American Pottery Festival
September 5 - 7, 2025
Main Gallery, Emily Galusha Gallery, and Online
Opening Night: Friday, September 5, 6 - 9 pm
Members Hour: 5 - 6 pm
Workshops, Demonstrations, Artist Talks, and Benefit Sale
Join us for the 27th Annual American Pottery Festival (APF), September 5 – 7, 2025! Our annual fundraiser brings together ceramic artists from across the United States, showcasing the best in the field. Experience a stunning variety of creative processes, techniques, forms, and surfaces.
AMERICAN POTTERY FESTIVAL
2025 INVITED ARTISTS:
Clarice Allgood, Milo Berezin, Birdie Boone, Sam Briegel, Wesley Brown, Marissa Childers, Mike Cinelli, Adrienne Eliades, Maddie Fowler, Yoshi Fujii, Delvin M. Goode, Ariana Heinzman, Stephen Heywood, Heesoo Lee, Forrest Lesch-Middelton, Ernest Miller, Kristy Moreno, Sang Joon Park, Colleen Riley, Josh Scott, Mark Shapiro, Sam Taylor, Lars Voltz, and Kate Waltman.
Image, this page: Marissa Childers, Butter Dish, image composite: Joe OLeary.
AMERICAN POTTERY FESTIVAL
APF: Fundraiser
What would you do with 100 Grand?
Your support is needed more than ever. Help us reach our goal through the many ways to contribute throughout our APF weekend:
PLEASE CONSIDER A DONATION
Support NCC with any size monetary gift, double it with your company’s matching contributions, or encourage a group of colleagues or friends to create a larger donation. Here are a few examples of what your donation can help us achieve:
• $50 Scholarship for a parent and child to attend a hands-on workshop
• $100 Kiln costs to fire projects from one outreach week with youth or aging populations with limited access to art instruction in the community
• $250 Tuition for a youth participant in a multi-week workshop or summer clay camp
• $500 Cost for one artist to visit a local high school or college for workshop and career development
• $2,000 Costs to bring an artist to Minneapolis for a week-long residency or workshop in in conjunction with an exhibition
• $10,000 A year-long early career artist residency at NCC
ROUND UP IN THE GALLERY
During checkout, please let our staff know you’d like to add a donation to your purchase! Every penny counts!
PURCHASE ARTWORK IN THE GALLERIES AND ONLINE
NCC’s portion of each sale supports our mission- and valuesdriven work. In addition, APF artists have graciously donated a piece to NCC—100% of the sale of these special works adds to the success of the event.
BECOME A MEMBER
Purchase or renew your NCC membership before APF to take advantage of special workshop pricing and early access to Opening Night tickets.
BECOME A SUSTAINING MEMBER
A monthly, sustaining membership shows the world your care for art and your community and helps NCC build its reliable funding base.
SPONSORSHIP
We have many sponsorship opportunities available for individuals and businesses. Please consider a donation or
underwriting the cost of:
• Airline tickets or miles to support artist transportation to the festival
• Education honorariums for artists offering demonstrations and workshops
• Food and beverage donations for the weekend
• Printing costs
American Pottery Festival Sponsorship Tiers:
O Henry! - $250
• Recognition on the APF Page of NCC’s website
• Two complimentary drink tickets for Opening Night
Whoppers - $500
All the above, plus:
• Two Opening Night tickets, including the member’s only preview hour early on Friday, September 5, 5 – 9 PM
Life Savers - $1,000
All the above, plus:
• Two invitations to the private Welcome Cocktail Party on Thursday, September 4, 6 – 8 PM
• Two passes to Saturday and Sunday demonstrations
• Tour of the gallery and access before it’s open to the public & members
• Mention in NCC social media post
You may make a donation—or purchase a membership, tickets, and artwork—online, in the gallery, or by phone.
Sam Briegel, Tiny Jar.
AMERICAN POTTERY FESTIVAL
WEEKEND DEMONSTRATIONS
On the Edge of Your Sweet
SATURDAY ALL-DAY DEMONSTRATIONS
Saturday, September 6, 10 am – 4 pm
Fees: $60 Demonstrations
$30 Students and Educators
Mike Cinelli & Stephen Heywood …& the Chocolate Factory
10 – 11 am
Watch as APF artists Mike Cinelli and Stephen Heywood demonstrate their individual approaches to making their precisely-thrown industrial-themed pottery. Learn how each artist builds up traditional pottery forms with mechanical, architectural, and science-fiction based embellishments. Watch as both artists demonstrate how they employ a variety of materials and techniques specifically for the type of firing they use to create their pots.
Lars Voltz, Yoshi Fuji, & Kate Waltman
Good Texture & Plenty of Carving 11:30 am – 12:30 pm
The acts of carving and making impressions in pottery are two of ceramics most storied and long-standing decorative traditions. Join APF artists Yoshi Fuji, Lars Voltz, and Kate Waltman to see how each artist uses their preferred tools and methods to create their deliciously-distinct wares. Witness Voltz’s energetic carving to create geologicallyinspired works, or Fuji’s delicate and repetitive style that echoes the patterns of fabric and traditional wood cuts. Perhaps Waltman’s combination of slips and carved layers to create beautiful floral patterns is what you are looking for. No matter your interest, this demonstration provides something for anyone interested in learning how changing the surface of the clay can elevate an already tasty vessel.
Sam Briegel & Marissa Childers
The Original Celebrated Curiously Strong Imprints 1:30 – 2:30 pm
There is an unmistakable delicacy and grace that goes into the creation of Sam Briegel’s and Marissa Childers’ handbuilt pottery. Come and learn the ways that both artists use the textures and patterns commonly found in working with fabric, from knitwear to lace, to decorate and construct their work. Whether you are interested in new ways of introducing texture to your own work or expanding your understanding of slab-building techniques, this demonstration offers layers of sweet, sweet intrigue.
Ariana Heinzman & Kristy Moreno
Glaze the Rainbow!
3 – 4 pm
Ariana Heinzman and Kristy Moreno create boldly illustrative pottery that celebrates the combination of color, form, and identity. Both artists’ work features rich colors, lines, and design delivered with the expert use of a brush. Attend this demonstration to learn how each artist uses their pots as blank canvases to communicate their distinct artistic voices. Whether you are interested in how Heinzman uses underglazes and glazes to decorate her bright, pattern-driven floral pottery, or how Moreno uses slips and glazes to create the imagery of the future ancestors that adorn her pots, there will be plenty of painting and storytelling to appreciate in this demonstration.
