Z5P10

PO R T F O L I O ARCHITECTURE ARC 3001 ARCHITECTUAL DESIGN 3.1

F U KWO N G F RAN KY C HOY

1 60734 368

C O NT E NT S PAGE RITUALS 3

ILLUSTRATED REFLECTIVE REPORT TRADITIONAL JAPANESE YATAI (STREET FOOD STALL)

7 CHARRETTE 11 30

PROJECT PRIMER PROJECT STAGING STREET FOOD STALL DESIGN TRASFORMATION

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PROJECT REALISATION

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PROJECT SYNTHESIS

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ILLUSTRATED CULTURAL BIBLIOGRAPHY BIBLIOGRAPHY/ REFERENCES

S U M M A RY / R E F L E C T I O N / G R A D U AT I O N P R O J E C T

Marketplace and Ritual

I L L U ST R AT E D REFLECTIVE R E P O RT

Ritual and architecture are always contrasting one another in terms of symbol and practicality. Sense of ritual symbolises the repetition of the social norms.

In general, it is supported by the behaviour and agreements among a social group and culture. Practices and beliefs reinforce the concept of ritual, which reflect the shared ideas and rules in culture and crafting. Ritual is implicated and occurred in a specific location and space where becomes the functionality and symbol of architecture.

The architectural space and spatial qualities are dominated by the details and meaning of the ritual or crafting. Similarly, the usage and experience of people who believe in the ritual are critical in thinking of the relationship. The reaction and behaviour of the users in the designed space reflect the ritual while they interact with the architecture. The interaction between buildings and programme also celebrate the ritual in term of the experience. The programme means the summary of functions and social contents which are considered at the beginning of the design process.

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A market is a place for business and a festival which differentiates from the department store and supermarket. The uncertainty of the market experiences creates surprise and dynamic. The circulation and spatial elements are particularly crucial in the discovery of ritual and senses. It also embraces the concepts of localism, consumption and local farming sustainability. Local fresh food market provides affordable and healthy products to marginalised communities. In particular, the farmers’ market is a beneficial resource in a city which contributes to local health and business consumption.

Market influences a wide range of issues such as environmental sustainability, food security, urban renewal, and tourism. Therefore, critical urban planning and design of the market determine the spatial, social infrastructure of the citizen and city. This means that city social issues and the ritual of the market should be considered in the design process. Ritual of the market is the mixtures of sense, experiences and interaction between sellers and users. The sense of sight, smell, sound, taste and touch also reflect the experience of the market.

Graduation Project The project is an indoor market building and healthy eating educational centre. The idea and concept are inspired by the long history of the weekend market in Blyth market square and the opportunities for local farm and seafood products. The project aims to promote healthy cooking, eating, and local fresh food business, which provide more shopping choices other than the supermarkets. It also functions as a social and educational place in the city centre.

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In project primer, the work discovers the ritual of Japanese street food stall named “Yatai� that involves lots of interlocking and sliding elements. The transformation of the mobile food stall inspires the concept of folding and sliding, which become one of the main ideas throughout the project. Based on the traditional Yatai, the mobile food stall was redesign into a more compacted form with more implication of interlocking elements.

Project staging focuses on site analysis and understanding of the ritual of the Blyth market. Site analysis, such as pedestrian circulation and sun orientation, helps to develop the form and placement of the market building. The form developments are oriented by the structure grid to create an organised installation in the fusion of the market.

In the Realisation stage, the project targets the interior organisation and the facade of this monumental building. The form develops around the structural grid and permeability of the indoor market. To connect the programmes, a greenhouse was added to the design. It finalises the concept of healthy living as well as the relation between the two building blocks. The glass block in the centre creates a different dynamic to the facade and interior spaces.

In terms of project synthesis, there is the consideration of the interior experience and inhabitation. The change of the massive structure of the permanent market hall produces a contrast with the light glass structure of the temporary market and night-time food court. The design also emphasises on the craft of the sliding and pivot door. These elements provide transformation and permeability for the building to ensure various situation and weather in Blyth. The indoor market building enhances the market experience of the current weekend market with a better system and maintains the local fresh food business.

The monumental project serves a range of programme which benefit the

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health and social of the community.

