Architecture society and ritual in viking age scandinavia doors dwellings and domestic space mariann

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Architecture Society and Ritual in Viking Age Scandinavia Doors

Dwellings and Domestic Space

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ARCHITECTURE,SOCIETY,ANDRITUALINVIKING AGESCANDINAVIA

Inthisbook,MarianneHemEriksenexploresthesocialorganizationof VikingAgeScandinaviathroughastudyofdomesticarchitecture,andin particularthedoorway.Ahighlychargedarchitecturalelement,thedoor isnotmerelyapractical,constructionalsolution.Doorscontrolaccess, generatemovement,anddemarkboundaries,yetalsoserveaspotentritual objects.Forthisstudy,Eriksenanalyzesandinterpretsthearchaeological dataofhouseremainsfromVikingAgeNorway,whichareheresynthesizedforthe firsttime.Usingsocialapproachestoarchitecture,shedemonstrateshowthedomesticspaceoftheVikinghousehold,whichcould includemastersandslaves,wivesandmistresses,childrenandcattle,was notneutral.Quotidianandritualinteractionswith,through,andorchestratedbydoorwaysprovetobecentraltotheproductionofasocialworld intheVikingAge.Eriksen’sbookchallengesthemale-dominatedfocusof researchontheVikingsandexpandsresearchquestionsbeyondtopicsof seabornewarriors,trade,andcraft.

MarianneHemEriksenisAssociateProfessorofArchaeologyatthe UniversityofOslo.From 2017 to 2019 shewasaResearchFellowatthe UniversityofCambridge.AnelectedmemberoftheYoungResearchersof NorwayundertheNorwegianAcademyofScienceandLetters,shewas awardedHisMajestytheKing'sGoldMedalforYoungerScholarsof Excellencein 2016

ARCHITECTURE, SOCIETY,ANDRITUAL INVIKINGAGE SCANDINAVIA

DOORS,DWELLINGS, ANDDOMESTICSPACE

MARIANNEHEMERIKSEN

UniversityofOslo

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Firstpublished 2019

PrintedintheUnitedKingdombyTJInternationalLtd.Padstow,Cornwall AcataloguerecordforthispublicationisavailablefromtheBritishLibrary. LibraryofCongressCataloging-in-PublicationData names :Eriksen,MarianneHem,author. title :Architecture,society,andritualinVikingAgeScandinavia:doors,dwellings, anddomesticspace/MarianneHemEriksen,UniversityofOslo. description :Cambridge;NewYork,NY:CambridgeUniversityPress, 2019.| Includesbibliographicalreferences. identifiers:lccn2018035538| isbn9781108497220 (hardback)| isbn9781108739603 (paperback)

subjects:lcsh :Architecture,Viking–Themes,motives.|Architectureand society–Scandinavia–History–To 1500.|Domesticspace–Scandinavia–History–To 1500.|Doorways–Socialaspects–Scandinavia. classification:lccna7370 e752019 | ddc721/.82209480902–dc23 LCrecordavailableat https://lccn.loc.gov/2018035538 isbn978-1-108-49722-0 Hardback

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Weareneverrealhistorians,butalwaysnearpoets,andouremotionis perhapsnothingbutanexpressionofapoetrythatwaslost

– GastonBachelard, ThePoeticsofSpace

2 1 Thedoorreproducestheaxialsymmetryofthebodies page 19

2.2 Threewaysthedoorcancreatevisionlines,manipulatingthe perceptionofspaceandobjects 20

2 3 FalsedoorfromanEgyptiantomb,exhibitedattheBritishMuseum 24

2 4 PreserveddoorfromtheVikingtownofKaupang,Norway 28

2.5 ReconstructiondrawingofthecompletedoorfoundinHedeby 29

2 6 PicturestonefromLillbjärs,Gotland,Sweden, ‘keyhole’ shaped 30

2 7 Threeiconographicalrepresentationsofhouseswithdoorways 31

2.8 ThehogbacksalludetoScandinavianlonghouses 32

2 9 Thedoorfromtwelfth-centuryStålekleivsloftet,Norway, withrepeatedlypaintedandcarvedcrossesandornamentation 34

2 10 Urnesstavechurchportalwithitscharacteristickeyholeshape 34

3.1 Scandinavian-stylelonghousesatapproximately 1,000-yearintervals 44

3 2 Illustrationdisplayingthevaryinglengthofthelonghouses 46

3 3 Mapofthesixty- fivearchaeologicalsitesconstitutingtheprimary empiricsofthisbook 50

3 4 ThelonghousefromSørbø,Rogaland,isanexampleofahouse withtwoseparatehearthrooms 55

3.5 Threeexamplesofhouseswithapossible ‘roombeyondthebyre’ 61

3 6 Miniaturechairinsilverfromawoman’schamberburial fromBjörkö,Sweden 65

3 7 Buildingsinterpretedtoincludehallfunction 67

3.8 Helganeset – asmallandunevenlybuiltlonghouse 78

4 1 Thedifferenttypesofdooridentificationevidentinthecorpus 82

4 2 Longhousewithanextendedentrance 83

4.3 Overviewoftheentrancetypesofforty-threelonghouses withcompleteentrancepatternsfromLateIronAgeNorway 84

4 4 Notallentrancepatternsareequallyfrequent 85

4 5 Thestone-walledVikingAgelonghousefromOma,Rogaland, isanexampleofadwellingwithopposingentrances 86

4 6 Fourbuildingsandtheircorrespondinggammamaps 89

4 7 Legendofdifferentlabelsusedintheaccessanalyses 89

4.8 Anassortmentofgammamapsfromthelonghouses,all ‘deep’ ortree-like 90

4 9 Visualizationsofthefourmodelsofmovementidentified inthegammamaps 92

10 Linechartshowingtheaveragedepthvaluesofthesocialspaces ofthelonghouse

.11 ThelonghouseatMoiI/Vwithasocio-spatialinterpretation

12 Gammamapsofhousesinterpretedasbuildingswithhallfunction

4 13 Suggestionofhowdifferentterritoriesfromproxemicstheory mightbespatiallysituatedwithinaLateIronAgelonghouse

