Bath-based creative Emilio Pimentel-Reid explores the homes of top designers
WRITE BETTER LETTERS
Pick up a pen for a meaningful message
PORTRAIT OFBATH
John Cullum on life, music, Stoic philosophy and his love of the city
POWDER AND PAINT
Toxic make-up, lice-infested wigs; meet the drop-dead gorgeous Georgians
Great things to look forward to this month
John Risebero and Ben Horslen, co-founders of Antic Disposition tell usabout their new production of A Midsummer Night’s Dream at Bath Abbey.
16 THE SOUND OF THE CINEMA
Mark Kermode and Jenny Nelson know the score
Feeling outdoorsy with all-weather looks from Finisterre 22 WHAT’S ON
Our rundown of great things to do and see in Bath this month
Andy Goodman’s perspective on Pulteney Weir
Our monthly round-up of artistic goings-on
36 PUTTING PEN TO PAPER
The old-fashioned way. Naomi Nelson celebrates the magic of a handwritten letter.
40 WIG OUT
44 THE MOST IMPORTANT MEAL OF THE DAY
We review the delicious Indian breakfast at Bandook Kitchen
48 YOUR GOOD HEALTH!
In the city of Aqae Sulis, Melissa Blease looks at the world of ‘new water’
52 PORTRAIT OF BATH
John Cullum, pictured by Joe Short at Bath Abbey, talks music, leadership and Stoic philosophy
64 KEEP YOUR COOL
With the new Swedish Cryo Globe treatment at Thermae Bath Spa
70 WALK THE WALK
Andrew Swift shares one of the Cotswolds’ best kept secrets this month
72 DESIGNER HOMES
Award-winning interiors stylist and author Emilio Pimentel-Reid shares inspiring design as featured in his new book
80 LATE BLOOMERS
How to keep the garden looking good as the summer matures, by Elly West
Uncovering the hair-raising beauty secrets that are perhaps best forgotten On our cover this month
Follow us on social media @thebathmagazine
Film critic Mark Kermode (see interview by Kate Abbey on page 16)
2025/26 SEASON
All screenings will take place at BRLSI
16 -18 Queen Square, Bath BA1 2HN at 7.30pm on Fridays Films screened fortnightly.
Screenings take place every second Friday, starting 12 September 2025
For more information contact our membership secretary on mail@bathfilmsociety.org.uk or see our website www.bathfilmsociety.org.uk
We are a sociable film club that has run for over 30 years and we welcome new members.
Our season offers 14 films from September to April. We aim to show thought-provoking and entertaining films from around the world as well as much-loved classics and award-winning documentaries. Members are invited to join us from 7pm before the film at 7.30pm for a glass of wine at a nominal price, giving them the opportunity to socialise, meet fellow members and talk films.
Film Screenings 25/26 Season
12 September Blackbird, Blackbird Blackberry (Georgia)
26 September Missing (USA)
10 October Fallen Leaves (Finland)
24 October Room at the Top (UK) (AGM)
7 November Lingui (The Sacred Bonds) (Chad)
21 November Certified Copy (France/Italy)
12 December Babette’s Feast (Denmark)
9 January My Favourite Cake (Iran)
23 January The Old Oak (UK)
6 February Cinema Paradiso (Italy)
20 February Luzzu (Malta)
6 March All We Imagine as Light (India)
20 March Crossing (Georgia)
27 March Rams (Iceland)
Publisher Steve Miklos
Email: steve@thebathmagazine.co.uk
Financial Director Jane Miklos
Email: jane@thebathmagazine.co.uk
Digital Editor India Farnham
Email: india@thebathmagazine.co.uk
Production Manager Jeff Osborne
Email: production@thebathmagazine.co.uk
Contact the
Sales team tel: 01225 424499
Advertising Sales Liz Grey Email: liz@thebathmagazine.co.uk The Bath Magazine and The Bristol Magazine are published by MC Publishing Ltd. We are an independent of all other local publications
The Bath Magazine is delivered free, every month to more than 15,000 residential addresses as well as businesses throughout Bath and the surrounding area. We also have special distribution units in many of Bath’s supermarkets
City updates
KIT IS REVEALED
Show your support and get ready for another stellar year for Bath Rugby - not only has the Gallagher Premier full fixture list been revealed, with the Blue, Black and White’s opening match against the Harlequins at the Stoop in Twickenham on Friday 26 September - but the new 25/26 home kit has also just dropped. The historic hoop design of kits gone by is once again reimagined and thrust into the future with subtle pixelated detailing. Breathable, moisture-wicking technology, raglan shaping, and reinforced stitching brings the technical edge to a kit built for pursuing those marginal gains – enhanced with strategically placed gripper detailing for the team’s Pro range. Available online or at the Bath Rugby shop on Argyle Street. bathrugbyshop.com
CAMBRIDGE SATCHELS ARRIVE IN BATH
Cambridge Satchel, the world’s most renowned satchel brand and leading made-in-Britain leather goods company has opened in the Bath. The new store is the British brand’s sixth UK retail location and fourth new store in 2025, following successful launches in Windsor, Edinburgh and Paris. Located on New Bond Street, the store occupies a restored Georgian townhouse with two floors of retail space. Under CEO Carine De Koenigswarter’s creative direction, and designed by Atelier A&D, the interior takes inspiration from the city’s architecture, featuring Bath stone tones, walnut panelling, and handcrafted steel display pieces made in Sheffield. This new store houses the full collection of women’s and men’s bags, including crossbodies, satchels, handbags, totes, backpacks, briefcases and trunks. cambridgesatchel.com
BATH
National Trust properties Bath Assembly Rooms and Prior Park Landscape Garden have teamed together to put on a special set of Jane Austen inspired events from 15 – 21 September 2025 to tie in with the Jane Austen Festival. Working together the two NT properties are offering additional events inspired by the scenes described in her novels: Visitors to the Jane Austen Festival can take in the views of Bath at Prior Park Landscape Garden with a special discount and any festival goer that arrives at Prior Park Landscape Garden between 15 – 21 September in Regency dress will be able to ‘Take a turn around’ the sweeping Georgian garden with a 15% discount on the normal admission price. Admission is free for National Trust members, with no need to book. For those wishing to act out a favourite scene from Austen’s books there will be scripts available to borrow with a map suggesting the perfect location in the garden to have a go at starring in their own Austen scene. Discover more about the city of spectacle from Jane Austen’s time in Bath at a talk at BRLSI on 16 September and put a date in the diary for 10 September to get the latest episode of National Trust podcast ‘Back When’ – all about Jane Austen in Bath . With the Assembly Rooms closed for major renovations ahead of opening a new Georgian visitor experience in 2027, this is a unique opportunity for the properties to mark Jane’s 250th year together. For more information: nationaltrust.org.uk/visit/bath-bristol/ prior-park-landscape-garden/events
NOW DOGS CAN ENJOY MARSHFIELD ICE CREAMS TOO
Created on the Marshfield family farm using reduced-lactose milk from its own herd of cows, Puppuccino Pops is a milk-flavoured ice pop made especially for dogs – gentle on sensitive tummies and completely free from artificial flavourings or colours. Marshfield have partnered with the brilliant team at Blue Cross, one of the UK’s most respected animal charities and for every Puppuccino Pop sold, they will donate to Blue Cross to support pets in need. marshfield-icecream.co.uk
CELEBRATE 250 YEARS OF JANE AUSTEN WITH THE NATIONAL TRUST IN
Image: Courtesy of National Trust, Ruth Newell
BATH RUGBY’S 2025/26 HOME
Wear it with pride: Bath Rugby’s new home kit
Wool is…
• Naturally insulating
• Hard-wearing
• Easy to care for
• Sustainable
• Hypoallergenic
5THINGS TO DO IN AUGUST
Crosstown Concerts presents Ocean Colour Scene at The Forum
One of the most successful and best-loved bands of the Britpop era, chalking up three Top 5 albums and a run of nine successive Top 20 singles including the immortal The Riverboat Song, Ocean Colour Scene’s riproaring live shows have long been an extraordinary sight of modern rock performance. Communal outpourings of hope and joy which boast the most life-affirming sing-a-longs you’ll ever hear. 22 August, 7.00pm. Full details can be found at: bathforum.co.uk
Summer of Play across Bath and Bristol with The National Trust
Ready for a fun-filled summer? Take part in Summer of Play at National Trust properties Dyrham Park and Tyntesfield and create memories with the whole family. Get active and creative with a wide range of activities in the great outdoors. Every day at Dyrham Park, families can let their imaginations run wild with play stations filled with different things to try and a chance to perform on a mini stage with puppets and props. Or relax in a deckchair with a picture book. Tyntesfield is inviting families to travel Around the World in 80 Plays - a playful journey across continents, packed with fun, movement, and imagination for all ages. Activities are free. Normal admission charges apply. For full details of all events and activities visit: nationaltrust.org.uk
Shakespeare at Bath Abbey
Antic Disposition’s award -winning production of Romeo and Juliet, at Bath Abbey in 2024
Antic Disposition presents: Bath Shakespeare 2025 – A Midsummer Night’s Dream. Following last year’s awardwinning Romeo and Juliet, Antic Disposition returns to bring Shakespeare’s most magical comedy to life in the aweinspiring setting of Bath Abbey. Transformed into a mystical woodland for this breathtaking production; the Abbey’s soaring arches, are reimagined into a shimmering forest canopy and journey through its hidden corners as fairies scheme, lovers quarrel, and mischief unfolds in an unforgettable theatrical experience. Directed by Peter Brook Award-winning Ben Horslen and John Risebero, the production marks Antic Disposition’s 20th anniversary, celebrating two decades of bold, immersive storytelling in extraordinary spaces. Friday 8 – 29 August. For full details and to book your tickets: anticdisposition.co.uk
Make it a sizzling August
Get that holiday feeling at home by making the most of all the culture and events right here on our doorstep; concerts, theatre, dance, museums and galleries, and a raft of appearances by famous faces. Just about every cuisine is represented too – there’s a 50% of the a la carte menu offer at Japanese restaurant Robun on George Street, or check out its new neighbour, The George (on George Street) which promises pitchers, plates and pints. Also new to the
Monmouth Place, especially from the sun-trap roof terrace.
The Wiltshire Game & Country Fair
Set in the grounds of the Bowood House estate near Calne, the popular Wiltshire Game & Country Fair is where the countryside comes to life with fabulous arena entertainment, lots of country sports and pursuits to take part in or even try out for the first time. You might want to just meander around the show’s various shopping aisles and marquees, looking at a wide range of country, craft and food retailers, then maybe finish it off with a refreshing drink or two in one of the food courts with the relaxing atmosphere of live Jazz and Folk. Saturday and Sunday, 9-10 August. Open 10am – 6pm. Full details can be found at: livingheritagecountryshows.com
city from the owners of the Scallop Shell is Sydney’s bar & kitchen, bringing a laid-back Mediterranean vibe to
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My Bath
MARC AITKEN
Marc Aitken had the kind of bohemian childhood most of us only read about in books. The son of fashion model Pamela Portman, he was raised in a world of artists and musicians – an upbringing that paved the way for his thriving career as a photographer and sound engineer. Now living on the Royal Crescent, he continues to channel his creative instincts into new ventures (most recently putting on the Robbie Williams show). He tells us about his artistic journey and his favourite spots in the city he now calls home...
What first brought you to Bath, and what has kept you here?
My wife and I had decided to leave Brighton where we first met and were looking for somewhere that had a similar atmosphere and sense of uniqueness. My physical surroundings have always been really important to me and I have a keen sense of history and culture, so obviously Bath has that in abundance.
Your mum was fashion model Pamela Portman. What are the earliest memories you have of being around her?
My early memories are of this glamorous woman who looked like a film star, always immaculately turned out dashing from one event to the next and often returning with a group of larger than life characters.
You grew up surrounded by the 1960s fashion elite, including figures such as Brian Epstein, fashion photographer Norman Parkinson and Andrew Loog Oldham, manager of the Rolling Stones. How has that shaped the way you experience the world today?
I feel lucky to have grown up in an era that created characters like that who literally shaped popular culture for decades. It made me aware that you really could change the world with a thought, a picture or a song.
You’ve had an extraordinary career in fashion, theatre and music – when did you realise that was where you were heading?
I was probably about 8 when I fell totally in love with the pop music of the era, especially the whole Glam scene! As kids we used to have a kind of home-made Glitter Band tribute act which probably drove people round the bend but we loved it and were always trying to make equipment if we didn’t have the money to buy it. Once I managed to get a job at a newly built venue near me I knew that’s what I wanted to do.
How do you think your background in lighting and set design influences your visual storytelling today?
I’ve always been totally in love with film, my favourite directors are people like Ridley Scott and Stanley Kubrick, so I’ve always been interested in inventing worlds and people who do that really effectively.
You’ve worked with so many iconic figures –do you have any stand out memories of some of these liaisons that you could share with us?
I remember the first time I ever met and saw Kate Bush perform like it was yesterday. I was only 16 and I managed to talk my way onto working on a bunch of the shows after being involved in the very first one she did. It can sound a little corny to say that something like that changed your life, but in my case it absolutely did. It’s always a bit odd when you meet somebody really famous for the first time because you’re only used to seeing them on film or in photographs or on TV and they look, move and sound differently, but then all that subsides because you just want to get on with the business of making whatever they’re doing as good as it possibly can be in terms of your involvement.
A few years ago I finally discovered Rainbow Woods and now I’m addicted to the place, I just love walking up there. The fact that you can cross the road from the Uni and within a couple of minutes be right in the middle of the countryside surrounded by cows and sheep, where cars are a distant memory is incredible.
Do you have a go-to café or pub where you're most likely to be found decompressing or people-watching?
Well I’ve frequented most of them in my time! But currently I’d have to give a shout out to Society Café in Kingsmead Square for the whole coffee and cake thing or Dough next door as if you’re gluten-free like me it’s life changing and delicious!
If you had to capture ‘your Bath’ in one photograph, where would you take it and what would it show?
Well it might seem obvious but I think I’d have to choose the Royal Crescent having lived there for 10 years. I’ve just been part of the team that put on Robbie Williams last month after two years work and to see that come to life with my teenage son was a bit of a magic moment.
What’s your favourite thing to do in Bath when you're not working, somewhere you go to reset or get inspired?
If you could photograph anyone in the world – past or present – who would it be, and why? From the past, it would have to be Marilyn Monroe. Apart from being a ridiculously beautiful and photogenic subject, she was someone I don’t think people really understood and she had a real inner magic. If it’s from the present it would have to be Liam Gallagher. truly being yourself and not being bothered by other people’s opinions is something most people never really achieve and, love him or loath him, I honestly think he’s been himself right from the get-go.
Marc Aitken Multimedia; 07866 546410 fabulatorfilms@me.com; www.marcaitken.com
Usher at the O2 arena, taken by Marc Aitken
FIVE MINUTES WITH...
John Risebero and Ben Horslen are co‐founders of Antic Disposition, an award‐winning theatre company that presents visually striking productions in historic buildings and non‐theatre spaces. The Bath‐based duo took time out of their busy schedule to answer our questions on celebrating 20 years of fantastic theatre.
Q: What have been the major milestones and challenges of the past 20 years? Was it all part of a grand plan, or more of an accidental adventure?
It’s a little surreal to realise it’s been two decades. If there was a plan, it wasn’t written down! It all began with one show and a lot of enthusiasm. From those first performances of The Shakespeare Revue in 2005, everything just grew, organically, chaotically, sometimes miraculously.
Some big milestones include our first Shakespeare (Richard III in a derelict church), our open-air tours of France, our longrunning A Christmas Carol at Middle Temple Hall, and Henry V, which toured UK cathedrals for four years.
The biggest challenge? Working in beautiful but unconventional spaces – historic, atmospheric, and gloriously impractical! But that’s also what makes it rewarding.
Where did the idea for Antic Disposition first take root?
We met not long after graduating – Ben from Cambridge with an English degree, and John from Central Saint Martins in theatre design – and quickly bonded over a shared love of
Shakespeare. After a couple of amateur productions in London, we realised we had complementary skills, so forming Antic Disposition felt like a natural next step.
We also shared a desire to stage the classics differently – outside of traditional theatres, in unexpected spaces. That led to our first tour in France, and eventually to the site-specific style that defines us today. Over the years our dynamic has evolved, but the trust and shared vision remain the same.
How has your approach to storytelling changed over the years? Can you still see traces of your early style in today’s work? Definitely. From the start, we were drawn to minimalism, strong ensembles, and imaginative staging. We’ve always let the space do some of the storytelling, whether it’s a medieval courtyard or a cathedral.
We still avoid elaborate sets, preferring to use light, costume, and architecture to create atmosphere. The roots of our style – bold, clear storytelling in extraordinary places – haven’t changed. We’ve just got better at pulling it off!
You’ve developed a strong relationship with Bath Abbey. What is it about performing in
historic spaces like this that inspires you?
There’s something incredibly powerful about bringing classic stories to life in places steeped in centuries of history. From the moment we stepped inside Bath Abbey, we knew it was special – the scale, the beauty, the atmosphere.
We moved to Bath in 2021 and were welcomed so warmly by the Abbey team. In 2022, we staged Henry V there to a sold-out audience, and in 2024 we launched our first summer promenade season with Romeo and Juliet, winning a local award for it. The Abbey has quickly become our go-to venue in Bath: beautiful, resonant, and wonderfully open to creative adventure.
Let’s talk about A Midsummer Night’s Dream. Why did you choose this play for your summer production in Bath Abbey? Mischief, magic, misunderstandings, it’s one of Shakespeare’s most beloved plays, and a perfect fit for our immersive, site-responsive approach. After the success of Romeo and Juliet, we knew we wanted to return and take things further. And what better way than transforming the Abbey into an enchanted forest?
You’ve done a lot of open-air work in France. Did you consider that for Bath?
We did, and we adore open-air theatre, it’s been at the heart of our summers in France for years. But with the Abbey offering such a magical and weatherproof setting, the indoor promenade model felt like the right fit for Bath. That said, we’re definitely open to exploring outdoor venues locally in the future. We’ve got our eye on a few promising spots.
What’s next for Antic Disposition?
Beyond The Dream, we’re developing new touring productions, planning more work in both Bath and France, and, very excitingly, working on a feature film version of one of our shows. We’re also always on the lookout for new and unusual spaces to explore. After 20 years, we’re still ready for adventure! n
Antic Disposition presents A Midsummer Night’s Dream at Bath Abbey, 8 to 29 August. For further information or to book tickets, visit bathshakespeare.co.uk
John Risebero (left) with Ben Horslen at Bath Abbey
“There’s something incredibly powerful about bringing classic stories to life in places steeped in centuries of history. From the moment we stepped inside Bath Abbey, we knew it was special – the scale, the beauty, the atmosphere.”