Personal Reflection For stage 3 architecture learning, I have learned so much about design, model making, photography, as well as time management. Most importantly, I have learned about making decisions and having your stand towards architecture.

This has been one of the most physically and mentally challenge I have been faced with. I am genuinely grateful that I have been able to experience and overcome all these unexpected events this year.

During stage 2 and the start of stage 3, I had a rough time on presenting my idea for my design ideas during reviews and submissions, which reflects on my grade. To be honest, I was struggling and depress for why couldn’t the hard work pay off and really questioning if architecture and design were for me.

After a couple rough nights and reflection, I quickly realised that I wanted to make the best of the situation, and try everything I could to solve these problems. Even though I was upset, and it was not what I was expecting, I get interesting ideas and techniques through tutorial and Youtube, which are surprisingly helpful. I started to have some fun while doing my project with confident for my outputs. The tasks given in the studio were not too demanding. However, there is too much decision and thinking to be considered in the design work. Everything has a specific spot, function, and reason for being that way.

In design, It is what you have to figure out. This year have really taught me how to make the right decision and for the most part, how to inhabit and celebrate your ideas and architecture.

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E M OT I O N A L H I G H ST R E E T

CHARRETTE

Our Charrette topic is the emotional highstreet which was mainly focused on emotion and feelings towards the brandings and shops. Starting with a talk about the business model of branding and architecture firms, we have more understandings of the topic and how company promote their brand that reflects different feelings and emotions on people. In Day 1, we were allocated in pairs to research and feel about a brand around Newcastle.

Then, we had to produce a typography design to express two feelings about the brand.

The brand “LUSH” is a bath soap store where the first impression is the intense smell of the bath soap smell mixtures. Therefore, we think it is quite “intense”. Moreover, the soaps are in different forms, shapes, and colour, which is “playful” in the sense that the colours remind me of the toys.

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In Day 2, we started with a game of guessing emotion words through acting and drawing. It became harder when there was more restriction, such as the stickman ban and requirements that act out the words. The challenging game taught us how difficult it could be to produce space only through the material to describe the feelings. We then make lots of sketch models to represent our brand and space.

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CHARRETTE

In Day 3, 4, and 5, we made our final spacial model based on the sketches and models. The word “playful” was the theme of our shop LUSH. The bathing duck, Lego toy cross, and irregular forms were the things that we wanted to add into our colourful work. The 3d-origami was a challenging task which there were lots of folding steps before the output form. The final presentation was to combine all the works and formed a street called “emotional valley.” The street of shops included different representation of emotions and brandings. Each of the shops got their unique spatial quality and form, which made the road colourful and dramatic. In summary, the Charrette “emotional highstreet” was a chance to reveal and feel the brand’s intention atmosphere, so that to trigger our interpretations and feelings towards the brand and represent it by a spatial method.

CHARRETTE

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CHARRETTE

R I T U A L / S M A L L SC A L E I NT E R V E NT I O N / B LY T H / T E A C E R E M O NY / F O O D YATA I

PROJECT PRIMER

The Ritual studio requires us to design a small scale non-insulated structure design based on a Blyth ritual.

This small scale intervention should be an adaptation or interpretation of the Japanese tea ceremony. By studying the Japanese tea ceremony, the student understands more about the purpose and meaning of ritual in order to discover other rituals which we are interested in Blyth.

Sensory (sight, hearing, tasting, moving, smelling and touching) is also involved in the ritual which there are lots to discover.

For the primer project, the intervention focuses on the traditional Japanese street food stall “Yatai�. The design is a compacted mobile street food stall in Blyth. It consists of interlocking and transforming elements which reference the traditional Yatai.

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SITE BISIT: BLYTH Blyth is a town in southeast Northumberland, England. It lies on the coast and is approximately 21 km northeast of Newcastle upon Tyne. The primary industries which helped the town prosper were coal mining and shipbuilding, with the salt trade, fishing and the railways also playing an important role. These industries have largely vanished, but the port still thrives, shipping paper and pulp from Scandinavia for the newspaper industries of England and Scotland.