4 14 AccessanalysisofcourtyardsitefromBjarkøy,Troms

5 1 AngledsettlementsfromdifferentsitesinScandinavia

5.2 InterpretationofphasesoftheLateIronAgesettlement atSkeie,Rogaland

5 3 OverviewofthefourphasesofsettlementatGolvsengane, SognogFjordane

5.4 OverviewofthedifferentphasesatthecentralplaceÅker,Hedmark

5 5 Modeloftherelationshipbetweenthesocialboundariesexamined throughproxemicstheoryinChapter 4,andtheboundariesmentioned intheHälsingelandlaw

5 6 Topographicalmodeldisplaying fivetypesoflandscapeplacement

5 7 Theaveragelengthofthelonghousesvs.theirtopographicalplacement

5 8 Radargraphdisplayingtheorientationofninety-ninelonghouses inLateIronAgeNorway

5 9 IllustrationofthemovementpatternsatBirkelandsstølen,Rogaland

5 10 MovementpatternsatSkeie,Rogaland,intheMerovingianPeriod 139

6.1 Small,anthropomorphic figurineofbronze,ofteninterpreted asFreyrbecauseofhiserection

6 2 EntangledConcepts

6.3 Artisticinterpretationofthegirlbeingliftedoverthedoorframe

6 4 Figuralgoldfoilsshowingembracingcouples,potentially standingindoorways

6 5 Overviewofartefacttypesintheplaceddeposits 165

6.6 Overviewofthespatialcontextofthedeposits 166

6 7 Plansoflonghouseswithdepositionoccurringinconnection withthedoor 168

7.1 TheruneringfromForsa,Hälsingeland,Sweden 182

7 2 TheUppåkraringwasfoundstandingverticallyinoneofthemassive postholesinthesmallcultbuilding 184

7.3 TheJärrestaddepositconsistedofanadze,hammerhead,anvil, andthepossibledoorring 185

7 4 ThemortuaryhouseatGulliduringexcavation,withaddedposts todisplaytheclosingofthedoors 192

7.5 Stylizedillustrationofthelifespanofburiedlonghouses. 194

7 6 Examplesofhousesconstructedabovemortuarymonuments 195

7 7 Twoexamplesofincorporatingthedeadwiththehouse.Ontheleft, thesmallhouseKrågeland 2 wasconstructedtouchinga centuries-oldmound

7 8 ThelonghouseatJarlsbergsuperimposedbymonumentalburialmounds

7 9 Otnemstova,exhibitedattheopen-airmuseuminSunnfjord,Norway, hasaclearlyvisiblecorpse-doorinitsbackwall 202

7.10 Artisticreconstructionofthesixth-centuryÅbyportal,Sweden 204

7 11 Exampleofdwellingwithamortuarymonumentdirectly outsidethedoor 206

7.12 IllustrationofStorrsheia 2,Rogaland,indicatingitsentranceburial 206

7 13 Visualizationofthefree-standingportals,basedontheHelgö andÄbyportals 208

PREFACE

Asissooftenthecase,thisbookhasbeenalongtimeinthemaking.Someof theideasarguedhereinwereconceivednearlyadecadeagonow,whileothers arerelativelyrecentdevelopments,asmyknowledgehasexpandedandmy thinkinghasmoved.IfwearetoacceptChrisFowler’s(2013)argumentthat archaeologicaltheoriesandinterpretationsareactantsinproducingthepast enpar withhumans,materialobjects,structures,andsoon,thisbookisthe resultofwhathasbeenadynamicaggregateofinputandinspirationfrom texts,lectures,encounterswithwonderfulandgenerousindividuals,random conversations,placesvisited,andthresholdscrossed.

Hence,agreatnumberofpeoplehavecontributedinmaterialandimmaterialwaystowardswritingthisbook.Fortheirsupportandencouragement IwanttoespeciallyextendmygratitudetoLotteHedeager,NeilPrice,and RunarHillerenLie.Fortheirgenerosityinreadingandcritiquingchaptersat variousstagesofcompletionIwarmlythankLotteHedeager,RichardBradley, RebeccaCannell,KevinKay,FrandsHerschend,HowardWilliams,Vibeke Viestad,UnnPedersen,KarianneAamdalLundgaard,EliseNaumann,and twoanonymousreviewers.

Iamespeciallygratefultothe fivearchaeologicaluniversitymuseumsin Norwayforprovidingguidancetotheirarchivesandgrantingpermissionsto reproduceplandrawingsofhousesfromtheirexcavations:Archaeological Museum,UniversityofStavanger;UniversityMuseumofBergen;the MuseumofCulturalHistory,UniversityofOslo;NTNUUniversity Museum;andTromsøUniversityMuseum,TheArcticUniversityofNorway. Anumberofotherinstitutionsandindividualshavegivenmepermissionto reproduceplandrawings,illustrations,andphotographs,asnotedintheillustrationslist,andIamdeeplythankful.

Duringpartsoftherevisionstage,IhavebeenplacedintheMaterial CultureLabattheMcDonaldInstituteforArchaeologicalResearch,UniversityofCambridge.ManythankstotheMcDonaldInstitute,especiallytoMarie LouiseStigSørensenandJamesBarrett,andthegreatgroupofpostdocs,staff, andPhDstudentsIhaveencounteredthere,formakingmefeelwelcome,and forpushingmeintellectually.Ialsowarmlythankmycollege,ClareHall, whereIheldaResearchFellowshipwhileinCambridge.

