Identity Middle East - November 2023

ARCHITECTURE, DESIGN, INTERIORS + PROPERTY

ISSUE 236 / NOVEMBER 2023

DHS 25.00 OR 2.70 BD 2.60 SR 25.00 KD 2.10

A MOTIVATE PUBLICATION

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The Innovators Issue C E L E B R A T I N G O U R 2 1 st A N N I V E R S A R Y

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alhuzaifa.com DUBAI Al Wasl Road 04 332 2220 | Umm Hurair 04 336 6646 ABU DHABI 02 644 4674 | SHARJAH 06 559 0158

CURL COLLECTION

OUTDOOR LIVING

naturally THE NEW COLLECTION

Welcome to a world of natural elegance, where precision craftsmanship meets indulgent design. Each distinctive piece exudes unparalleled comfort and timeless sophistication. Our collection seamlessly unites form and function, built to withstand any weather. Rediscover the art of outdoor living.

[NOVEMBER 2023]

Contents Features 22 identity Design

Awards 2023: Panel of Excellence

Presenting the jury for the upcoming awards and the shortlisted candidates

34 Shining a Spotlight

identity in collaboration with Casamia shines a spotlight on the candidates shortlisted for Emerging Designer of the Year at identity Design Awards 2023

42 Designing a Universe frenak+jullien, Cardin Julien, and m+mathieu holdrinet collaborated on the design of the new Planétarium du Jardin des sciences de l’Université de Strasbourg

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50 Design for a Cause MADE51 is a company that is dedicated to bringing refugee craftsmanship t o the world

52 Creating an Identity identity magazine in collaboration with Downtown Design brings you the story behind some of the collectives featured at the milestone event via the campaign

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[NOVEMBER 2023]

Contents Editor-in-Chief Obaid Humaid Al Tayer Managing Partner and Group Editor Ian Fairservice Deputy Editor Suha Sabith Senior Art Director Olga Petroff Junior Designer Charissa Canlas Sub-editor Max Tuttle Chief Commercial Officer Anthony Milne Senior Sales Manager Sharmine Khan Sales Representative - Italy Daniela Prestinoni General Manager - Production Sunil Kumar Production Manager Binu Purandaran Production Supervisor Venita Pinto

Head Office: Media One Tower, PO Box 2331, Dubai, UAE; Tel: +971 4 427 3000, Fax: +971 4 428 2260; E-mail: motivate@motivate.ae Dubai Media City: SD 2-94, 2nd Floor, Building 2, Dubai, UAE; Tel: +971 4 390 3550, Fax: +971 4 390 4845 Abu Dhabi: PO Box 43072, UAE, Tel: +971 2 677 2005, Fax: +971 2 677 0124; E-mail: motivate-adh@motivate.ae Saudi Arabia: Regus Offices No. 455 - 456, 4th Floor, Hamad Tower, King Fahad Road, Al Olaya, Riyadh, Kingdom of Saudi Arabia; Tel: +966 11 834 3595 / +966 11 834 3596; E-mail: motivate@motivate.ae London: Acre House, 11/15 William Road, London NW1 3ER, UK; E-mail: motivateuk@motivate.ae

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34

Regulars 10 62 68 70 74

Updates Design Focus Library Products #idmostwanted

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Diamond Decor © Copyright Zaha Hadid Limited 2023 manufactured by Ceramiche Atlas Concorde under license from Zaha Hadid Limited.

Diamond decor designed by

DUBAI DESIGN WEEK 7-12 November 2023 Dubai Design District D3, Building 8, Office 106

DOWNTOWN DESIGN 8-11 November 2023 BOOTH 7

atlasconcorde.com

[NOVEMBER 2023]

Editor’s Note

As we dive into this edition, it brings me great pleasure to highlight the exceptional strides being made in the world of design. From the inception of ground-breaking concepts to the realization of visionary creations, we find ourselves amidst a thriving era of innovation and ingenuity.

Dubai Design Week, one of the cornerstones events of the region, promises to be an exhilarating showcase of ideas, concepts, and products that are pushing the boundaries of design. From the thought-provoking exhibitions to the engaging panel discussions, every facet of Design Week is a testament to the dynamic nature of our field. For the milestone edition of the fair, identity magazine in collaboration with Downtown Design is launching a campaign titled – Creating an identity.

Creating an identity campaign is about the story of the brands.

Their design aesthetics, creative approach, and overall contribution to the industry. The collaboration will feature a section of products that stood out among the various installations at Downtown Design. For more info on the collectives featured as part of the campaign, you can scan the QR code adjacent to stalls at the fair. We will also be hosting panel discussions and covering the event as it enfolds.

One of the pivotal moments in this journey is the unveiling of our much-anticipated awards program with the shortlists and judges. The shortlist, brimming with remarkable talent, is a testament to the boundless creativity and dedication that defines the region.

This year's shortlist is an awe-inspiring compilation of projects that embody the very essence of innovation and creativity. Each nominee represents a story of passion, perseverance, and a relentless pursuit of excellence. Their work speaks volumes about the power of design to shape experiences and inspire emotions.

In the spirit of celebration and recognition, I extend my congratulations to all the nominees. Your contributions are a testament to the transformative power of design, and your dedication to pushing the envelope is an inspiration to us all.

Let us come together to honour these visionaries and to revel in the collective brilliance that defines our industry. See you at the awards!

Suha Sabith Deputy Editor identity

On the cover Image of Alchemy from Caesar Ceramics from Casamia

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From personalities for personalities AXOR One

by Barber Osgerby

axor-design.com

UPDATES

New Joinee Marc Torres joins XBD Collective as its Managing Partner WORDS – SUHA SABITH

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arc Torres, who recently joined XBD Collective as Managing Partner is a seasoned architect with a unique career journey that has spanned continents and a diverse range of projects. Torres embarked on his architectural journey with a determination to gain a comprehensive understanding of the profession. Studying architecture at the Universitat Politècnica de Catalunya in Barcelona, he sought to broaden his horizons by continuing his education in different countries, starting with Sao Paulo, Brazil. His scholarship at Faculdade de Arquitetura e Urbanismo, at the young age of 22, proved life changing as it exposed him to diverse design considerations beyond his homeland of Spain. Subsequent scholarships at EPFL Lausanne, Switzerland, and TU Berlin, Germany further enriched his architectural perspective.

After initial experiences in Spain, Torres ventured to the UK, working in a German-led practice before Marc Roca Bravo, a long-time acquaintance and Managing Partner at XBD since 2021, suggested to move to the United Arab Emirates. In Dubai, Torres played a pivotal role with international design consultancies such as Perkins + Will and Callison RTKL in projects focusing on hospitality, mixed-use developments, and residential buildings designed for clients across the region. Address Beach Resort Bahrain; Vida Beach Resort Marassi Al Bahrain; Mövenpick Resort Al Marjan Island, Ras Al Khaimah; and Mamsha Al Saadiyat, Abu Dhabi carry Torres’ signa-

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ture, just to name his most significant contributions to the architectural landscape of the GCC. Torres’ move to Australia, motivated by personal reasons, opened doors to a new world of architectural challenges, including cultural buildings, airports, and social and affordable housing. This shift allowed him to embrace a more diverse range of projects, aligning with

the purposeful approach to design that characterises Australian architecture.

He believes that the key to XBD’s success lies in understanding how the team can collectively develop the firm both internally and externally. This includes defining the company’s elevator pitch to the market, highlighting the qualities and strengths that set XBD apart from the competition. Torres eagerly anticipates the opportunity to collaborate with everyone at XBD, brainstorming and shaping the firm’s future direction.

All these learnings will help Torres’ approach as he re-focuses on the Middle East, having been made Managing Partner at XBD.

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Introducing the Samsa collection, designed by Maximilian Jencquel. Upholstery and pillows in Perennials fabrics I perennialsandsutherland.com

LUXURY PERFORMANCE FABRICS AND RUGS I PERENNIALSFABRICS.COM Mumbai Studio I Villar Ville PJ Ramchandani Marg. Mumbai, Maharashtra I info@perennialsindia.com Dubai Studio I Perennials FZ LLC, A503 Building 1A, Dubai Design District (D3), Dubai I mena@thespstudio.com

UPDATES

Huda Lighting at Downtown Design 2023 WORDS – SUHA SABITH

Huda Lighting & its brand partners showcase an illustrious portfolio of products at Downtown Design 2023

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ighting solutions provider – Huda Lighting in collaboration with its brand partners, joins the list of exhibitors at Downtown Design 2023, the anchor event of Dubai Design Week. Now in its 10th edition, the latest edition of Downtown Design will feature the latest collections, innovative products and design solutions from prominent brands from across the globe. Over the years, Huda Lighting has not only evolved its product range but also diversified its services, offering comprehensive

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solutions encompassing lighting, automation systems, wiring devices, and more. This tireless dedication to innovation and diversification has cemented Huda Lighting’s reputation for excellence. This year, the company will be present at Downtown Design alongside a list of partners; Lodes, Masiero, BOMMA, ITALAMP, Panzeri, Penta and SLAMP, each contributing their own touch of opulence to the company’s display at the fair. As the demand for high-quality lighting solutions continues to grow in the Middle East and

North African markets, companies like Huda Lighting will play an increasingly important role in shaping the region’s future, offering quality lighting solutions from their renowned and trusted brand partners such as, Lodes, Masiero, Bomma, Italamp, Slamp, Panzeri, and Penta.

Downtown Design 2023 is set to take place from 8th November until 11th November 2023 at Dubai Design District d3, Waterfront Terrace. Join Huda Lighting at booth D2.

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Made in Italy Entrances Designed by You

Oikos Atelier Dubai

The Opus, Tower A, office 1205 Al A’amal St, Business Bay - Dubai T +971 4 589 3332 | M + 971 52 556 7376 atelierdubai@oikos.it | oikos.it

UPDATES

The Future of Design We profile the founder of Home Figures Company – Lea Chatila WORDS – SUHA SABITH

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s the visionary owner of Home Figures Company, Lea Chatila’s passion for design has been ingrained in her identity since childhood. Growing up, she was drawn to the concept of homes as a canvas for selfexpression, with furniture serving as a reflection of one’s personality and tastes.

However, working in the interior design field for more than 15 years and living in Dubai, Lea recognized that mass-produced, one-size-fits-all furniture often left people wanting more.

Dubai’s diverse and dynamic population presented a unique opportunity to cater to individuals seeking bespoke solutions. Lea realized that customization was the key to not just providing functional pieces but that furniture should tell a story, and that story should be uniquely yours. At Home Figures, customisation is not just an add-on; it’s a fundamental principle.

It is about providing a comprehensive experience. From the initial consultation and design discussions to the crafting and delivery of each piece.

She ensured her clients were part of the creative process, allowing them to infuse their unique personality into every curve, fabric, and finish.

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UPDATES

New Opening

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Italian design excellence in one dedicated space at City Walk Dubai

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UPDATES

S Studio 971 has dedicated spaces in the showroom for Lema and Arclinea

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tudio 971 first opened its doors on Sheikh Zayed Road in 2015, with a showroom dedicated to showcasing high end, luxury brands. Aptly named, the space is indeed a one stop haven for lovers of exquisite design, housing a select portfolio of brands that cover all aspects of luxurious living. “At Studio 971, our commitment to exceptional craftsmanship and pushing the boundaries of conventional design sets us apart.” says Gaby Koudsi Founder and Managing Partner of Studio 971. “From award winning Italian designer kitchens to the highest quality designer furniture, we offer sophisticated enhancement

to your living space and inter ior design, and our new showroom is a testament to reaching new heights of excellence.”

Interior design professionals and aficionados will be thrilled to hear of their latest twin showroom launching this week in the fashionable and trendy City Walk Dubai.

Stretching over an impressive 4,500 square feet, the chic new Studio 971 space further exemplifies the company’s appreciation of authenticity and excellence in Italian design, with two dedicated spaces for brands Arclinea and Lema. Both names are home to work by design greats, including Antonio Citterio (for Arclinea), and Piero Lissoni, Francesco Rota, Gabriele e Oscar Buratti and Roberto Palomba + Serafini Associati (for Lema) to name a few.

