We explore sustainability in architecture and interior design by focusing on how projects, materials, and design philosophies can create spaces that endure
38 An Avant Garde Residence
The V Penthouse by Badie Architects is a bold exploration of materiality and spatial harmony
identity Design Awards – The Jury
Introducing the international jury panel for the identity Design Awards 2025
58 A New Life
In the heart of Cairo, an old lecture hall at Ain Shams University turns into a theatre
Surface Solutions, Designed By Nature
Editor-in-Chief
Obaid Humaid Al Tayer
Managing Partner and Group Editor
Ian Fairservice
Chief Commercial Officer
Anthony Milne
Editor
Aneesha Rai
Senior Art Director
Olga Petroff
Designer
Vibha Monteiro
Sub-editor
Max Tuttle
Senior Partnerships Manager
Sharmine Khan
General Manager - Production
Sunil Kumar
Production Manager
Binu Purandaran
Assistant Production Manager
Venita Pinto
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Editor’s Note
In this issue, we look at sustainability through the lens of endurance – exploring how architecture, interior design, materials and philosophies can come together to create spaces that truly stand the test of time.
Over the summer, we hosted a roundtable of incredible Emirati women from the design and creative industries in collaboration with Casamia in honour of Emirati Women’s Day. The roundtable focused not only on celebrating them but also on what Emirati identity means in the context of their work, and explored ways to collaborate as well as identifying the unique opportunities that have helped their careers to flourish.
Our cover story shines the spotlight on Henrique Dias, Principal and Middle East Hospitality Design Director at DLR Group. A strong advocate for sustainability as more than just a checklist, Dias reflects on the firm’s growth journey in the region and its lasting impact on the built environment.
We are also happy to announce identity will be attending Feria Habitat Valencia, bringing our homegrown title global yet again this year.
Of course, this issue would not be complete with some truly stunning homes. XBD Collective’s bespoke villa in Dubai’s Hills Grove blends contemporary elegance with highend craftsmanship, whereas the V Penthouse by Badie Architects is a bold exploration of materiality and spatial harmony. Throughout these projects, there’s a recurring theme: a renewed appreciation for craftsmanship and the idea that less, when considered deeply, truly becomes more.
We love a reimagining, so we also take you to the heart of Cairo, where an old lecture hall at Ain Shams University turns into a theatre. In India, we take you into a sustainable home in Goa, where the home’s orientation and spatial planning allow for natural ventilation and daylighting, reducing the need for artificial cooling and lighting.
There are only a few more days left for submissions for the identity Design Awards. We have an incredible jury this year that we are proud to announce. Submissions are free to enter, and close on 15 September 2025. We’re excited to receive your entries!
Aneesha Rai Editor identity
On the cover
Henrique Dias, Principal & Middle East Hospitality Director of DLR Group
Culture and Conversations
identity recently hosted a roundtable and workshop in honour of Emirati Women’s Day in collaboration with Casamia
WORDS – ANEESHA RAI
In honour of Emirati Women’s Day on 28 August, identity collaborated with Casamia to host an Emirati Women’s Day roundtable followed by a workshop led by home fragrance brand Dastaangoi. The event took place at the Casamia Flagship Showroom, with the setting supporting the depth of dialogue and connection. With the tablescapes of sands from the Emirates and roses, followed by a workshop that blended the rose and oud blend, the atmosphere cultivated a setting that encouraged the sharing process. Aligned with the theme for this year, called ‘Hand in Hand’, the event
celebrated five decades since the establishment of the General Women’s Union in 1975.
The roundtable focused not only on celebrating Emirati women in the design and creative industries, but also on what Emirati identity means in the context of their work, and explored ways to collaborate and identifying the unique opportunities that have helped their careers to flourish. The approach was reflective of their progress and celebrated their achievements. The roundtable also delved into key topics such as what architecture in the UAE can be defined as, the collective sharing
of research into culture and materials, and representation in the industry.
“At Casamia, we believe that materials are not simply chosen; they are felt, experienced and remembered,” shares the Casamia team. “In honouring Emirati Women’s Day 2025, we see a reflection of our own belief and the renowned brands we partner with, that the most enduring beauty is born of strength, purpose and connection. Just as a well-crafted material can transform a space for generations, Emirati women have shaped the nation’s cultural and creative fabric with resilience, grace and an
unwavering commitment to progress. Their legacy is woven into the places we inhabit, much like the materials we choose: quiet yet powerful, and timeless yet alive.”
The workshop was held in collaboration with Dastaangoi – a homegrown fragrance brand celebrated for its storytelling-led approach to design and known for weaving narrative, memory and craft into each candle. The workshop invited participants to reflect, create and connect through scent and form, and a special scent was also crafted for the occasion.
Insights Summary
“I think that, from a very young age, I looked at the creative side in a very different way. I drew things differently. I even made things differently with my own hands. And I think that goes with me for my work – I feel like I have this very different touch and different look at how things are made, not just the story behind them.”
– Majeda Alawadhi, Founder and Creative Director of JOD Designs
“I was interested in life at a molecular level. And then, when I went to university, I didn’t have my science dream journey. I went for interior architecture, because I felt like that was the only way I could blend in my love for every discipline I’ve ever enjoyed.”
– Wafa Al Falahi, Founder of Sorbe Studios
“During our education at university, they took us on field trips to those spaces being built –like Burj Khalifa, Dubai Mall and Terminal 3 at the airport. That was the moment that really made me want to be part of this field, because I saw how we built our city, and [it] inspired me to put my mark on it; because what we noticed is that they’re bringing all of these international companies to create this kind of landscape, [these] skyscrapers and define our architecture. I felt like we as Emiratis need to put our kind of footprint as well, and our identity into it. In 50 years, when we look back, what are we going to say about architecture that’s made by Emiratis?”
– Fatima Al Zaabi, Co-Founder at Studio d04
“I might want to step back a little bit from the business aspect of things, because I feel like it began to strip away that creativity and my process. It’s been an interesting path and a major learning curve. But it’s also eye-opening, because I now feel like I want to approach things a bit differently.”
– Reem Al Qamzi, Founder of RQitects
“They say that Dubai’s fake and it doesn’t have culture. And I really hated hearing that so much, growing up. But I remember somebody had said something to me when I lived in the US, and I loved his outlook on it. He said, ‘You know what? You’re witnessing it here. You’re part of
it. You were part of the journey. And all of us here are part of building that.’ We are building the landscape here. And how amazing is that?”
– Laila Al Yousuf, Partner at SAY Studio
“It was a proud feeling to be at Maison&Objet for the first time, representing our country in one specific space. Seeing our flag being put up in the exhibition, so that people know there are Emirati designers showcasing materials inspired by our tradition, was a very proud feeling.”
– Alia Mazrooei, Product and Interior Designer
“I’m not going to put myself out there if I feel like I’m not connected to the opportunity. I started being more selective around what I decide to approach, or who to work with. And part of it is giving back to the community.”
– AlZaina Lootah, Architect
“You don’t have to be everything and everywhere, because that will consume you. Focus on your creative side and be confident about your story.”
– Salama Mohamed, PR and Communications Manager, Madinat Jumeirah
Bottom – A candle making workshop followed the roundtable in collaboration with Dastaangoi
Photography: Mark Mathew
Over the years, ClayArk has emerged as a trusted name in the local ceramics industry, known for its precision-crafted surface solutions. What began as a family-run manufacturing business has grown into a vertically integrated powerhouse, with six fully owned factories in India. For co-founder Vishwa Kundariya, the brand’s journey has been defined by both growth and a relentless pursuit of excellence. “When we moved into our brand-new showroom last September, it marked a major milestone for ClayArk – a space where our passion for design, quality and creativity could truly come to life,” she says. The showroom quickly grew after opening.
Just months later, ClayArk has taken its next big step by expanding into two additional units beside its flagship showroom to enhance the client experience. “This extension will feature more of our collections, full-scale mock-ups and carefully curated design inspirations to help you visualise your dream spaces,” shares Kundariya.
WORDS – ANEESHA RAI
The expanded space brings together timeless classics with bold, contemporary styles, showcasing a diverse range of tiles, slabs, mosaics and sanitary ware. It’s conceived as a creative playground – a place to experiment, collaborate and shape ideas into reality. “Our goal remains the same: to make ClayArk a creative hub where ideas flourish and projects come to life. With this expansion, we’re taking one step closer to that vision,” concludes Kundariya.
On Building to Last
We interview selected architects and interior designers to talk about balancing permanence and progress across their projects
WORDS – ANEESHA RAI
With trends changing every time one blinks, and ambitious client demands, there’s a question that arises: how do we create spaces that endure? The answer, it seems, lies not in resisting change but in designing with intention: grounding projects in timeless principles while allowing innovation to quietly shape how we live, work and connect.
We spoke with architects and designers across the region, and they voiced that designing to last is less about chasing what is new and more about embedding resilience, honesty and adaptability into the very bones of a project.