Birdie Boone, Birdcage Mushroom Vase.
AMERICAN POTTERY FESTIVAL
SUNDAY ALL-DAY DEMONSTRATIONS
Sunday, September 7, 10 am – 2 pm
Fees: $45 In-person demonstrations
$25 In-person for Students and Educators
Adrienne Eliades & Delvin M. Goode
Stencil Smarties
10 – 11 am
Surface development is the name of the game in this technical demonstration from Adrienne Eliades and Delvin M. Goode. Learn how they each utilize stencils to create the incredibly precise and graphic surface decorations that make their pottery so distinct and eye catching. See how each artist employs similar Reese-ist techniques and materials at different stages of the making process to create their delicious wares. If you are looking to demystify the details of exacting decoration, this one’s for you.
Ernest Miller, Sang Joon Park & Josh Scott
Hands in the Candy Jar
11:45 am – 12:45 pm
Join APF artists Ernest Miller, Sang Joon Park and Josh Scott as they demonstrate creating their favorite jar forms. Follow along as both artists walk through the important considerations of creating highly functional, wheel-thrown jars. You’ll devour valuable tips and tricks for creating your own jars and lidded forms on the potter’s wheel from these great makers. Not a maker? You’ll have a whole new appreciation for your favorite candy jar and never look at it the same way again.
Clarice Allgood & Colleen Riley
Cover it in Glaze and a Miracle or Two…
1 – 2 pm
Developing an interesting and functional glaze surface can be one of the most challenging aspects of creating pottery. Join APF artists Clarice Allgood and Colleen Riley as they demonstrate the considerations and techniques that they use to glaze with intention. Both artists develop a highly-decorated, layered, and engaging surface through the use of glaze as their primary decorating medium. If you find yourself frustrated with the glazing process, or just wanting to build appreciation for it, you will not want to miss this demonstration.
Images, this page, clockwise from top left: Wesley Brown, Teapot. Sang Joon Park, Plate. Adrienne Eliades, Plate.
Winter Open House
Save the Date!
Sunday, November 16, 12 - 4 pm
Member Preview Hour 11 am - 12 pm
Please join us for our annual Winter Open House on Sunday, November 16 from 12 - 4 pm. Share the joy and creativity of the season in a warm, welcoming atmosphere. Shop a wide range of beautiful ceramic artworks, enjoy an immersive experience with hands-on clay activities, and watch captivating artist demonstrations that will leave you inspired. We invite all members to the Preview Hour from 11 am - 12 pm and bring along a friend with whom they can share their member discount in the galleries. Free gift wrapping will be available for all purchases!
Please visit our website for more details as the event draws nearer.
JULY 27 July Featured Artists closes
August Featured Artists opens, 10 am
Applications open: Fall Education Access Scholarships
AUGUST
SEPTEMBER
OCTOBER
Be Still My Heart & Still Forming: 35 Years of Clay, Collection, and Change exhibition reception, 6 - 8 pm 12 AAH Workshop: Trinket Tray, 10 am - 12 pm
Late Autumn Featured Artists opens, 10 am
NOVEMBER 2 Be Still My Heart & Still Forming: 35 Years of Clay, Collection, and Change closes
DECEMBER
All event times are Central.
Be Still My Heart
On view September 20 - November 2
Curated by Pattie Chalmers
Main Gallery
Virtual 3D Tour on view September 29
Free public opening reception Friday, October 3 , 6 - 8 pm
There is a hierarchy of the genres of painting from the most lauded—Historical Paintings, to the lowest in stature—the still-life. This ranking of subject matter originated in the 16th century and remained dominant until the 19th century. The curator's early admiration for the meaning in objects and an inclination to cheer for the underdog cemented their emotional attachment to this genre of art.
The framing of objects to create expanded meaning has gained even more significance over the years of restricted travel during the covid pandemic; being separated from family and friends, but having objects as reminders of them, confirms the importance of things to act as conduits to memory and emotion.
Whatever the approach artists use to create works in this genre—from traditional oil painting and trompe l'oeil renderings to abstracted arrangements to photography—their compositions reflect the past; talk about class, culture, and identity; and present objects to allow for nuanced meanings, always allowing room for both ambiguity and clarity at once. There is a sense of longing in these works, a request to slow down, to be calm and wonder. Finding meaning in the stillness.
Participating artists include: Grant Benoit, Caro Burks, Guy Michael Davis, Christina Erives, Arthur Fields, Gustav Hamilton, Janice Jakielski, Kristen Morgin, Matt Nolen, Sharon Norwood, Erin Palmer, Katie Parker, Karl Raschke, Dennis Ritter, Amy Santoferraro, Josh Stover, Kari Woolsey, Tammie Rubin
Grant Benoit, Arrangement I. Photo Credit: Alex Vandermeyer.
Amy Santoferraro, born in Akron, Ohio, is the progeny of a carpenter and retailer. She received her M.F.A in Ceramic Art from The New York State College of Ceramics at Alfred University in 2012. Amy earned her BAE (Art Education) and her BFA (Ceramics) from The Ohio State University (Columbus). In 2004, Amy was awarded a McKnight Residency Grant for Ceramic Artists in a partnership through the McKnight Foundation and Northern Clay Center in Minneapolis, Minnesota. Amy was the 2018-2021 Joan and David Lincoln Visiting Professor at Scripps College and Claremont Graduate University and is currently the Lead Ceramics instructor at California State University (Los Angeles).
Arthur Fields earned a BFA in Digital Imaging and Photography at Washington University (St. Louis). His prior studies included printmaking and photography at Brookhaven College (Dallas). Arthur recently completed six years as Associate Professor Art at Vincennes University (IN) where he taught courses in analog photography, digital imaging and design. He also served as the director of VU’s Shircliff Gallery of Art. Arthur is currently Associate Professor of Art at Dallas College (TX) where he teaches courses in photography and design.
Caro Burks uses ceramics and mixedmedia sculpture to explore themes of sentimentality, storytelling, and
symbolism in decorative culture. Caro received her BFA from Virginia Commonwealth University (Richmond) in 2015, held a post-baccalaureate position at the University of Arkansas (Fayetteville) from 2015-2017, and received her MFA from Southern Illinois University (Carbondale) in the Spring of 2020. Burks has been awarded residencies at Penland School of Crafts, Anderson Ranch Arts Center and The New Harmony Clay Project. Caro has participated in solo, juried, and twoperson exhibitions nationally.
