Bristol Life – Issue 375

A SENSE OF PLACE

+HOW TO BUY ART: TOP TIPS FROM TOP GALLERIES / BAO WOW WOW: TURNING JAPANESE AT KIBOU / ORANGE SQUASH: ’ TIS THE PUMPKIN SEASON / ARE YOU GOOD, OR EVIL IN A FUN WAY? GRAYSON PERRY WANTS TO FIND OUT / HEINOUS ACTS:

Bristol state of mind

Look, we’re not saying all Bedminster homeowners like it maximalist, or that every Harbourside flat is a sea of minimal neutrals – but we’re not ruling it out, either. . .

Ireally don’t think I’m imagining it. I’ve written about the arrival of the Bristol autumn more often than you’ve had pumpkin lattes – just chucking that in there to wind up the coffee purists – and I’m convinced it gets busier every year. Just take a look at our listings section on page 26 – we’ve increased it to five pages, and it’s still highly selective. In this issue alone there’s loads going on. October means it’s time for our big autumnstroke-winter interiors feature, and this time we’ve taken inspiration from the city itself. We’ve made a lot of sweeping assumptions about the decorating tastes of various postcodes, because who doesn’t like to be pigeonholed, am I right? It’s ust a bit of fun, as Gavin & Stacey’s ncle Bryn would say, but if you delve into the pages you’ll find a lot of genuine advice from local interiors experts about the colours and fabrics (texture and the city?) that the design world is excited about this season. Autumn is also the perfect time for moseying around our art galleries and seeing what’s new. Nearly all of them are free to visit, and if you fancy taking a piece home (please pay first) the friendly staff are always ready to answer your questions. These same helpful souls have also shared a few pointers on the subject with us; turn to page 34. f course, while there are many artists in the city, working in a huge variety of styles, it’s hard to hear the words ‘Bristol’ and ‘art’ without mentally sticking ‘street’ in the middle. If someone isn’t painting a wall, they’re painting a pavement, which brings us to our front cover image this month – a mere section of the epic artwork that’s been created by Oshii on the Centre Promenade. If you’ve been down there recently you can’t miss it, and if you’re wondering why it’s there and what it wants, you’ll find the answer on page .

So, that’s the headline stuff this issue. Back in November, with the last non-Christmassy issue of the year; after that, I’m afraid, the gloves are off. n oy autumn’s scarf-swaddling, leaf-kicking, pumpkin-carving delights – and oh, go on, have a pumpkin latte. You know you want one really.

DERI ROBINS

Bristol Life editor

@BristolLifeMag

Issue

375 / October 2025

ON THE COVER

You can’t miss it: it: it’s the new Centre Promenade street art by the amazing Oshii; full story page 6

INTERIORS

8 HOUSE STYLE Autumn trends, sweeping assumptions

ARTS

25 BL LOVES Grayson wants to know if you’re good

26 WHAT’S ON Five pages that, to be honest, just graze the surface

34 GALLERIES How to buy art

44 THEATRE Ripley’s up to his old tricks again

50 MUSICALS Knock-knock, who’s there? Mormons!

55 BOOKS Not your usual pre-Christmas round-up

58 BRISTOL HEROES Wheels on fire

FOOD & FESTS

62 RESTAURANT Sashimi down to the Kings Road

66 FOOD & DRINK They’re round, they’re mostly orange, and they’re waiting for you

69 CAFÉ SOCIETY The ones with the cakes

71 WINE Talkin’ ’bout a revolution

SHOPPING

72 ED’S CHOICE Seating arrangements

NETWORK

79 BUSINESS NEWS It’s our annual professional services guide

PROPERTY

104 HOME STYLE The architecture between spaces

REGULARS

6 SPOTLIGHT So, what’s the new Centre Prom street art all about, then?

114 BRISTOL LIVES Sistahood founder Nikita Dare

FROMTOP: Grayson at the Beacon; Gloucester Road by Andrew Hood at Clifton Contemporary Art; pumpkins for days at Avon Valley

Editor Deri Robins deri.robins@mediaclash.co.uk Senior art editor Andrew Richmond Cover design Trevor Gilham Contributors Colin Moody, Stan Cullimore, Storysmith Books, Charlie Taylor, Commercial director Pat White pat.white@mediaclash.co.uk Commercial manager Neil Snow neil.snow@mediaclash.co.uk Business development manager Charlotte Mace-Pettittcharlotte.mace-pettitt@mediaclash.co.uk Business development manager Jessica Ashleyjessica.ashley@mediaclash.co.uk Production/operations manager Kirstie Howe kirstie.howe@mediaclash.co.uk Chief executive Jane Ingham jane.ingham@mediaclash.co.uk Chief executive Greg Ingham greg.ingham@mediaclash. co.uk Bristol Life MediaClash, Media House, 1 Widcombe Parade, Bath, BA2 4JT. tel: 01225 475800; www.mediaclash.co.uk. @The MediaClash © All rights reserved. May not be reproduced without written permission of MediaClash. We’re a West Country-based publisher, creative agency and event organiser Magazines Our portfolio of regional magazines celebrates the best of local living: Bath and Bristol. Agency From the design and build of websites to digital marketing and creating company magazines, we can help. Events We create, market, promote and operate a wide variety of events both for MediaClash and our clients Contact: info@mediaclash.co.uk

OUR COMMON GROUND

You know what this city’s like. If someone’s not painting a wall, they’ll probably be painting pavements

The Bristol piazza known as the Centre Promenade has come in for a fair amount of stick in its time. Everyone complains that the council should never have paved over the harbour in the first place; over the past years they’ve grumbled about the dysfunctional fountains and the removal of the plane trees, though nobody misses Colston from his plinth.

All in all, it’s been generally felt that this key central area has been reduced to a big, bland roundabout with no visual interest.

Well, it’s not bland any more. Bristol is a city of constant reinvention, and the latest project to brighten up the place draws on that quintessential brand of local creativity: street art.

And we’re not talking a mere three-metre mural here; public artwork Our Common Ground, which is designed to bring African heritage, unity and creativity to the city centre, is huge. Vast! It’s an immensely ambitious piece, created by multidisciplinary artist Oshii, aka Oisín Davis-Lyons, who was commissioned to transform this busy pedestrian area into a place of reflection, creativity and connection, which reimagines the centre as an inclusive community space.

creativity and resilience of African communities today.

“The piece is about honesty and imagination – facing the past, and dreaming of a shared future”, says Oshii. “I wanted to create something that belongs to Bristol and reflects its heart: a place where voices, cultures and histories meet on common ground.”

The artwork was shaped in part by a series of sessions which invited local residents, businesses and organisations to preview early concepts and contribute to its development, ensuring that the final design reflected the diverse voices, values, and aspirations of Bristol’s communities.

“Our Common Ground is a powerful focal point for the Centre Promenade, transforming the area into a more welcoming destination and place to meet and spend time with others”, says Anna Farthing, interim head of place for Bristol BID.

Covering 704.4 square metres, Our Common Ground has been painted directly onto the tarmac, on land that was once part of the Floating Harbour. The artwork draws on world history and presentday community voices, its bold colours and layered imagery inviting passers-by to reflect on journeys, memory and identity while imagining a shared future built on care and respect.

Created for the heart of Bristol, the artwork is anchored by a heart – the one we’ve featured on our front cover this issue – which symbolises that it belongs to everyone in the city. Around the heart, masks, hands, eyes and rhythmic patterns weave stories of strength and connection, acknowledging the city’s historical legacy while celebrating the

“For the businesses based in the centre, that means greater footfall, a stronger sense of place and a more vibrant atmosphere, which encourages people to stay, shop and connect.

Public art of this scale not only enhances our cultural identity, but also brings lasting benefits to everyone who shares this space.”

“This artwork brings colour, reflection and meaning to the heart of Bristol”, says Andrew Brown of Bristol City Council. “Where once ships involved in the trade of sugar and spices and enslaved people would have docked, we now celebrate the contribution of the city’s diverse communities. The promenade has become a space where we can pause and reflect on the past, enjoy the present, and look forward together.”

PS Not sure if we’re meant to suggest this, but given that Bristol is a ‘playable city’, surely the potential for an unusually imaginative game of hopscotch here is off-the-scale?

Our Common Ground by Oshii was funded by Bristol City Council and Bristol City Centre BID, produced by Bristol Legacy Foundation with production support from Upfest Projects

The ‘ta-daa! moment when all was revealed; early stages, with Oshii hard at work

GET THE BRISTOL LOOK!

Bristol likes to do things its own way — creatively, colourfully and just a little bit rebelliously. So why should we surprised if this applies to the way we decorate our homes? As the latest autumn and winter interiors trends land, adding warmth, character and a splash of fun, here are eight looks to try – all with a Bristol accent

Words by Deri Robins

So, a question for you: does where we live influence the way we style our homes?

Obviously there’s nothing to stop you, either legally or aesthetically, from stuffing your Georgian town house on The Mall with midcentury finds (that’s a great look, by the way) or filling your Wapping Wharf penthouse with antiques (slightly odder, but whatever).

But on the whole, home-owners tend to pay at least lip service to the properties they live in, choosing to honour and flatter their bones and features rather than riding roughshod over them.

Also, you could argue that your choice of location in the first place speaks volumes about your style and tastes. Drawn to the terraces of Cliftonwood and Hotwells? You probably value Bristol’s colourful, boho feel. A Georgian terrace in Clifton? Your tastes probably lean towards the elegant and classic. New-build apartment in The General? We bet you’re not averse to minimal lines and neutral hues.

Now, with the nights drawing in, interiors are shifting into a new rhythm. Autumn and winter are the seasons of cocooning: textures get deeper, colours grow bolder, and rooms become more layered and atmospheric. Here are ten design directions shaping the season – and how they might fit your Bristol aesthetic.

1DARK BROWN & CARAMEL

As comforting as a hot chocolate from Mrs Potts, as inviting as a snug café on a drizzly evening, as friendly as a fist-bump from Jeff Knight on Stokes Croft – rich cocoa and caramel tones are a hug in colour form. Add burnt orange, ochre or terracotta to warm up the scheme when daylight is scarce, and let leather and suede bring back the 1970s via modern silhouettes.

Our experts say:

“To me, chocolate and caramel create homes which feel grounded, warm, and indulgent in the best possible way”, says Marta Rossato. “This is why I consider them to be less about trends, and more about atmosphere. It’s why I think they are here to stay. There’s something irresistible about these tones; I can almost smell the aroma of coffee when I see them layered in a room. They feel like a hug that instantly invites you to moments of stillness.

“What I truly love about this palette is the depth. Browns have often been overlooked, or considered too traditional, but when used with

OPPOSITE: It’s the bright one, its the right one: Divine Savages ticking both the colourpop and velvet-glamour trends in a single roomset

BELOW: ROMO effortlessly working the brown, caramel and ’70s retro look

INTERIORS

confidence they become tactile and opulent rather than heavy. Caramel brings in that touch of light, drawing attention to details with minimal contrast. It softens the mood, ust the way a milk heart swirled into an espresso changes everything. It’s easy to imagine those nuances in a snug or a living room, but, imagine how it would feel in a kitchen, like this one designed by Ben Argent (below). I would pair it with a micro-cement countertop in soft stony white for a sophisticated elegance, or with walls in Bone China Blue by ittle Greene for a stylish yet refreshing contrast.”

“These hues are perfect for creating a comforting, grounded and inviting home atmosphere”, agrees Paul Garland of Design Seven. or a multi-sensory experience Paul recommends “A palette of deep chocolate browns, golden caramel, and creamy beige accents for balance, with textures such as soft velvet or suede cushions, caramel-toned throws, chunky-knit blankets and a rich leather armchair; for lighting, warm, golden light from lamps with fabrics or amber shades to create a caramel glow, and for scents, candles or diffusers with chocolate, caramel, vanilla, or coffee notes to deepen the comforting vibe.”

“ ne of the most exciting flooring trends we’re seeing is the return of rich, darker timber tones”, says Ian Tomlinson of Chaunceys Timber looring “There is a growing appetite for depth and drama, and dark colours such as our espresso finish are ideal for achieving that moodier, more luxurious look. These deeper shades add instant sophistication, and are particularly effective in creating cosy, intimate spaces. ur smoked oak boards also bring those chocolate and caramel tones underfoot, creating a cocooning, café-inspired feel.

“Dark timber never really goes out of style either; it’s a bold choice, but one that adds warmth, character and a sense of calm that lasts.”

And while you may associate Divine Savages with exuberant, colourful florals, Jamie Watkins is equally unafraid to embrace the dark side, and welcomes the return of rich cocoa and indulgent caramel tones. “These shades bring instant depth and sophistication to a space”, he says. “The sumptuous hues have a cocooning quality, creating

interiors which feel warm, inviting and timeless.Wallpaper is a good way to explore this trend: it allows you to combine colour, texture and pattern in a bold yet controlled way. A beautiful print in these tones gives drama and personality while still delivering a grounded, earthy elegance.

“Burnt orange, ochre and terracotta bring an effortless warmth, ust like a Harbourside sunset And ust like Bristol, we don’t do bland –we love layering these earthy tones with rich, nature-inspired shades which give a nod to the 1970s.Deep, bold colours create a grounding backdrop, while playful pops of brighter hues keep each space feeling fresh, unique and full of character.”

And remember when you could get bathrooms in any colour as long as it was white? “Autumn’s warm ochres and caramels are mirrored in interiors through special finishes which move beyond chrome and white”, says Chris Payne of Ripples Bristol. “Brushed bronze, nickel and gunmetal are proving especially popular, offering a rich palette which helps create sophisticated, textural schemes that seamlessly integrate into the wider home design.”

John aw of Woodhouse aw is finding that clients are more open to the warming hues of chocolate and caramel than ever before, “in wall treatments, materials and furniture alike. nce exiled and avoided for fear of throwback to the ’70s and ’ 0s, the colours are decidedly back, warmed up and ready for a fight.

“With support from other equally earthy tones, from terracotta pinks to warming caramels, the long-standing rule of the grey regime is decidedly over. The newly appointed reigning tones offer a distinctly warm, calming and comforting atmosphere, perhaps born from a need for us all to cocoon after a number of turbulent years.

“It makes sense that this movement has been oined by the embracing of biophilic design, bringing the outdoors in and improving our connection to nature and the environment. The trend for integrating the natural elements, with their rich diversity of life, shapes and colours, is fast gaining a dedicated following for its ability to greatly improve our wellbeing and creativity.”

ABOVE: Chocolate and caramel create homes which feel grounded, warm, and indulgent in the best possible way, says Marta Rossato – not merely in living rooms but also kitchens such as this one by Ben Argent (BELOW)

“Once exiled, chocolate and caramel are back, warmed up and ready for a fight”

Warehouse Roof Pine by Chauncey’s: this charming timber cladding, sourced from demolished houses and industrial buildings, creates a wonderful feature wall in a room by House Nine Design

INTERIORS

2DARK

ACADEMIA REDUX

Booklined walls, brass desk lamps, heavy curtains and the warm glow from a vintage banker’s lamp: if Clifton College library was a TikTok aesthetic, it would be this. Just add a leather armchair and a plaid throw, and you’re ready to lecture the cat on Webster. Our experts say:

“Moody, intellectual, and effortlessly cool, Dark Academia Redux is the perfect blend of classic study vibes with a modern twist”, says Lucy Thorn of Gardiner Haskins. “Think floor-to-ceiling bookshelves, vintage brass desk lamps, and rich, heavy curtains that make any room feel instantly more dramatic (in the best way). It’s cosy, it’s clever, and just the right amount of mysterious. Ideal for autumn nights, quiet mornings, and anyone who secretly wishes they lived in a Gothic novel.”

To get the look, Alison of Bracey Interiors recommends Colefax Fowler’s Ellerdine Collection, “which celebrates craftsmanship, heritage and timeless elegance. eaturing rich colours on luxurious fabrics, they help create a layered interior with enduring beauty; and for that bit of extra opulent luxury why not use trimmings? Samuel Sons never disappoint, from braids to tiebacks, they’ve got it covered.”

3JAPANDI & WABI-SABI

Where Scandi simplicity meets Japanese calm. Minimal and serene, it’s your Harbourside penthouse on a quiet, easy-likeSunday morning before the crowds arrive; think pale woods, paper lanterns and ceramic mugs from a local indie potter, perfect for sipping green tea while pretending you’ve mastered yoga.

Our experts say:

“Japandi continues to be one of the most enduring design movements”, says Ian Tomlinson of Chaunceys. “The look is all about calm, understated elegance and a connection to nature. Flooring plays a key role here, with pale timbers creating a quiet backdrop which enhances the minimalist aesthetic, while keeping the space warm and inviting.

“ ur Douglas ir options are perfect for this look, with their soft, natural tones and subtle grain. Wide-plank, pale oak floors with a matte finish also bring the Japandi aesthetic to life, offering a calm, natural foundation which feels effortlessly balanced and timeless.”

“Nature-inspired wallpaper is a great way to channel the spirit ofJapandi”, says Jamie of Divine Savages.“Delicate floral and leafy patterns in soothing green tones bring a calming connection to nature, turning walls into a serene backdrop for slow living, grounding the room while infusing it with quiet warmth, like a Harbourside hideaway made for lazy mornings and quiet reflection.”

“Where simplicity meets soul, Japandi and Wabi-Sabi offer a calming antidote to the chaos of modern life”, says Lucy of Gardiner Haskins. “Rooted in Japanese and Scandinavian design principles, this trend is all about pared-back beauty, natural materials, and finding elegance in imperfection. Think clean lines, warm neutral tones, and an emphasis on craftsmanship – a low timber bench with a raw edge, linen cushions in earthy hues, a handmade ceramic vase that’s just slightly uneven, and all the more beautiful for it. very piece has purpose, every texture invites touch.

“Japandi spaces are intentionally uncluttered but never cold. There’s a quiet warmth to them – soft lighting, open spaces, and a sense of harmony which makes you instantly exhale. Wabi-Sabi, in particular, celebrates the imperfect and the aged – a cracked glaze, a sun-faded rug, the patina of time becoming part of the story.”

“A key look combines architectural precision with natural warmth”, says Chris of Ripples. “Think darker greys paired with timber accents. Sleek but forgiving, this style favours concealed storage, whether recessed mirror cabinets or wall-mounted vanity units, to maintain clean lines and an uncluttered feel; perfectly suited to today’s busy lifestyles.”

ABOVE: Colefax & Fowler’s Ellerdine Collection celebrates craftsmanship, heritage and timeless elegance; BELOW: Arte nails Japandi. Both available from Bracey Interiors

INTERIORS

4MAXIMALIST FLORALS

As big and blowsy as the Bristol Botanic Garden in mid-June, bold blooms bring cheer to the colder months, just like a Jody or Alex Lucas mural in your favourite brunch spot. Don’t be afraid to clash colours – Bristol never is.

Our experts say:

“Go all-in with oversized floral wallpaper”, says Paul of Design Seven. “Dark backgrounds add drama, light ones feel lush and airy. Layer patterned upholstery, curtains and cushions – don’t worry about matching. A bold rose-print sofa against a clashing floral rug is very maximalist.

“Alex Lucas’s playful, bold artwork has transformed parts of Bristol into living galleries”, says Jamie of Divine Savages. “These buildings take on personalities of their own – walls become storytellers, corners turn into characters, and whole neighbourhoods feel brighter and braver as a result.

“Similarly, wallpaper in the right design can completely reshape a space, bringing it to life. That ethos is central to our own brand; we’re on a mission to nurture a passion for daring design, and to inspire our customers to be braver with pattern and bolder with colour.

“ mbracing bold botanicals and fantastical florals can really uplift the spirit of a home. Flower motifs bring charm and personality to any space, but balance is key, and if you’re not quite brave enough to cover all your walls in bold blooms, papering within panels or alcoves is a great way of using them as a less-is-more decorative feature, allowing the panel to become a work of art in itself.”

“We’re noticing a definite move away from sleek, minimalist designs in favour of those which introduce luxury in a relaxed, comfortable form”, says John aw. “This trend has an undeniably nostalgic nod to the freespirited décor of the ’70s. It’s those finer details which help to evoke that decade’s sense of optimism, celebrating texture, geometric shapes and the very modesty of the materials used. The result sees a stripped-back and relaxed mix of florals, patterned tiles on walls and worktops, wood panelling and low-slung soft furniture.

“The recent movement to bring nature into the home has more recently stepped up a level. As well as floral prints and earthy colour tones, an ever-evolving lightheartedness in interiors is leading to the greater use of garden produce within fabrics and papers. As with other design movements, this trend is one which spans both the home and the catwalk. Both have taken inspiration from the allotment, exploring the beauty of day-to-day produce and combining them with bold, warming colour tones, from instant summer vibes of citrus to a more grounding nostalgia from vegetables such as artichokes and mushrooms.

“The trend goes hand in hand with one which has been gaining momentum in Norway for some years now, that of Frilufstliv. As well as emphasising the importance of spending time in nature, the philosophy also reminds us of the importances of making nature an everyday part of life.”

5RETRO SKI LODGE

Plaid blankets, pine furniture and faux-fur rugs make even a ictorian bay window in Redland feel like an apr s-ski snug; light the wood burner or a scented candle, and you have, if not exactly the Alps, then at least a cabin bolthole in Chew Magna. Mulled cider, in place of glühwein, optional but warmly recommended.

Our experts say:

“Reclaimed timber cladding fits perfectly with the ongoing love of earthy tones and tactile textures”, says Ian Tomlinson at Chaunceys.

