Issuu

THE HOUSE

42 WORKS OF ART

Meet Lera Kunyk, an IT professional who’s head over heels for our city’s

What’s occuring, who’s who and what’s what?

18 AUTUMN APPAREL

It’s time to wrap up warm for your next adventure: Jigsaw has your autumn wardrobe sorted

Our friends at Gloucester Road Books have a selection of cracking new reads to share with you

Things to do in the area this month. We have plenty of spooky options for all interests and budgets...

Actor and photographer Bill Ward took his camera right inside breaking waves for a new

Essential activities to ﬁll your half term and beyond 38 MAD ABOUT MORRIS

Kittiwake Border Morris tell us all about the folk dance tradition, and how it’s evolving

Exhibitions crammed with creations to leave you in awe, plus a special look at Rainmaker Gallery’s autumn show

46 MAN IN THE WOODS

We speak to the artist, artefact-maker and ambler

52 THANK GOD(S) FOR THAT

We dine at Seven Lucky Gods in Wapping Wharf, one of the city’s best Japanese-inspired kitchens

54 FEELING FUNGHI

Chef and writer Claire Thomson talks mushrooms 58 A GOTHIC TALE

Andrew Swift delves into the history of Tyntesﬁeld

72 THROUGH THE KEYHOLE

Emilio Pimentel-Reid’s new book shows us around the homes of the world’s top designers

82 AW25 HOMES & INTERIORS

The only guide you need to see you through your home projects from start to ﬁnish

Image credits: Left, Bill Ward

Photography; right, Manu Rodriguez and Chris

Mottalini

Steve Miklos

Email: steve@thebristolmagazine.co.uk

Financial Director Jane Miklos

Email: jane@thebristolmagazine.co.uk

EDITOR from the

Those evenings drew in rather quickly, didn’t they? In the time it took for us to collectively blink, summer has gracefully bowed out (ignoring her unwelcome parting gift that came in the form of biblical showers), and crispy leaves, window condensation and chilly mornings have made themselves comfortable across the city.

Early autumn days, with their mellowing sunshine and celestial golden hours, are ideal for shoving on some boots and venturing outside. We’re blessed with some incredible green spaces dotted around – Trooper’s Hill is a favourite mulling-things-over spot of mine perched above the misty cityscape – but if you’re looking to venture a little further afield, then Andrew Swift has plenty of reasons why nearby National Trust property Tyntesfield should be high on your list (p.48). Fans of gothic literature will feel right at home wandering among its extraordinarily ornate carvings and dramatic interiors.

Ah, interiors. We’ve plenty of them this month – with a bumper AW25 Interiors Guide (p.82) crammed with local experts waiting to transform your home. And if you love nothing more than nosing around other people’s houses, then why not go for the crème de la crème and peer through the keyhole of the world’s finest designers’ abodes?

Local author Emilio Pimentel-Reid does just that in his new book (p.72) – which we bring you a very special slice of.

Back to walking, though, and in this issue we bump into folk artist and curious ambler Man in the Woods, who tells us the story behind his one, unbroken meander around the South West countryside, which he shares each week to a huge online following, and discusses how the places he explores that seem untouched by time inspire the artefacts he creates. During our chat, Man in the Woods mentioned folk dancers Boss Morris, who hail from Stroud. Coincidentally, it was the second time in a week I’d heard their name, being credited for bringing Morris dancing to a wider, more diverse audience. The first was by Kittiwake Border Morris, who kindly schooled me on all things to do with the tradition (p.38), and I discovered how the face of modern Morris-ing is changing.

Rosanna Spence

Editor Rosanna Spence

Tel: 0117 974 2800

Email: rosanna@thebristolmagazine.co.uk

Digital Editor India Farnham

Email: india@thebristolmagazine.co.uk

Production Manager Jeff Osborne

Email: production@thebristolmagazine.co.uk

Advertising Sales Liz Grey

Email: liz@thebristolmagazine.co.uk

For advertising enquiries, please contact us on 0117 974 2800 Email: sales@thebristolmagazine.co.uk

The Bristol Magazine is published by MC Publishing Ltd. An independent publisher.

Every month, The Bristol Magazine is hand delivered to more than 15,000 homes in selected areas. We also deliver direct to companies and businesses across the city. Additionally, there are many places where we have floor-stands and units for free pick-up:

CLIFTON ARCADE

Kittiwake Border Morris at Chepstow Wassail (photo by Dorset Morri'arty)

5 things to do

Listen to ghost stories

Join Bristol Old Vic in the darkness to see a sell-out success show return in time for Halloween (21-25 October) with four brand-new spooky stories from awardwinning writers. In an ambitious co-production between HighTide and Pentabus, this year’s Ghost Stories by Candlelight will draw you into the secretive corners of the East and West of England. Just don’t let the light go out...

bristololdvic.org.uk

Run away with the circus

The UK’s celebration of circus (combining circus skills, music, theatre, dance and spoken word), Circus City, comes to Bristol from 9-30 October, with the full line-up including performers from Sweden, Belgium, France, Spain, Lithuania, Germany, and the UK alongside a host of UK and Bristol talent. There are four shows being performed during the biennial festival’s 2025 edition, which can be booked online. bristolcircuscity.com

Watch live music

A political activist, environmental warrior and a master of stringed instruments, deep grooves and openhearted lyrical reflections, Australian artist John Butler is more than a humble singer-songwriter: he is a musical revolutionary. Crosstown Concerts, by arrangement with CAA is bringing John’s latest show to the O2 Academy Bristol on 31 October, where he’ll be playing songs from his new solo album PRIZM, which reclaims his classic groove-laden force, brimming with fierce guitars, robust percussion and meteoric choruses. There are radio-friendly ear-worms that will generate instant festival singalongs, moshpit frenzied rock outs, and soulful ballads that are as pensive as they are stirring.

crosstownconcerts.seetickets.com

Embrace the autumn leaves

Take the whole family to Westonbirt Arboretum and explore the Family Autumn Trail, a hands-on adventure celebrating the season’s spectacular colours, textures, and creativity. Inspired by the Drawn to Nature trail and the Bedgebury Florilegium exhibition at Westonbirt, this trail invites children and grown-ups alike to discover the art of autumn, from leaf peeping and tree dressing to creating your own leaf art.. forestryengland.uk/westonbirt Photo © Johnny Hathaway

See Alexei Sayle in Bristol

Join the city’s most riotous monthly madcap DIY cabaret club night, Riot Act, on 28 October from 6.30pm for a Halloween Spectacular at The Mount Without. Countercultural hero and godfather of alternative comedy Alexei Sayle (pictured left) tops the bill; alongside him will be punk poetry crown prince Redeeming Features, taking to the mic to set the stage alight with characteristic high-octane comic verse flair. Local stand-up heroes Bex Cant, Stephen Bisland and Brendan Common will bring some bite, while Bristol cabaret legend Grainne Young-Monaghan (pictured right) will blaze trails in the hilarious dark art of gothic clowning. New superteam TRASH BAGZ will serve an electrifying array of trash filled thrills and will also be three-minute open mic slots available on the door to practitioners of all performance styles. Tickets via headfirstbristol.co.uk

The Cityist

MyBristol

Meet Lera Kunyk, an IT professional who ﬁnds inspiration in the city’s landmarks, community spirit and vibrant energy

I first came to Bristol while living in Bath, after finding a role with Missing Link, a charity dedicated to supporting women. Working there gave me the chance to build strong connections in the city, both professionally and personally. Spending most of my days in Bristol, I quickly grew attached to its energy and community. My sister was also living here at the time, and I had a circle of Ukrainian friends in the city, which made Bristol feel even more like home.

Before moving to the UK, I completed my bachelor’s degree in cybersecurity at university in Ukraine. I was fortunate to find a role in the UK that aligned with my studies, which allowed me to start building my career in the field. Nearly a year ago, I transitioned to my current workplace in Bristol, and it has been an incredibly positive experience. My team is supportive, collaborative,and genuinely inspiring. The office environment is very welcoming, and that makes a big difference in enjoying what I do. Every day brings new challenges and opportunities to learn, which helps me grow professionally and expand my knowledge in the IT sector.

One of the first places I visited in Bristol was the Clifton Suspension Bridge, and I was immediately captivated by its stunning views. It left a lasting impression on meNot long after moving to the UK, I explored it with my boyfriend, which made the experience even more special. Another spot I love is Cabot Tower, where the climb rewards you with incredible panoramic views over the city. And finally, the Harbourside holds a special place in my heart; it was close to my first job, and I often spent my lunch breaks there enjoying the sunshine whenever I was lucky enough to get it. Each of these places reminds me of how welcoming and inspiring Bristol has been from the very beginning.

When I’m not working, I love spending time outdoors, whether it’s reading a book in the park or playing tennis. During the rainy season, I enjoy indoor activities that help me unwind, such as doing puzzles, painting, or practicing Pilates. These hobbies give me a chance to relax, recharge, and stay creative, no matter the weather.

One of my favourite experiences in Bristol is the Bristol International Balloon Fiesta. Watching the colourful hot air balloons take to the sky at Ashton Court Estate is truly magical, with the beautiful parkland providing the perfect backdrop for the festival. I also love Perrett Park as a viewing spot, becuase the open space and the crowds of people sharing the moment make it feel lively and communal. Both locations have their own charm, and I enjoy them each in different ways, soaking in the colours, the energy, and the joy of the event.

When it comes to eating and drinking in Bristol, two places stand out for me. Dhamaka Restaurant is a favourite for its vibrant flavours and welcoming atmosphere, while Izakaya is my go-to for a relaxed evening with great food and drinks. Both spots never fail to make me feel at home and are perfect places to enjoy good company and a lively Bristol vibe.

I’m truly inspired by the support workers and volunteers I’ve met through local charities, like Missing Link. Seeing the dedication and care

they put into helping women and families in need is incredibly moving. Their work not only makes a tangible difference in people’s lives but also gives me hope for a better, more compassionate community.

What I love most about living in Bristol is the city’s vibrant mix of culture, creativity, and community. From its stunning landmarks like the Clifton Suspension Bridge and Cabot Tower to the lively Harbourside and local markets, there’s always something inspiring to see or do. I also really appreciate how welcoming and friendly people are – it’s easy to feel part of the city. If I could change anything, it might be to have even more green spaces and pedestrian-friendly areas, which would make exploring the city on foot or enjoying time outdoors even more enjoyable.

Bristol often reminds me of my time in Chernihiv, where I studied for the last four years before moving to the UK. Both cities have a lively, festive energy, whether it’s people enjoying outdoor events, music in the streets, or families strolling through parks. I love spending time in Bristol’s green spaces and bustling areas, and it feels familiar in the same way Chernihiv did, full of warmth, community, and moments that make everyday life feel joyful n

Little Waitrose now open on Gloucester Road

A new Little Waitrose has opened in The Arches on a busy junction of Gloucester Road.

At just under 3,000 sq ft, the shop is selling more than 3,400 products including Waitrose’s own brand ranges. Customers can also pick up Waitrose’s No.1 £15 Evening Meal Deal for two, which offers a restaurant-quality main, side, and a starter or dessert.

Essential Waitrose is also offer, as well as Waitrose Duchy Organic, together with household brands and an in-store bakery. Lunchtime shoppers can take advantage of Waitrose’s £5 lunchtime meal deal, which includes a main, a snack and a drink.

The drinks area is stocked with a range of award-winning wines, and in response to demand for lower alcohol drinks, an expanded range of low- and no-alcohol wines and beers.

Local customers will be able to order home delivery from the shop using Uber Eats, Deliveroo and Just Eat, and pick up John Lewis and Waitrose Entertaining orders.

The opening of the shop has created 25 new local jobs. All new employees are now Partners in the John Lewis Partnership, the UK’s largest employee owned company which Waitrose is part of, along with John Lewis.

Waitrose has confirmed further investment in the Bristol area, with the Gloucester Road launch due to be followed by the retailer’s first distribution centre in the region.

The 360,000 sq ft distribution centre at Mountpark’s Bristol 360 is scheduled to open towards the end of 2026. It has been designed to deliver to around 50 current Waitrose shops, with the capacity to accommodate more.

The following year will see Waitrose’s first new full-line supermarket for seven years open at Brabazon, an award-winning new town. The 30,000 sq ft store will create around 150 new jobs and join The Arches, Clifton and Westbury Park shops serving customers in Bristol.

waitrose.com

UNIQLO to launch in Cabot Circus next year

Global apparel retailer UNIQLO has confirmed it will open a store in Cabot Circus next year, its first location in the South West. It will be located on the corner of Penn Street and Brigstow Street, offering a twostorey sales floor, equating to 1360sqm.

“UNIQLO remains committed to strengthening its presence within the UK retail sector by expanding both our physical store network and ecommerce capabilities nationwide,” says Alessandro Dudech, COO of UNIQLO UK. “As part of this strategic initiative, we look forward to introducing UNIQLO to the communities and visitors in....Cabot Circus, and offering our LifeWear collection, apparel crafted to endure, inspired by the Japanese principles of quality, simplicity, and functionality to a broader customer base.”

uniqlo.com

City nightlife captured in new book

A new photobook launching this October offers a five-year journey through Bristol’s ever-changing nightlife scene - from Carnival and grassroots clubs to queer spaces and youth venues. Up All Night: A Bristol Nightlife Story is a collaboration between award-winning photographer Colin Moody and journalist-musician Jasmine Ketibuah-Foley, published by The History Press.

Described by the authors as “a love letter to Bristol’s nightlife”, the book blends vivid street photography with interviews, poems and reflections from the artists, promoters and communities that make the city come alive after dark. With nightlife venues facing ongoing pressures across the UK, Up All Night highlights the cultural, social and economic role that night-time spaces play in urban life - not just as entertainment, but as places of identity, creativity and connection. The book can be purchased from the Martin Parr Foundation book store. thehistorypress.co.uk

Huge living artwork to take root at new local forest

This winter, a collaboration between woodland charity Avon Needs Trees and artist Luke Jerram that will see 365 native trees planted to form a vast living sculpture at the heart of the new Lower Chew Forest.

Set between Bristol and Bath, the publicly-accessible new artwork Echo Wood will be formed entirely from living trees. Over time, its 110-metre-wide design will emerge, featuring pathways and avenues of seasonal blossom guiding visitors through the forest, a central circular gathering space made from 12 English oaks, and a living artwork designed to evolve for a century and endure for generations

Echo Wood will be the centrepiece of Lower Chew Forest, a bold new project creating 422 acres of woodland, orchard, wetlands and nature-rich habitats.

The land, bought by Avon Needs Trees in 2024, is the charity’s largest site and a key tool in their mission to increase woodland cover in the South West.

As well as reducing local flooding and providing a refuge for wildlife, the trees and the artwork itself will provide a powerful visual symbol in the fight against climate change. In time, sustainably harvested wood from the sculpture will be used in the wider world, continuing the cycle of life.

avonneedstrees.org.uk/echo-wood

Images: top, credit Alexander Turner; bottom, Echo Wood mock up, credit Enviral

As autumn deepens and winter approaches, our homes become sanctuaries: places to retreat, relax and recharge. One of the simplest yet most effective ways to add warmth, texture and personality to a room is with a beautiful rug. A wellchosen piece can anchor a space, soften hard flooring and introduce layers of colour and comfort that instantly transform the atmosphere.

At Tailored Flooring in Clifton, alongside its sister company Knotistry, you’ll find an inspiring collection of ready-made rugs as well as the opportunity to create a rug or runner that’s completely bespoke to you. Whether you’re looking for a timeless runner for your hallway or a large rug to bring together your living space, each piece can be tailored to your exact requirements. Choose from a wide range of natural materials such as wool, sisal, seagrass, coir and jute, and then specify your preferred size, shape and style to suit your home perfectly. The choice doesn’t stop there: discover an extensive palette of earthy tones and warming hues that feel especially inviting at this time of year. Popular designs include Sisal Mini Boucle, Sisal Herringbone, Flatweave Classic Herringbone in ever-popular Dapple, Wool Harbour in Grey Mist and Seagrass Herringbone. With borders available in cotton, linen, suede or leather –all in an array of colours – the possibilities to create a runner or rug that’s unique to your home are endless.

Crafted by leading manufacturers such as Crucial Trading, Alternative Flooring, Fibre Flooring, Kersaint Cobb and Telenzo, these bespoke rugs and runners combine quality with individuality. Delivery can be as quick as three weeks, and Tailored Flooring is happy to send samples so you can see how the textures and colours look in your home before you make your decision.

This season, elevate your interiors with a rug that’s designed just for you –stylish, practical and perfectly suited to your space. Contact the Tailored Flooring team, or pop into their shop on Alma Road, to discuss your ideas and bring warmth, texture and a touch of individuality to your home this autumn and winter.

Hidden nightclub reopens led by females

Underground music venue The Island has relaunched with a new identity, now led by an all-female management team pushing for inclusiveness at every level – from booking women and nonbinary DJs to using the bar to fund social impact.

Located in the basement of a former police station in Broadmead, The Island is accessed through an alley, down past abandoned cells and a prison exercise yard. The 300-person capacity space will have no phone cameras and zero-tolerance for harassment policies. Every drink sold supports causes like Dandelion, a trans HRT access service, or Gaza Cola, which funds hospital rebuilding in Palestine. artspace.uk/venue/the-island

Results published from Bedminster dig

Wessex Archaeology as published its findings from archaeological excavations in 2022 at a Victorian smelting works in Bedminster, known as Bedminster Smelting Works.

Built in 1840 by metal refiner Capper Pass II, the smelting works was shrouded in secrecy in its heyday and until the excavations, very little was known about its inner workings and history. Now, Wessex Archaeology understands its entrepreneurial owners were tirelessly testing new technologies and materials within, eventually inventing solder in 1866 which would transform their business, the family’s prospects and the eating habits of Victorian Britain when solder became a key part of the development of canned foods, lowering the cost of food for Britain’s growing urban population.

These excavations were undertaken on behalf of Watkin Jones, with a team working alongside Bristol and Bath Heritage Consultancy and Wring Group Ltd. wessexarch.co.uk Image credit: Wessex Archaeology

Jubilee Pool’s 24-hour swimathon fundraiser returns

Join the folks at Jubilee Pool on 11-12 October for the famous Jubileeathon, its sponsored 24-hour relay race.

Each swimmer is being asked to raise £40 in sponsorship (or more, if you can) to support vital upgrades to the pool and help cover essential operational costs. Every pound keeps Jubilee Pool open, safe and community-run.

Last year the aim was to swim to ‘Paris’ for the Olympics, with participants making it to France by collectively swimming some 11,500 lengths. This year, the challenge is to swim to Jubilee Pool in Penzance, which is 191 miles, equating to some 14,000 lengths.

There will also be a wild swim cap competition, with people encouraged to design their own creation and swim a length wearing it to be in with a chance of winning a prize (hourly prizes will be given to those aged over and under 12).

For more info, and to book your slot, visit jubileepoolbristol.co.uk

Twenty-seven deﬁbrillators still need homes around Bristol

Bristolians have until the end of October to apply for a live-saving, fully-funded defibrillator (defibs) in their neighbourhood, with 27 machines still looking for a home in the city.