Someoftheideasmakingupthisbookhavebeenpublishedpreviously. Chapters 1–6 haveneverbeenpublished. Chapter 7 isarevisedandreworked compilationoftwopreviouslypublishedarticles: ‘ThePoweroftheRing: DoorRings,OathRingsandtheSacralPlace’,publishedinaneditedvolume byOxbow(Eriksenetal. 2015),and ‘DoorstotheDead:ThePowerof DoorwaysandThresholdsinVikingAgeScandinavia’ , publishedin ArchaeologicalDialogues in 2013.Iamgratefulforthepublishersgrantingpermissionto publishreworkedversionshere.

IwouldalsoliketothankeveryoneatCambridgeUniversityPress,and especiallymyeditor,BeatriceRehl,forbringingthisbooktolifeinitsbest possibleiteration.

Nowomanisanisland.Fromthesidelinescolleagues,friends,andfamily havecheeredmeon,andIextendmydeepestgratitude.However,thereisone personIwouldliketothankinparticular.IcamelateintoLotteHedeager’ s careerasprofessor,ChairofPrehistoricArchaeology,supervisor extraordinaire, andcolleague.Since 2013,however,Lottehasreadprettymucheveryword Ihavewritten.Sherespondstoe-mailsfasterthanIcancheckmysocialmedia accounts.Shetellsmeinnouncertaintermswhenarticledraftsarepoor,ideas faulty,andargumentsweak.Sheonce,aftera fifty-pagethesischaptergroaning undertheweightofitsownbulkyanalyses,hadasingleconcludingremark: “Putin!” Ittookmeawhileto figureouthowVladimir fitintothepicture,but needlesstosay,hedid.

LottehasencouragedmewhenIneededsupport,showncompassionwhen lifegotintheway,andlaughedwithmethroughmanyameeting.Iam honouredtobeamongthosethatcancallhermentor,andforallthesereasons IdedicatethisbooktoLotteHedeager, forceofnature

PARTI

OPENINGDOORSTOTHEVIKINGAGE

ONE ENTRYPOINTS

ONTHETHRESHOLD

Mostofustakedoorsforgranted.Wepassthroughdoorwaystensoftimes eachday,withoutreflection.Thedooris,however,apowerfulfeatureof humanmentalityandlife-practice.Itcontrolsaccess,providesasenseof securityandprivacy,andmarkstheboundarybetweendifferentiatedspaces. Thedoorwayisalsothearchitecturalelementallowingpassagefromonespace tothenext.Crossingthethresholdmeansabandoningonespaceandentering another,abodilypracticerecognizedbothinritualandlanguageasatransition betweensocialrolesorsituations.Doorsandthresholdsarethuscloselylinked with ritesdepassage,theword ‘liminality’ itselfstemmingfromLatin limen, ‘threshold’.Thisdoesnotimplythateachandeverycrossingofathreshold constitutesaliminalritual,butratherthatpassingthroughadoorwayisan embodied,everydayexperiencepromptingnumeroussocialandmetaphorical implications.Avolumeonthresholdsin fictionaskswhythethresholdexercisessucharivetinggrasponhumanimagination;whyitissucharesonant space(Mukherji 2011:xvii).Thecharacterizationofthethresholdasaresonant spacepreciselycapturesitsaffect.Thethresholdisevocative,alocusof heightenedanticipation.

Theseedsforthisbookweresownnearlyadecadeagowhen,duringdata collectionformymaster’sthesis,Inoticedastrangeconcurrencebetweentwo writtensourcesrelatedtotheVikingAge.Onetext,ibnFadla¯n’ s Risãla,was

fromtheArabicCaliphate,containinganeyewitnessreportofashipburialofa VikingchieftainontheriverVolgain 922 CE.Theotherwasanepisodefrom Flateyjarbók, alateIcelandicsagaofwhichtheoldestsurvivingcopydatestothe fourteenthcentury,recountingastrangefertilityritualonaremotefarmin VikingAgeNorway.1 Eventhoughthetextsweretranscribedcenturiesapart andinvastlydifferentgeographicalandculturalcontexts,theybothtouched onthesame,eerietopic:awomanbeinglifted – oraskingtobelifted – abovea doorframe,toenableherto see intoadifferentrealm.

Thisimagetookrootinme;Istartedwonderingifdoorswererelatedto ritualpracticesintheVikingAge.Simultaneously,Ihadstartedrealizingthe vastandlargelyuntouchedpotentialinconsideringthearchaeologicalremains ofthebuiltenvironmentoftheperiodnotonlyasfunctional-economic constructionsbutassocialexpressions,producers,andagents.Gradually,these twothemesforgedonequestion:Howcananin-depthstudyofaneveryday materialobject – thedoor – generatenewknowledgeofsocial,ritual,and affectiveexperienceoftheLateIronandVikingAges?Inansweringthat question,thisbookoffersafreshapproachtothe(pre)historicperiodoften termedtheScandinavianLateIronAge(c. 550–1050 CE);itisasocialexplorationofthehousesandhomesoftheVikingsinapivotalperiodofEuropean history.Thecruxofthebookisthatitusesahighlychargedarchitectural elementasanentrywaytoexplorethehouseholds,hierarchies,andritualsof theVikingAge.

NEWGATEWAYSTOTHEVIKINGS

TheVikingsarewellknowntous.Wecanconjureimagesinourminds withoutblinking – long-haired,bearded,frenziedwarriors,swordsinhand. And,equallyobvious,theconjuredimageistosomeextentfalse,oratthevery leastitisone-dimensionalandstagnant.Inathought-provokingarticle,Neil PricepointsoutthattheVikingswestudytodayareverydifferentfromthe onesunderscrutinytwentyyearsago – orevenfurtherback. ‘Theyhave grown ’,hewrites, ‘theyhavegainedmoredepthandresolution’ (Price 2015:7).Tomymind,thatisonlypartiallytrue.Inarenassuchasreligion andritual,dressandgender,andespeciallymortuarypractices,theVikings havegainedmoredepth.Butintermsofeverydaylife,intheVikings’ households,andtheiruseandconceptualizationofdomesticspace,Iargue thatthereisstillroomtogrow.InarecentassessmentofVikingarchaeology, SarahCroix(2015)claimsthatVikingstudiesaretosomeextentregressing. Afterthelastdecades’ gendercritiqueandafocusonVikingritual,craft,and especiallytrade,aninternationalexhibitionlaunchedin 2013 unapologetically focussedonthestereotypicalViking:themaleraiderandwarrior(Williams etal. 2014).WiththeenormouspopularityoftheVikingsinmainstream

