NATIONAL REPERTORY ORCHESTRA
SUMMER MUSIC FESTIVAL
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JUNE 22 - AUGUST 10, 2024
PASSES
Online nromusic.org
Riverwalk Center 150 W. Adams Ave.
Open 3 hours prior to start of concerts.
Old Masonic Hall 136 S. Main St.
Open Tuesday-Sunday, 10:00am – 5:00pm
Please silence cell phones, alarms, and notifications/alerts during the concert.
Audience video cameras and other recording devices are strictly prohibited. Concerts may incorporate professional video and/ or photography approved by the NRO. By attending NRO performances, you agree that you may be photographed, filmed, or otherwise recorded for use in marketing and/or promotional materials. No flash photography.
Scan the QR codes found on our performance pages to get detailed program and conductor notes.
Welcome to the 2024 NRO Summer Music Festival! We are pleased and excited to bring you this summer’s season, an eclectic mix of classical and pop repertoire, designed to delight a wide variety of musical tastes while honing the skills of our visiting musicians.
Our orchestra this year hails from many parts of the country as well as international locations. Auditioning, selecting, and seating the orchestra required the combined efforts of our Music Director, Michael Stern; Music Director Laureate, Carl Topilow; and dedicated NRO staff, led by CEO Dave DePeters.
In addition to the work leading up to the excitement of opening night, there is the continued engagement of all the parties named above, plus our stellar roster of guest conductors, venue support staff, volunteers, technicians, and summer interns. Finally, the essential element: the audience gathered to share the experience of live performances in any of the several locations where the NRO will be performing throughout the summer.
As always, we are deeply appreciative of our many partners, donors, and sponsors here in Summit County and beyond. These partnerships are essential to our ability to sustain NRO programs year after year, to the benefit of the visiting musicians and the community at large.
Meanwhile, behind the scenes, other work continues. For example, the Summit County Music Lesson Scholarship program delivers private instrumental instruction to local students at no cost, in partnership with public school music programs from middle school and up. Also, behind the scenes, the NRO Board of Trustees works to sustain and advance the NRO’s mission, ensuring that the future remains as vibrant as the present.
We look forward to the promise of this summer’s season, and to sharing that experience with all of you. Enjoy the music!
Hello! Welcome to the Town of Breckenridge and the National Repertory Orchestra.
The Town of Breckenridge is incredibly lucky to have the NRO in residence. Since their move to Breckenridge in 1993, the NRO has become a centerpiece of the community. The NRO attracts the country’s most talented young musicians for a residency filled with a full concert season and training to help them succeed as professional musicians. They will go on to perform in major orchestras around the world and become ambassadors for Breckenridge.
Breckenridge is primarily known as a ski/snowboarding town, but those who have spent time here know we have much more to offer. We are extremely proud of the arts and cultural scene here in Breckenridge and we aim to wow and entertain even the most cultured critic! The Breckenridge Backstage Theater offers a variety of musicals, comedies and dramas with stunning sets and large casts; Breck Create’s Art District classes range from learning to make jewelry, to mastering glass work, painting, ceramics, and printmaking; Breckenridge History offers tours of our prized historic district as well as several interesting historic museums around town; and, Breckenridge Film offers the latest movies at our classic theater in the heart of downtown.
Despite being a small, intimate community, we are also known for our delectable dining options, excellent shopping, and our trail system. Over 60 miles of in-town trails lead to hundreds of miles of county trails. We also have an excellent town/county bike path for roadies and E-bike enthusiasts. Breckenridge has no shortage of ways to enjoy the outdoors.
However, we are nothing without our people; Our people are passionate, driven and consistently make Breckenridge the town it is today. We welcome everyone with open arms and would love to share our beautiful town with you.
I hope Breckenridge can be your new home away from home and that you indulge in everything we have to offer. Thank you for your support of our town and the NRO season.
You're a creative person. You understand the value artistic expression brings to your community. Like you, we are inspired by the arts.
Alpine Bank is a proud supporter of the National Repertory Orchestra.
alpinebank.com • Member FDIC
The National Repertory Orchestra provides life-changing experiences to aspiring professional musicians, preparing them to shape the future of classical music. We are a 501(c)3 nonprofit organization dedicated to education. Through diverse programming—including orchestral performances, education programs, and community engagement initiatives— the NRO nurtures connections and enriches lives through the transformative power of music.
The NRO is honored to reside in the beautiful and historic ski town of Breckenridge, Colorado, and proud to celebrate over 60 years educating the next generation of classical musicians with our prestigious, tuition-free program. At the acclaimed Summer Music Festival, 80 talented musicians are selected to perform more repertoire than any other festival of its kind. These orchestral performances showcase the culmination of the musicians’ training, while initiatives like local music scholarships and programs for youth extend the NRO’s dedication to education. During the Festival season, led by Music Director Michael Stern and joined by world-renowned guest conductors, the NRO performs 18 concerts and over 85 free events in Summit County and throughout Colorado.
The NRO prepares and empowers its participants for professional careers and fosters a legacy of music leadership. Our alumni can be found in major orchestras around the world and have taken on influential roles throughout the classical music industry.
Pam Piper Yeung, President
Johanna Gibbs, Vice President
Anne Mills, Treasurer
Debra Fox, Secretary
Samuel Bufford
John Landon
Patrice Lara
Rob Miles
Julia Metzger
Keaton Morrison
Rick Poppe
Sally Queen
Beth Steele
Emily Wahl
Stephen Worrall
The watercolor featured on the cover has been specially commissioned from Breckenridge-based artist and NRO Board Member Emily Wahl. This piece, “Nature’s Melody,” reflects our Summer Music Festival theme “Elements of Nature.” Emily is a member of the Summit County Arts Council and displays her work at the Arts Alive Gallery in Breckenridge. She is a past board member and an active member of Women of Watercolor. She teaches workshops at the Breckenridge Arts District.
THE FRAMED ARTWORK IS BEING AUCTIONED ONLINE! ALL PROCEEDS BENEFIT NRO EDUCATION PROGRAMS.
SCAN THE QR CODE TO PLACE A BID:
Paul Finkel, Chair
Carlie and Terry Barnhart
Michael Altenberg* and Libby Bortz
Ann Brewster
Barbara and Jim Calvin
Geraldine Cohen
M.A. Deen
Robert and Nancy* Follett
Nancy and Tom* French
Annette and Gerry Fricke
Pamela and Reggie Gray
Robin Hadley
Annette and Ken Hallock
Joan Manley Houlton
Patrice and Ron Lara
Sandra Mortensen
Ann and Tom Rader
Barbara Strauss
Kate and James* Taucher
Barbara and Mark Vonderheid
Lou Wagner
Pam and Sonny Wiegand
Dr. Glen and Bobbie Zelkind
*Deceased
The National Repertory Orchestra is a preeminent intensive summer music festival developing diverse, thoughtful, and socially conscious musicians through experiential learning. We inspire young musicians to be great leaders in their communities while Changing Lives Through Music!
In honor of those individuals who have demonstrated exceptional foresight, fortitude, and dedication to the NRO’s mission. The recipient sets a standard of patronage, volunteerism, and financial support that few have achieved.
John Stafford
John retired to Breckenridge in 2010 after an international Finance career with a global consumer products company. Introduced to the NRO by Sustainers Pam and Reggie Gray, John joined the Board of Trustees and later was elected Treasurer. He resigned from the Board in 2021 when he and his wife Connie relocated to Eagle, CO. The NRO requested John’s involvement in their strategic planning process in late 2023, and he has enthusiastically re-engaged with the NRO on critical strategic and financial matters, leading several pivotal initiatives to solidify the financial stature of the organization.
Given annually to an individual, couple, or organization that demonstrates long-term exemplary support, not only of the NRO but many Summit County non-profit organizations.
The NRO is a well-run, highly effective non-profit that is making a major impact in our community. Alpine Bank is happy to support the NRO through our “Arts” loyalty debit card program with help from our amazing customers. According to the National Institutes of Health “Classical music, in general, has many benefits including the reduction in anxiety and depression.” So why does Alpine Bank support the NRO? Because making our communities healthier and better is just what we do. It’s that simple.
In recognition of the unparalleled financial support of the NRO and other arts and cultural organizations in Summit County.
Joan Manley Houlton was delighted to welcome the NRO to Keystone in 1986, where their performances were hosted in a humble tent. Over the years, Joan graciously opened her Keystone home to host fundraisers that have played a vital role in furthering the NRO’s mission. Her unwavering dedication as an NRO Sustainer has touched the lives of countless music enthusiasts, enriching their experiences through her support. At 91 years young, Joan continues to inspire us all with her passion and commitment. Her presence at nearly every NRO concert, across various venues, is a true testament to her love for music and the NRO community.
In recognition of outstanding service, dedication, and support of the NRO.
Don and Jeanette Hansen
Don and Jeanette have been part of the NRO volunteer community for over two decades. Their journey with the NRO began in 1995 when they relocated to Summit County. Just two months later, they received a nudge from Nancy Macey, a Board of Trustees member, to join as ushers. Since then, Don and Jeanette have become lead ushers and continue to dedicate their time and energy in various capacities. Their commitment goes beyond volunteering; it is about building connections and creating memorable experiences. Through their service, they have forged lasting friendships within the NRO family while enjoying unforgettable concerts and events that have enriched their lives.
PORCH SERIES ◆ 1:30pm | BAR | pg. 19
NRO ON THE LAKE ◆ 6:30pm | DA | pg. 30
PORCH SERIES ◆ 1:30pm | BAR | pg. 19
SECTIONAL: WOODWINDS ◆ 1:30pm | RWC | pg. 15
SECTIONAL: UPPER STRINGS ◆ 3:30pm | RWC | pg. 15
CE SEMINAR ◆
4:00pm | RWC | pg. 15
FILM: MAESTRA & MEET THE CONDUCTORS 7:00pm | ET
SECTIONAL: STRINGS ◆ 1:30pm | RWC | pg. 15
MASTERCLASS: SCORE STUDY & PREPARATION ◆ 4:00pm | RWC | pg. 15
ALUMNI STRING QUARTET - ESTES PARK RESIDENCY
FREE FAMILY & KIDS CONCERT ◆ 9:30am crafts, 10:30am music | RWC | pg. 26
SYMPHONY IN THE STREETS ◆ 11:30am-7:00pm | various | pg. 19
MASTERCLASS: CHAMBER MUSIC ◆ 1:30pm | RWC | pg. 15
LIGHT, FIRE, AND WATER 6:00pm | RWC | pg. 34
SECTIONAL: BRASS ◆ 1:30pm | RWC | pg. 15
PORCH SERIES ◆ 1:30pm | BAR | pg. 19
CHAMPAGNE SERIES 11:00am | PR | pg. 23
PORCH SERIES ◆ 1:30pm | BAR | pg. 19
MASTERCLASS: CAREER AS COMPOSER & CONDUCTOR ◆ 4:00pm | RWC | pg. 15
POP-UP CONCERT ◆ 1:00pm | FG | pg. 19
CHAMBER CONCERT ◆ 6:00pm | RWC | pg. 38
RAVEL'S BOLERO 6:00pm | RWC | pg. 42
CANELLAKIS CONDUCTS BRAHMS AND WAGNER 6:00pm | RWC | pg. 48
THE PLANETS 6:00pm | RWC | pg. 54
THURSDAY SATURDAY FRIDAY
SECTIONAL: WOODWINDS ◆ 1:30pm | RWC | pg. 15
SECTIONAL: BRASS ◆ 1:30pm | RWC | pg. 15
CHAMPAGNE SERIES 4:00pm | PR | pg. 23
ALUMNI STRING QUARTET - ESTES PARK RESIDENCY
MUSIC IN THE MOUNTAINS ◆ 1:30pm | BRP | pg. 19
SECTIONAL: PERCUSSION ◆ 3:30pm | RWC | pg. 15
FOURTH OF JULY SPECTACULAR ◆
10:00am | RP | pg. 32
FOURTH OF JULY SPECTACULAR 6:00pm | RWC | pg. 32
LIBRARY VISITS
10:30am | BSBL | pg. 13
1:30pm | FMBL | pg. 13
3:30pm | SNBL | pg. 13
SECTIONAL: LOW STRINGS ◆ 1:00pm | RWC | pg. 15
CHAMPAGNE SERIES 4:00pm | PR | pg. 23
OPENING NIGHT: SLATKIN RETURNS 6:00pm | RWC | pg. 24
STERN CONDUCTS TCHAIKOVSKY 6:00pm | RWC | pg. 28
TOPILOW POPS! 6:00pm | RWC | pg. 33
STAR WARS: A NEW HOPE IN CONCERT 2:00pm & 7:30pm | RWC | pg. 37
BAR Breckenridge Associates Real Estate
BFM Barney Ford Museum
BRP Blue River Plaza
BSBL Breckenridge South Branch Library
DA Dillon Amphitheater
ET Eclipse Theater
FG Frisco Gazebo
FMBL Frisco Main Branch Library
GRFA Gerald R. Ford
Amphitheater, Vail
KC King Center, Denver
PR Private Residence
RP Rainbow Park, Silverthorne
RWC Riverwalk Center
SNBL Silverthorne North Branch Library
SUMMIT SENIORS PERFORMANCE ◆ 6:00pm | SSC
AUGUST
MUSIC IN THE MOUNTAINS ◆ 1:30pm | BRP | pg. 19
BEETHOVEN'S PASTORALE 6:00pm | RWC | pg. 40
BEETHOVEN'S PASTORALE 7:00pm | KC | pg. 41
SSC Summit County Community & Senior Center
MUSIC IN THE MOUNTAINS ◆ 1:30pm | BFM | pg. 19
VAIL DANCE FESTIVAL: OPENING NIGHT 7:30pm | GRFA | pg. 45
BRITTEN'S STORM AND TCHAIKOVSKY'S STRINGS 6:00pm | RWC | pg. 46
ROBERT MOODY CONDUCTS SIBELIUS 6:00pm | RWC | pg. 50
JOIN US AT AN OPEN REHEARSAL!
Most NRO rehearsals at the Riverwalk Center are free and open to the public! Scan to view the full schedule of this summer’s open rehearsals.
NRO FINALE: STRAUSS ALPINE SYMPHONY 6:00pm | RWC | pg. 58
LEARN MORE & BUY SEASON PASSES, TICKET BUNDLES, AND INDIVIDUAL TICKETS ONLINE AT NROMUSIC.ORG OR BY CALLING (970) 547-3100.
The National Repertory Orchestra is passionate about fostering artistic growth and enabling aspiring musicians to access music education. With music as the lens, the NRO focuses on the connections between us and our world through meaningful and collaborative programs.
At its core, the NRO is an education organization, and we are proud to celebrate over 60 years educating the next generation of classical musicians with our prestigious, tuition-free program.
The NRO also provides workshops, masterclasses, and school programs to educate students of all ages about classical music, orchestral instruments, and the importance of music education.
TO LEARN MORE ABOUT OUR EDUCATION PROGRAMS, INCLUDING DATES AND HOW TO APPLY FOR SCHOLARSHIPS, VISIT NROMUSIC.ORG.
I cannot say enough of this wonderful program for talented young adults in our county. Please support the NRO and all of their initiatives in every way you can. The work they do makes our community culturally rich through the love and passion of music.”
-
ELSA, MOTHER OF SCMLS RECIPIENTThe NRO’s commitment to experiential learning is brought to life through a series of masterclasses and sectionals, taught by industry experts, that help our musicians grow as professionals. These events are free of charge and open to the public. (see page 15)
The NRO supports young music scholars by providing the needs-based Music Lesson Scholarship for students in Summit County, Colorado. Beneficiaries of this program receive private instruction on the instrument of their choice.
We bring a collection of instruments for people of all ages to interact with, hold, and play, all with the expert guidance of our NRO staff. We seek to ignite curiosity, and help individuals discover and develop a lifelong appreciation for music.
The NRO Alumni String Quartet visit local libraries and preschools throughout Summit County and beyond to help reinforce reading fundamentals with music as their guide. The library performances allow all members of the community better access to highquality music.
Each year the NRO grants one scholarship to a graduating seniors of Summit High School who are planning to pursue a degree in the field of Arts or Arts Administration. Fields of study may include, but are not limited to, music, dance, theater, film, visual and/or multimedia arts. Primary emphasis is placed on career goals with a focus on students from low socio-economic backgrounds who may also be experiencing other forms of educational disadvantage which make it difficult to achieve their educational goals.
COMMUNITY ENGAGEMENT SEMINAR
JUNE 18 | 4:00PM
Alumni String Quartet: Julius Adams, viola; Luis Angel Salazar Avila, violin; Sarah Elert, violin; Jessamyn Fry, cello
SECTIONAL: STRINGS
JUNE 19 | 1:30PM
Conductor Leonard Slatkin (pg. 63)
MASTERCLASS: SCORE
STUDY & PREPARATION
JUNE 19 | 4:00PM
Conductor Leonard Slatkin (pg. 63)
MASTERCLASS: CHAMBER MUSIC
JULY 2 | 1:30PM
Si-Yan Darren Li, Associate Dean of Ensembles at the Cleveland Institute of Music
SECTIONAL: WOODWINDS
JULY 8 | 1:30PM
Ricardo Morales, Principal Clarinet with the Philadelphia Orchestra
SECTIONAL: UPPER STRINGS
JULY 8 | 3:30PM
Dara Morales, Assistant Principal Second Violin with the Philadelphia Orchestra
SECTIONAL: WOODWINDS
JUNE 20 | 1:30PM
Conductor Leonard Slatkin (pg. 63)
SECTIONAL: BRASS
JUNE 21 | 1:30PM
Conductor Leonard Slatkin (pg. 63)
SECTIONAL: PERCUSSION
JUNE 27 | 3:30PM
Rob O'Brien, Assistant Principal Timpani and Percussion with the Dallas Symphony
SECTIONAL: LOW STRINGS
JULY 18 | 1:00PM
Timothy Cobb, Principal Bass with the New York Philharmonic
SECTIONAL: BRASS
JULY 22 | 1:30PM
Ethan Bensdorf, trumpet with the New York Philharmonic
MASTERCLASS: CAREER AS A COMPOSER & CONDUCTOR
JULY 23 | 4:00PM
Conductor Matthias Pintscher (pg. 62)
ALL MASTERCLASSES & SECTIONALS TAKE PLACE AT THE RIVERWALK CENTER AND ARE FREE AND OPEN TO THE PUBLIC.
