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Single White Incubus Supernatural Selection Book 1 A Mythmatched story E.J. Russell

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Contents

Copyright

Title Page

About Single White Incubus

Keep in Touch - wide

Dedication

Supernatural Selection Personal Ad

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

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More Mythmatched

A Message from E.J.

Also by E.J. Russell

About the Author

Acknowledgements

This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons living or dead, business establishments, events, or locales is entirely coincidental. All person(s) depicted on the cover are model(s) used for illustrative purposes only.

Singe White Incubus

Copyright © 2018, 2024 by E.J. Russell

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without the written permission of the author, and where permitted by law. Reviewers may quote brief passages in a review.

NO AI/NO BOT. We do not consent to any Artificial Intelligence (AI), generative AI, large language model, machine learning, chatbot, or other automated analysis, generative process, or replication program to reproduce, mimic, remix, summarize, or otherwise replicate any part of this creative work, via any means: print, graphic, sculpture, multimedia, audio, or other medium. We support the right of humans to control their artistic works.

Cover art: L.C. Chase https://lcchase.com

Editors: Rachel Haimowitz, Kelly Miller

ISBN: 978-1-947033-73-3

Second edition March 2024

Contact information: ejr@ejrussell.com

Doesabearshiftinthewoods?

Well, partially. That was what got grizzly shifter Ted Farnsworth into trouble. He wasn’t trying to break the Secrecy Pact. He just wants people to see the real him. So he signs up with the matematching service Supernatural Selection—which guarantees marriage to a perfect partner. Not only will Ted never be lonely again, but once his new beaver shifter husband arrives, they’ll build Ted’s dream wilderness retreat together. Win-win.

Quentin Bertrand-Harrington, scion of an incubus dynasty, has abstained from sex since nearly killing his last lover. When his family declares it’s time for him to marry, Quentin decides the only way not to murder his partner is to pick someone who’s already dead. Supernatural Selection finds him the ideal vampire, and Quentin signs the marriage agreement sight unseen.

But a mix-up at Supernatural Selection contracts Quentin with Ted. What’s Ted supposed to do with an art historian who knows more about salad forks than screwdrivers? And how can Quentin resist Ted’s mouthwatering life force? Yet as they work together to untangle their inconvenient union, they begin to wonder if their unexpected match might be perfect after all.

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For my readers, who fellin love withthe Kendrickbrothers andwantedmore stories in their world.

“Ted? Did you hear the question?”

Ted Farnsworth blinked, shifting his gaze from his therapist’s neck to his movie-star handsome face. “I’m sorry, Dr. Kendrick. What was it again?”

Dr. Kendrick was used to Ted getting distracted, since it happened at every visit at least once. Okay, twice. Three times, tops. But he never frowned with censure the way the head of the bear shifter council always did. Or snort with annoyance like Ted’s brother. Or even sigh with impatience like some of his friends. Nope. Dr. Kendrick just calmly repeated himself.

“Why didn’t you come to see me as soon as you got the council’s letter of reprimand?”

“Oh. The letter.” Ted squirmed, the urge to shift prickling along his spine and over his scalp. He gripped his knees, squeezing tight. Shifting here would be bad. Dr . Kendrick’s nice office furniture isn’t ratedforgrizzlies. “I couldn’t come to town until now. My truck’s in the shop.”

Dr. Kendrick’s eyebrows drew together. “But I installed the emergency communication app on your phone for a reason. You

could have called me for transport through Faerie. There’s a threshold in my backyard and another practically on top of your cabin.”

Ted shrugged sheepishly and picked up his cup of Dr. Kendrick’s excellent office coffee. “I know. But I didn’t want to bother you.”

“Arranging an appointment, especially when it’s council-ordered and you could be censured for ignoring it, is a perfectly legitimate use.” He crossed his legs and settled his hands on the arms of his wingback chair. “I want you to promise me that— Is something wrong?” He tugged on the knot of his tie. “You keep staring at my neck.”

“No! Nothing. Nope.” But I’m pretty sure that’s a hickey peeking overyour collar, andit’s really distracting. “I guess I’m just not used to the new look.”

“Ah. Is this better?” Between one blink and the next, Dr. Kendrick morphed from young-Hugh-Jackman gorgeous to the comforting face Ted was used to from before Dr. Kendrick had broken his curse: outsized skull, overhanging brow ridges, broad, misshapen nose, the whole nine.

Fae glamourie. It was a thing. Although Dr. Kendrick was the only fae Ted knew who would use it to look uglier instead of more beautiful, just to make somebody else feel better.

“Yeah, thanks.” But that hickey is still winking at me. Ted forced himself to concentrate on Dr. Kendrick’s deep-set eyes.

“If your truck is in the shop, how did you get from the coast to Portland today?”

“Oh, I hitched a ride with Matt.”

“Matt?” Dr. Kendrick frowned, and with his old face, that was PDS —pretty damn scary. “Matt Steinitz? The tabloid photographer?” The shock in his tone was a good indication of how bad an idea he thought this was. Dr. Kendrick’s voice was never anything but wellmodulated and soothing.

“That’s him.”

“After the council’s last warning, I thought you’d broken off contact with him.”

“It’s not what you think.” Mostly, anyway. “He lives in Dewton now, down the mountain from my place.” Although he wouldn’t have moved there if it weren’t for Ted’s stupid shifter tricks. “We’re . . . we’re friends.”

“But, Ted . . . ” Dr. Kendrick did sigh this time, running his hands through his hair. “Your association with him is exactly why Bruno Killingsworth escalated the most recent incident from a bear shifter matter to one for the combined supe council.” He pointed to the tabloid newspaper lying on the coffee table between them, Matt’s picture of Ted in his partially shifted form on the front page above the fold, with the headline screaming Bigfoot Sighted in Coast Range! “Aside from the fact that you’re endangering the Secrecy Pact, Sasquatch is seriously annoyed at the continued impersonations. They want to file suit against you for identity theft.”

“I’m sorry.” Ted bit his lip and set his half-empty cup on the table, wishing he hadn’t drunk it quite so fast, because his stomach was definitely complaining. Should he confess to Dr. Kendrick that he’d staged another “incident” just two days ago—and that he’d phoned Matt from his motel with an anonymous tip this morning before this appointment?

“The council sent that reprimand because their forbearance is exhausted. They’re threatening to tagyou, Ted.”

Ted’s heart plummeted to his shoes. “T-t-tag me? But—” He squeezed his hands tighter, his fingers digging into his knees. If they tagged him, he’d have no privacy at all. He wouldn’t be able to take a piss without the news being fed to the Supernatural Monitoring Agency. And the sphinxes who ran the SMA were really fussy—they never slept and they had zero sense of humor. They were worse than Santa.

“And tagging is only one step from form-locking. Two from—” Dr. Kendrick cleared his throat, his gaze sliding away from Ted’s face. “Two from termination.”