Isabella Ainslie as Juliet in the balcony scene from Antic Disposition’s 2024 production of Romeo and Juliet at Bath Abbey
The sounds of the cinema
Britain’s best‐known film critic Mark Kermode and award‐winning radio producer Jenny Nelson have collaborated on a new book, Surround Sound: The Stories of Movie Music that explores the power of film music. Film buffs and music lovers won't want to miss the chance to see them in conversation next month, brought to you by the Bath Film Festival and Curious Minds Festival. Interview by Kate Abbey
Q: Could you tell us a little more about your new book – the stories you uncovered, people you interviewed and whether it’s changed the way you watch and respond to films?
Mark: The book was basically an attempt to make sense of my longstanding love of film, and the early realisation that a lot of that had to do with the soundtracks. I’d been trying to write Surround Sound for the best part of a decade, but the sheer scale of the project always got the better of me. Where to even start? Then I spent five years doing a weekly film music show on Scala Radio which was produced by Jenny Nelson. We’d both choose the tracks and write the script together, but Jenny was always the one insisting that the programme had some sort of structure. That was when I realized that she’d be the perfect coauthor for Surround Sound, which she was! The book would never have been written without her.
In your view, what makes a truly great film score – is it about melody, atmosphere, restraint, or something else entirely?
Jenny: For me, a truly great film score enhances and embodies the film to the point you can’t imagine the film without it, and yet it can also be enjoyed separately to the film. Only a few scores have been able to capture the essence of a film but also exist as a brilliant stand-alone
“Only a few scores have been able to capture the essence of a film but also exist as a brilliant stand-alone listening experience. I think a particularly strong example of this balancing act is Blade Runner by Vangelis”
Jenny Nelson
listening experience. I think a particularly strong example of this balancing act is Blade Runner by Vangelis. It’s so evocative – just a few seconds into the main titles and you’re transported to Ridley Scott’s dystopian, ‘futuristic’ Los Angeles (set all the way in 2019).
Is there a particular film soundtrack that had a deep personal impact on you growing up?
Mark: The first film soundtrack I owned was the MFP album for the Magic Roundabout feature film Dougal and the Blue Cat. I know that entire LP off by heart, and it contains not only the music from the film but pretty much all of the dialogue. After hearing it, I became convinced that all soundtrack albums included the dialogue too. But then I got the soundtrack LP for Silent Running and that was the first time I understood that you could re-watch a movie in your mind just by hearing the music. That was a real revelation.
“I got the soundtrack LP for Silent Running and that was the first time I understood that you could re-watch a movie in your mind just by hearing the music. That was a real revelation”
Mark Kermode
Jaws, Indiana Jones, Jurassic Park… Would these movies be quite as iconic without their incredible scores?
Jenny: In a word, no! We have John Williams to thank for creating these timeless scores. He’s the master when it comes to composing magical and memorable movie music. Out of these three, his Jaws score leaves the biggest legacy, not just for its ability to ramp up the dread and drama, but also for its sheer simplicity. EVERYONE knows the Jaws theme. Steven Spielberg has credited Williams’ score for half the success of this box office hit, although it’s worth noting the director originally thought the composer was joking when he first played the theme to him at the piano!
If you could produce a radio documentary on any film soundtrack or composer, who would you choose – and what story would you want to tell?
Jenny: I would love to make a radio documentary about Wendy Carlos, the pioneering electronic composer. Now in her mid-80s, she found fame with her album Switched-On Bach, and went on to create music for A Clockwork Orange and The Shining. So many contemporary screen composers cite her as a huge influence. It would be fascinating to speak to her about her experimental work creating new sounds, all the music she made for the Kubrick masterpieces (she composed a complete electronic score for The Shining but only sections were used) and to find out what she thinks about current film music.
As someone who plays in a band (The Dodge Brothers), do you ever find yourself thinking about film scenes when you're writing or playing music?
Mark: The Dodge Brothers have been accompanying silent movies with the brilliant pianist and composer Neil Brand for a couple of decades now. Just last week we performed a live improvised accompaniment to Murnau’s City Girl as part of a Bavarian film festival
on the border between Germany and Austria. We don’t play a composed score – Neil discovered that pick-up bands used to improvise live music to film in the pre-sound era and he encouraged us to do the same. It’s an exhilarating experience, and when it works it’s a really magical thing. But as a bassist, my main job is to keep an eye on Neil’s left hand and follow wherever he goes. He is the maestro of silent film music, and it’s a privilege to play with him.
You’re known for your encyclopaedic film knowledge and strong views, could you share your thoughts on the current challenges facing the film industry right now?
Mark: I think the toughest thing right now is making independent features – or, more precisely, finding exhibition outlets for indie films. But if you look at all the most interesting movies being made today, they tend to be by young film-makers working with very restricted budgets on passion projects that remind you just how miraculous cinema can be. So I encourage everyone to support independent film and (equally important!) independent cinemas. That is where the real work is being done.
Do you find that film scores and soundtracks are becoming more prominent in radio culture and playlists, especially with younger audiences?
Jenny: For all their faults, the likes of Spotify and Apple Music have made it so much easier for us to locate the music from a film or TV show, allowing a relationship to form between the viewer and score – a relationship that was previously the domain of die-hard soundtrack collectors. I love it when older scores are given a new lease of life, and a great example of this is when the Cannibal Holocaust theme by Riz Ortolani appeared in an episode of Euphoria, so new audiences were able to fall in love with this beautiful music from a decidedly unbeautiful Film.
How do you see the role of the film critic changing in an age when everyone has a platform to share their opinions?
Mark: I don’t think critics have ever had the power to influence what people do or don’t see – if they did, how come the Transformers movies took billions? So I have no problem with anyone sharing their opinions widely, and the democratisation of the internet has probably been a good thing. My only note of caution is this – if someone tells you that a movie is the best thing they’ve seen all year, your first question should be ‘what else have you seen?’ Context is everything when it comes to criticism. n
Mark and Jenny will be in conversation on Wednesday 10 September for an evening event and book signing at Komedia coinciding with the programme announcement for the Bath Film Festival (17-26 October). Tickets available at komediabath.co.uk
Surround Sound: The Stories of Movie Music (Picador) is available to pre-order now, with a publication date of 11 September 2025.
Chase the Light
Surf’s up! These new looks from adventurewear specialist Finisterre will make sure your outdoor outfits hold up against all your summer antics in all weathers, whether you’re a water baby or headed for the hills Visit the store at 27 High Street, Bath, BA1 5AJ | finisterre.com
Black + Blum Large Explorer Bottle, £38
Nieuwland 3mm Yulex® Swim Sock, £45
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Women's Senara V Neck Swimsuit, £95.
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From our newsletters...
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SHOPPING
Travel Kit, £55,
New Jimmy Fairly Club Soleil Summer 2025 Collection, jimmyfairly.com
Toast Paisley Print Cotton Bandana, £55, toa.st
Peach and Burrata Salad
Recipe by Melissa Blease
When the temperature soars and summer fruits are at their brilliant best, simplicity is the key to light lunch or suppertime starter success.
Method
From Magalleria: curated by Daniel McCabe
Players is the latest project from Carine Roitfeld and publisher of CR Fashion Book. With Roitfeld’s son Vladimir installed as editor-in-chief, this chunky and imposing magazine sets out to explore the intersection of fashion and sport – something that has existed for decades – and arguably legitimises a long association between the two. It’s guest edited Dwayne Wade, who brings on board legendary sports photographer Walter Iooss Jr, superfan Georgio Armani, WNBA stars Sabrian Ioenscu, Breanna Stewart, Cameron Brink and many others. £40 store.magalleria.co.uk
A selection of our weekly shopping picks for keeping cool this summer IT’S FREE!
1. Whisk 3 tbsp extra-virgin olive oil, 2 tbsp balsamic vinegar, 1 tbsp runny honey, and ½ clove of garlic (peeled and crushed) together, season to taste and tumble half of it through your choice of salad leaves (rocket works well here). Arrange the dressed leaves on serving plates.
2. Cut two large, ripe but firm peaches in half, remove the pits and brush with extra-virgin olive oil to coat. Preheat a non-stick frying pan to medium-high. Place the peaches (cut side down) in the pan and cook, without interference, for around 5-8 minutes, or until the edges start to bubble and the flesh begins to caramelise.
3. Place two peach halves on top of each plate of salad leaves, then tear the Burrata in half and plonk each half on top of the peaches to allow the centre of the cheese to run and melt into the fruit.
4. Drizzle with the reserved dressing, top with fresh basil leaves and serve accompanied by warm focaccia.
WHAT’S ON?
Children’s Literature Festival tickets released!
Bath Children’s Literature Festival takes place from 26 September to 5 October and welcomes friends old and new to its fabulous 18th year of bringing books to life. Guests include Children’s Laureate Frank Cottrell-Boyce, festival favourites Liz Pichon, Rob Biddulph, The Gruffalo, and Cressida Cowell, and a series of free festival events for all the family. bathfestivals.org
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ANTIQUE JEWELLERY REPAIRS AND REMODELLING
What’s on
LIVE MUSIC AT GREEN PARK BRASSERIE
n Green Park Brasserie, Green Park Road
Soak up live music alongside world class pizza, cocktails and craft beer every Weds, Thurs, Fri and Sat nights. Bookings and walk-ups available. greenparkbrasserie.com
LIVE JAZZ AT THE ROYAL CRESCENT
Throughout August
n The Royal Crescent Hotel & Spa, 16 Royal Crescent, BA1 2LS
Live jazz evenings with world-renowned saxophonist Iain Ballamy and his Crescent Jazz Trio will take place on 13 and 27 August at 7pm on the heated terrace at Montagu’s Mews; £20pp. On Friday 1 August and Friday 5 September, from 7pm-9pm, visitors can enjoy laid back summer vibes from the hotel’s resident DJ, Select Sounds, while sipping on handcrafted cocktails and snacking on light bites. royalcrescent.co.uk
BEYOND INFINITY: AMERICAN SPACE EXPLORATION
Until 4 January 2026
n American Museum & Gardens, Claverton Manor, BA2 7BD
Discover the wonders of space at this new fantastic family exhibition which showcases innovation, collaboration, and the sublime magic of space that ignites awe in all of us. americanmuseum.org
THE MOST TIRESOME PLACE IN THE WORLD: JANE AUSTEN & BATH
Until 2 November
n No. 1 Royal Crescent, BA1 2LR
In celebration of the 250th anniversary of Jane Austen’s birth, visit No.1 Royal Crescent’s exhibition all about Jane Austen’s complicated relationship with Bath. Letters, contemporary responses and the only manuscript she wrote in Bath will reveal the highs and lows of her time here, as this exhibition exposes how turbulence and loss cast a long shadow over Jane Austen and Bath. no1royalcrescent.org.uk
ROMAN BATHS SUMMER LATES
Until 31 August (check website for details) n Abbey Churchyard, Bath BA1 1LZ
On Fridays and Saturdays, Bath Carnival and Polymathic will bring vinyl DJs to the Baths, creating a laid-back vibe with an eclectic mix of Latin jazz and global sounds. Sundays offer a relaxed close to the weekend, with acoustic sets programmed by 7 Hills Festival. romanbaths.co.uk
TRACK DOGS
2 August, 8pm
n Chapel Arts Centre, Lower Borough Walls, BA1 1QR
Made up of two Irishmen, an Englishman and an American, the band create their own unique brand of acoustic music – a veritable 4 x 4 of voices and instruments identified by the fusion of styles which include Americana, Latino, Folk, Bluegrass and Pop! chapelarts.org
SOULFUL SUNDAY
3 August, 6.30pm
n Komedia Bath, BA1 1EP
The vibrant and uplifting sounds of Northern Soul, RnB, Crossover,
and Funk come to Komedia’s Electric Bar which boasts a fantastic wooden dance floor, top-notch sound-system, and a well-stocked bar. Free entry. komediabath.co.uk
ALDRIDGES OF BATH AUCTION
12 August 10am, (viewing Sat 9 August) n Online
Decorative and household sale, including Victorian, Edwardian, 20th-century and modern household furniture and furnishings, decorative china and glass, pictures and prints, mirrors and rugs. aldridgesofbath.com
SELECT INTERIORS AUCTION
15 August, 10.30am
n Frome, BA11 1PU
Bringing high quality antiques and exceptional expertise right to Bath’s doorstep, Dore & Rees’s team (which counts the highest number of BBC’s Antiques Road Show specialists of any UK auction house) presents its Select Interiors Auction. Featured in the auction will be the the Anthropological Collection of Nicolas Kinloch. doreandrees.com
JAZZ DINNER
16 August, 6.45pm
n Iford Manor, Iford, Bradford-on-Avon BA15 2BA
Enjoy a delicious 3 course dinner accompanied by sublime jazz from the awarding-winning John Law on piano, with Jake McMurchie (sax) and Henrik Jenson (double bass) (£65). This month, Iford Manor are also hosting supper clubs on 1 and 15 August, where you can enjoy a tasting menu accompanied by live music (£72.50). ifordmanor.co.uk
TOTAL REX – MARC BOLAN AND T REX TRIBUTE
23 August, 8pm
n Chapel Arts Centre, Lower Borough Walls, BA1 1QR
Summer Lates at the Roman Baths
So Long Summer: Holburne up late
Image: B&NES Council
BATH & COUNTY CLUB
Join the Bath & County Club as a member and you and your guests will enjoy a relaxed, friendly ambiance and the opportunity to meet, eat and drink in the centre of Bath. bathandcountyclub.com
TALK: “HOW NOT TO SET YOUR HOUSE ON FIRE”
Friday 8 August, 10.30am for 11am. Coffee & Pastries served. Bar lunches available from noon.
SUNDAY CARVERY
Sunday 10 August, 12.30pm for 1pm. Choices of meats, vegetables and desserts, coffee & mints.
TALK: “REALITIES OF WAR AND LEARNING FROM UKRAINE”
Friday 15 August, 6pm for 6.30pm. Two-course supper to follow.
EVENING TALK: “TOMORROW TO BE BRAVE”
Thursday 21 August, 6pm for 6.30pm. Two course supper to follow.
PIMMS AND NIBBLES
Thursday 28 August, 6pm for 6.30pm. Drinks and nibbles in the bar.
CELEBRATE END OF SUMMER DINNER
6.30pm for 7pm.
Three course dinner, coffee and mints. Email to find out more.
Rooms also for hire. Event venue: Queens Parade, Bath BA1 2NJ. Booking essential, by email: secretary@bathandcountyclub.com or telephone 01225 423732.
Total-REX is a sensational professional show capturing the glam rock sound of Marc Bolan and T Rex. The show features all the T Rex big hits from 1970s – and much much more! chapelarts.org
AQUASANA AT THE GAINSBOROUGH
27 August, 11am
n The Gainsborough Bath Spa, BA1 1QY
An invigorating aqua fitness session that combines classic yoga postures, balancing Tai Chi and strengthening karate moves to stretch and tone the body in the mineral enriched waters of the Bath House. thegainsboroughbathspa.co.uk
BRLSI EVENT: BECOMING AN ACTOR
27 August, 2-4pm
n BRLSI, 16 Queen Square, BA1 2HN
In partnership with BRLSI’s Academy of Imagination, the Theatre Royal and the Bath Theatre Academy, Becoming an Actor offers an interactive workshop and panel discussion highlighting the options open to those wishing to train as a professional actor. A panel of actors will discuss the options, reflect on their own experience, and provide helpful advice on the audition process and taking the first steps towards a professional life as an actor. The event will also be live streamed. brlsi.org
BIG GIRLS DON’T CRY
29 August, 7.30pm
n Bath Forum, BA1 1UG
They skyrocketed to worldwide stardom 60 years ago with No1 hit Sherry, so come out tonight as they take you to a place where the moon shines bright and you dance the night away, taking you back in time with Big Girls Don’t Cry, celebrating the iconic sounds of Frankie Valli & The Four Seasons. £30 bathforum.co.uk
PERFUME-MAKING HALF-DAY WORKSHOP
29 August, 2-2.45pm
n Parterre Perfumery, 14 Margaret's Buildings BA1 2LP
Small group sessions perfect for anyone who would like to try their hand at making their own personal fragrance. An informative and engaging workshop where you will learn how to design and blend a perfume. At the end of the session it will be presented in a stylish 50ml bottle with label and atomiser. £120. parterrefragrances.com
HOLBURNE UP LATE
29 August, 5pm-9pm
n The Holburne Museum, Great Pulteney Street, BA2 4DB
Join The Holburne Museum for a relaxing
evening in the Holburne Gardens. Sample food and drinks from a range of local flavours including Dos Dedos, Canned Wine Company, Cordiality and many more. Free event. holburne.org
SKY FULL OF STARS
30 August, 7.30pm n Bath Forum, BA1 1UG
Get ready for an electrifying night of music and magic with Sky Full of Stars—the most authentic tribute to Coldplay! Grab your tickets, bring your friends, and get ready for a night packed with music, energy, and moments you won’t forget. £32.50. bathforum.co.uk
LOOKING AHEAD: AN EVENING WITH JIMMY ANDERSON
6 September, 7.30pm n Bath Forum, BA1 1UG
The man for all seasons. England’s greatest ever fast bowler. The Jimmy Anderson is returning to the stage in 2025 for an unrivalled evening of neverbefore-heard stories from inside the changing room. Join him as he reflects on both the soaring highs and the crushing defeats of his career. fane.co.uk
U3A: UK-CHINA RELATIONS IN A TRUMP-XI WORLD
4 September, 10.15am-11.30am n The Pavilion, North Parade
George Magnus, seasoned China watcher, will discuss the significance, causes and consequences of the turbulent developments on the world stage, and how the new British government, a year in the saddle, is trying to manage the UK’s important relationship with China. The speaker will assess whether we’re being too cautious, or if we’ve got it about right? u3ainbath.uk
An Evening with Jimmy Anderson at Bath Forum
Big Girls Don’t Cry at Bath Forum
SUMMER HOLIDAY DIARY
FAMILY FRAGRANCE MAKING WORKSHOP
Monday and Thursdays throughout August, 11.15am-12.30pm
n Parterre Perfumery, 14 Margaret’s Buildings, BA1 2LP
These fun, hands-on mini workshops are a great way to enjoy some creative time with your son or daughter or the whole family. You will learn the basics of perfume creation and by lunchtime each of you will have a simple perfume that you have made yourself. Suitable for children of 12 years and over. Children must be accompanied by an adult. £35pp. parterrefragrances.com
WE THE CURIOUS SUMMER CELEBRATIONS
Throughout August
n 1 Millennium Square, BS1 5DB
This summer, to mark its big birthday, We The Curious is turning back the clock with an action-packed programme of activities celebrating 25 years of asking ‘what if?’ Find yourself transported to an imaginary desert island for a series of research challenges, blast
to the past in a brand-new studio show and get creative making little drawing machines and hanging gardens. wethecurious.org
‘KIDS ALOUD’ AT THE HOLBURNE 2-3, 13 August, see website for details n Holburne Museum, BA2 4DB
The Holburne and Art Fund are inviting children to be their expressive, energetic selves during special ‘shush-free’ hours this summer. With the Partner Schools Summer Exhibition (open weekend 2-3 August) and the Dinosaur Party workshop (13 August, 10.30-12.30), the dedicated hours allow children to freely engage with art. holburne.org
BRLSI EVENTS
Various dates throughout August n BRLSI, 16 Queen Square, BA1 2HN
Head down to BRLSI this August for an action-packed calendar of activities to enjoy with the whole family. Get creative with storytelling, game making, fossil drawing and printing sessions, or book a free Petrification exhibition tour specially for kids. brlsi.org
SUMMER FAMILY FUN AT BECKFORD’S TOWER 7, 14, 21, 28 August (every Thursday) n Beckford’s Tower Paddocks, BA1 9BH
Join Beckford’s Tower this summer for some outdoor fun. Activities include bug hunting with pebble painting, flower fun with collage flowers, and more. See the website for more details. Booking is essential. beckfordstower.org
KIDS RAVE WITH THE SUPER PIRATES
15 August, 5.30–7pm n American Museum & Gardens, BA2 7BD
The American Museum is opening its gardens late for an awesome kids’ rave! Join the amazing Super Pirates in their star disco storytelling tent and enjoy circus play, barrels full of fun, and an epic dance to a classic American playlist. americanmuseum.org
‘Kids Aloud’ hours at The Holburne
Every Month, usually the last week of the month, we deliver copies of The Bath Magazine directly to select residential areas across the city. The Bath Magazine is one of the best things our readers receive through their letterbox.
