Issuu

From the editor

Issue 114 - June 2025 - Modellenland Magazine

Modellenland Magazine is a fresh, new submissionbased editorial publication that celebrates the true art of fashion and the emerging artists behind it.

Modellenland is a Free Belgian magazine but we accept also entries from other countries.

Everybody can publish for free ,photographers, MUA, stylists, models, good amateur, students, semiprofessional, professional etc...

The focus will not only be on fashion, but food, lifestyle, animals, landscapes, are also welkom.

Modellenland Magazine is a fashion, beauty, editorial and conceptual art magazine and will be published monthly

The goal is to show our submitters their portfolio worldwide to model and PR-agencies, and brand labels.

Modellenland will focus on creative minds from all over the fashion world. It will be a magazine for aspiring artists who deserve recognition for their work.

Modellenland Magazine is available in a free digital format - download

To order a print version go to the website (Magazines)

Creative Director and Editor in Chief: Van Poucke Peter Website: http://modellenland.com http://facebook.com/modellenland Email: info@modellenland.com

Credits Cover: Model Nadia Palesa https://www.instagram.com/nadiapalesaa

Cover Girl: Nadia Palesa

Editorial: Elegance

Model: Ruda Cami

Editorial: Cowboy Girl

Photographer: Dominique Agius

Editorial: To Be

66 Photographer: Gonzalo Villar

76 IA works by GZLo

88 Model: Maxime Nova

102 Photographer: Andreas Reiter

116

Editorial: Broo.okk

122 Model: Maria Kissov

138

Editorial: Gabriella (Part I)

150 Photographer: Michał Długokęcki

162

172

Editorial: Tears of the Sea

Editorial: Gabriella (Part II)

186 Photographer: Van Poucke Peter

198 Editorial: Pure

206

Editorial: Erofest

Cover Girl Nadia Palesa (Netherlands)

Can you tell us a little about you? I grew up in. Nijmegen and as a girl I love dancing , acting and being creative. I started fulltime modeling when I was 18 years old after my VWO and moved to Paris to work for various modeljobs: shows, shoots, campaigns and also commercial jobs. I later moved to the Netherlands, where I studied Media and Culture (Uva) and pursued a career in modeling and media. I m now a journalist , reporter , presenter, model and casting director. I run a talent agency State of Talent. Occasionally I still dj as a duo Poeschpas. Things I love: watching series, going out for dinners, yoga, spending time with my daughter, and seeing my friends. Since I live in between 2 countries I m always short on time.. Right now I live between Paris and The Netherlands. I moved to Paris for Love. I love doing different things.

If you could change anything about yourself, what would it be? That I forget less things —> I can forget a lot bc a lot is happening in my head ;) I would like to be more mindful in the daily life I guess.

How did you start modelling? A photographer scouted me , shot me and introduces me to an agency

What do you think of the work as a model? It’s a great pathway to learning a lot about business, yourself, people in general and a great way to travel and see the world + make money.

What is your beauty regimen? Now at my age sleep , avoid stress, being happy , eating healthy , exercise , us narturing product for my skin. Like I love sea butter cream and SPF is needed + I also enjoy lots of product from Hannah.

What are your personal qualities which distinguish you from others? Creative, empathic, can do a lot under pressure, social.

What are your plans for the future? Spending more time with my family, if possible enjoy my free time by making a beautiful trip as well Actually making tv (docu/ series as well) as well as presenting them. Growing my agency State of Talent.

What are some of your favorite experiences so far? My trip to South Africa last year for 6 weeks was amazing I m also so happy there , plus I did our first safari. Also this year I will present a very interesting tv show for Powned that will be aired 2025 Q1.

Do you have any advice for those who want to start modelling? Make your own plan as wel after carefully investigating the market yourself , don t spend all the money try to make as much as you can and save it . Also visit some markets just bc you wanna travel like Australia for example. Plus find an agency that believes in you.

What do you think of the magazine? Love iT

https://www.instagram.com/nadiapalesaa/ www.nadiapalesa.com And www.stateoftalent.nl https://www facebook.com/nadiawashere/

Model Ruda Cami (Poland)

Can you tell us a little about you? Hi, I'm Kamila, but people often call me Cami or Ruda (In Polish this means ginger-haired girl). I'm 23 years old and I come from a small town in Poland. You could say I have two sides to my life. On a daily basis, I'm an accountant in a large corporation, I study finance and accounting. I love doing calculations, analyses, and examining the company's financial situation. On the other hand, after hours in the office, I give vent to my creativity, through being a model. I've been posing since I was 16, so it has become a permanent part of my life. Apart from that, I love cooking and baking. I'm a huge fan of comics, cats, various antiques and porcelain. unconventional styling and makeup are an essential part of who I am. In photos, I'm usually presented in an ethereal way, but in fasjion on a daily basis I love experimenting with unusual shapes, colours and accessories.

If you could change anything about yourself, what would it be? If I could, it would probably be my natural hair color. I have to dye it regularly to my signa-ture ginger color. It's naturally dark blonde, so I don't have to bleach it and it's not very damaged. It would just be a matter of convenience, because I completely accept myself as I am.

How did you start modelling? In my teenage years I was very much excluded from my peer group. I didn't feel good about myself A friend of my mothers who worked at a local modeling agency noticed this. She convinced me to try my hand at a few fashion shows and that's how it all started. It helped me a lot to break through my inner barrier of accepting and loving myself I didn't have any photo shoots for a long time, because of my height and dimensions most people preferred me in fashion shows. It wasn't until 2 years later that one backstage photo changed that. I'm still in touch with that friend of my mother's and I'm very grateful to her

What do you think of the work as a model? I think it is very hard and tiring work, but it gives a lot of satisfaction. It is not a job for everyone, it is difficult to plan many things, it requires a lot of commitment and time. Additionally, the mental pressure is huge, being rejected from projects and castings is common. However, when you take part in various projects and sessions, the feeling of happiness is indescribable. Working as a model was a kind of therapy for me and I constantly compare it to meeting good old friends, even though the crew on set is constantly changing. I love how everyone sees my beauty differently and everyone sees me from a different perspective. I really do not like the term "you just stand there and look nice", which unfortunately is still encountered by people who are not in the industry. Unfortunately, it is misleading for people who want to start. I often backstage to dispel this myth.

What is your beauty regimen? The criteria for beauty are different for everyone, but I think the basis is being happy. When we feel good about ourselves, we radiate a certain aura. Every day we pass such people in a shop, on the street, at work. They don't have to have a perfect figure, face or luxurious clothes, and we will still pay attention to them. The reason for happiness is different for everyone, it can be small activities such as sports, beauty treatments, appreciation by a loved one. All this can be seen in photos and even the best models will not come out well if they are unhappy. So, for me, the recipe for maintaining beauty is simply striving to be happy.

