Identity - April 2025

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Discover LEMA in Dubai at Studio 971 Dubai, City walk – Building 7 Happiness St – Al Wasl

26 Making a Statement

We delve into the design and functionality of Edra’s Pack sofa while exploring Casamia’s rise as a leading tastemaker in the region

34 The identity Guide to Milan Design Week

Here’s our insider’s guide to Salone del Mobile.Milano, Euroluce, and Fuorisalone

42 Contemporary Design Meets Culture

We interview three designers about merging cultural narratives with timeless craft

54 Personalised Luxury

Bespoke design and a strong curatorial process define this duplex at The Lana Residences, Dorchester Collection in Dubai

Surface Solutions, Designed

Editor-in-Chief

Obaid Humaid Al Tayer

Managing Partner and Group Editor

Ian Fairservice

Chief Commercial Officer

Anthony Milne

Editor

Aneesha Rai

Senior Art Director

Olga Petroff

Designer

Vibha Monteiro

Sub-editor

Max Tuttle

Senior Partnerships Manager

Sharmine Khan

General Manager - Production

Sunil Kumar

Production Manager

Binu Purandaran

Production Supervisor

Venita Pinto

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Iconic like a Diva

Marvel Diva collection, inspired by precious and rare marbles with a strong personality

Editor’s Note

This month, we celebrate the intersection of craft and culture, a theme that resonates throughout the issue.

Our cover story, created in collaboration with Casamia, spotlights Edra’s iconic Pack sofa, taking a playful approach by placing it in an expected setting that resonates culturally. A serendipitous meeting with Studio d04 led us to the Jebel Ali Racing Course (JARC) – a beloved Dubai landmark rich in equestrian history. The studio shared with us how it had been involved in the redesign of the saddling boxes and private deck at the iconic location which then provided the setting for the sofa. This venue, a pillar of the UAE’s racing heritage since 1990, felt like a natural home for a piece as avant-garde as Pack. The result was a striking visual narrative that reimagines how contemporary design can engage with history and place.

In the cover feature, we explore what makes the Pack sofa so compelling, from Edra’s fearless design approach to insights from Kader Mithani, Founder and CEO of Casamia, alongside leading designers who share how they would style the piece in different settings.

We also examine the dialogue between contemporary design and cultural narratives through an in-depth conversation with three multi-disciplinary designers, each of whom offers a unique perspective on their creative practices. Design Focus takes an in-depth look at homes and living spaces and how you can enhance them, highlighting some of the latest product releases on the market. We also take you inside some truly exceptional residences, from a duplex at The Lana Residences in Dubai to a striking home on Jumeirah Bay Island, as well as breathtaking properties in Canada and Brazil.

The excitement around this year’s Salone del Mobile. Milano is palpable, and we’re excited to present our guide to the fair, as well as Fuorisalone and Euroluce. This year, identity will bring together several industry experts from the GCC at a panel at the fair on 11 April, where we will delve into the world of hyper-personalisation and modularity.

See you at the fair!

On the cover
Pack sofa by Francesco Binfaré for Edra at the Jebel Ali Racecourse (JARC) Saddling Boxes designed by Studio d04. Photography: Ahmed Abdelwahab

Culture Express

Designed by Aline Asmar d’Amman and her studio Culture in Architecture, Dream of the Desert seamlessly blends modern elegance with the rich heritage of Saudi Arabia

WORDS – SUHA SABITH

The unveiling of the Dream of the Desert luxury train marks a new era for rail travel in the Middle East, blending worldclass hospitality with an immersive cultural experience deeply rooted in Saudi Arabia’s heritage. The visionary project was brought to life by Saudi Arabia Railways (SAR) and Italian luxury hospitality company Arsenale in collaboration with the Ministry of Culture, the Saudi Tourism Authority and the Center for Development Authorities Support. Designed by the founder of Culture in Architecture, Aline Asmar d’Amman, Dream of the Desert merges modernity with the deep-rooted traditions of Saudi Arabia, offering an immersive experience that is both visually captivating and culturally enriching. “The project reflects centuries of Saudi elegance, embodying the art of travel and desert gatherings,” says d’Amman. “More than just a train, it is a journey in itself – one that brings cultural heritage, craftsmanship and timeless design excellence to life.”

For d’Amman, the design of Dream of the Desert marks a significant departure from her previous work on large-scale hospitality projects such as Palazzo Dona Giovannelli, the upcoming Orient Express Hotel in Venice, and Hôtel de Crillon in Paris. “It’s the first time that I worked on the design of a train interior, but the philosophy is absolutely the same,” she says. “The creative journey starts with context and stories.”

d’Amman’s approach is not just about aesthetics; it’s also about storytelling. “Design is a powerful means of storytelling, a vessel for humanistic values elevated by artistry and craftsmanship.” Each element of the design reflects the rich history and traditions of Saudi Arabia, creating a tangible connection between the past and the present.

Born in Lebanon, d’Amman has a deep connection to the desert that is not just professional but also personal. “I was bathed in an environment of Arabian poetry and lyrics, such as Rumi’s words about the desert and his idea of ‘wide emptiness, peace without any understanding of it.’ The words themselves hold that [sense of] stretch and stillness, the otherworldly desert mystique.”

The interiors of the train are infused with the desert’s mystique, blending earthy tones, luxurious textiles and intricate craftsmanship to create an atmosphere of refined elegance.

The design process sought to capture the majestic stillness and vastness of the Saudi desert.

“Saudi Arabia’s pristine natural beauty, with its distinctive sense of immensity and silence, wildness and vastness, only tamed by the Bedouin tradition of patient journeys, appeals to a different kind of travel today,” she shares. This profound connection to the desert, with its quiet expanses and timeless beauty, is woven into every element of the train’s design.

With a fleet of 14 carriages housing 34 opulent suites, the train is conceptualised as a mobile five-star destination where travellers can

indulge in comfort while exploring the Kingdom’s most iconic heritage sites. Every detail of the suite design, from the wood marquetry to the luxurious upholstery, reflects the Saudi Arabia’s rich heritage, with bespoke touches like equestrian-inspired curtain tiebacks and distinctive stitching on lampshades that evoke the region’s deep-rooted traditions. “In the restaurant, for instance, a rich interplay of amber hues and oasis-green accents creates an atmosphere of understated refinement. The iconic Saudi lavender shade, inspired by Rafha’s northern region desert flowers, subtly appears in leather stitching – blending in the horse saddler realm – while bespoke carpets reinterpret traditional Southern Arabian carvings in a contemporary motif,” shares the designer. Beyond the luxurious interiors, the train is also designed to be an educational and cultural experience. Passengers will be immersed in the artistic heritage of Saudi Arabia through curated artworks and photography displayed along the corridors, showcasing the Kingdom’s natural beauty and cultural landmarks. Manufactured in Italy, Dream of the Desert seamlessly merges Italian engineering with Saudi craftsmanship to bring forth a sustainable project.

“Dream of the Desert is not only about slow travel. It’s a remarkable achievement in sustainable practices and ultra-luxury upcycling. The train’s wagons are existing Italian carriages owned by Arsenale, which have been completely refurbished in Brindisi, Italy and elevated through design excellence,” d’Amman shares. The train is set to begin operations by the end of the third quarter of 2026.

Sculpting Meets Functionality

Architect Carlos

Bermejo founded Guch Design to bring

a

sense of character to sink design

WORDS – ANEESHA RAI

After leading Neftis Arquitectos, an architectural firm in Madrid, Spain that he built from the ground up with a focus on innovative and sustainable design solutions, Carlos Bermejo developed Guch Design. “As an architect, I have always been fascinated by the relationship between form, function and materials in creating meaningful spaces. Over time, I developed a keen interest in the finer details of design –those elements that transform an interior and give it character,” he shares.

He came up with the idea of solid surface washbasins. “Sinks, in particular, caught my attention because they combine sculpture and functionality, yet I noticed that most of them looked very similar. It seemed like an element that had not been given much attention in terms of design,” Bermejo notes. He saw an opportuni-

ty to innovate and redefine them as artistic pieces; timeless objects that not only serve a purpose but also enhance the sensory experience of a space, which led to the founding of Guch Design.

The inspiration behind the pieces lies in nature and its ability to sculpt forms over time. “I am fascinated by how water shapes stone, how erosion softens the edges of rocks and how evolution creates structures perfectly adapted to their environment,” he shares. With sustainability as a fundamental pillar of his work, Bermejo uses locally manufactured ‘Solid Surface’ as a material in the manufacturing process, which is a non-porous, hygienic and fully reparable material that allows for longevity. It also allows for fluid and seamless surfaces to take shape. All the moulds he uses for production are biodegradable. “At the end of its life cycle, the sink can be crushed and repurposed

as decorative gravel or even incorporated into concrete mixtures. In this final state, the material is completely inert, allowing it to reintegrate into the environment without generating pollutants,” adds the designer.

Bermejo starts his process with an exploration of form and proportion. “Each sink is born from a concept inspired by nature, whether it’s the fluidity of water, the organic shapes of eroded rocks or landscapes that evoke serenity and balance. My goal is for each piece to have its own identity and tell a story through its lines and volumes,” he shares. Bermejo then translates his ideas into digital modelling and then finetunes the design not just in terms of aesthetics but also considering ergonomics and comfort in its daily use. 3D printing also forms a large part of his process. He attests that the technology has allowed him to reduce material waste during the prototyping phase. “Another key advantage is that I manufacture my own moulds using 3D printing, giving me full control over the production process and enabling me to work with geometries that would be difficult to achieve with conventional techniques,” he states.

Bermejo has installed the sinks across private residences and has begun collaborations with restaurants, hotels and luxury yachts. He is keen on establishing collaborations with interior design and architecture studios, both in Spain and internationally, to bring exclusive and customised pieces to high-end projects.

5 Highlights from Art Dubai 2025

The much-anticipated Art Dubai fair returns to Madinat Jumeirah from 18 to 20

Bringing together more than 120 galleries from around the world, this edition of Art Dubai will continue to reinforce Dubai’s role as a global art hub. From groundbreaking contemporary works to digital innovation and Modern Masters, here are five key highlights to look forward to at Art Dubai 2025.

1. Art Dubai Contemporary

At the heart of Art Dubai, the Contemporary section presents the best of cutting-edge contemporary art, with a particular focus on emerging artists and lesser-explored geographies. This year, over 70 galleries spanning five continents will participate, including first-time exhibitors, expanding the fair’s international reach.

Notable international galleries such as Bortolami, Perrotin and Peres Projects will showcase works alongside leading Dubai-based names like The Third Line, Leila Heller Gallery and Tabari Artspace. The section serves as a vibrant platform for discovery, inviting collectors and art enthusiasts to explore new voices and artistic narratives.

