WINTER
EXHIBITIONS | EVENTS | EDUCATION | ARTIST SERVICES
Winter Exhibition
November 16, 2025 – January 4, 2026
Main Gallery
Pottery & Prosecco, Saturday, November 15, 6 - 8 pm
Annual ART@HAND Winter Open House, Sunday, November 16, 12 - 3 pm
Works go LIVE online on November 16 at 12 pm CT
Winter is the perfect season to share the joy of handmade ceramics with those you love! Our exhibition will feature over 1,000 new pots, sculptures, and pieces of jewelry just in time for gift-giving. Shop local artists as well as creators from across the country that represent a diverse range of cultures, backgrounds, and perspectives. Come enjoy our space and discover pieces that speak to you. When you shop local and support our nonprofit, your purchase makes a meaningful impact by sustaining artists and helping our programs thrive.
We’re here to make your holiday shopping a breeze. Let us help you pick out the perfect present, gift wrap it for you, and bring it right out to your car!
Winter Guest Artists
We are excited to welcome special Winter Exhibition guest artists:
Milo Berezin, Birdie Boone, Marie Brown, Wesley Brown, The Brush Company, Marissa Childers, Mike Cinelli, Nancy Diaz-Metz, Adrienne Eliades, Maddie Fowler, Yoshi Fujii, Delvin M. Goode, Ariana Heinzman, Stephen Heywood, Noelle Hoover, Bri Larson, Nikki Lau, Heesoo Lee, Courtney Martin, Rachelle Miller, Kristy Moreno, John Morse, Sang Joon Park, Josh Scott, Mark Shapiro, Sam Taylor, Justin Trapp, Lars Voltz, Kate Waltman, and Brian Westrick.
Images, clockwise from top: Noelle Hoover, Jar, Container, Mug. Bri Larson, Mug. Brian Westrick, Container.
Images, clockwise starting from top left: Marie Brown, Bowl. Rachelle Miller, Mug. The Brush Company, Orange Brushes. Nikki Lau, Croissant Ornament. Nancy Diaz-Metz, Platters. John Morse, Container. Justin Trapp, Mug.
Winter Exhibition Related Events
Pottery & Prosecco, Saturday, November 15, 6 - 8 pm
Annual ART@HAND Winter Open House, Sunday, November 16, 12 - 3 pm
Pottery & Prosecco
First Pick Shopping Experience
Saturday, November 15, 6 - 8 PM
Celebrate the season in style at Northern Clay Center’s Pottery & Prosecco! This exclusive preview celebration and shopping party gives you the first pick of items in our Winter Exhibition—shop early for one-of-a-kind, handmade gifts before the holiday rush. Complimentary gift wrapping will be provided. Enjoy prosecco and other beverages, along with tasty bites in a warm, festive atmosphere; purchase a new cup and your first pour is on us!
Your ticket ensures more than a joyful night out—it also supports NCC’s
community outreach programs, which bring the power of clay to seniors in memory care, students in underresourced schools, and neighbors across Minnesota.
Tickets $50 - available at NCCshop.org
Annual ART@HAND
Winter Open House
Sunday, November 16, 12 - 3 pm Free, open to everyone!
Shop for Gifts
Browse pots, sculptures, ceramic jewelry, and handmade clay studio tools from more than 85 artists. Enjoy complimentary gift wrapping during the open house, and remember—we ship!
Create with Clay
Join us in the studio for a FREE handson activity during this year’s Open House! Come make your own wintery snowflake—a perfect handmade gift or keepsake. All projects will be kilnfired and ready for pickup by Monday, December 1st. No experience needed— just drop in and create!
Be
Inspired
Watch skilled artists at the potter’s wheel as they transform clay into beautiful forms right before your eyes. Stop by to see the magic of clay in action!
Images, this page, left to right: Olivia Tani, Goblet. Customers shop the Winter Exhibition during the Winter Open House.
Winter Mugs 2025
This year’s special-edition winter mugs were created by Alex Chinn and Katie Teesdale and are priced at $29 each. Chinn is a Northern Clay Center studio artist and educator whose studio practice brings beauty to home and garden, from bakeware to custom house numbers. Teesdale is a Minnesota ceramic artist and educator who creates functional, mindful pieces inspired by nature and home life.
Each mug includes the artist’s biography and their favorite mug-worthy recipe! It’s the perfect gift for corporate clients, friends, teachers, family, or your very own mug collection.
Images, this page, clockwise starting from top left: Winter Open House guests work on a free hands-on clay activity. Sales Gallery Artist, Chris Singewald, demonstrates throwing on the wheel. Winter Mugs, Kate Teesdale (left), Alex Chinn (right), $29.
Early Career Artist Grant Recipients
January 17 - February 22, 2026
Main Gallery
Artist talks: Friday, January 16, 4 pm
Opening reception: Friday, January 16, 6 - 8 pm
Virtual Tour available January 22
Join us in celebrating the achievements of our 2024 - 25 Early Career Artist Grant Recipients. Northern Clay Center administers several grant programs designed to support artists in the early stages of their careers through residencies, grants, and education. This exhibition features the work of Jessica Hernandez, Hannah Kautto, and Anastasia Speer.
Early Career Artist Residencies
Northern Clay Center’s Early Career Artist Residency programs—the Anonymous Artist Studio Fellowship, the BIPOC Studio Fellowship, and the Fogelberg Studio Fellowship—are designed to provide emerging ceramic artists an opportunity to be in residence for one year at NCC. Between September 1, 2024 and August 31, 2025 the residents had the opportunity to develop their work while exchanging ideas and knowledge with a dynamic network of ceramic artists. Among national clay art centers, NCC offers an urban experience within a diverse and supportive community.
Anonymous Artist Studio Fellowship
The Anonymous Artist Studio Fellowship was awarded to two early career ceramic artists working in a functional, sculptural, relational, or installationbased manner. Fellows shared a furnished studio space with 24/7 access to NCC’s facilities.
Jessica Hernandez is a ceramic artist working in Buffalo, NY. Born in California, Hernandez uses her passion for aquatic life to give a voice to the plight of these animals in the ever-changing political
and environmental landscape. Her biomorphic sculptures are inspired by recurring dreams, literature, and the vast beauty of the ocean. Using the visual language of coral, crustaceans, mollusks, and other sea life, Hernandez conceives forms of life that may exist only within a human-constructed record. She uses wheel throwing, handbuilding, and press mold techniques to form representations
of complex organisms. She graduated from Colorado Mesa University (Grand Junction) in 2021 with a BFA in studio art and a focus on ceramics.
Hannah Kautto was born and raised in Rochester, MN. Kautto’s work navigates the dialogue between objects and the power they have for interpretation through exploration of the utility of
Jess Hernandez, Elysia, Crispata, Anthozoa.
objects and questioning their purpose. She received an Associate of Fine Arts degree from Rochester Community and Technical College (MN) in 2015. After graduation, she moved to Minneapolis, where she spent two years working in a ceramic production studio and in 2018, moved to Missoula, MT. Kautto was a summer resident at the Clay Studio of Missoula in 2023 and in 2024, was
awarded a BFA in ceramics from the University of Montana (Missoula).
Pottery Museum of Red Wing Award
The Pottery Museum of Red Wing Award is presented to one maker in the local ceramics community as selected through a nominative process. Supporting their development and highlighting their achievements, this
award aims to elevate the recognition of each recipient within the ceramics community.
The Pottery Museum of Red Wing Award is made possible by the Red Wing Collectors Society Foundation, and is presented by Northern Clay Center to a deserving individual pursuing a career in pottery, studying
Hannah Kautto, Yes/No.
