Celebrating Fine Design, Architecture, and Building
CT
Rooms With Zest Carefree living doesn’t mean scrimping on style
Summer 2019
Display until October 21, 2019 nehomemag.com
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In This Issue
Summer 2019 I Volume 10, Issue 3
148 138
130 FEATURED HOMES: 120 SIMPLE PLEASURE Wonderful things come in small packages, as this lakefront Litchfield County house proves. | Text by Bob Curley | Photography by Laura Moss | Produced by Karin Lidbeck Brent
130 A SUMMER PLACE A designer’s own family getaway is part classic, part contemporary, and completely welcoming. | Text by Debra Judge Silber | Photography by Michael Partenio | Produced by Stacy Kunstel
138 NEW HORIZONS A once-and-again couple faces a sunny future with an equally dazzling view of Long Island Sound from their new Fairfield home. | Text by Susan Kleinman | Photography by John Gould Bessler | Produced by Karin Lidbeck Brent
148 Special Focus: Kitchen Design SPECIALTY OF THE HOUSE A quartet of Connecticut kitchens proves there’s no one recipe for design success. | Text by Megan Fulweiler ON THE COVER: Bright color and whimsical touches give a small Litchfield County house outsize personality. Photograph by Laura Moss. To see more of this home, turn to page 120. Summer 2019 | New England Home Connecticut 21
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In This Issue
Summer 2019 I Volume 10, Issue 3
38
46
24 From the Editor 32 Artistry: Micro Becomes Macro A devastating personal loss changed Amy Genser’s approach to life—and with it, her artistic career. | By Nathaniel Reade
32
38 Outside Interest: Like Mother, Like Son The birds and bees, bugs and butterflies in this eco-friendly Mystic landscape can thank a mom for inspiring the next generation. | Text by Debra Spark | Photography by Heather Conley
46 In the Showrooms Unique, beautiful, and now appearing in Connecticut shops and showrooms.
70 Scene & Heard New and noteworthy happenings in the Connecticut design business. | By Paula M. Bodah
78 Design Life Our candid camera snaps recent gatherings that celebrate architecture and design. | Edited by Cassidy Mitchell
158 Resources A guide to the professionals and products featured in this issue. 159 Advertiser Index 160 Sketch Pad A custom range hood makes a handsome focal point in an elegant, functional Rhode Island kitchen.
| Edited by Erika Ayn Finch
53
53 Perspectives Fun, summery additions to your tabletop; Alana Irwin imagines the accoutrements for the perfect pool house; Steve Feldman reveals the brainstorm that sparked the idea for his nonprofit company, Renovation Angel; design-related books for your summer reading pleasure. 64 Calendar Special events for people who are passionate about design. | Edited by Erika Ayn Finch
89
Special Marketing Section:
PORTFOLIO OF INSPIRED RENOVATIONS: BEFORE & AFTER
22 New England Home Connecticut | Summer 2019
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Photography: Warren Jagger Architecture: Mark P. Finlay Architects, AIA
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Editor’s Letter
Coming Up: A Time for Change
C
h-ch-ch-ch changes,” sang David Bowie back in 1971, and continued, “Turn and face the strange.” After fourteen years with New England Home—eleven of those years spent guiding the publication’s course as editor-inchief—my own time to turn and face the strange has arrived. I’ve decided that it feels like the right moment for me to embark on my life’s next chapter. Or, more accurately, to step back, decompress just a bit, and give some serious consideration to what the next chapter of my life ought to be. Needless to say, that’s a bittersweet resolution to make, simultaneously pregnant with possibility and tinged with regret. Since I joined the magazine’s launch team in 2005, New England Home has been the primary focus of my existence. Working with our incredible staff, with an awesome family of freelance photographers and writers, and with the many gifted, warmhearted professionals to be found in our region’s home design and building community has been a privilege and an ongoing delight.
For subscriptions call 800-765-1225 or visit nehomemag.com See additional great content at:
24 New England Home Connecticut | Summer 2019
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Still, as one of those motivational posters might ask, almost certainly printed beneath the image of a timid kitten clambering gamely toward the summit of some household obstacle: if not now, when? A later line from Bowie’s song asserts, “Pretty soon now you’re gonna get older,” and I find I can’t argue with that. So I’m off to look for new challenges and search out new opportunities to use some of the knowledge and experience gained during my tenure here. I am deeply proud of the work we have done since New England Home’s founding, including the launch of New England Home Connecticut in 2010, and proud of the way New England residential design itself has progressed over that time. We live in a significantly different world of home style today. Both design projects and the people who imagine and create them have grown in adventurousness and diversity. This magazine’s role as a showcase and advocate for the very best residential work has almost certainly contributed to the industry’s present strength. The next voice you encounter on this editor’s page will belong to Clinton Smith, a friend and colleague of mine over the past decade. You may already be familiar with Clint as the former editor of the design publication Veranda in New York. Clint has a real understanding of great residential design, and long experience doing our kind of journalism. Being able to leave New England Home in such well-informed, capable hands makes it much easier to let go. With one last nod to David Bowie, I predict that time will change me, as it will change all of us. But the time we’ve had together is something I will always treasure. —Kyle Hoepner
Find more at nehomemag.com
Check out New England Home’s award-winning website, where you’ll find house tours, profiles of artists and other makers, interviews with New England experts, before-andafter stories, and other special items for lovers of gorgeous homes and landscapes. Or browse galleries of inspiring designer spaces, searchable by style, location, color, and room type.
Plus, you’ll be able to sign up for weekly updates on luxury home style, including the latest products, upcoming events, and trending ideas—all delivered straight to your email inbox.
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C O N N E CT I C U T Editor-in-Chief Kyle Hoepner khoepner@nehomemag.com Senior Editor Paula M. Bodah pbodah@nehomemag.com Creative Director Robert Lesser rlesser@nehomemag.com
Custom-designed solutions for every room and lifestyle.
Departments and Copy Editor Lisa H. Speidel lspeidel@nehomemag.com Associate and Online Editor Erika Ayn Finch efinch@nehomemag.com Contributing Editors Karin Lidbeck Brent klidbeck@nehomemag.com Stacy Kunstel skunstel@nehomemag.com Debra Judge Silber dsilber@nehomemag.com Contributing Writers Regina Cole, Bob Curley, Megan Fulweiler, Robert Kiener, Susan Kleinman, Maria LaPiana, Allegra Muzzillo, Dan Shaw, Debra Judge Silber, Lisa H. Speidel Contributing Photographers Robert Benson, John Gould Bessler, Tria Giovan, John Gruen, Laura Moss, Michael Partenio •
Editorial Submissions Designers, architects, builders, and homeowners are invited to submit projects for editorial consideration. For information about submitting projects, e-mail edit@nehomemag.com. Letters to the Editor We’d love to hear from you! Write to us at the above address, fax us at 617-663-6377, or e-mail us at letters@nehomemag.com. Upcoming Events Are you planning an event that we can feature in our Calendar of Events? E-mail information to calendar@nehomemag.com, or mail to Calendar Editor, New England Home, 530 Harrison Ave., Suite 302, Boston, MA 02118. Parties We welcome photographs from design- or architecture-related parties. Send high-resolution photos with information about the party and the people pictured to cmitchell@nehomemag.com. •
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Subscriptions To subscribe to New England Home Connecticut ($15.95 for one year) or for customer service, call 800-765-1225 or visit our website, nehomemag.com.
26 New England Home Connecticut | Summer 2019
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C O N N E CT I C U T Publisher Kathy Bush-Dutton kbushdutton@nehomemag.com Associate Publisher, New England Home Connecticut Roberta Thomas Mancuso rmancuso@nehomemag.com Sales Manager, New England Home Connecticut Marcia Noble mnoble@nehomemag.com Executive Sales Manager Jill Korff jkorff@nehomemag.com Sales Managers Kim Sansoucy ksansoucy@nehomemag.com Robin Schubel rschubel@nehomemag.com Tess Woods twoods@nehomemag.com Marketing Designer Jared Ainscough jainscough@nehomemag.com Production Manager Glenn Sadin gsadin@nehomemag.com Sales and Marketing Coordinator/ Office Manager Cassidy Mitchell cmitchell@nehomemag.com •
Advertising Information To receive information about advertising in New England Home, please contact us at 800-609-5154, ext. 713, or info@nehomemag.com. Editorial and Advertising Office 530 Harrison Ave., Suite 302 Boston, MA 02118 617-938-3991, 800-609-5154 •
New England Home Magazine, LLC Managing Partners Adam Japko, Chris Legg Finance Manager Kiyomi DeBay kdebay@nehomemag.com
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Artistry
Micro Becomes Macro
A devastating personal loss changed Amy Genser’s approach to life—and with it, her artistic career. when Amy Genser •Inwas1996, just about to graduate from
college, she learned a terrorist bomb in Jerusalem had killed her older brother. Anyone who has lost a loved one suddenly and too soon understands how this slap from fate can make life feel arbitrary and short and cause us to question our purpose. Genser, the daughter of a neonatal doctor and a jewelry artist, grew up outside of Hartford and was interested in history, social activism, and her father’s creepy, alluring medical textbooks. She had always loved making things with her hands and ran a
| BY NATHANIEL READE | 32 New England Home Connecticut | Summer 2019
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craft business in high school, but she never felt she could be a fine artist because she had “nothing to say.” She graduated from college intending to become a graphic designer, which seemed to her practical and steady. Working at design firms in Boston, however, along with the trauma of her brother’s death, left her feeling unfulfilled. “I dreaded waking up to go to work,” she says. “My universe was spinning.” Thinking that life as a professor of graphic design would fit her better, Genser went to the Rhode Island School of Design for an MFA. She liked the critical thinking her professors taught her, and the way “they
TOP: CaliCoast (2016), paper and acrylic on canvas, 45"H × 60"W × 4"D. ABOVE: Detail from Intercoastal Blue (2017), paper and acrylic on canvas, full work is 84”H × 84"W × 6"D.
Images courtesy of the artist
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Artistry
CLOCKWISE FROM NEAR
RIGHT: She Met Her Match (2017), paper and acrylic on canvas, 60"H × 30"W × 4"D; Material Girl (2019), paper, acrylic, pyrite, glass, mirror, and sand on canvas, 65"H × 95"W × 4"D; Water Web (2019), paper and acrylic on canvas, 50"H × 60"W × 4"D; the artist at work. FACING PAGE: Grow Your Tree (2016), paper and acrylic on Masonite board, 45"H × 23"W × 1.5"D.
“WE’RE ONE LITTLE SPECK, ONE LITTLE LIFE COMBINING WITH OTHER LITTLE LIVES, AND THERE IS STRENGTH IN NUMBERS,” SAYS AMY GENSER. scramble your brain.” The theory, the computers, and the rigid structure of graphic design, however, also failed to fill the void. Her universe continued to spin. She happened to take a paper-making elective with RISD “guru” Jan Baker, and it felt therapeutic. “I would spend hours in the paper lab. I had been so traumatized by my brother being randomly killed, and using my hands again made my brain quiet. I felt less anxious.” She took the class a second time, and Baker helped her let go of the burden of “saying something.” It felt like taking off a belt that was too small. “I have always loved artwork that was very textural and patterned,” Genser says, “so I began to follow
the patterns and textures of the material and didn’t worry so much about why or what it had to say.” She graduated, got married, and kept playing with paper in new ways. She folded it. She rolled it. She covered acorns with paper, removed the acorns, painted the resulting “weird pods,” and combined them into rainbow-colored masses. One day she rolled up a thick tube of paper and cut it into slices. “When I put the slices next to each other,” she says, “I really liked what it created. Genser had seen microscopic close-ups of blood vessels and organs in her father’s textbooks. She had loved drawing cells in her science classes. Her mother arranged precious stones into intricate patterns. That might be why those paper cells spoke to her. “They felt so organic. I like things on that micro level. I didn’t think about it. I just responded,” she says. She began gluing her paper cells onto painted backgrounds and ended up creating an entirely new art form. Genser brought this new work to a craft show her mother frequented, and it sold well. Today, her much larger compositions hang in homes, museums, and public spaces on every continent except Antarctica. In her Hartford studio, she rolls up sheets of col-
34 New England Home Connecticut | Summer 2019
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orful paper made in Japan from mulberry leaves, slices them in an electric cutter she calls Xena (“because she’s a badass”), and glues them to large canvases or flexible sheets of PVC. She is currently working on a series of fourteen five-by-nine-foot pieces that will represent different layers of Earth and its atmosphere. Arranging those paper cells into compositions and gluing them in place, she says, “is meditative. My brain quiets down. I’m just doing.” “Your whole perspective changes when you’ve experienced profound loss,” Genser says. “You realize that in the end all we have is our relationships.” Her little paper cells, when interconnected with other paper cells, make up a flow and a feeling. The micro, when united, becomes something beautifully macro, whether it’s an art work, a person, or a community. “That’s what it’s all about,” the art-
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ist says. “The beauty in the world, the interconnections, the moments of peace we feel. We’re one little speck, one little life combining with other little lives, and there is strength in numbers.”
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EDITOR’S NOTE: Amy Genser is represented in Connecticut by Amy Simon Fine Art, Westport, amysimonfineart.com, and EBK Gallery, Hartford, ebkgallery.com. To see more of her work, visit amygenser.com. Summer 2019 | New England Home Connecticut 35
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Outside Interest
Like Mother, Like Son
The birds and bees, bugs and butterflies in this eco-friendly Mystic landscape can thank a mom for inspiring the next generation.
you’ve ever sold Girl Scout cookies or • Ifhoped people would support your charity run,
you’re no stranger to hitting up those close to you for money. In 2015, a Long Island woman asked her son to help fund a small pollinator garden for her retirement community. In the happy way of certain good ideas, the request inspired a second eco-friendly project. The son and his wife were building a home on a salt marsh in Mystic where landscaping was going to be key. The house, designed by Newport, Rhode Island-based architect James Estes, would consist of three modernist pavilions, dressed unobtrusively in white cedar shingles and gray metal roofs, forming a loose U around a street-side parking courtyard. The land at the back of the structures sloped down to the ocean and offered expansive views of Fishers Island. With their
Essex-based landscape architect, Anne Penniman, the homeowners were already thinking ecologically, planning to save two specimen red oak trees, add native species to the shoreline, minimize lawns, and leave a field strewn with boulders untouched. Why not go even further and make a pollinator habitat?
ABOVE: Much of the backyard is a boulder-strewn glacial moraine that has been left largely untouched. A scree garden and a wildflower meadow are in the distance. The granite paver path to the left leads to the dock. LEFT: At the front of the house is the parking courtyard with a wildflower meadow and a single red cedar, neatly defined by a granite curb.
| TEXT BY DEBRA SPARK | PHOTOGRAPHY BY HEATHER CONLEY PHOTOGRAPHY | 38 New England Home Connecticut | Summer 2019
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TRADITIONAL ARCHITECTURE FOR A MODERN LIFESTYLE
ARCHITECTURE | INTERIORS | RENOVATIONS | L ANDSCAPES For over 40 years, Wadia Associates has been designing magnificent family homes in a collaborative and accessible manner while creating value through meticulous respect for individual lifestyle and investment. The interpretation of each clients’ vision from concept to build is carefully supervised by Dinyar Wadia himself regardless of scope. Our goal is to give every client complete satisfaction and pride in their dream home. N E W C ANA AN , C T 203.9 66.0 04 8 | WAD IA A SSOCIATES .COM
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Outside Interest
CLOCKWISE FROM
ABOVE: A view from
the road shows a specimen red oak, native plantings, a granite retaining wall, and granite banding at the driveway’s entrance. Granite steps at the back of the house lead to the seaside gardens. A saltwater marsh lies beyond the wild meadow. A granite paver path connects the main pavilion to the guest pavilion.