“Termination? You mean . . . ” Ted drew his finger across his throat, and Dr. Kendrick nodded.

Nope. Not confessing. Matt might not do anything with the latest photo. And Ted could bail on this morning’s tip, not show up this

time, even though he hated to disappoint Matt. He was a good guy —and he got so excited about cryptid sightings.

Besides,theywere sortofpaymentfor theridetotownandback —nottomentionagoodbyepresent.

Because even if the council hadn’t come down on Ted’s ass like a ton of manure, after today, he was swearing off Sasquatch impersonations for good.

“You don’t have to worry about me anymore, Doctor, and neither does the council. I’ve got something to show you.” Ted hefted his backpack off the floor. But the strap—frayed by too many trips up and down the mountain in his bear’s teeth—snapped, knocking his cup over and sending a wave of lukewarm coffee over the table, soaking the newspaper and dripping onto Dr. Kendrick’s shoes.

“Shoot!” Ted leaped up, glancing around wildly for something to mop up the spill, but only succeeding in knocking the table with his shins.

Dr. Kendrick waved him back down. “Sit, sit. Please don’t worry about it.” He got up and walked over to open the door. “David? We’ve had a bit of a spill. Could you help, please.”

“Of course,” David, Dr. Kendrick’s assistant and husband, said from the lobby. “Be there in a jiffy.”

Dr. Kendrick waited at the open door until David appeared, carrying a roll of paper towels and a spritz bottle of some kind of cleanser. David paused, glancing from Dr. Kendrick to Ted. He placed a hand on Dr. Kendrick’s neck, leaning in to whisper to him. For an instant, Dr. Kendrick’s beast glamourie flickered off, and his cheeks flushed dark pink.

Weird.

When David took his hand away, he flashed a brilliant grin at Ted and that distracting pink spot over Dr. Kendrick’s collar was gone. But Ted knew what he’d seen. Itwas a hickey, andDavidzappedit. Dr. Kendrick’s husband was an achubydd, a magical healer. Guess thatcomesinhandywhenthingsgetalittleexcitinginthebedroom.

Ted toyed with the broken strap as David mopped up the spill and Dr. Kendrick resumed his seat. GuessIneeda newpack.He carried it in his human or bear form, when he schlepped between his cabin

and the cave above Dewton where he kept an extra set of clothes. He hadn’t mentioned that to Dr. Kendrick either. When his truck was on the fritz—or sometimes just because he felt like it—he’d shift into bear form to get down the mountain faster, then hike the rest of the way to town after he changed in the cave.

Dr. Kendrick and the supe council probably wouldn’t approve of that, and the bear council definitely wouldn’t approve. Of course, none of them understood why Ted wanted to go to town in the first place. But by now he’d gotten that message loud and clear—he wasn’t exactly your average bear.

After David left with the wastebasket full of soggy newspaper and soiled paper towels, Dr. Kendrick smiled at Ted. “Now, you were saying?”

“Oh. Right.” Ted pawed through his pack and pulled out two folders, one plain manila and one glossy white. “You know the Walton clan property next to mine?”

“Walton? The marten shifters? Didn’t they move up to Canada last year?”

“Yep. They’ve had the place on the market since then.” Ted grinned, flipping open the manila folder, and tapped the grainy photo on the real estate listing inside. “Last month, I bought it.”

Dr. Kendrick’s eyebrows quirked, but he leaned over to study the picture. “This structure doesn’t look very sound. Or complete, for that matter.”

“Oh, it not. It’s pretty much a shell, actually, but I’m gonna fit it out as a wilderness retreat center.”

Dr. Kendrick frowned. “Ted, I don’t like to discourage you, but you’ve had difficulties with follow-through in the past. Do you have a solid plan for the business?”

“Um . . .” Ted dog-eared the corner of the listing, then smoothed it flat again. “Not exactly. But I don’t have to.” He nudged the other folder, the shiny one, toward the doctor. “I’m married.”

Dr. Kendrick blinked, and his face flickered back to beautiful for a second. “Married? Congratulations. I didn’t realize . . .” He leaned back in his chair, his beast persona firmly in place. “Who’s the lucky supe?”

Ted opened the folder and teased out the picture of his new husband. My husband! His heart threatened to prance right out of his chest. “This is him. His name’s Rusty Johnson.”

Dr. Kendrick glanced up sharply. “Rusty Johnson from the Dawson beaver clan in Eugene?”

“You know him too?”

“Of course. All shifters with inactive shifting genes are required to submit to regular quarterly counseling sessions, although Rusty is the most well-adjusted Inactive it’s been my pleasure to treat. But, Ted . . .” Dr. Kendrick laced his fingers together, his expression serious—although it was tough for his beast face to look unserious. “The last time I spoke with Rusty, which admittedly was almost three months ago, he was still expecting to mate with Fletcher Dawson, the clan heir. Your courtship must have been quite sudden. When did you two meet?”

“We . . . ah . . . haven’t actually met. Yet.”

“But you said you were married.”

“We are. All signed and sealed. Here.” Ted took a three-color brochure out of the pocket of the folder. “You know how in our last session, you suggested I look for other ways to meet friends? I took your advice.” He handed the brochure to Dr. Kendrick.

Dr. Kendrick opened it, smoothing it across his knees. “Supernatural Selection?” He glanced up, clearly troubled. “When I suggested you look for other means to meet people, I didn’t mean you should buyyour friends.”

“Not a friend. A mate. A husband. I thought you’d understand. You’re happier now that you’re married, right?”

“Yes, of course, but wouldn’t you prefer to meet potential partners in a more . . . organic way?”

“But see, that’s the great thing. The agency is run by a witch’s collective. They know shit. Spells, and . . . and clairvoyance and psychic stuff.”

“You think they could know you better than you know yourself? Enough to match you with a compatible partner?”

“They promise a perfect match.”

“But, Ted . . .” Dr. Kendrick set the brochure on the table. “They’re constrained by their own clientele. They can only connect you with other supes who are on their roster. What if your perfect mate isn’t registered? Don’t you think interacting with the larger shifter community would be a better bet for you?”

Largershifter community. That was a laugh, although Ted doubted Dr. Kendrick meant it as a joke. There weren’t many shifters larger than a grizzly.

“This is best. It’ll be great, Dr. Kendrick, you’ll see.” He tucked the brochure into the folder and stuffed everything back in his pack. “My perfect match. My lifelong companion. I’ll be happy and stay out of trouble from now on.”

Guaranteed.

“Sir. Excuse me. Sir?”

Quentin Bertrand-Harrington cracked open bleary eyes to peer up at the flight attendant in the aisle. The seats next to him were empty, as apparently was the rest of the plane. “I’m sorry. Have we landed?”