See Helios at Bristol Cathedral

BTF+, Bristol’s festival of tech, creativity and culture, is bringing Helios, a new illuminated sculpture of the sun by renowned, Bristol-based artist Luke Jerram, to the city for the very first time. Hosted in Bristol Cathedral, audiences can step closer to the sun in this awe-inspiring fusion of art, science and sound. First available to view on Monday 6, Tuesday 7, and Wednesday 8 October, the Cathedral will transform after dark into an immersive, otherworldly space. Measuring 7m in diameter, the installation features 72dpi detailed imagery of the sun’s surface. At an approximate scale of 1:200 million, each centimetre of the internallylit spherical sculpture represents 2000km of the sun’s surface. Tickets are available on Eventbrite.

techspark.co/btfplus

Last summer, Bristol City Council awarded funding for public defibs to help improve outcomes for the thousands of people who suffer cardiac arrests in the city every year. Through its Great Western Hearts programme, Great Western Air Ambulance Charity (GWAAC) is helping to place and install them.

Thanks to the funding, 40 publicly accessible defibs have already been installed across the city, outside pubs, churches, community centres, workplaces and more. And now, together with additional funding from the Sam Polledri Foundation, GWAAC is urging groups, businesses and community spaces in Bristol to apply for one of the 27 remaining funded defibs and cabinets.

Visit gwaac.com/defibs-for-bristol to find out how to apply

Trinity hosts Seedling Sessions

Trinity Community Arts has announced the return of Seedling Sessions, a platform for emerging musicians founded by Bristol artist MĀDŁY, taking place Tuesday 14 October.

Launched in 2016, Seedling Sessions offers a stage for experimentation, growth and connection with new audiences. Past editions have provided an early spotlight for some of Bristol’s brightest new acts, and this latest return promises to continue that legacy. The night will again offer audiences the chance to catch the next wave of local artists before they break into the wider scene, including Natalie Holmes, Potter and Wœrmhole.

Tickets are on sale via Headfirst Bristol | trinitybristol.org.uk

Luke Jerram (credit: National Trust Images, James Dobson)

the hills

Whether you’re wandering around St Werburghs, pacing up Park Street, chilling in Clifton, or venturing further afield to the Scottish Highlands... you’ll need to wrap up in style this autumn. Our friends at Jigsaw have just what you need, with smart, slick and subtle layers to make sure your urban ventures don’t leave you out in the cold jigsaw-online.com | 80 Park Street, BS1 5LA

Farringdon Side Split Coat. in Khaki, £399

Silver Round Link, Chain Necklace, £100,

Ponte Pinstripe. Waistcoat. £150.

Double Faced0 Button Up Coat0 £2850

Satin Trim0

Triangle Scarf0 £790

Wool Cashmere. Blend Cape. £120.

Maldon D-frame. Sunglasses, £89

Silver Black Pearl Stud Earring0 £600

Heritage Leather. Riding Boot £265.

Mini Heckﬁeld. Suede Tote. in Burgundy, £145.

Denim Lyocell. Belted Dress £155.

Soft Gauzy Knit0 Skirt, £1350

Ines Kick Flare. Jean, £99

WANTED - WE BUY GOLD

Christmas Offer.

If you wish to buy Diamond or Gold items for Christmas. We will Part Exchange your 9ct Gold items at £40 per gram (current market value £28 per gram - at time of going to press)

We now sell lab-grown Diamonds

(by request only)

10 day delivery turnaround on white lab-grown, various other colours are also available with a 1 month delivery time.

Made to order: can be set in Platinum, 18ct yellow or white Gold. All certiﬁcated.

Shown here: 1ct lab-grown Diamond: Colour E, VS1 quality. High Street price: £6,295 Our price £2,400

Book shelf

This month, our friends at Gloucester Road Books share some new reads they’re particularly excited about...

Our primary aim is that the shop be a fascinating place to explore. We have a significant focus on titles published by small independent presses. There are lots of really brilliant small publishers putting out incredibly exciting books, and we want to help get these out into the world.”

Visit the website for more details on book launches, talks and other events at the shop. gloucesterroadbooks.com @gloucester_rd_books | 184 Gloucester Road, Bishopston, BS7 8NU | Open Monday and Tuesday 9.30am-5pm; and Wednesday to Saturday 9.30am-6pm

House of Day, House of Night by Olga Tokarczuk, Fitzcarraldo Editions

Another incredible epic of a novel about a small place written in the characteristic style of International Booker Prize-winning Olga Tokarczuk. In her latest novel, a woman settles in a remote Polish village. It has few inhabitants, but it teems with the stories of its living and its dead. From the founding of the town to the lives of its saints, these shards piece together not only a history but a cosmology.

In some ways, this collection of short stories is very much of its time and place (Dublin, mid 2010s-2020), but I felt a pang of recognition for the characters displaced by gentrification, flung to other countries (London, Lisbon) or the countryside. Despite toxic traits and thwarted ambition, there’s warmth in the writing that lifts it from its bleak milieu.

Big Time by Jordan Prosser, Queenland University Press

What an exceptionally fun novel this is! It’s increasingly hard to write dystopian fiction in our current world, but Prosser manages to give us a glimpse of the near future that feels as if he’s been sampling his own stash of F, the new designer drug at the centre of the book that allows its users to hallucinate time travel.

The Company of Owls by Polly Atkin, Elliott & Thompson

Longlisted for the Wainwright Prize for Nature Writing 2025, this non-fiction book exudes warmth as Polly delights in the company of the tawny owls that are her woodland neighbours. As she watches them grow, she reflects on what we can learn from the social dynamics of owls and, indeed, all creatures.

The Lamb is a beautifully atmospheric literary ghost tale from Lucy Rose and it is the perfect title to usher in October. At its core, this is both a horror story and a love story that deals with dysfunctional families, female rage and animal instincts pushed down till they spill over.

We Used to Dance Here by Dave Tynan, Granta Books

The Lamb by Lucy Rose, W&N

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Bulletins of news, commentary and culture, as well as lifestyle ideas, things to do, great reads and so much more delivered direct and free to your inbox just in time for the weekend It’s like a mini Bristol Magazine!

Subscribe for free scan the code or visit our website: www.thebristolmag.co.uk

What’s On...?

Our guide to the best things to see and do this month

She’s Electric x Polestar.

n 3 & 4 October, 9am-5pm

Leigh Court, BS8 3RA

On 3 October, She’s Electric Works spotlights women in business and female entrepreneurs. Hosted by Erin Baker, the day explores how switching to electric can support business and wellbeing, with insights on sustainable growth, practical tools for managing the mental load, breathwork sessions, networking, e-bikes and the chance to experience the latest Polestar range.

On 4 October, She’s Electric celebrates stylish, conscious living. Hosted by Jo Elvin, the day explores curated female-founded brands, talks on conscious living, breathwork, wellbeing experiences, e-bikes and the opportunity to get behind the wheel of the latest Polestar range.

Complimentary places are limited – attendees can choose their day and register online: sheselectic.co.uk

Antique, Vintage & Collectables Fair

n 5 October, 10am-3.30pm

Ashton Court Mansion House, BS41 9JN

More than 40 stalls will be set up inside Ashton Court Mansion House. The café will be serving teas, coffees and cakes throughout the day. £2 entry, and under-16s can enter for free.

Planetarium Nights

n 9 & 23 October

We The Curious, BS1 5DB

Looking for a unique date night or party activity, or just a fun Thursday night with friends? We The Curious’ evening planetarium shows for adults (16+) are back this autumn with a brand-new show. Delve into the science of dark matter in new show

The Space Between or catch the seasonal stargazing show The Story of Stars and witness the majestic life-cycle of a star, from humble nebula to exploding supernova. Before the show, grab a drink from the bar and enjoy the exhibits in the Space Gallery. wethecurious.org

Così fan tutte n 8-18 October, 7.30pm

Tobacco Factory Theatres, BS3 1TF

Packed with glorious music and razor-sharp wit, Così fan tutte is a bittersweet comedy of love’s contradictions and the games we play in its name. Sung in English by a superb cast and accompanied by the brilliant Opera Project Orchestra, this new production promises all the charm, warmth and energy audiences have come to expect from one of TFT’s most-cherished collaborations. tobaccofactorytheatres.com

FEAR Scream Park

n 10 October until 1 November

Avon Valley Adventure Park, BS31 1TP

FEAR Scream Park returns with five scare attractions, two intense experiences and immersive horror theatre with live entertainment. The Exorcism, an additional optional experience is back, and new for 2025 is Lock + Load – a video-game-esque, liveaction survival challenge in which players defend a rebel base under siege. Both are available to book at an additional cost. This year’s event will also feature a full lineup of fire, laser and aerial performances, themed bars, roaming characters and more. Guests can expect six live shows, a festival-style atmosphere and the return of classic fairground rides and side stalls (including the electric chair for those brave enough to test their limits). fearscreampark.co.uk

Fashion Drawing Workshop

n 11 October, 6pm-8pm

Sparks Bristol, BS1 3DS

An autumnal evening of fashion drawing through Latin American myths and Indigenous heritage. This workshop is for anyone with a love of art and design, whether you have experience in fashion illustration or are new to the world of art. The aim is to enjoy, learn, and connect with South

FEAR Scream Park at Avon Valley

American culture. Hosting the event is illustrator Milton Cordoba who trained with Prada, Buenos Aires, who will assist you to create your own designs to take home. Tickets include a resource booklet, home-made Argentine empanadas, wine and non-alcoholic drinks. Book your spot via Yuup Bristol

Exultate Singers: Brilliant Baroque n 12 October, 6pm

St George's Bristol, BS1 5RR

Exultate Singers and Brandon Hill Chamber Orchestra perform a feast of fabulously flamboyant Baroque and early classical choral and orchestral music including works by Marianna Martines, G.F. Handel and J.S. Bach, together with Alessandro Scarlatti’s St Cecilia Mass. Tickets £18 to £27 from St George's box office on 0117 929 4929 and stgeorgesbristol.co.uk

Bristol Bach Choir: Bach, Brahms and Bruckner n 18 October, 7.30pm

Trinity-Henleaze United Reformed Church, BS9 4BT

Bach, Brahms, and Bruckner are three very different composers but ones familiar to all music-lovers. While all are known for their largescale works, their output of choral music is no less masterly, and often seems to encapsulate an entire symphonic world in a short time span. The principal work will be J.S. Bach’s Motet Jesu Meine Freude, which across its 11 sections exploits the full gamut of choral writing. Brahms’ beautiful Op. 29 motets will be joined by his Fest- und Gedenksprüche and the secular Drei Gesange, while Bruckner’s beautiful Os Justi and majestic Ecce Sacerdos will provide a thrilling end to the concert. bristolbach.org.uk

Crosstown Concerts presents Larkin Poe n 19 October, 7pm

Bristol Beacon, BS1 5AR

Larkin Poe, the dynamic sister duo known for their electrifying blend of Southern rock, blues, and Americana, emerges once again onto the musical landscape with their eagerly anticipated album, Bloom Already hailed for the sincerity of their songcraft, the Lovell sisters now place an even greater spotlight on their gift for storytelling, delving deep into personal narratives with universal themes of selfacceptance and individuality against a backdrop of contemporary blues and rock influences. crosstownconcerts.seetickets.com

Planetarium Nights (credit: Lee Pullen)

Forbidden Worlds Film Festival presents

The Big Scream: Six Feet Down Under n 24-25 October

Bristol Megascream, BS1 5TT

Australia. A mystical and ancient land, mapped in song by Aboriginal people and Torres Strait Islanders. A country of sand, sea, stars… and screams! It's not just the crocs, snakes, spiders and dingos you’ve gotta watch out for, as there’s more than just good neighbours lurking in the bush, mate. Across two wild nights, get ready to dive headfirst into the pulse-pounding, rough-asguts world of Ozploitation – a fair dinkum celebration of the grindhouse-style exploitation flicks that went troppo around the world in the 70s and 80s. From bloodsuckers and demonic possession to ruthless poachers, gut-churning body horror and even a rampaging giant boar, you’ll see Oz like you’ve never seen it before. forbiddenworldsfilmfestival.co.uk

Bristol Film Festival: Nosferatu (2025) n 29 October, 8.50pm-11.20pm

The Mount Without, Bs2 8FN

Robert Eggers’ recent reimagination of Nosferatu, the grandfather of all vampire films, pays respectful homage to the original seminal silent spine-chiller, while adding Eggers’ own touches to this Gothic nightmare that feels like a fairy tale gone

horribly, horribly wrong. It’s well worth a watch for all fans of the macabre – and this atmospheric venue makes for the ideal setting! bristolfilmfestival.com

High Rollers Live! Haunted Tides & Terrible Tales

n 31 October, 7pm

St George’s Bristol, BS1 5RR

Founded in 2016, High Rollers has grown into one of Europe’s biggest Dungeons & Dragons and tabletop role-playing game actual play streams. Join Dungeon Master Mark/Mara Hulmes and their players – Kim, Tom, Katie, Trott and Rhi – this Halloween as they set sail for a spooky adventure, exploring haunted tides and telling terrible tales. Joined by very special guests: The Longest Johns! stgeorgesbristol.co.uk

The Colony n Until 2 November Tyntesfield, BS48 1NX

The Colony is a striking four-screen film installation by Vietnamese artist and filmmaker Dinh Q. Lê (1968-2024). Shown in the house’s Drawing Room at Tyntesfield, the work transports visitors to the Chincha Islands off the coast of Peru – the centre of the Victorian guano trade that generated the Gibbs family fortune. nationaltrust.org.uk/Tyntesfield

Book

ahead...

Silent Disco Halloween Special n 1 November, 7pm-11pm

We The Curious, BS1 5DB

We The Curious is hosting Bristol's biggest silent disco ever, along with its friends at Bristol Aquarium! Navigate through chilling underwater realms and step into the shadow of Bristol's most chilling science experience with nonstop floor, filling-bangers from the 80s, 90s, and 00s across several channels. You pick the tunes that get your bones shaking while you dance and sing along on two haunted dancefloors. Experience Bristol's most unique and exciting Halloween disco across both venues with just one ticket. wethecurious.org

Bristol Literary Film Festival 2025 presents: Word Aard, Play Aard n 1 November, 7.30pm

Bradbury Hall THURC, BS9 4BT

Don Quixote (is a very big book) n 7-18 October, 7.30pm

The Wardrobe Theatre, BS2 0DF

In his new one-man show, Dik Downey (Green Ginger, Pickled Image, Opposable Thumb) weaves together the crazed delusions of Don Quixote with his own struggle against reality. With a rogue’s gallery of puppets and desperate clowning, Dik’s Quixote embarks on surreal, comic misadventures, accompanied by his wisecracking sidekick, Sancho Panza, and his decrepit horse, Rocinante. While Dik fights to make his retelling of this huge novel joyous to a contemporary audience, we see something else – Dik’s refusal to yield to the passing of time. As Quixote chases his impossible dreams of glory, Dik faces his own dwindling relevance and his mortality. This co-production blends laugh-outloud moments with mad reflections on the joys and indignities of growing old and fighting against the inevitable. thewardrobetheatre.com

Discover the magic of Aardman with cinematographer Dave Alex Riddett, who has worked with Aardman since the mid-1980s. He has been Director of Photography on all of Nick Park’s films. Featuring behind-the-scenes insights, a Q&A and iconic charcaters. Tickets at £15 and include a free drink (food and drink will also be served from the festival café). Profits raised will go to St Peter’s Hospice, of which Dave Alex Riddett is patron. Tickets available via ticketsource.co.uk

The Talented Mr. Ripley n 3-8 November

Bristol Old Vic, BS1 4ED

This electrifying new stage adaptation of The Talented Mr. Ripley brings Patricia Highsmith’s iconic psychological thriller to life like never before. With razor-sharp dialogue, simmering tension, and a dangerously charismatic antihero, this gripping production will pull you into Ripley’s intoxicating world, where nothing is quite as it seems. The 10-strong ensemble cast is led by Ed McVey (The Crown) as Tom Ripley, and stars Bruce Herbelin-Earle (Free Rein) as Dickie Greenleaf, and EastEnders regular and Strictly Come Dancing finalist Maisie Smith as Marge Sherwood. bristololdvic.org.uk

A watershed moment

Ever wanted to know what it’s like to be right inside a breaking wave? A new photography project from actor and photographer (in equal measures) Bill Ward has used cutting‐edge techniques that completely immerse viewers within the ocean itself, becoming one with the water and feeling its raw energy in a way rarely visualised before All images by

Any avid soap fans among you will no doubt recognise Bill Ward. After all, he played Charlie Stubbs in Coronation Street for 400+ episodes in the mid 00s, then James Barton in Emmerdale for 300+ episodes between 201317. His acting career has spanned stage as well as the screen, having encompassed more than 60 plays both in the West End of London and across the UK, including a stint in Legally Blonde at Bristol Hippodrome and the role of Polixenes in the critically-acclaimed Tobacco Factory Theatres’ production of The Winter's Tale earlier this year.

When speaking to The Bristol Magazine, Bill was in the second week of a UK and Ireland tour of The Shawshank Redemption, playing Warden Stammas.

This gig will keep him busy until June next year, but despite the Bristol-based actor’s proliﬁc career (he’s lived in the city for around 12 years, returning after being a student here in the 80s because it’s an “open-minded, freethinking city; I loved the vibrancy, it’s got so much going on culturally and you can be in the countryside in 10 minutes, so I always knew I wanted to return”), it was his other profession – photography – we were diving into ahead of the release of his new book IMMERSIVE, published by Kozu Books. This book is the result of a ground-breaking four-year investigation into water, energy and movement using his pioneering Ocean Intentional Camera Movement (ICM) technique.

As a photographer, Bill has won the Adobe Prize at 2015 Landscape Photographer Of The Year, Best Seascape at Scottish Landscape Photographer of the Year 2020, and gives talks at photography shows, societies and clubs all over the world. He’s also an ambassador for Pentax Cameras, on the pro-team for 3LT, and runs regular workshops, courses and tours for Light and Land.

Bill Ward Photography

Bill with his camera in waterproof housing

A life through the lens

But let’s rewind the camera ﬁlm for a moment. Photography is anything but a recent venture for Bill, who “had a Kodak Instamatic when I was six or seven. I’ve still got the photos from those days – they’re mostly dogs and cars. Me and my brother used to ride around Newcastle [where he grew up] on our bikes, photographing posh cars that belonged to other people.”

Eventually he started taking pictures of the natural world, going out along the Northumbrian coastline, photographing the beaches, castles and the sea. “We also spent a lot of time in the Lake District, Ullswater was a favourite spot, and down in Cornwall for family holidays. Those places made a big impression on me. I’d just sit and stare at the water.”

Bill travelled for over a year in his 20s and took a camera everywhere, photographing people, markets, landscapes. “So photography has always been there.” Professionally, it really took off around 2009 or 2010 when he was waiting on a TV series gig in Canada and had been contracted not to take other acting work until he knew whether it was going ahead.

“I suddenly had four months free, which is rare for me, so I decided to give myself a photographic project, choosing to chronicle winter on the east coast of England. That winter turned out to be one of the coldest in decades, lots of snow and blizzards, so I ended up photographing beaches in extreme conditions.”

“I’ve been experimenting with ICM since 2012,” says Bill. “It’s about moving the body with the camera, using your mind, heart and body together. That connected very naturally with my fascination with water.”

When asked about his inﬂuences, Bill cites Doug Chinnery, Chris Friel, and Valda Bailey: “They were at the forefront of intentional camera movement (ICM) in the UK, and when I ﬁrst came across Doug’s work around 2011, I was completely blown away. Doug actually wrote the foreword to my new book.”

