E TASTE of VENICE a
Wellington’s colourful Cuba Street is home to a small slice of Italy: Ombra, a neighbourhood bar modelled on the traditional Venetian bàcaro. Nicola Edmonds pays a visit.
Photography by Nicola Edmonds
lwyn and Russel Scott were happily led astray while asking for directions through the tangled back streets of Venice. An assortment of helpful locals kindly directed the couple to their favourite bàcaro instead. In Venice the bàcaro is a place to stop, to chat and gossip, to take a small glass of wine (ombra) or spritz while grazing from small plates of delectable snacks, known as cichèti, set out upon the bar. Like tiny bastions, these bars fly the flag for humble simplicity.
The Scotts were so entranced by that bar that they stayed there for the rest of the evening and on into the small hours of the morning. The first of many bàcari that they visited during the rest of their stay, it was to plant the seed of an idea to create their own bàcaro back in New Zealand. From his first job at Cobb & Co through to today with three successful bar/restaurants of his own, Russel has watched the industry change over four decades: “We’ve gone from a $50 main to ‘Let’s go out three or four times a week for something cheap’. This was the style that would suit that.” There were further research trips to London and Europe before he returned to Wellington with a clear vision of the kind of restaurant he hoped to establish. “We found that perfect building... It was just fate.” Built in the 1930s and barely altered since, that perfect building occupies a location that, while not ‘back-street’, is a neighbourhood of both polish and grit. Opened in 2013, Ombra nestles amidst the burgeoning upper Cuba St dining precinct and colourful adult entertainment venues nearby. Bleached linen café curtains catch the breeze at the open windows of the restaurant. Dark wooden tables and chairs are set off by the warm tones of Italian summer on the chapped plaster walls. Pressed and perforated in Australia, the intentionally rusty tin ceiling panels hide acoustic tiles that keep the sounds generated by hard surfaces – a busy kitchen and cheek-by-jowl dining – to a chattable minimum. “There’s a lot of effort that went into the details,” Russel explains. “This is somewhere we want you to relax. We’re immensely proud of Ombra – it’s more than a business.”
OPPOSITE PAGE: The
open kitchen allows diners to watch the preparation of dishes.
TOP LEFT: Head chef
Dante Kachan Therazo preparing gnocchi. TOP RIGHT: Delicate
shavings of Grana Padano adorn Dante’s Eggplant Bolognese.
DISH
29