“Yes. I must ask you to deplane now so that we can prep the equipment for the next flight. Do you need any assistance?” She reached out to him, but he jerked his arm out of reach.

“No. Thank you, but no.” Even with the suppressant still active in his bloodstream, making him woozy and half-disassociated with his body, he shied away from touch. He had been too long without a partner and he was just so hungry. Even the casual touch from a stranger was likely to pose a danger to said stranger.

He struggled out from under his blanket—it looked like a space blanket, silver and metallic—but really it was a bespelled cloak that prevented human energy from touching him and tempting him despite the suppressant. He banged his head on the back of the seat in front of him—damn, how did people who flew coach all the time

manage?—as he retrieved his carry-on from the floor. He shoved the blanket inside the case and scooted to the aisle.

He hadn’t staggered two steps before the flight attendant caught his arm. He whirled on her, jerking himself away with such force he nearly fell over the nearest armrest.

“I beg your pardon, sir, but you forgot your iPad.” She held it out to him.

“Yes. Thank you. I’m sorry for . . .” He made a vague gesture with his free hand before taking the tablet from her. “I’m still a bit disoriented, I fear.”

“No worries.” She pasted on a professional smile. “Welcome to Portland. You’ll find your baggage on carousel three.”

“Thank you.”

Quentin hobbled off the plane and up the jetway. Devil take it, but the large dose of suppressant he’d swallowed in Boston—triple the amount he downed daily to keep his appetites in check—had totally knocked him for a loop. His mouth was dry, his vision blurred, and he felt as if he’d never be able to stand up straight again.

You could if you took a sip—just a sip—from someone big and handsomeand—

Stopit!

Quentin was a married man now, for all he’d never met his new husband. Regardless, he’d owed the man fidelity from the moment he’d signed the Supernatural Selection mating contract—in blood, because witches were tradition-bound when it came to binding rituals.

The Portland airport wasn’t nearly as crowded as O’Hare, where he’d caught his connecting flight, but it still had far too many people for Quentin’s peace of mind. If he were a normal incubus, he’d simply pick one of the couples engaging in a joyous reunion and brush close enough to absorb sufficient ambient sexual energy to remain ambulatory. But Quentin wasn’t a normal incubus. Even the regular energy “parties” his grandmother threw with willing human hosts—elegant, oh-so-civilized events with exquisite hors d’oeuvres, themed cocktails, and live chamber music—loaded Quentin with debilitating guilt. Feeding from a stranger, even inadvertently,

smacked too much of nonconsent. Hence the heavy dose of suppressant.

Buttonight is my weddingnight. Tonight, for the first time since he’d nearly killed his last serious boyfriend with nothing more than passionate foreplay, he’d have sex again.

A celibate incubus—it was unheard of. An incubus who cared about consent was even rarer. And after leaving Rory as nothing but a husk, requiring months of treatment both mundane and magical, Quentin hadn’t dared go so far again.

Instead, he’d signed a permanent mating agreement with a vampire. There wasn’t much damage he could do to a man who was already dead, as long as he kept the sun out of the house and limited his garlic intake.

He took the escalator down to baggage claim. Carousel three was swarming with people, and he shied away, taking refuge at carousel one, which was presently deserted. He could see all three of his suitcases trundling along on the serpentine belt, but didn’t dare go close enough to grab them, not when he couldn’t avoid coming into contact with the other passengers.

“Mr. Bertrand-Harrington?”

A touch on his shoulder, coupled with his name, made Quentin whirl and stagger back several steps. A young man holding a sign with Quentin’s name on it smiled at him hesitantly.

“You are Mr. Bertrand-Harrington, aren’t you?”

Quentin clutched the strap of his case with both hands, wanting nothing so much as to grab the man’s hand and feast. “Yes.”

“I’m Jason. Supernatural Sel— I mean, the agency sent me to pick you up. I’m to drop you at your husband’s home. Transportation—it’s included in your contract?”

“Oh.” Between his incessant, nagging hunger and his suppressantinduced disorientation, Quentin had been so out of it when he’d signed the damn thing that he hadn’t bothered to read the final version. “Thank you.”

“If you could point out your luggage to me, I’ll escort you to the car first, then collect your bags afterward. We can be on our way in no time.”

“Yes. Thank you—” he checked the driver’s name tag “—Jason.” Reprieve. He wouldn’t have to shoulder his way through the crowd, although it was dwindling now. “That would be most welcome.”

He followed Jason out the doors and across the roadway to a parking garage. Jason flourished a key fob, and the lights flashed on a nearby Town Car. He opened the rear door for Quentin to slide in. “Make yourself comfortable. There’s water in the cooler. I’ll be back shortly and we can be on our way.”

Quentin settled into the lush leather seats gratefully. To be on the safe side, he pulled out his not-a-space blanket and spread it over himself from shoulders to toes. For any number of reasons, he had no desire to drain any energy from someone who was driving him to his new life. It would be a traffic hazard. It would be the next thing to cheating.

And it would be far too tempting to let it go further.

He leaned his head against the seat back and closed his eyes with a sigh.

“Mr. Bertrand-Harrington? Sir?”

Quentin cracked his eyes open. Jason was peering at him from the front seat. “I’m sorry. Are we ready to get going?”

“Um . . . actually, we’re already here. You’ve been asleep since we left the airport.”

“Oh. I’m sorry. I hope you didn’t need me to give you directions.” Especially since he wasn’t sure what they were. They’d been included in the glossy Supernatural Selection folder along with his new husband’s dossier and his mating contract copy, but he hadn’t read them. He’d barely made it to Logan Airport and onto his flight before the suppressant had kicked in.

“No. Everything was handled by the agency. I’ve taken your bags to the—” he glanced out the heavily tinted windows “—the place. Is there anything else you need? I’ve got to get back to the airport for another pickup.”

Quentin shook his head and scooted across the seat to climb out of the car, blinking in the sunlight and shivering a bit in the cold. He’d left his heavy winter coat back in Boston, more as a diversion than with any clear plan in mind. If his grandmother saw his coat

hanging in the closet and his boots in the mud room, she wouldn’t notice he was missing until she had yet another “eligible” human husband or wife for him.

His decision to contract his own spouse had been an impulse, spurred by a discreet ad in the back of SupernaturalTravelMonthly. Now, he was forever out of her reach—or rather out of the reach of her scheme for a “normal” ’cubi match for him with a partner who’d live an almost completely separate life, putting up with the occasional necessary sex in exchange for wealth and social influence. But not companionship. Not closeness. Not love. Anyone who wanted thatwouldn’t last ten years married to an incubus.

Or in Quentin’s case, judging by past experience, wouldn’t last ten minutes.

