Leading Architecture & Design February/March 2021

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FEBRUARY/MARCH 2021

VĪB CAPE TOWN

Voluptuous hotel architecture for tech-savvy travellers SUPERSPAR POLOFIELDS

Waterfall’s Art Deco-inspired grocery experience COMMERCE CRESCENT

Pushing boundaries with black brick, off-shutter concrete and glass

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THE BRIEF

BY E DI TO R G RAH AM WO O D

Subscribe

ED'S NOTE We really felt we needed some architectural inspiration on the cover of this issue. And we found it.

The 86-metre glass-clad office tower in Cape Town’s growing financial and hospitality precinct, dubbed 35 Lower Long and designed by dhk Architects, looks like an icon of a new era. It seems to say that there is something to look forward to. Somehow towers, for all their associations with hubris, still seem to communicate something optimistic. In adding a bold new presence to the city skyline, it reminds us that cities can be refreshed and move in new directions.

Also in Cape Town, the new addition to The Best Western Vib collection of hotels in Greenpoint, by Robert Silke & Partners, seems to herald new directions too. The Futurist-inflected approach the practice is becoming known for evokes an exuberance and the flamboyance that suits a city (country and world) emerging from a difficult period.

We see it in the retail environment as well. The Superspar Polofields in Waterfall, with interiors by

HIDDEN KAROO

BY PATRICIA KRAMER AND ALAIN PROUST EDITOR’S >

BOOK SHELF

GASS Architecture Studios, seems to pick up on the spirit of Art Deco to shift our typical shopping experience. Rather than flamboyance, however, the soft curves, the glimmer of glamour, pastel palette and more spacious layout speak to a more calming experience than we’d become accustomed to before the pandemic. The restaurant inside the store provides an excuse to slow down and linger, rather than rush. We see something similar in the new Oggie Showroom in Parkhurst, designed by architect Carl Jacobsz of C76 and interior designers HK Studio – a highly refined take on the shopping experience. It’s the kind of environment that creates an experience rather than pushes a product. And perhaps that’s what we’re seeing: the shared spaces of shops, offices and even the public space of our cities need to offer something more than before. They need to be better – they need to improve on the past.

Graham

The Karoo is big sky country; a land of vast plains punctuated by flat-topped mountains, conical hills and secluded valleys, a land of scrubby bushes and hardy trees, where pioneers carved roads out of rock to set down roots in an unforgiving environment.

Here dreams are born, legends are made, and outcasts find sanctuary. It is also an ancient place, whose story is revealed through geology, fossils and artefacts, and whose human lineage predates any written history. Today, the people who inhabit it must manifest the same fortitude that sustained those who left their footprints in the primaeval mud.

In Hidden Karoo you will find all this, and more. Through a series of superb photo-essays, this majestic place is revealed as a land where conservation and neglect are seldom far apart, where one town boasts splendidly

10 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

to Leading Architecture & Design >

Email: Felicity.Garbers@newmedia.co.za Tel: +27 (0)78 758 6227

ANNUAL SUBSCRIPTION: R300.00 for 6 issues (SA postage only, including VAT).

restored buildings, while along a dusty road lie forgotten villages waiting for... something. Could it be a renewal, or a slow death? There’s nothing novel about the movement of people from country to city, and the Karoo mimics other parts of the world where rural areas become derelict as they are depopulated.

Hidden Karoo presents a snapshot of the region, offering a glimpse into towns and villages, farms and churches, public buildings and private homes – all against a backdrop of awe-inspiring landscapes. Through words and pictures, it prompts us to consider what was, what is and, perhaps, what might be. One constant about the Karoo is change. A book can do no more than capture a moment in time or depict fragments of a place – but, in doing so, it bears witness to the past and offers the hope that there may yet be a future for this unparalleled part of our country.

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CONTENTS

FEBRUARY//MARCH 2021 p14

ON SITE 34 WALLING, CLADDING & FAÇADES Walls, cladding and façade treatments not only provide protection, but impart a building’s identity and define its aesthetic impact.

p20

39 FLOORING

BLUEPRINT 14 VĪB CAPE TOWN

24 OGGIE SHOWROOM

The newest addition to The Best Western Vib collection in Cape Town by Robert Silke & Partners references the flamboyant luxury of the great coastal resort cities of Miami, Rio and Honolulu.

The new showroom for hardwood flooring company Oggie, designed by C76 Architecture with interiors by HK Studio, explores a rich, refined approach to retail architecture.

10 THE BRIEF

20 35 LOWER LONG

Editor’s note and book review.

dhk Architects has completed a dynamic glass tower with a soaring wing-like façade – an exciting, contemporary addition to Cape Town’s skyline.

26 COMMERCE CRESCENT

FIRST DRAFT 61 DRAWING BOARD What’s new in the world of architecture and design.

Futurism succeeded the Art Deco style in Europe and the USA, but never made it to South Africa, where it was eclipsed by austere and ascetic architectural Modernism … Futurism was, in contrast to Modernism, sculptural and decorative, playful and optimistic.

Robert Silke, SAOTA, VīB Cape Town [p14]

EDITORIAL EDITOR: Graham Wood email: graham.wood@newmedia.co.za SUB EDITOR: Anita van der Merwe LAYOUT & DESIGN: Julia van Schalkwyk PHOTOGRAPHY Unless previously agreed in writing, Leading Architecture & Design owns all rights to all contributions, whether image or text.

SOURCES: Shutterstock, supplied images, editorial staff.

COVER PHOTOGRAPH: Adam Letch ADVERTISING ADVERTISING EXECUTIVE: Johan van Heerden | Cell: 082 887 6627 email: johan.vanheerden@newmedia.co.za SUBSCRIPTIONS Felicity Garbers email: felicity.garbers@newmedia.co.za

Paragon Architects pushes the boundaries of black brick, offshutter concrete and glass at 33 & 39 Commerce Crescent.

30 SUPERSPAR POLOFIELDS The interiors of the new SuperSpar at Polofields Crossing in Waterfall, Johannesburg, designed by GASS Architecture Studios, represents an innovative and surprisingly luxurious approach to retail design.

The rapid advances in flooring solutions, driven by technological innovation, new materials and finishes, have opened up new possibilities for architecture and interior design.

46 BATHROOMS In the bathroom, every consideration counts, from sanitaryware to lighting, and from tiling to technology, not to mention the water-wise tech to keep it responsible.

56 ENERGY MANAGEMENT Energy management is crucial to the design of any project, ranging from heating and cooling to lighting, windows and insulation.

66 FEATURED DESIGN The Hope sofa and armchair collection by Lemon is all about the crucial meeting point between form and function.

PUBLISHING TEAM GENERAL MANAGER: Dev Naidoo PUBLISHING MANAGER: Sandra Ladas email: sandra.ladas@newmedia.co.za PRODUCTION MANAGER: Angela Silver ART DIRECTOR: David Kyslinger

MANAGEMENT TEAM CEO, NEW MEDIA: Aileen Lamb COMMERCIAL DIRECTOR: Maria Tiganis BRAND STRATEGY DIRECTOR: Andrew Nunneley CHIEF FINANCIAL OFFICER: Venette Malone CEO, MEDIA24: Ishmet Davidson

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© Copyright Leading Architecture & Design Magazine 2021 Published by New Media, a division of Media24 (PTY) Ltd www.leadingarchitecture.co.za

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While precautions have been taken to ensure the accuracy of its contents and information given to readers, neither the editor, publisher, or its agents can accept responsibility for damages or injury which may arise therefrom. All rights reserved. © Leading Architecture. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, photocopying, electronic, mechanical or otherwise without the prior written permission of the copyright owners.

12 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

BLUEPRINT

PRO J EC T # 1 V īB CAPE TOWN

Vīb Cape Town’s façades are crisp and white with contrasting gloss black detailing and dark tinted glazing.

Vīb as in vībrant Known for sculpturally curvaceous buildings, Robert Silke & Partners did not hold back when designing the newest addition to The Best Western Vīb collection – a first for the Mother City and the only Vīb in the Southern Hemisphere.

PHOTOGRAPHY DAVE SOUTHWOOD AND LINLEY MEAVERS

A

s architects for the iconic Tuynhuys apartments opposite the Cape High Court, as well as the upscale Onyx apartment hotel on Cape Town’s Foreshore, Robert Silke & Partners is known for its sculpturally curvaceous buildings that transcend the ascetic functionalism of the developer norm.

Vīb is pronounced “vībe”, as in “vībrant”, and the Best Western brand concept calls for design excellence and smart, svelte new buildings on tight sites in AAA-grade locations around the world. Vīb is targeted at the young, smart, tech-savvy traveller to

whom wi-fi speeds are far more important than the big old motelstyle rooms of yesteryear.

The voluptuous and curvaceous architecture of Vīb Cape Town references the upbeat tropical modernism that marries serious European design of the 1920s and 30s, with the flamboyant luxury of the great coastal resort cities of Miami, Rio and Honolulu.

Cape Town’s Vīb is one of only four around the world, and this one is instantly recognisable by its gigantic rooftop pool-deck that playfully cantilevers 25m over Main Road Green Point, sporting aquarium-grade portholes in the

14 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

bottom and a giant plexiglass smile on the front. Vīb Cape Town evokes the grand tropical modernism of Sol Kerzner’s original seaside hotels.

ART HOTEL

Vīb Cape Town further distinguishes itself as an art hotel, inspired by The Betsy Hotel in Miami. Jaffer Modern is the dedicated, purpose-built modern art gallery located immediately below the rooftop pool, with dramatic vistas over Green Point Common towards the sea, as well as playful porthole views up into the actual pool, akin to a human aquarium – making this the world’s

first art gallery with its own en suite pool-deck.

ARCHITECTURAL INTERVENTION

Vīb Cape Town smartly packs a king-size bed, a study area, a large-screen TV and a state-of-the-art en suite bathroom into 72 smart and compact 18m2 guestrooms. In addition, there are three 36m2 senior suites, as well as an accessible 27m2 junior suite.

Rooms are generally flexible and can be joined together to create family suites.

Continued next page

The voluptuous and curvaceous architecture of Vī b Cape Town combines tropical modernism with the flamboyant luxury of great coastal resort cities such as Miami.

WWW.LEADINGARCHITECTURE.CO.ZA FEBRUARY/MARCH 2021 15

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The hotel is cleverly orientated northeast, so that most rooms face the street fronts. Some rooms face due east, enjoying the optimal climatic orientation to make the most of morning light – while protected from the afternoon heat. Other rooms face due north, enjoying breath-taking panoramic views over the Green Point tree canopies, over the Green Point Common and towards the Atlantic Ocean. Most rooms sport floor-toceiling windows to maximise blue sky and views down to the sea.

While the hotel boasts a worldclass rooftop pool-deck, and even its own modern art gallery, there are no wasteful and expansive public areas, conference halls or ballrooms.

The gallery boasts dramatic vistas over Green Point Common towards the sea.

The brief for the hotel was tight and muscular and svelte, and is ultimately all about luxury and value and design – which enabled the clients to build a blue-chip hotel in a world-class location, at relatively affordable room rates.

The ground-floor reception level offers guest check-in facilities, as a sophisticated, bistro-style barlounge and pavement café, as well as social areas, private meeting areas and work spaces. The design style is modern, sculptural and optimistic. Futuristic even.

Jaffer Modern is the dedicated, purpose-built modern art gallery on the hotel's top floor.

16 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

ARCHITECTURAL FUTURISM

Futurism succeeded the Art Deco style in Europe and the USA, but never made it to South Africa, where it was sadly eclipsed by austere and ascetic architectural Modernism, which (largely due to cheapness of construction) became the dominant force in generic buildings across the country. Futurism was, in contrast to Modernism, sculptural and decorative, playful and optimistic.