2. Bawwaba

Curated by Mirjam Varadinis, writer and curator-at-large at Kunsthaus Zürich, Bawwaba –meaning ‘gateway’ in Arabic – offers highly curated solo presentations of works created in the past year or specially commissioned for the fair.

For its sixth edition, the section poses the thought-provoking question: “How can we imagine new forms of coexistence, both among people and with our planet?” Featuring 10 solo presentations, Bawwaba 2025 is highlighting artists exploring themes of displacement, sustainability and new models of living. Participating galleries include Art: Concept, Blueprint12 and Aspan Gallery, among others.

3. Art Dubai Modern

Dedicated to the region’s Modern Masters, Art Dubai Modern showcases works by influential 20th-century artists whose practices shaped contemporary Middle Eastern and North African art. This year’s edition is curated by Magalí Arriola (Director of Museo Tamayo,

April 2025

Mexico) and Nada Shabout (Professor of Art History at the University of North Texas).

With a focus on cultural affinities between West Asia, North Africa and Latin America, the section examines how shared histories –marked by migration, postcolonial struggles and identity formation – have influenced artistic practices. Expect to see masterful works from galleries such as Meem Gallery, Lawrie Shabibi and Leila Heller Gallery.

4. Art Dubai Digital

Now in its fourth edition, Art Dubai Digital is the premier section dedicated to exploring the intersection of art, AI and new media technologies. Curated by Gonzalo Herrero Delicado, this year will have the theme of ‘After the Technological Sublime’, examining how artists are using artificial intelligence, virtual and augmented reality and digital platforms to address today’s environmental, social and political challenges.

Key highlights include presentations by Hafez Gallery, GAZELL.iO and BREAKFAST Studio, alongside Dubai-based exhibitors Monada Art Gallery and espace. The section also forms the foundation for Art Dubai’s Second Annual Digital Summit, a three-day exploration of the future of digital art, featuring thought leaders from global institutions.

5. Thought-Provoking Talks and Cultural Programming

Beyond the exhibitions, this year’s edition will also feature the Global Art Forum Dubai 2025, focusing on ‘The New New Normal’, a deep dive into the evolving nature of change, featuring: leading thinkers, technologists and artists such as Rem Koolhaas and Lawrence Abu Hamdan; Modern Talks, led by Nada Shabout and Magalí Arriola, which will include discussions on the shared cultural histories of West Asia, North Africa and Latin America; Collector Talks; and Conversations with Artists.

With a programme that’s chockful of contemporary art, digital innovation and historical perspectives, Art Dubai 2025 promises to be an unmissable event for collectors, curators and art-lovers alike.

From top – Alfred Basbous, Composition. Courtesy of Alfred Basbous Foundation; Ângela Ferreira, Talk Tower for Ingrid Jonker, 2012. Courtesy of Cristina Guerra Contemporary Art; Nina Kintsurashvili, How Long is the Night. Courtesy of the artist and Artbeat Gallery

A New Era of Luxury Interiors

HMA Living curates some of the world’s finest brands for an unparalleled living experience

For over 70 years, the Al Shamsi family has built a legacy of excellence, shaping the landscape of luxury living in the UAE. HMA Living by Al Shamsi is the next chapter in this journey; an evolution that redefines interiors with a curation of the world’s most distinguished brands and an unparalleled commitment to craftsmanship and innovation.

HMA stands for Hamad Majid Ali Al Shamsi, honouring three generations: the founder, the visionary who expanded it, and the future, led by Ali Al Shamsi, the CEO. Under Ali’s leadership, the company is not just keeping

pace with Dubai’s transformation; it is also shaping it by bringing the world’s most exclusive brands and a new level of personalised service to customers. Dubai is already home to extraordinary architecture and prestigious brands; however, HMA Living goes beyond luxury, introducing a new way of experiencing interiors. The company has curated an exceptional portfolio, including MisuraEmme and Modulnova; elevating homes beyond ownership into truly immersive living experiences. At HMA Living, a house isn’t just a possession; it’s a place to live, feel and experience.

A Legacy of Italian Craftsmanship

Pushing the boundaries of contemporary design, Modulnova offers an architectural approach to modern kitchens and interiors, with precision, material innovation and technical mastery defining its collections. The brand’s latest creation, ART, is an exquisite blend of sculptural aesthetics, natural elements and refined craftsmanship. Made of exclusive Appennino marble stoneware finish and handcrafted classic walnut wood, ART is a statement of timeless elegance and ground-breaking design. With ART, Modulnova reaffirms its dedication to pushing the boundaries of creativity, forging a deep connection between materiality and contemporary design. This collection reflects a vision of the modern home – one where architecture, light and craftsmanship come together in a harmonious living space.

Among the brands the company proudly showcases, MisuraEmme stands as a beacon of fine Italian craftsmanship, sophisticated aesthetics and avantgarde innovation. Established in 1902, the brand has spent over a century perfecting its wardrobes, modular systems and bespoke furniture solutions, redefining contemporary luxury. Now exclusively available at HMA Living, MisuraEmme introduces its celebrated Made in Italy prestige to the UAE, offer-

ART by Modulnova

ing designs that seamlessly integrate into exquisite, high-end interiors. “Our presence in the UAE is an important confirmation of our ability to combine design, quality craftsmanship and innovation in a demanding and sophisticated market. The UAE is a global hub for high-end architecture and design, and we are proud to contribute with furniture solutions created for exclusive and refined environments,” shares Ottaviano Borgonovo, owner of MisuraEmme.

As part of this vision, a new and exclusive premium showroom is set to open soon, offering an expansive and immersive experience where the finest materials, intricate detailing and cutting-edge design solutions converge. This flagship space will be more than just a showroom – it will be a hub for creativity, craftsmanship and innovation, allowing homeowners and designers to explore, envision and experience the future of luxury interiors.

HMA Living goes beyond being a retailer; the company considers itself to be a partner in design, offering bespoke solutions from concept to completion. As a fresh addition to the luxury interiors market, HMA Living by Al Shamsi stands as a testament to exquisite design, transcendent craftsmanship and an unwavering commitment to excellence. hmaliving.com

Palo Alto Free wardrobe by MisuraEmme
Rosé sofa by MisuraEmme

Collectible Design Meets Nostalgia

Klekktic and Assembly partner to open a new, larger space in Dubai’s Al Quoz district

WORDS – ANEESHA RAI

Armed with both collectible design and vintage aesthetics, these two homegrown design brands have opened a joint showroom that’s spread across two floors. Both brands bring together modern, customisable furniture and rare, collectible vintage treasures, offering a unique blend of contemporary innovation and timeless craftsmanship. Klekktic and Assembly share a common vision: to deliver exceptional, accessible and sustainable design experiences that cater to discerning enthusiasts and collectors across the GCC.

Established in 2021 by Harvard graduate Heba El Habashy, Klekktic addresses the region's growing demand for stylish, afford-

able and customisable furniture. By partnering with local manufacturers, the brand offers versatile indoor and outdoor pieces, tailored to customer preferences with exclusive upholstery options, luxurious finishes and a streamlined delivery process. Klekktic’s commitment to sustainability and its innovative trade programme further enhance its mission to revolutionise furniture shopping in the Middle East. Assembly, founded by Mateen Shah, is a concept vintage store showcasing an expertly curated collection of rare furniture, décor and collectibles sourced from around the world, with a unique and meaningful story behind each piece. Drawing on over 20 years of expertise in sourcing and strategy, Shah has created

a platform that celebrates the artistry and history behind each piece. Highlights of Assembly’s debut collection include iconic designs like the Yasu Sasamoto mirror, the Barcelona day bed by Mies van der Rohe for Knoll, the Eames lounge chair with ottoman by Charles and Ray Eames for Herman Miller, sculptural Rispal lamps, ethereal Murano glass lighting and innovative chairs by Andrea Branzi for Cassina. The brand’s commitment to sustainability aligns with its ethos of preserving and reimagining timeless designs for modern living.

The Al Quoz showroom reflects the synergy between Klekktic and Assembly, combining their distinctive aesthetics to offer a cohesive design destination.

Photography: Natelee Cocks

COLOUR MEETS TEXTURE

Blending botanical essence with avantgarde design

WORDS – ANEESHA RAI

Teorema, as its name suggests, is built on simple yet profound principles. At its core, the collection channels the botanical essence of gardens, expressed through a rich and dynamic palette. A wide range of neutrals serves as a foundation, seamlessly intertwined with bold, expressive hues that breathe life into the fabrics. Developed by Formafantasma for Rubelli, Teorema draws inspiration from the vibrant colours of Ernst Ludwig Kirchner, the dynamic patterns of Fortunato Depero and Bridget Riley, and the timeless appeal of geometric design. The collection is further elevated by the luxurious touch of fine wool, establishing it as both a visual and tactile masterpiece. At first glance, Teorema stands out as a strikingly innovative collection – an unprecedented exploration within the Rubelli world. Yet it remains grounded in a second core principle: offering an extensive, meticulously curated selection of fabrics that cater to a wide spectrum of needs. From delicate textures to bold compositions, each fabric is treated with the same level of care and precision, ensuring both beauty and functionality.

Through these fundamental ideas, Teorema unfolds as a collection that seamlessly merges heritage with modernity, craftsmanship with creativity, and nature with design.

Versace Home announces the grand opening of its boutique at Dubai Mall Zabeel Elevated Living

WORDS – ANEESHA RAI

Versace Home has unveiled its stunning boutique at Dubai Mall Zabeel. Hosted by Solomia Home, the grand opening celebrated the aesthetic lifestyle and bold values of Versace Home, offering guests an immersive experience of the brand’s world of opulence and visionary design.

Spanning an impressive 600 square metres across two floors, the boutique’s five expansive ground-floor windows create a striking first impression, drawing visitors into a world where design, craftsmanship and heritage converge. The upper level is dedicated to outdoor living, reflecting Dubai’s passion for elegant al fresco spaces.

Every element of the Versace Home boutique has been meticulously crafted to reflect the brand’s legacy of excellence. Upon arrival, guests are welcomed by a dynamic video wall, leading

them to the boutique’s breathtaking architectural centrepiece: a grand elliptical staircase crowned by Versace’s iconic Medusa emblem.

The interior is a seamless blend of classic and contemporary elegance. Light Calacatta marble flooring enhances the boutique’s luminous ambiance, while white boiserie walls with dark metal accents create a refined contrast. On the upper level, rich wood flooring and Venetian blinds set the stage for luxury outdoor homeware collections, merging warmth with modern sophistication.