Still disoriented from the suppressant, he vaguely registered the car pulling away. He turned in a bewildered circle, taking in the vast, autumn-bedraggled meadow, the wide lake, and the trees that ringed the clearing, telltale mounds of snow scattered under their branches. The sun was bright but it wasn’t warm, not in the frigid air. Don’tbeadramaqueen.Thisisatemperatestate.Itcan’tbeas coldasitwasinBoston.

He shivered anyway, huddling in his inadequate suit coat. Wait a minute.Lake? Field? Forest? His new husband was supposed to live in a spacious modern home in the Portland West Hills. This was a hill, no doubt—or rather a mountain, judging by the peak that rose above the rather derelict building sprawling next to the lake. But where was the city? Where were the neighbors?

Where was his husband?

His hands started to shake from something more than cold. Calm down, calm down. It’s daylight, and sunny at that. Casimir is a vampire. Perhaps he was still asleep, or at least sequestered somewhere in the dark. Maybe the derelict building was merely a glamour cast over the true mansion—he’d seen the pictures, and the place was impressive—to protect it from prying eyes. Whatpryingeyes?There’snobodyaroundformiles.

Nevertheless, he stumbled through the rank weeds toward the wide porch where Jason had stacked his luggage. Any step now I’ll

breakthroughtheveil.But the farther he crept toward the building, the further his heart dropped. When he climbed the creaking stairs to stand on the wide planks of the porch, and it looked even worse up close than it had from the middle of the clearing, he had to admit that it was exactly what it appeared to be: a rambling, ramshackle shell of a structure, dropped in the middle of nowhere.

But the driver from Supernatural Selection had brought him here. He wouldn’t have done that if this wasn’t the right place. Somewhere here he’d find his husband. And then he had a few questions for the man—er, vampire. This was hardly the welcome he’d expected.

He clutched the rickety porch rail. The counselor at Supernatural Selection had warned him that Casimir was under council orders to contract an acceptable marriage. In fact, they were the ones who had selected Quentin. Quentin had thought that Casimir had been amenable—he’d signed the contract, after all. Was this some kind of vampire stunt, meant to thumb his nose at the council?

In a way, Quentin could relate. He was doing exactly the same thing to his grandmother and her plans, after all. But he expected to be a partner to Casimir, not an adversary.

Quentin sighed, eyeing his suitcase. Should he dig out a warmer coat? Not yet. First he wanted to find out if he was quite as alone as he thought. He descended the stairs and fought his way through the weeds to circle the building. It had an impressive footprint—like some kind of inn, judging from the number of floors and windows. Although when Quentin peered through some of them—the ones that weren’t boarded up—the inside was a forest of bare studs and plywood floors.

The rear of the place had the skeleton of a deck that, if it were complete, would have a stunning view of the lake and the surrounding hills. He stood looking at it, the chill from the damp ground seeping through the thin leather of his Italian oxfords. Some kind of large bird burst from the trees, startling him, and skimmed across the lake with a cry.

The lake lapped quietly at the shore, but he could hear cascading water and . . . was that someone singing? The sounds were coming

from the side of the house closest to the trees. Quentin crept forward until he could peek around the corner.

Holymotheroffire.

There was a man. An enormous man. An enormous naked man. An enormous naked man, sluicing himself off in an outdoor shower. Quentin should have shivered just from the notion of what cold water in the colder air would do—not that it seemed to have any effect on Enormous Naked Man’s . . . er . . . appendage.

Despite the suppressant still floating around in his system, despite his determination to avoid anyone who wasn’t his husband, despite the cold air that ought to have cooled him down to almost zero, heat rose in Quentin’s core—and so did his cock.

Oh no. Absolutely not. Even if he weren’t contractually bound to someone—who could not possibly be this man, since it was broad daylight and his husband would disintegrate under this much sun exposure—Quentin had sworn never again to let his incubus libido endanger another living person.

And then Enormous Naked Man opened his eyes and stared straight at Quentin.

And smiled.

Deviltakeit.Iamsososo fucked.

For a second, Ted thought the guy peeking around the corner was Matt—or maybe Larry, the mechanic from Dewton who doubled as the delivery guy for the lumberyard. Then he wiped the water out of his eyes and realized the guy was way too small and frail to be either one. Matt was taller and Larry was stockier and neither one of them had black hair and a goatee and looked like the least breeze would blow them off the mountain.

A stranger. And I’m naked. Whoops. Good thing he wasn’t here ten minutes ago when I shifted. Because shifting in front of a human? Yeah, that was a sure way to bring the council down on his ass, especially after what Dr. Kendrick had told him this morning.

Ordinarily, Ted would have shifted back to his bear form and shaken the water off to get dry—he’d only stopped out here to shower because he’d run afoul of an illegal dump site when he was lumbering back up the mountain after Matt had dropped him off in town. So he didn’t have a towel. Or clothes.

Awkward.

Well, it was his place, damn it. Wasn’t he entitle to privacy here? He wasn’t expecting anyone until Rusty arrived next week, so he

should have been able to parade around as naked as a mole rat if he wanted, with no one the wiser.

And even though shifter blood ran hotter than human, and he’d already started to put on the padding around his middle in the runup to winter hibernation season, it was still damn cold in the wind off the lake.

“Sorry. I—” he gestured to his body “—wasn’t expecting company.” If he could just get the guy to go around to the front of the lodge, Ted could shift and dry off. Wouldn’t help the no-clothes situation, but he had a stash in the lodge, and a cache inside the tree line for emergencies—or when he was running the Bigfoot scam. He sighed. Can’tdothatanymoreeither .

But the guy just kept staring at Ted, his eyes behind those rectangular hipster glasses getting bigger and bigger. Which had the unfortunate effect of what did Dr. Kendrick call it? Sympathetic reaction? Because Ted’s dick started to keep pace.

I’m a married man now. I need to keep it in my pants. When I have pants. He turned his back. “Could you, you know, go back to your car until I get dressed?”

“I don’t have a car.” The guy’s voice sounded like he was trying to get the words out past someone’s fist.

“You too? Yeah, my truck’s in the shop, so—” Ted slapped himself on the forehead. Notrelevant.“If you’d just go around to the porch, I’ll be there in a minute and you can let me know what you need.”

The guy let out a noise that sounded like “Awp!” But since that wasn’t a word, it couldn’t have been what he’d said. Ted took it for a yes because when he checked over his shoulder, the guy was gone.

“Whew.” He shifted back to his bear, heat singing along his bones as the shifter magic reformed his body. He sighed in relief. Ordinarily the itch from the fur sprouting through his skin drove him nuts and he’d search for the nearest tree to rub against, but today he was too damn glad of the heat.

A little thrill raised the fur along his spine. I’ll have a husband to rubupagainst soon. Would Rusty like Ted’s bear form? Or would it be insensitive to shift since Rusty couldn’t? He should have asked Dr. Kendrick about that this morning, dang it. For Rusty, I can keep it

together , control my shifts. He’d known marriage would take some compromises. If shifting in secret was one of them, at least it would give him practice being “discreet.” That ought to make the council happy.