Christina Erives was born in Los Angeles, California. She received her BA and MA from California State University, Northridge and her MFA from Pennsylvania State University (University Park). She has worked as a Resident Artist at the Archie Bray Foundation in Helena Montana, Belger Craneyard Studios in Kansas City Missouri, Arquetopia in Puebla Mexico, and Rasquache in Puebla Mexico. She has also worked as a Visiting Artist Instructor at New Mexico State University (Las Cruces) and the University of Montana (Missoula). Erives is an emerging artist in the field of Ceramics. In 2017 she received an Emerging Artist Award from the National Council on Education for the Ceramic Arts.
Dennis Ritter received his BFA from Temple University’s Tyler School of Art (Philadelphia) and his MFA from The New York State College of Ceramics at Alfred University. His work has been shown in galleries and museums
Josh Stover, Pink Room.
at Alfred University. Solo exhibitions include; Duane Reed Gallery, MO, Cross MacKenzie Gallery, Washington DC, Eutectic Gallery, OR, Jane Hartsook Gallery, NY and the Canton Museum of Art, Ohio. Jakielski lives and works in Parker, Colorado.
Josh Stover is an artist and sign painter based in Richmond, Virginia. Josh Grew up in St. Petersburg, Florida and completed his BFA at the University of Florida (Gainesville) with an emphasis on ceramics. He draws a lot of inspiration from his home environment where he collects antique and vintage objects that often appear in his work.
Kari Woolsey’s ceramic work focuses on the everydayness of objects and vessels around us through making functional pottery, as well as larger installations. She received a BFA in Ceramics from Florida Atlantic University (Boca Raton) in 2011 and a MFA in Ceramics from Southern Illinois University (Carbondale) in 2018. Currently, Kari resides in Carbondale, IL. She teaches ceramics classes as an Assistant Professor of Practice at SIUC.
Karl Raschke is a Minneapolis-based artist who received an MFA from the University of Minnesota (Twin Cities) in 1999. He was awarded a McKnight Artist Fellowship in 2010. Raschke’s work has been exhibited at Minnesota Center for Photography, Tehran Museum of Contemporary Art, Minnesota Museum of American Art and many other venues.
Kristen Morgin is an American artist. Morgin’s practice incorporates ceramics, sculpture, painting, drawing, and
collage. Her unfired clay sculptures are well known. Morgin received a BA in art at California State University (Hayward) and an MFA in Ceramics from New York State College of Ceramics at Alfred University. Her work has been shown widely in the United States and abroad. Her work is in the permanent collections of The Hammer Museum, San Francisco Museum of Contemporary Art, The Smithsonian American Museum of Art, The Museum of Contemporary Art, Los Angeles, and The Los Angeles County Museum of Art.
Matt Nolen is a studio artist living and working in New York City and Narrowsburg, NY. Nolen’s work includes sculptural objects and architectural
installations using clay and mixed media. His work has been exhibited internationally and is in numerous private and public collections including: The Cooper-Hewitt Museum, The Museum of Arts and Design, The Newark Museum, The Houston Museum of Fine Art, The Los Angeles County Museum of Art, The de Young Museum, and The Everson Museum of Art.
Sharon Norwood is an interdisciplinary artist whose work spans ceramics, drawing, video, and installation. Rooted in conceptual research, her practice explores issues of race, gender, labor, and class, often using found objects and historical materials to spark critical dialogue. Born in Jamaica and raised in
Kari Woolsey, Plastic Basket.
EXHIBITIONS
Canada, Norwood holds an MFA from Florida State University (Tallahassee) and a BFA from the University of South Florida (Tampa). Her work has been exhibited nationally and internationally and is held in both public and private collections, including the Telfair Museums. She currently lives and works in Savannah, Georgia.
Tammie Rubin is a ceramic sculptor and installation artist. Rubin's work is a meticulous exploration of the inherent power of objects as signifiers, wishful contraptions, and mythic relics. Her unique approach weaves together familial and historical narratives of Black American citizenry, migration, coded symbols, and faith. She holds an MFA in Ceramics from the University of
Washington (Seattle) and a dual BFA in Ceramics and Art History from the University of Illinois, Urbana-Champaign.
Curator Bio:
Pattie Chalmers grew up and went to art school in Winnipeg, Canada. She received her BFA in printmaking from the University of Manitoba (Winnipeg), and her MFA in ceramics from the University of Minnesota (Twin Cities). Chalmers has exhibited in group exhibitions on five continents, in six countries and in thirty-four states and has had seven solo exhibitions in the past five years, most recently at Silverwood Park Gallery in St. Anthony, MN, and The Mudmaid Museum at the Sheldon Art Center in St. Louis, MO.
Related event: Discussion Panel
Join us for a discussion with Curator, Pattie Chalmers and artists Tammie Rubin, Matt Nolen, Kari Woolsey and Caro Burks.
Friday, October 3, 6 pm, FREE In person at NCC
Further programming for Be Still My Heart to be announced.
Images, this page, top left to right: Erin Palmer, Still Life with Doll. Gustav Hamilton, It’s About Time.
Still Forming: 35 Years of Clay, Collection, and Change
On view September 20 - November 2
Curated by Jasa McKenzie
Emily Galusha Gallery
Virtual 3D Tour on view September 29
Free public opening reception Friday, October 3, 6 - 8 pm
Thirty-five years ago, Northern Clay Center opened to the public. Since then, countless artists, students, and community members have crossed through its doors, communing amongst clay. NCC has steadily grown its archival collection since its early days, and its story of binary gender in collections is a familiar one, but not an unchanging one. Still Forming: 35 Years of Clay, Collection, and Change tells the story of the collection’s past, present, and future through ceramic objects and the artists who composed them. It’s a story of history’s collective patriarchy, the turn toward feminist collecting, and an achievable, equitable future.
Images, this page, top to bottom: Katharine Gotham, Teapot. David East, Ideal Bisection
ARTIST SERVICES
Musasama is the coordinator of the Apron Project, a sustainable entrepreneurial project for girls and young women reintegrated back into society after being forced into sex trafficking. In 2016, she was a guest speaker on “Activism through Art” at ROCA. An article by Cliff Hocker, “If I can Help Somebody: Sana Musasama’s Art of Healing” appears in the International Review of African American Art.