With that thought in mind, botanist and landscape designer James Cowen of North Stonington’s Cowen EcoDesign joined the team. He had defined the wetlands prior to the site design. Now, he was going to use his expertise to select plant matter that would attract pollinators and butterflies to an upper meadow at the front of the house and a lower meadow along the shoreline. Some clients, says Penniman, want as much lawn as possible, but not this couple. “They were going to go with meadows and a messier landscape, which is inherent in ecological design.” Messier is relative, however, as the clean lines of the hardscaping and distinct nature of the individual gardens create tidy areas, in which plant matter can go wild. The street side of the lot has a locally quarried granite retaining wall and flush granite banding at the entrance to a gravel parking courtyard. Native trees and shrubs (including bayberry, winterwood, highbush blueberry, and tupelo) further delineate the property from the road and neighboring land. Red
“GRASS IS JUST AN ARTIFICIAL MONOCULTURE. IT’S AN ECOLOGICAL DEAD ZONE. THE CONCEPT OF HAVING A VIBRANT ECOSYSTEM THAT SUPPORTS THE POLLINATORS TOTALLY MAKES SENSE,” SAYS THE HOMEOWNER. cedars dot the front yard, and a wildflower meadow fills the space around both the parking courtyard and the granite paver walkway that links the main pavilion to the guest house. Out back, slabs of granite form a staircase that connects the back porch to the seaside gardens. Here, the different soil conditions as the land slopes toward the water allow for a range of gardens with appealing variety. In descending order is a kidneyshaped rain garden irrigated by roof runoff, an
PROJECT TEAM Landscape design: Anne Penniman, Anne Penniman
Associates, and James Cowen, Cowen EcoDesign Landscape contractor: Landscape Creations
House architecture: James Estes, Estes/Twombly Architects Builder: Steve Ray, Steve Ray Construction
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Outside Interest A view of the house with the scree garden in the foreground. Landscape architect Anne Penniman chose plants that like the sandy soil here, including blue-eyed grass, common juniper, bearberry, wild pink lupine, and small yellow wild indigo. FACING PAGE: The wall incorporates irregular solid rectangles of locally quarried granite that are fitted imperfectly together with smaller stones to fill the gaps.
existing boulder-dotted glacial moraine that was left largely untouched, a mown area, a scree garden with dry-tolerant plants, and finally the coastal meadow, which extends to a neighboring property that the couple also owns. The upper meadow limits itself to white echinacea, butterfly weed, and two varieties of switchgrass.
The coastal meadow is another story, with numerous colorful native and salt-tolerant species including yarrow, lupine, black-eyed Susan, evening primrose, bee balm, seaside goldenrod, false indigo, beardtongue, and beach pea. “Insects evolved with native plants,” says Cowen. Bringing back native insects means bringing back the birds that eat them. “If it’s
Turn your bathroom into an enduring work of art. There are bathrooms. And there are Bender bathrooms. To see the difference, visit a Bender showroom near you. You’ll leave truly inspired to create the bathroom of your dreams. With customizable style and innovation to suit your individual taste, you’ll see why the great craftsmen and women of Connecticut come to Bender to create their next masterpiece. bendershowrooms.com | 203.498.5182 decorative plumbing | kitchen & bath cabinetry | lighting | tile & stone Bender showrooms are open to all. If you would like to spend time with one of our sales associates, please call to make an appointment.
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“WHEN YOU WORK AGAINST NATURE BY DOING SOMETHING ARTIFICIAL, THEN YOU’VE GOT TO FIGHT NATURE ALL THE TIME TO KEEP IT FROM COMING BACK,” SAYS THE HUSBAND. not providing habitat value for wildlife, why plant it?” he asks. The homeowners agree. As the husband says, “Grass is just an artificial monoculture. It’s an ecological dead zone. The concept of having a vibrant ecosystem that supports the pollinators totally makes sense.” In other words, “Thanks, Mom.” Conveniently, the meadows are low maintenance, and the coastal meadow (which grows to about three feet) does not obstruct the view, as invasive shoreline grasses once did. “When you work with nature, you realize nature works with you, but when you work against it by doing something artificial, then you’ve got to fight nature all the time to keep it from coming back,” says the husband. Nature’s gifts, in this case, are the butterflies and
blooming wildflowers. But a desire for beauty is only part of what the homeowners are after. “It’s just the right thing to do, to support nature in any way we can,” the husband says. “Hopefully people will replace lawns or parts of lawns with pollinating plants, and we will have lots of places for butterflies.” The mother’s garden inspired the next generation. Perhaps, her son’s will inspire the rest of us. RESOURCES: For more information about the professionals involved in this project, see page 158.
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In The Showrooms
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1. Everything Plus the Kitchen Sink The Whitehaven Hayridge kitchen sink from Kohler features a gentle pattern of horizontal ridges on its apron front. | Kohler Signature Store by Plimpton & Hills, Westport, us.kohler.com
4. Throw in the Towel Kick back at the pool or the beach this summer with the Masai Mara beach towel. | Kirby and Company, Darien, kirbyandcompany.com
2. Highland Style AKDO’s Highland porcelain tile from its Heritage collection features a trendsetting hexagon shape that’s perfect for kitchens and bathrooms. | AKDO, Bridgeport, akdo.com
5. Mix it Up Dolce & Gabbana has joined with Smeg for a new line of small appliances called Sicily is my Love. The ten-speed mixer has a fivequart high-polish stainless-steel bowl. | Williams Sonoma, Danbury, Westport, South Windsor, williams-sonoma.com
3. Go for the Gold From the Mitchell Gold + Bob Williams Marco collection comes this arresting geometric chandelier with gold-lined black shades. It would be at home above a dining room table or a kitchen island. | Mitchell Gold + Bob Williams, Greenwich, mgbwhome.com
6. Playing with Fire GRAFF’s new Vintage Collection is inspired by the Chicago Fire Department logo, making the collection a tribute to firefighters. | Plimpton & Hills, various Connecticut locations, plimptonhills.com; White’s Plumbing Supplies, West Haven, whitesplumbing.com
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| EDITED BY ERIKA AYN FINCH | 46 New England Home Connecticut | Summer 2019
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In The Showrooms
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1. Fired Up The Outdoor Greatroom Company’s stainless-steel Crystal Fire Burner is part of the Cove collection. The firepit is made out of concrete for an organic, natural appearance. | Torrison Stone & Garden, Durham, torrisonstone.com
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4. Lounging Around French brothers Ronan and Erwan Bouroullec designed the Palissade lounge chair for the Danish design collective HAY. The simple form and neutral colorways make the pieces blend with any environment. | Design Within Reach, Stamford, dwr.com
2. Summer Fun Romo’s new Mokolo outdoor weave fabrics make a colorful statement while being breathable, color-fast to light, mold resistant, and oil, water, and soil repellent. | Wakefield Design Center, Stamford, wakefielddesigncenter.com
5. Good as Gold The Cullet collection in brushed golden brass from Belwith Keeler has an imperfect pattern with the perfect amount of geometric detailing. | Sullivan Brothers, Wolcott, sullivan-brothers.com
3. American Graffiti The marbling on the Jonathan Charles Graffiti end table is achieved by running a line through multiple layers of green and aqua glazes. It’s perfect for storing guest towels in a bathroom or cookbooks in a kitchen. | DesignSourceCT, Hartford, designsourcect.com
6. Island Time Designer India Hicks and Oomph have partnered on this tropical-themed Harbour Island backgammon table. The table boasts a custom raffia board by Nine Fair and is available in every color of the rainbow. | Oomph, Greenwich, oomphhome.com
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•PERSPECTIVES Connecticut Design Considered From Every Angle
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Table Manners
’Tis the season for dining outdoors, family gatherings, and leisurely dinner parties. Update your summer tablescape with these colorful accessories.
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1. Cosmos placemat in ivory, gold, and silver by Kim Seybert | Hoagland’s, Greenwich, hoaglands.com
2. Berlingot three-piece breakfast set by Claude Dozorme | Olley Court, Ridgefield, olleycourt.com 3. Carmel rattan candlestick | Serena & Lily, Westport, serenaandlily.com
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4. Capri paisley napkins by Karen Lee Ballard | Hoagland’s 5. Large square woven rattan tray with metal handles | George Home, Washington Depot, georgehomect.com 6. Blomst dinnerware by Royal Copenhagen | Hoagland’s; Lux Bond & Green, Glastonbury, Mohegan Sun, West Hartford, Westport, lbgreen.com 7. Acrylic Milly large blue tumbler by Mario Luca Giusti | Lux Bond & Green 8. Canyon Drive large wood pedestal | Waterworks, Greenwich, Danbury, waterworks.com
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Perspectives
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Pool Party
Alana Irwin creates rooms that emphasize functionality and understated glamour: think clean lines, found objects, and statement art. For this pool house, she was inspired by the laid-back Hamptons lifestyle. “I pictured warm summer nights relaxing with friends in an open, airy pool house,” she says. Soft pastels like those in the Allyson Monson photograph and Juliska’s Floretta plates speak to the essence of summer entertaining. “I love that the overall vibe is relaxed, organic glamour,” the designer says. | Alana Irwin Interiors, New Canaan, 203-536-6216, alanairwin.com
| EDITED BY ERIKA AYN FINCH | | 1. Copper party tub, Williams Sonoma, Danbury, Westport, South Windsor, williams-sonoma.com | 2. Rebecca Limon area rug by Jaipur Living, through Alana Irwin Interiors | 3. Napoleon candelabra in limed oak by Dunes and Duchess, Sandra Morgan Home, Greenwich, sandramorganinteriors.com; Schwartz Design Showroom, Stamford, schwartzdesignshowroom.com | 4. Floretta plates, Juliska, Stamford, juliska.com | 5. Una coffee table by Urbia, Trovare Home Design, Cos Cob, trovarehomedesign.com, and Wakefield
Design Center, Stamford, wakefielddesigncenter.com | 6. Just One More, photo by Connecticut artist Allyson Monson, Allyson Monson Photography, allysonmonsonphotography.com | 7. Amalfi outdoor sofa by Palecek, DesignSourceCT, Hartford, designsourcect.com, and Connecticut Home Interiors, West Hartford, cthomeinteriors.com | 8. Dominico outdoor lounge chair by Palecek, DesignSourceCT and Connecticut Home Interiors | 9. Vienne assorted colors small tumbler set, Juliska, Stamford
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Space is the breath of art. -Frank Lloyd Wright
212 840 0004 203 966 6696 MasteraArchitects.com
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Perspectives
Five Questions
Steve Feldman at the Waterworks Flatiron showroom in New York City.
Luxury kitchens get a second life thanks to Steve Feldman, founder of the nonprofit Renovation Angel.
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How did you come up with the idea of recycling luxury kitchens for charity? After a twenty-year career in radio, mostly in Providence, I wanted to give something back. In 1998, I left my job and began fundraising for an addiction recovery outreach program; I’m a recovered addict of thirty-one years. One day I spotted a mansion that was being demolished in Greenwich, and I had a revelation: instead of sending the remains to a dump, couldn’t parts of it, such as the
kitchen, be removed and sold to help others? My idea was that everyone could win: the homeowner could get a tax deduction, buyers would get a bargain, fewer materials would go to the dump, and charities would benefit from the revenues we earned.
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What happened next? The idea really took off. Initially, we got offers to donate kitchens from architects, builders, real estate
| INTERVIEW BY ROBERT KIENER | PHOTOGRAPHY BY MATT FURMAN | 56 New England Home Connecticut | Summer 2019
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Parker Rogers Katie Mott Holmberg | 411 Pequot Ave Southport, CT 203.256.2742 parkerandcompanydesigns.com
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Perspectives:
Five Questions
agents, and homeowners in Greenwich. In 2005, I set up the 501(c)(3) charity Green Demolitions, and that has evolved into today’s Renovation Angel. We have expanded throughout the region and to date have recycled more than 6,500 kitchens—saving 38 million pounds of material from landfills—and created over $22 million dollars’ worth of recycling jobs. We employ thirty-eight people, including designers, salespeople, removal crews, and drivers. And we’ve earned $2.3 million for charities that help at-risk youth, the homeless, and addiction recovery.
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How does the process work? We get referrals from homeowners, designers, agents, architects, and other professionals in the design/build industries. We probably decline more than half of the kitchen projects that come our way. These may be too old, too small, too outdated, or in bad condition. For example, there are some styles that
are a no-no for us, such as the arched oak door look, washed oak that is dated. Certain styles of cabinetry—the classic inset doors, the classic Shakers—retain their value. The people who have traditional kitchens in good condition to donate do well with us. We recently removed a twelve-year-old custombuilt $250,000 kitchen from a home in Greenwich. It included beautiful handcrafted cabinets and Sub-Zero and Wolf appliances. The couple who donated this kitchen were able to save about $30,000 between removal costs and their tax deduction. It was a total winwin situation.
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How do I know a pre-owned kitchen will fit into my space? Kitchens are generally modular and easy to retrofit. For example, it’s easy to convert an L-shaped kitchen into a galley design. If you have a smaller space, you can use fewer cabinets. There are a few basic guidelines, however. For example, the ceiling heights have to be comparable. If you have twelve-foot ceilings, you can put almost any kitchen in the world in there. But if you have an eight-foot kitchen
ceiling, you can’t buy a nine-foot-high kitchen. Also, say you need eighteen cabinets in your kitchen; you buy one from us that has twenty or twenty-five cabinets and you can mix and match what you need in the kitchen and use the extra cabinets for your pantry, garage, or somewhere else.
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Who are your buyers? We call them “luxury bargain hunters.” They are doctors, lawyers, business people, entrepreneurs, house flippers, and the HGTV dreamers. They don’t have—or don’t want to spend—$100,000 for a kitchen, but they can get one from us for $10,000 and a little fixing up. We have sold plenty of $125,000 kitchens for $15,000 to $20,000. People who buy (and those who donate) are motivated in three ways. Some are really green and very into sustainability. Other people are about the money and want to save on a project. And there are people whose main motivation is they want to do something charitable. Buyers can come to our website or to our 43,000-squarefoot retail showroom in Fairfield, New Jersey. | Renovation Angel, renovation angel.com
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Perspectives
Bookshelf
The Man in the Glass House By Mark Lamster Like so many people with a streak of genius, Philip Johnson was a living paradox. Personally and professionally, he was often generous with his time, money, and influence, but he could also be calculating, callous, and cruel. He was an anti-Semite in the 1930s who later promoted Jewish architects and built a synagogue pro bono. His work could be groundbreaking (his 1949 Glass House in New Canaan), sublime (the 1958 Seagram Building in New York City, designed in collaboration with Mies van der Rohe), or frankly opportunistic (the Crystal Cathedral he built for the televangelist Robert H. Schuller). He was a prolific designer with a surprisingly uneven oeuvre. As architecture professor and critic Mark Lamster says in his engaging and compassionate new biography of Johnson, The Man in the Glass House, “There is hardly a city in America that is not graced— or fouled—by a building with Johnson’s name on it.” While his many buildings are his most visible legacy, Lamster writes, Johnson’s most enduring gift may be his influence on American culture. At the start of his career, in the 1920s, modernism was an esoteric movement. By the time of his death in 2005— thanks in large part to his championing of the style—modernism had become the defining language of American design. | $35, Little, Brown and Company, littlebrown.com
| REVIEWS BY PAULA M. BODAH |
Summer Houses by the Sea: The Shingle Style By Bret Morgan We New Englanders are blessed with an abundance of Shingle-style houses, as this beautiful new book from Rizzoli proves. Of the twentytwo gorgeous buildings featured in its 272 colorful pages, sixteen are New England properties. The book—a celebration of both the romance of life by the sea and of the iconic style that originated on America’s East Coast—covers more than a century of design. The story begins with McKim, Mead & White’s 1880 Newport Casino (home to the International Tennis Hall of Fame) and winds up with a 2006 Seal Harbor, Maine, home by architect Peter Forbes (featured in the November–December 2010 issue of New England Home), a light-filled dwelling that beautifully blends the contemporary and traditional. In between are notable homes such as William Ralph Emerson’s 1896 home for General Charles G. Loring in Prides Crossing, Massachusetts; Robert A. M. Stern’s first house on Martha’s Vineyard, commissioned in 1979; and Shope Reno Wharton’s 2004 Jamestown, Rhode Island, house Black Watch (also featured in New England Home, in the September–October 2009 issue). In both his photos and his text, Bret Morgan gives each building the star treatment it deserves. | $65, Rizzoli, rizzoliusa.com
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Calendar
La Vecchia at Wadsworth Atheneum Through August 4 View La Vecchia (also known as The Old Woman) by Italian painter Giorgione, who is widely considered one of the greatest artists of the Venetian Renaissance. I Museum tickets are $5–$15. Wadsworth Atheneum, Hartford, 860-2782670, thewadsworth.org
EDITED BY ERIKA AYN FINCH
2 3 1 1) See how a 1930s hydroplane racer might have inspired the design of your toaster in Streamlined: From Hull to Home at Mystic Seaport Museum. 2) The historic Guilford Green hosts nearly 200 nationally recognized craft artists for Craft Expo 2019. 3) The famous chef shows off his skill with a paintbrush in The Artistry of Jacques Pepin at the Guilford Art Center.
