AMIR_PORTFOLIO 2025

Amir Safwan Mahayudin

Architectural Portfolio

Content Work Experience Architectural Studies

2025

Manchester amir.mahayudin@gmail.com +44 7810 675926

Instagram: @ tinygallery Behance: Maysaf Architecture Issuu: amirsafwanarchitecture

E x p eri enc e d work ing in cre at i ve indus tri e s and current l y indulging mys e l f into arc hite c tural illus trat ions and grap hic s to have a thorough und er s tanding o f arc hite c ture from another p er s p e c t i ve s . W ith the s k ills and k nowl e dg e at taine d , I as p ire d to ex pand my ex p eri enc e s into d e tail e d s p e c ialis at ion in re al - li fe prac t ic e .

AM I R SA FWA N M an c h e s te r amir. mahay udin@ gmail . c om + 4 4 7 81 0 6 75 9 2 6

e x p e ri e n c e s .

2019 - 2021

Fre e lanc e D e s igner Par t I

d e s i g n p ro j e c t s .

D e s ign T he s is

Adap tive R eus e

Danc e has b e c ome one o f the main but exc ep t ionall y ex p ens i ve intere s t for the p e op l e to indulg e in . A s a d e s igner and als o a p er s on who is pas s ionate in danc ing , I did a re s e arc h on how to intergrate dail y bas is rout ine with danc e and arc hite c ture, “ D a n c e B o d y a n d A r c h i t e c t u r e ”.

B u r n l e y Yo u t h S k i l l s h a r i n g H u b is c re ate d due to lac k o f cre at i ve c entre s in B urnl ey for the young g enerat ion to ex pre s s thems e l ve s and e s c alate the ir qualit y o f li fe . Various ar ts s p e c ialis at ion will b e inje c te d into the pro gramme o f the re furb is he d building through the lo c al ex p er ts .

i nvo l ve m e nt s a n d vo l u nte e ri n g .

sk i l ls .

2019

H i g h [3 - 5 Ye ar s]

D e s aminda Jaya S dn B hd

Invo l ve d from s tag e 0 to 3 (R I BA e qui val ent) R e s i d e n t i a l - R e n ova t i o n - I n t e r i o r M e e t ing c li ents for proje c t dis cus s ion and als o prepare pre s entat ions and v isuals for i Wnterior d e s ign proje c ts . U t ilis ing S ke tc hU p and Vray

N YA L A 31s t A rc hite c tural Works hop

Inf ras truc ture Univer sit y Kuala Lumpur, Malaysia O ne o f the H e ad Per formanc e Te am Prepare and d e s ign movements for p er formanc e te am for c los ing Per formanc e N ight and Flas hmob

2019 - 2020

Interior D e s igner and S ale s Niro C eramic (M) S dn B hd

E arl y p has e d e s ign inc luding building materialit y Commercial - Residential - Interior - Material T hrough my s k ills in V is o f t , prov iding the ne e ds o f s pat ial arrang ement for the c li ents is the main key pros p e c t for the prac t ic e .

Indus trial Prac tic e Par t I

N euformation A rchite c t s S dn B hd Invo l ve d from s tag e 3 to 5 (R I BA e qui val ent) Commercial - Industrial - Residential Prepare the Te c hnic al D e tail e d drawings by us ing Auto CA D and authorit i e s c onsultat ion for e ight (8) proje c ts invo l ve d .

e d u c ati o n.

2021 - 2023

M anc he s ter S c ho ol of A rc hite c ture - T he Univer s it y O f M anc he s ter.

Unite d K ing d om Mas ter of A rchite c ture R IBA II

G raduate d with D is t inc t ion O ne o f the H e ad o f M anc he s ter S c ho ol o f A rc hite c ture L i ve (M S A L I V E) G roup 8 with R yebank Fi e lds Volunte ering Proje c t 2015 - 2019

M A R A Te c hnolo g y Univer s it y Punc ak A lam , M alays ia B achelor of S cienc e (H ons) of A rchite c ture R IBA I

G raduate d with Fir s t Clas s H onour, 7 C ons e cut i ve D e an’s L is t Awards 2 0 1 3 - 2 0 14