“It helps create grounded, calming spaces which feel warm and connected to nature. Whether you’re layering textures in a cosy family home or keeping things simple and pared back, the natural grain and warmth of wood bring depth and balance. People instinctively respond to materials with a story, and reclaimed timber offers that sense of heritage in abundance.

“Our Alpine reclaimed collection, featuring raw pine and barn cladding, is ideal for evoking that chalet-inspired vibe. Rustic pine or brushed oak boards can add instant ski-lodge charm, which works beautifully in everyday living”

ABOVE: Little Greene, turning your wall into the Botanic Garden; BELOW: Ski-lodge chic with David Hunt lighting; OPPOSITE: Divine Savages rocking pastels and florals

6COLOUR THERAPY

Colourful pastels cheer up any drizzly Bristol day – just look at Cliftonwood and Totterdown’s terraces, their pastel palettes as delicious as the ice-cream trays in Swoon Gelato. Our experts say:

“We love the colourful, painted terraced houses of Cliftonwood”, says Jamie Watkins, “and were thrilled when this trend for using brighter and bolder colours together found its way in to interior design – or ‘dopamine decor’ as it’s become known. Beautiful, bright colours always spark joy and happiness, so this trend immediately caught our eye, and it’s perfect for smaller rooms like a powder room or snug, where you can be a bit more daring and have more fun with colour.”

7IT’S THE BRIGHT ONE

Bristol doesn’t really do beige. Unless it’s a grand listed building, the walls are just asking for a street-art mural; indeed, if you own a two-bed terrace in BS3 you’ve probably already been on the phone to pfest to offer your house as a canvas during the festival. And then, of course, there are the primary pops of the Balloon Fiesta, not to mention the colour-splash of Bristol Pride, of St Paul’s Carnival . . .

Our experts say:

“Whether it’s a pop of pigment in a vanity unit or a vibrant tile used to create a feature wall, colour is being used to make confident statements”, says Chris Payne of Ripples. “In Bristol, where murals and facades brighten the city, this spirit of individuality is inspiring homeowners to carry bold choices into their bathrooms.”

Alison Bracey points us in the direction of Cole Son’s latest launch. “Its new collection with Ardmore showcases the incredibly detailed designs, paying homage to South Africa. It’s fun, colourful and definitely engaging. At the other end of the scale we have Pierre rey’s a Coleur de Nos Reves, using bright colours and patterns to great effect.”

8VELVET GLAMOUR

Velvet cushions in jewel tones, with smoked glass, mirrored tables and metallic accents for added sparkle: it’s basically the Gold Bar at Harbour House, but in your own living room or bedroom, glamorous and ever-so-slightly retro.

Our experts say:

“We love layering rich, luxurious velvets throughout our interiors, from vibrant reupholstered sofas piled high with boldly patterned cushions to opulent, heavily draped curtains”, says Jamie of Divine Savages. “Sumptuous, soft, and emblazoned with our signature prints, our own velvet offers next-level comfort and glorious depth of colour, instantly adding a touch of glamour to any home.”

It’s an enthusiasm echoed by John at Woodhouse aw. “We’re loving the warmer ochre and russet colours coming through in the latest fabric collections – especially the velvets.

“Again, the colours here are synonymous with the 1970s – using those same rich, earthy tones which we associate with autumn; burnt oranges, terracotta and warm browns. Fortunately, however, this design trend is a subtle and sophisticated one; a restrained extraction of the decade’s finer moments. Wall-to-wall shagpile carpets and avocado kitsch it isn’t; instead, warm colours are combined with their more muted counterparts, ensuring a calming and relaxed feel to the space in question. It’s an eclectic melting pot; think open-plan spaces, velvet furnishings, soft curved edges, artisanal ceramics and natural materials such as cork and rattan.” n

For more details on our experts, see page 18

“It’s basically the Gold Bar at Harbour House, but in your own living room or bedroom”

ABOVE: Farrow & Ball’s Yellowcake – Balloon Fiesta brights all year round

BELOW: Purple reign – azurite tones from Paint & Paper

THE LIST

Essential local suppliers and services to help you create your ideal home

BATHROOMS & KITCHENS

Kutchenhaus Bristol Clifton Down Shopping Centre www.uk.kutchenhaus.com

Ripples 88 Whiteladies Road www.ripplesbathrooms.com

Tom Howley 90 Whiteladies Road www.tomhowley.co.uk

BUILDING CONTRACTORS

Airsat Construction 336 Gloucester Road www.airsat.co.uk

Missiato Design & Build 369-373 Gloucester Road www.missiatodesignandbuild.com

Urbane Eco 15 Avon Valley Business Park www.urbane-eco.co.uk

CARPETS, FLOORING & TILES

Chaunceys Timber Flooring Unit 1 St Philips Trade Park www.chauncey.co.uk

OneTile Eco Studios, Clanage Road www.onetile.co.uk

Tailored Flooring 80 Alma Road www.tailoredflooring.co.uk

INTERIORS FURNISHINGS & DESIGNERS

Bo Concept 76-78 Whiteladies Road www.boconcept.com

Gardiner Haskins Interiors Straight Street www.gardinerhaskins.co.uk

Marta Rossato Interiors www.martarossato.net

Bracey Interiors Waterloo Street www.braceyinteriors.co.uk

Design Seven 12B Greenway Farm, Wick www.designseven.co.uk

Divine Savages 5 Margaret’s Buildings, Bath www.divinesavages.com

Neptune 98B/C Whiteladies Road www.neptune.com

Farrow & Ball 16 Princess Victoria Street www.farrow-ball.com

Nola Interiors 168 Gloucester Road www.nolainteriors-bristol.com

Park Furnishers Unit 1A/B, Eastgate Retail Park www.parkfurnishers.co.uk

Sprouts of Bristol 2 Kingsdown Parade www.sproutsofbristol.co.uk

Stylemongers of Bristol 196 Gloucester Road www.stylemongersofbristol.co.uk

Woodhouse & Law 4 George’s Place, Bath www.woodhouseandlaw.co.uk

WINDOWS & DOORS

Mitchell & Dickinson www.mitchellanddickinson.co.uk

Timber Windows

29 The Mall, Clifton www.timberwindows.com

Sweet Treats range by Little Greene

Warehouse Roof

Pine Bathroom from Chauncey’s

Gershwing

‘Charleston Blush’ by Divine Savages

HASKINS INTERIORS:

CELEBRATING 200 YEARS OF STYLE IN THE HEART OF BRISTOL

This year marks a remarkable milestone for one of Bristol’s most famous names

Founded in 1825, Gardiner Haskins Interiors has been part of the city’s fabric for two centuries, evolving from a modest ironmongery into one of the South West’s most inspiring home interior destinations. As it celebrates its 200th anniversary, the brand’s story is one of heritage, reinvention and a continued passion for helping customers create homes they love.

showroom: a treasure trove for anyone seeking inspiration for their home.

Step inside the showroom and you’ll be greeted by an elegant blend of tradition and modern design.

Beautifully curated displays showcase everything from bespoke kitchens and luxury bathrooms to serene bedrooms and stylish furniture collections.

with forward-thinking design, sustainability, smart home technology, and timeless craftsmanship are central to its vision. Ensuring that the homes they help create are not only beautiful but built to last. With plans to continue expanding ranges and innovating in customer experience, Gardiner Haskins remains as relevant today as it was 200 years ago.

Gardiner Haskins Interiors represents more than a retailer. It’s a local institution, a source of expertise and a trusted partner in transforming houses into homes.

The roots of Gardiner Haskins lie deep in Bristol’s industrial past. Over generations the company has adapted to meet the changing needs of its community, always remaining steadfast in its commitment to quality, expertise and personal service. Today that legacy is embodied in their stunning interiors

“ GARDINER HASKINS INTERIORS REPRESENTS MORE THAN A RETAILER ”

Each space is designed to spark ideas and demonstrate the latest innovations in technology, storage and style. It’s more than a showroom – it’s a place where imagination meets possibility.

At the heart of the experience are the people. Gardiner Haskins’ expert designers and consultants take the time to understand each customer’s vision, offering tailored advice and a collaborative approach which ensures that every project, whether a contemporary kitchen, spa-inspired bathroom or timeless bedroom retreat, feels truly personal.

As Gardiner Haskins looks to the future, the business is focused on blending its heritage

Visit the Bristol showroom or explore the virtual showroom online at gardinerhaskins.co.uk and book your free design consultation.

For those considering a kitchen or bathroom upgrade, visit Gardiner Haskins Interiors in Bristol at 1 Straight Street, Bristol BS2 0FQ, call on 01179 292288 or explore their offerings at www.gardinerhaskins.co.uk.

THE ARTS

SNAPSHOTS OF BRISTOL’S CULTURAL LIFE

IT’S A SIN

APerry intends to put to Bristol when he makes a one-night appearance at the Beacon later this month.

During the show he’ll be helping us, the audience, to discover whether we really are thoroughly good, or maybe quite evil, but in a fun way. With lots of audience participation (you’ve been warned, nobody leaves unscathed) and a few silly songs we’re guaranteed two things: a wild ride of an evening, and that we’ll emerge from the hall with our core values completely in tatters.

So, where do your morals truly lie? Are you as virtuous as you think? Is it more important to be good, or to be right? What is a virtue anyway, and

what is a sin?

It’s a question Grayson feels is fundamental to our humanity. No biggie, then.

, an evening with Grayson Perry Bristol Beacon, 22 October 2025 www.bristolbeacon.org

WHAT’S ON

10 October7 November 2025

EXHIBITIONS

Until 12 October

GENDER STORIES

Challenging rigid definitions and binary narratives, examining the fluid, multifaceted world of gender across cultures, eras and personal experiences. At Bristol Museum, bristolmuseums.org.uk

Until 23 November

BRISTOL PRIDE

X MARTIN PARR

The legendary photojournalist showcases a retrospective of photos taken at the annual Pride festival. Bristol Museum & Art Gallery; bristolmuseums.org.uk

Until 21 December

STEVE MCCOY: PROXIMITY

Retrospective exhibition of photography by Steve, exploring a deep connection with the people and places of Merseyside, where he spent 45 years living and working; at MPF, martinparrfoundation.org

Until 4 January

RWA 172 ANNUAL OPEN

One of the UK’s most prestigious open-submission exhibitions returns, welcoming artists at all stages of their careers; at RWA, rwa.org.uk

Until 11 January

NOUR JAOUDA

Solo exhibition by Libyan artist Nour, whose fluid, multi-layered textile works traverse the languages of painting, sculpture and installation to produce ‘landscapes of memory’. Spike Island, spikeisland.org.uk

DAN LIE: SLEEPING METHODOLOGIES

Dan’s commission celebrates natural cycles of transformation and the interdependent exchanges that structure ecosystems; Spike Island, spikeisland.org.uk

11-12 October

CHEW VALLEY ARTS TRAIL

Discover the impressive creativity of artists and makers in the Valley, meet the people who made them, then who knows? Maybe lunch at The Pelican? chewvalleyartstrail.co.uk

18 October-8 February

EMMA TALBOT

Emma brings her complex visual poems to life across drawing, silk paintings, sculpture, installation and animation; Arnolfini; arnol ni.org.uk

24 October-6 November

SECRET POSTCARD AUCTION

The RWA’s fundraising auction:

artists create a postcard-size artwork to be auctioned, the twist being that bidders don’t know who the work is by. If you bag one by someone famous, you could be quids in. rwa.org.uk

SHOWS

Until 11 October STARTER FOR TEN

The return to BOV of the musical adapted from David Nicholls’ Bristol Uni-set novel. Some cast tweaks, but Mel Giedroyc’s still in it and Adam Bregman’s still Brian. We enjoyed this one. bristololdvic.org.uk

MAIN CHARACTER ENERGY

A beautiful and talented black actress is putting on an autobiographical one-woman show to finally take up the space she’s been so routinely denied. It’s your privilege, honour and pleasure to give her all the attention she deserves: BOV; bristololdvic.org.uk

Until 18 October

DON QUIXOTE

(IS A VERY BIG BOOK)

Dik Downey weaves together the crazed delusions of Don Quixote with his own struggle against reality, via puppets and desperate clowning.

Expect surreal misadventures at Wardrobe, thewardrobetheatre.com

COSI FAN TUTTE

Opera Project return to TFT with Mozart’s sparkling tale of love, loyalty and disguise; glorious music and razor-sharp wit in a bittersweet comedy of love’s contradictions and the games we play in its name. Sung in English. tobaccofactorytheatres.com

Until 19 October

CIRCUS EXTREME

Clowns, acrobats, aerial stunts; this more trad take on Big Top delights is to Circus City (below) what We Will Rock You is to Puccini. Durdham Downs, circusextreme.co.uk

Until 30 October

CIRCUS CITY

The international programme of live performances combining circus skills, music, theatre, dance and spoken word returns; don’t expect clowns in silly cars. bristolcircuscity.com

5-18 October

MARGARET THATCHER: QUEEN OF SOHO

The Iron Lady returns in a drag extravaganza to mark the centenary of her epic arrival on planet Earth. BOV, bristololdvic.org.uk

If you fancy a scary Southern Gothic film-noir fairytale for Halloween week, and who doesn’t, Night of the Hunter’s at Bristol Film Fest

TOP: CMAT appears to be in her Joan Holloway era

11 October

TOO MUCH TOO YOUNG

The title’s a clue: it’s the UK ska experience that’s apparently ‘sweeping the nation’. At Redgrave, redgravetheatre.com

14-18 October

MY ENGLISH PERSIAN KITCHEN

What would you take if you were forced to leave home with no hope of returning? How would you make a fresh start somewhere completely new? As Atoosa remembers the tastes of her mother’s kitchen, she recreates the dishes of her homeland, in the true story about one woman who loses everything. With live cooking on stage. BOV’s bristololdvic.org.uk

20-21 October

THE SPANKING GODDESS

Clare Murphy returns to exhume the Celtic canon, bringing back the wild women who never made the cut back into the light. Not your regular myths, but wicked tales of badass deities, feral fighters, unorthodox sex, hairy bodies and goddess-on-goddess battles; TFT, tobaccofactorytheatres.com

21-25 October

GHOST STORIES BY CANDLELIGHT

Back at BOV with four brand new spooky stories from award-winning writers. bristololdvic.org.uk

YIPPEE KI YAY

Richard Marsh’s acclaimed retelling of classic (festive?) movie Die Hard –all done in rhyming couplets (also on page 31). BOV; bristololdvic.org.uk

21 October-8 November

THE BOOK OF MORMON

The misadventures of a mismatched pair of missionaries; See page 50; Hippodrome, atgtickets.comm

23-25 October

STORIES FROM AN INVISIBLE TOWN

Dark comic stories by Welsh wizard Shôn Dale-Jones, introducing us to five-foot Tarzan, Double Delyth and Lord Ivor, among others; at Wardrobe; thewardrobetheatre.com

BAD LADS

The devastating true story of the boys held at Medomsley Youth Detention Centre in County Durham in the 1980s. Sold to the public as a ‘short, sharp shock’ the prison for young offenders, incarcerated for relatively petty

crime, hid something much darker. At TFT, tobaccofactorytheatres.com

27 October-1 November

TOO MANY GREEK MYTHS

When two members of Clevedon’s Living Spit are overhead bragging about how good they are, Zeus, enraged by their hubris, decides to teach them a lesson. His punishment?

A Herculean challenge: to squeeze 20 of the greatest Ancient Greek myths into one chaotic show. At TFT, tobaccofactorytheatres.com

28 October-1 November

PRIVATE LIVES

Noel Coward at BOV? We predict they’ll put their own spin on proceedings. bristololdvic.org.uk

3-8 November

THE TALENTED MR RIPLEY

The movie nailed it, so did the TV series. So what’s it like on stage? More clues on page 44. At BOV, bristololdvic.org.uk

CABARET & COMEDY

Ongoing CLOSER EACH DAY

The world’s longest-running improvised comedy soap continues at Wardrobe; thewardrobetheatre.com

BRISTOL IMPROV THEATRE For the full programme, see improvtheatre.co.uk

THE GAFFE

Stand-up LOLs from some of the sharpest, funniest comedians on the circuit, at Bristol’s hottest new comedy club: t ega eco ed clu .co

11 October

BEN POPE: THE CUT

Ben got circumcised. Cue a show about losing a part of yourself, the male ego, pillow talk, charity shops, the mystery of having a father, and also exactly one pig. Alma Tavern; almatavernandtheatre.co.uk

12 October

KANE BROWN

Known for his fearless delivery combined with honesty and sincerity, Kane is 19 years in the game, and he’s bringing his latest LOLs to Beacon; bristolbeacon.org

WONDERHAUS

The brightest and bravest gems of live performance, comedy, clowning, circus, music and miscellany, freshly

MIDDLE: Shôn Dale-Jones: somewhere, Beth Dutton is shivering BOTTOM: Ardal’s not himself, so who is he? www.mediaclash.co.uk

mined from the depths of the collective subconscious, returns to Wardrobe, thewardrobetheatre.com

13 October

ROSIE JONES: I CAN’T TELL WHAT SHE’S SAYING

The self-professed prick and star of Taskmaster Rosie Jones heads back out on the road with her brand-new stand-up show. She’s talking about the big stuff, at B ; bristololdvic.org.uk

17 October

INSTANT WIT

Fancy hearing an opera set in Lidl? How about a sketch about two seagulls meeting for a date on top of the iffel Tower? Chuck the most bizarre suggestion you can think up at the improvmeisters, and marvel as they riff on it. Alma Tavern; almatavernandtheatre.co.uk

HARRIET DYER: EASILY DISTRA....

A blancmange of whimsy from the somewhat fizzy mind of Harriet, featuring topics such as wearing a wetsuit on a bus and why couples don’t talk to each other anymore. At the Hen Chicken; henandchicken.com

17-18 October

STEWART LEE: STEWART LEE VS THE MAN-WULF

The shows are already sold out, obviously, but here’s what you’re missing. Stewart shares his stage with a tough-talking werewolf from the dark forests of the subconscious who hates humanity. Can the beast inside us all be silenced with the silver bullet of Stewart’s unprecedentedly critically acclaimed style of stand-up? At Bristol Beacon; bristolbeacon.org

18 October

THOMAS GREEN

After self-discovery, Thomas realises his life is a whirlwind full of tangents of his own making, navigating through the impulsive, random and stupid. See how that’s working out for him at Redgrave; redgravetheatre.com

MATT RICHARDSON: BRASH

Matt’s moved to the country, settled down, and is trying not make rude okes. But how do you age with dignity when it’s at odds with all the personality traits that got you this far? Alma Tavern; almatavernandtheatre.co.uk

20 October

LAWRENCE CHANEY: MEMOIRS FROM MY SH*GPIPES

The Scottish BA TA winner discusses life after Drag Race UK, celebrity run-ins, a banged-up manager and embarrassing sexcapades. Redgrave; redgravetheatre.com

24 October

SCOTT BENNETT: STUFF

As a society we love stuff’, but it’s at odds with the environmental crisis. Can Scott cleanse his life of it? Is it possible anymore? Answers, possibly, at Redgrave; redgravetheatre.com

26 October

ARDAL O’HANLON: NOT HIMSELF

With no major trauma of his own to draw on, apart from the drag of getting older, Ardal turns his gaze outwards at the joys and follies of contemporary life. Towel animals? AI? Chair yoga? Cauliflower as a main course? They’re all on his hit list, at 1 ; 1532bristol.co.uk

KIERAN HODGSON: VOICE OF AMERICA

Ever since he was a little loser kid in a little loser country (yes, England), Kieran has been putting on an American accent and dreaming a big American dream. But nowadays it’s not so simple... At Bristol ld ic; bristololdvic.org.uk

30 October

ESTHER MANITO: SLAGBOMB

Esther’s life seems to be a magnet for embarrassing moments. Now she wants to embrace her lack of dignity, whether it’s her less-than-graceful posture, encounters with shady drug dealers, or the painful realities of waxing gone wrong; Wardrobe ; thewardrobetheatre.com

31 October

NICK OFFERMAN

Inspired by his latest book Little Woodchucks, the show’s part-comedy, part-campfire philosophy, and partwoodworking tutorial gone rogue. Culture check: Nick played Bill in The Last of Us. Beacon; bristolbeacon.org

31 October-1 November

THE SHADE PULLERS & LASH STACKERS SOCIAL CLUB

81-year-old Paul Marsden has been running his northern working men’s club since the 1970s. The place had started to fray at the edges until Paul’s son got into the family business, transforming himself into drag queen Roxytocin, giving the nicotine-stained club a fresh coat of lip gloss. The comedy night The Wardrobe was born for; thewardrobetheatre.com

2 November

JEN BRISTOW: REACTIVE

Apparently you don’t have to respond to every little thing around you. Finding herself in a constant state of exacerbation at the state of the world and people in general, Jen has been told she needs to chill the hell out. B ; bristololdvic.org.uk

EMMANUEL SONUBI: LIFE AFTER NEAR DEATH

Emmanuel explores his life after surviving heart failure, and the strange and funny ways we all find to keep going when life gets hard. At T T; tobaccofactorytheatres.com

MUSIC

or more listings see: Bristol Beacon (bristolbeacon.org); St George’s Bristol (stgeorgesbristol.co.uk); Trinity (trinitybristol.org.uk); The Louisiana (thelouisiana.net); Thekla (theklabristol.co.uk): Academy (academymusicgroup.com); Bristol olk House (bristolfolkhouse.co.uk); Electric Bristol (electricbristol.com); The Hen & Chicken (henandchicken.com); and The Gallimaufrey (thegallimaufry.co.uk)

10 October

GRAHAM NASH

An evening of music and stories from Graham’s time with both The Hollies and Crosby, Stills, Nash & Young, and his acclaimed solo career; Beacon, bristolbeacon.org

THE DRIFTERS

Back on tour in the K, performing all their classic hits. No further explanation required. At St George’s, stgeorgesbristol.co.uk

TOP: Bouddica reincarnated? Celtic pop-warrior Mali Hâf BOTTOM: No, not another doomy Mescal and Scott indie drama; it’s Vega Trails

WHAT’S ON

11 October

LEVEL 42

The 1980s jazz-rockers are celebrating the 40th anniversary of their breakthrough album World Machine, and bringing all the tunes and all the nostalgia to Beacon; bristolbeacon.org

14 October

AL STEWART: FAREWELL TOUR

Bristol Beacon seems to be a favourite place for music legends to play their bowing-out gigs, and the latest one to say ‘goodbye’ is Al here. bristolbeacon.org

15 October

MALI HÂF

Rising Celtic pop singer-songwriter Mali describes herself as a proud Welsh Wiccan. Her vocals are suitably magical and ethereal and her stage presence captivating; one to watch. At the Louie, thelouisiana.net

IDLEWILD

The Scottish indie alt-rockers come to O2; academymusicgroup.com

16 October

SOMEBODY’S CHILD

Fronted by Dubliner Cian Godfrey, the Irish rock band has built a reputation for raw, heartfelt songs and electrifying performances; at Trinity, trinitybristol.org.uk

17-18 October

THE CAT EMPIRE

The ebullient jazz/funk Aussies are back in town, and if the gig we saw at Sounds a few years ago is anything to go by we’re in for a fun night at O2; academymusicgroup.com

19 October

LARKIN POE

The sister double-act known for its electrifying blend of Southern rock, blues, and Americana comes to Beacon; bristolbeacon.org

20 October

CMAT: IT’S THE EUROCOUNTRY TOUR!