The boutique showcases an exceptional selection of designs from the Versace Home collection, featuring the House’s most iconic elements. The signature Medusa head – an instantly recognisable symbol of the brand – and the Greca motif, an emblem of infinity and unity, are prominently displayed across sofas,

armchairs, coffee tables and bookcases. These design codes, deeply rooted in Versace’s DNA, transcend fashion to become an integral component of a complete luxury lifestyle experience.

Notable collections within the boutique include: the Zensational modular sofa; the Stiletto collection inspired by the precise lines of Versace heels; the Discovery table crafted in marble and golden metal; the Venus armchairs; the Goddess light fixtures; and the striking modular sofa and coffee table from the V21Signature collection.

As an extension of the House of Versace, Versace Home blends heritage with innovation, transforming the brand’s fashionforward identity into a full-fledged interiors concept. From furniture and lighting to home accessories, the collections embody Italian excellence, timeless artistry and bold glamour.

Island Sanctuary

Baituti Home develops Zuha Island’s most inspiring design projects

WORDS – ANEESHA RAI

In the pristine waters of Zuha Island, a resortstyle retreat located off the coast of Dubai on the World Islands, Baituti Home has seamlessly integrated modern design with the island’s natural beauty, creating a sanctuary that is as inviting as it is exclusive. The client envisioned a space that offered understated luxury while embracing the island’s peaceful ambiance. Their brief emphasised the importance of creating a sanctuary that felt both exclusive and inviting, featuring high-end furniture and a seamless indoor-outdoor flow. They wanted each space to tell a story, celebrating craftsmanship and comfort. Gozde Morera, Director of Baituti Home, worked closely with Nadia Zaal, Founder and CEO of Zaya Group, the developer behind the project, to ensure every detail of the project aligned perfectly both with the island’s ethos and the client’s vision. The design ethos behind this project was deeply rooted in Zuha Island’s breathtaking land-

scape. The interiors echo the island’s peaceful ambiance, incorporating earthy tones, natural textures and curated artisanal pieces that establish a luxurious yet effortlessly relaxed atmosphere. Each space is a celebration of craftsmanship and comfort, where contemporary elegance meets organic harmony.

At the heart of the home in the atrium, the Maxalto Astrum table serves as a bold focal point, its sculptural ‘sawhorse’ base blending form and function. The formal living area is anchored by Mario Bellini’s Camaleonda sofa, with its signature capitonné design, while the Naviglio sofa introduces a dynamic interplay of curves and lines. Together, they create a space that is inviting yet architecturally striking.

Designed for both relaxation and connection, the family area features the adaptable B&B Italia Richard sofa system alongside the Alex dining table, distinguished by its lenticular frame. Paired with Belle chairs, it offers an

intimate yet sophisticated dining experience. Each bedroom is a retreat of quiet luxury. The Atoll bed, complemented by pieces from the Quiet Lines collection, brings a sense of calm through its soft curves and sound-muffling surfaces. In the master suite, the Maxalto Febo bed, distinguishable by its visible stitching, pairs seamlessly with the sculptural Amphora bedside table, creating a refined and restful ambiance. The Le Bambole collection, reimagined through Stella McCartney’s sustainable vision, brings Mario Bellini’s iconic design into the contemporary eco-conscious world with its “Fungi Forest” print upholstery and fully biodegradable construction. Outdoors, the Ribes collection by Antonio Citterio bridges the space with the indoors, while Baituti Home’s custom Oceano dining table and artisanal Dune lounge chairs with sits ustainable rattan and brass accents help create the perfect setting for relaxation and contemplation.

Smart Integration

Kettal’s Pavilion H

blends aesthetics and functionality

WORDS – ANEESHA RAI

The Pavilion H series is designed with a clear objective: to align architectural excellence with intelligent functionality. This cutting-edge range of pavilions introduces a new level of integration into architectural spaces, emphasising luminosity, transparency and structural lightness. By seamlessly blending into diverse environments, Pavilion H creates open, free-flowing spaces that enhance both residential and commercial settings. The aluminium structure allows a variety of customisable options, ranging from ceiling types to side panels. Ceiling options include waterproofed ceilings, polycarbonate, aluminium, wood and Venetian styles. There are also various options for side

panels such as sliding fabric, wood and aluminium, fixed panels with shelves, adjustable blinds, stone, glass and curtains. The system can also include various models of spotlights tailored to complement the pavilion’s design. A fully connected smart pavilion, the Pavilion H is equipped with advanced automation technology that offers seamless control over key environmental elements, ensuring maximum comfort and energy efficiency.

With its bioclimatic system, the pavilion automatically adjusts to external conditions, regulating airflow, light and temperature. The integrated lighting, blinds system, space heating and ventilation further enhance efficiency, safety and durability, making it the

ideal solution for year-round outdoor living. Taking automation a step further, Pavilion H is fully compatible with Kode, a revolutionary smart home app that allows you to extreme flexibility – from adjusting the ceiling opening to controlling lighting and temperature. With Kode, users can control their pavilion from anywhere, whether from the comfort of their sofa or miles away. With Pavilion H, the boundaries between indoor and outdoor spaces dissolve, creating a versatile, intelligent, and aesthetically refined environment. Whether for homes, workspaces, or hospitality settings, this motorised pergola system redefines comfort and convenience, transforming outdoor areas into functional, all-season living spaces.

SERENE SOPHISTICATION

At the heart of this bathroom transformation is the understated elegance of sage green subway tiles, a choice that seamlessly blends contemporary sophistication with timeless charm. The homeowners envisioned a space that felt both serene and inviting, a retreat within their home where design and functionality harmonise effortlessly. Laid in a sleek stacked pattern, the tiles create a sense of order and modernity. Beyond their aesthetic appeal, these tiles are also a practical choice: moisture-resistant, easy to clean and durable, ensuring their beauty lasts for years to come.

A FUSION OF SUSTAINABILITY AND DESIGN

Marcantonio’s Terra pouf for Natuzzi Italia is a statement of conscious craftsmanship

Designer Marcantonio has created a pouf that embodies Natuzzi Italia’s evolving design philosophy, which is rooted in sustainability, material awareness and thoughtful craftsmanship. The result is Terra – part of the brand’s Circle of Harmony collection – a sculptural yet inviting seating piece designed with zero environmental impact in mind. Inspired by the landscape of Puglia, the pouf’s chamfered form and rounded lines recall the smooth contours of an olive resting on the region’s red soil. Light straps that connect the seat and backrest complement Terra’s minimalist aesthetic, reinforcing the project’s seamless circularity. The inner core is free from traditional structures and frames and is crafted from recycled polystyrene – one of the most recyclable and circular materials available. The upholstery is offered in Water, a sustainable fabric developed in collaboration with Dutch textile innovation studio BYBORRE, further reinforcing Natuzzi’s dedication to conscious design.

Making a Statement

Casamia unveils Edra’s Pack sofa, a perfect fusion of playfulness and comfort. We delve into its design and functionality while exploring Casamia’s rise as a leading tastemaker in the region

WORDS – ANEESHA RAI

Photography: Matteo Piazza

Bold design is making a comeback, and the Pack sofa by Edra is a prime example of avant-garde innovation. People’s reactions to the sofa vary, ranging from joy to surprise, with many drawn to its softness and impressive scale. However, one notable observation is how the sofa, in a rather ironic twist, makes breaking the ice easier than in typical social settings. Its plush softness and lounging form seem to invite people in, encouraging them to take a seat and embrace the moment, as perfectly epitomised in this poem by its creator:

Times of ice melting.

Loneliness of many.

Happiness under the sun.

Blue. Adventure.

Hope for a new season.

The Bear. The Other. The Diverse. The affectionate softness of diversity. From fear and cold to bravery, to the risky game of life.

The feeling of being born again.

The pleasure of meeting again friends from far away.

Celebrate.

Form opens a new space.

In our Mind and Home.

An open space to play and live.

An angle of intimacy.

A warm nest.

DESIGN UNPACKED

Designed by Francesco Binfaré, the Pack sofa by Edra is an artistic expression of comfort and fluidity. Breaking free from traditional rigid structures, it redefines the way we interact with furniture, offering both sculptural beauty and luxurious relaxation.

At its core, Pack features an ice packinspired base and a soft, reclining bear as a backrest, creating a statement piece that blurs the line between function and fantasy. Spanning 3.7 metres at its longest side, the sofa’s irregular base aligns with a right angle, making it both versatile and commanding in any space.

The seat is padded with Gellyfoam and feather, wrapped in a special fabric that mimics the texture of ice layers. Developed through Edra’s material research, Gellyfoam provides an unexpected softness that cradles the body while maintaining the perfect balance of firmness and support. Traditional sofas were once defined by rigid structures and fixed shapes, with clear distinctions between seat and backrest. Edra has dismantled these constraints,

creating sofas that respond to human gestures, postures and ways of living rather than adhering to conventional typologies.

“The Pack sofa is more than just a seating element – it’s a conversation starter, a statement and an artwork in itself,” shares Kader Mithani, CEO and Founder of Casamia. “Our clientele, particularly those who appreciate bold design, are drawn to its whimsical yet luxurious presence. It resonates with those who seek individuality and meaning in their spaces. Pack perfectly fits the evolving sensibility of our clients who are no longer just looking for furniture, but for pieces that reflect their personality, values and taste. It’s a standout piece that brings both narrative and sophistication into a room,” he adds.

The bear-shaped backrest, crafted from polyester and covered in eco-friendly fur, is soft, mobile and ballasted for stability. Its nonslip leather base allows it to adjust naturally, providing a sense of warmth and embrace – an invitation to relax without restriction.

CASAMIA – ON BEING TASTEMAKERS

Founded in 1987 in Tuscany, Edra is part of Casamia’s growing portfolio of prestigious brands. Edra’s pieces are a response to the company's absolute requirement for timelessness and universality of use. “What drew us most to Edra is their approach to design, blending advanced technology with an almost poetic sensibility,” states Mithani. “This aligns with our vision of curating spaces that are not just functional, but inspiring – where every piece has depth, intention and legacy.”

The addition of Edra’s Pack sofa in Casamia’s portfolio reflects the region’s evolving design landscape – one that is embracing individuality, storytelling and artistic expression

in luxury interiors. “Clients are embracing pieces that reflect their personal journey, their taste and their desire to stand apart,” Mithani says. “Whether it’s through colour, form or concept, there’s a growing appreciation for the unique and unexpected – something we encourage and celebrate at Casamia.”

