tax benefits while supporting the future of classical music!
Please visit NROmusic.org for instructions on how to make a gift of stock.
Mail
To make a gift by mail, please send your check, made payable to:
National Repertory Orchestra PO Box 6336 Breckenridge, CO 80424
Discuss your Options
We encourage you to connect with the NRO to explore how your philanthropic aspirations can align with the various giving opportunities available.
Åsa Armstrong Director of Development asa@nromusic.org (970) 453-5825 x3
• Conduct the Orchestra (one piece) at a rehearsal
• Participate within a percussion sectional with Dave DePeters
NRO Behind the Scenes Experience (Select One):
• Sit within the NRO for one MW rehearsal
• Join the sound booth crew at a MW concert
Meet the Orchestra Events (2)
Early access to tickets and passes on March 15, 2025
(tickets on sale to general public on April 1)
Planned Giving
WALTER CHARLES LEGACY SOCIETY
In 2004, the National Repertory Orchestra established the Walter Charles Legacy Society to recognize individuals who have included the NRO in their estate planning. By including the NRO in your will, trust, retirement plan, or other estate arrangements, you can become a member of this distinguished group. As a Walter Charles Legacy Society member, you will not only be making a lasting impact on the future of the NRO, but you will also be kept informed of the orchestra’s performances and initiatives.
THE NRO ENDOWMENT TRUST
The NRO Endowment Trust was established in 2004 to provide long-term financial support for the organization. A portion of its annual investment earnings are utilized to support the Orchestra’s programs and operations. Your endowment gift provides a sustainable financial foundation for the NRO, ensuring a reliable source of income to support our mission, musicians, and programming.
TO JOIN THE WALTER CHARLES LEGACY SOCIETY OR BECOME AN ENDOWMENT DONOR, CONTACT THE DEVELOPMENT OFFICE. THEY WILL PROVIDE YOU WITH MORE INFORMATION AND ASSIST YOU WITH THE PROCESS: (970) 453-5825 x3.
Endowment Donors
The National Repertory Orchestra thanks those listed below for their vital endowment support and dedication to the NRO.
Pamela and Douglas* Adams
Kristin Ahlstrom
Liz and Tuck Aikin
Lovina A. Thompson and Pamela A.
Anderson
Åsa and Olin Armstrong
Dennis and Barbara Baldwin
Carlie and Terry Barnhart
Marilyn Beebe
Robert and Cynthia Benson
Harriett Bobo*
Michael Altenberg* and Libby Bortz
Ann Brewster
Sandi and Bill Bruns
Art* and Marilynn Burger
Robert and Irene Burns
David and Kathryn Bussman
Barbara and Jim* Calvin
Patti Casey*
Tim Casey
Julie and Jim Chandler
Kathleen Clabby
Mary and Dick Clark
Lesley Cleary
Geraldine Cohen
Diane Courchene
Bobby and Carol Craig
Dr. and Mrs. Edward Crane*
Brian Moriarty and Joan Davids
M.A. Deen
Laura DeLuca
Elizabeth Hainen and Dave DePeters
William T. Diss
The Family Mayer Foundation, Inc.
Federated Department Stores Foundation
Kathleen and Thomas Fingleton
Tony and Barbara Flitcraft
Robert and Nancy* Follett
Follett Corporation
Douglas Thompson and Jean Follett-Thompson
Cecile Forsberg
Nancy and Tom* French
Annette* and Gerry Fricke
Wendy Friedman
Edward and Carolyn Gabelman
Donald and Beverly Gale
Jo Leta Gavit
Donald J. Gersuk
Reggie and Pamela Gray Family
Mary Lou and John Grossmann
Robin Hadley
Heider Trust
Edward and Gloriann Heinz
The Helen F. Whitaker Fund
The Helen M. Harrison Foundation
Peg and Lee Henry
Alison Heydt
Mr. and Mrs. Joseph G. Hodges Jr.