JULY The Artistry of Jacques Pepin Through July 21 Enjoy original paintings and prints by master chef and longtime Madison resident Jacques Pepin during his first comprehensive exhibition. I Guilford Art Center, Guilford, 203-453-5947, guilfordartcenter.org Waterworks: A Marine Show and Hudson Valley Art Association Member’s Show Through August 2 Shop for marine-themed artwork by Lyme Art Association members during Waterworks: A Marine Show. Happening simultaneously is Hudson Valley Art Association’s annual member’s show. I A $5 donation is suggested. Lyme Art Association, Old Lyme, 860-434-7802, lymeartassociation.org
New England Home Connecticut Luxury Living Talk
July 10
How can Connecticut’s design professionals meet the changing expectations of today’s luxury homeowners? That’s the question Debra Judge Silber, New England Home Connecticut contributing editor, will put Greenwald Krupa to a panel of designers, architects, and builders at the summer Luxury Living Talk, presented in partnership with HBRA of Fairfield County and AIA Connecticut. Panelists include Arnold Karp of Karp Associates; Beth Krupa of Beth Krupa Interiors; Rich Granoff of Granoff Architects; and Seth Greenwald of Silver Heights Development. I Connecticut Stone, Milford, connecticutstone.com. For information and to register, email info@nehomemag.com Granoff
Karp
Streamlined: From Hull to Home Through August 25 This exhibit charts the progress of streamlining—a 1930s design style that used the curving forms and long horizontal lines inspired by the sleekness of ocean liners and other seagoing vessels—from its naval origins to its use in home and product design. I Museum tickets are $17.06–$26.05. Mystic Seaport Museum, Mystic, 860-572-0711, mysticseaport.org 12th Biennial International Miniature Print Exhibition Through September 1 This juried, biennial print competition and exhibition is limited to works that are no more than four square inches. Since its inception, the exhibition has showcased the works of artists worldwide with renowned print curators and collectors serving as jurors. I Center for Contemporary Printmaking, Norwalk, 203-899-7999, contemprints.org Structures July 4–August 31 Explore 50 years of architect Jay Bright’s favorite paintings, drawings, collages, and pastels. There will be a reception July 9, 5 p.m.–7 p.m. I New Haven Lawn Club, New Haven, 203-777-3494, nhlawnclub.com Open House & Garden Tour July 13 Hosted by the Litchfield Aid of the Connecticut Junior Republic, the event features a one-mile walking tour within the Borough of Litchfield, a National Historic Landmark District. Tour 10 houses and gardens dating from the 17th to 20th centuries. I Tickets are $60 in advance, $65 the day of the event. 10 a.m.–5 p.m. 860-567-9423, ctjuniorrepublic.org The Garden Conservancy: Open Days July 14 Explore three gardens in Hartford and Middlesex counties. Flower Power happens in Avon, The Murray Gardens are in Glastonbury, and Our Strolling Garden takes place in Portland. I Admission to each garden is $10. 10 a.m.–4 p.m. gardenconservancy.org Ganim’s Garden Center & Florist’s Eighth Annual Ladies Night July 18 Grab the girls and enjoy a plant sale, shopping, wine tasting, and nosh from area food trucks. A raffle will benefit A Cure for Cam and the Alternating Hemiplegia of Childhood Foundation. Pre-registration is required. I 5 p.m.–8 p.m. Ganim’s Garden Center & Florist, Fairfield, 203-333-5662, ganimsgardencenter.com
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Calendar Craft Expo 2019 July 19–21 More than 180 nationally recognized and emerging craft artists will converge on the historic Guilford Green for this 62nd annual event. Shop for clay, glass, leather, jewelry, fiber, metal, mixed media, paper, painting, photography, printmaking, soap, and wood. I Tickets are $9 for adults, $7 for seniors, and free for GAC members, children younger than 12, and active military. Multi-day passes are $15. Friday, noon–8:30 p.m., Saturday, 10 a.m.–7 p.m., Sunday, noon–5 p.m. Guilford Art Center, Guilford, 203-453-5947, guilfordartcenter.org
AUGUST Victorian Secrets: Bustles, Bloomers, and the Women of Roseland Cottage August 22 At this tea party, learn about the undergarments that created the fashionable Victorian silhouette. Stay for a tour of Roseland Cottage from the perspective of the women who lived, worked, and dressed there. I Tickets are $30. 1:30 p.m.– 3:30 p.m. Roseland Cottage, Woodstock, 860-928-4074, historicnewengland.org
and fantasy, steampunk is a contemporary take on the steam-powered technology and aesthetics of the Victorian Era. Enjoy live music, roving performances, steampunk wares, tours of Roseland Cottage, and more. I Tickets are $10. 10 a.m.– 5 p.m. Roseland Cottage, Woodstock, 860-928-4074, historicnewengland.org 2nd Annual Compass Rose Steampunk Festival
SEPTEMBER Old-Fashioned Flea Market September 15 Seek out bargains and treasures from more than 80 vendors offering a variety of items including antiques, repurposed furniture, collectibles, jewelry, specialty foods, crafts, clothes, and toys. A classic and antique car show happens at the same time. I 10 a.m.–4 p.m. Lockwood-Mathews Mansion Museum, Norwalk, 203-8389799, lockwoodmathewsmansion.com 2nd Annual Compass Rose Steampunk Festival September 21 Inspired by 19th-century science fiction
Dahlias: How to Select and Grow September 21 This master class on dahlias is taught by potter and gardener Frances Palmer. Learn how to divide, plant, fertilize, and stake spring tubers; maintain plants over the growing season; and dig and store plants for the winter. I 10 a.m.–11:30 a.m. Hollister House Garden, Washington, 860-868-2200, hollisterhousegarden.org Sermons in Stone: The Stone Walls of New England and New York September 28 Discover the enthralling story of the stone walls that are everywhere in New England. You might be surprised to learn that these walls are much more than monuments to the skill of Yankee farmers. I 10 a.m.–11:30 a.m. Hollister House Garden, Washington, 860-868-2200, hollisterhousegarden.org EDITOR’S NOTE: Events are subject to change. Please confirm details with event organizer prior to your visit.
Save the Date Thursday, November 14th, 2019
CONNECTICUT
&
PRESENT
To The Trade Only Day Featuring the latest trends in home furnishings, new product introductions, lectures, CEU courses, book signings, portfolio reviews, and more… Wakefield Design Center 652 Glenbrook Road | Stamford, CT 203-358-0818 | wakefielddesigncenter.com
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K I T C H E N
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F I X T U R E S
www.TorrcoDesignCenter.com | est 1917 | 203.756.3641 Danbury | East Windsor | Fairfield | New Haven | Stamford | Waterbury
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Full-Service Interior Design Serving Fairfield and Westchester Counties. 917-579-6959 | dinaspaidal@gmail.com | dinaspaidalinteriors.com
C O N N E C T I C U T L I G H T I N G C E N T E R S & R E S T O R AT I O N L I G H T I N G G A L L E RY
Worth a trip from anywhere!
Two amazing 12,000+ sq. ft. showrooms Hartford & Southington
u www.CTLighting.com
Vintage, antique & one-of-a-kind lighting Restoration & Repair Over 1000 lamp shades in stock
HARTFORD 860-249-7631 160 BRAINARD RD (I-91• EXIT 27) SOUTHINGTON 860-621-7585 50 GRAHAM PLACE (I-84• EXIT 32) – next to Pilgrim Furniture & CAFD Hours: Mon-Fri 8-8pm, Sat 9-5pm, Sun 12-5pm
u www.myRLG.com HARTFORD 860-493-2532 167 BRAINARD RD (I-91• EXIT 27) Across the street from Connecticut Lighting Centers Hours: Mon-Wed 9-6pm, Th-F 9-8pm, Sat 9-5pm, Sun 12-5pm
Locally family owned & operated since 1972 – now in 3rd generation.
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New and Classic Pieces for your Home and Garden We specialize in unique men’s gifts and grooming products, and new and vintage barware
Lattice House | 411 Pequot Avenue | Southport, CT 06890 | Follow us on Instagram
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Scene & Heard BY PAULA M. BODAH
Weaver and rug designer Jakub Staron, owner of Stamford’s JD Staron, has turned his talents to fabric design, launching Édition 169. The collection made its debut early this year in Paris during the five-day Déco Off 2019. The artisan-crafted line is inspired by haute couture and uses luxurious yarns—angora, mohair, alpaca, linen, silk, and more—from all over the world in its hand- and machine-woven fabrics. | edition169.com
MATERIAL EVIDENCE
TO YOUR HEALTH
Trudy Dujardin has long been known for her distinctive, sophisticated interior design. Sustainability, however, has always been equally important to her. Way back in 2014, in fact, she published a book called Comfort Zone: Creating the Eco-Elegant Interior. In keeping with that passion, she has launched Dujardin Design Green Consulting Service, offering guidance for creating homes that are toxin-free and easy on the environment. “I want to help more people live lightly, not only on the earth, but in their own homes and neighborhoods,” she says. I Nantucket, Mass., and Westport, dujardindesign.com
BLUEPRINT FOR SUCCESS
We never need an excuse for a shopping expedition to West Hartford Center, but if we did, the new Blueprint CT is a perfect one. The home decor boutique, which opened in early May, is owner Louis Lemieux’s second location, and like its sister shop in the Litchfield County town of Bantam, offers a colorful and eclectic array of vintage and modern furnishings, textiles, accessories, and objet d’art. I Bantam and West Hartford, shopblueprintct.com
THAT’S HISTORICAL
Shopping online is a convenience we wouldn’t want to give up, but nothing beats browsing a beautiful shop or showroom. Lovers of Diane James Design’s faux florals will be delighted to know Diane and her daughters, Cynthia Matrullo and Carolyn McDonough, have opened their first retail boutique. The shop is part of the company’s new home base, an all-inclusive facility where the floral bouquets are designed and handcrafted and e-commerce operations take place. | Norwalk, dianejameshome.com
FLOWER POWER
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A vote to sell a beloved historical building is the sort of thing that can upset a town’s citizens. The town of New Preston clearly made the right move, though, when it allowed Michael DePerno and Andrew Fry, the owners of Plain Goods, to buy Pavilion Hall, an 1897 building that anchors the historic village. DePerno and Fry restored the structure so carefully, they ended up being honored with the 2019 Award of Merit from the Connecticut Trust for Historic Preservation. Pavilion Hall is now the new home of the duo’s popular home goods and lifestyle shop. | New Preston, plain-goods.com Pavilion Hall photo by Jessica Lewis
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Scene & Heard
A home designed by Woods with interior decoration by Michael Brinckerhoff
Classic will meet contemporary in the This Old House 2019 Idea House in New Canaan. Karp Associates and Christopher Hull of CAH Architecture and Design are working a bit of magic, creating a new home behind the restored facade of an 1880s Greek Revival building. The 6,000-squarefoot house will have all the most innovative materials and stateof-the-art technology. Interior design will be by Michelle Hogue, of Hogue Interior Design. | thisoldhouse.com; New Canaan, karpassociatesinc.com; Cos Cob, caharchitecture.com; Westport, hogueid.com
SOMETHING OLD, SOMETHING NEW
HAPPY ANNIVERSARY
Time flies when you’re having fun. For architect Marybeth Woods it’s been a quick and gratifying twenty years at the helm of Woods Design. In those two decades, Woods, who specializes in both exterior and interior architecture and millwork design, has created countless custom homes in Fairfield County in styles ranging from classic Shingle-style to sleek modern. I Westport, marybethwoodsarchitect.com
Rendering courtesy of CAH Architecture and Design
Visit
Connecticut’s Outdoor Living Destination!
Built-In & Free Standing Grills ▪ Fire Pits & Tables ▪ Outdoor Appliances
www.CAFD.com ○ (860) 621-9313 ○ 50 Graham Place, Southington CT 72 New England Home Connecticut | Spring 2019
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REBECCA REYNOLDS designs
C
reating DESIGNS for breakfast lunch dinner
rebeccareynoldsdesign.com 203-972-8300
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Scene & Heard
ON THE MOVE The crew at Daniel Conlon Architects planned to do some spring cleaning, including a bit of renovation, in their Redding offices. “Then we realized we needed a real change,” says Tegan Conlon, who runs the business side of her husband’s architecture firm. That meant a move to Wilton, to an attractive post-and-beam space with floor-toceiling windows and plenty of light. The new office is just fifteen minutes away from the old one, but, says Conlon, it’s a more convenient location for the company’s growing list of clients. | Wilton, dconlonarchitects.com
A PERFECT MATCH
Sometimes the best relationships happen by chance. Greenwich-based interior designer Laura Michaels of Laura Michaels Design found herself collaborating with Jesika Estepanian and Heidi Perham of the Stamford-based architectural firm Aventine. Working together proved so satisfying, the three women decided to make a habit of it. The two firms have united to open an office in Sarasota, Florida. While they will keep their individual company names and identities, they present themselves as a package deal, offering complete architectural and interior design services. So far, Michaels reports, they are exploring projects on both Florida coasts and in South Carolina. I Greenwich and Sarasota, Fla., lauramichaelsdesign.com
HOGAN ASSOCIATES REAL ESTATE NEWPORT
129 Bellevue Avenue | Newport, RI 02840
NEWPORT • Bonniecrest Condos • $1,785,000
Sophisticatedly refurbished single-level 3rd floor unit at Bonnicrest with views of endless sky and stunning Newport waterfront. Enjoy gated 12 acres of beautiful gardens, private beach, pool, hot tub, tennis courts, playground, and private dock for water taxiiing into town, and for keeping your dinghy, paddleboard or kayak. Turnkey features include elegant formal entry hall, living room with fireplace, dining room, spacious master bedroom with en suite bath, two guest bedrooms, a full guest bath, half bath, and laundry room. The gourmet kitchen boasts stainless steel appliances and elegant custom-tiled surfaces. A perfect environment for entertaining friends and family, or for seeking serenity and wellness.
LYNN CREIGHTON BROKER ASSOCIATE 401-345-6886 lynn@hoganri.com hoganri.com
NEWPORT AND SURROUNDING RHODE ISLAND COMMUNITIES
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Crown Select by
A whole new line of custom built inset cabinetry with the impeccable Crown Point fit and finish. Handcrafted in New Hampshire and available direct, nationwide
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Beautifully designed and engineered to be budget friendly www.crownselect.com 603 • 542 • 3399
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6/18/19 1:20 PM
HOME BUILDERS & REMODELERS ASSOCIATION OF FAIRFIELD COUNTY
LOOKING FOR TOP-RATED BUILDING INDUSTRY PROFESSIONALS? BUILDERS | REMODELERS | DESIGN PROFESSIONALS | STAGERS | SUBCONTRACTORS
Anthony DeRosa DeRosa Builders
Visit our member directory at www.buildfairfieldcounty.com to finance, design and build your next home project. Our 515+ member association is made up of a diverse group of building industry professionals. 203-335-7008 | hbra@buildfairfieldcounty.com | www.buildfairfieldcounty.com
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110 Post Road | Darien, CT (833) 837-2467 | drains-unlimited.com
DUW Series Wall-recessed Linear Drain: “The most hygienic linear drain on the market.”