Mithani also observes the evolution in the UAE and wider region, where design is rapidly starting to reflect an extension of cultural expression and personal identity. “High-concept, sculptural furniture is gaining momentum, not just as a luxury, but as a form of artistic investment,” he shares, adding that the appetite for collectible, sculptural pieces is only growing. “At Casamia, we’re responding to this by curating selections that are as much art as they are furniture, offering clients access to the world’s most visionary designers.”

IN DESIGN

We turned to three leading interior designers to explore their impressions of the Pack sofa –a sculptural, avant-garde piece that blurs the line between furniture and art – and how they would design a space to complement its distinctive presence. “As a deep admirer of [René] Magritte's surrealism, I love the idea of combining familiar elements outside their original context and placing them in unexpected environments to change our perception of reality. Dreamlike elements that create a sense of unease, intrigue and visual contradictions provoke contemplation, as surrealist artists often suggest,” shares Francesca Patti, Hospitality Design Director at Bishop Design. “This surrealistic philosophy perfectly captures how I envision this sofa – fitting into unexpected interiors. I see this iconic design making its greatest impact precisely because it feels out of place, creating a powerful sense of surprise.”

Patti suggests setting a stage for such a whimsical piece in addition to creating an interior that also narrates its own story. “I envision the Pack sofa acting as a host; not a traditional host greeting you at the door, but one waiting in the main lounge, inviting you to slow down, enjoy the moment, sit, chat and share stories, all while feeling embraced by nature. The interior should be carefully designed and balanced, with lighting strategically placed to enhance its soft and inviting form.”

“We have previously incorporated this sofa into a children’s playroom, where its sculptural quality naturally lent itself to both function and aesthetics,” says Kate Instone, Founder and Creative Director of Blush International. “Positioned at the centre of the room, it acted as a double-sided island, subtly zoning the space. One side faced the TV area, creating a relaxed lounge setting, while the other side was oriented toward the play area, making it an inviting and interactive feature,” she notes. Instone emphasises that a statement piece like the Pack sofa demands space and should be positioned intentionally, where its fluid, sculptural form can be appreciated from multiple angles rather than feeling crowded or forced into a setting.

According to Vera Dieckmann, Founder of XO Atelier, the key to designing around the Pack sofa lies in creating an immersive yet balanced environment that complements its playful, nature-inspired narrative. “Think of a curated selection of organic shapes, sculptural lighting and layered textures that echo this piece’s sense of comfort and playfulness. The Pack sofa needs a space to breathe and to be admired,” she says. “In my opinion it is a perfect key piece, a solo star, which needs some extra spotlight and, for sure, a client who loves design and understands the joyful and playful creativity behind the piece.”

Things to Covet

Not to be underestimated, here’s where side tables take centre stage

WORDS – ANEESHA RAI

1. EXTO side table by Kiki van Eijk

This piece, designed by Kiki van Eijk, celebrates refined Italian craftsmanship, seamlessly blending contemporary sculptural forms, clean lines and a vibrant green hue. Its angular silhouette and precise proportions are a huge draw. The pieces embody van Eijk’s core design principle: crafting furniture pieces that transcend mere functionality to become deeply personal, emotionally resonant objects that also enrich spaces aesthetically.

2. Rock Candy side table by Ina Rinderknecht

Celebrated Swedish architect and interior designer Ina Rinderknecht has introduced a new addition to her Childhood Memories of Asia furniture collection. Inspired the designer’s own childhood experiences in Asia, the Rock Candy side table captures the delicate balance between memory and artistry. Available in two sizes and serene white and blue colourways, the ethereal onyx tabletop sits gracefully on a minimalist bronze base, anchored by weighted blocks of

white marble. The blocks are artfully shaped to evoke the chiming bells of Buddhist temples, offering a subtle yet profound spiritual connection.

3. BENSON by Rodolfo Dordoni for Minotti

Defined by overlapping shapes and a masterful blend of luxury materials, BENSON’s sculpted form is accentuated by the richness of wood and the luminous contrast of metal, creating a

striking visual balance. Designed to complement a sofa or armchair, this 46cm- diameter, 38cm-high side table is available in two refined combinations: one features a glossy ebony base paired with a satin-finished bronze metal top, while the other offers a glossy lacquered Moka base with a glossy gold-finished top. Each version highlights the table’s sophisticated interplay of textures, making it a timeless addition to any space.

Lighting up Riyadh

Huda Lighting opens new state-ofthe-art showroom in Riyadh, KSA

Huda Lighting, a leading lighting solution provider for projects, has now opened the doors of its largest showroom in Riyadh, marking a significant milestone for the company.

Designed as an inspiration hub, the 737-square metre showroom offers a curated selection of architectural and decorative lighting solutions from 21 world-class brands, combining luxury and innovation.

The opening event received outstanding feedback from industry professionals, brand partners and guests, who praised the showroom’s sophisticated design, diverse lighting selections and immersive experience. This opening was a major milestone for the company, reinforcing Huda Lighting’s continued growth and dedication to excellence.

From architectural lighting solutions that define modern spaces to luxury decorative lighting that enhances interiors, the showroom caters to a wide range of projects, including residential, hospitality and commercial developments.

With Saudi Arabia experiencing rapid expansion across multiple industries, the demand for high-quality lighting solutions is greater than ever. As the country enters a new era of growth, Huda Lighting remains committed to bringing expertise, innovation and world-class lighting solutions to the market. The company’s presence in KSA ensures that clients, designers and industry professionals receive expert know-how and high-end lighting solutions, tailored to each project’s needs.

Huda Lighting’s Riyadh showroom is more than just a display space – it offers an exclusive, luxurious experience for clients throughout the region. With international brands, a thoughtfully curated product selection and over 25 years of industry expertise, visitors can expect expert guidance to bring their projects to life. Whether it’s a residential villa, a high-end restaurant or a largescale development, our team is here to inspire and deliver exceptional lighting solutions.

You can visit the Huda Lighting showroom today and discover the future of lighting in Riyadh.

Huda Lighting Showroom

Al-Ard Hittin, Northern Ring Rd., Hittin, Riyadh 13513, Saudi Arabia

Tel: +966 11 448 1312 | hudalighting.com

Photography: Ulyssis Castillo

The Language of Light

These are the exhibits you cannot miss at Euroluce 2025

WORDS – ANEESHA RAI

A-N-D Column
Photography by Jacob Brinth

Running from 8 to 13 April 2025, this year’s Euroluce at Salone del Mobile showcases light not just as a technological and functional element but, especially, as an aesthetic dimension, an emotional force and determining factor for the comfort of our spaces. Here are four brands you cannot miss:

A-N-D

A-N-D, a global manufacturer and design studio specialising in avant-garde lighting design, will present three new luminaires alongside its iconic collections in an exhibition that interweaves tradition and innovation. In its showcase, light serves as a tool for architectural and poetic expression, redefining the relationship between materiality and illumination. Among the featured collections are the Pace series designed by Caine Heintzman and the Contour and Tier series designed by Lukas Peet. Hall 10, Stand C10

Lasvit

Lasvit will unveil Niveo, a striking new lighting collection by award-winning Czech designer Jan Plecháč. Inspired by the ephemeral beauty of hailstones and derived from the Italian word for ‘snow-white’, Niveo captures the raw energy of a storm, transforming its fleeting chaos and organic spontaneity into hand-blown, sculptural glass forms that seemingly suspend light in motion. Its textured surfaces and fluid compositions echo the unpredictable forces of nature while maintaining the refined craftsmanship that defines Lasvit. With Niveo, Jan Plecháč has embraced the beauty of imperfection, allowing nature’s randomness to shape his design. The Niveo collection offers a versatile range of lighting solutions, from linear pendants to single, triple and five-light clusters, along with an inverted spherical table lamp. Each piece is designed to interact harmoniously with its surroundings, casting a soft, ever-shifting glow that enhances any space with an ethereal presence. Hall 6, Stand C39-D38

Linea Light

Linea Light Group will present the Linealight Collection, a new, complete proposal of technical and decorative lighting fixtures designed to meet every installation requirement. The collection stands out for its customer focus, both in design and distribution. The range includes some of the company’s bestsellers and introduces important new features, including the premiere of the Delfi family, an innovative lamp designed to illuminate surfaces below, such as tables, without causing glare. Hall 2, Stand B19

Flos

A lot is under wraps for Flos at Euroluce, only to be revealed at the fair. Last year, the brand released SuperWire, the first family of modular lamps designed by FormaFantasma. Founded in 1962, Flos is recognised as a leading international-level manufacturer of top-end designer lights and innovative lighting systems for residential, hospitality and commercial projects. Hall 10, Stand C14-B15

Flos SuperWire Photography by Robert Rieger
Linea Light Delfi
Lasvit Niveo

An Insider’s Guide to Milan Design Week

Here’s our curated guide for the much-awaited Salone del Mobile.Milano and Fuorisalone

WORDS – ANEESHA RAI

Taijitu table, Bonaldo

This year’s Salone del Mobile.Milano promises to be the industry’s leading international event, with more than 2,000 exhibitors – 38% of whom are coming from abroad – and 148 brands including first timers and returnees ranged over 169,000 square metres of totally sold-out net exhibition space. To manage your time best, it’s always better to set up appointments beforehand. With so many brands taking part both in the fair and out in the city with Fuorisalone, it can be overwhelming, but we’ve got you covered. Here’s our id insider’s guide of brands to check out:

Salone del Mobile.Milano

Atlas Concorde

At the fair, Atlas Concorde will present its Marvel Diva collection. Continuous innovation, technological research, Italian style, international vocation and social and environmental responsibility define the company’s codes. Visit the brand at Hall 03 Stand C21 - C19

Bonaldo

This quintessential Italian brand is animated by the ethos of bringing ideas to life and crafting objects that epitomise the essence of modern living. At its heart, Bonaldo specialises in manufacturing tables, chairs, sofas, beds, accessories and lighting that pulsate with vibrant and distinctive design. Launches will include the Taijitu table by Spazioameno, Youpi stool designed by Fabrice Berrux, and a Boolean armchair by Giuseppe Vigano.

Visit the brand at Hall 9 - G09/H08.

Minotti

The 2025 collection will involve releases of new pieces from Marcio Kogan / Studio MK27, Giampiero Tagliaferri, Hannes Peer, Nendo, and GamFratesi.