He shifted back, the energy drain from the second shift making him a little light-headed. Making a mental note to eat an extra helping at dinner to make up for it, he ducked through the back door of the lodge into the mud room—the only room that held anything but sawdust and building materials. He pulled on a pair of jeans that could use a wash and an old flannel shirt with a stain on the front from when he was changing the oil in his truck. Sheesh. He needed to upgrade his spare wardrobe if he was going to be getting random uninvited visitors.

I need toupgrade it anyway. He glanced at his wedding band, a grin stretching his cheeks. I’m married now. Time to step up my game.

He stepped back outside, closing the door behind him. It didn’t stay closed, of course. He really ought to fix the latch and put in the locks. Although why bother? Nobody but Larry ever came up here. Larryandlittlerandomhipsterdudes.

Yeah. About that. Ted strode around the lodge and there the guy was, standing on the top step of the porch with his arms wrapped around his middle. He’d be kind of cute if he weren’t wearing an expression like he’d just stepped in a steaming pile of bobcat scat.

Still, he was a visitor, and how often did Ted get those? He smiled and held out his hand. “Hey. Sorry about the . . . um . . . casual dress, but I wasn’t expecting anybody. Ted Farnsworth.”

The visitor glared up at Ted, not offering his hand—or his name— in return. “Well, I certainly wasn’t expecting you. Where’s Casimir?”

Ted blinked. “Who?”

“Casimir Moreau. Are you the caretaker?” He glanced around at the obviously unfinished lodge. “I can’t say much for your abilities, if that’s the case.”

Ted scowled. “Here now. There’s no call to get nasty. The lodge is under construction, and it’s not like I invited you up here.”

“I’m here to meet Casimir. I don’t understand . . .” The guy suddenly seemed so lost and confused and cold that Ted’s anger vanished.

“I’m not sure who this Casimir guy is, but who are you?”

He looked up—even standing on the top step of three, he had to look up at Ted. Jeez, the guy was little. “I’m sorry. I’m just so . . . ” He still didn’t hold out his hand, but he bobbed his head in a weird little bow. “Quentin Bertrand-Harrington.”

Ted nodded in return, since hand-shaking was apparently off the table. “Nice to meet you. That’s some double-barreled name you’ve got there.”

Quentin shrugged, and a faint smile lifted the corners of his mouth. “It’s tradition in my family. Blame it on stubborn ancestors.”

“Huh. Interesting.” The only tradition in Ted’s family was for everyone to get as far away from each other as possible. But that was a bear-shifter thing.

Quentin gazed around him like somebody who’d just woken from a nap and still hadn’t figured out he wasn’t in a dream anymore. Ted could relate. He felt the same way pretty much all winter. “Where is this place? I can’t see any part of Portland.”

Ted laughed. “Of course not. Portland’s nearly a hundred miles east of here.”

Quentin’s eyes got big again. “A hundred miles? But . . . but the Supernatural Selection driver said he—”

“Wait. Supernatural Selection?”

Quentin’s expression closed down, turning wary. “Yes. Do you recognize the name?”

“Do I?” Ted beamed, holding up his left hand and waggling his ring finger. “They found me my husband.”

Relief flickered across Quentin’s face. “Oh thank the gods. You’re a supe, then?”

“Yep. Bear shifter.”

“And your name is Ted? Half the bear shifters I know are named Ted.”

Ted scowled at him. “That’s an exaggeration. Half the bear shifters are female. Though now that I think of it . . .” Ted scratched the

back of his head. “Some of them are called Ted too, although more of them are Winnies. But you’ve got a good mix of Smokey, Yogi, Baloo, and now and then a Fozzie, if the poor guy’s parents had a weird sense of humor.”

“You can’t be more original than that?”

Ted sniffed. “It’s tradition.”

Quentin cracked a smile. “Fair enough, bear shifter Ted. No wonder you didn’t mind the cold.”

“If I’d known you were part of the community, I wouldn’t have made you run away. Although”—he waggled his finger again —“married, so probably shouldn’t be flashing my junk to random guys.”

“Yes. Yes, of course.” Quentin swallowed and looked down at his feet, faint pink staining his cheeks. “As it happens, I’m married too. I’ve just come from Boston to meet my husband, and I thought the driver was supposed to drop me at his home. But they left me here.” He glanced around. “I don’t understand. Unless . . . do you have a vampire retreat hidden somewhere nearby?”

“Vampires? Here? No way. Those jokers wouldn’t come so far from the city. No food supplies.” He studied Quentin more carefully. He didn’t have any obvious supe markers—but then, most supes didn’t. It was how they were able to pass for human, and why the Secrecy Pact worked. “You’re married to a vampire? Really? That’s . . . ”

Quentin raised his chin defiantly. “Weird? Perverse? Stupid?”

“I was going to say ‘brave,’ but I guess you have some feelings about it. How long have you guys been together?”

“We haven’t. That is, we’ve signed the contracts, but we haven’t met. That’s why I’m somewhat at a loss here.”

Ted rubbed his thumb and forefinger together, remembering the feel of the enchanted needle piercing his flesh, and the three witches intoning the binding spell. “Yeah, the signing in blood thing was intense. I just signed mine yesterday.”

“Yesterday?” Quentin’s gaze sharpened. “Where’s your husband, then?”

“Oh, he’s not arriving until next week. Some kind of big to-do with his old clan. The chief’s heir is getting engaged or something.”

“But you were together to sign the contracts, right?”

“No.” Ted drew out the word, not entirely sure where Quentin was going with these questions. He sounded almost accusatory. “It was by proxy, in the Supernatural Selection office.”

Quentin grew paler, if that was possible. He’dprobablypass for a vampire, ifhewasn’tstanding inthesunlight.“I signed at the supe notary. Yesterday.”

“So?”

Quentin whirled and tottered, nearly falling off the step. Ted reached out and steadied him. “Careful. Not too steady on your pins.”

He jerked away with a gasp. “Never mind that.” He dug through a leather messenger bag, embossed with his initials in gold. Jeez, this guy probably had gold-plated everything. He pulled out a glossy folder with the Supernatural Selection logo. Ted recognized it—he had one himself, with Rusty’s dossier and his copy of the mating contract. “They messengered this to the notary’s office, but with the suppressant, I barely registered . . .” He opened the folder, rifling through pages until he must have found the one he wanted, because he froze, staring down at it, all remaining color leaving his face. “I don’t understand. How could this happen?”

“What?”

Quentin held up the contract, pointing to the stupid “party of the first part” clause at the top that Ted always skimmed over. The first party, of course, was Quentin Bertrand-Harrington. But the party of the second part . . . TedFarnsworth.