AKA Irish singer-songwriter Ciara Mary-Alice Thompson, “pop’s gaudiest, gobbiest star” (Guardian) brings her country-infused pop to O2. Catch her before she gets even more famous. academymusicgroup.com

VEGA TRAILS

Expansive, cinematic, and deeply rooted in nature, Sierra Tracks is the new album from this chamber-jazz project. Live, it becomes something even more powerful: immersive,

hypnotic, and emotionally resonant. At Beacon; bristolbeacon.org

25 October THE DIVINE COMEDY

Neil Hannon’s back, and he’s bringing The Divine Comedy on tour for a run of shows which promise charm, wit and orchestral pop at its finest. At Beacon; bristolbeacon.org

HAYAO MIYAZAKI’S DREAMS

Mystery Ensemble has collected magical music from the renowned Japanese director’s anime, and compositions inspired by his creations; the result is this immersive concert at St G’s; stgeorgesbristol.co.uk

27 October

TAYLOR FEVER

Missed the Eras tour? The TayTay tribute act’s at Redgrave. Come along and see if you can tell the difference. redgravetheatre.com

28 October

THE STRANGLERS

The band who made it forever impossible to hear the name of former PM Gordon Brown without mentally adding “texture like sun” comes to Beacon; they’re kindly bringing the Buzzcocks with them, too. bristolbeacon.org

THE PSYCHEDELIC FURS

The post-punk Londoners come to O2; academymusicgroup.com

29 October

RICK WAKEMAN

Rick’s got his spangly cape on to perform albums The Six Wives Of Henry VIII and The Myths and Legends of King Arthur and the Knights of the Round Table in their entirety with the help of the English Rock Ensemble, at Beacon; bristolbeacon.org

30 October

SUZANNE VEGA

Not to be confused with Vega Trails (left), the revered neo-folk singer-songwriter performs a career-spanning show at Beacon; bristolbeacon.org

31 October

DICK & DOM IN THE HAUNTED BUNGALOW

Obviously there’s tons of schlocky horror stuff going on tonight, but the only one we’re letting through is this set of non-stop bangers, massive ghostly decor, laser lights and absolute insanity at O2. Why? Oh, D&D nostalgia, we guess. Dress spookily. academymusicgroup.com

TOP: Viva la Vega: Suzanne at the Beacon MIDDLE: Dick and Dom: the bungalow’s haunted! BOTTOM: The Cats continue to build their Empire at O2

The writer and performer of Yippee Ki Yay, the acclaimed rhyming parody tribute to Die Hard, shares some of his all time cultural favourites. You’ll never guess what his favourite film is.

A film I could watch over and over again

This can only be Die Hard. I’m touring a show about Die Hard (Yippee Ki Yay), and the show comes from watching it over and over again.

A painting that means something to me

Amagansett by Bob Dylan. I’m not a big art person, but that picture is loved by someone I love and now I love it too. As a parent I’ve found it interesting that there’s a stage of life in which everyone draws, and makes stuff, and acts, and imagines, but for most people that stage ends. Not for Bob Dylan, though.

Best TV show ever

The West Wing. Comfort food for the left.

My favourite binge watch I’ve got kids, I don’t get to binge. Watching a whole episode is a major achievement.

The book that changed my life

On Film-Making by Alexander McKendrick. Mostly for his writing on writing, but it’s an absolutely

wonderful trove of wisdom and joy.

The book I could happily re-read  The Golden Gate by Vikram Seth. Opened my eyes to how poetry could tell whole stories.

My desert island disc  Tom Waits: Closing Time. Breaks your heart and mends it.

My dance floor/karaoke banger Tough one, there are loads. Off the top of my head, Crazy in Love. You can’t not smile.

Podcast pick

Scriptnotes by John August and Craig Mazin. Brilliant on story, on how to build a career as a writer without being a dick and all sorts of general nerdy goodness.

Best app

Freedom is the way I get writing done. Cricinfo is the way I don’t get writing done.

Guilty pleasure

This is the hardest to answer. I don’t feel particularly guilty about any of my pleasures. I’m going to say saunas and steam baths, though the guilt is purely financial. I also like baked goods, which are cheaper.

Yippee Ki Yay is at Bristol Old Vic 22-25 October; www.bristololdvic.org.uk

3 November

THE STYLISTICS

Not some chintzy tribute act, but your actual soul legends; come and be made to feel brand new at Bristol Beacon; bristolbeacon.org

4-8 November

SIMPLE THINGS FESTIVAL

Electronic, indie, post-punk, rock and pop: the 11th edition of the boundary-breaking week celebrating contemporary music returns to Beacon, bristolbeacon.org

OTHER

Ongoing

BRISTOL FILM FESTIVAL

It’s autumn, so expect lots of scary screenings in Redcliffe Caves. ur top pick is The Night of the Hunter on the 26th, though with Maggie Gyllenhaal’s new take on the Bride of Frankenstein coming our way at some point, it’s well worth checking out the Elsa Lancaster classic on the 25th, too; ri tol l e ti al.co

11-12 October

BOP

The Photobook estival is back at MPF with the usual lineup of publishers, talks, exhibitions and so on; bopbristol.org

21-22 October

OCEAN FILM FESTIVAL WORLD TOUR

rom the team behind the Banff Mountain ilm estival, a selection of short films about marine life and wild seafaring voyages; Redgrave, redgra et eatre.co

22 October

GRAYSON PERRY: ARE YOU GOOD?

Turner Prize-winning artist, author, and storyteller brings his unique wit and wisdom to Beacon; see page . bristolbeacon.org

24 October

TRIANGLE OF UNITY

From The World Reimagined: a celebration of Black Bristol culture through music, film, and conversation. St Paul’s Carnival is taking care of the afterparty. At Watershed; t eworldrei agined.org

24-25 October

FORBIDDEN WORLDS FESTIVAL: THE BIG SCREAM

Two nights of weird and wonderful horror films over riday and Saturday night, all on the Bristol Megascreen: the biggest in the South West; or iddenworld l e ti al.co.uk

2 November JON RONSON: PSYCHOPATH NIGHT

What happens when a psychopath is in power? Could you learn to spot a psychopath? Are you working for a psychopath? Is there a little bit of psychopath in all us? Jon reopens the case in a thrilling exploration of madness and the elusive psychopathic mind, at Beacon; bristolbeacon.org

DAVID OLUSOGA: A GUN THROUGH TIME

The Prof’s back, considering how a single weapon could change the course of history; at Beacon; bristolbeacon.org n

CULTURE CLUB with Richard Marsh

Haey Rich, what rhymes with motherf****r?

Ripley’s back; no, not Tom this time (he’s on p 44), but Ellen. Alien at Bristol Film Fest

ART COLLECTOR?

SO, YOU WANT TO BE AN DESPITE THE FACT THAT YOU’RE NOT

A) IN POSSESSION OF A DEGREE FROM ST MARTIN’S

B) ABSOLUTELY MINTED OR

C) CONFIDENT ABOUT VISITING A GALLERY

Like opera, ballet and all those Booker Prize-winners which dispense with punctuation, the world of art can seem an intimidating space designed for the intellectually elite. It can be, but it doesn’t have to. In fact, it can be a lot of fun: the thrill of the hunt, the shock of the new, having cleverer, better-looking walls – and it can also be much more accessible than you think. And just remember: even if you think you don’t ‘know’ art, you probably know what you like…

BY DERI ROBINS

How do you start buying art? The answer, of course, is slowly and carefully. Take your time. Learn a little. Ask a lot. And wait for an emotional connection. Decide on a budget, and try to stick to it.

The good news? Buying great art, and making your home a happier and more interesting space, is anything but out of reach, no matter how limited your resources. Working out what speaks to you is what matters – and the friendly folk at Bristol’s galleries are happy to help.

STEP ONE FIRST CONSIDERATIONS

OK – so where do we start?

“Unless you’re making huge investments and ‘playing’ the global art market, just go with your heart”, says Sarah Brown of Clifton Contemporary Art, which shows painting, sculpture, ceramics, original print work and jewellery, primarily by Bristol and West Country artists.

“Follow your instincts and buy something you love, that will keep inspiring you and bringing you pleasure for years to come. We’re buyers as well as gallery owners, and that’s what we do!”

“First and foremost, consider the condition”, says Poppy Boys-Stones of Hidden Gallery, which specialises in original, rare and signed works by modern and contemporary masters.

“Next, buy the best example of an artist’s work you can afford. It should be something representative of the artist’s signature style; this will help if you sell the work in future. Finally, if it seems too good to be true, it probably is. Beware tales of Picasso selling a painting to a relative on the beach at Cannes. He didn’t do that sort of thing.”

“Art is entirely personal; it can change how a room feels”, says Nancy Chambers of North Bristol Artists. The group is bringing back its popular Arts Trail on 29-30 November, featuring 110 artists and makers who can be visited in their homes, studios and community venues.

“Think about the mood you want to create – upbeat and lively, calm and restful – and notice how you respond to the artworks around you. If you’ve stopped noticing the art you have at home, it may be worth shifting pieces around so you see them in a new light.”

“Art is rarely an impulse purchase”, says Hemali Modha at Room 212, an independent gallery on Gloucester Road representing a wide range of local artists, makers and illustrators. “If you walk away from a piece and find you’re still thinking about it hours, days, or even months later, and the idea of someone else owning it makes you sad, that’s a sign you should buy it. Be brave!

“People often worry that buying one piece of art will set the tone for their whole collection, but it doesn’t need to. At Room 212, we curate our walls to show how the most eclectic mix of work can hang together beautifully. My advice? Start with something you love. Then buy another you love. Don’t overthink it. Over time, you’ll build a collection that reflects you. There’s no right or wrong.”

“Beyond the main consideration – do you love it? – you will want to think about where it could go on display

ABOVE: Sion Hill; photo Anna Wetz and North Bristol Artists; BELOW: THAIS by Carl Melagari

“I

know someone who bought a Banksy at a London market for £100, which they later sold once its value exceeded £30k as they could no longer a ord to in ure it

You’ll always find something startling and fascinating within the august halls of the RWA

PHOTO BY

at home”, says Sarah Bentley at the renowned RWA, Bristol’s oldest art gallery. “Imagine it on your wall or shelves. Most works, especially paintings and on paper, will be happiest if protected from extremes of light or heat.”

STEP TWO SHARPEN YOUR EYE

So, how do we learn to spot a great piece?

“Look, look, and look again”, says Poppy at Hidden. “Art is an incredibly intuitive medium, and you’ll be amazed at how quickly you begin to develop a discerning eye.”

“Visiting galleries, art fairs, exhibitions, open studios and other events help us all become more familiar with the art that resonates with us”, says Nancy at North Bristol Artists. “Whether it’s a blockbuster exhibition in a London gallery, or nipping in to a local gallery while on holiday, browsing art can be a wonderful way to relax and see the world through different eyes. ike many activities, the more we do it, the easier it becomes.”

“The more art you look at, the more you’ll learn about your tastes”, says Hemali Modha. “Over time, those tastes may change, which is natural. Something you loved early on may later feel a bit meh. It’s like food – certain things are an acquired taste. The more you experience, the more your palate (and your eye) develops.”

STEP THREE BUILDING CONFIDENCE

Getting good at the game

“Art and collecting should not be seen as something

WHAT ART DOES BRISTOL DO BEST?

“Bristol has been a city where artists thrive for centuries, so it’s limiting to label us with a particular movement or style. What Bristol does best is inspire and nurture creativity – however that manifests itself”

– Sarah, Clifton Contemporary Art

“It’s perhaps best known for its street art, because it’s freely accessible to everyone, but Bristol is alive with creativity of every kind, from TV shows to animation, gaming to fine art. It’s part of what makes Bristol such a great place to live and work.” – Nancy, North Bristol Artists

“Experimental, weird, and wonderful” – Rosie, Kitform

“Bristol’s rightly famous for its street art and graffiti, and that speaks to the strength of grassroots arts activity in the city today. But even historically, it’s always had a radical streak – the RWA was founded in 1858 by a female working artist (then very rare) and is the first place in the UK where women were allowed to study life drawing from a nude model. Our history of supporting artists and nurturing the artist in everyone is something we’re proud to continue” – Sarah, RWA

“I wouldn’t say there is a ‘Bristol style’ but Bristol has its icons – the Suspension Bridge, Park Street, hot-air balloons, foxes – all rich fodder for artists to interpret in wonderfully individual ways. Our customers love pieces that celebrate the city, whether quirky, abstract, or realistic. Bristol artists seem to capture the spirit of the place in a style that’s uniquely their own” –Hemali, Room 212

reserved for the elite”, says Ellena Norman at Studio 74. “It’s about joy, personal connection and storytelling –there’s no right or wrong, ust finding what you love. With more accessible ways to buy, including interest-free options, collecting is now within reach for everyone. If you’re new to art, visit a few galleries and chat with the gallerists. Even discovering what you don’t like can help shape what you do – it’s all part of the journey.”

“Start with what you love – you may think you know nothing, but you do know what you like, and what speaks to you”, says Sarah at RWA. “That’s all there is!”

“Beware tales of Picasso selling a painting to a distant relative on the beach at Cannes. He didn’t do that sort of thing”

“Go to lots of exhibitions, see lots of art”, says Rosie at Kitform, the Stokes Croft gallery run by Jamaica Street Artists. “It’ll show you there’s a huge variety of artwork out there, and there’s something for everyone..”

“For some, traditional galleries can feel intimidating”, says Hemali. “Imposing buildings, heavy history, and the sense that you need special knowledge to belong. That’s where small local galleries like Room 212 come into their own. We’re part of the community, just another shop on the high street. The atmosphere is informal, the artists are local and approachable, and the work on the walls is created with everyday life in mind. That makes it easier to trust your own response, because the space encourages curiosity rather than intimidation.

“Art appreciation doesn’t require the viewer to understand jargon or art history. It’s about asking simple questions: Would I like to live with this piece? What story does it tell me? How does it make me feel?”

STEP FOUR ART FOR INVESTMENT

Art can make you money… sometimes “Stick to household names who are represented in major museums with an established position within the artistic

RWA’s Open exhibition – it’s not just about paintings INSET: Sculptures by Stephanie Cunningham at Clifton Contemporary Art

canon”, says Poppy at Hidden. “Trying to guess who’ll be the next big thing’ is extremely difficult, and the market for emerging artists can be incredibly volatile. When buying for investment, a proven track record of sustained growth is a vital consideration.”

“Buying art from ‘emerging artists’ can be a great investment if their popularity soars, but unless you have serious funds to invest, buying art is more about the way it makes you feel”, says Nancy Chambers.

“That’s a big topic”, says Hemali Modha. “If investment art is something you’re interested in, you need to do your homework and keep up with the art market. Track which artists are being acquired by ma or galleries and museums and buy early, on the primary market. And yes, some say that art can be more lucrative than savings accounts – but only if you’re willing to take the risk.”

“Some collectors will buy with an expert eye to the artist’s career tra ectory – it is possible that an artist’s work will increase in value, perhaps to the point where you can no longer afford it”, says Sarah at RWA. “However, there’s no guarantee of this, so our advice is always to follow your heart and buy works that you would be happy to own forever. “

STEP FIVE PRINTS CHARMING

Are prints a good investment?

“Beautiful, relatively inexpensive prints have been a good investment in recent times”, says Sarah Brown. “The key is that they need to be original prints, signed by the artist, part of a limited edition and conceived as prints – not ust reproductions of painted images. Mid-century modern artists such as Patrick Heron, Terry rost and Barbara Hepworth are good examples. As ever though, returns are never assured.”

YOU HAVE BEEN READING

THE ROYAL WEST OF ENGLAND ACADEMY (RWA) Queen’s Road www.rwa.org.uk

CLIFTON CONTEMPORARY ART 25 Portland Street www.clifton contemporaryart.co.uk

NORTH BRISTOL ARTISTS www.northbristol artists.co.uk

HIDDEN GALLERY 6-8 Clifton Arcade www.hiddengallery.co.uk

KIT FORM 37 Jamaica Street www.jamaicastreet studios.co.uk

ROOM 212 212 Gloucester Road www.room212.co.uk

STUDIO 74

74 Whiteladies Road www.studio74 contemporaryart.com

“Signed, limited edition prints can be a more affordable option when buying an original piece exceeds available funds”, says Nancy Chambers. “Always check how ‘limited’ each edition is, though – an edition of 25 is more valuable than one of 250!”

“Art prints can be a good investment, but it really depends on the individual piece”, says Ellena of Studio 7 . “ actors such as the artist’s reputation, edition size, and whether they’re emerging or established all play a role. With emerging artists, original works are often a better investment – they can sometimes be valued the same as a print by a well-known name. Prints from emerging artists are typically more accessible in price, but there’s no guarantee they’ll increase in value. In contrast, the print market for established artists is thriving, offering a more affordable way to own work by ma or names whose originals can reach seven figures or more.”

STEP SIX THINK 3-D

Is sculpture a good bet?

Sarah Brown believes so. “You’re buying something with a presence that is both a fascinating created form and materially beautiful. Good sculpture always emphasises the power, quality or mystery of its material. Placement is really important to make the best of a sculpture – think about available space and light for your work.”

“The Annual pen includes a wide range of sculpture, from large statement pieces which would create a real ‘presence’ in a room, and could completely change its atmosphere, to little quirky pieces that might be tucked into your bookshelf to surprise and delight you”, says Sarah at RWA.

“Definitely ” says Nancy Chambers. “Bringing D art into our homes can be as simple as buying a hand-crafted mug, or a huge sculpture for your garden.”

ABOVE: You can generally find a Banksy or two hiding at Hidden TOP: A Gurt Lush Day by Jenny Urquhart at Room 212

OPPOSITE: Forget Me Not by Christy Lee Rogers, a new artist at Studio 74

STEP SEVEN STAR GAZING

How can we discover up and coming artists?

“Visiting Bristol’s many art trails is a great way to identify up-and-coming artists”, says Nancy Chambers. “Follow those you like on social media and watch to see whether they have work selected for juried shows such as those at Bristol’s RWA or the Royal Academy in London, are hosting ‘solo shows’ in prestigious galleries, or are commissioned by public institutions to create new works.

“Bristol is home to many internationally recognised artists who fit the bill and it wasn’t very long ago that they were exhibiting in local trails and exhibitions. I know someone who bought a Banksy at a London market for £100, which they later sold once its value exceeded £30k as they could not longer afford to insure it!”

“Visit a mix of galleries, from big chains to small independents, and explore platforms like Instagram or art review publications”, says Ellena Norman. “These are great tools for discovering rising names in the art world. There are hundreds of thousands of artists out there, and the more you immerse yourself in the culture, the more you’ll learn.”

STEP EIGHT ART DOES FURNISH A ROOM

Is it terminally naff to buy a piece because it matches our living room palette?

“No!” says Nancy Chambers. “Our homes are our sanctuary and art affects how we feel at home, so buy whatever you love!”

“We’re probably not the best people to ask, given that more than one staff member has redecorated to fit a room around an artwork”, says Poppy BoysStones. “However, it’s important that any artwork you welcome into your home sits in harmony with your taste and surroundings. That’s the joy of art; no two people look at a single piece in the same way.”

“Art is so subjective that I don’t think we should judge how people buy it”, says Hemali Modha. “We often want artwork in a particular style or size, so why not colour palette – it’s about what makes you happy in your space.”

“Many people begin collecting because they want to bring new energy into their home”, says Ellena Norman. “Your home is often a reflection of your personal style, and in many cases, your space can inspire your art choices, and vice versa. If you choose what you truly love, it will naturally work within your personal space.”