ANNE PENNIMAN ASSOCIATES LLC LANDSCAPE ARCHITECTURE | SITE PLANNING | HABITAT
860.767.7540 35 Pratt Street Essex CT info@annepenniman.com www.annepenniman.com
nature, resulting in beautiful, livable habitats for our clients and the ecosystem we occupy.
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Design Life
EDITED BY CASSIDY MITCHELL
Networking Event
CONNECTICUT
Spring Networking Event at Gault
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Gault Stone’s Westport showroom was the good-looking backdrop for a networking party and celebration of the New England Home Connecticut spring issue. Guests mingled as they wandered through the showroom admiring the marble and granite products and enjoying light bites and spring-themed cocktails.
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| 1. Tess Woods of New England Home with Sam Gault of Gault Stone | 2. Tara Vincenta of Artemis Landscape Architects, Arthur Hanlon of Shope Reno Wharton, and Stephanie Rapp of Stephanie Rapp Interiors | 3. Andrew Bartolotta of Studio Bartolotta and Connie Cooper of Connie Cooper Designs | 4. Randy Sullivan and Jose D’Auria of Gatehouse Partners with New England Home’s Kyle Hoepner, Heidi Holzer of Heidi Holzer Design and Decorative Work, and Kristen Sullivan of Gatehouse Partners | 5. The Freddy’s Landscape Company team: Bruno Miraballes, Abigail Papinchak, Nicole
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Miraballes, and Freddy Miraballes | 6. Christopher Domagala of Gault Stone and Jennifer LaBollita of InnerSpace Electronics | 7. Alex Goossen of Mark Finlay Architects and Rina DiMarte of Chloe Winston Lighting Design | 8. Dick and Barbara Laughton of Front Row Kitchens and Marcia Noble of New England Home | 9. Dina Spaidal of Dina Spaidal Interiors and Candace Pereira of Chloe Winston Lighting Design | 10. Peggy Kebabian of Kebabian’s Rugs with Toni Sand and Susan Thompson of Hobbs | 11. Debra Judge Silber of New England Home with Robert Tucker and Jennifer Huestis of Huestis Tucker Architects. Photography by Phil Nelson
6/19/19 4:04 PM
Come visit our new Westport showroom for an interactive stone experience
WESTPORT SHOWROOM
203.227.5181
BETHEL SHOWROOM
203.790.9023 Exceptional Products, Personal Service
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9/5/18 11:25 AM
Design Life Trade Secrets
Plants and antiques were the focus of Trade Secrets, an annual event benefitting Women’s Support Services. Day one was all about admiring and buying rare plants and garden antiques. On day two, guests participated in self-guided tours of four Falls Village and Ashley Falls gardens.
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Closet & Storage Concepts
Closet & Storage Concepts got the warm season off to a good start with a summer kickoff party at its Norwalk location. Along with hors d’oeuvres and refreshing drinks, attendees networked with each other and explored the various closet lighting displays.
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| 1. Alexandra and Payton 4 Barta | 2. Angela Legg and Peggy Kebabian | 3. Jared and Lisa O’Mara with Chris Barre | 4. Mark Barrere and John Jelliffe | 5. Tori McBrien and Bryan Short | 6. Karen Wells and Karen Bradbury
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| 1. A fun scene from the day | 2. Brittany and Matthew Bromley | 3. Matthew Patrick Smyth and New England Home’s Stacy Kunstel | 4. Amanda Nisbet and Jill Weeks | 5. Stacy Kunstel, Holly Cunningham, Margot Shaw, Amanda Nisbet, and Lewis Miller
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Trade Secrets photos by Michael Partenio Closet & Storage Concepts photos by Regina Tamburro
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Playing our part in beautiful gardens. With Walpole’s low maintenance AZEK® you’ll spend more time enjoying your gardens and no time on fence and outdoor structure upkeep. AZEK holds its great looks for years and it looks like natural wood. For a free design consultation, call 800-343-6948.
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Design Life Kebabian’s Rugs and Finished in Fabric Lunch
Kebabian’s Rugs and Finished in Fabric joined forces, inviting a group of like-minded professionals to Artisan in Southport for a meal and a discussion about a variety of topics of interest to the textile industry.
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| 1. David Harris and John Kebabian | 2. Christina Roughan, George Snead, and Carey Karlan | 3. Dani Mazza, Andrea Tutt, and Lee Cavanaugh | 4. Josh Kebabian speaks to the roomful of attendees | 5. Heidi Holzer and Pat Healing | 6. Sandy Ferguson and Peggy Kebabian
Wakefield Design Center crushed it again with this spring’s To the Trade Only Market Day. Guests enjoyed book signings and speakers such as Alexa Hampton, Mara Miller, Jesse Carrier, and Fawn Galli in between checking out the latest trends in fabrics, furniture, and art. 2
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| 1. Peggy Kebabian and Britt Newman | 2. Fawn Galli signs a copy of her book Magical Rooms for Alexa Hampton | 3. Wakefield Design Center’s George Snead | 4. Jesse Carrier and Mara Miller with Roberta Thomas Mancuso and Kyle Hoepner from New England Home | 5. Christine Hiltz, Jan Hiltz, Debra Judge Silber of New England Home, and Susan Bijleveld | 6. Zeb Esselstyn, Liz King, and John Jelliffe
Kebabian photos by Regina Tamburro Wakefield Design Center photos by Phil Nelson
6/19/19 4:04 PM
COLOR’S IN, AND SO IS OUR ESSENTIAL WOOL COLLECTION.
Room design: Sally Scott Interiors
KEBABIANS.COM | 203.865.0567 | 73 ELM ST. NEW HAVEN, CT 06510 Everything is direct from manufacturer, we are 100% vertically integrated, we travel and we know rugs. When you work with us, you are getting as close as you can to THE SOURCE of the handmade rug production.
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Design Life Sorelle Gallery
New Canaan’s Sorelle Gallery opened its doors to guests for drinks, hors d’oeuvres, and a panel discussion titled “Partnering Art with Interior Design.” The panelists included Kyle Hoepner from New England Home, aerial photographer Dinesh Boaz, and interior designer Tina Anastasia.
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| 1. Madeline Quevedo and 4 Amrita Boaz | 2. Dinesh Boaz, Tina Anastasia, and New England Home’s Kyle Hoepner | 3. Bryan Short and Victoria Vandamm | 4. Santiago Pintado, Nancy Charmak, and Lauren Moss | 5. Kevin Dailey | 6. Lisa O’Mara, Joan Hennessey, and Caitlin Brennan
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It was a grand opening indeed, when ProSource of Stamford hosted a party for the unveiling of their brand-new 2,000-square-foot kitchen and bath showroom. Guests were wowed by the quality and variety of the tile, fixture displays, and custom vignettes. 2
| 1. Lorraine Frye and Seth 5 Feinberg | 2. Ann Marie Hollendonner with Charlene Kiernan | 3. Kipp Livingston and Angelo Zuffante | 4. Andrew Bogdan and Victoria Vandamm | 5. Susan Bijleveld, Lisa O’Mara, and Erika Fonck | 6. Evan Corey with Lauren and Michelle Lefkowitz
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THE FUTURE IS IN THE DETAILS...
Stamford’s Most Complete Showroom for Design Professionals ProSource offers a dedicated team of experts and private showrooms with the largest selection of home and commercial products at wholesale prices. This one-of-a-kind combination supports our strong relationships with the most talented designers in the business Find out why so many have come to trust the unique solution ProSource offers. www.prosourcewholesale.com/stamford. We are pleased to announce our Kitchen & Bath Department is NOW OPEN! Cabinets | Countertops | Sinks | Faucets | Cabinet Hardware | And More
ProSource of Stamford 25 Harbor View Avenue | Stamford, CT 06902 203-602-0607 www.prosourcewholesale.com/stamford
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CELEBRATE! NEW ENGLAND’S FINEST EMERGING DESIGN TALENT
THOMAS MCNEILL
Architecture
SEPTEMBER 12TH
DANE AUSTIN
#NEH5UNDER40
Join us to honor the winners of the tenth annual 5 Under 40 awards, raise a glass to exceptional design at the season’s best cocktail party, and bid on five one-of-a-kind rugs designed by the winners as they are auctioned off for a great cause. All auction proceeds will go to Barakat, a charity that strengthens education and literacy in Central and South Asia.
The Galleria at 333 Stuart Street, Boston Event Starts at 6:00 Tickets on sale now nehomemag.com/5-under-40/tickets/
Interior Design
TYLER KARU
Interior Design
CHERYL RUSS
Landscape Design
YUKINORI MILES ENDO
Specialty: Lighting
PRESENTING SPONSOR
TEN YEARS
FIVE
UNDER FORTY
S I G N AT U R E S P O N S O R S
0 5 New England Home’s
5 Under 40 Awards
PHOTOGRAPHY SPONSOR
AWA R D SPONSOR T R E AT- T O - G O S P O N S O R
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21 ELM STREET NEW CANAAN, CONNECTICUT 203.972.0433 thelinenshopct.com
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JANE BEILES PHOTOGRAPHY
KWD
karen
wells
design
New Canaan, CT | 203-273-7897 | karenwellsdesign.com
Ceiling upholstery and drapes by Finished In Fabric Design: Tina Anastasia, Mark P. Finlay Interiors Photography: Brantley Photography
An eye for detail... Upholstery, Wall Coverings, Fine Drapery & Antique Restoration
860.346.4843 finishedinfabric.com
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Special Advertising Section
Portfolio of Inspired
RENOVATIONS AFTER
BEFORE
IMAGE COURTESY OF ROBERT A CARDELLO ARCHITECTS
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A
AFTER BEFORE
AFTER BEFORE
90  New England Home | Connecticut Summer 2019
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PORTFOLIO OF INSPIRED RENOVATIONS
Austin Ganim Landscape Design, LLC AFTER BEFORE
“It was important to create a landscape that could be enjoyed not only by our clients as they relaxed on their patio spaces, but also to enhance the neighborhood by bringing the garden to the street for all to enjoy.”
AUSTIN GANIM & EVA CHIAMULERA, ASLA, PLA
The Challenge Create a landscape that responds to the needs of multilevel outdoor living spaces, integrating screening from adjacent homes in the distance while enhancing the internal spaces with colorful gardens and framing views. The Elements The overall design can be broken down into five elements: foundation plantings, great lawn, paths, vegetable garden, and layered perimeter screening. Plantings are used to define the spaces and enhance the flow between the elements.
Austin Ganim Landscape Design, LLC 320 Kings Highway Cutoff | Fairfield, CT 06824 203-333-2003 | austinganimlandscapedesign.com
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Special Advertising Section
“Bender is the place to go because it’s all inclusive — they have a large space and a great showroom. We wanted to go to one place for all our needs, from floor to ceiling.”
AFTER
BenderShowrooms.com 395 James Street Bridgeport, CT 06604 203-579-4499
335 East Street New Haven, CT 06511 203-787-4288
197 Wawarme Avenue Hartford, CT 06114 860-233-6606
235 Westport Avenue Norwalk, CT 06851 203-847-3865
155 South Leonard Street Waterbury, CT 06708 203-756-8013
92 New England Home | Connecticut Summer 2019
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PORTFOLIO OF INSPIRED RENOVATIONS
Bender
AFTER
The Inspiration The client was inspired by a Bender vignette with its cool grays and whites that gave the room a calming, spa-like feel. The Starting Point the client’s former bathroom featured dated 1980s décor elements. They demolished the entire bathroom, installed new windows, and started their project with a blank slate. The Elements The Fleurco bathtub’s unique shape became the focal point of the space, but the luxury is amplified by the Mr. Steam unit that converts the shower into a steam room. The polished marble tile on the floor and walls is accented by the statement-making textured porcelain tile in the shower. The beautiful, custom-cut marble vanity completes the look. AFTER
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Special Advertising Section
AFTER
BEFORE
AFTER
94  New England Home | Connecticut Summer 2019
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AFTER
INTERIOR DESIGNER: AMY ZOLIN, CLARITY HOME INTERIORS ARCHITECT: GRANOFF ARCHITECTS | BUILDER: GATEHOUSE PARTNERS
6/19/19 10:13 AM
PORTFOLIO OF INSPIRED RENOVATIONS
Clarity Home Interiors BEFORE AFTER
AFTER
“Our aesthetic is timeless and sophisticated without pretense. Every client is unique, and every design is, too.” —Amy Zolin
AMY ZOLIN
Clarity Home Interiors 580 Lake Avenue Greenwich, CT 06830 203-340-2468 clarityhomeinteriors.com
The Challenge The challenge for this master bedroom and bathroom suite was to transform the space into a spa-like retreat, where the couple could relax and unwind while enjoying views of the coastal scenery from their deck. The Solution For the bathroom, we selected tiles and stone that were contemporary and juxtaposed them with influences from the 18th-century Japanese wood-burning technique Shou Sugi Ban. The black is in deep contrast to the large-format concrete tiles, rich wood tones, and slatted wood detail. The Must-Haves Must-have features in the master bedroom include a custom JD Staron rug, a Vanguard custom bed, and chairs and focal wallpaper from Zoffany.
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Special Advertising Section
AFTER
PORTFOLIO OF INSPIRED RENOVATIONS
Connecticut Stone “Balance plays an important role in this renovation. The organic stones selected for the project are both stately and warm, elegant and classic.” —Tyra Dellacroce
96 New England Home | Connecticut Summer 2019
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BEFORE
The Goals The client wanted to transform this classic ranch-style home into a beautiful, well-built, and unique living space with custom-made features in each room. The Summary Dan DiVitto of DPD Builders collaborated with CT Stone to renovate an existing ranch. The builder wanted quality stone products that fit the property’s natural landscape, so everything was hand-selected to accomplish a simple yet elegant theme. Connecticut Stone 138 Woodmont Road Milford, CT 06460 203-882-1000 tyra@connecticutstone.com connecticutstone.com
TYRA DELLACROCE, VICE PRESIDENT OF INTERIOR SALES & MARKETING
The Elements With the help of DiVitto Design Group, Ltd., and DPD Builders, a custom blend of CT Stone’s natural stone veneer was chosen to adorn the chimney, in addition to slabs of granite to cap the top. The bathroom features Carrara marble flooring in a honed basket weave pattern combined with Carrara subway tile in the shower and bath, while the kitchen utilizes Calacatta honed marble for the countertops and backsplash.
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AFTER
PORTFOLIO OF INSPIRED RENOVATIONS
Domus Constructors, LLC “There’s no place like your home. At Domus Constructors, we are committed to maintaining the highest standards of integrity and quality through every step of the building process.” —Chris Shea
98 New England Home | Connecticut Summer 2019
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The Challenge Outdated interiors and mechanical systems with small rooms and some low ceiling heights. The kitchen was in the original part of the home, and the ceiling was only seven feet, four inches, so that always presents a bit of a challenge when it comes to the upper cabinet proportion and limits the options on the range hood design. The Goal To reconfigure and renovate an old kitchen to make it more functional from a cooking perspective and more open to the adjacent family room. They also wanted to add storage with a butler’s pantry and improve flow between the side entry and the main kitchen/family room space. Domus Constructors, LLC P.O. Box 181 Greens Farms, CT 06838 203-852-6789 DomusLLC.com
C O N S T R U C T O R S ,
CHRIS SHEA
L . L . C .
The Backstory It was impossible for our clients to resist purchasing the property on this private road with three acres of land in Darien after spending so many years in NYC. The exterior facade had not been updated since it was built in 1941, and while some interior updates were relatively recent, the quality and styling did not meet their standards. The project included an addition and complete renovation of the kitchen and much of the first floor as well as the existing pool house. Connecticut Summer 2019 | New England Home  99
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PORTFOLIO OF INSPIRED RENOVATIONS
Freddy’s Landscape and BioNova® Natural Swimming Pools 100 New England Home | Connecticut Summer 2019
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BEFORE
BEFORE
The Goal To design a unique organic pool that fits the environment and creates a nautural oasis for the homeowners.