What are your personal qualities which distinguish you from others? I'm quite talkative – in a good way. I always try to connect and find a common language with new people, which I consider very important in this industry. I am quite a flexible person, there are very few styles, props or make-ups that I would not appear with in the photos. I consider myself a brave person, I often pose with exotic animals like spiders or snakes, on unstable objects, in different weather conditions and places, such as mountains, where sometimes it is still frosty

Fotograf: @kubareksamuel

Photo Nikola Klimiuk

What are your plans for the future? Definitely finishing university first. I have a few months left, but for the past few years I have always felt limited by the lack of time due to my studies. In the modeling world I'd love to collaborate with a cosmetics brand, I feel that this is missing from my portfolio. Apart from that, I want to take part in more sessions with my boyfriend in the future and constantly break the stereotypes associated with this industry.

What are some of your favorite experiences so far? I think it was taking part in a photoshoot for an animal shelter I love going back to it with memories and I'm glad I could help in such a noble cause. Other things include all the photoshoots for which I received awards in the form of magazine covers and having my image featured in an exhibition in Tokyo and Milan.

Do you have any advice for those who want to start modelling? Be patient, don't worry and don't give up. Many people will refuse you, try to discourage you or take advantage of you. First, invest in a professional course and a photo session with polaroids. You will save a lot of time learning the basics and it will allow you to avoid various disappointments. Try different types of sessions, from calmer to more crazy ones. You don't have to sign up with an agency, although I started with one, it's not a requirement and I think that thanks to this you’ll stay open to more opportunities.

What do you think of the magazine? First of all, thank you so much for the opportunity to be part of this issue. It's a great magazine that gives you the opportunity to get to know both great work and the creator Often, we see the pictures, but we don't see the stories of the people who co-create. I feel that this brings us even closer to understanding art and this industry. I'm glad that such ventures still exist that can connect people in this way.

https://www facebook.com/ruda.cami/ https://www.instagram.com/ruda_cami/

Photo Wojtek Greczka - Mua Anna Byrska

Photo Karolina Moczulska Mua Joanna Kudzia Fashion designer Magdalena Nowak

Photo Tomasz Dermin

Mua Sylwia Woszczek Snake Tyrionthelongcat

Photo Marta Wiszczuk

Photo Magdalena Tarach Mua Kamila Czech

Photo Marcelina Zagrodnik

Photo Mariusz Składek

Fashion designer Sugarstore

Mua Barbara Bonus

Hair Alicja Zgłobicka

Photo Karolina Włodarkiewicz

Mua Monika Węgrzyn

Hair stylist Martyna Bryk

Fashion designer Magdalena Nowak

Photo Martyna Bytomska

Photo Jakub Szproch

Photo Patryk Sochacki

Photo Marcelna Zagrodnik

Photo Marcelina Bargiel

Mua Marzena Uhl

Cowboy Girl

Model Ruda Cami

https://www.instagram.com/ruda_cami

Photographer Photo Jakub Szproch

https://www.instagram.com/jakubszprochv2

Photographer Dominique Agius (France)

Can you tell us a little about you? I am a professional photographer, based in Nice, France, where I have my studio. I also teach in several schools and university. My work is exhibited around 10 times a year. I also write books about photography. I am often asked for conferences and workshops.

How and when did you get into photography? I bought my first camera in 1985, when I was 15. I was intrigued by the fact that one can record and interpret reality. I was just curious at first. And photography took more and more place in my life, to the point that it became my profession.

MODÈLE: Urabi Favory

MAQUILLAGE & COIFFURE: Cricri Delamour

EQUIPEMENT: Phottix Professional Photo Accessories

OBJECTIF: Samyang France

STUDIO : STUDIO PHOTO 402

PHOTOGRAPHE: DA-FOCUS Dominique Agius

MODÈLE: Manon Tullou

EQUIPEMENT: Phottix Professional Photo Accessories

OBJECTIF: Samyang France

STUDIO : STUDIO PHOTO 402

PHOTOGRAPHE: DA-FOCUS Dominique Agius

What does photography mean to you? For me, photography is a way to express myself. In my personal work, I explore various themes and moods. Trying to learn more each time. It balances my life and let me express my creativity in a fun way. Photography is also a way to work and to make a living.

Please briefly describe your photography style for our readers. My personal work is deeply inspired from classic painters. I love the era going from Renaissance to Post Baroque. In general, I am more of a studio shooter. Loving light and shadows.

Studio, on location or both? Both. But I do most of my personal work in studio.

Where do you get inspiration from? I am directly inspired by classic painters as I said. My Fine Art studies allowed me to understand many concepts about composition, light, colors and contrasts.

Do you think in advance what you want in the picture? I very often start with an idea and a specific mood. But I let the magic of studio work happen. Sometimes, you encounter “happy accidents”.

Would you consider yourself a hobbyist or a paid professional? I am a professional photographer. It is my day job. But being a pro has nothing to do with quality. It just means that you can issue invoices.

MODÈLE: Noemie Boussé

COIFFURE: Chantal Guadalpi

STYLISME: Chantal Guadalpi

MAQUILLAGE: Marielle Courtin

ASSISTANT: Philippe Tauziat

STUDIO: Studio Photo 402

PHOTOGRAPHE:

DA-FOCUS Dominique Agius

MATERIEL: Phottix Professional Photo Accessories

MODÈLE: Manon Tullou

COIFFURE: Cricri Delamour

MAQUILLAGE: Cricri Delamour

ASSISTANT: Philippe Tauziat

STUDIO: Studio Photo 402

PHOTOGRAPHE: DA-FOCUS Dominique Agius

MATERIEL: Phottix Professional Photo Accessories

OBJECTIF: Samyang France XP85mm

What has been your most memorable session and why? All of them have something special. But I produced a series called “Vanity” which is inspired by baroque painters. All these sessions were just great and very inspiring. Th heavy work before the sessions helped to get most of the details taken care of. The result ended up being above my expectations.

Nikon or Canon? Favolens? I am a Canon user. But I strongly believe that the gear is not as important as most people think. Any brand can produce high quality cameras. And your eye is making the photograph, not the gear. Now, this being said, for commercial photo shoots, the gear does make a quality difference. I have several favorite lenses. The 70-200 L Series f2.8 is just amazing. I also love the Samyang lenses, especially the XP series that are just incredible.