EXHIBITIONS
or researching the historical aspects of the pottery industry. The Foundation endeavors to broaden appreciation of pottery—past and present—for the general public and maintains the Red Wing Pottery Museum in Red Wing, Minnesota. Northern Clay Center has awarded this grant on behalf of the Foundation since 2004.
Anastasia Speer was raised in the Twin Cities by a family of art appreciators. Her journey in clay began in high school, where she took every ceramics class offered, and went on to earn her BFA from the University of South Dakota (Vermillion) where her interests in glaze chemistry and atmospheric firing practices flourished. After graduating with her M.Ed from the University of Minnesota (Minneapolis), she worked as a production potter before pursuing her own career in ceramic arts. Anastasia specializes in functional pottery that sparks visual, tactile, and emotional connection. Her use of familiar motifs alongside interesting textures helps to create a more immersive experience for those who interact with her work. Her work has been featured in galleries across the US, and she strives to continue a studio practice in which she can share her passion for clay with others.
Related Event
Early Career Artist Grant Recipient Presentations
Join us for presentations by these 3 emerging artists.
Friday, January 16, 4 – 6 pm CT Free, NCC Library
Anastasia Speer, Night Vase.
Shadow Piece(s): Chance-Based Responses in Clay
January 17 - February 22, 2026
Emily Galusha Gallery
Opening Reception: Friday, January 16th, 6 - 8 pm
Virtual Tour available January 22
In Shadow Piece(s): Chance-Based Responses in Clay, seven ceramic artists—Maggie Adams, Alexis C. Brunkow, E.C. Comstock, Tomo Ingalls, Vanessa Romo, Jennifer Schumacher Waller, and Kurt Tomerlin—respond to a single set of written instructions: Shadow Piece (1963) by Japanese Fluxus artist Meiko Shiomi. Originally conceived as a poetic performance score, Shadow Piece invites a meditation on the presence and movement of shadow in space and time. In this exhibition, clay becomes the medium through which each artist interprets and performs the score, translating ephemeral action into material form.
Curated by Olive Comstock and E.C. Comstock, this exhibition draws inspiration from Fluxus, the 1960s–70s avant-garde network of artists across Japan, Europe, and the United States who challenged the boundaries between art and life. Like the Event Scores that defined much of Fluxus practice—short written instructions meant to provoke action—each ceramic work in Shadow Piece(s) is a record of performance, shaped by individual process and collective dialogue.
Rather than centering the object as a static, stand-alone form, the exhibition embraces ceramics as a medium of iteration and interpretation. Clay’s inherent unpredictability, shaped by the forces of touch, heat, and time, aligns seamlessly with the chance-based ethos of Shiomi’s score. The artists’ varied responses emerge through practices of repetition, experimentation, and intuitive
Kurt Tomerlin, hammer cast, 2024, stoneware, 8" X 10" x 6".
EXHIBITIONS
making—gestures that echo across disciplines and histories.
While Fluxus often took place in public spaces or live performances, here the performance unfolds in the quiet interior of the studio. The resulting works are not representations, but traces— documents of embodied action and material thought. They invite viewers to consider ceramics not simply as craft or sculpture, but as a form of movement held in suspension.
Through this collaboration, Shadow Piece(s) honors Shiomi’s legacy while expanding the boundaries of both ceramics and performance. It offers a timely reflection on collectivity, responsiveness, and the poetic potential of instruction.
Related Event
Virtual Panel Discussion
Join Curators Olive & E.C. Comstock along with participating artists from Shadow Piece(s) in a virtual panel discussion about artworks created for this exhibition.
Tune in: Wednesday, January 28, starting at 6 pm/CT Q & A session to follow during the event. Free, Zoom video conferencing.
Jennifer Schumacher Waller, presence of absence, 2022, stoneware and underglaze, 15" x 11" x 7".
ARTIST SERVICES
Artist Grants
NCC proudly offers five grant programs for current students, recent graduates, and early to mid-career artists—two Early Career Artist Residencies, the McKnight Artist Fellowship for Ceramic Artists, the McKnight Artist Residency for Ceramic Artists, and the Warren MacKenzie Advancement Award.
Each year we look to increase our reach into the depth of talent in the region, nation, and the globe to support and enable ceramic artists at all stages of their careers. Grants and residencies are open to those who have taken traditional paths of apprenticeship, those who have pursued academic training, and those who have developed their craft in independent studio environments. Now is the time to take the next step and apply for one of the many grants and residencies offered at Northern Clay Center. NCC encourages applicants who represent the full range of artistic styles, and is committed to supporting a diverse pool of artists whose work demonstrates strong artistic merit. Accordingly, awards for our grant programs will represent, as much as possible, artists that are diverse in genre, expertise, gender, race, ethnicity, and geography.
Learn about the application process and your eligibility at a free information session hosted via Zoom, on Thursday, January 8 from 6 - 7 pm. Please watch our website for additional info sessions at sites around the metro area and state. If you are interested in having a presentation at your school or organization (in Minnesota or almost anywhere in the country),
we are always happy to deliver an info session via Zoom to share about these opportunities, please contact Anastasia Speer at anastasiaspeer@ northernclaycenter.org to arrange.
For complete award packages and eligibility requirements please visit our website and follow the “Artist Services” tab for more information.
Have questions about the eligibility of your work, or how to make your application as successful as possible? For complete award packages and eligibility requirements please visit our website and follow the “Artist Services” tab for more information. You can also contact Studio Program Coordinator, Anastasia Speer, at anastasiaspeer@ northernclaycenter.org. We are always available to answer questions and give feedback on your submissions. Mark your calendar today and submit your application by the following deadlines.
FELLOWSHIPS
McKnight Fellowship for Ceramic Artists
The McKnight Fellowship for Ceramic Artists supports outstanding Minnesota ceramic artists who identify with any methodology—whether it be functional, sculptural, or relational—all techniques are welcome. The intent of this program is to recognize and support midcareer artists living and working in Minnesota who demonstrate a sustained level of accomplishment, commitment, and artistic excellence. Two $25,000 grants will be awarded in 2026. Fellowship
support may be pursued for, but not limited to: experimenting with new techniques and materials; purchasing materials and equipment; collaborating with other artists; or pursuing education, exhibition, or travel opportunities. The 2026 Fellowship recipients will deliver a workshop and at the culmination of the grant period, will be featured in a catalogue and group exhibition at Northern Clay Center that will also travel to 3 - 5 sites around the state of Minnesota and western Wisconsin.
This program is made possible by the generous support of the McKnight Foundation, Minneapolis, Minnesota.
Founded on the belief that Minnesota thrives when its artists and culture bearers thrive, the McKnight Foundation’s arts and culture program is one of the oldest and largest of its kind in the country. Support for individual working Minnesota artists and culture bearers has been a cornerstone of the program since it began in 1982. The McKnight Artist & Culture Bearer Fellowships Program provides annual, unrestricted cash awards to outstanding mid-career Minnesota artists in 15 different creative disciplines. Program partner organizations administer the fellowships and structure them to respond to the unique challenges of different disciplines. Currently, the foundation contributes about $2.8 million per year to its statewide fellowships. For more information, visit mcknight.org/artist fellowships.
Applications open Friday, March 13, 2026. The deadline for the 2026 McKnight Fellowship for Ceramic Artists is Friday, May 15, 5 pm CT
Warren MacKenzie Advancement Award (WMAA)
The WMAA, founded in 2014, provides an opportunity for students and emerging artists to continue their ceramic research
ARTIST SERVICES
and education for a period of up to twelve consecutive months within the grant year, further expanding their professional development.
This award is available to current undergraduate or graduate students, recent graduates (within one year), or those who have completed a universityequivalent training in ceramics (including apprenticeship and mentorship programs) within the year prior to the application deadline.