Community Link is the National Repertory Orchestra’s volunteer initiative, a team of extraordinary individuals who are essential to achieving and amplifying the organization’s mission. Through the NRO’s Community Link program, volunteers offer their talents and time in a myriad of ways like assisting guests at rehearsals and concerts, creating home-cooked weekly dinners, and acting as hosts/guides to our summer staff and fellows.
As a token of our appreciation, we provide Community Link volunteers with a variety of perks and benefits including appreciation events, concert ticket discounts, and NRO swag.
TO LEARN MORE ABOUT VOLUNTEERING WITH THE NRO, CONTACT LAUREN MORROW AT LAUREN@NROMUSIC.ORG.
New in 2024, the NRO has adopted the Blue River corridor between Watson Avenue and the dredge boat! Join us in picking up trash to maintain the pristine beauty of the pedestrian path in the heart of Breckenridge.
Volunteers play a pivotal role in tuning and distributing bikes to musician and admin fellows, supporting the town's mobility and sustainability initiatives.
Our hosts extend a warm Summit County welcome to musician and admin fellows, offering meals, practice spaces, and engaging activities like hiking and biking.
Rehearsal docents warmly welcome all attendees during NRO rehearsals, answering questions, distributing information, and creating a friendly atmosphere.
Concert ushers welcome NRO patrons to the Riverwalk Center, providing assistance, information, and guiding them to their seats, enhancing the overall concert experience.
We facilitate a smooth transition for summer staff and fellows by helping set up apartments with essential kitchen, bath, and bedroom items.
Make a difference by volunteering to help prepare, serve, and clean up after dinner at St. John's Episcopal Church to support our summer staff and fellows.
During their summer fellowship, the NRO musicians take part in our Community Engagement program, animating Summit County with engaging and free performances in neighborhoods, parks, plazas, libraries, and classrooms.
For symphony orchestras to survive and thrive, musicians need to be advocates for classical music in all aspects of life, especially by being active and present in their communities.
The NRO’s free Community Engagement events are designed to connect musicians with our local community beyond the traditional concert setting. Community Engagement events make classical music accessible to a broader audience, and build strong, lasting relationships between the orchestra and the community it serves.
NRO’s community engagement events bring residents and visitors together, offering free, live music experiences in iconic Summit County locations.”
- MEGAN MARTIN, COMMUNITY ENGAGEMENT MANANGERThe NRO loves making Music in the Mountains! This series brings our world-class musicians into spaces popular with residents and visitors alike, combining the breathtaking beauty of Breckenridge’s natural surroundings with the transcendent power of live music.
Breckenridge Associates Real Estate is a longtime partner of the NRO with a beautiful historic building on Main Street. We celebrate our partnership with live music right on their front porch. Bring a lawn chair and enjoy wonderful music in the heart of our lovely town.
In partnership with various organizations across Summit County, the NRO holds free pop-up concerts in public spaces throughout Frisco, Dillon, and Silverthorne.
Symphony in the Streets is a vibrant, day-long celebration that will transform Breckenridge into a sprawling outdoor musical venue on July 2, with ensembles from the NRO orchestra serenading audiences in parks and beloved locations across the town throughout the day:
11:30 AM Trollstigen Troll
1:00 PM Blue River Plaza
2:30 PM Prospector Park
4:00 PM Arts District
6:00 PM Main Street Station
Experience first-hand how the conductors and musicians prepare for upcoming concerts at one of our Open Rehearsals, free and open to the public. You are invited to watch— and listen—as the music comes together in preparation for our performances at the Riverwalk Center in Breckenridge.
VIEW THE CALENDAR OF FREE COMMUNITY ENGAGEMENT EVENTS ON PAGES 10-11 OR AT NROMUSIC.ORG.
Join us for our Champagne Series concerts and deepen your appreciation for music.
These intimate chamber performances take place in stunning private homes creating an ambiance that is both elegant and inviting. Attending these performances is not only a feast for the senses but also an opportunity to support the arts. Funds raised help support music education.
RESIDENCE
Corinthian Hill, Dillon
4:00PM – 7:00PM
Alex Greenbaum, cello
Elizabeth Hainan, harp
Kate Hatmaker, violin
CARVER RESIDENCE
Willowbrook, Silverthorne
4:00PM – 7:00PM
NRO Wind Quintet
MILES RESIDENCE
Highlands, Breckenridge
4:00PM – 7:00PM
NRO Alumni String Quartet
TROWBRIDGE RESIDENCE
Highlands, Breckenridge 11:00AM – 2:00PM
NRO Brass Quintet
TICKETS: $125 PER PERFORMANCE. SPACE IS LIMITED. RESERVE YOUR SPACE TODAY ONLINE OR BY EMAILING KELLY SANDERS, KELLY@NROMUSIC.ORG.
22 x 6:00PM
Q RIVERWALK CENTER
Leonard Slatkin, conductor (pg. 63)
Solveig Geenen, violin (pg. 70)
Bedřich Smetana (1824-1884)
Vltava: The Moldau
Zoltán Kodály (1882-1967)
Variations on a Hungarian Folksong (The Peacock)
I. Con brio
II. [No tempo indicated]
III. Più mosso
IV. Poco calmato
V. Appassionato
VI. Tempo (calmato)
VII. Vivo
VIII. Più vivo
IX. [No tempo indicated]
X. Molto vivo
XI. Andante expressivo
XII. Adagio
XIII. Tempo di marcia funebre
XIV. Andante; tempo rubato
XV. Allegro giocoso
XVI. Maestoso
XVII. Finale
INTERMISSION
Ralph Vaughan Williams (1872-1958)
The Lark Ascending
Solveig Geenen, violin
Paul Hindemith (1895-1963)
Symphonic Metamorphosis of Themes by Carl Maria von Weber
I. Allegro
II. Scherzo (Turandot)
III. Andantino
IV. Marsch
Smetana’s Vltava (The Moldau), part of his cycle “Má vlast,” is a symphonic poem that depicts the journey of the Vltava River through the Czech countryside. Composed in 1874, the piece begins with a gentle, rippling motif representing the river’s source. As the music unfolds, the river grows, flowing through forests and meadows, past castles and villages. The piece captures various scenes along the river’s course, including a jubilant hunt, a rustic wedding, and the majestic flow of the river under the moonlight. Smetana’s masterful orchestration and use of thematic development create a vivid, musical portrayal of the natural landscape and the river’s integral role in Czech culture and history.
Kodály’s “Variations on a Hungarian Folksong,” also known as “The Peacock,” composed in 1939, draws on the rich tradition of Hungarian folk music. The work is based on the folk song “Fly, Peacock, Fly,” which symbolizes freedom and the yearning for liberation. Kodály’s variations explore different aspects of the folk tune, transforming it through a series of contrasting moods and orchestral colors. The piece evokes the Hungarian countryside, with its rolling hills and vibrant communities. Kodály’s use of traditional melodies and rhythms reflects the deep connection between the natural landscape and cultural identity, highlighting the enduring power of nature and heritage in shaping national consciousness.
Williams’ The Lark Ascending, composed in 1914 and later revised in 1920, is a lyrical, pastoral work that celebrates the beauty of the English countryside. Inspired by George Meredith’s poem of the same name, the piece features a solo violin that represents the lark, soaring and fluttering above serene orchestral textures. The violin’s ethereal, bird-like melodies capture the lark’s ascent into the sky, evoking a sense of freedom and transcendence. Williams’ lush harmonies and delicate orchestration create a soundscape that mirrors
the tranquility and majesty of nature, allowing listeners to experience the gentle, uplifting spirit of the countryside.
Hindemith’s Symphonic Metamorphosis of Themes by Carl Maria von Weber, composed in 1943, transforms Weber’s original themes into a dynamic orchestral suite. While not explicitly programmatic, Hindemith’s metamorphosis can be seen as reflecting the transformative power of nature. The piece’s four movements each take a different Weber theme and reimagine it with bold, inventive orchestration and rhythmic drive. The second movement, “Turandot Scherzo,” with its exotic scales and energetic rhythms, evokes a vibrant, bustling natural world. The final movement, a lively march, captures the relentless forward motion and ever-changing character of nature. Hindemith’s work celebrates the idea of transformation and renewal, central themes in the natural world.
Scan to read expanded program notes and composer features.
CONCERT SPONSOR
Beaver Run Resort and Conference Center
SEASON UNDERWRITERS
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Mark Addison
Ann Brewster
M.A. Deen
Annette and Ken Hallock
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Samuel L. Bufford and Julia Metzger
Janet and Rob Miles
Michael Molloy
Dave Pfeifle
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Michael Stern
CONCERT UNDERWRITER
Joanne Masica
x 9:30AM CRAFTS
x 10:30AM MUSIC
Q RIVERWALK CENTER
Jason Seber, conductor (pg. 62)
Winners of the Yamaha Piano Competition
Natalie Ouyang, piano
Bruce Duong, piano
ON THE PROGRAM
Carlos Chávez (1899-1978) Toccata
III. Allegro un poco marziale
Paul Dukas (1865-1935) Fanfare to La Péri
John Williams (b. 1932)
“Nimbus 2000” from Harry Potter and the Sorcerer’s Stone
Edvard Grieg (1843-1907)
“From Holberg’s Time” Op. 40 (Suite in Olden Style)
I. Praeludium
Wolfgang Amadeus Mozart (1756-1791)
Piano Concerto No. 19 in F major, K. 459
Natalie Ouyang, piano
I. Allegro
Wolfgang Amadeus Mozart (1756-1791)
Piano Concerto No. 9 in E-flat major, K. 271
Bruce Duong, piano
I. Allegro
Benjamin Britten (1913-1976)
Young Person’s Guide to the Orchestra, op.34 (Variations and Fugue on a Theme of Purcell)
Theme: Allegro maestoso e largamente
Variation A (flutes and piccolo): Presto
Variation B (oboes): Lento
Variation C (clarinets): Moderato
Variation D (bassoons): Allegro alla marcia
Variation E (violins): Brillante - Alla polacca
Variation F (violas): Meno mosso
Variation G (cellos): [L’istesso tempo]
Variation H (basses): Comminciando lento ma poco a poco accelerando al Allegro
Variation I (harp): Maestoso
Variation J (horns): L’istesso tempo
Variation K (trumpets): Vivace
Variation L (trombones): Allegro pomposo
Variation M (percussion): Moderato
Fugue: Allegro molto
The NRO is proud to continue the long-standing tradition of free performances for our young at heart. Conductor (and Alum) Jason Seber has chosen music that features each section of the orchestra, with an overarching theme, “Piece by Piece: Putting Together the Orchestra.”
Dukas’ Fanfare to La Peri is like a magical trumpet call that takes you on a fairy tale adventure! Imagine yourself in a royal castle, surrounded by brave knights and beautiful princesses, as the majestic melodies of the orchestra fill the air with regal splendor.
Williams’ Nimbus 2000, composed for the 2001 film Harry Potter and the Sorcerer’s Stone, beautifully enriches the magical world of Hogwarts with its whimsical and enchanting score. Transport yourself to the wizarding world as Williams’ iconic score takes you on Harry Potter’s exhilarating journey soaring astride a musical Nimbus 2000 broomstick.
Grieg’s Holberg Suite is a wonderful introduction to classical music for children. Each movement tells a different story and paints a different picture with its music, allowing the audience to use their imagination and creativity to interpret and enjoy the music in their own unique way.
Britten’s Young Person’s Guide to the Orchestra is like a tour of a musical playground. It shows you all the different instruments in the orchestra, from the booming drums to the twinkling flutes.
Join us before the music starts, at 9:30am, to partake in an arts and crafts hour provided by Frosted Flamingo! This year we will be making washer wind chimes and musical sensory jars.
Classical Pianos Denver began hosting the Yamaha Piano Competition in 1988. Since then, hundreds of young piano players have gotten their start on a globally significant musical journey. The National Repertory Orchestra is honored to host 4 of this year’s winners in a pair of concerts this summer in Breckenridge.
Bruce Duong
Bruce started learning to play piano at Forte Academy of Music and eventually studied with Mrs. June Haun. With his passion and love of music, in addition to his present teacher’s mindful cultivation, he has matured on his artistic temperament. He has a very supportive and playful family, especially his mother, which provides him a very pleasant environment for growth in music. He enjoys playing duets with his older brother who is a violinist, and performing acts with his younger brother. He has participated and won various rewards with Schmitt Music of Denver, Yamaha Piano Competition and Colorado State Rising Star Festival throughout the years. He is currently attending Montessori Peaks Academy elementary school in Littleton, Colorado and would love to join the School of Art in Denver.
Natalie Ouyang
Natalie has been studying piano since the age of 4 with Ms. Jasmine Steadman. She has participated in numerous competitions including being the youngest 1st place winner of Yamaha Piano Competition Advanced Competitive Division I in 2024, and will be a featured pianist with NRO in Breckenridge this summer. She was also placed 3rd in XV Chopin International Piano Competition in Hartford, CT 2024, 10 year old and under division as one of the youngest contestants. 1st place at CSMTA Rising Star Competition Lower Elementary Division in 2023, 1st place winner at Yamaha Piano Competition Advanced Division I, 2nd place at Schmitt Music Competition Advanced Division I, 1st place winner at Yamaha Competition Competitive Division I in 2022, 2nd place at Schmitt Music Competition Competitive Division I. She is also the youngest member of Musicians United for Change.
CONCERT SPONSORS
Alpine Bank
Breckenridge Grand Vacations
SEASON UNDERWRITERS
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Sharon Magness Blake and Ernie
Blake
Libby Bortz
Steve Corneillier
Nancy French
Reggie and Pamela Gray Family
Beverley McArthur
Sandra Mortensen
Tom and Emily Wahl
Suzy Iliff Witzler
CONCERT UNDERWRITER
Newman’s Own Foundation
29
x 6:00PM
Q RIVERWALK CENTER
Michael Stern, conductor (pg. 60)
William Thain, violin (pg. 70)
ON THE PROGRAM
Jean Sibelius (1865-1957)
The Oceanides, Op. 73
Gustav Mahler (1860-1911)
“What the Flowers in the Meadow Tell Me” (Symphony No. 3, Mvt II)
Sergei Prokofiev (1891-1953)
Violin Concerto No. 2 in G minor, Op. 63
William Thain, violin
I. Allegro moderato
II. Andante assai
III. Allegro, ben marcato
INTERMISSION
Piotr Ilyich Tchaikovsky (1840-1893)
Symphony No. 2, in C minor, Op. 17 “Little Russian”
I. Andante sostenuto – Allegro vivo
II. Andantino marziale, quasi moderato
III. Scherzo. Allegro molto vivace
IV. Finale. Moderato assai – Allegro vivo
SPECIAL RECOGNITION
Outstanding Volunteers of the Year Award: Don and Jeanette Hansen (pg. 8)
NRO Sustainer’s Evening
“Sibelius’s The Oceanides is a tone poem that transports listeners to the vast expanse of the sea. Composed in 1914, it captures the majestic beauty and ever-changing moods of the ocean. The music begins with undulating waves of strings and winds, creating a sense of fluidity and movement. As the piece unfolds, the orchestra swells with powerful crescendos, evoking the raw power and grandeur of the sea. Yet amidst the drama, there are moments of serene tranquility, where shimmering harmonies and delicate motifs paint a picture of calm waters and sun-drenched horizons. Through its evocative melodies and rich orchestration, The Oceanides invites listeners to embark on a musical journey through the depths of the ocean’s mysteries.
Mahler’s song “What the Flowers in the Meadow Tell Me” is a poignant reflection on the beauty of nature and the passage of time. Part of his song cycle “Songs of a Wayfarer,” composed in 1884, it explores themes of love, loss, and the transient nature of existence. The music unfolds with a sense of gentle melancholy, as Mahler’s emotive melodies are woven together with lush orchestration. Through its tender lyrics and poignant harmonies, “What the Flowers in the Meadow Tell Me” invites listeners to contemplate the fleeting beauty of life and find solace in the timeless cycles of nature.
Prokofiev’s Violin Concerto No. 2 is a thrilling showcase of virtuosity and emotion. Composed in 1935, it pushes the boundaries of the violin repertoire with its innovative harmonies and intricate rhythms. The concerto opens with a bold and assertive theme, introduced by the solo violin against a backdrop of pulsating orchestral accompaniment. From there, it unfolds in a series of contrasting movements, each one showcasing Prokofiev’s remarkable skill as a composer. Throughout the concerto, Prokofiev’s inventive harmonies and dynamic contrasts create a sense of drama and intensity, drawing listeners into a world of passion and excitement.
Tchaikovsky’s Symphony No. 2, also known as the “Little Russian” Symphony, is a vibrant celebration of Ukrainian folk music and culture. Composed in 1872, it brims with energy and vitality, capturing the spirit of traditional Ukrainian melodies and dances. The symphony opens with a triumphant fanfare, introducing a lively folk theme that forms the basis of the entire piece. From there, Tchaikovsky weaves together a series of vibrant motifs and colorful orchestrations, evoking the sights and sounds of the Ukrainian countryside. Throughout the symphony, Tchaikovsky’s gift for melody and orchestration shines through, creating a rich and evocative musical landscape that transports listeners to the heart of Ukraine’s vibrant folk traditions.
Scan to read expanded program notes and composer features.
CONCERT SPONSOR
Beaver Run Resort and Conference Center
SEASON UNDERWRITERS
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Mark Addison
Ann Brewster
M.A. Deen
Annette and Ken Hallock
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Samuel L. Bufford and Julia Metzger
Janet and Rob Miles
Michael Molloy
Dave Pfeifle
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Michael Stern
CONCERT UNDERWRITERS
Michael and Marylynn Eipper
x 6:30PM
Q DILLON
AMPHITHEATER
Michael Stern, conductor (pg. 60)
Richard Stinson, trumpet (pg. 80)
Christopher Petrella, trumpet (pg. 79)
Luke Kneller, clarinet
ON THE PROGRAM
Antonín Dvořák (1841-1904)
Carnival Overture, Op. 92, B. 169
Antonio Vivaldi (1678-1741)
Concerto for Two Trumpets in C major, RV 537
Richard Stinson, trumpet
Christopher Petrella, trumpet
I. Allegro
II. Largo
III. Allegro
Johannes Brahms (1833-1897)
Hungarian Dance No. 2 in G minor, Allegro molto
Hungarian Dance No. 5 in G minor (arr Parlow), Allegro vivace
Jean Sibelius (1865-1957)
Finlandia, Op. 26
INTERMISSION
Richard Wagner (1813-1883)
Overture to The Flying Dutchman
Adam Schoenberg (b. 1980)
Cool Cat
Gerald Finzi (1901-1956)
Five Bagatelles Op. 23
Luke Kneller, clarinet
I. Prelude: Allegro deciso
IV. Forlana: Allegretto grazioso
V. Fughetta: Allegro vivace
Edvard Grieg (1843-1907)
Suite No. 1 from Peer Gynt, Op. 46
I. Morning
II. Åse’s Death
III. Anitra’s Dance
IV. In the Hall of the Mountain King
Pyotr Ilych Tchaikovsky (1840-1893)
“Dance of the Tumblers”, from The Snow Maiden
Gustav Holst (1874-1934)
“Jupiter” from The Planets
SPECIAL RECOGNITION
NRO Sustainer’s Evening
Experience the NRO in a setting like no other, overlooking the Rocky Mountains on the shore of Lake Dillon. Gates open at 5:30 pm. Bring your own lawn chair or blanket and enjoy this FREE concert!