Continued next page

PRO J EC T # 1 V īB CAPE TOWN

The ground floor level offers guest check-in facilities as well as a sophisticated, bistro-style bar-lounge and pavement cafe.

ARCHITECT & INTERIOR DESIGNER FOR V B BY BEST WESTERN

www.robertsilke.com

WWW.LEADINGARCHITECTURE.CO.ZA FEBRUARY/MARCH 2021 17

>> B LU EPRINT

First pioneered in Italy by Filippo Marinetti, Futurism was kept alive in the 1960s by John Lautner’s flying saucer houses in California, and is today best represented in the work of Zaha Hadid Architects. Futurism is synonymous with bespoke, premium properties in forward-thinking global centres. In pursuit of an aesthetic system in which to frame a new, state-of-the-art boutique hotel, the Futurist architectural aesthetic is the perfect fit for Vīb Cape Town.

CRISP CLEAN PALLETTE

All Vīb hotels are modern, crisp and white. Vīb Cape Town’s façades are detailed in a contrasting gloss black, with dark tinted glazing. The overall façade aesthetic is mostly white, with black eyeliner and beauty spots, reminiscent of the elegant stormtrooper uniforms from Star Wars. The only colour in the façades is limited to the crimson red of the Vīb logo.

Rooms are finished in Ancient Oak flooring, while

public areas are generally finished with solid stone floors and solid oak ceiling features. Crimson red detailing throughout the hotel really pops against the generally monochromatic materials choices.

Custom and bespoke Cara Saven wallpapers feature throughout the hotel, with each guestroom lined in a hand-drawn locality map of the Green Point area, because (rather than escapist fantasy) Vīb Cape Town is about the joy of living here now.

PROFESSIONAL TEAM PROJECT MANAGER & PRINCIPAL AGENT: Brown Barrow + Altini Consulting ARCHITECT: Robert Silke & Partners QUANTITY SURVEYOR: Smith & Co INTERIOR DESIGNER: Robert Silke & Partners STRUCTURAL, MECHANICAL & WET SERVICES ENGINEERS: De Villiers Sheard ELECTRICAL & LIGHTING DESIGNERS: QDP Electrical & Lighting Design FIRE ENGINEER: Neil Moir & Associates TOWN PLANNER: Tommy Brummer & Neil Moir HERITAGE: Ashley Lillie & Johan Cornelius TRAFFIC: Techso CONTRACTOR: JLK Construction

Vīb Cape Town smartly packs a king-size bed, a study area, a large-screen TV and a state-of-the-art e n suite bathroom into 72 smart and compact 18m 2 guestrooms.

Tel: +27 (0)21 531 8435 Email: info@tommybbrummer.co.za www.tommybrummer.co.za

18 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

Tel: +27 (0)21 913 2277 Cell: 082 789 2195 Email: christine@qdp.co.za www.qdp.co.za

PRO J EC T # 1 V īB CAPE TOWN

A roof-top pool-deck playfully cantilevers 25m over Main Road Green Point, sporting aquariumgrade portholes in the bottom and a plexiglass smile on the front.

Construction (Pty) Ltd Email: info@jlk.co.za | Tel: +27 (0)21 862 6363 www.jlk.co.za

WWW.LEADINGARCHITECTURE.CO.ZA FEBRUARY/MARCH 2021 19

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Sculptural skyscraper The two main corners of the building are chamfered towards the roofline and soar upwards, forming a striking wing-like effect.

20 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

PRO J EC T #2 35 LOWE R LO N G

dhk Architects has completed a dynamic glass tower with a soaring wing-like façade – an exciting, contemporary addition to Cape Town’s skyline.

PHOTOGRAPHY ADAM LETCH

3

5 Lower Long, an elegant 86-metre glass-clad office tower, will invigorate Cape Town’s emerging financial and hospitality district. The building, developed by Abland Property Developers and designed by dhk Architects, is characterised by a singular sculpted massing that is transformed via dynamic glazed planes that extend seamlessly over the office and parking levels. The two main corners of the building are chamfered towards the roofline and soar upwards, forming a striking wing-like effect – resulting in a distinctive, non-orthogonal addition to Cape Town’s skyline.

The site is located in Roggebaai (Cape Town’s growing financial and hospitality precinct) and was previously occupied by an eight-storey 1980s office building, which, prior to that, was part of the now-demolished Long Street Power Station site. While the peninsula site has three street frontages and the public domain experiences high levels of pedestrian traffic, it previously suffered from extremely limited street activation. This was compounded by the last remaining portion of the demolished power station (Site B), hostile frontages of both the 80-metre office building to the south and dilapidated office building to the east. A fundamental component of the design concept involved maximising the activation of the street edge with retail to improve the quality and safety of the public realm, as well as to take advantage of the high levels of pedestrian traffic passing the building.

The initial brief to remodel and extend the existing 1980s building were discarded due to impractical core design, the limitations of adding floors, the need to replace an outdated façade and challenges with long-term viability. The revised brief, by the co-owners Ellerine Bros and Abland, was to offer a more positive medium- to

long-term viability, as well as to enhance Cape Town’s skyline with a decidedly taller, inspirational tower building. However, the challenge was to maximise the quality multitenant commercial space while accommodating core components such as lifts and stairs, along with structured basement parking – all within a relatively small floor plate.

To maximise the floor plates, dhk proposed a simple singular orthogonal massing, except for the articulation of the southeastern and southwestern corners. While fundamentally a solid building mass, the appearance of a dynamic, non-orthogonal sculpted mass was created via tapering or cranked façade planes that extend seamlessly over the office and parking levels. This was achieved by chamfering both the southeast and southwest corners of the building at the top of the orthogonal parking base and widening them towards the roof. The technique articulates the façade and defragments the solidity of the corners of the building as the wings shape the elevations and extend past the top office floor. By extending the wingshaped façade screens beyond the roof level with parapet sloping, the appearance of soaring shards is created, as opposed to an abrupt utilitarian termination.

In terms of materiality, a glazed façade was selected due to its flush and sculpted reflective form, which is able to conceal both the parking levels and solid spandrels.

Not only does glass facilitate an exciting play of light but it allows for an expressive articulation of the building mass in the screen and shard-like elements. The introduction of pixilation on the portions fronting the parking levels, ceiling voids, structure and internal desk height upstands allows the building to conceal both the parking levels and avoid overbearing horizontal bands.

Continued next page

WWW.LEADINGARCHITECTURE.CO.ZA FEBRUARY/MARCH 2021 21

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The entire length of the street frontage along Lower Long Street and Jetty Street is enlivened with new ground-floor retail and multiple entry points into the office building. At street level, a double-volume entrance joins to shuttle lifts, connecting all parking levels and the ground floor to a spectacular arrival experience within the 10th-floor sky lobby. Thereafter, individuals are transported via a double-volume area and terrace to the office lifts,

which connects to all the floors above. This ensures mid-building activation and an experience for all users to enjoy as part of the arrival journey into the workspaces – encouraging interaction between different tenants.

Internally, the building offers expansive 360-degree views over the city, ocean and mountains.

The glazed façade allows for floor-to-ceiling unencumbered vistas enhanced by glazing with mullions at 2.4m-wide centres.

The elegant 86-metre glass-clad office tower enhances Cape Town’s skyline and streetscape with a decidedly taller, inspirational new presence.

Tel: +27 (0)21 012 5062 Email: info@ceng.co.za www.ceng.co.za

22 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

PRO J EC T #2 35 LOWE R LO N G

The chamfered corners also offer oblique views, which facilitate the appreciation of the architectural form both externally and internally – a desirable design aspect often not apparent in tall buildings. Furthermore, the multipurpose roof area, with terraces above both chamfered corners, offers a spectacular city entertainment space and signifies high-level activation. From an external viewpoint, the perimeter desk-height upstands provide

solid GREEN

consultancy for the sustainable built environment

Tel: +27 (0)11 447 2797 Email: hello@solidgreen.co.za www.solidgreen.co.za

ease of furnishing right against the perimeter with fire separation between the floors – therefore, the office furniture is concealed when viewed externally.

The immediate neighbour to the north and sharing a common boundary is a nine-storey 1980s building, which has the potential to be redeveloped in the future.

Rather than merely providing an unsightly blank common boundary façade, dhk articulated both northern corners by returning the glazing around onto the common boundary. This is sacrificial in the sense that the neighbour could in future build higher against the common boundary. It also offers spectacular corner northern views

towards Cape Town’s harbour.

The solid wall concealing the stair core is pixelated with coloured plastered panels, echoing the glazed façade’s articulation.

Fortunately, the client championed environmental sustainability. To achieve a 4-Star GBCSA Design rating, a detailed environmental performance modelling study was undertaken.

This required a high-performance double-glazed specification with increased internal cill height raised to desk height – to reduce both solar gain and radiant heat, which significantly lowered HVAC requirements. Other environmental considerations included building efficiency, choice of materials,

energy-efficient lighting and services, lower parking ratio encouraging the use of public transport, as well as showers and bicycle parking facilities.

Overall, 35 Lower Long is a much-needed contemporary addition to Cape Town’s skyline, which positively contributes to its surrounding cityscape. Pierre Swanepoel, dhk partner and lead architect on the project, says, “With its sleek, sculpted form and soaringshaped façade, 35 Lower Long is an exemplar of how client requirements can be met without comprising on design standards. dhk is extremely proud of this building and views it as a catalyst for future developments to come in Cape Town’s CBD.”

PROFESSIONAL TEAM OWNER/DEVELOPER: Ellerine Bros + Abland Property Developers ARCHITECTS: dhk Architects QUANTITY SURVEYOR: Du Toit Pienaar Quantity Surveyors STRUCTURAL ENGINEERS: Zutari MEP ENGINEERS: Eckon + Converge Consulting DEVELOPMENT MANAGERS: Abland Property Developers PROJECT MANAGERS: Abland Property Developers MAIN CONTRACTORS: Stabilid Cape Construction INTERIOR DESIGNERS: Entrance & Office Lobby Areas – dhk SUSTAINABLE BUILDING CONSULTANT: Solid Green

Tel: +27 (0)21 526 9400 Email: connect@zutari.com www.zutari.com

Tel: +27 (0)21 930 9360 Email: ekcon@ekcon.co.za www.ekcon.co.za

dhk Architects Tel: +27 (0)21 421 6803 Email: hello@dhk.co.za www.dhk.co.za

Specialist Façade Engineers Tel: +27 (21) 425 0065 Email: media@sutherlandengineers.com www.sutherlandengineers.com

The shape of things to come.

Tel: +27 (0)21 982 8210 Email: admin@stabilidcape.co.za www.stabilidcape.co.za

WWW.LEADINGARCHITECTURE.CO.ZA FEBRUARY/MARCH 2021 23

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Natural wonder The new showroom for hardwood flooring company Oggie, designed

by C76 Architecture with interiors

by HK Studio, explores a rich, refined approach to retail architecture.

PHOTOGRAPHY ELSA YOUNG

T A sculptural spiral stair elegantly connects the two levels of the showroom in the most space-efficient and unobtrusive way possible.

Outdoor terraces are clad in slatted timber screening made from Oggie’s outdoor product range incorporating a subtly integrated Oggie logo.

24 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

he new showroom for hardwood flooring company Oggie, in the Johannesburg suburb of Parkhurst, pushes retail architecture in the direction of a rich brand experience rather than a straightforward showroom for the display of products.

As a retail experience, it aims to be inspirational rather than merely informative, and its combination of showroom and office functions allows for the subtle integration of purposes.

Set on busy 6th Street, lined with street-facing retail outlets, and perpendicular to the sociable 7th Avenue, popular for its restaurants and cafes spilling on to the sidewalk, the new showroom had to make

PRO J EC T #3 OGG IE FLOO RI N G Right: An open and friendly kerbside presence attracts customer arriving by car and on foot, while protruding window boxes frame the inviting interior.