We currently have a few areas that have become available and can offer a minimum of 5 hours work for individuals looking for a little work. Depending on the area – the average number of magazines is around 500. Each area takes around 5 – 8 hours to complete.
The magazines can be quite bulky, so you will need to be fit and active as well as trustworthy, and very reliable.
You will need to have use of a car, and a mobile phone. You will also be based in or very near Bath.
We currently pay £12.21 per hour – which is taxable depending on circumstances – and we also include ‘drive time’
Additionally – we are always interested in hearing from husband and wife, or family teams prepared to cover larger areas or work longer hours. Sorry no children. CALL STEVE on 01 225 424499 or email: steve@thebathmagazine.co.uk
The story of Pulteney Weir
• History: The Pulteney Weir, also known as Bath Weir, has been in place for over four centuries, with references appearing on maps in 1603. It is believed to have originated in the late Middle Ages, serving a crucial purpose in controlling the River Avon’s flow through the city of Bath. Over time, it became integral to the city’s relationship with the river.
• Redesign in the 1970s: During a major urban improvement initiative in the early 1970s, the weir was entirely reconstructed. Engineers introduced a distinctive V-shaped (horseshoe) design, which not only increased the weir’s effectiveness at managing the water flow, but also created a visually striking feature that makes the landmark quite distinctive. The redesign included sluice mechanisms and floodgates, enhancing responsiveness during high rainfall and improving the river’s long-term management.
One of a series of illustrations by Andy Goodman for The Bath Magazine – buy a print of the artwork at fivebargatestore.myshopify.com
• Flood control: Designed as a low dam, the weir’s primary function is to regulate water levels and prevent flooding – this is an everpresent concern for a city built alongside a naturally winding and unpredictable river. The weir successfully channels excess water away from the city centre, protecting both buildings and infrastructure, especially during periods of heavy rainfall.
• Engineering and beauty: Today, the weir is a vital piece of hydraulic infrastructure and a celebrated part of Bath’s landscape, forming a picturesque pairing with the Pulteney Bridge. Both features embody the harmonious blend of practical engineering and architectural beauty. n
Illustrations by Andy Goodman
WHaving Fun
BY RON & CYNTHIA Beau Nash Antiques
e’re really enjoying this new phase of the shop - building a truly independent feel that reflects who we are and how we love to work. What’s been especially rewarding is how our relationships with clients, both here in the UK and abroad, have continued to grow. It’s not just about antiques for us - it’s about the people we meet, the stories we hear, and the joy of finding just the right piece for someone’s home.
Over the next few months, we’ll be making more of our lovely courtyard. It’s the perfect space to show off a growing selection of small and larger garden antiquesthose finishing touches that bring charm and character to your outdoor spaces.
Inside, we’re focusing more on smaller furniture pieces and decorative objects - each one personally chosen by Cynthia. These are pieces with real personality, ideal for adding warmth and uniqueness to any room. If you’re after something bigger, we’re always happy to help source through our trusted trade network.
On the silver side, Ron has been curating a beautiful collection of unique pieces - each with its own story, interesting maker, or unusual design. They’re the kinds of things that spark curiosity and bring a touch of elegance to everyday life.
We’re also currently updating our Bath Food Guide, which has had such positive feedback from both locals and international visitors. We want to make it even more helpful, more inclusive, and easier to use - whether you’re new to the city or just looking to discover something different.
At the heart of it all, we’re not just here to sell quality antiques (though we do love doing that). We want to be a warm, welcoming presence in the community and a genuine resource for our clients. Whether you’re popping in for something specific or just browsing, we’re always glad to see you.
Four Members of the Bath Society of Artists, Malcolm Ashman, Tim Carroll, Rob Grieve and Geoff Shillito, join forces with Norway’s Inger Karthum and Germany’s Christine Reinckens.
The sextet presents an eclectic selection of lyrical landscapes; abstracted portraits; collages in mixed media and found materials; limited edition quirky lino and woodcuts; exquisite small still life paintings; vibrant and sometimes mysterious figurative work. Small works with big ideas.
44AD.net; @studio44ad
Copper and Dust, until 31 August, The Holburne Museum, Great Pulteney Street, Bath
An exhibition by Nicolas Party (b.1980, Lausanne, Switzerland), bringing together oil paintings on copper, works on linen and a new large-scale, sitespecific mural, executed in soft pastels in the Holburne’s Picture Gallery. Steeped in art history research, Party’s cohesive and graceful style spans soft pastel works on paper and linen, intricate oil paintings on copper and site-specific murals and installations. His immersive works reflect his background in graffiti, graphic design, 3D animation and a passion for 18th-century pastels like those in the Holburne collection. holburne.org
Chloe Yandell: In Time, 29 August – 1 September, 10am-6pm, Studio 22, New Bond Street, Bath
An exhibition of original paintings and limited edition prints from current and new collections.
Throughout the creative journey Chloe uses a variety of mediums to convey a concept. Exploring ideas, techniques and processes are a big part of her work, focusing on texture and mark making. Her abstract landscapes offer a familiar feeling to each viewer, transferring a unique memory of place, an imaginative space for individual thought and reflection.
chloeyandell.com @chloe.yandell
Summer Fayre
Until 24 Aug, Sandra Higgins Art, Unit 11, 41 Milsom Street, Bath BA1 1DN
An exciting showcase of diverse artistic expressions, this vibrant group exhibition features an uplifting mix of paintings, prints, photographs and more, presented by a distinguished group of invited local and international artists.
Open Tues–Sat 10am–5pm; Sun 11am–4pm. sandrahiggins.art
Images, clockwise: Trish Claridge, Usha Pearce, Benedict Brain, Rob Grieve
Bruton Art Society - 72nd Annual Exhibition 16 - 23 August, King’s School Memorial Hall, Bruton, BA10 0ED
Bruton Art Society’s eagerly awaited and not to be missed annual exhibition is now in its 72nd year and showcases an exceptional range of sculpture, painting and drawing as well as greetings cards and works on paper.
An ideal opportunity to purchase form a local artist as all work is for sale. Plenty of parking on site.
brutonartsociety.co.uk
Aus dem Kasten (Out of the Box) by Christine Reinckens
Red Still Life, 2022, oil on copper, Photography Adam Reich. Courtesy of the Artist and The Modern Institute
Mark by Rowena Pain
Echo by Chloe Yandell
The Lost Spells: Listening to a Landscape of Voices, 18 July – 5 October, Victoria Art Gallery, Bridge Street, Bath BA2 4AT
This immersive exhibition showcases artworks by Jackie Morris and poems by Robert Macfarlane, from their best-selling book The Lost Spells. A follow-up to the critically acclaimed The Lost Words, The Lost Spells invites readers to conjure up the sights and sounds of the natural world, with original artworks, soundscapes and interactive experiences. There will be a programme of events and activities running alongside the exhibition, including family activities over the summer holidays. The exhibition was created by Northumberland National Park in association with Hamish Hamilton and Penguin Books. victoriagal.org.uk
Gallery Nine’s Summer Exhibition brings together the work of artists, ceramicists and jewellers. Ceramicists include Jane Cairns and Liz O’Dwyer. Jane is inspired by weathered surfaces, urban abandoned objects and traces of things gone, she makes poetic sculptural objects. Liz makes functional blue and white, highly usable yet beautifully bespoke ceramics. White porcelain with crisp blue lines of slip inlay give instant aesthetic appeal. Their new artist Tricia Crowther uses gestural mark making in paint and collage. Her abstract paintings use subtle colours, surface and texture. Katie Mawson returns with her one off unique framed fine art pieces using vintage cloth bound books. Featured Jewellers are Kayo Saito and Yvette Cannon. Kayo a Japanese jeweller, is inspired by the life cycle and ever changing forms of plants to make bespoke jewellery from precious metals and Yvette Cannon’ s silversmithing includes beautiful clam shell lockets, chunky bangles, articulated silver rings and individual silver spoons. A show not to be missed. galleryninebath.com
Harry Simmonds – Selected Works, throughout August, le fou de bassan, 4-5 Green Street, Bath BA1 2JY
Harry Simmonds’ paintings depict people who sit for him in his studio, exploring different ways of seeing and representing his subjects. Working exclusively in black and white, he translates what he sees and feels into expressive, dynamic paintings. His work seeks to evoke the sitter’s presence while also provoking an emotional or visceral response. Simmonds has exhibited widely across the UK and internationally, and has been shortlisted for various prizes. This exhibition of selected works from different periods offers an insight into the ongoing development of his practice. harrysimmonds.com lefoudebassan.com
The Summer Show, until 30 August, The Pedestal, 3 Stony Street, Frome BA11 1BU
Frome’s newest gallery, The Pedestal, is a family-run contemporary art gallery showing work by local, national and international artists, including two-dimensional and threedimensional work from established creators and emerging talents. The current show has paintings by Neil Canning and sculptures by Peter Hayes and an exclusive and limited number of drawings by the late John Emanuel, painter. Also included are core artist and heritage works including Francoise Dufayard, Tim Andrews, Antonia Salmon, Paul Dalrymple, Charlie Collier, Sasha Wardell, David Leach, Harriet Coleridge, Geoffrey Whiting and John Leach. @thepedestalgallery
Beaux Arts Summer Show
Throughout August
Beaux Arts Bath, 12-13 York Street, BA1 1NG
Beaux Arts summer show is an eclectic mix of established names and fresh faces. Landscapes are by Amelia Humber and Jenny Pockley. Still Lifes are by Helen Simmonds, Linda Felcey, Jo Barrett, Sarah Spackman. There are figurative oils by multi award winning Mark Entwisle, Morwenna Morrison, Fletcher Sibthorp, Alice McMurrough. Sculpture is by Beth Carter, Nicholas Theakston and Christopher Marvell. A collection of incredible thrown and lathe-turned sculptural ceramics are by Nicholas Lees. beauxartsbath.co.uk
Found Forms, Jane Cairns
Owl 4 The Lost Spells by Jackie Morris
Shaun 3, Ink and acrylic on pape
Beth Carter, Fallen Minotaur Iron Resin, Ed. 15, 48 x 33 x 32 cm.
A Grand Alpine Vision: Edward Theodore Compton’s 1894 Landscape
Edward Theodore Compton’s breathtaking oil painting An Alpine Landscape achieved an exceptional £17,500 (including buyer’s premium) in our recent Fine Art Sale, well above its pre-sale estimate of £12,000. Signed and dated by the artist, the expansive canvas (62 x 113 cm) is believed to be the same work exhibited at the Royal Academy in 1894 under the title Mountains of Valpellie from Mont Brulé. This piece captures Compton’s hallmark subject: the aweinspiring grandeur of the Alps. His technical mastery and reverence for mountain landscapes are fully on display here, with crisp detailing and dramatic atmosphere that evoke both the beauty and majesty of the high Alps.
Despite minor condition issues, the painting retained its original vitality and drew spirited bidding. Its success highlights both the enduring appeal of Compton’s alpine scenes and the growing demand for 19th-century European landscape painting. Compton (1849–1921), an English-born artist based in Germany, was renowned not just for his art but also for his mountaineering. His works blend fine artistry with geographical precision, creating images that resonate with collectors and adventurers alike. This sale reinforces Compton’s stature as a leading figure in mountain art and demonstrates the value of quality landscape painting on today’s market.
Do you own a work like this? We’re currently inviting consignments for our upcoming sales. Contact us for a complimentary valuation.
Lawrences are welcoming consignments for their forthcoming Fine Art sales to include:
Have your pens drawn: Letter Writing Day is coming
From revenge‐seeking Roman curse tablets to Jane Austen’s witty, acerbic letters, writing messages has long been a powerful way of connecting people across geographic location and time. With digital messages now dominating our written conversations, is it time to rediscover the beauty and meaning of handwritten letters? Naomi Nelson takes stock...
Get your pens and envelopes ready, because World Letter Writing Day is almost here! This celebration of handwritten notes, started by Australian author Richard Simpkin, is this year marked on Monday 1 September. But the fact that letter-writing needs an organised celebration raises the question: are letters a relic of a bygone era, or a neglected art? And what is it that connects the city of Bath to the history of letter writing?
Ever since what is believed to be the first letter sent by the Persian Queen Atossa in 500 BC, letters have played a huge role in shaping society – from helping people communicate to documenting history. But in recent years our way of communicating has shifted. You can Whatsapp, Snapchat and iMessage from anywhere and everywhere; through walls, over borders and across time-zones. The idea of communication as thoughts passed from one individual’s brain to another now truly knows no bounds of time or space. Despite, or perhaps because of, how easy it is to stay in touch digitally, there has been a drastic decline in physical letter writing. A 2022 survey found that a third of children in the UK had never written a letter, and another in 2025 said that 70% of UK adults had not written a letter within the last year. Meanwhile, in Denmark, the state postal company will no longer deliver letters from the end of 2025; and postal services like Germany’s Deutsche Post are facing severe job cuts.
So why should we care about this decline? Firstly, there’s something uniquely special about holding a letter that’s been sent by a loved one – something that a quick text message cannot replicate. Psychologists observe that people tend to display ‘magical thinking’ and often believe that individuals transfer their ‘essence’ to objects they touch. In this way, handwritten letters allow a sense of physical closeness, even if you are far from your loved ones.
In addition, pen and paper allow an individual to channel their unique creativity and authenticity. Handwriting and off-the-cuff doodles are glimpses of a person’s personality. Think of the beautiful letters adorned with striking doodles and hieroglyphics left behind by many artists, such as Vincent Van Gogh, Henri Matisse and Frida Kahlo.
In addition, letters feel more intentional. Letters are sealed and sent out as a message in a bottle, immune to any scrutiny or retraction by the sender. They require great care and effort and produce a tangible keepsake: perhaps I am a hopeless sentimentalist, but I keep anything handwritten a loved one has ever sent me.
Bath has many special connections to letter writing. Jane Austen, one of its most famous residents, wrote a vast number of letters in her lifetime. These show her as the witty and vibrant figure we know from her novels, but also pull back the curtain a little. In one, she jokes, “I am to flirt my last with Tom Lefroy…my tears flow”, and in another, she tells her sister Cassandra, “I hope you are all alive after our melancholy parting yesterday.”
These snippets, although with her characteristic nimble wit, give us a glimpse into her private life beyond the wellknown fiction.
Sadly the majority of Austen’s letters were burned by Cassandra, possibly to protect Jane’s reputation. Some say her sharp social observations were too bold for their time. This act of censorship has been the basis of much historical discussion and was showcased in the recent BBC series Miss Austen Such a destruction also raises questions of privacy and legacy: what do we owe to history, and what do we keep private?
Below: Frontispiece of Mansfield Park (by Jane Austen), vol 2. (Fanny) returning to her seat to finish a note, illustrator C.E. Brock
Curse tablet from the Temple Courtyard, Roman Baths, Bath (photograph by Mike Peel)
Bath doesn’t just have a history of letter authorship – it also played a big part in how they were delivered. In the early 1700s, Bath’s postmaster Ralph Allen helped revolutionise the postal system. He made it faster and more efficient by cutting out the need to route all post through London. He even introduced the ‘signed for’ delivery system – so you can thank him next time you’re trying to scribble your signature on a postman’s tablet.
Charles Darwin also sent letters to a Bath-based naturalist named Leonard Jenyns. These letters show Darwin working through his early ideas on evolution – questioning, refining and sometimes stumbling. They give us a rare look at a world-changing theory as it was still taking shape. The BRLSI collection in Bath, housed at 16-18 Queen Square, includes four volumes of correspondence between Jenyns and Darwin, and with other men of science.
Even in Roman times, people in Bath were writing things down to get their message across, although in a different form to how we understand letters today. The Roman Baths are home to ‘curse tablets’, messages inscribed on thin sheets of lead as smooth as paper, which were used to request the return of stolen goods, inciting curses from the gods if this wish was not fulfilled. These ancient notes are much more raw than the ponderings on social relationships that came later, but they show how long humans have been putting their thoughts in writing.
These stories of Bath show how letters help us understand history – not just big events, but everyday life and relationships. Another powerful letter form in history has been the love letter. Many are uber-famous, including those between F. Scott and Zelda Fitzgerald and between Napoleon and Josephine. Love letters never fail to capture our interest: there is something gloriously, deliciously voyeuristic about reading them. They are thoughts and feelings meant for a singular other poured down in ink. This
fascination continues today: think of the Tumblr (and now TikTok) fame of Alex Turner’s letter to Alexa Chung. It might feel intrusive to read such letters, but it has allowed us to chart human relationships, to understand how people loved, fought and connected across time.