Check dillonamp.com for updated venue policies.
Luke Kneller
Luke Kneller, 2024 Graduate and former principal clarinet player at Summit High School whose musical journey has taken him from the prestigious Colorado All State Symphonic Band to iconic venues like Carnegie in New York City, the Royal Festival Hall in London England, Sydney Opera House in Australia, and the Musikverein in Vienna Austria. He has participated in countless composition competitions and created many musical masterpieces.
Luke holds a firm belief that music is a powerful form of self expression no matter what style. Ideas of expression and creativity can convey emotions, connect people, and give a sense of individuality. Having grown up playing clarinet and piano, classical, and jazz music is a huge part of his life. One of the earliest things he learned was to make the music his own. By taking inspiration from the world around him, he has developed his own unique performances and compositions.
He has received several notable awards including special recognition from the Colorado House of Representatives, International Performance Achievement Awards, Local and State Symphonic Band Awards as well as Gold Academic Honor Rolls. Kneller stays engaged as an active member of the Summit Community Band with performances across the county at Breckenridge Riverwalk Performing Arts Center, Keystone Resort, Music at the Summit, Jazz at the Summit and more. He has been a featured solo performer for
Because of the NRO’s scholarship support, I will be able to continue to pursue my passion for music. Your generosity has impacted my musical pursuits and has also inspired me to give back to my community. Your philanthropic spirit has shown me the importance of helping others whenever possible. I am committed to making a positive difference in the lives of others, just as you have done for me.”
-LUKE KNELLERAlpenglow Chamber Music Festival as well as the National Repertory Orchestra.
His dedication to the arts extends beyond performance, as he aspires to major in both Music Education and Music Composition at CU Boulder. Luke Kneller is poised to make a significant contribution to the musical arts.
CONCERT SPONSORS
Alpine Bank
Breckenridge Grand Vacations
Town of Dillon
SEASON UNDERWRITERS
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Mark Addison
Ann Brewster
M.A. Deen
Annette and Ken Hallock
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Samuel L. Bufford and Julia Metzger
Janet and Rob Miles
Michael Molloy
Dave Pfeifle
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Michael Stern
CONCERT UNDERWRITER
Jean DePeters
*Deceased
JUL 4
x 10:00AM
Q RAINBOW PARK
x 6:00PM
Q RIVERWALK CENTER
Carl Topilow, conductor (pg. 63)
Program will be announced from the stage
The day kicks off with a free concert at 10:00am at Rainbow Park in Silverthorne. Arrive early and bring your own lawn chair or blanket. Guests can enjoy free family activities from the Town of Silverthorne and an NRO Instrument Petting Zoo!
We then head back to the Riverwalk Center in Breckenridge for our evening concert. Under the baton of Carl Topilow, the Fourth of July Spectacular radiates with patriotic fervor and musical brilliance. You never know what to expect from the musical mind of Carl Topilow, but you can be assured this fan-favorite concert will inspire and amaze as he leads the orchestra through iconic works that span diverse styles and genres. Throughout the performance, the orchestra shines, and we celebrate the Fourth of July as we always do, with musical fireworks made by the NRO!
IN RECOGNITION AND GRATITUDE OF TONIGHT’S SPONSORS & UNDERWRITERS
CONCERT SPONSORS
Town of Silverthorne, Rainbow Park Concert
Town of Breckenridge, Riverwalk Center Concert
SEASON UNDERWRITERS
Robert and Cynthia Benson Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Sharon Magness Blake and Ernie Blake
Libby Bortz
Steve Corneillier
Nancy French
Reggie and Pamela Gray
Family
Beverley McArthur
Sandra Mortensen
Tom and Emily Wahl
Suzy Iliff Witzler
CONCERT UNDERWRITERS
Steve Corneillier and daughters Brittony and Nicole in memory of Kathleen Corneillier
*Deceased
Carl Topilow, conductor (pg. 63)
Program will be announced from stage
Expect the unexpected as Carl Topilow— conductor, clarinetist, and consummate showman—puts on his famous Topilow Pops concert! The evening will be an exhilarating and engaging musical experience that brings together a diverse array of popular music genres, with something for everyone to enjoy. The music will feature a lighter and more accessible repertoire, ranging from classical favorites to Broadway hits, film scores, jazz standards, and more—transporting listeners on a musical journey across genres and eras. Topilow’s engaging commentary and anecdotes between pieces create a sense of intimacy and camaraderie, inviting listeners to feel like active participants in the concert experience.
IN RECOGNITION AND GRATITUDE OF TONIGHT’S SPONSOR & UNDERWRITERS
CONCERT SPONSOR
Downstairs at Eric’s
SEASON UNDERWRITERS
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Sharon Magness Blake and Ernie Blake
Libby Bortz
Steve Corneillier
Nancy French
Reggie and Pamela Gray
Family
Beverley McArthur
Sandra Mortensen
Tom and Emily Wahl
Suzy Iliff Witzler
CONCERT UNDERWRITERS
Steve Corneillier and daughters Brittony and Nicole in memory of Kathleen Corneillier
Dr. Glen and Bobbie Zelkind
*Deceased
JUL 10 x 6:00PM
Q RIVERWALK CENTER
Michael Stern, conductor (pg. 60)
Sadie Hamrin, violin (pg. 70)
ON THE PROGRAM
Carl Nielsen (1865-1931)
Helios Overture, Op. 17
Jonathan Leshnoff (b. 1973)
Violin Concerto No. 1
Sadie Hamrin, violin
I. Allegro
II. Slow
III. Scherzo
IV. Slow-Fast
V. Elegy
INTERMISSION
Franz Joseph Haydn (1732-1809)
Symphony No. 59 in A major, Hob.I:59 “Fire Symphony”
I. Presto
II. Andante o più tosto - Allegretto
III. Menuet e Trio
IV. Finale: Allegro
Claude Debussy (1862-1918)
La Mer, L. 109
I. “De l’aube à midi sur la mer”
II. “Jeux de vagues”
III. “Dialogue du vent et de la mer”
This concert benefits Summit County’s First Responders, including: Flight for Life Colorado, Summit County Animal Control & Shelter, Summit County Emergency Services Training Center, Summit County Rescue Group, Summit County Water Rescue Team, and Wildland Firefighter Foundation.
Nielsen’s Helios Overture is a radiant and evocative symphonic poem that transports listeners to the sun-drenched shores of ancient Greece. Composed in 1903, it captures the dawn and ascent of the sun, painting a vivid sonic landscape with its shimmering strings, majestic brass fanfares, and sweeping melodies. As the music unfolds, Nielsen’s masterful orchestration evokes the changing hues of the sky and the tranquil beauty of the Mediterranean landscape. Through its luminous harmonies and dynamic contrasts, Helios Overture is a testament to Nielsen’s genius as a composer and his ability to evoke the natural world with breathtaking clarity and emotion.
Leshnoff’s Violin Concerto No. 1 is a compelling and introspective work that showcases the expressive capabilities of the violin. Composed in 2010, it features a solo violinist engaged in a lyrical dialogue with the orchestra, exploring themes of introspection, longing, and renewal. The concerto opens with a plaintive melody played by the soloist, which is then echoed and developed by the orchestra. Throughout the piece, Leshnoff’s inventive harmonies and lush orchestrations create a sense of depth and emotional richness, drawing listeners into a world of introspection and contemplation. With its soaring melodies and poignant lyricism, Violin Concerto No. 1 is a captivating exploration of the human spirit and the power of music to express the ineffable.
Haydn’s “Fire Symphony,” also known as Symphony No. 59, is a spirited and dynamic work that brims with energy and vitality. Composed in 1769, it is one of Haydn’s lesserknown symphonies but is nevertheless a gem of the classical repertoire. The nickname “Fire Symphony” derives from the vigorous and fiery character of its music, with driving rhythms, bold melodies, and dramatic contrasts. From the fiery opening movement to the exuberant finale, Haydn’s “Fire Symphony”
captivates listeners with its infectious energy and irrepressible spirit, making it a perennial favorite among audiences and performers alike.
Debussy’s La Mer is a timeless masterpiece that captures the ever-changing moods and rhythms of the sea. Composed between 1903 and 1905, it is a symphonic triptych consisting of three movements: “From Dawn to Noon on the Sea,” “Play of the Waves,” and “Dialogue of the Wind and the Sea.” Through its shimmering textures, ethereal harmonies, and evocative melodies, La Mer conjures images of sunlight dancing on the water, waves crashing against the shore, and storms raging at sea. Debussy’s innovative use of orchestration and impressionistic techniques creates a sense of fluidity and motion, immersing listeners in the mesmerizing beauty of the ocean’s depths. With its haunting beauty and emotional depth, La Mer remains one of Debussy’s most beloved and enduring works, a timeless tribute to the eternal allure of the sea.
Scan to read expanded program notes and composer features.
CONCERT SPONSOR
Beaver Run Resort and Conference Center
SEASON UNDERWRITERS
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Mark Addison
Ann Brewster
M.A. Deen
Annette and Ken Hallock
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Samuel L. Bufford and Julia Metzger
Janet and Rob Miles
Michael Molloy
Dave Pfeifle
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Michael Stern
CONCERT UNDERWRITERS
Kathy and John Landon
x 2:00PM x 7:30PM Q RIVERWALK CENTER
Jason Seber, conductor (pg. 62)
The NRO presents Star Wars: A New Hope in Concert, featuring a screening of the complete film with composer John Williams’ iconic Oscar®-winning score performed live to the film. Since the release of this first Star Wars movie over 45 years ago, the Star Wars saga has had a seismic impact on both cinema and culture, inspiring audiences around the world with its mythic storytelling, captivating characters, groundbreaking special effects and iconic musical scores composed by Williams. Fans will experience the scope and grandeur of this beloved film in a live symphonic concert experience.
IN RECOGNITION AND GRATITUDE OF TONIGHT’S SPONSOR & UNDERWRITERS
CONCERT SPONSOR
Timothy Faust Photography
SEASON UNDERWRITERS
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul
Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Sharon Magness Blake and Ernie Blake
Libby Bortz
Steve Corneillier
Nancy French
Reggie and Pamela Gray
Family
Beverley McArthur
Sandra Mortensen
Tom and Emily Wahl
Suzy Iliff Witzler
CONCERT UNDERWRITER
Juhree Wendl
Alumni String Quartet (pg. 66)
Sarah Elert, violin
Luis Salazar, violin
Julius Adams, viola
Jessamyn Fry, cello
Winners of the Yamaha Piano Competition
Raditya Muljadi, piano
Madison Suh, piano
Felix Mendelssohn (1809-1847)
Piano Trio No. 1 in D minor, Op. 49
Raditya Muljadi, piano
I. Molto allegro agitato
Robert Schumann (1810-1856)
Piano Quintet in E-flat major, Op. 44
Madison Suh, piano
I. Allegro brilliante
Caroline Shaw (b.1982)
Blueprint
INTERMISSION
Dimitri Shostakovich (1906-1975)
String Quartet No. 9 in E-flat major, Op. 117
I. Moderato con moto
II. Adagio
III. Allegretto
IV. Adagio
V. Allegro
Mendelssohn’s Piano Trio No. 1 in D minor, Op. 49, is a masterpiece of the chamber music repertoire, showcasing the composer’s melodic inventiveness, harmonic richness, and virtuosic pianism. Composed in 1839, this trio exemplifies Mendelssohn’s characteristic blend of Classical elegance and Romantic expressiveness. The work comprises four movements: a dramatic and impassioned opening Allegro, a tender and lyrical Andante con moto, a lively and playful Scherzo, and a thrilling and triumphant Finale.
Schumann’s Piano Quintet in E-flat major, Op. 44, is a quintessential work of the chamber music repertoire, renowned for its beauty, passion, and innovation. Composed in 1842, the interplay between the piano and string quartet is masterfully balanced, with each instrument contributing to the overall richness and depth of sound. The quintet is a showcase of Schumann’s genius as a composer and his ability to create music of timeless beauty and emotional depth.
Blueprint, composed for the Aizuri Quartet, takes its title from this beautiful blue woodblock printing tradition as well as from that familiar standard architectural representation of a proposed structure: the blueprint. This piece began its life as a harmonic reduction — a kind of floor plan — of Beethoven’s String Quartet, Op. 18, No. 6 “La Malinconia”. As a violinist and violist, Shaw has played this piece many times, in performance and in joyous late-night reading sessions with musician friends. Chamber music is ultimately about conversation without words. We talk to each other with our dynamics and articulations, and we try to give voice to the composers whose music has inspired us to gather in the same room and play music. Blueprint is also a conversation — with Beethoven, with
IN RECOGNITION AND GRATITUDE OF TONIGHT’S
UNDERWRITERS
SEASON UNDERWRITERS
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
CONCERT
UNDERWRITER
Adrienne and Allen Frechter
Haydn (his teacher and the “father” of the string quartet), and with the joys and malinconia of his Op. 18, No. 6.
Shostakovich’s String Quartet no. 9 is a wonderful work; rich, vibrant, in parts ecstatic; full of contrast; packed with counterpoint; demanding and effervescing with energy. The quartet is divided into five interconnected movements, seamlessly transitioning between contrasting moods and themes, oscillating between moments of serene beauty and intense agitation. It is complex both in structure and in details, and its interlocking motifs are reworked and reintroduced continuously throughout its five movements.
Classical Pianos Denver began hosting the Yamaha Piano Competition in 1988. Since then, hundreds of young piano players have gotten their start on a globally significant musical journey. The National Repertory Orchestra is honored to host 4 of this year’s winners in a pair of concerts this summer in Breckenridge.
Raditya Muljadi
Raditya is a 9th grader at Our Lady of Victory High School and a student of Jasmine Steadman and Larry Graham. Raditya has won 1st prize in international piano competitions, including Cleveland International Piano Institute Competition, Keyboard Odyssiad Festival, Chicago Music Competitions, Steinway, Paderewski and Tkaczeski, Carmel, Rubato, US International Duo Piano Competition, The Seattle International Competition (Bach Festival), and Broomfield Symphony Youth Concerto Competition. At 9, Raditya gave his first solo recital in Indonesia, and was featured multiple times as soloist with the NRO and the Broomfield Symphony Orchestra in Colorado. Raditya has also performed at the Red Rocks Park & Amphitheater’s 80th season, and played in Carnegie Hall for the Gala Concert by the Lang Lang International Music Foundation as its scholar.
Madison Suh has been studying piano since the age of 4 with Jasmine Steadman Piano Studio. Madison is also being instructed by Larry Graham, formally professor of piano at the University of Colorado. Madison has participated in numerous recitals and competition including being one of the youngest 1st place winners in the ACD Division II of Schmitt Music 2016 Competition, 2nd Place at the CSMTA Rising Star Competition, 2nd Place at the CSMTA Concerto Competition, 1st place at the ACD Division I of Schmitt Music 2015 Competition and 1st place at the Kawai Piano Competition in 2014. She was also the winner of the Carmel International Piano Competition, placing 1st in Solo Piano in 2021 & 2023, and the 1st place winner in the Yamaha Solo Competition in the Advanced Competition Group.
*Deceased
x 6:00PM
Q RIVERWALK CENTER
Michael Stern, conductor (pg. 60)
Jon Kimura Parker, piano (pg. 65)
ON THE PROGRAM
Ludwig van Beethoven (1770-1827)
Symphony No. 6 in F major, Op. 68 “Pastorale”
I. Allegro ma non troppo
II. Andante molto mosso
III. Allegro
IV. Allegro
V. Allegretto
INTERMISSION
George Gershwin (1898-1937)
Rhapsody in Blue
Jon Kimura Parker, piano
Franz Liszt (1811-1886)
Les Préludes, S.97 Poème symphonique No. 3
Michael Stern and Jon Kimura Parker will present Beethoven’s Pastorale on July 19 at the Riverwalk Center in Breckenridge and on July 20 at the King Center in Denver.
IN RECOGNITION AND GRATITUDE OF TONIGHT’S SPONSOR & UNDERWRITERS
CONCERT SPONSOR
Beaver Run Resort and Conference Center
SEASON UNDERWRITERS
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Mark Addison
Ann Brewster
M.A. Deen
Annette and Ken Hallock
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Samuel L. Bufford and Julia Metzger
Janet and Rob Miles
Michael Molloy
Dave Pfeifle
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Michael Stern
CONCERT UNDERWRITERS
Carin and Bill Simpson
*Deceased
x 7:00PM
Q KING CENTER, DENVER
Beethoven’s Symphony No. 6, also known as the “Pastorale Symphony,” offers a serene escape into nature. Composed between 1808 and 1809, it unfolds in five movements, each capturing scenes of pastoral life, painting a vivid musical landscape filled with chirping birds, babbling brooks, and rolling thunder. It stands as a testament to Beethoven’s reverence for nature and his desire to evoke its beauty through music.
We will also celebrate the 100th anniversary of Gershwin’s Rhapsody in Blue, a groundbreaking composition that seamlessly blends classical and jazz elements, encapsulating the vibrant energy and diversity of 1920s America in a single, iconic musical piece. The work showcases Gershwin’s innovative use of syncopated rhythms, bluesy melodies, and improvisational flair. From the iconic opening clarinet glissando to the infectious jazz rhythms and lush harmonies, Rhapsody in Blue stands as a quintessential work of American music.
Liszt’s Les Préludes is a symphonic poem that explores the human experience through music. Inspired by a poem by Alphonse de Lamartine, Les Préludes is a dramatic and emotional journey that celebrates the highs and lows of the human condition. Liszt’s rich orchestration and expressive melodies create a vivid musical landscape, inviting listeners to reflect on the beauty and complexity of life.
Warmly soulful, incredibly speedy, consistenly inventive and artful in every line ... this is why people go to concerts.”