culture,Croix(2015:93)contendsthatthe fieldofVikingstudiesisfeedingthe publicwhatitexpects, ‘andrepeatingitselfwithinasimplifiedandevermore narrowingframe’.Inmyopinion,whiletheperceptionsofVikingsaswarriors, traders,andcolonistsareintheforefrontofpublicdiscourse,aswellasthe objectofasubstantialamountofresearchontheVikingAge,thedomestic sphereisstillperceivedasanunproblematized,familiar,andsomewhattrivial sphere.

Incontrast,theempiricalbasisandthepointofdepartureofthisworkare thefragmentedremainsofthedoors,butalsothedwellings,oftheVikings. Eventhoughthedoorwillbeoncentrestageinthisstudy,itmakeslittlesense todiscussentrywayswithoutconsideringthespacetowhichtheylead.Ithus drawonthelatentpossibilityinusingarchitectureandthebuiltenvironment toanswerquestionsofsocialorganization,architecturaltemplatesof movement,ideology,affect,andritualbehaviour.Thequestionofhowone particularmaterialconstructioncanelucidatethesocialfabricoftheViking Agerelatestoabroaderattempttodevelopmoretheoreticallyengaged perspectivesinVikingarchaeology.Moreimportant,though,isthequestion: HowdoestheVikingAgelookfromthepointofviewofthehouse?

Inrecentyears,developmentsinexcavationtechniquehaveunearthed thousandsofprehistorichousesinScandinavia.Thisnewdatasetprovides novelopportunitiestoexaminethepracticeofdwellingthroughphysical remainsofarchitecture.ThisbookdrawsonthegenerallyunexploitedpotentialembeddedinthearchaeologicalrecordofhouseremainsfromLateIron AgeScandinavia,withaprimaryfocusonNorway.Thecorpus,presentedin the Appendix andreferencedthroughout,consistsof 99 longhousesand 17 shorthouses,intotal 116 buildingsinterpretedasdwellings,from 65 archaeologicalsites.Embeddedinthecorpusisasubstantialarchaeologicalmaterialof doorsandentrances,withatotalnumberof 150 doors.Theprimaryattention onNorwayisastrategytolimitthescopeofinquiry,andtopresentNorwegiansettlementsoftheperiodintoonepublication,asthismaterialhasnot beencompiledpreviously.However,Iwillusesettlementmaterialfromother partsofScandinavia,mainlysouthScandinavia(DenmarkandScania),andthe Norseworldscomparatively,inordertoexploredifferencesandsimilarities betweenthesouthandcentralScandinavianarchitecturalexpression.Iwillalso brieflydiscussotherbuildingtypessuchascourtyardsites,cultbuildings,and mortuaryhouses.

ResearchonIronandVikingAgesettlementhastraditionallyfocusedon functional,economic,andagriculturalaspectsofsettlement.Whilethesetopics areclearlyimportant,therearestillunrealizedpossibilitiesinusingthematerial remainsofhousesindiscussionsofthespatialityandsocialorganizationof dwellings.Bydrawingonthepotentialembeddedinpostholes,doors,and hearths,thisstudycomplementsexistingresearchbyconsideringaccessand

entrytodomesticspace,thecompositionofthehousehold,andtheaffective websofthehouse.Itinvestigatestheritualizationofdoorsandthresholdsin theVikingAge,therelationshipbetweenhouses,doors,andthedead,andthe significanceofeveryday,domesticlife.Materialobjectsarehereinconsidered asmorethaneconomiccommodities,statussymbols,or,inthecaseof architecture,climateshelters;andareratherexploredassocialentitiesforming relationalassemblages,inlinewithmuchofcurrentarchaeologicalthinking (e.g.Fowler 2013;JonesandBoivin 2010;Lucas 2012, 2016;B.Olsen 2010). IwillrepeatedlyarguethatVikinglonghouseshaveformsofagencyand vibrancy,thattheycanhavesociallives,andthattheinhabitants’ liveswere verymuchentwinedwiththatofthehouse.Significantly,Ihopetomapa morecomprehensiveuniverseoftheVikings,wherethepeopleoftheViking Ageare fleshedoutandembodied.

IthereforeaspiretoseetheVikingsasmorecompletehumanbeings specificallythroughtheirrelationtoanduseofsocialspace.Thisworkcannotand willnotbeacompletesocialarchaeologyoftheVikingAge;itdoesnot considerforinstancetheVikingraids,colonization,ortrade.Theaimisrather tocarveout,fromthegreyblockoftentermed ‘thedomesticsphere’,ahigherresolutionpictureoflivedexperienceinVikingAgeNorway.Everydaylifeis thefoundationofthiswork;consumption,seatingarrangements,sleeping patterns,everydaymovementthroughdomesticspace.Insomechapters,the slavesoftheVikingsareconsidered,andtheireverydaylifeexperience.Viking children,andwomen,andmalesofdifferentstatusarebroughtintothe picture.Inotherchapters,Iconsiderrituals,anddeposition,andthehouseas anactiveagentinthecreationofasocialworld.IhopetoportraytheVikings toahigherextentas realpeople,withdesiresandaversions,agendasandaffects, anxietiesandbeliefs.Iembedthemwithinaphysical,architecturalframethat notonlysignificantlyshapedtheirmovements,thoughts,andactions,butthat waspartofthemandofwhichtheywereapartinturn.Inshort,theaimisto contributetothedevelopmentofasocialarchaeologyoftheVikingAge.And mygatewayfordoingsoisthroughthedoorofthedomestichouse.