Musasama has received numerous grants and awards including ACLU of Michigan Art Prize 7 and Art Prize 8 in 2015 and 2016 respectively, an Anonymous Was a Woman Award in 2002, and in 2001, she was featured in the 2001 Florence Biennial.
Her work is in multiple collections such as The Mint Museum (Charlotte, NC), The Museum of Art and Design (New York) the Cooper Hewitt Smithsonian Design Museum (New York), the Hood Museum of Art (Hanover, NH), The Studio Museum (Harlem, NY), Schomburg Center for Research in Black Culture (Harlem, NY), Bluffton University (Bluffton, OH), and in numerous private collections. In 2015, the Museum of Art and Design in New York selected four works from The Unspeakable Series for their private collection. Musasama lives and works in New York.
About the Program
Since 1997, Northern Clay Center has been the steward of these awards that
are made possible by the generous contributions of the and The McKnight Foundation. These programs directly support mid-career ceramic artists in Minnesota through the McKnight Artist Fellowship program, and artists from around the world through McKnight Artist Residencies. This residency program provides recipients with three-months of focused studio time at NCC and offers the opportunity for symbiotic sharing of ideas, techniques, and materials science while facilitating
opportunities for critique and in-depth conversation between the visiting artist and our local community. The application portals for the McKnight Fellowship for Ceramic Artists and the McKnight Residency for Ceramic Artists will open in March 2026.
Images, left to right: Sana Musasama, House Series 6 (Returning to Ourselves), House Series 8 (Returning to Ourselves).
2025 Early Career Artist Award Recipients
Each year, artists from around the country apply for the Early Career Artist Awards at Northern Clay Center. These awards allow a group of emerging professionals to maintain the momentum they have developed through their formal and informal education and artistic experiences, while challenging themselves to continue developing their work so they are able to forge their way in the world as artists.
NCC is proud to support and highlight these five recipients as part of our mission to support artists at all stages of their careers.
EARLY CAREER ARTIST RESIDENCY AWARDS
ECAR Awards provide recipients with a furnished studio with 24/7-hour access for one year, a material and firing stipend, a group exhibition in January of 2027, employment and professional development opportunities, and features in NCC’s Sales Gallery. The BIPOC Studio Fellowship provides the awardee with additional networking opportunities in the field, help arranging mentorships, and financial support to help offset the cost of living. This year, the panel awarded the Anonymous Artist Studio Fellowships to both Marlena Goodman (Los Angeles, CA) and Kara Zuzu (Pittsburgh, PA) and the BIPOC Studio Fellowship to Sarah Alsaied (Helena, MT).
Sarah Alsaied
Sarah Alsaied is an artist from Kuwait currently based in the United States.
Sarah Alsaied, Theatre of the Absurd.
ARTIST SERVICES
Alsaied holds a Bachelor’s in Studio Arts with a ceramics emphasis from University of Southern Indiana (2018) and a Master of Fine Arts with a sculpture emphasis from Wichita State University (2022).
In 2021, Alsaied contributed in organizing, co-creating, and codesigning the Juneteenth Parade Float in Wichita, KS. As well as Reimagined Mascot Puppet for Homecoming Parade for Wichita State University. After graduation, Alsaied pursued and completed residencies including New Harmony Clay Project (2023), long-term residence at the Archie Bray Foundation (2023), and is currently moving to Minneapolis to start a long-term residence at Northern Clay Center as the 2025 BIPOC Fellow.
Alsaied's work is birthed at the intersection of living in-between East and West, and often explores themes of identity, power, and labor. Outside of the studio, Alsaied is a wanderer that enjoys cooking, sporty activities, spending time with her cats, and games.
Additional work by Alsaied can be found on Instagram at @saalsaied
Marlena Goodman
Marlena Goodman was born and raised in Los Angeles and received her BA in studio art with Honors from the University of California, Santa Barbara. Only after graduating, however, did she fall in love with clay for its delicate and expressive nature. Goodman’s work focuses on divulging the female figure
in an often discomforting, vulgar, and vulnerable fashion. Through unnerving exaggerations of the body to toy-like imagery and the utilization of real human hair and teeth, Goodman evokes disgust to challenge the pleasure associated with gazing upon the female form.
In pursuit of a wider range of mediums and new creative communities, Goodman recently left southern California behind to
explore different craft schools around the country. Goodman has studied ceramics, fiber arts, and metals at a variety of institutions such as Arrowmont School of Arts and Crafts, the John C. Campbell Folk School, Pocosin Arts School of Fine Craft, and Watershed Center for the Ceramic Arts. She is currently living and working at Watershed for the summer where she is experimenting with a new body of work, finding community, and
Marlena Goodman, Sara Beth.
ARTIST SERVICES
chosen for the emotional resonance they hold. Through clay, she explores transformation, inner landscapes, and the quiet power of symbolism. Her work invites viewers to pause, reflect, and connect with layered narratives that live just beneath the surface.
Additional work by Zuzu can be found on Instagram at @karazuzuart
POTTERY MUSEUM OF RED WING AWARD
This award is made possible by the Pottery Museum of Red Wing, and is presented by Northern Clay Center to a deserving individual pursuing a career in pottery, or studying the historical aspects of the pottery industry. The Museum endeavors to broaden the appreciation of pottery, past and present, for the general public and maintains the Pottery Museum of Red Wing (@potterymuseumrw) in Red Wing, Minnesota. Work samples by past recipients can be found on display within the collection of the museum which has no admission fee.
Anastasia Speer
Anastasia’s first foray into clay began as somewhat of an accident in 2009. When registering for her first year of high school classes, she was placed into Ceramics to fill her art credit. This unexpectedly sparked a lifelong interest into creating with clay, and chasing after the perfect expression of art and function.
She went on to pursue her BFA in
Ceramics from the University of South Dakota, where she connected deeply with her craft at every part of the process. It was there that she had her first experience with atmospheric firings and fell in love with the ability to be even further connected with her craft. After graduating from USD in 2016, she went on to receive her M. Ed
in Art Education from the University of Minnesota in 2018, and knew that she wanted to create a career for herself in pottery.
Anastasia creates functional pottery that sparks visual, tactile, and emotional connection. She believes that there is something special about the relationship
Anastasia Speet, Not Without Rain.
ARTIST SERVICES
between people and pottery, and that the intimate moments of morning coffee, family dinners, or special occasions are where those connections can truly shine.