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PROJECT PRIMER

PROJECT PRIMER

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SITE 3

SITE 2 SITE 1

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PROJECT PRIMER

SITE 1 ANALYSIS & SEATING The individual Primer ritual intervention located in Blyth, it can be a tearoom, or other structures of rituals (coffee shop, ferry waiting structure in the harbour). In order to select one of the three sites (site 1: market space, site 2: bus stop, site 3: coastal area), we separated into different group to analyse the site. In particular, site 1 is a space in the city centre, and commercial buildings surround it. However, the site was renewed in 2009, and it provides a newly surfaced market square with tree planting, seating, a water feature and lighting. The placement of the items is in order and the seating also in the same measurement scale.

PROJECT PRIMER

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JOINERY WORKSHOP We learnt about the Japanese wood joints in timber building from the joinery workshop. The trial of making a timber joint are memorable that we use different methods and tools to join timber together.

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PROJECT PRIMER

SITE SPATIAL QUALITIES & INITIAL IDEA We created models based on the site spatial qualities and the initial idea of the site. The qualities that I pick up for site 1 are order and path which I created a box with a restricted path inside. Besides, the initial idea the ritual of the tea ceremony is layering, because of the Tatami mat inside the tea house.

PROJECT PRIMER

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NEWCASTLE GRANGER MARKET SKETCH - 18 -

PROJECT PRIMER

RITUAL: YATAI MOBILE STREET FOOD STALL TRANSFORMATION & FOLDING YATAI STREET FOOD STALL & BLYTH MARKET For the individual work, I explore the ritual of the street food stall. Therefore I redesigned the traditional Japanese street food stall, Yatai. Mobile street food stall is quite common in Japan, where the Yatai construction consists of folding techniques.

PROJECT PRIMER

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FOLDING & INTERLOCKING JOINTS & DETAILS The design is a revision of traditional Japanese mobile food stall, Yatai (ĺą‹ĺ?°). Traditional Yatai serves street food such as Ramen and Yakitori, mainly at night from 7 pm to 3 am. The primer focuses on the ritual of crafting and storage of the mobile food cart and how it interacts with the site. The revision is a simplicity design about compacted form and interlocking joinery details.

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PROJECT PRIMER

PROJECT PRIMER

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GROUP SITE ANALYSIS & SECTION Primer is consist of the design of a ritual intervention and also a group site section. For the group work, we struggle at the beginning, which is challenging to create a uniform style site for section and site analysis.

However, after some meetings and discussions, we separated the workloads and created a large section and site analysis with six a1 papers.

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PROJECT PRIMER

TRADITIONAL JAPANESE YATAI (STREET FOOD STALL)

STREET FOOD STALL DESIGN TRASFORMATION

PROJECT PRIMER

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SITE 1 PLAN 1 : 1000 - 24 -

PROJECT PRIMER

SECTION & PLAN The street food stall locates on site one in the city centre beside the traffic road. Site 1 has the highest population density in the three sites. It is most suitable for centralising people at night.

SECTION 1:20 PROJECT PRIMER

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MODELS & TRANSFORMATION The Yatai model shows how the street food stall transforms from a compacted form. The compacted form is for better storage when un-used. The transformation makes use of the technique that we learnt in the joinery workshop, which is the interlocking and sliding elements.

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PROJECT PRIMER

In summary, the intervention references elements from the traditional Japanese Yatai and have a simple and compacted form. With the details of joinery and interlocking technique, the design becomes unique and minimal in the sense of architectural quality.

PROJECT PRIMER

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PROJECT PRIMER

YATAI TRANSFORMATION PROCEDURES FOLDING/ SLIDING ELEMENTS

PROJECT PRIMER

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PROJECT STA G I N G

S I T E A N A LYS I S / P R E C E D E NT ST U DY / M A S S I N G

After developing spatial themes and site strategies from this intervention, we continue to design a ritual and craft-based facility for contemporary Blyth. The graduation project needs to promote a Blyth tradition.

Further site analysis is required to find out the local industry and rituals. With the precedent studies, we develop the massing and the basic programme of the architecture in Blyth.

PRIMER TO STAGING Primer project develops the initial idea of rituals and Staging is to continue the development of it. Therefore, the ritual of the design project become the market experience from the street food stall. Food stall can be part of the market culture and ritual so that the project will further discover the elements. The reason for choosing the ritual of Blyth market is that the site already has a long history of market culture.