Fun facts about letter writing
In the 18th century, cheat-sheet guides to love letter writing were published to help people along, such as The Lover’s Instructor, or the Whole Art of Courtship Rendered Plain and Easy.
Scholar Noel Osselton identified that 18th-century lexicographer Samuel Johnson used different spelling styles in his public and private writing. This is like code-switching, where people change how they speak or write depending on their audience –except Johnson was switching his spelling, not his language!
Napoleon reportedly waited three weeks before opening his mail, based on the idea that most of it would then not require a response: a tactic many of us use with email inboxes.
In the end, letters are conspicuously beautiful and one of the most personal, heartfelt ways we can connect. They may not be in competition with digital messages, but they offer something different. In fact a 2022 study on communication by Ureña Carrion found that letter-writing and texting had surprising similarities, in terms of the rhythms of conversation, following a pattern of turn-taking, and the focus on the people who matter most. Perhaps, then, the adage that humans have been the same irrational beings since the dawn of time is true. We’re still lovesick, sentimental and eager to be understood. Time to dust off our pens and write to each other by hand to keep this art alive. ■
A letter with two separate sets of writing, one written over the other at right-angles, was a technique used in the 19th century to save on expensive postage charges, and to save paper.
Novelist Anthony Trollope, when working for the Post Office in the 1850s, suggested the use of ‘letter-receiving boxes’ as he had seen in Paris, leading to the use of post boxes on street corners.
Letter writing can be therapeutic: the practice of writing letters has been successfully harnessed to promote self-esteem and aid coping with grief.
News from My Lad by James Campbell, 1858 (Walker Art Gallery)
Cypresses (Sketch on a Letter to Theo Van Gogh), Vincent Van Gogh, 1889
Meet the Familiar Faces in Antiques
No longer is it necessary to take fine antiques and collectables to London to access world-class expertise. Counting more BBC Antiques Roadshow specialists in their team than any other UK auction house, Dore & Rees in Frome offers a market leading service in Asian art, jewellery, silver, watches, interiors and even classic cars. Nestled in Vicarage Street, Frome since 1868, this auction house underwent a re-invention in 2021 when it was acquired by Antiques Roadshow regular Lee Young, who has brought many of his TV chums with him to create a formidable team of valuers and specialists, all on the doorstep of Bath.
LEE YOUNG - Asian Art and Managing Director
Starting out as a porter at the tender age of 17, Lee has a career that spans three decades and several disciplines. Lee cut his teeth in European Works of Art at Philip’s, then Sotheby’s, and in 2002 moved across the pond to America’s oldest auction house Freeman’s of Philadelphia, heading up their European Art department. In the early 00s Lee developed his knowledge in Asian Art and by 2010 had migrated home to a position at Lyon & Turnbull as their Head of Asian Art when the Chinese art market was at its height. In 2017 Lee moved to the West Country and joined Duke’s auctioneers in Dorchester as Managing Director, until his milestone move to Dore & Rees in 2021 where he has led the team to create one of the fastest growing regional auction houses in the country. With 15 years filming the Antiques Roadshow under his belt, Lee is now their go-to expert for Asian Art.
DUNCAN CAMPBELL - Silver
Having been fascinated by hallmarks as a child, Bath local Duncan got his first proper introduction to antique silver working for a silver dealer on Portobello Road while at university in 1987. After graduating, Duncan worked in the city for a few years before the attractions of his Saturday job, inevitably, were too compelling. Duncan has spent the last 30 years immersed in antique silver. As a valuer he has catalogued collections for, among others, The Middle Temple, Lloyds of London, The Worshipful Company of Armourers and Brasiers, and The Institution of Mechanical Engineers. Since 2008 Duncan has appeared regularly as a specialist silver valuer on the Antiques Roadshow, and prior to joining Lee and his team, has had a specialist antique silver shop in Bath for the last 15 years.
SUSAN
RUMFITT
- Fine Jewellery
Susan is one of the UK’s most respected jewellery experts. She has an established career as a lecturer in the history of jewellery design and is a registered lecturer for The Arts Society. Susan established her jewellery gallery in Harrogate in 2006 and is delighted to partner with Dore & Rees, bringing her intimate knowledge and generous advice to clients in
the South West and beyond. The early part of her career was spent with Christie’s, and then later Phillips. Susan is a Freeman of the Worshipful Company of Goldsmiths, as well as a well-known expert on the BBC’s Antiques Roadshow.
MARC ALLUM - Rare Antiquities
Marc has been a specialist on the BBC Antiques Roadshow for 23 years. His eclectic and broad knowledge stems from an inherent and exacting interest across a wide spectrum of the art and antiques business. With over thirty years’ experience, his areas of expertise range from pre-history to modern design. Marc has appeared on numerous other television and radio shows over the years, writes regularly for mainstream magazines and is an author with several books to his name. Marc is a Fellow of the Society of Antiquaries as well as an Arts Society registered lecturer, and talks to groups around the world.
Throughout August Lee will be conducting home appointments in Bath - get in touch!
If looks could kill
We live in an age of cosmetic surgery, ‘tweakments’ and product‐pushing instagram influencers, but in terms of caring for our appearance, it seems little has changed. Historian Catherine Pitt explores the hair‐raising antics of Georgian Bath
If we could turn the clock as far back as 300 years ago, we’d find our Georgian forebears were just as preoccupied with their appearance and youth as we are in the 21st century.
The ideal of beauty in 18th century England was an exaggerated naturalism. A pale complexion denoted that one didn’t work. Suntanned skin, freckles and any blemishes were seen as a sign of the lower classes or of disease.
The soft, smooth, white skin of youth was recreated and heightened by an even covering of white ‘paint’ on the face, neck, chest and even hands. Blue veins were then painted on top to create the illusion of skin. Lips were stained red and cheeks highly rouged. Eyebrows were raised high and black crescent-moon shaped beauty spots, patches or mouches were selectively placed on the face. Hair was swept high off the forehead and usually in the form of a powdered wig. This look, incidentally, was aspired to not just by women.
The ladies and gentlemen of Bath would have slathered their faces and skin with various concoctions containing white lead, arsenic, mercury, spermaceti, carmine, and other unpleasant and unhealthy ingredients. Bath shops, such as Mary Purdie’s on North Parade and Richard Warren’s in Alfred Street advertised in local pamphlets and newspapers detailing the cosmetics sold, including Lady Molyneaux’ Liquid Bloom and the popular Gowland’s Lotion, which contained mercuric chloride and stripped back layers of skin in a somewhat extreme 18th-century method of micro-dermabrasion.
As the century progressed, the danger of some cosmetics became more widely apparent with a number of high-profile deaths. In 1776, the actress and courtesan Kitty Fisher, one of the first great British celebrities, died at the age of 26 in Bath, allegedly from the effects of the lead-based make-up she used.
Georgian make-up could cause hair and tooth loss, plus lesions on the face; yet to disguise the damage done people would apply even more make-up thus exacerbating the problems.
By the late 18th century, the consumer looked to more natural organic ingredients, mainly consisting of vegetable dyes. In Bath in 1787, Mr Cratwell and Mr Moore sung the praises in a local paper of their Venus Vegetable Bloom that was now available to purchase from them.
For those not naturally blessed in the looks department, cosmetic aids were available. Eyebrows were often shaved off and painted higher up the face, but for some the use of mouse or mole-skin as a false brow was preferred. If one had sagging features due to illness or the ageing process then cork padding could be put into mouth cavities to fill out any sunken areas. False teeth were not uncommon whatever one’s age, and these were made from real human teeth from the poor or dead, or carved from porcelain or animal ivory. Hippopotamus ivory was much coveted for it was believed to be the nearest colour match to natural teeth.
Makeup had initially been used mainly by prostitutes and actresses, plus was often an aid to disguise disfigurements caused by illness or sexually transmitted diseases. The same was true of facial patches. These could not only indicate one’s political leanings (left cheek for a Tory supporter, right cheek for Whig), but could also, through their position on the face, be a useful communication tool to sweethearts and potential admirers.
It is misleading to imagine the balls and gatherings in Bath to be glamorous affairs. Heavy make-up, powdered wigs and unwashed bodies would have created an atmosphere more akin to the description of a Bath Assembly given in Tobias Smollett’s Humphrey Clinker: “Imagine yourself a high exalted essence of mingled odours arising from putrid gums, imposthumated lungs, sour flatulencies, rank armpits, sweating feet, running sores . . . plaisters, ointments . . . spirit of lavender, musk, hartshorn.”
A room full of very good Company, swore, That in spite of appearance, t’was very well known, Their hair and their faces were none of their own.
Christopher Anstey, Letter XII, Bath, 1766
To resolve any odour issue the Georgians wouldn’t have considered immersive bathing, except at the Baths as part of medical treatments, but preferred to mask smells with perfumes and oils. In Bath these could be purchased from specialist perfumers like Mr De Coppa, an Italian dealer who could be found at the sign of the Civet Cat in the Abbey Church Yard.
Hair, like makeup, was dictated by fashion in 18th century Bath. Red or grey hair was unfashionable, and local shops advertised the sale of hair dyes or recipes to change the colour. Hair loss was associated with illness and disease.
William Moore, who operated from the Orange Grove and High Street, did his part to cater for locals who were follically challenged by producing in 1777 a 40-page pamphlet, The Art of Hairdressing and Making It Grow Fast. How successful the outcome of his advice was we do not know.
Both men and women tended to wear wigs, except for the very poorest, and had a plethora of styles to choose from. For men, from the
IMAGE:
by Matthew Darly. Alamy Stock
Photo
1720s the full bottomed wigs so favoured in King Charles II’s court gave way to the much shorter, powdered wig, styled into designs such as the sack-wig or campaign-wig. Some women had their natural hair woven into their wigs, but more often than not, for comfort’s sake more than anything else, both men and women shaved their heads.
Women’s hair styles tended to become more flamboyant as the century wore on. Padding of horse-hair, cork or even iron structures, were added for volume and to create styles; plus ribbons, combs and feathers abounded. Eventually women’s wigs got to such an extreme in height and style that they were soon lampooned in print and press by illustrators such as Rowlandson, and writers such as Bath’s own Christopher Anstey.
Dressing, styling and powdering hair was time-consuming. In John Wood’s original home on Gay Street one can still today peer through the window to see an extant Powder-Room where a lady or gentleman would sit, covering their nose, eyes and mouth with a paper cone, while the hairdresser applied powder with a pair of bellows. The powder stuck to the hair and wig by means of a pomatum made of fat or oil. With some hair styles remaining unchanged for weeks if not months, it was not uncommon for wigs to become fetid, and for fleas or lice to hatch inside. A Cornish parson, John Penrose, who visited Bath in 1767 expressed shock that many had their own hair incorporated into these toupees since “(they) do not comb their heads for three months and endeavour to conceal the stink with perfumes, essences, etc.”
The cost of wigs could be very expensive. John Bally sold his in the city for between 16 shillings and 2 guineas each (around £90 to £225 in today’s prices).
They were considered prized possessions, and in fact some Georgians regarded their hair so highly that they left their wigs in their wills to family or friends.
“That Beauty lives and ne’er will fade Tis false: Those wanton curls will fail That rosy colour yield to pale… This face, these eyes, Which once could please, they now despise.”
Advice to a Lady, Anon, 1765
Enough barbers, hairdressers and peruke (wig) makers abounded in the city in the 1750s that it necessitated a Guild being set up. These mainly male frisseurs catered for both male and female clientele. Some came only to Bath when it was the season, much to the chagrin of the local hairdressers. Competition was fierce and the advertisement of exotic credentials or important clients seemed an added enticement. For example, in 1769 a hairdresser simply called Nadal advertised his arrival in the city to Kingston Buildings direct from Paris.
After the French Revolution in 1789, English ideals of beauty and fashion attempted to move swiftly away from any French influences, and instead looked to the countryside and the classical world for a simpler natural style.
In 1795, the government set about taxing hair powder which tolled the final death knell on the excessive appearances of the 18th century. From the 1800s onwards a wig was really only the mainstay of doctors, lawyers and the clergy. Today, the modern barristers’ and high court judges’ horse hair wigs are the last vestiges of an old custom.
Despite the poisonous potions and puffed up perukes available in 18th century Bath, locals and visitors alike could not keep the ravages of age at bay. n
DYING OF VANITY: Actress and courtesan Kitty Fisher died aged 26 – believed to have been poisoned by the makeup she wore, which contained arsenic.
Six Stages of Mending a Face. Dedicated with respect to the Right Hon-ble Lady Archer by Thomas Rowlandson. 1792
Breakfast with a Kick
Ditch the cornflakes, trash the toast, and move that muesli. Indian breakfasts have arrived at Bandook restaurant in Bath and promise something special, says India Farnham
It’s well known that us Brits love Indian cuisine. Whether out or in, we’ll tuck into a biryani, a samosa, or a curry with aplomb. Most of us have a favourite Indian takeaway and can reel off our order like Smithy in that Gavin and Stacey episode.
So, when I write the words ‘Indian breakfast’, what’s coming to mind? And no, I’m not considering reheating last night’s chicken dhansak in the microwave at 2pm (let’s leave our student days in the past). I’m talking about a surprising and delicious new culinary trend that’s arrived in Bath ready to prove that Indian flavours really shouldn’t be confined to purely lunch and dinnertime.
Breakfast is the newest offering from Bandook, a restaurant which, since its opening in 2019, has undoubtedly become a cornerstone of our city’s culinary landscape. Bandook is inspired by the cultural infusion of the Raj era when British and Indian troops would eat together - a period that is referenced in the restaurant’s playful and nostalgic interior. Despite these colonial undertones, Bandook’s outlook on this shared history is kind and thoughtful, winning a spot as one of Bath’s most-loved restaurants through its elevated mix of authentic, casual dining Indian street food dishes made with ‘good, British ingredients’.
Heading to the restaurant on a Tuesday morning, my dining partner Rosanna and I were pleased to find the hustle and bustle of the city fade away as we stepped into Milsom Place, where you’ll find Bandook tucked away, just off the fashionable Milsom Street.
People say that breakfast is the most important meal of the day, and we were presented with a menu that takes this responsibility seriously. With glee, we spotted familiar British breakfast items mingling with the selection of Indian dishes: baked beans are reinvented as Masala Beans, and hash browns get a spicy makeover as Aloo Browns. If you’re not ready to stray too far from tradition, Bandook also offers a Full English, with a veggie option too, but I think after reading the prologue to the menu, which explains the importance of a traditional Indian breakfast, a Nashta, in bringing the family together, you’ll feel otherwise.
First up for us were two sweet Masala chais, served frothy and steaming alongside two slices of still-warm Almond & Cardamom Madeira cake. The chai’s warm, aromatic sweetness elicited an
immediate “Mmm” from both parties; its gutsy spiciness making my usual morning Earl Gray feel as grey and drab as the English drizzle. We gobbled up our cake (which was nothing short of perfection – light and airy with a subtle nutty tang) in eager anticipation of the main event, an excitement only intensified by our proximity to the restaurant’s open kitchen.
Onto our main courses (which feels somewhat indulgent to say at 10.30am on a Tuesday, but there we are). Rosanna opted for the Savoury Uttapam: three delightfully light pancakes made of a batter using rice and urad dal, served alongside a traditional sambar and a sweet and spicy tomato chutney. Ever the fan of alliteration, I went for the Bombay Breakfast, which consisted of a Paratha Pocket filled with silky, spiced scrambled eggs and a pot of Masala Beans. We both noted that any fears of an Indian breakfast being too heavy or stodgy had been immediately quashed; the food presented to us was fresh and in welljudged portion sizes. The beans were heroic: sweet, slightly sour, and satisfyingly dense. I’m still dreaming of them now.
Ambient Indian music at a gentle volume soundtracked our chat as we ate. Keen to soak up the atmosphere a little bit longer, we ordered a mango sorbet and a mint tea to round things off. Savouring the delightfully contrasting flavours of the zingy sorbet, we had a visit from Bandook’s Founder and Managing Director, Moe Rahman. Moe tells us with a smile that his team is running a campaign where the restaurant donates a breakfast to a child in need with each breakfast bought. The perfect initiative to underscore this establishment’s core value of connection.
Satisfied and cheerful, Rosanna and I readied ourselves to head back out into the world, both agreeing the magic of Bandook’s breakfast is in the love behind it - these dishes sing with cultural unity. As we wandered out of Bandook, we spotted a family with a son in a graduation gown tucking into their own breakfast. A fittingly special occasion to match a truly special breakfast. n
Bandook Restaurant, Milsom Place, 3-7 Milsom St, Bath BA1 1BZ. bandookkitchen.com Breakfast is served from 10am-12pm (Tuesday-Sunday).
Masala ChaisBombay Breakfast Savoury Uttapam
The latest addition to Bath’s alfresco dining scene at Emberwood. Perched on the edge of Queen Square, alfresco dining and aperitifs sipped on the summer terrace. No need to ‘wish you were here’, your seat is already saved.
True locals are savvy when it comes to a good terrace around the city, and Emberwood have brought you the latest addition.
A place to unwind for lunch or savour the long summer evenings. After-work drinks or early evening aperitifs and snacks? It’s the perfect excuse to soak up the alfresco ambience of the city, cocktail in hand.
Pass by, walk in or book ahead. We look forward to seeing you.
Take a slice of our terrace with a bite of the Cornish coast, home with you. Executive Chef David Hazell shares the recipe picked from our latest seasonal menu. Picked Cornish crab, crab oil mayo with tarragon and pickled lemon
Method
Prep the crab mayo
• In a bowl, whisk together the egg yolk and mustard.
• Slowly add the oil, a few drops at a time at first, whisking continuously to emulsify.
• Gradually pour the oil like a thin stream, whisking until thick and glossy.
Season and zest
• Gently fold the crab meat into the mayo.
• Finely slice all herbs and chillis, to combine in your mayo.
• Add the chopped herbs, chilli, lemon zest, and juice.
• Season with Maldon salt to taste. Set aside.
Toast and charr
Homemade or locally baked sourdough is recommended.
• Toast the sourdough slices until golden and crisp. For extra flavour char on an open flame or grill, if you can.
• While still warm, spread lightly with butter.
Garnish and serve
• Generously spoon the crab mixture onto the warm toast.
• Finish with an extra drizzle of lemon juice, a few fresh herb leaves, and a slice of pickled lemon.