Since Bill exhibited this work at the Royal Exchange in Manchester he’s split his time roughly 50/50 between acting and photography.

Over the years, Bill’s taken lots of pictures in Bristol, around local parks and whatever catches his eye. “But I am drawn to water, and I will seek out water, literally, wherever I am, especially on acting jobs,” he explains. “If it’s a city, I’ll look for urban streams, fountains, you name it, and if I’m in the countryside, I’ll look for waterfalls, rivers. If I’m at the sea, I’ll look for spots where the river meets the ocean and the shoreline.”

Earlier inﬂuences also include Freeman Patterson, a Canadian photographer doing movement-based work in the 1980s, and Russian photographers from the mid-20th Century. “But Doug, Chris, and Valda really inspired me to explore it myself.”

Slowly but shorely

For years, Bill photographed beaches from the shore, but eventually he began wading in with his camera.

“At ﬁrst I just waded in barefoot, then in swim shorts and then wearing wetsuits. I just held the camera above my head while waves broke over me. I broke a few cameras that way, but I could see the potential. Eventually, I invested in full waterproof camera housing, so I could really throw myself into it.”

This project, which would go on to form the new book, became about harnessing the ocean’s force. “Surﬁng is about working with the natural energy of water, riding a wave rather than ﬁghting it. I wanted to do the same with photography, to see how the camera could ‘surf’ that energy. That’s really what IMMERSIVE is about.”

Bill’s search for waves has taken him across Britain and beyond. “Locally, I’ve done a lot in the Bristol Channel, especially on the Welsh side around Porthcawl, Southerndown, and Kenﬁg. The Channel has the second highest tidal range in the world, which creates a very particular environment. You get the brown water silt mixing with storm clouds and it’s hard to see where one ends and the other begins.” He has also swum in Cornwall, Northumberland, the Outer Hebrides and Brittany for the book’s images. A lifelong surfer, Bill’s relationship with the sea runs deep. “Being in the water has always been a big part of my life. Surﬁng in particular is about symbiosis, about working with a wave rather than against it,

has surfed for many years

and that idea really feeds into IMMERSIVE. It’s also about joy; that rush you get when you’re in sync with the water.”

The physical process of photographing inside the surf is intense. “It’s very physical, quite exhausting at times. It feels improvisational. You’re diving under waves, swimming through surf, often being knocked about. You can’t control the sea; you can only respond to it. Every photograph is a collaboration with the water. It’s the opposite of the idea of ‘capturing’ an image. For me, photography is an ensemble pursuit, like a piece in acting, working with Mother Nature to create something together.”

Though his acting life is collaborative, Bill’s photographic work is always solitary. “Photography is my mindfulness, my way of recharging. Acting is very extroverted, whereas photography gives me space for introversion and reﬂection. The two balance each other nicely.”

With IMMERSIVE being printed in Bath (available to pre-order now and due for delivery in October/November), Bill is already looking ahead.

“The book partly grew out of an exhibition I did at the Mall Galleries in London in September 2024, and I’d love to exhibit more widely, especially in Bristol. At the same time, I’ll keep balancing acting and photography. The Shawshank Redemption tour will take me through to next summer, but I’ll also continue with photographic projects and teaching workshops. The two careers really feed into each other and I wouldn’t want to give up either.” n

billwardphotography.co.uk kozubooks.com

@billwardphotography

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Expert opinion

Our regular columnist Chris Yeo is away but Clevedon Salerooms report on yet another successful specialist sale.

The Mouse that Roared

Arare reclining easy chair by renowned Arts & Crafts furniture maker Robert ‘Mouseman’ Thompson of Kilburn, Yorkshire, was among the highlights of Clevedon Salerooms’ Fine Art sale on 11th September. With interesting provenance, the chair was originally gifted in 1934 by a member of the Rowntree family, the famous York chocolate makers, as a wedding present to the vendor’s parents. Remaining in the same family for two generations, this auction marked its first appearance on the open market. The focus of fierce bidding between an internet and a telephone bidder, the hammer finally fell at £10,0000, believed to be a record price for this particular Mouseman design.

Chris Yeo, Senior Valuer at Clevedon Salerooms, commented:

“It is highly unusual to find early pieces of Mouseman furniture with strong provenance and in such remarkable condition. This chair certainly ticked those boxes, not just a piece of functional furniture but part of an enduring British design tradition.”

Robert Thompson (1876–1955) is better known by a single name ‘Mouseman’. Born in Kilburn, the son of the village’s jobbing carpenter and stonemason, Thompson was inspired by the splendid medieval

carvings at Ripon Cathedral to create his own oak furniture in the British vernacular tradition. The use of the adze for shaping and smoothing surfaces gave his furniture its distinctive rippled surface. However, it was his whimsical trademark - a carved mouse, first used in 1920, and symbolising ‘industry in quiet places’that he is best remembered.

The auction also featured a group of items consigned by Bristol & Weston Hospitals Charity. Leading results included a suite of three Edward VII silver pedestal bowls, which achieved £1,900, and a large mid-19th century oil on canvas portrait of elected physician Gilbert Lyon, which sold for £1,700. The consignment achieved a total hammer price of £29,000.

Another standout charity lot was an impressive oil on canvas by Montagu Dawson, depicting H.M.S. Eskimo powering through choppy seas. Originally displayed at Vickers Armstrong’s Head Office to commemorate the building of the vessel, the painting was consigned by Rolls-Royce plc, Filton, Bristol, on behalf of their two nominated charities. Following spirited bidding, it eventually sold to a commission bidder for £9,000.

Clevedon Salerooms sells items on behalf of registered charities, entirely free of charge with no commission or fees, ensuring that organisations receive the maximum possible benefit from donations. Charities interested in consigning items are encouraged to contact the saleroom team for more information. ■ clevedonsalerooms.com; @chrisyeo_antiques (Instagram)

Family Diary

Our pick of the best things to see and do with the little ones this month

Avon Valley Pumpkin Patch

n Throughout October

Avon Valley Adventure & Wildlife Park, BS31 1TP

Avon Valley’s Pumpkin Patch experience is bigger, brighter and split into two spectacular events this year: the family-friendly Pumpkin Patch Days and the atmospheric Pumpkin Patch Nights, starting from 3 October. Visitors can enjoy a crisp autumn day hunting for the perfect pumpkin or soak up the twinkling magic of the patch after dark, Avon Valley Pumpkin Patch promises an unforgettable seasonal adventure. Avon Valley is proudly dog friendly. Dressing up is encouraged (including your furry friends!). avonvalley.co.uk

Believe in Beasts

n 1 October until 2 November Wake The Tiger, BS2 0YA

This Halloween at Wake The Tiger, Fear Soup is on the loose! Keep your eyes peeled for six canned beasts hiding around the Dream Factory. Each one embodies a different fear… can you track them all down? Once you’ve explored, unleash your creativity in an all-ages art competition for the chance to win a Wake The Tiger Annual Pass. Choose your own Fear Soup can and re-imagine it transformed. Will your fear grow wings? Wear a cape? Let your imagination run wild! wakethetiger.com/halloween

Baking Mayhem!

n 11 October, 9.30am-12pm

Cooking It, BS7 8AD

Cooking It invites young bakers aged 8- 14 to join Baking Mayhem!, a lively, hands-on class filled with flour, fun and flavour. Participants will explore the world of baking, learning new techniques while creating a variety of tasty treats. From cookies to cupcakes and more, this interactive workshop encourages creativity, builds confidence, and embraces a little mayhem... in the very best way! cookingit.co.uk

Hocus Pocus at Arnos Vale Cemetery

n 16 October, 5.30pm-7.30pm Arnos Vale Cemetery, BS4 3EW

Bristol Film Festival is eturning to Arnos Vale Cemetery, Bristol’s very own necropolis, for the start of its Halloween Season. Enter this fascinating space after hours, get a drink, then make your way to the beautiful Anglican Chapel to take your seat, and enjoy the show in this unique and historic venue. Hold onto your broomsticks and embrace the wickedly wacky witchery of Hocus Pocus, the comedy-horror that’ll take you back to the 1990s (and the 1690s, too!). bristolfilmfestival.com

Arty Fun

n 21-24 October, 10.30am-12.30pm & 1.30pm-3.30pm

Bristol Museum & Art Gallery, BS8 1RL

Get some creative ideas on the theme of ‘footprints’ to inspire your own creativity. Visit the museum galleries, explore the collections and then create your own artwork to take away. Drop-in activities for ages 4+ (children must be accompanied by an adult at all times). Free, but donations are always welcome. bristolmuseums.org.uk

Bug Trail

n 25-31 October, 10am-4pm Dyrham Park, SN14 8HY

Find out about creepy crawlies this autumn in a fun family trail. The trail will take you through the parkland to eight trail stations with fun facts about how scientists used microscopes to look at and draw insects close up back in the 17th century. There will be bug-based games and a photo opportunity with a giant insect. Collect your prize, an autumnthemed wooden decoration, at the end of the trail. nationaltrust.org.uk/dyrham-park

Terrifying Half Term Fun

n 25 October until 2 November Brunel’s SS Great Britain, BS1 6TY

Calling fearless adventurers!

All aboard the SS Great Britain for its spookiest Halloween yet. This halfterm, the ship will be packed with family fun and ghoulish activities for all ages. Back by popular demand, ‘Woeful Wounds’ returns with special effects make-up artists from SGS College creating realistic cuts,

Woeful Wounds on board the SS Great Britain

AvonValley Pumpkin

rashes and blisters for brave sailors to show off. Go below deck and encournter ghostly apparitions of crew and passengers of bygone times, and follow the terrifying turnip trail around the dockyard and ship, to discover fascinating facts about Victorian Halloween traditions. Visit the website for age recommendations and to book the Woeful Wounds experience. ssgreatbritain.org

Half Term Activities

n 27 October until 30 October

Bristol Hippodrome, BS1 4UZ

Choose from a range of activities happening across the week from 9am to 1pm each day. On Monday join expert musicians as they explore musicals, ensemble songs and solos! Tuesday focuses on stage design, when you’ll be shown how to create miniature scaled stage and set design models to take home. On Wednesday, explore acting and performing with exercises and audition prep, then Thursday sees the experts deliver a workshop on directing and devising. Suitable for ages 16-21. Book tickets online: atgtickets.com/bristol

Blast to the Past

n 25 October until 2 November

We The Curious, BS1 5DB

Have you ever wanted to journey through time? It's We The Curious’ 25th birthday and they’re celebrating by exploring what it would be like to travel back in time with a brand-new studio show. Take your seats for a family-friendly show that explores the mysterious nature of the space-time continuum. Learn all about how time works through a set of exciting demonstrations. The show is on every day during half term, and is included in your ticket. Several 45-minute sessions will run throughout the day, check the activity board on arrival. wethecurious.org

Three Little Vikings

n 26 October, 1.30pm & 3.30pm

Tobacco Factory Theatres, BS3 1TF

Once upon a time in a Viking village, everything seems to be going wrong. Chickens are disappearing, trees are falling down, and there’s lots and lots of crashing and bashing. The silly Chieftain won’t listen to the three littlest Vikings, but can they work together to figure out what’s going on and save the day? Three Little Vikings is all about cooperation, bravery, and getting your voice heard! There are also two free drop-in craft sessions inspired by the show, for more info, visit the website. Ages 3+. (Pictured below) tobaccofactorytheatres.com

Bordering on boisterous

Kittiwake Border Morris – so called after a seabird – are a Morris side proving that yes, birds of a feather certainly do flock together, and that traditions can be tweaked to create an inclusive dance group that’s very much carving a new route through old patterns. Rosanna Spence speaks to Ella and Jordan, two Kittiwake‐rs, to learn more about the local scene

What comes to mind when you think about Morris dancing? Perhaps a summery, bucolic setting on a village green. A calm-before-thestorm opening scene to a Midsomer Murders episode; mostly older gentlemen with handkerchiefs in tow. But the face of modern Morris dancing is evolving – with much respect still given to the old ways – and a warm welcome given to something new, too.

Picture this. It’s 2022, and Ella (who’s been involved with ‘folky’ cultural activities thanks to parental interest for a long time) has just helped to set up a brand-new Border Morris ‘side’ [group] with two people called Matthew and Miriam she met at a Balfolk event, which I’m told is similar a European version of a ceilidh, but without the call and response structure. After a little “Dutch courage”, some dancing and a conversation about a desire to set up Bristol’s ﬁrst Border Morris side that showcased more unusual French-inspired tunes… something old-yet-new was born.

Dancing on the wing

But what to call this new Morris team?

“It was quite difficult to come up with a new name,” says Ella. “A lot of sides either have a place name, like Bristol Morris or Pigsty Morris (who practice on Pigsty Hill), or are named after the local pub, for example. We sat around the kitchen table trying to come up with something that didn’t step on anyone else’s toes. Then we realised a lot of people name their boats Kittiwake – the seabird – and we live in a harbour city. We liked the sound of it and it made some sense.”

Kittiwake Border Morris is now known around the city for not only its unusual name, but for the costumes worn by its members – feathered face paint (which we can all agree is much more appropriate than the black face paint worn by Border Morris sides in years gone by); dark jackets with grey, black and blue plumages trailing their every move; a plethora of unusual instruments belting out fastpaced, European-inspired tunes; and for being welcoming to the LGBTQ+ community, all genders and all abilities.

“We wanted to be inclusive and friendly, but also eventually be good at the music and dancing too,” notes Ella. “And I think there's some disagreement within the Morris community about whether those two things can actually go together. So we're trying to do that as I think it would be a shame if we ever became particularly unfriendly or not inclusive in the aim of being good. It's kind of a balance to strike”

After a quiet start to the side in September 2022, with only three or four people regularly being available to practice, the future looked uncertain. But more members joined after seeing Kittiwake dancing out – Jordan tells me they joined in 2023, when membership was growing – and there’s now around 40 people in total who meet once a week at St. Anne’s Church in Easton (with on average around 15 dancers and almost as many musicians at most practices and events).

Modern Morris-ing

Bristol is no stranger to folk traditions, with a thriving Morris community both inside and surrounding the city, but in true Bristolian style – the face of modern Morrising is changing. Take Molly No-Mates, for instance: a local group of young drag kings who are gender nonconforming. Sides like Molly No-Mates and Kittiwake are part of this development in which ‘men no longer make up the majority of participants’ (as reported by the BBC in November 2024).

This revival of Morris dancing that favours a new way of doing things – and a recent boost to the memberships of more traditional collectives – may in part have been helped by sides like Stroud-based Boss Morris, who brought Morris dancing to the world stage in 2023 when they supported the band Wet Leg on stage at the BRIT Awards. “I think that had an impact on making it more popular,”

Images: Top left,, Festival of Nature, photo by Ania Shrimpton; bottom left, the group in Sidmouth; top right, the side in action; middle right, Festival of Nature, photo by Ania Shrimpton; bottom right, Chepstow Wassail, photo by Dorset Morri'arty

recalls Ella. “I also think that there is a more of a cultural movement towards people wanting to do community-based activities that are social and involve exercise too, and it all just kind of happened at the right time for us.”

Jordan points out that Kittiwake tries to merge traditional ways of thinking with modern ideas by putting inclusivity at the forefront, making it very clear that “anyone can do this. A lot of people we have in the team had never tried Morris dancing before, but they liked our vibe, so they joined. We have people with various different skills, like being in the theatre, for example, which is great for theatrical performances, but we try to build a reputation for being open minded.

“We’re not just a bunch of older, white men – who are of course usually very lovely, but we want to keep the tradition alive and not be limited about who we ‘let in’. I think that was a bit of a struggle in the Morris world for a long time.”

Border control

If, like me, you have no idea what differentiates Border-style Morris sides from other types of dancing – then Ella and Jordan can help.

They explain that Cotswold-style Morris Dancing is when people dance with handkerchiefs – often “gracefully jumping around”. Borderstyle dancing, on the other hand, according to the pair, “was maligned in favour of this Cotswold style, even by the people who researched the history and held folk dance archives.”

Ella explains: “There’s a man called John Kirkpatrick, who with his partner Sue created sides in Shropshire called the Shropshire Bedlams and Martha Rhoden's Tuppenny Dish. What they did with those teams is pretty foundational for the whole of Border Morris as it is today.”

So, Border gets its name from originating along the Welsh-English border, and is often more associated with stick-clashing, rag jackets,

decorated hats, a little shouting, louder music and an altogether more boisterous nature.

“I think people watching Kittiwake perform can expect it to be a bit faster than what you might usually see,” says Ella. “The music is pretty key for us, especially at the moment, because we're so new; it's hard to develop a specific style that is unique specifically to our team in such a short space of time. Obviously we're working on it, but that comes with time and confidence. At the moment, our lead musician Matthew is creating these amazing arrangements of the music, and with that comes plenty of fast dancing.”

Ella explains that the side also write their own dances too, “which are often a little weird, but in a good way. We are taking what the tradition is, but putting our own spin on it.”

Jordan adds that Kittiwake is rich with “very good musicians, and we also tend to collect weird instruments, too. If you play something unusual, you should come!”

They add that Kittiwake’s style of dancing is “a sort of joyful chaos, but we do try to be very neat about it. There are a lot of Border Morris sides who are very serious, and that’s really cool and impressive, but most of us are completely incapable of doing that while dancing, because it’s a lot of fun.”

If you want to see this joyfully chaotic choreography for yourself, then keep your eyes peeled for the ﬁnal details of Kittiwake’s next big dance – planned in east Bristol, location TBC, for Samhain (Halloween) on Friday 31 October, from 4pm until 6pm, just in time to see the sunset. Expect spooky dances, folk songs and rituals to welcome in the darker times as the wheel of the year shifts into the winter months. n Keep up with Kittiwake Border Morris by following the side on Instagram @kittiwakebordermorris, searching for them on Facebook and watching their YouTube channel.

Image: Festival of Nature, photo by Ania Shrimpton

ART and the galleries

Emma Talbot: Everything is Energy, Arnolfini, 18 October until 8 February ‘26

Through vast silk painting installations, intimate drawings, sculptural forms (which the artist refers to as ‘intangible beings) and animation, Emma Talbot creates immersive environments that explore our relationship with nature, technology and one another.

Talbot’s latest body of work captures the pulsating force of the exhibition’s title Everything is Energy, as it gathers and grows, scooping up myths, objects and provocations and creating a container and ‘tool that brings energy home’.

Steeped in folklore and mythology her work playfully takes audiences both back and forth in time, embracing ancient civilisations and a future dictated by scientific and technological developments. arnolfini.org.uk | 16 Narrow Quay, BS1 4QA

Image credit: Are

A Living Thing That Is Dying Or A Dying Thing That Is Living, 2024, Emma Talbot, courtesy and copycopright Emma Talbot Studio

HOMELANDS by Rick Grimster, Rainmaker Gallery, until 31 December

This solo exhibition celebrates Rick Grimster’s 80th year. Born to an English mother and a Native American father, war baby Rick was lovingly raised by adoptive parents in the UK. In this series of acrylic paintings, Grimster playfully merges impressions of both countries through a masterful use of colour, pattern and texture. Together these autobiographical landscapes chart his lifelong journey of transformation from adoptee to Indigenous elder. HOMELANDS is a love letter to the people and places that gave life to this extraordinary artist. rainmakerart.co.uk | 140 Whiteladies Road, Clifton, BS8 2RS

Image: Kintsugi, acrylic on paper by Rick Grimster.