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CURRENT BLYTH MARKET

Setting time: approx. 20-30 minutes Products: BRIC-A-BRAC, CAKES,

Number of stalls in regular Saturday

CLOTHING, PLANTS, TEXTILES, PET

market: 9 – 22 stalls (the frequency

SUPPLIES, HANDMADE ARTWORK

of traders not guaranteed due to weather and stock availability)

OTHER USERS

Area: approx. 1350m2

Users: Pedestrian and Local

Set up: Market stall canopy booth or

Function: Passing through, sitting

Food truck (Linear formation)

and resting (Daytime)

Figure 1: Blyth Market Square photos (downloaded from http://www.blythmarket.co.uk/index.php) PROJECT STAGING

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BLYTH POPULATION Blyth average population health is below the UK average standard. Moreover, the obesity problem is acute in Blyth community. Therefore, the project is to create more shopping choices for healthy cooking and eating. A healthy eating educational centre is also needed in this community, Current local health care: Blyth community hospital Local farm product & seafood providers: The Blagdon Farm Shop, Hillheads Farm shop, Hartley Main Farms Ltd, North East Organic Growers Ltd, Moorhouse Farm Shop, Premier Meats, Blyth Fish

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PROJECT STAGING

BLYTH MARKET HISTORY Blyth has had a market in the town since the late 1700s.

During 2007 work began on upgrading the market square which was completed in 2009 providing a newly surfaced market square complete with tree planting, seating, a water feature and lighting.

Saturdays are the busiest of the two official market days in the town with regular traders coming from across the region to sell their goods. From new and second-hand books, bedding plants, craft goods, haberdashery to confectionary and meats Blyth Market is still one of the key focus points of the town. In conjunction with Keel Row Shopping Centre, Blyth artisans market will hold once a month. There will be space available both on the market place stall and also limited space inside the Keel Row. Figure 2: Blyth Market Square historical photos (downloaded from https://www.chroniclelive.co.uk/news/gallery/blyth-northumberland-recalled-15-old-11242682) PROJECT STAGING

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1890

1930

1920

1960

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PROJECT STAGING

SUPERMARKETS

SITE ANALYSIS COMMERCIAL AREA RESIDENTIAL AREA

The site locates in the city centre beside the coastal.

Commercial buildings and shopping centres surround

SECONDARY ROAD PRIMARY TRAFFIC ROUTE PEDESTRIAN ROUTE SITE MARKET PLACE COASTAL AREA

the space. So, it is convenient to travel to the site and to shop around the area. There are two supermarkets around the area, but there is no fresh food market (fishes, fruits, vegetables) in the community. The residential area locates around the commercial area.

PROJECT STAGING

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SUPERMARKETS

COMMERCIAL AREA RESIDENTIAL AREA

SECONDARY ROAD PRIMARY TRAFFIC ROUTE PEDESTRIAN ROUTE SITE MARKET PLACE COASTAL AREA

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PROJECT STAGING

CONCEPT OF INDOOR MARKET

PROJECT STAGING

INDOOR SHELTER The covered area has a better market experience and weather protection

CENTRALISED PATH Clear path and direction organise the circulation

UNIQUE LOCAL STYLE & DECORATIONS

LOCAL BUSINESS/ TRADE Traditional and product specification is essential for local trading

TARGET AGE GROUP/BUYER Blyth mean age: 42.8 years old

TOURISM & CULTURAL ATTRACTION Create a landmark to attract tourists

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PRECEDENT STUDY: Östermalm’s Temporary Market Hall With the erection of a temporary Market Hall, It required a sense of quality suitable to the local context and the historic Market Hall while using lightweight, cost-efficient and sustainable materials befitting the temporary nature of the building.

Figure 3: Östermalm’s Temporary Market Hall plan & photos (downloaded from https://www.archdaily.com/788616/ostermalms-temporary-market-hall-tengbom) - 38 -

PROJECT STAGING

INITIAL CONCEPTS & DESIGN The first idea is a market building like a pavilion which structure in the centre. Then, the glass facade and sliding timber frame can be placed around the building without loads. The circulation is simple as a cross which connects with the site. There are two levels; the ground floor is mainly traditional stores, and the first floor is restaurants on top.

PROJECT STAGING

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CIRCULATION & PATHS The massing design form is according to the pedestrian path through the site. The buildings centralise the open space into a restricted path. There is indoor, covered, and outdoor market space for different purpose and functions.