What is one piece of advice you would like to offer a new photographer? Think beyond social medias and educate yourself to photography. Most photographers tend to think that photography resides only in social medias. But photography lived and will live without social medias. This is why I do believe we need to educate ourselves by going to museums, watching movies, listening to music and any other form of art. This helps us build an inconscient library that our brain can use as creativity matter.

What do you think of our new magazine? I think we all need to see photographs that involve more than a subject. Your magazine tends to emphasize the intension of the photographers and this is great.

https://www.facebook.com/dominique.agius.3 - https://www.facebook.com/DAFOCUS06

MODÈLE: Ornella Brofferio

STYLISME ET MAQUILLAGE: Cricri Delamour

PHOTOGRAPHE: DA-FOCUS Dominique Agius

ASSISTANT: Philippe Tauziat Photography

STUDIO: Studio Photo 402

MATÉRIEL: Phottix Professional Photo Accessories

OBJECTIF: Samyang France

MODÈLE: Valentin Vuid

PHOTO: DA-FOCUS Dominique Agius

ASSISTANTE: Maf regards

STUDIO: Studio Photo 402

MATÉRIEL:

Phottix Professional Photo Accessories

OBJECTIF: Samyang France

MODÈLE: Marie-Pierre Genovese

MAQUILLAGE: Cricri Delamour

MATÉRIEL:

Phottix Professional Photo Accessories

STUDIO: Studio Photo 402

PHOTOGRAPHE:

DA-FOCUS Dominique Agius

MODÈLE: @Pia Mancini

COIFFURE: Chantal Guadalpi

STYLISME: Chantal Guadalpi

MAQUILLAGE: Marielle Courtin

ASSISTANT: Philippe Tauziat

STUDIO: Studio Photo 402

PHOTOGRAPHE:

DA-FOCUS Dominique Agius

MATERIEL: Phottix Professional Photo Accessories

MODÈLE: @Larissa Cr

STYLISME: Cricri Delamour

MAQUILLAGE: Cricri Delamour

ASSISTANT: Philippe Tauziat

STUDIO: Studio Photo 402

PHOTOGRAPHE:

DA-FOCUS Dominique Agius

MATERIEL: Phottix Professional Photo Accessories

OBJECTIF: Samyang France

MODELE: Hellodie Charogne PHOTOGRAPHE: DA-FOCUS Dominique Agius ASSISTANTS: Yevgeniya Sheremet

MATÉRIEL: Phottix Professional Photo Accessories

OBJECTIF: Samyang France

STUDIO: Studio Photo 402

Créatrice: Harmoniep Creatrice

Photographe: DA-FOCUS

Coiffure: Chantal Guadalpi Marie de Lajudie

Maquillage: Cricri Delamour

Assistant: James Doe

Objectif: Samyang France

Modèle: Manon Tullou

MODÈLE Manon Tullou

MAQUILLAGE: Cricri Delamour

ASSISTANT: Philippe Tauziat

PHOTOGRAPHE: DA-FOCUS Dominique Agius

STUDIO: Studio Photo 402

MATÉRIEL: Phottix Professional Photo Accessories

OBJECTIF: Samyang France

TO BE

By Montse Morella

There are no second chances. This is the moment to BE.

The world is going through a time of transformation, a turning point where strength, discipline, and reflection have become fundamental pillars. Now, more than ever, it’s time to pause, look within, and reconnect with the essence of who we truly are. Only through that inner journey can we find the light we long for and the authenticity that defines us.

After more than 30 years in the world of hairdressing, Montse Morella feels the need to bring to life a men's collection—the first of her career. To Be is not just a stylistic proposal, but a statement of intent, a manifesto in favor of authenticity in a society that imposes norms without asking permission. With this collection, Morella invites reflection, the awakening of a collective consciousness that challenges the established and reclaims individuality as an act of resistance.

In a world where standards have shaped bodies and minds according to external demands, To Be is born to show that true strength lies in attitude—in the courage to be oneself without compromise. Through every style, every texture, and every form, the collection seeks to express the power that still pulses within those who refuse to be swept away by the tide, those who choose to take control of their identity without fear of breaking the mold.

Because to be is the only truth. And in a world that insists on distracting, diverting, and chaining us, To Be reminds us of the urgency to seek our authenticity, to dig deep if necessary, to leave the shadows behind and walk with purpose toward what we came into this world to do.

Art Director: Montse Morella @momotra Image: David Arnal @davidarnalteam

Photographer Gonzalo Villar

(Madrid - Spain)

Can you tell us a little about yourself? I trained and graduated from the Old School of Fine Arts, so obviously I can handle traditional tools, but I use technology basically as another instrument or procedure that enables creation, and in that sense, there's no difference between a paintbrush and a graphic palette. Currently, without avoiding the technical aspects, I'm trying to take a leap forward from graphic communication to digital styling in photography.

How and when did you get started in the world of photography? In 2011, I created and exhibited Fotocreaciones (Photo Creations) alongside excellent Russian models. Thanks to these professional relationships, in 2014 I organized photography workshops and Masterclasses, where I teach photographers how to artistically edit their work at these events.

What does photography mean to you? Photography is a technical and artistic discipline that involves capturing images at specific moments through the action of light projected and fixed on a sensitive medium, whether physical or digital. In my case, photography is a medium where I can express my creativity

Briefly describe your photographic style for our readers. I'm more interested in the creative process and the treatment of light than in capturing the image. In my workshops, I teach how to accentuate light in an artistic technique without requiring extensive knowledge of Photoshop.

Where do you get your inspiration? By looking at and observing the model.

Do you think about what you want in the image beforehand? It depends on the photoshoot.

OKSANA Chucha Shkiryatova

Studio, outdoor, or both? Both, although I prefer a studio where the light can be better controlled.

Do you consider yourself an amateur or a professional? Professional.

What has been your most memorable photoshoot and why? The first one, of course. Because I discovered the model's great professionalism and the atmosphere that developed at the event.

Nikon or Canon? I like both: Canon for interiors and Nikon for exteriors, in my opinion.

What advice would you give to a new photographer who wants to start out? They should look at many photographs by great photographers and try to understand the artist's intentions.

What do you think of our new magazine? I like it. The layout of its visual elements is good, the photos are highquality, and the topics are relevant to the photography industry. It would make a good print magazine.

https://www.facebook.com/gonzalo.villar https://gonzalovillar wordpress.com/ https://www.instagram.com/nmcpmodels/

My collaborators in my workshops and Masterclass models are: Productor Video and photographic assistant : Manuel Torres

Styling: Maria Navarro

Mua: Silvia Villanueva

YULIA VASILYEVA

OLGA ALBERTI

KRISTINA YAKIMOVA

LIDIA AVODEROVA

EKATERINA ENOKAEVA

OLGA ALBERTI

OKSANA Chucha Shkiryatova

EKA TERINA VLADI

KRISTINA YAKIMOVA

EKATERINA VLADI

IA works by GZLo

AI in the world of photography offers tools that go beyond conventional image capture. From quality optimization to generating creative effects. AI can automa-tically improve image quality by reducing noise, improving sharpness, adjusting lighting, and correcting color This results in clearer photos. In my case, using AI is basically like another tool or process that enables creation, and in that sense, there's no difference between a paintbrush, a graphics palette, or photo editing software.