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Chapter V

VENETIAN AND FLORENTINE METAL-WORK

In Italy, many years ago, there originated the pretty household art of making small objects from metal strips bent into graceful curves and scrolls, and then banded together. During the past few years American and English boys have taken up this Venetian and Florentine metal-work, and to-day the materials may be purchased at hardware stores in all the large cities.

The tools required are a pair of flat and a pair of round-nosed pliers, or pincers, a pair of heavy shears, and a pair of wire-cutters; a small bench-vise will also be useful.

The materials include a few sheets of thin stove-pipe iron of good quality (it may be purchased from a tinsmith), several yards of fine, soft iron wire, and some heavier wire for framework.

From the sheets of iron narrow strips are to be cut with the shears, and for ordinary work they should be not more than three-sixteenths of an inch in width; for heavier or lighter work the width may be varied. If it is possible to obtain the prepared strips at a hardware store, it will be better than making them at home, since it is a tiresome task to cut many of the strips from sheet-iron. Soft, thin iron that will bend easily is the only kind that is of use, as the hard or brittle iron breaks off and it is impossible to bend it into uniform or even scrolls.

A little patience and perseverance will be necessary at first until the knack of forming scrolls has been mastered, but once learned it will then be an easy matter to make many pretty and useful objects.

A Lamp-screen

An attractive design for a lamp-screen is shown in Fig. 1 A. When completed and backed with some pretty material it will be found a

useful little affair to hang against the shade of a lamp to shield one’s eyes from the direct rays of a bright light.

To begin with, form a square of six inches, and at the top where the ends meet make a lap-joint by allowing one end to project over the other; then bind them together with some very fine wire—about the size that florists use. Inside of this square make a circle six inches in diameter, and wire it fast to the square where the sides, bottom, and top touch it.

Bend four small circles, and fasten one in each of the four angular corners between the circle and square; then form the centre scrolls and the hoop in the middle of the screen.

To form a scroll like that shown in Fig. 1 bend a strip of metal in the form of a U, as shown in Fig. 2, and with the round-nosed pair of pliers begin to curl one end in, as shown in Fig. 3. When it has been rolled far enough in to form one side of the scroll, it will appear as shown in Fig. 4. By treating the other end in a similar manner the finished result will be a perfect scroll like Fig. 1. Four of these scrolls are to be made and banded to the circle and to each other, and in the centre the hoop must be made fast with little metal bands.

When uniting or binding two strips of metal together they may be fastened with wire or bands, as a matter of choice. If the latter mode is employed, short pieces of the metal strips are to be cut and partially bent in the form of a clamp, as shown in Fig. 5. Bring the two sides together and bend one ear of the clamp over them (Fig. 6), and if the other ear is the proper length, bend that down in place, and squeeze all together with the flat-nosed pair of pincers. The perfect joint will then appear as shown in Fig. 7. When using metal clamps the ears should be of such a length that, when pressed down over the united strips of metal, the ends will just come together and not overlap.

Having made the body part of the screen, form the scrolls of the top, and bind them in place with wire or the little metal clamps. This

top should measure some three inches high from the top rib of the screen, and the end scrolls should project about three-quarters of an inch beyond the body of the screen at either side.

For the sides and bottom form a frill of metal and fasten it to the screen with wire; it should not be more than three-eighths or half an inch in width, and can be bent with the round-nosed pincers and the fingers. Better wear gloves for this part of the work.

When the metal-work is finished it will be necessary to coat it with black paint to improve its appearance and prevent its rusting. There are several good paints that may be used for this purpose, but if they are not easy to obtain an excellent coating may be made by dissolving a little shellac in alcohol and adding dry lamp-black so it will be about the consistency of cream. It should be applied to the metal with a soft brush, and if it should become too thick it may be thinned by adding alcohol.

Two thin coats will be all that are required for ordinary purposes, but if the metal-work is exposed to the weather, or any dampness that might cause it to rust, a coat of red lead should be applied next the iron. Red lead can be mixed with boiled linseed-oil to make a good metal paint.

A backing of some pretty, light-colored silk is required to complete the screen, using one, two, or three thicknesses to properly shield the light. The backing should be attached to the grille, or framework, with black silk, and it may be cut to fit either the round or square portion of the framework. The stitches should be close together, to prevent the goods drawing away from the metal ribs.

Pattern-making

When constructing any piece of grille-work it is always best to have a full-sized drawing to work over. For example, it is a simple matter to lay out the plan for Fig. 1 A, and you may proceed as follows: Pin to a lap-board a smooth piece of heavy brown paper, and with a soft pencil draw a six-inch square. Inside this describe, with a compass, a six-inch circle; then draw the four corner circles,

and divide the larger Circle into quarters. In each of these quarters draw, in free-hand, the scroll shown in Fig. 1 A. The top is to be drawn in free-hand, but if it is difficult to get both sides alike you may first draw one side; then double the paper, and transfer the design by rubbing the back of the paper. It will then be found an easy matter to bend and fit the scrolls, since each member may be accurately shaped to conform to the lines, and afterwards banded together.

A Standard Screen

For a standard screen in the shape of a banner the design shown in Fig. 1 A may be used, leaving off the top ornament, and suspending it from the upper end of a supported stick with cord or wires, as shown in Fig. 8.

The stick should be about eighteen inches high, and the scroll feet should stand seven inches and a half up from the bottom. At the widest part they should measure six inches across, and there should be four of these feet to constitute a stable base. At the top of the stick (which should be about one-quarter of an inch square) a scroll and a hook will serve to support the screen. In a library or sittingroom, where one large lamp is used to read by, one or two bannerscreens will keep the strong light from the eyes and the heat from the head without cutting off the needed illumination from the book or work in hand.

A Candlestick

The illustration shown in Fig. 9 gives a pleasing pattern for a small-based candlestick.

A STANDARD SCREEN AND A CANDLESTICK

F 8 F 9 F 10

To begin with, secure an old tin or brass candlestick and rip off the bottom, leaving only the sheath and collar at the top. Have a tinsmith cut the lower end away, leaving about two inches of the top, and solder a bottom in it. Cut a pine stick about four inches long and not

more than three-sixteenths of an inch square, or the same thickness as the width of the metal strips from which the scrolls are to be formed. Punch a small hole in the bottom of the socket, and drive a slim steel-wire nail down through it and into the middle of one end of the stick, so that the attached pieces will appear as shown in Fig. 10. The socket will hold a candle, and the stick will act as a centre staff against which the four scroll sides are to be fastened.

A paper pattern should be used over which to bend the scrolls, and across the bottom they should measure four and a half inches, and five or six inches high. To the upper part of one side-scroll a handle should be shaped and fastened, as shown in Fig. 9.

A Candelabra

The design for a four-armed candelabra to hold five candles is shown in Fig. 11.

