Download PDF Creative foundations 40 scrapbook and mixed media techniques to build your artistic too
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An eclectic mix of crafters—from scrapbookers to stamperstomixed-mediaartists—havealladaptedthe techniquestocreatesingularworksofartthatre ect theirpersonalstyle.Ihopeyou’llbeinspiredtodothe same! resources index abouttheauthor
Aneverydayartmaker—thatiswhatIstrivetobe.I trynottolabelmy“style”orboxmyselfintousingonly one medium. Scrapbooking, card making, stamping, textileartandmixedmedia
…Iexplorethemallandweavethemtogether!My intentionistocreateforthesimpleenjoymentofitand nottoputlimitsonthat.TaketheideasIhaveoutlined and make them yourown.Design styleschange and evolve, and the way that happens is through the explorationofnew thingsandthe adaptationofold things.
Creative Foundations is about breaking down the detailsandlookingatthemaslayers.ThisisthewayI approachmostthings.Startwithagoodfoundationor background,thenaddalittlevisualinterestwithtexture, supplementthatwithafuntwistand, nally,embellish oraccessorize.Tobehonest,Ithinkthisisthesameway Itackledecoratingmyhomeandmyself!Iliketostartat
The projects in this book range from simple to multifaceted.Don’tbeafraidtotryanything.It’sokayto makemistakes(orwhatIrefertoashappyaccidents). Thisishowwelearn,growandimproveascreative beings.Youmaynotgetitrightthe rsttime,butdon’t giveup.Youdidn’tgetonabicycleandrideitdownthe roadthe rsttime.Allgoodthingscomewithpractice. Onahighnote,someofmyfavoritepieceshavecome fromwhatwasfirstthoughttobean“oops!”
Sothrowonyourapron,gatherupyourstu andgrab lots of scraps to practice on. Don’t be too hard on yourself,andhavefun!Iamheretoguideyouthroughit, andIknowyouaregoingtolovethesetechniquesas muchasIdo!
chapterone FOUNDATIONS
Everygoodprojectneedsasoundfoundation.Froma creative perspective, we might refer to this as the background.Thisiswherealotofexperimentingwill comeintoplay,andit’saperfectplacetobegin.
Inthischapter,wewillexploredi erentusesforinks, paints, art medium, stamps and more. When I am workingonabackgroundforaproject,Iliketostart withacleanandcoveredworkspace.Makesureyou havepapertowelsandbabywipeshandyforaquick cleanup.Thisreallyisapracticesession,sobeprepared toplay!Addlayersandtakethemaway,trydi erent colorcombos,changeyourpaintconsistenciesandtest di erent products. These are all suggestions to help furtheryoursuccess.
Whowouldhavethoughtbubblewrapcouldbesomuch more than an instrument of sound created to annoy parentseverywhere?Thisisareadilyavailablematerial thatcanbeusedinseveralwaystocreateabaseor background.The repetitive nature of the circlesisa designmarvel.Iliketousebubblewrapbothtocreate anentirebackground,asseeninthisexample,aswellas toaddsmallsectionsofvisualinterest.
I would like to thank my kindergarten teacher for introducingmetothewondersofcrayonresist.Ioften incorporate this technique on its own with a little freehanddrawing,andsometimesIuseittoenhancea stampedpattern.Thistechniqueworksespeciallywell onlightercoloredbases.AndI’llbetyouhavetonsof crayonslyingaround—justmakesureyousnagthewhite ones!
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The Project Gutenberg eBook of Behind the scenes in Peking
This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
Title: Behind the scenes in Peking Being experiences during the siege of the Legations
Author: Mary Hooker
Release date: December 29, 2023 [eBook #72542]
Language: English
Original publication: London: John Murray, 1911
Credits: The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
*** START OF THE PROJECT GUTENBERG EBOOK BEHIND THE SCENES IN PEKING ***
BEHIND THE SCENES IN PEKING
F E
Reprinted
November, 1910
. March, 1911
Photo, Elliott & Fry
SIR ROBERT HART
Frontispiece
BEHIND THE SCENES IN PEKING
BEING EXPERIENCES DURING THE SIEGE OF THE LEGATIONS
BY MARY HOOKER WITH
ILLUSTRATIONS
LONDON
JOHN MURRAY, ALBEMARLE STREET, W.
1911
PREFACE
It does not fall to the lot of every woman—or man, either—to go through a siege, especially one so remarkable, and, indeed, unique in many of its features, as that of the Legations in Peking.
The feeling that my experiences were out of the common, and present new aspects of famous events, during which I was, to a certain extent, at the same time on the stage and behind the scenes, has induced me to publish the following pages. They are taken from letters, owing to circumstances never sent, and my diary, written spasmodically throughout the siege. While trying to introduce something of the lighter side of life, and speaking of various incidents, humorous and otherwise, I have endeavoured to avoid all that can give offence or displeasure to those mentioned. If in any case I have unwittingly failed in this endeavour, I crave pardon.
My thanks are due to Mrs. Woodward for giving permission to reproduce her unique siege photographs.
MARY HOOKER.
September, 1910.
MRS. HOOKER, MISS ARMSTRONG, LADY
MACDONALD’S LITTLE GIRLS, FARGO SQUIERS, AND COLONEL ARTHUR CHURCHILL
COAL HILL
THE FORBIDDEN (PURPLE) CITY IMPERIAL CITY
BEHIND THE SCENES IN PEKING
May 26, 1900.
When you were in Peking last year I don’t know whether you got out to the hills or not. They are about fifteen miles from the imperial city, and are the nearest point where foreigners can find relief from the insufferable heat of the capital, which begins with an intensely hot spring, continuing through a long, damp, sizzling summer.
Many of the diplomats have cottages and bungalows at Pei-ta-ho, on the seashore, but its distance from Peking is a great drawback to it as a summer residence, and they have been forced to accept the hills, as a nearer and more practical place for their summer colony.
A large, commodious house has been built here for the British Minister, as well as one for the officials of the Customs, both within their respective compounds. The greater part of this colony, however, have simply leased temples from Buddhist priests, and converted them into the most attractive and livable summer homes, the American and Russian Legations being the principal of these.
A huge, white pagoda, belonging to the temple of Linqua Su, in the centre of this district, with its temples of Buddha and houses of its priests surrounding it, is perched on the top of a hill at the base of Mount Bruce, and for miles around is the most picturesque feature of the landscape. In the highest point of this pagoda is hung a wonderful bell, the only motive-power of which is the wind, and which was placed there by the Chinese to frighten the evil spirits of the air. When the breeze is strong, which is often the case, the bell seems to
thresh itself into a veritable fury, and again at midday, when the breeze is light, one can just distinguish the faintest tinkle.
High up in these hills, and built on the sides of Mount Bruce, stand these temples with their subordinate and associated buildings, each making up a separate community. Ours is somewhat above the temple of Linqua Su, with its white pagoda, and is built on a most wonderful natural shelf of the mountain-side. A terrace, edged by a low, ivy-covered parapet, runs the length of our temple home, from which we look right out on the world beneath us, down the valley towards Peking; or, if we look above us, it is to see Mount Bruce rise perpendicularly against the sky. Ancient and big are the stones that pave the outer and inner courts of this temple, and as picturesque as they are difficult to use are the stone steps, formed of heavy and irregular slabs, which lead down to the valley or ascend up unto the mountain, from which steps finally emerge innumerable tracks, leading in their turn to shrines, homes of hermits, and temples built on this continuous ridge. Nor is this barbaric and ancient setting for a