During the grant year, the recipient can research a new technique or process, study with a mentor or in an apprenticeship setting, travel to other ceramic art centers or institutions for classes and workshops, collaborate with artists of another media, and travel. Proposals to fund large capital equipment purchases will not be accepted. One cash award will be made in 2026 for a project taking place between May 1, 2026, and April 30, 2027. The recipient will contribute project updates to NCC’s social media and is required to give a public presentation at their school or other institution following the completion of their proposed activities.
This award is made possible through the support of generous individual and institutional donors in the honor of Warren MacKenzie’s legacy of ceramic education, both traditional and non-traditional.
Applications open January 16, 2026. The deadline to apply for the WMAA is Sunday, April 5, 2026, at 5 pm CT.
RESIDENCIES
McKnight Residency for Ceramic Artists
The McKnight Artist Residency for Ceramic Artists recognizes and supports mid-career ceramic artists whose work demonstrates exceptional artistic merit and who have already proven their abilities within the field. The program provides recipients with the opportunity to be in residence for three months at Northern Clay Center, where they can develop their work and exchange ideas and knowledge with Minnesota ceramic artists. Up to three, threemonth residencies will be awarded in 2026 through a competitive application process, and will take place during the 2027 calendar year. NCC will invite one to two other artists through a nominative process.
Each resident artist will receive a $6,000 award to account for expenses during their residency, studio space provided at no cost, and a glaze and firing stipend. During the residency each artist will present a public lecture, for which they will receive an additional honorarium. At the culmination of the grant period the recipients will be featured in a catalogue and group exhibition at Northern Clay Center that will also travel to 3-5 sites around the state of Minnesota and western Wisconsin. Recipients are also required to submit a final report at the end of the grant period.
This program is made possible by the generous support of the McKnight Foundation, Minneapolis.
Applications open March 13, 2026. The deadline for the McKnight Artist Residency is Friday, May 15, 2026 at 5 pm CT.
Early Career Artist Residencies (ECAR)
The Early Career Artist Residency program encompasses three unique fellowships, designed to provide up to three ceramic artists with the opportunity to be in residence at Northern Clay Center for one year, where they can develop their work and exchange ideas and knowledge with other ceramic artists.
Each recipient will have a furnished studio space with 24/7 access to NCC’s facilities. In addition to the workspace, each fellowship includes an annual material and firing stipend as well as professional development and enrichment opportunities offered through NCC’s education, exhibitions, and sales gallery programs. A group exhibition featuring work produced during the fellowship period will take place at Northern Clay Center in January of 2028. Additionally, recipients have the opportunity to present a brief slide lecture on their work in conjunction with the exhibition.
Anonymous Artist Studio Fellowship
The Anonymous Artist Studio Fellowship will be awarded to two early career ceramic artists working in a functional, sculptural, relational, or installationbased manner. Fellows will share a furnished studio space with 24/7 access to NCC’s facilities from September 1, 2026 to August 31, 2027.
Artist Services & Grant Programs Eligibility Table
Career Artist
McKnight Ceramic Artist Fellowship
NCC Studio Program (fees apply)
BIPOC Studio Fellowship
The BIPOC Studio Fellowship will support one early career ceramic artist of color who is working in a functional, sculptural, relational, or installationbased manner. The 2026 recipient will receive a furnished studio space from September 1, 2026 to August 31, 2027. The recipient will be provided additional resources to pursue mentorship opportunities including the support of more robust materials and firing use, and monthly financial assistance to buttress cost of living.
These programs are made possible by the generous contributions from several anonymous donors, as well as various secondary market sales at Northern Clay Center, with the intention to nurture the creative expression of aspiring ceramic artists.
When applying, please note which of the three awards you are applying for. One application may be used for multiple opportunities and eligibility varies for each opportunity.
Applications open January 16, 2025. The deadline to apply for the WMAA is Sunday, April 5, 2026, at 5pm CT.
What is an early career artist?
We use a broad and elastic definition of “early career” when assessing eligibility for the WMAA and ECAR programs. There is no singular definition of an early career artist. Our programs support those artists who show significant potential, yet are under-recognized.
Early career artists:
• Are the principal creators of new work
• Take risks and embrace challenges
• Have voices revealing significant potential
ARTIST SERVICES
Ongoing
• Are rigorous in their approach to creation and production
• Have some evidence of professional or artistic achievement
• Are not recognized as established artists by other makers, curators, producers, critics, and arts administrators
Career stage is a factor but not a limiting one. Many artists fall into the early career category, but not all do. Age is not a factor in determining an early career artist.
January Featured Artists: Karl Keel, Adam Gruetzmacher, Kurt Brian Webb
On view: January 6 - February 1, 2026
Sales Gallery & Online
Karl Keel
Roseville, Minnesota
Karl Keel is an engineer and architect by training but has been “casually obsessed” with clay for years. Keel is currently a Studio Artist at NCC and has dropped the casual and embraced the obsessed. Working primarily with stoneware fired in atmospheric kilns, his functional pieces explore the tensions between a controlled architectural aesthetic and the spontaneity, gesture and serendipity naturally inherent to clay processes.
Adam Gruetzmacher
Shafer, Minnesota
Adam Gruetzmacher lives in Shafer, MN, where he maintains a studio. In 2010, Gruetzmacher earned a BFA in studio ceramics with a minor in digital arts from the University of Wisconsin–Stout (Menomonie). He was a 2010 Fogelberg Studio Fellow and a 2012 Anonymous Potter Studio Fellow at Northern Clay Center. He was also a 2015 recipient of a Jerome Ceramic Artist Project Grant. Gruetzmacher’s work has been in exhibitions around
the country including: Three Jerome Artists, Northern Clay Center; Clay Dwelling, Macalester College Gallery (St. Paul, MN); and the National Juried Cup Exhibition, juried by Pete Pinnell, Lux Center for the Arts (Lincoln, NE). Gruetzmacher’s work is featured in the Lark Crafts books 500 Teapots: Volume II (2013) and 500 Vases.
Images, this page, from left: Karl Keel, Container. Adam Gruetzmacher, Luminary. Opposite page, Kurt Brian Webb, Container.
SALES GALLERY
Kurt Brian Webb Palatine, Illinois
Kurt Brian Webb’s goal to pursue ceramics, made over forty years ago, had nothing to do with sales, notoriety, or making work that followed the latest trends. His goal then and now, centers around education, experience, people, travel, and philanthropy. Webb’s eclectic unassuming art reflects the marriage and outcome of these lifelong pursuits. Webb, a fervent believer in public school education, attended kindergarten through university level in Illinois, Illinois State University (Normal), University of Delaware (Newark), and East Tennessee State University (Johnson City), culminating with BFA, BS, MEd, and MFA degrees. Webb’s artistic experiences include assistantships and residencies at the Archie Bray Foundation (Helena, MT), Arrowmont School of Arts and Crafts (Gaitlinburg, TN), Banff Centre for Arts and Creativity (Alberta, Canada), Northern Clay Center (Minneapolis), Penland School of Craft (NC), Ragdale Foundation (Lake Forest, IL), and universities in Australia. Webb has benefited greatly from meeting people through art-related travel, living abroad, and as an educator in public schools for over thirty years teaching mechanical drafting and art most notably for English learners and individuals with disabilities. Webb has traveled throughout the United States, Canada,
Japan, China, Hong Kong, Australia and New Zealand. He apprenticed in Japan to a traditional master craftsman of woodfired Oribe pottery. Knowing the power of philanthropy, even as a small
gesture, Webb donates 100% of his profits from the sales of his ceramics to social justice centered non-profit organizations of his choice.
