2025 Program Book

N AT I O N A L R E PE RTO RY O R C H E ST R A

Discover...

SUMMER MUSIC FESTIVAL

T H E N RO

NATIONAL REPERTORY ORCHESTRA

S U M M E R M U S I C F E S T I VA L JUNE 21 - AUGUST 9, 2025

Elder Money Management Financial & Estate Planning Business Planning & Tax Law Music Appreciation

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291 Gold King Way Breckenridge, CO 80424

280 E. 20th Ave. Denver, CO 80205

ART SHOULD BE UPLIFTING, INSPIRING & FUN. GALLERIES SHOULD BE SPACES WHERE YOU CAN WANDER IN A WORLD OF INTERESTING, ORIGINAL ARTWORK. THIS SUMMER, WE INVITE YOU TO COME EXPLORE!

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ADS

Table of Contents ABOUT THE NRO BUY TICKETS & PASSES

4

Welcome Letter

Online nromusic.org

6

About the NRO

6

Board and Sustainers

7

Staff

8

Awards

Phone 970-547-3100

WILL CALL Riverwalk Center 150 W. Adams Ave. Open 3 hours prior to start of concerts.

Old Masonic Hall 136 S. Main St. Open Tuesday-Sunday, 10:00am – 5:00pm

CELL PHONES Please silence cell phones, alarms, and notifications/alerts during the concert.

RECORDING & PHOTOGRAPHY Audience video cameras and other recording devices are strictly prohibited. Concerts may incorporate professional video and/ or photography approved by the NRO. By attending NRO performances, you agree that you may be photographed, filmed, or otherwise recorded for use in marketing and/or promotional materials. No flash photography.

SUMMER MUSIC FESTIVAL & EVENTS 10

Event Calendar

23

Champagne Series

24

Summer Music Festival Events

NRO IN THE COMMUNITY 12

15

Masterclasses & Sectionals

16

Community Link

18

Free Community Engagement Events

MUSICIANS 66 Music Director Michael Stern 67

Special Guests

73

Alumni String Quartet

75

Meet the Orchestra

ENHANCE YOUR EXPERIENCE Scan the QR codes found on our performance pages to get detailed program and conductor notes.

Education Programs

76

Strings

82

Winds

85

Brass

87 Percussion, Harp, Piano

PROGRAM SUPPORTERS & PARTNERS 88 Ways to Give 89 Donor Benefits 92

Photography by Elaine Collins, Jenny Cvek, Joshua Geurink, Nat Hickman, and Joe Kusumoto.

Season Donors & Supporters

100 Our Partners

Events, programs, dates, and times are subject to change at any time and without notice. Facility rental of the Riverwalk Center has been underwritten through the generous support of the Town of Breckenridge. We apologize for any omissions or misspellings in our contributor or commemorative lists.

Please contact the NRO office at 970-453-5825 ext. 3 so we may make the necessary corrections.

E NROMUSIC.ORG < 970-547-3100

3

Welcome to the NRO

WELCOME LETTER: NRO BOARD CHAIR

WELCOME LETTER: MAYOR OF BRECKENRIDGE

Welcome to the National Repertory Orchestra's 2025 season, “Discover the NRO.” As a long-time local and proud member of this remarkable community, it fills me with joy to invite you to experience a summer of music that reflects everything we love about life in Summit County—its natural beauty, its vibrant spirit, and above all, its people.

This summer, we will embark on a transformative journey through the universal language of music—a force that can inspire, unite, and transform lives.

Hello! Welcome to the Town of Breckenridge and the National Repertory Orchestra.

Our theme, “Discover the NRO,” celebrates the profound artistry of our talented musicians and the deep connections forged through the shared experience of music. Whether you attend a concert, participate in a community outreach event, or engage with our musicians in new and unexpected ways, we hope this summer sparks something new—a sense of awe, a moment of reflection, or a deeper connection to the music and the people who bring it to life.

Music transcends boundaries. It connects people of all backgrounds, fostering community unity and understanding.

This summer, the NRO is proud to offer a vibrant and diverse program highlighting music's timeless power to bring people together. You will experience performances in concert halls and under open skies, and discover that classical music doesn’t just live on the stage—it is a vibrant part of our lives.

I want to express my heartfelt gratitude for your continued support of the National Repertory Orchestra. Your passion allows us to provide meaningful musical experiences to audiences near and far, and the commitment of staff enables the magic of NRO to take shape in our community.

We look forward to sharing this season's magic with you.

Let us make this a summer of discovery—of music, of connection, and of the joy that binds us all.

The Town of Breckenridge is incredibly lucky to have the NRO in residence. Since their move here in 1993, the NRO has become a cornerstone of our cultural scene. Each summer, 80 of the nation’s most talented young musicians come to Breckenridge for an intensive residency filled with concerts and training. Many go on to perform in major orchestras around the world—carrying a piece of Breckenridge with them wherever they go.

Though we’re best known for skiing and snowboarding, Breckenridge has a thriving arts and cultural scene that surprises and delights year-round. The Breckenridge Backstage Theater hosts musicals, comedies, and dramas with impressive sets and casts. Breck Create’s Arts District offers hands-on classes in jewelry making, glass work, ceramics, painting, and more—including kid-friendly crafts.

Breckenridge History leads tours of our historic district and operates several engaging museums. And Breck Film brings the latest movies to our charming downtown theater.

Beyond the arts, Breckenridge is home to an incredible trail network with over 60 miles of in-town trails that link to hundreds more throughout the county. Our bike path is a favorite among cyclists and E-bike enthusiasts. Sustainability is the foundation to how we create these experiences— encouraging car-free exploration and preserving our natural surroundings for generations to come.

At our core, Breckenridge is powered by passionate people who care deeply about this place. We’ve built a welcoming, fun, and inclusive community, and we’re proud to share it with you.

Kelly Owens Johanna Gibbs

NRO Board of Trustees Chair

4

NATIONAL REPERTORY ORCHESTRA

Mayor, Town of Breckenridge

You're a creative person. You understand the value artistic expression brings to your community. Like you, we are inspired by the arts.

Alpine Bank is a proud supporter of the National Repertory Orchestra.

alpinebank.com • Member FDIC

About the National Repertory Orchestra Changing Lives Through Music!

The National Repertory Orchestra is dedicated to education. For over 60 years, the NRO has been a training ground for the next generation of classical music leaders. Each season, we bring together 80 of the most talented young professional musicians from around the world to perform concerts and engage with the community.

Our musicians participate in a rigorous schedule of rehearsals, concerts, and educational programs—all tuition-free. This transformative experience provides them with the skills, experience, and confidence needed to step into leadership roles with major orchestras across the globe.

Beyond the stage, the NRO is deeply committed to community engagement. We offer free concerts, family-friendly performances, and interactive education programs to inspire a lifelong love of music. Through the support of our community, we continue to make classical music accessible, vibrant, and relevant to today’s audiences while shaping the future of the art form.

BOARD OF TRUSTEES

NRO SUSTAINERS

Johanna Gibbs, Chair

Patrice Lara, Chair

Ron Lara

Carlie and Terry Barnhart

Sandra Mortensen

Michael Altenberg* and Libby Bortz

Ann and Tom Rader

Ann Brewster

Kate and James* Taucher

Barbara and Jim* Calvin

Barbara Vonderheid

Geraldine Cohen

Pam and Sonny Wiegand

M.A. Deen

Dr. Glen and Bobbie Zelkind

Robert and Nancy* Follett

*Deceased

Emily Wahl, Vice Chair Anne Mills, Treasurer Debra Fox, Secretary Samuel Bufford Tracey Lambert Julia Metzger Rob Miles Pam Piper Yeung Rick Poppe Sally Queen Beth Steele Karen Warrick Stephen Worrall

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NATIONAL REPERTORY ORCHESTRA

Nancy and Tom* French Annette* and Gerry Fricke Pamela and Reggie Gray Robin Hadley Annette and Ken Hallock Joan Manley Houlton

YEAR-ROUND STAFF

OUR MISSION

Dave DePeters

Åsa Armstrong

CEO

Director of Development

Lauren Morrow

Kelly Sanders

Event & Community Link Coordinator

Director of Administration & Community Relations

Christin Maguire

Director of Marketing

The National Repertory Orchestra is a preeminent intensive summer music festival developing diverse, thoughtful, and socially conscious musicians through experiential learning. We inspire young musicians to be great leaders in their communities while Changing Lives Through Music!

Izabel Zambrzycki

Director of Artistic Administration & General Manager

SUMMER STAFF

OUR VISION Breaking barriers between education, performance, and community to develop 21st century musicians.

Eric Anderson

Orchestra Manager

Carrie White Carder Principal Librarian

Kevin Borgfeld

Production Manager

Jack Arman

Stage Manager

VIEW OUR DIVERSITY, EQUITY, AND INCLUSION STATEMENT AT NROMUSIC.ORG Lindy Billhardt

Assistant Librarian

Talor Marren

Community Engagement Manager

Zander Bacon

Production Associate

SUMMER FELLOWS

Lavender Connelly

Abigail Dickson

Library Fellow

CEO Admin Fellow

Ethan Man

Lakeif-Auru McDonald

Recording & Production Fellow

Recording & Production Fellow

Andy Junttonen

Molly Kohl

Artist Liaison Fellow

Marketing and Events Fellow

Alexa Peevers

Lauren Skaare

Development Fellow

Personnel Fellow

Carissa Ledesma

Community Engagement Fellow

Haruka Taguchi

Development Fellow

E NROMUSIC.ORG < 970-547-3100

7

Awards of Excellence

MICHAEL ALTENBERG LEADERSHIP AWARD

ROBIN HADLEY PHILANTHROPY AWARD

In honor of those who have demonstrated exceptional foresight, fortitude, and dedication to the NRO’s mission. The recipient sets a standard of patronage, volunteerism, and financial support that few have achieved.

In recognition of the unparalleled financial support of the NRO and other arts and cultural organizations in Summit County.

Samuel L. Bufford and Julia Metzger

In a time of unexpected transition, Pam stepped into the Board President role with resolve and clarity. She led critical administrative reforms to enhance Board efficiency, formalized NRO’s initial DEI commitment, and fostered strong collaboration with the CEO and staff to bolster financial stability. Through exceptional leadership, unwavering support, and a rare blend of vision and action, Pam has set a remarkable standard in service to the NRO’s mission.

Julia and Sam began spending their summers in the mountains 15 years ago. After enjoying a few NRO concerts, they were inspired by the orchestra’s mission, and began making financial contributions and volunteering their time. They have served the Community Link program in several capacities, including hosting musicians, and have both served on the Board of Trustees. Outside of the NRO, Sam sings with the Summit Choral Society and Julie serves on the board of the Summit Historical Society and served on both the Election and Charter Commissions for the new town of Keystone, Colorado.

OUTSTANDING VOLUNTEERS OF THE YEAR AWARD

OUTSTANDING COMMUNITY SERVICE AWARD

In recognition of outstanding service, dedication, and support of the NRO.

Given annually to an individual/couple and organization that demonstrate long-term exemplary support, not only of the NRO but many Summit County non-profit organizations.

Pam Piper Yeung

Kathy and John Landon

Kathy and John Landon’s longstanding commitment to the National Repertory Orchestra has greatly enriched the summer experience for both musicians and the community. Through the Community Link program, they warmly hosted fellows, with John overseeing the bike distribution program and Kathy helping to organize community dinners. John also served eight years on the NRO board, contributing to numerous committees. What resonates most with them is the NRO’s mission to educate young musicians and prepare them for a future in music, wherever it may lead.

Susan Propper and Don Dankner

One of the most rewarding experiences for Susan and Don since they became full-time residents in Breckenridge has been their involvement in community non-profits. They have both served on the Summit Foundation and FIRC Boards, and as volunteer rangers for FDRD, in addition to being NRO host parents for over 10 years. They have also created the Mountain Scholars program at CMC, which provides mentoring and financial aid to first generation low income college students.

Climax Molybdenum Company

Climax Molybdenum Company is honored to be recognized as a committed community partner in Summit County and look forward to building on our collaboration with the NRO and other local organizations. The NRO’s focus on education and the arts aligns closely with Climax Molybdenum’s ongoing commitment to supporting strong, thriving communities.

8

NATIONAL REPERTORY ORCHESTRA

| | | |

88.1FM Denver Metro On your smart speaker cprclassical.org Colorado Public Radio app

Free Classical tickets!

Season Calendar S U N DAY

MO NDAY

TUESDAY

WED NESDAY

15 JUN E

16

17

18

22

23

24

25

DISCOVER...

TRANQUILITY •

6:00pm | RWC | pg. 26

29

30

1

J U LY

2

KEYSTONE ENCORE •

POP-UP CONCERT •

CHAMPAGNE SERIES •

4:00pm | QAA | pg. 19

1:30pm | BRP | pg. 19 5:30pm | SPAC | pg. 19

1:00pm | PR | pg. 23

6

DISCOVER... LOVE • 6:00pm | RWC | pg. 30

7

8

9

TOPILOW POPS! •

NRO ON THE LAKE •

6:00pm | RWC | pg. 38

6:00pm | DA | pg. 34

13

14

15

SYMPHONY IN THE STREETS •

FREE FAMILY & KIDS CONCERT •

WOMEN IN THE ARTS: THE ONLY GIRL IN THE ORCHESTRA

11:30am | BT | pg. 19 1:00pm | BRP | pg. 19 2:30pm | BAD | pg. 19 4:00pm | SGPS | pg. 19 6:00pm | MSS | pg. 19 20

16

9:30am | RWC | pg. 44

CHAMBER CONCERT •

6:00pm | ET

21

22

6:00pm | RWC | pg. 46 23

CHAMPAGNE SERIES •

POP-UP CONCERT •

POP-UP CONCERT •

DISCOVER... RESILIENCE •

4:00pm | PR | pg. 23

1:00pm | FHP | pg. 19

4:00pm | SGPS | pg. 19 27

28

6:00pm | RWC | pg. 52 29

30

DISCOVER...

INSPIRATION •

POP-UP CONCERT • 5:30pm | SPAC | pg. 19

3

4

6:00pm | RWC | pg. 58

5

6

DISCOVER...

REJUVENATION •

CHAMPAGNE SERIES • 11:00am | PR | pg. 23

6:00pm | RWC | pg. 62

TICKETS Gold: Silver:

10

$30-55 $25-45

Bronze: Youth:

$20-30 $5

NATIONAL REPERTORY ORCHESTRA

BUNDLES

SEASON PASSES

Pick-10: Pick-6:

Season Pass: Local Family Pass:

$180-380 $114-240

$195-416 $160

TH UR S DAY 19

FR IDAY 20

SATURDAY 21

EVENT TYPE DISCOVER... DREAMS • 6:00pm | RWC | pg. 24

26

MUSIC IN THE MOUNTAINS •

27

28

KEYSTONE ENCORE • 10:00am | RRV | pg. 19

1:30pm | BFM | pg. 19

DISCOVER... PASSION •

KEYSTONE ENCORE •

6:00pm | RWC | pg. 28

5:00pm | QAA | pg. 19 3

4

FOURTH OF JULY SPECTACULAR

POP-UP CONCERT • 12:00pm | BRP | pg. 19 11 1:30pm | BAR | pg. 19

10:30am | FL | pg. 13 2:00pm | SL | pg. 13 4:30pm | BL | pg. 13

17

MUSIC IN THE MOUNTAINS •

12

POP-UP CONCERT •

LIBRARY VISITS •

DISCOVER... SPIRIT • 6:00pm | RWC | pg. 40

CHAMPAGNE SERIES • 4:00pm | PR | pg. 23 18

19

INDIANA JONES: RAIDERS OF THE LOST ARK IN CONCERT •

1:30pm | PP | pg. 19

POP-UP CONCERT •

2:00pm | RWC | pg. 50 7:30pm | RWC | pg. 50

3:00pm | BD | pg. 19 4:30pm | SCCC | pg. 19

24 MUSIC IN THE MOUNTAINS •

25

26

1:30pm | BRP | pg. 19

KEYSTONE ENCORE • 10:00am | RRV | pg. 19

POP-UP CONCERT • 3:00pm | BD | pg. 19

DISCOVER... JUBILATION • 6:00pm | RWC | pg. 54

KEYSTONE ENCORE • 5:00pm | QAA | pg. 19 31

MUSIC IN THE MOUNTAINS •

1

AU G UST

2

DISCOVER... JOY •

1:30pm | BAD | pg. 19

6:00pm | RWC | pg. 60

POP-UP CONCERT • 3:00pm | BD | pg. 19

Masterworks

•

Community Engagement (free)

•

Pops

•

Free Concert

•

Education Programs

•

Champagne Series

VENUE KEY

5

10:00am | RP | pg. 32 • 6:00pm | RWC | pg. 32 •

10

•

BAD

Breckenridge Arts District

BAR

Breckenridge Associates Real Estate

BD

Breckenridge Distillery

BFM

Barney Ford Museum

BL

Breckenridge Library

BRP

Blue River Plaza

BT

Breckenridge Troll

DA

Dillon Amphitheater

ET

Eclipse Theater

FHP

Frisco Historic Park

FL

Frisco Library

MSS

Main Street Station

PP

Prospector Park

PR

Private Residence

QAA

Quaking Aspen Amphitheater, Keystone

RP

Rainbow Park, Silverthorne

RRV

River Run Village, Keystone

RWC

Riverwalk Center

SCCC

Summit County Community & Senior Center, Frisco

SGPS

South Gondola Parking Structure

SL

Silverthorne Library

SPAC

Silverthorne Performing Arts Center

various locations, see pg. 23

Venues are in Breckenridge unless otherwise 7

8

9

DISCOVER... AWE • 6:00pm | RWC | pg. 64

LEARN MORE & BUY SEASON PASSES, TICKET BUNDLES, AND INDIVIDUAL TICKETS ONLINE AT NROMUSIC.ORG OR

BY CALLING (970) 547-3100.

JOIN US AT AN OPEN REHEARSAL! Most NRO rehearsals at the Riverwalk Center are free and open to the public!

E NROMUSIC.ORG < 970-547-3100

11

Education Programs The National Repertory Orchestra is passionate about fostering artistic growth and enabling aspiring musicians to access music education. With music as the lens, the NRO focuses on the connections between us and our world through meaningful and collaborative programs.

At its core, the NRO is an education organization, and we are proud to celebrate over 60 years educating the next generation of classical musicians with our prestigious, tuition-free program.

The NRO also provides workshops, masterclasses, and school programs to educate students of all ages about classical music, orchestral instruments, and the importance of music education.

TO LEARN MORE ABOUT OUR EDUCATION PROGRAMS, INCLUDING DATES AND HOW TO APPLY FOR SCHOLARSHIPS, VISIT NROMUSIC.ORG.

12

NATIONAL REPERTORY ORCHESTRA

"NRO education programs allow kids to interact with music – often for the first time – creating a positive and meaningful experience that they will remember for the rest of their lives."

-TALOR MARREN, CE MANAGER

MASTERCLASSES & SECTIONALS The NRO’s commitment to experiential learning is brought to life through a series of masterclasses and sectionals, taught by industry experts from preeminent orchestras. By working closely with renowned performers and educators, our musicians gain the skills and career guidance needed to thrive in today’s competitive orchestral landscape. These events are free of charge and open to the public. (see page 15)

SUMMIT COUNTY MUSIC LESSON SCHOLARSHIPS The NRO supports young music scholars by providing needs-based music lesson scholarships for students in Summit County, Colorado. Beneficiaries of this program receive private instruction on the instrument of their choice.

INSTRUMENT PETTING ZOO The NRO brings a collection of instruments for people of all ages to interact with, hold, and play, all with the expert guidance of NRO staff. We seek to ignite curiosity, and help individuals discover and develop a lifelong appreciation for music.

LIBRARY & CLASSROOM ENGAGEMENT The NRO Alumni String Quartet visits local libraries, daycamps, and preschools throughout Summit County combining story time with engaging introductions to music fundamentals. The library performances are free and open to the public, offering all community members an interactive introduction to music.

ASPECTS OF ARTS ADMINISTRATION The NRO offers a series of professional development seminars focused on key areas of arts administration, including operations, development, marketing, and artistic management. These sessions are designed to give our summer staff and fellows a well-rounded understanding of the behind-the-scenes work that supports a thriving arts organization to help launch successful careers in arts administration.

E NROMUSIC.ORG < 970-547-3100

13

Masterclasses & Sectionals Throughout the summer, NRO musicians participate in focused masterclasses and sectionals led by world-class conductors, principal players from major symphonies, and seasoned educators. These sessions provide invaluable one-on-one and small group instruction, allowing our fellows to refine their technique, deepen interpretation, and gain insights from some of the most respected professionals in the field.

Masterclasses will be added throughout the summer; check nromusic.org for the most up-to-date information.

COMMUNITY ENGAGEMENT SEMINAR

SECTIONAL: UPPER STRINGS

JUNE 17 | 5:00PM

JULY 8 | 1:30PM | BRECK. ELEMENTARY SCHOOL

Tony Parce & Alumni String Quartet

Juliette Kang, First Associate Concertmaster with the Philadelphia

SECTIONAL: WOODWINDS & BRASS JUNE 18 | 1:00PM JUNE 19 | 3:00PM JUNE 20 | 1:00PM

SECTIONAL: BRASS JULY 8 | 4:00PM Jeffrey Lang, Associate Principal Horn with the Philadelphia Orchestra

Music Director Michael Stern

SECTIONAL: STRINGS JUNE 18 | 3:00PM JUNE 19 | 1:00PM JUNE 20 | 3:00PM

SECTIONAL: WOODWINDS JULY 8 | 4:00PM | BRECK. ELEMENTARY SCHOOL

Music Director Michael Stern

Ricardo Morales, Principal Clarinet with the Philadelphia Orchestra

SECTIONAL: LOW STRINGS

SECTIONAL: PERCUSSION

JULY 8 | 1:30PM

JULY 9 | 1:30PM

Priscilla Lee, Associate Principal Cello with the Philadelphia Orchestra

Don Liuzzi, Principal Timpani with the Philadelphia Orchestra

ALL MASTERCLASSES & SECTIONALS TAKE PLACE AT THE RIVERWALK CENTER UNLESS OTHERWISE INDICATED, AND ARE FREE AND OPEN TO THE PUBLIC.

E NROMUSIC.ORG < 970-547-3100

15

Community Link Community Link is the National Repertory Orchestra’s volunteer initiative, a team of extraordinary individuals who are essential to achieving and amplifying the organization’s mission. Through the NRO’s Community Link program, volunteers offer their talents and time in a myriad of ways like assisting guests at rehearsals and concerts, creating home-cooked weekly dinners, and acting as hosts/guides to our summer staff and fellows.

As a token of our appreciation, we provide Community Link volunteers with a variety of perks and benefits including appreciation events and concert ticket discounts.

ADOPT A RIVER TO LEARN MORE ABOUT VOLUNTEERING WITH THE NRO, CONTACT OUR TEAM AT VOLUNTEER@NROMUSIC.ORG.

16

NATIONAL REPERTORY ORCHESTRA

The NRO has adopted the Blue River corridor between Watson Avenue and the dredge boat. Join us in picking up trash to maintain the pristine beauty of the pedestrian path in the heart of Breckenridge.

BIKE DISTRIBUTION

CONCERT USHERS

Volunteers play a pivotal role in tuning and distributing bikes to summer staff and fellows, supporting the town's mobility and sustainability initiatives.

Concert ushers welcome NRO patrons to the Riverwalk Center, providing assistance, information, and guiding them to their seats, enhancing the overall concert experience.

HOSTS

HOUSING PREPARATION

Our hosts extend a warm Summit County welcome to summer staff and fellows, offering meals, practice spaces, and engaging activities like hiking and biking.

Help facilitate a smooth transition for summer staff and fellows by setting up apartments with essential kitchen, bath, and bedroom items.

REHEARSAL DOCENTS

CHAMPAGNE SERIES

Rehearsal docents warmly welcome all attendees during NRO rehearsals, answering questions, distributing information, and creating a friendly atmosphere.

Prepare food, and assist staff in the set up and break down of our in-home concert series featuring intimate ensemble performances.