The George Opens on George Street, Bath
A Respectable Establishment for the Mildly Mischievous
A new chapter of conviviality has opened on one of Bath’s most iconic streets. The George — a contemporary Victorian-inspired café bar — has flung open its heavy Georgian doors and is welcoming guests with open arms, perfectly poured pints, and just the right amount of cheek.
Tucked away (boldly, actually) on George Street, The George offers a stylish escape from the ordinary. Described by its creators as “a most respectable establishment where one might dine handsomely, drink liberally, and still be considered entirely presentable to society,” The George fuses elegant hospitality with irreverent charm.
A Menu of Mischief and Magnificence
At The George, the food is hearty, seasonal and made with flair — from pink-centred lamb and indulgent mushroom Wellingtons to Sunday roasts that command reverence. Starters are non-negotiable. Sharing is encouraged, though not enforced.
The drinks list is just as characterful. Behind the bar, pints are poured with care but never solemnity — from bold bitters to mischievous lagers and rotating local ales. Cocktails come well-dressed, and pitchers (ideal for conspiratorial lunches and post-work gossip) are crafted with Victorian garden party elegance — and no shortage of gin.
Hire a Bit of History
Those seeking a spot for scandalous birthday revelry, secretive suppers or respectable business meetings (with fewer spreadsheets and more spritzes) can take advantage of The Fun & Frolics Room, available for private hire. Meanwhile, King George’s Bar offers exclusive space for gatherings in need of grandeur — and unfettered access to “the good stuff.”
The Vibe
A place to while away hours, plot your next big idea, or simply hide from your inbox, The George is set to become Bath’s new favourite haunt. Come for a quick drink, stay for a cocktail-soaked flirtation with the menu. And don’t worry — we won’t tell your other local.
The George is open 7 days a week
9 Edgar Buildings, George Street, Bath, BA1 2EE
Bookings: info@thegeorgebath.com
Website: www.thegeorgebath.com
Instagram: @TheGeorgeBath
A thirst for health
Melissa Blease dives into the world of ‘new water’ offering alternative hydration, from tapping birch trees for refreshing pick‐me‐ups to new‐school soft drinks and tea‐based cocktails...
The vital role that water plays in every aspect of our lives, health and wellbeing cannot be emphasised enough. It delivers oxygen and nutrients to every single cell, protects our vital organs, lubricates our joints, regulates our temperature and more – all that, in one glass.
Well, not quite one glass; in an ideal world, adults need to drink 22.5l (6-8 standard glasses) of water every day. While tea, coffee and food (especially fruit and vegetables) go a long way to keeping our fluid intake up, few of us reach optimum recommended levels of hydration – and if we’re entirely honest about it, most of us find water boring; as a result, our thirst for alternatives to plain old tap has created a very lucrative market indeed.
Functional Teas
Remember the days when the big tea debate revolved solely around whether or not to put the milk in first? Those days are long gone. Today’s teas are all about wellness rituals, customised infusions and bioactivity, resulting in brews with an ancient apothecary vibe.
If the thought of giving up your PG Tips stresses you out, you need Ashwagandha (aka Ginseng) Tea: a powerful adaptogen for stress relief,
while Rhodiola Tea is said to modulate anxiety while aiding energy and focus too. Or what about Maca Tea, made from the dried root of the Peruvian Maca plant and reputed to help lift dark moods, relieve menstrual cramps… and enhance sexual performance in both men and women?
Less, erm, impactful perhaps are the more familiar blends and concoctions that claim to offer a gentle pathway from dawn to dusk. Wake-up calls such as Oolong, Lemon Verbena and unadulterated black teas to Valerian, Lemonbalm and Lavender teas for bedtime are there for you around the clock, with all manner of energising and/or digestionaiding brews in between and ‘clean caffeine’ and natural euphorics kicking the double espresso into the shallows.
Soak up the Spritz
The concept of meeting up for a couple of drinks has undergone a (tee)total transformation in recent years; as a nation, our thirst for alcohol is drastically decreasing, with roughly 20% of the UK population now totally temperate.
This statistic hasn’t, however, impacted on the popularity of the Spritz: traditionally a bubbly blend of aperitif liqueur (Aperol; Campari; Chambord; etc) and Prosecco, topped up with a splash of soda water –
H20+
Coconut, Cactus and Birch: clustered together, they sound like they could be the three latest shades to dominate the Little Greene colour charts. But the triumvirate that is Coconut, Cactus and Birch Waters exist in a unique supertrend category of their very own.
Nutty, slightly sour and (sadly) tasting nothing like a liquidised Bounty bar, Coconut Water could be described as an acquired taste. But get with the programme! It’s laden with potassium, the essential mineral that helps maintain fluid balance, and plays a key role in kidney function amongst other benefits. Sweeter, slightly fruitier Cactus Water, meanwhile, brings magnesium, antioxidants, anti-inflammatory compounds and even fibre to the pool party.
Considering such claims, it comes as no surprise that sales of both Coconut and Cactus Waters have soared over the past couple of years. But Birch Water is the dive-in disrupter set to dominate the Smart Water charts. Subtler in flavour-profile than its counterparts (of the three, Birch is the most similar in taste to good old plain water), this nutrient-rich tree sap contains vitamins A, D, E and several Bs alongside proteins, minerals and antioxidants. It’s also a natural diuretic, potentially aiding in detoxification and hydration. Phew!
“Waters combining super-hydration with enriched functionality are the liquids on everyone’s lips this year,” says a spokesperson from British-based multinational health food chain Holland and Barrett, who recently reported a sharp incline in innovative H20+ tipples including Collagen Water (which claims to smooth wrinkles, enhance the skin’s elasticity and relieve joint pain), Alkanised Ionised Water, Enhanced Hydrogen Water, Chlorophyll Water and even Protein Water all making a splash right now.
chic, cheerful, easy to chug… and very successfully adaptable to the alcohol-free menu.
While both low- and non-alcohol aperitif liqueurs and fizz are readily available, natural fruitbased Spritzes using sophisticated, natural fruit cordials (elderflower, rhubarb, raspberry, ginger, mango, etc) and sparkling water creates a stylish, summertime uplift like no other, completely in keeping with our thirst for alcohol- and additive-free rehydration.
Elsewhere, alcohol-free, tea-based cocktails (yup, tea again) are trending behind bars: fancy a Kombucha Spritz, a Green Tea Mai Tai or a Jasmine and Cardamom Gimlet? The hippest mixologists are On To It.
Fast Fixes
Originally designed to help elderly folk who struggle to stay hydrated, sugar-free, vegan jelly drops – 95% water, with added electrolytes and vitamins B6, B9 and B12 – are a convenient replacement for heavy water bottles for people on the move, with electrolyte powders in sachet, gel or soluble tablet form (also laden with added vitamins, of course) dominating water cooler conversations in offices everywhere.
Classic Revivals
Fizzy drinks laden with sugar, additives and caffeine have no place either in our fridges or in this feature. But a new wave of old faves are taking over where sales of cola et al are drying up. Caffeine-free Karma Cola, for example, uses 100% organic ingredients (okay, there’s sugar in there, but it’s the organic, fairtrade, raw cane variety) to recreate the taste of the, erm, real thing to suit contemporary kids, while additive-free fruit sodas containing nothing more than fruit juices and sparkling water have taken over where the old-fashioned pop bubble has burst. If you’re not ready to grow up yet, you don’t have to. Meanwhile, on the home front…
The ‘commercial carbonation machine’ invented in 1903 by Guy Hugh Gilbey of London gin distillers W & A Gilbey Ltd was fashioned for the domestic market in 1955 and gained massive popularity during the 1970s/80s, when millions of households did as the slogan instructed and “got busy with the fizzy”. But competition from supermarket own-brand sodas along with a heightened awareness of the negative impact of sugarand additive-laden fizzy drinks and ‘fruit-flavoured concentrates’ led to a serious decline in popularity. But the SodaStream is back, today available in a range of sleek designs (the Art, the E-Terra one-touch, the Duo) that easily vie with the latest NutriBullet for attention on our kitchen worktops. Creating your own pop ticks sustainability boxes (no plastic bottles required!) and brings sparkling water on tap into our kitchens, waiting for you to supplement it with as many natural supplements as your imagination allows.
What’s next for water?
Now the floodgates on the future of water have officially opened, the dedicated Water Bars, Water Source Awareness Courses and Water Sommelier Courses that are already proving to be so popular stateside are all sure to wash up on our shores very soon – you heard it here first. n
Happy wife,Happy life
Words by Tom Bleathman from The Great Wine Co.
As regular readers may know, I usually write these monthly articles with a wine producer or region in mind.
This time, I’m focusing on someone very special, my lovely wife, Miya. When we met nine years ago, wine was simply red, white, or rosé. Since then, her interest has grown with every bottle I’ve brought home. Today, she has one of the sharpest palates I know! Here are a few of her favourite wines we’ve enjoyed together, all available from The Great Wine Co. this August. I hope you enjoy them too. greatwine.co.uk
Babylonstoren Rosé 2025
Miya has always been partial to a glass of pink on a warm day. The Babylonstoren rosé is a firm favourite for both of us as it’s packed with bright red fruit and watermelon flavours. The colour is wonderfully light, and the wine has great acidity. In my book, this is South Africa’s answer to top quality Provençal rosé.
£19.95
Bogle Petite Sirah 2021
I couldn’t write this article without including one heavier American red, which is Miya’s go-to comfort wine after a long day. A repeat favourite is Bogle’s Petite Sirah 2021. It’s trademark inky-dark in colour, with jammy richness that fills the mouth with ripe berries and dark fruit. At £17.75 a bottle, there’s a reason this is one of the best-selling reds in our range.
Moscato d’Asti Biancospino, La Spinetta
It’s safe to say that Miya has a bit of a sweet tooth, so when I introduced her to the Biancospino for the first time, she never looked back. Made by one of Piemonte’s iconic producers, La Spinetta, this sparkling sweet wine is always a crowd pleaser. It has a lovely balance of bright citrus fruit and floral honey notes that are incredibly inviting. Despite the sweetness, the wine is wonderfully fresh, making it irresistibly drinkable. £17.75
Meet the manager at Sydney’s
Zilwood Stead moved over from sister venture next door, The Scallop Shell, to head up the team at Sydney’s on Monmouth Place. Open since May at the former New Inn, we take five, to find out more…
How would you describe Sydney’s to someone who hasn’t been before?
It’s a laid-back bar with a Mediterranean vibe, open for breakfast from 8am out on the terrace right through to dinner and drinks. We’re shaking cocktails, pouring beers and delicious wines, with a dailychanging menu of sharing plates.
What’s your most popular dish?
Mike does a mean Full English, but it has to be the potted pork with toasted sourdough. It melts in your mouth and is served with a punchy green sauce to cut through the richness – the perfect light lunch or beer snack.
What drink should we be ordering?
The Estrella Galicia is served in 2/3 of a pint which keeps it cold and authentic to the holiday experience. If you’re in a cocktail mood, it’s got to be a margarita.
Any insider tips we should know?
We are a walk-ins bar, but do accept bookings for 6 or more, and can do a whole venue booking too, if you’ve got an event or party.
Exciting plans in the pipeline?
We are making plans for Sunday roasts and the return of live music. Follow us on Instagram @sydneysbath for all the latest updates!
John Cullum’s life has been shaped by music and leadership as well as by a Stoic philosophy – from his refugee background and an early gig with The Kinks to a business career and a deep involvement in charity, culture and community in Bath.
John Cullum recollects asking Michael Parkinson when he first heard his son Jamie Cullum’s music, “Do you think Jamie can make a career of this?”
“John, he’s got something about him,” Parkinson said. “I’ve met stars and he’s got it. He will be a star one day.”
Jamie Cullum first appeared on Parkinson’s chat show in 2003 when he was just 24. Shortly after he signed a £1 million record deal with Universal Music Group, ending that year as the UK’s biggest-selling jazz artist of all time. Now an established jazz-pop singer, pianist and songwriter, Jamie has sung with names such as Robbie Williams, Midge Ure, Billy Joel, Kylie Minogue, Sugababes and will.i.am.
John jokes about his own primary billing as Jamie Cullum’s father, but it’s clear much of Jamie’s talent has flourished within a thoroughly musical gene pool. As a young man John played in a dance band to earn extra money while his wife Yvonne sang in a band when they met. At university John’s band Take Five supported The Kinks when they played in Dundee in 1966. “To this day, I don’t know how we got the gig, but suddenly we were on stage, 17 years old, in front of 3,000 screaming girls. We were absolutely terrified – rabbits in the headlights.”
Music was a constant presence in the Cullum household – Yvonne’s brother was a talented jazz guitarist and a strong influence on Jamie. From an early age, Jamie and his brother Ben (now a very successful composer and record producer) were exposed to jazz and a wide range of music. Both boys showed natural musical ability as toddlers: “I used to put them in the back of a car on long journeys and play tapes – at the age of two they could drum in time and they had almost perfect pitch.”
At the time John felt this augured well. “This was a wonderful gift –I felt it would help them to make friends and to enjoy life, but I never expected to see the success they have both achieved.”
John’s own family were refugees. He was born in Jerusalem when it was still part of Palestine. “My father was stationed there with the British Army, and my mother was a German Jew from what was then Prussia. She escaped the Nazis with part of her family, with others lost in the Holocaust, and they settled in Palestine, where she met my father.
“We moved back to the UK when I was just six months old, but my background is deeply shaped by refugee stories, from Nazi Germany and wartime Burma. My father-in-law had Indian and Japanese heritage, and when the Japanese invaded, the family fled Burma with almost nothing.
Reflecting on the Middle East conflict, John says, “I was raised in the Church of England, but my mother was Jewish, and my father experienced persecution. So I feel a deep, personal sadness when I see the ongoing enmity in the Middle East. It genuinely worries me. There has to be a solution – one that fully acknowledges the rights and existence of the Palestinian people, while also respecting the right of Israel to exist. The extreme voices on all sides, including some Zionists, make that harder. But we have to break through.”
John, based in Bath for 27 years, has enjoyed a distinguished business career. After studying Economics and Psychology at St Andrews University he toyed with becoming a child psychiatrist. “After four years studying for a Masters degree, I just wanted to earn money, so when Ford said, ‘We need finance people – we'll send you on an accountancy course’, I thought ‘great’. Finance was never really
what I loved. But I was good at it, so with two kids and a mortgage, when the opportunities came I knuckled down.”
John held senior executive roles in the motor industry, as Finance Director of Ford Credit Europe and then as CEO and Chair of PHH Corporation’s European Operations. “I was able to lead, but the motor industry then was very macho; with no women on the board.” John distinguished himself in that world for his down-to-earth connections.
“I became more comfortable with leadership roles because of my background in psychology. I understood people – I always wanted to see their viewpoint and listen a little bit more. When I was at PHH I had to go through three different sets of doors to get to my office in the executive suite. And I hated that! I used to love going down to the main floor and talking to everybody. I just wanted to see people, and ask about them and how their kids were doing!”
I feel a deep personal sadness when I see the ongoing enmity in the Middle East. It genuinely worries me
After retiring at 53, John transitioned into a portfolio of non-executive directorships, which still includes chairmanships at JBP Ltd (who specialise in PR and digital communications) and Australia-based property services company Vivid Property Management Pty.
After retirement John has made a significant impact in the charitable and arts sectors. He has served as Chair of Bath Festivals and of the Royal United Hospital’s Forever Friends Appeal and was involved with the Quartet Community Foundation among other Bath-based charities. A former High Sheriff and now a Deputy Lieutenant of Somerset, John remains a passionate advocate for the arts and local communities, particularly through his continued support of live music.
“Charities need more than money – they need skills. I’ve been able to give financially, but what’s struck me is how much essential work these organisations are doing, particularly in areas like education and sport where public funding has pulled back. And it’s only getting harder, with the cost of living and government support shrinking. I try never to judge anyone’s choice of charity. Everyone gives for their own reasons. What’s opened my eyes most is seeing just how many good people and volunteers are out there. That’s what keeps me optimistic about the world.”
John embraces a Stoic philosophy. “ The Stoics teach that most of life is beyond our control. You have to adapt, be flexible, expect nothing and shape your life around what is. Nature reflects that perfectly. Trees don’t have hang-ups – they lose their leaves, they die back and then they return.
“Over the years, I’ve tried to not just read philosophy, but live by it. The simplest lessons are the most powerful: be kind.
“When I look at my grandchildren, I reflect on how far we’ve come. I grew up in a society that was openly racist – I remember walking through London and seeing signs that said ‘No Irish, No Blacks, No Dogs.’ But at Jamie’s wedding, there were so many gay couples, all completely accepted. That kind of change gives you real hope for the future.”
Bath business
LOCAL BUSINESS & COMMUNITY ORGANISATION UPDATES
SIX GREEN FLAGS FOR BATH’S BEAUTIFUL PARKS AND GREEN SPACES
RUHX LAUNCHES NEW £4 MILLION
Bath has once again achieved national recognition, with six of its parks and green spaces receiving prestigious Green Flag Awards. Bloomfield Green, Hedgemead Park, Henrietta Park, Royal Victoria Park, Sydney Gardens and Haycombe Cemetery were all judged to meet the international benchmark for wellmanaged green spaces. It’s the third year running that these locations, cared for by Bath & North East Somerset Council, have received the honour.
Judges visited the parks earlier this year, while Haycombe Cemetery was assessed via a ‘mystery shop’. The awards, presented at a national ceremony held at Bath’s Apex Hotel on July 17, celebrate the dedication of council staff, local volunteers, Friends groups, and partners like Your Park and Bath in Bloom.
Councillor Sarah Warren praised the collective effort, saying the city’s green havens offer residents vital places to relax and connect with nature. The Green Flag scheme is run by Keep Britain Tidy under government licence.
PET-CT SCANNER CAMPAIGN
RUHX, the official charity of the Royal United Hospitals (RUH) Bath, has launched a major £4 million fundraising campaign to bring advanced PET-CT scanning technology to the hospital. The new scanner will significantly enhance diagnostic capabilities across a wide range of conditions, including cancer, dementia, and heart disease.
Currently, over 1,700 scans are performed annually at the RUH. The upgraded technology and expanded facilities will increase capacity to up to 5,000 scans per year. Benefits of the new scanner include earlier and more accurate detection, faster scans with better imaging, lower radiation exposure, and shorter waiting times.
Sarah Cade, Head of Nuclear Medicine, says this investment marks a major step forward in early diagnosis and precise treatment planning. With support from RUHX donors, the hospital aims to stay at the forefront of medical innovation and deliver even better care to patients.