Arclinea was founded by Silvio Fortuna in 1925 as an artisanal laboratory specialising in wood work. Over the years, the brand has gained global recognition as a Ieader in high-end, Italian kitchens. In the late nineties, Arclinea appointed Antonio Citterio as head designer, confirming its desire to produce not just equipment and furnishings, but also innovative architectural concepts for modern living. Since 2016 Arclinea has been part of B&B Italia Group, and today is a prestigious international brand, the perfect ambassador of ‘Made in Italy’.

Lema is a name synonymous with luxury and sophistication in interior design for home, office, and contract projects. Founded in 1970 by the Meroni family, their designs draw on traditions that date back to the early post-war years. Lema was the first Italian company to develop a system with load-bearing side panels in multiple finishes, as well as launching the renowned, customisable Armadio al Centimetro wardrobe. Today, the brand’s catalogue ranges from modular systems for the home to freestanding furniture, including their latest collection of aesthetic padded furniture.

With doors opening this week to Studio 971’s new City Walk venue, visitors can look forward to a buzzing calendar of events in a vibrant yet sophisticated atmosphere, as well as experience the fine Italian kitchens during live cooking events. The carefully curated new twin showroom is kitted with the best, high-end products and detailing, including sleek doors by Glas Italia, and large-scale facades, flooring and countertops from Dekton

by Cosentino. Dekton’s versatility is evident in the elegantly dressed outdoor and interior spaces of the showroom, and plays a crucial role in enhancing the overall storytelling of the design. Both brands are world leaders in their respective fields for decades.

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SUSTAINABILITY

Souq Al Baraha’s Inspiring Story Noor Alalawi, LEED Green Associate, and Research & Graduate Assistant at the Dept. of Architecture & Interior Design, University of Bahrain talks about bridging culture and sustainability WORDS – NOOR ALALAWI

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ocated on northeastern side of the Diyar Al Muharraq islands, Souq Al Baraha simulates the way of life in the Kingdom of Bahrain in the 1920s. The souq endeavours to replicate a classic Bahraini market street layout by arranging building structures around courtyards, a common element in traditional Islamic architecture. This design also delves back into Bahrain's history as a hub for trade and fishing. The development encompasses a mosque and over 500 retail shops, including a family entertainment centre, a gold souq, a fish and meat market, a fruit and vegetable market, and spice and antique shops.

Souq Al Baraha occupies a total area of 64,000 square metres, out of which the built-up area spans 20,000 square metres.

The project seeks to enhance connectivity in the city by linking various districts through

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a central gathering space. Internal alleys, referred to locally as ‘dawa’ees’, have been designed organically to resemble the old streets of Bahrain. These are named after traditional objects and plants, such as Darb Al Louz and Darb Al Razji. The souq shops are strategically placed within multiple open courtyards, inviting children to run freely and play in a safe environment while their parents shop, as though in the old villages. Street furniture is also integrated within these courtyards to create a traditional background for playing boardgames, drinking tea and enjoying other communal activities.

All four entrances to the souq are fully open to the outside, attracting visitors within an informal environment. Arches used in old Bahraini houses are translated into the façade and transitional openings, and smaller elements into the internal walls. Stunning, traditional Arabian architecture and palatial archways invite visitors into a world of culture and colour, where elevated ceilings and lightfilled, ambient ‘streets’ provide a lively market shopping experience. Pedestrian linkages and corridors are shaded using materials with an effective Solar Reflective Index, to direct visitors to themed arcades filled with traditional shows and entertainment. Palm trees are planted in the outdoor courtyards to match the local context. Different types of street furniture also play a vital role in providing rest areas for visitors along the boulevard and within the outdoor courtyards. The different shades of beige and the raw textures used in the flooring represent the sand and natural earth tones of the old Bahraini souqs. Units range in size from four square meters – in order to accommodate a diverse range of spaces that represent the shops in the old souq where shop owners had limited space and intimate settings – to 1,445 square metres, accommodating larger communal gathering areas. The integration of cultural elements at Souq Al Baraha promotes interactions, creates a sense of place, supports the efficient use of energy and resources, and improves sustainable behavioural change.

In an interview with the lead architects, sustainability principles were discussed as having vital importance and were prioritised at every stage of the design process. Passive cooling systems using natural energy are employed along the boulevard to regulate the temperature at a comfortable 28 degrees Celsius, making use of the building envelope's partial enclosure. When the hot air accumulates at the courtyards, it rises which in turn creates negative pressure, and cooler air is circulated across the internal streets. Services, speakers, wayfinding signage and active fire protection devices are beautifully concealed within the architecture through mashrabiyas and traditional wooden doors. The building adheres to Bahrain's Green Building Code, which effectively reduces energy and water consumption by approximately 20-30 percent. All roof surfaces have a low Roof Solar Reflective Index value, and light colours are employed on the building's exterior to mitigate the urban heat island effect. The building is also well ventilated to ensure the air circulates effectively, promoting a comfortable and healthy indoor environment.

Ultimately, the building acts as a vessel that showcases the richness of the country’s history, traditions, values, sustainable development and – most of all – the people’s way of life. This is Souq Al Baraha’s story. Our story.

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INTERIORS

Design Uncontained

Cosentino announced the line-up of designers for the second edition of the Capsule Collection

PHOTOGRAPHY: NATELEE COCKS

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lobal sustainable surfaces brand, Cosentino, announced its collaboration with a consortium of top designers to create the second edition of its Capsule Collection. This limited-edition furniture and home accessories series will be crafted by five practitioners and founders of well-known design houses: Nadine Kanso, Omar Nakkash, Rabah Saeid, Omar Al Gurg and Thomas Trad.

The Capsule Collection 2023/24 returns after two years since its successful debut in 2021.

The first edition, an eclectic collection of pieces by Nada Debs, Kart Group, Fadi Sarieddine Design Studio, Aljoud Lootah and The Line Concept, was about ‘Breaking Boundaries’ and interpreting Cosentino’s Dekton Slim, a 4mm ultrathin, ultracompact material, as functional and aesthetic works of art. While the second edition will continue to be an ode to Dekton Slim, it challenges the new cohort to push the frontiers even further and ‘Dare to Play’. “This

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iteration is all about creating playful pieces that not only push the boundaries of the material but also the designers’ individual and diverse creative practices,” said Eddy Abou Khalil, Regional Director, Cosentino Middle East. “This project is special because it marks our commitment to making in the UAE and showcasing to the world the incredible design talent we have in the Middle East”.

Nadine Kanso, founder of jewelry brand Bil Arabi, is on board to create a bespoke piece through her inimitable style known for its craftsmanship and lyrical beauty that celebrates the essence of modern Arab identity.

“As a designer and an artist, this is an opportunity to experience a beautiful new material and fashion it into a product using the best tools in the market” said Kanso.

“Exploring new materials and different scales has always been a passion project of mine,” said Omar Nakkash, Founder and Design Director at concept-driven, human-cen-

tered practice Nakkash Design Studio. “I’m excited to be a collaborator and look forward to conceptualizing a designer piece with such a playful theme”.

For Founder and Creative Director of Styled Habitat, Rabah Saeid, this collaboration is about expressing her curiosity for product design and development and sees it as “a perfect chance to co-design a piece that is a reflection of Styled Habitat’s multifaceted approach and appreciation for beautiful and functional design.” Emirati photographer, designer and Founder of furniture brand MODU Method, Omar Al Gurg, is keen to push his creativity by “exploring a completely new material and investigating different methods of working while designing with limitations.” Along the same vein, Beirut based product designer Thomas Trad, is keen to “journey into uncharted design territory by embracing innovation and exploring the endless creative opportunities that Dekton offers.

The design team will be supported by Dubai-based bespoke furniture craftsmen and luxury fit-out contractor Cherwell, on-board for the second time as the Official Production Partner for the project.

The Cosentino Capsule Collection will be unveiled on 29th February 2024.

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Partner content

Luxury Living Shining a spotlight on the top designers from Western Furniture and their exceptional craftsmanship

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estern Furniture presents a curated selection of their top products that redefine luxury living. From Marconato and Zappa’s inspired Torii to Giuseppe Viganò’s modern masterpiece – Blend, each piece exudes exceptional craftsmanship and elegant aesthetics

Marconato and Zappa – Torii Taking inspiration from the traditional Japanese Shinto temples, Torii emerges as a striking testament to the artistry of Marconato and Zappa. Its base, a harmonious fusion of two gently inclined metal elements, exudes a tectonic grace. The table’s exquisite design is further elevated by a top available in wood, ceramic, or marble. The single-material finish option for both the top and decorative leg inserts showcases the formal finesse of this elegant dining table.

Giuseppe Viganò – Blend Viganò’s Blend bed is a fusion of strength and distinctiveness. A headboard cleverly combines emery leather with plush cushioning, creating a juxtaposition of textures. The bed’s structure enhances the upholstered section, forming a refined line that ascends gracefully.

Two generous cushions form the welcoming padded headrest. This composition culminates in an image of refined elegance and gentle sophistication. The emery leather section, akin to a frame, brings a contemporary, dynamic, and inviting character to the piece.

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Madame C Madame C is a modern sofa paying homage to Coco Chanel, embodies youthfulness and unconventionality. A distinctive feature lies in the armrest, ingeniously crafted into a special L shape. The slightly tilted backrests ensure maximum comfort. The upholstery, available in fabric or leather, is fully removable, allowing for customization. The base, available in two distinct shapes, imparts a contemporary flair to the sofa. Offering maximum modularity, “Madame C” provides a range of elements for creating diverse seating configurations.

Spazioameno – Doria In the Dorian modern oval dining table, Spazioameno seamlessly marries flexibility with geometric simplicity. The expansive top, available in ceramic, marble, or wood, rests upon a base

reminiscent of a Greek column, evoking ancient architectural motifs. The sculptural character of the elongated cylinder base imparts a surprising yet elegant dimension to the design.

Fabrice Berrux – Circus Circus by Fabrice Berrux defies conventional design with its juxtaposition of geometric forms. The central base, a captivating focal point, supports a large disc-shaped top, creating a sense of dynamic movement. This table’s strength and elegance lie in its remarkable balancing act, making it the centerpiece of any living area. The top, available in solid wood, ceramic, or marble, seamlessly integrates with the home’s style while retaining its distinctiveness. The metal base, offered in various finishes, including bronze, lead, pearl gold, and burnished, adds an extra layer of refinement.

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Partner content

Reimagine Outdoors The latest outdoor collection from Pan Home is crafted for elevated outdoor designs and comfort

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Elevating outdoor designs, Pan Home’s latest collection features a diverse range of outdoor furniture and décor pieces, all of which offer the perfect blend of aesthetics and functionality to create a relaxed ambiance.

The right outdoor furniture helps extend the beauty of the interior to the outdoors without disrupting the overall theme of the space and enhances the aesthetic appeal of any home. Pan Home’s Outdoor Collection presents a selection of carefully curated designs, with each piece crafted with meticulous focus on durability and sturdiness to ensure your outdoor oasis remains visually stunning and stands the test of time.

Pan Home’s garden sofa sets offer comfortable and stylish seating for outdoor gatherings. The selection includes metallic sets, rattan, and wicker, offering a wide range of choices to match every style and home.

For those who relish al fresco dining, Pan Home’s dining collection is a true delight. The collection features table sets in multiple sizes and various materials, from sturdy metal to wood, emphasizing design, practicality, and comfort.

On the other hand, Pan Home’s swing chairs bring a playful element to a home’s patio or garden. Available in an array of colours and intricate designs, these swing chairs propose a versatile seating option that can seamlessly transition from indoors to outdoors.

In a world where outdoor living is becoming increasingly important, Pan Home’s latest collection rises to the occasion, offering not just outdoor furnishing inspirations but an opportunity to enhance your outdoor living experience.

The new collection is available in stores or online at panhomestores.com.

