Muhammad Iqbal Tawakal_Portfolio

PORTFOLIO | MUHAMMAD IQBAL TAWAKAL

Muhammad Iqbal Tawakal Email : tawakaliqbal@outlook.com Mobile : +49 176 68875917

Content Legacy and vision: The story of Pos Indonesia heritage development.

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A groundscraper: The Pertamina headquarter.

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Verticalism: The Astra Tower facade.

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Nature looping: Barilla Gallery & Research lab.

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Looking human behaviour in space through A.I. Ar

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Pe(t)riscope Experiencing the way your pet see human built environment.

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Ar Architecture Mx Mixed-Use Ur Urbanism

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All drawings (renders and schematic diagrams) in this portfolio have been done by myself unless otherwise stated.

Legacy and Vision : The Pos Indonesia Mixed-use Development.

Mixed-Use | Heritage | Office | Condominium | Commercial Pos Indonesia mixed-use is a project to re-visioning Pos Indonesia Jakarta Headquarter. Combining heritage building and modern development, the master plan consists of a new office tower with two high-rises residential and retail strips. The site is located in the heritage district of Sawah Besar, formerly named Weltvreden in the colonial ages.

Year: 2019 Status: Conceptual and schematic design Location: Jakarta, Indonesia Floor Area: 128.000 Sqm Type: Mixed-Use Building Role in the project: Lead architect, assist director & principal architect for conceptual designs. Responsible to manage architecture conceptual presentation with Adobe Suite. Managing drawing and 3D modelling with advanced SketchUp. Maintain the project calculation scale (GFA, FAR).

Condominium GFA: 55.000 sqm

Modern theatre GFA: 2200 sqm

Office tower GFA: 66.000 sqm

Old post office heritage building

Theatre heritage building Rendered by in-house Airmas Asri.

WELTVREDEN, A Colonial Legacy District

Designed and used by Dutch governor Willem Daendels as a Colonial Government centre in 18 Century in the name of Weltvreden or The Well Area. The district was formerly used as a Dutch colonial government office complex and after Indonesia independence, mostly state-owned companies and ministries offices were located within the area. Within the heritage precinct, the development of the new mixed-use will be considered many factors related to the heritage and historical value.

Pasar Baru, a market area renowned for textile and fabrics.

Several Indian merchants families lived within the area since the 18th century.

The former post office is well known as Gedung Filateli built in 1901 by Dutch Architect, John van Hoytema

Santa Ursula Catholic School was built in 1880.

Jakarta Cathedral was built in the 15th Century.

Sit on the ruin of Old Batavia Fort was built by Dutch in the 16th century, Istiqlal Mosque has been stand over 5 decades since Soekarno initiate in 1960.

Masterplan

AutoCad + Adobe Photoshop

Jakarta theatre built in 1880 by order of Gov. Sir Thomas Stamford Raffles and the British Army used for comedy shows.

First Freemason Lodge in Batavia was built in 1881.

Currently converted as State Owned Company Office.

Connecting pedestrian axis from Waterloo Plain to the Pasar Baru canal.

Formerly named Waterloo Plain, initiated by Governor Sir Thomas Stamford Raffles, Nowadays is a monument palace, Lapangan Banteng (Irian Jaya Liberation Monument).

Used in 1882 by Gen. Willem Daendels as Dutch Governor of Java for Government office.

Currently, the heritage building converted to the Ministry of Finance HQ. The future proposal has been planed by the city council that the building will be converted into a museum.

City Visual Connection

Optimal views to surrounding heritage district

Connecting Nodes

Generates pedestrian paths between development.

Micro Open Space

Creates enclave micro human space for festive activities

Human Scale Facades

Shaping podium frontages on the human scale create a harmonious heritage district.

Green Urban Void

Contribute to the city green urban park and public spaces.