New Work by Anna Boss, Clifton Contemporary Art, throughout October

October sees a fresh influx of work arriving at the gallery, from deeply atmospheric landscapes to elegant ceramics and luminous still life studies. The paintings of Anna Boss are underpinned by a deep knowledge of her local environment, together with a balance of insight and highly individual technique that conjures a subtle and mysterious sense of place.

By contrast, Maggie Matthews’ mixed media paintings capture both the encompassing elements and exquisite details of her Penwith home. Clifton Contemporary Art is showing a small new collection of finely thrown stoneware and porcelain by Bath-based ceramicist Trevor Lillistone, who harnesses a balance of shape, proportion, texture and tone to create tactile, timeless pieces. At heart, Lynne Cartlidge’s still life works are about light, space and colour. From October you can explore a new range of her gently dynamic ‘interior landscapes’.

In addition to the new work for October, the gallery always has a selection of painting, sculpture, ceramics and jewellery by some of the West Country’s most talented artists, including: Sally Stafford, Rosie Musgrave, Christine Feiler and Anthony Feiler. cliftoncontemporaryart.co.uk | 25 Portland Street, Clifton, BS8 4JB

Image: Prussia Cove by Maggie Matthews

Secret Postcard Auction 2025, Royal West of England Academy, 24 October until 6 November

The much anticipated RWA Secret Postcard Auction returns this autumn! Held annually, the event invites artists to create a postcard size artwork to be auctioned, in secret. The funds raised help support the RWA, a registered charity, in its mission to create life long journeys with art. The Secret Postcard auction has more than 350 brandnew artworks up for grabs. The online auction reaches 100,000+ people from the UK and around the world. This year, the cards will be on display in the Kenny Gallery.

rwa.org.uk | Queen’s Road, Clifton, BS8 1PX

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Prince of the Rocks: JMW Turner and the Avon Gorge, Bristol Museum & Art Gallery, until 11 January ‘26

Bristol Museum & Art Gallery has opened a new free exhibition celebrating JMW Turner’s early links to the city. Prince of the Rocks has been created as a thank you to the thousands of supporters who backed the fundraising campaign in July to ‘Bring Turner Home’.

On display are four rare watercolours painted during Turner’s first visit to the city in 1791, when, aged just 16, he explored the Avon Gorge and earned the nickname ‘Prince of the Rocks’.

These early works reveal his growing skill in architectural detail, natural observation and dramatic composition. Fragile by nature, they have not been displayed for over a decade and may not be seen again for some time.

bristolmuseums.org.uk | Queens Road, BS8 1RL

Image: The Mouth of the Avon, 1909 by J. M. W. Turner

Mr Jago’s Love Movement, Harvey Nichols Second Floor Restaurant, from 17 October

Celebrating the transformative power of love through a collection of motion-driven artwork, Harvey Nichols’ Second Floor Restaurant will be transformed into a showcase of Mr Jago’s signature colour-focused abstract art. The Love Movement exhibition will include original paintings, sculptural porcelain pieces and giclee prints.

Launching 17 October, guests can be the first to view the showcase while enjoying a cocktail and a three-course menu inspired by the artwork, along with an introduction by Mr Jago. The event will also include DJ sets and the opportunity to meet the artist. Tickets are available from the Second Floor Reception, Sevenrooms and Eventbrite.

harveynichols.com | 27 Philadelphia Street, Quakers Friars, Broadmead, BS1 3BZ

Finding a way home

Rainmaker Gallery’s Autumn Exhibition HOMELANDS marks the convergence of three very special commemorations: the 80th birthday of Native American exhibiting artist Rick Grimster, who was adopted; the 80th anniversary of the year that WW2 ended; and National Adoption Week (20–26 October)

Rainmaker Gallery’s new exhibition, HOMELANDS, is a vibrant celebration of Rick Grimster’s extraordinary life, refracted through bold, luminous abstract landscapes that speak of belonging, identity and resilience. Rick’s own story is as compelling as his art.

Born in London in 1945 to an English mother and a Native American father, a US Army Airforce serviceman from the Muscogee (Creek) Nation, he was adopted as a baby by Connie and George Grimster. His birth parents’ wartime romance ended with peace: her husband returned from military service and his father, Sergeant Freeman Marshall (pictured, centre), was posted back to Oklahoma. Marshall never married or had other children. Instead, he explored a life as a landscape gardener, an affinity for nature that his son would inherit in unexpected ways.

Raised in post-war Britain, young Rick was described at primary school as “highly-strung and artistic.” It was an apt prediction. After working in a Bond Street gallery, he pursued formal training at Cheltenham School of Art and earned an MFA from Birmingham Polytechnic in 1970. Yet, despite his skill, he remained intensely private. “Without painting, I would have no way of expressing myself,” Rick has said previously, but for decades he created quietly, not seeking an audience.

paintings, Joanne was astonished, saying at the time: “Finding an unknown artist of this calibre with such a rich body of work to choose from is thrilling, and UK-based Indigenous artists are rare, so this collaboration is a gift for the gallery in every sense.”

What began as a chance conversation turned into a career-deﬁning debut. At the venerable age of 77, Rick unveiled his ﬁrst exhibition, Belonging. The show almost sold out within a week, hailed for its glowing, joyous abstractions that seemed to pulse with life. A follow-up exhibition, Winter Trees, deepened the acclaim. Visitors left heartfelt messages in the gallery’s book, including: “Every piece is such a glorious celebration of colour, nature and the joy of painting. Each piece appears to glow with an internal light. My heart feels full.”

Now, HOMELANDS gathers together Rick’s latest work in a show that reﬂects both his personal journey and the larger forces of history. Through acrylics that merge abstract impressions of England and America, Rick charts his passage across two continents alongside his evolving identities and transformation from adoptee to Indigenous elder. The landscapes shimmer with colour, pattern and texture; playful yet profound, intimate yet universal.

That all changed in 2023. His daughter Lucy, who was exploring her Muscogee roots, visited Rainmaker Gallery and mentioned her father’s art to curator Joanne Prince. When Lucy later brought in a selection of

For Rick, painting is more than an artistic pursuit; it is a means of reconciling the disparate strands of his identity. His daughter Lucy has described the evolution of his style saying his earlier work was intense, with subdued palettes and sharp geometric shapes. But over time, Lucy notes this art softened into natural forms and uplifting colours. This exhibition

Rick Grimster (credit Leah Vlemmiks)

One of Rick’s new works in HOMELANDS

is a milestone in Rick’s story. Inter-racial adoption, displacement from homelands and ﬁnding connection with his tribe, family and nature are threads that are strongly visible throughout. In previous shows, trees have been a motif; Rick has represented himself as a tree, or even a copse of trees, rooted yet reaching skyward. The connection is poignant, given his father’s life as a landscape gardener and the late-in-life reunion Lucy brokered between her father and his birth family. In 2000, she tracked down her grandfather in an Oklahoma nursing home.

For Rick, Lucy, and her daughter Sophia, who are now all enrolled citizens of the Muscogee (Creek) Nation, the connection to their Native heritage has become an anchor. In April, Rick took his family to Oklahoma – using money from the sale of his paintings – to not only visit ancestral homelands, but to celebrate Lucy’s graduation from a Muskogean language school, gaining a degree via remote learning online.

This year has not just marked an artistic milestone, but a family homecoming across generations and continents.

The signiﬁcance of Grimster’s work has not gone unnoticed. Highproﬁle admirers include writer, broadcaster and art curator Lemn Sissay, who served as the curator for the Ethiopian Pavilion at the 2024 Venice Biennale and was himself placed into long-term foster care as a child. “As a keen collector of Rick’s amazing art, I wish him well in his 80th year,” Lemn says. “What better way to celebrate than with a solo exhibition, at the wonderful Rainmaker Gallery, during National Adoption Week!”

Musician, artist and activist Rob Del Naja of Massive Attack is equally enthusiastic: “Indigenous perspectives give us hope but also warnings for the future of our planet. Rick’s vibrant landscapes are full of energy and optimism, strikingly overlaid with portent symbols. It's exciting to know he has a new exhibition at Rainmaker Gallery.”

What both admirers point to is the dual resonance of Rick’s work: it is deeply personal yet urgently relevant. His paintings are autobiographical landscapes, but they also echo broader themes of adoption, migration, colonialism and environmental stewardship.

Rainmaker Gallery, which has specialised in contemporary Native American art for almost 35 years, is the perfect stage for this late-blooming career. Under the direction of Joanne Prince, the gallery has consistently championed Indigenous voices, creating a rare and vital space for dialogue in the UK. With HOMELANDS, Joanne says, “Rick’s art is important for its outstanding artistic merit and also because it carries a remarkable story of adoption, reconnection and self-realisation”.

HOMELANDS is open at Rainmaker Gallery now, until 31 December. For anyone planning to visit, the exhibition is not just a celebration of one man’s 80 years but also a testament to the enduring power of art to heal, connect and inspire. n

rainmakerart.co.uk | 140 Whiteladies Road, Clifton, BS8 2RS

Lemn Sissay with Rick’s art in Rainmaker Gallery

Folk Country

If you go down in the woods today, you’re less likely to bump into a gang of bears enjoying a peaceful picnic, and much more likely to see artist and ambler Scott – better known ‘round these ways as Man in the Woods –who talks to Rosanna Spence about his famous Friday Walks, making crop circles on TV with Charlie Cooper, and why he loves creating miniatures

Being able to talk to people whose work I’ve admired from a distance for years for a feature in this magazine is a real perk of the job. But sometimes that distance is, it turns out, more of a simple stone’s throw from my house. Case in point is Scott, who ambles around the South West’s more rural terrain under the moniker of Man in the Woods, creating a distinctive brand of folk art that he calls ‘artefacts’ (though he’s keen to tell me “I worry that might sound a bit pretentious. People can describe my artwork however they like, and I’m ﬁne with that”), ﬁnding inspiration for his creations on his weekly Friday Walk – a ritual now followed and enjoyed by nearly 20,000 people online.

It felt ﬁtting to meet Scott at The Orchard café in leafy St George, a spot near both our abodes, which in itself felt a little symbolic of our conversation discussing the new ways people are using to access information about and connection to folk traditions (ahem, Instagram).

The Orchard is a sign of how city landscapes and community spaces have changed over the years; an old, converted church-like structure now home to a thoroughly modern and bustling café and bakery – the kind of psychogeographical phenomena that fuels Scott’s quiet and measured sense of wonder about neighbourhoods, and especially those in the South

West corner of Britain that we’re so lucky enough to inhabit – which hums with history and stirs with strangeness.

Man of the land

Scott didn’t always ﬁnd himself wandering the west, though. Originally hailing from Windsor, he had “always been interested in storytelling, place and connection to the land and history”, and in the south east this has manifested itself as fascination with psychogeography (i.e. the effects

Man in the Woods, photo by Elena Heatherwick

geographical locations have on people’s emotions and behaviour within them). He points to the old villages that are now “classic layers of London history, which have swollen up and grown into each other like expanding foam”; and following the city’s “lost rivers” as examples of why many people living in the city, as he did for a number of years, ﬁnd themselves often exploring the land on foot.

But it was a pre-Bristol, 18-month stint in Salisbury “moving there on a whim” and surrounding county Wiltshire’s folk history of standing stones, expansive plain, Iron Age hill forts, UFO activity, crop circles, Bronze Age barrows and “good, old pubs” that really ignited his “deeper interest in the weird landscape”.

Seven years ago, Salisbury became the starting point for a simple, walking ritual – “just wandering around, looking at things quietly” – that would soon capture the imaginations of thousands of people: the Friday Walk. He chuckles, remembering his original reasons for venturing out: “I didn't really have any friends nearby and I was working self-employed as a gardener, so all the people I encountered other than my partner were essentially elderly women who didn’t need another friend to go to the pub with.

“I wanted to anchor myself to the place and so I thought, maybe I should get to know the lie of the land; if I could know the names of all the hills or where that river comes from and where it goes, understand the feeling of the place and the stories it holds, then maybe I feel more embedded.”

Scott’s walks – which he documents each week on his Instagram account @man.in.the.woods as a personal project, despite being watched by so many people – have a unique cadence and quiet tone to them. He says his approach is “a bit more aimless and slower, looking at the small things”.

This could be stopping to focus on some unusuallyshaped petals, a busy bee or a curious cow (the latter of which, having built its own folklore within Scott’s followers and artwork, is better known as “the beast”).

Though each amble is different, some things never change – they always begin at the exact spot where the previous walk ﬁnished, with the help of public transport, creating a long thread weaving a tapestry of travel around the South West that wiggles, crosses and overlaps itself; and they always end in a signature pint at the local pub. The end result has been one, technically-unbroken walk that Scott has been mapping out digitally and on paper.

His soft, slow accounts of each venture, though garnering lots of social media attention, stand out on Instagram, almost like a version of ‘anti-content’, quietly challenging the fast-paced, noisy videos we’re so used to scrolling through with a moment of rest, taking in a slice of Britain where it feels like time has stood still. Quite the tonic.

“I’m fascinated by the long story of humanity,” says Scott. “In the countryside, you feel like you’re entering the past, which is part of the magic, because you can

see so much visible history in the hedgerows, and all the ancient lumps and bumps.”

Artefacts & ambles

The distinctive personality of Scott’s walks directly inform his artworks, those aforementioned artefacts (pictured on these pages): “I like the idea of each thing I make becoming a little bit of evidence that helps tell part of the story of the land that I'm getting to know on my walk,” he explains. “I like making ﬂyers and posters that you would see actually living on a village notice board, rather than just creating the type of image you would only see in a gallery or something.”

Another notable artefact created from Scott’s Friday Walks are miniature cross stitch church kneelers. “I like stitching and its repetitive processes, which is slow, meditative and sometimes laborious work,” Scott tells me. “I also quite like unsophisticated work as well, stuff that's not super technical. Anybody could do that; anyone could make one of them. In that way, it’s a good ﬁt for folk art.”

Friday Walk, photo by Elena Heatherwick

He points out that in his art he has a habit of taking something that’s practical and everyday, “and making it slightly impractical by making it tiny, for example. I’ve always liked miniature things; I feel that if you can recreate the world in miniature objects, you can get your head around the ideas behind it a bit more.”

Myth Country

You may have encountered Scott before, but rather than on a rural bridleway, it was on your TV screens. He joined This Country’s Charlie Cooper as a guest on his own miniseries Myth Country, which debuted a year ago on the BBC, exploring the ‘gloriously bonkers’ world of British folklore. Scott and Charlie became friends a few years ago, bonding over pints, shared interests and mutual connections (“he once invited me camping with his family to a Medieval festival”), and one double-booked hangout saw Scott join Charlie during the ﬁlming of Myth Country’s pilot episode.

“Charlie told me to come along, so I was sitting with my cross stitch, and the director started asking who the guy sewing in the corner was? ‘Let’s get him involved’.”

the modern lens of social media, and agreed that it’s more important to democratise access to and knowledge of folk traditions: “I can see there's a paradox or something difficult in people wanting to access this kind of connection to the land through a screen in your hand. But if they’re going to have a screen in their hands anyway, then it’s really nice if the content can connect them to the earth, to past traditions and something soulful.”

And he noted that there was a certain “uplift” in people more formally exploring the folk way – namely the Weird Walk zine, Morris dancing side Boss Morris and folk artist Bed Edge –who all seemed to enter the public sphere at a similar time to Scott. He describes this synchronistical timing as poetically as ever: “It felt like the earth was fertile at that time as we the seeds fell on it. A lot of people were seeking something more long-term, slow and rooted.”

Scott exhibited his work locally last year, and has plans to potentially curate a speciﬁc group of objects for a particular space in the city. In his words, “I’m always bumbling along with 100 projects in my head”.

For now, Scott’s Friday Walks will continue, and when I asked him for recommendations so readers can explore some special spots nearby on their own amble he suggested the following…

Scott was involved on and off camera; he’d worked on artwork for the pilot proposal to the BBC, was involved with background research for the show’s content and had “hooked them up with a guy I’d met on the internet about two weeks before ﬁlming who happened to be a crop circle maker” for one episode.

His ventures with Charlie have continued, too – during the summer’s heavy heatwave, the pair were involved in an archaeological dig alongside comedian Frank Skinner and under the guidance of a university team, excavating the grave of a wealthy woman from the Anglo-Saxon period in Kent. Who knows what mysteries they’ll unearth next?

Weird ways

Sitting tucked away in a corner of The Orchard, Scott reﬂected on how interest in local folklore and traditions feels like it’s grown in recent years. We chatted about the stickiness of communicating the ‘old ways’ through

“I love Stanton Drew Stone Circle. It’s an easy, straightforward walk: take the bus out to Pensford to see the amazing viaduct, walk out to the stones (stopping off for a pint at The Druids Arms and looking at the stones in the pub garden) then walking back to The Rising Sun in Pensford for chips in the amazing beer garden.”

Scott also recommended checking out Stoney Littleton Long Barrow, south of Bath, which is a Neolithic tomb you can crawl through, and Greyﬁeld Wood, near High Littleton, which has wide paths leading to Stephen's Vale Waterfall. Where will you wander to next? n

maninthewoods.co.uk | @man.in.the.woods

Photo of a Friday Walk, by Elena Heatherwick

Man in the Woods with Charlie Cooper in Myth Country (FremantleMedia Ltd / Naked West)

The Rhône Valley

Words by Tom Bleathman from The Great Wine Co.

Stretching from Lyon to Marseille, the Rhône Valley is France’s second-largest wine-producing region and has long been celebrated for its exceptional wines. The area is peppered with bottles full of character, offering a strong sense of place and, often, excellent value.

Bristol

The valley is divided into two distinct sections, separated by a 20-mile stretch of agricultural land where no vines are planted. In the Northern Rhône, you'll find elegant whites like soft, peachy Viognier, and for the reds, expect to find deep-hued, peppery Syrah’s. The Southern Rhône is renowned for its blends: whites tend to be fuller and weightier, typically made using grapes such as Roussanne and Marsanne, while reds are ripe, fruit-forward, and full-bodied, with the headline blend being Grenache, Syrah, and Mourvèdre (GSM).

Throughout October, The Great Wine Co. will be offering up to 33% off French still wines, making it the perfect time to try the fantastic wines of the Rhône Valley. Here are a few of my favourites... | greatwine.co.uk

Viral Korean street food hit lands in town

Bunsik, the Korean street food brand behind the viral Korean corn dog (K-dog) craze in London and Manchester, has opened its eighth site at Cabot Circus, marking the brand’s first South West location.

Yves Cuilleron, Viognier Les Vignes d’à Côté 2024: This is a delicate, pure Viognier, with scents of peach, apricot and citrus zest. Effortlessly balancing delicacy, freshness and satisfying roundness, this is a very wellmade wine. Yves Cuilleron is known for producing very premium wines in the application of Condrieu. This particular Viognier is grown just beyond the official boundary, on a neighbouring slope, making it outstanding value.

The Cabot Circus menu showcases Bunsik’s signature Korean corn dogs, with mozzarella and chicken fillings – the stretchy mozzarella ‘cheese pull’ being the brand’s viral claim to fame. Guests can also enjoy Tteokbokki (chewy rice cakes simmered in a rich, spicy gochujang-based sauce), kimbap, and crispy Korean fried chicken, alongside a range of burgers and wraps. Rice bowls include cup bap and traditional bibimbap. Halal meat is used across the menu, with vegetarian options also available.

Its Bristol restaurant is also Bunsik’s first franchise site, launched in partnership with local entrepreneur Will Bray.