Marc and Marilyn Hogan
Joel Horwich
Joan Manley Houlton
Judy Hunt
Donald and Susan Alt Johnson
Fred and Carolyn Johnson
Carole and Marvin* Johnson
John Rynes and Mary Lou Johns
Belinda and Anthony Jones Jr.
Terese Kaptur
Jayn and Jerry Karl
Betty and Raymond Keith*
James and Diana Kennedy
Bonnie Kirschenbaum
James and Jane Knox
Don and Helen Knutzen
Anita and James Kreider
Sam Kuller
Dr. Tim Steele and Inge La Cour
Patrice and Ron Lara
John and Polly Loewy
Jeannie Mann
Joanne and Dick* Masica
Lee and Barbara Mendel
Eric S Mendelsohn
Samuel L. Bufford and Julia Metzger
General Mills
Marion Milton
Sandra Mortensen
Harriet Neiman
Jose-Luis Novo
Catherine Payne
Pete* and Linda Kay Peterson
Jana Edwards and Rick Poppe
Rotary Foundation of Summit County
John G. Russell*
Fred and Barbara Schiller
Marc and Joelle Schlesinger
Frank and Jen Schrage
Linda and Paul Schutt
Robert Kent Scott
Sam Sherstad
Tara Sieber
Sarah Smith
Steve and Sandee Smith
Maxine and Martin Solomon
Pat Spitzmiller*
Jan and Sheldon Steinhauser
Harold Herring and Susan Lee D. Stevens
Melissa Witzler Stone
Anne Stonington*
David Street
David and Zandra Swenson
Gretchen* and John Swift
Kate and James* Taucher
Mr. and Mrs. William D. Taylor
Lee and Kathy Terry
Pat and Jack Thomas*
Charles and Kathy Vasilius
Barbara and Mark Vonderheid
Lou Wagner
Patty and Ed Wahtera
Dr. Roberta and Leonard* Waldbaum
Robert and Nadyne Walton
Larry and Nancy Warren
Juhree Wendl
Dave and Mary Whitham
Pam and Sonny Wiegand
Cap* and Suzy Iliff Witzler
Dr. Kai Yiu Yeung * and Pam Piper Yeung *Deceased
Thank You to Our Supporters
The National Repertory Orchestra relies on the generosity and vision of its donors, sponsors, funders, and partners to bring world-class music to Summit County each summer. Ticket sales cover only a small portion of what it takes to deliver an exceptional season. It’s the support of individuals, foundations, corporations, and in-kind contributors that allows us to provide extraordinary performances, mentor the next generation of musicians, and remain accessible to our community through free concerts and educational programs.
These investments don’t just fuel music—they fuel impact. Support from our partners enables us to reach thousands of residents and visitors each year with inspiring live music experiences. It allows us to bring music education into libraries, schools, and public spaces, and to support the cultural and economic vitality of our mountain community. Our donors are not just supporters, they’re changemakers who help enrich lives through music, and we are deeply grateful for this shared commitment to excellence and access in the arts.
We are immensely grateful to each contributor listed, who made a gift between April 15, 2024 and April 15, 2025 to make our 2025 concert season possible.
"Supporting the NRO is to do more than to help ensure great performances during the summer. Your support of the NRO is nothing less than an investment in our cultural future."
-MICHAEL STERN
Season Tribute Gifts
Honorary and memorial gifts to the NRO are thoughtful ways to celebrate the legacy and impact of loved ones while providing vital support to our mission. Each tribute has an esteemed place with the National Repertory Orchestra.
IN HONOR OF CONTRIBUTIONS
Doug Adams*
Kate Taucher
Julius Adams
Barbara and Mark Vonderheid
Libby Bortz
Patricia Bortz
Mary Kay Pera
Barbara and Jim* Calvin
Karla Schapansky
Barbara Calvin
Annette and Ken Hallock
Gerald Carlyss
Martha Hitchins
Blue Jean's Members Of 1960s and Dr Walter Charles
Christy and Terry J. Smith
Eric Dahman
Robert and Elaine Baer
Dave DePeters
Patrice and Ron Lara
Reggie Gray Family
Michael Lipfield and Jill Tabak
Sy and Elinor Katz
Adele and Erwin Gelfand
The Kupers
Dorelle Ackermann
Anne Mills
Scott and Janie Cantine
Patrice and Ron Lara
Jeanie McCarthy
Bill* and Anne Mills
Crosby Living Trust
Sandy Mortensen
The Family Mayer Foundation, Inc.