In this case, it makes it possible to use a specific pose and create another image with a different model, significantly reducing the cost of applying it to advertising work.

Also creating an image that was an advertising success in the 70 years reducing a lot of work and applying it to an advertising work.

Being able to achieve a realistic image from an illustration by a favorite artist is very rewarding.

Improve a photo creation previously made in Photoshop.

https://www.facebook.com/gonzalo.villar https://gonzalovillar wordpress.com/ https://www.instagram.com/nmcpmodels/

My collaborators in my workshops and Masterclass models are:

Productor Video and photographic assistant : Manuel Torres

Styling: Maria Navarro

Mua: Silvia Villanueva

Model Maxime Nova

Kun je ons iets vertellen over jou? Ik ben Maxime, woonachtig in Nederland en ben nu een aantal jaar werkzaam als commercieel model. Ik ben afgestudeerd aan de dansacademie en heb daarna een serieuze modellen carrière opgebouwd. Buiten het werk ben ik graag met mijn vriendinnen, naar gezellige restauran-tjes en koffie tentjes. Ik wandel graag lange stukken op het strand met mijn hond en ik ben veel in de gym te vinden.

Als je iets over jezelf zou kunnen veranderen, wat zou het zijn? Over het algemeen ben ik tevreden over mijn uiterlijk. Ik zou graag wat centimeters langer willen zijn omdat dit makkelijker zou zijn als model. Voor het mooie ben ik voor de catwalk 2 centimeter te kort. Die 2 kleine centimeters hebben mij heel wat jobs gekost. Toen mijn modellen carrière serieus begon te worden vertrok ik naar Parijs om daar aan de slag te gaan voor een agency. Ik deed elke dag heel veel castings maar ben ook behoorlijk vaak afgewezen door mijn lengte. Gelukkig heeft mijn uitstraling me wel ver weten te brengen in de commerciële industrie. Ik heb echt al heel veel leuke internationale opdrachten mogen doen.

Wat zijn je goede eigenschappen, en je minder goeie? Mijn goede eigenschap is dat ik altijd professioneel werk, en ook hard werk. Als ik bijvoorbeeld een shoot heb zorg ik er als eerst voor dat ik op tijd ben, ik zorg ervoor dat ik representatief aan kom. Ik probeer het gezellig te maken met het team waarmee ik werk om een goede sfeer te creëren (super belangrijk want dat zie je terug op de foto). Modellenwerk kan heel erg zwaar zijn. Je staat soms in hele kleine outfits in de kou de shooten, of in bepaalde poses die super oncomfortabel zijn. Dat is het werk, daar kan je niet over gaan klagen. Alles voor DE foto! Mijn minder sterke eigenschap is denk ik onzekerheid. Omdat je zo vaak wordt geconfronteerd met je uiterlijk, en dit ook heel erg belangrijk is omdat dat je werk is kan je hier soms onze-ker van worden. Het is ook een kei harde wereld en soms lijkt het alsof je perfect moet zijn voor bepaalde jobs. Maar hey.. perfect is niemand en dat zou ook saai zijn!

(Netherlands) (Re-Post 2019)

Hoe ben je begonnen als model? Mijn moeder heeft me als baby aangemeld bij een modellen-bureau op aanraden van meerdere mensen die zij via via kende in de mode industrie. Ik vond het als klein meisje als leuk om in de spotlight te staan. Nadat ik de dansacademie had afgerond werd ik aangenomen bij een internationaal modellenbu-reau en ben ik veel in het buitenland gaan werken.

Wat zijn je plannen voor de toekomst? Zo lang mogelijk als model werken. Als ik hier ooit in ga minderen hoop ik toch ergens in dit vak te blijven. Misschien wil ik dan iets met fotografie of mode doen.

Wat doe je om er zo uit te zien? Vooral gezond eten, dus veel fruit en groente. Ook veel water drinken. Ik doe veel cardio en maak lange wandelingen. Daarbij is rust ook heel belangrijk. En natuurlijk goede verzorgingsproducten.

Wat zijn sommige van uw favoriete ervaringen tot nu toe? Alle mooie reizen die ik heb mogen maken om shoots te doen. Ik heb zo veel mooie en interessante plekken gezien omdat ik internationaal werk. En natuurlijk worden de mooiste plekken uitgezocht voor de foto’s.

Wat zou je graag nog doen als model? Ik zou graag een grote campagne willen doen voor een bekend merk dat heel groot op een billboard wordt vertoond op een plaats al bijvoorbeeld Times Square in New York.

Heeft u nog een advies voor wie als model wil starten? Zorg goed voor jezelf om er mooi uit te blijven zien. Geef niet op na een paar afwijzingen. Ga professioneel te werk, en zorg er voor dat je er tussen uitspringt, dat je opvalt en mensen onthouden wie jij bent. Er komen honderden meiden op sommige castings af, daar moet je uit weten te springen.

Wat vind je van het modellenland Magazine? Het is super om te lezen wat andere modellen en fotografen ervaren in dit vak! En natuurlijk leuk om te kijken naar de prachtige modellen die jullie een spotlight geven.

Instagram: @maxime.nova - www.maximenova.com

Photographer Andreas Reiter

(Germany) (Re-Post 2019)

Can you tell us a little about you? My name is Andi, born in germany. My mother is Italian and I am happy to speak the Italian language perfectly. I am a beauty photographer, product photographer and retoucher. Most of the time I work with my wife, who is a make-up artist and my assistant. That makes life easier. I take pictures for various companies and agencies, sometimes I also photograph weddings - you should take advantage of the variety in photography. I have a little daughter that means everything to me. Of course, I try to devote the little free time to her.

How and when did you get into photography? I started photography in 2014 as a hobby. First I photographed in nature - I love landscape photography. Unfortunately, now the time is missing for that. A little bit later I came by chance to people photography, mostly on the street, in narrow streets you can influence the light very well. Now for a good year I photograph mainly beauty and products.

What does photography mean to you? With photography you can express everything you feel. For me personally it means creativity, variety, relaxation ... It is like a kind of therapy. Photography can change a person. Of course there are also very stressful moments but that's what makes it so exciting and varied.