M A R A Junior S c ienc e C olle g e Parit , M alays ia T he Malaysian C er tif ic ate of Educ ation

G raduate d with S e c ond Clas s - U pp er

Adob e In D e s ign M ic ros o f t O f fic e Auto d e s k Auto CA D S ke tc hU p V is o f t

2016 - 2018

Auto d e s k S ke tc hb o ok

A malF S PU

MAR A Te chnolo gy Univer sit y, Malaysia H e ad o f Fundrais ing Te am G athering id e as on c rowd fund from pub lic through c re at i ve ac t i v it i e s; bus k ing , vendor s and c harit i e s

2018

Adob e Photos hop

I nte rm e d i ate [<3 Ye ar s] A rc hi CA D Adob e Illus trator L umion V R ay

2016

M e s tik a F S PU

MAR A Te chnolo gy Univer sit y, Malaysia

B e g inn e r [<1 Ye ar] Auto d e s k R ev it R hino

Tre asurer Adminis trate and manag e the financ ial ex p ens e s throughout annual ac t i v it i e s and p er formanc e s 2016

M AT R A 2 8 th A rc hite c tural Works hop Univer sit y S cienc e Malaysia , Malaysia

la n g u a g e .

O ne o f the H e ad Per formanc e Te am

M al ay N a t i ve/ F l u e n t

D e s igning c hore o grap hi e s and bac kdrops for p er formanc e s for annual arc hite c tural fe s t i vals

E n gli s h Fluent

i nte re st s .

Per format i ve A r ts G ard ening D igital D e s ign E x p loring N ature F o o d and Culinar y Trave lling

re fe re n c e s . *availab l e up on re que s ts

ta b l e o f c o nte nt .

A

2023

“dancing as a the new language” Public Space Design.

Design Thesis: Does designing specific public spaces dictating the public movement and unintentionally rejects the freedom of movement?

MArch Year 2 Design Thesis

2021

B

2022

C

A Post-Capitalist Anarcho-Arts “Co”lony

“creative transcations” Burnley Youth Skill-sharing Hub.

Can co-housed living & creating enrich the lives of ethnic minority youths [18-25] trying to find their position in the society?

How can we help the “levelling up” strategy in creating a sense of belongings for the community without the capitalists’ transcations?

MArch Year 1 Professional Studies 2

MArch Year 1 Professional Studies 1

2021

Modern House Full Renovation.

Freelance Interior Design maysafarchitecture Malaysia Work Experience #1

2020

“family Area” House Renovation.

Freelance Interior Designer maysafarchitecture Malaysia Work Experience #3

2019

“landmark” Kuantan City.

Industrial Training Neuformation Architects Sdn Bhd Malaysia Work Experience #5

D

E

2020

“new pantry” House Renovation.

F

G

Interior Sales Designer Niro Ceramic [M] Sdn Bhd Malaysia Work Experience #2

2020

“simplicity and elegant” Retreat House.

H

Interior Sales Designer Niro Ceramic [M] Sdn Bhd Malaysia Work Experience #4

A

DESIGN THESIS: DANCE BODY & ARCHITECTURE

“Dancing as a the new language” Public Space Design.

MANCHESTER SCHOOL OF ARCHITECTURE [MSA] | 2023

Market Street Follies

The Heart of Piccadilly Gardens Debenhams Tram Station

Studio Tutors

Type Site Software

: Commercial and Public Facilities : Stefan White : Mark Hammond : Samuel Holden : Commercial and Public Facilities : Manchester Piccadilly Gardens, UK : Autodesk Sketchbook, AutoCAD, Adobe Photoshop Piccadilly Gardens Bus Station

The masterplan concludes all the interventions of public realm in Manchester city. It is the ultimate place to realise your sense of self, to bring back the sense of belonging and freedom. The spaces are interconnected and derived thoroughly on the movement of public-dancers. Journey into the interventions of public daily routines provide difference experiences for the end users of these spaces.

Research Question:

Piccadilly Gardens Tram Station

Does designing specific public spaces dictating the public movement and unintentionally rejects the freedom of movement?