“No, of course not!” says Sarah at RWA. “You’ll have chosen that palette because you like it – and the same will apply to the work of art. Sometimes, though, pieces can look brilliant when they contrast with the surrounding aesthetic or colour scheme, so it can be fun to challenge your tastes as well.” n

“There’s such a huge variety of artwork out there, and there are no wrong answers”

DiE DaY

AnOtHeR

Patricia Highsmith’s The Talented Mr Ripley may be 70 years old this year, but for directors working both in film and theatre the allure of the novel has never dimmed. It’s been made into two movies, one French, one American, as well as a TV show, and it’s a tribute to the fascinating source

material that all have been outstanding.

Quite apart from the cat-and-mouse thriller plot and the glamorous mid-century Mediterranean settings, the novel features one of the most complex characters in literature. Tom Ripley is a sociopath – and yet, perversely, you find yourself rooting for this underdog as he embarks on a murder spree across south and central Italy. There’s a thin line between villain and anti-hero; it’s one that Tom

Ripley treads.

As well as the films and T series, not to mention the adaptations of the Ripley sequels, there’s been a radio play and at least one theatre Anthony Minghella’s sun-saturated 1999 movie, and the recent, noirish Netflix series, but for the K’s first stage apaptation of the novel, writer

version. It must have been difficult to block out the influence of and director Mark Leipacher has gone back to its roots.

“It’s very much the novel on stage,” says Mark, promising that an edge-of-the seat ride. “Previous adaptations have made various changes, but what we’re doing is honouring the origins of the character, which will please people who know and love the book. As for those

anyone who comes along to Bristol Old Vic next month is in for coming to it fresh, they’ll find themselves in the company of an incredibly fascinating and captivating anti-hero.”

If you are among the few who have neither read the book nor seen any of its adaptations, here, without specific spoilers, is the plot. Tom Ripley is a nobody – a small-scale con artist managing to scrape by on his considerable

I

ABOVE: Dickie and Tom, in happier days

wealthy father of Dickie Greenleaf into believing he’s a friend of his idle playboy son,

hOw fAr wOuLd yOu gO tO Be sOmEoNe eLsE?”

he’s tasked with travelling to Italy to bring Dickie home to New York. However, as Tom is drawn into Dickie’s privileged world, his obsession takes a dark turn, and a comparatively innocent confidence trick spirals into a web of lies, identity theft and murder, in a story that asks: how far would you go to be someone else?

“It makes for an incredibly entertaining evening”, says Mark. “Patricia Highsmith wrote a thriller about travel, adventure and style, and those are all things that we’re seeking to capture in the production.”

Mark’s interest in the project dates back to the Minghella movie version, which starred Matt Damon as Tom, Gwyneth Paltrow as Marge and Jude Law as Dickie. “Partly because it’s so performative, I thought, ‘This would make an amazing piece of theatre’. Then years later I read the novel, and discovered how different the book and the film were, and again, how well it would work on stage. Ripley is so captivating as a character, and in the play we get into his thought processes, so he can confide in us as live audience members in a way that he couldn’t, for example, in a voiceover in a film.”

Mark says that the stage production blends naturalistic scenes with expressionist backgrounds, with costumes and props evoking the 1950s setting and “a painter’s blank canvas stage, because there’s so much in the novel about art and about painting”.

Seven decades after it hit the shelves, Highsmith’s book continues to enthral readers. Why does Mark think that is? “Simply put, because it’s really good,” he smiles. “I know that sounds like a glib answer but the writing is excellent, the psychological character study is incredibly

Mark is full of praise for his two stars: d Mc ey, who played William in The Crown is Ripley, and Maisie Smith, best-known for playing Tiffany Butcher in EastEnders is Dickie’s girlfriend, Marge.

“Ed is incredibly talented”, says Mark, “and his facility for the technical requirements of the role is extraordinary, because Ripley doesn’t leave the stage except during the interval. And what’s great about Maisie is that she really understands the character of Marge, and what it means to have agency as a woman in the 1950s.”

Ed says he didn’t hesitate when he read Mark’s script. “I thought it was fantastic,” he says. “The character and the story are so well-known, so of course I had preconceived notions from the various adaptations. Then I read the script and it just popped, with so much energy to it, and had such a fresh take.”

Alain Delon (naturally) gave us a Ripley with ice in his veins; Matt Damon a more touching, almost sympathetic version. Andrew Scott, cast against type, seethed with menace. The character has also been played by John Malkovich in the film of the sequel, Ripley’s Game

No pressure for Ed, then.

“It’s an intimidating prospect, and it scares me,” he admits, “but it’s all part of the challenge. To me it was like, ‘This is exciting and interesting and new’, and also it’s strictly theatrical. As for the other interpretations of the character, they are all actors that I admire very much, but the play is very different and it requires something I feel I need to discover by myself. Mark is really focusing on the book, so that’s very much my hub of information, rather than the films or T shows.”

In the play, says Ed, “Ripley is a product of his past. He had a very hard time growing up, and hasn’t been dealt all the best cards. He’s someone who just wants a better life for himself, which I think many people can identify with. Most people can’t relate to his methods, of course, although I do connect with the idea of being a dreamer and wanting the best for yourself.”

Ed also has an idea why Patricia Highsmith’s tale remains so gripping 70 years after she wrote it. “I think people are always interested in the darker sides of the human psyche. In society there are certain roadblocks that get in the way, and stop you from achieving what you want to achieve. Here you have someone who goes for it, even though he does so in an unsavoury way. There’s something in human nature

So how did he build up the stamina needed for a show where he’s on stage throughout? “I’ve been working on it. It’s a big ask, but I’m very excited about it. The writing’s so good, and that’s pulling me along.”

Maisie Smith says she was drawn to Marge because “She’s very smart, she’s creative and she’s intuitive too, because she’s one of the few people who suspects Tom Ripley is twisted. Nearly everyone else is completely involved in his lie, but Marge sees through it.”

She agrees with Mark Leipacher that Marge is far from a typical 1950s female character. “She’s a very strong woman, she has her own house, and she and Dickie aren’t in a relationship as such, so she’s an empowered woman, not just a ‘wife’ character. She writes her own books and she’s a photographer; I also love taking photos. Also, I’ve started writing and doing some painting, so we share that creative side. She’s a little more well-spoken than I usually am” – Maisie’s an Essex girl – “but I have a dialect coach, and I’m feeling good about the

American accent.”

As for the rigours of stage acting – well, you’re talking to someone who’s worked on a soap for years. “I had such a fun time on but it was hard work; we did around 10 scenes a day, most days. I didn’t go to drama school, so it was challenging, but I felt like I learned so

EastEnders, much from being around such talented people.”

Gwyneth Paltrow and Dakota Fanning played Marge in the Minghella movie and the Netflix T series respectively but, like d,

Maisie is bringing her own take to the material.

“I’ve seen the other performances, and they were brilliant,” she says, “but I haven’t rewatched them because I never want to feel like I’m copying someone. I want to interpret a character in my own way

without any outside influence.”

plays Bristol Old Vic 3-8 November

Bruce Herbelin-Earle as Dickie and Maisie Smith as Marge

THIS PAGE

MISSIONARY POSITION

It’s been called the funniest musical of all time. It’s won numerous Tonys and Oliviers. It’s created by Matt Stone and Trey Parker of South Park fame – and oh, it’s about mormons

Words by Ursula Cole

Ever since it premièred on Broadway in 2011, The Book of Mormon has been an astonishing hit. Astonishing, both because of its audience numbers – 17m people have seen the show worldwide – but also for its subject matter. The musical follows a pair of mismatched Mormon missionaries who attempt to spread the word in Africa: who’d have thought that would make for a great night out?

“We really just wanted to open up a Broadway show, have it be successful, and we thought we could do that,” explains Trey Parker. “We did have some confidence in it, but we never thought it would become this big.”

Trey and his writing partner Matt Stone are sat in their west Los Angeles HQ, in the middle of the six-day cycle which produces a South Park episode. The method hasn’t much changed since the show first launched in 1997, and the tone hasn’t either: in those two decades, the duo hasn’t shied away from any target, however controversial.

In many ways, The Book of Mormon’s kinship to South Park is obvious. There are few musicals on the main stage which make jokes about cannibalism, rape, AIDS and FGM and the medicinal virtues of sex with frogs; yet it’s also a classic coming-of-age tale, even a (platonic) love story, which pays tribute to many of the musical greats, which isn’t surprising when you consider that Trey has loved musicals since childhood. He’s since talked Matt round, too.

“The assumptiongeneral is that when you expose a global religion to ridicule, someone somewhere may kick o

Trey and Matt co-wrote The Book of Mormon with Robert Lopez, who made a name for himself in musical theatre as the co-creator of Avenue Q. Musical aficionados may spot tributes to The Lion King, but the Africa in which Price and Cunningham, two 19-year-olds from Salt Lake City, arrive is less Pride Lands and more a sun-drenched Armageddon. Reaching an understanding with it, and with their faith, and with each other, is the crux of the show.

“It’s really two kids coming out of high school, basically, going out into the world, and thinking they know it all”, says Trey. “And getting their asses handed to them. And I think anyone around the world can relate to that.”

Perhaps the most surprising thing about The Book of Mormon isn’t its shocking humour, but its heart. The show thrives on a kind of bromance as our heroes – bustling, bright-eyed, all-achieving Price, and schlubby, eccentric, prone-to-lying Cunningham –are lumped together and make the most of it.

It seems appropriate, as you could say it was born from a bromance, too. In 2003 Parker and Stone went to see Avenue Q – a hugely successful mash-up of Sesame Street-style puppets and shocking, sweary confessions. Matt and Trey were surprised to see a thank-you to them in the programme from Robert Lopez, whom they had never met. Robert – a rare recipient of a double EGOT (winner of at least two Emmy Awards, Grammy Awards, Oscars, and Tony Awards) was

OPPOSITE: Mormons go to Africa; INSET: ...but it’s definitely not The Lion King

expressing gratitude for the South Park musical film, for which Trey received an Best Song scar nomination; it had been, he said, a ma or inspiration. The three met afterwards and had a casual chat about the pro ects they’d like to do next.

What opez admitted floored them: he wanted to do something on Joseph Smith and the Mormons. The story of Smith, who claimed he was presented with two golden plates by angels, and who wrote down their contents as the all-important Book of Mormon, is a key piece of American history, but essentially weird and niche. Naturally this is what made it so appealing to Matt and Trey, who’d grown up Colorado, ust one state across from the Mormon heartland of Utah.

“We grew up with Mormons,” says Trey, “we had Mormon friends, my first girlfriend was Mormon. I mean, it’s weirder that Robert had a fascination. or us it was next door, but he’d grown up in New York City.”

What followed was a long, protracted bouncing about of ideas. “We dabbled with it a long time”, says Trey. When they weren’t working on South Park, and Robert wasn’t pursuing his own pro ects, they’d meet up and write songs on the theme.

“We almost did it like a band,” says Trey. “It was really, let’s make an album’”. Preparation included attending the annual Hill Cumorah pageant in New York State, where the Mormons tell the story of their religion in their own defiantly showbiz style. “It was an 00-person musical ”, says Matt.

ven weirder was observing the pageant being protested by other Christian sects, outraged at the Mormons’ take. “I remember there was a little kid there ust saying to me, You’re gonna burn in hell’, because he assumed I was a Mormon,” says Trey. “And I was watching him, like, you have no idea, kid. I’m going to super burn in hell. ike, really burn in hell. You’re worried about these guys?”

it was not some quirky offBroadway venture, but a big gleaming mainstream show, despite its bracing subversiveness.

The team premi red the show on Broadway, where it gained rapturous acclaim. And here’s the surprising thing: there was barely any outrage of any sort. No picketing, no protests inside the theatre, no performances cancelled to allow for shocked sensibilities.

“Mormons are smart people. We never thought they’d take out ads in our programme, though”

The first six or seven songs – deeply melodic, wickedly funny, as all the show’s songs would be – arrived very quickly. And so the next question became, what’s the story here? And how should it be told? or Trey and Matt, who’d only worked on screen, a film seemed the obvious conclusion, but as the group began to workshop the songs with singers and performers, its identity as a live show became clearer. Stranger yet,

“ veryone beforehand was like, are you worried?’”, says Trey. “The general assumption is that when you expose a global religion to ridicule, someone somewhere may kick off. But Mormons are nice people and they’re smart people. We never thought they’d go so far as to take out ads in our programme, though.”

And yet, they did. The Church of Jesus Christ of atter-day Saints respected the musical’s right to say what it wanted about them and decided to piggyback on the show’s success, pointing punters to the actual, original Book of Mormon in the show’s official literature. Matt and Trey can only admire the move. “They trumped us, really,” says Trey.

In fact, the show is about so much more than religion. It’s about the delusions of a certain type of America, and the misperception of a certain type of Africa; it’s about friendship and growing up.

“There is an element to comedy that is laugh at these people’”, admits Matt. “The Book of Mormon uses that mockability of the Mormons , and then tries to tell you a larger story, and rope you in and open it up. aughter breaks down your defences, you know? And then you’re open to a different story.” n

The Book of Mormon plays Bristol Hippodrome 21 October-8 November; www.atgtickets.com

ABOVE: Mormons. Yes, they’ve all heard all your knock-knock jokes

EMILY & DAN ROSS STORYSMITH BOOKS

We’re ramping up to a Storysmith Christmas. Expect, as ever, the unexpected…

We’re reaching the point in the literary year when publishers start to go – shall we politely say – a bit overboard with the promotion of key titles for the pre-Christmas market. The shop has been in receipt of more unsolicited POS (point-of-sale) material than ever before, which means we are currently overrun with bookmarks, posters, standees, tote bags, window stickers and shelf-talkers (don’t ask).

While we are certainly flattered to know that publishers deem our influence to be worth pandering to, unfortunately for them we

long ago hitched our wagon to the bolting horse of unusual literature, and as such you will find our shop to be an almost entirely POS-free zone. If only someone would make some posters for this month’s recommendations…

The Expansion Project by Ben Pester

Following in the lineage of British catastrophe writers of yore like John Wyndham, John Christopher and JG Ballard, this unsettling novel is set within the confines of Capmeadow, a business park flanked by a cloying fog which recedes enough to reveal new offices, restaurants and chalet accommodation for staff, who all

seem increasingly distant from the memories of their home lives.

One employee, Tom Crowley, believes that his daughter has somehow become lost in the shifting, labyrinthine corridors of his workplace after he loses sight of her at the office’s bring your daughter to work’ day, and it’s his pathetic but relatable panic which drives this mysterious and unusual corporate thriller. Much like life for the wretched Capmeadow employees in their plush locale, what starts off as an amusing confection inexplicably expands to a masterfully unnerving conclusion.

Every One Still

Here by Liadan Ní Chuinn

Set and originally published in posttroubles Ireland, there is trauma and suffering everywhere in Liadan Ní Chuinn’s forceful debut collection of stories. They write beautifully about the significance of where we come from, about mothers and the unacknowledged labour of women, about men who choose not to speak out against wrongdoing, characters who care deeply about their past, and are surrounded by people who don’t want to talk.

shop – one of our most trusted measures of literary worth.

Swimming Studies by

Leanne Shapton

“We long ago hitched our wagon to the bolting horse of unusual literature”

If you’re already familiar with the Canadian artist Leanne Shapton, it’s likely to be through her more experimental projects – a novel presented as an auction catalogue, a book entirely made up of paintings of native Canadian trees, the notorious armpit sex’ drawing from Spike Jonze’s movie Her (for the love of God don’t Google it) – but in her early life she was one of the best swimmers in the country, making it all the way to Olympic trials. Swimming Studies is very much about this experience, but it’s also a springboard (sorry) that launches the reader into unexpected places, confounding preconceived ideas of what swimming is in a way that’s super-personal and yet expansive.

Ní Chuinn understands their characters implicitly, and the stories have such full lives beyond the page, more like stories that come from a lifetime of listening deeply and questioning our history. It’s rightly hoovering up plaudits all over the place, and was the subject of a particularly enriching book club debate in the

Before you know it, we’re going to be staring once again at the busiest time of the year, and the number of iffy-bags of P S material is only going to increase (don’t worry, we recycle). Each package received, though, does serve as an emboldening reminder that as things crescendo towards a festive retail climax, we can still perform our duty and point our customers towards only the most rewarding reading material. Just don’t expect it to come with a promotional poster.

Visit Storysmith at 36 North Street, Bedminster; www.storysmithbooks.com

As a consultant ENT surgeon in Bristol specialising in nasal and sinus problems, Mr Warren Bennett regularly helps patients who are concerned about recurring or troublesome nosebleeds. The good news is that there are highly effective treatments available once the cause has been properly identified.

WHY DO NOSEBLEEDS HAPPEN?

The inside of the nose contains many delicate blood vessels lying just beneath the surface. These vessels can break and bleed for a variety of reasons:

• Dryness and irritation – central heating, dry weather, or frequent nose blowing can dry out and crack the lining.

• Trauma – even minor knocks, vigorous nose blowing, or nose picking can cause bleeding.

• Infections or allergies – colds, sinus infections, or hay fever may inflame the nose and make bleeding more likely.

• Medications – blood-thinning tablets such as aspirin, warfarin, or newer anticoagulants can make nosebleeds heavier and harder to stop.

• High blood pressure – uncontrolled hypertension may contribute.

• Structural issues – a deviated septum, polyps, or, less commonly, tumours. The bleeding may also be associated with nasal blockage. Most nosebleeds arise from the front of the nose, where the vessels are fragile and exposed. Less often, bleeding originates deeper inside the nose; these ‘posterior nosebleeds’ are more serious and usually need hospital attention.

“ THE INSIDE OF THE NOSE CONTAINS MANY DELICATE BLOOD VESSELS LYING JUST BENEATH THE SURFACE”

UNDERSTANDING NOSEBLEEDS (EPISTAXIS)

Nosebleeds, known medically as epistaxis, are extremely common and can affect people of all ages. While they can be alarming, the majority are not dangerous and can be managed at home. However, in some situations, they may signal an underlying issue or require hospital treatment

WHAT TO DO IF YOU HAVE A NOSEBLEED

If you or your child has a nosebleed, follow these steps:

1. Sit up and lean forward – avoid lying flat or tilting your head back, as this can cause blood to trickle into the throat.

2. Pinch the soft part of your nose (just below the bony bridge) firmly between thumb and forefinger.

3. Hold for at least 10–15 minutes without letting go – resist the temptation to check too early.

4. Spit out any blood in your mouth rather than swallowing it, to avoid nausea or vomiting.

5. Apply a cold cloth or ice pack to the bridge of the nose or forehead – this can help constrict blood vessels.

If available, soak a piece of cotton wool or a dental roll with an over-the-counter decongestant spray such as Otrivine (any that contain xylometazoline or oxymetazoline). Insert this into the affected nostril and squeeze the nose for 10-15 minutes.

Most nosebleeds will stop with these measures.

WHEN TO SEEK MEDICAL HELP

You should seek urgent medical attention if:

• Bleeding does not stop after 20 minutes of firm pressure.

• The bleed is very heavy, with large clots or blood running down the throat.

• Nosebleeds are frequent or becoming more severe.

• Associated with nasal blockage on one side of the nose.

• You are on blood-thinning medication or have a bleeding disorder.

• The nosebleed follows a significant injury.

• You feel faint, dizzy, or unwell during the episode.

Young children and elderly patients with other medical conditions may need assessment sooner.

HOW AN ENT SPECIALIST CAN HELP

With an expert examination — often using a small camera to look inside the nose — the exact cause of bleeding can usually be identified. Treatments may include:

• Cauterisation of fragile vessels.

• Nasal packing or dressings are used if bleeding is heavy in an emergency setting.

• Addressing underlying issues – treating allergies, adjusting medication, or managing nasal dryness can help prevent recurrence.

• In rare cases, surgery or minimally invasive procedures are used to seal troublesome blood vessels.

With the right treatment, most patients find their symptoms improve quickly, and recurrences can often be prevented.

PREVENTING NOSEBLEEDS

Simple steps can reduce the likelihood of recurrence: keep the inside of the nose moist with saline sprays or gels, avoid picking or forceful blowing, use humidifiers in dry environments, and ensure blood pressure and medications are well-managed.

While most nosebleeds are not dangerous, they can sometimes signal an underlying issue. If you are experiencing frequent or severe episodes, it is worth consulting a specialist.

If you are troubled by nosebleeds, or want reassurance from an experienced nose and sinus surgeon, head to bristolentsurgeon.com or call 01172032328 to book your consultation, and check out @bristolentsurgeon on Instagram for helpful tips and updates.

To book a consultation with Mr Bennett at The Spire Bristol please get in touch: 0117 2032328; info@bristolentsurgeon.com; www.bristolentsurgeon.com; bristolentsurgeon

HOT WHEELS

Let’s throw it back to the heatwave, when the city was hot underfoot. The streets belonged to the icecream vans, the mad dogs – and the BMX crews

Words and pics by Colin Moody

BRISTOL HEROES

This series of eight shots is dedicated to the slow-riding entourage I saw flowing through the city one hot latesummer afternoon. Apparently, as it later transpired while chatting under flyovers near the Basin, they do this every year, and they hand out cash for tricks. I’m not sure I blended in on my premium electric bike, but hang I did, at a series of drops all round the city where horizontals and verticals meet. And like BM tricksters, what photographers love most is when horizontals and verticals meet.