Enhancing plaza creating opportunities

Fig.1

The models run in Space Syntax analysis shows that making a plaza creates a possibility of agglomeration of people in between the heritage and new development. The open space plaza in the centre could distribute the opportunity for shops to grow in the inner space.

Equally distributed agglomeration of occupied space How to create equal opportunities for the commercial strip within the new development? The answer was to distribute the agglomeration of people occupied spaces and pedestrian movement equally. With the centre plaza within the precinct, pedestrians will distribute better to the surrounding precinct and equal opportunities for the commercial as in the corner plaza.

High Intensity A.I Steps.

Low Intensity A.I Steps.

Spatial analysis Space Syntax

Fig.2

North Promenade V_1 Occlusivity: 7529.95

North Promenade V_2

Amphitheater

South Promenade V_2

Central Plaza V_3

Occlusivity: 5155.63

Occlusivity: 5362.73

South Promenade V_1 Occlusivity: 7459.41

Occlusivity: 5010.49

Occlusivity: 7954.52

Central Plaza V_1

Central Plaza V_2

Park V_1

Park V_2

Occlusivity: 11264.13

Occlusivity: 6712.85

Occlusivity: 9206.69

Occlusivity: 7242.56

Indoor Corridor

Occlusivity: 8226.78

Office Outdoor Lobby Occlusivity:6422.43

Isovist Analysis

Rhino + Grasshopper

Art Deco Lobby

Built in 1901 by the Dutch architect, John van Hoytema, the Philatelic Building was used as a post office for downtown Batavia centred on Java’s main postal route. The building underwent several developments in different eras. It can be traced from the different frame materials that the front of the building uses a wooden frame from the 19th century while the back uses steel which was popular in the post-World War II era.

Grand Lobby

Vray + Adobe Photoshop

Space transition in-between old and new building

Services Office and Museum Lobby

Pedestrian promenade axis

Old and new cultural space Creating an in-between space between heritage building and new development aims to create a simultaneous communication between two-generation, shaping public understanding of the time era of architectural legacy. The space will provide an open space for cultural performance in an open-air amphitheatre and a public plaza.

Cultural Space

Lumion + Adobe Photosop

Respect The Heritage

Sound Echoes

Reflection

Pedestrian Connection

Keeping the new frontage building on the same street level to maintain the scale and harmony. Creating new spaces in between the heritage and the new theatre building.

A 500 sqm reflecting pond is designed as a reflecting element to emphasise the heritage theatre building. Moreover, reflecting pond as an element to reduce heat from the pavement and plaza in the midday.

Visual Nodes

The new theatre building mass stretched on each opposite corner, responded to the two activities nodes, The public plaza in front of the heritage theatre and the central plaza in the development.

The new theatre building is shaped in a curvy form inspired by the Roman amphitheatre. The concave parabolic form can improve the sound by reflecting sound waves to the centre.

Shaping pedestrian connection axis to enhance wayfinding and urban pathway within new precinct, connected inner plaza to the surrounding heritage district.

Cultural Hub

The new development has potential for a cultural hub with the new modern theatre and amphitheatre plaza supporting existing heritage theatre.

Siteplan

AutoCad + Adobe Photoshop

North - South Communal Garden Type A Condominium Plan

North - South Communal Garden Type B Condominium Plan

East - West Communal Garden Type A Condominium Plan

East - West Communal Garden Type B Condominium Plan

2 Bedroom 1 Bedroom Ensuite Studio

Condominium Plan

AutoCad + Adobe Photoshop

A groundscraper: The Pertamina Headquarter Office | Headquarters | Closed Competition | 2nd Winner Pertamina Headquarters is a project to design headquarter of the Indonesian energy company, Pertamina. The concept is a ground scraper, a horizontal building that arises from the floor requirements while the heights are restricted to 21 storeys and respond to the heritage building in the street side. The new building stands on the same former building footprint but with a plaza in the centre as an open square.

Year: 2019 Status: Conceptual Design, Closed Competition 2nd Position Location: Jakarta, Indonesia Type: Office headquarter.