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JURY 2023

WORDS – SUHA SABITH

Panel of Excellence

Seven prominent designers have been selected to judge this year’s identity Design Awards identity is excited to introduce the jury for the identity Design Awards 2023, including Italian designer Francesc Rifé, founder of Francesc Rifé Studio, Tosin Oshinowo, founder and principal of Oshinowo Studio, Gonca Pasolar, co-founder of firm – EAA-Emre Arolat Architecture, Sanjay Puri architect and founder of his eponymous firm – Sanjay Puri Architects, Philip Olmesdahl, Principal of SAOTA, ARRCC and OKHA Interiors, and academics: Andrea Macruz Assistant Professor at the Dubai Institute of Design and Innovation – DIDI and

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Dr Bhakti More, Chairperson at the School of Design & Architecture, Manipal Academy of Higher Education (MAHE) Dubai Campus.

The diverse panel of members will be selecting the winning projects across 19 categories spanning Interior Design and Architecture, as well as the newly introduced Emerging Designer of the Year category.

The identity Design Awards 2023 will be taking place on 15 November at Palazzo Versace, Dubai.

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JURY 2023

FRANCESC RIFÉ Interior designer and industrial designer, Francesc Rifé (Sant Sadurní d’Anoia, 1969) founded his studio in Barcelona in 1994. The expansive and interdisciplinary work of his studio includes interior design pro- jects, industrial design, architecture, concept creation, installations, graphics and art direction.

With a functionalist and meticulous style, simple shapes and compositions characterize his work. His projects include the residence of the first team of Real Madrid (2013), the Caro Hotel in Valencia (2010), Casa Grande Hotel in La Rioja (2020), Sana Hotel in Berlin (2011), the change of image for the Avianca Lounges (2018), new design concepts for fashion and footwear stores like Nino Álvarez (2006-2022), ASH (2018-2019), Carhartt (2000-2013) or Camper (2018), Miche- lin-starred restaurants such as the emblematic Can Fabes (2003) and those designed for chef Ricard Camarena (2010-2022), the Roca Shanghai Gallery (2013-2018), the first CaixaBank flagship and All in One offices (2013-2019), the showroom of the Swiss brand Laufen in Moscow (2019) and that of Vibia in Gavà (2020), the headquarters of Power Electronics in Llíria (2020) and of the ceramic company Farsight in the Chinese city of Foshan (2022). He is currently working with his team on the development of the new Hotel Presidente Intercontinen- tal in Monterrey, Mexico, and on the rehabilitation of the Raymat Castle, among others. He designs products for national and international companies such as Tomasella, Marset, Point, Inclass, Blasco&Vila, Akaba, Mobboli, Kendo, Nosten Argentina, Omelette Editions, JMM, Milan Iluminación, Estiluz, NOW Carpets, Perobell, Trébol, Dynamobel or Kendo.

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JURY 2023

DESIGN AWARDS 2023 TOSIN OSHINOWO Tosin Oshinowo is a Lagos-based Nigerian architect and designer renowned for her expansive residential and commercial spaces and insights into socially responsive approaches to urbanism. She is also the curator of the 2023 Sharjah Architecture Triennial.

As an architect, Oshinowo is best known as the founder and principal of Oshinowo Studio (formerly cmDesign Atelier), formed in 2013. Based in Lagos, the practice has undertaken several projects and her interest in architecture extends into a broader vision of urbanism and community; she recently completed a project with the United Nations Development Programme in Northeast Nigeria, building an entirely new community for a village displaced by Boko Haram.

Before founding Oshinowo Studio, she worked in the offices of Skidmore Owings & Merrill in London and the Office of Metropolitan Architecture Rotterdam, where she was part of the team that designed the 4th Mainland Bridge proposal in 2008. Returning to Lagos, she practised at James Cubitt Architects and led notable projects, including the master plan and corporate head office building for Nigeria LNG in Port Harcourt.

Oshinowo is a registered architect in the Federal Republic of Nigeria and a member of the Nigerian Institute of Architects, as well as the Royal Institute of the British Architects, with a Bachelor's degree in Architecture from Kingston College in London, a Master's degree in Development and Planning: Building and Urban Design in Development, University College London; the AA Diploma from the Architecture Association London, and a Master’s in Business for Architecture and Design from IE University, Madrid.

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JURY 2023

GONCA PASOLAR

SANJAY PURI

Born in Switzerland, Gonca Pasolar commenced her college studies at the Middle East Technical University in Ankara-Turkey, receiving also her graduate degree in the field of Architecture.

In 2004, along with Emre Arolat they formed their own practice in Istanbul as EAA-Emre Arolat Architecture. Ever since, her contribution to EAA’s presence has been shown in exhibitions and lectures worldwide in addition to her jury duties in various national and international competitions.

Pasolar won many prestigious awards throughout her career and went on to be the Managing Partner of EAA, the position that she currently holds for the practice’s New York, London and Istanbul offices. Upon receiving European Center for Architecture’s 40 under 40 award in 2010 which is given to out-

Sanjay Puri is the renowned architect and founder of his eponymous firm – Sanjay Puri Architects. He has been on the jury of the World Architecture Festival since 2010, making him the first Indian architect to be on the jury.

With a firm strength of 90, Sanjay Puri Architects are working on projects of all typologies in 36 Indian cities & four countries including Australia, Oman & The Congo Republic, Africa. He has been a speaker at the World Architecture Festivals in Barcelona, Singapore & Amsterdam and a speaker at the PLAN Perspective, Venice, Share Convention Bucharest and other architecture conventions in India & internationally.

Sanjay Puri believes in searching for innovative designs solutions that are contextual, climate responsive, sustainable & exploratory.

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standing performance in Architecture and Design she also became known as one of the five nominees for AJ’s Women Architects of the Year Award in 2015.

She is well known for some of the recent installations of the practice as ‘ist-on situations’ exhibition at RIBA in London (2015), arch I strata I antioch for the 15th International Architecture Biennale in Venice (2016), ‘Contrasts’ for the Complements and Dichotomies exhibition of YAI in Miami (2017).

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JURY 2023

DESIGN AWARDS 2023 PHILIP OLMESDAHL After graduating from the University of Natal in 1995, Philip moved to Cape Town and began working for Stefan Antoni Architects in the same year. His leadership qualities were soon recognised. By 1998, he was made an associate in the practice, and he became a partner in May 2002. Philip is undoubtedly one of the most energetic people in the office. His organisational skills, combined with his diligence, exceptional design, and management abilities, make him a key role player in the running of SAOTA, contributing greatly to its success. Philip is currently a Principal of SAOTA, ARRCC and OKHA Interiors.

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JURY 2023

ANDREA MACRUZ Andrea Macruz holds a Masters in Bio-Digital Architecture from Universitat Internacional de Catalunya in Barcelona, a Master’s in Interior Design from Istituto Europeo di Design in Sao Paulo, and a Masters in Contemporary Furniture Design from Istituto Marangoni in Milan. Andrea’s work has been displayed at high-profile exhibitions in Milan, Paris, London, Barcelona, and Berlin, as well as in Sao Paulo, Doha, Beijing, and Hong Kong.

In 2010, Andrea founded a design studio focused on the study of Nature and new technologies, and the work from the studio has been widely published internationally. Besides that, she has a parallel academic career, teaching in architecture and design departments at several universities and institutes, including Abu Dhabi University, Istituto Europeo di Design, and Centro Universitário Belas Artes de Sao Paulo.

Currently, she is an Assistant Professor at the Dubai Institute of Design and Innovation – DIDI (in collaboration with MIT and Parsons) and part of the DigitalFUTURES Ph.D. program at Tongji University in Shanghai.

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DR BHAKTI MORE Dr Bhakti More is a Chairperson at the School of Design & Architecture, Manipal Academy of Higher Education (MAHE) Dubai Campus, with over two decades of experience in academia and industry. She has pursued doctoral studies at the School of Built Environment, University of Salford, Manchester, UK, on ‘Urban planning, neighbourhoods and social cohesiveness: a socio-cultural study of expatriate residents in Dubai.

She received CIOB Best Research Paper Award for the most innovative research for her research. Dr Bhakti worked as a project architect in design consultancy

in the UAE. She is the coordinator for Manipal Environment and Conservation Students Club, which has received consecutive awards for Best Sustainable Green Campus Audit and Best Sustainability Action Project from Environment Agency Abu Dhabi. In her role, she is guiding the MAHE Dubai team for Climate Action Plan, UNFCC, Race to Zero and has led ‘Team Tawazun’ for Solar Decathlon Middle East 2021 for designing net zero homes. The Environment Agency Abu Dhabi awarded Dr Bhakti ‘Best Coordinator’ for commitment in 2015. Dr Bhakti is an ambassador for 'Woman in Construction' Big 5, Dubai, mentor for the Link program for Women Mentorship, and is passionate about encouraging the role of youth towards building a sustainable future. She is currently part of the Advancing Net Zero Volunteering team for Communities and Infrastructure, COP28 Universities Climate Network for Decarbonization and Net Zero Journey.

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SHORTLIST

DESIGN AWARDS 2023

Crème de la crème

Presenting the shortlisted candidates for identity Design Awards 2023

ARCHITECTURE

Residential • Villa Chanel by Smart Renovation • House of Courtyards by Studio VDGA • Villa 3 by Orange Design Group • House in Faiha by Studio Toggle • Beach Villa by Atelier Design N Domai (ADND) • Ghaf Majilis by etereo Design • Mulchandani Villa by MKDP

Commercial • DIFC Living by LWK + PARTNERS • BBT Hilltop by TAEP / AAP • The Point, Abha by DLR Group

Public Building • New Building - Dubai College by GAJ • Winter Garden by tangramGULF • LAÏLA Hotel Tribute Portfolio by MMAC Design Associates

Hotel • Buruj Hotel by DLR Group • Radisson Beach Resort Palm Jumeirah by LW • Superyacht by Nomad 101

Cultural Building • Interactive Art Installation by Kart Group • Nur Sultan Grand Mosque by Dewan Architects + Engineers • Ethr at Al Ain Oasis by Ethr 28 THE INNOVATORS ISSUE

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SHORTLIST

INTERIOR DESIGN

Health and Wellness • Wellth Wellness Center by Design Matter • 1Rebel by Allen Architecture Interiors Design • King Hamad American Mission Hospital by International Design Associates • Brau by H2R Design • 5 Senses Wellness Retreat, Al Ula by Lulie Fisher Design Studio • Fayy Health Polyclinic by Styled Habitat • FOURSPA KAFD by Nebras Aljoaib Creative Studio

Hotel • St Regis Riyadh by Kristina Zanic Consultants • Jumeirah Gulf of Bahrain Resort & Spa by International Design Associates • Marina Boutique Hotel by In Detail Design Center • Radisson Blu Deira Creek Hotel by Lulie Fisher Design Studio • Bab Al Shams by LW • Waldorf Astoria Kuwait by LW

Public Space • Epix Cinemas by International Design Associates • Jaipur Rugs Showroom by Roar • Kage Showrrom by Cestici • Radisson Beach Resort Palm Jumeirah by LW • Compartés by Nakkash Design Studio

Restaurant • Uchi Restaurant and Bar by Studio M • B+F by GASTRONOMICA • Charlie & Friends by XO Atelier • JUN’s by 4Space Design • Batch Artisan Bakery by Nexus Design Studio • Tero by Reif Othman by TwentyOne06 • Robata by Forsite Creative • Spaces by mustard&linen interior design • Al Mamlaka Social Dining by TGP International • AMONGST FEW by SHELL+CORE • Mogao by Socialicious by DZ Design • FENZ by GEO_ID • Zahrat Al Fayrouz by International Design Associates • Lazy Cat by H2R Design • Falla by H2R Design • MARA LOUNGE RESTAURANT by NAQSH ARCHITECTURE • ATTIKO Restaurant by Swiss Bureau Interior Design & Build • Balcona99 by Key Concept Interiors LLC • SANKAI by GEO_ID • Ristorante Loren by Tristan du Plessis • Tresind One & Only by 1747studio • Bushra by LW identity.ae

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SHORTLIST

DESIGN AWARDS 2023 INTERIOR DESIGN

Residential • The Villa Chanel by Smart Renovation • HOUSE OF COURTYARDS by STUDIO VDGA • WJ Villa by Design Matter • “White Maximalism” by The Niche Corner • Casa Sahara by The Niche Corner • Villa K by IAIA - Idea Art Interior Architects • Sao Paolo by Cestici • Melwani Villa by KR Design Studio • Palm Desert by Cestici • Palm Jumeirah Penthouse Project by LUMI Interiors • Villa 85 by Nakkash Design • EA183 by E Plus A Atelier • Garden Villa by TK design Studio • Bulgaro Rosso by Etereo Design

Office • Sprinklr by Roar • DMCC by Roar • PARTNERSHIP by BASH HESNEF INTERIOR DESIGN LLC • ARTISAN BAKERS HEAD OFFICE by BASH HESNEF INTERIOR DESIGN LLC • Schlumberger by Spacewell Interiors • Bain & Company by Allen Architecture Interiors Design • Government office and coworking space by Agata Kurzela studio • Majid Al Futtaim (MAF) - Tilal Al Ghaf (TAG) Showroom by Spacewell Interiors • Cloud Spaces - Circle Mall by mustard&linen interior design • LinkedIn Business Central Tower Offices by SAY Studio • International Design Associates by Sunni Waqf Directorate Headquarter • ODOO by Design Infinity • Negma Group Offices by Swiss Bureau Interior Design & Build • The Executive Council of Dubai by dwp | design worldwide partnership • Jumeirah Emirates Towers by dwp | design worldwide partnership

Nightlife • Bedrock by FINCH • The Guild by Archer Humphryes Architects • NONSENSE by VAGA by 4Space Design • StrEat Culture by DZ Design • NAZCAA by Pinnacle Interiors • 7 Tales by LW 30 THE INNOVATORS ISSUE

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Home in Ghazir, Lebanon designed by Karim Nader.