Additional work by Speer can be found on Instagram at @sprout.ceramics
WARREN MACKENZIE ADVANCEMENT AWARD
Launched in 2014, the Warren MacKenzie Advancement Award honors the educational legacy of Warren MacKenzie. Recipients of the award can research new techniques or processes, study with a mentor or in an apprentice program, visit other ceramic art centers or institutions for classes and workshops, collaborate with artists or other media, or travel. The grant period is 12 consecutive months, from June 2025 to May 2026. Through this year’s selection process, one recipient was selected to have their proposal funded.
Jordan Winiski
Jordan Winiski is a third-year Master of Fine Arts student in Ceramics at the University of Georgia. Jordan is from Greenville, SC where she taught at local art centers and graduated from Furman University, studying Studio Art and Sustainability Science.
Jordan uses clay to discover and reflect on the complexity of identity and memories we hold. She encourages a quiet, intimate exploration within the layers of the work, which mirrors how we as humans should reflect within ourselves as well as on the ways we connect to nature around us. Winiski is interested in the ability of art and nature to inspire contemplation and curiosity, if
we take the time to look closely. Jordan is passionate about teaching and the importance of spending time outside. She loves sketching and photographing in nature to generate images and inspiration for her ceramic work. Jordan has completed residencies in Georgia and Massachusetts, has worked as a studio assistant for a local potter in Athens, GA, and is currently the Instructor of Record for Introduction to Ceramics at UGA.
Additional work by Winiski can be found on Instagram at @jordanwiniskiart
Congratulations to all of this year’s award recipients!
The 2025 jury panel for the Early Career Artist Residencies and the Warren MacKenzie Advancement Award were Larry Buller, Didem Mert, and Al Holen.
Please watch our website and our winter newsletter for future application deadlines. If you would like to host a presentation on our grant programs at your school or institution, or if you have individual questions about the programs, please contact nccinfo@ northernclaycenter.org.
Jordan Winiski, Strawberry Sherbet Flower Landscape.
Early Autumn Featured Artists
Jennifer Fujimoto, Lee Love, Masa Sasaki, Will Swanson
September 9 - October 11
Sales Gallery & Online
Jennifer Fujimoto
"I grew up in Oregon and spent holidays with family in Hawaii, where I was born. After earning a BFA in graphic design, I began a 20+ year career working in small creative agencies and tech companies. In 2017, I stepped away from the computer to pursue my dream of becoming an independent artist.
I work out of my home studio, creating whimsical ceramic art and functional decor inspired by Japanese folk art. My art conveys themes rooted in my mixedrace heritage and the universal desire for connection with others. It features
delightfully expressive faces and simple line art with bold splashes of color and references traditional Japanese and European motifs."
Lee Love
“I make and use handmade functional pottery as an antidote to the modern tendency toward the use of things made by machine, things made without heart or beauty, for the mere goal of profit. What makes human beings unique? Not our ability to make things—insects can do this; nor our ability to reason—in the near future, machines will be able to do this. What makes human beings unique
is our ability to recognize and cherish beauty. My goal is to make things for everyday use that allow users to s-l-o-w d-o-w-n, take a breath, and observe the natural beauty that surrounds them.”
Masa Sasaki
Masa Sasaki, is a classically-trained artist, with multi-faceted interests. He is an accomplished pianist, award-winning painter, and uniquely stylistic potter. Since moving from his native Japan in the late 1980s, he has impressed teachers, patrons, and his fellow artists with his unique sense of precision and artistic vision.
Jennifer Fujimoto, Container.
Masa Sasaki, Teapot.
“We live in the world where we are surrounded by machine-made and mass-produced goods today. I feel, as a contemporary craftsman, the need to validate the value of handmade items by making things that could not be easily duplicated and unique to my own artistic perspective. For me it is not enough that a final piece be essentially functional and pleasant, it must also be lasting in its desirability for use. Long after I have ceased to be productive the pieces that I accomplish today should still be enjoyed, appreciated, and used. This is the elusive quality that brings value to functional art, the lasting character that transcends the artist and outlives him. Whether in my paintings, musical composition, sculpture or pottery I desire most of all that the usefulness and aesthetic appeal be both easily perceived, and lasting."
Will Swanson
Will Swanson uses stoneware and porcelain clays to create dinnerware, baking and serving dishes, vases, and other useful pots for the kitchen and table. His pots are individually wheel-thrown, and often are altered or assembled from wheel-thrown parts. In all his work, Swanson wants to make pots that attain a satisfying simplicity while allowing the character of the earth materials and the hand-making process to be evident. Swanson shares his studio with his wife Janel Jacobson and together they welcome potters and visitors to the annual St. Croix Valley Pottery Tour.
Lee Love, Cup.
Will Swanson, Plate.
Late Autumn Featured Artists
Nathan Bray, Joshua Hebbert, Monica Rudquist, Sandra Daulton Shaughnessy
Jewelry Spotlight: Earrings
October 14 - November 9
Sales Gallery & Online
Nathan Bray
Nathan Bray received his BFA in ceramics from Bemidji State University in 2009. He has taught in multiple facilities, including the Carbondale Clay Center and Bemidji State University. Bray says that, to him, teaching means to drive process in his personal practice. He finds inspiration for his work in the plasticity of clay and in his passion for electricity, flowers, music, graphic art, and pop art. He uses a variety of colored slips and glazes to activate the surfaces of his terracotta pottery. Bray describes his method of making as stream of consciousness, driven by the continuous flow of new techniques and ideas.
Joshua Hebbert
Originally from rural western Nebraska, Joshua Hebbert now lives in Bornholm, Denmark, where he is the ceramic technician for the Royal Danish Academy. He received his BFA at Creighton University in Omaha, Nebraska and his MFA from the University of Colorado-Boulder. Before relocating to Denmark, he spent six years in Philadelphia, where he was a resident at The Clay Studio and taught at a variety of institutions, including the Maryland Institute College of Art. Hebbert’s ceramic practice is centered on experimentation and mold making as a generative process to create slip cast vessels with organically mottled colors. His process includes using plaster molds to capture prototypes, then layering colored slips to reflect and play with different moments of interior
and exterior space. After taking slip cast pots out of their molds, Hebbert carves off the outer layer, unearthing unpredictable shapes and patterns. He poetically likens this process to constellations becoming visible in the night sky—shapes shift and evolve and transform.