Freddy’s Landscape and BioNova® Natural Swimming Pools 40 Belmont Street Fairfield, CT 06824 203-855-7854 freddyslandscape.com
FRE D DY M IRA BAL L ES
The Benefits BioNova® Natural Swimming Pools are completely chemical-free, eco-friendly, and healthful for swimming. Natural swimming pools replicate and optimize the conditions found in naturally occurring bodies of water like ponds and lakes, providing water that is clean, clear, and purified the way nature intended— with aquatic plants, beneficial bacteria, and helpful microbes. The Outcome With a broad range of design options for these natural pools, from traditional rectangular-shaped pools to completely naturalistic swim ponds, the design possibilities are limitless. Natural pools are self-sustaining and require minimal upkeep. This pool was designed in a pond-like style, and attracts wildlife just as fresh water does in nature. Plants filter the water and add a serene quality. The goal was achieved. Connecticut Summer 2019 | New England Home 101
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102 New England Home | Connecticut Summer 2019
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Front Row Kitchens, Inc.
“Downsizing never looked and felt so good.”
home to a town home, built in 1987. It needed serious updating throughout and had 1980s written all over it. Make the kitchen more functional and feel bigger without expanding the footprint. Also incorporate an island if possible. By opening up the doorways to the foyer and dining room and eliminating two awkward peninsulas the kitchen feels much more spacious. We also were able to include an island which is now the favorite spot in the house to hang out. Downsizing never felt so good.
MATT GIARDINA
Front Row Kitchens, Inc 117 New Canaan Avenue Norwalk, CT 06850 203-849-0302 frontrowkitchens.com
Connecticut Summer 2019 | New England Home 103
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6/19/19 3:55 PM
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AFTER
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104  New England Home | Connecticut Summer 2019
Jan Hiltz-Inspired Renovationser-2019.indd 104
DEBORAH SOMMERVILLE PHOTOGRAPHY
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PORTFOLIO OF INSPIRED RENOVATIONS
Jan Hiltz Interiors, LLC
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AFTER
“Rooms serve many purposes for active families, but that doesn’t mean the overall style has to suffer.” —Jan Hiltz
Jan Hiltz Interiors, LLC 21 Bridge Square Westport, CT 06880 203-331-5578 janhiltzinteriorsllc.com
JAN HILTZ
The Goal (this page) The client wanted a family room that is comfortable but has an impact when you enter the home. Her inspiration picture was very bright drapes that filled the room with happiness. The Challenge (this page) The challenge was making the existing furniture work with a few new pieces, so that the room is livable for the children but stunning to look at every day of the year. The Goal (facing page) This client has lots of friends and family and enjoys entertaining. When they are not hosting guests, they like to know the children can build puzzles or play a board game. Design Summary for Both Clients Rooms serve many purposes for active families, but that doesn’t mean the overall style has to suffer. We are thrilled we met the goals of the happy homeowners. Connecticut Summer 2019 | New England Home 105
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BEFORE
Matthew R. Dougherty Architect, LLC 27 Pine Street, Suite 500 New Canaan, CT 06840 203-296-4669 mrdarchitect.com
MATTHEW DOUGHERTY
106  New England Home | Connecticut Summer 2019
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AFTER PHOTOS, THIS PAGE: JANE BEILES
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PORTFOLIO OF INSPIRED RENOVATIONS
AFTER
Matthew R. Dougherty Architect, LLC
AFTER
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The Goal (this page) Maintain the footprint of the original house but reimagine the overall style and design. By creating an addition on the side and back of the home, changing the roof line to include new dormers, and adding on to the second floor, the architect was able to transform the outdated house to an updated colonial-style home that is sophisticated and classic. Must-Haves (facing page) The family was looking to add square footage, including a three-car garage and a new open-concept kitchen, family room, and breakfast nook, and to transform the interior layout. The Goal (facing page) The goal was to completely modernize, expand, and raise the structure due to its proximity to Long Island Sound. While having to maintain the original footprint, the architect rearranged the entire first floor, expanded the second floor, and included a third floor with a roof deck to provide views of the water.
Connecticut Summer 2019 | New England Home  107
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108  New England Home | Connecticut Summer 2019
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PORTFOLIO OF INSPIRED RENOVATIONS
O&G Industries Masonry Division, MOD, LLC & Beth Whitty Landscape Design BEFORE AFTER
“A project like this is possible only with close teamwork and a shared vision between the architect, designers, and contractors— fortunately, we had that in abundance.” —Beth Whitty, Landscape Designer
O&G Industries Masonry Division Anita Goerig 866-748-5694 MOD, LLC Mitchell Owen 212-242-2868
Beth Whitty Landscape Design
Beth Whitty 203-512-4389
Project Emphasis The owners of the 33-acre “Barn House Estate” doubled the original square footage of the existing home to 10,000 square feet. Upon entering the estate, two stone pillars frame the cobblestone-paved driveway and lush landscaping, setting the stage for an experience that blends traditions of Connecticut building and contemporary ideas of living into a montage of elegance. Home Design Work consists of an exposed hemlock timber frame, reclaimed barn siding, an open sculptural staircase, and an abundance of natural stone. A custom fabricated interior two-story limestone fireplace surround and feature wall accentuate views across the new terraces. Hardscape Meets Landscape Rebuilding of the immediate exterior areas resulted in an additional 7,000 square feet of entertaining space, anchored by an exterior two-story fireplace and bluestone mantel. New bluestone terraces, outdoor kitchen, retaining walls, expansive tennis court encased in stone veneers, pergola, and firepit, pool, patio, and spa with waterfall complete the surroundings.
Connecticut Summer 2019 | New England Home 109
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110  New England Home | Connecticut Summer 2019
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PORTFOLIO OF INSPIRED RENOVATIONS
Patricia M. Miller Residential Design, LLC
AFTER BEFORE
“Pat’s design skills are matched by her sensitivity to each client’s needs and requirements.”
Patricia M. Miller Residential Design, LLC 318 Good Hill Road Weston, CT 06883 203-227-7333 pmmarch.com PATRICIA M. MILLER
The Goal The word renovate means to restore to life, vigor, and activity. To renovate a home is to bring it a new life filled with beauty, warmth, activity, function, and love. Here, the goal was to open the floor plan, build a new family room, mud room, and master suite, and bring in as much light and openness as possible while making the final project seem as though it had always been there. The Challenge The challenge of this renovation was to retain the wonderful barn elements that made this house unique, while finding ways to make it more modern and light. Updating the dark and heavy elements was the key to a bright, open, and functional space. The Summary The job—and the joy—is to fulfill the client’s wishes beyond their dreams, by creating unimagined spaces.
Connecticut Summer 2019 | New England Home 111
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112  New England Home | Connecticut Summer 2019
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Robert A. Cardello Architects AFTER BEFORE
Robert A. Cardello Architects 97 Washington Street Norwalk, CT 06854 & 6 West Putnam Avenue Greenwich, CT 06830 203-853-2524 cardelloarchitects.com
The Rule of Thumb (facing page, top) When your kitchen sits directly over the water, open it up to the view. This 1906 stone and stucco home remains stately on the outside, but the interior renovation took a transitional turn. The end result is stunning. The Challenge (facing page, bottom) This oceanfront house needed a welcoming entrance as you approach from the long driveway. Due to the narrow lot, the garage doors remained in front, but the side entry was greatly improved. The Backstory (this page) The grounds were beautiful, but the house needed extensive renovation to address problems with proportion and details. Now this award-winning home enjoys more natural light and terrific water views.
ROBERT CARDELLO
DAVID LAPIERRE
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18 REYNOLDS STREET | NORWALK, CT (203) 831-8300 | SWBUILDINGREMODELING.COM
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2015 Project of the Year and 2015 Best New/Old Remodel
6/19/19 11:12 AM
NEW CONSTRUCTION WINNERHONOR AWARD, VAN REESEMA NEW CONSTRUCTION WINNERHONOR AWARD, VAN REESEMA Beinfield Architecture PC PC Beinfield Architecture NEW CONSTRUCTION WINNER- HONOR AWARD, VAN REESEMA Bruce Beinfield, FAIA ADVERTISEMENT
Bruce Beinfield, FAIA PC Beinfield Architecture Firm Principal Firm Principal Bruce Beinfield, FAIA
Photo Credit: Rowayton, CT CT Photographer: Meg Matyia Photo Credit: Rowayton, Photographer: Meg Matyia Firm Principal Photo Credit: Rowayton, CT Photographer: Meg Matyia
The The Van Van Reesema is situated on aon small peninsula, withwith a a Reesema is situated a small peninsula, water viewview overover the Long Island Sound. As aAs contemporary water the Long Island Sound. a contemporary family compound, it is it comprised of traditional New family compound, comprised many traditional New The Van Reesema isissituated onmany aofsmall peninsula, with a England forms. The The exterior embraced by As ofbymultiple England forms. is embraced multiple water view over the exterior LongisIsland Sound. aof contemporary shades of gray, complimenting the individually hand shades of gray, complimenting theofindividually hand New family compound, it is comprised many traditional painted shingles, giving them a look of natural gloss. The The painted shingles, giving them look of natural England forms. The exterior isaembraced by of gloss. multiple interior is consciously voidvoid of molding order to create interior is consciously of molding in order to create shades of gray, complimenting theinindividually hand space for the client’s contemporary art. art. space forshingles, the client’s contemporary painted giving them a look of natural gloss. The interior is consciously void of molding in order to create space for the client’s contemporary art.
Alice AliceWashburn WashburnAward AwardWinners Winners Alice Washburn Award Winners
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Bruce Beinfield, FAIA of FAIA of Bruce Beinfield, fterfter much deliberation much deliberationBeinfield Architecture was Beinfield Architecture was Bruce Beinfield, FAIA of over forty-eight submissions, over forty-eight submissions, New Construction New Construction fter much deliberationnamednamed Beinfield Architecture was AIAAIA Connecticut has Connecticut has Winner for his Van Van Winner forproject, his project, over forty-eight submissions, named New Construction announced its its fivefive winners announced winners Reesema. Charles Haver, AIAAIA Reesema. Charles Haver, AIA Connecticut has Winner for his project, Van of the 2019 Alice Washburn of the 2019 Alice Washburnof Haver & Skolnick Archiof Haver & Skolnick Archiannounced its five winners Reesema. Charles Haver, AIA Awards. This award is is Awards. This award and William Earls,Earls, AIA AIA and William of the 2019 Alice Washburntectstects of Haver & Skolnick Archinamed after Connecticut named after Connecticut both were awarded in the both were awarded in the Awards. This award is tects and William Earls, AIA Residential Architect Alice Residential Architect Alice Accessory Buildings category Accessory Buildings category named after Connecticut both were awarded in the Washburn, an an early 20th Washburn, early 20th New Old forprojects their projects New Old Residential Architect Alice for their Buildings category century designer andand buildcentury designer build- Accessory andand Gores Pavilion for for Barn, Gores Pavilion Washburn, an early 20th Barn, for their projects New Old er, er, largely self-taught, whose largely self-taught, whose the Arts, respectively. In the the Arts, respectively. In the century designer and buildBarn, and Gores Pavilion for work is known forfor its its work is known final category offinal category of er, largely self-taught, whose the Arts, respectively. In the thoughtful, stylistic, andand thoughtful, stylistic, Additions/Renovations, Additions/Renovations, work is known for its category of programmatic invention. programmatic invention. David Harlan Jr.,final AIAAIA of David David Harlan Jr., of David thoughtful, stylistic, and Additions/Renovations, Harlan Architects and Reese Harlan Architects and Reese programmatic invention. David Harlan Jr., AIA of David TheThe submissions competed submissions competedOwens, AIA AIA of Reese Owens Owens, of Reese Owens Harlan Architects and Reese forfor thethe following: following: Architects LLC both were Architects LLC both were The submissions competed Owens, AIA of Reese Owens New Construction, Accessory New Construction, Accessory awarded for their projects awarded for their projects for the following: Architects LLC both were Buildings, andand AddiBuildings, Addithe the Connecticut Farmhouse, Connecticut Farmhouse, New Construction, Accessory awarded for their projects tions/Renovations. tions/Renovations. and Norman andCottage. Norman Cottage. Buildings, and Addithe Connecticut Farmhouse, tions/Renovations. and Norman Cottage.
TEXTTEXT BY NICHOLAUS WOODHOUSE BY NICHOLAUS WOODHOUSE TEXT BY NICHOLAUS WOODHOUSE AIA CT_CT-SPR19_v1.indd 1
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ADDITIONS/RENOVATIONS ADDITIONS/RENOVATIONS This original 1800’s farmhouse was once ADDITIONS/RENOVATIONS a part of a dairy farm. Prior to renova-
This original original 1800’s 1800’s farmhouse farmhouse was was once once This This original 1800’s farmhouse was once tion, only the shell, stone foundation, a part part of a dairy farm. Prior to renovaaa of a dairy farm. Prior to renovapart of a dairy farm. Prior to renovaThis original 1800’sand farmhouse was once and flooring mantle tion,some only the the shell, stone stone foundation, tion, only shell, foundation, tion, only the shell, stone foundation, a part of a dairy farm. Prior to renovaremained. After many of peculiar and some some flooring flooring andyears mantle and and mantle and some flooring and mantle tion, only the shell, stone foundation, additions, was re-imagined as a remained. this After many years of of peculiar peculiar remained. After many years remained. After many years of peculiar and some home, flooringemphasizing and mantle the coalesced additions, this was re-imagined as aa a additions, this was re-imagined as additions, this was re-imagined as remained. After many years of peculiar farmhouse character. Hierarchy of coalesced home, emphasizing the coalesced home, emphasizing the coalesced home, emphasizing the additions, wasrestraint re-imagined as aon detail and this design focused farmhouse character. Hierarchy of farmhouse character. Hierarchy of farmhouse character. Hierarchy of coalesced home, emphasizing the the living room ceiling and fireplace. The detail and and design design restraint restraint focused focused on on detail detail and design restraint focused on farmhouse character. Hierarchy of library fireplace, bookshelves, and The the living room ceiling ceiling and fireplace. fireplace. The the living room and the living room ceiling and fireplace. The detail andwalls design restraint focused on boarded below a tray ceiling and library fireplace, bookshelves, and library fireplace, bookshelves, and library fireplace, bookshelves, and the room ceiling and fireplace. The the living master ceiling highlighted by beams boarded walls below a tray tray ceiling ceiling and boarded walls below aa and boarded walls below tray ceiling and library fireplace, bookshelves, and and boarding. Thehighlighted bedrooms had the master master ceiling highlighted by beams beams the ceiling by the master ceiling highlighted by beams boarded walls below a tray ceiling and extensive built-in cabinetry. and boarding. The bedrooms had and boarding. The bedrooms had and boarding. The bedrooms had the master ceiling highlighted by beams extensive built-in built-in cabinetry. cabinetry. extensive extensive built-in cabinetry. and boarding. The bedrooms had extensive built-in cabinetry.