: New Proposal | Manchester Piccadilly Gardens

Methodology: Key of Dynamism in Dance

: Dance | Key of Dynamism

From the website, www.movedancelearn.com , the dynamism in dance has been define into 6 (six) types of movement which are; sustained, percussive, swinging, suspended, collapsed and vibratory. These kinds of techniques are practiced by all dancers in expressing or portraying messages and emotions explicitly. With the understanding of the musics itself, helps to evoke an individual emotions and eventually explicates and derives it into a dance routine.

Melt gradually all the way to the floor until finishing in a streched shape

Rise to relevant or acute: On both feet and allow arms to follow: Find a point of balance, balance on one foot

Begin with a soft beating of the feet on the floor and allow the vibration to move up through the body like a volcano until it erupts out through the fingers

Rise to relevant or acute: On both feet and allow arms to follow: Find a point of balance, balance on one foot

Rise quickly and begin a rhythmic step - clap stamp phrase

Swing a leg up collapse the body over it, repeat alternating legs

Freedom; materials, levels and forms.

Rather than relying on advanced materials and bold technologies, the new proposal embraces the principles of Degrowth, utilizing existing materials to sustainably shape the public space. This thoughtful approach emphasizes resourcefulness while ensuring the design remains deeply rooted in its environment. The main structures, inspired by the rhythmic movement of dancers, will embody fluidity and grace, celebrating the creative spirit of Manchester’s people and transforming the space into a living expression of their artistic identity.

Synthesis: Re-Thinking The Existing Context

3 RHYTHM OF A DANCE MOVEMENT

1 RHYTHM OF THE PUBLIC MOVEMENT ON SITE In this process, different demographics identified in the selected site to initiate the movement observation.

end user,

Manchester Piccadilly Gardens

Public-Dancers

Piccadilly Tram Station

Children

Piccadilly Bus Station

Adult Elderly

These people uses the public spaces in daily basis as a checkpoint to their school, work and leisure but it has been neglected since the useless installations made by the council disturbs the existing circulations.

This design draws inspiration from the graceful movements of ballet, carefully traced from a local dancer’s performance. The rhythmic flow and fundamental motions were distilled and harmonized into a central focal point, forming the basis for intricate patterns that inform the structural frameworks on-site.

This approach seamlessly merges artistry and architecture, bringing the elegance of dance into the fabric of the built environment. resembles a dance movement that has derived into structures for a public ream facilities

sketches; ideas and derivation

2 RHYTHM OF THE PUBLIC MOVEMENT ON SITE Percussive

Swinging

Building upon the existing circulations and the potential pathways inspired by varying interests and attractions, six primary axes were identified radiating from the heart of Manchester Piccadilly Gardens. These axes serve as the foundation for a dynamic design, which was further developed through the lens of dance choreography. Just as a dancer moves with purpose and flow, the axes guide movement and interaction through the space, transforming the garden into a rhythmic, choreographed environment that invites exploration and engagement.

Sustained

multipurpose seatings platforms for any performative activism

illustrates the movement of dancers side by side to enhance the harmony of diversity

Collapsed

Suspended

Vibratory

These patterns were derived from the existing layout of Manchester Piccadilly Gardens to thoroughly understand its architectural language through the lens of Keys of Dynamism in dance.

Patterns then iterated aligned with the existing axis of circulation of the public on site to create a new layout and provide adequate spaces for performative activism.

levels and connections incorporated into design inspired by the dynamics of dance choreographies

Market Street Follies

Piccadilly Gardens Bus Station

Debenhams Tram Station

The Heart of Piccadilly Gardens

4

1. Heart of the Piccadilly Gardens

1 3

2 1

4 3

2

PICCADILLY GARDENS INSTALLATIONS

DANCING FOLLIE

Water Feature

GARDENS

The Big Stage

INSTALLATION 1 The installation functions as a place where people gather, be creative and performing arts.

MARKET PLACE

INSTALLATION 3 Timber and cocrete blocks will be used as Marketplace to help the economy of public users

INSTALLATION 2 These structures help provides pocket spaces for public to rest, read, eat and play in the garden

'HANGING' SPACES THE GARDENS

1| Heart of Piccadilly Gardens - Water Feature

Synthesis; ideas on current issues.

Liberation; affordances of spaces.