£27.50 to £22

Gilles Robin, Crozes-Hermitage ‘Papillon’ 2023: This is absolutely delicious. Exciting young Syrah aroma, full of raspberries and fragrant black pepper. It is not heavy in the mouth, but still feels complete, succulent and rounded. Lovely savoury, spicy finish. This is absolutely delicious, in case we didn't mention it previously.

£26.50 to £21

Domaine Brusset, Côtes du Rhône ‘Cuvée Laurent B’ 2024: A great value Cotes Du Rhone from a family estate with over 75 years of winemaking expertise. This GSM blend is bright ruby red in colour and is full of wild raspberries, strawberries, and a touch of baking spice. The perfect wine for the end of a long day.

£15.50 to £12.95

bunsik.co.uk | Unit SU52, Cabot Circus, Broadmead, BS1 3BD

Submit your special recipe to Easton community cookbook

The Salvation Army in Bristol Easton is inviting anyone who worships with them, attends weekly activities or is part of their recovery support groups to share their favourite recipes for a new community cookbook that aims to capture the rich cultural tapestry of the area. Kim Whyard, who leads the charity and church on Hassell Drive, says the project seeks to bring together people from all backgrounds and aims to go to print in November. The cookbook will be printed and sold at the church.

“We have Somali, Polish, Spanish, Zimbabwean, and Colombian families among our regular groups, as well as older locals with recipes that have never been written down,” says Kim. “This cookbook will be a celebration of who we are, together. We’re especially excited about recipes that come with a memory, perhaps a dish that reminds someone of home, or a recipe that’s been in the family for years. It’s those personal touches that will make this book special.”

People should include a photo and a short story about why their dish is meaningful, then send it to kim.whyard@salvationarmy.org.uk.

Flat Iron to open in December

Steak restaurant Flat Iron has announced it will open its doors in Bristol this December.

Located at 30 Clare Street in the heart of the city’s historic Old City, the new restaurant will continue the group’s single-minded commitment to ‘serving remarkable steak for all’ and will mark Flat Iron’s arrival in the South West, following recent openings in Cambridge, Leeds and Manchester, as well as the upcoming Brighton opening in Autumn 2025.

The menu will be led by the signature ‘Flat Iron’ steak, a cut taken from the feather blade and renowned for its flavour, tenderness and juiciness when seam butchered with skill and care. Guests will also be able to enjoy blackboard specials, including a Wagyu steak of the day and a chilli cheeseburger made using beef from Flat Iron’s own herd in Thirsk, Yorkshire.

flatironsteak.co.uk | 30 Clare Street, BS1 1YH

Mowgli now available for delivery for the first time

Indian home cooking concept Mowgli Street Food is now available for delivery through an exclusive national partnership with Uber Eats.

For the very first time ever, signature street food dishes like Gunpowder Chicken, Angry Bird and Tamarind Treacle Fries and house curries such as Mother Butter Chicken and Temple Dahl can be delivered to homes around Bristol. Founded in Liverpool in 2014 by barrister-turnedrestaurateur Nisha Katona MBE, Mowgli has grown into a national institution with 27 restaurants, celebrated for bringing the food Indians eat at home and on the streets.

Until this move, Mowgli’s bold and playful dishes had only been available in its restaurants.

mowglistreetfood.com 35 Corn Street, BS1 1HT

IActs of god...

Forget the air fare – if you want a quick fix of slick Japanese izakaya‐style dining and drinks, then head to Seven Lucky Gods at Wapping Wharf, writes Rosanna Spence

’m not usually a religious person, but I have been known to worship at the altar of Seven Lucky Gods on more than one occasion. The converted shipping container in Wapping Wharf – which opened in the Spring of 2019 – is my temple. I can honestly say, hand on heart, that eating the Sichuan fried cauliﬂower (rich with chilli oil, soft with sesame and crunchy with nuts) is nothing short of a spiritual experience.

Authentic izakaya-style dining has been on my bucket list ever since the chef, author and TV presenter, AKA our lord and saviour, Anthony Bourdain graced a bunch of venues around Tokyo in an episode of his epic travel series Parts Unknown. The mid 2010s saw a ﬂurry of these casual Japanese-inspired bars serving decent grub – the country’s idiosyncratic vision of a pub –popping up in the UK, mainly in the capital. I’ve frequented many of them over the years, but nothing comes close to what I imagine the real deal is than Bristol’s own Seven Lucky Gods. (Plus, the last time I checked ﬂights to Tokyo

from Bristol, they ranged between £600-£700… it’s safe to say I’ll stick to a local haunt for now.)

The eatery – which serves a mix of east Asian ﬂavours from sushi and sashimi to Korean-fried chicken, koji-marinated onglet, deep fried bao and lunchtime bento boxes among other delectable dishes – gets its name from Japanese mythology. The Seven Lucky Gods didn’t mess around when it came to their title; they’re believed to grant good luck, and two of them look after – among other things – ‘plenitude and abundance in crops, cereals and food in general’, as well as being the ‘patron of cooks, farmers and a protector of crops’. One is even dutifully patron of barmen – as well as being the god of popularity.

Though there are some great Japaneseinspired joints dotted around the city (let’s nod to Lonely Mouth, Tomo no Ramen, Tonkotsu and KIBOU here), it seems these gods of good fortune have certainly been smiling down on Wapping Wharf – Seven Lucky Gods has been truly savoured from the very beginning. At ﬁrst, I struggled

L-R: strawberry & jasmine and mandarin & ginger cocktails

Sichuan fried cauliflower

many times to get a table when it originally opened, then again when its doors and heated terrace reopened following lockdown.

As much as the venue is rammed with people, the food and drink menus are packed with goodies; yet there’s also an air of reverence, with evocative quotes alongside the snacks and drinks, including, “And like a falling thunder./ Like a heavenly sword./ Those cast aside fought back/ for honour.” Well, it seemed all that was left to do was to order food. Lots of it. For honour.

We started as all good meals should: with two cocktails. Neither my dinner guest or I fancied anything too sweet, and were recommended the ‘mandarin & ginger’, mixed with Monkey Shoulder (a favourite whisky of mine), and the ‘strawberry & jasmine’ mixed with Tokubetsu Honjozo Sake – our server’s promise was correct that the latter sounded sweeter than it was. A touch of citric acid and smooth sake meant a clean, short ﬁnish despite being honeyed on the nose.

The menu is split into sections (all small plates, you can choose as many as you like and can add more as you go depending on your appetite): sushi/sashimi, crisp/crunchy, salads/veg and robata charcoal grill. We ordered the Korean-inspired charred hispi cabbage with coffee-Dijon dressing banchan and sesame; spicy Korean fried chicken with sesame and spring onion; kimchi fries with Kewpie sauce and furikake; the aforementioned Sichuan fried cauliﬂower with chilli oil, sesame and nuts; and SLG BBQ salad with barbecue king scallop, roast pork belly, pineapple, ﬁsh sauce vinaigrette, mint, coriander and chilli.

The trick is to mix up some of the saltier, richer fried food with fresh veg and salad snacks abundant with citrusy, sharper ﬂavours that cut through and balance your palate. We ﬁnished by sharing a deep fried bao stuffed with pistachio ice cream, drizzled in chocolate sauce and dusted with cinnamon sugar, a little like a churro, and shared a sweeter cocktail of ‘yuzu & white chocolate’ mixed with East London Vodka.

The space has a rustic, pared back feel but is bright with buzzing chatter and neon lights. You can see straight into the kitchen – which on our visit was an all-female chef team, always nice to see (no offence, gents). Seven Lucky Gods ﬁts the bill whether you’re headed out for after-work coworker chats over bar snacks and Japanese whisky highballs, or want a more traditional dining experience with friends and loved ones. If you ignore its M-Shed and harbourside neighbours, you could imagine you’re in the centre of Tokyo about to carry on to a nearby karaoke bar. Unfortunately, I had to call it a night and head home – I had a review to write. n

7luckygods.com | Unit 26, Cargo 2, Museum Street, Wapping Wharf, BS1 6WE

King scallop and roast pork belly salad

Deep fried bao

L-R: hispi cabbage and Korean fried chicken

Champignon champion

Claire Thomson is a chef, food writer and a constant source of cooking inspiration to her three daughters and more than 200,000 Instagram followers. Claire – who lives near St Andrew’s Park – has written a new cookbook called Mushroom, so we caught up with her to find out more about what to expect from her latest round of recipes, and why she chose to focus on fungi

Your approach to food has been described as ‘no nonsense’ –how does that look and feel in practice?

I’m a chef, so I want people to be able to cook like me. But essentially, not everyone's a chef. I’m also a mother, so I think that the two dovetail quite nicely together. I want people to be able to cook with that practical mindset, because it’s very difficult juggling motherhood and your career. And now that my daughters are 18, 15, and 13, I think I’ve done a pretty good job. I am deﬁnitely a practical person.

You’ve penned cookbooks, written for the likes of the Guardian, Telegraph and Food Magazine, maintained a proliﬁc social media output, balanced motherhood with chefﬁng and presented multiple series of The 5 O’Clock Apron podcast, now in association with Good Food. How have you kept this momentum going and your creative process consistent?

That’s a good question. I always wanted to be a food writer, but I knew I needed to earn my stripes in a restaurant kitchen before I could start writing about food. So really, I always knew I’d end up in cheffing.

Before I had babies, I cooked in lots of different kitchens around the world, but ﬁrst and foremost here in Bristol. I’m quite ambitious and competitive, and I didn’t want that to fall by the wayside when I became a mother. So, when I stopped working full-time, I freelanced instead. It is a juggle, but it’s worth it. Ultimately, your kids will leave home one day (my eldest is about to) and you want to make sure you’re still an independent person once you’ve ﬁnished being a mother to young children. That’s really important.

around 2003 when I worked there, and then I went to London to cook, and then on to lots of places around the world.

Has working on a successful podcast inﬂuenced how you approach your recipe development and also your storytelling?

I absolutely love doing the podcast because I feel like everyone can cook something, and I really want to know what. What’s fascinating about being a chef is that people often feel intimidated around food. You’ll go to someone’s house for dinner and they’ll say, “Oh, you’re a chef, I hope this tastes okay.” But food is something we all have to do every single day, no matter our profession, religion, or background. And the amazing thing is, everyone has something they can teach someone else through food. Maybe it’s peeling an egg perfectly, or cooking the perfect dal, or the way your grandma used to make a dish. It’s all fascinating… the history and the narratives of how we learn to cook as people in our home kitchens.

And I suppose it’s about practicing what you preach. Social media has been very useful. I actually started tweeting before Instagram even existed, just sharing what I was feeding my kids for dinner. People would always ask, “You’re a chef, so what do you feed your kids?” And honestly, it wasn’t fancy, I wasn’t cooking restaurant food at home. But it kept my hand in as a chef and a cook, and I think it’s made my kids good eaters. They’ve grown up around food and curiosity about ingredients. Which kitchen was that in Bristol?

It was called Quartier Vert, and it was the ﬁrst organic, ‘green’ restaurant of its time in the city, and was quite pivotal in the early noughties. It was

Have you had many guests with a local connection on the podcast?

The England rugby prop, Sarah Bern, she was great. And Amy Mason, the comedian.

I also had a respiratory consultant from Southmead, who was a fascinating doctor. I didn’t want it to all be about celebrities, but about people’s interesting professions and how they cook. I also had Charles Dowding, he’s pretty big gardener based just outside Somerset. We’ve had lots of more far ﬂung guests too, of course.

How have you seen the demand for recipe and food content on social media change over the years?

The last, I suppose, 13 years or so of doing this has shown me that it’s really about people. And actually, in the time of AI, what’s quite reassuring is that people still want to identify with a personality. They want authenticity, they want to feel a sense of kinship with the person they’re following.

Ten years ago, it was recipe, recipe, recipe. But now, because there are so many recipes out there, I don’t think that’s what people are really looking for. They don’t just want a recipe, they want to follow a person’s broader doctrine on food. That’s been really useful for me, because people will say, “Oh, I just love 5 O’Clock Apron recipes,” or “I love her reels.” And then they stick around, because they’re interested in the way I cook

ClaireThomson,p

as a whole, not just the individual recipes. You can’t replace that with AI. Sure, AI can give you the perfect Yorkshire pudding recipe. But what it can’t give you is the authenticity, the character, that comes from a real person.

Let’s talk about Mushroom, which is the new companion to your other ingredient-focused recipe book, Tomato. How did you choose which ingredient to highlight? It’s very hard to pick an ingredient that is extremely individual, yet very egalitarian and universal. We wanted to choose something that is special in its own right, but is also ‘every day’ and endemic in cookery. Tomatoes are just that, and so are mushrooms.

I don’t want this book to be pigeonholed as a kind of veggie mushroom cookbook though, because it’s more about celebrating mushrooms and their versatility in the kitchen.

What varieties of mushroom feature in the book?

I didn’t want to go too esoteric, because I want people to be able to go to the local Co-Op, for example, and buy the mushrooms. I focused on mushrooms that you can easily ﬁnd.

I think people still, in the back of their mind, think of mushrooms as a hippie/vegan ingredient. But actually, if you walk into the mini Sainsbury’s on Gloucester Road, they’re in that ﬁrst bit of the veg display: tomatoes, mushrooms and spring onions. They’re those ingredients that you throw in your basket get home and cook after work – even just button mushrooms. Some of the local supermarkets now sell oyster mushrooms and shiitake. And then there’s also the dried mushroom products that are just really good bang for your buck; if you go to Wai Yee Hong Chinese supermarket – that’s got masses of dried mushrooms. So you’ve got this ingredient that you can rehydrate, plus you get stock.

Can we expect another ingredient-led cookbook from you?

Yes, there will be a third one – but the ingredient hasn’t been decided. I’m really pushing for courgettes, but it’s not been agreed with the publishers yet.

Where are your favourite places to source ingredients from?

I’m very lucky to live near Gloucester Road. So I love Pawson’s veg shop. That’s my favourite place, and I thank them in the book.

Having Wai Yee Hong down the hill is a bit of a luxury as well. It’s such a brilliant supermarket. And we’ve got Sweet Mart in Easton. There’s a Korean shop at the bottom of Gloucester Road, I love them. And the Mexican store Otomi in Clifton Village – I thank them in the book as well, because they have beautiful chillies. We’re so lucky when it comes to food shopping in Bristol. n

Mushroom: 80 Recipes Celebrating Remarkable Mushrooms, published by Quadrille Publishing, is available to order online and buy in store at all good book shops now. For information about Claire, visit 5oclockapron.com and follow her on Instagram @5oclockapron

If ever there was a recipe that rooted you in a specific time of the year, it’s this one. Picture this, John Keats sits down to eat a bowlful of this soup, pen and paper at his side, ‘the season of fruits and mellow fruitfulness’, ‘to fill all fruit with ripeness to the core’ and ‘to swell the gourd and plump the hazel shells’ – and so on it goes. This soup is poetry, so make it in the autumn. It captures the very essence of the season – the best of the best when it comes to squash and mushrooms – and it also throws a lifeline to those packets of peeled chestnuts that no one seems to know what to do with apart from at Christmas time! I added very thin shavings from a whole preserved fresh truffle to top the soup, but you could use truffle oil instead, if you prefer.

Ingredients (serves 4)

750g (1lb 10oz) squash, peeled,deseeded and cut into 2cm (3/4in) dice

4 tablespoons extra virgin olive oil, plus extra to serve

1 onion, finely diced

1 celery heart, finely chopped

4 garlic cloves, finely chopped

2 bay leaves

1 litre (35fl oz) vegetable or chicken stock

600g (1lb 5oz) closed cap or large flat mushrooms, cut into 2cm (3/4in) dice

100g (31/2oz) cooked (peeled) chestnuts, finely chopped a small bunch of flat-leaf parsley, finely chopped salt and freshly ground black pepper a few thin shavings of fresh truffle, or truffle oil (optional), to serve

Method

1. In a large frying pan, fry the squash in 1 tablespoon of the olive oil for 8–10 minutes until it is coloured and beginning to soften, then set aside.

2. Meanwhile, cook the onion and celery in a large saucepan with 2 tablespoons of the remaining olive oil for about 10 minutes until soft. Add the garlic and bay leaves, stir well and cook for 30 seconds until fragrant, then add the cooked squash to the pan. Add the stock and season to taste with salt, then simmer gently for 10 minutes until all the vegetables are tender.

3. Cook the mushrooms and chestnuts in the remaining olive oil in the large frying pan for 5–8 minutes until the liquid cooks away and they begin to sizzle in the oil, season with salt and pepper and keep warm.

4. Remove the bay leaves and use a stick blender to partially blend the soup, leaving about half unblended, or transfer half the soup in batches to a blender and carefully blend. Return the blended soup to the pot if using a stand blender.

5. Reheat the soup, then stir through the mushrooms, chestnuts and parsley and serve topped with the truffle or a drizzle of truffle oil, if using.

Squash & Mushroom Soup with Grated Truffle & Chestnuts

Extracted from Mushroom by Claire Thomson (Quadrille, £22), Photo by Sam Folan

Bristol at work

LOCAL BUSINESS AND COMMUNITY ORGANISATION UPDATES

New faces at BOVTS

Bristol Old Vic Theatre School (BOVTS) has started the academic year with new leadership and new staff appointments. Stuart Harvey (pictured) has moved into the role of School Principal, having previously worked as Director of Studies for the last four years. Stuart is the first alumnus (a 2007 Directing graduate) to hold the position of Principal in the School’s 79 year history. Tom Beasley will be joining as Charity CEO from November, following a successful six-year tenure as CEO of community-focused charity Active Gloucestershire.

Aside from the new and returning students arriving, the School is also welcoming a number of new faces on the staff team – including Emma Callander (pictured) who joins as Artistic Director, Dr Almiro Andrade as Head of MA Drama Directing and Myles Horgan as Head of MA Screen Acting. oldvic.as.uk

New leadership at design agency

A new leadership team has taken charge at Bristol’s oldest commercial graphic design agency.

Burleigh Design agency is set for a new era following coowner Greg Corrigan’s retirement with Jonathon Galvin-Wright joining forces with co-owner director Fraser Ebbs at the helm. They have pledged to take the Leigh Court Business Centreheadquartered business forward by building on Burleigh Design’s rich heritage which stretches back to 1895, when it was first established as a family firm of designers and printers based in Park Row. Corrigan’s move away from the business signals a new beginning for Burleigh Design because he had been a fifthgeneration member of the same family to have formed part of the senior team.

That tradition is now set to change as a new management team take the reins with Galvin-Wright joining the business as a director alongside Ebbs,who has led Burleigh Design since 2012 when it merged with his Portishead Press enterprise. The two Burleigh Design directors have conducted a re-brand and are now set to extend the scope of its work. burleighcreate.co.uk

Co-working space recognised in national ranking

Square Works in Clifton (located on Berkeley Square) has been awarded a Top 10 spot in The Tallys 2025, an annual top 100 ranking run by Tally Workspace highlighting the UK’s most inspiring office and co-working spaces. The top workspaces are chosen through hundreds of submitted nominations.

Square Works offers the only high-end serviced offices and co-working space with a private members' club in Bristol. Awarded the title of best co-working space at the latest Bristol Property Awards, this luxury workspace meshes Georgian architecture with modern interiors to create a unique and inspiring working environment.