Photography by Walid Rashid

The latest architecture, design + interiors news, now online

@identityae

SHORTLIST

DESIGN AWARDS 2023 INTERIOR DESIGN

Fit Out • Smart Renovation • BASH HESNEF • Spacewell Interiors • EMKAY INTERIORS • Motif Interiors • Havelock One • Pinnacle Interiors • Swiss Bureau Interior Design & Build

Emerging interior designer of the year • Rani Lorenzana from FINCH • Nikita Chellani from Roar • Rand Al Drei from RSP • Lisa Beaudenon from Swiss Bureau Interior Design & Build • Jade Daniel from SHELL+CORE • Shiam Shibl from DLR Group • Nadine Afify from Forsite Creative

GENERAL

Outdoor Space • Mersini Restaurant by Etereo Design • Sol Beach Arrival Experience, Marassi, Egypt by Lulie Fisher Design Studio • EA183 by E Plus A Atelier • Beach Bar Development project for Park Hyatt Hotel, Abu Dhabi by Lloyd Design Fitouts LLC

Project of the future • Tulah Clinical Wellness Retreat by LAMI Architects • Six Senses by U+A • IFF Fragrance Offices by SAY Studio • The Hegra Visitors Center, Al-Ula by FAHED+ARCHITECTS • Ayurvedic Spa by DZ Design • Sheybarah Resort by Killa Design with Red Sea Global • The University of Europe for Applied Sciences

by Swiss Bureau Interior Design & Build • EAIM46 by E Plus A Atelier 32 THE INNOVATORS ISSUE

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INTERIORS

Talking Trends

Clint Nagata, founder and creative partner at BLINK, talks about the market trends and patterns as the company completes its first year in the region WORDS – SUHA SABITH

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T

o say that the market is hot would be a vast understatement. There is so much development going on in the region and we have had interest from clients with projects not just in various parts of the UAE like Dubai and Abu Dhabi, and of course Saudi Arabia but also in developing markets like Egypt, Oman, and East Africa. We still have a lot of interest in luxury hotels and resorts but there has been a swell of interest in luxury residences. We are fortunate enough to be working on very exclusive luxury real estate projects. Most Dubai client’s expectations of the agency changed once we announced we had an office in Dubai. We underestimated the need to attend meetings in person but we are in the process of rapidly building up a strong

core team to strengthen our on the ground presence in the region. In doing so we should have a Design Director working out of our Dubai studio before the end of the year.

Another pattern we see is the rapid pace of work and sometimes chaotic project management styles. Most if not all projects have unrealistic schedules and deadlines in which there is a lot of unnecessary urgency to meet deadlines. This only increases the opportunities for errors and mistakes.

To end on a high note perhaps the most intriguing trend and the reason why we opened an office here is the level of projects is unprecedented. There are so many amazing projects and opportunities and it’s something that we are excited to be part of.

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COVER STORY

Shining a Spotlight identity in collaboration with Casamia shines a spotlight on the candidates shortlisted for Emerging Designer of the Year at identity Design Awards 2023

WORDS – SUHA SABITH

All the shortlisted candidates from the category – Emerging Designer of the Year got together at the flagship showroom of Casamia to talk about their journey so far and what their goals are for the future.

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Rani Lorenzana

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Rani Lorenzana Interior Designer for Finch How long have you been working in the industry and what sectors (if any) do you specialize in?

I’ve been in the industry since March 2019.

I primarily specialize in commercial design, but recently, I’ve had the opportunity to work on some exciting hospitality projects.

What are some of your key achievements from the past year? (both personal and professional)

Professionally, I’ve had the opportunity to work on projects that truly let my creative juices flow, earning me a spot on the shortlist for another award, last month, which I’m very grateful for. On a personal note, after countless attempts, I’ve finally mastered the art of brewing the perfect cup of coffee, a win that makes my mornings 10% brighter. Plus, I’ve also uncovered a newfound passion for snorkelling with Manta Rays, which has added an extra layer of adventure to my life.

What are some of the key learnings you received being part of the industry that you did not know before you joined?

Being in this industry, I’ve learned that design is also a means of communication. And being in a multicultural space. It allows people to connect through a shared experience thoughtfully crafted by the designer.

Any specific projects (completed) you would have liked to have been part of?

If I could dream big, I would love to be a part of restoration projects for historical spaces. My visits to Château de Versailles and Las Casas Filipinas de Acuzar made me realize the significance of preserving tradition and evoking emotions through space.

Who do you consider as a mentor in your career space?

I’ve been incredibly lucky to have crossed paths with inspiring individuals here in Dubai. In my earlier career, I owe a huge debt of gratitude to my mentors, Jen Marquez, Michelle Perez, and Conrad Llamido, for not only showing me the ropes but also for being like a second family. And now, as I continue, I can’t overlook the warming trust and support I get from Kristian and Emma Stinson. They’ve played a crucial role in my growth as a designer, always challenging me to take my skills to the next level.

What branches of design would you like to explore next?

I’m particularly drawn to wooden architecture and landscape design – so this will most likely be my next venture. If not, I’m probably designing specialty coffee shops by the beach.

In two lines, what’s your take on the current design industry?

The design scene these days is all about embracing sustainability and honoring traditions. It’s refreshing to see that we’re now plac-

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Rand Al Drei

ing a lot more importance on user experience and well-being, and personally, as a designer and someone who enjoys well-crafted spaces, I’m all in for this shift.

Rand Al Drei Interior Designer at RSP How long have you been working in the industry and what sectors (if any) do you specialize in?

I’ve been in the industry for 4 years now, mostly working on Residential, F&B, Retail and commercial projects.

What are some of your key achievements from the past year? (both personal and professional)

I have grown in so many ways with all the projects and opportunities I have come across

in the past year. the ID team & I at RSP won Herman Miller’s Office of the Future competition which has led to getting some insights on office designs. Personally, I am handling more tasks and have been proactive with designers & colleagues from the field. In addition, I’m a furniture designer and got the opportunity to get some designs done along some online features.

What are some of the key learnings you received being part of the industry that you did not know before you joined?

Our industry is somehow challenging, but the end result is rewarding. I have learnt that there is coordination with various disciplines needed for the success of projects and teamwork is key which is why I now strongly believe that process is the most important aspect of design in our industry.

Any specific projects (completed) you would have liked to been part of?

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COVER STORY

I would have loved to take part in the design of 25hours hotel because of the storytelling experience achieved through the designed spaces.

Who do you consider as a mentor in your career space?

Nadine Afify Lead Interior Designer of Forsite Creative

the public. On a personal note: the past year I was nominated for the young interior designer of the year MENA for another event, and I am now also nominated for Identity’s emerging designer of the year.

I believe all my colleagues are my mentors, each has unique characteristic to learn from to add to my personal and career growth.

How long have you been working in the industry and what sectors (if any) do you specialize in?

What are some of the key learnings you received being part of the industry that you did not know before you joined?

What branches of design would you like to explore next?

I have been working in the industry for seven years. I have experience in hospitality, residential and F&B but I specialize in F&B, high end restaurants, beach clubs, bars and more.

Joining this industry, I have learned how to think outside the box and how to creatively design with a wider perspective that doesn’t not only understand the design but can satisfy the guest experience too.

Exploring the realms of Industrial & Product design.

In two lines, what’s your take on the current design industry?

The Design industry is continuing to evolve and grow and is now moving forward towards human-centric and sustainable solutions in addition to tech-integrated experiences.

What are some of your key achievements from the past year? (both personal and professional)

On a professional note: The past year 3 of my favourite restaurants, which I have poured my heart and soul into have open their doors to

Any specific projects (completed) you would have liked to have been part of?

I would have loved to be a part of the design of Mimi Kakushi, I love the concept, the design, the food and even the design of the menu.

Who do you consider as a mentor in your career space?

A few years ago, I learned that to excel, one must keep an open mind, allowing inspiration and learning from those around us. I don’t have a single mentor, but I embrace the opportunity to learn from my environment, conduct my own studies, and research independently.

What branches of design would you like to explore next?

After visiting universal studios earlier this year, I would love to one day explore a career in set design, where you create designs for movies and series.

In two lines, what’s your take on the current design industry?

The current design industry is the most creative and flourishing industry to date, it is always staying on top of emerging trends and finding ways to make the impossible possible.

Shiam Shibl Interior Designer at DLR Group How long have you been working in the industry and what sectors (if any) do you specialize in?

I have been working in the design industry for 5 years, and I specialize mainly in residential towers and hospitality, with mixed-use experience.

What are some of your key achievements from the past year? (both personal and professional)

Nadine Afify with an Edra chair

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Working in an international company with a growing Dubai office, I witnessed professional growth as I have been entrusted with more responsibilities, improved my management skills and developed efficient work plans. My key achievement this year is getting recognition for my work by being shortlisted for two awards.

I have also been involved in projects that have won awards and have been shortlisted in the industry, as well as being part of the team that had won Interior Design Firm of the Year

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COVER STORY

ways struck me with intrigue and curiosity. I travelled to Barcelona twice just to visit this breath-taking building. “How was this even possible?” was the thought that played over and over in my head throughout my visit, and to be part of this project, not only would I have known how it was possible, but also to have lived with myself knowing I’ve helped in creating a masterpiece that history will never erase.

Who do you consider as a mentor in your career space?

Without a doubt I consider Vaida Buchrotaite as a mentor whom I look up to and have learned a lot from. Vaida is the Design Director in DLR Group, and I have never met anyone as strong, passionate, and dedicated as she is. She truly inspired me and helped me grow over the past two years and a half while working with her. She taught me how to be braver and to always believe in myself. I wouldn’t be the designer I am today if I hadn’t crossed paths with Vaida.

What branches of design would you like to explore next?

The branches of design I would like to explore are endless! But I will start off by saying that I would love to further explore design-

ing places of worship, to create an experience where the end-users feel at peace and harmony within themselves, while still connecting to the beauty that can be achieved through design.

In two lines, what’s your take on the current design industry?

he designs industry today is truly fascinating, to see how far we’ve come with executing the unthinkable, and to see how the development of artificial intelligence has influenced the process of design. With the advancement of technology and to see so many designers continue to push boundaries and shape people’s way of viewing design, the industry continues to inspire designers to step out of their comfort zones and expect the unpredictable.

Nikita Chellani Lead Interior Designer Roar How long have you been working in the industry and what sectors (if any) do you specialize in?

Nine years - Commercial spaces, Retail and Hospitality

Shiam Shibl

last year, in the Design Middle East Awards.

Regarding my personal achievements, I have dedicated a lot of my time before and after work to volleyball training, which not only helped my personal goals of improving my skills in the sport, but it also continues to strengthen my teamwork qualities, goal-oriented mindset, and team building. I also participate in tournaments, and it has helped me with stepping out of my comfort zone and with building my character. I take these lessons with me not only in sports, but in my career and my lifestyle.