THEHOUSE:ORDERINGSPACE,BODIES,AND SOCIALRELATIONS

... thehousewewereborninisphysicallyinscribedinus.Itisagroupoforganichabits.After twentyyears,inspiteofalltheotheranonymousstairways;wecouldrecapturethereflexesof “the firststairway”,wewouldnotstumbleonthatratherhighstep. Thehousewewereborn inismorethananembodimentofhome,itisalsoanembodimentofdreams.

(Bachelard 1994 [1964]:14–15)

Whereassocialanthropology,sociology,andseveralsubfieldsofarchaeology havelongbeeninterestedinhousesandhouseholdsasanalyticalcategories,as

wellastheconnectionsbetweenthebuiltenvironmentandsocialorganization,suchissueshavearguablyreceivedlimitedattentioninScandinavianIron andVikingAgestudies.People,andtheireverydaysocial,political,andritual practices,areoftenmoreorlessinvisibleindiscussionsofhousesandsettlements.RuthTringham’sfamousstatementthattheinhabitantsofprehistoric housesaremerely ‘facelessblobs’ (1991)ringsnolesstrueinthelate 2010sthan itdidintheearly 1990s.

TheearlieststudiesofIronandVikingAgesettlementinNorwaywere rootedinacultural-historicalframework,andgenerallyofadescriptivecharacter(Grieg 1934;Hagen 1953;Petersen 1933, 1936).Aparticularresearch strandinNorwegianarchaeologyhasbeenthetraditionofusingwritten records,cadastres,maps,andtoponymstochartIronandVikingAge settlement,ashistoricalfarmsareseenasthenaturalsuccessorstopostulated prehistoricfarms(Gjerpe 2014;Pilø 2005).ThisrelatespartlytoNorwegian archaeology’semergenceinanationalromanticistframeworkinthenineteenthcentury(seealso Chapter 3).

Subsequentworksinthesecondhalfofthetwentiethcenturybecame increasinglyattentivetoquestionsofeconomyandsubsistence,inlinewith thedevelopingprocessualframework(e.g.Jacobsen 1984;Kaland 1987;Randers 1981).Publicationsprimarilyfocusoncalculationsofproduce,cultivation intensity,andthenumberoflivestock,andrarelycontainplansofthehouses andsettlements.Inlinewiththepredominantarchaeologicalthinkingofthe day,thispointstoanunderexploredanalyticalconsiderationofthehouse structuresthemselves.Yet,therewereothervoicesinthesettlementdebate. Throughseveralworks,BjørnMyhreconsideredthesettlementofsouthwest Norway(1980, 1982a, 1982b, 1982c, 1983).EventhoughMyhrewasinfluencedbytheprocessualandfunctionalistwayofthinking,healsopinpointed sociallyorientedquestionsofsettlementandusedmodelsfromsocialanthropology.Likewise,TrondLøken’sworkontheBronzeAgetoEarlyIronAge siteForsandmoen,Rogaland,incorporatesmoresociallyorientedquestions springingfromthearchitectureitself(Løken 1998).

Otherworkshavetakenapoliticalangle,focusingonthedevelopmentof estatesandpettykingdoms,andtherolelandownershipplayedinstateformation(Iversen 2008;Skre 1998).EspeciallytheworksofDagfinnSkre(1997, 1998, 2001)significantlyrejectedtheidealizedegalitarianperceptionofViking settlementandilluminatedtheroleoffreeddependantsandslavesinlarge-scale settlementpatterns.Skreopensforadebateofideologicalandpoliticalaspectsof settlement,wherehisfocusisprimarilyonlandholding,tenancy,andsocial economyexploredmainlythroughburialmaterialandwrittensources(Skre 2001).Yet,thereislimitedconsiderationofeveryday,domesticlife,orindeed thehousestructuresthemselves;theestatesidentifiedinlaterwrittensourcesare theimportantelements,aspawnsinlarge-scalepowerplays.

InthesameperiodthenumberofexcavatedsettlementsinNorwaystarted toincreasedramaticallyduetothemethodologyofexcavatingwithmechanicaldiggersunderneathcultivatedland.However,accumulatingalargerdatasetofhousesfromtheIronAgedidnotinitselfincreaseexplorationsofsocial aspectsofspace.Incontrast,Britishprehistoricarchaeology,especiallyduring thepeakofpost-processualism,hasofferedcognitivetakesonarchitecture, suchastracingsymbolicspacesorviewinghousesandmonumentsascosmologicalexpressions(e.g.Benderetal. 2007;ParkerPearson 1999b;Tilley 1994), yet,Iwouldargue,againoftenatthecostoflivedexperience.Suchapproaches moreoverrarelyseepedintoScandinavianconsiderationsofarchitectureand households,atleastinIronAgescholarship.InScandinavia,limitedconsiderationoftheBritish-centredphenomenologyofspacehastakenplace,orthe livedexperienceofarchitecture.Iarguethattherehasbeenatendencyofa dichotomybetweenmortuaryarchaeologistsfocusingonritual,socialorganization,andideology;andsettlementarchaeologists – atleastthoseworking withnon-elitesettlements – concentratingontypology,economy,andfunction.Asaresultofthisdivisionofresearchagendas(andhereIampainting withabroadbrush),apictureemergeswherethemannerinwhichapast societyhandledtheirdeadmayprovideknowledgeofideas,rituals,and ontology,whilethebuiltenvironmentisreducedtoaneutralbackdropto socialpractice.