Please briefly describe your photography style for our readers. Photography is often explained in a complicated way... I try to keep it simple. I usually shoot beauty with just one flash and reflectors to brighten up the shadows. Less is often more. In the editing I try to keep my pictures clean and natural. I love textures and that's why I love close ups of beautiful skin or macros of products. The better you photograph, the less time it takes to retouch, That's why I always tether in my laptop, so the whole team can control and correct if necessary

Studio, on location or both? I would say 95% in the studio.

Where do you get inspiration from? Other crea-tives, even those who are not necessarily involved with the photography industry. You see so many pictures today that you have to choose well from what or whom you want to get inspired. Social media is a nice thing but you have to be careful that it does not get out of hand.

Think you in advance what you want in the picture?

Yes. In my opinion you should always have a plan - at least in which direction you want to go. Especially when working with a team. If it does not work, you have to improvise of course.

Would you consider yourself a hobbyist or a paid professional? A professional should always have the passion of a hobby photographer. But you should not sell your work below value. I think a mix of both makes it perfect. I'm a photo lover and lucky enough to earn money with it.

Model: Viktoria Sonntag

Hair & Make Up: Manuela Reiter

Photo & Retouch: Andreas Reiter

What has been your most memorable session and why? What always stays in my head is the fashion shoot with Vicky Sonntag in a large swimming pool. The staff has closed the whole area for our team. It was September of last year, the weather was incredibly hot, the sun was beating and we did not have much time. In those few hours, I've learned to deal with very harsh sunlight. Opposite the swimming pool was a construction site. Of course Vicky did not have much clothes on. I think it was the day the construction workers made the least :)

Nikon or Canon? Favorite lens? Since the beginning I actually only used Nikon. Sure, the camera models have changed, but I'm very happy with Nikon. My favorite lens is the 105mm Macro. It's perfect for beauty and product photography

What is one piece of advice you would like to offer a new photographer looking to start their own business? Stay true to yourself and don`t give up. It will not always be easy, but patience, perseverance and hard work will be worthwhile. Never stop learning. A camera, lens or flash can be replaced if it is broken but you can never replace knowledge.

What do you think of our new magazine? It's very important that such magazines exist and one of the best thing about it is that you can read the stories of the artists.

https://www.instagram.com/andreasreiterfotografie https://www foto-ar.de/ - https://www facebook.com/Andreas.Reiter.Fotografie.Retusche/

Model: Viktoria Sonntag - Hair & Make Up: Manuela Reiter - Photo & Retouch: Andreas Reiter

Model: Viktoria Sonntag

Hair & Make Up: Manuela Reiter

Photo & Retouch: Andreas Reiter

Model: Viktoria Sonntag

Hair & Make Up: Manuela Reiter

Photo & Retouch: Andreas Reiter

Model: Anabel FankeHair & Make Up: Manuela ReiterPhoto & Retouch: Andreas Reiter

Model: Bertile FryHair & Make Up: Manuela ReiterPhoto & Retouch: Andreas Reiter

Model: Vanessa AdesinaHair & Make Up: Manuela Reiter

Photo &

Retouch: Andreas Reiter

Model: Vanessa AdesinaHair & Make Up: Manuela ReiterPhoto &

Retouch: Andreas Reiter

Model: Vanessa AdesinaHair & Make Up: Manuela Reiter

Photo &

Retouch: Andreas Reiter

BROO.OKK

By Javier Ventoso

Brotherhood, Diversity, and Resilience

Life is a journey of meetings and farewells, of paths that cross and part ways—but destiny always finds a way to reunite those connected by the essence of who they are. BROO.OKK is more than a men’s hair collection; it is a tribute to evolution, identity, and the strength born from diversity.

From childhood, on the sand of the beach, to maturity marked by the trials of fate, these men wear their life stories in their hair. Time, distance, and experience have left their marks—not only on their spirit but also on their image.

Each style in this collection represents a phase, a challenge, an evolution:

- Freedom and essence: Natural, tousled hair full of movement. Unruly curls, rebellious waves, and lightweight cuts that evoke the days of youth—where everything was play, unity, and shared dreams.

- Maturity and battle: Structured cuts, sharp lines, precise geometries, and undercuts that reflect the invisible scars time leaves on each of us. Sober hairstyles that narrate struggle, distance, and personal growth.

- Strength and resilience: Intense textures, wet-hair effects as if soaked with the sweat of effort, worn tones reflecting lived experiences and the road traveled. Every strand tells a story, each style a symbol of overcoming.

The protagonists of this story:

• Afro hair: Volume and definition as symbols of power and pride. Fades and tapers that play with structure to highlight personality.

• Straight and wavy hair: Long and short styles navigating between order and chaos—polished, yet full of character, showing that life is never a straight line.

• Curly hair: Mid fades and relaxed styles that evolve with the story—from the carefree nature of youth to the strength of maturity.

BROO.OKK, the new collection by Javier Ventoso, is a journey through time, through hair, and through the soul. Because in the end, no matter how much the world changes, there will always be bonds that cannot be broken.

Peluqueria/Hair: Javier ventoso @javier_ventoso Asistente peluquería / Hair assistant: Oscar ventoso @oscar_ventoso Make up: Bea torres @superbeita @b_by_make_up Foto / Photo Esteban roca @esteban_roca_photo Comunicación /Communication: Óscar Martínez @oscarmr76

Model Maria Kissov (Denmark)

Re-post 2021

Can you tell us a little about you? My name is Maria Kissov and I'm from Denmark. I work as model and I have started a modelling agency in Denmark, where we recruit various models with a focus on diversity and process learning.

If you could change anything about yourself, what would it be? Can't think of a specific thing. But I always try to learn from my mistakes and improve all aspects in life.

How did you start modelling? My mom was contacted by a Danish wedding photographer (when I was 15) who wanted to shoot pictures of me, cause she thought I had a very wild facial features and a slim figure for fashion.

What do you think of the work as a model? I love working as a model, its a creative job where you get the chance to make something beautiful or tell a story

What is your beauty regimen? My nails actually. The first thing you do when you meet new people, is to shake hands. First-hand impression is important for me.

What are your personal qualities which distinguish you from others? I like to think that I have a big library of different modeling poses and keep things like lighting and camera angle in mind, and I try to share my ideas with the talents around me.

What are your plans for the future? I want to travel the world. Keep following my dreams and build a successful modelling agency and keep improving on my model career. Stay grateful for the people around me and keeping my family first.

What are some of your favorite experiences so far? Shooting in France/Nice for Karma of Charme.