E NROMUSIC.ORG < 970-547-3100

17

Free Community Engagement Events For today’s symphony orchestras to thrive, musicians must be more than exceptional performers—they must also be advocates, educators, and active members of the communities they serve. During their summer fellowship, NRO musicians participate in a Community Engagement program—a vital component of their training that prepares them to be well-rounded, community-minded artists.

Community Engagement performances allow musicians to step outside the concert hall and connect directly with audiences of all ages and backgrounds. These free events bring live music to neighborhoods, parks, plazas, and public spaces throughout Summit County, creating opportunities for residents and visitors to experience classical music in casual, welcoming settings.

VIEW THE FULL CALENDAR OF FREE COMMUNITY ENGAGEMENT EVENTS ON PAGES 10-11 OR AT NROMUSIC.ORG.

Through these outreach events, NRO fellows develop the communication, collaboration, and leadership skills needed to build meaningful relationships through music. At the same time, Summit County benefits from a vibrant series of performances that enrich local culture, inspire new audiences, and foster a deeper appreciation for the arts.

"As you stroll through town, it feels as though you can hear the mountains sing, enveloped in the beauty of the music."

-DEBRA FOX, BOARD MEMBER

18

NATIONAL REPERTORY ORCHESTRA

MUSIC IN THE MOUNTAINS This series is held in historical and public art spaces throughout town, blending chamber music with engaging stories and context provided by our community partners about each unique location. This series combines live music with Breckenridge’s local history and public art.

Sponsored by Alpine Bank and Climax Molybdenum Company; In partnership with Breck Create and Breckenridge History.

POP-UP CONCERTS In partnership with various organizations across Summit County, the NRO presents free pop-up concerts performed by chamber groups in public spaces throughout Breckenridge, Dillon, Frisco, and Silverthorne.

Held in locations beloved by residents and visitors alike, these intimate performances are thoughtfully programmed to bring live music into the heart of the community.

KEYSTONE ENCORE The NRO returns to Keystone, its former home base from 1987–1992, for an outdoor community concert series held in the Quaking Aspen Amphitheater and River Run Village. We are thrilled to be back in this scenic mountain setting, reconnecting with the community through vibrant performances in two of Keystone’s most beautiful venues.

In partnership with Keystone Neighbourhood Company and the Town of Keystone.

SYMPHONY IN THE STREETS MONDAY, JULY 14 | 11:30 AM - 7:00 PM

Symphony in the Streets is a vibrant, day-long celebration that will transform Breckenridge into a sprawling outdoor musical venue, with ensembles from the NRO orchestra serenading audiences in parks and beloved locations across the town throughout the day.

OPEN REHEARSALS Experience first-hand how the conductors and musicians prepare for upcoming concerts at one of our many free Open Rehearsals. You are invited to watch—and listen—as the music comes together in preparation for our performances at the Riverwalk Center in Breckenridge. These casual rehearsals are open to all, offering a chance to stop by, sip a cup of coffee, or catch up on emails while enjoying a behind-the-scenes glimpse of the orchestra at work.

E NROMUSIC.ORG < 970-547-3100

19

PIANOS MADE TO INSPIRE Visit our showroom at 1332 S. Broadway in Denver to see, hear, play, and compare an extraordinary selection of the world’s most sought-after pianos, side-by-side.

ClassicPianosDenver.com 303-777-2636

FEATURING YAMAHA A Piano for Every Lifestyle

Acoustic Pianos

Clavinova Digital Pianos

Disklavier Player Pianos

AvantGrand Hybrid Pianos

Silent Pianos

TransAcoustic Pianos

Champagne Series

Discover the Champagne Series, an intimate collection of chamber performances that celebrate the artistry of music. Set in elegant private homes across Summit County and Denver, these exclusive concerts feature the exceptional musicians of the National Repertory Orchestra.

Guests will enjoy a carefully curated selection of sweet and savory bites, fine libations, and an unforgettable musical performance.

JUN

29

JUL

11

ALUMNI STRING QUARTET Poppe/Edwards Residence Q Centennial x 1:00 PM – 4:00 PM

NRO WIND QUARTET White-Petteruti Residence Q Breckenridge x 4:00 PM – 7:00 PM

JUL

21

AUG

3

ALUMNI STRING QUARTET Carver Residence Q Silverthorne x 4:00 PM – 7:00 PM

NRO BRASS QUINTET Trowbridge Residence Q Breckenridge x 11:00 AM – 2:00 PM

TICKETS: $125 PER PERFORMANCE. SPACE IS LIMITED. RESERVE YOUR SPACE TODAY AT NROMUSIC.ORG OR BY EMAILING KELLY SANDERS, KELLY@NROMUSIC.ORG. E NROMUSIC.ORG < 970-547-3100

23 23

Discover...

Dreams SATURDAY, JUNE 21 x 6:00 PM Q RIVERWALK CENTER FEATURING Michael Stern, conductor (pg. 66) Christine Kao, cello (pg. 79)

ON THE PROGRAM M END ELS S OH N A Midsummer Night’s Dream, Op. 61 I. Scherzo VII. Nocturne IX. Wedding March TCHAIKOVS KY Variations on a Rococo Theme, Op. 33, TH 57 Christine Kao, cello ̶ INTERMIS S ION ̶ B ERL IOZ Symphonie fantastique, Op. 14 (“Fantastic Symphony”) I. Rêveries, Passions (“Daydreams – passions”) II. Un ball (“A ball”) III. Scène aux champs (“Scene in the country”) IV. Marche au supplice (“March to the scaffold”) V. Songe d’une nuit du sabbat (“Dream of a witches’ sabbath”)

SPECIAL RECOGNITION Michael Altenberg Leadership Award: Pam Piper Yeung (pg. 8)

ABOUT THE PROGRAM Welcome to the National Repertory Orchestra’s opening concert: "Discover Dreams"—a journey into the imagination through music that stirs the soul and awakens possibility. Set against the aweinspiring backdrop of Summit County, Colorado, where soaring peaks and endless skies invite reflection and wonder, this concert explores the many ways dreams shape our inner lives and creative worlds. From enchanted forests and romantic visions to fevered fantasies and whimsical tales, tonight’s program brings together works that capture the magic, mystery, and transformative power of dreaming. Just as the natural beauty of this region inspires adventure and contemplation, these musical stories invite us to look inward and beyond—to discover dreams in both their delicate beauty and bold intensity.

A Midsummer Night’s Dream by Felix Mendelssohn (1809-1847) is a musical portal into the realm of dreams—a place where mischief, magic, and wonder intertwine. Composed when Mendelssohn was just 17, the piece captures the spirit of Shakespeare’s enchanted forest with shimmering strings, playful woodwinds, and regal brass fanfares. From fairy dances to lovers’ quarrels, the music is full of character and color, conjuring a world that feels both ethereal and alive. As the opening piece in the NRO’s “Discover Dreams” concert, it sets the tone for an evening of imaginative storytelling and emotional exploration. The Scherzo, with its sparkling textures and quicksilver rhythms, evokes the light, mischievous energy of Puck and the fairies as they flit through the forest. The Nocturne shifts the mood, offering a serene and tender moment that reflects the quiet intimacy of sleeping lovers under a moonlit sky. The famous Wedding March, jubilant and regal, concludes the tale with celebration and harmony, capturing the joy of love fulfilled. This timeless work reminds us that creativity often begins in the realm of fantasy—and that some of the most powerful journeys begin not in waking life, but in the wonder of a dream.

Variations on a Rococo Theme by Pyotr Ilyich Tchaikovsky (1840-1893) is a lyrical and virtuosic showcase for cello and

IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS SEASON UNDERWRITERS Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

SERIES UNDERWRITERS Anonymous Robert and Cynthia Benson Reggie and Pamela Gray Family Joan Manley Houlton

Bonnie Kirschenbaum Patrice and Ron Lara Pat and Steve Larson Helen Lemay Michael Molloy Dave Pfeifle Pam Piper Yeung Sally and Bruce Queen Debra Fox and Dr. Jules Rosen Juliet Whitcomb and Elliot Schrage Alan and Kathy Sonnanstine Barbara and David Weaver

CONCERT UNDERWRITER Charlie Simpson Family in memory of Carol Simpson – a lover of music.

CONCERT SPONSOR Beaver Run Resort & Conference Center *deceased

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NATIONAL REPERTORY ORCHESTRA

JUNE 21 | Discover... Dreams

Scan to read expanded program notes and composer features. orchestra, blending classical elegance with the composer’s unmistakable romantic voice. Written in 1876, the piece pays homage to Mozart, whom Tchaikovsky deeply admired, through a graceful theme reminiscent of the Rococo style—light, ornate, and refined. What follows is a series of imaginative variations that allow the soloist to explore a wide emotional and technical range, from delicate, singing lines to dazzling, acrobatic passages. While the work nods to the past, it is distinctly Tchaikovsky in its warmth, expressiveness, and inventive spirit. Each variation is a miniature world, rich with character and color, making the piece both a personal reflection and a celebration of artistic transformation. At once charming and profound, Variations on a Rococo Theme captures the essence of musical storytelling, offering listeners a journey that is as elegant as it is emotionally resonant.

Symphonie fantastique by Hector Berlioz (1803-1869) is a groundbreaking work of musical imagination, vividly portraying the emotional journey of a lovesick artist through five dramatic movements. In “Daydreams – passions,” the symphony opens with yearning melodies and shifting moods, reflecting the artist’s obsessive love. The second movement, “A ball,” swirls with elegance and unease as he glimpses his beloved amid the glittering dance floor.

“Scene in the country” offers a pastoral calm with echoing shepherd’s calls, which is disrupted by timpani, providing a sense of foreboding. In “March to the scaffold,” the dream darkens: the artist imagines his own execution, with

thunderous brass and a chilling final moment as the beloved’s theme—his idée fixe—briefly returns. Finally, “Dream of a witches’ sabbath” plunges into surreal horror, filled with eerie bells, grotesque dances, and ghostly parodies. Across these five movements, Berlioz redefines symphonic storytelling, using music to explore obsession, fantasy, and the wild power of dreams.

"These musical stories invite us to look inward and beyond—to discover dreams in both their delicate beauty and bold intensity."

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Discover...

Tranquility WEDNESDAY, JUNE 25 x 6:00 PM Q RIVERWALK CENTER FEATURING Michael Stern, conductor (pg. 66) Carole-Anne Roussel, vocalist (pg. 71)

ON THE PROGRAM RANJBAR A N Songs of Eternity Carole-Anne Roussel, soprano ̶ INTERMIS S ION ̶ M A HL ER Symphony No. 4, G major Carole-Anne Roussel, soprano I. Bedächtig, nicht eilen II. In gemächlicher Bewegung, ohne Hast III. Ruhevoll IV. Sehr behaglich

SPECIAL RECOGNITION

ABOUT THE PROGRAM There’s a quiet in the high country that settles into the soul— morning mist on an alpine lake, the hush of snowfall, the stillness between breaths as you take in the mountain scenery. "Discover Tranquility" channels that peace through music steeped in serenity and spiritual reflection. From ancient poetry set to luminous melody to a symphony that gently contemplates innocence and the afterlife, this concert offers a sense of calm and transcendence. It invites us to slow down, listen closely, and find restoration through sound, just as we do in the tranquility of the mountains.

Songs of Eternity by Behzad Ranjbaran (b. 1955) is a luminous and deeply expressive work for soprano and orchestra, inspired by the poetry of 13th-century Persian mystic Jalal al-Din Rumi. Composed in 2002, the piece is a striking example of Ranjbaran’s signature style, blending the richness of Western symphonic tradition with the modal nuances and rhythmic subtleties of Persian music. The result is a sound world that feels at once ancient and modern, grounded and ethereal. Set in four movements, the work explores themes of divine love, spiritual longing, transformation, and the eternal nature of the soul. The texts, sung in English, reflect Rumi’s deeply contemplative yet passionate voice. Each movement paints a distinct emotional landscape, from meditative stillness to ecstatic release, drawing the listener into an interior world of reflection and transcendence. The soprano serves as both narrator and dreamer, her voice floating above a colorful orchestral tapestry that shimmers with warmth and intensity. Songs of Eternity adds a mystical and meditative dimension to the concert experience, inviting audiences to listen not just with the ear, but with the heart. In Ranjbaran’s hands, music becomes a vehicle for inner discovery and a bridge between the human and the divine.

Symphony No. 4 by Gustav Mahler (1860-1911) stands apart in his symphonic output for its graceful clarity, intimate scale, and philosophical depth. Completed in 1900, the symphony offers a fresh and often ironic take on themes of innocence, death, and the afterlife. Unlike Mahler’s monumental earlier symphonies,

Robin Hadley Philanthropy Award: Samuel L. Bufford and Julia Metzger (pg. 8)

IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS SEASON UNDERWRITERS Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

SERIES UNDERWRITERS Anonymous Robert and Cynthia Benson Reggie and Pamela Gray Family Joan Manley Houlton

Bonnie Kirschenbaum Patrice and Ron Lara Pat and Steve Larson Helen Lemay Michael Molloy Dave Pfeifle Pam Piper Yeung Sally and Bruce Queen Debra Fox and Dr. Jules Rosen Juliet Whitcomb and Elliot Schrage Alan and Kathy Sonnanstine Barbara and David Weaver

CONCERT UNDERWRITERS Jim and Judy Graunke

CONCERT SPONSOR Beaver Run Resort & Conference Center *deceased

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NATIONAL REPERTORY ORCHESTRA

JUNE 25 | Discover... Tranquility

Scan to read expanded program notes and composer features.

"There’s a quiet in the high country that settles into the soul— morning mist on an alpine lake, the hush of snowfall, the stillness between breaths as you take in the mountain scenery."

his fourth symphony is scored for a relatively small orchestra and unfolds with transparency and charm, though always with deeper meaning beneath the surface. The opening movement is light and lyrical, full of delicate textures and cheerful melodies that occasionally hint at darker undertones. The second movement features a rustic, ghostly dance led by a solo violin tuned a whole tone higher (known as scordatura), creating an unsettling yet playful evocation of death in disguise. The heart of the symphony lies in the third movement, a profound and beautifully unfolding adagio that moves from quiet reflection to radiant transcendence.

The finale introduces a soprano voice singing a folk-inspired poem that describes a child’s view of heaven—simple, sweet, and strangely haunting. Mahler’s Symphony No. 4 is both accessible and profound, blending beauty with mystery, and irony with sincerity. It offers listeners an emotional and spiritual journey, ending not in thunderous triumph, but in a quiet, sublime vision of peace beyond this world.

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Passion SATURDAY, JUNE 28 x 6:00 PM Q RIVERWALK CENTER FEATURING Michael Stern, conductor (pg. 66) Amelia Bailey, violin (pg. 76)

ON THE PROGRAM STRAUSS Don Juan, TrV156, Op. 20 DVO ŘÁK Romance for Violin and Orchestra, Op. 11, B. 39, F minor Amelia Bailey, violin RAVEL Tzigane, rapsodie de concert Amelia Bailey, violin ̶ INTERMIS S ION ̶ TCHAIKOVS KY Symphony No. 4, Op. 36, TH 27, F minor I. Andante sostenuto II. Andantino in modo di canzona III. Scherzo: Pizzicato ostinato IV. Finale: Allegro con fuoco

SPECIAL RECOGNITION In Memory of Steven Russell

ABOUT THE PROGRAM Passion fuels both adventure and artistry—it drives climbers to peaks and brings musicians to the edge of emotion. "Discover Passion" embraces music that pulses with desire, longing, and intensity. From bold romantic escapades to tender, lyrical confessions, and a final surge of emotional fire and triumph, this program explores the many faces of passion. It reflects the way we throw ourselves fully into love, art, and challenge—the way something beautiful can become completely consuming. In Summit County, passion is found in the thrill of a steep ascent, the glow of creativity sparked by mountain life, and the deep connections built through shared experience. Here, people chase what moves them, and this music mirrors that same relentless, heart-driven pursuit.

Don Juan by Richard Strauss (1864-1949) was composed in 1888 when the composer was just 24. It is a thrilling orchestral tone poem that established him as a major voice in the late Romantic era. Based on the unfinished play Don Juans Ende by Nikolaus Lenau, which itself was inspired by the Don Juan legend originating in Renaissance-era Spain, the piece captures the bold, impulsive spirit of the legendary seducer in a whirlwind of musical storytelling. From the opening bars, the music bursts with energy and confidence, using sweeping melodies, shimmering textures, and vivid contrasts to paint scenes of adventure, romance, and ultimately, disillusionment. Strauss’s orchestration is masterful, showcasing brilliant brass fanfares and intimate solo passages that reflect both the bravado and vulnerability of its central character. Rather than ending in triumph, the piece closes quietly and wistfully, suggesting Don Juan’s emotional exhaustion and tragic demise. With its daring structure and emotional scope, Don Juan marked a turning point in Strauss’s career and remains one of the most electrifying works in the orchestral repertoire—in fact, excerpts from Don Juan are staples of professional orchestral auditions due to the technical and musical demands on each instrument.

Romance for Violin and Orchestra by Antonín Dvořák (1841-1904) is a tender, lyrical work that showcases the composer’s gift for heartfelt melody and rich harmonic warmth. Originally adapted

IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS SEASON UNDERWRITERS Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

SERIES UNDERWRITERS Anonymous Robert and Cynthia Benson Reggie and Pamela Gray Family Joan Manley Houlton

Bonnie Kirschenbaum Patrice and Ron Lara Pat and Steve Larson Helen Lemay Michael Molloy Dave Pfeifle Pam Piper Yeung Sally and Bruce Queen Debra Fox and Dr. Jules Rosen Juliet Whitcomb and Elliot Schrage Alan and Kathy Sonnanstine Barbara and David Weaver

CONCERT SPONSOR Beaver Run Resort & Conference Center

*deceased

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JUNE 28 | Discover... Passion

Scan to read expanded program notes and composer features. from an earlier string quartet, the piece unfolds with gentle grace, led by the violin’s expressive, singing line. The music is deeply Romantic in character—poetic, nostalgic, and full of subtle emotional shading. While relatively short in duration, it offers a complete emotional arc, moving from quiet introspection to passionate intensity and back again. It’s a beautiful showcase of the violin’s lyrical voice and Dvořák’s ability to speak directly to the heart.

Tzigane: Rapsodie de concert by Maurice Ravel (1875-1937) is a virtuosic showpiece for violin inspired by the fiery spirit of Romani Gypsy music. Composed in 1924 for Hungarian violinist Jelly d’Arányi, the work opens with a haunting, improvisatory cadenza that demands extraordinary technical skill. Despite not using actual folk tunes, Tzigane captures the essence of Eastern European flair with dramatic flair and sensuality, showcasing Ravel’s fascination with color, texture, and cross-cultural musical idioms.

Symphony No. 4 by Piotr Ilyich Tchaikovsky (18401893) is a powerful and emotionally charged work that explores fate, personal struggle, and ultimate resilience.

The opening movement begins with a dramatic brass fanfare—representing the inescapable force of fate—which recurs throughout the symphony. What follows is a deeply expressive journey marked by emotional volatility, shifting between moments of intense anguish and tender lyricism.

The second movement offers a melancholic, soulful melody in the oboe, evoking reflective sorrow, while the third is

a playful, pizzicato scherzo full of wit and rhythmic energy. The final movement explodes with triumphant energy and folk-inspired themes, ending the symphony in a blaze of defiant optimism. This work is often seen as autobiographical, composed during a turbulent period in Tchaikovsky’s life, and it balances raw personal expression with bold orchestral color.

"Here, people chase what moves them, and this music mirrors that same relentless, heart-driven pursuit."

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Discover...

Love WEDNESDAY, JULY 2 x 6:00 PM Q RIVERWALK CENTER FEATURING Michael Stern, conductor (pg. 66) Xiaoquian Zhu, violin (pg. 76)

ON THE PROGRAM WAGNER Tristan and Isolde, WWV90 Prelude Liebestod ("Love Death") B RUCH Violin Concerto No. 1, Op. 26, G minor Xiaoquian Zhu, violin I. Prelude: Allegro moderato II. Adagio III. Finale: Allegro energico ̶ INTERMIS S ION ̶ C LYNE Within Her Arms TCHAIKOVS KY Romeo and Juliet overture-fantasy, TH 42c

SPECIAL RECOGNITION NRO Sustainer's Evening (pg. 6)

ABOUT THE PROGRAM Love in Summit County can feel as high as the mountains and as wide as the open skies—unexpected, grounding, and transformative. "Discover Love" is a concert that explores this force in all its complexity. Tonight’s music spans intimate grief, sweeping romance, aching yearning, and tragic destiny. Each piece paints a different portrait of connection and emotion, reminding us that love is not one feeling, but a powerful, evolving journey that shapes who we are. We discover love not only in grand gestures, but in quiet moments shared amid breathtaking landscapes, and in the unspoken bonds that hold a community close.

"Prelude" and "Liebestod" from Tristan and Isolde by Richard Wagner (1813-1883) are among the most emotionally charged and influential pieces in the Romantic repertoire. Completed in 1859, Tristan und Isolde is a groundbreaking opera that revolutionized harmony and musical structure, paving the way for modernism with its daring chromaticism and emotional depth. The Prelude opens with the famous “Tristan chord,” a harmonically ambiguous gesture that sets the tone for a work steeped in longing and unresolved desire. Its sweeping phrases and suspended harmonies mirror the opera’s themes of forbidden love and spiritual yearning. The Liebestod, or “Love-Death,” serves as a transcendent conclusion, as Isolde sings of being united with Tristan beyond death. Together, these excerpts form a powerful meditation on love, loss, and the dissolution of self through passion.

Violin Concerto No. 1 by Max Bruch (1838-1920) opens with a rhapsodic prelude that leads into a deeply expressive first movement. The slow second movement is rich with romantic intensity, offering the soloist moments of heartfelt introspection.

The finale bursts with rhythmic vitality and sweeping melodies.

Balancing classical form with Romantic expressiveness, Bruch’s concerto showcases the violin’s capacity for both passionate song and technical brilliance, making it a perennial favorite with audiences.

IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS SEASON UNDERWRITERS Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

SERIES UNDERWRITERS Anonymous Robert and Cynthia Benson Reggie and Pamela Gray Family Joan Manley Houlton Bonnie Kirschenbaum Patrice and Ron Lara

Pat and Steve Larson Helen Lemay Michael Molloy Dave Pfeifle Pam Piper Yeung Sally and Bruce Queen Debra Fox and Dr. Jules Rosen Juliet Whitcomb and Elliot Schrage Alan and Kathy Sonnanstine Barbara and David Weaver

CONCERT UNDERWRITERS Barbara Calvin in memory of Jim Calvin Joanne Masica William and Marilyn Taylor

CONCERT SPONSOR Beaver Run Resort & Conference Center *deceased

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JULY 2 | Discover... Love

Scan to read expanded program notes and composer features.

"We discover love not only in grand gestures, but in quiet moments shared amid breathtaking landscapes."

Within Her Arms by Anna Clyne (b. 1980) is a poignant and intimate work for string ensemble, composed in 2008 as a memorial to the composer’s mother. Scored for 15 solo strings, the piece unfolds in a continuous arc of tenderness, sorrow, and quiet strength. Inspired by the Buddhist mantra “May she be safe, may she be happy,” the music offers a sonic space for remembrance and emotional stillness.

Clyne’s use of gentle dissonance, suspended harmonies, and slowly shifting textures creates a sense of suspended time, where grief and beauty coexist. Despite its somber

inspiration, the work radiates warmth and love, offering comfort rather than despair. Within Her Arms is a powerful example of how music can hold space for loss while honoring the enduring presence of those we carry in memory.

Romeo and Juliet by Piotr Ilyich Tchaikovsky (1840-1893) is a passionate and dramatic orchestral work inspired by Shakespeare’s iconic tragedy. Though not a literal retelling, the piece captures the emotional essence of the story through richly expressive music. The introduction evokes a solemn, hymn-like atmosphere, representing Friar Laurence.

This gives way to a violent theme of conflict symbolizing the feud between the Montagues and Capulets, followed by one of Tchaikovsky’s most famous melodies—a sweeping, tender theme that embodies the love between Romeo and Juliet.

The music unfolds with cinematic intensity, shifting between violence and vulnerability, tension and lyricism. The final section recapitulates the love theme with tragic poignancy before closing with a sense of mournful resolution. This overture-fantasy showcases Tchaikovsky’s gift for storytelling through music, blending romance and tragedy with unforgettable emotional impact.