Below: A glass-walled boardroom allows soft, flattering natural light to flood into the interiors uninterrupted.

itself accessible and inviting to both pedestrian shoppers and customers arriving by car. Its open and accessible entrance and subtle but striking façade are eye-catching, while kerbside bays allow for the practicalities of finding parking along the busy street.

The brief involved creating a combined showroom and office space, which required a double-storey building on the 495m2 site. Basement parking below the building provides space for staff vehicles while keeping the entrance clear for customers.

In keeping with the characteristic aesthetics of the suburb, a face-brick façade provides a pleasingly textured but muted presence, which not only suits the residential context, but also gently foregrounds the slatted timber screening made from Oggie’s outdoor product range, while incorporating subtly integrated branding in a timber relief sculpture on the façade.

Interest is created with protruding steel-clad boxes that frame the entrance, orienting customers and drawing them in, and a display window that faces directly onto the street, further enticing passers-by with a picture of the shop interior. A seven-meter-high vertically pivoting hydraulic timber door adds drama to the front-door, while also doubling as a canopy for shelter and acting as an added visual prompt towards the entrance.

In addition to the shopfront fenestration, the timber screens and permeable brick patterning filter soft dappled light into the interiors, which were designed

by HK Studio.

The calming double-volume interior incorporates a range of Oggie products – including flooring, wall and ceiling panelling – without a sense of busyness.

An elegant spiral staircase connects the ground floor with an upstairs mezzanine, which includes boardroom and office space. HK Studios have complemented the timber finishes with natural products, including

Right: A massive seven-meter vertically pivoting door marks the location of the front door, adding architectural drama and providing shelter from the elements.

metallics and stone in warm and calming atmosphere reminiscent of a domestic interior.

As such, Oggie’s new showroom provides an inviting, hospitable shopping experience – an immersion in the brand and its values, providing a sense of inspiration. The showroom manages the deft architectural trick of distinguishing itself with a clear and strong presence on a busy thoroughfare, while communicating a clear identity, and, at the same time, respectfully complementing the context of the street.

It achieves all this while advancing the possibilities of the retail experience and providing a fitting home for the Oggie brand.

PROFESSIONAL TEAM OWNER/DEVELOPER: Oggie Flooring ARCHITECTS: C76 Architecture (Carl Jacobsz, Warren Wilson & Dan de Kretser) ENGINEERS: C-Plan Structural Engineers MAIN CONTRACTORS: Kintro Construction INTERIOR DESIGNERS:

Tel: +27 (0)11 440 2517 Email: sales@optiquegroup.com www.optiquegroup.com

HK Studio LIGHTING DESIGN: Optique Lighting

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Two of a kind Paragon Architects pushes the boundaries of black brick, off-shutter concrete and glass at 33 & 39 Commerce Crescent PHOTOGRAPHY SUPPLIED

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aragon Architects has established a longstanding relationship with developer Alchemy Properties, which has purchased seven buildings along Commerce Crescent in the Kramerville Design District in Johannesburg since 2015.

Following on from its involvement with a successful renovation project at 37 & 35 Commerce Crescent, Paragon Architects has subsequently completed separate projects at 33 & 39, and is currently busy with construction for 31 Commerce Crescent.

The architecture along Commerce Crescent draws inspiration from the surrounding industrial area. The buildings are designed as showrooms, with each floor being able to be divided into smaller tenancies. A common pallet of materials has been used, namely black brick, off-shutter concrete and glass.

However, each building has its own unique take on how these materials have been incorporated.

The only new-build project in the development is 33 Commerce Crescent. “The building’s form has the same language as its

33 Commerce Crescent is designed to create high visibility from both Commerce Crescent and Bowling Avenue.

26 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

surrounding architecture, but creates its own uniqueness with a braille-like pattern brick façade,” explains Project Architect Kirsty Fick. The building consists of three levels, namely Lower Ground, accessible from Commerce Crescent, Upper Ground, and a First Floor accessible from the top entrance along Bowling Avenue.

“We wanted to create high visibility for both Commerce Crescent and Bowling Avenue.

It was important for the client that each floor plate could be subdivided into multiple

tenancies. This was the driver behind the form, resulting in three levels with different entrances,” notes Fick.

As a new-build project, Paragon Architects was able to control and design for any structural challenges. A cantilevering brick box protrudes onto Commerce Crescent, consisting of a doublevolume space overlooking Sandton. There is a strong contrast between the off-shutter concrete, black patterned brickwork and reflective glass bands. The black-brick façade has protruding bricks to create

PRO J EC T # 4 CO M M E RCE CRESCE NT

texture, while the strong vertical forms of glass reflect its surroundings.

The entrance visible from Bowling Avenue has a doublevolume atrium with a floating steel staircase, bespoke 5.5m hanging planters and light pendants. The steel staircase looks like a single sheet of steel spanning over 8.4m, creating a ribbon-like effect, with the stair effectively sailing above a garden below. Paragon Architects also designed 1.6m x 2m steel mirrors exclusively for the ablutions.

The two steel staircases posed a particular design and costing challenge. “We had to ensure it was in the allowable budget, but keeping to the design intent,” explains Fick. Many workshops were held with the engineers, subcontractor and Paragon

Architects to achieve the desired result. The steel stairs are supported by two 250mm x 100mm steel stringers that allow for the 8.4m span. The glass balustrade is supported by steel posts that hang off the steel stringers.

Meanwhile, 39 Commerce Crescent also had to tie in with all the other buildings along the street, highlights Senior Project Architect Kim Newell.

While using the same pallet of materials, its form breaks away from the rectilinear lines of its neighbours. The façade is made up of angled forms that cantilever 1.2m off the existing structure, separated from each other by reflective glass bands.

Traditionally, brick façades are rectilinear. However, at 39 Commerce Crescent the bricks were set out at 70° angles to

create the sloping forms that wrap around the building. To create the sloping walls, Paragon Architects had to alter the pattern that conventional face bricks are laid in. Each course is offset from the one below.

Detailed drawings of the brick façades were created to determine what would happen to the pattern when it needed to change direction around a 90-degree corner. Cut bricks were inserted into the pattern to ensure that it could be continued around corners without interrupting the visual impact of the staggered pattern.

The rough off-shutter concrete façades mimic the slope of the angled brickwork. Reflective glass punctuated the junctions between these two materials.

At 39 Commerce Crescent the conventional industrial façades were transformed by sloping off-shutter concrete and black brick façades cantilevered off the existing structure, punctuated with reflective glass panels to form the futuristic exterior.

Continued next page

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PRO J EC T # 4 CO M M E RCE CRESCE NT

A cantilevering brick box protrudes onto Commerce Crescent, consisting of a double-volume space overlooking Sandton.

This project involved converting an existing threestorey commercial building into a four-storey showroom. The existing structure was retained and strengthened where required.

To add an additional floor, the foundations had to be stiffened and the size increased to accommodate the additional loads.

Large openings had to be created in the existing floor slabs for new fire-escape stairs and service ducts, as well the atrium opening in the centre of the building. Carbon-fibre strips and steel I-beams were installed on

the underside of the existing slabs to strengthen them, reducing the need for additional columns. This allowed the floor plate to remain as open as possible, ideal for its showroom function.

The conventional industrial façades were transformed by sloping off-shutter concrete and black brick façades cantilevered off the existing structure to form the futuristic exterior. The façade forms are punctuated with reflective glass panels. Internally, a new atrium was created to bring light into the centre of the deep floor plate, in addition to future-

33 Commerce Crescent features a unique braillelike brick pattern.

proofing the building.

The internal atrium allows all floors to be accessed from a central common area, allowing the building to be let to multiple

PROFESSIONAL TEAM 33 COMMERCE CRESCENT CLIENT: Alchemy Properties PROJECT MANAGER: Orion Project Managers ARCHITECTS: Paragon Architects QS: James Welsh Consulting STRUCTURAL ENGINEER: Sotiralis Consulting Engineers FIRE ENGINEER: TWCE Plantech MAIN CONTRACTOR: Astek Group 39 COMMERCE CRESCENT ARCHITECTS: Paragon Architects STRUCTURAL ENGINEER: Sotiralis Consulting Engineers FIRE ENGINEER: TWCE Plantech MAIN CONTRACTOR: Astek Group

33 Fricker Road, Illovo, Johannesburg Tel: +27 (0)11 482 3781 Email: info@paragon.co.za www.paragon.co.za

Tel: +27 (0)12 940 8154 Cell: 084 085 5054 Email: info@formacon.co.za www.formacon.co.za

28 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

Tel: +27 (0)11 784 5221 Cell: +27 (0)83 625 3820 Email: kmcpherson@orionpm.co.za www.orionpm.co.za

tenants. A central staircase was installed in the atrium void to connect the four levels. A skylight was installed above the staircase on the new floor level to allow light into the centre of the floor plate.

The sculptural stair was designed in Rhino, with the 3D form flattened to form panels that were subsequently laser cut to create the formwork cast in place for the stair. “This allowed us to create a complex form that would not have been possible with conventional formwork,” adds Newell. The building is let to a single tenant that wanted to maximise the usable area. Early on in the project it was decided to convert the roof space into an open-air showroom, which enjoys a panoramic view out towards Sandton.

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Above: Coffee, sushi and gelato bar that serves the coffee shop behind.

Right: Bakery speciality counter display.

30 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

PROJECT #5 SUPERSPAR POLOFIELDS Clockwise from left: Checkout counters with custom wallpaper design along back wall to create a point of interest; Coffee shop and specialist deli with view over Waterfall towards the Mall of Africa; and deli counter displaying some of the fresh food available.

Polofields The interiors of the new SuperSpar at Polofields Crossing in Waterfall, Johannesburg, designed by GASS Architecture Studios, represents an innovative and surprisingly luxurious approach to retail design.

PHOTOGRAPHY LOUIS VAN ZYL

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olofields Crossing, a relatively new shopping centre with a wide range of retail outlets, including high-end restaurants such as the Codfather, Potato Shed and Paul Patisserie, presents an opportunity to position the SuperSpar Polofields as a refined and luxurious shopping destination.

Spar as a brand allows individual outlets a significant degree of flexibility in the design and aesthetics of their branches, so

the architects, GASS Architecture Studios, had scope to explore bespoke detailing in their execution of the interiors.

One of the most distinctive features of the Polofields branch is its in-house restaurant and specialist deli section. The GASS team positioned the restaurant area on the northern end of the premises, where it could spill out onto an open terrace for an indoor-outdoor experience overlooking Waterfall

Country Estate towards the Mall of Africa shopping centre, a significant customer drawcard.

In the context of the other restaurants in the centre, as well as the specialist offering from the deli, the restaurant represents an accessible but grand destination, with its own distinct character. It is also, however, the originating point for many of the design details that are carried throughout the rest of the store, and its refined and

luxurious approach in general.

The dining area is differentiated and given a sense of human scale and intimacy with a mesh dropped ceiling that supports softening elements such as hanging plants and relaxing lighting, while still allowing for the natural light from the highlevel window behind and ventilation from the main store system.

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Given the contextual location of the store in the well-established Waterfall area, GASS Architecture Studios drew inspiration from the glamorous Art Deco aesthetic to inspire the colour palette and appearance in order to translate the luxurious refined character into a grocery retail fitout.

The soft curves of the counters and fittings, the timber panelling on the walls, the metallic elements and stylistic execution of details such as the light fittings, for example, are prompted by the opulent style, while a contemporary palette of pastels and muted greens brought it right up to the moment with a fresh, modern twist. Other local contemporary details, such as the Pedersen + Lennard dining tables and chairs, bring additional novelty and local contextual elements to its execution.