My Role in the project: Successfully propose conceptual ideas and assist the principal architect in terms of building form. Responsible for preparing a conceptual document with Advance 3d modelling and Adobe CS. Responsible for managing 3D models with a junior architect.

Maintain FAR and GFA requierement achivable.

Rendered by Frontop CGI

Center Innercourt

The Centre inner court will break the bulky mass due to optimising the GFA requirements.

Scale Adjustment

The building height in the entrance plaza adjusted to the human scale height, creating a hill scape.

Axis View Orientation

The building was shaped into two-axis orientations, A view towards the national monument and towards the heritage building.

Framing the View

A void in a building to give view orientation towards the Istiqlal Mosque.

The void was a symbolical philosophy that connected imaginary line between Jakarta Church and Grand Mosque.

The Green Hill

Green landscape urban farming formed on the sloped rooftop which continues green landscape from the surrounding environment.

Human Oriented Plaza

Circulation between pedestrians and vehicles are separated and avoid crossing.

High Intensity A.I Steps.

Low Intensity A.I Steps.

Collaboration Pod & Breakout Room Type1 Outdoor Terrace

Core Zone 1

Collaboration Pod

Collaboration Space Creating Interdisciplinary Communication.

Based on Space Syntax agent analysis, several spots on a typical office floor have user agglomeration steps. Those spaces are suitable for gathering and less privacy which potentially to shaping collaboration spaces connecting interdivision in one typical office floor.

Collaboration Pod & Breakout Room Type 2 Core Zone 2

High Intensity User Movement Core Zone 3

Core Zone 4

Collaboration Pod Core Zone 5 Executive Lounge Executive Room

Low-Intensity user movement and high privacy.

This space is suitable for executives.

Collaboration Pod

Spatial Diagram Analysis Depthmap X + SketchUp

Pertamina Headquarters courtyard Handsketching + Digital Painting

Verticalism: The Astra Tower facade.

Office | Headquarters | Facade Design | Design Development Astra Office Tower is located in the south of Jakarta Simatupang corridor, a new emerging CBD in Jakarta. This 30-storeys office tower is a new extension of Astraland property combining the existing office tower and new development within the site formed as a Mixed-use complex. The facade of the office tower is mainly concerned with how to tackle heat from east-west sun directions.

The concept is to propose 55:45 per cent of solid glass composition while maintaining the depth to create shadow and expression.

2019, Astra Office Tower Jakarta Status: Design Development Location: Jakarta, Indonesia Floor Area: 43,682 Sqm Building type: Office Tower Role in the project: As a support architect in team with responsible for building layout and facade design. Successfully support and propose facade design development. Developing 3D architectural model with advance SketchUp and AutoCad.

Rendered by in-house Airmas Asri.

Rendered by in-house Airmas Asri

High Zone

Low Zone

18 Office Floors Total GFA 34,416 sqm

2 MEP Floors

3 Retail Floors Total GFA 9,266 sqm

Office Lobby, Retails, & Car Showrooms

3 Basement Parking.

Astra Tower Conceptual Diagrams SketchUp + Adobe Photoshop

Astra Tower Facade Orientation Diagram Rhinoceros Ladybug + Adobe Photoshop

55 : 45

Astra Tower

SketchUp + Adobe Photoshop

Astra Tower Siteplan

AutoCad + Adobe Photoshop

Nature Looping: Barilla gallery & research lab.

Office | Research Lab | Competition Entry This project is a proposal for the Barilla Pavilion competition in Parma, Italy. The concept was inspired by the Barilla tagline “Good food, Good for the planet” which shows the minimalise land destruction. The building has a loop circulation with undulating shapes.