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Fourth of July Spectacular FRIDAY, JULY 4 x 10:00 AM Q RAINBOW PARK, SILVERTHORNE x 6:00 PM Q RIVERWALK CENTER FEATURING Carl Topilow, conductor (pg. 69)

ON THE PROGRAM WIL L IAM S Liberty Fanfare TRADITIO NA L Star Spangled Banner D I LORENZO American Prelude Fantasy “Majestic Mountains” ARR. BRU BA KER What’s Up at the Symphony?

B ADELT ARR. RICKE T TS Pirates of the Caribbean WIL L IAM S Indiana Jones: Raiders of the Lost Ark, “Raiders March” S I LVESTR I Back to the Future CO NTI Rocky Suite WIL L IAM S E.T. the ExtraTerrestrial, “Bicycle Chase”

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̶ INTERMISSION ̶ WI L L I A M S March from 1941 RODGERS Victory at Sea A R R . WE N D E L “Orange Blossom Special” STRAUSS SR. Radetzky March A R R . H O LCO M B E “International Dixieland Jamboree” SOUSA “The Liberty Bell” PUENTE “Oye Como Va” RODGERS/ BENNETT “Armed Forces Salute”, arr. Lowden & Berens SOUSA “The Stars and Stripes Forever”

NATIONAL REPERTORY ORCHESTRA

ABOUT THE PROGRAM Liberty Fanfare by John Williams (b. 1932) was composed for the Statue of Liberty’s centennial in 1986, blending bold brass and soaring strings to evoke the spirit of American freedom. It’s a triumphant celebration of liberty and national pride.

The Star-Spangled Banner, the United States' national anthem, features lyrics by Francis Scott Key written during the War of 1812 after he famously observed the American flag flying over Fort McHenry. Lesser known is that the melody was adapted from “To Anacreon in Heaven,” a popular British drinking song composed by John Stafford Smith.

American Prelude Fantasy “Majestic Mountains” by Anthony DiLorenzo (b. 1967) was commissioned by Carl Topilow and the NRO in celebration of our 25th anniversary season in 1985. Inspired by the grandeur of Colorado's natural landscapes, this original work evokes the breathtaking beauty of mountain vistas and wide-open skies.

What’s Up at the Symphony? arranged by Jerry Brubaker (b. 1946) is a playful medley of classical favorites famously featured in Looney Tunes cartoons. The arrangement is a nostalgic tribute to the way cartoons introduced generations to orchestral music—often with a mischievous twist.

Pirates of the Caribbean by Klaus Badelt (b. 1967) and arranged by Ted Ricketts is the bold, swashbuckling theme from Disney’s Pirates of the Caribbean (2003). The adventures of Captain Jack Sparrow come to life in this high-energy medley about cursed pirates and the high seas.

“Raiders March” by John Williams (b. 1932) is the iconic theme to Raiders of the Lost Ark (1981) that introduces audiences to Indiana Jones, the daring archaeologist and adventurer. The theme has since become synonymous with heroism and cinematic adventure. Watch the full movie accompanied by the NRO on July 19th (see pg. 50).

IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS SEASON UNDERWRITERS Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

SERIES UNDERWRITERS Anonymous Libby Bortz Steve Corneillier Susan Propper and Donald Dankner Michael and Marylynn Eipper

Adrienne and Allen Frechter Nancy French Carolee and John Hayes Sandra Holdgreve Glen and Georgia Kraatz Charlie Simpson Family Michael Stern Tom and Emily Wahl Pam and Sonny Wiegand Suzy Iliff Witzler

CONCERT UNDERWRITERS Steve Corneillier and daughters Brittony and Nicole in memory of Kathleen Corneillier.

CONCERT SPONSORS Breckenridge Distillery Town of Silverthorne (Rainbow Park) Town of Breckenridge (Riverwalk Center)

*deceased

JULY 4 | Fourth of July Spectacular

Back to the Future by Alan Silvestri (b. 1950) is the dynamic score for Back to the Future (1985). Its bold brass and rhythmic drive perfectly complements the film’s timetraveling thrills.

Radetzky March by Johann Strauss Sr. (1804-1849) was composed to honor Austrian field marshal Joseph Radetzky, combining military precision with infectious rhythm and spirited clapping sections.

Rocky Suite by Bill Conti (b. 1942) from the Rocky films features “Gonna Fly Now,” the ultimate underdog anthem.

Bill Conti’s music captures the grit, determination, and triumph at the heart of the story.

"International Dixieland Jamboree" arranged by Bill Holcombe (1924-2010) celebrates Dixieland jazz's roots and international influences with vibrant solos that bring a festive mood to the fore.

“Bicycle Chase” by John Williams (b. 1932) is the thrilling music from E.T. The Extra-Terrestrial (1982) that underscores the iconic bike flight scene with sweeping orchestration.

"The Liberty Bell" by John Philip Sousa (1854-1932) is a popular march originally written for an unfinished operetta, "The Devil's Deputy." It was retitled after Sousa attended the Columbian Exposition in Chicago—which also debuted the original Ferris Wheel— and was insipired by a spectacular painting of the Liberty Bell.

The "March from 1941" by John Williams (b. 1932) was composed for Steven Spielberg’s war comedy 1941 (1979).

With its energetic tempo and brassy fanfare, the piece parodies traditional patriotic marches while still delivering Williams’ signature cinematic flair.

Victory at Sea by Richard Rogers (1902-1979) was originally composed for a World War II television documentary, Rodgers’ music captures the courage and sacrifice of America’s naval forces.

"Orange Blossom Special" arranged by Robert Wendel (b. 1951) is known as “the fiddle player’s national anthem.”

This fast-paced bluegrass classic, that mimics the sound of a roaring train, gives the orchestra a chance to show off with toe-tapping flair.

"Oye Como Va" by Tito Puente (1923-2000) fuses AfroCuban rhythms with a smooth groove. Its infectious beat has made it a crossover hit for generations.

"Armed Forces Salute" by Richard Rodgers (1902-1979) and Robert Russell Bennett (1894-1981) honors the five branches of the U.S. military with their official songs in a powerful tribute to service members, past and present.

"The Stars and Stripes Forever" by John Philip Sousa (18541932) has been designated the official national march of the United States, with a brilliant piccolo solo and patriotic energy that make it a fitting finale to any celebration.

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NRO On the Lake MONDAY, JULY 7 x 6:00 PM Q DILLON AMPHITHEATER FEATURING Michael Stern, conductor (pg. 66) Matthew Wiest, cello (pg. 80) Maya Lindsey, harp (pg. 87)

ON THE PROGRAM ROSSINI The Barber of Seville, Overture CU M M INS The Optimist's Fanfare B ERL IOZ Roman Carnival, Overture DVO ŘÁK Slavonic Dances Op. 46, No. 1 in C major: Presto Op. 72, No. 2 in E minor: Allegretto grazioso Op. 46, No. 8 in G minor: Presto ̶ INTERMIS S ION ̶ WAGNER Tannhaüser, WWV 70: Overture AS SAD Baião N' Blues S A INT-SAË N S Carnival of the Animals Matthew Wiest, cello Maya Lindsey, harp 13. The Swan O F FENBACH Orpheus in the Underworld: Overture

ABOUT THE PROGRAM NRO on the Lake is a beloved annual tradition that brings the magic of orchestral music to the stunning shores of Lake Dillon. Set against the sweeping backdrop of the Rocky Mountains, this free outdoor concert at the Dillon Amphitheater offers a unique opportunity to experience the National Repertory Orchestra in a relaxed, scenic setting. Under the baton of Music Director Michael Stern, the program features a dynamic mix of classical favorites, spirited overtures, and contemporary gems—celebrating the joy of live music in the heart of Summit County.

The Barber of Seville by Gioachino Rossini (1792-1868) was composed in a remarkable three weeks, and its overture has since become one of the most beloved in the operatic repertoire. The piece begins with a slow, lyrical introduction, leading into a lively and rhythmic main section characterized by Rossini's signature crescendos. These crescendos build excitement through repeated motifs that gradually increase in volume, showcasing Rossini's ability to transform simple ideas into thrilling musical passages. N ​ otably, the overture was repurposed from earlier works and does not contain any thematic material from the opera itself.

The Optimist's Fanfare by Liam Cummins (b. 2004) is a bold, uplifting work that captures the spirit of hope and forward momentum. As its title suggests, the work radiates positivity and confidence, offering a fresh voice from a young composer whose music already reflects maturity, craftsmanship, and a clear sense of expressive purpose. At 21 years of age, Cummins is an emerging American composer whose music blends youthful energy with a strong sense of eclecticism, lyricism, and melody. The piece was originally premiered by a collegiate wind ensemble and has quickly gained attention for its accessible yet sophisticated style.

Roman Carnival by Hector Berlioz (1803-1869) is a vibrant orchestral work that repurposes themes from his opera Benvenuto Cellini.

The overture captures the festive spirit of a Roman carnival, opening with a lively saltarello dance rhythm. Berlioz's masterful orchestration brings to life the exuberance and color of the carnival scene, making it a perennial favorite in concert halls. I​t also features an expressive English horn solo, one of Berlioz’s many innovations in highlighting woodwind color.

Slavonic Dances by Antonín Dvořák (1841-1904) were originally composed for piano four-hands and later orchestrated at the request of his publisher. These dances draw inspiration from Czech

IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS SEASON UNDERWRITERS Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles

Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

CONCERT UNDERWRITER Betty A Keith*

CONCERT SPONSOR Town of Dillon

*deceased

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NATIONAL REPERTORY ORCHESTRA

JULY 7 | NRO On the Lake

folk music, capturing the rhythms and melodies of traditional dances. The pieces are celebrated for their infectious energy and melodic charm, reflecting Dvořák's deep connection to his cultural roots. ​ The Tannhäuser Overture by Richard Wagner (1813-1883) encapsulates the central themes of his opera, contrasting sacred devotion with earthly desire. The overture begins with the solemn "Pilgrim's Chorus," symbolizing spiritual yearning, which is then juxtaposed with the sensual and alluring melodies representing the Venusberg. This musical dichotomy sets the stage for the opera's exploration of redemption and human passion. ​

image of a swan gliding effortlessly across water. Its timeless elegance has made it one of Saint-Saëns' most cherished compositions. ​ Orpheus in the Underworld by Jacques Offenbach (18191880) is a satirical operetta that includes the famous "Galop Infernal," commonly known as the can-can. The overture, arranged by Carl Binder for the 1860 Vienna production, captures the operetta's playful and irreverent spirit. Its lively melodies and rhythms set the tone for the comedic and whimsical narrative that follows. The work parodies classical mythology and operatic conventions, making it a landmark in the development of operetta as a genre.

Baião N' Blues by Clarice Assad (b. 1978) is a contemporary orchestral piece that celebrates the fusion of Brazilian baião rhythms with the soulful elements of blues music.

Commissioned in 2023, the composition showcases Assad's ability to blend diverse musical traditions, creating a vibrant and rhythmic dialogue between cultures. T ​ he piece employs syncopated rhythms and modal harmonies that reflect the influence of both northeastern Brazilian music and American jazz.

"The Swan" from Carnival of the Animals by Camille SaintSaëns (1835-1921) is a movement renowned for its serene beauty. In this piece, the cello's lyrical melody gracefully floats over a gentle piano accompaniment, evoking the

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TEAM BRECKENRIDGE YOUTH SKI TEAM August 13 - 23, 2025 When the NRO season ends, the music continues at the Alpenglow Chamber Music Festival.

Rieko Aizawa and Jesse Mills, Artistic Directors

Jesse Mills, violin Rieko Aizawa, piano Ole Akahoshi, cello Solomiya Ivakhiv, violin

Kenji Bunch, viola / composer Zohar Schondorf, horn Horszowski Trio: Ensemble-inResidence - piano, violin, cello

CONCERTS

Intro to TBK

Photo: Elaine Collins

Music on an intimate scale TICKETS: $30

All Mountain Rippers

General admission Students are free

Wednesday August 13, 7 pm | Silverthorne Pavilion Music from great romantic composers, including Brahms; Dvorak; and Tchaikovsky

Alpine

Thursday, August 21, 7 pm | CMC, Breckenridge An assortment of joyful and colorful works. Music from Damase; Debussy; Bunch; and Schumann

Big Mountain

An evening of music and socializing TICKETS: $125

Champagne, wine and abundant appetizers

Saturday August 16, 6 pm | Private home Music from composers who have faced censorship by the State, including works from Handel; Kosenko; Sheng; Casals; and Mendelssohn Saturday August 23, 6 pm | Private home Celebrate a gorgeous work written for a french horn. Music from Turina and Brahms

Tickets and concert details at alpenglowchambermusic.org

Photo: Elaine Collins

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It is our mission to provide youth athletes with the positive environment and balanced guidance that fosters self-confidence, embraces goals, and nurtures a lifelong love for the mountains and snow sports.

Topilow Pops!

ABOUT THE PROGRAM

WEDNESDAY, JULY 9 x 6:00 PM Q RIVERWALK CENTER FEATURING Carl Topilow, conductor (pg. 69) Connor Bogart, vocalist (pg. 70) Natalie Green, vocalist (pg. 70)

ON THE PROGRAM H ERMANN Hello Dolly!, Overture and "Before the Parade Passes By," arr. Wendel

̶ INTERMISSION ̶

JOE L Medley from Movin' Out, arr. Wendel

S C HWA RT Z Wicked, "Popular"

WIL LSO N A R R. AND ERSON The Music Man, “Seventy-Six Trombones” STYNE Funny Girl, “Don't Rain on My Parade” L AM BERT A N D M ORRISO N The Drowsy Chaperone, “Adolfo” M ENK EN Music from Aladdin, arr. Amy TO PI LOW "Clarinetist on the Roof"

JONES The Fantasticks, Overture, arr. Topilow

M I R A N DA Hamilton, "You'll Be Back," arr. Brubaker ANDERSSON/ U LVA E U S “Mamma Mia” "Dancing Queen" B E R N S T E IN West Side Story, “Mambo,” arr. Peress

Maestro Topilow leads the orchestra in a high-spirited program that spans Broadway showstoppers, Hollywood hits, jazz favorites, and classic pops repertoire. With something for everyone—from nostalgic melodies to contemporary crowd-pleasers—Topilow Pops is a celebration of musical joy, perfect for audiences of all ages. Get ready for a night of surprises, stories, and pure fun!

Hello, Dolly! Overture and “Before the Parade Passes By" by Jerry Herman (1931-2019) are from the Broadway hit Hello, Dolly! (1964) that won 10 Tony Awards and remains one of musical theater’s most iconic shows. These beloved Broadway classics burst to life with brassy charm and show-stopping flair.

The Medley by Billy Joel (b. 1949) comes from the Broadway jukebox musical Movin’ Out (2002), which tells stories of American youth during the Vietnam era using Joel’s popular songs. This highenergy medley blends Joel’s iconic pop-rock hits into a toe-tapping celebration of working-class grit and heart.

“Seventy-Six Trombones” by Meredith Willson (1902-1984), Arr. Leroy Anderson (1908-1975) is the signature number from the musical The Music Man (1957), telling the tale of a traveling con man who finds redemption in a small Iowa town. Nothing says smalltown Americana quite like a parade led by seventy-six trombones— this rousing number is pure musical joy, full of brass, bounce, and bravado.

“Don’t Rain on My Parade” by Jule Styne (1905-1994) is from the musical Funny Girl (1964) that tells the story of vaudeville star Fanny Brice. “Don’t Rain on My Parade” became an anthem of self-assurance, made famous by Barbra Streisand’s powerhouse performance on Broadway and in the 1968 film adaptation.

"Adolfo" by Lisa Lambert and Greg Morrison is from The Drowsy Chaperone (2006), a loving spoof of 1920s musicals. “Aldolfo” introduces a flamboyant, overconfident Latin lothario, offering a humorous nod to melodramatic musical stereotypes in a show that’s both a parody and a tribute.

IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS SEASON UNDERWRITERS

T H E B E AT L E S Beatlemania, “Eleanor Rigby,” arr. Fry D UA L I PA Barbie, “Dance the Night" S C H ÖN B E R G Les Misérables, Medley and “Bring Him Home"

Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

SERIES UNDERWRITERS Anonymous Libby Bortz Steve Corneillier Susan Propper and Donald Dankner

Michael and Marylynn Eipper Adrienne and Allen Frechter Nancy French Carolee and John Hayes Sandra Holdgreve Glen and Georgia Kraatz Charlie Simpson Family Michael Stern Tom and Emily Wahl Pam and Sonny Wiegand Suzy Iliff Witzler

CONCERT UNDERWRITERS Steve Corneillier and daughters Brittony and Nicole in memory of Kathleen Corneillier.

CONCERT SPONSOR Breckenridge Distillery

*deceased

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NATIONAL REPERTORY ORCHESTRA

JULY 9 | Topilow Pops!

Music from Aladdin by Alan Menken (b. 1949) comes from his Oscar-winning score for Disney’s Aladdin (1992) blends Middle Eastern-inspired motifs with Broadway showmanship.

"Clarinetist on the Roof" by Carl Topilow is an original piece inspired by the musical Fiddler on the Roof (1964).

The Fantasticks Overture by Tom Jones (1928-2023) arranged by Carl Topilow is from the world's longest running musical The Fantasticks (1960). Whimsical and poetic, these selections evoke the dreamlike quality of young love and imagination.

"Popular" by Stephen Schwartz (b. 1948) debuted in 2003 in the Broadway phenomenon Wicked—recently released as a feature film in 2024—telling the untold story of the 'Good' and 'Wicked' witches of Oz. This bubbly number sparkles with wit, sass, and irresistible charm.

“You’ll Be Back” Lin-Manuel Miranda (b. 1980) is from Hamilton (2015), a Broadway show that redefined musical theater with its blend of hip-hop, history, and storytelling.

“You’ll Be Back,” sung by King George III, satirizes the British monarchy’s view of the American Revolution with catchy melodies and dry humor.

“Mamma Mia” and “Dancing Queen” by Benny Andersson (b. 1946) and Björn Ulvaeus (b. 1945) are hit songs from the Swedish pop group that dominated international charts in

the 1970s. Their songs found new life in the stage musical Mamma Mia! (1999) and its film adaptations.

“Mambo” by Leonard Bernstein 1918-1990) is from his renowned musical West Side Story (1957), which set Shakespeare’s Romeo and Juliet in 1950s New York. The song underscores a pivotal scene where rival gangs and starcrossed lovers first collide, blending Latin rhythms and jazz influences.

“Eleanor Rigby” by the Beatles was released in 1966 and featured in the musical Beatlemania (1979). The song marked a stylistic shift for The Beatles, with a haunting string arrangement by producer George Martin.

"Dance the Night" by Dua Lipa is a disco-pop hit created for the film Barbie (2023) that brings sparkle, strut, and unstoppable energy. Written by Mark Ronson and Andrew Wyatt, the track helped shape the movie’s glamorous and empowering soundtrack.

Les Misérables Medley and “Bring Him Home” by ClaudeMichel Schönberg (b. 1944) are from the global musical sensation Les Misérables (1980). Based on Victor Hugo’s eponymous novel, the musical tells the story of a former prisoner seeking redemption in post-revolutionary France, with music that mirrors the characters’ inner struggles and the grand scale of the historical events they face.

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Discover...

Spirit SATURDAY, JULY 12 x 6:00 PM Q RIVERWALK CENTER FEATURING Jeffrey Kahane, conductor (pg. 68) Juan Diego Vega Ordóñez, viola (pg. 78)

ON THE PROGRAM O RTIZ Kauyumari HI NDEMIT H Trauermusik (“Mourning Music”) Juan Diego Vega Ordóñez, viola WEBER Andante & Rondo ongarese, J. 79 Juan Diego Vega Ordóñez, viola ̶ INTERMIS S ION ̶ PRO KOF IEV Symphony No. 5, Op. 100, B-flat major I. Andante II. Allegro marcato III. Adagio IV. Allegro giocoso

TONIGHT’S PARTNER This concert benefits Summit County's First Responders, including: Summit County Animal Control & Shelter, Summit County Emergency Services Training Center, Summit County Rescue Group, and Summit County Water Rescue Team.

SPECIAL RECOGNITION Outstanding Community Service Award: Susan Propper and Donald Dankner (pg. 8)

ABOUT THE PROGRAM The spirit of the mountains lives in every gust of wind, every story told by the land, and every person who seeks meaning here.

"Discover Spirit" taps into that essence with music that ranges from ritualistic and celebratory to meditative and majestic. Tonight’s works embody energy, resilience, cultural heritage, and bold vision.

This is a concert that doesn’t just uplift—it awakens the deeper forces that move us, both within and beyond ourselves.

Kauyumari by Gabriela Ortiz (b. 1964) is a vibrant and rhythmically charged orchestral work that draws on the Mexican heritage of the composer. The title refers to the Blue Deer, a sacred figure in the cosmology of the Huichol people of Mexico, representing spiritual guidance, renewal, and artistic inspiration. Ortiz channels this mythological imagery through bold orchestration and dynamic textures, weaving together indigenous rhythms with contemporary techniques. The music pulses with ritualistic energy, propelled by percussion and shifting meters that reflect the heartbeat of traditional ceremonies. Throughout the piece, contrasting timbres and colors evoke a sense of spiritual journey—both grounding and transcendent. Ortiz’s ability to fuse cultural heritage with modern orchestral language makes Kauyumari a compelling exploration of identity, mythology, and movement. It is a powerful example of how music can tell stories beyond words, bringing listeners into a world that is deeply rooted in tradition yet alive with innovation and urgency.

Trauermusik by Paul Hindemith (1895-1963) was composed in just a few hours on the day of King George V’s funeral in 1936. At the time, Hindemith was in London for a scheduled performance and was asked to write a piece suitable for national mourning. The result is a deeply expressive meditation on loss and reflection, written for solo viola and string orchestra with remarkable clarity and restraint. The music unfolds in four interconnected sections, balancing modern harmonic language with traditional solemnity. Hindemith, a violist himself, infused the solo part with introspective lyricism and quiet dignity. A quotation of a Bach chorale in the final section provides

IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS SEASON UNDERWRITERS Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

Bonnie Kirschenbaum Patrice and Ron Lara Pat and Steve Larson Helen Lemay Michael Molloy Dave Pfeifle Pam Piper Yeung Sally and Bruce Queen Debra Fox and Dr. Jules Rosen Juliet Whitcomb and Elliot Schrage Alan and Kathy Sonnanstine Barbara and David Weaver

SERIES UNDERWRITERS

CONCERT UNDERWRITERS

Anonymous Robert and Cynthia Benson Reggie and Pamela Gray Family Joan Manley Houlton

CONCERT SPONSOR

Barbara and Sam McCleneghan

Beaver Run Resort & Conference Center *deceased

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NATIONAL REPERTORY ORCHESTRA

JULY 12 | Discover... Spirit

Scan to read expanded program notes and composer features. a spiritual anchor, linking the contemporary voice with a timeless tradition. Trauermusik remains one of Hindemith’s most personal and widely performed works—an elegant, understated tribute to the power of music in times of collective grief.

Andante & Rondo ongarese by Carl Maria von Weber (17861826) is a dazzling showpiece for solo viola and orchestra, offering a delightful blend of Romantic expressiveness and classical structure. The Andante opens with a lyrical, singing line that highlights the soloist’s ability to phrase with grace and nuance. This calm introduction is followed by the energetic Rondo Ongarese, a spirited Hungarian-style dance full of rapid passages, syncopations, and dramatic contrasts.

The virtuosic writing allows the soloist to display both agility and flair, making it a favorite among performers and audiences alike.

Symphony No. 5 by Sergei Prokofiev (1891-1953) stands as one of the composer’s greatest symphonic achievements— monumental in scope, emotional depth, and architectural strength. Written during the final stages of World War II, the symphony is often interpreted as a celebration of the human spirit, though its darker undercurrents suggest a more complex, even ironic, reflection on triumph and struggle. The opening movement is expansive and noble, building a sense of grandeur and resolve. A biting, sardonic scherzo follows, brimming with sharp rhythms and mocking energy. The third movement is lyrical yet haunting, offering introspective

beauty tinged with melancholy.