The current state of Manchester Piccadilly Gardens, marked by safety concerns, antisocial behaviors, and inadequate facilities, has spurred a bold vision for its transformation, prioritizing the functional and social potential of public spaces. This thesis reimagines the area through the lens of dance as a dynamic language for designing public amenities, introducing transformative changes to enrich the experience of its diverse users and reinvigorate the urban fabric.

These thoughtfully designed amenities foster recreation, communal activities, and relaxation, creating an inviting space for people from all walks of life. Inspired by the artistry of dance, the design incorporates inventive footprints, textured patterns, and materials embedded in the ground, serving as an accessible starting point for those curious about the performative arts. This approach offers a unique opportunity for aspiring dancers, especially those who lack access to formal classes, to explore and cultivate their passion within a welcoming public setting.

“connectivity + creativity” Located at the core of Manchester City Centre, Piccadilly Gardens holds untapped potential to evolve into a landmark of cultural and social vitality. Currently serving as little more than a transit corridor and a seasonal marketplace, the proposed design envisions a transformative space that integrates architectural and programmatic elements to host mini concerts, gigs, immersive light installations, and platforms for small businesses. This reimagined urban framework aspires to cultivate a dynamic, multifunctional environment, fostering connections across diverse communities and redefining the gardens as a cornerstone of Manchester’s public realm.

Instead of building a formal stage, dictating the public’s movement, using Aldo Van Eyck’s method of creating properties in public spaces will help the users to determine on how the object could possibly be utilised.

Any performative activism such as dancing, busking, martial arts and even daily basis activities could possibbly be conducted in the public spaces as the properties designed to provide freedom of movement.

2| Piccadilly Gardens Bus Station

3| Tram Station

Layers of Activities; Diverse Public Movement.

New layers of public spaces were added to the station which creates high street where people can express themselves in any performative activism without disturbing the existing circulations of the streets. Giving access to the disabled people is one of the most prominent aspects in order to create an inclusive environment of public spaces The original layout will be maintained as it does serve the function of a waiting area. Integration between greenery and leisure areas consolidate the definition of public realm design. The design of the seatings are incorporated into the landscape design and the process is most parallel to each other.

Future Development The escalated platforms will be developed to all Tram stations to make it accessible for diverse public from all parts of Manchester. The public can fully utilise it not just in the day, but for night activities as well. This idea is convenient for people who take tram in their daily routine.

Expressing themselves before and after work will help their physical and mental health thus creating an inclusive environment in those public spaces.

“We walk in the city or in our neighbourhoods almost every day, but we are also almost always walking with an objective and or a destination in mind. We walk to work, to the train, to our cars, to the park, to meet a friend, to walk our dog and for exercise...”

- DERIVE: The Art of Getting Lost

4

Ground level

Uppermost level

Ingress; Ramp and Stairs

Seatings and Greenery

The original layout of the tram station will be maintained as it does serve the function of a waiting area

The upper levels of the station will provide more spaces for any performative activism where the public can utilise it as their gathering spaces

Giving access to the disabled people is one of the most prominent aspects in order to create an inclusive environment of public spaces

Integration between greenery and leisure areas consolidate the definition of public realm design. The design of the seatings are incorporated into the landscape design and the process is most parallel to each other

5

3

Easy-Access; Diverse Public Movement.

2 1

The idea started with re-thinking of some circulations through the cities based on the axis of the existing public's movement and subsequently added more potential circulations for the diverse public to observe and experience the new spaces with different perspectives. This will also improves their wayfinding in navigating themselves to aa certain spots in the area regardless of any disabilities of each person.

Injecting Diverse Programme

LEGENDS:

Through intersections of public's movement on site, programme were then injected to the overlapping circulations to create inclusivity through accessibility. Programme will be various depends on each individual interest and interpretation of space.

1 2 3 4 5

The Facades; Ballerina Movements Ground Floor First Floor Second Floor Potential Circulations

4| Market Street Follies

The in-between spaces; communal facilities.