When asked how they balance timelessness with evolving trends, the designers all pointed to the same starting point: fundamentals. “We don’t treat trends as design inputs. We design from programme, climate, site and culture,” explains Mohammed Adib, Chief Design Officer at Dewan Architects + Engineers. For him, technology can evolve around strong foundations, but “it never replaces sound proportion, clarity of plan, and material honesty.” Bani Singh, Founder at Grounded Design, takes a similar stance: “Timelessness starts with first principles: proportion, light, flow and an authentic response to context. Trends are useful as accents, not anchors.” For Nemanja Ribic, Senior Interior Designer at SAY Studio, it’s people who ground design: “We therefore anchor spaces in human centric principles: circulation, light and ergonomics. These things are timeless because they will always matter.”
But timeless doesn’t necessarily mean static. Khaled AlShamaa, Co-founder and Director, XYZ Designers, calls it a foundation on which innovation can be layered. “We don’t follow trends; instead, we distil ideas into design elements that can endure and remain relevant well beyond the moment.” For Maysa Saccal, Co-
founder, Saccal Design House, timelessness is a balance between adaptation and identity: “As trends evolve, we are always looking for new ideas and opportunities to evolve our designs as well. However, as designers we do have our own aesthetic in design, and honour it through the years to stay true to ourselves and our brand.”
Material Language
If design is to endure, materials must speak of permanence, grace and honesty. “The most sustainable move is an efficient building – orientation, shading, massing and services that work hard,” says Adib. Materials, then, are the inner layer of this efficiency. Adib cites dense stone where appropriate, fired clay products, responsibly sourced timber, lime-based plasters and well-finished metals. “Longevity is
the brief,” he declares. Singh favours materials that wear in, not out. She names natural stone, porcelain/sintered slabs, terrazzo with recycled aggregates, responsibly sourced timber, lime-based plasters, and powder-coated metals as some of the materials being used. “In our climate, stability matters – engineered substrates and high-quality composites often outperform softer stones and keep maintenance low. I also look for low-VOC finishes, formaldehyde-free resins, verified EPDs and parts that can be repaired or refinished. Longevity is both physical and emotional: the material should still be wanted in 20 years,” she shares. In commercial, residential and hospitality design, Ribic sees different material priorities but insists that durability and responsibility go hand in hand: “We’re seeing a lot of really ex-
Left page – Villa A15, Limetree Valley designed by Grounded Design; This page –(from left) Maysa Saccal, Co-founder, Saccal Design House; Breakout area of an office designed by SAY Studio
citing new materials such as terrazzos incorporating more recycled content, textiles derived from recycled PET or natural wool blends, and bio-based leathers.” For AlShamaa, materiality is as much about experience as endurance: “I don’t shy away from using glass when it allows us to capture natural light and frame views –because creating healthier, more connected environments is also part of building sustainably.” Saccal takes a pragmatic approach: “Reclaimed wood and recycled steel are the most used materials in our projects/designs.”
Designing for Change
If permanence is one pillar of longevity, adaptability is the other. The designers all affirm the need for flexibility. “We plan for ‘loose fit, long life’,” notes Adib. Ribic stresses the role of adaptability in the workplace: “Easily adaptable environments, multipurpose zones and plug-and-play infrastructure are just some of the non-negotiables for us.” Saccal cautions, however, that adaptability doesn’t erase the challenge: “It definitely helps to be able to come up with a flexible design, yet with the rate that
design is evolving, I believe trying to achieve timelessness is getting harder,” she says.
The Case for Building Well
Every ideal collides with reality – tight schedules, budget constraints and shifting priorities. The designers interviewed share that the best way is to weave sustainability and durability into the process from the very beginning. “We make sustainability part of the baseline brief, not an add-on,” shares Adib. “Pre-vetted specifications, early contractor input, clear performance criteria in tender documents, and parallel procurement for long-lead items keep programmes intact.”
“Decision ‘gates’ stop last-minute swaps that undermine performance,” states Singh. “We keep a pre-vetted library of durable, available materials, bring contractors in early, and run design and procurement in parallel where possible.” For Saccal, coordination is key. “Clear documentation and coordination between architects, engineers, sustainability consultants and contractors avoids rework and often speed up the process,” she says.
The conversation with clients, too, is shifting. Adib shares, “We frame it as total cost of ownership: fewer replacements, lower energy and maintenance, and higher residual value. We also show how good planning reduces nonlettable/wasted area and optimises structure –savings that fund better envelopes and systems. Most clients accept the logic when the numbers and the comfort outcomes are clear.” Singh connects it to wellbeing and cost of ownership: “We show simple payback models, warranty lengths and maintenance intervals, then highlight the human returns – healthier air, better light, thermal comfort and a calmer, more grounded home. Most clients connect with the idea of building once, building well and leaving something of value to the next generation.” AlShamaa expands the value proposition. “Beyond economics, we emphasise brand value – tenants and buyers increasingly choose projects aligned with sustainability and long-term thinking.”
In an age of speed and disposability, the act of building well and building once, with care and foresight, is perhaps the most radical gesture of all.
From left – La Mer by Elie Saab and Dewan Architects + Engineers; Khaled AlShamaa, Co-founder and Director, XYZ Designers
Surface Appeal
Global surfaces leader Cosentino launches four new quartzite options in the Sensa range
WORDS – ANEESHA RAI
Cosentino presents Sensa to the Middle East. Consisting of a range of protected natural stones, Sensa has been introduced to the region to cater to its growing demands for luxury residential and commercial construction. Previously only used in select regional projects, the Sensa range has been available in global markets since 2006.
Combining the beauty and natural elegance of quartzites and granites with an exclusive anti-stain treatment that acts at the molecular level for minimal maintenance, the Sensa range offers an advantage unmatched in the market.
To mark the occasion of its arrival into the Middle East, Cosentino is introducing four
quartzites of high aesthetic and design value that, like the entire brand portfolio, feature the avant-garde Senguard NK anti-stain protection, developed exclusively by Cosentino’s R&D team. Thanks to this technology, the entire portfolio of Sensa by Cosentino offers a high level of protection against liquids and acids, is scratch resistant and enables easy maintenance. The collection carries a certified 15-year warranty.
This performance is accompanied by an incomparable aesthetic as evidenced by these new quartzites – Itara, Marau, Oihana and Cristalo – which provide designs full of personality, making them ideal for creating dis-
tinctive spaces. These quartzites also feature a ‘Mirage’ texture, which, thanks to an abrasive treatment, produces a glossy finish over the entire surface. Slabs are available in large formats (from a minimum of 2.8 x 1.8 metres / 110 x 71 inches) and in thicknesses of 20 and 30 mm.
Itara is an emerald green quartzite traced by white and copper accents that ripple softly across the surface in soft, peaceful waves. Marau offers a more intricate feel through its cool grey canvas, interwoven with hints of blue, gold, burgundy, and cream; its veins move between bold sweeps and precise lines. Oihana commands attention with a black surface streaked by white veins with touches of grey, cream and brown, evoking a sense of depth. Finally, Cristalo features calm tones, with its translucent whites and silvery veins reminiscent of expanses of ice and snow.
Sensa by Cosentino is a perfect proposal for the most demanding users and professionals that are lovers of the unique beauty of natural stone, who also need a resistant material with outstanding performance.
Things to Covet
Nature-inspired meets future-ready for these sustainable pieces
WORDS – ANEESHA RAI
1. Armadillo rugs
Formed in 2009 by Jodie Fried and Sally Pottharst, Armadillo crafts rugs and runners, and operates with an ethos of ‘creating thoughtful products that bring conscious living to the fore’.
2. Bit stool designed by Simon Legald for Normann Copenhagen
Made entirely of low-density polyethylene (LDPE), Bit can be used as a coffee table or stool. Its simple and functional appearance contrasts with the pixelated surface, which is made from small bits of 100% recycled household and industrial plastic. The piece is available in four colour combinations.
3. Rificolona pendant lamp by E-ggs for Miniforms
Crafted mainly from recycled polyethylene, Rificolona rotates in dialogue with the light, its density modified with a transparent spray. The lighting solution delicately hovers over the elements in a living space, tilting according to necessity or the light desired at any given time of day.
4. Knit One modular seating by Paul Crofts Studio
Designer Paul Crofts and furniture brand Isomi are introducing this modular sofa system that entirely eliminates the use of foam. Debuting at NeoCon 2025, the innovative design features minimalist metal frames paired with 3Dknitted fabric covers, which are seamlessly stretched
over the structure. Using a zero-waste process, the 3D knitting technique employs computer-programmed machines to craft threedimensional forms from a single, continuous piece of yarn – merging precision, efficiency and sustainability in one elegant solution.
5. Shelf Life shelf by Interesting Times Gang
Shelf Life is available in two distinct materials – one a cellulose-based industrially compostable biocomposite; the other a biomaterial containing crushed Pacific oyster shells. Five colourways are available, from a neutral beige to vivid primary red and blue and bright orange and purple. Its playful design encourages one to play with different knick-knacks of various shapes and sizes.
6. Ibuju by Fango
Inspired by the concept of a ‘primitive’ object, the Ibuju collection explores a more conscious approach to design by embracing yaré – a renewable, natural fibre – as
a core material. This collection reimagines traditional native wooden objects, replacing them with more sustainable alternatives that still honour cultural heritage and craftsmanship.