Sliding and transformation elements will develop later in the design, which changes the form.

VIEWS There is the level difference to create a better view of the rooftop. The building also directs views around the site and even to the coast.

OUTDOOR MARKET & UNDERGROUND STALL STORAGE The compacted food stall design in Primer utilised the space which it stored underground when it is un-used. It also opens up lots of space for regular pedestrian route and market space at the same time.

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PROJECT STAGING

DESIGN VERSION 01

PROJECT STAGING

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Precedent Study: Wakefield Market Hall A new market hall in Wakefield was forming part of a regeneration of the Trinity Walk and Marsh Way area close to the town centre. The market consists of three halls which are related to one another by a flat roof supported on a steel frame and, with this plane as the dominant reference, the halls define two external spaces.

Each hall has different proportions, and distinctive materiality and the experience of moving between several entirely and partially enclosed spaces is one of continuous change and contrast.

Figure 4: Wakefield Market Hall photos (downloaded from https://www.archdaily.com/214081/wakefield-market-hall-adjaye-assocates)

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PROJECT STAGING

PROJECT STAGING

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PROJECT STAGING

The site analysis mapping shows the building functions around the site, which identify the opportunity of the location beside a shopping mall in the commercial area.

It also illustrates the pedestrian circulation for better organisation of forms. With the site analysis, the circulation and context generate the diversity of forms and ideas.

The design makes use of the original pedestrian path as the primary forms. In summary, site mapping analyses the context opportunity and constraints in order to generate contextualised forms and ideas.

PROJECT STAGING

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PROJECT STAGING

DESIGN VERSION 02

PROJECT STAGING

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PROJECT STAGING

F O R M & O R G A N S AT I O N / DIAGRAM/ MASSING & M O D E L / S PAT I A L Q U A L I T Y

PROJECT R E A L I S AT I O N

In project realisation, we finalise the programme brief and functional usages. The site analysis from staging helps us to develop our programme as well as the massing forms. The massing establishes through consistent redraw of plan, section and diagrams. The market building is a market for local business and a health education centre in Blyth.

In particular, diagrams show the core concepts of the design, which are the structural grid formation and the connection between functions. There are diverse transformation elements in the building which cater to different situation and services.

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PROGRAMME AIMS: 1. LOCAL FRESH FOOD MARKET 2. HEALTH EDUCATIONAL KITCHEN/ CENTRE 3. LOCAL BUSINESS OFFICE MAIN CONCEPTS: STRUCTURAL GRID ORGANISATION CONNECTION BETWEEN FUNCTIONS (VERTICAL & HORIZONTAL) TRANSFORMATIONAL ELEMENTS (SLIDING & PIVOT DOORS) RITUAL: MARKET EXPERIENCE (LOCAL SOURCED FOOD) RELATION TO HEALTHY EATING/ COOKING

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PROJECT REALISATION

FORM DEVELOPMENT DIAGRAMS

Public Educational Kitchen Market Stalls & Storages Essentials: Stairs, Lift, Toilets

PROJECT REALISATION

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DESIGN VERSION 03

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PROJECT REALISATION

With the programme (market and health educational building), the functional spaces generate a system and the building form. Then, the forms influenced by the precedent studies and relation with the site. Notably, the precedent of Östermalm’s temporary market hall in Sweden prominently inspired the spatial organisation of the design. With the change in spatial organisation, diagrams of the forms and essential functional spaces reflect the core ideas of circulation pathing and connection between the market and educational spaces. The three-dimensional massing model also displays the arrangement of forms and elements.

PROJECT REALISATION

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FLOOR PLAN G/F

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PROJECT REALISATION

FLOOR PLAN 1/F

PROJECT REALISATION

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FLOOR PLAN 2/F

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PROJECT REALISATION

FLOOR PLANS

PROJECT REALISATION

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SECTION

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PROJECT REALISATION

PROJECT REALISATION

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PROJECT REALISATION

PROJECT REALISATION

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INTERIOR SPACES SKETCHES

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PROJECT REALISATION

THINKING THROUGH MAKING TIMBER JOINERY ROOF PATTERN & EXPERIMENT

The relation between architecture and ritual are the space and usage of the building. The architectural space and spatial qualities are dominated by the details and meaning of the ritual. Therefore, the position, scales, and details need to be considered by the scale drawings and detailed descriptions. Similarly, the usage by the people who believe in the ritual is critical in thinking of the relation. The reaction and behaviour of the users in the designed space reflect the ritual while they interact with the architecture. The interaction between buildings and ritual relates to the building programme. The programme means the summary of functions and social contents which are considered at the beginning of the design process.