Do you have any advice for those who want to start modelling? Respect yourself and your limits. be realistic. Be confident. find your own way to express yourself for the picturesnever copies. be open and welcoming to your fellow people in the industry. Your personality has much to say, so be humble.

What do you think of the magazine? I think its a great magazine, It gives the opportunity for artists to share, showcase and inspire each other with beautiful and creative work.

http://instagram.com/mkissov

https://www.mariakissov.dk/Home

Photo: PAGE7 Photo

Gabriella

PART 1

Model: Gabriella Magniez @gxbxxy

Photo: DA-FOCUS @DAFOCUS06

Stylisme: DA-FOCUS

Assistant: @maf.regards

Photographer Michał Długokęcki

(Poland)

Re-post 2021

Can you tell us a little about you? I am a visual artist and media creator. I run creative agency where we produce video, images and design for businesses. Photography is my biggest passion and way of life. Every free day I spend on shooting female fashion, portrait, sensual and classy nude photographs.

How and when did you get into photography? It was in May 1995. Back then I was 8 years old and just finished my First Holy Communion celebration day. In these times according to tradition all kids got a bike and money as family gifts. When I finished my first test ride around my block I sat on my bed with an envelope to count my first serious money. I didn`t know that it was my first photographers` experience – excitement before a purchase of a new gear! The next day I went alone to the local photo shop to buy my first camera. I spent all my money for an Kodak point-and-shoot camera with couple film rolls and I was proud of it!

What does photography mean to you? All these years I have been shooting photos I always wanted to remember the moments, thoughts and emotions and share them with the others. It didn`t matter if it was a school trip to the mountains or a portrait photoshoot with a model. I always wanted to take a viewer to the other side of the picture and make him or her to feel in a certain way or feel the way I felt in that moment.

Please briefly describe your photography style for our readers. When the digital photography appeared I was so excited! Unlimited photos to take and the whole new world of edition possibilities!, yaay I got one of the first DSLRs – Canon EOS 300D. Till then I was absorbed only by digital photography. Couple years ago I grabbed my first point-and-shoot camera and my I fell in love again. Most of my commercial projects I make are still digital but all my personal photoshoots are made on film. Moreover I explored the world analogue cameras. I shoot on various Canon SLRs. I tried middle-formats and also plenty of other point-and-shoot cameras. And I like the way of work and the effects they all give! So sometimes I feel like on the crossroads thinking that I should choose one or two favourite cameras and stick to them. On the other side I can explore different gear and always be surprised. I am aware of the fact that style of photography doesn`t depend only on the camera. However there is a big difference for me when I hold a plastic 100$ camera with flash and 60 years old middle format from USRR. The style of work and the image quality suggest the style of work and mood. The best example for me is my new discovery of crazy and fun photoshoots with model made by point-and-shoot cameras. Lightweight and even childish look of these camera are perfect for that! I can`t imagine doing a party-style photoshoot with Pentacon SIX!

My style of work is rather quick. I don`t like spend too much time for each photograph. Probably this reportage-style comes from my first experiences with photography experiences. I believe that first moment is the best to keep an idea on image. The spontaneous position of body, emotion of face and freshness are the keys to successful picture. I hope this can be seen in my works.

Where do you get inspiration from? I am inspired by many people and things. Works of other photographers are great source of inspiration (and motivation!). I am also a cinematographer so I watch movies analyzing all aspects of the production – from the story, acting, scenography, costumes, light, camera moves to editing. It helps me also in my photography projects, expe-cially to focus on emotional aspect of the photo-shoot. I also started to cooperate with stylists, especially with amazing Kinga Stęplewska, who opened my eyes widely to the stylization world. I am much more focused to details of each set of clothes we plan with the model and team. Thanks to that I enjoy fashion photography even more!

Do you think in advance what you want in the picture? It all depends on the project. Of course in commercial photography there is not much space for spontaneity. But when go for a walk with model to shoot outdoor portraits I like to have my mind clear and plan every picture just before it is taken.

Would you consider yourself a hobbyist or a paid professional? I am in the moment of my life that I can decide on project I make. In Firmedia agency we make projects for companies who are open to the new and fresh media. We don`t work for everybody who has a need for random photoshoot or film to be done. The fact we are paid is an important factor in the creative process. But passion and good vibe between all team members are essen-tial for us to start any project. I make my private photography and videography projects to develop my skills and share my emotions to the others. I think this is the best hobby for me because it is connected to travels and meeting amazing people.

Studio, on location or both? Everywhere where is a good light!

What has been your most memorable session and why? During the first lockdown in 2020 I was stayed home for about 2 months. I was out only for some essential meetings or to do the shopping. After 8 weeks I started to miss photography that much that I figured out a way to avoid crowds but also spend some nice time shooting pictures. I asked owner of green house complex to enter her peasants. We made a beautiful fashion photoshoot with more than 10 stylizations. I felt like in some Mediterranean garden full of beautiful plans and flowers they were grown there. It was a magical time, almost surreal because of the pandemic reality

Nikon or Canon? Favorite lens? Canon 50mm 1.8 should have a statue built in Tokio!

What is one piece of advice you would like to offer a new photographer looking to start their own business?

Your gear is not important. Don`t look for any clients – find those who value your work.

What do you think of our new magazine? Your magazine is great! I respect every institution, organization and individual who promote art and creative people! I do appreciate invitation to your magazine and hope it will be just a beginning of our cooperation. And at last - thank you, dear Reader for your time! I hope you will enjoy this gallery of my recent works. Feel invited to follow my activities on Instagram and also to support my art on my Patreon page. Peace!

http://instagram.com/michaldlugokecki - Behance: www.behance.net/dlugokecki Patreon: https://www.patreon.com/dlugokecki

From Umbala to Tears of the Sea: Joel Ibáñez Maturana’s Creative Leap Towards

the Future of Hairdressing

Barcelona. June 2025. Joel Ibáñez Maturana is not just a hairdresser: he is a tireless creator, a dreamer who has transformed his fears into a driving force for change, and his talent into a distinctive voice within the artistic universe of hairdressing. After years of training, constant effort, and the search for a creative identity, 2024 became a pivotal year for his career. With the collection Umbala, his first major leap into the professional circuit, Joel not only earned industry recognition but also discovered the power that ideas have when executed with authenticity. But Joel is not satisfied with what he has achieved. His curiosity led him to explore new territories, and that’s when a new creative language appeared: artificial intelligence. Far from seeing it as a threat, Joel embraced it as an ally to give shape to the invisible, to what previously existed only in his imagination. From that fusion of technique, emotion, and technology was born Tears of the Sea, a collection that marks a before and after, not only in his work but also in his way of conceiving hair art.