Around the restaurant area and adjacent coffee bar, large display stands for fresh and specialist items suit the browsing pace of this section of the shop. From this area, a concept of specialist market stalls

PROJECT #5 SUPERSPAR POLOFIELDS

within the larger store is carried though into the rest of the retail environment.

Individual stalls for the bakery and butchery, for example, have been executed with variations on the material and colour palette, creating a sense of differentiation within a larger unified vision. A separate enclosed pod for the display of specialist wines also creates a differentiated experience within the greater environment, making particular use of the experience of crossing a threshold to elevate the tone of this section.

The design concept is sustained in details and display units at the end of the grocery aisles, as well as in variations breaking up the lengths of shelving, providing focal points for particular items, and bringing a comforting sense of human scale to the aisles.

Other dedicated areas are subtly differentiated with variations in the shelf height. The centre aisles in the health and beauty section, for example, are low, bringing a change

of pace and a slightly different atmosphere and quality of light.

The sense of open space is treated with particular care around the checkout counters, which reprise the elegant Art Deco stylisations, curves and pastel colour palette with low horizontal lines. The tills are not numbered, and the area has been designed without drop-down poles and other barriers, which also creates a sense of calm and a touch of luxury and personal attention around this important experiential touchpoint.

Much of the sense of space and calm that characterises the customer experience at the SuperSpar Polofields is made possible by clever back-of-house arrangements that consolidate storage space, doubling up on refrigeration and preparation areas, which create efficiencies that translate in space savings.

It is an approach to retail design that is well suited to its particular context and clientele, and at a time when retail environments need to offer something more than products, which can just as easily be ordered online.

Above: Fresh produce aisle with custom display shopfitted items and signage.

Specialised Fire Technology (Pty) Ltd 257 Smit Street, Fairland, 2195 Tel: +27 (0)11 476 7420 Fax: +27 (0)11 476 7486

Tel: +27 (0)11 440 2517 Email: sales@optiquegroup.com www.optiquegroup.com

Email: office@aceng.co.za Tel: +27 (0)10 593 4470 www.aceng.co.za

PROFESSIONAL TEAM CLIENT/PROJECT MANAGEMENT: SPAR ARCHITECTS: GASS Architecture Studios (Principal: Georg van Gass; Project Architect: Michelle Whitaker; Senior Architectural Technologist: Gladwin Kettledas) MAIN CONTRACTORS: Trendy Construction ELECTRICAL ENGINEERS: Anderson Consulting Engineers STRUCTURAL ENGINEERS: DG Consulting Engineers WET SERVICES ENGINEERS: Watsol MECHANICAL ENGINEERS: C3 Engineers FIRE ENGINEERS: SFT Safety SHOPFITTING SUBCONTRACTORS: Green Desert Design and

Magazine stand that doubles up as a sub kiosk on the other side, creating a dividing line between the checkout area and entrance to the store.

32 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

Topfurn Engineering COLD ROOM FITOUT SUBCONTRACTOR: Glacier REFRIGERATION SPECIALIST: Natcool LIGHTING DESIGN: Optique Lighting

Our Services Architecture & Urban Design Gass Architecture Studios with its key personnel have extensive experience in the full range of the architectural profession, from large scale green fields commercial projects, urban regeneration projects to single residential. Our key focus however is in commercial green fields and refurbishment projects in South Africa’s CBD’s. Our services include; urban master design, architectural due diligences and full architectural profession services.

Interior Architecture & Space Planning Following on from our founding in commercial projects and our belief in a holistic architectural solution, we have extended our services to include space planning and interior architecture. Our architectural and interior architecture teams are fully integrated and work together collaboratively to facilitate the best possible result for our clients. As a part of the process we can assist a client with detailed special needs analysis, space planning, interior architecture, furniture procurement and art curating.

GASS Architecture Studios provides architectural services that focus on commercial office architecture, urban and high density residential design and space planning, as well as bespoke design solutions.

Completed projects are testimony to the company’s philosophy of creating space and environments that are centered around people.

studio@gass.co.za www.gass.co.za +27 11 482 2045 (Johannesburg) +27 21 001 0210 (Cape Town)

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WALL S & CL AD DI N G

REASONS TO ‘BUY LOCAL’

South Africans often underestimate our local level of skills, technology and innovation. In many fields – especially engineering – South Africa leads the world.

There are certain products where mega-production in foreign countries carries high risks.

• Products that relate to safety and security • Products that are bulky, fragile or difficult to transport • Products expected to have a long life • Products that need to be produced sustainably, with consideration for human rights and the global environment • Products that must suit South African conditions and culture.

Clay brick is one product that ticks all these boxes. We want our homes and schools to protect our families for at least our lifetime, and preferably longer. We want our social infrastructure to be energy efficient and low maintenance in a country that experiences extreme heat in summer, corrosive coastal storms and frosty winters across the interior.

‘Buy local’ usually means ‘buy South African’, but when it comes to clay brick, local is a lot closer to home – often less than 100km!

PRICE Clay bricks are dense construction materials – that is what makes them so energy efficient and safe. But that also makes them expensive to transport. You will usually get the best price close to the point of manufacture.

Competitively-priced, accredited brick suppliers can be found in every region, providing consistent quality stock-in-hand and with short transport distances.

The website www.claybrick. org has an interactive map that allows you to select your construction site and identify contact and product information for suppliers in your area.

CONVENIENCE Unlike many other construction materials, bricks are modular and easy to transport. Bricks can be moved in a small bakkie and relocated on site by hand, so they can cope with rural roads and restricted space on site.

Buy as fast as you can build.

34 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

Modular clay brick walling allows construction teams to quickly adapt to the client’s change requests, respond to unexpected site conditions, and implement complex architectural designs.

Many manufacturers supply bricks in non-standard, large sizes to lower material cost, use less mortar and have fewer joins per square metre.

With 140mm-wide bricks, one can build a single leaf wall that meets SABS10400-XA. LOW RISK Bricks are manufactured to SABS specifications and their use is controlled by strict national building regulations to protect home owners and property investors. There is a well-established knowledge base of technical information for use with different foundations, soils and climate zones, ensuring consistent strength, timing and costs.

SUSTAINABILITY Clay Brick Association of

South Africa Members are expected to conform to legislation regarding air pollution and environmental protection, as well as a strict code of conduct with regard to how bricks are manufactured.

ECONOMIC GROWTH IN RURAL AREAS Creating and supporting local industries that add value to our natural resources is a critical turnaround strategy for South Africa. Brick production plants are found outside urban centres and provide stimulus for economic transformation, local job creation and skills development.

No matter where the construction site is located, there will be trained, local bricklayers to complete the project. It is estimated that over 200 000 workers are directly employed across the building industry as brick makers, brick layers and plasterers. www.claybrick.org

FOR GOOD Q FOREVER Ceramic clay brick is a natural insulator against winter cold, summer heat, humidity and noise. With stylish, timeless appeal and impressive sustainability credentials - the enduring hues and textures of clay brick are low maintenance and look beautiful for a lifetime.

CBASA represents clay brick & paver manufacturers across Southern Africa and drives inclusive, sustainable practices in the industry. We inspire energy-efficient, contemporary architecture and paving that supports our local producers, builders and architects.

CUT COOLING & HEATING COSTS Download free technical & construction guides for clay bricks & pavers at www.claybrick.org THE

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WALL S & CL AD DI N G

KWENA ROCLA SUPPLIES BESPOKE CULVERTS TO DIAMOND MINE

Kwena Rocla (Pty) Ltd, based in Botswana, was recently awarded a contract to design, manufacture and supply bespoke culverts to one of the world’s richest diamond mine operations in order to allow for the expansion of the open cast mine, situated in Jwaneng, south central Botswana.

“With Komatsu 930E tippers at 530t fully loaded, we had to ensure our culverts could withstand this loading, as well as accommodate the electric shovel used, bearing in mind the fill is only 1.2m,” says Philip Smith, Operations Manager/Director of Kwena Rocla.

Smith continues, “We also had to meet the challenge of the culverts having to stand on double and triple base slabs due to the soil conditions. We created special moulds in order to produce these slabs and, despite strict contractual milestones, the extremely tight deadlines were met

and we delivered culverts of exceptional quality and strength. Our Plant Maintenance Department (PMD) excelled with the design and manufacture of the new moulds on a very tight schedule.”

Kwena Rocla was audited on a monthly basis for compliance to the set Health, Safety and Environment and Quality Assurance criteria.

The company was required to submit a cashflow analysis to the client, to monitor payment milestones and to control the retention portion. Another contractual requirement was the submission of monthly progress reports.

“A dedicated production supervisor and Quality Assurer was a client requirement, with every load having to have a detailed Quality Control Pack for the products on board – 171 QCPs in total were submitted.

Kwena Rocla also wrote new work methodology statements pertaining to the production

36 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

and handling of the bespoke 8.2t products, and all drivers and crane operators had to be cleared and certified by the mine,” adds Smith.

Kwena Rocla supplied 102 units of 2 000x1 000 at 1.2m fill culverts, 244 units of 2 000x1 500 at 1.2m fill culverts, 288 units of 2 000x 2 000 at 1.2m fill culverts as well as 217 of 2 000 double bases and 72 units of 2 000 triple bases to this project.

Kwena Rocla produced and delivered these bespoke culverts ahead of deadline with the attention to detail commended by the client, and received client recognition for zero incidents/LTIs on site or at the factory during the project’s entirety.

“We are extremely pleased with our capability and performance on this project, which was an extension of a previous project we were involved in. We are very optimistic that we will be involved in similar

projects going forward,” Smith concludes.

The Plant Maintenance Division (PMD) is a division of Rocla that provides services to both Rocla and Technicrete plants. It manufactures and repairs anything that the plants require, including the concrete moulds used in daily production runs.

Rocla is a leading South African manufacturer of precast concrete products, and recently supplied South Africa’s largest customdesigned jacking culverts to a project in Pretoria. The company manufactures concrete poles, stormwater piping, pressure pipes and sanitation units for rural areas.

The skill of Rocla’s design specialists in Botswana and South Africa is an important factor in the customised design of products to meet specific customer requirements.

Kwena Rocla is part of the IS Group of companies, which also includes Technicrete and Rocla. www.rocla.co.za

Find our branches at www.technicrete.co.za

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AVAILABLE IN: • Variety of colours • Various thickness’ • Standard 48 blocks p/m2

Technicrete is a subsidiary of ISG, a leading supplier of innovative infrastructure products to the construction and mining markets in Southern Africa.

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L13, L18, L22, M10, M15

WALL S & CL AD DI N G

RETAINING WALL EXCELLENCE IN SPAIN WITH TERRAFORCE

Terrafix

Terracrete Paver

4x4 Step Block

L11, L12, L15, L16

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TERRA FORCE

WWW.TERRAFORCE.COM

When, in mid-2020, Terraforce received the final images of a newly completed Terraforce earth retaining wall at the Salamanca Hospital, Salamanca, Spain, they were immediately struck by the technical excellence on display. Having followed the installation process step by step, this outstanding outcome is not surprising.

SKILLED CONTRACTORS ARE KEY TO GREAT TERRAFORCE WALLS Installed and designed (using the Terraforce Maxiwall Pro software) by ORBE Tecnicas Y Medioambiente – an environmental engineering company specialising in the construction of reinforced soil structures – the four Terraforce rockface-finish retaining walls cover 2 300m2 surface area, with a maximum height of 7,86m.

Says Miguel Seller, Civil Engineer at ORBE Tecnicas Y Medioambiente, “The main retaining wall supports a new access road to the hospital, and in some sections special consideration had to be given to the placement of geogrids due to the presence of a large drainage pipe (2,5m in diameter) near the visible face of the wall.”