PROJECT REALISATION

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PROJECT SY NT H E S I S For the project synthesis, the stage focuses on the interior experience and inhabitation of the market design. The use of massive structure produces a contrast with the glass facade with the light structure of the temporary market (night-time food court). The design also emphasises on the transformative elements such as the sliding and pivot door. These elements provide flexibility and permeability for the building to ensure various situation and weather in Blyth. The indoor market enhances the market experience of the current weekend market with a better system and provides opportunities for the local farm and seafood product. The monumental project serves a range of programme which benefit the health and social of the community.

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I N H A B I TAT I O N / S PAT I A L Q U A L I T Y / C R A FT I N G / T R A N S F O R M AT I V E E L E M E NT S

DESIGN VERSION 04

From the realisation stage, greenery and glasshouse become one of the core ideas to connect the programme of a fresh food market and healthy eating educational centre. Planting and self-grown farm product contribute to the social and health of the community. The greenhouse becomes the centre of the building to link the two blocks together as a whole.

PROJECT SYNTHESIS

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FLOOR PLAN G/F

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PROJECT SYNTHESIS

FLOOR PLAN 1/F

PROJECT SYNTHESIS

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FLOOR PLAN 2/F

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PROJECT SYNTHESIS

SECTION

PROJECT SYNTHESIS

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TECHNICAL SECTION

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PROJECT SYNTHESIS

EAST & SOUTH ELEVATION

PROJECT SYNTHESIS

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STRUCTURAL SKELETON

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PROJECT SYNTHESIS

DESIGN

FORM DEVELOPMENT DIAGRAMS

VERSION 05

Greenhouse pathway Market Stalls & Storages Essentials: Stairs, Lift, Toilets

After finishing the technical report, the design had slightly changed back into two blocks with a greenhouse pathway in the middle for better circulation. The glasshouse is hidden under the enormous flat roof with a walking path on top.

PROJECT SYNTHESIS

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STRUCTURE ORIENTATED MARKET BUILDING

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PROJECT SYNTHESIS

PROJECT SYNTHESIS

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BUILDING CIRCULATION

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PROJECT SYNTHESIS

FLOOR PLANS

PROJECT SYNTHESIS

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BUILDING SECTION

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PROJECT SYNTHESIS

PROJECT SYNTHESIS

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PROJECT SYNTHESIS

I N H A B I TAT I O N / P R O J E C T S U M M A RY PROJECT SYNTHESIS

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PROJECT SYNTHESIS

DESIGN FINAL VERSION 06

In the final stage of the graduation project, there was a change in adding a dense structure orientated block into the design to create a contrast with the original building block. The two languages create an exciting dynamic and display the craft of timber. The interior spaces were also re-organised for better circulation and functional systems.

There are more graphic displays to summarise and celebrate the whole year project. They also show the spatial qualities and facade of the indoor market as well as the health education centre. The details and craft of the building simulate the market ritual and experience.

PROJECT SYNTHESIS

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PROJECT SYNTHESIS

SITE 1 MARKET SQUARE

PROJECT SYNTHESIS

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USE ED EAL D UC TH IA A Y PL T E A IO AT Y N IN KI A G TC L C H EN EN T

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PROGRAMME

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PROJECT SYNTHESIS

PROJECT SYNTHESIS

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SC

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AC BT R SU

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FORM DEVELOPMENT/ DISPLAY

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FLOOR PLAN G/F

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PROJECT SYNTHESIS

FLOOR PLAN 1/F

PROJECT SYNTHESIS

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FLOOR PLAN 2/F

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PROJECT SYNTHESIS

SHADOW

PROJECT SYNTHESIS

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PROJECT SYNTHESIS

PERSPECTIVE SECTION

PROJECT SYNTHESIS

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PROJECT SYNTHESIS

INTERIOR SPATIAL QUALITY/ MARKET SPACE

PROJECT SYNTHESIS

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EXTERIOR RENDERING

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PROJECT SYNTHESIS

INTERIOR RENDERING MARKET STALLS COFFEE SHOP & READING SPACE DISPLAY KITCHEN

PROJECT SYNTHESIS

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FOLDING DOORWAY TRANSFORMATION