Joel has proven that hairdressing can be more than aesthetics: it can be concept, narrative, emotion, and exploration. This interview is a journey through that process, through the courage to embrace the unknown in order to create something truly unique.

What impact have the awards you received this year had on your career as a hairdresser?

They have had an enormous impact. To begin with, the influx of clients to my salon has increased, which has translated into more work, new opportunities, and greater confidence from the public. Additionally, we have gained visibility in front of commercial houses and important brands in the sector, something that once seemed unattainable. We have appeared in major specialized magazines and participated in online podcasts where we’ve been able to tell our story and showcase our work. And perhaps the most exciting part has been the recognition from great hairdressers and industry leaders who have valued what we do. All this has strengthened my motivation and made me feel that we are on the right path.

How do you think these recognitions have influenced your positioning within the industry?

A lot. They have generated tremendous visibility that has allowed me to position myself as a professional within artistic hairdressing. Thanks to these awards, many people have been able to discover my work for the first time and have started to identify me not only as a stylist but as a creator with a defined vision. I have been recognized as a creative hairdresser, something I had always dreamed of. recognitions have also opened doors for me to participate in e collaborations, and training sessions that I previously only w from afar. It has been a very important professional leap.

How important do you consider awards in such a visual and t cal industry as hairdressing?

I give them a 10/10. Awards validate your work both in front public and among your professional peers. My greatest fear started creating collections was not being up to the mark, tha work wouldn’t be liked, that it would go unnoticed. Seeing m recognized both technically and artistically has given me enormous confidence. It has been a dream come true because behind it are years of effort, constant training, and the search for m style. Awards have allowed me to prove that I am ready, that something to contribute, and that what I do connects with people. Furthermore, they have generated new personal goals and objectives that push me to keep growing.

There has been a lot of talk about you this year in the professional circuit. To what do you attribute this growth in visibility?

Everything is thanks to my first collection, Umbala. It was the starting point that changed everything. It was featured in various channels and achieved an impact we never imagined: six international covers, national and international awards… it’s been a total whirlwind. Thanks to Umbala, my name started to be heard, and the work behind it began to be truly valued. Some barbering work I did also received awards and mentions, which added even more to that visibility. It was like a chain: one project led to another, and everything started growing very quickly.

How has your creative proposal evolved compared to previous years?

A lot. Before I worked with more insecurity, without such a clear line, but now I have a much more defined vision. Above all, I have developed a big goal: to create my own signature, something recognizable that speaks for itself. I would like to be recognized as a great colorist — that’s a goal that drives me every day The evolution has also been technical: each collection, each hairstyle, each color has a deeper search behind it. I feel freer and, at the same time, more aware of what I want to communicate with my work.

What elements do you consider key to standing out in the current artistic hairdressing scene?

I think the most important thing is to achieve a perfect balance between the technical side and the creative side. It’s not just about making a beautiful or technically perfect hairstyle, but about generating an image that impacts from the very first second. Artistic hairdressing needs to move, surprise, and connect. It is also key to have a strong concept behind, something that guides the entire collection and gives it coherence. Authenticity, risk, and attention to detail make the difference.

How did the idea of developing Tears of the Sea, a collection created with the support of artificial intelligence, come about?

The idea came thanks to my photographer, David Arnal. He had already worked with AI in previous projects with other national artists and showed me some of those works. As soon as I saw them, I knew I wanted to try that possibility. I didn’t hesitate. I found it fascinating how artistic concept could be taken to another level, opening a door to a type of creation that was previously unimaginable to me. I felt it was time to take a risk, to innovate, and to take one step further.

What role did AI play in the creative process and how was it integrated with your manual work as a hairdresser? AI played a fundamental role. It allowed me to imagine without limits: from choosing the exact features of the models I wanted, to creating hair combinations impossible to achieve manually. It was like having a new tool in my creative arsenal. Still, I didn’t neglect my manual work: I worked a lot on practice dolls, sketches, and color tests. AI was the channel to visually bring all that preparation to life, but the foundation remained the technical knowledge of hair.

What tools or platforms did you use to generate the images or concepts for Tears of the Sea? First, it was a deep search for references on Google. We looked for types of jellyfish, colors, shapes, textures, physical features of the models… we needed to have a very clear aesthetic universe. Then I used practice dolls and my sketchbook to imagine the hairstyles. That first part was a very manual process. For the final technical part, David Arnal combined artificial intelligence with Photoshop to bring the images to life exactly as we had imagined them.

What was the biggest challenge in merging technology and artistic inspiration in this collection?

The biggest challenge was adapting hair within that digital universe. I was very clear that I wanted it to be obvious that it was a collection created with AI, but at the same time I didn’t want to lose coherence, elegance, and the beauty of hair art. Maintaining that balance was complex because AI can generate incredible images but sometimes very far from real technique. Achieving a final result that was powerful but believable was the hardest and also the most satisfying.

What perception do you think the professional public will have of this innovative proposal?

I suppose, as with everything, there will be different opinions. Some will see it as a disruptive tool, others perhaps with some resistance. But what I would love is for the professional public to understand the concept behind it: uniting human beauty beyond traditional standards with the grandeur of nature. For me, Tears of the Sea is an invitation to open the mind, to imagine new paths, and to understand that hairdressing can also evolve alongside technology without losing its artistic soul.

TEARS OF THE SEA

by Joel Ibáñez Maturana

Marine Metamorphosis

Tears of the Sea by Joel Ibáñez Maturana is a fascinating creative project that explores the theme of metamorphosis, blending the ethereal beauty of the ocean with the transformative power of artificial intelligence. The collection dives deeply into both the unconscious and the ocean’s depths, presenting a series of avant-garde looks where hair becomes the wings of a mythical marine creature.

Creative Concept

The central axis of the concept is metamorphosis: human hair ceases to be an extension of identity and transforms into a living, floating, and almost magical structure. Inspired by the undulating and translucent forms of marine fauna, the hair adopts organic silhouettes that appear suspended in water, evoking movement, fluidity, and a hypnotic beauty, as if drifting under ocean currents.

Visual Aesthetic

The hair comes alive with undulating, translucent, and bioluminescent textures, imitating aquatic species such as Aurelia aurita (moon jellyfish). The hair strands stretch and curve surrealistically, as if responding to invisible currents, giving the images a dreamlike and underwater air. The color palette is dominated by electric and aquatic tones: blues, fluorescent, pearl, and iridescent whites. These colors seem to glow from within, replicating the effect of marine bioluminescence.