Honor Award – Connecticut Farmhouse Honor Award – Connecticut Farmhouse David D. Harlan, Jr., AIA David D. D. Harlan, Harlan Architects, LLC Harlan, Jr., AIA AIA David Jr., David D. Harlan, Jr., AIA Honor Award – Connecticut Farmhouse Photo Credit: Property Owner David D. D. Harlan Architects, LLC David Harlan Architects, LLC
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David LLC David D. D. Harlan Harlan,Architects, Jr., AIA Photo Credit: Credit: Property Property Owner Owner Photo Photo Credit: Property Owner David D. Harlan Architects, LLC Photo Credit: Property Owner
Honorable Mention – Norman Cottage Honorable – Norman Cottage Reese T. Owens, Mention AIA Reese Owens Architects, LLC T. Owens, Owens, AIA AIA Reese T. Reese T. Owens, AIA Honorable Mention – Norman Cottage Photo Credit: Architects, Michael Bowman Photography Reese Owens Owens Architects, LLC Reese LLC Reese Architects, LLC Reese Owens T. Owens, AIA Photo Credit: Credit: Michael Michael Bowman Bowman Photography Photography Photo Photo Credit: Michael Bowman Photography Reese Owens Architects, LLC Photo Credit: Michael Bowman Photography AIA CT_CT-SPR19_v1.indd 2
The French cottage, built in 1931, is a former residence ofbuilt notorious architect The French cottage, built in 1931, 1931, is aa a The French cottage, in is The French cottage, built in 1931, is Phillip Goodwin, who designed its 1953 former residence residence of of notorious notorious architect architect former former residence of notorious architect The Frenchand cottage, builtdesigned in 1931, is a additions, allegedly the Phillip Goodwin, who designed its 1953 1953 Phillip Goodwin, who designed Phillip Goodwin, who designed its its 1953 former of notorious architect originalresidence cottage. After over eighty years additions, and allegedly allegedly designed the additions, and designed the additions, and allegedly designed the Phillip Goodwin, who designed its 1953 of being a weekend retreat, the cottage original cottage. After over eighty years original cottage. After over eighty years original cottage. After over eighty years additions, and allegedly designed the was in need of expansion and of being a weekend weekend retreat, theupdating, cottage of being aa retreat, the cottage of being weekend retreat, the cottage original cottage. After over eighty years now that its new owners would be was in in need need of of expansion expansion and and updating, updating, was was in need of expansion and updating, of being a weekend retreat, the couple. cottage permanent a retiring now that its itsresidents, new owners owners would be be now that new would now that its new owners would be was in need of expansion and updating, The new addition extends an existing permanent residents, a retiring retiring couple. permanent residents, aa couple. permanent residents, retiring couple. now that its new owners would where be gable to create a live-in kitchen The new addition extends an existing The new addition extends an existing The new addition extends an existing permanent residents, a retiring couple. the original façade is still maintained. gable to create create a live-in live-in kitchen whereIt gable to aa kitchen where gable to create live-in kitchen where The new addition extends an existing presents a long, low wall to the house’s the original original façade façade is is still still maintained. maintained. It It the the original façade is still maintained. It gable toentry, create a live-inwith kitchen where formal finishing the assimilapresents a long, low wall to house’s presents a long, low wall to the house’s presents a long, low wall to the house’s the façade pump is still maintained. It tionoriginal of entry, the original house. On the formal entry, finishing with with the assimilaassimilaformal finishing the formal entry, finishing with the assimilapresents a long, low wall to the house’s lower side ofpump the cottage, new tion ofsouth the original original pump house.aOn On the tion of the house. the tion of the original pump house. On the formal entry, finishing with the assimilaroof covers the family entry, laundry, lower south south side side of of the the cottage, cottage, aa a new new lower lower south side of the cottage, new tion of theroom. original pump house. On the and mud The original kitchen roof covers the family entry, laundry, roof covers the family entry, laundry, roof covers the family entry, laundry,has lower south side of cottage, a new beenmud repurposed asthe a book collector’s and mud room. The The original kitchen has has and room. original kitchen and mud room. The original kitchen has roof covers the family entry, laundry, library. been repurposed as a book collector’s been repurposed as a book collector’s been repurposed as a book collector’s and mud room. The original kitchen has library. library. library. been repurposed as a book collector’s library.
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HONOR AWARDBARN HONOR AWARDNEWNEW OLDOLD BARN HONOR AWARDNEW OLD BARN Charles Mark Haver, AIA AIA HONOR AWARDNEW OLD BARN Charles Mark Haver, Charles Mark Haver, AIA Charles Mark Haver, AIA Charles Haver, Charles MarkMark Haver, AIA AIA Charles Mark Haver, AIA
Accessory Buildings: Accessory Buildings: Accessory Buildings: Accessory Buildings: Accessory Buildings: Accessory Buildings: The 88-acre 88-acre farm farm was purchased purchased as as a a The was The 88-acre farm was purchased as The 88-acre 88-acre farm was purchased purchased as a The farm was Buildings: The Accessory 88-acre farm was purchased as a a as The 88-acre farm was purchased as aa weekend retreat, which contained many weekend retreat, which contained many
weekend retreat, which contained many weekend retreat, which contained many weekend retreat, which contained weekend retreat, which contained many weekend retreat, which contained many The 88-acre farm was purchased as amany antique barns, and one 900 square foot antique barns, and one 900 square foot antique barns, and one 900 square foot antique barns, and one 900 square foot antique barns, and one 900 square foot antique barns, and one 900 square foot weekend retreat, which contained many antique barns, and one 900 square 1960s garage. garage. The The clients clients asked asked the thefoot 1960s 1960s garage. The clients asked the 1960s garage. The clients asked the 1960s garage. The clients the antique barns, and one 900 square footwhich 1960s garage. The clients asked the architects to create create aasked “new old barn” barn” architects to a “new old architects to create a “new barn” which architects to create create aold “new oldthe barn” which which architects to a “new old barn” which 1960s garage. The clients asked architects to create a “new old barn” which architects to create a “new old barn” would complement complement the the surrounding surrounding which would would complement the surrounding would complement the surrounding surrounding would complement the architects to create a “new old barn” which would complement the surrounding would complement the surrounding structures. The The foundation foundation was was created created structures. structures. The created structures. The foundation foundation was created created structures. The was would complement the was surrounding structures. The foundation foundation was created structures. The foundation was created with native fieldstone, and the structure with native fieldstone, and the structure with native fieldstone, and the structure with native fieldstone, and the structure with native fieldstone, and the structure The foundation was withstructures. native fieldstone, and the structure withbuilt native and thecreated structure was of fieldstone, salvaged antique lumber, was built of antique lumber, was built of salvaged antique lumber, was built of salvaged salvaged antique lumber, was built of salvaged antique lumber, native fieldstone, and the structure was with built of salvaged antique lumber, was built of salvaged antique lumber, hand-joined and and pegged, pegged, using using hand-joined hand-joined pegged, using hand-joined and pegged, pegged, using hand-joined and using was builtand of salvaged antique lumber, hand-joined and pegged, using hand-joined and pegged, using 200-year-old methods. Salvaged planks 200-year-old methods. Salvaged planks 200-year-old methods. Salvaged planks 200-year-old methods. Salvaged planks 200-year-old methods. Salvaged planks hand-joined and pegged, using 200-year-old methods. Salvaged planks 200-year-old methods. Salvaged planks were used for the barn siding, ceiling, and were used for the barn siding, ceiling, and were used for the barn siding, ceiling, and 200-year-old methods. Salvaged planks were used for the barn siding, ceiling, and were used for the barn siding, ceiling, and were used for the barn siding, ceiling, and were used for the barn siding, ceiling, and flooring. The The exterior exterior features features a a healthy healthy flooring. flooring. The exterior features a healthy were used for the barn siding, ceiling, and flooring. The exterior features a healthy flooring. The exterior features a healthy flooring. The exterior features awood healthy flooring. The exterior features aroofing, healthy mix of vertical vertical siding and mix of siding and roofing, mix vertical siding and wood roofing, flooring. The exterior features a healthy mix of vertical vertical siding and wood wood roofing, mix of siding and wood roofing, mix of of vertical siding and wood roofing, mix of vertical siding and wood roofing, stained wall wall shingles, shingles, and and a a standing standing seam seam stained stained wall shingles, and a standing seam mix of vertical siding and wood roofing, stained wall shingles, shingles, and standing seam stained wall a seam stained wall shingles, and a and standing seam stained wall shingles, and aa standing standing seam copper roof. The finished product was copper roof. The finished product was copper roof. The finished product was stained wall shingles, and a standing seam copper roof. The finished product was copper roof. The finished product was copper roof. The finished product was copper roof. The finished product was completed in November 2014, intertwines completed in 2014, completed in November 2014, intertwines copper roof. The finished product was completed in November November 2014, intertwines intertwines completed in November 2014, intertwines completed in November 2014, intertwines completed in November 2014, intertwines flawlessly with with the the surrounding surrounding landscape, landscape, flawlessly flawlessly with the surrounding landscape, completed inwith November 2014, intertwines flawlessly with the surrounding surrounding landscape, flawlessly with the surrounding landscape, flawlessly the landscape, almost suggesting that it has been there almost suggesting that it has been almost suggesting that it has been there flawlessly with the surrounding landscape, almost suggesting that it has hasthere been there there almost suggesting it been there almostforever. suggesting that it that has been almost suggesting that it has been there forever. forever. almost suggesting that it has been there forever. forever. forever. forever. forever.
Charles Mark Haver, AIA Haver & Mark Skolnick Architects Charles Haver, AIA Haver & Architects Haver & Architects Haver & Skolnick Skolnick Architects & Skolnick Architects HaverHaver & Skolnick Skolnick Architects Haver & Skolnick Architects Haver & Skolnick Architects Photo Credit: Robert Benson Photography Photography Photo Credit: Robert Benson Photo Credit: Robert Benson Photography Photo Credit: Robert Benson Photography Photo Credit: Robert Benson Photography Photo Credit: Robert Benson Photography Photo Credit: Robert Benson Photography Photo Credit: Robert Benson Photography
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•FEATURES
New England Home Connecticut • Summer 2019
All About the Outdoors
You don’t want to waste a minute of New England’s short summer. So make sure all the elements are in place for perfect relaxation.
Cheerful flowers enhance summertime lounging at this Lake Waramaug home. See “Simple Pleasure,” page 120.
Photography by Laura Moss
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Modernist pieces, including Italian tulip swivel armchairs, give the living room a stylish but informal look. FACING PAGE: Kenneth Cobonpue’s Bouquet end table pairs with a vintage sofa treated to new chartreuse upholstery to create a playful mood.
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Simple Pleasure
Wonderful things come in small packages, as this lakefront Litchfield County house proves.
Text by Bob Curley Photography by Laura Moss Produced by Karin Lidbeck Brent
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Pine walls and floors provide a clean, light frame for colorful midcentury furnishings, like the orange-shelled Eames chairs in the dining area. FACING PAGE: The standout Tobias brothers painting in the kitchen provided a spectrum of inspiration for the color choices in the cottage.
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PROJECT TEAM
Architecture: Hope Dana, Platt Dana Architects Interior design: Ellen Hamilton, Hamilton Design Associates Builder: Ruscoe Sedito Construction Landscape design: Ben Young Landscape Architects
People
have been vacationing at Litchfield County’s Lake Waramaug since the late nineteenth century, and the second-largest lake in Connecticut has seen plenty of changes in that time. Boarding houses and inns once dotted the shoreline, along with cozy cottages owned by New Yorkers fleeing the summer heat of the city. Now, the inns are gone and many of those cottages have been razed and replaced by large homes. But when a couple living on a nearby country estate wanted to build a lake house for family weekends by the water, they opted for a modest footprint while still putting a memorable stamp on the historic waterfront. To win local zoning support, the new construction used an existing septic system and was limited in size to approximately that of the cabin it replaced, about
1,800 square feet. “It took a year of public hearings, and I’m still amazed we got it,” says architect Hope Dana. “They thought it was way too modern; what we did to convince them was to build a model.” The project started with a teardown of an older cottage situated—like many of the homes of the time—right on the edge of Shore Road, which encircles the lake. Dana’s goal was to create separation from the traffic, giving her clients a serene sanctuary. “The original house was only three feet from the road, but the owners wanted to be on the lake,” she says. However, with a sloped lot just thirty feet wide and eighty feet long, she and her clients decided not to try to build farther down the hill, but rather into it. By excavating parallel to the road, they were able to build a thirty-foot-tall retaining wall that serves Summer 2019 | New England Home Connecticut 123
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RIGHT: The “front door” is actually at the back of the house, with stairs running along the massive retaining wall. BELOW: Durable indoor-outdoor furniture from one of the owners’ other homes was covered in new fabric and repurposed for the screen house. FACING PAGE: A shaded, lakeside granite patio sits between the cottage and the screen house.
the dual purpose of expanding the level portion of the lot and acting as the rear wall of the two-story cottage. “There were huge challenges with the hillside, but this was an opportunity to create its own environment for the home even though it was so close to the road,” says landscape architect Ben Young. “Integrated with the architecture we created a little pocket, almost like an urban space, with the retaining wall.” Accessed from the street-level driveway by a rear stairway, the cottage has two bedrooms on the top floor that share a long, covered deck, and an openplan main level with a kitchen, dining area, and living room all looking onto the lake through two walls of black-framed, floor-to-ceiling windows. “Circulation dictated the character of the house,” says Dana. By placing the stairwell at the rear of the building, she notes, all the rooms could have views of the lake. Because the cottage’s only porch is up on the second floor, outside the bedrooms, the homeown-
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“Circulation dictated the character of the house,” says Hope Dana. By placing the stairwell at the rear of the building, all the rooms could have views of the lake. Summer 2019 | New England Home Connecticut 125
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CLOCKWISE FROM RIGHT: Skylights and tall windows help keep the entry stairs at the rear of the cottage light and bright. The stairs descend first to the bedrooms, then to the ground-floor living area and the patio. The master bedroom opens to a secondfloor porch with lake views. A sheer canopy keeps the master bedroom looking breezy. FACING PAGE: Designed with family and friends in mind, one bedroom includes built-in bunk beds.
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ers asked Dana to design a screen house for enjoying protected outdoor time. The structure, which looks out over the lake, of course, is separated from the main house by a shady courtyard and patio. Young created a lawn by bulkheading the slice of lakefront belonging to the property, using large blocks of local granite reclaimed from old bridge abutments. The focus of the courtyard is an unusual ornamental, a Kentucky coffee tree Young chose both as a conversation piece and for the canopy provided by its broad, shady leaves. Further softening the angularity of the design is a stone walkway alongside the house—a whimsical path through the woods that
provides access down the steep hill to the backyard. Now sitting just four feet above lake level instead of thirty, the compound departs from the rustic norm with a clean, transitional architecture that uses locally sourced pine and granite to harmonize with its surroundings. “We wanted it to still feel like a cabin, so we lined the whole house with wood,” Dana says. With its sharply angled roof, wood walls, and open steel railings, the net effect is “Scandinavia by way of Milan,” says interior designer Ellen Hamilton. It’s an impression enhanced by a design plan that incorporates modernist Italian armchairs in the living room, an Eero Saarinen table in the kitchen, and Summer 2019 | New England Home Connecticut 127
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Svenskt Tenn fabrics in the upstairs bedrooms. The simple interior of light wood accented with black doors and trim gave Hamilton free rein to add splashes of color in the midcentury furnishings, including a vintage sofa re-covered in chartreuse
chenille fabric and Eames plastic chairs with orange shells. “When you’re in the space, it’s extremely comfortable, and it makes a great statement about how modern furniture can be very warm,” Hamilton says. The playful, energetic colors in the cottage were inspired by an eye-catching painting by Gert and Uwe Tobias that hangs beside the kitchen counter. “We wanted the home to have a clean, European look,” the designer says. “We were not particularly interested in an American country vernacular. If we had used traditional beach or lake things, it would have worked— but it wouldn’t have been as much fun.” Much of the furniture was gathered from the owners’ other homes, which included a previous lake house and a beach house as well as their primary residence in the Litchfield Hills. “We just put it all in there and made it work,” Hamilton says. And while the home certainly does have its designer flourishes, “the views are so strong that we wanted the furnishings to fade into the background and not be too prominent,” she explains. Because their year-round home is nearby, the owners rarely sleep at the cottage. Instead, it’s their base for weekend fun with family members, who pull the canoes and kayaks out from under the screen house for a few hours on the water before returning for cookouts and conversation in a lake house that is perfectly proportioned for lazy summer days. RESOURCES: For more information about this home, see page 158.
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Sparsely developed Lake Waramaug is best viewed from the comfort of an Adirondack chair. FACING PAGE, TOP: The cottage, screen house, and patio are set into a hillside held back by a thirty-foot retaining wall. A granite-block bulkhead frames the lot and lawn, with steps down to a dock. FACING PAGE, BOTTOM: The cottage roof slopes down from street level to shade the porch outside the secondfloor bedrooms.