What are some of the key learnings you received being part of the industry that you did not know before you joined?

Since I’ve joined the industry, I’ve realized the complexity of coordinating with other disciplines just to complete a project. It requires a lot of organized and efficient work planning to ensure a project could go smoothly. Another thing I have learned throughout my years in the design industry, is that your source of inspiration constantly changes, and we always need to be up to date with the latest trends, world events, how the behaviour of society is constantly changing; keeping in mind that all these factors affect our design and the end-user experience.

Any specific projects (completed) you would have liked to have been part of?

The iconic La Sagrada Familia has al-

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Nikita Chellani with an Edra chair

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What are some of your key achievements from the past year? (both personal and professional)

A significant accomplishment in the past year was the completion of Jaipur Rugs showroom, characterised by its exceptional architectural roots. Having a supportive client who placed unwavering trust in our creative process was truly gratifying. Now, as I travel globally, hearing people discuss the showroom warms my heart. On a personal note, being referred to as a mentor by a junior designer at Roar is a rewarding achievement, allowing me to share my wealth of experience and knowledge.

What are some of the key learnings you received being part of the industry that you did not know before you joined?

In my experience, what truly matters in the industry isn’t just design skills – anyone can excel in design. It’s the soft skills that count: people management, patience, and handling on-site situations. Facing stress, managing demanding clients and deadlines, and maintaining a positive outlook are daily lessons. Distinguishing assertiveness from aggression is another vital skill acquired through experience.

Any specific projects (completed) you would have liked to have been part of?

The Royal Atlantis in Palm Jumeirah stands as such an iconic hotel in the skyline of Dubai and it would have been great to be part of some of the amazing F&B outlets in the hotel.

Who do you consider as a mentor in your career space?

Pallavi Dean – Creative Director and Founder of Roar. Before joining Roar, I pursued my master’s in design in Italy. In that year, Pallavi collaborated with Artemide and showcased her lighting design at Salone - Milan Design Week. I proudly shared with my friends that this remarkable piece was crafted by a UAE designer. I’ve always admired her design skills, work ethic, and, above all, her personality. Each day at Roar has been a learning journey where mistakes are embraced, fostering a supportive atmosphere where you are always pushed to achieve the next milestone.

What branches of design would you like to explore next?

I hold a master’s degree in graphic and interior design, and approximately a year and a half ago, I began exploring pottery as a hobby, infusing my creativity with clay. My aspiration is to establish a small pottery studio, leveraging my interior and graphic design skills to craft unique clay and ceramic products for home and office spaces.

In two lines, what’s your take on the current design industry?

The current design industry is thriving, with a strong focus on user-centric and sustainable design, driven by technology and a growing demand for visually appealing and functional products and experiences.

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Lisa Beaudenon with an Edra chair

Lisa Beaudenon Junior Interior Designer at Swiss Bureau Interior Design How long have you been working in the industry and what sectors (if any) do you specialize in?

I have been working as an Interior Designer for almost two years now, mainly focusing on Commercial and Hospitality projects, and more recently diving into the world of Residential design.

What are some of your key achievements from the past year? (both personal and professional)

Over the past year, I’ve been on a mission to strike a better balance between my professional and personal life, prioritizing my mental and physical health. This shift made a world of difference in navigating the bustling landscape of the design industry, and while it is a neverending journey, I take pride in the progress I’ve made in pushing myself towards this goal.

Another accomplishment that truly brings me

joy is my nominations at the awards! As a designer, there’s an immense sense of fulfillment when your designs receive recognition, allowing you to share them with a wider audience.

I am profoundly happy to have achieved this early on in my career.

What are some of the key learnings you received being part of the industry that you did not know before you joined?

Design and psychology intersect in numerous ways, and interior design goes beyond just creating beautiful spaces. In today’s world, it’s essential to design something that is both aesthetically pleasing and practical for its users.

Merely focusing on looks without considering functionality, the psychological needs and wellbeing of its occupants is not enough. The true challenge lies in creating spaces that are visually appealling and emotionally and mentally enriching.

Any specific projects (completed) you would have liked to be part of?

Yes! Our design team has just wrapped up the Orange Hospitality [project, a wonderfully bright and elegant workspace situated in ICD

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COVER STORY

Brookfield Place. The space is a striking blend of beautiful design with subtle edgy accents that infuse vibrance into its atmosphere and I can’t wait to see it come to life!

Who do you consider as a mentor in your career space?

I view everyone as a mentor and it has been an extremely rewarding experience learning from everyone here at Swiss Bureau! They’ve been the best support system to have throughout my design journey. In my perspective, we gain valuable insights from people we encounter in our work and life. Learning is an unceasing journey, and staying open to diverse perspectives is paramount in the industry, respecting the wealth of backgrounds, and knowledge others bring to the table.

very engaging and push you past your boundaries. Working with a good contractor is key, a final design is only as good as it’s finishing.

Any specific projects (completed) you would have liked to been part of?

To be honest, we are grateful for all our past and current projects. They have shaped us as a team, and have been pivotal in forming our design narrative. Couldn’t really ask for more.

Who do you consider as a mentor in your career space?

The pea to my pod and founding partner, Ghalia. I believe our strength lies in how we collaborate, and our work is a result of a shared vision and our complimentary skills.

What branches of design would you like to explore next?

Design is endless. There is so much to explore, the difficulty lies in narrowing down what to do next. For the short term, perhaps doing some more full-scale architecture projects, and diving into more multi-disciplinary approaches to architecture and the user experience.

In two lines, what’s your take on the current design industry?

It’s an exciting time to be part of the design scene here, we feel the shift and appreciation for thoughtful design. The UAE’s design language is coming together with the help of everyone involved.

What branches of design would you like to explore next?

I am genuinely eager to embark on a journey into the realm of luxury Residential and Hospitality projects and luckily, Swiss Bureau’s project portfolio has been expanding in that direction! The concept of transforming a mere structure into a warm and inviting haven has always held a special place in my heart. The process of transforming a house into a home that goes beyond the mere aesthetic, and extending into the realm of emotional connection and well-being will be an exciting new chapter for me and the whole team!

In two lines, what’s your take on the current design industry?

The design industry is in a constant state of flux and evolution. I believe that today more than ever, we stand at a unique juncture to harness technology for tailored outcomes, that broadens our imagination and fosters a culture of innovation.

Jade Daniel Lead Designer + Founding Partner of Shell+Core How long have you been working in the industry and what sectors (if any) do you specialize in?

About 6 years, mainly commercial spaces (fnb, retail, hospitality) What are some of your key achievements from the past year? (both personal and professional)

Hiring new members and growing our team. The handing over of projects that we are really proud of. Becoming a mother.

What are some of the key learnings you received being part of the industry that you did not know before you joined?

Design is a form of self expression, which can be daunting when presenting ideas. Clients with a strong vision tend to be more difficult to please but result in projects that are

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Jade Daniel

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An Ode to Heritage

An excerpt from Kader Mithani, Founder and CEO at Casamia about the brand’s ethos and design values WORDS – SUHA SABITH

When we speak of brand heritage, what is that entails a brand to be coveted, inspirational and simply “aweinspiring” at Casamia?

At Casamia, we tout ourselves as a “designer’s playground” and take great pride in the extensive variety of designer brands, collections, and products that we so selectively curate in our portfolio and across our showroom displays. You’ll often find that our in-store exhibits change every few months, or even within weeks for some because we consistently receive such iconic and design-centric collections from our partnering brands that it becomes imperative to indulge in a little exhibit play ourselves.

I feel its important to share the prominence and prestigious heritage of these brands and collections by creating spaces that continually

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inspire and evoke ideas of awe-inspiring design for our visitors and clients, and re-invent time and again. Coveted brands like Edra or Caesar have an inherent appeal for us, with a reminiscence of our philosophy for design versatility and aesthetic excellence imbibed in their brand heritage. We dwell in design with the many iconic partnering brands and hold an appreciation for the craftsmanship with our showroom being the individualistic interpretation of design for these brands and designers as much as our own brand identity.

Any peculiar design or inspiration that comes to mind?

Firstly, I would like to commend the exciting and continually evolving design landscape we are so privileged to be situated around, in the UAE. I admire the region’s profound amal-

gamation of differing tastes and preferences that come together so beautifully in the many structures, interiors and iconically designed spaces throughout the city, both commercial and residential. Its impressive to see a bedouin themed villa next to a modernly designed structure, and yet the two merge in the city’s landscape so effortlessly.

This diversity helps us fortify our vision to continually seek brands and collections that explore spectrums of design and product innovation with a consumer taste that is imbibed in progressive and innovative design, fueling our passion for all that we do, and are, all the more.

For instance, Edra holds great heritage value for us, and as a brand is truly inspiring with the peculiar inspirations its collections are born out of. The “Pack” sofa designed by

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Left page – PACK sofa

by Edra; This page – Products from Ceasar Ceramiche

Francesco Binfaré at Edra, is one personal favourites of mine amongst the many prestigious pieces by the brand, and is as simplistic as n icepack as a base with a big bear lying on its side as a backrest. But it is the sense of belonging, the familiarity, and just the cocoon like sphere that sofa is meant to create that is so special and moving, the big bear that supports, embraces and welcomes, for a relaxing finally freed from any constraint. An essential balance between technology and beauty, between reason and instant wonder.

The sofa represents as much as your own space to be, to lounge, and often even disconnect similar to a bear floating away on an ice cap commanding its own space, as much as it represents a youth-like reminiscence of your childhood creating a story woven with a polar

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bear character for pure fun and play. And what makes this a truer form of art is the craftsmanship behind the product, all brought to life with hands. The hands can sense, adapt, build, convey and achieve goals that machines simply cannot.

Any other aspect that binds or propels in terms of brand philosophy?

There is a more sustainability minded shift in consumer preferences, with clients definitely becoming more design-savvy but also ecoconscious in relevance to the materials they select, how they are produced, and how their use impacts their space and environment at large.

Furthermore, we are also keen on curating collections of similar materials, and furthering the efforts of brands such as Ceasar Ceramiche that are invested in a holistic eco-conscious ef-

fort in producing and processing technologically advanced slabs.

Its interesting how this does not limit the brand’s expertise in creating designs that compel, inspire and just make you truly dream in the space. An Italian story, appreciated the world over, that talks about attention to the environment and safety, an aptitude for design and architecture solutions. The brand’s particular collection also nominated for the Archiproducts Design Awards is the Portraits collection. Surfaces that tells stories, Stories of people, places, world identities that come to life through spaces, environments, objects and are modernised in today’s everyday life.

The ceramic material becomes a trace, a continuous evocation of multiple and shimmering landscapes, memories and suggestions.

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WORDS – SUHA SABITH PHOTOGRAPHY – MAXIME DELVAUX

Designing a Universe frenak+jullien, Cardin Julien, and m+mathieu holdrinet collaborated on the design of the new Planétarium du Jardin des sciences de l’Université de Strasbourg

GLOBAL OUTLOOK

T

he newly opened Planétarium is in a redesigned garden at the heart of the Université de Strasbourg. Located along Avenue de la Victoire, its strategic position makes it a beacon in the city. The program’s dreamlike dimension inspired the architectural team led by frenak+jullien (France), with Cardin Julien (Canada), associate architects, and m+mathieu holdrinet (France), project architect, helping to create the building’s singular form.

Sky and earth Situated between the imposing Zoology and Geology institutes, the planetarium is made up of two dark volumes that stand out against the garden’s abundant greenery: a truncated cone to house the 138-seat projection room and its entrance gallery; a cylindrical volume to accommodate the lobby of the Jardin des sciences and related services. Reaching for the sky, the truncated cone is a metaphor for the timeless quest for knowledge of the universe,

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while the open and radiant lobby points towards the many sites managed by the Jardin des sciences.

Machine-building The structure’s unusual geometry is reminiscent of the 19th-century machine-buildings found on the site, such as the observatory’s dome and pavilions des mires, and mimics astronomical measuring instruments such as the astrolabe. The cone’s metal disc beckons and reacts to the changing colours of the sky; for residents overlooking the site, the planetarium’s fifth façade evokes an astronomical instrument set in a garden.