The NRO Staff
Patrice and Ron Lara
Jan Redd
Thomas Redd
Michael Stern
Dr. Milton and Gail Klein
William and Marilyn Taylor
Paul Finkel and Barbara Strauss
Vicki Hedlin
Carl Topilow
Craig Knox
IN MEMORY OF CONTRIBUTIONS
Mark Addison
Åsa and Olin Armstrong
Michael Altenberg
Patricia Bortz
Philip R. Ashby
Jane Ashby
Claire L. Brown
Thomas G. Brown
Jim Calvin
Åsa and Olin Armstrong
Elizabeth Hainen and Dave DePeters
Annette and Ken Hallock
Jeanie and Mike Kramer
Ron and Patrice Lara
Anne Mills
Barrie Alix Chi
Emile Chi
Kathleen Corneillier
Steve Corneillier
John and Elizabeth Crossman
Åsa and Olin Armstrong
Judy Ezra
Ann Erickson
Annette Fricke
Amato Family Foundation
Åsa and Olin Armstrong
Melissa Basta
James and Nancy Bell
Constance Booth
Libby Bortz
Janet and Brad Bradbury
David and Laurie Buckley
Linda Clem
Steve Corneillier
Elizabeth Hainen and Dave DePeters
Andrea Desmith
Diane and Dan Duke
Rich Ewald
Erin Fisher
John and Jean Fitzgerald
Lauri Flaxman
Patrick Fricke
Bill and Misty Fricke
John and Sonya Gans
Julia "Judy" Greene
Lee and Peg Henry
Joan Manley Houlton
Carolyn and John Hudek
Warren L.* and M. Rebecca Johnson
Ron and Patrice Lara
Kathryn Loudin
William Martin
Karen Martin
Anne Mills
Michael Moyer
Marie Mullen
National Electrical Contractors Association
Denise Pagard
Constance Pire
Cindy and William Putnam Jr.
Richard Raab
Michael and Colleen Ryan
Gerald and Cynthia Stapel
Bethany Stapel
David and Betty Street
Wilson and Sherry Strong
Sally and George Ulrich
John and Karen Walker
Bill and Charlie Welsh
Jean and Doug Willey
Suzy Iliff Witzler
Elizabeth Izant
Kent Mueller
Marvin Johnson
Carole Johnson
Jane and Don King
Alan and Diana Anick
Joseph Kremer
Brittany Arruda
Rey Grimes
Bob and Cheryl Kremer
Carol Outland
Charles Simpson Family
Rosa Lin
Sharon and Jim Hourihan
Kathie and Mike Massey
Kenneth and Louise Beard
James Mikolitis
Daniel and Sharon Mikolitis
Bibi Jerri Savuto
William J. Savuto
Carol Simpson
Charles Simpson Family
Martin Strull
Carol Barrons
Arlyne and Richard Lepie
Robin Suth
Jay and Kathleen Rust
Jim Taucher
Kate Taucher
Leonard Waldbaum
Dr. Roberta Waldbaum
Adrienne Weis
Amy Shugarts
Cap Witzler
Kathy Schlosberg
Madeline J. Wright
Glen and Georgia Kraatz
Kai Yiu Yeung
Daniel and Johanna Gibbs
Anne Mills
Proverbs 3 5-6
Funders & Partners
Generous Support from corporations, foundations, government agencies and trusts continue to sustain the NRO every year. These crucial partnerships help fund concerts, education and free outreach programs as well as special projects.