1

So let’s go sepia, grab your flat shoes and switch your pumpkinspiced latte for a four-pack, and come with me, on a city that exists purely for the trick. or that moment.

2

At the steps, another stop, back-side stunts on two wheels I’m not gonna pretend I know the name of, and the mad deal here is that there is a Gromit ust there – on the left, see him? – that it seems no velocity of bikes without brakes is gonna stop women, it was women this day, dragging their kids right under the drop zone to get their perfect selfie. But such was the skill of the riders that back wheels kicked outside and around the iPhone brigades.

3

“We’re a drinking club with a BM problem”, said one guy I sat next to outside the ictoria Rooms.

The people with the cash that they did hand out for sublime trickery on two wheels all sat on the statue base steps, and I’ve montaged two shots from that together to try and put you into some different mode. Headspace with gears working out velocity, momentum, I mean flipping orbital dynamics stuff in your head. It all has to be perfect to land the bike in style. I asked one guy after a most audacious descent down some stairs if he was afraid. “ h yes, I have fear, but I do it.”

Is that what’s missing in our comfy cosy world, that we don’t even attempt to try something that scares us even a little? I’d say it’s time to take the brakes off, but as I said earlier these are trick bikes: no brakes. Which often means after the trick your momentum carries you into the arms of those who adored that you pulled it off.

“‘We’re a clubdrinking with a BMX problem’, said one outsideguy the Victoria Rooms”

4

BRISTOL HEROES

4

At school, they sit you in rows; in the office they put walls of beige softness up all around your grids of booths on perfectly square floors of control.

very transport system you know sets its seats in neat rows. n this day, one day every year, these humans drops their bikes to the curb in whatever way feels right.

And where you see stairs up to those booths, some see vertical potential that feels like freedom.

And that’s also what I say to other photographers, who ask for advice; I tell them, stop making your work conform to a structure of what you think it should be. Set your camera free, and the only way to do that is to be free. Spin it with the energy and ride with that, click. Does it work? Maybe, maybe not, but like the rider here, get back on it and try again, and again, and again.

5 or every trick that is worthy, touch the hand of god and take your tenner.

Cash for tricks.

Isn’t that what we do our whole life?

6Met a guy in the group who said “I’m , right, and I’ve seen stunts now that put what we were doing in the ’ 0s in the shade”. Met a lot of people recently who feel that with the world’s problems right now it’s almost too much, that’s it’s becoming beyond us to make anything meaningful stick. But if you can take a BM and flip it in the air off a cathedral, and bounce back against the way you came up to it, spin against Newtonian law, land it on two skinny tyres, you will be adored and all that is in this world is yours in that moment.

7And we near the end of our ourney and the whole crew ends up under the flyover by Cumberland Basin. Heavy rock band fires up the amps, and those with more to give sail up ramps to their own private heaven.

8I love the way the art, the concrete and the BM shenanigans are all part of the tapestry of this life. It’s all music, really. Reach out and touch it.

Colin Moody: content creation, online images Twitter @moodycolin; Instagram @colinmoodyphotography www.colinmoodyphotography.wordpress.com

KIBOU

Let the good times futomaki roll

@benrobinsphotography

Words by Deri Robins

Photos by Ben Robins

The Kibou experience begins before you set foot in the place. It starts as you mosey down King’s Road towards the lovely entrance, where two giant tree trunks flank the front door and send twisting branches up to the second floor, as if nature is trying to reclaim the building. The trees are ‘rich, burgundy Japanese acers’, incidentally, if you believe Google’s AI overview, which I generally don’t, because when it doesn’t know stuff it ust makes stuff up, but in this case the description sounds about right.

However, the design team didn’t rest on their laurels (or burgundy acers, come to that) after putting up a couple of trees; a similarly lavish aesthetic is continued inside. The interior positively glows, richly and opulently, with sexy low lighting, curvaceous velvet booths, jewel-coloured armchairs, a shimmering full-length bar and an open kitchen. There are more full-sized trees, masses of foliage, and geishas gazing down from the walls to remind you what kind of cuisine you’ve let yourself in for. Some are animated, a bit like the girl on the giant billboard in Bladerunner, though we finally gave up waiting for any of them to pop a pill in their mouth.

It’s a big, ambitious, two-storey site, but this was the third branch (no pun, etc) for the Japanese restaurant group when they opened in Clifton back in 2021, and they knew exactly what they were doing. Their expansion has been gradual and careful ever since; there are still only six Kibous in the country.

gunkan; the tataki, sashimi and wagyu. Flip the page over, and you’re confronted by sharing plates so tempting you may decide to stick with those alone, along with bao buns and ramens, the katsu curries, the chirashizushis and teriyakis, the tokusens and mazeudons.

As you can see, it’s a very, very long list, so order up a drink and take your time. Predictable to a fault, I scan the cocktail menu for the nearest thing to a margarita and land on the Hanabi, which is excellent: tequila made fragrant with lychee and hot as Hades with its spicy salt rim. Ask for just one dash of tabasco if you want to retain sensation in your tastebuds. By the third glass, I barely register the heat.

If you find yourself paralysed with indecision over even limited menu options, it’s tempting to just ask your server to just bring you something nice, which to some degree we do, at least from the sushi list. Our thanks to charming, clued-up Sorcha for her patience and enthusiasm; now there’s a girl who can take a busy Friday-night crowd in her stride.

DINING DETAILS

Kibou, 16 King’s Road, 0117 450 2930

www.kibou.co.uk

Opening: Mon-Wed midday-11pm; ThursSat midday-12am; Sun midday-11pm

We choose the sharing plates ourselves, though. Favourites include the dynamite prawns: fat, huge, sweet-tasting beasts in airy, crispy tempura, the dynamite not as fiery as it sounds. We love the lightly-battered soft-shell crab, and the takoyaki, crisp on the outside, soft and goey inside, stuffed with chopped octopus. With so much going on, and so many people to cook for, it’s unsurprising that there are a couple of minor misfires – the chicken karange, for example, is little drier than ideal.

Prices: Around £7- £29 per dish; full details on extensive online menu

Bristol, of course, isn’t short of East Asian delights. There’s izakaya-style Seven Lucky Gods, authentic Korean cooking at Bokman and Dongnae, the excellent Wangs for regional Chinese, and many, many others; in fact, new ones seem to pop up all the time. Kibou isn’t quite like any of them. It’s part restaurant, part cocktail bar; somewhere to go for a glam night out, but where you know the quality of the food is taken seriously too.

Veggie? Limited but decent choices

Service Friendly and knowledgeable Atmosphere Buzzin’

On a previous visit, our large group had been ushered into a comfy booth on the first floor, which I recall (perhaps erroneously) as being fairly calm and quiet. There are just two of us this time, seated on a little table for two on the ground floor next to the stairs. Am I a little disappointed? Initially, perhaps, but I rapidly ad ust; it’s ust a different vibe, neither better nor worse. It’s buzzier and livelier than I’d remembered, but hey, it’s the weekend, the buzz is warm, good-natured and not remotely rowdy, and we’re happy to let the good times futumaki roll; besides, it’s always nice to see a Bristol restaurant packed to the gills. We settle in, and proceed to have a lovely time.

The contents of the menu will be familiar to anyone who’s ever tatakied in Tokyo, sashimied in Seoul, noodled in Nanjing or simply eaten in the Bristol restaurants mentioned above. The sushi list alone occupies one side of the sheet – the nigiri, hosomaki, uramaki, temaki,

There’s no hiding place when it comes to tataki, and our seared bluefin tuna is marvellously fresh, its flavour teased out by citrussy ponzu dressing. Pushing the boat out so far it practically sinks, we also have the ten-piece volcano roll: salmon, avocado and tobiko roe neatly packed up in nori and sushi rice before being dipped in batter and fried, which admittedly sounds like a delicacy you might come across in the Gorbals, but is light enough for us to sink the lot without blinking. We also love our snow crab uramaki, an inside-out sushi roll that doesn’t stint on the crabmeat.

Leave room for the puds, especially the mochi balls, with their improbably chewy texture – “Like a cross between ice-cream and wine gums”, says an intrigued Ms A, who’s never tried them before.

In Feng Shui, a tree close to a front door is considered unfavourable because it can block the flow of vital energy. Kibou must be the exception to the rule, because it has energy to spare. Is it the most authentic Japanese restaurant in Bristol? Probably not; it may not even be the most authentic in BS . Does it matter? No, because it’s easily the prettiest and most glamorous, the staff always seem to be wonderful, and the dishes we tried were mostly flawless. Small, serious-minded Bristol indies will forever have our heart, but for pure escapist enjoyment, and the perfect autumn and winter warmer, in a place which feels genuinely special, an evening at Kibou is very hard to beat.

DAILY GRIND

From bustling high-street cafés to tucked-away roasteries, here’s where passion meets the perfect pour

TRUESTART COFFEE

AVAILABLE FROM: ASDA, CO-OP, MORRISONS, OCADO

WWW.TRUESTARTCOFFEE.COM

TrueStart Coffee is a proudly family-run, independent brand with one simple mission: to make you feel amazing with their delicious, healthier coffee!

All of their award-winningly tasty coffee is made with specialty-grade beans so you can have a barista quality coffee wherever you are. Ever since they started in 2015, what makes TrueStart stand out is the science behind their coffee.. they lab test each product to ensure a stable caffeine level, plenty of antioxidants & no nasties like moulds or heavy metals.

As a certified B Corp, they’re committed to doing business the right way - using it as a force for good and having a positive impact on both people & planet.

So whether it’s smooth Instant Coffee to classic Beans and Ground, faff-free Coffee Bags or refreshing Cold Brew, there’s a TrueStart for everybody & every moment!

Born and bred in Bristol, 2025 marks their 10th birthday - that’s a whole decade of making coffee that makes you feel good!

Wake up and dive into their world..

BRISTOL COFFEE FESTIVAL

BRISTOL

BEACON, BS1 5AR

WWW.BRISTOLCOFFEEFESTIVAL.CO.UK

Bristol Coffee Festival is a celebration of the South West’s incredible coffee scene, home to some of the UK’s best roasteries and coffee shops. We invite attendees to immerse themselves in the vibrant world of specialty coffee: beyond the cup, the shot, and the coffee bag.

BR Coffee Events was created to inspire meaningful connections within one of the UK’s most prominent coffee scenes here in Bristol. Headed by founder Joana Vieiralves Wood, we are a small company that champions our local community and works with independent professionals to bring you a coffee festival with a difference.

Bristol Coffee Festival aims to showcase established and emerging talent, from the growers at the beginning of the supply chain to you sipping the finished product and experiencing something incredibly special. Explore our makers’ market, where skilled ceramicists craft the cups you drink from. Meet producers and green coffee importers to understand the first link in the coffee chain, and connect with top roasters and gear suppliers from across the region.

The festival also aims to address essential topics at the core of every industry, such as diversity, mental health, and hospitality management. Expect thoughtful and provoking talks, debates, panels, competitions, and plenty of fun. But most of all, expect PEOPLE — because we believe they are the very best part of the coffee industry.

We welcome everyone to join us each September at Bristol Beacon for a day of coffee, community, and celebration. Check for more information at www.bristolcoffeefestival.co.uk. FAWN

The ideal pitstop on a weekend visit to the seaside, nestled among the shops of independent Clevedon. It’s Sunday every day at Fawn, with fresh-baked pastry, homemade cake, and Bristols best bagels… in Clevedon! Their Bagelry Box collab, Clifton house beans, and regular guests make this a city stop by the sea. Grab a batch in the sun, or an iced brew on a run, and see the best of Victorian Clevedon right outside their door. They also sell a range of retail beans and brewers for the home barista or coffee enthusiast. The newly renovated shop has inside seating and is perfectly positioned opposite Alexandra Gardens.

BRISTOL TWENTY COFFEE COMPANY

UNIT 2, THE POLYGON, FOURTH WAY, AVONMOUTH, BRISTOL BS11 8DP

WWW.BRISTOL-TWENTY.CO.UK

Bristol Twenty Coffee Company is a family-run business with a passion for exceptional coffee, sustainability, and community. Based in Bristol, we carefully source the finest beans from across the world and roast them to bring out their unique flavours and aromas. We blend tradition with innovation, creating blends and single origins that suit both hospitality partners and coffee lovers at home. Sustainability is important to us, from compostable packaging to ethically sourced beans. With training, education, and barista support at our core, we’re more than a supplier; we’re here to help elevate every coffee moment, from bean to cup.

COFFEE

ORANGE SQUASH

Meet DOUG DOUGLAS

He knows a thing or two about pumpkins

Avon Valley, farmer

of nominative determinism is – is the force

Doug Douglas – and what a perfect example that behind one of Bristol’s most beloved autumn experiences: the Pumpkin Patch.

In fact, it’s not just pumpkins, pumpkins, pumpkins at Avon Valley in October – the farm is also the site of immersive street-theatre style FEAR Scream Park, one of the best of its kind in the UK with awards to prove it.

But before we get into that: pumpkins.

This year, the patch extends over 16 acres, which means 80 thousands pumpkins are ready and waiting for you, from classic carvers to warty weirdos: each an absolutely gorgeous gourd. But what does it actually take to grow a field full of pumpkins? And what does Halloween look like when it’s not ust a holiday, but your harvest season? Grab a pitchfork and a barrow, we’re going in.

Doug, you’re surrounded by thousands of pumpkins every year. Do you have a soft spot for any particular variety?

Honestly? The weird ones. Everyone loves the classic orange, but I have a thing for the knobbly, wart-covered Galeux d’Eysines and the ghostly white Casperitas. They’re little characters. They look like something out of a fairytale – or a horror film, depending on your point of view.

People visit the pumpkin patch in October, but when does the work really start?

Way back in May. That’s when we plant, but the prep starts even earlier with soil testing and field planning. Pumpkins are proper drama queens – they hate wet feet, need a tonne of space and attract every pest going. It’s about five months of graft before the first one hits the wheelbarrow.

What does it actually take to grow and manage a pumpkin patch at this scale? You need patience, good weather and a sense of humour. It’s early mornings, tractor breakdowns, irrigation puzzles and constant guessing games with the British climate. But there’s also this amazing rhythm to it; from tiny seedlings to full-blown orange giants, it never gets old.

Are there any other fun ways to use them?

Anything left in the fields gets composted, but at home there are loads of fun ways to reuse them. You could try hollowing one out to use as an ice bucket for cider – it’s a great addition to any Halloween party. You can dry the seeds for roasting, or use smaller pumpkins as candle holders or autumn table décor. ’Tis the season, after all.

Be honest – do you ever get pumpkin fatigue?

Never! There’s a magic to seeing kids running through the fields in wellies, picking their perfect pumpkin. It’s completely bonkers and I love it.

OK. You’ve got one pumpkin, a carving tool and one hour – what are you making?

“Pumpkins are proper

drama queens”

I’m a classic jack-o-lantern kinda guy, but I’m carving a giant grinning face with one eyebrow raised. Bit of a show-off. Probably with fangs. You’ve got to give them a bit of mischief. Whether you’re planning your first pumpkin patch visit or you’re a seasoned picker with carving tools at the ready, Avon Valley’s autumn season is in full swing. Come for the pumpkins, stay for the scare mazes.

What’s one mistake people make when picking their perfect pumpkin?

They go for size, not personality. A big pumpkin isn’t always the best for carving or cooking. I always say: check the base for firmness, make sure the stalk’s intact and don’t be afraid to go off-script with colour and shape.

What’s the most underrated way to cook a pumpkin?

Roast it in wedges with maple syrup, cumin and sea salt. Simple, savoury and not remotely pierelated. Add crispy sage if you’re showing off.

What’s your favourite thing about Halloween at Avon Valley?

It’s the contrast. In the daytime it’s wholesome and pumpkin-scented, then night falls, FEAR Scream Park opens, and it becomes this wild, theatrical beast. We’ve got scare mazes, fire shows, street theatre… It’s immersive, chaotic and brilliant. Like Glastonbury with more jumpscares. n

Avon Valley Pumpkin Patch is currently open www.avonvalley.co.uk

FEAR Scream Park runs 10 October-1 November www.fearscreampark.co.uk

CLOCKWISE: Pumpkins; pumpkins; pumpkins + Doug; scary pumpkin person

CAFÉ SOCIETY STAN CULLIMORE

Window-lickin’ good

Ahh Toots: you won’t know whether to eat the cakes or to frame them

This issue’s coffee shop of choice is the rather delectable art-focused bakery’ Ahh Toots. Sitting pretty at the bottom of Christmas Steps, it’s hard to miss. Just look for the black-and-white-painted building with little leaded windows, full of olde worlde charm. As we oined the queue to get in, it put me in mind of Harry Potter and made me wonder if they sold butterbeer. By the way, queues outside cafés are always a good sign in my book. Shows there is something on offer worth waiting for. Hanging around outside for a bit was rather handy as it gave us time to stare longingly

“Before you can wave a wand and mutter, “Accio!,” they roduce a con ection t or a Hogwarts midnight feast”

at the gorgeous sweet treats on offer inside. bviously we’re not the only ones to lick the windows this way. (It’s a rench expression: leche le vitrine. Honest). There’s even a friendly sign on the counter suggesting you do ust this, to help you decide what flavoursome snack you fancy when it’s time to order. We had ust worked out exactly what to go for, when we saw what the young lady in front of us was having. It came out of a tub that had been hidden away beneath the counter, as if it was only for special customers who knew the secret password. ither way, it looked olly nice. A double-decker dose of dark cookie scrumptiousness, held together by a soft splodge of something that looked decidedly creamy and tasty. Turns out it was called a compost sandwich. So we ordered one of those. rom what I can gather, they take the leftover remains of cakey things, squish them together, wave a magical wand over the Magimix and before you can wave a wand and mutter, “Accio!” they produce a yummy confection fit for a Hogwarts midnight feast. By the way, at this point, I should probably warn you that all the cakes and biscuity things

on offer here are universally enormous, very beautiful and very, very delicious. I know this to be true because some while ago one of our nieces got married and these very lovely people made the wedding cake.

Talking of which, the young smiley soul who took our order was equally lovely, too. Which, to my mind, always helps make the world a slightly better place. They also do that kind pay it forward’ thing with coffee, where you can add a couple of quid to your bill and buy a future hot drink for someone in the community who might ust need one. Which I reckon is always a fine thing to do in a café.

So, there you have it. If you ever fancy visiting a rather marvellous cakery and biscuitier (that’s what it says above the shop) for sweet soul satisfaction or even a crispy bacon butty, then this could be ust the place for you. They’re dog-friendly too, which means you can take your canine companion along with you. Not sure about house elves, mind. n

Former The Housemartins guitarist Stan is now a journalist and travel writer; @stancullimore on instagram Google up Stan’s daily substack blog: Diary of an Urban Grandad

CHARLIE TAYLOR KASK WINE

Talkin’ ‘bout a revolution – in Bristol wine

By the time you read this, KASK² will be open – almost six years after we first opened the first KASK in Bedminster. Back in 019, we were the first bar of our kind in Bristol, and it took a fair bit of explaining to get across what ‘low-intervention’ wine actually meant. Since then the city has exploded with wine bars, many with a natural focus. Independent restaurants have raised the bar too, with lists that stretch far beyond the safe trio of Sauvignon Blanc, Pinot Grigio and Malbec.

KASK² sits where Cheltenham Road turns into Gloucester Road, neatly between two excellent bars: Carmen Street Wine and Cave. Half a mile west on Chandos Road is Snobby’s, where Nick has built a wine-lover’s dream of a restaurant (and rumour has it, a wine-only concept is fermenting away). South of the river, Carouse has just opened, where owner Faye has drawn on her background with legendary Bristol merchant Averys to create a neighbourhood bar I’d want to live next door to.

And that’s just the start. Within staggering distance of KASK² the likes of Tapps, York Place and Bravas always have something exciting to pour., while up on Chandos Road, Wilson’s and Little Hollows know their claret

from their Beaujolais. Down at Wapping Wharf, recent launches Ragu and Lapin marry brilliant food with adventurous wine lists.

So how, you might ask, can I claim that across KASK and KASK² we’ve got the most exciting wine list in the South West?

When we first opened KASK, I knew nothing about wine, other than I liked it. In the three weeks before launch, I tried to cram for WSET Level 2, but on exam day I was too busy painting the toilets. We’d opened with friends Henry and Sophie, who own Grace & James in Birmingham. They brought the wine knowledge; my wife Natalie and I brought marketing and the drive to create a neighbourhood bar that made people smile.

Then lockdown hit. Henry and Sophie had their own business to protect, so Nat and I had to keep KASK afloat. We went all-in on online tastings and I blagged my way through. My first ooms were hosted with notes propped on a music stand behind the laptop. My PR background helped me deflect questions I couldn’t answer,

while I spent the rest of my time cramming podcasts, googling producers, and drinking – a lot. By the end of lockdown, we’d bought Henry and Sophie’s share of the business, and suddenly I was ‘the wine guy’. That halffinished WS T course had been replaced by a crash course in survival: talking, reading, listening, tasting… and realising that the more you learn, the more you don’t know.

“You realise that the more you learn, the more you don’t know”

Over the years, we’ve learned alongside our customers. We didn’t come up through the industry. We weren’t shaped by mentors whose opinions became our gospel. I can’t tell you which vintage of Bordeaux was best in the late ’80s. But I can tell you Bulgaria offers incredible value, thanks to its ancient Thracian vineyards; that Uruguay is one of the most exciting regions right now, with vines planted in untouched soils by European immigrants; and that if you want Pinot Grigio with actual flavour, you need the skin-contact versions from Friuli on Italy’s Slovenian border.