7. Riva collection by Patricia Urquiola for CIMENTO
Unveiled during Milan Design Week, the Riva collection offers a poetic interpretation of nature through material and form. Central to the collection is CIMENTO technology, a cement-based composite made from over 90% mineral aggregates, primarily sourced from the production waste of large-scale quarries. Each component is developed with recyclable materials selected according to stringent environmental standards. The brand adheres to international certification such as FSC and PEFC, which ensure traceability and the responsible sourcing of raw materials.
Compiled by Vibha Monteiro; Photography by Juan Bernardo SilvaWartski
The Culture of Quality
A conversation with Maryam Raeisi, Managing Director of HMA Living by Al Shamsi
WORDS – ANEESHA RAI
Under the leadership of Maryam Raeisi, HMA Living by Al Shamsi is evolving into one of the UAE’s most trusted destinations for curated design. In this conversation, Raeisi shares the values, growth story and quiet strength behind the brand’s journey, from concept kitchens to fullscale living, and from early experiments to large-scale collaborations and developments.
Can you talk about the journey of HMA Living, moving away from a kitchen provider to a multi-category design destination? What were some of the factors you looked at while exploring brands to expand the portfolio?
Some of the milestones?
It’s true that we were often seen as kitchen company, but we never saw ourselves that way. From the beginning, we envisioned HMA Living as a space where design could flow through the entire home; where kitchens, wardrobes, living areas and lighting coexisted in harmony.
When I moved to Dubai, I noticed how disconnected the building journey was. Every element – lighting, furnishing, kitchen, finishes – was being sourced separately. Nothing spoke the same language. Febal Casa, our first brand, offered connected solutions, not just kitchens. People came in expecting kitchens, but what they felt was a sense of home. That feeling guided our growth. We didn’t expand because of trends; we expanded because clients trusted us to continue that feeling across categories. Today, we offer 10+ Italian heritage brands – each with its own expertise, but united by a shared commitment to elegance, practicality and quality.
How has your previous experience and leadership philosophy helped shape the brand’s growth?
I started working at 14. I’ve taught, failed, built again and learned to lead not by instruction, but by example. Real leadership isn’t about hierarchy. It’s about presence and consistency.
At HMA Living, we function as a collective. We’ve grown from a team of six to over a hundred people, but that sense of shared ownership remains. Whether it’s the office assistant or the chairman, every voice matters. Our clients trust us with their home’s sacred space. And we remind each other daily that it deserves care, respect and a thoughtful approach. What sets HMA Living apart from your competitors?
To be honest, there are multiple things, but if we must give specific words, it is care and pragmatism. We care deeply about what we deliver and how it makes people feel – but we’re also grounded in how people live.
It starts with the product but extends across the entire experience. Whether it’s a residence or a commercial fit-out, we approach each project with empathy and precision. It’s important to understand timelines, constraints and the realities of installation, espe-
ens in towers with limited delivery access during Dubai summers.
But more than that, we’ve learned how to maintain emotional momentum. Building a home is often a once-in-a-lifetime moment. If you let delays or disjointed processes erode that excitement, you lose something irreplaceable. We work hard to protect that feeling.
We’ve also learned how to listen across the chain – to developers, consultants, architects and end-users – so we’re not just meeting expectations, we’re elevating them.
What exciting offerings or expansions can we expect from HMA Living in 2026?
2026 is a landmark year for us. We’re opening two new showrooms in Jumeirah, together spanning nearly 30,000 square feet (2,800 square metres). These are not typical retail spaces, they are environments of possibility, where clients can experience full atmospheres of design, material and lighting.
We’re also expanding our offerings in lighting, with new partnerships strengthening our material storytelling. Some initiatives are still under wraps, but our direction is clear. We’re not chasing trends. We’re deepening our roots in quality, emotion and purposeful living. How are you responding to evolving client expectations around customisation, sustainability and experiential design in your upcoming collections?
By listening. Today’s clients are informed but still need expertise. We customise where possible, but we also educate. If a client requests something that isn’t structurally sound or safe, we’re honest about it – even if it costs us a sale. That’s how trust is built.
Sustainability is also a core filter in how we choose our partners. Many of our brands are GREENGUARD-certified and comply with the strictest environmental standards in Europe. One of our factories, for example, recycles wood dust to make new panels – an elegant, circular solution.
And then there’s lighting. Done right, it doesn’t just illuminate. It shapes emotion, highlights texture and adds rhythm to space. We’re investing in lighting not as a category, but as a core part of what makes interiors truly liveable. Is there a particular collaboration, product launch or innovation you’re especially excited about for next year?
cially in a region like the UAE, where environmental and logistical challenges are unique.
We provide two years of complimentary maintenance and a ten-year warranty because we stand by what we create. But, more importantly, we build systems and processes that prevent issues before they happen. Our innovation isn’t just in finishes and aesthetics – it’s in service, follow-through and problem-solving.
We’re not here to just complete a transaction. We want to create experiences that are
thoughtful, long-lasting and deeply aligned with how people live, work and grow in their spaces. You’ve worked with some of the country’s leading developers and architects – how do those collaborations influence the direction of your offerings?
Working with leading developers and architects has challenged us to raise the bar. These projects demand logistical precision, fast turnaround and problem-solving in complex environments, like installing high-end kitch-
It’s the coherence of it all. We’re not just growing product lines, we’re weaving together material, emotion and layout into one thoughtful story.
What excites me is seeing clients walk into a space that knows them, supports them and evolves with them. That’s what we aim to create. Not just luxury for its own sake, but intelligent, lasting spaces that reflect quiet confidence and care. To me, that is the essence of design. Not just how it looks, but how it feels to live in, every day.
Left page – Maryam Raeisi - Managing Director at HMA Living; This page (from top) –(from left) Erika Martino - Sales Director, Hadia Diab - Design Manager, Maryam Raeisi - Managing Director, Luca Mazza - Creative Director & Head of Lighting Division; Blade Lab by Modulnova
ARTDOM Expands to the Middle East
Daria Zolotova, founder of ARTDOM, discusses the brand’s upcoming first major art forum congress, being held at Riyadh on 11-12 November 2025
WORDS – ANEESHA RAI
After a track record of operating across CIS countries, Italy, Brazil, Saudi Arabia and beyond, ARTDOM has established itself as a trusted partner for companies seeking to expand their businesses, build strategic connections and enter new markets. Focused on uniting leading players in the interior design industry, the showcase focuses on curated exhibitions of furniture, interiors and art, an online platform, consulting services, design tours and grants that support designers worldwide.
Founded by Daria Zolotova, who is a major investor in the Middle East’s cultural scene, ARTDOM is now looking to expand to Riyadh, Saudi Arabia, with its first edition, running on 11 and 12 November. A Dubai edition will follow in 2026. According to Zolotova, the choice of debuting in Riyadh comes at the right time, with Saudi Arabia’s Vision 2030 goals, rapid infrastructure growth, investment in creative industries and a booming real estate and hospitality sector.
With premium residential projects, luxury hotels and branded apartments under development, demand for exceptional design is rising sharply. “The Middle East is a unique combination of economic ambition and cultural awakening,” shares Zolotova. “My goal is to position ARTDOM as a bridge between global design leaders and the regional creative community. Together, we can create ideas and projects that shape the future of design while respecting cultural heritage.” Zolotova sees the Middle East, and Saudi Arabia in particular, as entering a new era of creative renaissance. “Riyadh is rapidly emerging as a global design capital, making it the ideal stage for ARTDOM,” she shares.
ARTDOM ambassadors include Carlo Colombo, Giulio Cappellini, Draga & Aurel, Rossana Orlandi, Francesca Russo and other eminent figures from the design industry. “I’m delighted to participate in Riyadh Congress event, as it’s a high-level event where visitors will see the best in contemporary design,” says Cappellini. “I’m proud to contribute to promoting modern design in such an important region.”
Deeply interested in design and culture since her university years while studying, Zolotova views ARTDOM as a cultural institution rather than just an exhibition, working with governments, museums, educational institutions and patrons to advance the industry and foster cultural exchange. Her love for design began in early childhood, and she completed a degree in Cultural Studies and Design before embarking on her professional career. She initially produced cultural and fashion events that eventually led to the field of furniture and interior design and allowed her to continue on her favoured path of independence and creative freedom. Her inspiration comes from a mix of global influences: she draws from European elegance, especially Italian architecture and the structured beauty of Haussmann-era Paris, while also appreciating the boldness and scale of contemporary cities like Dubai. As her passion for creating projects that combine beauty, storytelling and emotional resonance evolved, so did her area of expertise.
During 2020, Zolotova founded ARTDOM, a platform and exhibition concept dedicated to collectible furniture, interiors and contemporary design that focuses on uniting leading international brands and designers with a discerning audience. The project includes design tours, special events and strategic collaborations, with representatives in Italy, Dubai, Brazil and Kazakhstan.