Visit the brand at Hall 11 - Stand E15 G12 G16 E27 G22

Talenti Home

Going against the market trend, top high-end outdoor furniture brand Talenti comes to Milan to preview Alma, its first indoor collection where attention to detail is confirmed as an intrinsic feature in the brand’s DNA. Signed by Ludovica Serafini and Roberto Palomba, the Alma sofa blends modernity and tradition, creating a cosy and delicate piece of furniture. As the name (which is Spanish for ‘soul’) recalls, this proposal aims to create an ideal parallel between the interior of a home and that of a person, a sort of introspective journey between emotions and sensations amplified by the mag-

Marvel Diva collection, Atlas Concorde
Supermoon sofa, Minotti

nifying glass called design. “Alma stands out for its sinuous and harmonious sculptural forms with rounded corners that accentuate its soft and welcoming appearance. Its presence is immediately recognisable, with a design that expresses a strong character. Its nature and design are decidedly bolder and more provocative than more traditional solutions, while recalling some forms and trends of the past, but in a way that does not compromise its uniqueness. Alma does not simply furnish the space, but transforms it, defining its own bold and unmistakable identity, capable of dialoguing with the contemporary context in a powerful and innovative way,” say the designers. Visit the brand at the fair at Pad 22 - Stand A31-A35.

Oikos Venezia

Oikos Venezia will present itself at the fair with ‘Entrance Architecture’, which speaks the language of furniture by launching a preview of a proposal for furniture items that characterise the entrance space. This preview aims to explore and gather feedback on possible future scenarios.

Visit the brand at Hall 05, Stand A05.

Porro

Deep roots and a contemporary vision come together in the 2025 collection, with Porro building a bridge to the future. This includes the introduction of new sofas by Piero Lissoni and Francesco Rota that bring a whole new language of comfort and softness; Porro’s

living spaces that enhance the brand’s upholstered furniture offering for both residential and contract use; and sculptural furnishings by Piero Lissoni and Dordoni Architetti that represent ‘missing pieces’ within the brand’s collections. Additionally, the continuous evolution of the company’s architectural systems, in synergy with the Glide sliding, fixed and

pivot partitions, enables Porro to go beyond the limits of traditional furniture, embracing the concept of a fluid home.

Visit the brand at the fair at Hall 11 - D15, D18 Fuorisalone: Porro Showroom, Via Uberto Visconti di Modrone, 29.

Fast

Fast is an Italian brand specialising in the creation of outdoor furniture made from aluminium. The company is based in Valle Sabbia, near Lake Garda, and has a strong connection to the local area and its natural surroundings, drawing inspiration from it to create furniture that conveys the joy of living outdoors. The brand’s identity is shaped by its dedication to the essence of the territory, where the breathtaking scenery serves as a continuous source of inspiration. This year, Fast celebrates thirty years of operation and is guided by its creative directors, architects and designers Francesco Meda and David Lopez Quincoces. On the occasion of the Milan Design Week 2025, the brand is presenting several range extensions, including the introduction of low tables in various sizes within the Naca collection, and the expansion of sunbed offerings in the Solaris collection. Among the highlights is the new modular sofa system with a reclining backrest, designed to make every outdoor space unique. Visit the brand at Hall 24, D10 or in the city at Via Cesare Battisti 1 – Milano Durini Design District

Table by Piero Lissoni, Porro
Naca low table, Fast
‘Entrance Architecture’, Oikos Venezia

Casa Cork

Rockwell Group, the renowned NYC-based architecture and interior design studio, will unveil ‘Casa Cork’ – an immersive installation showcasing the vast potential of cork as a sustainable material at Milan Design Week 2025. An immersive installation, events programme and student

competition will be curated by Rockwell Group and the Cork Collective in collaboration with Corticeira Amorim. As visitors explore cork and its extensive potential, they will be immersed in interiors, furnishings, lighting and student prototypes crafted almost entirely from this remarkable material. The dramatic centrepiece of ‘Casa Cork’ is a lifelike replica of a monumental cork tree made from reclaimed virgin cork bark,

which seamlessly connects a multitude of cork products to this wonder of the natural world. An unfolding journey brings the world of cork to life in a sensory touch gallery; a tactile workshop narrates cork’s origin story and showcases the possibilities for innovation; and a salon, a welcoming bar and event space, offers visitors tastings, meals and discussions about design and a zero-waste future. Address: 31 Via Solferino.

Fuorisalone

Moooi

Bredaquaranta, a leading player in the retail sector of furniture and interior design, has signed a new partnership with Moooi, the legendary Dutch brand founded in 2001 by Marcel Wanders and Casper Vissers. The renowned Northern European company has chosen Bredaquaranta, led by Davide D’avico, following numerous successful collaborations with

international design giants. Moooi is known for its always original, unexpected, eclectic, rebellious and sophisticated collections that push the boundaries of commercial reality and cultural interest, offering a curated mix that defines the personality of spaces.

The new Moooi flagship store will open its first Milanese location at Via Turati 2.

Karl Lagerfeld Maison

Karl Lagerfeld Maison will unveil the next chapter of the Wellen collection, expanding its collaboration with guest designer Toan Nguyen. The exclusive presentation will take place at the Karl Lagerfeld Maison showroom, in the vibrant heart of Milan’s design scene.

Following its debut during Milan Design Week 2024, the collection is enriched with twelve new pieces named K-Wellen, inspired by the iconic shape of the letter ‘K’. This new line embodies the minimalist elegance that defines Karl Lagerfeld’s DNA, reinterpreted through sophisticated and contemporary design. The distinctive ‘K’ silhouette defines a variety of furnishings, including sideboards, consoles, mirrors, tables, shelves and upholstered pieces, creating a harmonious dialogue between essential geometries and premium materials. The standout feature? Metallic finishes that add bold character and a strong aesthetic identity, perfectly aligned with the famous couturier’s futuristic vision. This collection represents a further exploration of Karl Lagerfeld’s passion for architecture and avantgarde design, merging contemporary creativity with outstanding artisanal quality. Address: Via Passione 8.

Paola Lenti

Ritrovarsi is Paola Lenti’s project for the 2025 edition of Milano Design Week. It is an opportunity for new experiences and discoveries that the company offers to visitors at Paola Lenti Milano, inviting them to reconnect with space and time through a carefully designed chromatic path. The indoor and outdoor collections unfold within a coherent and layered project, where the relationship between architecture and nature allows thoughts to flow in harmony with the surrounding beauty, evoking a sense of balance and wonder.

Address: via Giovanni Bovio, 28

Buccellati

Buccellati will present ‘Naturalia’, an immersive exhibition curated by Balich Wonder Studio that celebrates the timeless beauty of nature and craftsmanship. The exhibit features site-specific settings and soundscapes, inviting visitors to explore Buccellati Silver Nature, an experience enriched by botanical art installations from Studio Mary Lennox. ‘Naturalia’

highlights one of the Maison’s most renowned silver collections, Furry Animals, which masterfully recreates the textures of fur and feathers, as well as ancient engraving techniques such as modellato and ornato

Address: Via Brisa 5

Antolini

The marble brand invites visitors to discover natural stone in an unprecedented form that pays tribute to the grandeur of nature and human genius, showcasing its collaborations with Murran Billi and Bang & Olufsen.

Address: Antolini Duomo of Milan, Piazza Fontana corner of Via San Clemente.

Zucchetti

Historic Italian tap brand Zucchetti opens the doors of its new showroom in the beating heart of the city, and unveils its new products for the bathroom: a collection of taps designed by the renowned studio Yabu Pushelberg, a refined series of shower heads designed by Francesco and Alberto Meda, and an innovative shower system developed by Matteo Fiorini with Studio Lys, responsible for the brand’s creative direction. Address: Corso Venezia, 29.

Cassina

Marking the 60th anniversary of Cassina’s production of the Le Corbusier, Pierre Jeanneret and Charlotte Perriand Collection, and realised in collaboration with the Le Corbusier Foundation and the heirs of Jeanneret and Perriand, ‘Staging Modernity’ will debut as a theatrical performance and installation at Milan Design Week. Curated by Formafantasma and directed by Fabio Cherstich, this immersive experience will pay tribute to Cassina’s pioneering craftsmanship and its enduring influence on contemporary design. Through a thought-provoking intervention, Formafantasma challenges the contradictions between Modernist ideals and today’s shifting realities, reinterpreting the legacy of industrial rationalism through a lens of ecological consciousness. Throughout the week, a dynamic theatrical performance directed by Cherstich will unfold, weaving together commissioned texts by philosopher Emanuele Coccia, architect and curator Andrés Jaque, and architect-artist Feifei Zhou (terriStories). Address: Teatro Lirico Giorgio Gaber, Via Larga, 14

Roche Bobois

Roche Bobois will present the Cromática collection, an exceptional collaboration with award-winning Spanish film director Pedro Almodóvar and actress Rossy de Palma.

Address: Durini Design District, Via Felice Cavallotti, 14

Contemporary Design Meets Culture

We interview three designers about merging cultural narratives with timeless craft

WORDS – ANEESHA RAI

Sand Pearls by Tessa Sakhi, photography by Tarek Moukaddem

Many often view design objects very much in the sense of art – as a feeling. For some, it is a matter of desire; for others, a potential investment. Then there’s the story behind the piece, and finally, we arrive at the artist. There is another reason for a sense of resonance, one that spans across far beyond the piece: the designer’s identity. It has now become paramount to understand each designer’s distinct philosophies and unveil the deeper meaning that is uncovered beneath the concept and abstraction. A true design piece that resonates with you will not only move you from within and appeal to you through the story; it will also thrill through the unexpected meeting of its creator. This evolution aligns with the increasing emphasis on personal branding in contemporary culture. As collectible design becomes an essential feature in diverse interior spaces, we delve into the work of three visionary designers to explore

how cultural heritage and modern innovation shape their narratives. We also uncover what drives their creative practices, their latest projects and their dream collaborations.

Emirati multi-disciplinary designer Wafa Al Falahi’s work bridges culture, history and science, creating intimate environments that blend fluid forms with storytelling. “My design philosophy and creative process are rooted in thorough research and methodology. Whenever I begin a new project, I make sure my ideas are well-informed, guided by a clear line of research and insights. I then move into prototyping and sketching. I believe hand-drawing is a crucial part of the process, as it shapes the direction of the work and allows for a seamless flow of conceptual ideas, which ultimately guide the physical manifestation of the design,” she shares. Al Falahi’s design journey began with the Athath Fellowship, where she created her first functional piece – a chair for potters

in the UAE. Her exploration of materials continued with the Tanween 2023 programme, where she developed a bioplastic infused with henna, honouring her grandmother’s traditions. Al Falahi’s practice spans various mediums, including clay, bioplastics, hair and natural materials, all contributing to her dynamic and expressive pieces. Some notable projects include ‘Sprout’ – a bioplastic lamp made from pomegranate remains and displayed at this year’s Maison&Objet – and a bioplastic henna chandelier, which was recently showcased at Vacheron Constantine and Gerbou in two different iterations. As the founder of Sorbe

Above – (from left) Wafa Al Falahi; Roots, photography by Alin Constantin

Studios, a design collective focused on creating immersive experiences across interiors, furniture and ceramics, Al Falahi likes to push the boundaries of conventional design. Sorbe Studios is known for its playful, whimsical approach, producing unique works that resonate both with clients and audiences. Besides these projects, Al Falahi is currently refining her practice through the SEAF emerging artists programme, where she is focusing on the themes of memory and space. Al Falahi states that one of her dream collaborations would undoubtedly be with Icelandic–Danish artist Olafur Eliasson. “His approach to immersive, sensory environments and his exploration of light, space and perception resonates deeply with my own artistic practice,” she shares. Al Falahi’s daily creative practices include finishing at least one drawing in her sketchbook, be-

cause she believes drawing is one of the most important tools for any designer. “I also like to start my day with reading – whether it’s research papers or novels – since I’ve noticed that what I read often influences how I see and approach my projects,” she shares.