Styling and Makeup

The body becomes a canvas that reflects the ocean, with skin adorned with sparkles emulating the reflection of light underwater. Makeup plays with points of light and transparency, enhancing the features without concealing them. The result is a look that evokes a mythological creature, suspended between fantasy and the ocean’s depths. A notable aspect of this collection is its inclusive approach to beauty Models were chosen with vitiligo and albinism, giving voice to different skin types and celebrating the full diversity of human beauty.

Credits/ Créditos

Art Director: Joel Ibáñez Maturana @joelcastellbisbal @joelhairartistoficial Image: David Arnal @davidarnalteam - Communication : Óscar Martínez @oscarmr76

Gabriella

PART 2

Model: Gabriella Magniez @gxbxxy

Photo: DA-FOCUS @DAFOCUS06

Stylisme: DA-FOCUS

Assistant: @maf.regards

Photography Van Poucke Peter

I'm a photographer based in Belguim. My main focus Studio, Location, Fashion, Portrait, Events, Party, product,etc..

I often use the tools of modern photography and different styles, digital enhancement to try to capture the vision i have in an image at the moment I tripped the camera's shutter

I started my photography adventure 15 years ago since then I've been into photography none stop and its pretty much taken over my life.

I have a great passion for photography and couldn't imagine doing anything else with my life.

http://hobbyfotograaf.be http://modellenland.com

Modellenland Magazine “a one-man operation” 10 years celebration

It started as a joke and now people from 170 different countries read Modellenland Magazine. The magazine is a stage for photographers, models and artists that have something to do with fashion and music.

In this interview Peter tells us more about his magazine, which he creates all by himself

Can you tell us something about yourself?

My name is Peter van Poucke and I live in Belgium. I went to cooking school and I worked in the horeca industry for 25 years. 15 years ago, I started photography as a hobby and I still love doing it.’’

When did you start Modellenland Magazine?

‘’I actually started the magazine 10 years ago as a joke. My photographs were published in many online magazines at the time and that is how I came up with the idea to create one myself. I invited some friends to be in the magazine and that is how the first issue arose.

I didn’t expect it, but I received many submissions after the first issue.

That is why I continued creating the Modellenland Magazine. Before I knew it, the magazine became international and now I already published 480 issues. Bear in mind that the magazine is a oneman operation :).’’

What is Modellenland Magazine about?

‘’Modellenland is something unique, it’s a stage for photographers and models and all artists that have something to do with fashion and music. It is a platform where I let artists speak by interviewing them. At the moment, people from 170 different countries read the magazine. People can download and read the magazine for free online.’’

Pure: Creativity Without Limits

The Hair Salon as a Learning Environment in Early Childhood Education

The Origin: Inspiration for the Pure Collection

Núria Carmen Rodríguez's Bachelor's Final Project had its beginnings long before she could have imagined. During her final year, she had the opportunity to carry out her second internship at the El Blauet Municipal Nursery School, a space where she was able to develop a learning situation that allowed her to explore and express her artistic and creative side in designing pedagogical proposals.

At El Blauet, the educational approach was based on learning environments, with symbolic play as a central axis. During her stay, Núria worked in the Communication and "Playing Pretend" environments, which included spaces such as restaurant play and storytelling. Throughout her experience, she was able to observe in detail the behavior and preferences of the children in the group (I2), a large and diverse set of 34 infants. Among her most significant discoveries, she noticed that many of them showed a special interest in styling their own hair and that of their peers, looking at themselves in the mirror, and using hair accessories.

This finding was key to motivating her to develop her project, as she saw in these interactions an opportunity to design a learning space based on the hair salon. Inspired both by her observations of the children and her own family environment, she decided to delve into the relationship between children's creativity and the art of hairdressing, seeking new ways to integrate these worlds into the educational field.

From Children's Inspiration to Reality with AI

Remembering the book The City of Children by Francesco Tonucci, which she had read in her first year of university, she connected these proposals with the idea of involving children in designing their environment. This led her to ask: Could these creations of hair dyes and cuts be combined and applied in real-world hair salons?

To answer this question, she decided to use artificial intelligence as a tool to integrate the children’s creative ideas into society. Her goal for the Bachelor's Final Project is to design a hairdressing collection that fuses children's creations into four visual proposals applicable in the real world. In this way, not only will their ideas gain visibility, but it will also demonstrate how AI can serve to expand children's creativity and translate it into reality — in this case, the art of hairdressing.

Pure: A Hair Salon Turned Learning Space

The Pure project demonstrates how hairdressing can become an innovative learning space in early childhood education. Based on the observation of children's interests and a personal connection with the world of hairdressing, a space was designed that fosters holistic development through symbolic play and creativity.

The implemented pedagogical proposals not only allowed children to experiment with color and form but also gave them the opportunity to explore their artistic and communicative expression in a playful environment. Moreover, the integration of artificial intelligence in the process enabled their creations to go beyond the classroom, showing that children's ideas can transcend and find real-world applications.

This Final Project not only highlights the value of children's creativity in education but also opens the door to new forms of collaboration between education, art, and technology. Ultimately, Pure is a testament to how hairdressing can be a medium for enhancing expression, imagination, and innovation from early childhood.

Credits: Núria Carmen – Creative Director David Arnal – Photography Editor and Creative Lead.

The Hair Salon as a Learning Scenario

Following this observation, a hair salon space was implemented, with the conviction that this proposal could foster meaningful learning in alignment with the curriculum for the first cycle of early childhood education. This initiative allowed the children to work on different areas of development, such as:

• Body, movement, and autonomy: Sensorimotor exploration and development of manipulative skills.

• Emotional development: Expression of emotions, feelings, and sensations.

• Intent and elements of communicative interaction: Using the body as a means of communication and expression.

• Language and artistic expression: Sensory perception of environmental elements and exploration of materials and artistic techniques.

A Personal Bond with Hairdressing:

Another motivating factor behind this choice was her family environment. For a year, she had been living with her in-laws, who were passionate hairdressers. Working with them allowed her to learn how hairdressing could merge creativity, art, science, and even psychology. Their knowledge and collections were a constant source of inspiration. Innovative Proposals

and Their Outcomes

During the implementation of the hair salon in the classroom, the children enjoyed various activities, but two in particular had a significant impact:

1. Dyeing wool with natural dyes on polystyrene heads: The children experimented with colors as if they were applying real dyes.

2. Cutting playdough stuck to polystyrene heads: They simulated the process of cutting hair, developing precision and creativity

In both proposals, the children showed active listening, initiative, engagement, and a lot of creativity. Upon reflecting on the outcomes, they were considered innovative and with great potential for application in real hair salons.

Credits: Núria Carmen – Creative Director David Arnal – Photography Editor and Creative Lead