2018, Barilla Showroom & Gallery Open Competition Status: Competition Entry Location: Parma, Italy Team: Me (Leader) Huiying Jiang Bayu Rizki

Barilla Gallery

SketchUp + Vray + Adobe Photoshop

Antithesis Barilla Pavilion diagram

SketchUp + Adobe Photoshop

Surrounding forces

Flying from ground

Green slope

Barilla Gallery

SketchUp + Vray + Adobe Photoshop

Co-work Spa

High Intensity A.I Steps.

Low Intensity A.I Steps.

Research Center

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1 Barilla Gallery

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The Ba

Interior Spatial Analysis SketchUp + Depthmap X

king ace Lab

Visitor Viewing Deck Planter Box

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Research Lab

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Seating Area

Sloping Ramp

eater arilla Amphiteater

Private Meeting Pod

Visitor Pathway

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Meeting Room

Lounge

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Indoor Barley Fields

Visitor Pathway Cafe

Restaurant

Interior Spatial Analysis

Space Syntax Visual Graph Analysis and Agent Analysis forecasting the user movement possibilities based on spatial layout. The hotter colour indicates that space is more integrated and drive user movement that can be suitable for gathering space or gallery. The colder colour means spaces that are more secluded and higher in privacy suitable for a research lab and executive office.

Project dissertation illustration Depthmap X + Adobe Photoshop

ABSTRACT The research project comprises two studies i.e. comparative and case study, which seek the shared principles and the relation of geometry with visitor movement in the Serpentine Summer Pavilions as temporary exhibition space. Serpentine Summer Pavilion as an architecture laboratory has many spatial configuration and geometry since 2000. The comparative study compares 17 pavilions and the case study focused only on 2017 Serpentine’s Summer Pavilion with on-site observation. Utilising Space Syntax methodology along with observation in a real site, this research focuses on finding the pattern of spatial configuration among pavilion. Following the theory of Espace Synthetique by Davalon (2003), this research looks for the possibility of pavilions to become a participatory element with visitors.

It is shown from the comparative study of pavilions that several shared principles among pavilions emerged from specific variables. Moreover, by adopting Psarra’s (2009) idea of narrative and sequence in the spatial configuration of exhibition space, the present research looks at the possibility of changing visitor narrative affected by the pavilion presence. By the data resulted from Space Syntax and observation, the case study of 2017 Serpentine’s Summer Pavilion shows that pavilion has a strategy to distribute visitor movement from all entrances affecting the access of visitors to the Serpentine Gallery. Furthermore, the two studies found a range of architectural spatial codes on the site.

Looking Human Behaviour in Space Through A.I: The Serpentine’s Summer Pavilion Codes Status: (Distinction) Master Degree Dissertation The Barttlet School of Architecture, UCL Supervisor: Professor. Dr. Sophia Psarra

Spatial uniqueness arising from A.I spatial data

The analysis was made by visual graph analysis from Depthmap X Space Syntax based on pavilion plans. It aims to see the difference and shared principles among the pavilion spaces and to explore the character and language of spaces. The hotter colour indicates that the space ability to drive visitor movements while the cold colour shows less integrated and more secluded.

Data diagrams

Depthmap X + AutoCad

The analysis below was made by agent analysis A.I Space Syntax. The analysis shows the character of each pavilion in a response to creating user behaviour patterns. This is also related to the hotspot area, which is denser by the user occupying space. The hotter colour indicates that the high-intensity numbers of A.I pass the space than the cooler space which has less A.I movement.

The Pavilion Characters

Based on the Space Syntax Visual Graph analysis result, the research can define the pavilion character combined with Carls Jung theory of extrovert and introvert. The more integrated visually space means that the certain space, indicated by hotter colour, has a higher possibility of generating visitor movement towards the space shaping agglomeration of people. The less visually connected space generated less visitor movement, indicated with blue colour. The hypothesis will be connected to the extrovert and introvert theory which based on Jungs (1921) said that extroverts will gravitate their energy towards and gain much energy on encounter while the introvert will circle his inner energy and comfortable with the less encounter. This means that the higher integrated visually connected space creates a higher chance of encounter which suitable for extroverts character while the less visitor movement space suitable with introverts character.