Tessa Sakhi, an architect and designer based between Venice and Beirut and London, shares that her environment helps shape her work: “I’m inspired on a daily basis – by anyone and anything in my environment or that I encounter along the way. It could be nature, a historical artifact, a building, a painting, a song, a poem, a sentence in a book or even a conversation with a stranger – sometimes even my dogs!” However, whenever she begins a new project, she always starts by researching historical artifacts as her first point of reference. “Somehow, an inspiration comes from the natural environment, where I seek to learn and translate its lessons into sensorial experiences in my designs, and then everything just flows organically,” she states. Some of her recent projects include two residential houses and renovations in Venice. Sakhi also collaborated with her sister Tara (T SAKHI) on the public realm design for the Yard of Alserkal Avenue in Dubai, collaborating with landscape designer Zain Massud. She also worked on Murano sea creature sculptures called ‘Whispers from

the Deep’, commissioned for the Design Doha Biennale last year by Qatar Museums, which acquired the pieces to form part of its collection. ‘Sand Pearls’, a sculptural seating piece, was acquired for Abu Dhabi’s Formula 1 VIP Lounge, which was designed by Agata Kurzela.

Top right – Tessa Sakhi, photography by Elie Abi Hanna; Below – Primitive Collection, Coffee Table Rosso Orobico, photography by Lorenzo Basadonna Scarpa

Sakhi collaborates with artisans from diverse cultures, fostering dynamic dialogue and creative exchange, encouraging both traditional craftsmanship and contemporary innovation. Imbued with an artisanal touch, each piece is handcrafted by artisans in Cairo and Italy.

Omar Chakil, a French-Egyptian-Lebanese designer, will soon present a new body of work that blends craftsmanship, art and design, and is created from his signature Egyptian alabaster and luxury marbles. Chakil offers a fresh take on Egyptian alabaster, bridging its ancient legacy with contemporary design. He will collaborate for the first time with renowned Paris-based Galerie Gastou at PAD

Paris. which will showcase his work from 2 to 6 April 2025. With over 20 years of experience in design, his work with Egyptian alabaster, an endemic material once used in heritage crafts, is demonstrated here; reinvented through contemporary aesthetics, while still drawing on the rich heritage of Egypt through his personal interpretation of matter and shape. Chakil’s sculptural design pieces use organic lines, showcasing the beauty and versatile nature of the stone while paying homage to its ancient legacy through singularly modern aesthetics that bridge multi-cultural heritage. Chakil claims his unique multi-cultural identity helps define his work. “As a French-Egyptian-Leb-

anese, I constantly have to find ways to give meaning to the endless apparent contradictions of living [that are] rooted in different and sometimes contradictory civilisations. My creative work aims to bridge those gaps and open pathways to a world where differences can be transcended,” he shares. His creative approach channels emotions and personal experiences with the intention of finding universal resonance. He is currently preparing: a series of new colourful works for Iwan Maktabi’s Dubai flagship store; a series for Egyptian collectible design brand Don Tanani; upcoming pieces for We Design Beirut in collaboration with Stones by Rania Malli and Marm Group in Beirut; and a suite for a Steigenberger hotel. He dreams of choreographing a Prejlocaj ballet around his Encapsulated floor lamps or having his work featured in a Sofia Coppola film. He would also love to bring his singing into one of his future design projects. His creative rituals include reading international news, appreciating scents like Egyptian guavas and palo santo, collecting stones and listening to Frédéric Taddeï on his drives.

As design continues to evolve, the interplay between personal narratives, heritage and modern innovation is reshaping the industry. These designers exemplify how identity and philosophy are as integral to a piece as its form.

Above – Omar Chakil, photography by Galerie Gastou; Left – Gros Guiollaume stool

In Design With

The Art of Curated Living

OBEGI Home designs a breathtaking mansion on Jumeirah Bay Island through thoughtful curation and bespoke elements

By blending over 20 globally renowned brands with uniquely customised pieces, OBEGI Home has created a breathtaking mansion where every corner tells a story of unique and personalised design, resulting in a home that is both visually striking and deeply meaningful. Every space within this exceptional property serves a distinct purpose, yet a carefully curated aesthetic ensures harmony throughout. Entertainment was a key consideration at this four-floored residence, with an expansive outdoor area on the ground floor and an entire rooftop level dedicated to hosting. Indoors and out, the design promotes fluidity, inviting natural light and effortless transitions between spaces.

The kitchen and wardrobes feature exquisite craftsmanship by Poliform, while the interiors are adorned with statement pieces from Flexform, Tribù, OKHA, Secolo, Gabriel Scott and Elie Saab Maison, among others. Each element was handpicked to align with the homeowner’s refined vision. Customisation played a central role in shaping the home’s identity. The striking twelveseat dining table was meticulously designed in Italy through OBEGI Home’s extensive network of artisans. Even the rugs throughout the residence are one-of-a-kind, with intricate hand-drawn designs conceptualised by the OBEGI team and crafted by expert carpet artisans. The curation process transforms a house into a home that is beautifully tailored to its owners’ lifestyles. Every detail, from statement furniture to custom-crafted accents, serves as an extension of their story, elevating the art of personalised living to new heights.

Luxury Meets Everyday Comfort

This Dubai Hills villa by MWM Studio integrates comfort, functionality and refined aesthetics

Spanning an impressive 2,320 square metres, this meticulously designed residence embodies a sophisticated yet practical approach to modern living. Every space is crafted to enhance daily life, ensuring an effortless balance between indulgence and convenience.

Floor-to-ceiling glazing bathes the interiors in natural light, creating an inviting atmosphere while offering panoramic views of the adjacent golf course. The villa’s openplan design fosters a natural flow between spaces, reinforcing a sense of connection and ease. Whether its occupants are hosting grand gatherings in its multiple lounges or enjoying quiet family moments, Skyview Villa adapts to every lifestyle need. The basement, a sanctuary of leisure, houses a state-of-the-art home cinema, golf simulator, two bars and a private spa. Direct access from the parking area to this entertainment hub enhances convenience, ensuring smooth transitions throughout the home. At the heart of the villa,

grand yet

a
This page – (above) A grand yet welcoming lobby serves as a central gathering space, anchored by a sculptural staircase that functions both as an artistic centrepiece and a practical connector between levels; (below from left) Thoughtfully selected materials include rich marbles, natural stones and warm wood finishes; Custom-designed furniture, crafted in collaboration with skilled artisans, ensures that each piece is not only functional but also an artistic statement

The villa’s open-plan design fosters a natural flow between spaces, reinforcing a sense of connection and ease

welcoming lobby serves as a central gathering space, anchored by a sculptural staircase that functions both as an artistic centrepiece and a practical connector between levels.

The master suite epitomises private luxury, featuring an expansive walk-in wardrobe with a central island, transforming daily routines into a lavish experience. Adding to the villa’s holistic approach to well-being, the rooftop gym offers a secluded retreat for fitness enthusiasts, complete with inspiring views that elevate an active lifestyle. The design narra-

tive of Skyview Villa is an elegant interplay of modern minimalism and curated luxury. Thoughtfully selected materials include rich marbles, natural stones and warm wood finishes. Custom-designed furniture, crafted in collaboration with skilled artisans, ensures that each piece is not only functional but also an artistic statement.

A dedicated Hindu temple and altar lounge introduce a deeply personal touch, offering serene spaces for reflection and spirituality. Grand chandeliers punctuate key areas, add-

ing dramatic elegance without compromising warmth and intimacy. The villa’s seamless integration of indoor and outdoor living is one of its defining features, with expansive glazing panels that open entirely, transforming the surrounding landscape into a natural extension of the interiors. The home’s materials are not merely decorative but essential to its character. The sculptural staircase, a striking architectural statement, enhances the villa’s visual flow, while bespoke furniture and accessories add depth and personality to each space.

Personalised Luxury

Bespoke design and a strong curatorial process define this duplex at The Lana Residences, Dorchester Collection in Dubai

WORDS – ANEESHA RAI

PHOTOGRAPHY – EDMUND SUMNER

With Foster + Partners’ architectural landmark setting the stage in the Marasi area, ANARCHITECT crafted a design that seamlessly translated an energetic and playful art collector’s vision into a home that felt deeply personal, while maintaining the refined aesthetic of the Dorchester.

The studio employed a series of selective, subtle interventions that include reimagined lighting and refined finishes, as well as carefully chosen textures and entirely new furniture pieces that redefine the space while maintaining the elegance of its branded identity. “Our work is always driven by a narrative,” shares Jonathan Ashmore, Founding Principal at ANARCHITECT. “We craft spaces that tell a personal story, pushing creative boundaries while retaining the practicalities of luxury living. The result is a home that truly resonates with its unique inhabitants.”

The transformative power of ANARCHITECT’s design lies in its curation of furniture and art, developed in close collaboration with Gallery Collectional. The pieces are avant-

garde and often one-of-a-kind and create a meaningful dialogue with space, adding layers of personal expression. Each object, from tables to light pieces, was chosen not only for its aesthetic beauty but also for its ability to integrate with the interior and curatorial flow, crafting a narrative where art, design and living intersect. “The Client is of Asian descent and already had an extensive collection of Japanese, American and British pop-art.” Shares Ashmore. “This eclecticism gave us a mandate to look at the furniture, collectible pieces, lighting, and objects as a further expansion of their existing collection. We curated each room like an Art Director would curate a contemporary gallery. Each space would have one or two key anchor pieces and multiple focal points from which to experience the pieces.”