Alongside premium amenities, its lively community shines through member events like weekly Prosecco Thursdays, creating the perfect blend of productivity and connection. tallyworkspace.com | squareworksbristol.com

Fraser Ebbs (left) and Jonathon Galvin-Wright

From the Lord Mayor’s Parlour...

Exclusive insight from The Right Honourable Lord Mayor of Bristol, Councillor Henry Michallat

Over the past couple of weeks, I have had the privilege of attending several wonderful community events as Lord Mayor, each highlighting the unique spirit, history, and creativity that makes our city so special.

It was great to attend the Sea Mills Flower Show, a much-loved tradition that has been running for more than 100 years. It was an honour to officially open the show and see such an incredible display of local talent and passion in crafts. From homegrown tomatoes and exotic plants to beautiful crochet animals and vibrant artwork by local school children, the exhibits showcased the very best of community passion and creativity. I would like to extend my thanks and congratulations to all the organisers and volunteers who continue to make this event such a highlight in the local calendar. Their hard work ensures the Flower Show remains a cherished celebration year after year.

What the changes to pensions and Inheritance Tax could mean for your estate plan

From 6 April 2027, most pensions will no longer sit outside the scope of IHT.

Continue reading to discover how the changes will affect your estate plan, and how you can prepare your finances.

The current pension rules allow you to pass on your fund without incurring Inheritance Tax

Unlike other forms of wealth, pensions have usually sat outside of your estate for IHT purposes.

However, you should also remember that while pensions have been free from IHT, they can still be subject to other forms of tax depending on when you pass away.

From April 2027, your pension will fall within the value of your estate

From April 2027, pensions will no longer be automatically excluded from your estate for IHT purposes. As a result, the amount of your pension wealth that your loved ones are set to receive could significantly reduce.

Here are four ways you can prepare for the upcoming pension changes:

I was also delighted to enjoy a tour of the Glenside Hospital Museum, a true hidden gem in our city. The museum tells the fascinating story of Glenside Hospital, charting its history and offering a glimpse into the lives of some of the Victorian patients who were treated there. The collections, which include historic medical equipment, photographs, and artwork, provide a poignant and insightful look into the past. It was inspiring to learn about the dedication of those preserving its heritage, ensuring that future generations can understand and reﬂect on such an important part of our city’s history. I would strongly encourage anyone who has not yet visited to take the time to do so.

Finally, it was a real pleasure to help celebrate the sixth birthday of Shirehampton High Street Markets. The atmosphere was full of energy, with independent stalls offering a variety of crafts, produce, and unique items. Meeting with local traders and speaking to visitors reinforced how vital markets like these are for supporting small businesses and fostering community spirit. n

It continues to be a real pleasure to serve as Lord Mayor and First Citizen of our great city, and as ever, if you wish to invite me on a tour or to a community event, please email the Lord Mayor’s office via lordmayor@bristol.gov.uk

1. Make full use of your nil-rate bands

2. Use more of your pension while you’re alive

3. Purchase an annuity

4. Make use of a trust, and consider placing life cover in one

We are Independent Financial Advisers who specialise in retirement planning and estate planning

Get in touch

If you would like a review of your pensions and investments and whether you are on track to achieve your financial goals, please contact us for a free consultation.

0117 959 6499 info@perennialwealth.co.uk Trym Lodge, 1 Henbury Road, Bristol, UK, BS9 3HQ

Image: National Trust Images, Bob Fowler

Gloriously gothic

When William Gibbs bought Tyntes Place near Wraxall in 1843, he acquired a Tudor‐style Regency villa set in a 300‐acre estate overlooking the Land Yeo Valley, writes Andrew Swift, who urges us to visit the property and walk around its gorgeous grounds. Gibbs renamed it Tyntesfield, set about enlarging it and, by the time he had finished, had transformed it into a baronial Gothic pile replete with turrets, towers and pierced parapets…

What distinguished Tyntesﬁeld from the scores of other gargantuan ediﬁces built around the country in the mid-19th century was the religious fervour that informed its design. The novelist Charlotte Yonge, a frequent visitor, summed its impact up succinctly, describing this ‘holy and beautiful house’ as ‘like a church in spirit’.

Tyntesfield not only bristled with devotional imagery; in a nod to the layout of medieval monasteries, a bridge linked the bedrooms on the first floor to a chapel fit to grace an Oxford college.

Throughout the house, wood and stone predominated – timber-beamed ceilings, oak-panelled walls and gothic arches making the rooms dark on the brightest of days. Ornamentation and embellishment were everywhere.

The pious medievalism that imbued Tyntesﬁeld was rooted in a conviction that the Middle Ages embodied a paradigm of society and morality which needed to be revived in the modern age, and, at a time when mass production was all pervasive, Tyntesﬁeld was a showcase of craftsmanship.

The irony was that the money to create this evocation of a glorious past did not come from wealth inherited through a lineage stretching back to feudal times; it literally fell from the skies. The Gibbs were merchants, based in Exeter but trading with Spain and the former Spanish colonies in South America.

On uninhabited islands off the coast of Peru lay mountains of guano, made up of layers of bird droppings, built up over thousands of years, which the Peruvians quarried to use as fertiliser. Spotting a business opportunity, William persuaded the Peruvian government to grant him a monopoly on exporting it to Europe.

The gamble paid off, making him, for a time, one of the wealthiest men in England – but there was a dark side to this success story. As the scramble to meet the demand for this wonderful new product intensiﬁed, indentured Chinese labourers were brought in.

Despite reports of atrocious working conditions, shipments continued to flow across the Atlantic until there was no more guano left. Although there is no hint of the source of William’s wealth in the paintings hanging on Tyntesfield’s walls or in the carvings and furnishings adorning it, this autumn, in its drawing room, a film installation explores the impact of the guano trade in a ‘haunting reflection on empire, exploitation and the environment’.

This tangled legacy is yet another strand to the story of Tyntesﬁeld –and one that is hardly unique. What makes Tyntesﬁeld so special today – and so important – is not so much the religious fervour that

Tyntesfield c.1900, courtesy of Andrew Swift

Squash in the glasshouse, National Trust Images, Anna Kilcooley

underpinned it, but its survival. Many grand Victorian houses were demolished in the 20th Century, after death duties took their toll and they fell into disrepair. Most of those that survived were sold off, stripped of their contents and converted to other uses.

Tyntesﬁeld, however, remained a family home, essentially unchanged – apart from the loss of some of its more audacious architectural features – until William’s great-grandson, Richard Gibbs, died in 2001 – at which point it was put on the market. Which is why the National Trust stepped in, acquiring it and embarking on the herculean task of reversing the ravages of time.

Today it stands as a monument not only to the hundreds of craftsmen who created it, but also to the master craftsmen of today who have restored it to its former glory.

But if the house is an echo from a bygone age, the grounds surrounding it are anything but. The Tyntesﬁeld estate is one of the glories of Somerset. Conservation here has not been about opening a window into the past but of helping nature to thrive and to provide a green space to explore and enjoy.

For many, it is the kitchen garden, along with the glasshouses and buildings surrounding it, that is the real joy of Tyntesﬁeld. Produce grown here is served in the nearby Cow Barn restaurant, and the ranks of heated greenhouses, ﬁlled with colour as summer plants bloom on into autumn, are a succession of delights.

Beds outside the walled garden lie packed with gourds, pumpkins and squashes, ripening for the harvest display in the Orangery.

The planting of the terraces below the house, by contrast, in its formality, exuberance and dazzling colours, reﬂects the taste of the late Victorian age – at least until the ﬁrst frosts arrive. From here, the land drops away, with views south-westward across rolling parkland to where the ridge of the Mendips drops seawards.

There is so much to discover – a newly restored rose garden, an arboretum which the Gibbs family called Paradise, and, for the more adventurous, the deep woods above the house, up whose steep paths few visitors venture, with views at the top as far as Steep Holm, almost 20 miles away.

And then there are Tyntesﬁeld’s hidden corners – Gothic lodges repurposed as holiday cottages, a stable block with a half-timbered nod to Merrie England, a courtyard behind the house looking for all the world like the back quadrangle of an Oxford college. n

Dogs are allowed on most of the estate, and, to help you find your way around, there is a choice of guided walks, including – for the autumn half term – a Halloween Trail. Details of these, along with information about the history, restoration and natural wonders of Tyntesfield, can be found at nationaltrust.org.uk/tyntesfield

Discover more of Andrew Swift’s work at akemanpress.com

Tyntesfield exterior, Andrew Swift

Bells inside the property, courtesy of Andrew Swift

Education matters

NEWS FROM THE CITY’S LEARNERS AND LEADERS

Jimmy Choo delivers fashion sketching workshop

Haberdashers’ Monmouth School recently welcomed worldfamous designer and Patron of Fashion, Design and Textiles, Professor Jimmy Choo OBE, for a day of inspiring workshops with Sixth Form and GCSE Textiles students.

Professor Choo, joined by Silija Manninen, Programme Leader at the JCA | London Fashion Academy, delivered two sketching workshops under the theme From Concept to Production with Professor Jimmy Choo. The sessions explored the journey from inspiration through to finished product, with students challenged to think creatively about design, audience and branding.

Following a lunch with Headmaster Melvyn Roffe, MBE, Professor Choo spent time reviewing student portfolios and summer projects, including a handbag created by a GCSE student during her summer in France.

During the workshops, Professor Choo reflected on his own journey in fashion, from learning the craft with his uncle to studying in London: “I am always learning,” he said. “I learnt from my uncle, and now these Haberdashers' Monmouth students can learn from me. Collaboration is the best way forward – it helps us build strong fashion and strong relationships.”

Students were encouraged to experiment with unconventional sources of inspiration, including architecture, machinery and fine art. Silija Manninen provided a live sketching demonstration, showing how textures and shapes can be layered into bold, imaginative designs. Nearly 50 students took part in the two sessions, which combined professional insight with interactive, hands-on creativity.

habsmonmouth.org

Insight: Planning ahead for school and university fees

Dale Ainsley LLB (Hons) FPFS, Managing Director and Chartered Financial Planner at Perennial Wealth, shares his expert insight into the foresight needed when planning for education costs, as fees can be significant and rise faster than household inflation, making early preparation essential.

For many families, education is one of the biggest financial commitments they will ever make. Private school fees typically cost £15,000–£20,000 per year, per child, while university tuition and living expenses can exceed £60,000 for a three-year degree. With school fee inflation often rising faster than household inflation, planning ahead is essential.

The earlier you start, the more manageable the journey becomes. Regular saving or investing over 10–15 years can build a substantial fund, while leaving it late often means higher contributions or diverting money from other goals such as your own retirement.

Short-term costs (within five years) are best met from cash savings or low-risk investments, while longer-term goals can benefit from equity investments to keep pace with inflation. Using ISAs, Junior ISAs, and tax-efficient gifting from grandparents can make a real difference.

It’s also important to balance education planning with other priorities, such as retirement and mortgage repayments. Having an expert build you a financial forecast can help you see the bigger picture and understand what is affordable.

Education funding is both a financial and emotional decision. Taking advice early can ensure costs are met in the most efficient way, without compromising your long-term plans.

Find out more information and book a no-obligation consultation online at perennialwealth.co.uk, or call the team on 0117 959 6499.

Fairfield students train with U15 Bears

Three Fairfield High School Year 10 students have officially begun training with the prestigious Bristol Bears U15 Junior Academy this September following their selection earlier this year. Red, Rubin and Aleem (pictured, left to right) play for Ashley Down RFC, a club renowned for its competitive spirit and commitment to developing young rugby talent.

The club trains twice a week and competes in matches and tournaments, providing excellent experience for these ambitious young players. fairfield.excalibur.org.uk

MBST is a safe, non invasive regenerative medical treatment used to help patients heal across the entire orthopaedic spectrum.

Supported by award winning quantum biological research, MBST creates the ideal conditions within the cell which leads to both healing and regeneration of new cells. This leads to long term reduction of pain and improved mobility in 90% of cases we take on.

In Bristol we have all 3 devices that allow us to treat every part of the body and the full array of orthopaedic conditions:

The ASF allows us to focus on knees, hips, shoulders and spinal conditions: Marlene has beneﬁted hugely from treatment for her neck and lower back arthritis:

The 350 allows us to treat arthritic hands, feet and ankles with great success: Jeremy’s ankle arthritis is a great example of its efﬁcacy:

The OSP allows us to treat full body , multi site arthritis and pain conditions. Studies show It also helps patients improve their bone mineral density and reduce fracture risk from osteoporosis:

MBST UK is the ofﬁcial regenerative Partner for Bath Rugby and Wrexham FC. Not only is this leading to dramatic increases in the speed of player rehabilitation and return to play, but it’s allowing us to gather data and explore the full ability of this technology

WNew Horizons in Glaucoma Care

An interview with Miss Rachel Healy, Consultant Ophthalmic Surgeon, The Eye Unit (Private Clinic) and Bristol Eye Hospital

e sat down with regional and UK expert - Miss Rachel Healy, Consultant Ophthalmic Surgeon at The Eye Unit (Private Clinic) and Glaucoma Lead at Bristol Eye Hospital, to discuss the future of glaucoma treatment and how private patients can now access world-leading care.

Glaucoma has often been referred to as the “silent thief of sight.” Can you tell us why early diagnosis and treatment are so important?

Miss Healy: That phrase is very true – glaucoma can progress without obvious symptoms until signiﬁcant vision is lost. Once that sight is gone, we cannot restore it, which is why early detection and timely intervention are essential. With modern imaging and diagnostic tools, we can now identify glaucoma earlier than ever before and tailor treatment to each patient.

What have been the most exciting advances in glaucoma treatment in recent years?

Over the past decade, glaucoma management has undergone a remarkable transformation. In the past, treatment primarily relied on daily eye drops, with more invasive surgery reserved for advanced cases or when medications failed. Today, we have a broader and more reﬁned set of tools.

Laser treatments, for instance, have advanced signiﬁcantly. Procedures like selective laser trabeculoplasty (SLT) are now quick, virtually painless, and highly effective—making them a strong option even as a ﬁrst-line treatment for many patients.

Beyond lasers, we’ve seen the rise of minimally invasive glaucoma surgeries (MIGS), which offer a safer, less invasive way to reduce eye pressure. These techniques often come with faster recovery times and can reduce or even eliminate the need for long-term medications.

Emerging innovations such as sustained-release drug delivery systems are an exciting area of ongoing research. These innovations aim to provide long-term pressure control without the daily burden of eye drops, potentially reshaping how we treat glaucoma in the future.

How does The Eye Unit support patients in accessing these treatments?

At The Eye Unit, patients beneﬁt from consultant-led care in a calm, private setting, with access to the very latest technologies. We can offer cutting-edge diagnostic imaging, same-day laser treatments, and personalised surgical planning — without the waiting times often experienced elsewhere.

We also focus on the patient journey. Glaucoma management is lifelong, so continuity of care, regular monitoring, and clear communication are at the heart of what we do.

Some patients worry about surgery. How do you reassure them?

Understandably, surgery around the eyes feels daunting. But with modern minimally invasive techniques, most procedures are quick, performed under local anaesthetic, and recovery is far smoother than patients expect. Whether it’s a microshunt, a tube implant, or laser, my role is to guide patients through the options, explain risks and beneﬁts clearly, and help them feel conﬁdent in their treatment plan.

Looking ahead, what excites you most about the future of glaucoma care?

I think the shift towards personalised, precision medicine is very exciting. We’re moving away from a “one-size-ﬁts-all” approach. Soon, genetic testing, advanced imaging, and new drug delivery systems will allow us to treat glaucoma even more effectively and with fewer side effects.

Finally, what would you say to someone considering private glaucoma care at The Eye Unit?

I would say: don’t wait until your vision is at risk. Glaucoma can be managed successfully if caught early. At The Eye Unit, you’ll see an experienced consultant at every appointment, have rapid access to the latest treatments, and receive care tailored speciﬁcally to you. Our aim is simple — to preserve your sight, protect your independence, and give you peace of mind. ■

The Eye Unit offers private, consultant-led ophthalmology services offering bespoke and personalised eye care including glaucoma, cataract and lens surgery, general ophthalmology, retina and oculoplastics.

To book an appointment with Miss Rachel Healy, visit: theeyeunit.co.uk or call 0117 369 1179

Available for consultations @ Nuffield Bristol.

Rooms with a view

Local author and creative strategist Emilio Pimentel‐Reid’s new book All Things Considered reveals the ways top designers craft their own deeply personal interiors. Showcasing 16 distinctive homes, it celebrates creativity, risk‐taking and the joy of spaces that truly reﬂect their owners' personalities. Here’s a taste of the book in his own words...

As a UK-based design author and creative strategist, I come into contact with top designers across the world. The idea for this book came from my regular conversations with them, and from my desire to reveal how these international creatives are fashioning highly personal interiors for themselves, as well as to explore the relationship we all have with our homes.

This book highlights distinctive spaces: some historically influenced and others at the cutting edge of contemporary design, some serene and several provocative, but all uplifting and created with great thought, confidence and flair. In the mix of moods, colours, patterns, objects and textures shown, all things have been very thoughtfully considered – leaving room for style, surprise, joy and personality. To widen the scope of the visual conversation, there are a mix of designers represented from the UK and influential design capitals across the rest of Europe and in North America, all at the top of their game.

Each designer shines for their original style of decoration and the bold mix of elements they incorporate into their interiors. The idea is not to capture one point of view or look, but rather about encountering accomplished spaces built on integrity, gut feeling, deep knowledge and great personality. Featured creatives are at different stages in their professional careers, from those who are just being discovered, through those who are established, to a few legendary names who are still leaders in the industry. They all have inspiring viewpoints to share.

As someone passionate about homes, still filled with curiosity after 25 years exploring and promoting design, I have found that often the most alluring and successful interiors are those that designers conceive for themselves.

Perhaps this is because they experiment at home before deploying their ideas on clients, or because they take risks that they might not in professional projects.

At home, also, they often tackle challenges that are not faced by their clients: budget or size of space, maybe, or the even tougher challenge of committing to design choices for oneself. Each designer has approached their interior differently – just as you should.

The 16 homes featured in the book (with just a fraction of examples shown here) constitute a celebration of individuality, an uplifting collection of interiors that mix varied elements with gusto to create joyful spaces. In real life we are all very different – at different stages of our lives, with different passions and taste – and designers are just like us, except with great expertise. They are all highly knowledgeable about the zeitgeist at any given moment, yet refreshingly admit to not caring about trends. This liberating outlook leads to interiors that have great longevity, because they are made just for their owners. These artists, gallerists, designers and other creatives with varied backgrounds value a strong sense of personality above all else.

I hope you will be inspired by these great mixologists. Not with drinks, of course, but blending personality and style to encourage you to celebrate your individuality and create interiors that are very you. n

Left: New York decorator Sasha Bikoff’s home in the West Village is bold and imaginative, inspired by the past, nature, art, architecture and film. “I create a new world based on a story that I make up,” she explains. “I consider myself a storyteller. In the townhouse I imagined an eccentric woman living in her home, her husband allowing her to do whatever she chose. I wanted it to feel as though this was a house in London’s Notting Hill, a little Victorian with a bit of French country and other references from trips to the European continent.”

Right: Willow Kemp’s flat is in the upper reaches of a converted building in London’s Chelsea. Willow – who is an art ambassador for her family’s Firmdale Hotels and design director at Kit Kemp Design Studio – has claimed an extra 0.6m (2ft) in ceiling height by opening up the loft space. Decorated with the flair of an artist and the know-how of a top designer, the flat combines her passion for collecting contemporary art and fascinating objects with a technical understanding of architecture.