Now in its 26th year RUHX has, most recently, helped the RUH Bath complete and open its new Dyson Cancer Centre, bring groundbreaking robotic surgery and its benefits to patients, and extend the hospitals Breast Care Unit. ruh.nhs.uk
BATH ABBEY TO SHINE NEW LIGHT ON SAINT ALPHEGE
Bath Abbey has launched a new fundraising campaign to create a stained glass window commemorating Saint Alphege — Bath-born Christian saint, former Abbot of Bath Abbey, and Archbishop of Canterbury. The window, designed by renowned local artist Neil Ireson, will celebrate Saint Alphege’s legacy of peace and generosity, and deepen the Abbey’s spiritual and historical connections to the city.
With 40% of the funds already secured thanks to generous supporters including The Friends of Bath Abbey, the Abbey is now seeking to raise an additional £90,000 to bring this project to life. If successful, the window will be installed in the Saint Alphege Chapel by 2026.
The new stained glass will be a striking piece of contemporary Christian art, capturing themes of holiness, the Fountain of Life, and international unity — reflected in a vibrant border inspired by world flags. The artwork also highlights Bath Abbey’s commitment to being “A House of Prayer for All Nations,” and its strong ties to the city’s spiritual and ecological heritage, with energy from Bath’s historic hot springs now powering the Abbey’s eco-heating system.
Reverend Canon Guy Bridgewater said the window would inspire visitors and pilgrims alike to reflect, give thanks, and connect with timeless spiritual truths in a modern context. Artist Neil Ireson described the commission as the culmination of his life’s work and expressed excitement at the chance to contribute to a place he holds dear.
Mogers Drewett LLP, a regional legal and financial planning firm, is sponsoring the appeal. Head of Marketing Leslie Redwood said the partnership reflects the firm’s commitment to supporting meaningful local initiatives and helping to leave a lasting legacy for future generations.
Bath Abbey invites the public to help make this once-in-a-generation artwork a reality by donating before the campaign closes on 31 December 2025. bathabbey.org
The existing scanner at the RUH
Stained glass artist, Neil Ireson
Have you declared all of your Limited Company income to HMRC?
In one of its latest round of ‘one-to-many’ so-called ‘nudge’ letters, HM Revenue & Customs (HMRC) is writing to certain individuals who it has identified as having significant control over a company, to check if they have declared all of their income and gains for the tax year ending 5 April 2024.
The persons with significant control (PSC) rules are enforced by Companies House and require a company to identify all of the people who can control it, and to report this information to Companies House. Broadly, a person is a PSC in respect of a company if they:
• directly or indirectly own more than 25% of the shares or voting rights in the company;
• have the right to appoint or remove the majority of directors of the company; or
• can exercise significant influence over the company.
A PSC may have taxable income and gains to declare as result of their relationship with the company. For example, depending on the circumstances, this could be the case where the PSC:
• receives dividends from the company;
• has the company meet their personal costs;
• has the use of company assets;
• transfers personal assets to the company, or vice versa;
• receives loans from the company;
• takes up an option to buy shares in the company; or
• sells shares in the company.
As part of its continued drive to analyse information from other organisations to try to improve taxpayers’ compliance with reporting requirements, HMRC has reviewed the information held by Companies House and is sending one of two letters to certain PSCs, where HMRC believes that the person may need to take action and where they believe tax might have been underpaid and/or income and gains not appropriately disclosed. The letters are not a formal compliance check but more a ‘nudge’ to those identified that they may need to bring their tax affairs up to date.
The first letter asks the PSC to check their Tax Return for the year ended 5 April 2024 and to correct any errors. The PSC is also encouraged to make sure that their Tax Return for the year ended 5 April 2025 includes all sources of income and gains. The second letter is aimed at PSCs who have not submitted a Tax Return for 2023/24. The PSC is asked to check if they should have submitted a Return and if so, to register for selfassessment and submit a Return. The PSC should contact HMRC using the contact details given in the letter if they do not believe a Return is required.
We can assist you with taking appropriate action in these circumstances, so if you believe you may not have fully declared your income and gains to HMRC, please contact us for advice.
The above is for general guidance only and no action should be taken without obtaining specific advice.
James R Rose MMath(Hons) FCA CTA
THE BATH AND COUNTY CLUB
SOMETHING DIFFERENT AND A BIT SPECIAL
After more than 160 years in the city the Bath & County Club wants to be better known. “It may have been founded as a place for gentlemen to escape for a drink, a smoke and a game of billiards or cards but those days are long gone and are not lamented,” according to current Club chairman Terry Clarke. “We still enjoy a drink and usually pair that with an excellent meal.
“The Club was an early mover in the feminist debate welcoming ladies as guests from 1938 and as members from 1996”, he continued. “I joined the Club with my wife in 2022. We were made very welcome, and we very much appreciate the warm social atmosphere.
“I am sure that it could be enjoyed by many more city residents if we can make them aware of the benefits of membership. One of these is the excellent dinners we frequently hold. Whether they are to mark anniversaries and special occasions, or more informal wine dinners or seasonal events, they all benefit from the culinary skills of our resident chef who invariably rises to the occasion.
“Of course, Bath is awash with restaurants and pubs but to me the ambiance of the Club is different and very agreeable. You know you will always be amongst friends and acquaintances, people to talk with and share the experiences of the day or the week. As a recently appointed chairman I see it as my job to make more people aware of what the Club offers,” said Mr Clarke.
“The Club premises on Queens Parade, between Queen Square and the Royal Victoria Park, has a dining room, a well-stocked lounge bar, peaceful spots to work or relax and meeting rooms and event spaces.
It’s the sort of place where you feel a little bit special just by sitting down. “New members are welcome, the application process is simple and if you wish to get to know more about what goes on you can join with a three-month trial.
“Once you are a full member, you will enjoy reciprocal club benefits which give access to many prestigious clubs in London, across the UK, and around the world.
“To give prospective members a better idea of the Club we have posted a YouTube video – simply scan the QR or visit: www.youtube.com/watch?v=tHtdxQme6HY and I invite you to look at that or to write to:
Kate Blethyn, the Club secretary at secretary@bathandcountyclub.com to express an interest”
Club Chairman Terry Clarke
CREATING BRIGHTER FUTURES
What do board games, den building or walks in the park have to do with changing young people’s lives?
The answer might be simpler than you think.
With the support of local youth charity Mentoring Plus, young people aged 7–25 who are facing tough challenges - such as poor mental health, school difficulties or family breakdown - spend one to two hours a week taking part in fun and interesting activities alongside a trained volunteer mentor. And every week, this time together makes a significant difference to their happiness, confidence, and outlook on the future.
For these young people, this playful and positive style of mentoring offers a gentler alternative to more formal interventions like therapy or counselling. By focusing on enjoyable shared experiences, pressure dissipates, creating a relaxed space where they can build trust, talk more openly, improve their immediate wellbeing and develop valuable life skills – all while just being themselves.
For volunteers, the simplicity of Mentoring Plus’s approach makes the role both meaningful and deeply fulfilling. Every game, adventure and conversation has an impact not only on the young person but on the mentor too. Each session requires undivided attention, offering volunteers a chance to step away from life’s usual pressures and distractions - and often to try things they might not have done otherwise.
Most powerfully, it’s an opportunity to make a direct, lasting difference: to help transform how a young person sees themselves, and how they feel about the world and their place within it.
With rising demand from young people, volunteer, John Freeman, shares his experience of mentoring:
“I wanted to become a volunteer mentor because, growing up, I never had a positive role model - and it had a huge impact on my life. I struggled from a young age, right through into my forties. I know that if someone had been there for me, things could have turned out very differently.
The training was brilliant - it gives you everything you need. And once you’re matched, your practitioner is always there to support you and hold any of the more challenging stuff, like concerns about your mentee’s wellbeing.
Mentoring isn’t about giving advice or fixing problems. It’s about walking alongside a young person, accepting them for who they are, and letting them take the lead. Connection takes time, but when you see their light start to shine a little brighter, it’s completely worth it.
My last mentee and I spent our sessions in the woods, on the swings, and by the end we had a great bond. I would say if you’re thinking about mentoring, just go for it and signup for the training. You won’t regret it!” JUST TWO HOURS A WEEK COULD CHANGE A YOUNG PERSON’S LIFE – AND YOURS
Find out more / apply to become a volunteer mentor
• www.mentoringplus.net
• volunteering@mentoringplus.net
• 01225 429 694
Mentoring Plus provides:
• Full training (Sat 4 + 11 October, 2025, 10am-4pm in Bath)
• Ongoing support, activities budget and mileage expenses
• Connected volunteer community
• Flexibility - choose when and where to volunteer in BaNES
Education matters
NEWS FROM THE CITY’S LEARNERS AND LEADERS
UNIVERSITY OF BATH TO RECEIVE £4.35 MILLION FROM GLOBAL TALENT FUND TO ATTRACT WORLD-LEADING RESEARCHERS
The University of Bath has been named as one of twelve UK research institutions selected to receive a share of the £54 million Global Talent Fund, a major new government-backed initiative to attract and support the relocation of outstanding international researchers and research teams to the UK.
Bath will receive £4.35 million to rapidly recruit world-class academics whose work will strengthen the UK’s research capacity and deliver highimpact innovation in priority areas of clean energy, digital technologies, professional and business services and life sciences. This funding forms part of the UK’s broader strategy to enhance the long-term sustainability of its research ecosystem and cement its position as a global leader in scientific excellence and collaboration. The University will use this funding to appoint up to 15 world-leading researchers across the four nationally strategic priority areas. These appointments will strengthen the UK’s position in key growth sectors and further develop Bath’s interdisciplinary research expertise. More information can be found at: bath.ac.uk/campaigns/global-talent-fund/
BATH SPA UNIVERSITY AWARDS HONORARY DOCTORATE TO WAVE FOUNDER
A former osteopath turned social entrepreneur, Nick Hounsfield created the UK’s first inland surfing destination to promote wellbeing through the healing power of water, waves, and community. The Wave, which opened in 2019, was born from Nick’s vision to make surfing accessible to people of all ages, backgrounds, and abilities. Nominated by BSU’s Head of Communications Lucy Stone, he was praised for using surfing as a tool for social impact. Overcoming personal challenges, including a stroke, Nick shared his journey with graduates, encouraging them to stay curious, find their passion, and build inclusive communities where everyone feels at home. Nick has been awarded an Honorary Doctorate of Social Inclusion. bathspa.ac.uk
Nick Hounsfield
KYLIE STEWART
ACADEMIC & SPORTS MINDSET SUPPORT FOR STUDENTS
Whether your child is starting secondary school, feeling nervous about going back, gearing up for a demanding sports season, or preparing for university life, now is the ideal time to prepare mentally, emotionally, and practically.
This quieter part of the year - before the chaos of September - offers space. Space to reflect, plan, and reset. That’s exactly what we do at Aspirio.
I offer personalised one-to-one online mentoring to help children and young adults feel more confident, organised, and in control. With 15 years' experience as a teacher and sports coach, I understand the pressure young people face - from social dynamics and academic deadlines to performance expectations in sport and the challenges of university applications and transitions.
I support children and first-year university students with:
• School anxiety and nerves
• Organisation, study habits & routines
• Social confidence and friendships
• Pre-season mindset, goal setting & motivation
• University preparation — applying, personal statements, course choices, and settling in
• Tips for thriving in your first year of university
Preparing your child or young adult to face the new school year or university term with readiness and calm.
With temperatures soaring in Bath, the Thermae Bath Spa has introduced a new treatment that brings cooling relief, and not just from the heat. Joanna Lewis heads to the spa to experience its new ice ‐cool Swedish Cryo Globe treatment and to learn more about the restorative benefits of cold therapy for mind, body, and soul….
Cryotherapy, or cold therapy, is the new beauty buzz, not just because it offers welcome relief from summer temperatures but also for its potential to improve skin health, reduce muscle soreness, and to help heal inflammation and swelling. Indeed, this beauty trend has gained traction with celebrities and elite athletes utilising extreme cold therapies, from cryochambers to glacial facials, for healing, renewal, and performance enhancement.
However, if the thought of plunging yourself into an ice-filled tub or braving the teeth-chattering chill of a sub-zero cryotherapy chamber sends shivers down your spine, then fret not. Thermae Bath Spa’s new Swedish Cryo Globe treatment offers all the benefits, without the extreme temperature shock, providing Bath’s spa goers with an exciting alternative to mainstream beauty therapies.
This new therapy blends traditional Swedish massage with targeted cool temperatures, utilising Elemis Pro Collagen Cryo Globes. These sculpting, high-quality stainless steel cryo massage tools are precisely cooled to ensure targeted relief while optimising comfort, ensuring a relaxing yet restorative treatment.
The science behind cold therapy
While cryotherapy may feel cutting-edge, its roots lie in centuries of wellness tradition. Used historically to treat inflammation and accelerate recovery, cold exposure has long been prized for its antiinflammatory and revitalising effects.
At its core, cold therapy massage harnesses the body’s natural response to controlled cold exposure to stimulate regeneration and healing. When cold is applied to the body, whether through cryo globes,
ice stones, or chilled compresses, blood vessels constrict, reducing inflammation, swelling, and muscular soreness. As the area warms again, vessels dilate, encouraging a fresh rush of oxygenated blood and nutrients. This contrast effect boosts circulation, supports detoxification, and accelerates repair.
Neurologically, the cooling effect also helps to trigger the parasympathetic nervous system, helping to reduce cortisol levels, lower heart rate, ease anxiety, and dull pain receptors.
“ There’s a meditative quality to the chilled, rhythmic movement of the Cryo Globes when combined with the grounding strokes of the Swedish massage. ”
The treatment
The 50-minute treatment starts with a relaxing, medium-pressure Swedish massage, targeting the neck, back and the backs of the legs –areas that can often feel tense and sore. The chilled Cryo Globes are used intermittently to target areas of tension and soothe overworked muscles, harnessing the proven benefits and revitalising power of cold and contrast therapy.
Far from the numbing chill that one might expect, the Cryo Globes are carefully chilled to deliver a calculated coolness. Indeed, there’s a meditative quality to the chilled, rhythmic movement of the Cryo Globes when combined with the grounding strokes of the Swedish massage. The result is a treatment that offers not only deep relaxation but a sense of physical renewal.
My therapist, Karolina, Assistant Spa Manager, regularly checked that the temperature of the Cryo Globes was comfortable, and there were regular opportunities to adjust their temperature. There was also the opportunity to focus the treatment on specific areas, if required.
Following the massage, Karolina applied Elemis’s Instant Refreshing Gel, a revitalising body gel that delivers relief to tired and tense muscles, helping to further amplify results. The treatment concludes with a relaxing scalp massage, creating a sense of calm that lingers well beyond the treatment room.
Once the treatment is complete there is an opportunity to take a moment in the relaxation area, where there is a selection of herbal teas. The ideal opportunity to take stock before returning to the hubbub of day-to-day life.
Of course, a key highlight of any treatment at Thermae Bath Spa is the opportunity to enhance the experience with a soak in Bath’s mineralrich waters in the spa’s open-air Rooftop Pool or indoor Minerva Bath. Beyond these soothing waters, guests can also enjoy the Wellness Suite, which offers a state-of-the-art infrared room, steam rooms, a celestial relaxation room, and aptly, an invigorating ice chamber, with complementary towels and robes ensuring a seamless experience. n
For more details or to book the Swedish Cryo Globe treatment, visit thermaebathspa.com/spapackages/swedishcryoglobe
notebook beauty
From luxury fragrances to magical serums, here’s some new and thoroughly gorgeous products to help you feel good and achieve your best self this August
THIRNS Advanced Skincare Collection
Thirns is an advanced botanical made-to-order skincare range founded on over 25 years of experience by skincare therapist Olga Brennand. The Thirns range harnesses the clinical powers of organic, plant-based ingredients through science for visible and lasting results. Olga delivers bespoke facial treatments and programmes at her clinics in Bath, Norfolk, and on Harley Street in London, using her own signature method of skincare therapy and custom-blended formulations. Find out more about the treatments and products at: thirns.co.uk
JO MALONE LONDON Raspberry Ripple Cologne
Evoking playful childhood memories of a scrumptious raspberry ripple ice cream and the joy of a British summertime. The Raspberry Ripple Cologne resonates sharp-scarlet juices of lush raspberries and redcurrants swirling through white musk – Powdery and clean, it enhances the trail of the scent, adding a softness that endures. A vivacious and enticing limited edition. £128. Visit the Bath store or shop online at: jomalone.co.uk
CHANEL Les Beiges Healthy Golden Glow Powder
An illuminating powder duo that enhances the complexion with a soft lustre in fiery, subtly golden hues. The complexion radiates a natural glow, as if bathed in the day's last rays of sunlight. A pair of ultra-fine powders: one subtly pearlescent illuminating powder that accentuates the high points of the face and one that and gives the cheekbones a dusting of colour. The shades can be applied separately or together for a buildable look. £60. Available in two combinations; Éclat du Soir or Soleil Couchant. chanel.com
VICTORIA BECKHAM BEAUTY Hand Cream Collection
Created in collaboration with the master parfumier Jérôme Epinette, the genderless artisanal fragrances are instinctively crafted to embody the essence of Victoria's fashion and beauty brand. Lightweight, fast-absorbing gel-cream made for quenching hydration and infused with Victoria’s mostloved signature scents. There’s 21:50 Rêverie, an amber-woody fragrance influenced by the luxuriant ambience of Java nights, Suite 302, a woodyamber fragrance reminiscent of the sumptuous spirit of whirlwind weekends in Paris, Portofino ’97 is a citrus-woody fragrance inspired by the Italian seaside while San Ysidro Drive is a woody-floral fragrance based on a healing new beginning in the California sun. £38 each or £159 for all four. Find these and more from the Victoria Beckham Beauty range at the SpaceNK store in Bath or shop online at: spacenk.com
COMMUNE Seymour Hair Duo + Reusable Pumps
Based in Bruton, Somerset, Commune creates a range of beauty products inspired by nature and spiritual wellbeing. Lovingly crafted to restore your hair's innate health and vitality, the rejuvenating experience of its Seymour Hair Duo ( £120) will thoughtfully cleanse without stripping away the precious natural oils that keep your hair vibrant and resilient. Commune’s refillable shampoo and conditioner set is sulphate-free, and contains milder cleansing properties to lock moisture inside every strand. Infused with the beloved fragrances of Grapefruit oil, Lavender oil, Clary Sage, and Cypress oil to evoke a deep sensorial ritual. Find out more at: commune.cc
This August, enjoy a gift from us to you. Purchase a course of three treatments, and we will treat you to the fourth.