FACING CHALLENGES WITH CONFIDENCE “Another unique challenge was that we had to adapt the slope of the concrete block wall to meet another vertical wall,

38 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

which was very complex from a topographical point of view. Another interesting technical aspect to highlight is that part of the Terraforce wall is set in a floodplain area of the river Tormes – in those cases, a permeable soil was used as the reinforced soil, with better geotechnical characteristics.”

QUALITY GEOGRIDS FOR EXTRA STRENGTH Seller adds, “We used Huesker (Fortrac) geogrids with nominal tensions between 35 and 80kN. The natural foundation ground was a slate soil, with 28º of internal friction, 10 kN/m2 of cohesion and 19.95kN/m3 of specific weight. In the reinforced soil, we use a soil with 30º internal friction and a density of 20.00 kN/m3, of course without cohesion.”

The new road, Paseo de la Transición Española, adds a length of almost 600m to the existing road system and provides direct access to the hospital emergency zone. It also includes another central roundabout that allows access to the new hospital complex and future parking. Landscaping and a bicycle path are still to be completed.

Without a doubt the completed project is pleasing to the eye, and the additional coping blocks, the fencing along the top, as well as the large rock strip lining the base add an eye-catching visual dimension to the wall. www.terraforce.com

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FLO O RI N G

CERAMIC INDUSTRIES IS THE PROUD DEVELOPER OF ECOTEC Ceramic Industries has been committed to sustainable innovation for more than 40 years, finding smarter, ecologically responsible ways to produce Proudly South African, fashionable products.

Doing so helps them live up to their vision of supporting every South African’s right to a beautiful home.

At the beginning of 2020, Ceramic Industries set themselves a challenge: manufacturing lighter tiles, using fewer natural resources and becoming ecologically friendly. The results: Ecotec products. Thanks to the latest technology, Ceramic Industries is able to bring you ecologically responsible, fashionable products that have been created with a strong motivation to reduce our impact on the environment.

New EcoTec products result

in thinner tiles with the same fashionable finishes and the following benefits: • Lighter: Revised technologies reduce the volume of clay required for tile bodies • Strong: 24% to 55% stronger than required

by SABS SANS1449 MOR standards • Eco: Less energy needed for firing, lighter to transport, reduced carbon footprint and less water/m2 required during the entire process.

The initial drive was to introduce a few ranges with these characteristics from certain factories. Ceramic Industries is now pleased to announce that the drive has extended to offer all their porcelain products from their Vitro and Gryphon factories by the end of June 2021.

Tiles are among the most environmentally friendly wall and floor coverings available, and Ceramic Industries will continue exploring options to improve the environmentally friendly methods of manufacturing in all their production facilities. While many other surface coverings are derived from oil and other petrochemical by-products, most ceramic tiles are made from clays and minerals found abundantly in the earth’s crust.

Ceramic tiles are unrivalled in longevity as a floor covering, sometimes lasting hundreds and even thousands of years. Since they need to be replaced less often than other floor coverings, they’re less of a drain on natural resources.

And once you do decide to dispose of them, there’s no danger of environmental contamination, since they are chemically inert.

Because they’re extremely durable, tiles are not easily damaged by dirt and everyday use. If installed correctly,

tiles will last as long as you care for them. Cleaning requires very little water and detergent, so once they’re installed, they don’t make many demands on resources.

Ceramic Industries has made environmental responsibility a top priority.

They feel it’s their duty to use our resources sparingly, to minimise their ecological impact, to safeguard the earth and to encourage these values in others. From the quarry to your home, EcoTec provides benefits throughout the value chain. Long after the clay is mined at the quarry, Ceramic Industries products continue to be environmentally responsible.

They have ensured that when you choose a product from Ceramic Industries, you’re choosing more than world-class style – you’re also choosing one of the most environmentally responsible ceramic products in the world. www.ceramic.co.za

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COLOURFUL A.B.E. DECORATIVE CONCRETE SOLUTIONS COUNTER LOCKDOWN BLUES

With home renovations a priority for many during the pandemic, Chryso decorative concrete solutions supplied by a.b.e. Construction Chemicals are increasingly in demand, says Peter Jones, a.b.e.’s National Sales Manager: Flooring. a.b.e., part of the Chryso Southern Africa Group, is experiencing particularly strong demand for four innovative and relatively new decorative concrete products: • The highly unusual Chryso LuminTech luminescent concrete surfaces • Three transforming dry powders containing cement, minerals, and additives: Chryso Béton Ciré Finishing, Chryso Texture Top, and Chryso Granicrete.

Jones says Chryso LuminTech particles absorb UV light (natural or artificial) during the day and emit striking ‘Jade’ Green Turquoise or ‘Agate’ Blue Turquoise light in a dark or very low light environment. The particles’ main component is a highly durable recycled polymer.

By day, it looks like natural aggregates, but when dusk arrives, these are transformed into spectacular exterior

ground surfaces. The product is very popular as swimming pool surrounds, garden paths and walkways, terraces, cycle paths, and at unlit road roundabouts.

“The contemporary and durable Chryso Béton Ciré Grip offers a host of applications for the hotel, residential and tertiary sectors. Applied with a spray hopper gun or trowel to obtain the desired finish, the product can be used to smoothen floors with blowholes or surface irregularities, and allows for the coverage of large surfaces in a short time (about 200m2 per day, on average).

The Béton Ciré system – which includes Chryso Béton Ciré Finishing as final coating – can be pigmented to obtain different colours to complement various finishes,” Jones explains.

The Chryso Béton Ciré system is suitable for renovations as well as new construction, both indoor and outdoor, and over tiles.

Available in a wide range of architectural features, including warm earth colours, the product can be utilised as a plain, burnished or coloured skim application to walls, floors and ceilings. It is also

40 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

ideal for columns, stairways, architraves and façades, countertops, and concrete and MDF wood furniture. Chryso Béton Ciré is proving popular as the decorative highlight of stores, restaurants, commercial buildings, hotels, bathrooms, patios and showrooms.

Jones says Chryso Texture Top can be used to renovate and repair existing concrete surfaces. At an application thickness of 2mm or less, this thin anti-slip coating offers excellent mechanical resistance and is available in a standard range of colours to complement various finishes.

“The product is a simple and durable solution to renovate and add aesthetic value to

surfaces around swimming pools, paths, terraces, driveways, patios, floors and stairs, as well as interior and exterior walls of both commercial and residential properties,” he explains.

Finally, Jones adds that Chryso Granicrete overlay can transform any concrete slab into an impressive, continuous, seamless granite surface. This product is ideal for new concrete projects where a non-slip sanded effect is desired and its exposed aggregate concrete – with a warm, natural look – is a great option for outdoor areas such as terraces, pavements, swimming pool surrounds, and walkways. www.abe.co.za

Modern floor and wall

Modern floor and wall Decorative Concrete Solutions ■ CHRYSO®Béton Ciré - Imagine contemporary and durable surfaces ■ CHRYSO®GraniCrete - Give your concrete a sanded texture or polished finish

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FLO O RI N G

WARM MINERAL OFFICE FLOORING REMINISCENT OF HOME BASES Dolomite, a new carpet tile collection for the commercial workplace, inspired by warm mineral colours to remind office workers of their home offices, has been launched by Interface, one of the world’s largest producers of modular flooring.

The new range, which innovatively employs carpet tile in a broadloom fashion, is now available from

Interface’s sole South African distributors, KBAC Flooring.

Mandy Leeming, Design Director for Interface Europe, Africa, Asia and Australia (EAAA), says the striking feature of Dolomite is its “luxurious simplicity”. She adds, “The new collection features the form and texture of natural minerals and uses biophilic design principles

Cape Town Tel: 021 464 4320 E: infocpt@kbacflooring.co.za Johannesburg Tel: 011 608 4270 E: infojhb@kbacflooring.co.za www.kbacflooring.co.za

42 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

to support a more healthy and productive environment for office workers as they make their way back to prepandemic workspaces.”

Mandy says the light and shade of mineral and metallic colours are frequently encountered in home décor, including home offices. “These raw and earthy tones are now likely to be embellished by selected colour placement by designers of commercial flooring,” she predicts.

The new Dolomite carpet tile collection includes the warmth and richness of 12 mineralinspired tones. Installed in a monolithic pattern, the collection provides the response to increasing demand from the market to employ the benefits of carpet

tile in a way that resembles broadloom carpet.

The Dolomite Collection has a total recycled and bio-based content of 92% with CQuestBio – Interface’s new non-vinyl, non-bitumen backing – as standard backing.

When combined with Interface luxury vinyl tiles (LVT) or Interface Nora rubber floors, Dolomite creates a serene and comfortable interior finish.

By specifying Dolomite, and other flooring products from Interface, designers will furthermore ensure their clients select flooring that is carbon neutral across its full product life cycle, through Interface’s third-party verified ‘Carbon Neutral Floors’ programme. www.kbacflooring.co.za

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FLO O RI N G

3 WAYS VINYL FLOORING CREATES CLEANER, SAFER WORKING & LEARNING ENVIRONMENTS With the onset of COVID-19 and talk of future pandemics, we are all having to adopt new ways of thinking, working and living. Factors such as hygiene and infection control are no longer an optional extra and is now a mandatory consideration.

Denver Coleman, chairman of Polyflor SA, shares why it makes sense to look to healthcare environments as the benchmark for new standards across all industry sectors, as vinyl sheeting has been the regulatory specification in healthcare environments for decades, essentially for its hygiene and infection-control properties.

1. HIGH STANDARDS OF HYGIENE AND INFECTION CONTROL Studies have shown that vinyl sheeting is a material that prevents the growth of bacteria, especially MRSA bacteria. This is largely because of the completely seamless design. Vinyl sheeting is impervious and has no gaps, which ensures no microbial growth. The smooth, flat surface and hot welded joints prevent dust or dirt

from gathering and germs from multiplying in hard-to-clean areas. It is easy to both disinfect (which kills the microbia) and clean (ensuring that dead microbia are easily and effectively removed and don’t form a food source for new microbia).

As a result, it has superior hygiene and infection control when compared with other floor surfaces.

2. DURABLE AND EASY TO MAINTAIN Vinyl flooring is very easy to disinfect and clean by means of a clear sweeping and mopping protocol – killing and removing dead microbes. Effective cleaning can be done with very little water and chemicals, reducing moisture for bacteria to spread.

Because there is no grouting, there are no small cracks or spaces that need to be cleaned to prevent moisture and bacteria build-up. Vinyl sheeting with polyurethane reinforcement (PUR) is highly durable and can easily withstand an increased frequency of infection control cleaning. PUR coating can

also be maintained without polish or sealer, making maintenance more cost effective for businesses.

3. ENHANCED COMFORT AND SAFETY Vinyl flooring is a resilient, flexible material that has a softer feel underfoot than hard flooring like ceramic tiles. This is ideal for facilities where staff spend all day on their feet, as the vinyl’s shock absorption properties help to reduce leg fatigue, creating a more comfortable working environment. Vinyl sheeting has good slip resistance, and specialised non-slip safety flooring can also be provided for high-

Vinyl sheeting is widely used in hospitals, clinics and healthcare facilities. It provides a durable, resilient and impervious (non-porous) finish that is well suited to the requirements of a healthcare environment.

The benefits that make this flooring so successful in the healthcare sector can also easily translate to benefits for schools and educational facilities, as well as commercial buildings across many other sectors – particularly those with a greater need for excellent hygiene and safety standards. www.polyflor.co.za

risk environments. The material has good insulation and thermal conductivity properties, creating a cosier environment than other types of flooring. The material is very effective at reducing ‘clutter noise’ in an environment, absorbing sound to create a more peaceful environment that better lends itself to focus and concentration. Specialised acoustic vinyl floors are also available for environments with specific requirements.