Market Street Follies

FOLLIE 3

Mini vertical gardens accommodated in the follies help to calm the busy circulations

The seatings and stairs provide more spaces for the to freely perform their talents on it

FOLLIE 2

Dancing Walkway

FOLLIE 1

Staggered platforms in the follie can facilitates different types of performances on the street

The section for the communal space; the children play areas provide spaces for families to have their leisure The section for the communal space; the seatings, tables and a platform for any performative activism

B

PROFESSIONAL STUDIES 2: SOCIAL HOUSING

A Post-Capitalist Anarcho-Arts “Co”lony

Studio Tutors

Type Site Software

: &rchitecture : Joe Dempsey : Jamie Ashmore : Emma Haward : Residential and Public Facilities : Woodtop School Burnley, UK : SketchUp, AutoCAD, Adobe Illustrator, Adobe Photoshop, Autodesk Sketchbook

This project is a rumination on the marginalisation of young BAME people affected by our complex systems of living.

This co-housing scheme has optimised arts as a medium for co-living. We hope this project serves as anti-thesis to our existing hyper-capitilised systems of working and living, and as a symbol that alternative methods can be developed in response to heightening racial dispossession.

Research Question: Can co-housed living & creating enrich the lives of ethnic minority youths [18-25] trying to find their position in the society?

Methodology: Demographic Study: Decentralise Burnley This proposed co-housing scheme is situated within the conceptual framing’s of Group 03s ANDPLAN from PS1 [MArch Year 1]. The ANDPLAN is a theoretical framework and antithesis to government ‘Levelling Up’ policies.

Through using an atelier wide precedent of ‘Take Back the Economy’ (Gibson-Graham, Cameron, Healy, 2013) and direct conversations with diverse economic performers within Burnley, the new masterplan of Burnley called for equal distribution.

As a precursor to the manifesto outlined in PS1, Burnley is centralised - dominated by large capitalist enterprises.

This top-down economic centrality trickles down to a community level, where cohesion is not optimised as production, formal, informal, infrastructural and urban opportunities are neglected. “DECENTRALISE BURNLEY” as a manifesto is realised. This allows for new spaces for informal gathering, creating, eating and growing are equally distributed through urban voids within the city. Locals of Burnley engage in the spaces of the “DECENTRALISE BURNLEY” such as Site A and Site C, learning creative skills of creation and workshopping. But what next? These locals are fuelled with knowledge and skills to take on the world with a fresh, anarchic perspective. They look around and see centralised businesses who go against the ethics they have developed during “DECENTRALISE BURNLEY”.

How can they live closely to one another, work in proximity, and foster their creative tendencies in a way that does not jeopardise their values?

MANCHESTER SCHOOL OF ARCHITECTURE [MSA] | 2023

how does the old school turned into social housing?

A number of iteration has been made throughout the process of analysing and synthesising the site into a social housing for BAME youth. Precedent studies were then taken into consideration of design inspiration in the early stage of visualising the new proposal.

EXPLODED MASSING ON SITE INTER-RELATIONSHIPS BETWEEN MASSES

CONNECTIONS + CIRCULATION

Iteration 1: Unite d’Habitation

UNIT TYPE B

Unite D’Habitation is an extremely high density project by Corbusier in Marseille, France. It consists of maisonettes around a gallery circulation system: revolving around the modernist notion of ‘streets in the sky’. The parallel block typology has been largely influential in dense housing design.

The above ground circulation matrix serves as not only a functional space to connect users to their dwellings but also a multifunctional space for the “Omega” themes of the project to be carried through. The outdoor system contains a distribution of external staircases and lift shafts to allow for an ease of access across the structure.

UNIT TYPE A Iteration 2: Stitch Cooperative *selected

STITCH is a cooperative revolving around the users passion for music. The clients retreat to the site to embrace creativity.

The simple structure with the embrace of landscaping allows for a clean, communal and open ambiance for the artists to explore their profession in peace.

UNIT TYPE A

Iteration 3: Ilchester Road

UNIT TYPE C

UNIT TYPE B

ALLOWS FOR EXPANSION OF COHOUSING

GUEST HOUSING Ilchester Road is a series of terraced dwellings with one bedroom. They are inspired by the British cottage aesthetic. and exist around a pedestrianised corridor. The infill site meant spatial constraints for the masterplanning of the dwellings, though the constraints allowed a friendly proximity between units.