I’ve never been impressed by three-figure price tags. I care about the story, the craft, and

the little details that turn a glass from fermented grape juice into something memorable. That constant fear of being ‘found out’ has also kept our list fresh. No, we don’t stock a Grand Cru Chambertin, but we do pour a cracking pét-nat from Saddle Goose in Frome, made by Adam, who’s been known to party with us until the birds sing. I’ve never tasted Château Mouton Rothschild. no chance am I paying that much, but I can pour you a Radikon, from one of the two winemakers who revived orange wine in the ’90s. And if you’re a regular, you’ll get a hefty discount. Every wine bar owner should believe their list is the most exciting. Otherwise, why do it? None of us are in it for the money.

And it’s not a competition. I’m mates with Nick at Snobby’s, Dan at Lapin and Mark at Ragu. I went to Carouse’s opening and instantly loved it. Giles from Carmen Street has already been into KASK² and we’re talking collaborations. Dom from Bianchis has been a constant at the end of the phone while we’ve been setting up.

The truth is, the more of us chasing ambitious, inventive lists, the better Bristol’s wine scene becomes– and it’s already the best of any UK city outside London.

Visit KASK Wine at 51 North Street and KASK² at 243 Cheltenham Road 07522 198081; www.kaskwine.co.uk

KASK²– now ‘saying no to sh*t wine’ in BS6

ROUND RATTAN TUB CHAIR, £475

BLOOMINGVILLE GIANO CUSHION, £28

Not enough pattern on this page? How about this striking abstract black-and-white sofa pillow, with tassels for extra pizzazz? ro ig nit aol err te www. g .co.uk

ARE YOU SITTING COMFORTABLY?

Small and perfectly formed, woven from strong natural rattan in a cocooning egg shape, this simply requires a throw, a nook and a book From Cox & Cox; www.coxandcox.co.uk

It’s autumn, and we’re going to be spending a lot more time indoors. Soft chairs, cosy throws and good lighting just reasserted their importance

REPOSE VELVET CUSHION, £65

BROMPTON READING FLOOR LAMP, £389

Evoking the utilitarian, industrial feel which never goes out of fashion; used beside a sofa or armchair for reading, the small shade will create an intimate pool of light From Neptune, 98 Whiteladies Road; www.neptune.com

Danish designers know exactly how to bring the cosiness without sacrificing the cool From Bo Concept, 76-78 Whiteladies Road www.boconcept.com

MADAM STOLTZ

BOLSTER CUSHION, £32

In soft velvet with a plush filler, it can be used on the bed, sofa or window seat, bestowing a touch of beauty and luxury wherever it lands From Mon Pote, 217 North Street; www.monpote.co.uk

SALAMANCA SOFA, £4,259

Designed by Henrik Pedersen, this low floating sofa has a 1970s bohemian feel, with oversized proportions for serious comfort From Bo Concept, 76-78 Whiteladies Road; www.boconcept.com

CASHMERE SHAWL, £540

COSY THROW, £65

For adding warmth to any sofa, armchair or bed, in a rather lovely heathery green

From Bo Concept 76-78 Whiteladies Road www.boconcept.com

A hugely luxurious scarf, shawl, throw, whatever you want it to be, from the all-female team at Bristol Weaving Mill in Old Market. Made from holistically farmed 100% Mongolian-grade cashmere, and naturally dyed with organic indigo and madder root

From Bristol Cloth; www.bristolcloth.co.uk

VIBIA DAMA 3230 FLOOR LAMP, £POA

Designed for intuitive use and maximum versatility, with smart capabilities and dimming control, allowing you to create the perfect ambience

FLUTED LEATHER

SWIVEL CHAIR, £725

From Cox & Cox www.coxandcox.co.uk

From Oskar Furniture, 47 Whiteladies Road www.oskarfurniture.co.uk

VELVET FOOTSTOOL, £310.50 (FROM £345)

Prop your feet up on it, or use it as a side table, it's happy to oblige either way

From Arlo & Jacob 94 Whiteladies Road www.arloandjacob.com

Obviously you can’t be lounging around on sofas all day, but work is never a penance when you get to perch on this elegant office chair, with its mid-century silhouette and rich toned leather

FAUX FUR POUFFE, £225

In warm mink-toned faux fur: the perfect footrest or seat for rooms which refuse to compromise on either comfort or style. Ideal for Scandi-inspired interiors

From Cox & Cox www.coxandcox.co.uk

AFFARI OF SWEDEN WICKER ARMCHAIR, £499

From Mon Pote, 217 North Street www.monpote.co.uk

Rattan and wicker bring the boho; you bring the cosy, squishy cushions

MBST: HEALING AT CELL LEVEL

MBST is a safe, non invasive regenerative medical treatment used to help patients heal across the entire orthopaedic spectrum.

Supported by award winning quantum biological research, MBST creates the ideal conditions within the cell which leads to both healing and regeneration of new cells. This leads to long term reduction of pain and improved mobility in 90% of cases we take on. In Bristol we have all 3 devices that allow us to treat every part of the body and the full array of orthopaedic conditions.

The 350 allows us to treat arthritic hands, feet and ankles with great success: Jeremy’s ankle arthritis is a great example of its efficacy.

The ASF allows us to focus on knees, hips, shoulders and spinal conditions: Marlene has benefited hugely from treatment for her neck and lower back arthritis.

CITY VIEWS

Let’s be honest – you probably don’t need me to ‘sell’ Bath to you. The city sells itself for all the obvious ye olde, tick-box charms. There are many reasons this effortlessly elegant’ little city, with a population of just 94,000, attracts six million visitors every year. These include the Royal Crescent, Jane Austen (and no, she didn’t hate us), the Roman Baths. Then there are the tea rooms, Bath stone, and Bridgerton. We are picture perfect, utterly Grammable, backdrop desirable – and we’re not shy about our hashtag good looks. However Bath is more than ust a pretty face – many residents like me have fallen in love with this part of the West Country, for a few slightly more obscure reasons...

1Bath is renowned for being a city of rugby, and this year’s phenomenal treble-win for Bath Rugby FC guarantees an even more ardent following of the Blue, Black Whites. But I have a quiet fondness for the Twerton massive, Bath City FC, currently 17th in the anarama National eague South Table. Proper football at grassroots (it’s cold and everyone moans), and the club is engaged in extensive community work through its independent foundation programme. Plus you might ust get to see Ken Loach on the terraces. Yes, move over Jane Austen, we can have another ‘tell it like it is’, seminal, legendary storyteller in our midst. Nuneatonborn Ken made the city his home in the ’70s and is an ardent Bath City FC fan; so much so, he often chooses the clubhouse Charlie’s Bar to host exclusive screenings and As. In your face, Cannes!

2

ur arts scene is forever reaching and consistently delivering. Lily Allen recently starred in the première of the Ibsen classic Hedda at our tiny Ustinov theatre (seats 120, and is the baby brother to the Theatre Royal Bath, which, as a by-the-way, is currently hosting a brilliant and eclectic season curated, directed and starring scar-winner Ralph Fiennes). I saw it twice, it was that good. The intimacy, the intensity, the beauty, the old story in a contemporary setting – it suited Bath.

CLOCKWISE: Pulteney Bridge – now that’s what I call shopping Bath-style; The Ken Loach stencil by Stewy can be seen near Bath City FC’s Twerton ground; Lily Allen at the Ustinov in Hedda; The Raven is perfect for a pie and a pint; The Bath Carnival is fast becoming a do-not-miss event

Hello! I’m Sarah Moolla, the editor of Bath Life, sister magazine to Bristol Life. It’s a city I love with a passion, and here are a few reasons why (and there’s not a bonnet, bustle, or a Mr Darcy in sight – well, there is, but only a little bit…)

3

Admittedly getting a Pride parade in the city seems to have taken an age, with a small inaugural introduction last year, but this year’s summer event was an absolute belter. Attended by thousands, it was a real demonstration of Bath’s gentle and inclusive community. Also defying expectations, we have the fabulous Bath Carnival, which manages to channel the spirit of Rio de Janeiro against the backdrop of Georgian splendour, followed by a full-on party and performances at Sydney Gardens

walking distance of each other. About to head to the city centre is Root, the latest venture from Josh ggleton. Want to keep it chic, cheap and casual? Get two samosas and a mango lassi from Chai Walla on Monmouth Street, sit in ueen Square and watch the friendly boules games taking place. r call into the Raven for a pie and pint – four floors of nooks, crannies, and a secret little library. To experience the slightly more rock’n’roll, spit-and-sawdust side of Bath, head up to Walcot Street and spend a night in The Bell, a wonderful communityowned old-school boozer, whose only concession of late is to sell pizza in the garden.

4We’re such a small city, we’re giving blended family vibes. You don’t have to schlepp to one part of the city for a decent curry or drive to another for delicious fish and chips. They all sit side by side, complementing each other and working together. Bandook Kitchen, Scallop Shell, Noya’s Kitchen –all different, all award-winning and all within

5Shopping is easy in Bath – it’s the classic one-stop shop, and nearly all are walkable (wear flats, we have cobbles). There’s the SouthGate chains as soon as you come out of Bath Spa Station, but of course, for those on a treasuretrove hunt of the unique, Bath is your oyster full of indie pearls. Just a few of my own faves include Portman Boutique on Milsom Street (I think I have their long cardie in every shade now), Homefront Interiors on Margaret’s Buildings (I’m super-proud of my peacock lampshade impulse buy), and Rossiter’s on Broad Street for everything from lip balm to luxe furniture. And we’re all eagerly awaiting the reopening of Jolly’s on Milsom Street, which promises a return to its good, old-fashioned department store roots. And make sure you visit the quirky curiosities store Tillius on Pulteney Bridge. I’m trying not to bang on about our history, heritage or how handsome we are – but my god, have you seen Pulteney Bridge? It’s one of only four bridges in the world to have shops across its full span on both sides. I could go on and on and on – I usually do, but maybe it’s best to come explore all sides of Bath for yourself... and we’ll look out for the Bath ifeMag tag when you do

LOVES BATH

© PHOTO BY MANUEL HARLAN

PHOTO BY ROWENA KO; INSTAGRAM @AHAPPYBATHONIAN

PHOTO BY LUCY BAKER PHOTOGRAPHY

MUCH MORE IN-STORE

IN STORE AT POD

ADVENT calendars

BUILD A POP OUT SCENE

Turning sunshine into sales

With Floresco, FUNKIN COCKTAILS had their most successful summer month ever

loresco partnered with FUNKIN COCKTAILS across Paid Search & Digital Advertising, boosting Return on Ad Spend by 48% year-on-year and revenue by a huge 105% month-on-month.

THE CHALLENGE

FUNKIN COCKTAILS entered May with strong seasonal potential – warm weather, long weekends, and bank holidays. The challenge was to convert that momentum into real commercial impact with a robust and highperforming digital strategy.

THE RESULTS

Floresco delivered record-breaking performance for FUNKIN COCKTAILS. May was their most successful month across digital advertising outside of the traditional Christmas peak.

WHERE CAMPAIGNS FLOURISH

Floresco is Bath’s fresh-thinking paid media agency, trusted by ambitious brands to build sustainable growth for long-term success.

Zoe Greenwood, Funkin Cocktails

www.florescomedia.com hello@florescomedia.com

MEET THE EXPERTS MAKING THE CITY BUZZ

THE CITY AT WORK

DISCOVER BRISTOL’S LEADING PROFESSIONALS

Meet the standout talents shaping Bristol’s professional services scene, from innovative entrepreneurs to seasoned financial advisors dedicated to helping you grow your wealth, and many other experts in between.

We all strive for success, but how can you ensure your hard work truly pays off? The answer: seek guidance from those who know best.

In the following pages, you’ll find a curated selection of Bristol’s top professionals, ready to support you in achieving your goals. Whether that’s building your business, managing your finances, or unlocking new potential.

EXCLUSIVE INTOINSIGHTSLOCAL BUSINESSES

BUSINESS SUPPORT & CONSULTANCY

DS BUSINESS SUPPORT

Marykate McAndrew

Tell us a little about your business

DS Business Support is a familyrun firm based in Bristol. We offer expert accounting and business services to limited companies, sole traders, and growing enterprises, serving a variety of sectors across the country. As a family business with over 0 years of experience, we combine traditional expertise with modern efficiency, delivering a classic approach powered by today’s digital tools. ur services include bookkeeping payroll, AT tax returns, management accounts on-site support, business guidance financial admin.

What achievements are the firm most proud of?

At DS Business Support, we’re proud of the milestones that reflect both our expertise and our values. Becoming a ero Gold Partner and Certified Advisor stands out as a key achievement, showcasing our commitment to delivering top tier cloud-based financial services. We’ve also been honoured with awards such as Bookkeeping Service of the Year 0 and Business Support Services 0 (South West), and have recently been nominated for the Good Small Business Awards for our dedication to sustainable, tech driven, 100 digital practices. What truly makes us proud is the impact we have on our clients. Since inception, we have earned a reputation for reliability, transparency, and genuine client first service. We’ve built lasting relationships with hundreds of K businesses, and the glowing

testimonials we receive are a testament to our client first approach.

What sets the firm apart from others in the sector?

What sets us apart is our genuine and personalised approach.

Delivered by a dedicated family run team that truly understands the needs of small and growing businesses, clients benefit from our transparent, friendly and professional approach, making the financial side of their business straightforward and stress free. We embrace techdriven efficiencies to streamline bookkeeping, payroll, and reporting; and unlike traditional financial providers, we offer flexible support (often beyond standard office hours) ensuring help is available when clients need it most. Whether you’re a sole trader ust starting out, or a growing enterprise, we’re here with practical, hands-on and friendly support. Many of our clients describe us as a lifeline, a trusted partner, and a team that genuinely cares. That’s the DS difference, award-winning expertise delivered with warmth, clarity, and a personal touch. For more: www.dsbusinesssupport.com

“OUR SERVICES INCLUDE BOOKKEEPING & PAYROLL, VAT & TAX RETURNS, MANAGEMENT ACCOUNTS & ON-SITE SUPPORT, BUSINESS GUIDANCE & FINANCIAL ADMIN”

enlightenHR

Tell us about the company At enlightenHR our purpose is to empower SM business leaders across Bristol, the SouthWest and beyond to manage their people with confidence and clarity.

With over 0 years’ experience, we’re a pragmatic, people focused HR consultancy offering tailored, legally compliant support. ur dedicated team delivers straightforward advice that saves time, reduces stress, and helps businesses handle people challenges effectively.

Name a rising star in the firm

Holly Mapstone is one of enlightenHR’s rising stars. Since oining in 0 , she has grown into a vital member of the team. With her calm, collaborative style and razor-sharp eye for detail, Holly supports clients across everything from policy reviews to complex people challenges. She also co-hosts our monthly live A sessions and is a brilliant example of how great HR is built on empathy, clarity, and communication. Her confidence and capability

continue to grow, and our clients love working with her.

What are the topical issues for 2025?

The ma or development for 0 is the new mployment Rights Bill. This introduces numerous changes for Workers including expansion of SSP, new rights to flexible working and carer’s leave, and updates to working pattern regulations. or SM s, this means reviewing contracts, updating policies, and ensuring managers understand the changes. ur message to clients is not to panic. Instead, focus on understanding the new rules and implementing them consistently, with training and communication at the core.

What’s the most rewarding part of your work?

Helping clients sleep better at night Whether resolving complex issues or answering quick questions, we make it personal and straightforward so business owners can focus on running their organisation with confidence.

For more: www.enlightenhr.com

Alison Benney Holly Mapstone

for the FOUNDERS

Samantha Hamlin, Founder

Tell us a little about your business

I founded for the FOUNDERS to give entrepreneurs, creatives, and business owners in Bristol the kind of support I wished I’d had on my own journey. Building a business can be isolating, and I wanted to create a space where people can connect and get practical advice at every stage. The network offers everything from free community groups to workshops and expert mentoring, with membership options to suit different needs. My mission is simple: to help local founders realise their potential and strengthen the entrepreneurial spirit that makes Bristol such a vibrant city.

Did you know?

for the FOUNDERS started life as a simple Christmas party with a WhatsApp group! What was meant to be a quick way to swap tips with a few local founders has snowballed into a community of 200+ entrepreneurs, proof that the best ideas often start small.

What makes working in Bristol special?

Bristol is full of brilliant people, and I wanted to highlight the remarkable businesses that call this city home. Independent

LORRAINE FREELANCE PA

Lorraine Owolabi, Founder & Director

Tell us a little about your business

At Lorraine Freelance PA, we STOP CHAOS before it hits your DESK!

We don’t ust handle tasks - we prevent problems you didn’t see coming. If you need basic admin, I’m not your person. But if you want a strategic partner who thinks ahead and eliminates problems before they start, I’m the one to call.

I’m Lorraine. I partner with visionary CEOs and Founders with 20+ years of PA/EA experience, a decade in aerospace, a black belt in karate, and a mum of two. Staying cool under pressure is what I do.

What sets you apart from others in your sector?

We don’t wait for problems - we prevent them. Most VAs are reactive; we’re strategic. My aerospace background taught me that precision isn’t optional, and my karate training means I stay calm when everything’s falling apart. While other assistants handle what lands on their desk, I’m three steps ahead, spotting the chaos before it hits yours. Twenty years of PA/EA experience means I know what CEOs need before they do. I’m not ust managing your adminI’m protecting your headspace so you can focus on the decisions that grow your business. Think less firefighting, more force field.

What challenges are your clients facing?

local businesses are vital to the health and character of our towns and cities, and here in Bristol, I see a community that champions them. It’s a place where dreamers with big ideas are supported to turn their vision into reality.

What sets you apart from others in your sector?

We offer practical, hands-on support. Members work with 12 experienced mentors throughout the year who act like part of their team, offering guidance and accountability. It’s not a hierarchy; it’s a nest of support. A safe and affordable way that founders can grow with the backing of people who truly get it.

For more: www.ftfounders.com

“BRISTOL IS FULL OF BRILLIANT PEOPLE, AND I WANTED TO HIGHLIGHT THE REMARKABLE BUSINESSES THAT CALL THIS CITY HOME”

We handle your diary, inbox, meetings, travel, and communications, streamlining operations so you can focus on growing your business.

The transformation is immediate. We don’t respond to problems; we eliminate them before they happen.

Did you know?

I have a black belt in karate! That discipline and focus naturally carry over into how I work; keeping everything in tip-top shape for my clients is inspired by my time in the dojo. The same precision and attention to detail that goes into perfecting a technique goes into managing every aspect of my clients’ business needs.

CEO burnout is real. The founders I work with are drowning, not in big strategic decisions, but in the endless admin that pulls them away from running their business. They’re booking their own travel, chasing invoices, and managing diaries that look like Tetris games. Meanwhile, million-pound decisions are getting made at 11 pm because that’s the only quiet time they have. They didn’t build companies to become glorified administrators, but that’s exactly where they’ve ended up. The cost? Missed opportunities, exhausted leadership, and businesses that plateau because the visionary is stuck in the weeds.

For more: www.lorrainefreelancepa.com

PROFESSIONAL SERVICES

MARLIN COMMUNICATIONS

Elliot Mace, Head of Sales

Tell us a bit about your company

Founded in 1998, Marlin Communications is a singlesource business communications technology specialist. We design, integrate and support modern unified communications, contact centre, video, connectivity, security and mobile solutions AI is built into everything we deliver: smart routing, live transcription, meeting summaries, sentiment insights and automated follow-ups so customers boost productivity, cut costs and improve CX. We’re vendor-agnostic, ISO/IEC 7001 certified and we partner with all leading technology vendors to deliver secure, end-toend solutions.

Did you know?

This year we launched our all-new business mobile service: MarlinMobile, offering all K mobile networks, multi-network SIMS a single management portal for both management and billing and the facility to switch networks mid-term. This

is a truly unique offering in the mobile space and there’s been a great deal of interest!

What areas do you specialise in?

nified communications and voice (Teams Phone, Zoom); AI-powered contact centres; video conferencing and meeting rooms; secure connectivity and now MarlinMobile (see above).

What challenges are your clients facing?

The world of digital communications is evolving rapidly. Both customers and employees are demanding secure, seamless experiences as they interact with the business. nsurprisingly, AI, automation and enhanced levels of customer service are now major priorities for our clients. But budgets are tight, so outcomes matter. We believe firms who embrace strategic thinking around communications, AI and customer service will succeed and grow. If you’re looking for a partner to help your firm navigate those waters, let’s start the conversation.

For more: marlincomms.co.uk, 0800 032 8274

FINANCE & ACCOUNTANCY

SOUTH WEST BUSINESS FINANCE (SWBF)

Dan Smith, Managing Director

Tell us a little about your business

At South West Business Finance, we’re all about finding the right fit. We help businesses across Bristol and the South West access funding that truly supports their ambitions, whether that’s cashflow loans, invoice finance, property investment and development funding, or finance for exciting new startups. ur clients range from family-run firms needing a little breathing room, to ambitious entrepreneurs gearing up for growth. Whatever stage a business is at, our independent advisors cut through the argon, explore the whole market, and deliver honest advice that makes finance work for you.

Did you know?

Between us, the SWB team hasover 00 years of collective commercial banking experience. That means when you sit down with one of our advisors, you’re not ust getting finance expertise, you’re tapping into centuries of knowledge about how to help businesses thrive.