Dual design The two spaces, the planetarium and the reception area, consist of shared components, but are put together in a contrasting manner. Turned inward, the planetarium is empty around the perimeter (the access corridor to the auditorium) and full at its centre (the auditorium), while the reception

Below – The reception area which opens outward to the garden, is empty at its centre and mimics a sundial

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Right – The planetarium is made up of two dark volumes

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GLOBAL OUTLOOK

area, which opens outward to the garden, is empty at its centre (the hall) and is surrounded by a ring of buildings. One is bright and opens onto the sky through a glass roof shaped like a sundial, while the other is plunged into darkness, to create the artificial sky of the cosmic theatre.

Darker tones Tucked between the cone’s hemisphere and its inner face, the slightly slanted circular gallery offers a spatial experience in which one goes from the brightness of the hall to the darkness essential to the cosmic theatre, where artificial skies are made. The CLT wood panels of the exposed structure rise to a height of 17 metres, forming giant facets; a vast area that prepares one for a journey into space. The gently sloping ramp leads the spectator to the top of the auditorium, beneath the projection dome whose suspension and inclination heighten the immersive effect. The lighting is minimal, illuminating the nocturnal ambiance with a high absorption coefficient. The six digital projectors laid out around the perimeter are accessible via the technical gallery that surrounds the room.

The nestled volumes (cone, dome, screen) and the precision required for the suspension of the projection screen led the team to build special constructive solutions. It involved an abnormal assembly logic during the building phase, such as the mounting of the planetarium’s metal dome prior to that of the cone’s covered enclosure.

Environment and aesthetics Burnt wood and aluminum on the outside, lightcoloured wood and plaster on the inside: the materials used for the building are few, simple, and contrasting. On the outside, the building’s telluric or volcanic appearance is reinforced by a charred film of Douglas fir slats, whose deep brown-black texture takes on silvery reflections in low-angled sunlight. Inside, light-coloured wood panels take over, contributing to the hall’s bright atmosphere.

The compactness of the building, and the positioning of the openings on the hall side, greatly limit the building’s heat loss, thus ensuring optimal environmental performance.

Running between the two streets, the garden is designed as a succession of plant environments, from shady undergrowth in the north, to tree-dotted meadows in the south. In addition to the beautiful existing flora, high-growing trees and flowering shrubs will create a woodland atmosphere with strong autumn colours, mirroring the diversity of the nearby Botanical Gardens. To the south, a long plant-covered ditch regulates rainwater and broadens the ecosystems’ range. To accent the site, eight circular gardens (the constellations) feature a variety of plants and mineral coverings, which echo the institutes of Zoology and Geology, as well as the Botanical Garden, while also alluding to the solar system’s planets.

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The lighting is minimal, illuminating the nocturnal ambiance with a high absorption coefficient.

TECHNICAL SHEET Floor area: Building 1000 m2, garden 5000 m2 Architecture: frenak+jullien lead architects, Cardin Julien, associate architects, m+ mathieu holdrinet Landscape architecture: FORR Structural engineering: MaP3 Mechanical-electrical engineering, energy efficiency and sustainable development: Espace Temps Civil engineering: OTE Scenography: dUCKS sceno Acoustics: Lamoureux Signage: Téra-création Wood framing: Charpente Houot Above – A truncated cone to house the 138-seat projection room; Right page – Slanted circular gallery

Structural works: Bringholf Constructions Dome metal structure and plaster: ADLER/ SIRC Insulated burnt wood cladding: Martin Fils Metal cladding: Schoenenberger

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DESIGN

Design for a Cause MADE51 is a company that is dedicated to bringing refugee craftsmanship to the world

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DESIGN

It also forms an acronym - Market Access, Design and Empowerment. Fittingly, the ‘51’ was added as a reference to the 1951 Refugee Convention, the key legal document which outlines the rights of the displaced and the legal obligations of States to protect them, and which forms the basis of UNHCR’s work.

“At MADE51, we are working to bring refugee craftsmanship to the world,” said Heidi Christ, MADE51 Global Lead at UNHCR, the UN Refugee Agency.

“Our commitment to building opportunities for refugees, 85% of whom are women, results in impacts that resonate across borders.

In each product, refugees are showcasing their cultural heritage and we, in turn, are sharing their stories with the world. We’re proud to collaborate with over 3700 remarkable artisans in 23 countries and believe this is just the beginning. With forced displacement at an all-time high, the work we do is more important than ever: with greater recognition and engagement from companies and individuals there is immense potential to scale. We’re thrilled to participate in Dubai Design Week and have the chance to meet leaders in the design world who will appreciate the incredible skills of refugee artisans and hopefully, be inspired to become part of the solution to the refugee crisis.”

Each MADE51 carries the stories and craftmanship of the refugees and helps them to contribute to their host country’s economy and strengthens their ties with local society.

Each purchase also represents an unmistakable act of solidarity with refugees and an appreciation for the power of the human spirit.

WORDS – SUHA SABITH

MADE51 products will be available for sale at The Art Jameel Space in d3, during Dubai Design Week.

I

n countries hosting refugees, there are social enterprises designing, producing, marketing, and exporting artisanal crafts.

Combining the capabilities of local social enterprises with the skills of refugee artisans has the power to create an innovative, market- based model for the economic inclusion of refugees and inspire solidarity for refugees all over the world. Brought to life by the UN Refugee Agency (UNHCR) in 2018, MADE51 is an innovative, market-based model that promotes economic inclusion of refugees in global value chains. In the MADE51 model, UNHCR identifies refugees with artisanal skills, helps refugees create strong artisan groups and connects these groups to experienced local social enterprise partners.

The word “MADE” evokes the spirit of creation and the handmade nature of the artisanal goods that refugees are handcrafting.

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DOWNTOWN DESIGN

WORDS – SUHA SABITH

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DOWNTOWN DESIGN

Creating an identity campaign is all about the story of the brands.

Their design aesthetics, creative approach, and overall contribution to the industry. This year identity magazine in collaboration with Downtown Design brings you the story behind some of the collectives featured at the milestone event

Left page – Anatolia exhibition features Grob Design 3; This page – Exhibit from OD Art

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DOWNTOWN DESIGN

Aassttiinn Is this the first time the collective is coming together at Downtown Design/ Dubai Design Week?

Yes, this is our first time attending the fair, and also first time for an Iranian platform with focus on Iranian designers to exhibit during Dubai Design Week.

What can we expect from this edition of the Downtown Design’s exhibit?

This being our first presence at Downtown Design, we dive into the experience of participation. We invite the audience to a contemplation of what feels at home today, by bringing together novel designs that reflect on the modern home space as they address our nomadic tendencies and our desire for a more harmonious lifestyle.

What criteria were used to shortlist designers for this segment? How extensive was the selection process?

Aassttiinn as a platform focuses on modern Iranian lifestyle and design. We have been working with some of the best Iranian artists from all around the world in past years. For this edition of the fair, we intended to showcase some of our finest handmade, collectible design objects from some of our leading artists. The selection process for Nomad at Home mostly re-

lied on its curatorial core and central concept.

Was there any specific sector you saw more participation from? (furniture/art/accessories)?

The selection process emphasized on functionality, artistic merit, cultural reference and sustainability. Three out of Four of the participating artists, come from a Visual Arts background and are Sculptors. This is visible through the Sculptural aspect of their designs.

What does the collective aim to achieve with this edition of the fair? Any plans after the event gets done (opening of showroom, partnering up with local dealers, more exhibits, etc)?

We have the intention of starting a dialogue with our neighbors, industry people, collaborators from across the middle east. Through these conversations, we hope to partner-up and put together more exhibitions and popup shows to present Iranian artists from all over the world.

re-acquainted with the forgotten craft of the felt rug which some believe to be “the original Persian rug”.

Are there any notable pieces you'd like to highlight? And any hints about the exhibition's key showcases?

Ali Honarvar’s work became the starting point for this exhibition. He has been working for nearly 20 years as a sculptor and for the past 12 years he has developed his technique and craft of functional, Papier-mâché-based, home objects. Through this time, he has explored and experimented with different natural wastes and combined them with paper pulp, in order to reach the highest levels of durability for these beautiful pieces. We find that fascinating.

Name of the curator/in charge for the collective: Shadi Malek

Which primary materials stand out in the showcased designs?

That would have to be waste. The curation centers around Ali Honarvar and Peace Industry, both fusing natural waste into their functional pieces of art. In both cases, these objects go through a journey from dissociation and fragmentation to integration and harmony. in case of Peace Industry for instance, we get

Both pages – Nomad At Home Presented by AASSTTIINN

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DOWNTOWN DESIGN

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DOWNTOWN DESIGN

rials, and craftsmanship. This exploration reflects a contemporary and dynamic approach to design, emphasizing the importance of colour, material innovation, and modern craftsmanship as key focal points.

Dutch Collective

What does the collective aim to achieve with this edition of the fair? Any plans after the event gets done (opening of showroom, partnering up with local dealers, more exhibits, etc)?

The Dutch Collective has a clear objective with their participation in this edition of the fair: to introduce their work to a new audience in Dubai and create an impact. Beyond this event, we have a forward-looking approach, and we are open to a range of possibilities, such as collaborations with local dealers, and the exploration of opportunities for future exhibits and partnerships in the region. We are excited to build bridges and embrace new prospects that the future may hold in this vibrant market.

Which primary materials stand out in the showcased designs?

Visitors can expect to encounter a rich palette of materials, including familiar elements like textile and glass, but what truly sets these designs apart is the combinations of materials.

You’ll discover unique pairings such as cord with metal, vintage glass seamlessly combined with mouth-blown glass, and even the unexpected fusion of sand with bronze. These material compositions bring a fresh and captivating dimension to the designs, reflecting the Dutch Collective’s commitment to pushing the boundaries of design possibilities.

Are there any notable pieces you’d like to highlight? And any hints about the exhibition’s key showcases?

Above – Oyster floor lamp from Sandcastle

Is this the first time the collective is coming together at Downtown Design/ Dubai Design Week?

For the first time in Dubai, the Dutch Collective is making a remarkable debut at Downtown Design as part of Dubai Design Week. This unique initiative brings together five distinguished Dutch designers under a shared banner, uniting their creative talents to showcase their work in city of Dubai. While each of these designers has individually garnered acclaim in the world of interior design, this marks their inaugural collective presentation in the Middle East.

What can we expect from this edition of the Downtown Design’s exhibit?

Dutch Collective at Downtown Design promises to be a captivating showcase of innovative design concepts, featuring a diverse range of styles, materials, and creative perspectives. Besides that, we can expect a lot of colours. Visitors can look forward to an inspiring mix of fur-

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niture, art and home accessories, all curated to provide a unique and enriching experience.

What criteria were used to shortlist designers for this segment? How extensive was the selection process?

The selection process focused on design innovation, craftsmanship, and the potential to bring fresh perspectives to interior design. As the curator of the Dutch Collective, I personally handpicked three of the five exhibitors during my role as curator at the Ras al Khaimah Fine Arts Festival earlier this year. The positive feedback and invaluable experience from exhibiting in the region served as a compelling reason to return to Dubai’s dynamic design scene.

Was there any specific sector you saw more participation from? (furniture/art/ accessories)?

Rather than a specific sector, I notice that designers are clearly delving into the realm of vibrant and imaginative colour palettes, mate-

Among the talented designers featured in the Dutch Collective, I’m particularly impressed by the accomplishments of FEMM Amsterdam, whose design studio is just three years old. Her work boldly embraces vibrant colors and seamlessly combines different functions in her designs. Additionally, we can’t overlook the outstanding contributions of Milla Novo, pushing the boundaries of handmade craftsmanship with her custom-made wall hangings. Studio Kalff, on the other hand, captures attention with delicate yet eye-catching light fixtures. Timothy van Oorschot brings a bold, distinctive touch through his site-specific creations, reflecting his unique design voice. And Atelier Ruben van Megen provides a glimpse of outstanding craftsmanship, infused with a passion for materials, which he skillfully transforms into furniture, light objects, and complete interiors. Together, these designers offer a wide spectrum of creativity that’s sure to captivate visitors with their innovative and multifunctional designs.