$100,000 AND UP
Town of Breckenridge
$20,000 - $99,999
Colorado Creative Industries
Hamill Foundation
National Endowment of the Arts
Summit Foundation
$10,000 - $19,999
Breckenridge Grand Vacations/BGV Gives
Climax Molybdenum Company
Town of Dillon
Town of Silverthorne
$5,000 - $9,999
Alpine Bank
Bochatey Foundation
Keystone Neighbourhood Company and Town of Keystone
$2,500 - $4,999
Jane Alexandra Storm Foundation
John Tobey Events
The Kerr Foundation
Money Arenz Family Charitable Fund
Shaw Cancer Center & Breast Imaging Clinic
$1,000 - $2,499
Breckenridge Associates Real Estate
The Family Mayer Foundation, Inc.
Lloyd J. King and Eleanor R. King Foundation
Main Street Station Master Association
Pinnacle Gives
Summit County Rotary Club
Summit Seniors
Timothy Faust Photography
UP TO $999
Amy L. Scott Family Foundation
Community First Foundation
PayPal Giving Fund
RightPath Investments
Town of Frisco
Wind Crest, Inc
In-kind Donors
The NRO welcomes in-kind contributions that are budget-relieving and align with IRA guidelines and support the NRO’s mission.
Donor designated gifts are unique opportunities to direct your support towards a specific established cause or program that resonates with you.
GUEST CONDUCTOR FUND
The Guest Conductor Fund provides essential funding to bring in toptier guest conductors who elevate performances and enrich both musician and audience experiences.
Robert and Cynthia Benson
HOUSING FUND
The Housing Fund supports Summer Music Festival fellows with rent-free housing, ensuring equal access to lifechanging education opportunities.
Barbara Calvin
TRAVEL FUND
The Travel Fund provides a stipend to all unpaid Summer Music Festival fellows to assist with travel expenses to and from the festival.
Bonnie Kirschenbaum
STEVE AND PAT LARSON ARTIST IN RESIDENCE PROGRAM
The Steve and Pat Larson Artist in Residence Program provides emerging musicians with a unique opportunity to learn from industry leaders, through masterclasses, seminars, and sectionals, gaining fresh perspectives, techniques, and artistry that are crucial for navigating a career in the music world.
Steve and Pat Larson
GUEST ARTIST FUND
The Guest Artist Fund provides essential funding to bring in top-tier guest artists who elevate performances and enrich both musician and audience experiences.
Annette and Ken Hallock
NRO ALUMNI STRING QUARTET FUND
The NRO Alumni String Quartet Fund provides free, high-quality performances and interactive music programming to preschools, day camps, libraries, and community spaces—fostering creativity, curiosity, and a lifelong appreciation for music.
Steve Corneillier
Shari and Chris Dorton
Dave Pfeifle
COMMUNITY LINK/HOST FAMILY FUND
The Community Link/Host Family Fund connects the Summer Music Festival fellows with the local community through a plethora of activities and experiences beyond the concert hall.
Barbara Calvin
VIDEO PRODUCTION FUND
The Video Production Fund brings the transformative power of the National Repertory Orchestra to life—capturing the profound journey of its musicians and the lasting impression it leaves on audiences.
Annette and Ken Hallock
BIG INSTRUMENT FUND
The Big Instrument Fund offers financial aid to musicians who require assistance with transportation costs associated with their large instruments.
Bonnie Kirschenbaum
Individual Donors
The NRO is essential to the future of classical music. From enjoyable concerts throughout Summit County to guest artist appearances, education programs and free community events, our summer festival continues to thrive because of annual support from friends like you.