STREETS STEELE ACCOUNTANTS

Ben Steele, Managing Director

Tell us a little about your business

What achievement as a firm are you most proud of?

We’re proudest of the relationships we’ve built over the past 10 years. Many of our clients have been with us since their very first funding application, and we’ve grown with them as their businesses have flourished. Being a trusted partner on that ourney, both celebrating the wins and navigating the challenges, is a real achievement for us.

What sets you apart from others in your sector?

It’s our people and our independence. We’re not tied to any one lender, so we can look across the whole market to secure the best finance for your business. The whole team has a genuine passion for helping local businesses succeed.

For more: www.swbf.co.uk

“MANY OF OUR CLIENTS HAVE BEEN WITH US SINCE THEIR VERY FIRST FUNDING APPLICATION”

i i is a K-based outsourced finance company specialising in providing complete financial management for businesses across a wide range of sectors. rom bookkeeping and payroll to forecasting, reporting, and strategic advice, i i acts as a fully outsourced finance department; delivering clarity, compliance, and cost savings without the overheads of hiring in-house. With over a decade of experience, the business has grown to a team of 0 finance professionals in Bristol and is part of the Streets Chartered Accountants group, giving clients seamless access to sectorspecific expertise as well as national audit and accountancy support.

What is the firm’s ethos and philosophy?

ur ethos is built around clarity, flexibility, and trust. We believe finance should never

be a barrier to growth, which is why we focus on providing outsourced solutions that save businesses time, reduce costs, and remove complexity. Being 100 K-based means we can offer responsive support, and ensure our clients have access to both local insight and national expertise. Above all, we aim to be a true partner, helping clients make confident financial decisions.

What makes working in Bristol special?

Bristol has a unique sense of community that makes it a fantastic place to do business. It’s a city full of ambitious, forward-thinking companies that collaborate and support one another. or i i, being based here means we get to work closely with innovative businesses across a wide range of sectors, while contributing to a thriving business ecosystem. The blend of creativity, professionalism, and community spirit is what makes Bristol such a rewarding place for our team to grow and support clients.

or ore www.uk nancetea .co.uk

FINANCE THAT FITS

Let’s find the right fit for your business. At South West Business Finance, we help businesses access everything from cashflow loans and invoice financing, to property investment and development funding, and finance for business startups. Whether you need a little breathing room or you’re gearing up for growth, we’ll help you find the finance that fits – with honest advice and no jargon. Get

LEGAL & MEDIATION

AMD SOLICITORS

Grant McCall, Managing Director and Corporate Solicitor

Tell us a little about your business

AMD solicitors is a leading fullservice, independent law firm, offering specialist legal advice to businesses and individuals in Bristol and nationally. Our core service areas are Private Client, Commercial and Residential Property, Corporate and Commercial, amily aw and itigation. We have four offices, in Henleaze, Clifton illage, Whiteladies Road and Shirehampton Road and all of our services can be accessed at each office.

Did you know?

ur office at 100 Henleaze Road has been our home since 19 making us the longest standing independent firm of solicitors in Henleaze and one of the first firms operating out of the city centre.

What achievement as a firm are you most proud of?

It has to be our Bristol Life Award win earlier this year Not only was it such an incredible honour to win an award but to win in the mployer category was particularly special. We are tremendously proud of the amazing people that work so hard for our clients. We continue to build on our engagement with all of our teams, with the

ROSKILLY & CO

Emily Roskilly, Founder and Partner

Tell us a little about your business

Our boutique Bristol based private client firm is focused on empowering our clients. ur team has grown and we have a range of experienced, specialist solicitors who can help you across a range of private client matters: Wills, PAs, Probate and state administration

Will and inheritance disputes Cohabitee disputes – advice on separation to those who are unmarried amily law

women who all have caring responsibilities. We work flexibly and collaboratively to ensure we are able to balance our caring responsibilities with our work whilst still providing the highest standard of service to our clients.

What sets you apart from others in your sector?

We are a team of highly experienced lawyers, most of whom have spent their entire career working in Bristol.

ultimate ob ective of refining and enhancing our services to clients.

Describe your offices?

We have four offices in Bristol, all different in size and location but sharing AMD core values throughout. ur culture really thrives on people en oying being in the office and being part of a team. All of our directors and senior solicitors are in office and they all value training and supervising unior lawyers in person. AMD clients can access our offices with relative ease in terms of parking and ground floor meeting rooms and although we utilise video conferencing and digital communications where helpful to do so, we still find that our clients do value our office presence and coming in for a coffee to run through key documents in person. We also have an office dog in one of our offices, a discerning toy poodle but he barely makes it out of his office to meet and greet

For more: www.amdsolicitors.com

“AMD SOLICITORS IS A LEADING FULL-SERVICE, INDEPENDENT LAW

Check out our website, where you can also listen to our podcasts to find out more about the team: www.roskillyco.uk

Work/life balance – how do you get it right for you and your staff?

ur team is made up of

We champion creative thinking, combined with significant legal expertise in our specialist areas, with proactive advice and support that’s delivered with empathy and integrity. We are collaborative yet formidable when needed. We pride ourselves on our collaborative approach, and our network of professionals who can offer wider support for our clients, such as coaching, wellbeing and financial planning support.

For more: www.roskillyco.uk

RWK GOODMAN

Tell us a little about the firm RWK Goodman works with businesses and individual clients in three key divisions, Commercial, Private, and Injury, providing a comprehensive range of legal services across a number of key sectors.

With offices from Bristol to London and over 650 colleagues, we are one of the fastest growing K Top 100 law firms.

This year, RWK Goodman achieved six top tier rankings in The Legal 500 UK. In the Chambers and Partners UK and Chambers High Net Worth guides to the legal profession, 40 of our lawyers are ranked and recommended across 21 practice areas.

What sets the firm apart from others in its sector?

Driven. Dedicated. Dependable. You can be sure that you’re in safe hands when you partner with our specialists. At RWK Goodman, we bring together bespoke teams from within the firm and beyond. We choose the right specialists, with the right skills, to get the right results for our clients.

very case is different. But what never changes is our commitment to our clients and their success. Whatever challenge you face, we’ve tackled it before and we’ll tackle it again.

START AFRESH MEDIATION

Joanna Tloczek, Family Mediator

Tell us a little about your business

Start Afresh Mediation is a specialist family mediation practice dedicated to providing exceptional support during difficult times of family conflict or breakdown. We are committed to serving the needs of diverse modern families.

Start Afresh Mediation offers a range of mediation services, including MIAM, the Family Mediation Voucher Scheme, child arrangements, financial mediation, separation- and livingtogether agreements, online mediation, and conflict coaching.

the outcome.

Our clients often worry about not being listened to, or their point being misinterpreted or even distorted and used against them. We provide a structured discussion agenda and ask questions to promote mutual understanding. And please remember that in mediation, you are never alone. We support you in making informed decisions, and you can also request advice from other professionals alongside the mediation process.

What makes Start Afresh different from other mediation practices?

Tell us about the firm’s commitments to ESG When it comes to ESG (Environment, Social and Governance), we’re already making a positive difference. But we won’t stop pushing for even better.

Whether it’s improving our environment, or supporting our colleagues, clients, and communities, we are committed to acting responsibly and engaging authentically to deliver better outcomes. Our ESG commitments are part of our culture, enabling us to drive real actions, with real purpose, that have real impact. Most importantly, we hold ourselves accountable with our annual ESG Report.

For more: rwkgoodman.com, 01174 540 540

“WITH OFFICES FROM BRISTOL TO LONDON AND OVER 650 COLLEAGUES, WE ARE ONE OF THE FASTEST GROWING UK TOP 100 LAW FIRMS”

What challenges are your clients facing?

Divorce and separation impact our clients in many ways. They worry about their future and that of their children. Financial stress is also common. During those tough times, we step in to offer support and guidance through the out of court discussions about arrangements for children and sharing assets.

Working with us, you can take things step by step and, most importantly, retain control over

As a small practice, we can offer unmatched quality service. We work closely with our clients, providing expertise, consistency, and a personal touch without premium price. We help you separate the person from the problem and focus on finding solutions. By choosing us, you have the opportunity to reach a fair and sustainable agreement.

Tell us a little known fact about the firm

Start Afresh Mediation was launched in 2022 and opened its new office in Bristol in September 2025.

For more: www.startafresh-mediation.co.uk

STRANG & CO PROPERTY SEARCH

Charlotte Strang, Founder & Director

Tell us a little about your business

We represent and advise purchasers looking to buy or rent in Bristol, North Somerset and South Gloucestershire. As a buying and investor agent, we search the entire market, with a particular focus on finding off market’ opportunities. We then advise with regards to offer levels, negotiate on a client’s behalf and oversee the transaction through to completion, thus saving our buyers’ time, money, costly mistakes and stress, in what is often a complex and lengthy process.

Did you know?

I grew up in Bristol and as a Chartered Surveyor, specialised in valuations and residential development before creating Strang & Co.

What makes working in Bristol special?

I love that it’s such a diverse

city – a jigsaw of individual neighborhoods each with their own character, charm and architectural styles. Bristol is a city which continually changes and has so much to offer. The strong sense of community stands out for me, with people and businesses all trying to help each other succeed, with the common goal of providing an excellent service for clients.

What challenges are your clients facing?

The primary challenge lies in the limited availability of properties on the open market that sufficiently meet clients’ key requirements, time constraints to conduct a property search and clients being cautious of either overpaying for a property, or losing out if their offer is too low. This is where I am able to assist by unlocking off market’ opportunities, previewing potential properties in advance and using almost twenty years of experience in valuation and negotiation to search, advise and secure a property on the best possible terms.

For more: www.strangandco.com

PROPERTY & CONSTRUCTION

ACORN PROPERTY GROUP

Robin Squire, Regional Managing Director for Acorn’s Bristol Region

Tell us a little about your business

Acorn Property Group specialise in creating bespoke residentialled redevelopment and newbuild schemes, this year we’re celebrating 30 years of creating distinctive, design-led homes. Our current live projects really show that range with new homes across Bristol, Somerset and Wiltshire.

Did you know?

We’re behind some of the South West’s most recognisable and award-winning developments — like Brandon Yard on Bristol’s harbourside, which transformed two Grade II listed buildings into stunning new homes while preserving their historic character.

What achievement as a firm are you most proud of? ver the past 0 years, we’ve delivered thousands of homes

across both urban and rural settings, celebrated for their architectural innovation and sensitivity to context. Our independence has allowed us to remain agile, communityfocused, and committed to delivering quality.

We embed sustainability into our work through our dedicated initiative, Acorn Green — from low-carbon construction and renewable energy use to biodiversity-led landscaping and community gardens. It’s all about designing for the future, not just today.

What sets you apart from others in your sector?

Our work is always led by our core ethos: Different by Design. Each project is approached individually – considering the community, environment, and architectural context.

We’re not a cookie-cutter developer, instead, we focus on thoughtful developments that stand the test of time with a strong emphasis on sustainability and placemaking.

For more: www.acornpropertygroup.org

Joanna Tloczek, Family Mediator

AIRSAT CONSTRUCTION

Shahin Eslami, Founder & Director

Tell us a little about your business

Airsat Construction is a Bristol-based design and build company specialising in HMOs, extensions, loft conversions, and new builds. From planning to final delivery, we offer a complete end-to-end service tailored to every client’s needs. Our in-house team of skilled builders, project managers and designers ensure exceptional quality and communication from start to finish.

Did you know?

Airsat Construction has developed a mobile app to streamline project management, team coordination, and inventory tracking. Clients receive real-time project updates, enhancing communication and transparency while efficiently managing records.

What sets you apart from others in your sector?

We’re not just builders, we’re problem solvers. Clients value our honest approach, transparent pricing, and

commitment to timelines. We treat each home as if it were our own, and that ethos has earned us both industry awards and client trust.

What achievement as a firm are you most proud of?

We were recently the South West winners of the”Best Bathroom Project” at the 2025 FMB (Federation of Master Builders) Awards and honoured to have been nominated finalists at the FMB national awards representing South West in September 2025 which is setting the standard in construction excellence — where quality, integrity, and reliability build more than structures.

For more: www.airsat.co.uk, 0117 352 2233

“CLIENTS VALUE OUR HONEST APPROACH, TRANSPARENT PRICING, AND COMMITMENT TO TIMELINES”

BURSTON COOK

Julian Cook, Director

Tell us a little about your business

Commercial Property Advisorssimply if you own or occupy a commercial property of any type, we can help you. From small local businesses across all sectors, to major banks, charities and institutions, Burston Cook can help and guide you to reach the best solution.

Did you know?

Burston Cook are the most active office and retail agents in Bristol- simply we transact more deals in these sectors than any of our competitors.

Tell us about your community/ charity involvement… We act for many local charities and most recently have advised The Muller Trust, Gympanzees, Clifton Diocese, Christ Church Lands Charity, B & A church, We the Curious, to name a few . In addition we actively support many charities and this year we have committed to be headline sponsors of both the

Lord Mayor’s charity for Bristol’s most needy children and Bristol Business Beats Cancer, directly sponsoring cancer research from Southmead hospital- Also this year Julian was made a honorary Normandy Veteran for his funding support over many years and has been instrumental in helping set up a foundation to honour the Polish – British alliance.

What makes working in Bristol special?

Bristol is a city of opportunity and has been kind to Burston Cook in our growth since we started over 30 years ago. It benefits from a wonderful variety of people and businesses from small artisan shops, restaurants, film production houses and creative businesses, to major legal / accounting companies, banks and institutions, all of whom sit alongside one another and add to the vibrancy and cultural variety of the City. We are honoured to help all of these people and businesses to help shape the city both now and in the future.

For more: www.burstoncook.co.uk

CRAIG FULLER PROPERTY

Craig Fuller

Tell us a little about your business

Craig Fuller Property is a specialist buying agency representing private clients purchasing prime homes across the Cotswolds, Bath, Somerset, Wiltshire and Oxfordshire. Acting exclusively for buyers, the firm provides tailored search, due diligence, negotiation and acquisition support. The sixstrong team is led by founder and Managing Director Craig Fuller, who brings more than 30 years’ property experience.

How was your firm founded and who by?

Founded in January 2025 by Craig Fuller, formerly Regional Director at Stacks Property Search, Craig Fuller Property was created to offer an elevated service for buyers, combining direct senior advice, privileged access to opportunities that rarely reach the open market and a pragmatic, proactive style that has earned Craig a reputation as one of the most highly regarded advisors in the sector.

What have been the highlights of the last 12 months?

The past year has been an exciting period of growth. Launching the company, expanding the team and working with talented colleagues and wonderful clients has made the

DNA PROPERTY SERVICES LTD

Kelly Rawlins, Director

Tell us a little about your business

journey especially rewarding. Adapting to changing market conditions and evolving buyer requirements has been both a challenge and a privilege. This inspired the Home Settlement Service, ensuring support continues well beyond completion. The team have secured a wide range of homes, from listed houses to equestrian properties and country estates, each with its own character and challenges in a competitive market.

What sets the firm apart from others in its sector?

Craig specialises in guiding buyers through the complexities of these sought-after regions, offering personalised advice and unwavering support. He prioritises understanding each client’s unique needs and aspirations, fostering long-term relationships that often continue beyond completion. A testament to this service is the significant number of new instructions via referral, reflecting Craig’s reputation for diligence, discretion and lasting client trust.

For more: www.craigfullerproperty.co.uk

“THE SIX-STRONG TEAM IS LED BY FOUNDER AND MANAGING DIRECTOR CRAIG FULLER”

At DNA Property Management, we know property is about people first. That’s why we put our customers at the centre of everything we do. Whether it’s supporting residents, working with landlords, or helping communities thrive, our focus is always on delivering a service built on trust, care and attention to detail. We’re committed to being Bristol’s most customerfocused property agent — creating homes and places where people feel valued. Based in the heart of Bristol, we manage residential blocks, estates, and mixed-use developments, tailoring our service to the unique character of every building. As accredited members of TPI, we deliver a seamless, professional service with transparency and trust at its core. We’re also proud to be one of the few remaining Bristolbased independent managing agents — giving us a truly local perspective.

Did

you know?

From city-centre apartments to landmark mixed-use schemes, DNA manages some of Bristol’s

Our local knowledge, hands-on service, and industry expertise mean we understand the fabric of the city — and the needs of the people who live and work here.

What areas do you specialise in?

We cover every aspect of block and estate management: service charge budgeting, contractor oversight, health and safety compliance, insurance claims, and clear financial reporting.

What sets you apart?

We combine the professionalism of a national agent with the flexibility of an independent firm. Clients know they’ll never be just another property — they’ll have a dedicated team who genuinely care.

DNA office, Great George St, Bristol

Peacock HR Consultancy Your solution to HR issues

We are a leading HR consultancy based in Bristol and the South West, supporting small and medium-sized businesses with exible, cost-e ective HR solutions. Whether you need ongoing support or short-term advice, we provide tailored services to suit your needs—on-site, through regular visits, or via email and phone.

Our a ordable plans start from just £20 per week (no hidden extras)—a fraction of typical Employment Lawyer fees. With the new Employment Rights Bill coming into e ect from 2026 onwards, our expert HR guidance will help keep your business compliant, protected, and up to date.

Call 07554 191819 or visit peacockhrconsultants.co.uk today.

Want to get to know us better? Listen to our podcasts and hear more from the team on our website.

Our boutique Bristol based private client firm is focused on empowering our clients.

Our team has grown and we have a range of experienced, specialist solicitors who can help you across a range of private client matters: Wills, LPAs, Probate and Estate administration

Will and inheritance disputes Cohabitee disputes – advice on separation to those who are unmarried Family law

If you’d like advice on any of these matters, we’d be delighted to help. You can call us on 07940 984 777 or get in touch via the contact form on our website.

www.roskillyco.uk

LORDS SURVEY & VALUATION

Alex and Simon Lord (Co-Directors)

Tell us a little about your business

Lords Survey & Valuation is a family-run, independent surveying firm serving Bristol, Bath, and the surrounding region. As a father-and-son team, we provide RICSregulated Home Surveys along with aluations for a variety of needs, including probate, settlement proceedings, capital gains, and Help to Buy redemptions.

ur approach is focused on being supportive with a personal touch, with prompt efficiency and professionalism. We focus on clear communication, take pride in detail and offer advice which has real value to each client’s circumstances.

Did you know?

Our property credentials make a real difference in what we offer our clients. Simon has decades of award winning experience in property, whilst Alex has K wide experience with a leading international commercial firm, all of which gives a broad base to the advice we give

WORKSPACES & OFFICES

What makes working in Bristol special?

Simply put we love the pace, the variety and people. It’s great to be part of one of the fastest growing cities in the K, and we are proud and excited to be part of this growth.

What sets you apart from others in your sector?

As a family business, we provide a truly personal service underpinned by decades of experience. We’re approachable, responsive, and committed to making the surveying process as clear and supportive as possible.

For more: www.lordssurveyandvaluation.com

“AS A FAMILY BUSINESS, WE PROVIDE A TRULY PERSONAL SERVICE UNDERPINNED BY DECADES OF EXPERIENCE”

MAP SPACE

Amanda Blakemore, Co-Founder/Sales Director

About MAP Space

MAP Space is excited to have opened in Bristol. With years of industry experience behind us, we’re proud to bring a fresh approach to flexible workspace industry. ur home in agle House, a carbon neutral building that sends zero waste to landfill and runs on 100% renewable energy, will set a new benchmark for sustainable, people-first offices. We offer private offices with stunning views and natural light, buzzing coworking areas, and flexible day month passes. Designed for productivity, connection and growth, MAP Space is the place where businesses of all shapes and sizes can thrive.

Did you know?

Members at MAP Space have access to some incredible facilities within agle House. These include fully equipped podcast studios, video recording suites, and a state-of-the-art auditorium that can host up to 200 people, perfect for events, launches and networking. We

also offer stylish meeting rooms, private pods and phone booths, providing everything needed to work, create and connect under one roof.

Describe MAP Space offices ur two floors of workspace in agle House have been designed to make the most of its landmark location in central Bristol. very office benefits from natural light and city views, with stylish interiors, breakout spaces and high-speed wi-fi connectivity throughout. It’s a professional setting with personality, striking the perfect balance between focus and flexibility.

What sets MAP Space apart from others in your sector?

MAP Space brings together industry know-how, a friendly personal touch, and a genuine commitment to sustainability. ur flexible terms, central location, great transport links and community-driven approach make us the go-to choice for Bristol businesses who want more than ust an office. Please reach out if you would like to come and have a look around; info@mapspace.uk

For more: www.mapspace.uk

ORIGIN WORKSPACE

Rob Hingston, Managing Director

Tell us a little about your business

As Managing Director of Origin Workspace, I’m proud to say that we are a community of solo professionals, satellite teams, and growing businesses – connected by the belief that where you work should inspire how you work. Based in Clifton, we’ve created a thoughtfully designed space with flexible memberships supporting everyone from remote workers to established companies.

What sets us apart is our people-first approach. Productivity isn’t just about a desk – it’s about balance, well-being, and growth. Our members enjoy premium coworking areas, private offices, a lounge, and meeting rooms, alongside wellness classes and networking events. Everything is designed to energise, connect, and support our community.

Did you know?

We’re no strangers to the spotlight – we have been used as a backdrop for many TV shows. Emma Thompson used our microwave, and Stephen

SQUARE WORKS

Charlie Thompson, Business Development & Sales

What makes working in Bristol special?