Inrecentyears,however,studiesofbuiltenvironmentsinScandinaviaand thewiderVikingworldthattranscenda homoeconomicus perspectivehave startedgeneratingnewknowledgeinarangeofareas:socialandpolitical process(Boyd 2013;Dommasnesetal. 2016;HadleyandHarkel 2013; Herschend 2009;Holst 2010),structureandpractice(Webley 2008),ritualization(e.g.Carlie 2004;Eriksen 2015b;Kristensen 2010),therelationship betweenthelivingandthedead(Eriksen 2013, 2016, 2017;Thäte 2007),and genderrelations(Croix 2014;Milek 2012).AkeyScandinavianscholarhas beenFrandsHerschend,whoinaseriesofworkshasexplorednotionsof orderedspaceandconsideredlandscapesassocialagentsintheIronAge (Herschend 1993, 1994, 1997, 1998, 2009).

Itisalsoincreasinglyacceptedthatmany,ifnotmost,agrarian,economic practices,suchasplantingcrops,ploughing,grinding,cooking,orweaving, hadritualandmythologicalovertonesintheIronAgeworldview(e.g.Fendin 2006;Gräslund 2001;Kristoffersen 2000;Welinder 1993).Thehousewasalso thecentrallocusofmanyformsoffeastsandseasonalcelebrations,aswellas ritesdepassage:burials,births,andweddingstookplacewithinthehouse.All deitiesintheNorsepantheonhadtheirown,namedhallbuildingsoverwhich theyruled;whenwarriorsdied,theyexpectedtheirbodiestogolivein anotherhouse – Valhǫll or Fólkvangr.Moreover,theworlditselfisinkennings andEddicpoetrylikenedtoahallorhouse,theskyasaroof,andsoon(e.g.

Rigsþula, Vǫluspá 64).Afoundationofthisbookisthusthatthelonghousenot onlyhadritualconnotations,butwasdeeplyentwinedintheLateIronAge ontology,andmoreover,thatsocial,ritual,andeconomicalpracticeswere interwovenintoatapestrythatcouldnotbeunravelled(sensuBradley 2005). Thebuiltenvironmentisanaccumulatedandinfluentialassemblageof socialpractice,repeatedactions,spatialideals – inotherwords,of livedspace. Architectureisalwaystheresultofpastaction(e.g.McFadyen 2013).The houseandits praxis hasbeenplacedintheverycentreofthesocialfabricof pre-industrialsocieties,asithasbeenarguedthatincultureswithoutliteracy, inhabitedspaceandthehouseconstitutetheprimaryobjectificationsofsocial schemes(Bourdieu 1977:89–90).Thehouseis,inBourdieanterms,botha structuringandstructuredstructure – i.e.bothacauseandeffectofsocialprocess, andaprimary fieldforinscribingthebodywithaspecifichabitus.However, JohnRobbsuggeststhatinsteadofsimplisticallyapplyingideassuchashabitus inprehistoryor ‘lookforagency’ inthearchaeologicalrecord,weshould ratherunderstandactionas genresofbehaviour: ‘asetofinstitutionalizedpractices recognizedasadistinctactivity’ (Robb 2010:507).Feasting,warfare,mortuary rituals,orcultivationwouldconstitutedifferent genresofbehaviour.Moreover, Robbstressesthatagencyisnotnecessarilyembeddedindisparateindividuals butin relationships,andthattheserelationshipsarefundamentallymaterial. Agencycanthusbedefinedas ‘thesociallyreproductivequalityofaction’ withinrelationshipsamonghumanandnon-humans(Robb 2010:494).Houses createthecontextsformanydifferent fieldsofactionandgenresofbehaviour. Moreover,theinfluenceofthebuiltenvironmentiscertainlypartofareciprocalrelationshipbetweenthehouseanditsinhabitants,andtheirdaily,unreflectedandembodiedpractices;thehouseastheproductofthesocialchoices ofthebuildersandinhabitants,andareificationofpastaction,inturnaffecting newgenerationsemergingwithinthehouse.

Toconsiderthelivedexperienceofdwellingitisnecessary,Iargue,to considerbodiesinspace:bodiesbuildingspace,usingspace,navigatingspace, andtransformingspace.Increasedattentionhasbeendirectedtowardsthe sensesandthebodyrecently,withintheIronAge(e.g.Hedeager 2010;Lund 2013)andespeciallyinEuropeanlaterprehistoryatlarge(e.g.Boric ´ andRobb 2008;Hamilakis 2013;Rebay-Salisburyetal. 2010;RobbandHarris 2013). Bodiesareambiguous,simultaneouslyobjectsandsubjects,asitewhereboth theselfandtheotherarenegotiatedandperformed.Bodiesareplacesofdesire, butalsoofviolence,biologicalprocesses,abjection,andalienation. Embodimentcanbedefinedasthewaypeopleengagewiththeworldthrough theirbodies.Thewayweexperiencethebuiltenvironment,astherestofthe world,isthroughourcorporeality(Bourdieu 1977;Merleau-Ponty 2012 [1958]).Mauss(1979)famouslyobservedthatthetechniquesofthebody:the waywewalk,sleep,dance,run,andmakelove,areallsocio-cultural

idiosyncrasies.Childreninparticularareinscribedwith,orrather,imitate,the adults’ movementsofthebody,andtherebyacquiresetsofsociallyconditionedbodymovementsthatconstituteculturallyspecificstrategiesforexperiencingandmediatingtheworld(Bourdieu 1977;Mauss 1979;Wilson 1988:153).

Theperspectiveofbodilylearntpracticeandexperienceishighlyrelevant forastudyofdoorsanddwellings.Movementsthroughdomesticspace, seatingarrangements,theorderinwhichfoodisserved,theroomyouare notsupposedtoenter,thethresholdonlysomeareallowedtocross – these small,householdpracticesarebothexecutedbyandabsorbedintothebody, creatingandrecreatingthesocialworld.Andasthesocialsystemsareinstitutionalizedinthearchitecture,differentiatedpowerstructuresarelegitimized andeuphemized(Bourdieu 1989).HarrisandRobb(2013b:3)offertheuseful workingconcept bodyworlds,whichtheydefineas ‘thetotalityofbodily experiences,practicesandrepresentationsinaspecificplaceandtime’.Emanatingfromembodiment,somescholarsemphasizetheperformativityofarchitecture,ofhowitisonlywhenbodies,architecture,andthingscometogether thataspacebecomesaplace(Kaye 2016).Otherscholarsstressthatthebuilt environmentcanbeunderstoodasaproducerofaffective fields(Harrisand Sørensen 2010),engenderingcertainformsofemotionalresponsesinitsusers (Harris 2016;Love 2016),orspecificatmospheres(Sørensen 2015).Iconsider doors,doorways,andthehouseatlarge,notonlyasmediatorsofhabitus,but asthingswhichshape,move,andmergewithpeople,inaprocesswhere housesandpeopletogetherengageinanembodiedprocessofdwelling.