February Featured Artists: Didem Mert, Chris Singewald, Shumpei Yamaki Jewelry Spotlight: April D. Felipe
On view: February 3 - March 1, 2026 Sales Gallery & Online
Didem Mert
Sebastopol, California
Didem Mert (she/they) was born and raised in Cincinnati, OH. Mert received their BFA in ceramics from Northern Kentucky University (Highland Heights) in 2014 and MFA in ceramics from Edinboro University of Pennsylvania in 2017. Mert has exhibited nationally in over 40 venues including The Clay Studio (Philadelphia, PA), Companion Gallery (Humboldt, TN), Charlie Cummings Gallery (Gainesville, FL), CLAYAKAR (Iowa City, IA), and Erie Art Museum (PA). Mert’s work was published in Ceramics Monthly’s 2014 Undergraduate Showcase. She was awarded a first prize grant through the Three Arts Foundation in 2014. They were featured on the cover of Pottery Making Illustrated’s January/ February 2016 issue. Mert was included on CFile’s list “15 Potters to Watch in 2016,” and was featured on Architectural Digest’s list, “10 Ceramic Artists Giving Pottery a Modern Update.” Mert led a residency at Watershed Center for the Ceramic Arts during the summer of 2017. In 2018, she was honored as one of Ceramics Monthly’s Emerging Artists and was a summer resident at the Archie Bray Foundation. Mert currently lives between Sebastopol, CA and Burlington, KY and works as a full-time studio potter and workshop instructor.
Chris Singewald
Minneapolis, Minnesota
Chris is a potter, clay studio director, and teaching artist living in Minneapolis, MN. His pottery is fired to 2350 degrees Fahrenheit in soda kilns and wood kilns. The atmosphere from these firing
SALES GALLERY
processes interacts with the pieces form and volume, resulting in unique surface variation for each piece. Singewald wants his pieces to invite contemplation and curiosity while using his pots.
Shumpei Yamaki
West Branch, Iowa
Shumpei Yamaki was born and raised in Kamakura, Japan and moved to Philadelphia in 1996 to study dance. In 1999, Yamaki was injured in an automobile accident and enrolled in a ceramics class as physical therapy for his arm. He discovered his passion for ceramics and learned traditional Japanese pottery techniques, woodfiring, and ways to rely on local resources during his apprenticeship under Richard Bresnahan. He went on to graduate studies at the University of Iowa (Iowa
City) and in 2005, Yamaki moved to Brooklyn to participate in wood-firings with Tim Rowan and Roger Baumann. Yamaki now resides in Iowa where he combines his passions for dance and ceramics. He says, “I view clay on the pottery wheel as a sort of stage for myself as a dancer.” Yamaki is mainly working on functional ceramics and has been experimenting with local clay in his personal endeavors as a wood-fire potter.
April D. Felipe
Albany, Ohio
April D. Felipe received her MFA in ceramics from Ohio University in Athens and her BFA from the New York State College of Ceramics at Alfred University. She is currently living in Albany, Ohio, where she holds her studio practice and teaches at community arts centers in her
region. She is interested in the idea of adornment and the relationship between jewelry and the user. Felipe utilizes jewelry as a means to move through patterns and colors more freely. Jewelry provides an additional multidisciplinary approach outside of her ceramic sculpture practice. Felipe is a co-founder of The Color Network .org. She has been a resident and Windgate Scholarship recipient through the Archie Bray Foundation for Ceramic Arts (Helena, MT). She was also a 2017 emerging artist in Ceramics Monthly magazine.
Images, opposite page, from top: Didem Mert, Bowl. Chris Singewald, Cup. This page, from left: Shumpei Yamaki, Vase. April D. Felipe, Earrings.
OUTREACH Blooming Creativity: Seniors Build Ceramic Garden Tower
Made in community, crafted in clay — a Lyngblomsten summer creation.
It began with a curiosity earlier this spring from Holly Nelson, Lyngblomsten's Director of Lifelong Learning and the Arts:
“Our courtyard is going to be completely dug up and redone this summer. I’m wondering if we can work on a ceramic tower project for the residents?”
Flash forward a few months, and you see several residents sitting outside in the new courtyard while teaching artist Julian Gruber, along with Holly and Alisa of Lyngblomsten, work together to find the perfect placement for the hand-built ceramic pieces of the tower.
Northern Clay Center (NCC) has been
partnering with Lyngblomsten Care Center for over 14 years. Every Monday afternoon for three months this summer, a group of thirteen residents — all but one over the age of 85 — met and handbuilt ceramic pieces for a courtyard garden tower. The projects included a variety of ceramic beads, flowers, petals, a raindrop, and the logo of Lyngblomsten — the letter “L” and the national flower of Norway, the Calluna, also known as ling.
Research shows that those involved in weekly participatory arts programming experience better health and emotional well-being, maintain more of their independence as they age, participate more actively in their community, and experience greater joy in their lives. As the weeks went by, some residents chose
to collaborate on the group project — the ceramic garden tower — while others preferred to continue working on individual pieces and exploring new techniques. Julian met each participant where they were, and residents were free to let their imaginations run wild and create what they desired.
Alisa, Activity Coordinator at Lyngblomsten, reflected that over the summer, residents grew more confident, proud of themselves and began to take more creative risks.
One resident shared that she had never seen a ceramic garden tower before and had no idea how it would look. Once the projects were glazed, Julian brought all of the creations to a meeting
where the group collectively came up with a plan for placing the pieces. They even numbered everything to simplify installation.
We gathered the following week for the installation — and quickly learned that our detailed planning wasn’t going to help after all. The pole cemented into the ground was thicker than expected, which meant not all of the pieces would fit. Still, everyone showed adaptability and expressed joy as they strung the pieces together.
There were lots of “It looks good,” “Oh, I like that,” and laughter—especially when the group decided that, of course, the Lyngblomsten logo needed a hat on top. Why not! One resident even shared
the project with her children, who were amazed and couldn’t believe what she was creating in class.
In these uncertain times, the power of art and community in the aging population continues to shine — reminding us that art is essential. Teaching artist Julian put it best:
“Working with the Lyngblomsten residents was a joy. I truly appreciate the lived experiences of older adults. While we worked toward our garden installation, I loved seeing folks bring their unique contributions to a group project. By offering a bit of ourselves and our efforts to the collective, we strengthen the bonds within our
OUTREACH
communities—not just through art installations. Together we can build more beautiful and better things."
Grant dollars are just one of the things we rely on to bring these programs to life. The other is you — our NCC community. To keep programs like these running, please consider donating to our Outreach programming, becoming an NCC member, attending our events, or booking a private party.
If you’re interested in organizing a program like this, please send an inquiry to our Community Engagement Manager, Julia Rodman, at juliarodman@ northernclaycenter or call 651-339-8007 ext. 313. We look forward to hearing from you!
Images, opposite page, from left: Handbuilding participants working on their projects during class. Mary Thoemke, a Lyngblomsten resident, paints a ceramic bead.
This page: Some of the Lyngblomsten residents and Julian with their completed garden tower
GET INVOLVED
NCC Seeks Clay Camp Teachers and Assistants
Northern Clay Center seeks college students, recent graduates, and educators—aged 18 and over—for our 2026 Summer Clay Camp positions.
Each summer, NCC hosts dozens of weeklong, half- and full-day camps for children and teens ages 6 - 17. Clay Camp Instructors create and lead projects inspired by a variety of themes, such as potions, woodland creatures, outerspace, and more! Instructors work closely with NCC’s Education Manager and Clay Camp Assistants to provide guidance to students and maintain studio cleanliness.