Overall, vinyl sheeting is the type of flooring that creates a safe, workable environment for staff and students in a multitude of different settings. www.polyflor.co.za

It makes sense to look to healthcare environments as the benchmark for new standards, as vinyl sheeting has been the regulatory specification in healthcare environments for decades, essentially for its hygiene and infection control properties.

VINYL

SHEETING CREATES CLEANER, SAFER WORK AND LEARNING ENVIRONMENTS

WWW.LEADINGARCHITECTURE.CO.ZA FEBRUARY/MARCH 2021 43

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FLO O RI N G

117 ON STRAND STREET 117 On Strand Street is situated in the heart of Cape Town, just minutes away from the V & A Waterfront. It is a multipurpose building that recently underwent further development with the addition of new apartments and office blocks. The building houses a Virgin Active Gym, three floors of premium-grade office blocks, two floors of retail stores and 117 luxurious apartments. All of these have ample parking included – a luxury in Cape Town!

Working in unison with Compass Glass and Mazor

The insulated glass units were bonded to each other in the Compass Glass factory using the Sikasil® IG-25.

Thereafter, the insulated glass panelling was bonded to the powder-coated metal frame using the Sikasil® SG- 500 and Sika® Aktivator-205 in the Mazor factory. The Sikasil® IG-25 and Sikasil® SG- 500 are two-part silicone sealants.

Sikasil® IG-25 is ideal as a secondary edge seal for insulating glass in structural glazing applications. It is used in combination with Sikasil®

durability under severe conditions is required. It has excellent resistance to water

this seemingly impossible task was made possible. The project, which began in May

Engineering, Group 5 Construction were appointed as the primary contractors.

These well-renowned companies sought only the best products that would provide durability, innovation, practicality and relevance to the task. So they turned to another well-renowned company, and Sika products were sourced.

SG-500, which is a two-component structural glazing silicone. Thereafter, the glass was fitted on site at 117 Strand Street and finished off with a final seal using Sikahyflex®- 305 AP as a weather sealant. This is a one-component neutral moisture curing weather sealant, designed for weatherproofing where

and is UV stable. For the test of time, Sika® Aktivator-205, an adhesion promoter on various substrates, i.e. aluminium and steel, was applied prior to the Sikasil® SG- 500 for that extra special bond.

The primary challenge for this project was to have it completed in just one and a half years. Using Sika products,

2018, was successfully completed in November 2019.

The 117 On Strand building was left with a beautiful meticulous finish. The perfect architecture, and strategically placed glass windows and panels all around, provides awesome views over the Atlantic Ocean, Table Mountain as well as the Mother City. www.sika.com

KEEP TO THE RULES FOR SUCCESSFUL CONCRETE FLOORS The construction of industrial floors, such as warehousing and factory floors, calls for concrete with specific characteristics, says Bryan Perrie, managing director of The Concrete Institute (TCI).

Monthly, they receive huge volumes of appeals for advice regarding faulty flooring.

“It is also important for the tenant or property owner to fully brief architects and concrete designers about the logistics system and handling equipment on the floor being planned to help define the loading criteria for the concrete mix for the surface tolerances of the finished floor. If incorrect information

is supplied, the same serviceability criteria used for routine slabs could be selected – with disastrous results when handling huge volumes of heavy forklift movement and racking,” Perrie adds.

Concrete for flooring calls for correct design, materials and proportions. Material specifications for all the ingredients of the concrete exist – and should be adhered to – as well as South African Codes of Practice for the actual placement of concrete and the finishing of floor slabs.

“A thorough understanding of all the characteristics of concrete, the influence of

44 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

material selection, environmental inconsistencies, as well as handling and finishing, are essential to produce a quality floor. It is also critical to specify the correct surface tolerances for the type of operation on the floor and to ensure they are met by the contractor, preferably assessed by an independent third party.”

Consistency by experienced contractors is crucial throughout: receiving, discharging, placing, consolidating and finishing the concrete, which has to be protected during placement and curing.

“Lack of attention to these factors could lead to a floor with poor durability, strength and aesthetics. Successful concrete flooring relies on successive phases: understanding what is being done in each design phase, using the right concrete and equipment, by the right person at the right time,” he adds.

‘Concrete Industrial Floors on the Ground’, a one-day training course on all facets of industrial floor design and construction, will be presented online on 1 June 2021 by TCI. www.theconcreteinstitute. org.za

Sika ComfortFloor® COMFORTABLE RESIN FLOORING SYSTEM Sika ComfortFloor® makes it possible to create a perfect interior environment with full freedom in design and aesthetics. Whether it be residential or commercial, Sika ComfortFloor® provides the perfect combination of comfort and aesthetic appeal in a seamless and highly functional solution.

■ Soft and warm ■ Hygienic and easy to clean ■ Healthy indoor air quality

Call us for more info: 010 823 8688 www.sika.co.za

■ Durable and robust ■ Green building certified system ■ Highly functional

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BATH RO O MS

PERSONALISED DESIGN JUST GOT A WHOLE LOT BETTER Hansgrohe has introduced a new trendsetting range that takes their most popular lines of luxury bathroom and kitchen products to a whole new level.

The FinishPlus range features a selection of unmistakeably elegant surface designs that bring affordable customisation into your home, allowing you to embrace your personal style and bring your unique character into your space.

SAY IT WITH COLOUR With a host of design options to choose from, you can customise everything from bathroom mixers to shower pipes, shower controls and head showers – take your pick from the five incredible new looks and accentuate your aesthetic’s unique flavour.

ADD UNIQUE SHINE TO BATHROOMS WITH METALLIC COLOURS In the metallic FinishPlus range, choices include Brushed Black Chrome, Brushed Bronze and Polished Gold Optic – a bold alternative to traditional chrome.

These elegant metallic colours from FinishPlus all have their own style and add a special touch of brilliance to your interior design. Make a statement with Polished Gold Optic, bringing a whole new feeling of opulence into your bathroom. Brushed Black Chrome and Brushed Bronze are both eye-catching options that allow your bathroom to shine with their exquisitely tactile style. You can also mix and match the new polished looks with rugged industrial surfaces or with bold colours for that ultra-modern look.

CREATE ELEGANT CONTRASTS WITH MATT COLOURS Then, there is a choice of Matt White and Matt Black for connoisseurs of modern architecture who appreciate stark contrast. Their refined surfaces are the perfect finishing touches to any modern bathroom interior. If you’d rather skip the contrasting colours and take a tone-on-tone approach, though, you can create a smooth, all-enveloping environment in all black or all white, making a statement in seamless minimalism. But Matt Black and Matt White

46 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

can also be interweaved into modern design with eclectic splashes of colour.

WHERE COMFORT AND STYLE MEET It’s not just what’s on the outside that counts. hansgrohe’s signature convenience and state-of-the-art design creates an outstanding water experience every time. In the bathroom, you can add elegant modern accents into the mix, with narrow tapering forms and perfectly coordinated lever handles and spouts, leaving timeless, lasting impressions.

There’s no need to compromise when it comes to space either, as the FinishPlus bathroom mixers also offer freedom of movement and choice when it comes to bowl size, thanks to their three different ComfortZones. If you just can’t get enough of FinishPlus, you can add a splash of colour to the kitchen, with hansgrohe’s new surface designs for kitchen taps. Discover the true joy of water and unmistakable style with hansgrohe’s FinishPlus bathroom and kitchen designs.

You will never look at water the same way again. www.hansgrohe.co.za

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BATH RO O MS

ACCESSIBLE BATHROOMS: FUTURE PLANNING FOR ALL GENERATIONS Today’s comfort bathrooms are planned with foresight and without compromising on design and technical innovation. Whether through flush-fitting shower trays or generous and barrier-free room planning: What increases convenience and comfort in younger years, later also enables independence and quality of life in the bathroom for elderly users. In this way, the timelessly modern generation bathroom becomes a flexible companion in all

that is just 165mm high, are comfortable to use when seated. Available in widths of 50, 60, 70 or 80cm, they do not take up lots of space. The same applies to the Vital models in the D-Code, DuraStyle, Starck 3 or Architec series that also meet current DIN standards 18024/II and 18025/I+II for barrier-free bathrooms and are wheelchair accessible.

phases of life. Comfort, flexibility and safety can exist alongside sophisticated design in a welcoming atmosphere.

DESIGN AND FUNCTIONALITY – VARIETY AT THE WASHING AREA The washing area is the central functional area of the bathroom. It is in frequent use and has therefore to be easily accessible from the front. It should also be safe to use without losing its attractiveness. The ideal solution: consoles, e.g. from the X-Large program with built-in or countertop basins that provide legroom for comfortable use of the washing area, even when seated.

In addition, above-counter basins allow a raised washing position. Thanks to ample storage areas, all care products can be kept within easy reach.

With the appropriate washbasin width, side base cabinets are available with a choice of one or two drawers for practical

FOR THE TOILET Even those with slightly reduced mobility may find it difficult to use the toilet. The SensoWash® Slim and SensoWash® Starck f shower-toilets provide great convenience. The shower-toilets are also suitable for people with restricted mobility and facilitate hygiene: a stainless-steel spray arm with three shower types performs the function of a bidet.

Operation is easy via remote control.

The height of the seat is also crucial for optimum comfort when using the toilet. The Starck 3 wall-mounted WC offers a 5cm higher seated position, making it easier for the user to stand up again after using the toilet. As it works with existing connections, it is ideal for renovation projects.

Sufficient room for manoeuvre in front of the toilet ensures safe and comfortable mobility, even if a walking frame or wheelchair is needed at some point in the future. Handles that can be added at the sides later on prevent falls, while

storage space. These are optionally equipped with a high-quality furnishing system in maple or walnut.

Particularly flat washbasins, such as the Vero washbasin

toilet-paper holders and flush plates within easy reach further enhance comfort.

Of course, special Vital models from the D-code, Architec and Starck series are

COMFORTABLE AND HYGIENIC – SOLUTIONS

48 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

CONVENIENT ENTRY AND SAFE SHOWERING A flush-fitting shower tray is not only the best solution from a visual point of view, but it is also easy to clean, safe and helps to prevent falls. Shower trays with dimensions 120 x

SHOWER AND BATH COMBINATION – ACCESSIBLE As a combined walk-in shower and bathtub, the Shower + Bath designed by EOOS offers maximum comfort in a small space. Thanks to an integrated glass door, the bathtub quickly and easily becomes an open, age-appropriate shower that can be entered effortlessly.

When the door to the inside of the tub is opened, it disappears under a waterproof seat cushion and remains invisible.

The dimensionally stable cushion rests on the integrated door as well as the tub rim, providing a comfortable seat

120cm meet the criteria of DIN 18025/I + II and 18040-2E for barrier-free bathrooms and also offer sufficient room for manoeuvre – even for an additional helper.

and additional storage space.

Shower + Bath also allows people with limited mobility or disabilities to enjoy a relaxing bath. www.duravit.com

also available to match the washbasins. The 700mm projection complies with current DIN standards.

Fold-out grab bars that are firmly fixed in position and that have an integrated toilet-paper holder are used as transfer devices. A back support also offers additional relief, just in case.

Happy D.2 Plus. Shape, colour and comfort.

Current trends unified in one new bathroom series: an iconic design of harmonious rounded corners. Anthracite Matt sophisticatedly combined or expressively contrasting. Light or dark wood tones, satin matt finishes, gently sliding handleless pull-out compartments with self-closing and interior lighting. Design by sieger design. For more information Duravit South Africa (Pty) Ltd, 30 Archimedes Road, Kramerville, Sandton, Johannesburg, Telephone +27 (0) 11 555 1220, info@za.duravit.com and www.duravit.com

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BATH RO O MS

SUNRIDGE BRINGS THE BORRAS BRAND TO SOUTH AFRICA Sunridge Importers and Wholesalers, the distributing agent for a range of plumbing and hardware wholesale industry products, has secured the agency and exclusive distribution rights for the Borras brand of taps

and mixers in South Africa and neighbouring territories.