The finale propels forward with propulsive force, moving from exuberance to chaos and back again in a whirlwind of orchestral color. Prokofiev’s mastery of contrast, melody, and form makes this symphony a landmark of 20th-century repertoire—at once heroic and ambiguous, jubilant and deeply human.

"The spirit of the mountains lives in every gust of wind, every story told by the land, and every person who seeks meaning here. " E NROMUSIC.ORG < 970-547-3100

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Free Family and Kids Concert WEDNESDAY, JULY 16 x 9:30 AM - CRAFTS 10:30 AM - MUSIC Q RIVERWALK CENTER FEATURING Jason Seber, conductor (pg. 68) Yamaha Piano Competition Winners Charlotte Jiang Aiden Chan

ON THE PROGRAM WIL L IAM S Star Wars: Suite, Main Title D EBUSSY Clair de Lune M ONTGO M E RY Starburst B AC H Concerto No. 1, BWV 1052 in D minor Aiden Chan, piano I. Allegro M OZ ART Piano Concerto No. 17, K. 453 in G major Charlotte Jiang, piano I. Allegro HOLST The Planets IV. Jupiter, the Bringer of Jollity ELGAR Enigma Variations, Op. 36 IX. "Nimrod" Moderato WIL L IAM S E.T. The Extra-Terrestrial, "The Flying Theme"

TODAY’S PARTNER Join us at 9:30am for a free crafts hour provided by The Frosted Flamingo.

ABOUT THE PROGRAM Welcome to the National Repertory Orchestra’s Family and Kids Concert—one of our favorite summer traditions! This special concert is just for you and your family, and it’s all about having fun with music. Today, we’re going on an exciting adventure with our theme "Discover Imagination: Lost in Space"! Get ready to blast off with the orchestra as we explore planets, stars, and faraway galaxies—all through sound. You’ll hear music that zooms, sparkles, and soars, and you’ll get to meet the instruments that help bring those sounds to life. So buckle up and get ready for a journey that’s out of this world!

Star Wars Suite by John Williams When you hear the opening blast of trumpets in Star Wars, you know something exciting is about to happen! You can imagine battles in space, brave heroes, and thrilling escapes.

Clair de Lune by Claude Debussy Clair de Lune means “moonlight” in French, and this dreamy piece of music sounds just like its name. Close your eyes and let the music take you to a quiet, starlit place where dreams come to life.

Starburst by Jesse Montgomery Starburst is an exciting piece that uses bright sounds and fast rhythms to create music that sparkles, zooms, and explodes with energy. You might imagine shooting stars or colorful sparks flying in every direction.

Concerto No. 1 by Johann Sebastian Bach Concerto No. 1 is like a musical rollercoaster—it starts with bold, exciting sounds and takes you on a thrilling ride. Listen closely and you’ll hear the piano and orchestra talking to each other, like friends telling an epic adventure story.

Piano Concerto No. 17 by Wolfgang Amadeus Mozart Mozart wrote his Piano Concerto No. 17 when he was just 28 years old, and it’s full of joyful melodies and playful back-and-forth between the piano and the orchestra. Listen closely—you might even hear a tune inspired by his pet bird, who liked to sing along when Mozart played.

"Jupiter" from The Planets by Gustav Holst Jupiter is biggest of the planets, and this piece sounds just as big and joyful! The music bounces and dances, with fast rhythms and bold

IN RECOGNITION AND GRATITUDE OF TODAY'S UNDERWRITERS SEASON UNDERWRITERS Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger

Jan and Rob Miles Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

CONCERT SPONSOR Town of Breckenridge

*deceased

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NATIONAL REPERTORY ORCHESTRA

JULY 16 | Free Family and Kids Concert

melodies that feel like a parade in space. Then, the music becomes slow and grand, like you're floating through the stars.

"Nimrod" from Enigma Variations by Edward Elgar This music might sound slower and softer, but it’s full of feeling. "Nimrod" is part of a bigger piece where the composer wrote different sections about his friends. It’s often played to honor people and remind us of kindness and courage. Listen closely—sometimes quiet music can say just as much as loud, exciting music.

"The Flying Theme" from E.T. The Extra-Terrestrial by John Williams Have you ever imagined flying on a bike across the moon?

That’s exactly what happens in this magical scene from the movie E.T., and this music matches the feeling of soaring through the sky. The orchestra starts soft and mysterious, then lifts into a beautiful, sweeping melody that feels like you're flying!

YAMAHA PIANO WINNERS Classical Pianos Denver began hosting the Yamaha Piano Competition in 1988. Since then, hundreds of young piano players have gotten their start on a globally significant musical journey. The NRO is honored to host 4 of this year's winners in a pair of concerts this summer.

Charlotte Jiang

Charlotte Jiang is a 9-year-old 4th grader who has studied piano with Mrs. June Haun since age 6. A passionate pianist, she has won awards in the Schmitt Music and Yamaha Piano Competitions, and the CSMTA Rising Star Festival. Charlotte also enjoys reading, math, ice skating, and music.

Aiden Chan

Aiden, 10, is a passionate pianist and fourth grader at Hulstrom K-8. He studies with Ms. Crystal Lee and loves performing in her monthly class. Inspired by Mozart, Beethoven, and Haydn, he enjoys tackling challenging classical pieces and exploring the beauty of melody, harmony, and rhythm in music.

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Chamber Concert WEDNESDAY, JULY 16 x 6:00 PM Q RIVERWALK CENTER FEATURING Alumni String Quartet (pg. 73) Solveig Geenen, violin Sadie Hamrin, violin Tyler Brugmann, viola Haley Rasmussen, cello Yamaha Piano Competition Winners Urvi Dhenge Sebastian Maa

ON THE PROGRAM B RIT TEN String Quartet No. 2, Op. 36 in C major I. Allegro calmo, senza rigore II. Vivace III. Chacony: sostenuto S MITH Carrot Revolution ̶ INTERMIS S ION ̶ M OZ ART Piano Quartet No. 1, K. 478 in G minor Urvi Dhenge, piano I. Allegro S CHUMA N N Piano Quintet in E-flat major Sebastian Ma, piano I. Allegro brillante M END ELS S OH N String Quartet No. 6, Op. 80 in F minor I. Allegro vivace assai II. Allegro assai III. Adagio IV. Finale: Allegro

ABOUT THE PROGRAM String Quartet No. 2 by Benjamin Britten (1913-1976) was composed in 1945 to commemorate the 250th anniversary of composer Henry Purcell’s death, as both a tribute and a modern reimagining of English Baroque traditions. Written shortly after his return from a wartime tour of concentration camps, the piece reflects both somber introspection and bold creativity. The quartet’s structure is highly original, with three contrasting movements culminating in a monumental final chaconne—a direct reference to Purcell’s favored form of variation over a repeating bass line.

Carrot Revolution by Gabriella Smith (b. 1991) is a vibrant, genredefying string quartet that playfully subverts classical conventions while embracing an edgy, groove-driven aesthetic. The title, inspired by a Cézanne quote about seeing “a carrot as it is,” reflects Smith’s interest in perception, freshness, and the radical potential of artistic clarity. From the opening moments, the piece launches into an energetic, almost punk-like texture—full of slap pizzicato, aggressive bowing, and percussive string techniques. Smith draws from a wide range of influences, including folk fiddling, minimalism, and experimental rock, blending them into a kinetic and unpredictable sound world. Amid the chaos, lyrical passages surface, offering glimpses of vulnerability and warmth.

Piano Quartet in G by Wolfgang Amadeus Mozart (1756-1791) is notable for its expressive depth and structural innovation, particularly in the emotionally charged first movement, Allegro.

Written during a prolific period of chamber music composition, this quartet was one of the first significant works for piano and string trio—paving the way for future composers to explore this ensemble.

The key of G minor, often reserved by Mozart for dramatic intensity, sets a stormy, urgent tone. The piano plays a central role, not merely accompanying but engaging in a rich, often virtuosic dialogue with the strings. Themes are developed with exceptional clarity and balance, blending lyrical lines with bursts of tension and syncopation. The movement’s sonata form structure allows for striking contrasts and seamless transitions, demonstrating Mozart’s genius for marrying formal precision with emotional nuance.

Piano Quintet in E-flat major by Robert Schumann (1810-1856) was composed in 1842 during Schumann’s so-called "chamber music year," marking a significant development in the genre, pairing piano with string quartet in a way that balances power and intimacy. The

IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS SEASON UNDERWRITERS Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles Anne Mills

Jana Edwards and Rick Poppe Karen and James Warrick

CONCERT UNDERWRITERS Adrienne and Allen Frechter

CONCERT SPONSORS Breckenridge Distillery Breckenridge Grand Vacations

*deceased

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NATIONAL REPERTORY ORCHESTRA

JULY 16 | Chamber Concert

first movement, Allegro brillante, opens with bold, ascending figures that immediately set a confident and exuberant tone.

Schumann’s writing showcases the piano as both a driving force and a collaborative partner, often trading melodies and motifs with the strings. Rich harmonic textures and rhythmic interplay give the movement a sense of constant propulsion and grandeur. One of the quintet’s defining features is its use of motivic transformation—small melodic ideas are passed between instruments and evolve throughout the piece.

String Quartet No. 6 by Felix Mendelssohn (1809-1847) was his final major composition, written in the wake of his beloved sister Fanny’s death. Unlike his earlier quartets, which often exude classical elegance, this one is raw, turbulent, and unrelenting in its grief. The opening movement is driven by urgency and agitation, with jagged rhythms, sudden dynamic shifts, and impassioned melodies. Mendelssohn pushes the quartet to its expressive limits, channeling sorrow and unrest into tightly woven counterpoint and dense textures. Subsequent movements maintain a somber tone, blending restless energy with moments of haunting lyricism. The quartet’s emotional weight and dramatic power reveal a composer grappling with profound loss.

YAMAHA PIANO WINNERS Classical Pianos Denver began hosting the Yamaha Piano Competition in 1988. Since then, hundreds of young piano players have gotten their start on a globally significant musical journey. The NRO is honored to host 4 of this year's winners in a pair of concerts this summer.

Urvi Dhenge

Urvi, a soon-to-be 9th grader, has studied piano with Ms. Crystal Lee since age 9.

In 2023, she won 1st place in the CSMTA Concerto Competition and performed with the Aurora Symphony Orchestra. Urvi’s passion for classical piano has flourished under Ms. Lee’s exceptional and inspiring guidance.

Sebastian Maa

Sebastian, 16, is a pianist at the Denver School of the Arts with 13 years of experience, studying under Ms. Jasmine Steadman. He’s earned top honors in piano competitions, and enjoys performing with his jazz band and accompanying musical theater productions.

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Indiana Jones: Raiders of the Lost Ark In Concert SATURDAY, JULY 19 x 2:00 PM & 7:30 PM Q RIVERWALK CENTER FEATURING Jason Seber, conductor (pg. 68)

ON THE PROGRAM INDIANA JONES: RAIDERS OF THE LOST ARK Starring Harrison Ford Karen Allen Paul Freeman Ronald Lacey John Rhys-Davies Denholm Elliott Directed by Steven Spielberg Music by John Williams

ABOUT THE PROGRAM In a place like Summit County, where towering peaks meet endless sky and every trail seems to lead to something unexpected, discovery is part of everyday life. Whether you're exploring the great outdoors or uncovering something new within yourself, the mountains inspire curiosity, courage, and a sense of adventure.

It’s this same spirit that makes Indiana Jones: Raiders of the Lost Ark—presented here with a live orchestral performance by the National Repertory Orchestra—a perfect centerpiece for our season celebrating discovery.

Originally released in 1981, Raiders of the Lost Ark was the result of a legendary collaboration between George Lucas and Steven Spielberg. It redefined what adventure on the big screen could be, blending pulse-pounding action with razor-sharp wit, cinematic spectacle, and a dash of historical mysticism.

At the center of it all is Indiana Jones, played with rugged charm

by Harrison Ford—a fearless, quick-thinking archaeologist with a whip in one hand and a fedora tipped low against the sun. Set in the 1930s, the film follows Indy as he races against Nazi forces to recover the Ark of the Covenant, an ancient relic said to hold immense, supernatural power.

With an impressive team of supporting actors including Karen Allen, John-Rhys Davies, Denholm Elliott, and Paul Freeman, combined with innovative special effects techniques by Industrial Light & Magic, Raiders of the Lost Ark has captured the imagination of movie-goers for generations and continues to inspire adventures yet to come.

The film’s success lies not only in its thrilling plot and memorable characters, but also in its masterful use of music to shape the experience. John Williams’ iconic score is a character in its own right—brave, bold, and full of movement. The instantly recognizable main theme, with its soaring brass and heroic rhythm, has come to symbolize adventure itself.

TONIGHT’S PARTNER This event is presented in partnership with Breck Film.

IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS SEASON UNDERWRITERS Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

Michael and Marylynn Eipper Adrienne and Allen Frechter Nancy French Carolee and John Hayes Sandra Holdgreve Glen and Georgia Kraatz Charlie Simpson Family Michael Stern Tom and Emily Wahl Pam and Sonny Wiegand Suzy Iliff Witzler

CONCERT UNDERWRITER Juhree Wendl

SERIES UNDERWRITERS Anonymous Libby Bortz Steve Corneillier Susan Propper and Donald Dankner

CONCERT SPONSOR Timothy Faust Photography

*deceased

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JULY 19 | Indiana Jones In Concert

In this performance, the National Repertory Orchestra brings the music to life in real time, led by conductor—and NRO alum—Jason Seber, and synced perfectly with the action on screen. It’s a way to experience the film as never before: the drama becomes more intense, the triumphs more soaring, the quiet moments more emotionally resonant, all because of the richness and immediacy of live orchestral music.

As part of our season celebrating discovery, this performance invites us to consider the deeper meaning behind Indy’s journey. Yes, he’s searching for a lost artifact— but in doing so, he faces his fears, makes sacrifices, and learns to trust others. The film is ultimately a celebration of adventure, and this immersive cinematic event pays tribute to the power of story, sound, and imagination to transport us to new places and unlocks our own quest for discovery.

PRESENTATION LICENSED BY

"This immersive cinematic event pays tribute to the power of story, sound, and imagination to transport us to new places and unlocks our own quest for discovery."

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Resilience WEDNESDAY, JULY 23 x 6:00 PM Q RIVERWALK CENTER FEATURING Giancarlo Guerrero, conductor (pg. 67) Maya Lindsey, harp (pg. 87)

ON THE PROGRAM B EETHOVEN Leonore Overture No. 3, Op. 72b ̶ INTERMIS S ION ̶ D EBUSSY Danses sacrée et profane (“Sacred and Profane Dances”) Maya Lindsey, harp I. Danse sacrée: Très modéré II. Danse profane: Modéré S H OSTAKOVICH Symphony No. 10, Op. 93, E minor I. Moderato II. Allegro III. Allegretto IV. Andante; Allegro

TONIGHT’S PARTNER This concert is presented in Partnership with Shaw Cancer Center and Breast Imaging Clinic.

Join us in wearing pink to support a cause close to our hearts - the fight against cancer.

ABOUT THE PROGRAM The mountains teach us that strength is not found in avoiding hardship, but in facing it head-on and rising again. "Discover Resilience" follows a musical path from struggle to transcendence.

It begins with a dramatic fight for freedom, transitions into graceful introspection, and culminates in a searing portrait of defiance in the face of oppression. These works echo the courage it takes to endure—and the beauty that can emerge on the other side. We come to the mountains to be challenged, to be changed, and to remember that resilience is not just survival, but the will to grow stronger through it all.

Leonore Overture by Ludwig van Beethoven (1770-1827) stands as one of the most dramatic and emotionally charged concert overtures in classical music. Originally composed as part of his opera Fidelio, Beethoven revised this overture multiple times in his quest to balance the work’s musical and dramatic elements. Leonore No. 3, the third version, is the most expansive and symphonic, often considered too powerful and sweeping to precede the staged opera itself—but perfect as a stand-alone orchestral work. The overture condenses the essence of Fidelio into a single musical arc, capturing its core themes of hope, courage, and the triumph of freedom over oppression. The music begins in a state of dark tension, gradually building through a series of lyrical and heroic episodes. A trumpet call—performed offstage—signals the arrival of rescue, a pivotal moment in the opera. The overture then bursts into a victorious finale, propelled by Beethoven’s trademark energy and rhythmic drive. Leonore No. 3 reflects Beethoven’s deep belief in human dignity and moral perseverance.

Danses sacrée et profane by Claude Debussy (1862-1918) is a graceful and luminous work composed in 1904 for harp and string orchestra. Commissioned by the Pleyel harp company­—a renowned manufacturer based in Paris—to showcase a new type of chromatic harp, the piece beautifully blends impressionistic color with classical elegance. The first movement, the Danse sacrée, is solemn and refined, evoking an ancient, almost ritualistic mood through modal

IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS SEASON UNDERWRITERS Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

SERIES UNDERWRITERS Anonymous Robert and Cynthia Benson Reggie and Pamela Gray Family Joan Manley Houlton

Bonnie Kirschenbaum Patrice and Ron Lara Pat and Steve Larson Helen Lemay Michael Molloy Dave Pfeifle Pam Piper Yeung Sally and Bruce Queen Debra Fox and Dr. Jules Rosen Juliet Whitcomb and Elliot Schrage Alan and Kathy Sonnanstine Barbara and David Weaver

CONCERT SPONSORS Beaver Run Resort & Conference Center Shaw Cancer Center and Breast Imaging Clinic

*deceased

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NATIONAL REPERTORY ORCHESTRA

JULY 23 | Discover... Resilience

Scan to read expanded program notes and composer features. harmonies and flowing rhythms. In contrast, the Danse profane is light, lyrical, and sensuous, moving with a gentle waltz-like character that captures Debussy’s fascination with movement and atmosphere. Together, the two dances explore a balance between the spiritual and the earthly, the timeless and the fleeting. The solo harp glides effortlessly through both worlds, its shimmering textures enhanced by the soft backdrop of the strings. Danses sacrée et profane

"We come to the mountains to be challenged, to be changed, and to remember that resilience is ... the will to grow stronger through it all."

remains one of Debussy’s most enchanting works and a cornerstone of the harp repertoire.

Symphony No. 10 by Dmitry Shostakovich (1906-1975) was composed in 1953 shortly after the death of Joseph Stalin as a powerful and deeply personal work that reflects the composer’s complex relationship with the Soviet regime. Spanning four movements, the symphony explores themes of repression, survival, and personal identity.

The opening movement is expansive and brooding, filled with dark lyricism and a sense of foreboding. The second movement—a violent, driving scherzo—is often interpreted as a musical portrait of Stalin himself. In the third movement, Shostakovich introduces a motif based on his initials (D-SC-H), asserting his creative voice amidst oppression. The finale moves from uncertainty to triumph, ending with a defiant burst of energy. Rich in symbolism and emotional intensity, the Tenth Symphony is both a reflection on a brutal chapter of history and a testament to artistic resilience. It remains one of Shostakovich’s most profound and widely performed symphonic statements.

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Jubilation SATURDAY, JULY 26 x 6:00 PM Q RIVERWALK CENTER FEATURING Michael Stern, conductor (pg. 66) William Cabison, conductor (pg. 69) Iris Wu, violin (pg. 76) David Caplan, cello (pg. 79)

ON THE PROGRAM S I M ON Four Black American Dances William Cabison, conductor I. Ring Shout: Soulfully II. Waltz: With ebb and flow, rubato III. Tap!: Jubilantly IV. Holy Dance: Mysteriously B RAHMS Double Concerto for Violin and Cello, Op. 102, A minor Iris Wu, violin David Caplan, cello ̶ INTERMIS S ION ̶ STRAVIN S KY Pulcinella: Suite 1. Sinfonia 2. Serenata 3. Scherzino 4. Tarantella 5. Toccata 6. Gavotta con due variazioni 7. Vivo 8. Minuetto 9. Finale M Á RQUE Z Conga del Fuego Nuevo (“New Fire Conga”)

TONIGHT’S PARTNER This concert benefits Tree Top Child Advocacy Center.

ABOUT THE PROGRAM Some days in Summit County feel like a celebration just for being alive—the accomplishment of cresting a high peak, the laughter of friends on a hike, the last light of the day creating a rosy symphony of alpenglow. "Discover Jubilation" captures that spirit with music that dances, sings, and bursts with color. This program blends rhythmic joy, virtuosic flair, witty surprises, and sheer rhythmic energy into an evening of musical exuberance. It’s not just a concert—it’s a celebration.

Four Black American Dances by Carlos Simon (b. 1986) celebrates the richness and diversity of Black American musical traditions.

Composed in 2023, the piece is structured in four movements, each inspired by a different social or dance tradition rooted in African American culture. These include the Ring Shout, the Waltz, the Tap Dance, and the Holy Dance—each reimagined through Simon’s contemporary lens. The music blends elements of jazz, gospel, blues, and classical technique, creating a sound that is both rhythmically dynamic and emotionally expressive. Simon’s orchestrations are colorful and bold, with driving percussion, lyrical melodies, and shifting textures that reflect the joy, resilience, and spiritual depth of the communities that shaped these traditions.

Beyond its musical vitality, the work honors cultural history, giving voice to stories and movements that have shaped American identity.

Four Black American Dances is not only a celebration of dance, but a celebration of heritage—alive with rhythm, soul, and the power of collective memory.

Double Concerto for Violin and Cello by Johannes Brahms (18331897) showcases the deep interplay between two solo instruments and orchestra. Composed in 1887, it was Brahms’ final orchestral composition and a gesture of reconciliation toward his longtime friend, violinist Joseph Joachim. The concerto unfolds over three movements, blending drama, lyricism, and virtuosic flair. The opening movement is bold and intense, with fiery exchanges between the violin and cello that eventually give way to soaring melodies. The slow second movement is tender and introspective,

IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS SEASON UNDERWRITERS Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

Bonnie Kirschenbaum Patrice and Ron Lara Pat and Steve Larson Helen Lemay Michael Molloy Dave Pfeifle Pam Piper Yeung Sally and Bruce Queen Debra Fox and Dr. Jules Rosen Juliet Whitcomb and Elliot Schrage Alan and Kathy Sonnanstine Barbara and David Weaver

SERIES UNDERWRITERS

CONCERT UNDERWRITERS

Anonymous Robert and Cynthia Benson Reggie and Pamela Gray Family Joan Manley Houlton

CONCERT SPONSOR

Terri and George Barile

Beaver Run Resort & Conference Center *deceased

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JULY 26 | Discover... Jubilation

Scan to read expanded program notes and composer features. with both soloists sharing a deeply expressive dialogue.

The finale dances with Hungarian-inspired rhythms, full of joyful energy and warm camaraderie. Unlike a traditional solo concerto, Brahms’ Double Concerto emphasizes collaboration over competition, weaving the solo lines together with the orchestra in a rich, unified texture.

Pulcinella: Suite by Igor Stravinsky (1882-1971) is adapted from his ballet Pulcinella, which premiered in 1920.

Commissioned by Sergei Diaghilev for the Ballets Russes, the piece marked the beginning of Stravinsky’s neoclassical period—a dramatic shift from the intense modernism of works like The Rite of Spring. In Pulcinella, Stravinsky reimagined music attributed to 18th-century composer Giovanni Battista Pergolesi and others, infusing it with his own harmonic twists, rhythmic surprises, and orchestrational flair. The suite, arranged in 1922, condenses the ballet into a concert piece featuring a lively sequence of dances and character portraits. Listeners will hear elegant melodies interrupted by sudden dissonances, shifts in tempo, and quirky instrumental colors. Each movement brims with charm and humor, echoing the mischievous spirit of Pulcinella, a classic figure from Italian commedia dell’arte.

the conga—a Cuban carnival dance and drum—the piece showcases Márquez’s skill in blending folkloric elements with classical forms. The title references the Aztec "New Fire" ceremony, symbolizing renewal and transformation. The composition features driving percussion, energetic brass, and lyrical melodies, creating a dynamic and festive atmosphere.

"Some days in Summit County feel like a celebration just for being alive."