Clay Camp Assistants provide classroom support for the weekly camps and gain insight into ceramic education.
Both Clay Camp Instructors and Assistants are paid positions.
If you are interested in learning more, contact us at education@ northernclaycenter.org.
NOVEMBER
DECEMBER
FEBRUARY
in Clay closes
Winter Classes & Workshops
Keep warm in the creative fire of NCC Winter Classes! Come join us for one (or more) of our 5- to 10-week classes or a project workshop. Whether you’re interested in handbuilding, wheel throwing, specialty topics, or family activities, our roster of talented teaching artists will be sure to inspire some cheery creations.
We continue to offer open studio benefits to all enrolled adults for the duration of their class. Students may use this time to practice techniques learned during class hours, experiment, or practice their craft independently. Adult students generally have access to our studios Mondays, 4:30 - 9 pm; Tuesdays and Thursdays, 9 am - midnight; Wednesdays, Fridays, Saturdays, and Sundays, 9 am - 9 pm (subject to other NCC events, programming, and studio schedules).
We ask that in utilizing these studio hours, please be mindful of other students and make sure others feel welcome in this shared space. Weekly open studio schedules will be posted on the bulletin boards in each studio, as well as on our website; select the Education tab from the top menu on our homepage and click “Student Info” (northernclaycenter.org/education/ student-info).
We encourage you to register early as our classes fill up quickly. If the class you are interested in sells out, reach out to education@northernclaycenter.org and ask to be added to the waitlist of your preferred class. Please visit our website for the most up-to-date information.
Education Access Scholarship applications open on Tuesday, November 18, 2025.
NCC is committed to maintaining accountability and pursuing action to build meaningful diversity, impactful equity, and genuine inclusivity in the ceramic community. We recognize that there are significant systemic racial and economic impacts that impede participation in the arts, and resulting financial barriers contribute to further divide. To address and help bridge financial barriers to ceramic education, NCC has implemented scholarship options for our education programming. Our goal is to open access to the ceramic arts and welcome all who wish to learn, grow as an artist, and participate in the ceramic arts community.
We offer two scholarship options:
• a half-tuition scholarship open to artists and learners experiencing financial need • a full-tuition scholarship open to artists and learners who identify as Black, Indigenous, or a Person of Color
Scholarships are limited. For more information about these scholarships and to apply, please visit our website at northernclaycenter.org under the Education tab.
BEGINNER CLASSES
Interested in clay but unsure where to start? Sign up for our beginner classes and get hands-on experience and guided instruction during our 5-week introductory classes. Learn all of the basics such as building, throwing, slab rolling, and/or glazing techniques. These classes have plenty of guidance for beginners, making them ideal if you have little to no experience with clay and want to test your interest and grow your skills. We recommend you take a beginner class two or more times (within one term, or over consecutive terms) to build your skills and prepare for intermediateto-advanced classes and beyond. Wear old clothes and bring an old towel, a bucket no larger than one gallon, and a beginner’s set of tools to the first class. Tool kits are available for purchase at NCC. Lab fee includes one 25-pound bag of clay up to a cost of $26, all glazing materials, firings, and open studio access.
Beginner Wheel Throwing
Get your wheels turning as you learn the basics of throwing pots on the potter’s wheel. This class will get you familiar with the material of clay and introduce foundational wheel-thrown forms such as bowls and cylinders.
BW1: Tuesdays, 10 am – 1 pm
Instructor: Mic Stowell
January 6 – February 3
Fee: $200 + $60 lab fee (5% member discount)
BW2: Tuesdays, 10 am – 1 pm
Instructor: Mic Stowell
February 10 – March 10
Fee: $200 + $60 lab fee (5% member discount)
EDUCATION
BW3: Tuesdays, 6:30 – 9:30 pm
Instructor: Nick Fix
January 6 – February 3
Fee: $200 + $60 lab fee (5% member discount)
BW4: Tuesdays, 6:30 – 9:30 pm
Instructor: Nick Fix
February 10 – March 10
Fee: $200 + $60 lab fee (5% member discount)
BW5: Wednesdays, 2 – 5 pm
Instructor: Lucy Yogerst
January 7 – February 4
Fee: $200 + $60 lab fee (5% member discount)
BW6: Wednesdays, 2 – 5 pm
Instructor: Lucy Yogerst
February 11 – March 11
Fee: $200 + $60 lab fee (5% member discount)
BW7: Wednesdays, 6:30 – 9:30 pm
Instructor: Murphey Stromberg
January 7 – February 4
Fee: $200 + $60 lab fee (5% member discount)
BW8: Wednesdays, 6:30 – 9:30 pm
Instructor: Murphey Stromberg
February 11 – March 11
Fee: $200 + $60 lab fee (5% member discount)
BW9: Thursdays, 6:30 – 9:30 pm
Instructor: Alysha Hill
January 8 – February 5
Fee: $200 + $60 lab fee (5% member discount)
BW10: Thursdays, 6:30 – 9:30 pm
Instructor: Alysha Hill
February 12 – March 12
Fee: $200 + $60 lab fee (5% member discount)
BW11: Sundays, 10 am – 1 pm
Instructor: Doug Van Beek
January 11 – February 8
Fee: $200 + $60 lab fee (5% member discount)
BW12: Sundays, 10 am – 1 pm
Instructor: Doug Van Beek
February 15 – March 15
Fee: $200 + $60 lab fee (5% member discount)
Beginner Handbuilding
Learn the basic skills for creating ceramic sculpture and handbuilt pottery through a series of projects and demonstrations. This class will introduce the three foundational methods of handbuilding—coiling, pinching, and slab-building—to provide the base for any project you might imagine.
BH1: Wednesdays, 6:30 – 9:30 pm
Instructor: Marlena Goodman
January 7 – February 4
Fee: $200 + $60 lab fee (5% member discount)
BH2: Wednesdays, 6:30 – 9:30 pm
Instructor: Marlena Goodman
February 11 – March 11
Fee: $200 + $60 lab fee (5% member discount)
Beginnermediate Wheel Throwing
So, you’ve taken a few beginner classes, but don’t feel ready for an Intermediate-to-Advanced class just yet? Try a “beginnermediate” level class for students who fall somewhere in between! Expand on the basics of wheel throwing, perfect your bowls and cylinders, and spend more time getting your hands dirty with an NCC instructor for a full term.
BW13: Thursdays, 10 am – 1 pm
Instructor: Lisa Himmelstrup
January 8 – March 12
Fee: $400 + $120 lab fee (5% member discount)
BW14: Thursdays, 6:30 – 9:30 pm
Instructor: Sarah Alsaied
January 8 – March 12
Fee: $400 + $120 lab fee (5% member discount)
INTERMEDIATE TO ADVANCED CLASSES
Looking to refine your techniques and further develop your voice in clay? Intermediate-to-Advanced classes will take your skill set to the next level and deepen your understanding of clay! Many of these classes have a specific focus but leave room for personal interests and growth. If you’re unsure which level to register for, our education staff will happily assist you in finding the appropriate class, via phone or email: 612.339.8007 or education@ northernclaycenter.org.
As with all NCC classes, please wear old clothes and bring an old towel, a bucket no larger than one gallon, and a set of tools to the first class. Tool kits can be purchased at NCC. Lab fee includes one 25-pound bag of clay up to a cost of $26, all glazing materials, firings, and open studio access.
INTERMEDIATE TO ADVANCED WHEEL THROWING
Take the next step on your journey with the potter’s wheel, build on your foundations, and discover the secrets of making great pots. Improve your skills and learn new techniques for throwing forms such as cylinders, bowls,
A focused student learning to throw on the wheel.
vases, and more using the pottery wheel as a tool. You will learn surface treatments like glazing, staining, and slipping, and be introduced to firing procedures. These classes are designed for those with previous wheel-throwing experience, who have taken some beginner classes (or equivalent), and who feel comfortable navigating basic forms on the wheel.