- THE SEATTLE TIMES
TICKETS $40-$75 ($5 YOUTH) BUY TICKETS AT NROMUSIC.ORG OR BY SCANNING THE QR CODE:
JUL 24
x 6:00PM
Q RIVERWALK CENTER
Matthias Pintscher, conductor (pg. 62)
Aaron Lockhart, viola (pg. 72)
ON THE PROGRAM
Sergei Rachmaninov (1873-1943)
The Isle of the Dead, Op. 29
Bohuslav Martinů (1890-1959)
Rhapsody-Concerto for viola and orchestra, H.337
Aaron Lockhart, viola
I. Moderato
II. Molto adagio
INTERMISSION
Claude Debussy (1862-1918)
Ibéria from Images pour orchestre, L. 122
I. Par les rues et par les chemins (Along the streets and along the paths)
II. Les parfums de la nuit (The scents of the night)
III. Le matin d’un jour de fête (The morning of a festive day)
Maurice Ravel (1875-1937)
Bolero
Rachmaninov’s The Isle of the Dead, composed in 1909, is a haunting and atmospheric symphonic poem that evokes a sense of mystery and dread. Inspired by Arnold Böcklin’s painting of the same name, Rachmaninov’s composition transports listeners to a desolate island shrouded in darkness and surrounded by the ebb and flow of the tide. Rachmaninov uses a dark, brooding palette of orchestral colors, with a recurring motif based on the Dies Irae chant, to create a sense of foreboding and desolation. The music mirrors the painting’s depiction of a solitary boat journeying towards the island, symbolizing the passage from life to death. From the mournful tolling of bells to the swirling currents of the sea, The Isle of the Dead is a mesmerizing musical journey that explores themes of mortality, isolation, and the passage of time.
Martinů’s Rhapsody-Concerto for Viola and Orchestra is a dynamic and virtuosic showcase for the viola, and reflects the composer’s deep connection to the landscapes of his native Czechoslovakia. Composed in 1952, it features a solo viola engaged in a spirited dialogue with the orchestra, exploring a wide range of emotions and textures. The first movement, “Moderato,” features flowing melodies and gentle harmonies that evoke the peaceful countryside, with the viola’s singing tone reminiscent of a shepherd’s song carried on the breeze. The second movement, “Andante moderato,” continues this pastoral theme, with the viola weaving through lush orchestral textures, suggesting the tranquility and beauty of nature. Martinů’s use of folk-like melodies and rhythms creates a sense of place and identity, celebrating the natural world and its cultural significance.
Debussy’s Ibéria from Images is a vivid musical portrait of Spain, capturing the vibrant colors and rhythms of the Iberian peninsula. Composed in 1905, it is part of a larger suite of piano pieces arranged for orchestra. Ibéria unfolds in three
movements, each evoking a different aspect of Spanish life and culture. From the bustling streets of “Par les rues et par les chemins” to the sultry atmosphere of “Les parfums de la nuit,” Debussy’s Ibéria is a kaleidoscopic journey through the sights and sounds of Spain. With its shimmering orchestration, evocative melodies, and rhythmic vitality, Ibéria stands as a masterpiece of impressionistic music, allowing listeners to almost feel the heat of the sun, smell the flowers in the air, and hear the distant sounds of celebration, immersing them in the sensory experiences of nature.
Ravel’s Boléro is a mesmerizing and hypnotic orchestral work that builds to a thrilling climax. Composed in 1928, it features a relentless rhythm played by snare drum, gradually joined by other instruments as the piece progresses and builds in intensity. Ravel’s genius lies in his orchestration, as he introduces each new instrument in a carefully crafted progression, creating a sense of inexorable momentum. Despite its simple structure, Boléro captivates listeners with its relentless energy and infectious melody. With its repetitive structure and driving rhythm, Boléro is a tour de force of orchestral virtuosity and remains one of Ravel’s most enduring and iconic works.
Scan to read expanded program notes and composer features.
CONCERT SPONSOR
Beaver Run Resort and Conference Center
SEASON UNDERWRITERS
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Mark Addison
Ann Brewster
M.A. Deen
Annette and Ken Hallock
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Samuel L. Bufford and Julia Metzger
Janet and Rob Miles
Michael Molloy
Dave Pfeifle
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Michael Stern
CONCERT UNDERWRITERS
Terri and Jerry Belver
Mark and Barbara Puccia
Pam Piper Yeung and Dr. Kai Yiu
Yeung
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JUL 26
x 7:30PM
Q GERALD FORD AMPHITHEATER, VAIL
Michael Stern, conductor (pg. 60)
Pyotr Ilych Tchaikovsky (1840-1893) Serenade for Strings in C major, Op. 48
The Opening Night of the Vail Dance Festival kicks off the season with a program featuring Dance Theatre of Harlem, Limón Dance Company, Artist-In-Residence Sara Mearns, Michelle Dorrance, and ballroom duo Denys Drozdyuk and Antonina Skobina. In the second half of the evening, guest stars from New York City Ballet and American Ballet Theatre will join the Colorado Ballet in a special performance of George Balanchine’s landmark ballet Serenade, with Tchaikovsky’s score performed live by the National Repertory Orchestra conducted by Michael Stern.
Composed in 1880, Tchaikovsky's Serenade for Strings is imbued with elegance and grace, qualities that naturally lend themselves to
ballet choreography. The piece's rich textures and expressive phrasing provide a dynamic and evocative backdrop for dance, allowing the music's inherent drama and romanticism to be visually interpreted through movement. George Balanchine recognized this potential and used the Serenade as the basis for his eponymous ballet, created in 1934—the first he choreographed in America, which beautifully captures the emotional breadth and structural clarity of Tchaikovsky's music.
TICKETS START AT $10 AT VAILDANCE.ORG.
IN RECOGNITION AND GRATITUDE OF TONIGHT’S SPONSOR & UNDERWRITERS
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
CONCERT SPONSOR
Vail Dance
*Deceased
x 6:00PM
Q RIVERWALK CENTER
Michael Stern, conductor (pg. 60)
Janice Hu, violin (pg. 70)
Christine Kao, cello (pg. 73)
Anish Raj Pandit, oboe (pg. 76)
Nathan Muz, bassoon (pg. 77)
Michael Abels (b. 1962) “Global Warming”
Piotr Ilyich Tchaikovsky (1840-1893)
Serenade for Strings in C major, Op. 48
I. Pezzo in forma di sonatina: Andante non troppo — Allegro moderato
II. Valse: Moderato — Tempo di valse
III. Élégie: Larghetto elegiaco
IV. Finale (Tema russo): Andante — Allegro con spirito INTERMISSION
Franz Joseph Haydn (1732-1809)
Sinfonia Concertante in B-flat major, Hob.I/105
Janice Hu, violin
Christine Kao, cello
Anish Raj Pandit, oboe
Nathan Muz, bassoon
I. Allegro
II. Andante
III. Finale: Allegro con spirito
Benjamin Britten (1913-1976)
Four Sea Interludes, Op. 33a from Peter Grimes
Dawn
Sunday Morning
Moonlight
Storm – Passacaglia
TONIGHT’S PARTNERS
This concert benefits the High Country Conservation Center.
Abels’ “Global Warming” is a contemporary orchestral piece that confronts the urgent issue of climate change through music. Composed in 1991, it combines traditional orchestral instruments with electronic elements to create a haunting and evocative soundscape. The piece begins with a serene, reflective melody that evokes the calm before the storm, gradually building in intensity to represent the escalating effects of global warming. Through its shifting textures and dramatic contrasts, “Global Warming” paints a vivid musical portrait of the Earth’s changing climate, from the melting polar ice caps to the rising sea levels and extreme weather events. Abels’ composition serves as a powerful call to action, urging listeners to confront the reality of climate change and take steps to protect the planet for future generations.
Tchaikovsky’s Serenade for Strings in C major is a radiant expression of Romanticism’s emotional depth and lyrical beauty. Composed in 1880, it stands as one of Tchaikovsky’s most beloved works, showcasing his mastery of melody and orchestration. The serenade unfolds in four movements, each characterized by its own distinct mood and atmosphere. The first movement, “Pezzo in forma di sonatina,” features a graceful and flowing melody that suggests the gentle movement of a stream or the rustling of leaves. The second movement, “Waltz,” is light and airy, evoking the elegance of a garden in full bloom. The third movement, “Elegy,” is deeply lyrical and introspective, reminiscent of a tranquil evening landscape. The final movement, “Finale (Tema russo),” incorporates a lively Russian folk theme, celebrating the vitality and joy of nature.
Haydn composed his magnificent Sinfonia Concertante during his first of two visits to London in 1792. The piece was written to showcase the violin, cello, oboe, and bassoon, and was directed by Haydn himself during its first performance. The
composition features a beautiful contrast between grandeur and levity, as well as airy transitions and sudden surprises. The first movement, “Allegro,” is bright and cheerful, evoking the freshness of a spring morning. The second movement, “Andante,” is more reflective, with a lyrical melody that suggests a peaceful, pastoral scene. The final movement, “Allegro con spirito,” is lively and spirited, capturing the playful energy of nature.
Britten’s Four Sea Interludes, from his opera Peter Grimes, is a series of evocative musical sketches that vividly evoke the rugged coastline of England’s Suffolk region. Composed in 1945, they serve as orchestral interludes between scenes in the opera, providing moments of reflection and atmosphere. The first interlude, “Dawn,” uses shimmering strings and gentle woodwinds to capture the stillness and quiet beauty of the early morning sea. “Sunday Morning” is characterized by lively, rhythmic patterns that evoke the bustling activity of a coastal village. “Moonlight” features ethereal harmonies and a slow, haunting melody that suggest the mysterious and enchanting nature of the sea at night. The final interlude, “Storm,” is dramatic and turbulent, with powerful brass and percussion that convey the ferocity and danger of the ocean in a storm. Through their rich orchestration and evocative melodies, the sea interludes transport listeners to the windswept shores of the North Sea, immersing them in the world of Peter Grimes and his struggle against the forces of society and nature.
Scan to read expanded program notes and composer features.
CONCERT SPONSOR
Beaver Run Resort and Conference Center
SEASON UNDERWRITERS
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Mark Addison
Ann Brewster
M.A. Deen
Annette and Ken Hallock
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Samuel L. Bufford and Julia Metzger
Janet and Rob Miles
Michael Molloy
Dave Pfeifle
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Michael Stern
CONCERT UNDERWRITERS
Terri and George Barile
John and Elizabeth* Crossman
x 6:00PM
Q RIVERWALK CENTER
Karina Canellakis, conductor (pg. 61)
Rebekah Hou, harp (pg. 81)
ON THE PROGRAM
Johannes Brahms (1833-1897)
Symphony No. 3, in F major, Op. 90
I. Allegro con brio
II. Andante
III. Poco allegretto
IV. Allegro – Un poco sostenuto
INTERMISSION
Alberto Ginastera (1916-1983)
Harp Concerto, Op. 25
Rebekah Hou, harp
I. Allegro giusto
II. Molto moderato
III. Liberamente capriccioso
Richard Wagner (1819-1883)
“Forest Murmurs” from Siegfried
Richard Wagner (1819-1883)
“Dawn and Siegfried’s Rhine Journey” from Götterdämmerung
SPECIAL RECOGNITION
Robin Hadley Philanthropy Award: Joan Manley Houlton (pg. 8)
In Memory Of: Steven Russell
Brahms’ Symphony No. 3 in F major, composed in 1883, is a masterpiece that reflects the composer’s deep connection with nature. The symphony is often seen as a reflection of Brahms’ personal motto “Frei aber froh” (Free but happy), and this sentiment resonates through its pastoral and serene passages. The first movement opens with a lyrical theme that suggests the vast, open landscapes and the majesty of nature. The second movement, “Andante,” with its gentle and flowing melodies, evokes the tranquility of a peaceful countryside, with melodies that suggest the rustling of leaves and the calm of a serene day. The third movement, “Poco allegretto,” has a melancholic yet graceful theme that can be likened to a walk through an autumnal forest. The final movement revisits the majestic themes of the first, bringing the symphony to a close with a sense of fulfillment and unity with the natural world. Brahms’ use of rich harmonies and lyrical melodies captures the essence of nature’s beauty and serenity.
Ginastera’s Harp Concerto, composed in 1956, is a vibrant and rhythmic piece that incorporates elements of Argentine folk music and the natural landscapes of South America. The first movement, “Allegro giusto,” features lively rhythms and a dynamic interplay between the harp and orchestra, reminiscent of the bustling energy of a natural landscape in motion. The second movement, “Molto moderato,” offers a more introspective and lyrical section, with the harp’s delicate melodies evoking the gentle flow of a stream or the soft whisper of wind through the trees. The final movement, “Liberamente capriccioso – Vivace,” returns to the energetic and rhythmic motifs, with the harp leading a vibrant dance that reflects the lively and colorful aspects of nature. Ginastera’s innovative use of the harp and his incorporation of folk elements create a vivid musical landscape that captures the spirit of the natural world.
Wagner’s “Forest Murmurs” from Siegfried, composed between 1856 and 1871, is a magical musical depiction of the natural world, capturing the tranquility and mystery of the forest at dawn. Composed as part of his epic Ring Cycle, it features lush orchestrations, shimmering strings, and ethereal woodwind solos that evoke the rustling of leaves and the gentle babble of streams. From the serene beauty of the opening to the exuberant finale, “Forest Murmurs” transports listeners to a world of enchantment and wonder, creating an immersive auditory experience of being in a forest.
Wagner’s “Dawn and Siegfried’s Rhine Journey” from Götterdämmerung is a breathtaking musical journey that accompanies Siegfried as he embarks on a perilous quest down the Rhine River. Composed as part of Wagner’s monumental Ring Cycle, it features sweeping melodies, dramatic brass fanfares, and thunderous percussion that capture the epic scope of the story and conveys the majesty of the rising sun and the flowing river. From the radiant beauty of the dawn to the thrilling adventure of the Rhine journey, Wagner’s music transports listeners to a world of myth and legend, immersing them in the drama and grandeur of the opera.
Scan to read expanded program notes and composer features.
CONCERT SPONSOR
Beaver Run Resort and Conference Center
SEASON UNDERWRITERS
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Mark Addison
Ann Brewster
M.A. Deen
Annette and Ken Hallock
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Samuel L. Bufford and Julia Metzger
Janet and Rob Miles
Michael Molloy
Dave Pfeifle
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Michael Stern
CONCERT UNDERWRITERS
Elizabeth Hainen and Dave DePeters
Jim and Judy Graunke
Joan Manley Houlton
x 6:00PM
Q RIVERWALK CENTER
Robert Moody, conductor (pg. 61)
Haley Rasmussen, cello (pg. 73)
ON THE PROGRAM
Mason Bates (b. 1977)
Liquid Interface
1. Glaciers Calving
2. Scherzo Liquido
3. Crescent City
4. On the Wannsee
Franz Josef Haydn (1732-1809)
Cello Concerto No. 1 in C major, Hob VIIb/I
Haley Rasmussen, cello
I. Allegro moderato
II. Largo
III. Allegro
INTERMISSION
Jean Sibelius (1865-1957)
Symphony No. 5 in E-flat major, Op. 82
I. Tempo molto moderato
II. Andante mosso, quasi allegretto
III. Allegro molto
TONIGHT’S PARTNERS
This concert benefits Project Healing Waters.
Bates’ Liquid Interface is a contemporary orchestral work that explores the various states of water and their relationship with the environment. Bates, known for integrating electronic sounds with traditional orchestration, uses this piece to depict the transformative journey of water from ice to liquid to vapor. The composition begins with “Glaciers Calving,” where Bates’ use of digital sounds mimics the cracking and splintering of icebergs. This movement transitions into “Scherzo Liquido,” a lively and fluid section that represents flowing water. The vibrant orchestration and rhythmic drive evoke the image of a rapidly moving river, capturing its dynamism and energy. The third movement, “Crescent City,” incorporates elements of jazz to reflect the flooding of New Orleans, symbolizing the destructive and unpredictable nature of water. Finally, “On the Wannsee” brings a serene close, depicting a tranquil lake setting. Bates’ ability to blend electronic and acoustic elements creates an immersive soundscape that highlights the versatility and omnipresence of water in our environment.
Haydn’s Cello Concerto No. 1 in C Major, composed around 1765, is a classic example of the Classical era’s elegance and clarity. While not overtly programmatic, this concerto can be interpreted through the lens of nature due to its pastoral qualities and the way it evokes the beauty of the natural world. The first movement, “Moderato,” features bright and buoyant themes that can be likened to a spring day, full of life and energy. The second movement, “Adagio,” is deeply lyrical, with the solo cello singing a melody that evokes the tranquility of a quiet, sunlit meadow. The final movement, “Allegro molto,” is spirited and lively, reminiscent of the playful dance of nature, such as the rustling of leaves in the wind or the fluttering of birds. Haydn’s concerto, with its lightness and grace, offers a musical reflection of nature’s harmony and order.
Sibelius’ Symphony No. 5 in E-flat Major,” composed in 1915 and revised in 1919, is a profound homage to the natural beauty of Finland. Sibelius, deeply inspired by the landscapes of his homeland, infused this symphony with elements that mirror the grandeur and majesty of nature. The symphony opens with a sense of awakening, as the music slowly emerges like dawn breaking over a vast landscape. The first movement’s sweeping melodies and expansive harmonies suggest the open skies and wide horizons of the Finnish countryside. The second movement, a theme and variations, brings to mind the gentle, repetitive patterns found in nature, such as the lapping of waves or the rustling of trees. The final movement is perhaps the most evocative, featuring the famous “swan theme.” Inspired by a vision of sixteen swans flying in formation, Sibelius captures the grace and power of these birds through soaring, majestic melodies. This movement builds to a triumphant and radiant conclusion, symbolizing the awe-inspiring beauty and resilience of nature.
Scan to read expanded program notes and composer features.