TOWARDSASOCIALARCHAEOLOGYOFTHEVIKINGAGE

Noveltheoreticalperspectiveshaveopenedthedoortonewquestionsand newanswersinVikingarchaeology.Theeclecticinternallyconflictedwaveof approacheshurtlingforthfromthebeginningofthethirdmillenniumhasbeen collectivelytermed ‘newmaterialism’ (Thomas 2015).Althoughcontroversial andprovocative,thisshifttorelationalthinkingoffersavastrangeofnew perspectivesinarchaeology.Amongtheperplexingstrandsofsymmetrical archaeology(Olsen 2003;B.Olsen 2010;Witmore 2007),meshworks(Ingold 2007),Actor-NetworkTheory(Latour 2005),assemblages(Fowler 2013; HamilakisandJones 2017),entanglements(Hodder 2012),vibrancy(Bennett 2010),andtheontologicalturn(Albertietal. 2011;MarshallandAlberti 2014) Iwishtoemphasizethreepointsbecausetheyexplicitlyandimplicitlycastthe storyofthiswork.

The firstisthatmaterialculture,animals,landscapes,things,andpeople form relationalassemblages (Bennett 2010;Fowler 2013, 2016;Hamilakisand Jones 2017;Lucas 2012);awaveofthinkingincurrentarchaeologicaldiscourse

thatspringsprimarilyfromthephilosophyofDeleuzeandGuattari(2013 [1987])andthesubsequentworkbyDeLanda(2006).WhileIarguedthat architectureisalwaystheresultofpastaction,itiscertainlynotmerelythe resultofhumansacting ‘ upon ’ deadmaterials.Rather,theIronAgelonghouse isanexcellentexampleofanassemblageofbuilders,materials,landscapes, inhabitants,weather,guests,animals,things,practices,technologies(Eriksen 2016),allengaginginaprocessofperpetuallybecomingahouse,atan intersectionbetweenconstructionanddecay(e.g.Harris 2016;Jones 2007; Lucas 2013).Areductionistviewofhousesasmerelythephysicalconstruction ofthewallsandposts;oronlythe(human)inhabitants;ortheactionsthattake placewithin,becomesarguments adabsurdum – thehouseistheemerging aggregateofalltheseentities,inextricablyentwined.

Thesecondpointisthat everydaythings havetosomeextentbeenoverlookedincurrentdiscourse.However,everydaythingsareinterwovenwith humanlives;theyareaggregatesoflivedexperience,andbystudyingmundane thingsweaccessotherperspectivesontheVikingAgethan finemetalwork, monumentalburials,orwarriorswordscanallow.Animplicitmotivationfor thisstudyisthustoilluminatethemundane,theordinary,thenon-spectacular. Forexample,inathought-provokingarticleaboutemotionandmaterial culture,HarrisandSørensen(2010)arguethatarchaeologyshouldengagewith questionsofemotionandaffect.Theycontendthatemotionsarenotonly internalandimmaterialphenomena,butoccurintheencounterwitha materialworld,andusethecasestudyofaspectacularLateNeolithicmonument,thehengeatMountPleasant,todiscusstheroleofemotioninbuilding andrebuildingsuchasiteoveranextendedperiodoftime.Inhercommentto thetext,ÅsaBerggren,however,pointsoutthattheenormousmonumentis anexamplewhereitisrelativelysimpletoarguethatmaterialityelicits emotionalresponses.Shewrites: ‘Itwould,forexample,havebeeninteresting tosee[HarrisandSørensen]applytheirideastosomeofthemoremundane archaeologicalmaterials,from,forexample,settlementsthatwouldbemore explicitlyconnectedtoeverydaylife’ (Berggren 2010:164).Thecritiqueresonateswiththisproject.Archaeologistshaveforalongtime,throughvirtuallyall archaeologicalparadigms,favouredthe monumental:therichest finds,thelargest mounds,andthemostelaboratemonuments.

Inasense,thisbookstartswhereNicoleBoivinendsherstimulating Material Cultures,MaterialMinds (2008).Boivinlistsanumberof ‘ ... mundane,but powerfulobjectsandenvironmentsthatcreateusaswecreatethem’,suchas potsandpans, fishinghooks,pendants,carpets,parks,artworks,pacemakers, andyes,evendoorways.Sheconcludesbystatingthatwehaveonlyjustbegun toexplorehow ‘thismassofsimplethingshasshapedandtransformedour thoughts,emotions,bodies,andsocieties’ (2008:232).Thisstudyisintendedas exactlythat,anexplorationofhowaneverydaymaterialfeature,thedoor,

shapedandtransformedthoughts,emotions,bodies,andsocietiesinaspecific prehistoricperiod.Itis,afterall,everydaylifethatbuildsasocialworld.