Over the years, ARTDOM has welcomed over 120,000 guests and featured more than 1,200 brands, with 50% of exhibitors being international. A significant portion, around 80%, are Italian brands, highlighting strong ties to Europe’s design heritage.
Above – Daria Zolotova, founder of ARTDOM, phortography by Vladimir Kalinovskiy
What to expect at Feria Habitat Valencia
This year’s fair is set to take place between 29 September and 2 October
WORDS – ANEESHA RAI
One of the most-visited fairs in the world for the industry, Feria Habitat Valencia is set to embrace new areas of the contract sector, office equipment and artisan manufacturing, and will again be running at the same time as Textilhogar Home Textiles Premium. The event will aim to create another installation relating to the contract sector, along the lines of Héctor RuizVelázquez’s highly successful ‘Hotel Hábitat’, which was taken to this year’s edition of Cevisama.
The fair is aiming to take the showcase up a level by including an offering of office furniture, which has had a small presence at the last few editions, especially via companies that offer home furniture. True to tradition, Hábitat continues to invest in the future of design through Salón nude, the platform for new designers, now celebrating its 21st edition. This year, the space takes on an unexpected visual language: designer José Manuel Ferrero of estudi{H}ac will transform the area into an athletics track, a metaphor for the energy, endurance and determination required of emerging creatives. The platform will once again spotlight bold new ideas from Spain and beyond, ensuring the next generation of designers has a global stage.
Sustainability is woven throughout the 2025 edition. The Spanish furniture industry is set to showcase its commitment to the circular economy, from KHAMA’s innovative mattresses that boasts an extended lifespan and lowered emissions to Vondom’s recyclable, solar-powered outdoor furniture. Equally compelling is ‘Materials with a Conscience’, a curated exhibition created in collaboration with Material Bank and the team at Matter. Here, architects and designers will encounter cutting-edge, eco-conscious materials that speak to the future of responsible specification.
For the first time, Hábitat welcomes TempoCraft, a new contemporary craft biennial curated by Ramón Vergara. Bringing together 30 artisans across ceramics, glass, textiles and wood, the showcase aims to position Spanish crafts as being on par with Europe’s leading design-led craft fairs, highlighting the value of making by hand in a digital age. Visitors will also be greeted by the world’s tallest wardrobe – a 6.43-metre-high structure by Uecko, officially recognised by Guinness
World Records. Hábitat 2025 dedicates special focus to the city of Murcia, the country’s fifth-largest furniture producer, through the Murcia Design Showcase. Murcia is known for its versatile, functional and sustainable manufacturing, and the showcase reflects the growing global recognition of Spanish design’s quality, adaptability and environmental responsibility. Meanwhile, Hábitat’s Décor and Interior Design Pavilion has been expanded to more than 12,000 square metres, bringing international brands such as Vermissen, Ethan Chloe, VP Interiorismo and Signature Mobilier et Décoration. The 2025 programme creates a fair that is a marketplace for ideas and products as well as a stage where the themes shaping the future of design take tangible form.
Henrique Dias, Principal and Middle East Hospitality Design Director for DLR Group, shares the firm’s growth journey in the region
Global Outlook, Local Presence
WORDS – ANEESHA RAI
From its modest beginnings in 2013 as a small satellite operation working on the Mall of the Emirates expansion, DLR Group has transformed into a fully established regional studio in Dubai, at the helm of large-scale, award-winning projects throughout the GCC and beyond. The group’s trajectory in the Middle East epitomises a long-term commitment to growth and regional relevance, and a focus on integrated design.
Today, the Dubai studio hosts over 80 professionals providing architecture, interiors,
master planning, landscape architecture and technical design. DLR Group’s integrated approach means that multidisciplinary teams collaborate from the earliest project stages, ensuring seamless service delivery.
“This growth has been both strategic and organic,” shares Henrique Dias, Principal and Middle East Hospitality Design Director for DLR Group. “In 2020, we introduced dedicated interior design leadership and added landscape architecture and urban design services to support fully integrated delivery. We’ve
“We’ve also invested in local talent, strengthened ties with public and private sector clients, and built long-term partnerships that allow us to engage in projects from concept through execution.”
also invested in local talent, strengthened ties with public and private sector clients, and built long-term partnerships that allow us to engage in projects from concept through execution.”
NOTABLE PROJECTS
What started with retail and hospitality ventures has expanded to encompass complex mixed-use developments, cultural destinations, education facilities, data centres and master plans across the UAE, Saudi Arabia, Iraq and Egypt. Landmark projects include Madinah Gate, Future City in Baghdad, and numerous NEOM developments. Madinah Gate is one of the most ambitious urban developments currently underway in Saudi Arabia, and a key component of the broader Knowledge Economic City (KEC) master plan in Madinah. Strategically located between the Prophet’s Mosque, the Haramain High-Speed Rail Station and the international airport, the project is designed as the first true transit-oriented development (TOD) in the city. Madinah Gate is being developed to support the movement of millions of pilgrims annually while providing a contemporary urban experience that reflects the sacred
context of the city. The master plan includes a mix of retail, hospitality, public plazas and cultural amenities, all seamlessly connected through shaded pedestrian networks and multimodal access points. At the heart of the development is a new DoubleTree by Hilton, set to be the tallest habitable building in Madinah and a new landmark for the city. The architecture draws inspiration from local vernacular traditions, reinterpreting the spirit of Madinah’s historic neighbourhoods through clustered massing, natural stone finishes and triangular motifs derived from traditional crafts.
The design emphasises human-scale connections, with intimate village-like clusters arranged along dynamic, walkable pathways. These clusters reflect the journey of the pilgrim, offering moments of pause, reflection and arrival. The integration of spiritual, cultural and practical elements into the urban fabric ensures the project serves not only as a gateway to the holy city but also as a vibrant hub for the local community. This project is a benchmark in how faith-based tourism, urban development and contextual architecture can coexist meaningfully.
Another project, Ogami, is a coastal destination under development in Ras El Hikma, Egypt. Spanning 1.8 square kilometres (440 acres) along the Mediterranean shoreline, the project is led by master developer SODIC, with DLR Group responsible for master planning and architectural design.
“Ogami is guided by a design philosophy we call the state of optimal flow – a spatial, sensory and emotional rhythm that connects people, place and purpose,” shares Dias.
The concept is realised through a highly choreographed layout of cascading terraces, interlinked lagoons, pedestrian promenades and quiet green corridors that follow the natural slope of the site. Nearly 2,000 units, including villas, twin houses, townhouses and chalets, are positioned to maximise views of the sea or water features. The architecture is intentionally understated, blending Mediterranean openness with Japanese minimalism to create a sense of refined calm. North-facing façades allow for optimal daylight and sunset views, while the building palette emphasises natural textures, warm tones and soft transitions between indoor and outdoor environments.
Madinah Gate
DLR Group’s diverse portfolio also spans luxury resorts, data centres, cultural districts and residential communities – all united by a belief that design should elevate the human experience. When asked what remains constant, Dias says, “Our belief that design should elevate the human experience. That ethos is embedded in everything we do, from early strategy to final handover, and continues to define our role in shaping the built environment across the Middle East.” What is common to all these projects is a pervasive ‘sense of place’. Dias emphasises that a genuine sense of place stems from a deep understanding of context, culture, environment and social rhythms.
“It’s not just about what a place looks like, but how it functions, how people move through it, and what it means to those who use it,” shares Dias. “That means spending time understanding the rhythms of daily life, the climate, the history and how the community interacts with its surroundings. Authentic, intuitive places arise from designs that ask what a place should become, carefully considering layout, orientation and flow.”
GEARING FOR EXPANSION
DLR Group’s Dubai studio continues to serve as a regional hub, extending design-led expertise across the GCC, North Africa and beyond. Hosting a connected studio model allows the firm to collaborate across time zones and disciplines, setting it apart by deploying tailor-made
teams for each client’s unique ambitions. As a global, 100% employee-owned firm with 33 offices worldwide, the draw for clients is a fully integrated, multidisciplinary design service. This includes architecture, interiors, planning, landscape architecture and engineering expertise, delivered seamlessly across geographies.
PUSHING BOUNDARIES IN INNOVATION AND SUSTAINABILITY
Innovation, as Dias puts it, begins with challenging the conventional. “Not just in how we build, but in how we think,” he shares. “It’s about reimagining the design process from the ground up: questioning assumptions, re-evaluating priorities, and being unafraid to ask why; why are we building this, who is it truly for, and what value will it bring long-term?”
Sustainability at DLR Group is viewed as regeneration, as opposed to efficiency, achieved by working with the climate, selecting low-impact and local materials, and de-
signing spaces adaptable to changing needs. “It also means knowing when not to build and having the discipline to pursue solutions that add real, lasting value socially, environmentally and culturally – not just to meet a checklist,” shares Dias. He states that close collaboration with engineers, consultants, artisans and local experts is essential for embedding innovation in each project, using digital tools, parametric modelling, circular economy principles and low-carbon systems. “Success is not just about what a project looks like, but how it performs, how it ages and how it serves people and place over time,” shares Dias. “When innovation and sustainability are truly integrated – woven into the narrative rather than layered on top –the result is a project that not only responds to the present but anticipates the future.”