CONCERT SPONSOR
Beaver Run Resort and Conference Center
SEASON UNDERWRITERS
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Mark Addison
Ann Brewster
M.A. Deen
Annette and Ken Hallock
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Samuel L. Bufford and Julia Metzger
Janet and Rob Miles
Michael Molloy
Dave Pfeifle
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Michael Stern
CONCERT UNDERWRITERS
Sandra Mortensen
Gerry and Annette Fricke
x 6:00PM
Q RIVERWALK CENTER
Michael Stern, conductor (pg. 60)
Hannah Zhang, piano (pg. 81)
ON THE PROGRAM
Guillaume Connesson (b. 1970) Flammenschrift
Franz Liszt (1811-1886)
Piano Concerto No. 1 in E-flat major, S. 124
Hannah Zhang, piano
I. Allegro maestoso
II. Quasi adagio
III. Allegretto vivace – Allegro animato
IV. Allegro marziale animato
INTERMISSION
Gustav Holst (1874-1934)
The Planets, Op. 32
1. Mars, the Bringer of War
2. Venus, the Bringer of Peace
3. Mercury, the Winged Messenger
4. Jupiter, the Bringer of Jollity
5. Saturn, the Bringer of Old Age
6. Uranus, the Magician
7. Neptune, the Mystic
Outstanding Community Service Award: Alpine Bank (pg. 8)
Connesson’s Flammenschrift is an homage to the fervent energy and passion of German Romantic music, particularly that of Beethoven. Connesson uses intense rhythms and vibrant orchestral colors to create a sense of burning vitality, reminiscent of elemental fire. Though Flammenschrift does not directly depict natural landscapes, its relentless drive and explosive energy evoke the raw power of nature, akin to a wildfire’s untamed and destructive beauty. The orchestration’s brilliance and the rapid, surging movements mirror the unstoppable force and the transformative power inherent in nature. As the piece unfolds, listeners might imagine the ferocity of a storm or the dazzling display of lightning— phenomena that command respect and awe, much like the music itself.
Liszt’s Piano Concerto No. 1, composed between 1830 and 1856, is known for its virtuosic demands on the soloist and its innovative structure. The sweeping melodies and turbulent passages in the first movement, “Allegro maestoso,” suggest the grandeur and unpredictability of natural forces, perhaps akin to the tumultuous waves of an ocean or the powerful surge of a river. The concerto’s second movement, “Quasi adagio,” offers a serene and lyrical respite, akin to a peaceful landscape bathed in the gentle light of dawn. This movement’s calm and reflective qualities provide a contrast to the preceding intensity, evoking the tranquility and beauty of nature at rest. The lively scherzo and triumphant finale bring back the energetic forces, symbolizing the relentless rhythms and cycles found in the natural world. Liszt’s ability to paint pictures with his music allows listeners to envision a variety of natural scenes, from calm valleys to stormy skies, showcasing the multifaceted character of nature.
Holst’s The Planets, composed between 1914 and 1917, is a suite of seven movements, each named after a planet in the
solar system and its corresponding astrological character. While the suite is more about astrology than astronomy, it inherently invites contemplation of the vastness and mystery of space—a natural realm beyond Earth. The opening movement, “Mars, the Bringer of War,” conjures the harsh and unyielding power of nature, similar to a planetary storm or volcanic eruption. The aggressive rhythms and bold brass passages suggest a world in turmoil, reflecting nature’s potential for destruction. In contrast, “Venus, the Bringer of Peace,” with its gentle and soothing melodies, evokes the serene beauty of a tranquil landscape, such as a calm sea or a peaceful meadow. This movement’s lush harmonies and delicate orchestration provide a sense of respite and beauty, highlighting nature’s capacity for healing and tranquility. “Jupiter, the Bringer of Jollity” is perhaps the most earthbound, with its exuberant and joyful themes suggesting the bountiful and celebratory aspects of nature. The buoyant rhythms and expansive melodies capture the essence of a vibrant festival or a joyful gathering, reflecting the communal and uplifting aspects of the natural world.
Scan to read expanded program notes and composer features.
CONCERT SPONSOR
Beaver Run Resort and Conference Center
SEASON UNDERWRITERS
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Mark Addison
Ann Brewster
M.A. Deen
Annette and Ken Hallock
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Samuel L. Bufford and Julia Metzger
Janet and Rob Miles
Michael Molloy
Dave Pfeifle
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Michael Stern
CONCERT UNDERWRITERS
Shari and Chris Dorton
Love it. Frame it. Unveil it.
Summit Public Radio & TV
m ountains:
Classical – KCME from Colorado Springs at 89 3 FM
Jazz – KUVO from Denver at 89.7 FM
Diverse Music – Colorado Sound from Timnath at 94.3
Spanish Language – KQSE La Nueva Mix from Gypsum at 107.1 FM
Country – KSKE Ski Country from Avon at 95 3 FM
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Not-for-profit, all volunteer, FM radio and antenna television re-
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x 6:00PM
Q RIVERWALK CENTER
Michael Stern, conductor (pg. 60) Winner of the NRO Concerto Competition
ON THE PROGRAM
Gabriela Lena Frank (b. 1972) Contested Eden
I. Canto para California II. in extremis
Solo TBD: NRO Concerto Competition Winner INTERMISSION
Richard Strauss (1864-1949) An Alpine Symphony, Op. 64
1. Nacht (Night)
2. Sonnenaufgang (Sunrise)
3. Der Anstieg (The Ascent)
4. Eintritt in den Wald (Entering the Forest)
5. Wanderung neben dem Bache (Wandering near the Stream)
6. Am Wasserfall (At the Waterfall)
7. Erscheinung (Apparition)
8. Auf blumige Wiesen (On Blooming Meadows)
9. Auf der Alm (On the Alpine Pasture)
10. Durch Dickicht und Gestrüpp auf Irrwegen (Going Astray)
11. Auf dem Gletscher (On the Glacier)
12. Gefahrvolle Augenblicke (Dangerous Moments)
13. Auf dem Gipfel (At the Summit)
14. Vision (View)
15. Nebel steigen auf (Fog Arises)
16. Die Sonne verdüstert sich allmählich (The Sun Gradually Darkens)
17. Elegie (Elegy)
18. Stille vor dem Sturm (Calm Before the Storm)
19. Gewitter und Sturm, Abstieg (Thunderstorm and Tempest, Descent)
20. Sonnenuntergang (Sunset)
21. Ausklang (Vanishing Sound)
22. Nacht (Night)
Frank’s Contested Eden and Strauss’ An Alpine Symphony offer contrasting yet equally compelling musical explorations of nature and human experience.
Frank’s Contested Eden delves into the intricate and often tumultuous relationship between humans and the natural world. Composed in 2012, this piece reflects Frank’s deep interest in environmental issues and cultural heritage, particularly as they pertain to her Peruvian roots. The music is rich with evocative imagery, conjuring visions of lush landscapes that are both beautiful and threatened. Frank employs a diverse palette of orchestral colors and textures to represent the dualities of nature — its beauty and its peril.
Contested Eden opens with vibrant, energetic motifs that evoke the bustling life of the rainforest. These sections are contrasted with moments of tension and dissonance, symbolizing the encroachment of human activities on these fragile ecosystems. Frank’s use of indigenous musical elements, including rhythms and melodic fragments inspired by Andean music, further emphasizes the cultural connections to the land. Through Contested Eden, Frank not only celebrates the splendor of nature but also calls attention to the urgent need for its preservation, making a poignant statement about the environmental challenges faced by our planet.
In contrast, Strauss’ An Alpine Symphony, composed in 1915, offers a grand and majestic depiction of nature, specifically the Bavarian Alps. This tone poem is a musical journey that takes listeners through the experiences of a day spent climbing an Alpine mountain. Strauss masterfully captures the awe-inspiring beauty and grandeur of the natural world through a large orchestral ensemble, employing expansive harmonies and vivid orchestration to bring the scenery to life.
An Alpine Symphony begins in the early hours before dawn, with a mysterious and atmospheric introduction that sets the stage for the day’s adventure. As the sun rises, the music becomes more vibrant and full of life, depicting the ascent through lush forests, pastures, and waterfalls. Strauss’ intricate use of musical motifs and themes represents various elements of the landscape, such as the serene beauty of flowering meadows and the powerful force of a mountain storm. The climax of the piece occurs at the summit, where the music reaches a breathtakingly triumphant peak, capturing the sublime experience of standing atop the mountain and gazing at the world below.
While Frank’s Contested Eden and Strauss’ An Alpine Symphony differ in their approaches, both works poignantly reflect on humanity’s interaction with nature. Frank’s piece is a call to action, urging us to protect our natural environment, while Strauss’ symphony celebrates the majesty and awe of the natural world. Together, they offer a profound musical exploration of nature’s power, beauty, and fragility, inviting listeners to reflect on their own relationship with the environment.
Scan to read expanded program notes and composer features.
CONCERT SPONSOR
Beaver Run Resort and Conference Center
SEASON UNDERWRITERS
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
SERIES UNDERWRITERS
Mark Addison
Ann Brewster
M.A. Deen
Annette and Ken Hallock
Patrice and Ron Lara
Pat and Steve Larson
Helen Lemay
Samuel L. Bufford and Julia Metzger
Janet and Rob Miles
Michael Molloy
Dave Pfeifle
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Michael Stern
CONCERT UNDERWRITERS
Barbara and Sam McCleneghan
Conductor Michael Stern has long been devoted to building and leading highly acclaimed orchestras known not only for their impeccable musicianship and creative programming, but also for collaborative, sustainable cultures that often include a vision of music as service to the community. He also is passionate about working with young musicians, not only in music making, but also to incorporate the idea of “service” into their experiences.
Stern currently holds three Music Director positions: with the Kansas City Orchestra, where he is concluding his 19 year tenure at the end of the year; with the National Repertory Orchestra; and with the newly rebranded Orchestra Lumos (formerly the Stamford Symphony).
Stern was recently named Artistic Advisor of the Edmonton Symphony Orchestra. And, following a 22-year tenure as founding Artistic Director of Iris Orchestra in Germantown Tennessee, he now serves the newly reimagined Iris Collective as Artistic Advisor.
Stern’s illustrious American conducting engagements have included the Boston, Chicago, and Atlanta Symphonies; the New York Philharmonic; and the Minnesota Orchestra. Stern has also served as guest conductor with the Philadelphia Orchestra. Internationally, he has led major orchestras in London, Stockholm, Paris, Helsinki, Budapest, Israel, and Moscow, Taiwan, and Tokyo. Stern has been Chief Conductor of Germany’s Saarbrücken Radio Symphony Orchestra (the first American chief conductor in the orchestra’s history), Principal Guest Conductor of the Orchestre National de Lyon in France, and Principal Guest Conductor of the Orchestre National de Lille, France.
As part of his ongoing activities to engage and mentor young musicians, he was asked by Yo-Yo Ma to be the Music Director of YMCG, Youth Music Culture Guangdong, where he and Ma worked with students and young professionals in partnership with the Guangzhou Symphony Orchestra. He has also been invited to the National Orchestral Institute, Music Academy of the West, and has been a regular guest at the Aspen Music Festival and School, where he also worked with students at the American Academy of Conducting at Aspen.
Stern received his music degree from the Curtis Institute of Music in Philadelphia, where his primary teacher was the noted conductor and scholar Max Rudolf. He makes his home in Connecticut with his two daughters.
Internationally acclaimed for her emotionally charged performances, technical command and interpretive depth, Karina Canellakis has become one of the most in-demand conductors of her generation. She is the Chief Conductor of Netherlands Radio Philharmonic Orchestra, the Principal Guest Conductor of the London Philharmonic Orchestra, as well as the Principal Guest Conductor of the Rundfunk-Sinfonieorchester Berlin (RSB).
In the 2022-23 season, Karina makes her debut with the National Symphony Orchestra, and returns to the Boston and Dallas Symphonies, as well as the Orchestre de Paris. As Principal Guest Conductor of the London Philharmonic Orchestra, she leads an extensive tour of Germany’s most prestigious concert halls with the orchestra and soloist Daniil Trifonov. She also returns to Berlin for concerts in her position as Principal Guest of RSB. Karina continues to present exciting modern pieces as well as well-known masterpieces at the Concertgebouw Amsterdam and TivoliVredenburg in Utrecht with the Netherlands Radio Philharmonic Orchestra, where she holds the title of Chief Conductor.
After the great success of “Kat’a Kabánova” in the previous season, she brings another Janáček opera, The Cunning Little Vixen, to the stage of the Concertgebouw in April 2023. On the opera stage she has conducted critically acclaimed productions of Tchaikovsky’s Eugene Onegin, Mozart’s Don Giovanni, Die Zauberflöte, Le nozze di Figaro, David Lang’s the loser and Peter Maxwell Davies’ The Hogboon.
Since winning the Sir Georg Solti Conducting Award in 2016 Karina has become a guest conductor with leading orchestras around the world, including the London Symphony Orchestra, Cleveland Orchestra, Chicago Symphony, (cont’d pg. 64)
Robert Moody is in his seventh season as Music Director of The Memphis Symphony Orchestra and eighteenth season as Music Director of Arizona Musicfest. Under his artistic leadership, the Memphis Symphony has also enjoyed exponential growth in programming, recording, new commissions, and endowment growth to over $25 million. AZ Musicfest has become the premiere Winter Music Festival in North America, boasting a festival orchestra roster comprised of players from the world’s greatest orchestras. He assumed the position of Principal Opera Conductor for the Lakeland Symphony Orchestra in 2022.
In the 2022-23 season, Moody conducts the Louisiana Philharmonic, Yakima Symphony, and Winston-Salem Symphony; and in Europe, the Philharmonie Baden Baden. In the 2021-22 season, Moody debuted with the Sacramento Philharmonic and conducted a gala program with Renee Fleming and the Lakeland Symphony Orchestra. He also returned for engagements with the Pacific Symphony (CA), Sewanee Music Festival, and the three major orchestras of South Africa in Durban, Johannesburg, and Cape Town
Moody has previously conducted many of the major orchestras of the world, including Chicago Symphony at Ravinia, Los Angeles Philharmonic the Hollywood Bowl, the Toronto, Dallas and Houston Symphonies, Orquesta Filarmonica de Bogotá, and the Vienna Chamber Orchestra. Prior to his position in Memphis, Moody was Music Director for both the Portland Symphony (Maine) and the Winston-Salem Symphony (North Carolina). He previously held conducting positions with the Phoenix Symphony, Evansville Philharmonic, Santa Fe Opera, Brevard Music Center, New York City Youth Orchestra, and Landestheater Linz. (cont’d pg. 64)
Matthias Pintscher is the newly appointed Music Director of the Kansas City Symphony, effective from the 2024-25 season. He has just concluded a successful decade-long tenure as the Music Director of the Ensemble Intercontemporain, the iconic Parisian contemporary ensemble founded by Pierre Boulez and winner of the 2022 Polar Prize. During his stewardship, Pintscher led this most adventurous institution in the creation of dozens of world premieres, recorded CDs of music by cutting edge composers from all over the world, and took the ensemble on tours around the globe – to Asia and North America, and throughout Europe to all the major festivals and concert halls.
The 2023-24 season will see Pintscher in his fourth year as Creative Partner at the Cincinnati Symphony, where he will conduct a new work by inti figgisvizueta, as well as an immersive video-concert of Messiaen’s Des Canyons aux étoiles. He will also tour with the Junge Deutsche Philharmonie where he is artist-in-residence. As guest conductor, he returns to the RAI Milano Musica, Orchestre de Chambre de Paris, NDR Hamburg, Indianapolis Symphony, Milwaukee Symphony, Barcelona Symphony, Lahti Symphony, Deutsche Kammerphilharmonie Bremen, La Scala, and Berlin’s Boulez Ensemble. Pintscher has conducted several opera productions for the Berliner Staatsoper (Wagner’s Lohengrin and The Flying Dutchman), Wiener Staatsoper (Olga Neuwirth’s Orlando), and the Théatre du Châtelet in Paris. He returns to the Berliner Staatsoper in 2024 for Beat Furrer’s Violetter Schnee.
Pintscher is also well known as a composer, and his works appear frequently on the programs of major symphony orchestras throughout the world. In August 2021, he was the focus of the Suntory Hall Summer Festival – a weeklong celebration of his works with the Tokyo Symphony Orchestra. His third violin concerto, Assonanza, written for Leila (cont’d pg. 64)
Jason Seber is known for his inviting and engaging approach on and off the podium. A strong believer in the eclectic experiences which today’s symphony orchestras offer their communities, he strives to make music of many genres and styles accessible, relevant, and meaningful to diverse audiences across the country.
Seber has conducted many leading American orchestras, including the Charleston, Colorado, Detroit, Duluth Superior, Houston, Indianapolis, Kansas City, Milwaukee, Nashville, National, San Diego, Santa Fe, and St. Louis Symphony, the Buffalo Philharmonic, and the Louisville Orchestra, among others. Upcoming performances include debuts with the Minnesota Orchestra and the Cincinnati Pops, as well as return engagements with Buffalo, Detroit, Kansas City, Louisville, Nashville, and St. Louis. Seber has had the pleasure of performing with a wide range of artists including Patti Austin, Mason Bates, Andrew Bird, Boyz II Men, Ashley Brown, Jinjoo Cho, Melissa Etheridge, Ben Folds, Renee Elise Goldsberry, Paul Jacobs, Wynonna Judd, Lyle Lovett, Natalie Merchant, Brian Stokes Mitchell, Leslie Odom Jr., Aoife O’Donovan, Pink Martini, Stephen Schwartz, Doc Severinsen, Conrad Tao, Bobby Watson, and Joyce Yang. This past year he led orchestras across the country in Lyle Lovett and His Large Band’s summer tour.
Seber served as associate conductor of the Kansas City Symphony from 2016 to 2022. In this position he led the Symphony in over 300 performances on the Classical, Pops, Classics Uncorked, Family, Film + Live Orchestra, Education, and Christmas Festival series. He also served as co-host for the Symphony’s podcast, “Beethoven Walks into a Bar.” Prior to Kansas City, Seber was the education and outreach conductor at the Louisville Orchestra from 2013 to 2016 and music director of the Louisville Youth Orchestra from 2005 to 2016. (cont’d pg. 64)
Internationally acclaimed conductor Leonard Slatkin is Music Director Laureate of the Detroit Symphony Orchestra (DSO), Directeur Musical Honoraire of the Orchestre National de Lyon (ONL), Conductor Laureate of the St. Louis Symphony Orchestra (SLSO), and Principal Guest Conductor of the Orquesta Filarmónica de Gran Canaria (OFGC). He maintains a rigorous schedule of guest conducting throughout the world and is active as a composer, author, and educator.
Slatkin has received six Grammy awards and 35 nominations. His latest recordings are Jeff Beal’s The Paper Lined Shack on Supertrain Records and Slatkin Conducts Slatkin, a compilation of pieces written by generations of his musical family, including three of his own compositions, on Naxos Records. Naxos has also recently remastered and reissued audiophile editions of his recordings of Gershwin’s and Rachmaninov’s orchestral works (with the SLSO) for Vox. Other Naxos releases include works by Saint-Saëns, Ravel, and Berlioz (with the ONL) and music by Copland, Rachmaninov, Borzova, McTee, and John Williams (with the DSO). In addition, he has recorded the complete Brahms, Beethoven, and Tchaikovsky symphonies with the DSO.