Sunridge’s existing products include Rifeng, a patented multi-layered piping system produced in China.

Borras is a Spanish factory established in 1940 in Barcelona, supplying taps and mixers predominantly in Europe.

Borras manufactures a wide range of tap and mixer models and designs, and is known for providing practical and comfortable solutions that nevertheless feature modern and contemporary designs that allow their clients flexibility and forward-looking aesthetics as they create the environments they desire

50 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

in both the bathroom and the kitchens.

Among the ranges that Sunridge will be introducing to South Africa is the new GIR2540 faucet collection.

The collection stands out for being manufactured with advanced technology that manages to achieve the company’s ecological imperatives while being comfortable, and featuring sleek, stylish designs. The design of this particular range is notable for the simplicity of its fine lines and elegant shapes that make it perfectly adaptable in most contemporary environments.

All components used in this collection are also of the

highest quality in order to ensure its long-term reliability.

They have been fully manufactured with low brass accessories and ceramic cartridges that allow savings in the consumption of water and energy. Borras products will be SATAS- and Jaswic-approved, complying to the SANS standards 226 for traditional taps and 226 for single-lever mixers. www.sunridgeafrica.com

ARRIVING

SOON FIRST IN

SOUTH AFRICA www.griferiasborras.com

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BATH RO O MS

HOW TO LIGHT YOUR BATHROOM Good lighting in the bathroom is not only functional – wellconsidered lighting can take your bathroom’s overall aesthetic from drab to fab with the flick of a switch.

Here are some of Eurolux Lighting’s tips for lighting your bathroom.

AMBIENT LIGHTING Ideally, your bathroom’s main source of light should be downlighters. Choose sealed, waterproof downlights above the shower. That said, downlighters are costly. A circular, sealed fluorescent fitting is a more budgetfriendly option. These offer sufficient light for good visibility and don’t use much electricity.

MIRROR LIGHTING Mirror lights need to make your face look even and shadow-free. To achieve this, shine the mirror light towards your face instead of the mirror, as you would with a painting. If the mirror is square, rectangular or round, then luminaires on either side of the mirror will illuminate your reflection best. If the mirror is diamond or octagonal in shape, then it is advisable to light the mirror from above.

Tilted lights on either side of the mirror are guaranteed to give you the best effect.

CABINET LIGHTING Under-counter lighting or LED strip lights work well when installing lighting in the cabinet

under the sink. You may want to consider placing a battery-operated touch light in this space, which is handy in the event of a power outage.

HEATERS AND EXTRACTOR FANS When there is little or no natural ventilation, it is often necessary to have an extractor fan in the bathroom, which has the added benefit of protecting electrical components. Bathroom heaters are most effective positioned close to where you stand when you get out of the bath or shower. There are two main options. A directional infrared heater will warm you up and help you dry off quickly. These usually have a

light fitting too, which makes them useful as a dual-purpose feature. The second option is a bar heater.

These are great for warming the whole space, but they take a while to heat up.

SENSOR LIGHTS Sensor lights come on only when movement is detected and remain on for a set period. They are programmed only to turn on when light levels are low, so they save energy, too. www.eurolux.co.za

FLUSH BATHROOMS ARE STOCKISTS OF THE EXCLUSIVE DORNBRACHT BRAND Flush bathrooms have an online shop where you can buy exclusive imported bathroom products.

Dornbracht is a brand that believes that personal wellness and sustainability begins in the bathroom. Their products are all designed to enhance the bathroom experience and enrich daily life. Dornbracht product ranges are iconic and timeless, guided by the design principles of proportion, precision, performance, personality and progressiveness.

Using the best in materials and technology, Dornbracht products are engineered to last generations. As a commitment to the highest standards in quality, their sole production facility remains at

the original site in Iserlohn, Germany. Dornbracht stands by its promise to preserve the standards in quality.

Dornbracht’s Meta range is a safe choice for gorgeous minimalistic bathroom fittings, because it combines modern minimalism with aesthetic longevity. In other words, it is beautifully functional. The Meta range allows for some fun, personality and attitude. Meta slim is a tap range that has an exceptionally slender lever so opening and closing the tap requires only the lever to move. The delicate design of

52 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

this minimalistic bathroom fitting enables the use of a wide variety of finishes to make an individual statement in the bathroom.

The Meta slim comes in a variety of beautiful, unusual and

confident colours, that have the elegance and quality to last for a lifetime. If you are after the world's greatest bathroom quality brands, visit the Flush Bathrooms online shop. www.flushbathrooms.co.za

EUROLUX

PROJECT SOLUTIONS LUMENS

50W

230V 6500lm Enhance your commercial and industrial enviroments.

PR575 Linear Light Fixture

Eurolux offers a comprehensive lighting design and specification solution to its customers.

White Aluminium 4000K IP 20

PR562

PR353

PR739

LED Panel Light

LED Toilet Sign Wall Light

White Steel & Aluminium 4000K 40W Integrated LED

Die Cast Aluminium Steel & Plexi Glass, 4000K 2 x 4W Integrated LED

LED Strip Light PVC Anti-UVC 3000K 5W/m LED Strip

1

step

step

2

step

3

A lifecycle cost analysis is presented to the client, thus allowing for informed easy decision making.

Cape Town (Head Office) : 9 Racecourse Road, Milnerton, 7441 | Tel: +27 (0) 21 528 8400 | Email: info@eurolux.co.za Johannesburg: 72 5th Street, Wynberg, Sandton, 2090 | Tel: +27 (0) 11 608 2970 | Email: jhb@eurolux.co.za Durban: Talksure House 62 Umhlanga Ridge Boulevard, Umhlanga, Durban | Tel: +27 (0) 31 263 0088

www.eurolux.co.za

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BATH RO O MS

GROHE PERFECT MATCH More than ever, home is the centre of life, a safe haven where people can forget the world around them. “In recent times, we have been spending more time at home. As a result, home is increasingly becoming an extension of who we are,” explains Gudy Herder, international trend consultant at Eclectic Trends, “overall wellbeing is coming into focus, and bath rituals are now more than ever considered an essential retreat.”

Based on this redefinition, consumers are seeking

shower system and even the accessories are complementing the harmony. All from a single source. It has never been easier for consumers to create their dream bathroom.

integrated bathroom concepts matching their personal needs and individual style.

Therefore, their desire for a more active role in terms of bathroom design is also growing steadily. This is where the curated GROHE bathroom concept comes into play: With Perfect Match, GROHE offers product combinations that are a one-hundred percent match in form and function.

The tap design matches the ceramic shape, the form of the

home spa atmosphere. Some prefer organic round shapes, others like clear square shapes.

Especially if one wants to renovate or redesign the entire bathroom, the wide choice of products can be overwhelming.

“Coordinated bathroom solutions are crucial in order to generate a perfectly balanced space for relaxation and wellbeing,” explains Gudy Herder. “That is why curated interior design concepts are becoming more popular – they

HOW TO FIND THE PERFECT MATCH FOR THE BATHROOM Bathrooms are as individual as consumer needs and personal style preferences. Some bathrooms are small, while others are spacious. Some people like to keep it functional while others love a creative

support consumers in finding the right product and creating a harmonious home spa experience.”

Thanks to GROHE’s curated product combinations, consumers can easily select

personality and lifestyle:

their ‘Perfect Match’: Different coordinated full bathroom solutions with taps, wash basins, bathtubs, showers, WCs, flush plates and accessories allow consumers to easily choose according to their taste and needs – and guarantee that the products are also a Perfect Match in design and function.

natural lines, GROHE Essence bathrooms create a calming scheme that is timeless in its elegance. Perfect for those who understand the bathroom as a place of relaxation and contemplation.

GROHE’S TOP 3 PERFECT MATCH COMBINATIONS: For a unified design language in perfect harmony with your

#1 PERFECT MATCH: GROHE ESSENCE – ORGANIC ELEGANCE Thanks to their gently organic forms, slender profiles and

#2 PERFECT MATCH: GROHE LINEARE – SLICK MINIMALIST STYLING GROHE Lineare is a design that takes its inspiration from the arc – a shape that offers both strength and lightness. By merging the curves of a circle and the crisp, clean lines of a cube, GROHE Lineare creates an exciting, architectural silhouette, making it possible to combine the taps with both round and square shapes. #3 PERFECT MATCH: GROHE EUROCUBE – CONTEMPORARY CUBIST STYLE For lovers of cutting-edge, clean design searching for a truly distinctive look for their bathroom, GROHE developed the Eurocube collection.

Combined with the strong, minimalist lines of the GROHE Cube Ceramic, it creates a cool and contemporary bathroom atmosphere. www.lixil.co.za

54 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

VISIT COBRA’S VIRTUAL SHOWROOM TODAY. This revolutionary tool will inspire & assist you in planning your next project. Get immediate access to technical information, data sheets, video, 3D product renders and so much more.

All you need at the click of a button.

Visit cobra.lixil.co.za/virtual.showrooms.lobby

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ENERGY MANAGEMENT

CONCEALED FIX SHEETING – SAFLOK 410 SURPASSES EXPECTATIONS EVERY TIME Safintra’s Saflok 410 concealed fix profile continues to outperform the rest of the field thanks to its highly engineered clipping system and its aggressive geometrical design. These are both critical attributes in terms of roof hold-down capability when faced with the most testing conditions.

Concealed fix roofing has maintained its position as the preferred roofing system for long-span or low-slope roofs due to its versatility, durability and proven functionality. The concealed fix roofing profile has created a completely new design trend within the residential housing arena. It allows for the design of roofing systems, which were never possible before when using the traditional pierced fixed profiles and tiles.

The key to Saflok 410’s unmatched performance is the interaction between the profile’s aggressive geometric design and the performance of the second-generation clip.

The winning formula that this system provides has proven itself in the testing grounds of the Western Cape and Eastern Cape. The typically high wind loads in this area have allowed Safintra to build up a track record for the Saflok 410 profile as truly the best in its class.

Based on the unmatched performance of the Saflok 410 profile, Safintra is now

installation of rooftop items such as HVAC or solar panels, which impose point loads).

offering mobile mills in Gauteng and KwaZulu-Natal, all the while maintaining its presence in the Western Cape and Eastern Cape.

The Saflok 410 roofing system has recently been tested at the Council for Scientific and Industrial Research (CSIR) by Dr Adam

Saflok 410 ® clip.

56 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

Goliger, widely regarded as the leading engineer in the field of wind upliftment and as one of the pioneers of topographical wind environmental studies.

Saflok 410 excels in the following: • Exceptional uplift performance and serviceability (ideally suited to push the boundaries of modern design criteria).

• Exceptional point load carrying ability (reduced damage due to foot traffic and the subsequent

Saflok 410 is a premium product within the concealed fix market and sits above the re-engineered Saflok 700 profile in the Saflok brand family. The latter product offers great value without compromising on performance or aesthetic appeal.

A roof typically comprises 20-30% of the cost of building a home, which highlights the importance of selecting the best roof in terms of longevity and performance.

Saflok 410 can be ordered in any practical length as per customer requirements. Onsite rolling is recommended for lengths in excess of 13.2m, limited by space constraints and building design. This tried, tested and trusted product is now available in a wide range of colours and coatings to suit any environment on the African continent. www.safintra.co.za

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ENERGY MANAGEMENT

THERMGUARD: DIY GREEN INSULATION FOR YOUR HOME Thermguard has manufactured cellulose fibre insulation since 1984, meaning they have 37 years of valuable industry experience. “We introduced the product to South Africa in 1984 when consumers were not as environmentally conscious as they are today,” explains MD Eric Quarmby, adding that the company gained market share through retrofitting houses and the public’s realisation that Thermguard performs exceptionally well. The ensuing ‘green’ revolution saw more and more architects specify the product in major projects.

trapped between the fibres, thereby providing a lighter, fluffier product capable of superior insulation values.

