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Gut Girls carves up success
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B y L o r i F irem a n _________________________________
Possibility o f moves to pri vatise McGill university. Page 5
Love darts and promissory notes. Page 10
Exclusive interview with writer Michelangelo Signorile. Plus, the special Valentine’s issue. Page 10
Entertainment Hearts and stars made out o f Carbone 14, and whole lotta love. Page 16
Redmen Basketball playoffs, hopes fading fast. Page 20
Colum nists David Bushnell.............Page 9 Susan P eters.....................Page7 Cornell W right.............Page 7
D epartm ents Crossword........................ Page9 Observer............................ Page9 W hat’s O n .................. Page 23
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At McGill, an odd play will occasionally come along to bravely challenge the reputation of student drama; professional, poignant and inspired, it dares us to re-examine our precon ceptions about amateur theatre. Gut Girls is such a play. Brilliantly acted, with impressively creative direction, Gut Girls establishes itself from beginning to end as a play worth watching. Set in late-Victorian Deptford, the play chronicles the lives of five very different young women, each struggling for independence, security and happiness in a town where “the only thing worse than being a gut girl is being a whore.” As they work diligently in the abattoir, the girls amuse themselves with ribald songs, off-colour jokes and lewd, honest discussions about sex, sausage skins and the rights o f women. Sarah Daniels’ script is refreshingly honest, allowing us to understand and appreci ate the complexities of these rough and ready outcasts. Ellen (Elizabeth Logue) is the idealist, for ever espousing her theories on equality, unions, and the oppression o f women. Maggie (Jill Sweetin) is the stubborn one, too proud to settle for being som eone’s w ife. Annie (Lucinda D avis) is the fallen woman. K ate (K elly Patterson) is the realist. Though sharp-tongued, she is fiercely loyal to her friends and practical about her station in life. Finally, Polly (Genesee Keevil) is the saucy one — a genuine free spirit impossible to dislike. It is difficult to imagine that McGill stu dents could effectively portray such boisterous, poverty-stricken Englishw om en, yet, after three weeks, these five actresses have literally transformed themselves. Of particular note are Sweetin and Keevil, whose authentic cockney accents and stirring performances almost made me forget the stifling, hot atmosphere of Moyse Hall. As involving as these women are on their own, the heart o f the story emerges as the women are visited by Lady Helena (the always amazing Jessi Baden). A self-righteous dogooder, she adopts the women as her latest charity ca se, attem pting to make them respectable enough to one day aspire to become (g asp !) head maid. It is here that Steven L ecky’ s direction shines, cleverly using the song “Three Little Maids” as the women are pushed and prodded into their uniforms and Lady Helena tonelessly chants the rules of socially appropriate behaviour. This biting social commentary is effective when it focuses on the changes the young
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McGill students assem ble to dem onstrate against cuts to the CHST
Students unite in pan-Canadian demonstration B y M elissa R adler _________________________________
On February 7, thousands of students partici pated in Canada’s Day of Action, demonstrating their support for social programs. Across the nation, students have sought alternatives to the federal government’s proposed $7 billion cuts to the Canadian Health and Social Transfer, which includes funding to post-secondary education. Nationally, the demonstration was commend ed for its organised and unified message. In Montreal, an estimated 3,500 to 4,500 marchers, from 25 schools, turned out for the march. Despite some disunity among organisers and participants, the demonstration was considered a success. McGill students assembled at the Roddick Gates and joined other Montreal students in a march that began at Concordia and proceeded eastward along René Levesque to UQAM. Students expressed concern that cuts to pro grams such as post-secondary education may result in tuition increases, spelling an end to their education. “W e’re dealing with a form of tyranny in which knowledge is power,” said Faizal Forrester, a McGill graduate student. “Only kids from certain income brackets have access to education.” W ill Richards, a student at UQAM, denounced Canada’s policy makers as a “genera tion of hypocrites.”
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“When [members of government] were going to school, education was $500 per year, and they’re the ones that want to make the cuts,” said Richards. In addition, separatists have argued that the proposed cuts have further endorsed the need for an independent Quebec. “If we are sovereign, we won’t have their problems. We’re paying for people in Ottawa in government, instead of supporting education,” said Dominique Langière, a student at CEGEP St. Laurent. While marchers chanted slogans about the solidarity o f the student voice, minor scuffles between students broke out on the comer of René Levesque and St. Urbain. “Any disorganisation on the day of the march I blame on FEUQ [La Fédération des étudiant(e)s Universitaires du Québec] supporters who pur posely came to disrupt the march,” stated Melanie Newton, political co-ordinator o f the Black Students’ Network. Last year, SSMU ended its membership in FEUQ in response to the organisation’s publicly pro-sovereigntist position. Newton further commented on FEU Q ’ s alleged role in prohibiting certain speakers from reaching the podium at UQAM. She stated that the planned female and MDE [Le mouvement pour le droit à l’éducation] speakers were barred from pre-
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