We know summer can be busy, so why not take advantage of this Summer Offer by purchasing your course this month, then you can book your treatments when you are ready.
Choose the course that suits you the best from the list below or why not choose a few!
• Environ Facials
• M3 Matrix Anti-Ageing Facials
• Microneedling Treatments
• Microdermabrasion Facials
• WOW Facials
• Teeth Whitening
• All Body Treatments
• IPL Skin Rejuvenation
• IPL Hair Reduction
Each course is designed to be taken as a complete course so unfortunately cannot be mixed and matched.
www.theorangerylaserandbeautybath.co.uk
At The Eye Unit (Private Clinic), our highly skilled, compassionate team delivers premium, personalised eye care tailored to enhance your vision and overall quality of life. Our consultants are renowned specialists in their field, offering state-of-the-art treatments designed to meet your individual eye care needs. From innovative cataract surgery to expert management of retinal, glaucoma, and oculoplastic conditions, we are committed to delivering the highest standard of care to improve not just your sight, but your daily life.
Specialising in Advanced Cataract Surgery
Rediscover clear vision with confidence. Our expert surgeons use the latest techniques and cutting-edge technology to perform safe, precise cataract procedures with outstanding results. Expect personalised care and exceptional outcomes every step of the way.
Leaders in Oculoplastic and Blepharoplasty
Surgery
Whether addressing functional eyelid issues or seeking subtle, natural-looking enhancements, our oculoplastic specialist combines surgical precision with artistic skill. We offer advanced reconstructive and cosmetic procedures that restore comfort, confidence, and balanced, youthful results.
Choose The Eye Unit – where world-class expertise meets personalised care
› General aches and pains
› Pre and post surgery rehabilitation
Mr Adam Ross Consultant Ophthalmic Surgeon
Miss Gemma Manasseh Consultant Ophthalmic & Oculoplastic Surgeon
ZERO PERCENT ‘BUY NOW PAY LATER’ OPTION FOR BCRM FERTILITY PATIENTS
For many couples who have the unwelcome surprise of finding that if they want to have a baby they will need to pay for fertility treatment, the funding of that treatment can present an additional pressure at an already difficult time.
Kim Donaldson, general manager at Bristol Centre for Reproductive Medicine (BCRM) said: “Not everyone is entitled to NHS funding and patients who need to pay for their own treatment often find it hard to access the funding they need within their ideal timeframe.
“People usually want to start treatment immediately, frequently because the woman’s egg reserve is low due to age or other factors.
“But most often they had no idea they were going to need fertility treatment, so they don’t have money set aside specifically to pay for it.
“That’s why we’re so pleased to have an established partnership with Access Fertility to offer patients both multicycle and refund programmes for their IVF or ICSI treatment, with finance options that include a ‘0% buy now pay later' (BNPL) payment plan.”
Access Fertility is not an IVF clinic: initial consultations and assessments for Bath residents are available at BCRM’s local base at the Sulis Hospital in Peasedown St John, with subsequent appointments and treatments taking place at BCRM’s main clinic at Aztec West, near the junction of the M4 and M5, where there is plenty of easy parking.
The BNPL option allows patients to spread the cost of any approved IVF treatment programme over 12 months, interest free, with their agreed monthly repayments to Access Fertility starting the month after their BNPL application is accepted.
Subject to approval, funding is available equivalent to the maximum cost of a patient’s fertility treatment programme, with a ceiling of £12,000. This funding can be used to cover the full cost of an Access Fertility multi cycle or refund programme for the patient’s treatment at BCRM.
Kim Donaldson said: “We understand only too well the stresses that can face people who find they need to pay for IVF, so we’re really pleased to be able to offer assistance in accessing the necessary funding.”
Further information is available from Access Fertility tel: 03300 102040 or email: support@accessfertility.co.uk
The hidden valley
This month, Andrew Swift takes us on a path less travelled, along the valley of the Broadmead Brook, taking in one of the Cotswold’s best kept secrets...
There are so many good things about this month’s walk, it is difficult to understand why so few people seem to walk it. With a starting point only five miles north of Bath, it follows quiet lanes and well-marked footpaths, and the scenery is unspoilt and deeply rural throughout. Yet the chances are you will only meet the occasional dog walker – and it goes without saying that there are no pubs or other facilities en route.
It starts in Marshfield, with a walk along one of the longest and loveliest High Streets in the Cotswolds. There follows a trek through a vast field of barley, where the going may be slow, although the sweeping vistas and skylarks trilling high above should provide ample compensation. After this, lanes and bridleways lead north-east across the Cotswold plateau, before dropping down to the valley of the Broadmead Brook and the picture-postcard village of West Kington. From there, we follow the brook westward along a hidden valley before climbing back up to the plateau and the village of West Littleton. Finally, more quiet lanes and one last crossing of the Broadmead Brook lead back to Marshfield.
To get to Marshfield, head north from Bath on the A46. After 4 miles turn right along the A420 for 1.75 miles, take a right turning for Marshfield and immediately turn right again into a parking area (ST772737).
From here, set off eastward along Marshfield High Street, passing a former tollhouse on the corner of Green Lane. A little further along, on the left, are the Crispe Almshouses, dating from the early 17th century. Although a village today, Marshfield was once a town of some consequence. It grew rich from the malting of barley and a succession of glorious buildings testify to that past prosperity.
After 900m follow the road as it bears left past the Lord Nelson Inn and then right along Hay Street. After another 150m, by the turning to Hayfield, turn left to walk diagonally across a playing field and head to the right of a playschool to cross a stile onto the main road.
Turn right along the verge for 40m. Just before a school sign, cross to follow a footpath sign through a gateway (ST783739). Head diagonally along a broad strip through a field of barley. On the far side, follow a waymark to continue across another field. When you reach the hedgerow, turn right alongside it.
At the end turn left along Down Road. After 700m, when the road forks, bear right to leave South Gloucestershire and enter Wiltshire (ST798751). In late summer, this part of the walk is a delight. Blackberries ripen in the hedgerows, knapweed, willow herb, cranesbill, mignonette, agrimony and lady’s bedstraw bloom in the verges, and poppies dot the fields.
When you come to a meeting of five lanes, carry straight on, following a signpost for Nettleton and Castle Combe. After 1000m, turn left along a bridleway (ST815759), which, after passing through a shady copse, broadens to a green lane.
After 1100m, as you approach the village of West Kington, and the tarmac begins, turn right to follow a blue arrow along a narrow path between hedges. Before long, the path starts dropping steeply downhill to the valley of the Broadmead Brook, where it meets a lane, along which you turn left (ST813772).
The large house you pass on the right is the former rectory. Further on, at a T junction, you will see the old Plough Inn (sadly long closed) ahead. Turn right across the brook, head up to the left of the Old Post Office and carry on, past a derelict Gothick-style schoolhouse, up a
Broadmead Brook valley
steep and narrow holloway. At the top, on the far side of a field, lies St Mary’s church.
The church was largely rebuilt in 1856, but the pulpit is the one from which Hugh Latimer preached when he was rector here in the 1530s. He later went on to become Bishop of Worcester and one of the leading lights of the English Reformation, before falling foul of Queen Mary and being burnt at the stake in Oxford in 1555.
The churchyard is a haven for wildlife, and benches make this an ideal spot for a break. Sitting here, with only the sounds of nature around you, it is hard to believe that, only a mile and a half away, there is another brookside village, Castle Combe, which receives around 70,000 visitors a year and at peak times is full to overflowing.
Head back down the holloway, carry on past the old Plough and follow the lane as it bears right uphill for a short distance before turning right along a footpath by East View Cottage. After 100m, bear right across a narrow footbridge and turn left to follow an overgrown path beside the brook. When you emerge onto a lane, head straight on along Drifton Hill. After 175m, just past a house called Brookside, turn left to follow a footpath sign (ST804771). For the next mile and a half, you will be following the valley of the brook westward, through a succession of farm gates, the first two of which I found padlocked – but not that tricky to negotiate – when I visited a few weeks ago.
The inconvenience is well worthwhile, for this hidden valley is surely one of the Cotswold’s best-kept secrets. At times it seems reminiscent of the dales of Derbyshire, at others its curves and sweeping contours give it an Arcadian air, like the parkland of some great estate.
Eventually, you come to the Tormarton Road, cutting across the valley and marking the border between Wiltshire and South Gloucestershire
(ST783767). Climb steps to the road and cross a stile opposite to continue along the valley for another 200m. The brook turns south at this point and we have to leave it, joining a gravel track to cross a tributary stream and climb past Ebbdown Farm. After going through a gate by the farm, carry on in the same direction with the Cotswold plateau on your left and the valley of the tributary stream on your right.
After 2250m, you come to a T junction in the tiny village of West Littleton (ST761754). If you want to visit St James’s church – rebuilt a year earlier than St Mary’s – turn right past Home Farm and left at a telephone box. To continue with the walk, however, turn left. After 600m, you pass Cadwell Hill Barn, beyond which the lane drops down to cross the valley of Broadmead Brook one last time before climbing to a lonely crossroads, where you turn right (ST773745).
At the next crossroads, carry straight on, following a signpost for Westend Town. After passing Westend Farm, turn left. At the main road, cross and carry on to the tollhouse where a right turn leads back to the starting point. n
To read more of Andrew Swift’s work and purchase his books, visit akemanpress.com | All photos courtesy of Andrew Swift
Walk this way...
Length of Walk: 9 miles
Approximate Time: 4-6 hours
Terrain: Mostly on quiet lanes and field paths, although with a 1000m trek through fields of barley near the start, an overgrown path alongside the stream in West Kington and the possibility of having to climb padlocked gates further along the valley Maps: OS Explorer 155 & 156
No facilities en route; cafe, pubs and public conveniences in Marshfield
Beside the brook in West Kington
West Kington Church
West Kington village
Rooms with a view
Bath‐based creative Emilio Pimentel‐Reid’s new book, All Things Considered, looks at how top designers craft deeply personal interiors for themselves. Showcasing 16 distinctive homes, it celebrates creativity, risk‐taking and the joy of spaces that truly reflect their owners' personalities. Here is a small taste and introduction to the book in Emilio’s own words...
As a UK-based design author and creative strategist, I come into contact with top designers across the world. The idea for this book came from my regular conversations with them, and from my desire to reveal how these international creatives are fashioning highly personal interiors for themselves, as well as to explore the relationship we all have with our homes. This book highlights distinctive spaces: some historically influenced and others at the cutting edge of contemporary design, some serene and several provocative, but all uplifting and created with great thought, confidence and flair. In the mix of moods, colours, patterns, objects and textures shown, all things have been very thoughtfully considered – leaving room for style, surprise, joy and personality.
To widen the scope of the visual conversation, there are a mix of designers represented from the UK and influential design capitals across the rest of Europe and in North America, all at the top of their game. Each designer shines for their original style of decoration and the bold mix of elements they incorporate into their interiors. The idea is not to capture one point of view or look, but rather about encountering accomplished spaces built on integrity, gut feeling, deep knowledge and great personality. Featured creatives are at different stages in their professional careers, from those who are just being discovered, through those who are established, to a few legendary names who are still leaders
in the industry. They all have inspiring viewpoints to share.
As someone passionate about homes, still filled with curiosity after 25 years exploring and promoting design, I have found that often the most alluring and successful interiors are those that designers conceive for themselves. Perhaps this is because they experiment at home before deploying their ideas on clients, or because they take risks that they might not in professional projects. At home, also, they often tackle challenges that are not faced by their clients: budget or size of space, maybe, or the even tougher challenge of committing to design choices for oneself. Each designer has approached their interior differently –just as you should.
The 16 homes featured in the book (with just a fraction of examples shown here) constitute a celebration of individuality, an uplifting collection of interiors that mix varied elements with gusto to create joyful spaces. In real life we are all very different – at different stages of our lives, with different passions and taste – and designers are just like us, except with great expertise. They are all highly knowledgeable about the zeitgeist at any given moment, yet refreshingly admit to not caring about trends. This liberating outlook leads to interiors that have great longevity, because they are made just for their owners. These artists, gallerists, designers and other creatives with varied backgrounds value a strong sense of personality above all else.
I hope you will be inspired by these great mixologists. Not with drinks, of course, but blending personality and style to encourage you to celebrate your individuality and create interiors that are very You. n
feel as though this was a house in London’s Notting Hill, a little Victorian with a bit of French country and other references from trips to the European continent.”
Emilio Pimental-Reid. Photo by Marian Balcacer
Left: New York decorator Sasha Bikoff’s home in West Village is bold and imaginative, inspired by the past, nature, art, architecture and film. “I create a new world based on a story that I make up,’ she explains. “I consider myself a storyteller. In the townhouse I imagined an eccentric woman living in her home, her husband allowing her to do whatever she chose. I wanted it to
Right: Philip Hooper, joint managing director of Britain’s longest-established interiordecorating firm, Sibyl Colefax & John Fowler, lives on the border between Clapham and Brixton Hill in south London. In this converted Victorian school, the classrooms are now lofty apartments, with high ceilings and huge windows that give a faintly industrial feel. The developers sold the units as empty space – basically one big classroom – and in his, Philip has put everything where he wanted it. His home is well edited, bringing together pieces from different cultures and periods. “There is a selection of random objects that is given coherence as they are filtered through me,” he says. Beyond being his piedà-terre, the apartment is a space to show paintings. It is really one big open-plan studio, so no single corner outshines another.
The interior architect Gert Voorjans inhabits a 19th-century mansion in the centre of Antwerp, Belgium, a city known for its intermingling of history, cutting-edge creativity and commerce. “We are lucky,” Gert says, “still to have beautiful old houses with high ceilings and good proportions that bring poetry into an interior. My dream as a child was to live in a house with wooden floors, high ceilings and an open fire.”
Below: Born in Israel, the designer Michal Silver lived a rather nomadic life between Tel Aviv, New York and Paris before settling in London 28 years ago. Currently creative director at Christopher Farr Cloth, Michal’s building is in a conservation area at the far western end of Chelsea. Originally part of a Congregational chapel built in 1855, the architecture creates a framework for the interiors, like a frame for an artwork, yet is also functional and structural, setting the tone for the way the house was decorated.
Above: Willow Kemp’s flat is in the upper reaches of a converted building in London’s Chelsea. Willow – who is an art ambassador for her family’s Firmdale Hotels and design director at Kit Kemp Design Studio – has claimed an extra 0.6 m (2 ft) in ceiling height by opening up the loft space. Decorated with the flair of an artist and the know-how of a top designer, the flat combines her passion for collecting contemporary art and fascinating objects with a technical understanding of architecture.
Below: American-born J.J. Martin is founder and creative director of fashion and homeware label La DoubleJ, known for its unapologetic maximalism plied with joy. J.J.’s building housing her Milan apartment dates from 1910, but follows the Gothic Revival style of the 19th century. J.J. says, “I need to have a wonderful, beautiful container that feels very well structured and organised and visually pleasing. That’s how I get my sense of safety. And then I can create from that place. In the end I need an interior that feels inviting, juicy, joyful.”
Above: The Bath design shop Berdoulat shares its name with an 18th-century farmhouse in southwestern France, the childhood home of its founder, the interior designer Patrick Williams. Patrick’s home occupies the floors above and rooms behind the shop in a charming and generously proportioned Grade II listed building in a quiet neighbourhood near the centre of the city. The building is 1760s at the front, 1840s in the middle and 1800 at the rear, with sympathetic additions by Patrick and his Bulgarian-born wife Neri.
Emilio Pimentel-Reid @whatemiliosaw
All Things Considered
Thoughtful Interior Design that Mixes Pattern, Colour and Style
Emilio Pimentel-Reid
Photography: Edvinas Bruzas
Published by Quadrille, £35
KarndeanSummerhouse
A kitchen reimagined
This kitchen renovation by Sky Interiors seamlessly blends contemporary Shaker style with the character of an old farmhouse, transforming a dilapidated space into a sleek, functional heart of the home.
Just outside Devizes, what was once a tired, crumbling kitchen with an ageing Aga has been transformed into a sleek, light and functional space that combines contemporary Shaker styling with the warm character of an old farmhouse. The renovation was part of a wider home extension project led by the owners, John and Beverley, and realised in collaboration with Robbie Howard from Sky Interiors.
“The original kitchen was well-worn and falling apart,” says Robbie. “Where the steel beam now sits marks the boundary of the old kitchen. Beyond that, the extension brought in all the natural light – windows, doors, and garden access – which gave us a lot more to work with.”
The project itself took around two years from first discussions to installation, because of the need to get quotes from builders for the extension. While the clients had plans for an extension, this was just a rough outline when the kitchen design process began, so Robbie created 3D visuals to help the owners visualise how everything would come together.
There were plenty of practical considerations, as Robbie recalls: “The whole floor had to be dug out and re-levelled from the garden side, so it was important to make sure everything would sit correctly once the cabinetry and appliances were in.”
Part of the original kitchen
Photography by Adam Carter
STANDOUT KITCHEN FEATURES
• Slide-and-hide ovens
• A venting hob with downdraft extraction
• Quartz worktops with subtle veining
• Concealed-hinge Shaker cabinetry in a neutral tone
• Custom plate rack and Belfast sinks
• A built-under microwave with a warming drawer
The brief
The owners’ brief called for a calm, classic style. The result is a cleanlined, in-frame Shaker kitchen. Storage and functionality were top priorities. The large island features ample drawers, prep space, and integrated appliances – including a built-under microwave with a warming drawer beneath – saving wall space and preserving symmetry.
“Microwaves can really disrupt the flow of a kitchen if not carefully integrated,” says Robbie. “Putting the microwave under the counter, with a warming drawer below, meant we kept the main bank of cabinetry balanced and practical.”
On the back wall, a tall fridge and freezer flank a pair of slide-and-hide ovens. The traditional work triangle – fridge, sink, and hob – has been preserved, but compressed for modern convenience.
“We wanted to keep everything within easy reach. So you’ve got fridge and freezer either side of the ovens, and the hob on the island just opposite. There’s also a bin pull-out right next to the microwave, so everything has its place.”
Robbie says, “Beverley didn’t want visible butt hinges on the cabinets – she wanted everything sleek and uncluttered. So we used concealed soft-close hinges throughout to keep the look clean.”
The kitchen includes thoughtful personal touches: a traditional plate rack, a second sink and a hob integrated into the island. Because of the low ceiling height, a downdraft venting hob was chosen, avoiding the need for overhead extraction. “Everything is drawn down into the hob itself,” Robbie explains. “It means you can keep the ceiling line uninterrupted, important in a space with exposed beams.”