Embracing ANARCHITECT’s vision, the client welcomed an unconventional selection, where new tailored, iconic and collectible pieces merge seamlessly. Strictly edited and highly curated with Collectional, this assemblage of custom-made and invested pieces – by Jeremy Maxwell Wintrebert, Laurids Gallée, Nico Ko-

ronis and Nacho Carbonell, alongside timeless classics by Angelo Mangiarotti, Mario Bellini and Antonio Citterio, to name just a few –pushes boundaries to create a truly unique and personal experience. The project displays the potential for furniture and art to transform a living space into an experiential environment, where every piece has its place and purpose.

The architectural lighting, conceived in collaboration with Atelier Trente Trois, plays a pivotal role in the 500-square metre residence. More than just functional, the lighting was designed to enhance the emotional resonance of the space, illuminating key artworks and furniture to elevate both physical and emotional scale. The interplay of light and shadow invites a more interactive, intimate experience within the residence, offset against the dynamic Dubai skyline.

ANARCHITECT’s work with Lana Duplex at The Lana Residences marks a new direction for branded residences. It challenges conventional notions of luxury by blending brand identity with deeply personalised design elements that prioritise art and curation.

Previous pages – The entire duplex was strictly edited and highly curated with Collectional, which involved assemblage of custom-made and invested pieces by Jeremy Maxwell Wintrebert, Laurids Gallée, Nico Koronis and Nacho Carbonell, alongside timeless classics by Angelo Mangiarotti, Mario Bellini and Antonio Citterio to name a few; This page – (left) The architectural lighting was conceived in collaboration with Atelier Trente Trois; Right page – The client welcomed an unconventional selection, where new tailored, iconic and collectible pieces merge seamlessly

MOCHA MOUSSE, TUSCAN STYLE

Pantone’s 2025 Colour of the Year shines in this Canadian home with Italian vibes

WORDS – KARINE MONIÉ
PHOTOGRAPHY – LAUREN MILLER
Left page – Custom sofa and primary from Ferretti Furniture; This page – The entry console features a black marble round table from CB2
The kitchen is by QTK Kitchens and the custom dining table is by Kalou

This page – Both the interior designer and the homeowners love marble and deep green tones, which were the starting point for the overall palette

For anyone who has experienced la dolce vita, living in Ontario, Canada may feel like a leap. Originally from Italy, the homeowners – a couple in their 30s with two young boys – found a remedy: Introduce a bit of their beloved country into their interiors in a subtle way. This is the brief that Samantha Brocca, founder of Studio Brocca, had to honour. Spread over three levels, the 325-square metre property designed by the architects of Organica Studio features a modern style with clean lines, combining understated luxury and warm minimalism. “One of the biggest challenges consisted of balancing the tall linear shapes of the windows and the millwork through small introductions of arches and curves to give it a playful but sophisticated feel,” says Brocca. Both the interior designer and the homeowners love marble and deep green tones, which were the starting point for the overall palette. “Green was one of the first things discussed in the home and featured mostly in the

main ensuite for the couple to appreciate daily,” remembers Brocca, who then added rust hues, creams and oak browns – perfectly in tune with Pantone’s 2025 Colour of the Year, Mocha Mousse – as well as black and bronze accents for a delicate and sophisticated touch. “Greens are not only our favourite colour, but they are associated with the beauty of the Italian countryside, rolling hills and deep green cypress,” say the homeowners, who have family roots in the regions of Calabria and Veneto. “Seeing as the house is set in a matured green space, greens also complement the exterior feel.”

The green marble was the first item that Brocca selected for the home before they broke ground. “The fireplace design changed four to five times in all different shapes and materials,” the interior designer confesses. “In the end, the clients became pregnant with their second child and decided to simplify the design in fear of the fireplace obstructing the play area for the kids. The stone we selected has beau-

tiful intense tones that accent every colour we introduced.” In the open concept closet in the bedroom, the green marble is also visible, “surrounded by black metalwork to frame the opening and create a feeling of a light partition and interest in materials,” as the homeowners describe. Although the interior designer drew inspiration from Tuscan interiors and the Italian countryside for the different shades, she wanted to be sure to craft a contemporary home, avoiding rustic elements in favour of modern touches throughout. Thanks to the mellow brown hue with “delectable qualities of chocolate and coffee, answering our desire for comfort” – according to the Pantone Color Institute – the perfect level of indulgence and harmony is achieved.

“The overall feeling of the home relates to the multiple regions of Italy we have been so lucky to enjoy and keeps the grey months of Canada richer with warmth and colour,” the homeowners conclude.

A New Palm in the Making

Nakheel is partnering with six renowned architecture firms to design 10 bespoke Beach Collection villas on Palm Jebel Ali

Nakheel, a member of Dubai Holding Real Estate, has announced an exclusive partnership with six internationally and locally renowned architecture firms – WATG, SAOTA, Whitespace Architects, NAGA Architects, LOCI and LW Design Group – to bring to life ten distinct architectural styles for the bespoke villas in the Beach Collection at Palm Jebel Ali.

Palm Jebel Ali, spanning seven islands and featuring 16 fronds, is poised to become a new growth corridor in Dubai, in line with the Dubai 2040 Urban Master Plan and the Dubai Economic Agenda D33. The development boasts over 90 kilometres of beachfront, with mixeduse pedestrian-friendly neighbourhoods that offer panoramic views of the Arabian Gulf.

Inspired by the island’s unique fusion of oceanfront serenity, vibrant cityscape and natural landscape, these architects have meticulously crafted an exclusive collection of residences that celebrate the island’s beauty while seamlessly integrating indoor-outdoor living. The collection ranges from minimalist elegance to bold contemporary statements, ensuring that each villa is a sanctuary of tranquillity and exclusivity. Natural light, scenic vistas, and innovative design converge to elevate luxury living in one of Dubai’s most anticipated waterfront developments.

Situated in prime beachfront locations, the five- and six-bedroom villas in the Beach Collection range from 680 to 790 square metres,

Left page – The Pacific Breeze villa exterior by NAGA Architects; This page –The Bluejay villa interiors as proposed by SAOTA

offering unparalleled privacy and exclusivity. Each residence features a distinct and contemporary façade designed to complement the coastal setting. Grand entryways with doubleheight volumes open into expansive living spaces, where floor-to-ceiling windows showcase breathtaking views of the Arabian Gulf.

Khalid Al Malik, Chief Executive Officer of Dubai Holding Real Estate, commented: “With its breathtaking oceanfront views and ambitious vision, Palm Jebel Ali has inspired some of the world’s leading architectural minds to design bespoke masterpieces for The Beach Collection. These unique villas embody luxury, sophisticated design and a seamless connection with nature, a testament to the success of our collaboration, showcasing the individual brilliance of each architect while capturing the essence of this extraordinary destination. This collaboration

brings to life our vision for exceptional homes that cater to inspired tastes and lifestyles.”

The US-based global design firm WATG presents Baia Luna and Crystal Springs villas, which embody three distinctive design philosophies. The ‘Minimal’ style focuses on purity of form and simplicity, with clean lines and open spaces. The ‘Elegant’ approach balances classic beauty with modernity, while the ‘Dynamic’ concept introduces fluid architectural lines and daring structural expressions. These five-bedroom residences, set within the familyfriendly fronds, redefine contemporary luxury.

South African firm SAOTA has designed the Ocean Whisper and Bluejay villas, inspired by Palm Jebel Ali’s location at the intersection of ocean, city and desert. These residences feature soft, undulating curves mimicking the movement of waves, a material palette of light plasters and warm metals, and a sleek, contemporary design that resonates with Dubai’s modern landscape.

Dubai-based Whitespace Architects (WSA) brings Indigo Ocean, a villa collection that embraces open spaces, sustainable materials and energy-efficient elements. Inspired by the island’s natural surroundings, the design strikes a perfect balance between artistry and functionality, blending contemporary luxury with the environment.

NAGA Architects presents the Cyan Sky, Blue Horizon and Pacific Breeze villas. These homes reflect the essence of the sea, featuring refined materials and finishes that enhance the island lifestyle. Spacious family areas, abundant natural light and open kitchens offer an ideal blend of style and functionality.

Dubai-based LOCI has designed the Cobalt villas, which draw inspiration from the UAE’s social and environmental characteristics. The rhythmic layering of spaces enhances openness and privacy while maximising breathtaking sea views. Locally inspired materials and a careful interplay of horizontal and vertical elements create a seamless flow between interior and exterior spaces.

LW Design’s Wave Crest villas emphasise sophisticated detailing and layered façades. The ‘Nature’ villas incorporate natural stone and warm timber tones, while the ‘Contemporary’ concept employs refined materials and brass detailing for bold contrasts. The ‘White’ theme features neutral colour palettes, polished metals and marble accents to enhance light perception and spatial fluidity.

With its stunning architecture, world-class amenities and breathtaking waterfront setting, the Beach Collection at Palm Jebel Ali is set to redefine Dubai’s luxury real estate landscape.

The project seamlessly integrates into its surroundings, respecting equestrian traditions and Dubai’s elevated architectural standards while celebrating the grace and rhythm of equine movement

This page – (left) The play of light and shadow further enhances the experience, creating a dynamic interaction between architecture and environment throughout the day; (right) Openings and structural alignments allow natural light to filter through, shifting patterns as the sun moves overhead

Crafting Space, Movement and Tradition

The

Jebel Ali Racecourse (JARC) Saddling Boxes and Private Deck has received an uplift courtesy of local architects Studio D04

WORDS – ANEESHA RAIPHOTOGRAPHY – NATELEE COCKS

Merging cultural authenticity, functionality and refined aesthetics, the JARC Saddling Boxes and Private Deck has been designed as a dual-purpose structure – serving both as a tranquil resting area for riders and an elevated social space for post-race gatherings. The project seamlessly integrates into its surroundings, respecting equestrian traditions and

Dubai’s elevated architectural standards while celebrating the grace and rhythm of equine movement. Located within Jebel Ali Racecourse (JARC), a landmark of Dubai’s racing legacy, the project pays homage to a venue that has, since its establishment in 1990 under the guidance of H. H. Sheikh Ahmed bin Rashid Al Maktoum, been central to the sport. JARC continues to uphold its mission – to deliver a

world-class horse racing experience, celebrate cultural heritage and engage the community with integrity and passion. This vision resonated deeply with Studio D04’s ethos, where architecture is not just about form but also about creating meaningful, context-driven spaces that honour history, embrace cultural identity and seamlessly integrate with their surroundings. The architectural language of the Saddling Box and Private Deck is rooted in motion and rhythm, drawing inspiration from the graceful power of the horse and the flowing choreography of race day preparations. Every element of the design reflects fluidity and movement, ensuring a seamless transition between spaces, people and horses.