DLR Group’s evolution in the Middle East is a story of strategic growth, multidisciplinary excellence and a passionate commitment to designing spaces that enrich the human experience, now and into the future.
“Success is not just about what a project looks like, but how it performs, how it ages and how it serves people and place over time.”
Ogami
Members of DLR Group’s leadership team (from left) Vaida Buchrotaite, Interior Design Director; Jamal Salem, Middle East Regional Director; Henrique Dias, Hospitality Director and Essam Nabih, Business Development Director
Photography: Mark Mathew
Soulful Sanctuary
Arch Home Interiors has crafted a boutique Pilates studio in Dubai Design District, creating an environment where movement meets self-care
WORDS – ANEESHA RAIPHOTOGRAPHY – OCULIS PROJECT
Given full creative freedom, Arch Home Interiors constructed Soul Mvnt from the ground up. With an aim to make the experience feel effortless, the layout was designed to guide clients through the space with a sense of connection and cohesiveness.
Material choices played a big role in shaping the experience. In the common areas, the interior design studio used micro-cement across the floors and walls to create a seamless, natural base. Its soft, matte textures help set the tone. For lighting, brands that reflect the project’s minimal character were chosen, such as Prado. Wall lights were sourced from Marset, known for sculptural, atmospheric designs. The remaining works were entirely custom built, with no off-the-shelf solutions used.
Joinery across the project was crafted in burr wood, bringing a warm, tactile richness that softens the space without overwhelming it. Both the burr wood and the marble were chosen for their organic movement and flow, adding a sense of natural elegance. The Avalanche marble appears in the entrance counter and bathroom vanities, always with curved edges that echo the soft transitions throughout the space.
In the reception, a sculptural desk in handmade ivory tiles and burr wood anchors the entrance, with Avalanche marble detailing that elevates the composition. Nearby, a small service bar and integrated retail shelving were built to blend into the flow, offering practicality without feeling intrusive.
Bathrooms and locker areas continue with the same palette, designed to feel elevated yet durable, with finishes that can hold up to use while maintaining their softness. Beyond acoustic control, one of the key challenges was the bathroom design. The space had no existing drainage provisions. Arch Home Interiors had to carefully plan and execute a full drainage system from scratch to make the wet areas such as bathrooms fully functional.
Inside Soul Mvnt’s studios, vinyl gym flooring with acoustic underlay was chosen for its durability, soft feel underfoot and ability to manage sound – especially important for the high-intensity Lagree sessions, which feature loud music and a live DJ. To ensure acoustic separation between the Lagree and yoga studios, insulation was built into the walls and ceilings, preserving the energetic atmosphere in one and the calm, meditative vibe in the other. Since the studio is housed within a commercial office building, additional soundproofing was installed along perimeter walls and floors to prevent noise from leaking out and disturbing surrounding tenants.
Arch Home Interiors has created a sanctuary where movement and mindfulness align. Soul Mvnt embodies a quiet elegance that elevates every step of the user’s journey.
This residence is equal parts opulent and inviting
A Perfect Balance
A bespoke villa in Dubai Hills Grove designed by XBD Collective blends contemporary elegance with high-end craftsmanship
WORDS – ANEESHA RAI
Tasked with creating a flowing, contemporary layout, the design team at XBD Collective has developed a residence that is equal parts opulent and inviting, and crafted both for lavish entertaining and private family moments.
The formal entryway, framed by doubleheight ceilings, Italian marble underfoot and sculptural chandeliers overhead, sets a dramatic yet elegant tone that carries throughout the home. This atmosphere extends into the formal living and dining spaces, which are richly appointed and anchored by a sleek, builtin formal bar that’s perfect for hosting guests.
This page – (top) Children’s and parents’ bedrooms are arranged for privacy and comfort, each with en-suite amenities and subtle design distinctions; (below) A large private office is discreetly accessible from the exterior walkway
Also on the ground floor, lies a large private office that is discreetly accessible from the exterior walkway. Two en-suite guest bedrooms offer plush accommodation and mirror the home’s wider sense of thoughtful, highend design. The family lounge and adjoining show kitchen embody a more casual luxury, enhanced by a hidden grease kitchen designed for more functional culinary demands.
Upstairs, the tone shifts to quiet sophistication. The first floor features a cosy family lounge and breakfast nook, providing a soft contrast to the grandiosity of the ground level. The master suite is a retreat in its own right, featuring a private terrace, expansive walk-in closet, a spa-like en-suite with indulgent finishes. Children’s and parents’ bedrooms are arranged for privacy and comfort, each with ensuite amenities and subtle design distinctions.
The roof terrace serves as an open-air extension of the home’s social energy. It features a versatile, entertainment area with a freestanding bar, ambient lighting and high-quality outdoor furniture, perfect for enjoying winter evenings. Downstairs, the basement level becomes a sanctuary for leisure and lifestyle.
Designed as a full party-vibe area, it features a grand bar, pool table and a dedicated wine room for collectors. A state-of-the-art gym and tranquil spa area add balance, ensuring wellness becomes part of the home’s experience.
The design language throughout the villa draws from a contemporary luxury palette, with Italian-crafted furniture, natural stone, richly grained wood, reflective glass and polished metals woven into the architectural DNA. The result is a home that balances restraint with richness, elegance with intimacy, and spectacle with comfort.
The materials used include natural stone, richly grained wood, reflective glass and polished metals
Photography: Charly Simon
Self-levelling concrete floors and walls create a seamless, monolithic envelope that amplifies the sense of spatial continuity, while steel cladding introduces a sculptural dimension
An Avant Garde Residence
The V Penthouse by Badie Architects is a bold exploration of materiality and spatial harmony
WORDS – ANEESHA RAIPHOTOGRAPHY – NOUR EL REFAI
Led by Mohamed Badie of Badie Architects, this home has been conceived as a seamless interplay between raw, industrial aesthetics and refined craftsmanship, embodying a meticulous balance of strength and elegance.
At the heart of the penthouse sits a statement fireplace which acts as a central point of warmth and architectural gravitas, and sets the tone for a residence that unfolds through a meticulously considered palette of materials. Every surface and finish has been selected for its resilience, visual integrity and tactile allure. Self-levelling concrete floors and walls create a seamless, monolithic envelope that amplifies the sense of spatial continuity, while steel cladding introduces a sculptural dimension, imbuing the space with both depth and permanence. Accents of stainless steel seen on the doors and exposed ductwork lend a utilitarian elegance, underscoring the industrial character of the design. Balancing these bold gestures, raw
wood inserts are tactically placed to infuse warmth and texture, offering a natural counterpoint to the penthouse’s cool, hard surfaces.
Yet the V Penthouse is more than a feat of architectural clarity; it is a fully integrated smart home, where cutting-edge automation elevates daily living. From lighting and climate to security and entertainment, all systems are seamlessly controlled for an enhanced, intuitive experience. The interior is furnished with an exquisite selection of pieces from Fendi, Cassina, Flos, Minotti and other globally renowned brands, each chosen to complement the penthouse’s contemporary ethos. Adding a note of cultural depth is an authentic Kahhal Persian rug, a timeless piece of artisanal heritage, while a sculptural full marble bathtub anchors the bedroom in sculptural luxury.
Every design decision within the V Penthouse reflects an uncompromising dedication to material authenticity, spatial clarity and the future of avant-garde living.
Below – Raw wood inserts are tactically placed to infuse warmth and texture, offering a natural counterpoint to the penthouse’s cool, hard surfaces; Accents of stainless steel seen on the doors and exposed ductwork lend a utilitarian elegance
Introducing the 2025 jury of the identity Design Awards
Marco Piva
Founder of Studio Marco Piva Exciting, fluid, functional – this is the language that distinguishes Marco Piva’s large urban masterplans, architectural creations, interior design and product design. The effort in material research and technology, the value of differentiation, contamination and design innovation, lead the establishment of Studio Marco Piva, whose activity has become one of the most representative on the Italian scene. Marco Piva, a traveller and a designer, is an innovator who is dedicated to create unique design solutions pervaded by stylistic freedom, functionality and emotion.
Studio Marco Piva continues to make its mark across the global hospitality and design landscape with a diverse portfolio of recent and ongoing projects. In the hospitality sector, the studio has completed standout properties including the MGallery Palazzo Tirso in Cagliari, the Gran Melià Palazzo Cordusio, and two Radisson Collection Hotels in Milan, along with Palazzo Nani in Venice and Le Méridien in Casablanca. Beyond hospitality, the studio is actively engaged in urban masterplans in China and Albania, the design of private villas across five continents, and major residential developments in Milan such as Torre Seta, Syre, and the Easy complex. Additional projects include the restoration of historic landmarks like the Recoaro Terme thermal complex and the interiors of La Cavallerizza Reale in Turin, as well as the design of bespoke furniture and accessories for leading Italian brands.