Emilio Pimental-Reid. Photo by Marian Balcacer

Photo by Manu Rodriguez and Chris Mottalini

Right: Philip Hooper, joint managing director of Britain’s longest-established interiordecorating firm, Sibyl Colefax & John Fowler, lives on the border between Clapham and Brixton Hill in south London. In this converted Victorian school, the classrooms are now lofty apartments, with high ceilings and huge windows that give a faintly industrial feel. The developers sold the units as empty space – basically one big classroom – and in his, Philip has put everything where he wanted it. His home is well edited, bringing together pieces from different cultures and periods. “There is a selection of random objects that is given coherence as they are filtered through me,” he says. Beyond being his piedà-terre, the apartment is a space to show paintings. It is really one big open-plan studio, so no single corner outshines another.

Emilio’s design tips for Regency homes...

I live across the two main floors of a Grade I-listed Regency building in Bath. It’s a sun-filled duplex with high ceilings, architectural details that survived the blitz and creaking floorboards of Baltic pine; it was featured in my previous book Bold British Design when I had just moved in.

The key element of a successful interior in a Regency property, which is a popular style of home in Bristol, or any other building, is embracing your own personality, having a point of view and sticking to it.

Embrace scale: In my bedroom the antique brass bed (by Hoskins and Sewell which supplied the White Star Line) is titanic in scale so that it doesn’t get dwarfed by the room’s dimensions. Decorate your space to the right scale and don’t be afraid -bigger is better in a historic space.

Make colour personal: My favourite room in my own home is the Living Room which I’ve painted in a pink hue specially mixed to complement my skin tone by the talented artisans at Little Greene. Specialists advise that you paint your space in a colour that suits the room ( which is true)-and I hope I have done-but actually why not deploy a colour that flatters you the homeowner?

Mix it up: Once you get the architecture right, a classic Regency interior can handle a mix of period styles. I often work on my laptop at a round Regency table by a large window sitting on an African throne or Ashanti stool. I’m also a big fan of the 1980’s Memphis movement and the ‘Shogun’ striped floor lamp next to my table is by Swiss architect Mario Botta.

Above: The Bath design shop Berdoulat shares its name with an 18th-century farmhouse in southwestern France, the childhood home of its founder, the interior designer Patrick Williams. Patrick’s home occupies the floors above and rooms behind the shop in a charming and generously proportioned Grade II listed building in a quiet neighbourhood near the centre of the city. The building is 1760s at the front, 1840s in the middle and 1800 at the rear, with sympathetic additions by Patrick and his Bulgarian-born wife Neri.

Below: American-born J.J. Martin is founder and creative director of fashion and homeware label La DoubleJ, known for its unapologetic maximalism plied with joy. J.J.’s building housing her Milan apartment dates from 1910, but follows the Gothic Revival style of the 19th century. J.J. says, “I need to have a wonderful, beautiful container that feels very well structured and organised and visually pleasing. That’s how I get my sense of safety. And then I can create from that place. In the end I need an interior that feels inviting, juicy, joyful.”

The interior architect Gert Voorjans inhabits a 19th-century mansion in the centre of Antwerp, Belgium, a city known for its intermingling of history, cutting-edge creativity and commerce. “We are lucky,” Gert says, “still to have beautiful old houses with high ceilings and good proportions that bring poetry into an interior. My dream as a child was to live in a house with wooden floors, high ceilings and an open fire.”

Emilio Pimentel-Reid @whatemiliosaw

All Things Considered

Thoughtful Interior Design that Mixes Pattern, Colour and Style

Emilio Pimentel-Reid

Photography: Edvinas Bruzas

Published by Quadrille, £35. Available from Amazon and all good bookshops.

Photo by Barbara Franzo

Alessi Clay Decor in Matt Porcelain .

Mandarin Stone: Creating beautiful interiors with natural stone and porcelain

When it comes to creating timeless, elegant interiors, the surfaces you choose play a deﬁning role. From kitchen ﬂoors to bathroom walls, tiles are no longer a purely functional detail, they are a key element of your home’s design narrative.

Established over 35 years ago – Mandarin Stone has become one of the UK’s leading suppliers of natural stone, porcelain, and decorative tiles, with a reputation for quality, style and innovation.

The well-established Clifton showroom on Regent Street is now part of (soon to be) 17 showrooms across the UK – including beautifully designed spaces on Fulham Road and Primrose Hill and a new store in Shoreditch coming in 2026. The brand is a go-to resource for homeowners, interior designers and architects alike.

At the heart of Mandarin Stone’s offering is a carefully curated collection of materials, ranging from limestone, marble, and slate, to terrazzo, patterned tiles and large-format porcelain tiles. Whether you’re renovating a period townhouse or designing a sleek modern apartment, Mandarin Stone’s extensive range ensures there’s something to suit every aesthetic.

Natural stone remains a core part of their identity. Each is unique, offering an organic texture and warmth that simply cannot be replicated. Their limestones and marbles come in a variety of ﬁnishes – from honed and polished to tumbled and brushed – allowing for both rustic and reﬁned interiors. Stone’s durability also makes it a long-term investment, adding value to your space as it ages gracefully over time.

In recent years, the company has also expanded its porcelain tile range to include hyper-realistic stone and wood-effect tiles, as well as bold, modern designs that bring colour and pattern into the home. Porcelain is favoured not only for its beauty, but also for its practicality – it’s low-

maintenance, hardwearing, and ideal for underﬂoor heating systems.

Beyond the products themselves, what truly sets Mandarin Stone apart is their expertise and service. Each showroom is staffed by knowledgeable consultants who can advise on everything from grout selection to laying patterns and technical requirements. The website (mandarinstone.com) also offers a wealth of inspiration, with room galleries, trend guides and sample ordering options to help make the decision-making process seamless.

Sustainability is also increasingly central to the Mandarin Stone ethos. The company is committed to responsible sourcing, working only with suppliers who meet high standards for environmental and ethical practices. Their porcelain tiles are manufactured with low water usage and energyefficient processes, and their natural stones are sourced with care to minimise environmental impact.

Ultimately, Mandarin Stone offers more than just tiles, they offer a foundation for exceptional design. Whether you’re dreaming of a serene marble bathroom, a dramatic statement hallway, or a tactile, earthy kitchen ﬂoor, their collections make it possible to bring your vision to life with conﬁdence and style. n

To explore the full collection, visit the Bristol showroom at: 115 Regent Street, Clifton, Bristol BS8 4HW. Tel: 0117 973 1552 or browse the website mandarinstone.com for inspiration.

Bernac Provence.. Limestone..

Wall: Capri Sunset Honed Marble . Floor: Terrazzo Pink.Honed .

Room to grow

Local expert designers Ivywell Interiors share their insight into a recently completed project: a Redland home story – where period charm meets timeless style...

With its tree-lined streets, handsome period properties, sought-after schools, and thriving foodies scene, Redland has long been one of Bristol’s most desirable neighbourhoods for families.

Full of character and ideally located, the bay-front Victorian home stood prettily behind a neat driveway.

The owners had found their forever family home, but also knew a renovation was in order. The couple appointed an architect to provide them with the structural plan for demolishing and rebuilding the ageing

rear extension to include a WC, utility and dining room, as well as making essential building upgrades.

From there, the vision broadened into a full refurbishment not only of the kitchen and bathrooms, but of the living spaces and bedrooms too. It was at this stage that the couple reached out to Bristol-based interior design studio, Ivywell Interiors. What followed was a year-long collaboration to future-proof the home, enhance its features and bring new life to every room. The owners met Kirsty and Megs from Ivywell on a rainy March day. With a little help from tea and biscuits, the conversation soon started to ﬂow and the connection was made.

The owner shared: “I was very sceptical about working with an Interior Designer for our house renovation project as I hadn’t connected with the previous companies I’d seen and have never worked with one before. When I met with Megs and Kirsty, I immediately felt that they listened and understood where I was coming from”.

Practicality ﬁrst, beauty alongside

Although the house has grandeur and character, the brief wasn’t to create a magazine-worthy showpiece. The goal was to design a home that looked beautiful but foremost remained practical for a family of ﬁve with young children. Sofas, ﬂooring, bathrooms, and storage all needed to withstand everyday life, while still feeling coherent and stylish.

Designing for the next chapter

The Ivywell team is well acquainted with the quirks of Bristol’s period houses. Over the past ﬁve years, the studio has worked on Edwardian and Victorian homes in need of more than a quick spruce-up. “It had

been a much-loved family home. Typical of Victorian houses, the bathroom and kitchen were on the smaller side but rather than pinching space from adjacent rooms which often is the default option, in this instance we made these spaces work harder to retain the original proportions” Kirsty, Ivywell director comments.

Classic bones, contemporary spirit

From the front door onwards, the balance of practicality and elegance is clear. The entrance porch, with its traditional black-and-white tiles, roots the scheme in the home’s Victorian heritage. The staircase reimagined with slim metal spindles and a mahogany handrail - still proudly displaying its ornate details - bridges classic and contemporary. And where family life might once have spilled into the hallway, bespoke understairs joinery now swallows shoes, coats and bags with ease.

Throughout the home, colour and material choices define the mood of each space. Herringbone flooring provides a consistent thread across the ground floor, while calm neutral shades in the flow areas are lifted by

stronger, more characterful tones in the key rooms. The formal living room, with its deep green walls and cabinetry, creates a striking yet cocooning atmosphere.

As Megs, Ivywell Studio Manager, explains: “This shade came from Mylands’ archive, originally created for the British Film, TV and Theatre industries. With Victorian homes, the layout of a bay-windowed living room is often dictated by the proportions of the space, but we always want each project to feel unique. We make a conscious effort not to repeat colours or wallpapers from one scheme to the next. It forces us to dig deep and challenge ourselves creatively, but it also means every home reﬂects the individuality of the family who lives there.”

Creating value, not compromise

With multiple bathrooms, a new kitchen, and extensive refurbishment works, managing the budget was always going to be important. The focus wasn’t on cutting costs, but on creating value: knowing where to invest, and where savings could be made without compromise.

The owners commented: “The team is really passionate about design, incredibly supportive and is completely focussed on helping people; there was no pressure to choose bold designs or spend over our budget. They have great relationships with suppliers to suit all budgets. We have, without doubt, saved money on expensive mistakes we would have made trying to do it ourselves and we felt the whole service offered excellent value for money”.

That careful balancing act meant there was room in the budget to introduce statement pieces, like the ornate chandelier in the living room, while keeping the overall scheme grounded and functional.

Support throughout the execution

For the owners, one of the most valuable aspects of the process was the ongoing support through the build itself. A renovation inevitably brings a steady stream of on-site questions from different trades, each with its own deadlines. From the ﬁner points of electrical ﬁttings to last-minute adjustments, the sheer number of decisions can quickly feel overwhelming. Having Ivywell on hand meant those choices were broken down into clear, manageable steps, with expert guidance at each stage.

“The project turned out to be way bigger than we expected! And Ivywell have been there every step of the way, creatively, as advisors and helping to keep the whole project on track. We felt they really went the extra mile to help us and I honestly don’t know how I would have done it without them.”

A future-proofed family home

Today, the renovated Redland house is both practical and characterful. It has its share of wow moments but above all it is a warm, functional family home ready for years to come. n

From ﬁrst ideas to ﬁnal details, Ivywell Interiors designs homes that combine practical solutions with timeless style. To book a discovery call, email hello@ivywellinteriors.com or visit ivywellinteriors.com.

All images provided courtesy of Ivywell Interiors

Home truths

Our Autumn/Winter 2025 Guide features all our favourite trades and services to help spruce up your home and garden. Whether it’s a small decorating touch or an ambitious major project, this directory has a treasured range of expert services to make all those home, interior and garden dreams become reality

MANDARIN STONE

15 Regent Street, Clifton, BS8 4HW 0117 973 1552 | mandarinstone.com

IVYWELL INTERIORS

To book a discovery call with the team, email hello@ivywellinteriors.com or visit: ivywellinteriors.com

Based in Bristol, Ivywell Interiors is an award-winning studio specialising in high-end residential design for refurbishments, renovations, and extensions. Collaboration is at the heart of the team’s approach to create homes that are as functional as they are beautiful. By listening closely to each client and working hand-in-hand with architects, builders and trades, Ivywell ensures every detail is considered and every space reflects the people who live there.

From first ideas to final details, the studio provides creative, practical and technical support across the entire journey, helping clients balance style and budget without compromise. Whether future-proofing a period property or bringing a contemporary extension to life, Ivywell Interiors designs homes that feel timeless, tailored and truly personal.

Renowned for its comprehensive natural stone collection, Mandarin Stone has gained quite a reputation for its on-trend and beautifully designed porcelain. Ranging from tiles that cleverly mimic materials such as wood, concrete and marble to striking glazed and patterned tiles, the collection has endless surface design possibilities. This year Mandarin is celebrating 35 years in business and with 17 inspirational UK showrooms, it offers dependable specialist knowledge as well as technical expertise. Almost the entire natural stone and porcelain collection is held in stock in the UK, so lead times are short.

JUST SHUTTERS

Whatever your style – contemporary, modern, cosy or traditional – Just Shutters has the perfect fit for you. The shutters do not fade, warp or age and come with a lifetime guarantee. Rob and Linda Reeves are experts in the field, trained to the market-leading Just Shutters standard. They are passionate about shutters and transforming the homes of local people, with an understanding of outstanding quality, great value and professional customer service. Work closely with Rob and Linda as they tailor Just Shutters to your tastes, giving you honest and impartial advice. The company has the largest range of material and finishes in the UK, granting you choice and options in terms of shutter style.

MARBLE SUPREME

Unit 8, Bridge Road, Kingswood, BS15 4FW 0117 956 3030 | marblesupreme.com

Marble Supreme provides master craftsmanship in stone. Whether you’re looking for new stone worktops for your kitchen or bathroom, it offers a range of materials to suit your needs. With more than 20 years of experience, the team produces a wide range of products, from beautifully crafted granite kitchen worktops and flooring, right through to bespoke stone fireplaces, vanity tops, splashbacks and sink surrounds. Marble Supreme provides a complete service –from sourcing the perfect stone to crafting perfectly-fitting and beautifully-finished kitchen worktops. It also prides itself on delivering the very best in granite, marble and quartz stone, knowing its creations will play a part in family life for years to come. Whether you know what you want or are considering the options, the team is happy to discuss your plans, so pop into the Kingswood showroom.

TAILORED FLOORING

80 Alma Road, Clifton, BS8 2DJ | 0117 973 3393 tailoredflooring.co.uk

As the seasons shift, autumn and winter are the perfect time to refresh your home with new flooring or a bespoke rug.

Tailored Flooring in Clifton has been transforming Bristol homes for more than 30 years, offering carpets and floor coverings that bring warmth, style and character to every style of home. Alongside a wide selection of wool, sisal, seagrass, jute and coir, the team specialises in bespoke rugs and runners, made to order in your chosen size and material and finished with a border from a wide palette of colours and fabrics.

You’ll also find engineered and solid wood flooring, luxury vinyl tiles, and collections from leading brands including Crucial Trading, Invictus, Alternative Flooring, Ted Todd, Fibre Flooring and Woodpecker.

Dunsdon Barn, West Littleton, Wiltshire, SN14 8JA 01225 892200 | boniti.com

Run by Giles and Simon Lunt, Boniti is a high-quality interiors and exteriors business. The showroom is a destination for all things natural stone, porcelain, and timber flooring. Boniti offers expert restoration and professional installation services, ensuring every project is completed to the highest standard. For large and small projects, the Boniti team are masters of their profession and it shows in every detail. The showroom is easily reached from J18 of the M4.

BONITI

THE WATER DOCTOR

Call The Water Doctor for your free consultation on 07786 886360 www.thewaterdr.com

Pollution is putting increasing pressure on our drinking water – sewage overflow, pesticides, microplastics, heavy metals, ‘forever chemicals’ and even chlorine are making it harder than ever to ensure purity at the tap.

The team at The Water Doctor is dedicated to purity and providing bespoke solutions to achieve the highest standards of drinking water for your family.

The Water Doctor’s advanced reverse osmosis and whole-house solutions are the gold standard for removing these harmful contaminants, delivering pure, safe, great-tasting water. No more worries about hidden toxins or the expense and waste of bottled water – peace of mind and healthier hydration every day. Affordable, easy to install and built to last.

PARK FURNISHERS

Unit 1 A/B, Eastgate Retail Park, Eastgate Road, Eastville, BS5 6XX | parkfurnishers.co.uk

For more than 55 years, Park Furnishers has been at the heart of Bristol’s home interiors scene. Now settled in its new home at Eastgate Retail Park, the store continues to offer a diverse selection of furniture – from sumptuous sofas and elegant dining sets to cosy beds –alongside a fitted kitchen and bedroom studio with more than 15 inspirational displays.

BRACEY INTERIORS

15 Waterloo Street, Clifton, BS8 4BT 0117 973 4664 | braceyinteriors.co.uk

With more than 50 years’ experience, Bracey Interiors has earned an enviable reputation for its design services.

The Bracey Design Team offers a complete architectural and interior design service, which is tailored to your individual needs. Within the retail showroom in Clifton Village, you’ll find fabrics and wallpapers from all the major design houses as well as an eclectic mix of home accessories. Bracey is a stockist of Little Greene and Paint & Paper Library paints, which are mixed in the showroom in a matter of minutes.

There are also in-house workrooms where the team creates bespoke curtains and blinds, which are installed by Bracey’s own fitters.

As autumn arrives, it’s the perfect time to create a warm and inviting home for the season ahead. Discover stylish sofas, dining furniture made for gathering with loved ones, and the latest bedroom designs to make your space feel extra cosy. You’ll also find everything you need to prepare for entertaining indoors as the nights draw in. The store is home to the best brands, including Neff, G Plan, ercol, Lazboy, Parker Knoll, and Orla Kiely. Visit Park Furnishers this autumn and get inspired to transform your home.

WOVEN ARCHITECTURE STUDIO

07340843948 | wovenarch.com

Woven Architecture Studio is a Bristol-based boutique practice specialising in thoughtfully designed residential properties across the South West and beyond.

Woven offers a full range of architectural and interior design services; from feasibility studies and planning applications to contract administration and delivery across all RIBA stages.

With extensive international experience in the UK, New York and Paris the team combines a global perspective with a strong commitment to sustainability; weaving together creativity, care and craftsmanship with great design to create harmonious spaces. The Woven approach is grounded in listening, dialogue and collaboration to ensure your project, no matter the size, is a true reflection of your needs, desires and aspirations. Whether it’s a bespoke country home, a life changing extension or reimagining your existing space, the team will bring your vision to life.

JOHN BOYCE PLASTERWORK

Unit 5, Channel View Farm, Clevedon, BS21 6US 07970278028 | john-boyce.co.uk

John Boyce Plasterwork Ltd is a locally-based company with more than 30 years of experience in the plastering trade, tackling any size of job, from a simple repair to a complete restoration project. The team has a large range of moulds built up over the last three decades, and is capable of matching and reproducing any type of plasterwork. The company also has a large range of stock cornices and ceiling roses to pick from, with something to suit most tastes and budgets. The team carries out ceiling surveys and repairs, lime plastering and rendering and bespoke one-off pieces; offering free, no-obligation quotes and advice. Visit the website for a taste of what John Boyce Plasterwork can offer.