The 2023-24 season includes engagements with the Oregon Symphony, Orquesta de València, Orquesta Sinfónica de Radio Televisión Española, Polish National Radio Symphony Orchestra, National Symphony Orchestra (Ireland), ONL, SLSO, Manhattan School of Music Symphony Orchestra, Carnegie Mellon University Philharmonic, Vancouver Symphony Orchestra, George Enescu Philharmonic Orchestra, OFGC, Prague Symphony Orchestra, and Bilbao Orkestra Sinfonikoa.
A recipient of the prestigious National Medal of Arts, Slatkin also holds the rank of Chevalier in the French (cont’d pg. 64)
CARL TOPILOW
MUSIC DIRECTOR LAUREATE
Through his more than four decades as the NRO’s Music Director and conductor, Carl Topilow has influenced and nurtured countless young musicians and aspiring conductors. In his role as Music Director Laureate, he is remaining active with the organization and enjoying his work with Music Director Michael Stern.
Topilow is the founding conductor of the Cleveland Pops Orchestra and music director and conductor of the Firelands Symphony Orchestra in Sandusky, Ohio. Past positions have included conductor and director of the orchestral program at the Cleveland Institute of Music, and principal pops conductor with the Toledo Symphony, Southwest Florida Symphony and Mansfield Symphony. He has served as guest conductor for 133 different orchestras in 37 states and 12 foreign countries, invariably finding NRO alumni wherever his travels take him.
Carl’s book, The Orchestral Conductor’s Career Handbook and published by Rowman and Littlefield, is now available through rowman.com and carltopilow.com. Containing abundant references to his work with the NRO, it has been endorsed by past NRO guest conductors Leonard Slatkin, JoAnn Falletta, Gerard Schwarz, Giancarlo Guerrero, Miguel Harth-Bedoya, and others. During the past several months, Carl has or will host and serve as instructor for three workshops for orchestral conductors in Cleveland.
Topilow’s wife Shirley is the President and CEO of the Cleveland Pops Orchestra. Their daughter Jenny, an NRO alumna from the 2001 and 2003 seasons, is a violinist with the Charlotte Symphony Orchestra. Their daughter Emily is (cont’d pg. 64)
(Karina Canellakis cont’d)
Gewandhausorchester Leipzig, NDR Elbphilharmonie Orchestra, Orchestre Symphonique de Montréal, Munich Philharmonic and the symphony orchestras of Melbourne, Sydney, Toronto, Cincinnati, Minnesota, Detroit and Vienna. She was the first woman to conduct the First Night of the BBC Proms in London in 2019, with the BBC Symphony Orchestra. She was also the first woman to ever conduct the Nobel Prize Concert with the Royal Stockholm Philharmonic in 2018.
Already known to many in the classical music world for her virtuoso violin playing, Karina was initially encouraged to pursue conducting by Sir Simon Rattle while she was playing regularly in the Berlin Philharmonic for two years as a member of their OrchesterAkademie. She performed for many years as a soloist, guest leader, and chamber musician, spending her summers at the Marlboro Music Festival, until conducting eventually became her focus. Karina was born and raised in New York City.
(Robert Moody cont’d)
Moody collaborated with the Canadian Brass for their Bach and Legends albums, and he was the conductor for the album Fourth World, highlighting the music of Native American recording artist R. Carlos Nakai (available on the Canyon Record label). The Winston-Salem Symphony released their live 2009 performance of Beethoven’s Symphony No. 9; a DVD recording of the same by the Arizona Musicfest followed in 2012.
A South Carolina native, Moody holds degrees from Furman University (voice and cello) and the Eastman School of Music, where he earned his conducting degree with Donald Neuen. He is a Rotarian and has served on the boards of AIDs Care Services, Winston-Salem YMCA, WDAV Classical Radio, and the Charlotte Master Chorale. Moody and his partner, organist Jimmy Jones live in Memphis with their two dogs and one cat. Moody is an avid runner, swimmer, history buff, “Jeopardy!” addict, and snow-skier.
(Matthias Pintscher cont’d) Josefowicz, was premiered in January 2022 with the Cincinnati Symphony. Another 2021-22 world premiere was neharot, a co-commission of Suntory Hall, Orchestre Philharmonique de Radio France, Orchestre de la Suisse Romande, Los Angeles Philharmonic, and Staatskapelle Dresden, where he was named Capell-Compositeur. In the 2016-17 season, he was the inaugural composer-in-residence of the Elbphilharmonie Hamburg, and from 2014 to 2017, he was artist-in-residence at the Danish National Symphony Orchestra, as well as composer-in-residence at Salzburg Festival and Lucerne Festival.
Pintscher has held titled positions, most recently as the BBC Scottish Symphony Orchestra’s Artist-in-Association for nine seasons. In 2020, he was Music Director at Ojai Festival, and in 2018-19, he served as the Season Creative Chair for the Tonhalle-Orchester Zürich and Artist-in-Residence at the Los Angeles Chamber Orchestra. An enthusiastic supporter of and mentor to students and young musicians, Pintscher was Principal Conductor of the
Lucerne Festival Academy Orchestra, ran the Heidelberger Atelier, an academy for young musicians and composers, from 2005 to 2018, and has worked with the Karajan Academy of the Berlin Philharmonic, Music Academy of the West, National Orchestral Institute, and Junge Deutsche Philharmonie. He appears virtually every season with the New World Symphony in Miami. Pintscher has been on the composition faculty of the Juilliard School since 2014.
(Jason Seber cont’d)
A passionate advocate for music education, Seber has led the Honors Performance Series Orchestra in concert at Carnegie Hall, Sydney Opera House, and Royal Festival Hall in London. He is a frequent guest conductor of the National Repertory Orchestra each summer and he has served as the All-State Orchestra conductor for Georgia, Missouri, and Pennsylvania, and upcoming in 2024, Kansas.
(Leonard Slatkin cont’d)
Legion of Honor. He has received the Prix Charbonnier from the Federation of Alliances Françaises, Austria’s Decoration of Honor in Silver, the League of American Orchestras’ Gold Baton Award, and the 2013 ASCAP Deems Taylor Special Recognition Award for his debut book, Conducting Business. His second book, Leading Tones: Reflections on Music, Musicians, and the Music Industry, was published by Amadeus Press in 2017, followed by Classical Crossroads: The Path Forward for Music in the 21st Century (2021). Two volumes of a new series comprising essays that supplement the score-study process are scheduled for release by Rowman & Littlefield in 2024. He is also working on several new compositions.
Slatkin has conducted virtually all the leading orchestras in the world. As Music Director, he has held posts in New Orleans; St. Louis; Washington, DC; London (with the BBCSO); Detroit; and Lyon, France. He has also served as Principal Guest Conductor in Pittsburgh, Los Angeles, Minneapolis, and Cleveland.
(Carl Topilow cont’d)
a marketing specialist at the Cleveland Clinic and performs as violinist with a local community orchestra. Carl’s hobbies include reading, foreign languages, travel, golf, spectator sports, and especially enjoys his time with his two grandchildren, Edie and Arlo. Topilow is proud of the accomplishments of his NRO assistant conductors. The orchestras with which they have held or hold positions include the Annapolis Symphony, Baltimore Symphony, Binghamton (NY) Symphony, Boise Philharmonic, Boston Symphony, Buffalo Philharmonic, Cincinnati Symphony, Cleveland Orchestra, Colorado Symphony, Columbus (OH) Symphony, Evansville Philharmonic, Houston Symphony, Illinois Philharmonic, Indianapolis Symphony, Kansas City Symphony, Limoges (France) Opera, Louisville Orchestra, Naples Philharmonic, New Haven Symphony, Quad Cities Symphony, Richmond Symphony, Santa Fe Symphony, Seattle Symphony, Springfield (MA) Symphony, St. Paul Chamber Orchestra, Symphony of Northwest Arkansas, Symphony in C, Symphony of Southeast Texas, Thunder Bay Symphony, and Toledo Symphony.
Pianist Jon Kimura Parker is known for his charisma, enthusiasm, and dynamic performances. A veteran of the international concert stage, he has performed regularly in the Berlin Philharmonie, Carnegie Hall, London’s South Bank, the Sydney Opera House, and the Beijing Concert Hall. He is the Creative Partner of the Minnesota Orchestra, having hosted and given seven concerto performances with them in July 2021 with Osmo Vänska, Karina Canellakis, Ken-David Masur. He is Artistic Director of the Honens International Piano Competition and Artistic Advisor for the Orcas Island Chamber Music Festival.
Highlights of Parker’s 2021-22 season include concerto appearances with the Phoenix, Peninsula, San Antonio, Rhode Island, and Kansas City orchestras, a special appearance with the Galilee Chamber Orchestra in Toronto, recitals at series including Portland Piano International, and performances with Cho-Liang Lin at Chamber Music International in Dallas, and with Paul Huang at the Chamber Music Society of Lincoln Center in New York. He also tours as a member of the Montrose Trio, which he founded with Martin Beaver and Clive Greensmith.
A collaborator in a wide variety of styles, Parker has performed with Doc Severinsen, Audra McDonald, Bobby McFerrin, Pablo Ziegler, and Sanjaya Malakar. As a founding member of Off the Score, he also performed with Stewart Copeland, the legendary drummer of The Police, for the Orcas Island Chamber Music Festival’s 20th Anniversary Season, featuring his own arrangements of music by
Prokofiev, Ravel, and Stravinsky.
A committed educator, Parker is Professor of Piano at the Shepherd School of Music at Rice University. His students have won prizes in major competitions internationally, and given concerto performances in the US, Europe, Russia and China. He has also lectured at The Juilliard School, and given master classes at Yale. This season he also chaired the jury of the Hilton Head International Piano Competition.
Parker’s discography of a dozen albums features music ranging from Mozart and Chopin to Barber, Stravinsky, and John Adams. His most recent recording “Fantasy,” built around Hirtz’s Wizard of Oz Fantasy, was described by Musical Toronto as giving “a big, clear picture window of a rich soul and great artistic depth.” His YouTube channel features a series of Concerto Chat videos, which explore the piano concerto repertoire. In addition, his Whole Notes series, featuring performances of great composers, is available on Amazon Prime Video. He is now recording master class videos for Tonebase, on major works of the piano concerto repertoire.
Parker studied with Edward Parker and Keiko Parker, Lee Kum-Sing at the Vancouver Academy of Music and the University of British Columbia, Marek Jablonski at the Banff Centre, and Adele Marcus at The Juilliard School. Parker is an Officer of The Order of Canada and has received Honorary Doctorates from the University of British Columbia and the Royal Conservatory of Music, Toronto.
Chicago native violist Julius Adams is currently a first-year fellow for the inaugural string quartet fellowship with the Chamber Orchestra of the Triangle in Durham, North Carolina. He joined the COT after serving a 1-year section viola position with the Kansas City Symphony. Julius performed with the NRO for two consecutive summers in 2021 & 2022, serving as co-principal viola in 2022. He earned a Master of Music in Viola Performance from the College-Conservatory of Music at the University of Cincinnati in 2021 where he served as principal viola of the Philharmonia. In 2019, he earned a Bachelor of Music in Viola Performance from the University of Illinois at Urbana-Champaign where he served as principal viola of the UI Symphony Orchestra. He has also served as principal viola for the Colour of Music Virtuosi Chamber and Festival Orchestras, Prague Summer Nights Festival Orchestra, Marrowstone Festival Orchestra, and Kentucky Symphony Orchestra.
The Orquesta de Baja California’s newest Concertmaster, Luis Angel Salazar, is an avid orchestral and chamber musician. He is a former member of the Louisville Orchestra, New World Symphony, Great Falls Symphony, and St Petersburg String Quartet. Luis also regularly plays with the Indianapolis Symphony, Minnesota Orchestra, and the Peninsula Music Festival Orchestra. He is a former fellow of the National Repertory Orchestra, Orchestra of the Americas, Brevard Festival’s Concertmaster Studio, and the Sarasota Music Festival. Luis graduated with his Bachelor of Music Performance from Wichita State University, Master of Music Performance at DePaul University and a Performance Certificate from Cleveland State University. Luis' past teachers include Dr. Omar Hernández-Hidalgo, Evgeny Zvonnikov, Dr. Olga Kaler, and Peter Otto.
Originally from Annapolis, Maryland, Sarah began studying violin at age five, and made her solo debut with the Baltimore Symphony Orchestra at age seventeen. Sarah holds a Bachelor of Music from the University of Colorado Boulder under the tutelage of Harumi Rhodes, a Master of Music from Boston University under Bayla Keyes, and recently received an Artist Diploma in Orchestral Studies through the San Francisco Academy Orchestra.
She currently holds positions as principal second violinist of the Vallejo Symphony and section violin in the Modesto and Berkeley Symphonies, and frequently performs with other groups throughout the bay area. When not performing, Sarah enjoys knitting increasingly long scarves, practicing latte art, and reading chamber music with friends.
Originally from the Bay Area of California, Jessamyn began studying cello at age nine. She recently completed a one year position as Interim Principal Cellist of the Louisville Orchestra, and will complete her master’s degree at the Manhattan School of Music in the fall, where she is currently studying Orchestral Performance with Alan Stepansky. She also holds a Bachelor of Music from the Cleveland Institute of Music where she studied with Dr. Melissa Kraut.
She enjoys playing music of all kinds, but orchestral and chamber music are what she loves most. When away from her cello, Jessamyn enjoys spending time outside in the sun, and hanging out with her cat Honey Bee.
August 15 - 24
When the NRO season ends, the music continues at the Alpenglow Chamber Music Festival.
Rieko Aizawa and Jesse Mills, Artistic Directors
Jesse Mills, violin
Rieko Aizawa, piano
Aaron Boyd, violin
Ara Gregorian, viola Ole Akahoshi, cello
Matt Landry, saxophone Peter Kolkay, bassoon Horszowski Trio: Ensemble-in-Residencepiano, violin, cello
Music on an intimate scale
TICKETS: $30
General admission Students are free
Thursday, August 15, 7 pm | Silverthorne Pavilion
Higdon’s “Dark Wood” for bassoon and piano trio, music of Mozart, Schubert, Schoenberg, and Gershwin
Thursday, August 22, 7 pm | CMC, Breckenridge
Zwilich’s Quintet for saxophone and string quartet, Smetana’s iconic piano trio, Dvorak and more
An evening of music and socializing
TICKETS: $125 Champagne, wine and abundant appetizers
Saturday August 17, 6 pm | Private home in Breckenridge
A bassoon masterpiece by Saint-Saëns, a unique violin sonata by Ravel and a hidden treasure by Nadia Boulanger
Saturday August 24, 6 pm | Private home in Silverthorne
Essential classics by Beethoven and Brahms, plus the rarified and exquisite world of classical saxophone
Concert details and tickets at alpenglowchambermusic.org
Each year 80 young musicians are chosen to perform with the National Repertory Orchestra, where they are trained for professional careers in music over the course of our eightweek Summer Music Festival. All musicians accepted into our intensive summer program receive full tuition, room, and board during their stay, amounting to a $10,000 merit-based scholarship per student.
During their stay in Breckenridge, the musicians undergo rigorous training and delve into a vast array of repertoire— more than any festival of its kind. Participants will undergo immersive orchestral and chamber performance opportunities under the tutelage of Music Director Michael
Stern and our impressive host of guest conductors, as well as receiving instruction in masterclasses and sectionals. They also take part in our Community Engagement program (pg. 18), where they perform in a variety of free performances throughout Summit County, to create a vibrant cultural experience for our community while learning important fundamentals about becoming socially conscious musicians.
The program's distinguished alumni populate the stages of major orchestras globally, a testament to the transformative impact their time at the NRO has on our musicians.
Sadie Hamrin VIOLIN co-concertmaster
William Thain VIOLIN co-concertmaster
Hometown
Bemidji, Minnesota
Education
Baylor University, Bachelor of Music (2022)
McGill University, Master of Music (2024)
BONNIE KIRSCHENBAUM CHAIR
Kuan-Pei Chen VIOLIN
Hometown Changhua, Taiwan
Education
National Taiwan Normal University, Bachelor of Music (2021)
Boston University, Master of Music (2023)
Boston University, Doctor of Musical Arts (2028)
ANN BREWSTER CHAIR
Hometown
Toronto, Ontario, Canada
Education
McGill University, Bachelor of Music (2019)
University of Michigan, Master of Music (2022)
JANA EDWARDS AND RICK POPPE CHAIR
Hometown Columbia, Missouri
Education
Northwestern University, Bachelor of Music (2023)
University of Michigan, Master of Music (2025)
ADRIENNE AND ALLEN FRECHTER CHAIR
Hometown Temecula, California
Education
University of California at Los Angeles, Bachelor of Music (2025)
University of California at Los Angeles, Bachelor of Science (2025)
BARBARA STRAUSS AND PAUL FINKEL CHAIR
Hometown
Ann Arbor, Michigan
Education
University of Michigan, Bachelor of Music (2023)
Manhattan School of Music, Master of Music (2025)
TERRI AND GEORGE BARILE CHAIR
Hometown Carbondale, Illinois
Education
Bob Jones University, Bachelor of Music (2026)
LIBBY BORTZ CHAIR
Hometown Jeonju, South Korea
Education
Sookmyung Women’s University, Bachelor of Music (2023)
Manhattan School of Music, Master of Music (2025)
JOANNE MASICA CHAIR
Hometown Boulder, CO
Education
University of Colorado Boulder, Bachelor of Music (2024)
University of Colorado Boulder, Bachelor of Arts Chemistry (2024) MICHAEL STERN CHAIR
Hometown
South Pasadena, California
Education
San Francisco Conservatory of Music Bachelor of Music (2025)
JUHREE WENDL CHAIR
Hometown
Chevy Chase, Maryland
Education
University of Maryland, Bachelor of Music (2023)
University of Maryland, Master of Music (2025)
JANET AND ROB MILES CHAIR
Hometown Columbus, Ohio
Education
Manhattan School of Music, Bachelor of Music (2026)
HAMILL FOUNDATION CHAIR
Hometown Gwangju, South Korea
Education
Chonnam National University, Bachelor of Music (2021)
Manhattan School of Music, Master of Music (2023) Professional Studies Certificate (2024)
DEBRA FOX AND DR. JULES ROSEN CHAIR
Hometown Hong Kong, SAR
Education
University of Toronto, Bachelor of Music (2022)
McGill University, Master of Music (2025)
MARK AND BARBARA PUCCIA CHAIR
Hometown Monterey, California
Education
California State University of Long Beach, Bachelor of Music (2024)
BARBARA AND SAM MCCLENEGHAN CHAIR
Hometown Bakersfield, California
Education
California State University of Long Beach, Bachelor of Music (2025)
TOM AND EMILY WAHL CHAIR
Eleanor Sturm VIOLIN
Mumin Turgunov VIOLIN
Jiddu Vega VIOLIN
Iris Wu VIOLIN
Hometown Carson City, Nevada
Education
University of Massachusetts at Amherst, Bachelor of Music (2023)
University of Maryland at College Park, Master of Music (2025)
KATHY AND JOHN LANDON CHAIR
Aaron Lockhart VIOLA principal viola
Hometown Las Vegas, Nevada
Education
San Francisco Conservatory of Music, Bachelor of Music (2021)
University of Colorado, Boulder, Master of Music (2024)
ANNE MILLS CHAIR
Hometown
Tashkent, Uzbekistan
Education
ICM - Park University, Bachelor of Music (2025)
VERA STERN DONOR ADVISED FUND CHAIR
Michael Brennan VIOLA
Hometown Patchogue, New York
Education
Manhattan School of Music, Bachelor of Music (2019)
University of Memphis, Master of Music (2023)
PATRICE AND RON LARA CHAIR
Hometown Miami, Florida
Education
McGill University, Bachelor of Music (2019)
University of Michigan, Master of Music (2022)
NEWMAN’S OWN FOUNDATION CHAIR
Jowen Hsu VIOLA
Hometown: Taipei, Taiwan and Naples, Florida
Education
University of Michigan, Bachelor of Music (2020)
University of Michigan, Master of Music (2022)
SUMMIT FOUNDATION CHAIR
Hometown Taipei, Taiwan
Education
New England Conservatory of Music, Bachelor of Music (2025)
FIRST RESPONDERS CHAIR
We worked hard, we played hard, and made so many connections with wonderful people from all over the world.”
