Mario Praz, an Italian-born critic, used a Latin phrase, horror vacui, to confront the Victorian fetish of visual clutter. Since that time, more than 100 years have passed with Minimalism as sentry, guarding the margins of good taste in design. High culture has been mostly synonymous with restraint. However, the rabble has been known to bubble up from time to time: consider the Ashcan school of painting, the Maximalism movement of the '70s, the more recent visual cacophonies of Sarah Sze, and the 2015 curatorial concept, coined by Kaloust Guedel, Excessivism.