DUNSDON BARN

Dunsdon Barn, West Littleton, Wiltshire, SN14 8JA dunsdonbarn.com

With joined-up thinking by three of Bath’s most-loved independent homes, interiors and exterior businesses, Dunsdon Barn is a destination showroom for Boniti, with its beautiful stone, porcelain and timber flooring products; the brilliant kitchen designs by Ben Argent – with working kitchen displays on show, and Coopers Home Appliances for a fabulous range of the highest quality stoves and range cookers –including AGA, Everhot, La Cornue and Lacanche. The showroom space has been completely re-imagined and all three businesses are well-known for offering the highest standards of customer service, care and can work together to provide excellent delivery and fitting by skilled craftspeople. Conveniently located just a few miles north of Bath near Dyrham Park and J18, and with free parking, Dunsdon Barn is the perfect place to start your next dream project.

TIMBERCRAFT

Clevedon Showroom: 21-25 Alexandra Road, BS21 7QH

Keynsham Showroom: 29 High Street, BS31 1DP timbercraft.co.uk

With more than 30 years of local experience Timbercraft creates bespoke kitchens, bedrooms and bathrooms that are both stylish and functional. Each design is carefully tailored to your individual taste, needs, and home layout. Whether you prefer a modern, minimalist kitchen or a classic, timeless design, the expert team will work with you from initial consultation to final installation. Their beautiful bathroom designs balance comfort, quality, and style, whether you’re after a luxury en-suite, a walk-in shower for accessibility, or a full family bathroom renovation.

Timbercraft fitted bedrooms can be designed with bespoke furniture, clever storage, and custom finishes to suit both large master bedrooms and smaller guest rooms. Visit the showrooms in Clevedon or Keynsham to discuss your project with the friendly and knowledgeable teams.

CHAUNCEYS TIMBER FLOORING

Visit the showroom at Unit 1, St Philips Trade Park, BS2 0YB 0117 971 3131 | chauncey.co.uk

Crafted in Bristol, Built to Last

Chaunceys Timber Flooring is a family-run business based in Bristol, supplying sustainable, high-quality wood flooring to homeowners and award-winning trade clients since 1988. Trusted by renovators across the UK, the team is known for exceptional service and outstanding quality.

Chaunceys supplies and installs premium engineered wood flooring, with every floor finished to order by the expert team in the heart of Bristol. From first ideas to final installation, they’ll work closely with you to find the perfect flooring for your space.

TABITHA TARLING GARDEN DESIGN

34 Fairfield Road, Montpelier, BS6 5JP 07811169636 | tabithatarling.co.uk

Tabitha is a highly experienced landscape designer with more than 20 years of designing and installing projects of all sizes, both in the UK and abroad. She offers a full garden design service, including design concept, construction management, planting and styling. She can also provide consultations, garden coaching and advice. Tabitha works collaboratively with clients, carefully listening to their needs, to ensure the end results are elegant as well as functional. She is keen to make sure her design solutions sit well within their surroundings, with beautiful, thoughtful planting schemes and a sympathetic use of materials, whether it be it a tiny courtyard, a roof terrace or a large family garden. She works with a select group of landscape contractors and specialists, so that the design process, from concept to completion, is smooth and seamless.

BEN ARGENT KITCHENS

Dunsdon Barn, West Littleton, Wiltshire, SN14 8JA 01225 892 270 | benargentkitchens.co.uk

Award-winning creators of beautiful bespoke kitchens. Ben Argent Kitchens is a local independent company run by Ben and Emi Argent, who have been designing and hand crafting timeless, sophisticated kitchens since 2011. Every design detail you see has been meticulously refined. Every function and material application has been imagined with the most in-depth level of consideration. And every kitchen has been installed with the highest level of precision and finesse. Their beautiful showroom is conveniently located near M4 J18 with plenty of free parking. Please contact them to arrange a viewing

GARDINER HASKINS

Brunel Rooms, 1 Straight Street, BS2 0FQ 0117 929 2288 | gardinerhaskins.co.uk

Gardiner Haskins Interiors has luxury interior showrooms that allow you to create your dream home. The knowledgeable and skilled team of design experts can help you design your own bespoke kitchen or bathroom with wraparound project management from start to finish and high-quality manufacturers such as Stoneham Kitchens, Roper Rhodes and Vanity Hall. You can also enhance your bedroom with beds on display from Harrison Spinks, Hypnos and Relyon alongside bedroom furniture from Ercol, Wiemann and Nolte Möbel. The latest addition to the showrooms is a stunning sofa & chair display featuring Parker Knoll and G Plan Upholstery. The team has over 40 years’ experience, so you can guarantee exceptional customer service. Open six days a week with a free customer car park and less than 10-minute walk from Cabot Circus.

PAUL WHITTAKER BATHROOMS

AND WETROOMS

Showroom by appointment at Bathroom Solutions, 54 Redcliff Street, BS1 6LS 0117 223 0086 | 07879666221 paulwhittakerbathrooms.co.uk

Paul Whittaker Bathrooms and Wetrooms is a design, supply and installation bathroom company with a huge reputation in the Bristol area. Working closely with his clients, Paul is able to deliver cleverly-designed bathrooms and wetrooms, expertly installed by his experienced team of fitters. With 3D design layouts to help with decision making and project management through the course of the works, Paul Whittaker makes bathroom renovations easy and stress-free.

Mushroom magic

Elly West explores the mysterious world of mushrooms, which are unlike anything else you’ll find in your garden

Tparticularly in autumn when a walk around the garden or through woodland will often reveal their squat domes, delicate parasols, or plate-like discs clinging to old wood.

These fascinating life forms are the basis for all life, essential to decomposition. Without fungi, plants wouldn’t grow and entire ecosystems would collapse. What’s more, there would be no wine, cheese, bread or penicillin, all of which use fungi in their making.

For centuries, it was thought that fungi were unusual plant forms, whereas now they are very much classed as their own distinct kingdom. While plants contain chlorophyll and produce their own food via photosynthesis, fungi get their nutrients by breaking down organic matter then absorbing it. In the same way that the fruits of a plant are just one part of a much larger structure, which includes roots, leaves and branches, likewise mushrooms are the fruits of the fungi, where spores are produced for reproduction. Unlike plants, fungi don’t need sunlight to grow, and the mushrooms that we see are a sign that there is a much larger living thing hard at work out of sight and away from daylight, whether under our lawn or in a rotting log.

The rapid growth of a mushroom can be likened to a balloon being inﬂated with water. While its structure takes more time to grow and form underground, once conditions are right, it will then ﬁll with water and expand, pushing above the ground and growing sometimes as quickly as half a centimetre per minute.

Fairytales and folklore

As a child, I loved a fairy ring. As an adult, not so much, given the damage that they can cause to our lawns. But there’s no denying there’s something almost magical about seeing the sudden appearance of a

outwards underground from a central point, sending root-like threads through the soil in a radial pattern.

Unfortunately, they can cause areas of dead or discoloured grass, by preventing water reaching the grass roots, although the nutrients released by the fungus can also result in areas of lush, fast-growing grass, particularly around the outside of the circle.

Unsurprisingly, fairy rings are the subject of folklore around the globe. In Britain and Ireland, they are generally seen as marking the places where fairies dance. However, step into the ring and join the dance, and you may well become bewitched and unable to leave.

Native Americans, on the other hand, thought the rings were caused by dancing bison, rather than fairies, while in Hawaii they are known as Menehune rings, after the legendary little people who build things in secret at night-time.

The ﬂy agaric mushroom – with its striking red cap and white spots –is another fungus that has long caught the imagination, probably because of its distinctive appearance, but also perhaps because of the toxins it contains that can cause hallucinogenic affects. It appears in fairy tales, on Christmas cards and even video games, and can be seen in woodlands throughout the country from late summer until the ﬁrst frosts of winter.

The good, the bad and the ugly

While most fungus in the garden is busy breaking down wood, leaves and organic waste, forming symbiotic relationships with plant roots and helping them to grow, not all fungus is welcome in our gardens.

Honey fungus spreads bootlace like rhizomorphs through the soil, and infects woody shrubs and trees, causing them to die. The most typical visible symptom is white fungal growth between the bark and the wood

of a dying tree, as well as clumps of honey-coloured mushrooms appearing on infected stumps in autumn. There’s no cure, but removal of old tree stumps and good garden hygiene helps, and there are also plants that are less susceptible to the fungus, including pittosporum, sarcococca, jasmine, hydrangea, daphne and ornamental grasses, so consider planting these in areas where it might be present.

The largest living organism on earth is a honey fungus in Oregon, thought to be thousands of years old, covering around 10 square kilometres and weighing up to 35,000 tons.

In the UK, mushrooms generally appear from late summer through autumn, especially after rain followed by mild weather. If you know your mushrooms, then it’s a great time for foraging, as there are many edible species that can be found on a country walk, including the ﬁeld mushroom and puffball.

However, if in any doubt, it’s probably safer to look but don’t touch – or take part in an organised foraging walk with an expert who can tell you what is safe and what isn’t. Steve England runs naturethemed walks, events and courses in Bristol, including wild food identiﬁcation and foraging walks. n

Visit steveengland.co.uk to ﬁnd out more. Or try goforaging.co.uk for foraging walks and courses taking place in and around Bristol this autumn.

Elly West is a professional garden designer, working in and around the Bristol area | ellyswellies.co.uk

Plant of the month: Giant puffball

Not technically a ‘plant’ as mentioned, but the giant puffball is probably the safest mushroom for novice foragers, as the only real look-a-like is a football when seen from a distance. I remember a certain excitement on country walks as a child if a puffball was ever found. It would be taken home and eaten (not by myself, as I’ve never liked any kind of mushrooms), but my mum would slice or cube it, then fry it in butter.

The fruit itself is up to around 30cm across with a smooth white, velvety surface. There isn’t a stem, although a fine root-like filament may connect it to the ground. Inside the flesh is pure white – any other colour and it shouldn’t be eaten as it means the spores are starting to form. Cooked puffball (I’m told) has a texture like tofu, and can be used much the same way in recipes, sauteed and added to pasta sauce, raw and cubed in salads, added to stir fries, or breaded and fried. The rind shouldn’t be eaten, only the flesh inside.

Look out for puffballs in grasslands, lawns, on commons and by roadsides and open woodland.

PROPERTY NEWS

DISCOVER THE LATEST NEWS FROM BRISTOL’S PROPERTY EXPERTS

Will I know I’ve found my perfect home? A Buyer’s Perspective

A

s a buying agent working with clients in finding their dream home – ‘will I know it’s the one’ is a very common question. Finding ‘the one’ is often a balance between instinct as well as practical and financial considerations. In working with buyers, below is a practical guide to balancing head and heart.

The ‘Must have’ and ‘Like to have’ lists

Before starting out on the house hunt, I always encourage buyers to sit down and compose their ‘must have’ and ‘like to have’ lists. As a buyer, it’s also worthwhile thinking about the way in which you live now, and what parts of this lifestyle you are keen to ensure still exist in your new home. If buying with a partner or family, early on you should explore the key requirements for everyone involved.

But is it how we live

We are all guilty of walking into an immaculate property and falling in love with the interiors, or sense of how the owner must live – almost at times dreaming of another lifestyle. It’s key to get past this and really ask yourself how you would live in the property and whether it works for you. Be realistic as to who you are; convincing yourself on a house with little storage, for example, that you will cull your possessions and live a clutter free life may not be realistic. Also think of your current possessions and whether the house you have fallen for is largely due to their décor and artwork.

Does it need work

Often buyers fall for what a property ‘could be’. Whilst there is always the benefit of being flexible and open minded as to how you can make a space work for you and your needs, it’s also important to be realistic about what is required to make a property work for you, and the potential financial and practical implications, particularly in relation to Listed properties and/or those in conservation areas.

Where a property does need work, I’d always recommend as much due diligence as to the feasibility, and cost, of doing work to a property before putting in an offer. It’s far better early on to realise ‘the one’ actually can’t be achieved before getting too invested in it emotionally and financially. Compromise and that gut feel

Whatever the budget, the vast majority of happy buyers who have found their dream home will invariably have had an element of compromise. I often experience buyers who have dismissed a property because the garden isn’t quite big enough yet go on to buy their perfect home with a smaller garden purely because they had that ‘gut’ feeling and everything else stacked up.

The gut feel counts for a lot and should always be fully explored. A second viewing is always key to really explore this gut feel and blend it with the practical considerations.

Don’t get desperate

Finding that perfect home can feel demoralising, with buyers often feeling ‘it’s just not out there’. With seasonal market fluctuations in stock levels, and possibly a buyer’s own deadline to find for personal reasons, there is the risk of forcing a property to be ‘the one’. This is where I’d always recommend taking a step back and reviewing the ‘must have’ list. Whilst there will always be an element of compromise, if as a buyer you are moving so far away from your ‘must have’ list the risk is you will get cold feet later on. The focus will then be on trying to find a reason to pull out such as an issue in the survey, at which stage you are emotionally and financially invested in a purchase, with the added sense of personal obligation to the seller.

Finally, be open minded. Finding the right home is a journey, during which your priorities may change and element of compromise kick in. Be open minded to the fact a house you viewed early on and discounted, with time and insight into your needs that is gleamed from viewing other properties, may in fact be ‘the one’.

Whatever stage you are at in the search for your new home, I’d love to chat.

Lili Oliver

Oliver Roth Property Consultants T: 0117 9877 828 | E: home@oliverroth.co.uk

TO LET — QUEEN SQUARE, BS1

Looking for a beautifully refurbished office that combines historic charm with modern amenities?

49 & 50 Queen Square, Bristol

49 & 50 Queen Square offer self contained Georgian office buildings located in the heart of the city’s finest business district with allocated car parking spaces directly on Queen Square.

With top-tier features like advanced air conditioning, Cat 6 wiring, secure bike storage, and luxury breakout areas, it’s designed for businesses that value comfort and functionality.

49 Queen Square — 2,283 sq ft + 2 car parking spaces

50 Queen Square — 1,909 sq ft + 3 car parking spaces

Energy Performance Certificate Rating of B

New leases available on flexible and competitive terms.

Under a 20 minute walk from Bristol Temple Meads Railway Station.

Further information can be obtained via the sole agent Burston Cook 0117 9349977

finola@burstoncook.co.uk

FREEHOLD FOR SALE — SUITABLE FOR OCCUPATION / INVESTMENT

Hyland Mews, 21 High Street, Clifton, Bristol, BS8

A rare opportunity to acquire a mixed-use freehold in one of Bristol’s most desirable districts

WORK: A beautifully presented, self-contained studio office spread across two floors (1,646 sq ft) with open-plan space, meeting rooms, kitchenette and WCs — ready to move straight in.

LIVE: A bright and spacious two-bedroom flat, ideal for owner-occupation, rental income, or short-stay opportunities.

PARK: Forecourt parking for up to 5 cars — a premium in Clifton!

WHY CLIFTON? Moments from the Durdham Downs and vibrant Whiteladies Road, this address offers the very best of Bristol — leafy streets, independent cafés, buzzing bars, and excellent connectivity to the city centre and beyond.

*FREEHOLD FOR SALE*

Further information can be obtained via the sole agent Burston Cook 0117 9349977

finola@burstoncook.co.uk

An exquisite fully refurbished home in Bristol’s historic Berkeley Square with its own secure parking (5 cars) and garden occupying an elevated position with beautiful views over the Berkeley Square gardens to the front and Cabot Tower to the rear.

3 Berkeley Square totals c4,500 sq ft and has been converted to a very high standard providing 7 ensuite bedrooms plus a self contained basement currently fitted to a high standard as treatment rooms but would suit a self contained flat (STP).

Currently producing a gross income of approximately £189k pax with potential to increase the income to approximately £260k

BRISTOL & CLIFTON’S PREMIER COMMERCIAL PROPERTY AGENTS

Keep up-to-date with our latest news, deals, testimonials and market comment at our website: www.burstoncook.co.uk

Hampton Road, BS6 TO LET – POA

5,382 sq ft (500 sq m)

Located at ground floor level the property has potential to suit a variety of different occupiers. E Class use - therefore suitable for a wide range of different uses. Could be split to offer two individual commercial units.

Whiteladies Road, BS8 TO LET - POA

1,500 – 9,000 sq ft (139 – 839 sq m)

Two substantial semi detached period buildings interconnecting on each floor. Currently as offices, the property readily suits other employment uses such as consulting rooms, post production facilities, day nursery, medical uses etc.

King Square, BS1 TO LET - POA

5,910 sq ft (549 sq m)

Substantial education building available to lease, with potential to suit other employment uses, such as offices, medical, leisure etc (STP). Consideration would be given to a floor by floor letting from 1,600 sq ft +. New lease available.

Sydenham Lane, BS6 FOR SALE (MAY LET) – POA

1,980 sq ft (183.98 sq m)

A garage / vehicle workshop located adjacent to Cheltenham Road and local amenities within the Stokes Croft area. The property could suit other commercial / employment uses (STP).

St Johns House, BS1 FOR SALE – £150,000 618 sq ft (57.41 sq m)

An opportunity to purchase a ground floor, self contained commercial unit located a few minutes walk from Corn Street. Offered as a ‘shell’ to allow an occupier to put their own stamp on the property.

Queen Charlotte Street, BS1 TO LET – POA

667 – 2,556 sq ft (61.96 –237.45 sq m)

A fine example of a period property that has been refurbished to the highest standard providing high quality accommodation. Available to rent as a whole, or consideration may be given to a floor by floor letting.

Newlands Farm, BS16 TO LET - £44,300 PAX

2,685 sq ft (249.41 sq m)

A two storey former farmhouse converted into offices and refurbished to a high standard, located adjacent to the Bristol & Bath Science Park and the Bristol Ring Road (A4174).

St Mary’s Way, BS35 TO LET – £16,000 PAX

1,186 sq ft (110.23 sq m)

An exciting opportunity for a ground and first floor unit at The St Mary’s Centre in Thornbury. Situated under the busy covered passageway. Ample customer and staff parking on site.

Horseshoe Lane, BS35 TO LET – £17,500 PAX

1,032 sq ft (95.87sq m)

A bright and airy ground floor commercial unit with glazed frontage at St Mary’s Shopping Centre in Thornbury. New lease.

Unity Street, Bristol, BS1 FOR SALE (MAY LET) – POA, 362 –2,750 sq ft (33.60 – 255.5 sq m)

A self contained building off Park Street. Potential for development /investment/owner occupation. Suitable for a varietyof different uses - office, medical,or residential (to include a single dwelling house, flats or a non student HMO).

Tom Coyte

Abbots Leigh, Bristol | Guide Price £2,500,000

An exceptional architect designed family home in a little under 6 acres of gardens and grounds; with 6 double bedrooms, 4 bathrooms, a suite of versatile reception rooms and abundance of parking.

Stunning 4100 sq. ft architect designed family home | Fabulous natural light and easy flow from inside out into the gardens | Light-filled doubleheight atrium with a climbing wall and open reception space | Superb living accommodation with wrap-around sitting room, dining room and family kitchen | Study, separate games room and a gym | Six double bedrooms, four bathrooms (two en-suite) and two cloakrooms | Fitted boot room and a separate utility & plant room | Landscaped gardens, grounds and an adjoining field in all circa 6 acres | Private drive and expanse of parking | Ground mounted solar panels helping towards the annual electricity costs | EPC: D

In all circa 4117 sq. ft (383 sq. m)