Dramatic Curves
Explore different ways to increase the drama of the curvature in your pots! From humble mugs to impressive jars, students will use their hands, ribs, alterations, handles and more to delve into the beauty of the curve. Expect voluminous vessels, curious forms, and perhaps a few flops as you grow your skills.
AW1: Mondays, 6:30 – 9:30 pm
Instructor: Erin Holt
January 5 – March 9
Fee: $400 + $120 lab fee (5% member discount)
Beyond the Cylinder
Learn to throw beyond the simple cylinder! In this class, you will explore the possibilities of clay by altering cylinder forms into different functional items. Learn how to work on consistency and technical skills, while receiving direct instruction from your teacher.
AW2: Mondays, 6:30 – 9:30 pm
Instructor: Jennica Kruse
January 5 – March 9
Fee: $400 + $120 lab fee (5% member discount)
Throwing Bigger
Improve your throwing skills and learn to increase the amount of clay you can work with! This class will concentrate on making large serving tableware like platters, serving bowls, casserole dishes, and pitchers.
AW3: Tuesdays, 10 am – 1 pm
Instructor: Kevin Caufield
January 6 – March 10
Fee: $400 + $120 lab fee (5% member discount)
Renaissance Inspired Tableware
Learn to make renaissance fantasy themed tableware fit for a feast! Students will learn to make fanciful goblets, sturdy steins, larger serving bowls and plates, hanging jugs, and a puzzle jug! The class will also focus on decorative surface techniques to add interest to your pieces.
AW4: Tuesdays, 6:30 – 9:30 pm
Instructor: Ruby Sevilla
January 6 – March 10
Fee: $400 + $120 lab fee (5% member discount)
Thrown and Altered
Learn about thrown and altered techniques to make pots that break out of the traditional mold. Instructor demonstrations will teach you how to cut, add, and alter your pottery to create new shapes, forms, and textures.
AW5: Wednesdays, 6:30 – 9:30 pm
Instructor: Paola Evangelista
January 7 – March 11
Fee: $400 + $120 lab fee (5% member discount)
Guided Study in Wheel Throwing
Are you looking for a more individualized approach to your ceramic instruction? Artists and makers with some experience are invited to join this guided study to sharpen their throwing skills and techniques, expand their repertoire of forms, and advance their craft.
AW6: Thursdays, 2 – 5 pm
Instructor: Leila Denecke
January 8 – March 12
Fee: $400 + $120 lab fee (5% member discount)
Intermediate Wheel Throwing
Build on the basics in wheel throwing! Looking to take your pottery to the next level, and learn about new possibilities in clay? This is the class for you!
AW7: Saturdays, 10 am – 1 pm
Instructor: Risa Nishiguichi
January 10 – March 14
Fee: $400 + $120 lab fee (5% member discount)
EDUCATION
INTERMEDIATE TO ADVANCED HANDBUILDING
Take a break from crouching over the potter’s wheel and come over to Studio C for some handbuilding! Learn new techniques in coiling, pinching, and slab-building, and delve into concepts that offer new perspectives and ways to reimagine working with clay.
Intermediate Handbuilding
Have you taken beginner handbuilding a couple of times but aren’t ready to move on to more advanced topics?
Intermediate Handbuilding is the class for you! Demonstrations will focus on all the things we don’t have time for in the half term class: slip and glaze application techniques, leatherhard slabbuilding, how to use the extruder and more. Topics covered based on student interest include: scaling up sculpture or vessels, internal and external armatures, bisque-mold making, and making multiple-part sculptures or vessels. Students may bring project ideas and the instructor will have a couple of intermediate level project prompts for those needing more direction.
AH1: Tuesdays, 6:30 – 9:30 pm
Instructor: Elizabeth Coleman
January 6 – March 10
Fee: $400 + $120 lab fee (5% member discount)
Guided Study in Handbuilding
Expand your handbuilding fundamentals to explore figural, architectural, animal, decorative, and functional applications of clay. Work with low- or high-temperature clays as you accept technical challenges and achieve your sculptural vision with guidance from the instructor. Investigate critical thinking as it pertains to the evolution of your work. Bring your favorite tools and have some challenging ideas ready for the first class.
AH2: Fridays, 10 am – 1 pm
Instructor: Franny Hyde
January 9 – March 13
Fee: $400 + $120 lab fee (5% member discount)
SPECIAL TOPICS CLASSES
Flora & Fauna Chiminea
In this 5-week class, you will create a miniature chiminea-style incense burner—a tiny fireplace designed for grounding, intention-setting, and bringing warmth into the coldest months of winter. Using a blend of molds and handbuilding techniques, you’ll first construct the form, then explore surface decoration through sgraffito, sculpted details, and other embellishments. Choose from flora, fauna, or your own symbolic imagery to make your chiminea uniquely personal. As the days slowly lengthen and the spring equinox approaches,
your finished chiminea will serve as both a functional incense burner and a ritual object: a place to spark light, set intentions, and reconnect with your center. The final class will be dedicated to finishing your piece, with a focus on adding color and detail using underglazes. Please note: students are asked to bring their own Amaco underglazes.
T1: Mondays, 6:30 – 9:30 pm
Instructor: Kara Zuzu
January 5 – February 2
Fee: $200 + $60 lab fee (5% member discount)
A Bird in the Hand
Soar through the winter blues and get ready to welcome the birds back with this 5-week handbuilding class! You’ll create your very own handheld bird sculptures—because one bird in the hand truly is worth more than two in the bush! Using your chosen reference image, you’ll explore a variety of handbuilding methods to bring your feathered friend to life. Learn techniques such as building hollow forms, shaping expressive details, and experimenting with surface design. We’ll also cover decorative approaches with underglaze to add vibrant color and personality to your sculpture. Whether you’re completely new to clay or an experienced maker, you’ll leave with new skills, inspiration, and a bird that’s uniquely your own. Please note: students are asked to bring their own Amaco underglazes.
T2: Mondays, 6:30 – 9:30 pm
Instructor: Kara Zuzu
February 9 – March 9
Fee: $200 + $60 lab fee (5% member discount)
Decorated pieces waiting to be bisque fired.
FIRING ADD-ON
T3: Soda Firing Add-On
Join teaching artist Chris Singewald in the studio and dive deeper into the techniques and materials involved in soda firing. Students will load ONE kiln together, and critically review the results of the firing. This new firing add-on is designed to provide an experiential learning opportunity for students while enrolled in another full- or half-term class. Primarily intended for those with prior experience in soda firing - throwers and handbuilders welcome.
Please note: this soda firing add-on is only available to students registered for a Winter 2026 full or half-term class. Students should have taken a soda class at NCC, either Introduction to Soda Firing or an Advanced Soda Firing class. Students must participate in wadding and glazing instruction, loading, and clean-up of the kiln and finished work on the dates listed below. Maximum of ½ cubic foot per person in the soda kiln. Cost of clay is not included in the class fee. Students may purchase b-clay at NCC with proof of purchase of this firing add-on.
Instructor: Chris Singewald
Wadding & glazing instruction: Friday, February 27, 6 – 7 pm
Loading kiln: Friday, March 6, 6 – 9 pm
Unloading kiln & cleanup: Monday, March 9, 6 – 9 pm
Fee: $100 (not eligible for member discount)
PROJECT WORKSHOPS
No previous experience required! NCC will provide all materials and tools for these workshops.