Bill Bensley
Founder of BENSLEY
Bill Bensley is world-renowned for his outstanding, unique and inspiring award-winning hotel, landscape and interior design, as well as his eyecatching architecture. He is also a concerned conservationist and passionate philanthropist. Bensley’s philosophy is “Besides having as much fun as possible, to help the needy, to educate, help animals and help the planet via conservation”. He has seamlessly and brilliantly combined his passions to benefit the environments and communities in which he has created his incredible projects. He is a highly qualified jack of all trades – gardener, fisherman, architect, interior designer, painter and, most of all, a wide-ranging explorer of as many corners of the earth as he can.
Li Xiaodong
Chair – School of Architecture, Tsinghua University
In 2020, Bensley shared the culmination of his life’s work to date in an open-source white paper, “Sensible Sustainable Solutions”, helping hotel designers, owners and operators design better hotels, fight climate change and generally make the world a better place. The paper covers three core pillars – build with a purpose; think locally and sustainably; and build sensibly – in terms of building materials and energy conservation. In 2019 after Covid paused his extensive travel schedule, Bensley moved towards developing his love for painting. His artwork is unapologetically colourful, often humorous and at times provocative. All proceeds, both for prints and original paintings, go to the Shinta Mani Foundation and Wildlife Alliance, two causes very close to Bensley’s heart.
Li Xiaodong graduated from School of Architecture at Tsinghua University in 1984 and completed his PhD at the School of Architecture, Delft University of Technology between 1989 and 1993. He is a practicing architect, educator and researcher on architecture, with design expertise spanning interiors, architecture and urban spaces. He has received numerous national and international accolades, including the 2009 Architectural Review Emerging Architecture Award and the 2010 Aga Khan Award for Architecture for his Bridge School in Fujian, and in 2012 he was named an Honorary Fellow of the American Institute of Architects (AIA). His design for the Liyuan Library won several prestigious awards, including the inaugural Moriyama RAIC International Prize (2014), the Culture category at the World Architecture Festival (2012) and the Architecture of Necessity award in Sweden (2013). His Yuhu Elementary School project earned the UNESCO Jury Award for Innovation, the EDRA/Places Annual Design Award (USA), a Highly Commended mention in the AR+D Awards (UK), the ARASIA Gold Medal, and the Business Week/Architectural Record China Award for Best Public Building. He also teaches architecture and has won prestigious international awards, including the RIBA tutor’s prize (2000) and SARA tutor’s prize (2001) for his inspirational teaching at the Department of Architecture, National University of Singapore. Currently, he is the chair professor of the architecture programme at the school of Architecture, Tsinghua University, in Beijing; He is also a researcher – his publication in articles and books, in both English and Chinese, covers a wide range of interests, from cultural studies, history and theory of architecture to urban studies.
Yasmine Ghoneim
Director of YSG
Based in Sydney, Ghoneim is the Director of YSG, a multidisciplinary practice trailblazing interior design across the residential, commercial and hospitality sectors globally. More recently, the studio introduced architectural services for new builds, charging spaces with atmospheric potency, staging and storytelling that narrate strong visual outcomes. Given the abundance of custom elements in every project, Ghoneim has built indelible ties with artists and skilled artisans to celebrate the maker’s touch. This has also led to collaborations with esteemed brands to create unique product ranges. In addition, she co-hosts ABC’s Grand Designs Transformations TV series that launched in 2024. The provocative chords of Ghoneim’s imagination have garnered countless global design accolades. Since 2022 she has regularly featured on definitive lists that recognise the most influential interior designers, architects and designers globally, as well as amongst European and Middle Eastern mastheads. Locally, she has been awarded multiple Interior Designer of the Year awards.
Nina Takesh
Founder of Nina Takesh
Nina Takesh is the founder, CEO and creative force behind three successful businesses: Petit Tresor, a luxury baby brand store where Gwen Stefani, Jennifer Lopez and Madonna regularly shopped; a home flipping business through which she has remodelled and designed countless houses; and a residential and commercial interior design firm, Nina Takesh, where she creates unique interiors for clients across the world. Takesh, who has an MBA from Pepperdine University, previously worked for the French fashion house Guy Laroche. She continues to push
the boundaries of design and architecture by incorporating the newest materials and custom bespoke furnishings in her work. She has clients all over the world and has amassed a social media following between Instagram, TikTok and YouTube of nearly one million followers.
Born in Tehran, Takesh moved to Beverly Hills, California with her parents and sister when she was six years old. Her father, a renowned architect, had a significant influence on Takesh's design sense and passion for the arts. Throughout her global experiences, Takesh was always cognisant of the architecture and design that surrounded her.
Quiet Luxury
The Bernhardt brand brings understated elegance and enduring craftsmanship through Interiors in the UAE
Through timeless forms, neutral palettes and an emphasis on quality over ornamentation, Bernhardt exemplifies the essence of ‘quiet luxury’ through timeless forms. Leaning into classic shapes, every piece in the collection reflects the modern homeowner’s evolving desire for designs that are meaningful, calming and emotionally resonant, creating spaces that feel effortlessly luxurious and remain relevant for years to come.
From creamy linens, and warm greys to soft taupes and warm earthy woods with hand-finished detailing, Bernhardt’s designs channel a quiet confidence that speaks volumes without shouting. The brand’s architectural lines and
natural materials like oak, marble, wool and leather celebrate texture and restraint, elevating even the smallest space with intention and grace. True to the aesthetic, Bernhardt perfects the finer details with precise tailoring and well-finished curves that reflect true luxury.
“At Interiors, we believe luxury is better felt, not flaunted,” said Raed Dibs, CEO of Interiors. “Bernhardt’s refined design philosophy aligns perfectly with what our customers are looking for today: beauty, longevity and emotional connection to their surroundings.”
Designed for discerning homeowners, stylists and architects alike, the Bernhardt collections at Interiors offer an experience of lasting value and sophisticated ease.
Transform Your Living Space
Renowned designer Antonio Citterio introduces a new paradigm in contemporary seating through the Loungescape sofa
WORDS – ANEESHA RAI
Loungescape is a spatial statement, shaping the home environment much like terrain defines a natural landscape. It becomes the heart of the room, inviting new interpretations of comfort, elegance and functionality. “Loungescape stems from ongoing research on the theme of a home’s liv-
ing spaces,” remarked designer Antonio Citterio. “The raked base, a signature feature of the design, lends a sensation of lightness while maintaining its bold visual presence.”
At the core of the design is a singular, flowing structure that seamlessly integrates a composition of soft cushions into a cohesive
whole. Its organic silhouette is the result of precise craftsmanship and meticulous attention to the relationship between proportions and angles. Every curve and incline has been designed to support both relaxation and social interaction, offering a balance that feels intuitive yet elevated. The raked base gives the piece a visual levity. This refined base creates a subtle interplay between grounded solidity and graceful suspension.
True to Citterio’s philosophy of thoughtful design, Loungescape is a modular system, offering various configurations and size options, making it adaptable to any space. Customisability extends to its upholstery, with a wide selection of fabrics and leathers from Flexform’s exclusive collection, allowing for bespoke interpretations.
TWORDS – ANEESHA RAI
Serenity and Soul
Blending Aman’s signature serenity with the cultural soul of Saudi Arabia, Amansamar emerges as a bold new destination for design-led living and hospitality
ucked within Wadi Safar, near the UNESCO-listed Diriyah and centrally located in Riyadh, Amansamar is a striking convergence of natural beauty, architectural minimalism and cultural depth. The forthcoming resort and branded residences are part of a wider vision for Wadi Safar – as a premier lifestyle and wellness destination infused with heritage, sport and outdoor pursuits. Rooted in both meaning and materiality, the name Amansamar is a union of ‘aman’, the Sanskrit word for peace, and ‘samar’, an Arabic term that evokes the ritual of gathering at night to share stories and knowledge. The name also translates poetically to ‘the peaceful acacia tree’ – a symbol of resilience and calm that will echo across the development both in its landscaping
and its architectural language. Acacia trees will be interwoven throughout the property, establishing a dialogue between the built environment and the arid terrain that surrounds it.
At the heart of the project is an 80-key Aman hotel, designed by Jean-Michel Gathy of Denniston architects. True to Aman’s ethos of refined seclusion, the resort will offer guests an atmosphere of understated elegance, where peace and privacy take precedence over opulence. Minimalist architecture, natural textures and an emphasis on spatial harmony will anchor the aesthetic, resonating with the vast serenity of the desert. Beyond its hotel, Amansamar will debut the Kingdom’s first Aman-branded residences – a limited collection of ultra-luxury villas and private estates that offers discerning
buyers a rare opportunity to live the Aman lifestyle year-round. Each residence, ranging from five to six bedrooms and starting from 9,000 square metres in plot size, is strategically positioned along cliffs and desert plateaus to maximise natural light, capture sweeping vistas and maintain the utmost privacy. The design approach not only amplifies the connection to the landscape but also sets a new benchmark for luxury living in Saudi Arabia.