Monica Rudquist
Monica Rudquist fell in love with clay and the wheel at age twelve. She counts herself lucky to have had many mentors along the way including Ron Gallas, Jun Kaneko, Gail Kristensen, Mike Norman, and Judy Onofrio. Rudquist received her MFA from Cranbrook Academy of
Monica Rudquist, Vase.
Art (Bloomfield Hills, MI) and her BA at Macalester College (St. Paul, MN).
She has been a part of NCC since its beginnings and is currently co-president of Minnesota Women's Ceramic Artists (MMWCA). She teaches at St. Catherine University (St. Paul, MN).
Her porcelain pieces explore the space between function and sculpture. Rudquist’s work has been included in group and solo exhibitions throughout the country—notably, including a 40foot wall installation made from over 1,000 pieces of wheel-thrown porcelain at the headquarters of LifeSource (Minneapolis, MN).
Sandra Daulton Shaughnessy
“I describe my clay work as ‘ceremoniously functional,’ meaning there is an element of ritual involved while using my handmade pottery. Many of my pieces have an altered quality that expresses the softness of the clay and the atmospheric soda firing process. The imagery I use is a combination of tape or wax resist & glaze. Techniques inspired by both the rural landscape of northern Minnesota and the cityscapes of Minneapolis, both locations where I live and work with clay!
I studied ceramics at the University of Northern Iowa (Cedar Falls), University of New Mexico (Albuquerque), and received a MFA in ceramics from Eastern Michigan University (Ypsilanti)
in 1985. Currently, I am a full-time potter at Clayhouse Pottery, in Ottertail, Minnesota, firing high temperature stoneware, gas/soda and electric kilns. My studio practice is an integral part of
my life generating rhythm, expression, mindfulness and a never-ending desire to create!”
Images, this page, clockwise from top: Sandra Daulton Shaughnessy, Colander. Nathan Bray, Mug. Joshua Hebbert, Cup.
OUTREACH
ClayToGo Spotlight: MSS
During the spring of 2025, Northern Clay Center’s outreach program, ART@HAND, partnered with MSS —previously Midwest Special Services— for a program with all seven of their locations across the metro area. Led by two of our talented teaching artists, Susan Obermeyer and Elizabeth Coleman, this program ran from March to June and reached over 70 individuals.
MSS is a non-profit that supports adults with disabilities through community
engagement, skill building, employment services and creative arts experiences, which is where NCC came into play. MSS already has a heavy emphasis on arts learning—and bringing our AAH program to them added to an already wellrounded arts program.
Each MSS location met for a total of 4 times, working on a unique project every time from trivets and bowls to bird nests and more. Two of the locations closest to NCC, Minneapolis and St. Paul, came to our center for the classes, arriving with big smiles on their faces each morning. Our teachers noticed the participants encouraging each other and complementing one another on their work. Participants also applied skills from other arts mediums to their work, like painting, and talked about how their design and color skills apply to the painting of the sculpture they made.
Both teachers and students gained something from these classes —whether it was the development of a new skill or a sense of awe and inspiration witnessing students trying something new and somethings difficult. Teaching artist Susan shared a memorable experience working with Tom, a middle-aged man who opened up about his past. He told her how, due to his disability, he had been denied the opportunity to attend high school in his small town, and that he had been teased and bullied by other
children. Tom expressed his gratitude to Susan for bringing clay into the classroom and helping him create his project. MSS and NCC —as well as many other community organizations— are helping to further the accessibility of arts programming across the cities. As stated from a program director at MSS, “I think what I've gained is further acknowledgement that Northern Clay Center is open to working with the disability community, and making strides to connect artists of various abilities and experiences to this medium.”
If you have a school or organization that is interested in working with clay as a part of a residency or after-school program, please contact the Community Engagement Manager at juliarodman@ northernclaycenter.org or 612.339.8007 x313. Thank you for your interest in programming with us!
MSS participant carving the outline of bird.
vases, and more using the pottery wheel as a tool. You will learn surface treatments like glazing, staining, and slipping, and be introduced to firing procedures. These classes are designed for those with previous wheel-throwing experience, who have taken some beginner classes (or equivalent), and who feel comfortable navigating basic forms on the wheel.
Serving Ware From Art History
Explore a wealth of beautiful and intriguing serving dishes that have been made throughout the centuries and try your hand at throwing your own. Each class will look at unique object from the long history of ceramic art and then explore how to recreate that object. Platters, serving bowls, pitches and other serving ware will be explored.
AW1: Mondays, 6:30 - 9:30 pm
Instructor: Erin Holt
September 15 - December 1
Fee: $460 + $120 lab fee (5% member discount)
Musical Mud
Let’s make some noise! Using all you know from making functional ware or sculpture, from throwing or hand building, explore adding another layer of sensory delight: sound. This class will explore the long history of using mud to express ourselves with sound by crafting a variety of instruments. In addition, we’ll play with this ancient technology of clay-based noisemakers by incorporating them into pots for everyday use. Join this class for learning and sharing the crafts of rattles, wind and membranes.
AW2: Tuesdays, 6:30 - 9:30 pm
Instructor: Clarice Allgood
September 16 - December 2
Fee: $460 + $120 lab fee (5% member discount)
Pottery Bootcamp
Elevate your throwing skills by learning to tackle new advanced pottery forms while learning to work with more clay on the wheel! Whether you're still refining your skills or are an advanced potter aiming to refine your technique, this class offers personalized instruction and hands-on practice to help you achieve your ceramic goals.
AW3: Wednesdays, 2 - 5 pm
Instructor: Kevin Caufield
September 17 - December 3
Fee: $460 + $120 lab fee (5% member discount)
Dinner Party
Ready to throw a dinner party using your very own handmade ceramic dishes? Then this is the class for you! Elevate your wheel throwing skills to the next level and learn the craft of consistency. You'll learn how to make multiple sets of work, whether that be cups, plates, bowls and beyond. Plus, discover new design techniques and surface methods to enhance your work. Find your unique style to impress your guests, and yourself!
AW4: Wednesdays, 6:30 - 9:30 pm
Instructor: Alysha Hill
September 17 - December 3
Fee: $460 + $120 lab fee (5% member discount)
Guided Study in Wheel Throwing
Are you looking for a more individualized approach to your ceramic
EDUCATION
instruction? Artists and makers with some experience are invited to join this guided study to sharpen their throwing skills and techniques, expand their repertoire of forms, and advance their craft.