-AARON LOCKHART, VIOLA ‘23
Hyunwoo Jeoung VIOLA
Alexis Mitrushi
Sarah Nichols
Schölch
Hometown Columbus, Ohio
Education
Baldwin Wallace University, Bachelor of Music (2025)
BRECKENRIDGE GRAND VACATIONS CHAIR
Hometown Houston, Texas
Education
Oberlin Conservatory, Bachelor of Music (2022)
Mannes School of Music, Master of Music (2024)
BRECKENRIDGE ASSOCIATES REAL ESTATE CHAIR
Hometown
Albany, New York
Education
Baldwin Wallace University, Bachelor of Music (2023)
University of Cincinnati College-Conservatory of Music, Master of Music (2025)
JOHN TOBEY EVENTS CHAIR
Haley Rasmussen CELLO principal cello
Hometown Pacific Grove, California
Education
California State University at Long Beach, Bachelor of Music (2024)
ALPINE BANK CHAIR
Hometown Hanover, Germany
Education
Oklahoma City University, Bachelor of Music (2022)
DePaul University, Master of Music (2024)
CARIN AND BILL SIMPSON CHAIR
Christine Kao
CELLO associate principal cello
Hometown
Kaohsiung, Taiwan
Education
National Taiwan Normal University, Bachelor of Music (2022)
Northwestern University, Master of Music (2025)
TOWN OF SILVERTHORNE CHAIR
Hometown Willow Grove, Pennsylvania
Education
Carnegie Mellon University, Bachelor of Fine Arts (2023)
Carnegie Mellon University, Advanced Music Studies Certificate (2024)
SANDRA MORTENSEN CHAIR
Hometown Chiayi, Taiwan
Education
National Taiwan Normal University, Bachelor of Music (2023)
Indiana University Jacobs School of Music, Master of Music (2025)
DR. GLEN AND BOBBIE ZELKIND CHAIR
Matthew Rhee
Martha Sprague
Hometown Houston, Texas
Education
Oberlin Conservatory, Bachelor of Music (2027)
TERRI AND JERRY BELVER CHAIR
Hometown
Syosset, New York
Education
Gordon College, Bachelor of Music (2022)
Cleveland Institute of Music, Master of Music (2025)
CLIMAX MOLYBDENUM COMPANY CHAIR
Andrew Vinther
DOUBLE BASS principal double bass
Hometown Norman, Oklahoma
Education
Oberlin Conservatory, Bachelor of Music (2019)
McGill University, Master of Music (2023)
SHARON MAGNESS BLAKE AND ERNIE BLAKE CHAIR
Hometown
Lynwood, Washington
Education
The Juilliard School, Bachelor of Music (2025)
VAIL RESORTSEPIC PROMISE CHAIR
Hometown Chicago, Illinois
Education
Cleveland Institute of Music, Bachelor of Music (2022)
DePaul University, Master of Music (2024)
ANNETTE AND KEN HALLOCK CHAIR
Lindy Billhardt
Hometown Cambridge, Massachusetts
Education
Boston University, Bachelor of Music (2018)
Boston University, Master of Music (2025)
TIMOTHY FAUST PHOTOGRAPHY CHAIR
Hometown: Seattle, Washington
Education
Cleveland Institute of Music, Bachelor of Music (2024)
HELEN LEMAY CHAIR
Hometown
Ann Arbor, Michigan
Education
Oberlin Conservatory, Bachelor of Music (2018)
Michigan State University, Master of Music (2018)
MONEY ARENZ FAMILY CHARITABLE FUND CHAIR
Hometown Houston, Texas
Education University of Houston, Bachelor of Music (2026)
DOWNSTAIRS AT ERIC’S CHAIR
Hometown Ambler, Pennsylvania
Education
Cleveland Institute of Music, Bachelor of Music (2023)
Northwestern University, Master of Music (2025)
TOWN OF FRISCO CHAIR
SEPTEMBER 19-22, 2024
Playing in the NRO has enhanced my orchestral experience immensely. Being in an environment that closely simulates life as a professional has given me tools that I will take into the rest of my career.”
- SARAH GOLDBERG, TRUMPET ‘23
Hometown
Somers, Connecticut
Education
Curtis Institute of Music, Bachelor of Music (2027)
KAREN AND JAMES WARRICK CHAIR
Hometown San Diego, California
Education
University of California at Santa Barbara, Bachelor of Music (2022)
University of Texas at Austin, Master of Music (2024)
CPR CLASSICAL CHAIR
Hometown
Hudson, Wisconsin
Education
New England Conservatory of Music, Bachelor of Music (2023)
Shepherd School of Music at Rice University, Master of Music (2025)
JOHN AND ELIZABETH* CROSSMAN CHAIR
Hometown Bradenton, Florida
Education
Indiana University Jacobs School of Music, Bachelor of Music (2022)
Indiana University Jacobs School of Music, Master of Music (2024)
STEVE CORNEILLIER CHAIR
Hometown Boynton Beach, Florida
Education
Florida State University, Bachelor of Music (2018)
Cleveland Institute of Music, Master of Music (2020)
MARK ADDISON CHAIR
Hometown
Evansville, Indiana
Education
Indiana University Jacobs School of Music, Bachelor of Music (2018)
New England Conservatory of Music, Master of Music (2020)
University of Cincinnati College-Conservatory of Music, Doctor of Musical Arts
ROBERT AND CYNTHIA BENSON CHAIR
Hometown Prairieville, Louisiana
Education
University of Michigan, Bachelor of Music (2023)
University of Texas at Austin, Master of Music (2025)
SUZY ILIFF WITZLER CHAIR
Hometown Seattle, Washington
Education
University of Washington, Bachelor of Music (2021)
New England Conservatory, New England Conservatory (2023)
BRECK CABIN COMPANY CHAIR
Najee Greenlee CLARINET
Juliyan Martinez CLARINET
Víctor Martínez Jara CLARINET
Rodolfo
Hometown Flint, Michigan
Education
Rice University, Bachelor of Music (2026)
SAMUEL L. BUFFORD AND JULIA METZGER CHAIR
Duncan Henry
Hometown Savage, Minnesota
Education
St. Olaf College, Bachelor of Music and Bachelor of Arts (2022)
University of Minnesota, Master of Music (2025)
ALAN AND KATHY SONNANSTINE CHAIR
Hometown Atlanta, Georgia
Education
The Juilliard School, Bachelor of Music (2024)
TOWN OF DILLON CHAIR
Hometown Astorga, Spain
Education
The Norwegian Academy of Music, Bachelor of Music (2018)
The Norwegian Academy of Music, Master of Music (2020)
JEAN DEPETERS CHAIR
Hometown Brownsville, Texas
Education
University of North Texas, Bachelor of Music Education (2022)
Boston University, Master of Music (2025)
SHARI AND CHRIS DORTON CHAIR
Hometown
Cambridge, Massachusetts
Education
Emory University, Bachelor of Science (2023)
Cleveland Institute of Music, Master of Music (2025)
MICHAEL AND MARYLYNN EIPPER CHAIR
Hometown Conway, South Carolina
Education
University of South Carolina, Bachelor of Music (2025)
PAT AND STEVE LARSON CHAIR
Hometown Southlake, Texas
Education
Curtis Institute of Music, Bachelor of Music (2026)
TOWN OF BRECKENRIDGE CHAIR
TAKE A FREE TROLLEY RIDE TO THE RIVERWALK CENTER!
Elizabeth Crafton HORN
Catherine Dowd HORN
Hometown Savannah, Georgia
Education
Curtis Institute of Music, Bachelor of Music (2027)
JIM AND JUDY GRAUNKE CHAIR
Hometown Cincinnati, Ohio
Education
New England Conservatory of Music, Bachelor of Music (2020)
Carnegie Mellon University, Master of Music (2025)
REGGIE AND PAMELA GRAY FAMILY CHAIR
Hometown New Braunfels, Texas
Education
West Virginia University, Bachelor of Music (2025)
University of Cincinnati College-Conservatory of Music, Master of Music (2022
JULIET WHITCOMB AND ELLIOT SCHRAGE CHAIR
Hometown Frisco, Texas
Education
Northwestern University, Bachelor of Music (2023)
DAVE PFEIFLE CHAIR
Hometown Brooklyn, New York
Education
The Juilliard School, Bachelor of Music (2023)
The Juilliard School, Master of Music (2025)
PROJECT HEALING WATERS CHAIR
Hometown Tucson, Arizona
Education
Cleveland Institute of Music, Bachelor of Music (2025)
HIGH COUNTRY CONSERVATION CENTER CHAIR
Hometown Hudson, Ohio
Education
Curtis Institute of Music, Bachelor of Music (2027)
ANONYMOUS CHAIR
Hometown Clarksville, Maryland
Education
Northwestern University, Bachelor of Music and Bachelor of Arts (2024)
BEAVER RUN RESORT AND CONFERENCE CENTER CHAIR
Richard Stinson
Darren Brady TROMBONE
Hometown Marietta, Georgia
Education
Indiana University Jacobs School of Music, Bachelor of Music (2022)
The Juilliard School, Master of Music (2024)
BEVERLEY MCARTHUR CHAIR
Hometown Collegeville, Georgia
Education
Eastman School of Music, Bachelor of Music (2026)
JOAN MANLEY
HOULTON CHAIR
Hometown Baltimore, Maryland
Education
The University of Michigan, Bachelor of Music (2024)
MICHAEL MOLLOY CHAIR
Hometown Fort Worth, Texas
Education
The Juilliard School, Bachelor of Music (2025)
ELIZABETH HAINEN AND DAVE DEPETERS CHAIR
Hometown Chicago, Illinois
Education
Northwestern University, Bachelor of Music (2023)
The Juilliard School, Master of Music (2025)
JANE KING* CHAIR
Hometown Newnan, Georgia
Education
The University of Miami, Bachelor of Music (2027)
ANNETTE AND GERRY FRICKE CHAIR
David A. Cavazos PERCUSSION
Jeremy Davis PERCUSSION
Hometown
Centennial, Colorado
Education
Peabody Institute of the Johns Hopkins University, Bachelor of Music (2026)
M.A. DEEN CHAIR
Hometown Monterrey, Mexico
Education
University of North Texas, Bachelor of Music
COL (RET) J. L. BERKHEISER CHAIR
Hometown Los Angeles, California
Education
University of Southern California, Bachelor of Music (2023)
Rice University, Master of Music (2025)
BARBARA AND JIM CALVIN CHAIR
Hometown Oviedo, Florida
Education
The Juilliard School, Bachelor of Music (2023)
New England Conservatory, Master of Music (2025)
SALLY AND BRUCE QUEEN CHAIR
Hometown Okemos, MI
Education
Cleveland Institute of Music, Bachelor of Music (2023)
Cleveland Institute of Music, Master of Music (2024)
ROBERT FOLLETT CHAIR
Hometown Potomac, Maryland
Education
Northwestern University, Bachelor of Music and Bachelor of Arts (2027)
NANCY FRENCH CHAIR
Hometown Park City, Utah
Education
University of Utah, Bachelor of Music (2023)
New England Conservatory, Master of Music (2025)
PAM PIPER YEUNG AND DR. KAI YIU YEUNG CHAIR
Jordan Fajardo-Bird PERCUSSION
* DECEASED
When you contribute to the NRO, you are not just supporting a performance, you are investing in the future of classical music. Over 70% of our budget comes from charitable giving, ensuring that our young professional musicians have life-changing opportunities and enabling us to offer innovative education and community engagement programs for all ages and abilities.
Support the Orchestra you love and the future of classical music with a gift today! Whether you choose to allocate your gift to our greatest need or a specific program/initiative, your support makes a meaningful impact.
Your gift to the National Repertory Orchestra Endowment Trust is invested in perpetuity. A portion of the earned income is used to support NRO’s education mission, and all excess earnings reinvested, allowing the fund to grow.
Please visit NROmusic.org or scan the QR code below to make a one-time donation or to schedule recurring gifts.
With your gift of stock to the National Repertory Orchestra, you receive tax benefits while supporting the future of classical music!
Please visit NROmusic.org for instructions on how to make a gift of stock.
Designating the National Repertory Orchestra in your will is a great way to make a gift without impacting your current finances and lifestyle. Other gifts like annuities, trusts and IRA rollovers can provide significant tax savings to you.
To make a gift by mail, please send your check, made payable to:
National Repertory Orchestra PO Box 6336 Breckenridge, CO 80424
We encourage you to connect with the NRO to explore how your philanthropic aspirations can align with the various giving opportunities available.
Åsa Armstrong Director of Development asa@nromusic.org (970) 453-5825 x3
As with all tax matters, consult with your tax advisor before proceeding. The National Repertory Orchestra is a registered 501(c)(3) nonprofit organization. Federal Tax ID 84-0566793
PROGRAM BOOK, WEBSITE, FROM THE STAGE RECOGNITION PRESENTER'S
$25,000+
Season Underwriter
Masterworks (MW) / Special Concert Series Underwriter
Popular Series Underwriter
Single Concert Underwriter
Musician’s Chair Underwriter
Pre-performance Recognition Loop
Name Listing at Selected Donor Level
EXPERIENCES & EVENTS
Private Conductor's Dinner (Date TBD/current season)
Carl Topilow Society Experiences:
• Music Directors Dinner
• Happy Hour with Michael Stern and Guest Artist
NRO Spotlight Experience (Select One):
• Join the sound-booth crew at a MW concert
• Participate within a percussion sectional with Dave DePeters
NRO Behind the Scenes Experience (Select One):
• Sit within the NRO for one MW rehearsal
• Conduct the Orchestra (one piece) at a Pops concert rehearsal
Meet the Orchestra Events (2)
In 2004, the National Repertory Orchestra (NRO) established the Walter Charles Legacy Society to recognize individuals who have included the NRO in their estate planning. By including the NRO in your will, trust, retirement plan, or other estate arrangements, you can become a member of this distinguished group. As a Walter Charles Legacy Society member, you will not only be making a lasting impact on the future of the NRO, but you will also be kept informed of the orchestra’s performances and initiatives.
By including NRO in your estate plans, you can create a lasting legacy that will continue to impact the future of classical music for years to come.
The NRO Endowment Trust was established in 2004 to provide long-term financial support for the organization. A portion of its annual investment earnings are utilized to support the Orchestra’s programs and operations. Your endowment gift provides a sustainable financial foundation for the NRO, ensuring a reliable source of income to support our mission, musicians, and programming. FOR MORE INFORMATION, PLEASE CONTACT THE NRO OFFICE AT (970) 453-5825 x 3.
The National Repertory Orchestra thanks those listed below for their vital endowment support and dedication to the NRO.
Pamela and Douglas Adams
Kristin Ahlstrom
Liz and Tuck Aikin
Lovina A. Thompson and Pamela A. Anderson
Åsa and Olin Armstrong
Dennis and Barbara Baldwin
Carlie and Terry Barnhart
Marilyn Beebe
Robert and Cynthia Benson
Harriett Bobo*
Michael Altenberg* and Libby Bortz
Ann Brewster
Sandi and Bill Bruns
Art* and Marilynn Burger
Robert and Irene Burns
David and Kathryn Bussman
Barbara and Jim Calvin
Patti Casey*
Tim Casey
Julie and Jim Chandler
Kathleen Clabby
Mary and Dick Clark
Lesley Cleary
Geraldine Cohen
Bobby and Carol Craig
Dr. and Mrs. Edward Crane*
Brian Moriarty and Joan Davids
M.A. Deen
Laura DeLuca
Elizabeth Hainen and Dave DePeters
William T. Diss
The Family Mayer Foundation, Inc.
Federated Department Stores Foundation
Kathleen and Thomas Fingleton
Tony and Barbara Flitcraft
Robert and Nancy* Follett
Follett Corporation
Douglas Thompson and Jean Follett-Thompson
Cecile Forsberg
Nancy and Tom* French
Annette and Gerry Fricke
Wendy Friedman
Edward and Carolyn Gabelman
Donald and Beverly Gale
Jo Leta Gavit
Reggie and Pamela Gray Family
Mary Lou and John Grossmann
Robin Hadley
Heider Trust
Edward and Gloriann Heinz
The Helen F. Whitaker Fund
The Helen M. Harrison Foundation
Peg and Lee Henry
Alison Heydt
Mr. and Mrs. Joseph G. Hodges Jr.
Marc and Marilyn Hogan
Joel Horwich
Joan Manley Houlton
Judy Hunt
Donald and Susan Alt Johnson
Fred and Carolyn Johnson
Carole and Marvin* Johnson
John Rynes and Mary Lou Johns
Belinda and Anthony Jones Jr.