Residents and guests will enjoy access to a wealth of amenities reinforcing the holistic Aman experience. An expansive Aman Spa will feature signature hammams, banya houses and hydrotherapy zones, while wellness and leisure offerings extend to multiple pools, a Racquet Club and a dedicated Kids’ Club. Culi-
nary spaces will reflect Aman’s global flair, and exclusive access to the Residence Club will offer homeowners a private enclave for relaxation, dining and curated experiences. Owners will also be invited to join the global Aman Club, which opens the door to destinations in Tokyo, New York and Bangkok, as well as forthcoming locations in Miami Beach and Beverly Hills.
Currently under construction, Amansamar represents the latest chapter in Aman Group’s growing presence across the Middle East. It joins an expanding portfolio that includes Janu Diriyah and Aman AlUla in Saudi Arabia, Aman Dubai and Janu Dubai in the UAE, as well as Amangati – a 183-metre luxury yacht developed in partnership with Cruise Saudi, which will begin Mediterranean voyages in 2027.
Treetop Sanctuary
The Ritz-Carlton’s intimate treetop retreat offers a rare invitation to connect deeply with nature and culture
WORDS – ANEESHA RAI
Situated in the Masai Mara, the new Ritz-Carlton is a new safari camp combining architectural sensitivity, handcrafted interiors and progressive sustainability practices throughout.
Designed by LW Design, the architecture draws from the principles of biophilic design, where nature and structure exist in quiet harmony. “Our goal was to elevate the guest experience through the highest levels of design excellence, hospitality and attention to detail, while ensuring that the unique charm, culture and natural beauty of the Masai Mara remained at the heart of the project,” shares Pooja Shah-Mulani, Managing Partner – Creative at LW Design. “Personally, this project holds special significance, as Kenya is not just a destination, it’s home. Being able to combine my global experience with the opportunity to contribute to a place so close to my heart has been an incredibly rewarding journey.”
The camp hosts 20 distinctive hooded tent suites with soft, rounded forms that echo the meandering Sand River. Canvas walls, flowing drapery and indoor-outdoor lounges melt the boundary between room and landscape, creating an environment where the rustle of leaves, scent of rain and calls of the wild move freely through each space. Outside, guests can soak in the views from private plunge pools, outdoor showers and canopy-level stargazing decks. “This is a place that stirs your soul,” shares said Tina Edmundson, President, Luxury at Marriott International.
Inside, the design is a celebration of Kenyan textures and craftmanship, bringing depth and authenticity to every detail. Earthy palettes and tactile materials such as hand-carved wood, semi-volcanic stone and woven textiles handloomed by local women create a rich, understated materiality. Intricate Maasai beadwork, seamlessly integrated into joinery and furnishings, anchors the camp in local heritage.
Art throughout the camp serves as a powerful storytelling medium, grounding guests in the cultural and natural heritage of the Masai Mara. Dynamic statues of cheetahs mid-sprint by Simon Bannister placed above fireplaces evoke movement, strength and resilience, while photographic portraits of local women by Gian Paolo Tomasi blend documentary realism with emotional depth. Vintage photographs by Carol Beckwith and Angela Fisher document age-old Maasai rituals and ceremonies.
Each suite is paired with a personal Encholiek – a Maasai term meaning “one who walks with you.” Part cultural guide, part intuitive butler, the Encholiek offers guests a rare blend of immersive storytelling and elevated service, ensuring every moment is both deeply rooted and effortlessly refined.
Sustainability lies at the heart of the RitzCarlton Masai Mara experience. The camp is fully solar-powered, operating one of East
Africa’s most energy-efficient systems with a 650kW solar farm and 7,000kWh battery storage facility capable of running the property for up to three days. A closed-loop water system recycles greywater and harvests rainwater, while a strict zero-waste-to-landfill policy ensures minimal environmental impact.
Beyond operations, the camp supports the Greater Mara Ecosystem through biodiversity monitoring and habitat restoration, including reforestation along the Sand River. Guests are invited to participate in tree-planting initia-
tives, linking ecological stewardship with experiential luxury.
The project is also deeply community-focused. Over 70% of the staff are drawn from surrounding villages, with apprenticeship programmes training youth in hospitality careers. Dedicated initiatives empower women through employment as wildlife rangers, artisans and cultural ambassadors, while educational projects, such as book donations and fruit tree planting at Embu Primary School, strengthen long-term community resilience.
Desert Counterpoint
In Summerlin, Nevada, Faulkner Architects and Concept Lighting Lab have revealed a desert home that withstands extremities
WORDS – ANEESHA RAIPHOTOGRAPHY – JOE FLETCHER
The overall façade is restrained, with a relatively narrow entryway
Above and opposite page – Over half of the built area is ventilated and lit with openings in the structure to introduce sunlight
Set on a 3,000-square metre site flanked by the Las Vegas Strip to the east and Red Rock Canyon to the west, this striking home emerges from the desert like a geological formation that has been honed by wind, water and time. Designed in response to the region’s climate, where scorching summers, monsoon rains, dry winters and high winds test every structure, the architecture embraces restraint, mass and permanence.
Rather than resist the desert, the house mirrors its ethos through a process of subtraction
and shielding. A carved courtyard on the east offers protection from the wind and opens up to an elevated basin of water that mirrors the living area. This quiet pool captures the city’s distant skyline in its reflection, a poetic commentary on the transitory nature of urban life and its fragile dependence on water in an arid land.
The entry is a narrow incision in the concrete envelope, where visitors encounter water at eye level before ascending a shaded ramp. This leads to an open-air court filled with native desert vegetation. It’s a powerful moment
of compression and release, and a subtle gesture toward the region’s layered terrain.
Materially, the home is as grounded as its location. Locally sourced sand, gravel and fly ash blend into cast-in-place concrete walls and floors, creating a buff-toned mass that glows softly in the desert sun and echoes the surrounding mountain hues. Over half of the built area is below grade, ventilated and lit with openings in the structure to introduce sunlight, including several submerged under the basin’s water level. The mass-heavy house
This page – (bottom right) Upper level bedrooms inhabit a screened framework that’s sheathed in perforated weathering steel and elongated along the east-west axis to shield the pool from wind and sun; Right page – Locally sourced sand, gravel and fly ash blend into cast-in-place concrete walls and floors
sports a reflective roof, 45-kilowatt photovoltaic array and high-efficiency glazing, mechanical and lighting systems.
Above ground, the house stretches across the site with a deliberate east-west orientation. Upper level bedrooms inhabit a screened framework that’s sheathed in perforated weathering steel and elongated along the eastwest axis to shield the pool from wind and sun. A south-side shaded deck screened with perforated mesh extends over the form to shade the structure and cars below. The earth-like ground form, fitted with its layer of weathered steel, is a nod to the geology of the Las Vegas Valley and Red Rock Canyon beyond.
A New Life
In the heart of Cairo, an old lecture hall at Ain Shams University turns into a theatre
WORDS
PHOTOGRAPHY – FADI KOUDSI
– ANEESHA RAI
Led by Prof. Dr. Gamal El-Kholy in collaboration with the façade designer Eng. Ahmed El Maghraby of El Maghraby Design House, the Ain Shams University made a thoughtful decision to transform an abandoned lecture hall into a cultural landmark, rather than construct a new building. This approach not only saved resources, but also gave new life to an old space; serving as a masterclass in showing how architecture can adapt, evolve and inspire. At the core of the design is the theatre curtain. Just as a curtain rises to begin a performance, the building now opens itself to the public with a bold new façade. A transparent glass curtain wall allows light and reflections to connect the building to its surroundings, while a flowing layer of parametric aluminium louvers stretches across the front. These louvres move across the surface like the keys of a piano, or notes in a symphony – each one adding rhythm and depth. Depending on the viewer’s angle and the time of day, the façade shifts in appearance, creating a dynamic play of light, shadow and reflection.
This new visual language sets the theatre apart from the more traditional academic buildings nearby. At the same time, the glass façade reflects the surrounding architecture, tying the structure back into its context.
Inside, the space is designed to serve both education and performance. A fully equipped theatre with 550 seats becomes the heart of the building, ready to host plays, concerts, lectures and community events. Alongside it, two large lecture halls with a combined capacity of 1,200 students continue the building’s original academic role. The mix of functions allows the building to serve as a place for both learning and cultural exchange.
By choosing to reuse and redesign instead of demolishing and rebuilding, the project takes a sustainable and thoughtful approach to design. It respects what came before while boldly stepping towards a new purpose.
Above – Fashioned like a theatre curtain, a transparent glass curtain wall allows light and reflections to connect the building to its surroundings, while a flowing layer of parametric aluminium louvers stretches across the front; Below – fully equipped theatre with 550 seats becomes the heart of the building
Holiday Vibes at Home
California sunshine and French country charm meet in this 510-square metre house with a dream pool cabana and peaceful garden
WORDS – KARINE MONIÉ
PHOTOGRAPHY – TODD F GOODMAN
The design incorporates timeless elements such as symmetrical facades, pitched roofs, and intricate detailing, reminiscent of French countryside estates
New constructions don’t always mean contemporary design. For Shlomi Sfadia, owner of SLS Properties Inc., this property – which sits on an 836-square metre site in the charming, sought-after neighbourhood of Valley Village in Los Angeles – had to reflect the classic elegance of French architecture. He translated this creative vision by incorporating symmetrical façades, pitched roofs and intricate detailing. The bucolic charm sets it apart from the typical homes in the region. “In my career in development,
I always strive to push the envelope and create homes that stand out from the norm,” says Sfadia. “My goal is to introduce architectural styles that are rarely seen in the greater Los Angeles area. For this home, I wanted to capture the essence of French countryside charm, ensuring that the moment someone walks through the door, they feel as if they’ve stepped into an elegant estate.”