AW5: Thursdays, 2 - 5 pm
Instructor: Leila Denecke
September 18 - December 4 (no class on 11/27)
Fee: $422 + $120 lab fee (5% member discount)
INTERMEDIATE-TO-ADVANCED HANDBUILDING
Take a break from crouching over the potter’s wheel and come over to Studio C for some handbuilding! Learn new techniques in coiling, pinching, and slab-building during these full and halfterm classes. Delve into concepts that
A student removing their pot from the wheel.
EDUCATION
offer new perspectives and ways to reimagine working with clay. Bring your favorite tools and challenging ideas to the first class.
Intermediate Handbuilding
Have you taken beginner handbuilding a couple of times but aren’t ready to move on to more advanced topics? Intermediate Handbuilding is the class for you! Demonstrations will focus on all the things we don’t have time for in the half term class: slip and glaze application techniques, leatherhard slabbuilding, how to use the extruder and more. Topics covered based on student interest include: scaling up sculpture or vessels, internal and external armatures, bisque-mold making, and making multiple-part sculptures or vessels. Students may bring project ideas and the instructor will have a couple of intermediate level project prompts for those needing more direction.
AH1: Tuesdays, 6:30 - 9:30 pm
Instructor: Elizabeth Coleman
September 16 - December 2
Fee: $460 + $120 lab fee (5% member discount)
Building Bigger
Join Erin Paradis for twelve weeks of in-depth learning of how to build bigger in clay. Create the sizable works–functional or sculptural–that you’ve always imagined! You will learn how to build modularly, use slab strips, and various ways to support your structures. You will also discuss glaze and surface treatments and create test tiles to experiment with these possibilities. Expect class and individually-guided demonstrations,
one-on-one discussions, and group critiques, as well as helpful resources and suggestions from the instructor to push your concepts and skills to a new level.
AH2: Thursdays, 9:30 am - 12:30 pm
Instructor: Erin Paradis
September 18 - December 4
Fee: $460 + $120 lab fee (5% member discount)
Guided Study in Handbuilding
Expand your handbuilding fundamentals to explore figural, architectural, animal, decorative, and functional applications of clay. Work with low- or high-temperature clays as you accept technical challenges and achieve your sculptural vision with guidance from the instructor. Investigate critical thinking as it pertains to the evolution of your work. Bring your favorite tools and have some challenging ideas ready for the first class.
AH3: Fridays, 10 am - 1 pm
Instructor: Franny Hyde
September 19 - December 5
Fee: $460 + $120 lab fee (5% member discount)
A Dab of Glaze Chemistry
Are you curious about how glazes work and why they sometimes don’t? Here is your chance to get some information about the “how’s” and “why’s” of glaze making. We will learn through short lectures and hands on experimentation. Students will have a chance to learn some of the basics of glaze formulation and will be able to access the materials room during class hours to try their hand at making their own colored glazes. When not working
on glaze making, students will make individualized projects with guidance from the teacher.
AH4: Fridays, 2 - 5 pm
Instructor: Marion Angelica
September 19 - December 5
Fee: $460 + $135 lab fee (5% member discount)
SPECIAL TOPICS CLASSES
Introduction to Soda Firing
Want to try soda firing, but the full-term class keeps selling out or seems too daunting? This class will be an in-depth introduction to the soda firing process— making pots, loading and firing the kiln, and unloading! One soda kiln will be fired during the shortened session. The first few classes will be a balance of in-class explanations of the soda firing process, and demonstrations showing how to craft pottery that will thrive in the soda firing
process. The final class(es) will cover glazing and preparing pieces for firing and loading the soda kiln. After the firing process is complete, participants will be expected to attend an unloading/cleanup session outside of normal class time to receive their finished pieces.
T1: Mondays, 6:30 - 9:30 pm
Instructor: Chris Singewald
September 15 - October 20
Fee: $230 + $165 (5% member discount)
T2: Mondays, 6:30 - 9:30 pm
Instructor: Chris Singewald
October 27 - December 1
Fee: $230 + $165 (5% member discount)
Spanish Immersion in Intermediate to Advanced Wheel Throwing
According to science, multilingual speakers think differently. Now is the perfect time to shift your approach and see how different your ceramics develop when taking a class in Spanish! If you know a little or a lot of Spanish, have some ceramics experience, and want to get better at both, join us for this experimental 12-week class. This class is focused on intermediate and advanced levels of experience with the potter’s wheel. All students are welcome in this exciting new offering.
T3: Tuesdays, 6:30 - 9:30 pm
Instructor: Paola Evangelista
September 16 - December 2
Fee: $460 + $120 lab fee (5% member discount)
Introduction to Ceramic
Jewelry Making
Learn the basics of ceramic jewelry! Teaching artist Alysha Hill, will teach you how to design, shape, decorate, glaze, polish, and create your own handmade
jewelry. Recommended for any skill level.
T4: Thursdays, 6:30 - 9:30 pm
Instructor: Alysha Hill
September 18 - October 23
Fee: $230 + $100 lab fee (5% member discount)
SPECIAL TOPICS WORKSHOPS
NCC will provide all materials and tools for these workshops unless otherwise noted.
Out of the Ashes: Raku 101
Head out to an innovative new space in New Richmond, Wisconsin—Potter’s Without Kilns—for a two-day, handson Raku firing with Mark Lusardi. Bring decorative pieces to life with flashy colors and lively crackles when you move them from the red-hot kiln to the combustion chamber where the Raku magic begins. Students should bring six to eight pieces—made of Raku clay, bisque fired, and no larger than a cantaloupe—to glaze before heading to the kiln. Pieces made with even thickness and strong attachments will handle the shocking transformation best.
Note: Students will not have access to NCC’s open studio time unless they are enrolled in a 12-week fall class at NCC.
T5: Saturday & Sunday, October 4 - 5 10 am - 4 pm
Instructor: Mark Lusardi
Location: Hosted on-site at Potters Without Kilns in New Richmond, WI Fee: $280 (5% member discount)
The Hot Seat: Electric Kiln Firing 101 So, you’ve read your kiln manual but still have questions about firing? We’ve
got answers! In this one-day workshop, you will learn the basics of firing and maintaining your own electric kiln. Covering basic information about firing speeds, kiln requirements, and firing temperatures, this class will have you walking away more confident in your ability to be in control of your kiln.
The workshop is led by teaching artists who fire multiple kilns each month. This workshop does not authorize NCC students to fire our kilns independently, but is helpful for art educators and anyone aspiring to become an NCC studio artist. Basic clay knowledge is preferred.