Not only is Bristol a beautiful city to visit and live in, but we are also home to some incredible businesses which have a real impact across the city, and even globally. To have so many exciting businesses choosing to work in Square Works is a huge honour. Being able to network with and work alongside the community here is so inspiring.

What sets you apart from others in your sector?

Merchant has taken a ride in our lift!

Tell us about your community/ charity involvement…

We’re committed to making a difference through the rigin Foundation. We currently support seven charities, and this year alone, we have contributed 183.5 hours to volunteering.

From litter picking to the Three Peaks Challenge, our staff and members embrace every opportunity to help.

For me and the Origin team, it’s about showing up in every way we can, whether that’s volunteering, providing desk or event space, or shining a spotlight. We aim to support our charities by giving them the platform to spread awareness.

What makes working in Bristol special

For us, it’s the independents. The businesses born here, grown here, and supported here. We make it a priority to champion them through our member lunches, breakfasts and events. As an independent company ourselves, we know first-hand the rewards of carving your own path.

For more: www.originworkspace.co.uk

some of the most preeminent members’ clubs in the world.

Tell us a little about your business Square Works is a luxury workspace nestled on the leafy Berkeley Square. Our beautiful Georgian frontage hides an elegant interior filled with natural light and modern amenities.

All Square Works members receive complimentary membership to The Square Club – Bristol’s only private members’ club for the creative industry. Our Members enjoy the perfect work-life balance through regular networking events, an award-winning restaurant and cocktail bar, as well as our unforgettable Quarterly parties. We are also part of the Sonato Alliance, a global community of reciprocal clubs. From New York to Mumbai, Auckland to Amsterdam, members can visit

Square Works is a dynamic environment for businesses and individuals in any industry. We provide bespoke flexible membership packages, whether you’re looking for a short-term hot desk or a private office for your whole team. We also have a range of meeting rooms and presentation spaces, as well as a fully equipped fitness suite.

Did you know?

Square Works has been recognised by some of the country’s most prestigious awards, including winning ‘Best Workspace’ at the recent Bristol Property Awards, and being named among the top 10 best workspaces in the UK by the 2025 Tallys.

For more: www.squareworksbristol.com, 0117 322 6635

MAP SPACE Now Open in Bristol

Bringing a fresh approach to exible workspace at Eagle House City centre location, great transport links, secure internal cycle parking and a stunning carbon-neutral building!

Vibrant Co-working Spaces - Use of the meeting pods, breakout space and great co ee.

Flexible Memberships - For private day o ice passes for teams of 4 and up

Private o ices - All-inclusive pricing, stunning views, natural light and options for teams from 4 to 130!

Meeting and Event Space - From 2-person meetings to boardrooms for 25 and event space for up to 200

MAP Space – Designed for People, Built for Work. Call Amanda on 07733102729 to come and have a look! Quote ‘BLMAP30’ for your free Co-Working Day Pass! info@mapspace.uk

STOPPING CHAOS before it hits

You’re drowning in admin while your competitors scale. Bristol’s smartest CEOs have a secret. They don’t do it all. They delegate strategically. Hey, I’m Lorraine I make chaos disappear before you see it coming. Reclaim 10+ hours a week Never miss what matters Scale without breaking Your business. My expertise. Zero stress. Ready to stop drowning?

80 Years of Financial Wisdom Lampiers Continues

to Put People First

Lampiers Financial Planning, with over 80 years of history, has been helping families, professionals and businesses navigate their financial future. As a Chartered Financial Planning Firm, we hold one of the highest professional designations in the industry, a mark of quality, expertise, and ethical standards. We blend our heritage with modern thinking to deliver a people-first approach to financial planning.

MODERN EXPERTISE & CHARTERED STATUS

At Lampiers, we combine our heritage with modern expertise. Our planners and the firm itself hold Chartered Status, recognised as the “gold standard” in financial planning. We specialise in areas such as retirement planning, inheritance planning, investment management, business and employee support services and intergenerational wealth transfer. We use dynamic and industryleading tools and apply rigorous standards to help bring financial plans to life.

HERITAGE & TRUST

We are proudly independent and have deep roots in the South West, with origins stretching back over eight decades. Since launching our financial planning arm in 1988, we’ve supported families across generations. While markets have changed, our core values—trust, reliability, and resilience—remain constant. By evolving with the times while staying true to our heritage and principles, we’ve built lasting relationships and a reputation for stability.

A PEOPLE-FIRST APPROACH

Financial planning is about people, not products. Every client’s plan is unique, shaped by their values, priorities, and aspirations. We start by listening before recommending solutions. Our team of financial planners, one mortgage adviser and dedicated support team provides the right balance of expertise and personal attention. Built on honesty, empathy, and accessibility, our approach reflects both today’s regulatory focus on good outcomes and what clients have always wanted: financial advice they can truly trust.

We believe financial planning is a partnership. For some, that means preparing for a fulfilling retirement. For others, it’s about passing wealth to the next generation or making the most of business success. Whatever the goal, our role is to provide peace of mind and a clear path forward — not just today, but for the years ahead. As an independent financial planning firm with over 80 years of history, we are proud to serve Bristol, the South West, and clients across the UK. If you’re looking for advice built on trust, expertise, and a people-first philosophy, visit our website to explore our free guides and blogs, or speak to Lampiers today.

Phone: 01179 707 910 | Email: enquiries@lampiers.com | www.lampiers.com

UNLOCK YOUR BODY’S TRUE POTENTIAL

If you’re looking for a smarter, safer, and more effective way to train, you’ll find it right here in Bristol

FKPro Academy, the city’s dedicated hub for bodyweight suspension training and sports performance enhancement, is transforming the way people of all ages and abilities build strength, prevent injury, and unlock lasting fitness.

At the heart of FKPro is a simple but powerful philosophy: your body is the best piece of equipment you’ll ever own. By harnessing suspension training, FKPro delivers a full-body workout that develops strength, balance, flexibility, and power, all while reducing strain on the joints and dramatically lowering the risk of injury.

Founded by fitness innovator Dr Peter Faulkner, FKPro has grown into a trusted name in performance and rehabilitation alike, used by governing bodies and clubs such as the FA, the RFU and Manchester United. Whether you’re an elite athlete or someone simply looking to move better, Pete and his highly skilled team- Joe and Nyree - create

“ YOUR BODY IS THE BEST PIECE OF EQUIPMENT YOU’LL EVER OWN ”

bespoke sessions that meet you exactly where you are, focusing on building resilience, preventing setbacks, and helping you enjoy movement for life.

WHY SUSPENSION TRAINING?

Unlike traditional gym machines or weights, suspension training engages multiple muscle groups at once. Every move challenges your core, sharpens your coordination, and builds the functional strength you need for everyday life. Better yet, it’s endlessly adaptable. From gentle rehabilitation exercises to explosive power drills, we make sure the challenge is right for you.

Clients consistently report improvements in posture, flexibility, and overall athletic performance, many finding they recover faster from injuries or avoid them altogether. That’s why FKPro has become a go-to training system not only for fitness enthusiasts but also for professional athletes, physiotherapists, and sports personnel worldwide.

FKPRO ACADEMY, MULTIDIRECTIONAL SPEED DEVELOPMENT

Designed and developed over 30 years of working with everyone from British, European, World, Olympic and Paralympic champions,

our multi-directional speed development leaves no movement to chance. Sprinting techniques are often overlooked, but not by us.

A BRISTOL BASE WITH A BIG VISION

Found at the Portway RDC , FKPro Academy offers an inspiring space with the personal touch that only a passionate local team can provide. The atmosphere is supportive, energetic, and welcoming – ideal for anyone keen to push themselves while feeling part of a community.

Pete, Joe, and Nyree pride themselves on building relationships as much as results. They listen, adapt, and celebrate every milestone alongside their clients. “It’s about more than getting fit,” Pete explains. “It’s about building a body that can handle life’s challenges, whether that’s chasing national records, playing elite team sports, or just moving without pain.”

READY TO JOIN THE MOVEMENT?

If you’ve ever felt uninspired by traditional gyms, or you’re searching for a training method that’s safe and effective, FKPro is ready to welcome you. Come down to the Portway RDC and see why suspension training is quickly becoming Bristol’s most exciting fitness option.

FKPRO – STRONGER. SAFER. SMARTER

training@fkpro.co.uk FKProAcademy.com

PRO SERVICES DIRECTORY

BUSINESS SUPPORT & CONSULTANCY

DS Business Support www.dsbusinesssupport.com

enlightenHR www.enlightenhr.com

For the Founders www.ftfounders.com

Lorraine Freelance PA www.lorrainefreelancepa.com

Marlin Communications Ltd www.marlincomms.co.uk

FINANCE & ACCOUNTANCY

South West Business Finance www.swbf.co.uk

Streets Steele Accountants www.uk nancetea .co.uk

LEGAL & MEDIATION

AMD Solicitors www.amdsolicitors.com

Roskilly & Co www.roskillyco.uk

RWK Goodman www.rwkgoodman.com

Start Afresh Mediation www.startafresh-mediation.co.uk

Strang & Co www.strangandco.com

PROPERTY & CONSTRUCTION

Acorn Property Group www.acornpropertygroup.org

Airsat Construction www.airsat.co.uk

Burston Cook www.burstoncook.co.uk

Craig Fuller Property www.craigfullerproperty.co.uk

DNA Properties www.dnaproperties.co.uk

Lords Survey & Valuation www.lordssurveyandvaluation.com

WORKSPACES & OFFICES

Map Space www.mapspace.uk

Origin Workspace www.originworkspace.co.uk

Square Works www.squareworksbristol.com

Buying a House?

Lords Survey & Valuation are here to make sense of it all and can help you make sure your new home is the ‘right way up’.

We’re a local, independent father-and-son survey and valuation firm, regulated by RICS and covering Bristol and Bath. We provide prompt, detailed RICS Surveys and Valuations for probate, settlements, capital gains and Help to Buy. What sets us apart is the support and experience we offer — clear, professional communication before and after each survey, backed by excellent client feedback.

You can find us at: admin@lordssurveyandvaluation.com & 0117 251 0646 (Bristol), 01225 941181 (Bath) or our website: www.lordssurveyandvaluation.com to get a quote within 24 hours

The SPACE between BUILDINGS

“It’s a way of designing which respects what’s there, while quietly making it work for contemporary life, unlocking flow unction and a sense of calm”

A House of Blue Lias is less about the old farmhouse and barn it connects – it’s more about the link which brings them together

Photography by French & Tye

In period properties made up of multiple buildings, it’s often the space between them that defines how well they work as a home.

Too often, links and connectors are treated as leftover space; a corridor, a pass-through, a box which joins two things with little thought. But when approached as architecture in its own right, these in-between moments can reshape how a home is used and felt. They offer a chance to reorient, to bring coherence, and to give purpose to otherwise disconnected structures.

It’s not about spectacle, but aligning views, creating thresholds, and using honest materials to bring spatial calm; a way of designing which respects what’s there, while quietly making it work for contemporary life, unlocking flow, function, and a sense of calm.

A perfect example can be found in this Somerset home, where Forgeworks Architects has completed a sophisticated transformation of a 19th-century farmhouse and its ad oining barn for a young family; a quietly precise intervention which has turned a fragmented historic property into a unified, functional home – not by restoring its parts, but by designing the architectural glue between them.

Set on a 3.5 acre site, A House of Blue Lias was conceived as a lowkey, high-craft response to the clients’ desire for a family home which respected the existing vernacular while resolving practical issues of flow, warmth, and liveability.

When the owners first approached orgeworks, they weren’t looking for grand statements or architectural acrobatics. What they needed was more intangible: a sense of cohesion. Their home consisted of a historic farmhouse and a poorly converted barn in which a lack of insulation made it unbearably hot in summer and freezing in winter. The two buildings were separated by a drive, and lacked any meaningful connection. The barn was underused, plagued by damp and impossible to regulate thermally. The farmhouse retained its charm, but was beginning to feel isolated from family life.

Forgeworks’ solution was to introduce a new ‘link’ building, modest in scale but transformative in experience. Placed between the two structures, this new space houses a formal living and dining room that now acts as the social heart of the home. Its design is minimal, quiet and precise, emphasising texture, proportion, and natural light over architectural bravado.

TIMELESS DESIGN, BUILT TO LAST

Clad in locally quarried blue lias stone, and topped with a gently pitched timber roof, the link building is a study in restraint. Five glazed panels run its full width, sliding open to connect both the farmhouse and barn to a south-facing terrace and swimming pool. The sense of openness is immediate, yet so is the feeling of warmth and enclosure, thanks in part to a freestanding chimney which splits the room and houses a dualaspect log burner.

The detailing is exacting throughout. The spruce-lined ceiling is laid out in harmony with the glazing joints and chimney placement, offering a rhythm and resolution. Where glass meets stone, the oinery is subtle and deliberate. The roof appears to hover, its overhang carefully calculated to offer seasonal shading.

“The owners had a strong appreciation for American mid-century architecture, stonework, articulated rooflines and open hearths”, says Chris Hawkins of Forgeworks. “Those themes helped shape the new structure, which is confident in its simplicity but rooted in craft.”

orgeworks describes the house as “engineered but calm”, a phrase which speaks to the practice’s underlying design philosophy: to let materials and light do the talking, rather than resorting to stylistic gimmickry.

SUSTAINABILITY WITHOUT SHOUTING

The barn was gutted to its stone shell, and retrofitted to meet modern standards of thermal efficiency; today, it houses bedrooms, bathrooms, a study and a generous playroom, as well as a garage for the owner’s collection of vintage cars.

An array of solar panels and battery storage systems now powers the entire property, complemented by an air source pump which supplies both domestic heating and the swimming pool. Inside the link building, the mass of the stone and limestone flooring helps regulate temperature

HOUSE STYLE

throughout the year, while concealed blinds provide shading at key moments in the shoulder seasons; it’s a softly spoken approach to sustainability, prioritising passive design, material durability, and lowmaintenance strategies over flashy tech.

A MORE CONNECTED WAY TO LIVE

One of the most transformative gestures is also one of the simplest: a new 25-metre-long axis now connects the entire home, running in a straight visual line from the farmhouse kitchen, through the dining space, to the barn’s far wall. Combined with the full building footprint, the house now stretches over 0 metres in total.

Where once there was disconnection and damp, there is now a continuous flow of space, light and air. A window placed between the new and old buildings offers a glimpse back into the kitchen: a reminder of the past, framed through the present.

Forgeworks isn’t interested in overwriting the existing story, they say, but in enriching it.

“We believe that architecture is at its most powerful when it responds to the place and the people it’s made for”, explains Chris Hawkins. “It should help life happen more easily. And in a way that’s beautiful, but also natural. ived-in.”

The practice is known for its ability to deliver quietly confident homes which feel grounded and enduring. A House of Blue ias encapsulates this attitude: it’s a home that doesn’t shout, but sings, crafted with humility and purpose, and delivered with care.

For more www.forgeworks.co.uk

BRISTOL & CLIFTON’S PREMIER COMMERCIAL PROPERTY AGENTS

Keep up-to-date with our latest news, deals, testimonials and market comment at our website: www.burstoncook.co.uk

Queen Charlotte Street, BS1

TO LET – POA. 667 – 2,556 sq ft

(61.96 – 237.45 sq m)

A fine example of a period property that has been refurbished to the highest standard providing high quality accommodation. Available to rent as a whole, or consideration may be given to a floor by floor letting.

Hyland Mews, Clifton FREEHOLD FOR SALE —SUITABLE FOR OCCUPATION / INVESTMENT

A rare opportunity to acquire a mixeduse freehold in one of Bristol’s most desirable districts. Comprising a well presented studio office of 1,646 sq ft and a 2 bed self-contained flat, plus forecourt parking for 5 cars. The freehold is available to purchase.

Newlands Farm, BS16

TO LET - £44,300 PAX

2,685 sq ft (249.41 sq m)

A two storey former farmhouse converted into offices and refurbished to a high standard, located adjacent to the Bristol & Bath Science Park and the Bristol Ring Road (A4174).

St Mary’s Way, BS35 TO LET – £16,000 PAX

1,186 sq ft (110.23 sq m)

An exciting opportunity for a ground and first floor unit at The St Mary’s Centre in Thornbury. Situated under the busy covered passageway. Ample customer and staff parking on site.

King Square, BS1 TO LET - POA

5,910 sq ft (549 sq m)

Substantial education building available to lease, with potential to suit other employment uses, such as offices, medical, leisure etc (STP). Consideration would be given to a floor by floor letting from 1,600 sq ft +. New lease available.

Hampton Road, BS6

TO LET – POA

5,382 sq ft (500 sq m)

Located at ground floor level the property has potential to suit a variety of different occupiers. E Class use - therefore suitable for a wide range of different uses. Could be split to offer two individual commercial units of c 2.600 sq ft.

Liberty House FOR SALE – POA

10,851 sq ft (1,008.05 sq m)

Multi-Let Office investment in South Bristol with a total passing rent of £114,831 per annum. Future development (STP) and reversionary rent growth potential.

Whiteladies Road, BS8

TO LET - POA. 1,500 – 9,000 sq ft (139 – 839 sq m)

Two substantial semi detached period buildings interconnecting on each floor. Currently as offices, the property readily suits other employment uses such as consulting rooms, post production facilities, day nursery, medical uses etc.

St Johns House, BS1 FOR SALE – £150,000 618 sq ft (57.41 sq m)

An opportunity to purchase a ground floor, self contained commercial unit located a few minutes walk from Corn Street. Offered as a ‘shell’ to allow an occupier to put their own stamp on the property.

Horseshoe Lane, BS35

TO LET – £17,500 PAX 1,032 sq ft (95.87sq m)

A bright and airy ground floor commercial unit with glazed frontage at St Mary’s Shopping Centre in Thornbury. New lease.

NIKITA DARE

The founder of Sistaland explains why the event might just be the creative reset we’ve been waiting for

Launched by Bristol-based producer and communitybuilder Nikita Dare, Sistaland is a fast-moving, radically inclusive movement for women, trans- women and nonbinary creatives. With big-name speakers, panels and workshops, Sistaland is asking big questions: who gets to lead, who gets left out, and how do we build creative spaces which feel more human? Let’s get into it.

Sistaland started as a small WhatsApp group for women and non-binary creatives to swap advice and support each other when the industry felt overwhelming. Within a year it had grown into a movement of 500+ members, all craving a space which felt bold, safe and radically inclusive.

The use of ‘Sista’ felt right because it spoke to solidarity, while also being flexible and expansive enough to reflect the fast-growing number of non-

“Creativity doesn’t thrive in echo chambers or heirarchies”

creatives, working-class voices, and those living with chronic illness or neurodiversity are still underfunded, underrepresented, and underpaid. Sistaland is about exposing that gap and creating tangible ways to shift the balance.

Sistaland is for women, non-binary, and allies who want to be part of real change. Whether you’re just starting out, freelancing, or leading teams, Sistaland is designed to be accessible, collaborative, and unlike corporate networking events that feel intimidating or exclusive. We’ve built in safe circles, co-creation spaces, and genuine community energy, because creativity doesn’t thrive in echo chambers or hierarchies.

companies and freelancers alike that investing in women and underrepresented voices is part of the job, not just an afterthought.

People don’t just want to sit in chairs and be talked at; they want to feel seen, to contribute, to dream together. The emotional check-ins at Sistaland acknowledge the reality of burnout and mental health struggles in our industry, while the Dreams Wall is about hope and collective imagination. Together they create a more human, nourishing festival experience.

binary and trans women in our community. The name is about building a land where sisters, siblings and allies can thrive, not ust survive, in the film and wider creative industries.

The festival is a rally, a creative reset and an act of resistance.

We’re living through a time when burnout is at an all-time high, and yet the pressure to ‘keep producing’, especially work that ‘trends’, never stops. It’s a rally because it’s about collective energy and refusing to shrink ourselves. It’s a reset because creativity can’t flourish if we’re exhausted and unsupported. And it’s an act of resistance because the industry still sidelines voices which don’t fit the mould.

On the surface, things look shiny and diverse, but the power is still concentrated in the same old places, often middleclass, male, and white. Behind the scenes, women, diverse

There’s an incredible roster of speakers in the line-up. Every speaker and attendee has pushed against barriers, whether that’s surviving in extreme environments, breaking into male-dominated industries or leading with values over ego. What unites them is courage, and a genuine willingness to lift one another up.

People are tired of hustle culture, of being told to be grateful for scraps, of not seeing themselves represented in leadership. Sistaland has resonated because it offers honesty and solidarity in an industry which often thrives on smoke and mirrors. Turning it into a festival now feels urgent; it’s about moving from conversation to action.

It’s a midweek event because we wanted this to feel like work, not an extra’ you squeeze in on your weekend. This is professional development, community-building, and creative reset rolled into one. Holding it midweek signals to

We want people to leave the festival feeling re-energised, connected, and braver than when they walked in. We want new collaborations sparking, job offers being made, and attendees feeling like they truly belong in this industry. Long term, we see Sistaland scaling to a multi-day national festival – becoming the go-to platform for creative empowerment and industry change.

The reality is, we can’t keep waiting for outside help; if we want real change, we need to build it ourselves. And there is nothing more powerful than a passionate community ready to make that happen.

You’re not broken, the system is. If you feel exhausted, unseen, or like you don’t fit, it doesn’t mean you’re failing. It means you’re ready to find your people, and Sistaland is one of those places. We want you to leave knowing that your voice matters and that creativity is as much about community and courage as it is about output.

SISTALAND takes place at The Prospect Building 11-12 November www.sistaland.co