Cut two sticks a quarter of an inch square and ten inches long, another one thirteen inches long, and a short piece two inches long. At the middle of the ten-inch lengths cut laps, as shown in Fig. 12, and bore a hole through the centre and into an end of the long stick. Drive a slim nail down into the hole at the end of the stick, as shown in Fig. 13, and over it place the cross-arms, as shown in Fig. 14. In one end of the short stick bore a hole, snug it over the top of the nail, and drive it down so that it will fit securely on top of the cross-sticks. The completed union will have the appearance of Fig. 15, and to this wood frame the scroll and ornamental work is to be attached.

A CANDELABRA

F. 11. F. 12. F. 13. F. 14. F. 15. F. 16.

Lay out the plan of one side on paper, making the distance from the stick to outer edge of the foot about four and a half inches. At the narrowest place, near the top, the side should measure one and three-quarter inches in width. The scrolls should be securely bound to the wood frame with wire, and for candle sockets five six-pointed stars should be cut from the pattern given in Fig. 16. They should be two and a half inches in diameter, and bent to receive a standardsized candle. A small screw passed through a hole in the centre will fasten them to the wood arms, and when placing them the wood should extend entirely under each socket, as may be seen in Fig. 11.

Canopy shades and holders should be made or purchased, and when complete with candles and shades this candelabra should present a very pleasing appearance.

A Fairy Lamp

It will be found quite a simple matter to make a fairy lamp similar to the one shown in Fig. 17.

The bracket should be twelve inches high and five inches wide from the back stick to the end of the projecting arm, on the end of which the suspending hook is located. The arm should be placed about three inches from the top, and both the arm and the upright are to be of wood one-quarter of an inch square. It would be well to make a pattern of the scroll-work over which to bend the metal in true shape.

The scrolls should be securely bound to the wood ribs with wire instead of metal clamps, since the weight of the candle-sconce would have a tendency to open the clamps and weaken the support.

For the lamp part, it will be necessary to have the socket of a candlestick arranged as described for the candlestick in Fig. 9. The stick at the bottom should be one and a half inches in length. Against this the scroll-work is attached. Each side should measure two and a

half inches long and three inches high from the place where the suspension-wire is attached to the bottom, where the pendants are fastened. The four scrolls must be securely bound to the socket and stick with wire, and from a screw-eye driven in the lower end of the centre stick three drops, or pendants, may be hung. These pendants are in the shape of bell-flowers, and may be of any size, cut from the diagram shown in Fig. 18. They should be strung on a wire having a knot made in it wherever it is desired to place a flower.

From the scroll ends of each side-grille a wire is fastened and carried up to a ring that hangs on the arm-hook. These wires form a light and graceful mode of suspension, and near the upper end a canopy shade can be made fast. Pink red, orange, light-green, or electric-blue candles and shades always look well with the black iron-work of the bracket and sconce.

A Burned-match Holder

Fig. 19 gives a design for a small receptacle to be used for burned matches or other small waste scraps.

Notice that the drawing shows but one side of a three or four sided affair. The outside frame should measure about three inches across at the top, two inches at the bottom, and two and a half inches high.

Small hooks should be fastened to each upper corner. From them small chains extend up to a single ring that may be of wire; or a small iron harness-ring may be employed for the purpose.

The three or four sides forming the receptacle are to be securely bound together with wire, and for a bottom a thin piece of wood or a sheet of light metal can be sewed in with wire. Whether the bottom is of metal or wood, it will be necessary to make small holes around the edge through which the fine wire can be passed. The wire should be caught around the bottom ribs of the sides, and manipulated in much the same manner that cloth is attached with needle and thread.

Each side should be backed with silk or other pretty material, and to prevent burning or blackening from match ends the entire

receptacle may be relined with card-board, tin-foil, or asbestos paper.

The links forming the chain are made of very narrow strips of the metal. Fig. 19 A shows the construction of the centre, and B that of one side. Two of the latter are to be made for each link and banded to the centre, so that a finished link will appear like C in Fig. 19. The links should be connected with little wire rings, or small brass rings may be purchased at a hardware store. The latter, when painted black, will appear as if made of iron.

F. 17. F. 18. F. 19.

This same design can be carried out on a larger scale, and adapted as a hanging jardinière in which a potted vine may be placed. If employed for that purpose, an outlet for the water must be provided in the bottom. Instead of using a clay flower-pot, it would be well to have a tinsmith make a zinc inner box, with a small pipe through the bottom to convey the waste water into a small cup that may be suspended underneath. As the proportions of the box are enlarged, the links of the chain must be made larger and stronger, so that the chain will be heavy enough to support the weight; and instead of using wire or brass rings, it would be advisable to employ small iron harness-rings.

A Photograph-frame

Among the many pretty little objects that can be made from thin metal strips, frames for small pictures are always serviceable and attractive (Fig. 20). Black is not always a desirable color for a frame, and there are several good enamel paints on sale. They may be procured in almost any light shade, such as pink, blue, green, brown, and the pale yellows or cream colors. Several successive thin coats of these enamel paints will give the iron scrolls a pretty finish.

It is hardly necessary to lay down a size for this frame, as it can readily be adapted to any photograph or small picture. The proportions, however, should be followed as closely as possible, so that the design will work out about as shown in the drawing.

This frame may be hung against the wall, or arranged as an easel for a table, mantel-shelf, or wall-bracket. If the latter scheme is preferred, a support may be made from narrow metal strips and attached to the back of the frame with wire. This support should be of the design shown in Fig. 20 A; it is attached by the top cross-bar to the back of the frame. This cross-bar is of round iron, and the projecting ends are to be caught with wire loops, which will allow the back leg to act as if arranged on a hinge. To prevent it from going too far back, a wire or string at the bottom will hold it the proper distance from the frame.

The frame proper is made from a strip of metal half an inch wide, and bent in angular form, showing less than quarter of an inch on each side of an L. In the strip cut angle-notches with a pair of shears, as shown in Fig. 21, thus forming the corners. The notches should be made half-way across the width of the metal, so that the point of each angle will just reach the middle of a strip. With a flatnosed pair of pliers bend the strip in the form of the oblong, so that each corner will appear like Fig. 22. Join the frame at the bottom, allowing the metal to lap over an inch at the ends, and make the union by punching little holes and passing through small copper tacks that can be clinched or riveted.

With a small bench-vise and a hammer, or with two pairs of pliers, grasp the strip forming the frame and bend it in the shape of an L all

around, as shown in Fig. 23, taking care to match the edges of each notch so that they will form a mitre, as shown also in Fig. 23. Where the scrolls are attached to the side of this frame, they may be held in place by small copper tacks passed through holes made in both scrolls and frame and riveted.

A Handkerchief-box

One of the most interesting branches of the light strap metal-work is in making boxes of all shapes and sizes. The variety of designs that can be employed is practically inexhaustible, but certain general principles should be observed. For instance, a box to hold matches should be of small and neat design, while in a larger box the ornament may be more open and bolder, and the strips from which it is made should be heavier and stronger.