RESPONSIBLE MANUFACTURE Thermguard is manufactured INSTALLATION from recycled newsprint.

Until recently, Thermguard Harmless household insulation could only be chemicals are added to ensure installed by an approved the product is fire-retardant distributer using a specialised as well as insect and rodent blowing machine. Thermguard repellent. The company uses a now offers a locally made DIY specialised low-density mill installation machine that can from the USA, which allows be rented for smaller projects them to mill the recycled or purchased for use on large newsprint to lower density projects. This DIY option is than its competitors. This available from the factory in ensures that more air is quarter Page Advert Kempton Park is currently Leading Architecture update.pdf 1 and 26/01/2021 16:08:44

limited to the Gauteng area.

Installation of Thermguard is simple and fast – an average-size installation takes only two to three hours. The installation machine and bags of insulation remain outside the house while a hose is taken into the roof space. The insulation is then blown through the hose and onto the ceiling.

An important point to note is that because Thermguard is a loose-fill insulation, it fills every nook and cranny, leaving no gaps where heat gains or losses can occur, thus providing 100% coverage.

AT-A-GLANCE TECHNICAL SPECIFICATION There are numerous benefits to specifying Thermguard insulation: • Member of GBCSA & TIPSASA • Manufactured under ISO 9001:2015 accreditation • Carries the SABS mark of approval • Fire tested under SANS 428 (rated B/B1/2) • DIY installation option is now available in Gauteng. www.thermguard.co.za

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Gauteng 012 653 8204 / Cape 021 983 1140 / KZN 031 569 1800

PUT YOUR FUTURE in our hands

THE ALL NEW FACED GLASS MINERAL WOOL BUILDING INSULATION Leading edge technology plays a key role: A1 Non-Combustible No added Formaldehyde No itchiness Pleasant to handle and install Free from phenols, acrylics, dyes

cool

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THERMAL INSULATION FR

High Thermal Properties No smell Virtually no dust Reduces impact on environment

DRAWING BOARD

PRESERVATIVE TREATED WOOD – A SUSTAINABLE CHOICE

A construction material provided and renewable by nature, with predictable performance, that captures carbon from the atmosphere and locks it away for decades, with low energy demand and a feel-good appeal appreciated by almost everyone – that’s treated wood.

Wood is part of the bioeconomy, can be sourced responsibly, is a flexible and adaptable material that can be used efficiently and aligns with the concept of a circular economy. At the end of its life, wood can be reused in an ongoing process of uses, recycling or recovery of energy. Wood is consequently one of the few truly renewable construction materials.

Wood offers a simple way to reduce the CO2 emissions through: • the carbon sink effect of the forests • the carbon storage effect of wood products • substitution for carbon-intensive materials.

Not only is the production and processing of wood

energy efficient, giving wood products a low carbon footprint, but wood can often be used to substitute other materials like steel, aluminium, concrete or plastics, which require large amounts of energy to produce.

Every cubic metre of wood used as a substitute for other building materials reduces CO2 emissions to the atmosphere by an average of 1.1 tonnes (t). If this is added to the 0.9t of CO2 stored in wood, each cubic metre of wood saves a total of 2.0t CO2. Based on this, an increase in buildings whose main structural components are made of wood will produce significant CO2 savings as prescribed by the Kyoto Protocol.

WOOD PROTECTION Apart from a very few, mostly tropical hardwood species, most untreated wood is vulnerable to biodeterioration by fungal decay and wood-destroying insects.

These biological agencies also degrade the sustainability

credentials of untreated wood, leading to early failure in service, premature release of CO2 and economic loss – more characteristic of a linear economy than a desirable circular economy.

The sapwood of all species are susceptible to insect and fungal attack, and requires protection against insect attack and, in prolonged wet conditions, fungal attack. If non-durable, heartwood may also require protection depending on the wood species, the conditions of use and the service life required.

Most South African grown commercially important species of pine and eucalyptus are non-durable and requires preservative pre-treatment.

SUSTAINABLE USE OF BIOCIDES Products containing biocides, such as wood preservatives, are a family of products intended to destroy or control harmful or unwanted organisms (such as fungi and insects) that have detrimental effects on the

environment, on animals, on humans, their activities or the products they use or produce. Biocidal products are used in a wide variety of ways by both industrial and professional users, as well as by the public.

Sustainable use can be defined for biocidal products as the objective of reducing the risks and impacts of the use of biocidal products on human health, animal health and the environment.

The South African Wood Preservers Association has produced a brochure, Treated Wood – A Sustainable Choice, which shows how economic, environmental and social aspects of use of biocides in wood protection deliver sustainability.

Wood preservatives were among the first biocidal products to be subject to regulation and standardisation in respect of these characteristics, and consequently are now accepted as both effective and safe, if and when used correctly and appropriately. www.sawpa.co.za

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>> D RAWIN G BOARD

PRATLIPERL® REVOLUTIONISES ECO CONSTRUCTION INDUSTRY Energy efficiency in the construction industry is more important than ever due to load shedding and the rising cost of electricity. The thermal insulation of a two-leaf (220 mm) brick wall can be doubled, for example, by simply plastering the inside and outside with Pratley’s Pratliperl®.

Pratliperl® is derived from a volcanic glass called Perlite. The raw material is then expanded in special furnaces to create millions of small, well-sealed Pratliperl®

beads. Each bead has a small vacuum inside, giving the product its unique thermal insulation properties.

This green building material can assist in meeting sustainability criteria. It is also ultra-lightweight, which reduces the cost of high-rise structures. In addition, the product is highly durable and features good acoustic properties. It can even be gunited when applied to large surfaces.

Applications range from

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underfloor insulation and insulated roof decks to lightweight screeds on corrugated iron or concrete roofs, fireproofing structural steel columns, insulating cryogenic tanks, loose-fill thermal insulation in wall cavities, and lightweight tile adhesive filler.

“Pratliperl® is an ultra-lightweight, thermally-insulating and fireproof aggregate for plaster screed and concrete that can assist the construction industry in meeting quality standards such as SANS 204,” explains Pratley Marketing Director Eldon Kruger.

Specified for lightweight plaster and screeds, Pratliperl® has been pre-treated to enable it to mix with ordinary cement. It is also resistant to spalling under fire conditions, which improves the integrity of structures and enhances health and safety. The

product can withstand temperatures of up to 1 250°C without comprising its structural integrity.

Once cured, Pratliperl® has superior strength compared to conventional lightweight concrete. Compatible with cement and other binders, it can be used to produce ultra-lightweight panels, boards, bricks and blocks that can be cut, nailed and drilled. www.pratleyminerals.com

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DURAM’S HABITAT COLOUR COLLECTION - 90 INSPIRED PAINT COLOURS South African paint manufacturer Duram’s new Habitat Colour Collection was inspired by the natural habitats of South Africa. The collection offers a sophisticated and contemporary palette featuring beautifully balanced and harmonious tones. The Habitat Colour Collection consists of 90 paint colours, ranging from subtle earthbound neutrals to dark inky hues, all evoking the landscapes and unique flora and fauna our country has to offer.

The company says it is seeing a trend towards warm colours. To best explore this trend, they suggest trying Otter Trail, Little Karoo and Darling White from their Habitat Colour Collection for a warm neutral colour palette with earthy undertones.

Or, for a contemporary grey colour palette, they suggest trying Coastal Spray, Heron’s Crest, and Kalk Bay from Duram’s Habitat Colour Collection.

Striking colours, perfectly suited to accent walls, might include Black Mussel, Milkwood Tree, Kingfisher Splash or Fire Finch.

Each colour is available for purchase in a convenient and affordable 90ml low-sheen colour sample, which is factory tinted for improved colour accuracy.

Paint a test patch and see

how the colour subtly adapts to the changing light throughout the day, because it is important, particularly when selecting neutrals, to

64 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

see how the colour is rendered as the light changes from day to night. Duram experts suggest testing them on different walls and in every room.

Duram’s richly pigmented paints are available for interiors and exteriors – walls, ceilings, trims or accents – and for any style, providing exceptional depth of colour, luxurious finishes and unbeatable value.

The Habitat Colour Collection is available at select hardware stores. www.duram.co.za

These brands are proud members of

Avoid the purchase & use of sub-standard, dangerous electrical products & services.

ALBERTON

Download your free guide from safehousesa.co.za

We don’t know what you know, report unsafe products & services.

The SAFEhouse Association is a non-profit, industry organisation committed to the fight against sub-standard, unsafe electrical products and services.

Make a commitment to safety.

JOIN TODAY! For more information contact: Connie Jonker: Tel: 011 396 8251 Email: connie.jonker@safehousesa.co.za Barry O’Leary: Tel: 011 396 8117 Email: barry.oleary@safehousesa.co.za

www.safehousesa.co.za

FEATURED DESIGN

A simple plan

T

he Hope sofa and armchair collection is all about the crucial meeting point between form and function. Designed to be the quintessential do-it-all seating solution, these pieces segue effortlessly between corporate, retail and residential spaces.

When designing the range – one of the brand’s first forays into furniture – co-founder and head of design Kevin Frankental wanted to appeal widely, while ticking the comfort and style boxes. “The challenge with the Hope was to design a sofa with a slim profile, delicate arms and a slim frame while maintaining optimal comfort. We also wanted a product that could work equally well and look good in a home or an office,” says Frankental.

Its apparent simplicity belies

a meticulous design process that places attention to detail at the very forefront. “It has small details you only notice when you look closely.

For example, the arms protrude past the back, giving it a very interesting silhouette from certain angles. The depth of the sofa is comfortable enough to lounge in but it’s also great to have a relaxed meeting in,” comments Frankental. Like all of Lemon’s products, it’s about simple design that’s easy on the eye and functions well. And in that same spirit of ease, it’s available in multiple sizes and fabrics.

Despite being one of the first furniture collections from Lemon, Hope is as relevant and universal in its appeal as when it was fabricated.

The beauty of the Hope lies precisely in this versatility – a

66 LEADINGARCHITECTURE & DESIGN FEBRUARY/MARCH 2021

characteristic that Lemon aims to instil in each of its designs, thereby ensuring all pieces work harmoniously together, regardless of what collection they’re from. And while the Hope looks effortlessly elegant with any of the pieces from Lemon’s now quite extensive range, Frankental particularly likes Hope’s simple linear silhouette paired with the striking texture of the Vondel, the clean sophistication of the Promenade unit, and the strong solidity of the Chelmsford coffee table.

The universality of the Hope range is in part due to its roots in 1960s design, which gives it a timeless appeal. Created in collaboration with Yaniv Chen of Master Studio, the range owes its proportions and detailing to Italian

styling from this era. “When Yaniv conceptualised the piece, he was inspired by Italian design of the late 60s – this is where the piping detail in the cushion originates from. We then worked together to refine the proportions over a period of six months. Everyone who sits in the Hope is always absolutely amazed by how comfortable it is. You don’t want to get up,” says Frankental.

While the design draws on Italian design, its name is entirely South African. Named after one of Frankental’s favourite roads in Johannesburg, his hometown, it’s a nod to Lemon’s ongoing commitment to producing proudly local design and putting South African craftsmanship and creators on the global map. www.lemon.za.com

Distinction

Alania’s reputation for delivering uncompromised quality, leading technology and exceptional turn around times is underpinned by an astute understanding of and respect for the design intent.

to the last detail

Implement your projects efficiently and to the finest levels of detail with Alania. www.alania.co.za

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JHB • DBN • CPT