Try the Pottery Wheel Workshop
Bring your friends and make a few new ones as you learn the secrets of throwing pottery on the wheel. This three-hour workshop is a fun and messy introduction to clay. The $55 fee includes instruction and materials for one adult. Students can expect to make up to three pots and decorate them using colorful slips and textures. Completed pieces will be ready to pick up about two weeks after the workshop date.
X1: Saturday, January 24, 11 am - 2 pm
X2: Saturday, January 24, 3 – 6 pm
X3: Saturday, February 28, 11 am – 2 pm
X4: Saturday, February 28, 3 pm – 6 pm
X5: Saturday, March 14, 11 am – 2 pm
X6: Saturday, March 14, 3 pm – 6 pm
Instructor: Liam Hannan
Fee: $55 (per person, per session)
Clay for Couples Pottery Workshops
Looking for a unique date activity that is sure to impress your partner? Try NCC’s original Clay for Couples. Sign up with your significant other, BFF, or family member and learn the secrets of throwing pottery on the wheel in a fun and relaxed environment. Already attended a session? Sign up again and take your skills to the next level! The $110 fee includes instruction, materials, and firings for two adults. Completed pieces will be ready for pick up about two weeks after the workshop date.
X7: Friday, January 23, 6 – 9 pm
X8: Friday, February 27, 6 – 9 pm
X9: Friday, March 13, 6 – 9 pm
Instructor: Liam Hannan
Fee: $110 (per couple, per session)
Gals and Pals Valentine’s Day Workshop
Join NCC for a fun Valentine’s Day workshop with your besties! Grab your friends and sign up to learn the basics of throwing pottery on the wheel in a fun and relaxed environment. Students can expect to make up to 3 pots and decorate them using colored slips and textures. The class fee includes instruction, materials, and firing for one adult. Completed pieces will be ready to pick up about two weeks after the workshop date.
X10: Friday, February 13, 6 pm – 9 pm
Instructor: Liam Hannan
Fee: $55, per person
A student working on a handbuilt piece.
EDUCATION
Family workshop participants add texture to their pieces.
21st Annual Valentine’s Day Workshops
Celebrate love by getting into some mud! We’ll take care of your Valentine's Day plans with a creative weekend full of clayful opportunities! So, get your valentine or best friend and register early for this popular pottery experience. In this class, you will cover the basics of throwing pots on the wheel. Novices and experienced potters alike are welcome. Students can expect to make up to 3 pots and decorate them using colored slips and textures. The class fee includes instruction, materials, and firing for two adults. Pots will be fired at NCC and ready for pick-up approximately two weeks following the workshop.
X11: Friday, February 13, 6 pm – 9 pm
X12: Saturday, February 14, 10 pm – 1 pm
X13: Saturday, February 14, 2 pm – 5 pm
X14: Saturday, February 14, 6 pm – 9 pm
Instructor: Liam Hannan
Fee: $110 (per couple, per session)
Pasta Bowl Sets
In this workshop, you'll create and paint your very own set of “blates" - a bowl/ plate combo that is perfect for pasta, salads, poke bowls, or whatever else you’re making for your meal! You’ll begin by draping a slab of soft clay into a high-sided plate form, and then use colored slips to decorate your creations. Finished pieces will be fired in a high-fire gas kiln. Make a set of two for yourself or as a Valentine’s Day gift and activity, and eat your meals in style. All skill levels welcome!
T4: February 15, 10 am – 1 pm
Instructor: Marion Angelica
Fee: $65 per person (5% member discount)
CLASSES & WORKSHOPS FOR FAMILY & FRIENDS
For all family classes, children must be accompanied by an adult. Neither children nor adults will have access to open studio time during the quarter. Weekend workshops are open to all skill levels, ages 6 and up for handbuilding workshops and 9 and up for wheel-throwing; there are no exceptions to stated age requirements.
Winter Wonderland Family Workshops
Capture the beauty of winter with cozy textures. Use lace, pinecones, or knitted patterns to imprint designs into clay, then shape your piece into a tray or serving dish. Learn basic construction and decorating techniques, and finish by painting your creation with colored slips. Ages 6+; all skill levels welcome.
F1: Saturday, January 24, 10 am – 12 pm
F2: Saturday, January 24, 1 pm – 3 pm
Instructor: Eileen Cohen
Fee: $65 for two people, one adult and one child. $30 for each additional participant; please contact education@
northernclaycenter.org to register additional participants.
Made with Love Family Workshops
Let hearts and hugs inspire your clay creations. Learn to use paper templates to craft mugs for hot beverages or votives for soft candlelight. Decorate your projects with colored slips. Ages 6+; all skill levels welcome.
F3: Saturday, February 14, 10 am – 12 pm
F4: Saturday, February 14, 1 pm – 3 pm
Instructor: Eileen Cohen
Fee: $65 for two people, one adult and one child. $30 for each additional participant; please contact education@ northernclaycenter.org to register additional participants.
Family Wheel Throwing Workshops
Learn how to use the potter’s wheel in this warm and cozy wintertime workshop! Practice centering, opening, pulling, and shaping the clay, then paint your projects with colored slips.
Dress for mess! Ages 9+; all skill levels welcome.
F5: March 14, 10 am – 1 pm
F6: March 14, 2 pm – 5 pm
Instructor: Eileen Cohen
Fee: $85 for two people, one adult and one child. $40 for each additional participant; please contact education@ northernclaycenter.org to register additional participants.
Note: Students will not have access to NCC’s open studio time unless they are already enrolled in a ten-week winter class at NCC.
CLAY FOR YOUTH
Pottery Punch Card for Teens
Our Pottery Punch Card for Teens program is currently at capacity. If you would like to be added to the waitlist, please reach out to education@ northernclaycenter.org and request to be added to the waitlist. When a spot opens, we will reach out and extend the opportunity to register.
Teens may purchase eight, 2-hour classes, to be used on any Saturday, 10 am - 12 pm. These eight "punches" can be used over a 6-month period, from the date of purchase. Classes will cover the fundamental techniques of throwing basic forms on the potter's wheel and creating surface decoration using glazes, slips, and applied elements, with varied demonstrations and projects for advanced students. Create a series of functional pots with high-temperature
clay bodies. Previous experience is not required. Students may attend on a drop-in basis and the complexity of projects will depend on multiple consecutive classes. Great for students and families with busy schedules. Wear clothes that you don't mind getting dirty; NCC will provide the tools and the clay. Students do not have access to open studio time. For ages 13 to 17 only.
Y1: Saturdays, 10 am – 12 pm
Instructor: Erin Holt
Ongoing
Fee for eight sessions: $285 (5% member discount) Four additional sessions: $145 (5% member discount)
PLEASE NOTE: Classes will meet every Saturday during the NCC class term unless otherwise posted (some Saturdays are not available due to holidays or NCC events). Students must sign up for sessions in advance on our online sign up form. Sessions expire six months after the date of purchase.
ART@HAND CLAY FOR OLDER ADULTS
ART@HAND is NCC’s series of accessible programs for enjoyment of the ceramic arts. Intended for individuals 55 years and older (and their families!), ART@HAND offers lectures, tours, workshops, and hands-on activities.
Snow Prints
Be inspired by tracks in fresh snow! Create a plate using slab construction and add texture using stamps. Complete your project with colored slips. All skill levels are welcome.
AAH8: Sunday, January 11, 10 am - 12 pm
Instructor: Eileen Cohen Fee: Free
ART@HAND student paints their project.
Teen students throw on the wheel.
Winter Class Registration Opens Tuesday, December 2 at 10 am
Education Access Scholarship applications open Tuesday, November 18
To Register:
Register with cash or any major credit card. NCC accepts registration online at www.nccshop.org, in the gallery, or by telephone at 612.339.8007. Member discounts are available online.