Conga del Fuego Nuevo by Arturo Márquez (b. 1950) is a vibrant orchestral work that fuses Afro-Cuban rhythms with Mexican musical traditions. Drawing inspiration from

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Inspiration WEDNESDAY, JULY 30 x 6:00 PM Q RIVERWALK CENTER FEATURING JoAnn Falletta, conductor (pg. 67) Thomas Ryskamp, piano (pg. 87)

ON THE PROGRAM ZYM AN Encuentros S A INT-SAË N S Piano Concerto No. 4, Op. 44, C minor Thomas Ryskamp, piano I. Allegro moderato – Andante II. Allegro vivace – Andante – Allegro ̶ INTERMIS S ION ̶ RI MSKY-KOR S A KOV Scheherazade, Op. 35 1. The Sea and Sinbad's Ship 2. The Tale of Prince Kalendar 3. The Young Prince and the Princess 4. The Festival at Bagdad; The Sea; Ship Breaks upon a Cliff Surmounted by a Bronze Horseman

TONIGHT’S PARTNER This concert benefits music nonprofits in Summit County: Alpenglow Chamber Music Festival, Summit Choral Society, and Summit Concert Band.

SPECIAL RECOGNITION Outstanding Community Service Award: Climax Molybdenum Company (pg. 8)

ABOUT THE PROGRAM Surrounded by the pristine beauty of Summit County, it's easy to feel inspiration take hold. There are moments in the mountains when something stirs within—a sweeping view, a rousing conversation, an encounter with wildlife—and suddenly, we’re moved to dream bigger. "Discover Inspiration" brings together music that speaks to the mind and heart with clarity and brilliance. From dynamic contrasts and cross-cultural threads to radiant storytelling and sweeping emotional arcs, these pieces remind us of the power of creativity to transform, uplift, and connect us across time and place.

Encuentros by Samuel Zyman (b. 1956) explores the idea of “encounters”—both musical and cultural. The title, Spanish for “encounters” or “meetings,” reflects the composer’s Mexican heritage and his interest in the intersection of diverse musical traditions. Composed in 1993, the piece features propulsive rhythms, bold harmonies, and rich textures that create a vibrant sense of momentum and contrast. Drawing from both Latin American idioms and contemporary classical language, Encuentros captures the energy of a bustling dialogue—at times conversational, at others confrontational, always dynamic. Zyman’s orchestration is colorful and assertive, with sections of driving percussion, lyrical woodwinds, and brass that punctuate with power and precision.

The music unfolds in a single movement, but within it are a series of shifting moods and motifs, reflecting the complex nature of encounters: joyful, tense, surprising, and transformative. With its expressive range and rhythmic vitality, Encuentros is a compelling example of cross-cultural conversation through music. It celebrates the ways we come together—through ideas, through conflict, through harmony—and how those meetings, whether musical or human, shape and enrich our shared experience.

Piano Concerto No. 4 by Camille Saint-Saëns (1835-1921) is one of his most original and structurally inventive works. Composed in 1875, the concerto departs from traditional form by unfolding in two large movements, each containing multiple contrasting sections that flow seamlessly into one another. This creates a sense of continuous

IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS SEASON UNDERWRITERS Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

SERIES UNDERWRITERS Anonymous Robert and Cynthia Benson Reggie and Pamela Gray Family Joan Manley Houlton Bonnie Kirschenbaum

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Patrice and Ron Lara Pat and Steve Larson Helen Lemay Michael Molloy Dave Pfeifle Pam Piper Yeung Sally and Bruce Queen Debra Fox and Dr. Jules Rosen Juliet Whitcomb and Elliot Schrage Alan and Kathy Sonnanstine Barbara and David Weaver

CONCERT UNDERWRITERS Elizabeth Hainen and Dave DePeters Janey and Russ Trowbridge

CONCERT SPONSOR Beaver Run Resort & Conference Center *deceased

JULY 30 | Discover... Inspiration

Scan to read expanded program notes and composer features. development and narrative, rather than the standard threemovement concerto structure. The piano writing is both virtuosic and lyrical, showcasing Saint-Saëns’ remarkable skill as a pianist and composer. The work balances brilliant passages of technical display with moments of poetic introspection, set against rich and dynamic orchestral textures. The concerto’s dramatic intensity is heightened by its recurring themes, which are transformed and reintroduced throughout, giving the piece a sense of unity and purpose. Though not as frequently performed as his Second Concerto, the Fourth remains a unique and deeply rewarding work—both for performers and audiences.

Scheherazade by Nikolai Rimsky-Korsakov (1844-1908) is a dazzling symphonic suite inspired by the tales of One Thousand and One Nights. Composed in 1888, the work combines exoticism, storytelling, and brilliant orchestration into a vivid musical journey. Rather than telling specific stories, Rimsky-Korsakov evokes the mood and spirit of the legendary Scheherazade, the clever storyteller who spins captivating tales to delay her execution by a vengeful sultan.

Her voice is represented throughout the piece by a recurring solo violin melody—graceful, lyrical, and ever-evolving. The suite unfolds in four movements, each suggesting a different adventure at sea or in distant lands, featuring swashbuckling shipwrecks, romantic interludes, and bustling marketplaces.

Rimsky-Korsakov, a master orchestrator, uses the full palette of the orchestra to bring these scenes to life, layering

glittering textures, colorful harmonies, and dynamic contrasts. From sweeping strings to bold brass fanfares, the music is rich with fantasy and imagination. Scheherazade is a celebration of storytelling itself—how music can ignite the imagination, build suspense, and transport us to places far beyond the concert hall.

"There are moments in the mountains when something stirs within ... and suddenly, we’re moved to dream bigger."

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Joy SATURDAY, AUGUST 2 x 6:00 PM Q RIVERWALK CENTER FEATURING Michael Stern, conductor (pg. 66) William Cabison, conductor (pg. 69) Helen Freeman, flute (pg. 82) Peter Davies, oboe (pg. 82) Jenna Zelasko, trumpet (pg. 86)

ON THE PROGRAM S I ERRA Alegriá William Cabison, conductor PRO KOF IEV Classical Symphony, Op. 25 (Symphony No. 1) William Cabison, conductor I. Allegro con brio II. Larghetto III. Gavotte: Non troppo allegro IV. Finale: Molto vivace B ARBER Capricorn Concerto Helen Freeman, flute Peter Davies, oboe Jenna Zelasko, trumpet I. Allegro ma non troppo II. Allegretto III. Allegro con brio ̶ INTERMIS S ION ̶ B EETHOVEN Symphony No. 7, Op. 92, A major I. Poco sostenuto - Vivace II. Allegretto III. Presto IV. Allegro con brio

SPECIAL RECOGNITION Outstanding Volunteers of the Year Award: Kathy and John Landon (pg. 8) 60

NATIONAL REPERTORY ORCHESTRA

ABOUT THE PROGRAM Joy has a way of showing up in the little moments: sun-warmed trails, spontaneous laughter, or music shared under an open sky.

"Discover Joy" captures that feeling with a program that sparkles with energy and warmth. This evening’s program dances through festive rhythms and bursts of brightness, and concludes with a powerful celebration of vitality that seems to build and build until it carries us all with it. In Summit County, people come to feel that kind of joy. It’s not something you chase; it finds you in the freedom of the mountains and the magic of a shared experience.

Alegriá by Roberto Sierra (b. 1953) captures the spirit of joy and celebration. The Spanish word “alegría” translates to “joy” or “happiness,” and Sierra channels this emotion through energetic dance rhythms, bold harmonies, and a brilliant palette of instrumental color. Drawing on his Puerto Rican heritage and a wide array of Latin American musical influences, the piece blends traditional Caribbean syncopation with contemporary classical technique, resulting in a work that feels both festive and sophisticated. Percussion plays a central role, propelling the music forward with dynamic momentum, while melodies swirl through the orchestra in joyful dialogue. The piece unfolds in a single, continuous movement, building layers of rhythm and texture that burst with life and movement. Alegría is more than just a celebration—it’s a statement of cultural pride and creative freedom.

Classical Symphony by Sergei Prokofiev (1891-1917) is a sparkling homage to the clarity and charm of the Classical era, particularly the style of Haydn. Written during a time of political upheaval in Russia, the symphony is surprisingly lighthearted and elegant, filled with wit, grace, and rhythmic vitality. Prokofiev aimed to write a symphony that could have been composed in the 18th century, but with his own modern sensibilities woven in. The result is a four-movement work that balances classical form with unexpected twists in harmony and orchestration. The opening movement is bright and buoyant, the second offers lyrical sweetness, the third dances with a playful gavotte instead of a traditional minuet, and the finale bursts with energy and clever surprises.

IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS SEASON UNDERWRITERS Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

SERIES UNDERWRITERS Anonymous Robert and Cynthia Benson Reggie and Pamela Gray Family Joan Manley Houlton Bonnie Kirschenbaum

Patrice and Ron Lara Pat and Steve Larson Helen Lemay Michael Molloy Dave Pfeifle Pam Piper Yeung Sally and Bruce Queen Debra Fox and Dr. Jules Rosen Juliet Whitcomb and Elliot Schrage Alan and Kathy Sonnanstine Barbara and David Weaver

CONCERT UNDERWRITERS Janet and Brad Bradbury Kathy and John Landon

CONCERT SPONSOR Beaver Run Resort & Conference Center *deceased

AUGUST 2 | Discover... Joy

Scan to read expanded program notes and

"In Summit County, people come to feel that kind of joy. It’s not something you chase; it finds you in the freedom of the mountains and the magic of a shared experience."

Capricorn Concerto by Samuel Barber (1910-1981) is a neoclassical work for flute, oboe, trumpet, and strings, named after the house in Mount Kisco, New York, where Barber lived with composer Gian Carlo Menotti. Written during Barber’s time in the U.S. Army, the concerto draws

composer features. inspiration from Baroqueera concerto grosso forms, particularly those of Bach, but infuses them with 20thcentury harmony, rhythm, and wit. The three solo instruments engage in playful, conversational interplay with each other and the string orchestra, weaving in and out of the texture with crisp clarity and occasional bursts of brilliance.

Symphony No. 7 by Ludwig van Beethoven (1770-1827) premiered in 1813 and was an immediate success, praised for its vitality and emotional force. Each of the four movements pulses with distinctive rhythmic momentum, leading Richard Wagner to famously call it “the apotheosis of the dance.” The second movement, a solemn and haunting Allegretto, provides a contemplative contrast to the otherwise exuberant character of the work and has become one of Beethoven’s most beloved slow movements.

The outer movements surge forward with joy and power, full of bold harmonies, surging crescendos, and driving rhythms. The final movement, in particular, is a whirlwind of kinetic energy, bringing the symphony to a thrilling conclusion. Symphony No. 7 captures Beethoven at his most rhythmically inventive and emotionally expansive—an ode to life, movement, and unstoppable momentum.

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Rejuvenation WEDNESDAY, AUGUST 6 x 6:00 PM Q RIVERWALK CENTER FEATURING Michael Stern, conductor (pg. 66) Spencer Stover, violin (pg. 76)

ON THE PROGRAM CO PL AND Appalachian Spring: Suite PI A Z ZOL L A Cuatro Estaciones Portoñas (“The Four Seasons of Buenos Aires”), arr. Desyatnikov Spencer Stover, violin III. Primavera Porteño (“Buenos Aires Spring”) VIVAL DI Le Quattro Stagioni (“The Four Seasons”), Op. 8 Spencer Stover, violin I. La primavera (“Spring”), RV 269 ̶ INTERMIS S ION ̶

ABOUT THE PROGRAM To be in Summit County is to feel the world reset, like fresh snow melting into spring or a breath finally released at the top of a long hike. In this place, many find rejuvenation in the simple act of disconnecting—making space for stillness, clarity, and a slower pace of life. "Discover Rejuvenation" brings that sense of renewal to life through music that blossoms, breathes, and awakens. Drawing inspiration from nature’s rhythms and the seasons of life, each piece on tonight’s program offers a fresh beginning and a reminder that energy can be reborn again and again.

Appalachian Spring by Aaron Copland (1900-1990) is a quintessentially American work that captures the open spirit and quiet strength of rural life. Originally composed in 1944 as a ballet for choreographer Martha Graham, the piece was later adapted into an orchestral suite that has become one of Copland’s most beloved compositions. The music evokes a sense of spaciousness and simplicity, with gentle harmonies, clear textures, and melodies that feel both timeless and familiar. Set in 19th-century Pennsylvania, the story centers on a young pioneer couple building a life together— an idea reflected in the music’s blend of hope, determination, and grace. One of its most memorable moments is the use of the Shaker hymn “Simple Gifts,” which Copland weaves into a powerful expression of gratitude and humility. Appalachian Spring remains a moving portrait of renewal and possibility, capturing the landscape, values, and optimism at the heart of the American imagination.

"Buenos Aires Spring" from Cuatro Estaciones Portoñas by Astor Piazzolla (1921-1992) is one of four tangos from Piazzolla's Cuatro Estaciones Porteñas. It is a bold and evocative reimagining of Vivaldi’s famous seasons through the lens of Argentine tango. Composed in the late 1960s, this movement captures the energy, unpredictability, and vibrant spirit of spring in the bustling city of Buenos Aires.

Unlike traditional depictions of nature’s renewal, Piazzolla’s spring is urban and edgy—full of shifting rhythms, sharp contrasts, and passionate gestures. The music blends tango’s rhythmic intensity with elements of jazz and classical style, creating a distinctive voice

S CHUMA N N Symphony No. 1, Op. 38, B-flat major (“Spring”) I. Andante un poco maestoso; Allegro molto vivace II. Larghetto III. Scherzo: Molto vivace IV. Allegro animato e grazioso

IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS SEASON UNDERWRITERS Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

Bonnie Kirschenbaum Patrice and Ron Lara Pat and Steve Larson Helen Lemay Michael Molloy Dave Pfeifle Pam Piper Yeung Sally and Bruce Queen Debra Fox and Dr. Jules Rosen Juliet Whitcomb and Elliot Schrage Alan and Kathy Sonnanstine Barbara and David Weaver

SERIES UNDERWRITERS

CONCERT UNDERWRITERS

Anonymous Robert and Cynthia Benson Reggie and Pamela Gray Family Joan Manley Houlton

CONCERT SPONSOR

Shari and Chris Dorton

Beaver Run Resort & Conference Center *deceased

62

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AUGUST 6 | Discover... Rejuvenation

Scan to read expanded program notes and that is both deeply personal and unmistakably modern.

Originally written for Piazzolla’s quintet, the piece has since been arranged for solo violin and string orchestra by Leonid Desyatnikov, who cleverly weaves in subtle quotations from Vivaldi’s Spring. The result is a lively and layered work that celebrates both tradition and reinvention.

"In this place, many find rejuvenation in the simple act of disconnecting— making space for stillness, clarity, and a slower pace of life."

"Spring" from Le Quattro Stagioni by Antonio Vivaldi (16781741) opens the cycle of four violin concertos that musically depict the changing seasons in Vivaldi's iconic work. “Spring”

composer features. bursts to life with bright, dancing rhythms and cheerful melodies that evoke birdsong, blooming flowers, and the freshness of new beginnings. Vivaldi’s writing is rich with imagery, guided by a poetic sonnet (possibly written by the composer himself) that accompanies the score. In the first movement, birds sing and gentle breezes blow; the second movement offers a serene scene of a sleeping shepherd, while the third brings the spirited energy of a countryside celebration. The solo violin plays with agility and brightness, weaving through the textures of the orchestra like sunlight through new leaves.

Symphony No. 1 by Robert Schumann (1810-1856) was composed in 1841 during a burst of creative energy early in his marriage to Clara Wieck, the symphony reflects Schumann’s deep emotional life and poetic imagination.

Inspired by a line from a poem by Adolf Böttger about the arrival of spring, the symphony opens with a bold brass fanfare that suggests the breaking of winter’s grip. The four movements are filled with freshness and rhythmic vitality, often evoking the natural world through musical gesture and mood. The second movement offers a gentle, lyrical interlude, while the scherzo dances with cheerful energy. The finale surges forward with exuberance and light. Schumann’s orchestration is colorful and expressive, and the work as a whole is a joyful declaration of life’s renewal and creative possibility.

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Awe SATURDAY, AUGUST 9 x 6:00 PM Q RIVERWALK CENTER FEATURING Michael Stern, conductor (pg. 66) Winner(s) of the Concerto Competition

ON THE PROGRAM M OZ ART Symphony No. 39, K. 543, E-flat major I. Adagio - Allegro II. Andante con moto III. Menuetto: Allegretto IV. Allegro Concerto TBD Winner(s) of the Concerto Competition ̶ INTERMIS S ION ̶ M USSO RG S KY Pictures at an Exhibition, arr. Ravel Promenade 1. Gnomus (“The Gnome”) Promenade 2. The Old Castle Promenade 3. Tuileries 4. Bydło (“Cattle”) Promenade 5. Ballet of the Chicks in Their Shells 6. Samuel Goldenberg and Schmuÿle 7. Limoges 8. Catacombs Cum mortuis in lingua mortua (“With the Dead in a Dead Language”) 9. The Hut on Fowl's Legs 10. The Great Gate of Kiev

ABOUT THE PROGRAM Standing beneath a sky full of shimmering stars or gazing across mountaintops from a field of wildflowers, awe has a way of stopping us in our tracks. "Discover Awe" channels that sense of grandeur and wonder into music that expands our perspective and deepens our sense of presence. Tonight’s works move from noble elegance to vivid, visual storytelling that builds toward a breathtaking finale— one that leaves us not just moved, but transformed by the scale and splendor of what we’ve heard. It is a fitting finale to a season devoted to exploration and discovery. Just as visitors come to Summit County seeking new experiences and broader horizons, this concert brings the season to a close by reminding us of the power of music—and nature—to shift our perspective, stir our emotions, and leave us changed.

Symphony No. 39 by Wolfgang Amadeus Mozart (1756-1791) is a work of elegance, warmth, and masterful craftsmanship.

Composed in 1788, it is the first of his final three symphonies, all written within a remarkably short span of time. Though it lacks the dramatic nickname of its companions (Symphonies Nos. 40 and 41), No. 39 is no less extraordinary. It opens with a majestic slow introduction—bold, noble, and expansive—that leads into an Allegro filled with lightness and grace. The symphony is notable for its absence of oboes, giving the winds a uniquely rich color, particularly in the clarinet writing. The second movement unfolds with tender lyricism and gentle melancholy, while the third—a refined minuet— includes a rustic and charming trio featuring an expressive Ländlerlike theme in the woodwinds. The finale is joyful and energetic, showcasing Mozart’s wit and seemingly effortless invention. Despite being written during a time of personal and financial difficulty, the symphony radiates optimism and vitality. It is a celebration of balance, clarity, and emotional nuance. Symphony No. 39 stands as a brilliant example of Mozart’s maturity as a symphonist, offering a perfect synthesis of classical form, emotional depth, and luminous beauty.

IN RECOGNITION AND GRATITUDE OF TONIGHT’S UNDERWRITERS SEASON UNDERWRITERS Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

Bonnie Kirschenbaum Patrice and Ron Lara Pat and Steve Larson Helen Lemay Michael Molloy Dave Pfeifle Pam Piper Yeung Sally and Bruce Queen Debra Fox and Dr. Jules Rosen Juliet Whitcomb and Elliot Schrage Alan and Kathy Sonnanstine Barbara and David Weaver

SERIES UNDERWRITERS

CONCERT UNDERWRITERS

Anonymous Robert and Cynthia Benson Reggie and Pamela Gray Family Joan Manley Houlton

CONCERT SPONSOR

Linda Dameron and Leonard Himes Mark and Barbara Puccia

Beaver Run Resort & Conference Center *deceased

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AUGUST 9 | Discover... Awe

Scan to read expanded program notes and composer features.

Pictures at an Exhibition by Modest Mussorgsky (1839-1881) is a powerful and imaginative suite originally composed for solo piano in 1874 and later famously orchestrated

by Maurice Ravel in 1922. The piece was inspired by a memorial exhibition of artworks by Mussorgsky’s friend, the Russian painter Viktor Hartmann. Each movement depicts a different artwork, with the recurring Promenade theme representing the composer himself walking through the gallery, pausing to reflect on each piece before moving to the next.Ravel’s orchestration transformed the suite into a dazzling orchestral showpiece, highlighting its vivid character scenes with brilliant instrumental color. The movements range from the playful and delicate (“Ballet of the Unhatched Chicks”) to the eerie and grotesque (“The Hut on Fowl’s Legs” or “Baba Yaga”). The suite concludes with the majestic and triumphant “The Great Gate of Kiev,” a grand finale that builds to a powerful, awe-inspiring climax. Mussorgsky’s music blends drama, humor, and pathos, capturing not just the images but the emotional responses they evoke.

Ravel’s colorful instrumentation brings the scenes fully to life, allowing listeners to hear bells, chatter, footsteps, and more through orchestral texture. Pictures at an Exhibition remains one of the most beloved and frequently performed orchestral works, a masterful celebration of imagination, memory, and the interplay between visual art and music.

It invites audiences to become visitors in a sonic gallery, experiencing a rich blend of fantasy, culture, and emotion through Mussorgsky’s uniquely expressive voice.

"This concert brings the season to a close by reminding us of the power of music—and nature—to shift our perspective, stir our emotions, and leave us changed."

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Music Director Michael Stern Conductor Michael Stern has long been devoted to building and leading highly acclaimed orchestras known not only for their impeccable musicianship and creative programming, but also for collaborative, sustainable cultures that often include a vision of music as service to the community. He also is passionate about working with young musicians not only in music making, but also to incorporate the idea of “service” into their experiences as they become the artists and advocates of the future who will take classical music into the 21st century and beyond.

Stern is Music Director of the National Repertory Orchestra and Orchestra Lumos (formerly the Stamford Symphony). He is Music Director Emeritus of the Kansas City Symphony where he just concluded his 19-year tenure at the end of the 20232024 season. He co-founded Iris Orchestra in 2000 and was Founding Artistic Director and Principal Conductor until 202122, when he had planned to step down from his post. After his departure, he now serves as Artistic Advisor to the newly reimagined Iris Collective.

As part of his ongoing activities to engage and mentor young musicians, he was asked by Yo-Yo Ma to be the Music Director of YMCG, Youth Music Culture Guangdong, where he and Ma worked with students and young professionals in partnership with the Guangzhou Symphony Orchestra. He has also been invited to the National Orchestral Institute, Music Academy of the West, and has been a regular guest at the Aspen Music Festival and School, where he also worked with students at the American Academy of Conducting at Aspen.

Stern’s illustrious American conducting engagements have included the Boston Symphony at Tanglewood, the Chicago Symphony at Ravinia, the Atlanta Symphony, and the Minnesota Orchestra. He debuted with the New York Philharmonic in 1986, and has served as guest conductor with the Philadelphia Orchestra. Internationally, he has led major orchestras in London, Stockholm, Paris, Helsinki, Budapest, Israel, and Moscow, Taiwan, and Tokyo. Stern has been Chief Conductor of Germany’s Saarbrücken Radio Symphony Orchestra (the first American chief conductor in the orchestra’s history), Principal Guest Conductor of the Orchestre National de Lyon in France, and Principal Guest Conductor of the Orchestre National de Lille, France.

Stern received his music degree from the Curtis Institute of Music in Philadelphia, where his primary teacher was the noted conductor and scholar Max Rudolf. Stern is a 1981 graduate of Harvard University, where he earned a degree in American history.

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Special Guests Multiple GRAMMY® Award-winning conductor JoAnn Falletta serves as Music Director of the Buffalo Philharmonic, Music Director Laureate of the Virginia Symphony, Principal Guest Conductor of the Brevard Music Center, and Conductor Laureate of the Hawaii Symphony. She was named one of the 50 great conductors of all time by Gramophone Magazine and ASCAP has honored her as “a leading force for music of our time.”

JOANN FALLETTA Guest Conductor

As Music Director of the Buffalo Philharmonic, Falletta became the first woman to lead a major American orchestra. She has guest-conducted over a hundred orchestras in North America, and many of the most prominent orchestras in Europe, Asia, and South America. With a discography of over 135 titles, Falletta is a leading recording artist for Naxos. She has won two individual GRAMMY® Awards, for Richard Danielpour’s “The Passion of Yeshua” with the BPO and Spiritualist by Kenneth Fuchs with the London Symphony. Her Naxos recording of John Corigliano’s Mr. Tambourine Man with the BPO received two GRAMMY® Awards. Her Scriabin recording with the BPO is nominated for a 2024 GRAMMY® Award for Best Orchestral Performance.