The play of light and shadow further enhances the experience, creating a dynamic interaction between architecture and environment throughout the day. Openings and structural alignments allow natural light to filter through, shifting patterns as the sun moves overhead. The integration of air movement enhances the openness, allowing breezes to pass through and reinforcing the connections between rider, horse and nature.

The ground level prioritises equine comfort, incorporating a soft, non-disruptive material palette for safety and ease of movement. The upper deck functions as an exclusive viewing platform, offering a panoramic vantage point while maintaining a seamless connection to the racetrack and its energy.

In Perpetual Motion

Latifa Saeed’s latest roundabout installation, ‘Alsarmadi’, created in collaboration with Dubai’s Road and Transport Authority evokes a sense of heritage yet keeps in touch with the city’s fast paced life

WORDS – ANEESHA RAI

Designed by multidisciplinary Emirati artist Latifa Saeed, this roundabout installation at NAS Sports Complex, Nad Al Sheba captures the essence of the city’s dynamism, strength and fluidity. Selected through an open call by Dubai’s Roads and Transport Authority (RTA), ‘Alsarmadi’ is a visual symphony of energy and momentum. “‘Alsarmadi’ is the Arabic word for ‘perpetual’, which means ‘endless and uninterrupted’ and symbolises the multiple concepts represented and experienced in the artwork. This concept reflects the dynamic energy of Dubai and mirrors the continuous flow of viewers as they navigate the roundabout from their cars,” shares Saeed.

At the heart of ‘Alsarmadi’ lies a striking representation of movement. The installation features a single horse, depicted in eight different cantering positions, forming a rhythmic sequence of motion. Crafted from linear steel rods, the piece evokes the strokes of a pencil sketching an object in motion, reinforcing the notion of speed and fluidity. The vortex at the centre of the roundabout symbolises the force generated by the horse in full stride, creating an immersive visual experience for passing drivers. “Movement is universal,” explains Saeed. “When I think of movement, I envision everything from the tiniest atoms to the vast expanse of galaxies.”

Located in a district synonymous with athleticism and endurance, ‘Alsarmadi’ is deeply intertwined with Dubai’s cultural landscape. “To me, sports embody momentum, movement, continuity, strength, resil-

ience and consistency,” says Saeed. “A symbol from nature that represents speed and power to me is the horse – a creature that has long been associated with grace, speed and endurance. This to me represents Dubai’s identity.”

The journey from concept to completion was a meticulous one. The process began with a hand-drawn sketch, which evolved into digital renderings and 3D-printed models. A small-scale steel prototype was then developed, incorporating water and light simulations to enhance the final structure. Once refined, the full-scale installation was carefully constructed and adjusted on-site to optimise its interaction with the surrounding environment. ‘Alsarmadi’ plays with the perception of movement – when viewed while driving, the sculpture appears to shift and flow; when stationary, it stands in poised stillness. This duality reinforces the artwork’s central message: momentum is created through initiation. “As people drive around the roundabout, the artwork appears to be in motion, but when they stop, it becomes still, reinforcing the idea that movement brings energy and life,” says the artist.

For Saeed, having her work showcased in Dubai is a milestone that carries immense personal and cultural significance. “Having my work featured in Dubai is an incredible honour. Dubai is a city that embodies innovation, ambition and perpetual movement –values that deeply resonate with my artistic vision. Seeing my work become part of its dynamic landscape is both humbling and inspiring,” she reflects.

Brazilian Modernism Meets Contemporary Codes

This Curitiba residence embraces Brazil’s compelling design trajectory

WORDS – LAURA CHERRIE BEANEY PHOTOGRAPHY – FÁBIO JR SEVERO

Anchoring the living room is a set of Etel’s Ondine chairs

Suspended above Curitiba, with uninterrupted views of Barigui Park’s vast greenery, Sabbia apartment extends into its surroundings. Floor-to-ceiling glass dilutes the distinction between interior and exterior, allowing light and landscape to guide the experience of the space. Within, a curated conversation unfolds – icons of Brazil’s modernist legacy sit alongside contemporary voices, furniture pieces challenging conventions of form, function and materiality. It’s a home that not only showcases Brazilian design but invites intimate engagement with its evolution.

Carolina Rauen and Larissa Garbers of Rauen Garbers Arquitetura approached this 540m² duplex both as a retreat from the urban environment and an embrace of it. The apartment’s open plan facilitates organic flow; there are no grand thresholds or imposing partitions, simply a continuous unfolding of space. The glasswrapped structure could have resulted in a cold, impersonal environment, but warmth seeps in through harmonising elements. American oak stretches across the cabinetry and walls, its tone calibrated to a honeyed brown that counterbal-

ances the crispness of the glass and the cool sophistication of the Italian Pigues flooring. “The project features a lot of reflective surfaces, so we integrated wood in select areas to draw in warmth and texture,” explains Garbers.

The kitchen assumes an architectural presence, a sculptural island carved from stone at its core. The four-metre-long counter shifts in height, transitioning from a functional worktop to a gathering space designed for long conversations over an evening drink. The cabinetry’s Italian Cinex glass doors almost vanish. “The elegance of a white kitchen is undeniable,” says Rauen, “but we wanted to introduce contrast, so we opted for a dark graphite tone for the cabinet interiors. It lends subtle but striking depth.”

The living area extends beneath a voluminous six-metre ceiling; such an expanse of air and light allows design and vistas to breathe. Upstairs, the master suite is reduced to essentials, the view taking precedence. The bed is oriented to frame the skyline, with the headboard curving in towards the wood-panelled walls, fusing furniture with architecture. Instead of traditional storage, a modular system

of floating wooden boxes – the vendinha – allows for adaptability. “We developed a system where these boxes slot into a wooden panel and can be removed or repositioned,” Garbers says. “This optimises space while ensuring the aesthetic remains visually light.”

Throughout the apartment, lighting is layered and indirect, evolving as the day goes on. The materials – oak, stone and glass – do the work, their textures and tones forming a palette that converses with the outside world. “We wanted to create a sense of peace and continuity,” says Rauen. “Rather than competing with the natural beauty outside, the design amplifies it.” Negative space plays a fundamental role, allowing each furniture piece to resonate. Brazilian design lies at the core, celebrating both its mid-century modernist legacy – where form, function and materiality were inseparable – and its contemporary evolution. Among the standout pieces are Sérgio Rodrigues’s Kilin and Daav chairs – icons of Brazilian modernist design. “The Daav chair is a collector’s piece and internationally recognised,” says Rauen. “It embodies Rodrigues’ idiosyncratic

Left page – (from

stretches across the cabinetry and walls, its tone calibrated to a honeyed brown that counterbalances the crispness of the glass and the cool sophistication of the Italian Pigues flooring; The kitchen’s

Above – The bed is oriented to frame the skyline, with the headboard curving in towards the wood-panelled walls, fusing furniture with architecture. Instead of traditional storage, a modular system of floating wooden boxes –the vendinha – allows for adaptability

sensibility; its polished stainless steel structure contrasts with the warmth of solid wood arms and backrest, while the natural leather seat offers both comfort and sophistication.”

These seminal designs converse with contemporary pieces that reflect Brazil’s presentday design philosophy. The Dobra sofa, Tubo chair and Copa lamp by Guilherme Wentz, whose work channels a minimalist, nature-infused aesthetic, find a place here. “These pieces reflect the designer’s passion for nature and functionality –the very principles that characterise this home,” Garbers notes. Another highlight is the woollen modular C140 sofa by Daniel Coutinho, inspired by mariolas, the stacked stones that guide travellers. Modular components allow for fluid reconfiguration, enabling the space to adapt to its inhabitants’ evolving needs.

Anchoring the living room is a set of Etel’s Ondine chairs – curved, sculptural, their organic forms mirror the sinuous wood panelling that defines the space. “The wooden panelling and the introduction of signature Brazilian furniture pieces, which honour the local vernacular, were deeply important to us,” says Rauen. “Brazilian identity grounds the project, reflecting our cultural legacy, our striking natural terrain and our appreciation for artisanal craftsmanship.”

Inside Sabbia, there is no excess or ornamentation – the appeal is in the restraint, in the spaces between objects, and in the dialogue between context and legacy that the designers have powerfully established.

This page – (right)
Sérgio Rodrigues’s Daav chair is an icon of Brazilian modernist design; (below) The Dobra sofa, Tubo chair and Copa lamp by Guilherme Wentz, whose work channels a minimalist, natureinfused aesthetic
left) American oak
sculptural island is carved from stone at its core

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A Vision of California Modernism

Paul McClean and Michael Webb explore the art of liveable modernism in their latest Rizzoli book

Hollywood’s most sought-after architectural firm, McClean Design, has become synonymous with the quintessential California lifestyle, where open spaces, natural light and breathtaking vistas define modern luxury. In Contemporary Living by McClean Design, Paul McClean and Michael Webb present fifteen of the firm’s most striking residences completed over the past five years, showcasing an impeccable blend of rigorous design, elegance and liveability.

From a remodelled classical mansion in San Francisco to serene waterfront retreats

and ethereal homes that appear to hover above Los Angeles, each project is a masterclass in seamless indoor-outdoor living. Known for its signature approach to maximising views, McClean Design crafts sanctuaries that dissolve the boundaries between architecture and nature. Expansive glass walls, refined materials and a restrained yet warm aesthetic characterise these spaces, creating homes that are both dramatic and deeply inviting.

Founded in 2000, McClean Design has remained committed to a philosophy of minimalism that enhances, rather than restricts, the

experience of a home. The firm’s signature use of wood strip flooring, bespoke cabinetry and natural stone infuses warmth into the spare, modernist framework, while neutral-toned soft furnishings complement the relaxed yet sophisticated atmosphere. The book also includes architectural floor plans and insightful essays, offering an in-depth look into the themes that shape the studio’s work. With its striking imagery and thoughtful narratives, the book focuses on the enduring appeal of contemporary architecture that is both bold and deeply personal. www.rizzoliusa.com

Byblos

Designed by Antoine Grulier and crafted by 13Desserts, Byblos is a versatile aluminium piece that seamlessly blends functionality and aesthetics. Serving as a side table, bedside table and stool all in one, its minimalist curves and striking colour contrasts create an abstract, modernistinspired pattern. Comprising three anodised aluminium components, Byblos plays with layering, offering both practical utility and artistic expression. Its adaptable design complements any interior, making it a statement piece for contemporary spaces. Each model is handcrafted in France by 13Desserts’ craftspeople, ensuring exceptional quality and attention to detail.

Dubai Studio I Perennials FZ LLC, A503 Building 1A, Dubai Design District (D3), Dubai I mena@thespstudio.com
Mumbai Studio I Villar Ville PJ Ramchandani Marg. Mumbai, Maharashtra I info@perennialsindia.com

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