A handkerchief-box fashioned after the design shown in Fig. 24 is a pretty as well as a useful article for a bureau or dressing-table. A is the pattern for the top, and B represents one of the sides.

It should measure eight or ten inches square and three inches deep, or larger if desired, and the frame should be of wire or wood. If wood is employed, sticks three-sixteenths of an inch square must be lap-jointed at the angles, as shown in Fig. 25, and the union made with glue and screws or fine steel-wire nails.

F. 24 A. F. 24 B. F. 25. F. 26. F. 27.

If the box should be made of brass scrolls, it would be well to obtain some brass rods about one-eighth or three-sixteenths of an inch square, and bend them to form the framework. Where the ends meet, lap-joints should be cut and wired.

If the brass should be too hard to bend in a vise without breaking, the part it is desired to work should be heated over a spirit-lamp or in a gas flame for a moment or two; when cool, it will be soft and pliable. If brass should be employed for the frame, the joints must be soldered instead of wired. To solder them it will be necessary to have some soldering solution, a spirit-lamp, and some wire solder.

To unite the metal ends apply some of the soldering solution to the parts with a piece of wood or an old camel’s-hair brush, and then hold them over, or in the lamp flame, until they are quite hot. When sufficiently heated touch them with the end of a piece of solder, and the heat of the metal will instantly melt the solder, so that it will adhere to the brass. To hold the parts together while they are being soldered, give them a turn or two of fine iron wire. After they have

been united and the brass is cold, the wire may be removed and the rough parts of the solder filed away.

Small brass hinges may be screwed fast to the wood ribs to attach the lid to the box, and if brass is employed for the frame and grille work the hinges must be soldered to the frame.

A Sign-board

For a sign-board an idea is suggested in Fig. 26. At one’s place of business, in front of a cottage, or on a mile-post, it may be displayed to good advantage.

It is only a board on which sheet-iron or lead letters have been fastened, and the edges bound with metal and large-headed nails. A rod set at right angles to a post supports the sign-board, and to ornament it some scroll-work is attached at the top. Scroll ornaments decorate the sides and bottom of the board. These are fastened on with steel-wire nails driven through holes made in the metal and into the edges of the board. The ornamental scroll-work should be made of somewhat thicker and wider iron strips than the more delicate articles for indoor use, and all the iron should be given one or two coats of red-lead paint before the black finish is applied. To prevent rust-marks from running down on the wood board, it is necessary to coat the back part of the letters and all iron straps which may lie against the wood. It is much better to use sheet-lead for the letters, since it cuts easier, and will not stain the wood with rust or corrosion marks.

Double Doorway Grille

For a double doorway a pretty effect is shown in Fig. 27, where a long grille is arranged at the top of a doorway, and under it the curtain-pole is attached.

The outer frame for a grille of this size should be made by a blacksmith from an iron rod about three-eighths of an inch square. The inner frame may be made of strip-iron three-eighths of an inch

wide, and three inches smaller all around than the larger one. The metal strips employed to form the grille design should be threeeighths of an inch wide, and cut from box strap-iron.

The full-size drawing should be laid out on paper, over which it will be an easy matter to shape the scrolls. If the grille should be too open when the pattern is completed, some more scrolls may be added to fill the spaces, taking care not to injure the general design of the pattern.

The grille may be anchored to the wood-work of the casing with steel-wire nails or staples, and several coats of black should be given the iron to finish it nicely.

A Moorish Lantern

Having gained by experience the knowledge and art of working in strip-metal, and after successfully making a number of the smaller objects already described, it is perhaps time to undertake the construction of something larger and more elaborate.

As an example of such work, a very beautiful design for a Moorish lantern is shown in Fig. 28. It is not a difficult piece of work, nor is it beyond the ability of any smart boy, but it must not be attempted before a thorough knowledge of forming frames and scrolls and of pattern drawing has been gained through experience in making more simple objects.

In size this lantern is not limited, and it may be made from twelve to thirty-six inches high, not including the suspension chain and rings and the drop of flower-pendants at the bottom.

For a lamp twenty inches high having six sides, each panel should be made on a wire frame. The middle panels measure six inches high, four inches wide at the top, and three inches at the bottom. The top panels are five inches across at the widest place, and the lower ones four and a half inches. One of the middle panels can be arranged to swing on hinges, in order to place a lamp within the lantern, and also to make it possible to line the inside of the lantern body with some plain silk or other material.

F. 28.

At the top and bottom scrolls are to be formed of the stout wire employed for the ribs or framework. Under the crown top, at the six corners, brackets may extend out for a distance of five inches, from which sconces for tapers or small candles may be hung. Or these brackets may be omitted, and in place of the hooks a small scroll may be formed at the extending ends. Each little sconce is two inches deep and two and a half inches in diameter, and in them candle-holders may be placed, over which colored glass globes will appear to good advantage. From the top of the lower lobe six arms support flower-drops four or five inches long, and from the extreme bottom a pendant of flowers finishes off the whole. No matter what size this lantern is made, the proportions should be carefully preserved, or the effect will be spoiled.

A long chain made up of links and rings may be used to suspend the lantern. Should a more secure anchorage be desired, four chains may be attached at four places on the ceiling of a room, from which anchorage they all meet at the top of the lantern.

The illustration shows the lantern in perspective, but it must be borne in mind that it has six sides, and the patterns of the six sides, of the top, middle section, and bottom are like those in the three front sections that face the reader as he looks at the drawing.

Chapter VI

METAL-BOUND WORK

Thin sheets of various metals may be used to great advantage in the decoration of household furniture, either serving as artistic edgings, or representing strengthening straps, hinges, etc. When finished off with heavy wrought-iron or bellows nails, the effect is both striking and pleasing. The art is not a difficult one to acquire, and the hints and suggestions that follow should enable any smart boy to pick it up in a comparatively short time.

A Metal-bound Box

As a receptacle for photographs, picture-cards, and the other small trifles that accumulate in a library or living-room, a box such as shown in Fig. 1 will be found most useful.

Obtain some smooth pieces of wood, not more than three-eighths or half an inch thick, and construct a box eighteen inches long, ten wide, and eight inches deep, including top, bottom, and sides. These parts are to be glued and nailed together so as to form an enclosed box. Use a good liquid glue and slim steel-wire nails to make the joints. When the glue is dry, cut the box through all around the sides, one and a half inches down from the top. The lid, or cover, is thereby cut loose, and it will match the body of the box much more accurately than if made separately and fitted.

Plane and sand-paper the rough edges left by the saw, and attach the lid to the back edge of the box with hinges. The outside of the box may be stained or painted any desirable color, and when dry it will be ready to receive the metal decorations.

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