Falletta is a member of the esteemed American Academy of Arts and Sciences, has served by presidential appointment as a Member of the National Council on the Arts during the George W. Bush and Obama administrations and is the recipient of many of the most prestigious conducting awards. She has conducted over 1,700 orchestral works by 600-plus composers, (continued pg. 72)

Giancarlo Guerrero is a six-time GRAMMY® Award-winning conductor whose imaginative programming and “curatorial and interpretive creativity” (Chicago Tribune) draw out of his orchestras “exceptionally powerful and enchanting performances” (BBC Music Magazine).

The 2024-25 season marks Guerrero’s sixteenth and final season as Music Director of the Nashville Symphony, with whom he commissioned and premiered nearly two dozen pieces and released twenty-one commercial recordings, garnering thirteen GRAMMY® nominations and six GRAMMY® Awards. Guerrero will serve as Music Director Designate of Sarasota Orchestra in 2024-25 and becomes Music Director in the 2025-26 season.

GIANCARLO GUERRERO Guest Conductor

Guerrero has been a frequent guest conductor in North America, performing with the New York Philharmonic, Chicago Symphony, National Symphony Orchestra, San Francisco Symphony, and the orchestras of Boston, Baltimore, Cleveland, Cincinnati, Dallas, Detroit, Indianapolis, Los Angeles, Milwaukee, Montréal, Philadelphia, Seattle, Toronto, Vancouver, and Houston. Internationally he has led orchestras in Germany, London, Spain, Portugal, France, Brazil, Belgium, Italy, the Netherlands, New Zealand and Australia.

Guerrero made several recordings with the NFM Wrocław Philharmonic – where he served as Music Director for six seasons – including the Billboard charttopping Bomsori: Violin on Stage on Deutsche Grammophon. (continued pg. 72)

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Special Guests Celebrated for his “imagination, devotion and supreme musicianship” (Los Angeles Times), Jeffrey Kahane is now in the fifth decade of an expansive and eclectic musical career. As a pianist, conductor and scholar, his career highlights run the gamut from concertos with the New York Philharmonic and San Francisco Symphony, to recitals with Yo-Yo Ma and Joshua Bell, and European tours at the podium of the Los Angeles Chamber Orchestra, along with countless lectures and artistic collaborations. Kahane is currently Music Director of both the San Antonio Philharmonic and the Sarasota Music Festival.

During the 2024-2025 season, Kahane conducts the San Antonio Philharmonic in more than a dozen performances, including a special series of concerts featuring the GRAMMY®-winning vocal band Roomful of Teeth, an artistic partner to the orchestra. He also performs as a piano soloist in programs including an engagement at Northwestern University, where he is featured in a program with his son, composer Gabriel Kahane.

JEFFREY KAHANE Guest Conductor

During his 20 seasons as Music Director of the Los Angeles Chamber Orchestra, he led the orchestra on tours of the United States and Europe. He was instrumental in the creation of several new series. In addition to the dozens of works commissioned or premiered by the orchestras where he has served as music director, Kahane has premiered piano concertos written for him by composers Kevin Puts and Andrew Norman. He has also given multiple performances of Heirloom, a new concerto written for him (continued pg. 72)

Jason Seber is known for his inviting and engaging approach on and off the podium. A strong believer in the eclectic experiences which today’s symphony orchestras offer their communities, he strives to make music of many genres and styles accessible, relevant, and meaningful to diverse audiences across the country.

JASON SEBER Guest Conductor

Seber has conducted many leading American orchestras, including the Baltimore, Colorado, Detroit, Houston, Indianapolis, Kansas City, Milwaukee, Nashville, National, North Carolina, Phoenix, San Diego, and St. Louis Symphony, the Louisville and Minnesota Orchestra, the Buffalo Philharmonic, and the Cincinnati Pops, among others. Upcoming performances include debuts with the Oregon Symphony and the Dallas Symphony. Seber has conducted over 25 full feature films and has had the pleasure of performing with a wide range of artists including Patti Austin, Mason Bates, Andrew Bird, Boyz II Men, Ashley Brown, Melissa Etheridge, Ben Folds, Cody Fry, Renee Elise Goldsberry, Indigo Girls, Wynonna Judd, Lyle Lovett, Katharine McPhee, Natalie Merchant, Brian Stokes Mitchell, My Morning Jacket, Leslie Odom Jr., Aoife O’Donovan, Pink Martini, Ben Rector, Stephen Schwartz, Doc Severinsen, Violent Femmes, and Bobby Watson.

Seber served as associate conductor of the Kansas City Symphony from 2016 to 2022. In this position he led the Symphony (continued pg. 72)

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Special Guests Through his more than four decades as the NRO’s music director and conductor, Carl Topilow has influenced and nurtured countless young musicians and aspiring conductors. In his new role as Conductor Laureate, he is remaining active with the organization and enjoying his work with music director Michael Stern.

Topilow is the founding conductor of the Cleveland Pops Orchestra and music director and conductor of the Firelands Symphony Orchestra in Sandusky, Ohio.

Past positions have included conductor and director of the orchestral program at the Cleveland Institute of Music, and principal pops conductor with the Toledo Symphony, Southwest Florida Symphony and Mansfield Symphony. He has served as guest conductor for 133 different orchestras in 37 states and 12 foreign countries, invariably finding NRO alumni wherever his travels take him.

CARL TOPILOW Music Director Laureate

Carl’s book, The Orchestral Conductor’s Career Handbook, published by Rowman and Littlefield, is now available through rowman.com and carltopilow.com.

Containing abundant references to his work with the NRO, it has been endorsed by past NRO guest conductors Leonard Slatkin, JoAnn Falletta, Gerard Schwarz, Giancarlo Guerrero, Miguel Harth-Bedoya, and others. During the past several months, Carl has or will host and serve as instructor for three workshops for orchestral conductors in Cleveland. (continued pg. 72)

Hometown Los Angeles, California Education UCLA Herb Alpert School of Music, Bachelor of Arts (2017) Mannes School of Music, Master of Music (2023) JULIET WHITCOMB AND ELLIOT SCHRAGE CHAIR

WILLIAM CABISON Conductor Fellow

William Cabison’s roles include Conducting Fellow at the Buffalo Philharmonic Orchestra, Assistant Music Director at New York University, and Guest Conductor at Mannes Opera. They have guest conducted at Lincoln Center, as well as with the Buffalo Philharmonic Orchestra and the Los Angeles Philharmonic, and received the Carl Schachter Award in Conducting from the Mannes School of Music and the Dean’s Medal from the UCLA Herb Alpert School of Music.

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Special Guests A performer since the age of five, Connor studied opera at the Eastman School of Music in New York, and has since toured the globe as a professional performer.

Notable theater performances have included leading roles in Miss Saigon (Chris), West Side Story (Tony), Sweeney Todd (Anthony), Rock of Ages (Stacee Jaxx), The Last Five Years (Jamie), Company (Bobby), Joseph and The Amazing Technicolor Dreamcoat (Joseph), Forever Plaid (Sparky), as well as Altar Boyz (Abraham).

CONNOR BOGART Vocalist

A native of Northeast Ohio, Connor decided to leave the violin behind to study vocal performance/opera at the prestigious Eastman School of Music in New York (U. S. News and World Report ranked #1 Music Conservatory in America 20102012) under the direction of Dr. Robert McIver. During his time at Eastman, he was a member of the nationally ranked male acappella group, The University of Rochester Yellowjackets, (as seen on NBC's "The Sing Off") as a featured soloist.

After recording several award winning albums with the group, he executive produced Yellowjacket albums was a national finalist for the world famous vocal band Rockapella in their search for a new second tenor.

Connor has been a guest artist with The Charlotte Symphony, The Fort Worth Symphony, the National Repertory Orchestra, The Cleveland Pops, The Symphony of Southeast Texas, The Detroit Symphony Orchestra, The Rochester Philharmonic, The Toledo Symphony, (continued pg. 72)

Natalie is a graduate of Point Park University’s Conservatory of Performing Arts and member of Actors’ Equity Association.

Regionally, Natalie has worked with dozens of theatres, with leading roles in plays, musicals, classical & devised theatre. She is a regular voiceover artist with American Greetings and has taught dialects and acting at Beck Center. As a vocalist, she boasts a 3-octave range (C3-C6; belt to G5).

Natalie is the Lead Singer/Manager for Grand Avenue Band and owner of Au Reve Entertainment.

NATALIE GREEN Vocalist

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Special Guests Carole-Anne Roussel is a Quebec soprano, appreciated for the purity and flexibility of her voice, and her natural stage presence. Recipient of the prestigious Prix d'Europe in 2021 and winner of the Queen Elisabeth Competition of Belgium in 2023, her mentor is Quebec soprano Hélène Guilmette, and she has also been an artist in residence at the Queen Elisabeth Music Chapel of Belgium under the tutelage of José Van Dam. She holds a master's degree with distinction from the Conservatoire de musique de Québec, where she studied with mezzosoprano Sonia Racine and vocal coach Martin Dubé.

CAROLE-ANNE ROUSSEL Vocalist

In recent years, she has held roles such as Norina in Don Pasquale at ItalfestMTL, Leïla in Bizet's Les Pêcheurs de Perles with Jeunesses Musicales Canada, Countess Adèle in Le Comte Ory with Tempêtes et Passions, the Little Match Girl in Three Tales from Andersen with the Quebec Opera Festival, Echo in Ariadne auf Naxos at Highlands Opera Studio, Helena in A Midsummer Night's Dream at Opera NUOVA, Laurette in The Miracle Doctor at La Relève Musicale de Québec, and Annina in The Saint of Bleecker Street at the Conservatoire de musique de Québec. Over the past two years, she has performed as a soloist with the Québec Symphony Orchestra in Mahler’s 4th Symphony, with the Montreal Youth Symphony Orchestra under the direction of Louis Lavigueur, with Appassionato in Barber’s Knoxville, with Le Concert d’Anvers in (continued pg. 72)

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JoAnn Falletta, continued

including over 135 works by more than 70 women. Credited with performing more than 150 world premieres, ASCAP has honored her as “a leading force for music of our time”. In 2019, JoAnn was named Performance Today’s first Classical Woman of The Year, calling her a “tireless champion,” and lauding her “unique combination of artistic authority and compassion, compelling musicianship and humanity.”

After earning her bachelor’s degree at Mannes, Falletta received master’s and doctoral degrees from The Juilliard School. Learn more at joannfalletta.com.

Giancarlo Guerrero, continued

He has also held posts as Principal Guest Conductor of The Cleveland Orchestra, Miami Residency and the Gulbenkian Symphony in Lisbon; Music Director of the Eugene Symphony, and Associate Conductor of the Minnesota Orchestra.

Born in Nicaragua, Guerrero immigrated during his childhood to Costa Rica, where he joined the local youth symphony. He studied percussion and conducting at Baylor University and earned his master’s degree in conducting at Northwestern. Guerrero is particularly engaged with conducting training orchestras and has worked with the Curtis School of Music, Colburn School in Los Angeles, National Youth Orchestra (NYO2), and Yale Philharmonia, as well as Nashville Symphony’s Accelerando program and biannual Composer Lab & Workshop for young and emerging composers.

Learn more at giancarlo-guerrero.com.

Jeffrey Kahane, continued

by Gabriel Kahane, as a way of tracing the connections between music and three generations of family history.

When not on the road, he teaches a small class of gifted pianists and coaches chamber music at the University of Southern California’s Thornton School of Music, and occasionally guest conducts the USC Thornton Symphony. Learn more at jeffreykahane.net.

orchestra. Carl’s hobbies include reading, foreign languages, travel, golf, spectator sports, and especially enjoys his time with his two grandchildren, Edie and Arlo.

Topilow is proud of the accomplishments of his NRO assistant conductors. The orchestras with which they have held or hold positions include the Annapolis Symphony, Baltimore Symphony, Binghamton (NY) Symphony, Boise Philharmonic, Buffalo Philharmonic, Cincinnati Symphony, Cleveland Orchestra, Colorado Symphony, Columbus (OH) Symphony, Evansville Philharmonic, Houston Symphony, Illinois Philharmonic, Indianapolis Symphony, Kansas City Symphony, Limoges (France) Opera, Louisville Orchestra, Naples Philharmonic, New Haven Symphony, Quad Cities Symphony, Richmond Symphony, Santa Fe Symphony, Seattle Symphony, Springfield (MA) Symphony, St. Paul Chamber Orchestra, Symphony of Northwest Arkansas, Symphony in C, Symphony of Southeast Texas, Thunder Bay Symphony, and Toledo Symphony.

Connor Bogart, continued

The Mansfield Symphony, The New Haven Symphony, The Akron Symphony, The Rappahannock Pops, The Youngstown Symphony, Music In The Mountains (The Dallas Symphony), The Firelands Symphony, and the Cleveland Orchestra. He has served as executive music supervisor and composer to The Discovery Channel for their series, The Kustomizer, and as a songwriter, has had several of his original songs featured on national television, including MTV, ABC, TNT and ESPN. He has since toured the U.S, and along with his band, has performed as the opening act on over 20 national tours, including Ashlee Simpson, Huey Lewis and The News, Rick Springfield, Hall & Oates, and Mariah Carey. Connor performs on tour with Neil Zaza's One Dark Night Rock Symphony, as well as a headlining act on Princess, Holland America, Celebrity and Royal Caribbean cruise lines with his group "The Matinee Idols," and as the Guest Rock Tenor in Princess' Cruises newest production show, "Rock Opera".

Carole-Anne Roussel, continued Jason Seber, continued

in over 300 performances on the Classical, Pops, Classics Uncorked, Family, Film + Live Orchestra, Education, and Christmas Festival series. He also served as co-host for the Symphony’s podcast, “Beethoven Walks into a Bar.” Prior to Kansas City, Seber was the education and outreach conductor at the Louisville Orchestra from 2013 to 2016 and music director of the Louisville Youth Orchestra from 2005 to 2016.

A passionate advocate for music education, Seber has led the Honors Performance Series Orchestra in concert at Carnegie Hall, Sydney Opera House, and Royal Festival Hall in London. He is a frequent guest conductor of the National Repertory Orchestra each summer and he has served as the All-State Orchestra conductor for Georgia, Kansas, Missouri, and Pennsylvania.

Carl Topilow, continued

Topilow’s wife Shirley is the President and CEO of the Cleveland Pops Orchestra. Their daughter Jenny, an NRO alumna from the 2001 and 2003 seasons, is a violinist with the Charlotte Symphony Orchestra. Their daughter Emily is a marketing specialist at the Cleveland Clinic and performs as violinist with a local community

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Mendelssohn’s A Midsummer Night’s Dream, with the Vlaams Radiokoor in Dvořak’s Stabat Mater, and at the Les mots/maux d’amour gala at the Opéra de Québec under the baton of JeanMarie Zeitouni. She has previously performed with the Orchestre de l’Estuaire, with the Orchestre symphonique de Lévis in Haydn’s Paukenmesse, and with the Rhapsodes Choir in Mozart’s Requiem.

She is also very active in several organizations in Quebec City, including Tempêtes et Passions, La Relève Musicale de Québec, and Ensemble Renouveau.

During her career, she has also participated in workshops and programs for young artists, such as Domaine Forget in Saint-Irénée, CSNY in June in New York, the Orford Arts Centre, the Canadian Vocal Arts Institute in Montreal, Highlands Opera Studio in Ontario, Opera NUOVA in Alberta, as well as workshops at La Monnaie Opera in Brussels and workshops organized by Tempêtes et Passions in Quebec City. Carole-Anne is a recipient of scholarships from the Prix d'Europe, the Conseil des Arts et des Lettres du Québec, the HansJürgen Greif Foundation, the Sandra and Alain Bouchard Fund, and the Jeunesses Musicales Canada AIDA Fund.

Alumni String Quartet From Columbia, Missouri, Solveig is currently pursuing her master's degree at the University of Michigan studying with David Halen. She previously studied with Gerardo Ribeiro at Northwestern University. Solveig holds a section violin position with Ann Arbor Symphony. An advocate for accessible music education, Solveig served as President of the Evanston Young Artists program in her time at Northwestern, which provides free lessons to underserved students in the Chicago area. Previously, she attended the Aspen Music Festival and School as a violin fellow.

SOLVEIG GEENEN violin From Bemidji, Minnesota, violinist Sadie Hamrin recently completed her first season as a New World Symphony fellow and began this summer season with the Spoleto Festival Orchestra. She spent the past two summers as co-concertmaster of the National Repertory Orchestra, appearing as a soloist under the direction of Michael Stern. She holds a MM from McGill University and BM from Baylor University. Sadie’s free time is most often spent running, in nature, or doing crafts.

SADIE HAMRIN violin

TYLER BRUGMANN

Tyler Joseph Brugmann, born in St. Louis, Missouri, began playing viola at the age 7. He received his Bachelor of Music degree in Viola Performance from Indiana University Bloomington Jacobs School of Music as a student respectively of both Edward Gazouleas and Stephen Wryczynski and a Bachelor of Arts degree in Spanish Linguistics. After completing his degrees, Tyler went on to study with both David Harding and Tatjana Chamis Mead at Carnegie Mellon University. He recently earned his Master’s Degree in Viola Performance as well as an Advanced Music Certificate. Tyler Brugmann is an active orchestral player, and continues to perform with Erie Philharmonic, Westmoreland Symphony Orchestra, Johnstown Symphony, Altoona Symphony, and Butler Symphony Orchestra.

viola

HALEY RASMUSSEN cello

From Willow Grove, Pennsylvania, Haley has just completed her first year of Master’s studies at the Indiana University Jacobs School of Music where she studies with Brandon Vamos. She currently plays with the Terre Haute Symphony Orchestra as Assistant Principal Cello II and subs with the Columbus Indiana Philharmonic. Haley was a previous student of Anne Martindale-Williams at Carnegie Mellon University. There, she received a BFA in Cello Performance, minors in Music Education and Psychology, and an Advanced Music Studies Certificate. This past winter, Haley toured with Hans Zimmer Live as a member of the Odessa Orchestra & Friends, playing shows in Riyadh and all over the States. In their 2024 season, Haley played principal cello with the National Repertory Orchestra and performed Haydn’s C Major Cello Concerto. In her free time, Haley enjoys doing anything crafty, baking bread, and playing with her cats.

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8 WAYS TO EXPERIENCE

THE BRECKENRIDGE DISTILLERY

MODERN-AMERICAN STEAKHOUSE Executive Chef Robbie Reyes style brings an international flare to the Breckenridge Distillery Restaurant’s menu. Their modern-American steakhouse atmosphere showcases seasonal and approachable dishes that impart not only the fantastic spirits of Breckenridge Distillery but also our upscale mountain dining experience. Their family-style menu features a 45-ounce Aged Tomahawk Ribeye, 16-ounce Garlic Rubbed Creekstone Prime Rib and other seasonally focused dishes. As always, the menu revolves around local produce, comfort foods with a twist and shareable dishes meant to encourage interaction and conviviality. Enjoy Happy Hour with $13 plates.

COCKTAILS If it’s edible, chances are Liquid Chef Billie Keithley has made a cocktail out of it. And that’s one of the reasons she loves working for the Distillery so much.

Because of the Distillery’s special liquor license, Keithley can’t go out and buy spirits and cordials

complete with mouthfeel and finish. You will hand bottle your creation and complete the experience with a customized label. By reservation only.

elsewhere, so she creates them herself. Products like amaros, bitters, vermouth and liqueurs are all made in-house.

“Which means we can put our own twists on them,” she says.

Keithley and Bar Manager Griffin Bovich are creating schnapps, shrubs, syrups and juices, among other fresh products, for every specialty cocktail. Popular menu staples include the Obi Wan Old Fashioned, made with Breckenridge Port Cask Whiskey.

SUNDAY TOURS Every Sunday, guests are taken on a behind-the scenes tour of the Breckenridge Distillery’s production facility. This abbreviated tour starts by tasting their award-winning Breckenridge Vodka and Breckenridge Gin in their original production facility.

Their expert guides will take guests on a 1 hour tour and finish up the experience with a tasting of their Breckenridge Bourbon Whiskey. Book a tour at BreckenridgeDistillery.com/tour.

TASTINGS The Breckenridge Distillery offers one of the most highly awarded craft bourbons on the marketing and you can try it. Guests can

choose from a limited menu of spirits and have the option to upgrade their tasting to try their highend flights. A great way to explore their award-winning line of hooch.

Tastings are on a first-come, firstserve basis at both locations.

AFTER HOURS TOURS Breckenridge Distillery offers guests a VIP experience during their After Hours Tours. Use your senses to experience the inner workings of how these handcrafted spirits go from grain to bottle while learning about the history of whiskey and how the distillery was founded. Guests also have the opportunity to try spirits that have yet to be released to the public. Tours are offered at 5:00pm and 6:15pm by reservation only. Book a VIP tour at breckenridgedistillery.com.

FOUNDER’S LAB Nerd out with our distillers and become a master blender for a few magical hours. Breckenridge Distillery’s distillers are experts in nosing, flavor categorization and pairing substrates together to create a whole that far exceeds the expected sum of its parts. Guests will be taught to break down aggregate flavors while building a whiskey blend

PRIVATE DINNERS Book a private dinner or event at the Breckenridge Distillery.

Parties up to 30 people can reserve their exclusive spaces surrounded by aging whiskey barrels, old barn wood, leather couches and an authentic mountain vibe. This exclusive, private dining area comes with a personal wait staff and can be used for families, microconferences, executive meetings or small parties. For inquiries and bookings, email events@ breckenridgedistillery.com MAIN STREET TASTING ROOM IN DOWNTOWN In the heart of downtown Breckenridge, get a taste of not only the Distillery’s spirits but also a taste of what the Breckenridge Distillery is all about. From merchandise to personable, knowledgeable staff, this small tasting room is a glimpse of what you can experience at their main location on Airport Rd. Learn more about current hours and offerings at breckenridgedistillery.com.

Breckenridge Distillery • 1925 Airport Rd Breckenridge • (970) 547-9759 • breckenridgedistillery.com

TOP PHOTO BY BRENT TAYLOR; BOTTOM PHOTO BY LIAM DORAN

F R O M TO U R I N G T H E award-winning spirit’s production facility to indulging in world-class cuisine, Breckenridge Distillery is truly an adventure for the senses.

Whether you have time for the full experience at the Distillery on Airport Road, or you’re simply curious about tasting its awardwinning spirits while strolling Main Street, the Distillery makes it easy, fun and delicious to discover what it’s all about. Here are 9 ways you can experience the Breckenridge Distillery.

Meet the Orchestra

2025 MUSICIANS

BY THE NUMBERS:

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COUNTRIES

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CITIES

Each year, 80 of the most promising young musicians from across the country and around the world are selected through a highly competitive audition process to join the National Repertory Orchestra. These emerging artists, typically in the early stages of their professional careers, come to Breckenridge for an intensive eightweek summer festival that prepares them for life as full-time orchestral musicians.

Each participant receives a full scholarship covering tuition, housing, and meals—an investment of approximately $10,000 per fellow—allowing them to focus fully on their craft.

During their time with the NRO, musicians perform an extraordinary range of repertoire—more than any other festival of its kind—spanning classical masterworks, contemporary pieces, film scores, and pops programming. Under the leadership of Music Director Michael Stern and a rotating roster of esteemed guest conductors and industry professionals, they engage in a rigorous schedule of full orchestral rehearsals, chamber music coaching, masterclasses, and sectionals.

Beyond the stage, NRO musicians are immersed in real-world experiences that help shape them into well-rounded, socially conscious artists. Through our Community Engagement initiative (pg. 18), musician fellows perform throughout Summit County, gaining valuable experience in audience engagement while contributing to the cultural vibrancy of the community.

Alumni of the National Repertory Orchestra now hold positions in nearly every major symphony orchestra in the United States and many abroad, including the New York Philharmonic, Chicago Symphony, Cleveland Orchestra, and Berlin Philharmonic. Their success stands as a testament to the professional caliber of the NRO experience—and the lasting impact this unique program has on shaping the future of classical music.