Terese Kaptur
Jayn and Jerry Karl
Betty and Raymond Keith
James and Diana Kennedy
Bonnie Kirschenbaum
James and Jane Knox
Don and Helen Knutzen
Anita and James Kreider
Sam Kuller
Dr. Tim Steele and Inge La Cour
Patrice and Ron Lara
John and Polly Loewy
Joanne and Dick* Masica
Lee and Barbara Mendel
Eric S Mendelsohn
General Mills
Marion Milton
Sandra Mortensen
Harriet Neiman
Jose-Luis Novo
Catherine Payne
Pete* and Linda Kay Peterson
Jana Edwards and Rick Poppe
Rotary Foundation of Summit County
John G. Russell*
Fred and Barbara Schiller
Marc and Joelle Schlesinger
Frank and Jen Schrage
Linda and Paul Schutt
Robert Kent Scott
Sam Sherstad
Tara Sieber
Sarah Smith
Steve and Sandee Smith
Maxine and Martin Solomon
Pat Spitzmiller*
Jan and Sheldon Steinhauser
Harold Herring and Susan Lee D. Stevens
Melissa Witzler Stone
Anne Stonington*
David Street
David and Zandra Swenson
Gretchen* and John Swift
Kate and James* Taucher
Mr. and Mrs. William D. Taylor
Lee and Kathy Terry
Pat and Jack Thomas*
Charles and Kathy Vasilius
Barbara and Mark Vonderheid
Lou Wagner
Patty and Ed Wahtera
Dr. Roberta Waldbaum
Robert and Nadyne Walton
Larry and Nancy Warren
Juhree Wendl
Dave and Mary Whitham
Pam and Sonny Wiegand
Cap* and Suzy Iliff Witzler
Pam Piper Yeung and Dr. Kai Yiu Yeung
*Deceased
TO JOIN THE WALTER CHARLES LEGACY SOCIETY OR BECOME AN ENDOWMENT
DONOR, CONTACT THE DEVELOPMENT OFFICE. THEY WILL PROVIDE YOU WITH MORE INFORMATION AND ASSIST YOU WITH THE PROCESS: (970) 453-5825 x 3.
Honorary and memorial gifts to the NRO are thoughtful ways to celebrate the legacy and impact of loved ones while providing vital support to our mission. Each tribute has an esteemed place with the National Repertory Orchestra.
IN HONOR OF CONTRIBUTIONS
MADE BETWEEN MAY 1, 2023 AND APRIL 15, 2024
Barbara and Jim Calvin
Åsa and Olin Armstrong
Elizabeth Hainen and Dave DePeters
Marcia Poirier
Karla Schapansky
David DePeters
Margarita Montanaro
Reggie and Pam Gray
Michael Lipfield
Sy and Elinor Katz
Adele and Erwin Gelfand
Joe Kovac
William Acton
Anne Mills
Jeanie McCarthy
Anne and Bill* Mills
Crosby Living Trust
Sandy Mortensen
Åsa and Olin Armstrong
Elizabeth Hainen and Dave DePeters
The Family Mayer Foundation, Inc.
Steve and Karen Passow
Beth Steele and Mike McGhee
Jerome and Helen Smith
Michael Stern
William and Marilyn Taylor
IN MEMORY OF CONTRIBUTIONS
MADE BETWEEN MAY 1, 2023 AND APRIL 15, 2024
Ron Apte
Charles Dinarello
Barrie Alix Chi
Emile Chi
Kathleen Corneillier
Steve Corneillier and daughters Brittony and Nicole
Adam J. DePeters
Jean DePeters
Nancy Follett
Tony and Barbara Flitcraft
Mary Alice "Mae" Jones
Charles R. and Jane F. Olsen
Jane and Don King
Alan and Diana Anick
Åsa and Olin Armstrong
Elizabeth Hainen and Dave DePeters
Lawrence Lessin, MD
Eric and Francie Mendelsohn
Michael Massey
Elizabeth Hainen and Dave DePeters
Barbara Eaton
Thomas and Miriam Farmakis
Jack Holmes
Kathleen Lawrence
Connie Talmage
David McArthur
Beverley McArthur Family Charitable Fund
Dr. John A. McCulloch
Barbara McCulloch
Dr. Alan L. Smith
Mark and Carla Ewing
Annie Pearl Treaccar
Annette and Ken Hallock
Leonard Waldbaum
Dr. Roberta Waldbaum
Charles Wetherbee
Steve Corneillier
Carl Topilow
Scott Mozlin
Cooper Cromwell-Whitley
Carol D Hamilton
Pam Piper Yeung and Dr. Kai Yiu Yeung
Steve Piper
TO MAKE A GIFT IN HONOR OR IN MEMORY OF A SPECIAL PERSON, CALL THE DEVELOPMENT OFFICE AT (970) 453-5825 x 3 OR VISIT NROMUSIC.ORG
Cap Witzler
Anonymous
Åsa and Olin Armstrong
Janet and Brad Bradbury
Sheila Cleworth
Elizabeth Hainen and Dave DePeters
Lisa Gardner
Lee and Peg Henry
Doree Hickman
Lesley A. Riker
Melissa Witzler Stone
Generous Support from corporations, foundations, government agencies and trusts continue to sustain the NRO every year. These crucial partnerships help fund concerts, education and free outreach programs as well as special projects. We are immensely grateful to each contributor who made a gift between May 1, 2023 and April 15, 2024, to make our 2024 concert season possible.
$15,000 AND UP
Summit Foundation
Town of Breckenridge
$10,000 - $14,999
Alpine Bank
Climax Molybdenum Company
Newman’s Own, Foundation
Town of Dillon
Town of Silverthorne
Vail Dance
Vera Stern Donor Advised Fund
$5,000 - $9,999
Anonymous
Breckenridge Grand Vacations/BGV Gives
The Hamill Foundation
$2,500 - $4,999
Bessemer Trust Company
Breckenridge Associates Real Estate, LLC
John Tobey Events
Money Arenz Family Charitable Fund
$1,000 - $2,499
Kaighin and Marian Watts Family Fund
Lloyd J. King and Eleanor R. King Foundation
Summit County Rotary Club
Summit Seniors
TO JOIN OUR NRO FAMILY OF SUPPORTERS, CALL THE DEVELOPMENT OFFICE AT (970) 453-5825 X3 OR VISIT NROMUSIC.ORG
The Bill and Carolyn Schwartz Family Fund of Triangle Community Foundation
The Family Mayer Foundation, Inc.
Timothy Faust Photography
Town of Frisco
$500 - $999
Community First Foundation
Crosby Living Trust
Eric and Jill Flamm Charitable Fund
Greenberg Family Foundation
Wind Crest, Inc
The NRO welcomes in-kind contributions that are budgetrelieving and align with IRA guidelines and support the NRO’s mission. We are immensely grateful to each contributor listed here, who made a gift between May 1, 2023 and April 15, 2024, to make our 2024 concert season possible.
Larry Abston
Peter Anwyl
Robert and Cynthia Benson
Beaver Run Resort and Conference Center
Breckenridge Brewery
Breck Cabin Company
Breckenridge Grand Vacations
Ann Brewster
Thayis and Jim Dionne
Downstairs at Eric’s
Wally and Maggie Ducayet
Brian Duchinsky
Lloyd Edelberg
Carrie Fuller
Georgian Square Joint Venture
Annette and Ken Hallock
Jim and Jeanie Hammond
Lynda McNeive and Lynn E. Hornbrook
Joan Manley Houlton
Becky and Warren Johnson
Bonnie Kirschenbaum
Dr. Milton and Gail Klein
Jared Klein
Kathy and John Landon
Earl and Victoria Lehrer
Helen Lemay
Luigi’s Pizza
Nancy and Kevin Malone
Kieran Maye
Mary McCarthy
Beth Steele and Mike McGhee
Michael’s Italian Restaurant
Janet and Rob Miles
Anne Mills
John Morris
Barry Nelson
Piante Pizzeria
Jana Edwards and Rick Poppe
Dave and Cynthia Rosengren
William Rothenmeyer
Jay and Kathleen Rust
Jost and Margot Schmitt
Steve and Sandee Smith
David Solomon
Lois Stuart
Kate Taucher
Timothy Faust Photography
Town of Breckenridge
Town of Frisco
Vail Resorts - EpicPromise
Louis Voit
Barbara Vonderheid – Vonderheid & Associates, PC
Kaighin and Marian Watts
Ruth and Nathan Wilson
Sonny Wiegand – Wiegand Attorneys & Counselors, LLC
Windy City Pizza & Pub
Pam Piper Yeung and Dr. Kai Yiu Yeung
Donor designated gifts are unique opportunities to direct your support towards a specific established cause or program that resonates with you. We are immensely grateful to each contributor who has made a donor designated gift between May 1, 2023, and April 15, 2024, to make our 2024 concert season possible
$30,000+
The Guest Conductor Fund provides essential funding to bring in top-tier guest conductors who elevate performances and enrich both musician and audience experiences.
Robert and Cynthia Benson
$20,000+
The Housing Fund supports Summer Music Festival fellows with rent-free housing, ensuring equal access to life-changing education opportunities.
Barbara and Jim Calvin
$15,000+
The Travel Fund provides a stipend to all unpaid Summer Music Festival fellows to assist with travel expenses to and from the festival.
Bonnie Kirschenbaum
$10,000+
The Steve and Pat Larson Artist in Residence Program provides emerging musicians with a unique opportunity to learn from industry leaders, through masterclasses, seminars, and sectionals, gaining fresh perspectives, techniques, and artistry that are crucial for navigating a career in the music world.
Steve and Pat Larson
$5,000+
The Community Link/Host Family Fund connects the Summer Music Festival fellows with the local community through a plethora of activities and experiences beyond the concert hall. It gives the fellows a deeper, more authentic understanding of the people they’re performing for. And on the flip side, it opens up a window for locals to get an inside look at the fellows’ creative process, their inspirations, and what drives them as artists.
Barbara and Jim Calvin
BIG INSTRUMENT FUND
$4,500+
The Big Instrument Fund offers financial aid to musicians who require assistance with transportation costs associated with their large instruments.
Bonnie Kirschenbaum
$250 - $1,000
The National Repertory Orchestra Arts Scholarship is awarded to a graduating senior of Summit High School who is planning to pursue a degree in the field of Arts or Arts Administration.
Åsa and Olin Armstrong
Barbara and Jim Calvin
Elizabeth Hainen and Dave DePeters
Nancy French
The NRO is essential to the future of classical music. From enjoyable concerts throughout Summit County to guest artist appearances, education programs and free community events, our summer festival continues to thrive because of annual support from friends like you. We are immensely grateful to each contributor who has made a gift between May 1, 2023 and April 15, 2024, to make our 2024 concert season possible.
$25,000 AND UP
Robert and Cynthia Benson
Col (ret) J. L. Berkheiser
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Robin Hadley
Jane King*
Bonnie Kirschenbaum
Anne Mills
Jana Edwards and Rick Poppe
Karen and James Warrick
$10,000-$24,999
Mark Addison
Ann Brewster
M.A. Deen
Annette and Ken Hallock
Patrice and Ron Lara
Steve and Pat Larson
Helen Lemay
Samuel L. Bufford and Julia Metzger
Janet and Rob Miles
Michael Molloy
Dave Pfeifle
Sally and Bruce Queen
Debra Fox and Dr. Jules Rosen
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Michael Stern
$5,000-$9,999
Sharon Magness Blake and Ernie Blake
Libby Bortz
Steve Corneillier
Nancy French
Reggie and Pamela Gray Family
Beverley McArthur
Sandra Mortensen
Tom and Emily Wahl
Suzy Iliff Witzler
$3,000-$4,999
Terri and George Barile
Terri and Jerry Belver
John and Elizabeth* Crossman
Jean DePeters
Elizabeth Hainen and Dave DePeters
Shari and Chris Dorton
Michael and Marylynn Eipper
Adrienne and Allen Frechter
Annette and Gerry Fricke
Jim and Judy Graunke
Joan Manley Houlton
Kathy and John Landon
Joanne Masica
Barbara and Sam McCleneghan
Mark and Barbara Puccia
Juhree Wendl
Pam Piper Yeung and Dr. Kai Yiu Yeung
$1,000-$2,999
Åsa and Olin Armstrong
Sara Burks
Buddy Greisch and Sherrie Calderini
Jon and Kelly Edmiston Callen
Howard and Sue Carver
Jan and Charlie Cole
Betsy and Ron Cytron
Linda Dameron
Susan Propper and Donald Dankner
Stephen and Suzanne Day
Susan Delaney
Charles Dinarello
Kurt and Cynthia Doerr
Wally and Maggie Ducayet
Rebecca and Samuel Eden
Linda Ewald
John and Jean Fitzgerald
Tony and Barbara Flitcraft
Kipp and Helen Friedli
Lisa Gardner
Dan and Johanna Gibbs
Beth and Neil Groundwater
Jim and Jeanie Hammond
Carolee and John Hayes
Sandra Holdgreve
Mr. and Mrs. James Hourihan
Rich and Dee James
Carole Johnson
Belinda and Anthony Jones Jr.
Glen and Georgia Kraatz
Jeanie and Mike Kramer
Dan A. Lewis
Donald and Marie Ann Logan
Gary Martinez
Paul and Anthea Millar
Gordon Miller
Pam and Jack O’Neil
Bonnie Orkow
Barbara Pollack
Tom and Ann Rader
Dave and Cynthia Rosengren
Carolyn and Bill Schwartz
Helen and Jay Smith
Martin and Maxine Solomon
James and Rebecca Spearot
Pat Spitzmiller*
William and Marilyn Taylor
Janey and Russ Trowbridge
Joanne Michalski and Michael Weeda
Christine Yuhas
Dr. Glen and Bobbie Zelkind
Anonymous (19)
Larry Abston
William Acton
Bill and Kathy Adams
Matthew Adler
Heidi Aggeler
Janet Allenby
Alan and Diana Anick
Leah Arnold
Rita and Jeffrey Aron
Bradford Barnhart
Terry and Carlie Barnhart
Richard and Linda Bateman
Jan and Barry Bischoff
Alan Nye and Jeanne Blaine
Christopher Alleman and Joshua Blanchard
John and Emily Blankinship
Donna and Michael Boender
Craig and Annette Bolt
Thomas Bonfili
Beatriz Bonnet
Janet and Brad Bradbury
Mary and Dick Bremer
Peter Brinckerhoff
Tom Brown
Bruce and Jeanie Bundy
Bruce Camping
Scott and Janie Cantine
Susan Carlson
Tim Casey
Chris and Jen Cawley
Emile Chi
Sheila Cleworth
Geraldine Cohen
Elaine Collins
James and Katherine Conely
Michael Connolly
Dana Cottrell
Diane Courchene
Mike Crawford
Margot Crowe
Andrea Diamond
Robert and Lisa Dieckhaus
Becky and Kevin Durham
Allison Eagan
Barbara Eaton
Barrett and John Edstrom
Michael and Alice Epstein
Ann Erickson
Mark and Carla Ewing
Thomas and Miriam Farmakis
Chris and Rose Field
Jeffrey Franke
Ronald and Jacque Frazzini
Diane and Henry Fuchs
Deborah Gaensbauer
Jake Gallegos
Maia Gardner
Joan and Lester Garrison
Adele and Erwin Gelfand
Jeffrey Germanotta
Michael and Rosemary Ginzberg
Leigh Girvin
Mr. and Mrs. Bob and Judy* Girvin
Deena and Brian Graham
Suzanne Greene
Patricia Gunckel
Carol D Hamilton
Scott Hamilton
Don and Jeanette Hansen
Jeffrey G. Hargis
Peg and Lee Henry
Doree Hickman
William Hieber
Joel and Christine High
Tom and Gigi Hillyer
Steven and Ellen Hirsch
Jack Holmes
Lynda McNeive and Lynn E. Hornbrook
Katherin and Duane Howell
Judy Hunt
Nancy N. Hurd
Kenneth Hutchins
Joan Hutchinson
Eric and Thale Jarvis
Rebecca and Chris Jennings
Kay and Carl Jensen
Larry and Judy Johansen
Margaret Johnson
Susan Juergensmeier
Anne Kern
Judy and Steve Knapp
Craig Phillip Knox
Jim and Polly Kuelbs
Karen and Gary Lach
Dr. Tim Steele and Inge La Cour
John Lafollette
Margery and Donald Langmuir
Kent and Bonnie Lattig
Kathleen Lawrence
Jean and Ted Lawson
Jean Leach
Steve Levy
Andrew and Sally Lewis
Jason Lichtenwalter
Cheri Linden
Peggy and David Lindstrom
Mary Jo Liston
Carol and Wayne Lockwood
Susan Lovato
Jeannie Mann
Darlena and Tom Marmins
Michael and Faye Masanoff
Martine Matzke
Jeanie McCarthy
Barbara McCulloch
Beth Steele and Mike McGhee
Dominique McLerran
James and Mary McShane
Eric and Francie Mendelsohn
Judy L Miller
Rich and Carolyn Miller
Robert and Susan Miller
Roger and Janet Millnitz
CJ Milmoe
Margarita Montanaro
Richard Jackson and Cheryl Moskal
Daria and Larry Moskowitz
Scott Mozlin
Sam and Kathy Munoff
Michael Murphy
Sheila Nevin
Dianna Obrien
Rick O’Brien
Kendra and Arthur O’Hayre
Charles R. and Jane F. Olsen
Deloris Ouren
Wendy Timm and Jack Owczarczak
Steve and Karen Passow
Travers Paterson
Steve Piper
Marcia Poirier
Suzanne Price
Frank Rabbio
Joseph G Rakoski
Sandy and Gail Richardson
Lesley A. Riker
Tad Riley
Tim Riley
Andrew and Karen Ritz
Dr. John Roehm
Elise Murphy Rowe
Cyndi Tanaka and Larry Rowley
Jessica and Harry Ruda
Jay and Kathleen Rust
Paul and Cindy Sale
Karla Schapansky
Marc and Joelle Schlesinger
Lisa Schultz
Andy Searls
Richard and Beth Seeley
Charles I Shofnos
June Skinner
Terry J. Smith
Ray and Sharon Smith
William Snyder
Jacqueline Stone
Melissa Witzler Stone
Michael Stretchberry
Mike and Karen Svetlic
Michael Lipfield and Jill Tabak
Connie Talmage
Kate Taucher
John and Pat Taylor
Lee and Kathy Terry
John Thorne
Deb and Ken Torrington
June Twinam
Debra S. and Harold Tyber
Elaine and Alan Wade
Dr. Roberta Waldbaum
Linda and Richard Wiesner
Robert Williams and Treva Womble
Mary Jane and Hans Wurster
Susan and Austin Young
Scott Yule and Karen McDonough-Yule
* Deceased
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