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Black Lives Matter mural in Washington D.C. divides opinions BY HIBA NAWAID ’23 ARTS & ENTERTAINMENT STAFF WRITER
Washington, D.C. Mayor Muriel Bowser made headlines last week as she commissioned a largescale street mural in support of the Black Lives Matter (BLM) movement. On the morning of June 5, 35-foottall yellow letters spelling out “Black Lives Matter” were revealed on 16th Street in front of Lafayette Square. Alongside the mural, black-and-white signage designated two blocks of 16th Street as “Black Lives Matter Plaza.” The New Yorker explained that the mural was a part of Mayor Bowser’s effort to reclaim the street in front of Lafayette Square — which leads to the White House — and for protesters to feel safe in exercising their right to assembly. Two days prior, President Trump authorized the use of tear gas to clear protesters from 16th Street for an impromptu photo op at St. John’s Episcopal Church. In a tweet, Mayor Bowser’s Chief of Staff John Falcicchio said, “There was a dispute this week about whose street this is. Mayor Bowser wanted to make it abundantly clear that this is D.C.’s street.” The words were painted by the Department of Public Works staff, who were directed by a group of eight artists. The artists were contacted by the department the day before the mural was to be revealed; they convened over Zoom to plan the piece and arrived on-site at 3 a.m. to begin painting. Keyonna Jones, the group’s only artist to go on record, spoke to Robin Wright of The New Yorker about the process. “The first ‘B’ took us three hours,” Jones, who is the executive director of Congress Heights Arts and Culture Center, stated. “I kept saying, ‘Oh, my goodness, are we going to make it in time?’” As the sun rose, passersby volunteered to help fill in the letters. Met concurrently with uncertainty about accepting the help and the 11 a.m. deadline looming close, the artists decided to hand roller paint brushes to the volunteers. “The community took over,” Jones said. “I don’t know how many there were in the end.” The artwork was met with a mixed response — some applauded Mayor Bowser while others adopted a too-little-too-late perspective. Over the weekend after the reveal, protesters painted the stripes of the D.C. flag into an equal sign, followed by the phrase “Defund the Police.” The D.C. chapter of Black Lives Matter called the mural “a performative distraction from real policy changes” on Twitter. “Bowser has consistently been on the wrong side of BLMDC history. This is to appease white liberals while ignoring our demands. Black Lives Matter means defund the police,” wrote Black Lives Matter D.C. Historically, Bowser has been at odds with the demands of the Black Lives Matter movement. Far from defunding the police, she has proposed to increase the budget for the Metropolitan Police Department and supported the expansion of the police force. In a con-
Photo by Rosemary Geib ’23 Large groups of protestors congregated and marched on Newport, Rhode Island on June 6 in support of the Black Lives Matter movement.
versation with NPR’s Mary Louise Kelly, she defended her budget proposal for 2020-2021 in light of demands to defund the police, remarking, “My budget doesn’t fund [the police] a penny more than we need, and certainly not a penny less.” Additionally, Bowser has been at odds with President Trump. As the mayor of Washington, D.C., she presides over federal territory, including Trump’s headquarters. After the president’s church photo op, Bowser requested to pull out-of-state National Guard troops deployed by the administration from D.C. Many have posited that the mural is another political move under the guise of reclaiming public space on Bowser’s part. While Bowser’s political stances compromise the artistic integrity of the mural, not all responses have been negative. In the weeks following Bowser’s reveal, similar street murals appeared in Sacramento, Oakland, Raleigh, Charlotte and Denver. Many of these murals were painted by local Black artists and have involved large-scale community support. In Sacramento, City Councilmember Steve Hansen contacted local muralist Demetrius Washington — known professionally as BAMR — through the local art collective “Atrium” and asked to commission a mural near the city’s Capitol. Given the task of covering three grassy areas each the size of a football field within four hours before curfew, BAMR put out a call for help on Instagram. Soon after, 300 volunteers showed CONTINUED ON PAGE 3 u
MHC faculty recommends module-style learning plan for 20202021 academic year By CASEY ROEPKE ’21 and KATE TURNER ’21 NEWS SECTION EDITORS
On Thursday, May 14, Vice President for Academic Affairs and Dean of Faculty Jon Western announced in a campus wide email that the faculty decided to recommend a module-style learning plan for the 2020-2021 academic year. “The direction our planning will take for next year will be academic semesters divided into two seven-and-a-half week sessions. Students will take two courses in each session, with an option to take an additional two-credit course or independent study,” Western wrote for the COVID-19 frequently asked questions page on the Mount Holyoke website. “We will offer a complete and rich curriculum with a full range of courses.” Because of the change in scheduling in the new semester, an additional advising and registration period will be offered for students in July. Western’s update was followed by a second from CONTINUED ON PAGE 4
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