The lawn is created by bulkheading the slice of lakefront belonging to the property, using large blocks of local granite reclaimed from old bridge abutments.
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Lofty ceilings give the great room, which is divided into this reading room and a family room/dining area, its airy feeling. FACING PAGE: A set of paintings by Deborah QuinnMunson are a focal point on the divider that separates the reading room from the family room on the opposite side.
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A Summer Place
A designer’s own family getaway is part classic, part contemporary, and completely welcoming.
Text by Debra Judge Silber Photography by Michael Partenio Produced by Stacy Kunstel
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D
esigning your own home—if you’re a designer—should be the easiest thing in the world. Not so, says Hannah Childs, who discovered the challenge of being her own client when she worked on her family’s summer home on the Connecticut coast. “When you’re a designer, you know there are countless choices,” she says. “So, making a choice and sticking with it is very challenging. What I thought I wanted was not at all close to what I chose when it all came to fruition.”
It’s a surprising admission considering how the finished house, done in collaboration with architect John Allee, appears so self-assured and secure in what it was meant to be: an honest and inviting family retreat that mingles comfortably with its cedarshingled neighbors while asserting an unmistakably contemporary personality. Childs and her husband had purchased the property in the Lyme enclave of Old Black Point shortly after they married, but it was only recently
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CLOCKWISE FROM ABOVE: The driveway deposits visitors in a rear courtyardlike area where a path leads to the main entrance. A generous sink provides plenty of splash protection in the downstairs bathroom near the boys’ bedrooms. A mudroom wall of pecky cypress with epoxy fillings is beautiful (and dog-friendly). FACING PAGE: The main stairway merges contemporary and traditional elements. The bright orange bench is a momentary departure from the blue tones that dominate the home’s interior.
PROJECT TEAM Architecture: John Allee, Allee Architecture + Design Interior design: Hannah Childs, Hannah Childs Interior Design Builder: United Construction + Engineering
that they decided to improve upon the house and the dilapidated, motel-like guest quarters that stood on the property. With one street separating the site from Long Island Sound, the first item on the designer’s wish list was a south-facing, second-story master bedroom to take in the view. Second was lots of windows and lofty spaces. “I wanted it to be lightfilled, really open,” she says, which meant it would need to depart from the closed-in Shingle-style homes around it. Childs turned to Allee, with whom
she’d just completed a project in the area. “He’s got a much more modern aesthetic than I do,” she says. “I felt I really needed his guidance to push the limit a bit for me.” To help make the roughly 7,000-square-foot house comfortable among its peers, Allee suggested it take the form of several connected structures. From the street it appears as a single, modern-style shingle cottage with two forward-facing gables. Around back, though, it resembles a compound. A large screened Summer 2019 | New England Home Connecticut 133
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pavilion with breezeways on each end links the west wing of the front house to the long side of a guest house, creating a courtyard-like area. It’s here that the home’s primary entry is located, tucked casually inside a breezeway. Situating the “front” door in this unassuming location was driven by practicalities: close setbacks on either side, the need to keep the existing driveway where it was, and the placement of a septic system under the front lawn. But ultimately, the decision matches the intentions that drove the home’s design. To Allee, the meandering route to the house reflects the low-key lifestyle and informality the family sought. “It’s nice to have a progression as you enter any property, but with this one especially it made more sense to come in along the side,” he says, describing the driveway as it curves past a spreading locust tree and ends in the courtyard. The dynamism Allee references comes alive in the timber-frame structure of the screened pavilion with its methodically pegged joints and trusses of Alaskan yellow cedar. “That space is phenomenal,” Childs says of the pavilion, which shelters a Ping-Pong table and dining area and provides a mingling spot between the main and guest houses. The timber framing, not originally part of the plan, evolved naturally as a bridge between the home’s traditional and contemporary
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“I wanted the space to be minimalist, clean, and easy. Inviting but not fussy, for kids and adults alike,” says Hannah Childs.
Homeowner and designer Hannah Childs kept the dining room simple with a whitewashed oak table and Tolix-style chairs made comfortable with cushions. The painting, Fanya, is a beloved piece by Alice Neel, who was a family friend. FACING PAGE, TOP: Vivid blues dominate the palette throughout the house, as in the Madeline Weinrib rug that grounds the family room. FACING PAGE, BOTTOM: The kitchen’s forty-inch countertops accommodate the tallerthan-average family.
sensibilities, Allee says. Elsewhere he employed postand-beam, structural panels, and conventional framing to create spaces that are by turns lofty or solid, traditional or modern. Other elements that bridge the timeline include the roof—metal on the pavilion and guest house and cedar-shingles on the street-facing side—along with horizontal window grids. The connection to outdoors is enhanced elsewhere with multiple sliding doors and, on the second floor, a sheltered deck off the master bedroom that grants Childs the water view that topped her initial wish list. It’s out there, she says, that she likes to
begin and end each day. Her favorite spot, however, is the great room, a loft-like space with a center partition that separates a comfy TV room and dining area from an equally cozy reading room. Childs is drawn to the scale of the open ceiling, the light that pours in from both sides, and its multiple functions. “I love that it’s all one space. I can sit on one side and my kids can be watching a movie on the other side. We’re all together, but we’re all doing our own thing.” With her own three teenagers—and their friends—frequenting the house, Childs wanted to Summer 2019 | New England Home Connecticut 135
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A sheltered deck off the master bedroom grants Childs the water view that topped her initial wish list. It’s out there, she says, that she likes to begin and end each day.
ABOVE: Eschewing a traditional front door, the front of the house provides multiple opportunities to interact with the outdoors, including the master bedroom’s deck and a dining patio off the kitchen. RIGHT: Bedrooms for the boys are outfitted with furniture and rugs from West Elm and Williams Sonoma. FACING PAGE: In another bedroom, the sweet blue tones get an energetic boost with a framed pareo by Manuel Canovas.
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keep its spaces and furnishings simple. “I wanted it to be minimalist, clean, and easy,” she says. “Inviting but not fussy, for kids and adults alike.” Spontaneous gatherings can assemble in the great room, the pavilion, or, of course, in the kitchen, where sliding doors allow the party to migrate between patios on either side. With an adjacent pantry handling storage, the kitchen itself is simple, with wood shelves against white subway tile and natural wood beams that suggest an open ceiling. The white Caesarstone countertops are forty inches tall to accommodate the family of taller-than-average cooks. Childs surprised herself by choosing a striking Prussian blue from Fine Paints of Europe for the cabinetry, and even more by returning to that color
again and again as she furnished the house. “I’ve never been a blue person,” she says. But she also allowed a bright orange bench in the entryway and a set of colorful prints that splash pink, orange, and green on their way up the stairs. With windows framing landscapes on most exterior walls, there’s little room—or need—for additional art. An exception is the broad side of the partition that faces the reading room. For this space, Childs pulled out a matched set of four large seascape pastels by Chester artist Deborah Quinn-Munson that she’d purchased more than a decade ago. Unable to decide on one, she’d bought all four. They fit the wall as if it were designed just for them. RESOURCES : For more information about this home, see page 158. Summer 2019 | New England Home Connecticut 137
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NEW HORIZONS
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Exterior walls reinforced with steel meant the first floor could be one wide-open space incorporating the living, dining, and kitchen areas. A reclaimed wood ceiling adds a rustic note. FACING PAGE: Shiplap walls and plenty of rich blue tones, including the royal blue of the banister, nod to the watery location.
A once-and-again couple faces a sunny future with an equally dazzling view of Long Island Sound from their new Fairfield home. | Text by Susan Kleinman | Photography by John Gould Bessler | Produced by Karin Lidbeck Brent
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The mahogany dining table the husband grew up with is right at home here, illuminated by a wrought iron chandelier with recycled glass drops. FACING PAGE, TOP: Blue accents give the mostly white kitchen continuity with the rest of the space. FACING PAGE, BOTTOM: A powder room is shipshape in crisp navy and white.
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They had dated in college, parted as friends, and married other people. Decades later, with their first marriages over, they reconnected at a class reunion and eventually wed.
So it seems only fitting that—like their relationship itself—the home that a sixty-something couple built on Long Island Sound in Fairfield combines the best of old and new. “Our firm tries to mix inspirations from the classic beach house vernacular with more contemporary concepts,” says architect Lucien Vita of Vita Design Group, who was originally hired to design the residence as a builder’s spec house. “So, we’ll use traditional things like shiplap and clapboards. Then, in the same house, we’ll incorporate modern touches such as the large, tan windows we installed here.” Because the builders had not yet broken ground when the couple bought the property, they were able to customize the house to suit their wish list perfectly. Modifications to the original plans included reinforcing the exterior with steel to eliminate the need for interior support walls so that the first floor could be one wide-open room incorporating living, dining, Summer 2019 | New England Home Connecticut 141
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PROJECT TEAM Architecture: Lucien Vita, Vita Design Group Interior design: Tricia Izzo and Carolyn Kron, Shelter Interiors Landscape design: Nancy King, Seventy Acres Builder: Coastal Luxury Homes
and kitchen areas. The spacious feeling that the open plan creates is enhanced by clear sightlines from the front door to the back wall, where large windows afford views of a terraced garden, designed by landscape architect Nancy King, and to Long Island Sound beyond. By necessity, the garden’s hardscaping was not only designed but actually installed before construction on the house began. “I wanted the garden to feel like it flowed right to the seawall,” says the wife, “and I wanted these enormous stone steps going down.” With the lot at just 0.15 acre and with barely eight and a half feet between the planned house and its neighbors to either side, those stairs had to be built before the house, she explains. “Otherwise, there would have been no way to get them out to the back.” The finished garden—“It reminds us of terraced backyards in San Francisco,” the wife says—is exactly what the homeowners had envisioned, rolling gracefully from the house and planted with seagrasses and salt-tolerant roses. And while the couple has a beach only at low tide (high tide flows right up to the seawall), the Sound is visible from both the garden and the house all day long. “When you walk through the front door,” says the wife, “you can see right out to the water.” To connect those water views to the home’s interior, the owners asked designers Tricia Izzo and Carolyn Kron of Shelter Interiors to incorporate plenty of blue into the decor. The duo, whose work the wife had first admired in an online article, were happy to oblige. Shades of cobalt and azure appear throughout the house on upholstery and bedding, on the powder-room wallpaper and kitchen cabinets, and on a central banister painted in a striking royal blue. “I had once seen a picture of a blue banister like this,” says the wife. “I absolutely loved it, and I knew I wanted that exact design.” Her husband was a bit less enthusiastic, at least initially. “He’s very ‘Boston proper,’ ” says the wife, who lived in Colorado and Wyoming before reconnecting with her now-husband, “while I like more vibrant colors and a rustic feel. I remember when we were putting in the reclaimed-wood ceiling, he was looking around, and I could tell he was terrified. But he was so sweet about really wanting this to be my dream home, so he encouraged me to go ahead with it. And now he loves it, too.”
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Classic beach house elements like clapboard get a contemporary update with such features as the tan-trimmed windows and steel cable railings. FACING PAGE: The first-floor porch with its view to Long Island Sound is a perfect spot for a refreshment break.
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He also loves—both spouses do—the way Kron and Izzo incorporated several of his favorite old New England pieces. The mahogany dining table around which he ate as a boy looks just right under a contemporary chandelier with glass drops that evoke Japanese fishing floats. The “Emily Dickinson desk” in his office, built to the exact measurements of the poet’s own writing table, is surprisingly at home amid the more modern furniture here, as well. “Marrying the more rustic feel of the reclaimed wood she wanted with his more formal pieces was
a way for us to help the couple come together,” says Kron. “The design truly marries their personalities.” The home also suits their lifestyle, which—with their respective kids (each has two) now grown— includes a lot of time to themselves. To make their downtime extra comfortable, the couple asked the designers to forgo a third bedroom on the second floor and enlarge their master suite instead. Its private sitting room is their favorite place to hang out when they’re home alone. With space in the 2,800-square-foot home scarce,
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“I wanted the garden to feel like it flowed right to the seawall,” says the wife, “and I wanted these enormous stone steps going down.”
Designers Carolyn Kron and Tricia Izzo (seated) appreciate landscape architect Nancy King’s work. The huge granite steps, installed before the builder broke ground for the house, are flanked by grasses and salt-tolerant plant materials.
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LEFT: The cottage-chic theme continues in the master bedroom, part of the suite that occupies the entire second floor. BELOW: A sliding barn door gives the master bedroom privacy. FACING PAGE: The wife had seen a photo of a blue-painted banister and knew she wanted it replicated for her own home.
“The nice thing about decorating a home that isn’t gigantic, is that you really can pay attention to every corner,” says Carolyn Kron.
the third-floor attic was also transformed into living space. “The town doesn’t care if you finish the top floor out, as long as it conforms to the dimensions required by local zoning laws,” says architect Vita, “but that leaves you with considerably less headroom than normal living space would provide.” To turn the low ceiling from a liability into an asset, the interior designers created a home office that is cozy, rather than cramped. “It feels like a ship’s helm looking out at the water,” says the wife. “It’s a spectacular space to work.” All told, it took about two years from the project’s beginning until every room had been decorated and accessorized with marine-centric art and eye-catching objects. “The nice thing about decorating a home that isn’t gigantic,” says Kron, “is that you really can pay attention to every corner, and make sure that there’s something beautiful every place you look.” And while two years may be a bit longer than it sometimes takes to create a house this small, the homeowners, who rented nearby in the meantime, were willing to be patient. Because more than forty years after their first date, they understand that the best things in life are worth waiting for. RESOURCES: For more information about this home, see page 158. Summer 2019 | New England Home Connecticut 147
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SPECIAL FOCUS:
Kitchen Design
SPECIALTY OF THE HOUSE
A quartet of Connecticut kitchens proves there’s no one recipe for design success. TEXT BY MEGAN FULWEILER
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COUNTRY LIVING
The airy house architect Jennifer Huestis designed suits its pastoral Fairfield County setting. In keeping with the home’s chic farmhouse style, the kitchen is welcoming but restrained, too. “The owners wanted a natural feeling, not rustic, but not fussy,” she explains. What they envisioned was an open room with defined areas. To that end, when several red oaks on the property were felled, Huestis, along with New Hope Carpentry Services, repurposed the wood to create
legs for the island and for the eye-catching beams that frame the cooking and breakfast areas and the nearby family room’s entry. The island’s limestone top, the Calacatta gold marble countertops, and a reclaimed random-width white oak floor are a companionable mix that furthers the room’s laid-back character. But as seemingly simple as the demeanor is, there’s no stinting on efficiency. Dual fridge/freezers, twin dishwashers stashed in the island, and two farmhouse sinks make light work. Custom cabinets—also crafted by New Hope Carpentry Services—incorporate an old-fashioned grab-and-go plate rack in addition to a
slew of organizational features. There’s even bonus storage under the window seat. Interior designer Barbara Varacchi dressed the seat’s cushion in tailored stripes—the ideal choice for a beautifully composed, understated kitchen.
CREDITS Architecture: Huestis Tucker Architects Interior design: Barbara Varacchi Builder: New Hope Carpentry Services Photography: Nancy Elizabeth Hill
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SPECIAL FOCUS:
Kitchen Design
STARTING FROM SCRATCH
Superstorm Sandy damaged scores of homes in the Westport area, some so badly that the only recourse was to rebuild. Fortunately, architect Matthew Dougherty helped these owners find a silver lining. Maintaining the home’s original footprint, he designed a new family nest with a super-workable kitchen starring a blue-as-a-summersky La Cornue range. “The range was our starting point, and from there we added lots of features,” Dougherty explains. With windows on three sides, pale Carrara marble counters, and a marble backsplash, the compact 280-square-foot room feels twice its size. A bounty of white cabinets boosts functionality, as does the island that doubles as a place for meals and a serving station for entertaining. Brass hardware and brass fixtures at the farmhouse sink speak to the hood’s distinctive brass detailing and, says Dougherty, “pull everything together.” The herringbone-pattern white oak floor and shiplap ceiling interject texture, while a generous opening to the adjacent family room—flanked by the fridge and freezer, which hide behind handsome paneling—enhances circulation. And for a bit of extra warmth, a wood-burning fireplace with a rustic fieldstone surround casts a glow on every happy gathering.
