• “Ulises Carrión: An End and a Beginning,” interview by Jan van Raay, Umbrella 2, no. 5, Glendale • “Mail Art and the Big Monster,” S:t Petri, Lund (lecture) • “European Artists’ Books,” The Art Institute, Boston (lecture) • “Europe: A Survey,” The Visual Studies Workshop, Rochester, New York (lecture) • “Critical Autonomy of the Artist,” Arte Fiera ’79, Bologna (lecture) 1980 • “Stempelkunst in Nederland,” Rubber 3, nos. 1–3, Amsterdam • “Bookworks Revisited,” The Print Collector’s Newsletter 11, no. 1, New York • Punk Xerox, Verlag Elory, Hannover • “Table of Mail Art Works,” Artzien 2, no. 8, Amsterdam • “Stempelkunst van nu (NKS tekst),” Beeldpraat, no. 80/6, Groningen • “Personal Worlds or Cultural Strategies,” Beeldpraat, no. 80/6, Groningen • Liber. Pratica internazionale del libro d’artista, Factotumbook 24, Sarenco & D. Strazzer Editori, Verona • “Den nya konsten att göra böcker,” Konstenärsböker Kalejdoskop 1 and 2, Åhus • “E.A.M.I.S.,” Março, no. 3, Mexico City • “Bookworks,” in Libro Internacional / International Book / Livre Internationale, no. 3, La Plata • “Stampart,” Vile, no. 7, San Francisco • “Ready Cut,” Kryptogramme, Bremen • “Mail Art and the Big Monster,” Delo 26, no. 2, Belgrade • [“These Sounds”], Artzien, Amsterdam • “From Bookworks to Mailworks,” in Second Thoughts, Void Distributors, Amsterdam • “Stempelkunst. Een historische overzicht,” in De Nederlandse Kunststichting, Amsterdam 1981 • [“Let all North America be Mexico...”], in Mail eARTh, De Warande, Turnhout • “E.A.M.I.S.,” Sobre Arte, no. 3, Medellin • “2 Postcards,” Libellus, no. 11, Internationaal Cultureel Centrum / Archive for Small Press & Communication, Antwerp • “Gossip, Scandal and Good Manners,” Bulletin De Appel, no. 2, Amsterdam • “A Arte Postal e o Grande Monstro,” in Catálogo de Arte Postal, 16th Bienal de São Paulo • “E.A.M.I.S.,” in Catálogo de Arte Postal, 16th Bienal de São Paulo • “3 H Stampings,” Interstate, no. 14, Austin • “Alphabet Postcard,” in EP Edition, Niederstein
• “Uitnodiging voor Feedback Piece,” Styff, no. 2, Torhout • “El nou art de fer llibres,” in Llibres d’artista / Artists’ Books, Metrònom, Barcelona • Embryo, no. 3, Stockholm • “Essay on Correspondence Art,” High Performance #15, vol. 4, no. 3, Los Angeles • Signpost, no. 3, Perugia • Kunst in der Öffentlichkeit, with Robin Crozier et al., Marode Editions, Würzburg • “Van boek tot kunstenaarsboek,” Interview by Jan van Raay, Stedelijk Museum Schiedam • “Mail Art,” Internationaal Cultureel Centrum (ICC), Antwerp (lecture) • “Artists’ Books,” Stedelijk Museum Schiedam (lecture) • “Gossip, Scandal and Good Manners,” Oude Manhuispoort, Universiteit van Amsterdam (lecture) • “Yellow,” in The Yellow Rider with the Theme Yellow, Arnheim 1982 • “E.A.M.I.S.,” Care, no. 1, Enschede • “Mail Art and the Big Monster,” Barbérie 3, no. 5, Bahia • Aeropus I, Archive for Small Press & Communication, Antwerp • Views beside..., Vogelsang, Berlin • World Art Post, Artpool, Budapest • “Table of Mail Art Works,” Mailartspace International, no. 1, C.D.O., Parma • “The Death of the Art Dealer,” High Performance #17–18, vol. 5, nos. 1–2, Los Angeles • Japan AU Mail Art Book 1, M. Kusumoto, Art Space A.U., Nishinomiya-City • “Die neue Kunst des Büchermachens,” Wolkenkratzer, no. 3, Frankfurt am Main • “Index,” in Catalogus International Media Meeting, Agora Studio, Maastricht • “Het medium photocopie,” in Beeldende Kunst en Technologie, Centrum ’t Hoogt, Utrecht • “El arte como sistema paralelo de comunicación,” Interview by Marcel Sanchez, Llir entre Cards, no. 2, Valencia 1983 • “The Death of the Art Dealer,” Pelo + Pelo, no. 5, Ponte Nossa • “Mail Art and the Big Monster,” in Mail Art Hand Book, Amsterdam • “Personal Worlds or Cultural Strategies?,” in Mail Art Hand Book, Amsterdam • “We have won! Haven’t we?,” Flue 3, no. 2, New York • Visuele Poëzie, nos. 1 and 2, CRM, The Hague • “De Bus. A Love Story,” Festival De Stad, Kunstcentrum De Gele Rijder, Arnhem
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