PRESENTER’S CIRCLE
$25,000 AND UP
Col (ret) J. L. Berkheiser
Barbara Calvin
Robert Follett
Robin Hadley
Annette and Ken Hallock
Betty A Keith*
Samuel L. Bufford and Julia Metzger
Jan and Rob Miles
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
MAESTRO’S CIRCLE
$10,000-$24,999
Anonymous
Robert and Cynthia Benson
Reggie and Pamela Gray Family
Joan Manley Houlton
Bonnie Kirschenbaum
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Michael Molloy
Dave Pfeifle
Pam Piper Yeung
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Barbara and David Weaver
CONDUCTOR’S CIRCLE
$5,000-$9,999
Anonymous
Libby Bortz
Steve Corneillier
Susan Propper and Donald Dankner
Michael and Marylynn Eipper
Adrienne and Allen Frechter
Nancy French
Carolee and John Hayes
Sandra Holdgreve
Glen and Georgia Kraatz
Charlie Simpson Family
Michael Stern
Tom and Emily Wahl
Pam and Sonny Wiegand
Suzy Iliff Witzler
ARTIST’S CIRCLE
$3,000-$4,999
Terri and George Barile
Janet and Brad Bradbury
Elizabeth Hainen and Dave DePeters
Shari and Chris Dorton
Jim and Judy Graunke
Linda Dameron and Leonard Himes
Kathy and John Landon
Joanne Masica
Barbara and Sam McCleneghan
Mark and Barbara Puccia
William and Marilyn Taylor
Janey and Russ Trowbridge
Juhree Wendl
ORCHESTRA’S CIRCLE
$1,000-$2,999
Alan and Diana Anick
Åsa and Olin Armstrong
Jane Ashby
Terry and Carlie Barnhart
Alan Nye and Jeanne Blaine
Sharon Magness Blake and Ernie Blake
Sara Burks
Scott and Janie Cantine
Howard and Sue Carver
Sheldon and Susan Cohn
Jan and Charlie Cole
Betsy and Ron Cytron
Stephen and Suzanne Day
Wally and Maggie Ducayet
Barrett and John Edstrom
Steven Adelman and Katherine Elsner
Linda Ewald
John and Jean Fitzgerald
Kipp and Helen Friedli
Susan and Bill Friedman
Dan and Johanna Gibbs
Stephen Golub
Jim and Jeanie Hammond
Lee and Peg Henry
Sharon and Jim Hourihan
Diane and Steven Jaffee
Margaret Johnson
Belinda and Anthony Jones Jr.
Dr. Milton and Gail Klein
Jeanie and Mike Kramer
Tracey and Chester Lambert
Leslie Lenser
Dan A. Lewis
Dominique McLerran
Paul and Anthea Millar
Sandra Mortensen
Caroline and James Murphy
Barbara Pollack
Dave and Cynthia Rosengren
Carin and Bill Simpson
Martin and Maxine Solomon
Wilson and Sherry Strong
The Galarza Family Donor Fund
Barbara and Mark Vonderheid
Bill and Charlie Welsh
Dr. Jonathan Whitfield
Phillippa Greathouse and Dottie Wolcott
Christine Yuhas
Dr. Glen and Bobbie Zelkind
PATRON'S CIRCLE
$250-$999
Larry Abston
Bill and Kathy Adams
Larry Amberg
James Anderson
Robert and Elaine Baer
Cindy Baker
Frederick and Annette Barta
Richard and Linda Bateman
Elizabeth Beckmann
John Boben
Jeffrey and Lou Ann Bode
Craig and Annette Bolt
Patricia Bortz
Ann Brewster
Tom Brown
Melvin and Marty Buck
Anonymous
Tim Campbell
Ronald Carlson
Tim Casey
James and Evelyn Cavins
Linda Clem
Geraldine Cohen
Diane Courchene
Jean DePeters
Jonathan Desimone
Scott Dillard
Kurt and Cynthia Doerr
Randall Edwards
Elston Family Fund
Bev Emery
Eric and Jill Flamm Charitable Fund
Mark and Carla Ewing
Bill and Misty Fricke
Diane and Henry Fuchs
Deborah Gaensbauer
Joan and Lester Garrison
Jeffrey Germanotta
Michael and Rosemary Ginzberg
Ben and Cynthia Gordon
Deena and Brian Graham
Dr. Laurie and Lewis Greenberg
Beth and Neil Groundwater
Patricia Gunckel
Don and Jeanette Hansen
The Hargis Family DA Fund
Vicki L. Hedlin
Anonymous
William Hieber
Joel and Christine High
Joel Horwich
Katherin and Duane Howell
Kenneth Hutchins
Jennifer and Mikael Anderson Charitable Giving Fund