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PROJECT SYNTHESIS

FOLDING DOORWAY SEMI-CLOSED: WEATHER SITUATION/ LIGHTING FULLY OPEN DOORWAY: CONNECT TO EXTERIOR CLOSED

PROJECT SYNTHESIS

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PIVOT DOORWAY SEMI-CLOSED: WEATHER SITUATION/ LIGHTING FULLY OPEN DOORWAY (INWARD): CONNECT TO EXTERIOR CLOSED

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PROJECT SYNTHESIS

WO R K S H O P / E X H I B I T I O N / FIELD TRIP

I L L L U ST R AT E D C U LT U R A L BIBLIOGRAPHY

This year, there are lots of opportunities and experiences of both design techniques and precedent site seeing. It helps me to explore the possibilities of architecture as an art as well as a career. In particular, the timber joinery workshop inspires my design a lot and even became one of the core concepts through the project. Thinking through making allow us to experiment the materials strength and weakness, which also contribute to our understanding of the building details.

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NEWCASTLE CIVIC CENTRE VISIT

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ILLUSTRATED CULTURAL BIBLIOGRAPHY

TIMBER JOINERY WORKSHOP

ILLUSTRATED CULTURAL BIBLIOGRAPHY

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FINLAND FIELD TRIP

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ILLUSTRATED CULTURAL BIBLIOGRAPHY

BIBLIOGRAPHY Allen, Stan, Practice Architecture, Technique And Representation (Amsterdam: G+B Arts International, 2000), pp. 31-46, 163-178 Allen, Stan, Points + Lines (New York: Princeton Architectural Press, 2012), pp. 5, 15-19, 31, 74 ArchDaily. 2020. Östermalm’s Temporary Market Hall / Tengbom. [online] Available at: <https://www.archdaily.com/788616/ ostermalms-temporary-market-hall-tengbom> [Accessed 10 June 2020].

ArchDaily. 2020. Wakefield Market Hall / Adjaye Associates. [online] Available at: <https://www.archdaily.com/214081/wakefieldmarket-hall-adjaye-assocates> [Accessed 10 June 2020].

Blythmarket.co.uk. 2020. Blyth Market - The Original Supermarket In Northumberland. [online] Available at: <http://www.blythmarket. co.uk/index.php> [Accessed 10 June 2020].

Cosgrove, Denis, Mappings (London: Reaktion, 2011), p. 13 Hudson-NEC, G., 2020. Blyth In Northumberland Recalled In 15 Old Photographs. [online] nechronicle. Available at: <https://www. chroniclelive.co.uk/news/gallery/blyth-northumberland-recalled-15-old-11242682> [Accessed 10 June 2020].

Jones, Peter Blundell, Architecture And Ritual: How Buildings Shape Society (London: Bloomsbury Academic, 2016), pp. 9-11 Laseau, Paul, Graphic Thinking For Architects & Designers, 3rd edn (Canada: John Wiley & Sons, 2001), pp. 1-17, 84-118 Seale, Kirsten, MARKETS, PLACES, CITIES (Oxfordshire: ROUTLEDGE, 2016), pp. 1-2, 6-7, 84

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IMAGE REFERENCE FIGURE LIST: Figure 1: Blyth Market Square photos (downloaded from http://www.blythmarket.co.uk/index.php) Figure 2: Blyth Market Square historical photos (downloaded from https://www.chroniclelive.co.uk/news/gallery/blythnorthumberland-recalled-15-old-11242682) Figure 3: Östermalm’s Temporary Market Hall plan & photos (downloaded from https://www.archdaily.com/788616/ostermalmstemporary-market-hall-tengbom) Figure 4: Wakefield Market Hall photos (downloaded from https://www.archdaily.com/214081/wakefield-market-hall-adjayeassocates)

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ILLUSTRATED CULTURAL BIBLIOGRAPHY