The house was sold pre-completion, off-market. It serves as a full-time residence, but Sfadia’s goal was to craft an atmosphere that makes the owners feel like they
Both pages – Moving from one space to the other is effortless with the home’s seamless indoor-outdoor flow
Left page – Sfadia incorporated rich, earthy tones, with a strong influence of green hues throughout the design
Below – The home features natural materials like stone and wood, custom millwork, and arched doorways, creating a refined yet inviting atmosphere
are on holiday every day. The outdoor areas are particularly important in that sense; a standout feature, the pool cabana provides a serene retreat for alfresco entertaining. Meanwhile, the manicured lawns create a lush, picturesque setting. Inside, too, relaxation and fun guided many design decisions. For example, the media room is moody and cosy with its green plaster walls. “Typically, French-style homes lean heavily on classic, compartmentalised layouts, which can feel overly traditional and don’t always align with the open, flowing spaces that today’s homeowners seek,” says Sfadia. “I wanted to preserve the authentic French feel while ensuring the home offered a layout that felt spacious, functional and well-suited to modern living.” Moving from one space to the other is effortless with the home’s seamless indoor-outdoor flow.
Natural materials like stone, wood, custom millwork and arched doorways reflect authenticity and timeless elegance throughout. In the main shower, handmade green Moroccan zellige tiles bring texture and an artisanal feel. In the powder room, the deep burgundy wine-red plaster walls add a sense of drama and warmth. “One of the most memorable moments during the build was when we were finalising the kitchen’s stone backsplash,” remembers Sfadia. “This type of stone is usually used in exterior spaces, but I was determined to bring that rustic, French countryside charm indoors.” And while several people questioned his choice, Sfadia was convinced that it would make the home feel as though it had aged gracefully over time.
“When it was finally installed, it completely transformed the space,” he says. “That moment reinforced my belief that, sometimes, taking risks with materials and design choices is what truly makes a home special.”
Casa Tranquilo by DADO offers an immersive retreat into
Lime-plastered walls, brown and white sandstone floors, rubble stone accents and natural wood form a palette
Tucked deep within the green folds of Goa’s lush hinterlands, Casa Tranquilo gently reveals itself. Designed by DADO, this 930-square metre villa listens, adapts and exists in quiet symphony with its surroundings. Here, architecture takes on a meditative role, inviting a lifestyle rooted in stillness, sensory connection and the rhythms of nature.
A 75-metre-long boulevard lined with royal palms and dense foliage ushers visitors into a world where time seems to slow. The full narrative only really begins to unfold after the large pivot door is pushed open to reveal
a central courtyard that is the heart of the home. Around this, interconnected living volumes are arranged in fluid succession. Spaces stretch into verandahs, break into smaller courtyards and dissolve into the forest beyond.
The material language is as understated as it is poetic. Lime-plastered walls, brown and white sandstone floors, rubble stone accents and natural wood form a palette that recedes into the landscape, letting the forest remain the visual hero. Sustainability, too, is quietly embedded into the design. The home’s orientation and spatial planning allow for natural ventilation and daylighting, reducing the need
for artificial cooling and lighting. Deep overhangs and shaded courtyards provide passive cooling, making the home comfortable even in Goa’s tropical climate. But perhaps the most powerful symbol of ecological respect is the tree that once stood on-site and now, after careful transplantation, anchors the living area with its roots re-established and its presence undiminished.
The home unfolds in layers – each designed for connection, contemplation or celebration. The casual living and dining area is grounded by built-in seating, organic textures and views of the central courtyard. Adjacent lies the
Above – Beyond the public areas, the home’s private quarters offer introspective calm
Above – The home’s orientation and spatial planning allow for natural ventilation and daylighting, reducing the need for artificial cooling and lighting; Left – The dining space opens on to a tranquil garden
stone-anchored dining space, opening onto a tranquil garden and flowing into an open kitchen that encourages shared rituals and togetherness. On the opposite end, a bar and poolside patio offers moments of levity and social interaction, and is shaded by yet another tree preserved during construction.
Beyond the public areas, the home’s private quarters offer introspective calm. The Garden Bedroom downstairs opens to its own private garden, while another upstairs features two master suites – one facing east and the other, west, aptly named ‘Sunrise’ and ‘Sunset’ respectively. A striking integration of nature is seen in a large existing tree that extends through the bar into the Sunrise Master Bedroom. Here, its bark visually mimics a column, reinforcing the idea of architecture growing from nature rather than fighting against it. The third, aptly named the Nest Bedroom, offers an intimate enclosure of peace and green stillness.
At Casa Tranquilo, there is no need for grandeur. It’s a space a place where architecture and earth hold each other with quiet respect.
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Inside Hobb
We speak with the founder of Hobb, Haifa Malhas, about building a bookstore and a community centred around love for design
WORDS – ANEESHA
RAI
What made you decide to found Hobb, and why? What was the idea that kickstarted this?
Malhas: Conceptually, Hobb did not start as a bookstore; it started from a place of claim and a bit of cynicism. I am a designer, specialised in branding, and halfway through February 2013, I was nauseated by the red teddy bears and roses – nothing against romantic love – but I felt like we needed to claim the word back. Of course, a month after my first child was born, I was still high on my newfound maternal love, and was exploring all the ways love (‘hobb’ in Arabic) can be expressed. I thought, “How fun would it be if we created a brand called Hobb?” I designed the logo, and a few more things, but nothing beyond that; it was a dream, a recurring dream, that
kept revisiting me over the following six years, until it was a matter of “launch it or let it go.”
I launched it in 2020, from my small home office where I was freelancing, and shipped out books ordered on our online store. By 2021 we opened the doors to our bricks-and-mortar store. The day they put the sticker up on the window was a particularly emotional one for me: it was like bringing a child into the world. Hobb was emotionally, mentally and physically exhausting, and seeing it up in physical form was a joy beyond words.
After you founded the bookstore, what was the response like?
Malhas: I started the bookstore thinking I was going to spend my days around books, and only
books. What I didn’t realise is that books would bring the most beautiful souls. Seeing someone find the right book is such a thrill; it gave the expression ‘light up’ a whole new meaning, because they literally light up; you can see it all over their face. A book lover walking into a bookshop is now my favourite thing to witness, followed by the conversation. I’ve had the best conversations in Hobb, and for that I will always be grateful. I had the honour to see people talk about and birth dreams, I saw people in pursuit of their passions, I heard stories and experiences worthy of books, but in human form. Who does Hobb cater to? What’s the story behind its namesake?
Malhas: Hobb mainly caters to the creative industries, but it welcomes all curious souls. I love asking people what they do, or what their dreams are; I am terrible at small talk! We’ve catered to libraries, hotels and design studios of different sizes, but we’ve also met chocolate makers and perfume-makers, as well as mycologists and psychologists!
The name stands for finding passion and purpose, it is about pursuit and the obsessive nature of loving something. It is also a reclaim of how the media portrays love; it’s not red roses and teddy bears, it’s consistent work and effort towards a goal or a direction. Also, let’s not forget how fitting it is for a place that caters to book-lovers and design-lovers alike. You also hold a lot of workshops here – can you take us through a few of these?
Malhas: We’re lucky to have our intimate space, quietly tucked in Wasl Square, Dubai – smelling of baked goods thanks to our neighbours – which has allowed us to host book launches, mixers and workshops. We’ve opened the space in the summer for anyone willing to share their craft or experience, and the response has been wonderful. We’ve had a book binding session, a design meet up, a branding card game, and a board game that resembles the art world!
What are some initiatives held at the bookshop?
Malhas: We’re always experimenting with new things. Right now we’re looking at collecting as many zines from the region as possible; we’d like to be a hub for self-publishing artists. We also want to connect the community and do more mixers.
What are you hoping Hobb to eventually be in the future?
Malhas: Right now, Hobb is a bookstore and my personal creative space, as I use it during the day to finish my own branding work. In the future, I would love to see it expand into a coworking space, somewhere people can spend their day seeking inspiration and share their craft. The challenge is to keep the intimacy to it; I love the size of the business, and the conversations, and I worry that a bigger space would take away from our little hidden gem feel.
Steel and Stone Piano V2
by Batter and Kamp
Playful and fully functional, the Steel and Stone Piano V2 is an articulated, sculptural electronic piano created in a collaboration between Batten and Kamp and digital artist Henry Chu. Fabricated from stainless steel and anchored by found stone, the piano extends Batten and Kamp’s renowned Steel and Stone series into the realm of music. Its striking looks make it a collectible design piece.