Name of the curator/in charge for the collective: Margriet Vollenberg of Organisation in Design

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DOWNTOWN DESIGN

Below – Al-Ula Candle from Atharna; Right – Calligraphy collection from Teeb

Designed in Saudi Dr. Sumayah Alsolaiman, the CEO of the Architecture & Design Commission talks about the initiate at Downtown Design Is this the first time the collective is coming together at Downtown Design/ Dubai Design Week?

Yes, this exhibition marks the first presence of the “Designed in Saudi” initiative, of the Architecture and Design Commission in Saudi Arabia at Downtown Design/Dubai Design Week. The initiative aims to support the growth and excellence of the industrial design sector in Saudi Arabia through several projects and services, and participation in international events such as in Dubai Design Week is a great way to tell the design community about it.

What can we expect from this edition of the Downtown Design’s exhibit?

This exhibition is a platform for showcasing the remarkable talent of Saudi-based designers, offering a distinctive insight into their creativity and excellence. Additionally, it serves to pro-

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mote these talented individuals, furthering their recognition and influence in the design scene.

What criteria were used to shortlist designers for this segment? How extensive was the selection process?

All of the products being showcased have obtained the “Designed in Saudi” seal which signifies the quality and uniqueness of design.

Each product is selected based on specific criteria that ensure its authenticity and adherence to human-centric values from concept to final product, after undergoing a series of evaluations by a committee of international and local experts in the industrial design sector.

Was there any specific sector you saw more participation from? (furniture/art/accessories)?

The showcased collection encompasses a wide range of product categories, from furniture and home accessories to even gaming products, presenting a diverse and comprehensive display of design.

What does the collective aim to achieve with this edition of the fair? Any plans

after the event (opening of showrooms, partnering with local dealers, more exhibits, etc)?

Following this event, the commission will continue to exhibit the products approved by “Designed in Saudi” Seal in multiple design events around the world.

Which primary materials stand out in the showcased designs?

Wood emerges as the predominant material featured in the showcased designs. The choice of wood as the primary material in the showcased designs is not only aesthetically pleasing but also aligns with contemporary design trends focusing on sustainability, durability, and creative flexibility. Its versatility and eco-friendly nature make it a standout choice in the design field.

Name of the curator/in charge for the collective: Dr. Sumayah Alsolaiman, the CEO of the Architecture & Design Commission in Saudi Arabia, is overseeing this initiative and its participation in Downtown Design/Dubai Design Week.

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Above – GOT SERIES from Arijian

Korea Craft & Design Foundation Is this the first time the collective is coming together at Downtown Design/ Dubai Design Week?

Was there any specific sector you saw more participation from? (furniture/art/accessories)?

KCDF is participating in Downtown Design/Dubai Design Week for the first time.

It is a public institution under the Ministry of Culture, Sports and Tourism of Korea established to promote crafts and design.

We are presenting the artworks of 6 Korean craft artists at this fair.

The exhibition focuses on art furniture and objects.

What can we expect from this edition of the Downtown Design’s exhibit?

The biggest goal is to raise awareness of Korean crafts by holding several exhibitions showcasing Korean crafts and forming networks with related institutions, companies, and organizations. In the long term, Dubai will be the base for visitors from the UAE and neighboring countries to visit. We will be able to open a showroom.

In this exhibition, we present the artworks of artists who inherit and develop the traditional materials, techniques, shapes, and patterns of Korean crafts in a modern way.

What criteria were used to shortlist designers for this segment? How extensive was the selection process?

We selected participating artists mainly from Korean artists who participated in major overseas art fairs and international exhibitions. Among artists actively working in each field, artists with unique designs and original production methods were selected first.

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What does the collective aim to achieve with this edition of the fair? Any plans after the event gets done (opening of showroom, partnering up with local dealers, more exhibits, etc)?

ing the Goryeo Dynasty(918-1392), reaching its heyday, and the tradition has continued to be used in various designs to the present day.

Are there any notable pieces you'd like to highlight? And any hints about the exhibition's key showcases?

Which primary materials stand out in the showcased designs?

There are two mother-of-pearl artists who participated in this exhibition. Artist Daehyun Sohn presents works with a stronger traditional mood, and artist Jian Yoo presents motherof-pearl art with a modern design. In addition, you can also see modern Korean design in the metal and glass fields.

Our artists are internationally recognized by winning various craft awards, including being finalists at the Loewe Foundation Craft Award, and are demonstrating the possibility of expanding craft through collaboration with various fields such as interior design, fashion, and automobiles.

In particular, mother-of-pearl, which occupies a large proportion in this exhibition, is an element that decorates wood crafts along with lacquer. In Korea, techniques for handling mother-of-pearl were greatly developed dur-

Name of the curator/in charge for the collective: Yunkyung Seo (Head), Minjung Jang (Project Manager), Songlim Kim (Project Manager)

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DOWNTOWN DESIGN

Tanween at Downtown Design 2023 Is this the first time the collective is coming together at Downtown Design/ Dubai Design Week?

As a pillar of the UAE design sector, Tashkeel is a veteran of Dubai Design Week as both an exhibitor and partner. We first presented groundbreaking UAE-made furniture and lighting designs back in 2013 at the event’s predecessor Dubai Design Days. Since 2017, we have been a familiar face at Downtown Design Editions, revealing new and exciting additions to The Tanween Collection every year at the Tanween by Tashkeel stand.

In the UAE Year of Sustainability, the Tanween by Tashkeel stand presents the worldwide premiere of four meaningful pieces by UAE-based designers that make a genuine contribution to the country’s circular economy. Utilising natural as well as waste materials, these refreshing designs not only possess a defined design aesthetic with material innovation but also have strong consumer appeal.

Which primary materials stand out in the showcased designs?

Tanween by Tashkeel certainly does not subscribe to convention! This year, we expect to challenge visitors’ assumptions around just how far design can push the possibilities of sustainability in the UAE. Recycled marine plastics, reclaimed fired clay, discarded cablespools, desert sand and bioplastic are just some of the materials featured in the four innovative furniture and lighting designs we are debuting this year.

What criteria were used to shortlist designers for this segment? How extensive was the selection process?

Tashkeel makes its selection months before each edition of Dubai Design Week! At the beginning of each year, we select 4 to 5 designers from over 80 applicants for the Tanween design programme. We look for professionals in the early stages of their careers living and working in the UAE who wish to explore a certain design direction or material field. They need to demonstrate a well-rounded intention and have the determination (and courage!) to step outside their comfort zone. The chosen cohort then embarks on a grueling schedule of training, research, experimentation and prototyping. They spend the summer months with their fabrication partners, refining and producing the pieces that Tashkeel reveals at Downtown Design Editions.

Are there any notable pieces you'd like to highlight? And any hints about the exhibition's key showcases?

Let the visitors to Downtown Design choose from the four flagship pieces we are featuring! Connoisseurs and consumers are all looking for designs that speak their values, their lifestyle and their send of belonging. We hope that visitors to Tanween by Tashkeel this year will connect with the pieces presented – considered designs made-in-UAE that resonate with meaning and relevance, providing elegant solutions to the issues that blight our natural world.

Was there any specific sector you saw more participation from? (furniture/ art/accessories)?

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What does the collective aim to achieve with this edition of the fair? Any plans after the event gets done (opening of showroom, partnering up with local dealers, more exhibits, etc)?

Since 2020, Tanween by Tashkeel has been addressing one of the fundamental challenges facing the world today; achieving sustainability and a circular economy. Each year, we launch new additions to The Tanween Collection, our line of highly sustainable furniture and lighting designs. Thanks to our presence at Downtown Design, our client base broadens each year. From private collectors and specialist galleries through to hotels, restaurants, corporates and government departments, Tanween by Tashkeel not only offers refined design solutions, its pieces reflects the place that surrounds us; resonating the past and the present of the United Arab Emirates.

What can we expect from this edition of the Downtown Design’s exhibit?

Since 2013, the Tanween Design Programme by Tashkeel has trained 36, early career, UAE-based design professionals who have produced 49 original furniture and lighting designs inspired by, developed and manufactured in the UAE. Today, 23 of these limited edition pieces are offered through Tashkeel’s furniture and lighting series, The Tanween Collection. This year, the milestone tenth edi-

tion of the Tanween Design Programme by Tashkeel concludes with the debut of four innovative, sustainable furniture and lighting designs by early-career design professionals at Downtown Design Editions 2023: Wafa Al Falahi, Marwa Abdelrahim, Chinara Tashmatova, Maryam Elattar & Mohamed Elnaggar.

Above (from top) – Wafa Al Falahi; Concept stage of Maryam El Attar & Mohammed El Naggar’s exhibit; Marwa Abdelrahim’s piece

Name of the curator/in charge for the collective: Tanween by Tashkeel is curated by Sheikha Lateefa bint Maktoum bin Rashid Al Maktoum, the Founder and Director of Tashkeel, the commercial consultancy and art & design incubator based in Dubai. All design pieces are outcomes of the Tanween design programme, an annual professional development initiative for UAE-based design practitioners, which celebrates its landmark tenth edition this year.

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Anatolia Is this the first time the collective is coming together at Downtown Design/ Dubai Design Week?

Elif Resitoglu: Not exactly. As Isola, we participated in the Downtown Design fair last year, but with an entirely different collective.

Isola is a phygital platform with a vast community of designers and each of our collectives, be it in Dubai or any of the global design events we take part in, will always have a diverse selection of designers based on the theme and concept of that precise exhibition.

What can we expect from this edition of the Downtown Design’s exhibit?

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Elif Resitoglu: In our exhibition titled Anatolia, you can expect to see a collective inspired by the great crossroads of ancient civilization bringing the spotlight to Anatolian design. The idea is to create a hub reminiscent of a Kervansaray, an ancient resting place for caravans and travelers where visitors will exchange ideas, enhance their network, join workshops, and purchase a selection of lifestyle objects by participating brands and designers.

What criteria were used to shortlist designers for this segment? How extensive was the selection process?

Elif Resitoglu: Me and Canan Eren from Grob Design are originally from Turkey, the selection was made with attention to stories behind the products giving importance to how ancient craftsmanship techniques took shape in contemporary forms and the presence of Anatolian lifestyle and the territory around.

Our scout team partner Grob Design sought out the most emerging projects.

Was there any specific sector you saw more participation from?

Elif Resitoglu: Actually, we have a diversity of projects in our selection from coffee tables, lighting objects, sofas, chairs, vases, and carpets.

What does the collective aim to achieve with this edition of the fair? Any plans after the event gets done (opening of

showroom, partnering up with local dealers, more exhibits, etc)?

Elif Resitoglu: As Isola, we aimed to enlarge our community and reach the right target audience for different community projects and Anatolia is aiming to give visibility to design studios from the region with a collective approach. Anatolia collective will be presented also during Milan Design Week 2023.

Which primary materials stand out in the showcased designs?

Elif Resitoglu: Primary materials would be local clay, Turkish fabrics, and blown glass.

Are there any notable pieces you'd like to highlight? And any hints about the exhibition's key showcases?

Elif Resitoglu: I am particularly curious to see how visitors will react to; the cabinet

by Yellowdot Studio where Anatolian kutnu fabric is used in the production of each singular handcrafted cushion; the big “testi” jugs entirely handcrafted by Abrahamm Creative Studio; the project by Hala Yusufi that combines design patterns inspired by her Iraqi heritage with design techniques influenced by Northern influences.

Name of the curator/in charge for the collective: Elif Resitoglu from Isola Design

Group, and Canan Eren from Grob Design

PHOTOGRAPHY: GABRIELE CAVALLARO; BATU DOKUR

Above (from left) – Grob Design 3; Cosmos coffee table from Studio Monsoleil; Right page – Ekin Varon Design Studio

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DESIGN FOCUS – BATHROOMS

More Colour

Trends to keep in mind for the 2024-bathroom design WORDS – SUHA SABITH

Above – Aqua finish from Alape

A

t the moment, there is an abundance of technical innovations in Bathroom aesthetics coupled with ambitious design – in the form of ultrathin ceramic, diamond-cut fittings, furniture systems made of glass panels, fittings that are as slender as they are smart and even a toilet with an integrated wastewater filter. But what were the takeaways from the world’s biggest trade fairs for sanitaryware? What is it

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about the showcase for new products that most appeals to bathroom planners and customers, whose interest in a beautiful bathroom has never been greater?