2001 Daniel Libeskind Pavilion Extrovert: 60% Introvert: 40%

2000 Zaha Hadid Pavilion Extrovert: 40% Introvert: 60%

Rubic data diagrams

Adobe Photoshop + Depthmap X

2003 Oscar Niemeyer Pavilion Extrovert: 70% Introvert: 30%

2002 Toyo Ito Pavilion Extrovert: 70% Introvert: 30%

2006 OMA & Cecil Baldmon Pavilion Extrovert: 90% Introvert: 10%

2005 Álvaro Siza, and Eduardo Souto de Moura Pavilion Extrovert: 95% Introvert: 5%

2008 Frank Gehry Pa Extrovert: 95% Introvert: 5%

2007 Olafur Eliasson & Kjetil Thorsen Pavilion Extrovert: 55% Introvert: 45%

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avilion

2010 Jean Nouvel Pavilion Extrovert: 85% Introvert: 15%

009 SANAA Pavilion Extrovert: 50% Introvert: 50% Ambivert ?

2012 Herzog & De Meuron Pavilion Extrovert: 70% Introvert: 30%

2011 Renzo Piano Pavilion Extrovert: 30% Introvert: 70%

2014 Smiljan Radic Pavilion Extrovert: 60% Introvert: 40%

2013 Sou Fujimoto Pavilion Extrovert: 30% Introvert: 70%

2016 BIG Pavilion Extrovert: 80% Introvert: 20%

2015 Selgascano Pavilion Extrovert: 55% Introvert: 45%

2017 Francis Kere Pavilion Extrovert: 55% Introvert: 45%

The classification of pavilions by shape and geometric form.

Data diagram

Adobe Photoshop

The comparison for all pavilions by metric measured 2-dimension form.

Movement data diagrams

Adobe Photoshop + Depthmap X

Agent movement data diagrams AutoCad + Depthmap X

The image above shows the Artificial Intelligent (AI) analysis from Depthmap X for the 2017 pavilion. The analysis shows the possibilities of human behaviour and the movement through the spaces. It is shown that the centre space of the pavilion has more human interaction and move towards just only to two exit ways.

The image on the left shows the superimposed analysis for the 2017 pavilion. The axial analysis shows that only two entrance facing each other that has better visual for interaction to the Serpentine Gallery (indicated by the red line). However, the people movement analysis shows that many people come from the entrance which does not have a direct visual connection to the gallery instead it’s connected to the entrance gate of the Serpentine lawn.

Pe(t)riscope Installation | Architectural Association London We as a human gradually started to adopt an animal as a pet or some animals domesticated by themselves to humans. According to Greger Larson, the domestication of animals being a pet is a cultural continuum taken from the wild to the domestic human life. For the first time, human tends to keep cute baby animals for entertainment and gradually thrown back to the wild as they become matured. Over and over, more animals are adopted to our living world and being culturally formed as a human status.

This is how for many centuries; animals are forced to adjust to our human-scale living world. We always built our environment from our perspective and human scale. For centuries, the human living world adjusted into human-scale centric, the average height between 100 cm until 180 cm.

Did we as a human consider what they feel about our big, massive fences? How do they see our gigantic park bench? our lavish monstrous statue? Our dangerous machine wheels that speed on the corner? How our water fountain is tall enough for them to drink? The device will broaden our thinking as human beings to build our built environment more friendly for pets and wild animals that live side by side in our city.

2020, A Playground for Non-Humans Exhibition Architectural Association London Status: Runner-Up juror by Toyo Ito | Exhibition participant Location: London, United Kingdom

28 cm

28 cm

Wide eye-inlet for better sight.

130 cm Wide inlet for pet view.

Soft grip handle

10 cm 20 cm

20 cm

Height adjuster

32.5 cm 39 cm

28 cm

m

m

28 cm

34 cm

45

52 cm

45

29 cm