Due to the high demand for classes, we require full payment with your registration to reserve your seat in class.
NCC will send confirmation of registration. If there is insufficient enrollment, we will cancel the class, notify registered students, and refund all payments without penalty. Decisions are made approximately one week before classes begin.
Please register early or you might find that your favorite class is full, or canceled due to low enrollment. If the class you are interested in sells out, reach out to education@northernclaycenter.org and ask to be added to the waitlist of your preferred class.
Education Access Scholarships:
To address and help bridge financial barriers to ceramic education, NCC is implementing new scholarship options for our education programming. This will open access to the ceramic arts and welcome all who wish to learn, grow as an artist, and participate in the ceramic arts community.
We offer two scholarship options:
• a half-tuition scholarship open to artists and learners with financial need
• a full-tuition scholarship open to artists and learners who identify as Black, Indigenous, or a Person of Color
Scholarships are limited and will be available on a first come, first serve basis to adult students only. Students are eligible to receive only one scholarship per session. We will do our best to offer students one of their top three choices of class or workshop. Once enrolled, all scholarships are non-refundable and non-transferable.
Scholarship students are committed to their selected class, and the scholarship cannot be applied to a different class or term. Should a selected class cancel due to low enrollment, students will have the option to transfer classes. Previous recipients can apply multiple times per year, though priority will be given to new applicants.
Within a week of your application, you will be notified of the status of your application and will be aided in registration from there should you receive the scholarship.
For any questions regarding NCC’s scholarship program, please contact education@northernclaycenter.org
Policies:
Tools: Standard tool kits are available for purchase during check-in on the first day of class and in NCC’s Sales Gallery. Other specialty tools are available as well.
Open Studio: The tuition for regular adult classes includes access to open studio time. On average, adult students enrolled in a qualifying class will have access to our studios from 4:30 to 9 pm on Mondays, 9 am to midnight on Tuesdays and Thursdays, and 9 am to 9 pm Wednesdays, Fridays, Saturdays, and Sundays (subject to other NCC events and programming). Browse our open studio schedule online to check the most up-to-date listing of available studios. NCC reserves the right to close studios for special classes or workshops.
Minimum Age Restrictions: Unless otherwise specified, students must be 18 or older to register for NCC’s adult classes and workshops. Family wheel throwing classes and workshops are open to attendees aged 9 and above, while handbuilding workshops for families are open for those aged 6 and above. NCC’s age restrictions are nonnegotiable and will be strictly enforced.
Continuing Education Credits: If you are a teacher in need of CEUs, contact the education department to learn how NCC’s classes and workshops can be taken for
continuing education credit.
Weather: As a general rule, NCC will remain open during inclement weather. We take our cues from local colleges and universities for canceling or rescheduling classes during particularly hazardous conditions. When in doubt, feel free to call us at 612.339.8007, and please be safe!
Tuition, Fees, & Refunds:
Please refer to class listings for tuition and fees. Unless otherwise noted, fees for adult classes include instruction, open studio time, 25 pounds of clay (up to $26), basic glaze materials, and a firing allowance. Tuition may not be prorated. Some students may incur additional expenses if they choose unusual glaze materials or if their work occupies a large volume of kiln space.
Class Refunds: 100% of tuition (less a $25 processing fee) will be refunded if a student elects to drop or transfer a class no later than two weeks (14 days) before the day of the first class meeting. 50% of tuition will be refunded if a student drops or transfers a class between 1 and 2 weeks (7 and 14 days) prior to the first class meeting. Within 1 week (7 days) of the first class meeting, if a student elects to drop a class, tuition and fees will NOT be refunded for any reason except documented medical emergencies. There are no other exceptions to this policy.
Workshop Refunds: 100% of tuition (less a $25 processing fee) will be refunded if a student elects to drop or transfer a workshop for any reason at least 7 days prior to the workshop. Students can also transfer their registration to another similar offered workshop within the same term, or to another individual, for no fee. No refunds or transfers will be given with less than one week’s notice.
If you find you need to cancel your enrollment, email education@northernclaycenter.org or call 612.339.8007.
Reflecting on my first month at Northern Clay Center
As I wrap up my first month at Northern Clay Center, I am struck every day by the energy, talent, and warmth of this community.
I experienced my first American Pottery Festival as the executive director, and it was not only a community gathering of staff, artists and clay lovers, it was great to be a part of a community that worked together with joy to clean and prepare our space for 23 visiting artists, students, collectors, and clay enthusiasts. At American Pottery Festival I relished the generosity of our community and the artistry of so many makers—the weekend gave me an even deeper appreciation for the important role NCC plays both locally and nationally.
I’ve also had the privilege of diving right into clay and getting my hands dirty; I’m taking a beginner handbuilding class where I’ve been reminded of the creativity and community that comes with being a student again.
At NCC, one of the things I’m most inspired by is our outreach program. Through partnerships with schools, community centers, memory care facilities, and senior living communities, our teaching artists bring the joy of clay directly to people who might not otherwise have access. Clay is uniquely welcoming—it’s tactile, forgiving, and expressive—making it an incredible tool for connection across ages and abilities. Whether it’s a group of second graders discovering the magic of making something with their own hands, or older adults in memory care finding comfort and creativity in the clay, these programs embody the heart of our mission: clay for all.
But most rewarding has been the chance to meet so many impressive artists, teachers, students, board members, staff, and supporters whose passion and dedication remind me why NCC’s mission matters so much to so many. I’m grateful for the warm welcome I’ve received and look forward meeting all of you.
Executive Director, Northern Clay Center
2424 Franklin Avenue East Minneapolis, MN 55406
612.339.8007
nccinfo@northernclaycenter.org www.northernclaycenter.org
Visit Us
2424 Franklin Avenue East, Minneapolis, MN 55406
612.339.8007
nccinfo@northernclaycenter.org
Gallery hours: 10 am - 5 pm, 7 days a week. Gallery hours, Thursdays, 11/1/25 - 12/18/25: 10 am - 7 pm Office hours: 9 am - 5:30 pm, Monday - Friday
Information for Visitors with Disabilities
Please contact us at 612.339.8007 or nccinfo@northernclaycenter.org with any questions about our facility or with requests for accommodations.
Exhibition Group Tours: Available for visitors with physical or cognitive disabilities and the hearing-impaired. Monday – Friday, 9 am – 4 pm. Please call at least three weeks in advance of the event to make a booking.
Signed Interpretation: Signed interpretation is available for any public NCC event. Please call us at least three weeks in advance to request an interpreter.
Mission: Northern Clay Center advances the ceramic arts for artists, learners, and the community, through education, exhibitions, and artist services. Ongoing programs include exhibitions by contemporary regional, national, and international ceramic artists, as well as historical and architectural ceramics; classes and workshops for children and adults at all skill levels; studio space and grants for artists; and a sales gallery representing many top ceramic artists from the region and elsewhere.
Front cover: Courtney Martin, Vase
Special Hours
11/14 - 11/15/25: Galleries closed, Winter Exhibition install
11/27/25: Closed, Thanksgiving Day
12/24/25: Open 10 am - 2 pm, Christmas Eve
12/25/25: Closed, Christmas Day
1/1/26: Closed, New Year's Day
1/5/26: Galleries closed
2/3/26: Galleries closed
Wheelchair seating for classes or other accommodations: We offer a rehabilitationstyle potter’s wheel for those individuals who use wheelchairs. NCC is ADA compliant and is entirely wheelchair accessible. Please contact us in advance of attendance if there are other accommodations we can provide.
The information in this newsletter is available in large-print format upon request.
This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the Arts and Cultural Heritage Fund.