The customisation options available for sanitaryware show that the industry has recognised and is responding to bathroom users’ wants and needs. Fittings in black or white or with brass or coppercoloured finishes don’t just make for upmarket accents when used in combination

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ALPINE COLLECTION

WWW.SANIPEXGROUP.COM

DESIGN FOCUS – BATHROOMS

with wood and tiles, they can also be contrasted with walls, cabinets or coloured washbasins in bold primary colours or delicate pastel shades.

As it evolves into a lifestyle space, the bathroom is embracing colour (again) too. The close links with contemporary interior design set the developments in today’s bathroom apart from the colour experiments of the 60s and 70s.

At the same time, those who haven’t experienced such vivid examples of the enormous scope for stylish bathroom colour schemes for themselves may well still be skeptical – probably because of the deep-seated fear of living with a monotonous expanse of yellow, pink or baby blue day in, day out for 30 years. But such fears are unfounded: in contrast to the way colour was used in the 60s and 70s, today’s bathroom design is closely linked to contemporary interior design. When it comes to aesthetics, bathroom planners and interior decorators, designers and sanitaryware producers apply the same standards you would expect for the living room or kitchen.

Neutral colours continue to dominate – grey is the new white

This page (from top) – CL.1 series of fittings from Dornbracht; Design series Badu by burgbad

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Colour is coming to the bathroom in the form of fittings, furniture, shelving, freestanding bathtubs, other furniture, textiles, flooring, wall coverings and accessories. Paradoxically, Frank A. Reinhardt, the Pop up my Bathroom initiative’s trend expert, sees white as one of the trending colours in bathroom design: “In the interiors sector right now, white is an ontrend colour that stands for minimalism, the Bauhaus, a stylish ambience and a modern look. But because white has been used in the bathroom as a ‘non-colour’ with no character of its own for decades now, many people see this trend as the exact opposite of modern bathroom design. White isn’t automatically seen as on-trend because it’s not associated with radical change. That makes it more difficult to use white in the bathroom in a way that visualises its modernity.”

Even so, Reinhardt is more inclined to see grey as the new trend colour for the bathroom: “In the foreseeable future, grey will be the new white – it’s an excellent starting point for any colour combination or bathroom colour scheme.” Just like white, grey provides a large palette of very different neutral hues – ranging from a warm greige or cool slate all the way to light mouse grey or a modern concrete grey.

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Inspiring Solutions For Tomorrow

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DESIGN FOCUS – BATHROOMS

Colourful isn’t the same as bright and bold The brown palette is another strong contender for the bathroom. Painting one wall nougat – a highly popular shade right now – and combining it with light-coloured wood such as light oak will immediately conjure up a cosy feel and is timeless too. Up-to-the-minute brown hues can transform any bathroom into a lifestyle space – especially when paired with complementary accent colours like petrol, turquoise, orange or coral, a beige-tinted dusky pink, ultraviolet or the odd dash of mustard, which looks great with olive and brown shades.

Trendsetters might be adventurous enough to give vibrant colour chords a try – maybe something like petrol or green with coral, a

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combination with overtones of India or exotic settings. A dark ambience looks particularly upmarket and smart, especially in the kind of classic arrangements featuring warm wood hues and metal effects that are popular right now. Those after a more timeless feel might want to opt for upscale black or a minimalist white-on-white look, which can also look extremely elegant. On top of everything else, there’s also the option of using patterns, which can be integrated via the tiles, wallpaper, textiles or even upmarket wood finishes with a 3D effect. There’s a huge selection of products to choose from.

With abundance of choice and customization, we will need to wait and see how the design evolves and the resulting trends for 2025!

Above – Surface finish Matt Black from Hansgrohe

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CONGRATULATIONS TO THE WINNERS

EMIRATES WOMAN, WOMAN OF THE YEAR & THE SKIN ISSUE REBECCA TRESTON

THE ELEVATE ISSUE FATMA AL OTAIBA

THE COLLECTORS ISSUE HER EXCELLENCY SHEIKHA BODOUR BINT SULTAN AL QASIMI

THE HOROLOGY ISSUE IRINA CIOBANU

THE WINTER ESCAPE ISSUE AZZA AL HUJAIRI

THE SUMMER ESCAPE ISSUE TANIA SANTOS SILVA

VIEW THE ONLINE ARTICLE

THE RESET ISSUE WDEEMA ALMHEIRI

THE TRAILBLAZERS ISSUE NISREEN SHOCAIR

THE INNOVATION ISSUE NAT MORCOS

THE FEARLESSNESS ISSUE JUANA MARTINI

THE STYLE ISSUE SONIA LERETZ

THE EDITOR’S CHOICE MONA BIN KALLI

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LIBRARY

Moroccan Vibe Moroccan Decorative Arts by Philippe Saharoff

M

orocco’s traditional craftsmanship and artistry have fascinated arts enthusiasts around the world for generations, turning the country’s decorative treasures into an endless source of inspiration worthy of celebration. Without doubt, it is in Morocco, among all countries of the Maghreb, that the heritage of Arab-Andalusian civilization is best-preserved, most well understood and most widely shared. For more

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than three years, photographer Philippe Saharoff has explored all of Morocco to capture and pay tribute to the most exclusive collections of arts and crafts each city had to offer. From the leather of Marrakech to the woodwork of Essaouira, this volume captures the extraordinary palette of colours and sensations visitors can discover in the country. Over more than three hundred pages, the arts of zellige, pottery, metal, jewellery or plaster are depicted

at length, among other local crafts, ancestral traditions and decorative treasures that have been acclaimed for centuries. Featuring exclusive photographs of the collection of His Majesty the King Mohammed VI, Moroccan Decorative Arts is the ultimate compendium on Moroccan craftsmanship. Philippe Saharoff specializes in travel and lifestyle photography.

He has spent his entire career traveling around the world discovering the best in design, arts, and crafts. A regular contributor for publication, he is an expert of Moroccan arts and a true connoisseur of the country, having reported on it at length over the last thirty years. He is the author of the reference volumes. Traditional Islamic Craft in Moroccan Architecture, as well as Paris and Its Lights, among others.

PHOTOGRAPHY: PHILIPPE SAHAROFF

Right – At the Royal Mansour in Marrakech, the wall and floor are decorated in zellige

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Choose from our extensive range of authentic Thesiger photographs.

PERFECT DECORATIONS FOR HOTELS, OFFICES AND HOMES. Framed or unframed prints available exclusively from The Arabian Gallery

PRODUCTS

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WORDS – SUHA SABITH

Urban Loft Gianfranco Ferré Home unveils a preview of one of the settings in its new catalogue

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igh ceilings, wide windows, and concrete walls. Gianfranco Ferré Home unveils a preview of one of the settings in its new catalogue: a living area with a metropolitan, bright, and welcoming atmosphere, where the distinctive elements of industrial spaces merge with the sinuous shapes and unmistakable geometries of the renowned furniture line.

Like a movie set, where the elements of the scenography help to tell a story, the new environment is emblematic of the style, character, and aspirations of the homeowner: a film producer in love with the vibrant and ever-changing atmosphere of the city of London.

The loft focuses on typical themes of Gianfranco Ferré Home brand, adapting them to the surrounding environment.

The clean lines and the raw tone of the architecture combine with noble materials and vintage influences, while warm and tactile fabrics covering the seating create a relaxing atmosphere.

At the heart of the living space is the Phoenix sofa, upholstered in enveloping gray bouclé and characterized by a black chrome-finished metal base that accentuates its metropolitan style. The slightly outwardly inclined oval-shaped armrests and backrest evoke icons of the past. The same retro appeal is found in the Madison armchair, with a Brazilian flair. Thanks to its soft and sinuous shape and to the structural belts ensuring the comfort of the seat, the armchair represents a piece of furniture that invites relaxation and conversation. The Mini pouf, with its light, compact, and versatile design, adds extra seating and personality to the environment.

In the centre of the living area, a fluid and functional composition is created with the coffee tables from the Norrebro and Doppler lines. Geometric shapes, timeless and precious materials, and their eclectic charm are also found in the New Orleans showcase, equipped with a touch technology that allows you to illuminate the LED integrated into the display simply by approaching the base.

The intimate and refined lighting emitted by the furniture enhances and emphasizes the warm light of the Stuarda lamp, evoking an atmosphere of indulgence and intimacy.

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PRODUCTS

Tresse Presented The debut of the collaboration between the iconic designer and the outdoor brand

D

esigned by Carlo Colombo, Tressé is the new collection which led to the collaboration with the brand of the Cameli family. As its name reminds us (intertwined in Italian), this collection is directly inspired by the nineties, the proposals of a world reference such as Bottega Veneta that built a new concept of luxury on the plot. Characterized by a tubular aluminum structure with a minimal design, Tressé is an elegant and comfortable outdoor collection that allows multiple compositions to meet the most different needs of space. Completely customizable, it bets on eco-leather weaves to design a complete and versatile family of products.

The cozy sofa combines perfectly with the original coffee tables and a glamorous and sophisticated dining area. Stylistically unmistakable, it accords with the Talenti style, expanding its ideal influence to break up preconceptions and stereotypes.

In Tressé everything revolves around the study of the cube as a primordial element in which to find order and to be elevated through fine finishes. These include the sophisticated interweaving of eco-leather bands that embraces the entire perimeter of the seats and that stands as a distinctive element of the entire collection, declined in color variations that can adapt to any environment ranging from cold gray silk to the most intense and decisive mud, up to stand out with the warm land of Siena.

The use of recessed lava stone for coffee tables and large dining tables marks a further step in the company’s research for materials that are both refined and durable.

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Like stoneware, the lava stone is a robust, consistent, and easy to maintain material. It is a process that combines technology and traditional craftsmanship in which time and temperature are wisely balanced, giving unexpected peculiarities to the surface. The firing at high temperatures and the glass, completely recycled through an exclusive crushing and grinding process, improves the surface in its technical characteristics, able to meet all the needs of outdoor living.

The colors, transparent and bright, applied with manual processes, allow to capture, among their shades, the porosity, and imperfections of the stone. The slight variations in thickness and colour shades are therefore prestige values that make each product unique.

If the stone component is the protagonist, the aluminum, used for each structure, certainly shares the light of the reflectors. It’s a lightweight, durable, durable material. Easy to handle, it’s versatile, but above all, “eternal”. In fact, one of the main characteristics of aluminum is the infinite recyclability and the substantial energy savings that result in terms of production, in addition to evolution, performance and other obvious advantages guaranteed by the material and its applications. A set of values that make the concept of green economy and resource conservation evident and intrinsic to aluminum.

When a large company meets great designers, the results can only be exciting and Tressé invites us to embark on a journey in a parallel dimension where we discover the true meaning of the elegance spoken.

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PRODUCTS

Earthy Tones An edit of natural, earthy tones to bring a sense of renewed energy to spaces [BELOW]

Stilt Collection from Toan Nguyen for District Eight The Stilt collection includes a sofa module, an armchair with a footrest, a chaise

lounge, a series of tables, and a bed. The structure of the sofa and armchair features cushions that delicately rest on a curved wooden base covered in handcrafted leather or fabric.

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[ABOVE]

Cruz Planter by Greenmood

Renaissance Flat Screwless Plate from Focus SB®

Greenmood introduces the Cruz Planter, a series of unique pieces designed and built in collaboration with Alain Gilles.

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Modern and crafted in-house to last using the highest specification recycled solid brass, the stylishly symmetrical Renaissance low profile screwless plate is manufactured utilizing more raw material than similar options on the market.

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Cavalletto system by Agapecasa, Agape Agapecasa, the brand created by Agape to reissue Angelo Mangiarotti’s original designs, expands the Cavalletto system, a series designed in the 1950s by the great master with Bruno Morassutti, now exclusively produced by Agapecasa as the Mangiarotti Collection. An iconic design in its coherence and innovative charge, it has been carefully preserved in its theoretical, compositional, and formal originality through the passionate study of the Mangiarotti Archives.

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31/10/2023 3:49 PM