CREDITS Architecture: Matthew R. Dougherty Architect Builder: Tiefenthaler Photography: Jane Beiles
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SPECIAL FOCUS:
Kitchen Design
GRAPHIC PUNCH
So how does a brick turn-of-the-century carriage house kitchen elevate from staid to cool? With a controlled blackand-white theme that underscores its practicality. Not afraid to go bold, mother and daughter interior designers Brooke and Elise Garden painted the standard, in-stock new cabinets black, giving them a swank edge. Painting the existing window frames black, too, lent the small kitchen instant drama. “We’d call the look industrial modern,” says Brooke. “The client wanted an industrial feel, and black
seemed the way to go.” Elongated white subway tile with a gray grout along with a black range hood and a noir faucet at the farmhouse apron-front sink are right in step, as are the top-notch stainlesssteel appliances. Wall-mounted teak shelves hold everyday cooking supplies, while assorted decorative sundries add interest to the picture. Even the custom poured-concrete counter makes a smart statement, wrapping around the corner and into the adjoining living room. The concrete ribbon (mounted on hefty iron brackets) helps link the two spaces and, teamed with swiveling wood stools from Arteriors, provides a convenient spot for casual dining no one can resist.
CREDITS Interior design: Brooke Garden and Elise Garden, RoomSecret Builder: Huane Carpentry Photography: Scott G. Morris, SGM Photography
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SPECIAL FOCUS:
Kitchen Design
DYNAMIC DO-OVER
For almost two decades, architect Robert Bruce Dean has been tackling projects for this Fairfield County pre-war Georgian-Revival house. When the kitchen, breakfast area, and family room needed what he calls a fresh approach, he was ready. “We didn’t reconfigure the suite of rooms, but we took it down to the studs,
widened the opening to the breakfast area, and updated,” he explains. As he has many times before on this same home, Dean collaborated with interior designers Jim Gauthier and Susan Stacy and builder Mark Olson. Well familiar with the owners, the skilled team sought to deliver a kitchen that would reflect the home’s elegant nature, but also perform. The winning recipe? Luxe materials like a smoky glass tile backsplash and a French fumed oak floor with a European oil fin-
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ish, two dishwashers, an extra oven, and storage galore. Rather than an all-white kitchen, snowy custom cabinets share space with an antique-finished oak island with furniture-like details. The latter complements the sunny breakfast recess (with its refurbished French doors) and the comfortable family room, uniting the three spaces in a manner that does justice to the home’s pedigree. RESOURCES: For more information about this home,
CREDITS Architecture: Robert Bruce Dean, Robert Dean Architects Interior Design: Jim Gauthier and Susan Stacy, Gauthier-Stacy Builder: Mark Olson, Olson Development, LLC Photography: Michael Partenio Styling: Stacy Kunstel
see page 158.
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SH O P LU XU RY
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Resources
A guide to the products and professionals in this issue’s featured homes
OUTSIDE INTEREST: LIKE MOTHER, LIKE SON PAGES 38–43
Landscape design: Anne Penniman, Anne Penniman Associates, Essex, 860-767-7540, annepenniman.com Ecologist: James R. Cowan, Cowen EcoDesign, North Stonington, 860-535-0625 Landscape contractor: Landscape Creations, Saunderstown, R.I., 401-789-7101, landscapecreationsri.com House architecture: James Estes, Estes/ Twombly Architects, Newport, R.I., 401-8463336, estestwombly.com Builder: Steve Ray, Steve Ray Construction, West Greenwich, R.I., 401-440-0631 Stonework: Moyer’s Landscaping Services, Killingworth, 860-663-2759, moyersland.com
SIMPLE PLEASURE PAGES 120–129
Architecture: Hope Dana, Platt Dana Architects, New York City, 646-336-6270, plattdana.com Interior design: Ellen Hamilton, Hamilton Design Associates, New York City 212-620-0800, hamiltondesignassociates.com Builder: Ruscoe Sedito Construction, New Preston, 860-868-1279, ruscoesedito.com Cabinetmaker: Jeffrey Haxo, Jeffrey Haxo Woodworking, Warren, 860-318-5591, jeffreyhaxowoodworking.weebly.com Landscape design: Ben Young Landscape Architect, Ketchum, Ida., 208-726-5907, byla.us Metal fabrication: MetalCraft, Litchfield, 860-361-6767, metalcraftllc.com Pages 120–121: Tulip swivel chairs from B&B Italia, bebitalia.com/en; end table by Kenneth Cobonpue, kennethcobonpue.com, through Voce Di, vocedi.com; area rug by Sandra Figuerola, sandrafiguerola.com, through Gandia Blasco, gandiablasco.com/us. Page 123: Kitchen island Jean stools from Karkula, karkula.com.
Page 124: Rough ’N Rowdy fabric on sofa from Perennials, perennialsfabrics.com. Page 126: Master bed from Poliform, poliform.it/en; drapery fabric from Svenskt Tenn, svenskttenn.se/en. Page 127: Area rug from Gandia Blasco; drapery fabric from Svenskt Tenn.
A SUMMER PLACE PAGES 130–137
Architecture: John Allee, Allee Architecture + Design, Millerton, N.Y., 860-435-0640, alleedesign.com Interior design: Hannah Childs, Hannah Childs Interior Design, Lyme, 860-405-4394, hannahchildsinteriordesign.com Builder: United Construction + Engineering, Litchfield, 860-489-7273, uce-gc.com Pages 130–131: Sofas from Pottery Barn, potterybarn.com; coffee table from Serena & Lily, serenaandlily.com; floor lamp from Visual Comfort, visualcomfort.com; ceiling fan from Arteriors, arteriorshome.com; art by Deborah Quinn-Munson, quinnmunson.com; round table from Stray Dog Designs, straydogdesigns.com; pillow fabrics from Quadrille, quadrillefabrics. com, and John Robshaw, johnrobshaw.com. Page 132: Bench from O&G Studio, oandgstudio.com; rug from Serena & Lily; pillow fabric from Quadrille. Page 133: Exterior lighting from Il Fanale, ilfanale.com/en; mudroom bench by United Construction and Engineering; floor tile from The Tile Shop, tileshop.com; bathroom double sink and faucets from Kohler, kohler.com; mirrors from Restoration Hardware, restorationhardware.com; stools and tiger rugs from Urban Outfitters, urbanoutfitters. com; sconces from Visual Comfort. Page 134: Sectional sofa from Restoration Hardware; chairs from Billy Baldwin Studio, billybaldwinstudio.com; side tables from Serena & Lily; coffee table from Brownstone, brownstonefurniture.com; blue table lamps from Visual Comfort; rug from Madeline
Weinrib, madelineweinrib.com; pillow fabrics from Raoul Textiles, raoultextiles.com; kitchen cabinets and range hood by Angel Custom Woodworking, angelcustomwoodworking.com, painted with Fine Paints of Europe #H03330, finepaintsofeurope.com; perimeter counter top from Caesarstone; caesarstoneus.com; stools from Bungalow 5, bungalow5.com; faucet from Rohl, rohlhome.com; pendants from Restoration Hardware; oak floating shelves by United Construction + Engineering; cooktop from Electrolux, electroluxappliances.com; oven from Wolf, subzero-wolf.com. Page 135: Dining table from Ken Petersen Antiques, petersenantiques.com; chair cushions from Lulu DK, duralee.com/Lulu-DK/ Lulu-DK-Fabric.htm; antique chest from Huzza, huzza.net. Page 136: Beds and nightstand from West Elm, westelm.com; bedding from Roller Rabbit, rollerrabbit.com, and John Robshaw; rugs from Williams Sonoma, williams-sonoma.com. Page 137: Beds from Restoration Hardware Baby & Child, rhbabyandchild.com; bedding from Rikshaw Design, rikshawdesign.com; nightstand from Wisteria, wisteria.com; table lamp from West Elm, with custom shade from Shandell’s, shandells.com; seahorse pareo from Manuel Canovas, cowtan.com/ manuel-canovas.
NEW HORIZONS PAGES 138–147
Architecture: Lucien Vita, Vita Design Group, Westport, 203-283-1561, vdarch.com Interior design: Carolyn Kron and Tricia Izzo, Shelter Interiors, Westport, 203-301-4886, shelterinteriorsllc.com Landscape design: Nancy King, Seventy Acres Landscape Architecture and Design, Wilton, 203-470-2742, seventyacres.com Builder: Coastal Luxury Homes, Westport, 203-984-6869, coastal-lux.com Page 138: Area rugs from Redi-Cut Carpets & Rugs, redicarpets.com; cabinet with boat by
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Christopoulos Designs, Bridgeport, 203-576-1110. Page 139: Sofa from E.J. Victor, ejvictor.com, with Mokum fabric, jamesdunloptextiles.com/ brands/mokum, and trim from Kravet, kravet. com; Percheron swivel chairs from Holly Hunt, hollyhunt.com, with fabric from Kravet; striped pillows from Details, detailsinteriorsinc.com; piecrust table from Theodore Alexander, theodorealexander.com; table between swivel chairs from Tucker Robbins, tuckerrobbins.com. Page 140: Atelier dining chairs from Baker, bakerfurniture.com; with back fabric from Kravet, and front fabric from Hinson through Donghia, donghia.com; chandelier from Currey & Company, curreyandcompany.com; sconces from ABC Carpet & Home, abchome.com. Page 141: Bar stools from Charles Stewart, charlesstewartcompany.com, with back fabric from Kravet and leather seat fabric from Jerry Pair, jerrypairleather.com; backsplash tile and pendant lights from Waterworks, waterworks.com; bathroom sconces from O’Lampia, olampia.com; Key Largo blue wall covering from Phillip Jeffries, phillipjeffries. com. Page 142: Directors chairs from Harbour Outdoor, harbouroutdoor.com. Page 146: Stairwell light fixture from Hammerton, hammerton.com. Page 147: Master bed and sofette from New Traditionalists, thenewtraditionalists.com, with headboard and settee fabric from Kravet; pillows from Details; hallway sconces from O’Lampia; wallcovering from Donghia.
SPECIAL FOCUS: KITCHEN DESIGN SPECIALTY OF THE HOUSE PAGES 148–155
Country Living, pages 148–149: Architecture, Jennifer Huestis, Huestis Tucker Architects, Woodbridge, 203-248-1007, and Greenwich, 203-698-1007, huestistucker.com; interior design, Barbara Varacchi, Varacchi Interior Design, Norwalk, 203-354-3600; builder, Juan Carlos Velez, New Hope Carpentry Services, Fairfield, 203-455-7744. Starting From Scratch, pages 150–151: Architecture, Matthew R. Dougherty, Matthew R. Dougherty Architect, New Canaan, 203-296-4669, mrdarchitect.com; builder, Tiefenthaler, Norwalk, 203-857-0055, tiefenthaler.com. Graphic Punch, pages 152–153: Interior design, Brooke Garden and Elise Garden, RoomSecret, Greenwich, 203-832-0185, roomsecret.com; builder, Huane Carpentry, Yonkers, N.Y., 718-944-8830. Dynamic Do-Over, pages 154–155: Architecture: Robert Bruce Dean, Robert Dean Architects, New Canaan, 203-966-8333, robertdeanarchitects.com; interior design, Jim Gauthier and Susan Stacy, Gauthier-Stacy, Boston, 617-422-0001, gauthierstacy.com; builder, Mark Olson, Olson Development, Newtown, olsondevelopmentllc.com.
Ad Index
A helpful resource for finding the advertisers featured in this issue Advanced Home Audio 36 AIA Connecticut 115–117 Aitoro Appliances 49 Anne Penniman Associates, LLC 77 APEX Projects, LLC 45 Artemis Landscape Architects 47 Austin Ganim Landscape Design, LLC 90–91 Bender 42, 92–93 Beth Krupa Interiors 62 Budget Blinds/Inspired Drapes of Greenwich 50 Bulthaup of Connecticut 18–19 Carlisle Wide Plank Floors 58 Charles Hilton Architects 33 Chloe Winston Lighting Design 157 City Bench 157 Clarity Home Interiors 94–95 Closet and Storage Concepts 26 Connecticut Appliance and Fireplace Distributors 72 Connecticut Lighting Centers & Restoration Lighting Gallery 68 Connecticut Stone Supplies 96–97 County TV & Appliance 31 Crown Point Cabinetry 41 Crown Select 75 D&D Homes 35 Daniel Conlon Architects 14–15 Dean’s Stove & Spa 43 DEANE–Rooms Everlasting 10–11 DesignSourceCT 25 Diane James Home 157 Digital Home Systems 61 Dina Spaidal Interiors 68 Domus Constructors, LLC 98–99 Drains Unlimited 77 Ed’s Garage Doors 81 Eleish Van Breems inside front cover Finished in Fabric, LLC 88 Fletcher Development 30 Freddy’s Landscape and BioNova Natural Swimming Pools 100–101
Hobbs, Inc. 23 Holzman Interiors 51 Home Builders & Remodelers of Fairfield County 76 Homefront Farmers, LLC 16–17 Ives Fence 65 Jan Hiltz Interiors, LLC 104–105 JMKA | architects inside back cover Jody DeLuca Designs 44 John R Mastera + Associates 55 JWH Design & Cabinetry 52 Karen Wells Design 88 Kebabian’s 83 L&M Custom Carpets and Rugs, LLC back
cover
Lattice House 69 League of N.H. Craftsmen 59 The Linen Shop 87 Lynn Creighton Realtor 74 Matthew R. Dougherty Architect, LLC 106–107 Michael Smith Architects 118 Morgan Harrison Home 4–5 NuKitchens 6–7 O&G Industries Masonry Division 108–109 Parker & Company Interior Design 57 Patricia M. Miller Residential Design, LLC 110–111 ProSource of Stamford 85 Rebecca Reynolds Design 73 Riverhead Building Supply Corp. 71 Robert A. Cardello Architects, LLC 112–113 Robert Dean Architects 63 Rosalia Sanni Design 87 S&W Building Remodeling, Inc. 114 Shope Reno Wharton 1 Shoreline Painting and Drywall 2–3 Tile America 27 Torrco 67 Tusk Home + Design 59 VW Contemporary Art Gallery 157 Wadia Associates 39 Wakefield Design Center 29, 66 Walpole Outdoors 81 Woods Design, LLC 28
Front Row Kitchens, Inc. 102–103 Garrett Wilson Builders 37 Gatehouse Partners 12–13 Gault Stone & Landscape Supplies 79 Glen Gate Properties 8–9 Hästens 20
New England Home Connecticut, Summer 2019 © 2019 by New England Home Magazine, LLC. All rights reserved. Permission to reprint or quote excerpts granted by written request only. Editorial and advertising office: New England Home Magazine, LLC, 530 Harrison Ave, Ste 302, Boston, MA 02118, 617-938-3991. Summer 2019 | New England Home Connecticut 159
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Sketch Pad
Design Ideas in the Making
project designer Burke Cheney • Our took the lead on this kitchen in Watch
Hill, Rhode Island, collaborating with Hartford-based interior designer Kellie Burke to work out the concept. The house is a summer getaway for its owners (their principal home is in New Canaan), and when they are there it pretty much has a revolving door for friends and family. They do a lot of entertaining, so the kitchen needed plenty of circulation space and a very large island. The custom range hood is one of the main focal points for the room, made of whitepainted hardrock maple panels framed in polished stainless steel with stainless-steel rivets. (These echo the look of the polished metal strapping used on the room’s hand-hewn
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ceiling beams.) A full-height mosaic marble backsplash wall and jewelry-like cabinet and drawer pulls from Schaub & Company round out the look: light, bright, very elegant, yet comfortable. | Peter Deane, Deane, Inc., Stamford and New Canaan, deaneinc.com
Photography by Tim Lee
6/19/19 3:59 PM
Architecture
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Master Planning
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L&M
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Principal
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