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Musicians: Strings Hometown Purcellville, Virginia

Hometown Monrovia, California

Education University of Virginia, Bachelor of Arts (2021)

Education San Francisco Conservatory of Music, Bachelor of Music (2024)

Manhattan School of Music, Master of Music (2023)

San Francisco Conservatory of Music, Master of Music (2026)

ADRIENNE AND ALLEN FRECHTER CHAIR

SANDRA HOLDGREVE CHAIR

Amelia Bailey

Ella Askren

VIOLIN

VIOLIN

co-concertmaster Hometown Beijing, China

Hometown Sierra Madre, California

Education Johns Hopkins University Peabody Institute, Bachelor of Music (2026)

Education New England Conservatory, Bachelor of Music (2023) San Francisco Conservatory, Master of Music (2025)

JANA EDWARDS AND RICK POPPE CHAIR

ROB AND JAN MILES CHAIR

Xiaoqian Zhu

Natalie Boberg

VIOLIN

VIOLIN

co-concertmaster Hometown Southampton, Pennsylvania

Hometown Dallas, Texas

Education Pennsylvania State University, Bachelor of Music (2024)

Education Northwestern University, Bachelor of Music (2027)

Carnegie Mellon University, Master of Music (2027)

TOM AND EMILY WAHL CHAIR

ANNE MILLS CHAIR

Spencer Stover

Ayana Dalley

VIOLIN

VIOLIN

co-principal violin II Hometown Taipei, Taiwan / Naples, Florida

Hometown Marietta, Georgia

Education University of Michigan, Bachelor of Music (2020)

Education Mercer University, Bachelor of Music (2023)

University of Michigan, Master of Music (2022)

University of Michigan, Master of Music (2026)

DEBRA FOX AND DR. JULES ROSEN CHAIR

MONEY ARENZ FAMILY CHARITABLE FUND CHAIR

Iris Wu

Naomi Fan

VIOLIN

VIOLIN

co-principal violin II

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NATIONAL REPERTORY ORCHESTRA

Hometown Pittsburgh, Pennsylvania

Hometown Lexington, Massachusetts

Education Eastman School of Music, Bachelor of Music (2024)

Education Eastman School of Music, Bachelor of Music (2023)

MARK AND BARBARA PUCCIA CHAIR

Northwestern University, Master of Music (2025) SHAW CANCER CENTER & BREAST IMAGING CLINIC CHAIR

Leila Fanien

Suwon Kim

VIOLIN

VIOLIN

Hometown Nashville, Tennessee

Hometown Norman, Oklahoma

Education Vanderbilt University, Bachelor of Music (2025)

Education University of Michigan, Bachelor of Music (2022)

CHARLIE SIMPSON FAMILY CHAIR

Boston University, Master of Music (2024) FIRST RESPONDERS CHAIR

Abigail Harms

Angelene Ku

VIOLIN

VIOLIN

Ashtin Johnson VIOLIN

Hometown Pryor, Oklahoma

Hometown Decatur, Alabama

Education University of Missouri, Bachelor of Music (2018)

Education Eastman School of Music, Bachelor of Music (2026)

Florida State University, Master of Music (2020)

JOAN MANLEY HOULTON CHAIR

University of Cincinnati College-Conservatory of Music, Doctor of Musical Arts (2026) LIBBY BORTZ CHAIR

Kaitlyn McLaughlin VIOLIN

Hometown Chevy Chase, Maryland

Hometown Chicago, Illinois

Education University of Maryland, Bachelor of Music (2023)

Education University of Maryland, Bachelor of Music (2020)

University of Maryland, Master of Music (2025)

Roosevelt University Chicago College of Performing Arts, Master of Music (2023)

JUHREE WENDL CHAIR

MICHAEL STERN CHAIR

Anna Kelleher

Matt Musachio

VIOLIN

VIOLIN

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Musicians: Strings Hometown Guatemala City, Guatemala

Hometown San José, Costa Rica

Education Panamerican University, Bachelor of Music (2023)

Education Eastman School of Music, Bachelor of Music (2024)

TREETOP CHILD ADVOCACY CENTER CHAIR

Rice University, Master of Music (2026) ALPENGLOW CHAMBER MUSIC FESTIVAL CHAIR

Juan Pablo Ramirez Ortiz

Rebecca Villalta VIOLIN

VIOLIN Hometown Hong Kong, SAR

Hometown Taipei, Taiwan

Education Indiana University Jacobs School of Music, Bachelor of Music (2027)

Education Eastman School of Music, Bachelor of Music (2024) Eastman School of Music, Master of Music (2026)

SUMMIT CONCERT BAND CHAIR

TIMOTHY FAUST PHOTOGRAPHY CHAIR

Tegwen Sak

Yu-Jen Weng

VIOLIN

VIOLIN

Hometown Carson City, Nevada

Hometown Ibague, Colombia

Education University of Massachusetts Amherst, Bachelor of Music (2023)

Education Universidad Nacional de Colombia, Bachelor of Music (2020) Sam Houston State University, Master of Music (2023)

University of Maryland, Master of Music (2025)

Eleanor Sturm

SUMMIT CHORAL SOCIETY CHAIR

VIOLIN

BOCHATEY FOUNDATION CHAIR

Juan Diego Vega Ordoñez VIOLA

co-principal viola Hometown Singapore, Singapore

Hometown Zhubei City, Taiwan

Education Chicago College of Performing Arts, Bachelor of Music (2020)

Education Taipei National University of Arts, Bachelor of Music (2022)

Chicago College of Performing Arts, Master of Music (2022)

Manhattan School of Music, Master of Music (2025)

BRECKENRIDGE GRAND VACATIONS - BGV GIVES CHAIR

TOWN OF KEYSTONE CHAIR

Justine Jing Xin Teo VIOLIN 78

NATIONAL REPERTORY ORCHESTRA

Tzu-Yun Anna Huang VIOLA

co-principal viola

Hometown Sudbury, Massachusetts

Hometown San Juan, Puerto Rico

Education Boston University, Bachelor of Music (2026)

Education Temple University, Bachelor of Music (2018)

KEYSTONE NEIGHBOURHOOD COMPANY CHAIR

Lynn Conservatory, Master of Music (2023) THE KERR FOUNDATION CHAIR

Ian Aistrup

Rosa Ortega Iannelli

VIOLA

VIOLA

Hometown Patchogue, New York

Hometown Hannover, Germany

Education Manhattan School of Music, Bachelor of Music (2019)

Education Oklahoma City University, Bachelor of Music (2022)

University of Memphis, Master of Music (2023)

DePaul University, Master of Music (2024)

PATRICE AND RON LARA CHAIR

SUSAN PROPPER AND DONALD DANKNER CHAIR

Michael Brennan

Sophia Schölch

VIOLA

VIOLA

Jeremy Mends

Hometown Houston, Texas

Hometown Chiayi, Taiwan

Education University of North Texas, Bachelor of Music (2024)

Education National Taiwan Normal University, Bachelor of Music (2023)

Indiana University Jacobs School of Music, Master of Music (2026)

Indiana University Jacobs School of Music, Master of Music (2025)

JANE ALEXANDRA STORM FOUNDATION CHAIR

CAROLEE AND JOHN HAYES CHAIR

VIOLA

Christine Kao CELLO

co-principal cello Hometown Albany, New York

Hometown Skokie, Illinois

Education Baldwin Wallace University, Bachelor of Music (2023)

Education University of Illinois at UrbanaChampaign, Bachelor of Music (2021)

University of Cincinnati College-Conservatory of Music, Master of Music (2025)

University of Michigan, Master of Music (2023)

JOHN TOBEY EVENTS CHAIR

Sarah Nichols VIOLA

David Caplan

ANNETTE AND KEN HALLOCK CHAIR

CELLO

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Musicians: Strings Hometown Sudbury, Massachusetts

Hometown Indianapolis, Indiana

Education Boston University, Bachelor of Music (2026)

Education University of Colorado Boulder, Bachelor of Music (2023)

GLEN AND GEORGIA KRAATZ CHAIR

Eastman School of Music, Master of Music (2025) BARBARA CALVIN CHAIR

Nathaniel Aistrup

Matthew Wiest

CELLO

CELLO

Hometown Hsinchu, Taiwan

Hometown Mooresville, North Carolina

Education Taipei National University of Arts, Bachelor of Music (2018)

Education The Juilliard School, Bachelor of Music (2026)

Taipei National University of Arts, Master of Music (2023)

PAM AND SONNY WIEGAND CHAIR

Ball State University, Doctor of Music (2026)

Yu-Yao (Rachel) Chiu

BEAVER RUN RESORT & CONFERENCE CENTER CHAIR

Lucas Caceres DOUBLE BASS

co-principal double bass

CELLO Hometown San Antonio, Texas

Hometown Houston, Texas

Education Texas Christian University, Bachelor of Music (2023)

Education University of Houston, Bachelor of Music (2026)

University of Michigan, Master of Music (2025)

BARBARA AND DAVID WEAVER CHAIR

HELEN LEMAY CHAIR

Max Healy

Colin Roberts

CELLO

DOUBLE BASS

co-principal double bass Hometown Chicago, Illinois

Hometown Sudbury, Massachusetts

Education Cleveland Institute of Music, Bachelor of Music (2022)

Education Cleveland Institute of Music, Bachelor of Music (2026)

DePaul University, Master of Music (2024)

BRECKENRIDGE DISTILLERY CHAIR

KATHY AND JOHN LANDON CHAIR

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Andrew Shinn

Halden Aistrup

CELLO

DOUBLE BASS

NATIONAL REPERTORY ORCHESTRA

WIN THIS 2025 OR SUBARU AWD $20,000 OUTBACK Your choice. [ ] WILDERNESS 3 year lease

Hometown Lanham, Maryland Education University of Maryland, Bachelor of Music (2023) Johns Hopkins University Peabody Institute, Master of Music (2026)

(Need not be present to win)

BARBARA AND SAM MCCLENEGHAN CHAIR

Asa Dawson DOUBLE BASS

Hometown San Antonio, Texas Education Indiana University Jacobs School of Music, Bachelor of Music (2023)

Help Rotary help our community through many programs that promote education, health, hunger reduction and more.

Indiana University Jacobs School of Music, Master of Music (2025)

Tickets: www.WinRotaryCar.com

Javier Hernandez

EPIC PROMISE - VAIL RESORTS CHAIR

DOUBLE BASS Contest is operated by the Raffle Sponsor: "Rotary Summit County" under Colorado Raffle License # 2025-20412.

NOMINATE NOW!

Hometown Medford, Massachusetts

WHO NOMINATIONS IS JUNE 27, 2025 - JULY 4, 2025 THE VOTING

Education Eastman School of Music, Bachelor of Music (2023) Yale School of Music, Master of Music (2026)

JULY 18, 2025- AUGUST 1, 2025

NOMINATE vet?

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Nominate your favorite business at SkyHiNews.com/best

EXPLORE THE 2024 WINNERS ALL YEAR LONG! CLAIM YOUR BUSINESS

ALPINE BANK CHAIR

Arden Ingersoll DOUBLE BASS

"I couldn't have imagined a more comprehensive and imaginative festival for an aspiring professional orchestral musician."

-2024 MUSIC FELLOW

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Musicians: Winds Hometown Springfield, Virginia

Hometown Dallas, Texas

Education Eastman School of Music, Bachelor of Music (2026)

Education Eastman School of Music, Bachelor of Music (2023)

JOHN AND ELIZABETH CROSSMAN* CHAIR

The Juilliard School, Master of Music (2025) WILLIAM AND MARILYN TAYLOR CHAIR

Helen Freeman

Peter Davies

FLUTE

OBOE

Hometown San Antonio, Texas

Hometown Clearwater, Florida

Education Indiana University, Bachelor of Music (2023)

Education New England Conservatory, Bachelor of Music (2024)

Indiana University Jacobs School of Music, Master of Music (2025)

MARK ADDISON* CHAIR

DAVID PFEIFLE CHAIR

Mara Goree

Robert Diaz

FLUTE

OBOE

Hometown Hoffman Estates, Illinois

Hometown Alberta, Canada

Education Northwestern University, Bachelor of Music (2027)

Education The Glenn Gould School, Bachelor of Music (2024)

DOWNSTAIRS AT ERIC'S CHAIR

Rice University, Master of Music (2026) BONNIE KIRSCHENBAUM CHAIR

Claire Kim

Emily Luo

FLUTE

OBOE

Hometown Palatine, Illinois

Hometown Boynton Beach, Florida

Education Rice University, Bachelor of Music (2026)

Education Florida State University, Bachelor of Music (2018)

STEVE CORNEILLIER CHAIR

Cleveland Institute of Music, Master of Music (2020) BETTY A KEITH* CHAIR

Anika Veda FLUTE

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Adrian Gonzalez OBOE

Hometown Flint, Michigan

Hometown Littleton, Colorado

Education Rice University, Bachelor of Music (2026)

Education Brigham Young University, Bachelor of Music (2023)

SAMUEL L. BUFFORD AND JULIA METZGER ENDOWED CHAIR

Yale University, Master of Music (2026) LINDA DAMERON AND LEONARD HIMES CHAIR

Najee Greenlee

Emma Fuller

CLARINET

BASSOON

Hometown Charleston, South Carolina

Hometown Cambridge, Massachusetts

Education University of Cincinnati College-Conservatory of Music, Bachelor of Music (2023)

Education Emory University, Bachelor of Science (2023) Cleveland Institute of Music, Master of Music (2025)

University of Cincinnati College-Conservatory of Music, Master of Music (2025)

Marian Mayen

JOANNE MASICA CHAIR

CLARINET

ALAN AND KATHY SONNANSTINE CHAIR

Nathan Muz BASSOON

Hometown Brownsville, Texas

Hometown Conway, South Carolina

Education University of North Texas, Bachelor of Music (2022)

Education University of South Carolina, Bachelor of Music (2025)

Boston University, Master of Music (2025)

MICHAEL AND MARYLYNN EIPPER CHAIR

JEAN DEPETERS CHAIR

Rodolfo Mireles-Manzano

Aaron Nealy BASSOON

CLARINET Hometown Seoul, South Korea

Hometown Hong Kong, SAR

Education Korea National University of Arts, Bachelor of Music (2023)

Education McGill University, Bachelor of Music (2024)

University of Southern California, Master of Music (2025)

Manhattan School of Music, Master of Music (2026)

SHARI AND CHRIS DORTON CHAIR

PAT AND STEVE LARSON CHAIR

Yoomin Sung

Matthew So

CLARINET

BASSOON

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Musicians: Brass Hometown Wooster, Ohio

Hometown Brownsville, Texas

Education Baldwin Wallace University, Bachelor of Music (2024)

Education San Francisco Conservatory of Music, Bachelor of Music (2023)

JIM AND JUDY GRAUNKE CHAIR

Southern Methodist University, Master of Music (2026) SUMMIT FOUNDATION CHAIR

Aiden Call

Adolfo Peña

HORN

HORN

Hometown Spring, Texas

Hometown Tucson, Arizona

Education Brigham Young University, Bachelor of Music (2024)

Education Curtis Institute of Music, Bachelor of Music (2027)

HAMILL FOUNDATION CHAIR

REGGIE AND PAMELA GRAY FAMILY CHAIR

Gabe Christensen

Jeremy Bryant

HORN

TRUMPET

Hometown Frisco, Texas

Hometown Highland Park, Illinois

Education Northwestern University, Bachelor of Music (2025)

Education Northwestern University, Bachelor of Music (2026)

KAREN AND JAMES WARRICK CHAIR

CLIMAX MOLYBDENUM COMPANY CHAIR

Lily Kern

William Lewis

HORN

TRUMPET

Hometown Buffalo, New York

Hometown Hudson, Ohio

Education Northwestern University, Bachelor of Music (2024)

Education Curtis Institute of Music, Bachelor of Music (2027)

Rice University, Master of Music (2026)

TOWN OF DILLON CHAIR

JANEY AND RUSS TROWBRIDGE CHAIR

Alessandra Liebmann HORN

Chris Petrella TRUMPET

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Musicians: Brass Hometown Grand Rapids, Michigan

Hometown West Palm Beach, Florida

Education Central Michigan University, Bachelor of Science (2021)

Education Vanderbilt University, Bachelor of Music (2026)

Southern Methodist University, Master of Music (2024)

COLORADO CREATIVE INDUSTRIES CHAIR

TOWN OF SILVERTHORNE CHAIR

Jenna Zelasko

AJ Abbey

TRUMPET

BASS TROMBONE

Hometown Macon, Georgia

Hometown Louisville, Kentucky

Education Columbus State University, Bachelor of Music (2024)

Education Curtis Institute of Music, Bachelor of Music (2028)

The Juilliard School, Master of Music (2026)

JANET AND BRAD BRADBURY CHAIR

MICHAEL MOLLOY CHAIR

Austin Murray

Christian Jeon

TROMBONE

TUBA

Hometown Idabel, Oklahoma

A proud supporter of the National Repertory Orchestra

Education University of Central Oklahoma, Bachelor of Music (2024) Yale University, Master of Music (2026) TOWN OF BRECKENRIDGE CHAIR

Naomi Wharry TROMBONE

Hometown Roanoke, Texas Education The Juilliard School, Bachelor of Music (2026) SUZY ILIFF WITZLER CHAIR

Andrew Zaharis TROMBONE

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1655 AIRPORT ROAD, BRECKENRIDGE, CO 80424 (970) 453-6500 | www.CreativeCabinetry.com

Musicians: Percussion, Harp, Piano Hometown Philadelphia, Pennsylvania

Hometown Seoul, South Korea

Education Curtis Institute of Music, Bachelor of Music (2027)

Education The Juilliard School, Bachelor of Music (2028)

BOB FOLLETT CHAIR

SALLY AND BRUCE QUEEN CHAIR

Maya Lindsey

Minwoo Jeong

HARP

PERCUSSION

Hometown Cincinnati, Ohio

Hometown Daegu, South Korea

Education Temple University, Bachelor of Music (2026)

Education Johns Hopkins University Peabody Institute, Bachelor of Music (2022)

M.A. DEEN CHAIR

Yale University, Master of Music (2024)

Livi Keenan

Mingyu Son

TIMPANI

PERCUSSION

Frost School of Music, Doctor of Music (2027) TERRI AND GEORGE BARILE CHAIR

Hometown Wylie, Texas

Hometown Byron Center, Michigan

Education Southern Methodist University, Bachelor of Music (2026)

Education Hillsdale College, Bachelor of Arts (2019)

COL (RET) J.L. BERKHEISER CHAIR

University of Cincinnati College-Conservatory of Music, Master of Music (2021) NANCY FRENCH CHAIR

Daniel Cline

Thomas Ryskamp

PERCUSSION

PIANO

Hometown Park City, Utah Education University of Utah, Bachelor of Music (2023) New England Conservatory, Master of Music (2025) PAM PIPER YEUNG CHAIR

Jordan Fajardo-Bird PERCUSSION

"Learning this much orchestral repertoire has been paramount in preparing me for my professional career."

-2024 MUSIC FELLOW

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Ways to Give YOUR SUPPORT COUNTS! When you contribute to the NRO, you are not just supporting a performance, you are investing in the future of classical music.

Over 70% of our budget comes from charitable giving, ensuring that our young professional musicians have life-changing opportunities and enabling us to offer innovative education and community engagement programs for all ages and abilities.

ANNUAL GIVING

ENDOWMENT

PLANNED GIVING

Support the Orchestra you love and the future of classical music with a gift today! Whether you choose to allocate your gift to our greatest need or a specific program/initiative, your support makes a meaningful impact.

Your gift to the National Repertory Orchestra Endowment Trust is invested and a portion of the earned income is used to support NRO’s education mission, and all excess earnings reinvested, allowing the fund to grow.

Designating the National Repertory Orchestra in your will is a great way to make a gift without impacting your current finances and lifestyle. Other gifts like annuities, trusts and IRA rollovers can provide significant tax savings to you.

READY TO MAKE A GIFT? HERE’S HOW Online

Mail

Please visit NROmusic.org or scan the QR code below to make a one-time donation or to schedule recurring gifts.

To make a gift by mail, please send your check, made payable to:

By Stock

Discuss your Options

With your gift of stock to the National Repertory Orchestra, you receive tax benefits while supporting the future of classical music!

We encourage you to connect with the NRO to explore how your philanthropic aspirations can align with the various giving opportunities available.

Please visit NROmusic.org for instructions on how to make a gift of stock.

Åsa Armstrong Director of Development asa@nromusic.org (970) 453-5825 x3

National Repertory Orchestra PO Box 6336 Breckenridge, CO 80424

As with all tax matters, consult with your tax advisor before proceeding.

The National Repertory Orchestra is a registered 501(c)(3) nonprofit organization. Federal Tax ID 84-0566793

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NATIONAL REPERTORY ORCHESTRA

Season Underwriter

UP TO $249

FRIEND'S CIRCLE

$250+

PATRON'S CIRCLE

$1,000+

ORCHESTRA'S CIRCLE

$3,000+

ARTIST'S CIRCLE

$5,000+

CONDUCTOR'S CIRCLE

$10,000+

MAESTRO'S CIRCLE

$25,000+

PROGRAM BOOK, WEBSITE, & RECOGNITION

PRESENTER'S CIRCLE

2025 Individual Donor Benefits

✓

Masterworks (MW) Series Underwriter

✓

Popular Series Underwriter

✓

Single Concert Underwriter

✓

Musician’s Chair Underwriter

✓

✓

✓

✓

Pre-performance Recognition Loop

✓

✓

✓

✓

Name Listing at Selected Donor Level

✓

✓

✓

✓

✓

✓

✓

TICKETS, EXPERIENCES, & EVENTS Private Conductor's Dinner (Date TBD/current season) Carl Topilow Society Experiences: • Music Director's Dinner • Happy Hour with Michael Stern

✓

✓

✓

✓

✓

NRO Behind the Scenes Experience (Select One):

✓

✓

✓

Meet the Orchestra Events (2)

✓

✓

✓

✓

✓

Early access to tickets and passes on March 15, 2025

✓

✓

✓

✓

✓

NRO Spotlight Experience (Select One): • Conduct the Orchestra (one piece) at a rehearsal • Participate within a percussion sectional with Dave DePeters

• Sit within the NRO for one MW rehearsal • Join the sound booth crew at a MW concert

✓

(tickets on sale to general public on April 1)

FOR ADDITIONAL INFORMATION AND GIVING OPPORTUNITIES, PLEASE VISIT NROMUSIC.ORG/DONATE OR CALL (970) 453-5825 x3.

The tax deduction is limited to the excess of the contribution over the fair market value of any goods and/or services received in exchange for your donation.

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Planned Giving WALTER CHARLES LEGACY SOCIETY In 2004, the National Repertory Orchestra established the Walter Charles Legacy Society to recognize individuals who have included the NRO in their estate planning. By including the NRO in your will, trust, retirement plan, or other estate arrangements, you can become a member of this distinguished group. As a Walter Charles Legacy Society member, you will not only be making a lasting impact on the future of the NRO, but you will also be kept informed of the orchestra’s performances and initiatives.

THE NRO ENDOWMENT TRUST The NRO Endowment Trust was established in 2004 to provide long-term financial support for the organization. A portion of its annual investment earnings are utilized to support the Orchestra’s programs and operations. Your endowment gift provides a sustainable financial foundation for the NRO, ensuring a reliable source of income to support our mission, musicians, and programming.

TO JOIN THE WALTER CHARLES LEGACY SOCIETY OR BECOME AN ENDOWMENT DONOR, CONTACT THE DEVELOPMENT OFFICE. THEY WILL PROVIDE YOU WITH MORE INFORMATION AND ASSIST YOU WITH THE PROCESS: (970) 453-5825 x3.