“Robbie was very supportive and extremely patient. The layout changed a lot, especially when we moved away from having a range in favour of two eye-level cookers and a hob.
“It was also quite a long time between quotes and completion, and while this gave us lots of time to think about every aspect, we also had a lot of time to change our minds. Luckily Robbie was very patient and didn’t seem to mind redrawing the kitchen at least four times!
“The kitchen now flows extremely well. We’re lucky that we have enough space for two of everything. Cooking can now be a sociable experience without getting in each other’s way.
“Our favourite feature of the kitchen is the island. With the off centre skylight there is now a lot more light, and what was previously quite a dark kitchen is transformed into a bright, inviting space.”
BEVERLEY FOSTER
Materials
The kitchen is finished with a soft quartz worktop that mimics marble, offering both elegance and practicality. A porcelain, stone-effect floor, selected by Robbie and supplied by local flooring specialist, Quorn Stone, ties the scheme together.
Despite the long timeline and the challenges of coordinating with builders and an evolving architectural plan, the project was a collaboration based on a shared vision. “We always joked that Hollywood could’ve made a movie in the time it took to get this kitchen done,” says Robbie. “But the result was worth it. It’s a blockbuster!”
“It really is about building relationships,” he adds. “When clients trust you, and you trust the process, you end up with something special. A kitchen like this is a big investment – it needs to work, and it needs to last.”
The final space is both timeless and contemporary, rooted in the fabric of an old home but designed for the way people live, and cook, today.
Elly West addresses ‘the bounty and burnout’ that can occur in summer garden displays, sharing helpful tips to make the most of late bloomers, and knowing where best to direct any TLC so that your flowers flourish for as long as possible
It’s the peak of summer, which can be a strange time in the garden with a mixture of bounty and burnout. Crops are ready to be harvested and weeds are romping away, but borders and containers can start to look tired and past their best. However, just a few timely tasks and some extra care will keep things looking fresh so you can make the most of your plot and continue to enjoy the great outdoors.
Many plants are winding down and showing signs of fatigue, especially during periods of hot, dry weather. Collecting rainwater and using it to water the garden can make all the difference during periods of drought, especially with nationwide water shortages predicted. (Please forgive me if we have a wash-out summer! We all know how variable our weather can be week to week).
If water is scarce, ignore the lawn, which will generally bounce back, and focus on plants in pots, new plantings and crops. Water them in the early morning or evening to reduce evaporation, and consider moving containers to shadier parts of the garden, especially if you are going on holiday. Aim the water at the roots and give the soil a good soaking every few days as necessary, as opposed to more regular light sprinklings, which are less effective and encourage shallower roots. A layer of mulch in the form of compost or bark chippings will also help to keep the soil cool and moist while suppressing weeds and improving soil structure.
Plants tend to stop flowering once they’ve set seed, but can be kept going for many weeks longer if you take the time to deadhead them as the blooms fade. If this feels too fiddly, then a light trim all over with shears can often rejuvenate the plant and encourage fresh leaves and even another flush of flowers. Hardy geraniums, salvias, achilleas, alchemilla
and nepeta can all be cut back after flowering to give them a second wind. A dilute liquid feed will give an extra pick-me-up for exhausted looking plants once you’ve cut them back. Cutting flowers to bring indoors has the same benefits, encouraging new flowers, with the added bonus of fresh blooms in vases around your home.
Fill gaps in the borders or containers with plants that will provide instant impact for a quick refresh. Among those looking good on the nursery benches in August are dahlias, Japanese anemones, rudbeckia, echinacea, sedums, kniphofia, asters and ornamental grasses.
Kitchen garden prep
While many food crops are ready to harvest in August, it’s also a good time to plant ahead for later crops such as winter cabbages, kale and broad beans. Succession seed sowing is key as early crops come to an end, but these can be replaced by quick-growing crops such as radishes, rocket, basil, parsley, spring onions, spinach and salad leaves.
Autumn-flowering bulbs can also be planted now, such as autumn crocus, colchicums and nerines, for flowers from September. Plus, it’s a good time to start planning ahead and browsing the catalogues for spring bulbs. Some can be planted in August, such as daffodils, crocuses, alliums and irises. Tulips do better if planted later, from October to December when the soil has cooled down, to help avoid the risk of fungal diseases.
Some seeds from annuals and perennials in the flower garden are ready to gather and save for next year. Wait until the pods have turned brown and you can hear the seeds rattling inside, empty the pods and discard the waste, then spread the seeds out on paper on a window sill for a day
or two to finish drying. You can then put them in labelled envelopes in an airtight container, ready for sowing next spring. Ones to try include poppies, sweet peas, nigella, cornflowers, hollyhocks and aquilegia.
A helping hand
Help wildlife in the garden in late summer by providing food, shelter and water. Leave some areas more messy and wild if you can, perhaps with patches of nettles or overripe fruit. Seedheads provide food for birds, late flowers provide nectar after other sources fade, and bees will shelter in hollow stems. Top up bird baths in dry weather, and even dishes of water on the ground will help small mammals, bees and butterflies.
This point of the summer is also a good time to pause and reflect on what has worked well this year and what hasn’t. A garden journal is a great way to remember which plants thrived and survived heat, drought or pests without a fuss, and others that didn’t do so well, plus the reasons why. Perhaps they were in the wrong place, or were neglected during a holiday away. Plan ahead for changes next year, thinking about what you might move, repeat or replace next year. Gardening might be cyclical, but each year brings fresh insight and challenges, so next time you are kicking back on the sun lounger, take the time to assess and plan for an even better garden next year. n
Elly West is a professional garden designer, working in and around the Bath and Bristol areas | ellyswellies.co.uk
Plant of the month: Echinacea
These easy-to-grow perennials have large, bold daisy-type flowers in shades of pink, orange, red and white. Echinacea comes from the Greek word ‘echinos’, meaning hedgehog, but they are also known as coneflowers, because of the prominent spiny centre cone in the middle of the flower.
They are attractive to bees and butterflies, and flower from late summer into autumn, the seed heads providing interest and structure in winter. Popularised in the 1990s by Piet Oudolf and other designers advocating prairie-style planting, they combine well grown in swathes alongside grasses.
Grow them towards the back of the border in full sun or light shade, and well-drained soil, and dead-head to keep the flowers coming. Plants will die back in winter and reappear the following spring, and are suited to cottage-style planting, informal gardens and wildlife gardens. Popular varieties include ‘Magnus’ (pink), ‘White Swan’ (white) and ‘Green Envy’ (green and pink). ‘Summer Cocktail’ (pictured) turns from orange-yellow to a beautiful salmon pink.
This beautiful 4 storey home. offers exceptionally wellpresented accommodation in the quietest of city locations with green views to the front and the elevated Georgian backdrop to the rear.
The ground floor accommodation begins with a welcoming hall and elegant staircase rising to the upper levels and doors leading to the front aspect sitting room overlooking Henrietta Park. This level of the house is elevated from the street therefore giving a marvellous view of the park from a central and large sash window. The dining room has a cute terrace taking in the westerly sun and in turn leads to the well-appointed and designed kitchen attached to the two previous rooms with views overlooking the beautiful private garden.
The first floor is totally occupied by the main bedroom suite with a sumptuous ensuite, walk-in wardrobe and a landing that would be an ideal spot for reading and watching life in the park. Upstairs again and there are two further generous bedrooms, the main family bathroom and a separate cloakroom.
The lower ground floor has another cloakroom, front aspect bedroom with ensuite, TV/snug room, 2 studies and a utility room leading out to the courtyard and to the coach house beyond.
TheCoach House has separate access from the lane behind, through the attached garage and into the open plan living/room kitchen which boasts a huge window looking back at the main house. Upstairs there is an eaves bedroom and excellent shower room. There is additional access from the private gate at the front of the house and through the garden.
37 Market Street, Bradford on Avon; Tel: 01225 866111
Henrietta Road, Bath
• 4 bedrooms
• Semi Detached Villa
• Grade II Listed
• En-suite facilities
• Separate 1 bedroom coach house
• Idyllic central location
• Generous courtyard garden
• Garage
£2,500,000
Dilton Marsh
£1,625,000
This beautifully refurbished and extended former Mill House, set within approximately 10.82 acres of stunning countryside, offers the perfect blend of period charm and contemporary living. Highlights include a private lake with a picturesque lake house, stables, swimming pool, sauna, and tennis court.
• Grade II Listed detached property
• Approx 10.82 acres of land
• 5 bedrooms
• Wealth of period character
• Swimming pool, sauna and tennis court
Lansdown, Bath
£725,000
A spectacular triple aspect first floor 3 bed apartment enjoying magnificent elevated views, with a balcony, 2 private garages and beautifully manicured communal gardens located on Bath’s highly desirable Lansdown slopes.
• 3 bedrooms with one ensuite shower room
• Magnificent views of Bath
• 2 private garages
• Communal gardens and grounds
• Formally 2 apartments that have been sympathetically co joined
Ashton, Wiltshire
01225 333332 | 01225 866111
Steeple
Leigh Road, Bradford on Avon
High quality care in Bath
At Rush Hill Mews care home in Bath, our highly trained teams are experts in providing high quality care from residential, nursing and dementia care, to short term care. Our purpose-built home offers luxurious facilities, including a coffee shop, hair salon, library and beautiful landscaped gardens.
A lifestyle tailored to you
At our ‘good’ CQC rated home we’ll support you to continue living your life the way you choose. We’ll learn all about your interests and preferences so we can create a fully personalised lifestyle plan that you’ll enjoy whether it’s gardening, cheese and wine socials or playing chess.
Trust us to care
Rush Hill Mews care home in Bath is part of Care UK, the country’s most awarded large care provider. We’ve been delivering high-quality, person-centred care for over 40 years.
In our recent relative survey, 93% of families were impressed with how the staff treated their relative with kindness, dignity and respect ^ and 91% were happy that the staff appear to be trained in latest procedures to keep residents safe at all times* .
To find out more about Rush Hill Mews call 01225 591 334
*Care UK relative survey April & September 2024. Study operated by QRS Market Research, an independent survey agency.
Caroline Buildings, Bath O.I.E.O £1m
5 bedrooms, 2 Bathrooms
Nestled in the sought-after heart of Widcombe, this exquisite Grade II listed Georgian residence effortlessly combines period charm with stylish, contemporary living. Thoughtfully updated throughout, the property retains its original character while offering all the comforts of modern design. The ground floor welcomes you with a spacious, light-filled living room featuring a sleek modern log burner - perfect for cozy evenings. A second reception room, currently arranged as a games room, adds versatility to the layout. A well-proportioned utility room with a W.C. completes this level. Downstairs, the beautifully appointed kitchen is a chef’s dream, blending modern fittings with characterful touches including the original stove fireplace. A separate dining room and vaulted storage areas enhance the practicality and charm of this level. The first floor hosts the impressive principal suite, complete with a private shower room and ample storage. Two further double bedrooms occupy the next floor up, sharing a contemporary shower room. The top floor currently serves as a flexible space with a home office, additional bedroom, W.C., and a convenient kitchenette - ideal for guests or multi-generational living.
Outside, the rear garden has been thoughtfully landscaped to create three distinct seating areas and a lawn, offering a tranquil space for outdoor entertaining. At the rear, there's direct access to the scenic Kennet & Avon Canal towpath - perfect for leisurely strolls or morning runs. Permit parking is available on the street, completing this exceptional offering in one of Bath’s most desirable locations.
Zest, Bath 01225 481010
www.zestlovesproperty.com
1a Mile End, London Road, Bath, BA1 6PT
Known for developing exceptional homes across the South West, Ashford Homes also offers its award-winning construction services to private clients looking to build something bespoke.
Whether you’re planning a one-off new build, barn conversion, or listed property restoration, Ashford Homes can be your trusted construction partner, with over 35 years of experience, expert project management, and a reliable network of skilled local tradespeople.
We work closely with homeowners, architects, and landowners from concept to completion. Our flexible, client-first approach ensures we understand your vision, navigate the design and planning stages with care, and deliver a home that reflects your lifestyle, budget, and goals.
From sustainable builds to complex renovations, we embrace the projects others avoid. Our reputation is built on quality, service, and attention to detail Strong relationships with local planning authorities and suppliers help streamline the process and minimise delays.
If you’re looking for a contractor with a proven track record, collaborative spirit, and commitment to quality, we’d love to hear from you.
Why letting could be the smart move — for now
By Peter Greatorex, Managing Director, Peter Greatorex Unique Homes
Over the past year, I have had a growing number of conversations with clients who find themselves at a bit of a crossroads. They are not quite ready to sell but they also don’t want their property sitting idle. Some are watching the market closely, waiting for stronger conditions. Others are looking for flexibility to travel, explore new areas, or see how life feels somewhere else.
In many cases, I’m hearing the same question: “Should I consider letting?”
And my answer is: Yes, for some people, it can be a very smart option, when it is done properly.
Where will you go?
Letting out your property does not have to be a permanent decision, nor is it just for investors. In fact, for many of our clients, letting opens up possibilities they had not previously considered.
For some, they already own a second property that is currently sitting empty. Rather than leaving it to deteriorate, they want to explore how it could start working for them. They perhaps no longer use it in the same capacity but are not sure if they are ready to sell it.
Others are keen to travel or live abroad for a while, and letting provides the means to fund that lifestyle, while keeping their home ready for when they return.
Some simply want to try out a new location or way of life, perhaps downsizing, renting by the coast, or moving closer to family, again, without committing to selling just yet.
In all of these scenarios, letting can provide time, flexibility, and financial breathing space.
If you have a property that is currently not being used, letting it could become a valuable source of passive income. With the right care and management, that property can continue to grow in value while earning in the background.
I always remind clients: property is a long game. Holding onto a welllocated home, especially in a market like Bath, Bristol or the surrounding areas, can be a smart move over time.
Isn’t being a landlord really difficult now?
It is true that the lettings sector is facing more regulation, and that trend will continue, but that is not necessarily a bad thing. If anything, it is helping to raise standards, something I fully support. What is key, is having an experienced, reputable agent to guide you through it.
Letting does not have to be complicated or overwhelming. A good agent will handle everything from finding the right tenants and managing risk to ensuring full legal compliance. That includes contracts, safety checks, deposit protection, repairs, rent collection, and everything in between.
Lettings can (and should) be hands-off, especially for those that have little experience in this field. At Peter Greatorex Unique Homes, we have always focused on personal service and doing things properly. Over the years, many of our clients have asked if we could also manage their homes as rentals, particularly those who trust our values and know the level of care we bring to everything we do.
We have years of experience of lettings through our sister company, The Apartment Company, and are now integrating this same level of service into our offering here at Peter Greatorex Unique Homes. Not at high volume, not as a bolt-on, but as a considered, high-quality service for people who want things done right. We offer advice, full property management, tenant sourcing and complete compliance support, all delivered in the same one-to-one professional way we are known for on the sales side.
If you are unsure about what is next, it sometimes helps just to talk through your options. Letting your home could give you the space and income to figure it out. Similarly, once we understand your goals and have talked through possibilities, you may decide selling, or even staying put, us the better choice – and that’s absolutely fine too. We understand deciding where to live is one of life’s biggest decisions so there is no rush and no pressure to make a quick decision.
My best piece of advice is to explore all your options, understand the pros and cons of each and how they might fit with your future plans. Whether you want to travel, test out a new lifestyle, or simply keep hold of a valuable asset, letting can work brilliantly if it is well managed from the start.
We are here to give clear, honest advice, so you can decide what is the right next step for you.
A beautiful 18th Century Grade II listed Cotswold Stone country house with separate coach house accommodation, outbuildings, heated swimming pool, tennis court and garage, surrounded by gardens with orchard, woodland and paddock in approx. 5 acres.
Rectory Farm is a distinguished 6 bedroom Grade II listed Georgian farmhouse with later extension, set within nearly 6 acres of beautifully landscaped gardens, paddocks, and wildflower meadows, in the peaceful hamlet of Hornblotton.
• Stylish two-bedroom detached annexe in former cowshed
• All-weather tennis court, outbuildings and greenhouse
• Spacious agricultural barn with potential for development
• Equestrian/smallholding potential - 5.5 acres of paddock
• Peaceful rural setting between Castle Cary, Somerton & Glastonbury
• EPC rating E, Somerset Council Tax D
West Harptree, Somerset
OIEO £1,050,000
Bellhorse Cottage is a beautifully reimagined 17th-century rural retreat, where history meets modern design. Fully refurbished and thoughtfully extended, this exceptional 3/4-bedroom home blends original, recycled features with striking contemporary style.
• Flooded with natural light and offering expansive open-plan living
• 180-degree views stretching from Bath across Gloucestershire to the distant Welsh Hills
• Commanding a breathtaking outlook over Chew Valley Lake and beyond
• EPC rating C, B&NES Council Tax F
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A substantial Grade II Listed town house. Currently organised as two student HMO properties. 9 bedroom four storey maisonette and a two bedroom lower ground floor apartment. Garden. Yield of 7.9%.
Marshfield • Guide Price £950,000
A stunning detached period property set in large gardens overlooking open countryside. Sitting room, dining room, kitchen/breakfast room, four double bedrooms one with ensuite, wet room, home office, cloakroom. Detached garage with utility and studio. Driveway parking. Freehold, EPC rating D, Council tax band E Bath • Guide Price £1,100,000
Freehold. Council tax band D. EPC rating D
Weston, Bath • Guide Price £670,000
A stunning Grade II Listed, semi detached property, bursting with charm and ample off road parking. Sitting room, kitchen/diner, conservatory, garden room, three bedrooms, bathroom. Beautiful gardens. EPC exempt. Freehold. Council tax band D
Norfolk Buildings, Bath • Guide Price £550,000
A stunning two bedroom garden maisonette forming part of a magnificent Grade II listed building, with accommodation over the ground and lower ground floors. Holiday lets permitted. No onward chain. Share of freehold, EPC rating C, Council tax band B
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Larkhall • 4 Bed, 2 Bath £2,400p/m
A truly delightful family home, beautifully presented with spacious, light-filled interiors, finished to a high standard, blending warmth, style, and contemporary comfort throughout
Bath • 2 Bed, 2 Bath £1,700p/m
Stylish and well appointed, this home offers refined living with modern comfort and convenience, just moments from the iconic and historic Royal Crescent
Marshfield • 2 Bed, 1 Bath, £1,400p/m
This charming period cottage blends modern elegance with timeless character, offering immaculate interiors and enviable countryside views. Exudes quality and sophistication in every detail