T6: Saturday, October 18, 10 am - 1 pm
Instructor: NCC Teaching Artist Fee: $55 (5% member discount)
Kiln Repair 101
Do you have an old kiln sitting in your garage that doesn't reach temperature and you just don't know what to do with it? This is the workshop for you! Head out to Mark Lusardi's Potter's Without Kilns in New Richmond,
An ART@HAND participant decorates a piece of pottery,
EDUCATION
Wisconsin, for this two-day electric kiln repair workshop. On day one you will be guided through the process of diagnosing a kiln, and on day two you will gain technical skills as you learn how to replace elements, relays, and more! By the end of this twoday workshop, you will have helped transform a kiln back into a tool that is ready to fire work.
T7: Saturday, November 8 10 am - 5 pm
Instructor: Mark Lusardi
Location: Hosted on-site at Potters Without Kilns in New Richmond, WI
Fee: $90 (5% member discount)
PROJECT WORKSHOPS
No previous experience required! NCC will provide all materials and tools for these workshops unless otherwise noted.
Crafternoon & Crafterdark Pottery Workshops
Bring your friends and make a few new ones as you learn the secrets of throwing pottery on the wheel. This three-hour workshop is a fun and messy introduction to clay. The $55 fee includes instruction and materials for one adult. Students can expect to make three to five pots and decorate them using colorful slips and textures. Your pots will be ready to pick up in about two weeks.
X1: Saturday, September 27, 1 – 4 pm
X2: Saturday, September 27, 5 – 8 pm
X3: Saturday, October 11, 1 – 4 pm
X4: Saturday, October 11, 5 – 8 pm
X5: Saturday, November 8, 1 – 4 pm
X6: Saturday, November 8, 5 – 8 pm
Instructor: NCC Teaching Artist
Fee: $55 (per person, per session)
Clay for Couples Pottery Workshops
Looking for a unique date activity that is sure to impress your partner? Try NCC's original Clay for Couples. Sign up with your significant other, BFF, or family member and learn the secrets of throwing pottery on the wheel in a fun and relaxed environment. Already attended a session? Sign up again and take your skills to the next level. The $110 fee includes instruction, materials, and firings for two adults. Completed pieces will be ready to pick up about two weeks after the workshop date.
X7: Friday, September 26, 6 – 9 pm
X8: Friday, October 11, 6 – 9 pm
X9: Friday, October 17, 6 – 9 pm
X10: Friday, November 14, 6 – 9 pm
Instructor: NCC Teaching Artist
Fee: $110 (per couple, per session)
CLASSES & WORKSHOPS FOR FAMILIES
For all family classes, children must be accompanied by an adult. Neither children nor adults will have access to open studio time during the quarter. Weekend workshops are open to all skill levels, ages 6 and up for handbuilding workshops and 9 and up for wheel-throwing; there are no exceptions to stated age requirements.
Fall Texture Cups Workshop
Celebrate the beauty of fall with a set of nature impressions cups. Use leaves, pinecones, acorn caps, or sticks to create texture in the clay before shaping it into a cylinder. Learn basic construction and decorating techniques. Then paint your projects with colored slips. Ages 6+; all skill levels welcome.
F1: Saturday, September 27, 10 am – 1 pm
F2: Saturday, September 27, 2 – 5 pm
Instructor: Eileen Cohen
Fee: $65 for two people, one adult and one child. $30 for each additional participant. Please contact education@ northernclaycenter.org to register additional participants
Wall Shelf of Wonders Workshop
Create your own wall shelf to display your rock collection, shells, or tiny treasures. We'll use paper templates and stiff slabs to construct a unique display for one or many items. Add compartments and embellishment to personalize your shelf. Decorate your creations with colored slips. Ages 6+; all skill levels welcome.
F3: Saturday, October 25, 10 am – 1 pm
F4: Saturday, October 25, 2 – 5 pm
Instructor: Eileen Cohen
Fee: $65 for two people, one adult and one child. $30 for each additional participant. Please contact education@ northernclaycenter.org to register additional participants
Family Wheel Throwing Workshop
Learn to use the potter's wheel and explore the basics of wheel throwing as you center clay and shape it into cylinders and bowls. At the end of class, decorate your creations with colored slips. Ages 9+; all skill levels welcome.
Instructor: Eileen Cohen
F5: Saturday, December 6, 10 am – 1 pm
F6: Saturday, December 6, 2 – 5 pm
Fee: $65 for two people, one adult and one child. $30 for each additional participant. Please contact education@ northernclaycenter.org to register additional participants
EDUCATION
CLAY FOR YOUTH
Pottery Punch Card for Teens
Our Pottery Punch Card for Teens program is currently at capacity. If you would like to be added to the waitlist, please reach out to education@ northernclaycenter.org and request to be added to the waitlist. When a spot opens, we will reach out and extend the opportunity to register.
Teens may purchase eight, 2-hour classes, to be used on any Saturday, 10 am - 12 pm. Classes will cover the fundamental techniques of throwing basic forms on the potter's wheel and creating surface decoration using glazes, slips, and applied elements, with varied demonstrations and projects for advanced students. Create a series of functional pots with high-temperature clay bodies. Previous experience is not required. Students may attend on a drop-in basis and the complexity of projects will depend on multiple consecutive classes. Great for students and families with busy schedules. Wear clothes that you don't mind getting dirty; NCC will provide the tools and the clay. Students do not have access to open studio time. For ages 13 to 17 only.
Y1: Saturdays, 10 am - 12 pm
Instructor: Erin Holt
Ongoing
Fee: $285 (5% member discount)
Four additional sessions: $145 (5% member discount)
PLEASE NOTE: Students must sign up for sessions in advance for sessions on our online sign-up form. Sessions expire six months after the date of purchase.
ART@HAND CLAY FOR OLDER ADULTS
ART@HAND is NCC’s series of accessible programs for enjoyment of the ceramic arts. Intended for individuals 55 years and older (and their families!), ART@HAND offers lectures, tours, workshops, and hands-on activities.
Trinket Tray
Design your own trinket tray to collect keys, loose coins, jewelry and more. Be inspired by geometric shapes, plants, birds, cat faces, or your own imagination. Once you cut out your design, we will pinch the walls to hold your favorite treasures. Decorate your project with colored slips. All skill levels are welcome.
25AAH7: Sunday, October 12
10 am - 12 pm
Instructor: Eileen Cohen Free