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NATIONAL REPERTORY ORCHESTRA

Endowment Donors The National Repertory Orchestra thanks those listed below for their vital endowment support and dedication to the NRO. Pamela and Douglas* Adams Kristin Ahlstrom Liz and Tuck Aikin Lovina A. Thompson and Pamela A. Anderson Åsa and Olin Armstrong Dennis and Barbara Baldwin Carlie and Terry Barnhart Marilyn Beebe Robert and Cynthia Benson Harriett Bobo* Michael Altenberg* and Libby Bortz Ann Brewster Sandi and Bill Bruns Art* and Marilynn Burger Robert and Irene Burns David and Kathryn Bussman Barbara and Jim* Calvin Patti Casey* Tim Casey Julie and Jim Chandler Kathleen Clabby Mary and Dick Clark Lesley Cleary Geraldine Cohen Diane Courchene Bobby and Carol Craig Dr. and Mrs. Edward Crane* Brian Moriarty and Joan Davids M.A. Deen Laura DeLuca Elizabeth Hainen and Dave DePeters William T. Diss The Family Mayer Foundation, Inc. Federated Department Stores Foundation Kathleen and Thomas Fingleton Tony and Barbara Flitcraft Robert and Nancy* Follett Follett Corporation Douglas Thompson and Jean Follett-Thompson Cecile Forsberg Nancy and Tom* French Annette* and Gerry Fricke Wendy Friedman Edward and Carolyn Gabelman Donald and Beverly Gale

Jo Leta Gavit Donald J. Gersuk Reggie and Pamela Gray Family Mary Lou and John Grossmann Robin Hadley Heider Trust Edward and Gloriann Heinz The Helen F. Whitaker Fund The Helen M. Harrison Foundation Peg and Lee Henry Alison Heydt Mr. and Mrs. Joseph G. Hodges Jr. Marc and Marilyn Hogan Joel Horwich Joan Manley Houlton Judy Hunt Donald and Susan Alt Johnson Fred and Carolyn Johnson Carole and Marvin* Johnson John Rynes and Mary Lou Johns

Maxine and Martin Solomon Pat Spitzmiller* Jan and Sheldon Steinhauser Harold Herring and Susan Lee D. Stevens Melissa Witzler Stone Anne Stonington* David Street David and Zandra Swenson Gretchen* and John Swift Kate and James* Taucher Mr. and Mrs. William D. Taylor Lee and Kathy Terry Pat and Jack Thomas* Charles and Kathy Vasilius Barbara and Mark Vonderheid Lou Wagner Patty and Ed Wahtera Dr. Roberta and Leonard* Waldbaum Robert and Nadyne Walton Larry and Nancy Warren

Belinda and Anthony Jones Jr. Terese Kaptur Jayn and Jerry Karl Betty and Raymond Keith* James and Diana Kennedy Bonnie Kirschenbaum James and Jane Knox Don and Helen Knutzen Anita and James Kreider Sam Kuller Dr. Tim Steele and Inge La Cour Patrice and Ron Lara John and Polly Loewy Jeannie Mann Joanne and Dick* Masica Lee and Barbara Mendel Eric S Mendelsohn Samuel L. Bufford and Julia Metzger General Mills Marion Milton Sandra Mortensen Harriet Neiman Jose-Luis Novo Catherine Payne Pete* and Linda Kay Peterson Jana Edwards and Rick Poppe Rotary Foundation of Summit County John G. Russell* Fred and Barbara Schiller Marc and Joelle Schlesinger Frank and Jen Schrage Linda and Paul Schutt

Juhree Wendl Dave and Mary Whitham Pam and Sonny Wiegand Cap* and Suzy Iliff Witzler Dr. Kai Yiu Yeung * and Pam Piper Yeung *Deceased

Robert Kent Scott Sam Sherstad Tara Sieber Sarah Smith Steve and Sandee Smith

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Thank You to Our Supporters The National Repertory Orchestra relies on the generosity and vision of its donors, sponsors, funders, and partners to bring world-class music to Summit County each summer.

Ticket sales cover only a small portion of what it takes to deliver an exceptional season. It’s the support of individuals, foundations, corporations, and in-kind contributors that allows us to provide extraordinary performances, mentor the next generation of musicians, and remain accessible to our community through free concerts and educational programs.

These investments don’t just fuel music—they fuel impact.

Support from our partners enables us to reach thousands of residents and visitors each year with inspiring live music experiences. It allows us to bring music education into libraries, schools, and public spaces, and to support the cultural and economic vitality of our mountain community.

Our donors are not just supporters, they’re changemakers who help enrich lives through music, and we are deeply grateful for this shared commitment to excellence and access in the arts.

We are immensely grateful to each contributor listed, who made a gift between April 15, 2024 and April 15, 2025 to make our 2025 concert season possible.

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"Supporting the NRO is to do more than to help ensure great performances during the summer. Your support of the NRO is nothing less than an investment in our cultural future."

-MICHAEL STERN

Season Tribute Gifts

Crosby Living Trust

Sandy Mortensen The Family Mayer Foundation, Inc.

The NRO Staff Patrice and Ron Lara

Honorary and memorial gifts to the NRO are thoughtful ways to celebrate the legacy and impact of loved ones while providing vital support to our mission. Each tribute has an esteemed place with the National Repertory Orchestra.

Jan Redd Thomas Redd

Michael Stern Dr. Milton and Gail Klein William and Marilyn Taylor

Paul Finkel and Barbara Strauss

IN HONOR OF CONTRIBUTIONS Doug Adams* Kate Taucher

Julius Adams Barbara and Mark Vonderheid

Libby Bortz Patricia Bortz Mary Kay Pera

Barbara and Jim* Calvin Karla Schapansky

Barbara Calvin Annette and Ken Hallock

Gerald Carlyss Martha Hitchins

Vicki Hedlin

Carl Topilow Craig Knox

IN MEMORY OF CONTRIBUTIONS Mark Addison Åsa and Olin Armstrong

Michael Altenberg Patricia Bortz

Philip R. Ashby Jane Ashby

Claire L. Brown Thomas G. Brown

Jim Calvin

Robert and Elaine Baer

Åsa and Olin Armstrong Elizabeth Hainen and Dave DePeters Annette and Ken Hallock Jeanie and Mike Kramer Ron and Patrice Lara Anne Mills

Dave DePeters

Barrie Alix Chi

Blue Jean's Members Of 1960s and Dr Walter Charles Christy and Terry J. Smith

Eric Dahman

Patrice and Ron Lara

Emile Chi

Reggie Gray Family

Kathleen Corneillier

Michael Lipfield and Jill Tabak

Steve Corneillier

Sy and Elinor Katz

John and Elizabeth Crossman

Adele and Erwin Gelfand

Åsa and Olin Armstrong

The Kupers

Judy Ezra

Dorelle Ackermann

Ann Erickson

Anne Mills

Annette Fricke

Scott and Janie Cantine Patrice and Ron Lara Jeanie McCarthy

Bill* and Anne Mills

Amato Family Foundation Åsa and Olin Armstrong Melissa Basta James and Nancy Bell Constance Booth

Libby Bortz Janet and Brad Bradbury David and Laurie Buckley Linda Clem Steve Corneillier Elizabeth Hainen and Dave DePeters Andrea Desmith Diane and Dan Duke Rich Ewald Erin Fisher John and Jean Fitzgerald Lauri Flaxman Patrick Fricke Bill and Misty Fricke John and Sonya Gans Julia "Judy" Greene Lee and Peg Henry Joan Manley Houlton Carolyn and John Hudek Warren L.* and M. Rebecca Johnson Ron and Patrice Lara Kathryn Loudin William Martin Karen Martin Anne Mills Michael Moyer Marie Mullen National Electrical Contractors Association Denise Pagard Constance Pire Cindy and William Putnam Jr. Richard Raab Michael and Colleen Ryan Gerald and Cynthia Stapel Bethany Stapel David and Betty Street Wilson and Sherry Strong Sally and George Ulrich John and Karen Walker Bill and Charlie Welsh Jean and Doug Willey Suzy Iliff Witzler

Elizabeth Izant Kent Mueller

Marvin Johnson Carole Johnson

Jane and Don King Alan and Diana Anick

Joseph Kremer Brittany Arruda Rey Grimes Bob and Cheryl Kremer Carol Outland Charles Simpson Family

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Rosa Lin Sharon and Jim Hourihan

Kathie and Mike Massey Kenneth and Louise Beard

James Mikolitis

$10,000 - $19,999

William J. Savuto

Breckenridge Grand Vacations/BGV Gives Climax Molybdenum Company Town of Dillon Town of Silverthorne

Carol Simpson

$5,000 - $9,999

Daniel and Sharon Mikolitis

Bibi Jerri Savuto

Charles Simpson Family

Martin Strull Carol Barrons Arlyne and Richard Lepie

Robin Suth Jay and Kathleen Rust

Jim Taucher Kate Taucher

Leonard Waldbaum Dr. Roberta Waldbaum

Adrienne Weis Amy Shugarts

Cap Witzler Kathy Schlosberg

Madeline J. Wright Glen and Georgia Kraatz

Kai Yiu Yeung Daniel and Johanna Gibbs Anne Mills Proverbs 3 5-6

Funders & Partners Generous Support from corporations, foundations, government agencies and trusts continue to sustain the NRO every year. These crucial partnerships help fund concerts, education and free outreach programs as well as special projects.

$100,000 AND UP Town of Breckenridge

$20,000 - $99,999

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Colorado Creative Industries Hamill Foundation National Endowment of the Arts Summit Foundation

NATIONAL REPERTORY ORCHESTRA

Alpine Bank Bochatey Foundation Keystone Neighbourhood Company and Town of Keystone

$2,500 - $4,999 Jane Alexandra Storm Foundation John Tobey Events The Kerr Foundation Money Arenz Family Charitable Fund Shaw Cancer Center & Breast Imaging Clinic

$1,000 - $2,499 Breckenridge Associates Real Estate The Family Mayer Foundation, Inc. Lloyd J. King and Eleanor R. King Foundation Main Street Station Master Association Pinnacle Gives Summit County Rotary Club Summit Seniors Timothy Faust Photography

UP TO $999 Amy L. Scott Family Foundation Community First Foundation PayPal Giving Fund RightPath Investments Town of Frisco Wind Crest, Inc

In-kind Donors The NRO welcomes in-kind contributions that are budget-relieving and align with IRA guidelines and support the NRO’s mission.

Larry Abston Alpine Bank Sharon Anderson Doug Anderson Rita and Jeffrey Aron

Aurum Food and Wine Beaver Run Resort and Conference Center Breck Cabin Company Breckenridge Brewery Breckenridge Distillery Breckenridge Grand Vacations Broken Compass Brewing Company Barbara Calvin Nancy Casper CookingChris LLC M.A. Deen Downstairs at Eric's Epic Promise-Vail Resorts Fatty's Pizzeria, INC Lois Feinstein Chris and Rose Field Debra Fox Gerry Fricke Kipp and Helen Friedli Georgian Square Joint Venture Annette and Ken Hallock Jim and Jeanie Hammond Lynn Harner Hearthstone Restaurant Owen Herman Jana Hlavaty Holly Holden Sandra Holdgreve Becky Johnson Guy Johnson Bonnie Kirschenbaum Kroger Kathy and John Landon Pat and Steve Larson Legends Steaks and Seafood Debra Liuzzo Luigi's Pizzeria Jennifer Lundin Michael Maciszewski Michael's Italian Restaurant Anne Mills Sandra Mortensen Napper Tandy's Irish Pub Northside Pizza Patagonia - Denver Piante Pizzeria Pam Piper Yeung Dave and Cynthia Rosengren Jack Rueppel Jette Schuh Bill and Carolyn Schwartz Semplice Cafe Frank Serafini Linda Graebner & Charlie Shalvoy Mary Siekman Whatley Noelle Staab Elizabeth Sullivan Summit Daily News

Timothy Faust Photography Jack and Jennifer Sylman Kate Taucher Town of Breckenridge Town of Frisco Barbara Vonderheid - Vonderheid & Associates, PC Lou Wagner Karen Walterscheid Stephen Weldon Sonny Wiegand - Wiegand Attorneys & Counselors, LLC Windy City Pizza & Pub

Donor Designated Gifts Donor designated gifts are unique opportunities to direct your support towards a specific established cause or program that resonates with you.

GUEST CONDUCTOR FUND The Guest Conductor Fund provides essential funding to bring in toptier guest conductors who elevate performances and enrich both musician and audience experiences.

Robert and Cynthia Benson

STEVE AND PAT LARSON ARTIST IN RESIDENCE PROGRAM The Steve and Pat Larson Artist in Residence Program provides emerging musicians with a unique opportunity to learn from industry leaders, through masterclasses, seminars, and sectionals, gaining fresh perspectives, techniques, and artistry that are crucial for navigating a career in the music world.

Steve and Pat Larson

GUEST ARTIST FUND The Guest Artist Fund provides essential funding to bring in top-tier guest artists who elevate performances and enrich both musician and audience experiences.

BIG INSTRUMENT FUND The Big Instrument Fund offers financial aid to musicians who require assistance with transportation costs associated with their large instruments.

Bonnie Kirschenbaum

The NRO Alumni String Quartet Fund provides free, high-quality performances and interactive music programming to preschools, day camps, libraries, and community spaces—fostering creativity, curiosity, and a lifelong appreciation for music.

The Housing Fund supports Summer Music Festival fellows with rent-free housing, ensuring equal access to lifechanging education opportunities.

Dave Pfeifle

The Travel Fund provides a stipend to all unpaid Summer Music Festival fellows to assist with travel expenses to and from the festival.

Annette and Ken Hallock

NRO ALUMNI STRING QUARTET FUND

Steve Corneillier

TRAVEL FUND

The Video Production Fund brings the transformative power of the National Repertory Orchestra to life—capturing the profound journey of its musicians and the lasting impression it leaves on audiences.

Annette and Ken Hallock

HOUSING FUND

Barbara Calvin

VIDEO PRODUCTION FUND

Shari and Chris Dorton

COMMUNITY LINK/HOST FAMILY FUND The Community Link/Host Family Fund connects the Summer Music Festival fellows with the local community through a plethora of activities and experiences beyond the concert hall.

Barbara Calvin

Bonnie Kirschenbaum

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Individual Donors The NRO is essential to the future of classical music. From enjoyable concerts throughout Summit County to guest artist appearances, education programs and free community events, our summer festival continues to thrive because of annual support from friends like you.

PRESENTER’S CIRCLE $25,000 AND UP Col (ret) J. L. Berkheiser Barbara Calvin Robert Follett Robin Hadley Annette and Ken Hallock Betty A Keith* Samuel L. Bufford and Julia Metzger Jan and Rob Miles Anne Mills Jana Edwards and Rick Poppe Karen and James Warrick

MAESTRO’S CIRCLE $10,000-$24,999

Anonymous Robert and Cynthia Benson Reggie and Pamela Gray Family Joan Manley Houlton Bonnie Kirschenbaum Patrice and Ron Lara Pat and Steve Larson Helen Lemay Michael Molloy Dave Pfeifle Pam Piper Yeung Sally and Bruce Queen Debra Fox and Dr. Jules Rosen Juliet Whitcomb and Elliot Schrage Alan and Kathy Sonnanstine Barbara and David Weaver

CONDUCTOR’S CIRCLE $5,000-$9,999

Anonymous Libby Bortz Steve Corneillier Susan Propper and Donald Dankner

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NATIONAL REPERTORY ORCHESTRA

Michael and Marylynn Eipper Adrienne and Allen Frechter Nancy French Carolee and John Hayes Sandra Holdgreve Glen and Georgia Kraatz Charlie Simpson Family Michael Stern Tom and Emily Wahl Pam and Sonny Wiegand Suzy Iliff Witzler

ARTIST’S CIRCLE $3,000-$4,999

Terri and George Barile Janet and Brad Bradbury Elizabeth Hainen and Dave DePeters Shari and Chris Dorton Jim and Judy Graunke Linda Dameron and Leonard Himes Kathy and John Landon Joanne Masica Barbara and Sam McCleneghan Mark and Barbara Puccia William and Marilyn Taylor Janey and Russ Trowbridge Juhree Wendl

ORCHESTRA’S CIRCLE $1,000-$2,999

Alan and Diana Anick Åsa and Olin Armstrong Jane Ashby Terry and Carlie Barnhart Alan Nye and Jeanne Blaine Sharon Magness Blake and Ernie Blake Sara Burks Scott and Janie Cantine Howard and Sue Carver Sheldon and Susan Cohn Jan and Charlie Cole Betsy and Ron Cytron Stephen and Suzanne Day Wally and Maggie Ducayet Barrett and John Edstrom Steven Adelman and Katherine Elsner Linda Ewald John and Jean Fitzgerald Kipp and Helen Friedli Susan and Bill Friedman Dan and Johanna Gibbs Stephen Golub Jim and Jeanie Hammond Lee and Peg Henry Sharon and Jim Hourihan Diane and Steven Jaffee

Margaret Johnson Belinda and Anthony Jones Jr. Dr. Milton and Gail Klein Jeanie and Mike Kramer Tracey and Chester Lambert Leslie Lenser Dan A. Lewis Dominique McLerran Paul and Anthea Millar Sandra Mortensen Caroline and James Murphy Barbara Pollack Dave and Cynthia Rosengren Carin and Bill Simpson Martin and Maxine Solomon Wilson and Sherry Strong The Galarza Family Donor Fund Barbara and Mark Vonderheid Bill and Charlie Welsh Dr. Jonathan Whitfield Phillippa Greathouse and Dottie Wolcott Christine Yuhas Dr. Glen and Bobbie Zelkind

PATRON'S CIRCLE $250-$999

Larry Abston Bill and Kathy Adams Larry Amberg James Anderson Robert and Elaine Baer Cindy Baker Frederick and Annette Barta Richard and Linda Bateman Elizabeth Beckmann John Boben Jeffrey and Lou Ann Bode Craig and Annette Bolt Patricia Bortz Ann Brewster Tom Brown Melvin and Marty Buck Anonymous Tim Campbell Ronald Carlson Tim Casey James and Evelyn Cavins Linda Clem Geraldine Cohen Diane Courchene Jean DePeters Jonathan Desimone Scott Dillard Kurt and Cynthia Doerr Randall Edwards Elston Family Fund

Bev Emery Eric and Jill Flamm Charitable Fund Mark and Carla Ewing Bill and Misty Fricke Diane and Henry Fuchs Deborah Gaensbauer Joan and Lester Garrison Jeffrey Germanotta Michael and Rosemary Ginzberg Ben and Cynthia Gordon Deena and Brian Graham Dr. Laurie and Lewis Greenberg Beth and Neil Groundwater Patricia Gunckel Don and Jeanette Hansen The Hargis Family DA Fund Vicki L. Hedlin Anonymous William Hieber Joel and Christine High

Karla Schapansky Bruce Schroffel Richard and Beth Seeley Linda Graebner & Charlie Shalvoy Donna Shear Charles I Shofnos Nancy Sims David and Betty Street Mike and Karen Svetlic Bentley Tate Kate Taucher Anonymous Deb and Ken Torrington Anonymous Jean and Doug Willey Robert Williams and Treva Womble MJ and Hans Wurster Susan and Austin Young

Joel Horwich Katherin and Duane Howell Kenneth Hutchins Jennifer and Mikael Anderson Charitable Giving Fund Carole Johnson Henning Kornbrekke Jim and Polly Kuelbs Margery and Donald Langmuir Peggy and David Lindstrom Carol and Wayne Lockwood Andrew and Christin Maguire Darlena and Tom Marmins William Martin Gary Martinez Linda Matsui Jeanie McCarthy Beth and Mike McGhee Dan and Sharon Mikolitis Clark Miller Michael Moyer Scott Mozlin Kent Mueller Muz/Steinberg Family Fund Jack O'Neil Travers Paterson Barbara Phelan Jeannie Mann Stephen Prowse Thomas E Redd Sandy and Gail Richardson Tad Riley

UP TO $249

Christian Roessler Fran and Robert Rothman Cyndi Tanaka and Larry Rowley Jay and Kathleen Rust Bob Schaffer

FRIEND'S CIRCLE Duane Abbott Dorelle Ackermann Dr. and Mrs. James Adams Doug Anderson Eric Anderson Will and Patty Andrews Rita and Jeffrey Aron Brittany Arruda Judy Baker Carol Barrons Melissa Basta Kenneth and Louise Beard James and Nancy Bell Christopher Alleman and Joshua Blanchard Donna and Michael Boender Tom Bonfili Beatriz Bonnet Constance Booth Gary and Ann Bornfleth Margaret Brazzel Mary and Dick Bremer Sandi and Bill Bruns David and Laurie Buckley Bruce Camping Susan Carlson Chris and Jen Cawley Anonymous Joan Chambers Emile Chi Elaine Collins Michael Connolly Dana Cottrell Jack and Stephany Crosby Andrea Desmith Andrea and Steve Diamond

Robert and Lisa Dieckhaus Jerry and Cheri Divine Dr. Alex and Marsha Douglass Anonymous Diane and Dan Duke Becky and Kevin Durham Ann Erickson Rich Ewald Mary Farnin Rich and Marty Ferris Erin Fisher Lauri Flaxman Anne Shannon and Erik Foster Jeffrey Franke Jacque and Ron Frazzini Patrick Fricke Anonymous John and Sonya Gans Maia Gardner Adele and Erwin Gelfand Donald J. Gersuk Mr. Bob Girvin Leigh Girvin Anonymous Beth McKenna Julia Greene Suzanne Greene Rey Grimes Adriana and Henk Guitjens Anonymous Nannette Helmcamp Tom and Gigi Hillyer Steven and Ellen Hirsch Martha Hitchins Nancy Hopf Cindy Horn Carolyn and John Hudek Martha and Greg Hughes Judy C. Hunt Nancy N. Hurd Joan Hutchinson Nicolette Inman Chris Jacobsen Donna Jewett Larry and Judy Johansen Becky and Warren* Johnson Anonymous Susan Juergensmeier Steve and Debi Katzman Anne Kern Anonymous Craig Phillip Knox Bob and Cheryl Kremer Karen and Gary Lach Jeannie Leach Earl and Victoria Lehrer Arlyne and Richard Lepie

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Steve Levy Jason Lichtenwalter Debbie and Larry Lieberman Mary Jo Liston Scott Logan Kathryn Loudin Timothy Macek Karen Martin Doozie Martin Michael and Faye Masanoff Gaelen McCormick James and Mary McShane Ch Meili Eric and Francie Mendelsohn Steve and Heather Mescher Robert and Susan Miller CJ Milmoe Angus Morrison Keaton Morrison Richard Jackson and Cheryl Moskal

Christy and Terry J. Smith William Snyder Astrid Spies Gerald and Cynthia Stapel Bethany Stapel Dr. Tim Steele and Inge La Cour Christine Stransky Kathy and Steve Sullivan Michael Lipfield and Jill Tabak Laura Taylor Lee and Kathy Terry Ev and Edwina Thomas John Thorne Joan Tilden Dale Trone Anonymous June Twinam Debra S. and Harold Tyber Sally and George Ulrich Dorothy Vanderbeck

Larry and Daria Moskowitz Marie Mullen Sam and Kathy Munoff Rebecca Nathan Anonymous Doug Newton Patti Niemi Jackie O`Hara Rick O'Brien Kendra and Arthur O'Hayre CJ and Chris Ornes Deloris Ouren Carol Outland Denise Pagard Joyce Ann Segars and Jamin Patrick Mary Kay Pera Constance Pire Wendy Plank Rosen Suzanne Price Bill and Cindy Putnam Jr. Mary Quinn Richard Raab Frank Rabbio Roy and Cindy Ramirez Tim Riley Dr. John Roehm Elise Murphy Rowe Jessica and Harry Ruda Michael and Colleen Ryan Paul and Cindy Sale William J. Savuto Anonymous

Anonymous Elaine and Alan Wade Dr. Roberta Waldbaum John and Karen Walker John Warren III Daniela White Barbara and Gary Widmar Dian Wilson Jonathan Winocour Susan Wittman Evelyn Wolf Steve and Lauren Worrall Anonymous

Kathy Schlosberg Amy Shugarts Lisa Schultz Renee Silven June Skinner

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NATIONAL REPERTORY ORCHESTRA

* Deceased

LET THE MUSIC MAKE YOU SMILE!

LEARN MORE ABOUT OUR IMPACT We do well by doing good.

Our Partners GOVERNMENT FUNDERS

CONCERT FUNDERS

EDUCATION & COMMUNITY ENGAGEMENT FUNDERS

MAIN STREET STATION

Summit Seniors

JANE ALEXANDRA STORM FOUNDATION

Amy L. Scott Family Foundation

Summit County Rotary Club

COMMUNITY PARTNERS

COLLABORATION PARTNERS

100 NATIONAL REPERTORY ORCHESTRA

The Hamill Foundation

Pinnacle Gives

By a lake. With a charming Main Street.

And its own marina with rentals, tours, lessons and waterside dining.

Just 9 miles from Breckenridge.

TownofFrisco.com

Main Street Of The Rockies