Third,thisworkisintendedasacontributiontowardsa socialarchaeology of theVikingAge.Someprominentthinkersincurrentdiscourseseeaclear oppositionbetweensocialarchaeologyandamaterialistarchaeology(Latour 1992, 2005;Webmoor 2007).Thesharpestcritiqueofsocialarchaeologywas presentedbyWebmoorandWitmore(2008),closelyshadowingLatour,in arguingthatthesocialhasbecome ‘boththe explanandum andthe explanans for archaeologicalinquiry’,aninvisibleforcethatsomehowisbothcauseand effect,withasignificantanthropocentricbias(seealsoWebmoor 2007).Itis largelyproponentsofActor-NetworkTheoryandsymmetricalarchaeology thatarerefutingtheconceptofsocial,becauseitintheirviewinherently describesrelationsbetweenhumansandotherhumans,upholdingaCartesian dichotomybetweenthe ‘material’ and ‘social’ world.Althoughthecritiquehas meritincriticizingtheuseofsocialasauniversalistandacatch-allphrase,Istill claim ‘socialarchaeology’ hassignificance.Firstbecause,asithasbeenargued againstLatour,if ‘thesocial’ shouldbebanishedfromourvocabulary,howcan wecontinuetospeakofequallyephemeralconceptssuchas ‘theeconomic’ or ‘thepolitical’ (Rowlandetal. 2011)?Second,WebmoorandWitmore (2008:55)implythatthesocialhassupersededitsrole ‘asacorrective’ in archaeology.WhilethatmayormaynotapplytotheAnglophoneworld, therearelargeterritoriesofarchaeologywherethepost-processualwavedid notbecomequiteasubiquitousasin,e.g.Britishprehistory(cf.Ribeiro 2016), andVikingstudiesiscertainlyamongthoselands.Theuseofsocialinthis workisindeedintendedasacorrectivetotraditional,largelyeconomic perspectivesontheVikingAge:aheuristictoshiftthefocusfromagrarian practicestopeople,fromtraderelationstoaffectiverelations,fromtypologyto agency.Andthird,socialarchaeologyishereinunderstoodasinherently relational,springingfromtheviewthatsocietiesareformednotmerelyby humans,butbywider,heterogeneousagencies(Boivin 2008;Lucas 2012).In linewithGavinLucas’‘ new ’ socialarchaeology(2012:258–265),thesocial emergesthroughnetworksandrelationshipsamonghumans,animals,and things,ratherthansomehowexisting ‘behind’ or ‘previous’ tothem.Wecan expandontheoldanalogyreferencedbyMalafouris(2013:25),wherethe archaeologistsearchingforthesocial behind astoneaxe(orindeedalonghouse),canbecomparedwithavisitortoCambridge,who,afterseeingthe colleges,departments,andthelibrary,askstobeshowntheuniversity. Consequently,thesebuildingblocks – relationalontology,everydaymaterials,andsocialarchaeology – formthefoundationofthepagesahead.Instead ofseeingmaterialcultureasa ‘representation’ oftheworld,materials are the world,physicallyandsocially.Notonlyhouseholdthingsbutalsothehouse itselfisinextricablyentwinedwithhumanlives.

ARCHITECTUREOFTHEARGUMENT

ManypathwaysleadtoamoresociallygroundedapproachtotheVikingAge; minehasbeenthrough thedoor.Or,toputitanotherway,Ihavechosento placeaspecificarchitecturalelementunderscrutiny – thoughnotinisolation –andtoletthedoorwaysandentrancesspeak.

Somepracticalconcernsanddefinitionsshouldbeclarified.Thisbook addressesthetimebetween 550 and 1050 CE.InNorthernEurope,this timeframehasseveralchronologicaldefinitionsandnames(e.g.lateGermanic, Merovingian,Vendel,Viking,EarlyMedieval),andacommonchronological frameworkhasnotyetbeendeveloped.InNorwegianarchaeology,this chronologicalscopeconsistsofthe Merovingianperiod (c. 550–800)andthe VikingAge (c. 800–1050);thetwoperiodsarecollectivelytermedthe LateIron Age andareregardedasbelongingtoprehistory.Inthiswork,LateIronAge andVikingAgeareusedassynonymsforthesecondhalfofthe firstmillennium,i.e.sixthtoeleventhcenturies.Atpointswhereamore finelytuned chronologyisofrelevance,Iwillpointoutthedatinginmoreexplicitterms; however,asstatedinthe Appendix,manyhousescannotbedatedvery precisely,andchronologicaldevelopmentisthereforenotattheforefrontof thisstudy.IhavealreadystatedthatNorwayconstitutestheprimaryresearch area.Regardinggeographicalnomenclature,themodernnation-stateNorway hadofcoursenotyetformedintheLateIronAge.When ‘Norway’ and ‘Norwegian’ isusedinthistext,areasofmodern-dayNorwayareimplied. Atthisjuncture,Iwillalsobrieflystatethebook’sstanceonusingwritten, medievalsourcestounderstandsocietiescenturiesolderthantheoldestsurvivingmanuscripts.Withtheexceptionofshortandformulaicinscriptionsinthe runicalphabet,LateIronAgeScandinaviawasasocietywithouttext.The first longerScandinaviantextswerewrittenintheLatinalphabetaftertheconsolidationoftheStateandtheconversiontoChristianityinthebeginningofthe secondmillennium.TherelationshipbetweenmedievalwrittensourcesconcerningtheLateIronAgeandthematerialrecordoftheperiodhasbeen subjecttochangingacademicapproachessincetheemergenceofViking studies.Fromasomewhatuncriticalreadingoftextualsources(e.g.Munch 1852)toacriticalapproachrefutingalmostanysourcevalue(Weibull 1911, 1918);mostresearcherstodayseemtoaimatamiddleground(e.g.Andrén 2005, 2014;Hedeager 1999, 2004, 2011;Price 2002, 2010, 2014).Ingeneral, today’sscholarsneithertakemedievalsagasandpoetryatfacevalue,nor disregardtheirinsightintotwelfthtofourteenth-centuryreflectionandcommemorationofanot-too-distantpast.Thewrittensourcesdoreflectahighmedievalworldview,butatatimewhereoraltraditionsstoodstrong.Late IronAgeScandinaviaisoftenunderstoodasanoralculturewherenarratives andlegalrulewererememberedthroughformalizedlanguage(Andrénetal.

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