CONNECTIONS BETWEEN TYPOLOGIES LIGHTWEIGHT EXTERNAL STRUCTURE

UNIT TYPE C

Re-instating a safe space for youth to express themselves.

EN.

GRE E L T R

REET. TT ST

BA

REET. TT ST

BA

BURDE

BURDE

EN.

GRE E L T R

05

04

11

09

03

10 COG

COG LANE

LANE

.

.

02

05 04

07

08 08 LEGEND: 1. Public Gallery 2. Communal Canteen 3. Public WC 4. Communal Laundrette 5. Communal Kitchen 6. Open Studio 7. Open Studio 8. Guest Housing 9. Allotments / Vegetable Beds 10. Multifunctional Space 11. Mural Place

GROUND FLOOR PLAN 1:200 @ A2 (RESCALED FOR PORTFOLIO)

06

02

06

03

LEGEND: 1. First Floor Guest Housing 2. Outdoor Communal Spaces 3. External Stairwell 4. External Stairwell to Bell Tower 5. Bell Tower 6. Multifunctional Crafts Workshop

01

01

AD.

AD.

RO N O T G IN

RO N O T G IN

ACCR

ACCR

FIRST FLOOR PLAN 1:200 @ A2 (RESCALED FOR PORTFOLIO)

SHARING MAKING GROWING WIDER COMMUNITY The sectional perspective drawing captures all of the “Omega” activities occuring acorss the site for both the residents and the wider community. The residents share their space, and ownership of their housing units whilst still being able to make and grow produce. The space is open to be used by the wider community through markets and arts events.

ENTERING “CO”LONY

IS THAT SERENA PAINTING?

ARTISTS & THEIR MORNING YOGA CLASS

A MULTIFUNCTIONAL ARTS “CO”LONY

A glimpse into a dense urban living space whereby the residents collaborate together over arts, growing and their commons. Their colony is a safe space where they are able to bond and meet people who have faced similar economic, class and race marginalisation as them.

Richard takes a glance into the communal courtyard over his morning coffee to see if his friend Serena is painting on the outdoor murals. He spots her! He will just take his last sip and join her for breakfast in the communal kitchen.

Artists, residents, guest residents and members of the wider community are invited on a Saturday morning to take part in a Yoga class.

The raised structure on site can be used by all to take care of their well-being.

The circulatory raised timber grid structure on site serves as a multifunctional space for both ease of access between residents, as well as a space to be occupied by the “CO” activities developed from the brief - including creatively working; collaborating; growing; and distributing to the wider community. The image above is an exploration of the structure in full use, with the artist residents making full use of the space for collaborative workshops for exhibition and design.

C

PROFESSIONAL STUDIES 2: SOCIAL HOUSING

MANCHESTER SCHOOL OF ARCHITECTURE [MSA] | 2023

“creative transcations” Burnley Youth Skill-sharing Hub.

Studio Tutors

Type Site Software

: &rchitecture : Joe Dempsey : Jamie Ashmore : Emma Haward : Commercial and Public Facilities : Burnley Empire Theatre, UK : Revit, SketchUp, AutoCAD, Adobe Illustrator, Adobe Photoshop, Autodesk Sketchbook

In order to overcome the current pandemic, The Skillsharing Hub will serve as a centre where the experts engage with the local youth of Burnley in the progression of their quality of life thus the economic growth of Burnley. Through this hub, youth will attain various prominent knowledge inclusively in creative arts.

Research Question: How can we help the “levelling up” strategy in creating a sense of belongings for the community without the capitalists’ transcations?

Methodology: Levelling Out: Decentralise Burnley This proposed co-housing scheme is situated within the conceptual framing’s of Group 03s ANDPLAN from PS1 [MArch Year 1]. The ANDPLAN is a theoretical framework and antithesis to government ‘Levelling Up’ policies.

Through using an atelier wide precedent of ‘Take Back the Economy’ (Gibson-Graham, Cameron, Healy, 2013) and direct conversations with diverse economic performers within Burnley, the new masterplan of Burnley called for equal distribution.

Formal Spaces [Infrastructure] Informal Spaces Self-sustainability

Slate Roof Tiles

Scissor Roof Trusses

Classical Ornaments Walls (Crewe- Interiors)

Re-using Urban Voids Localised Ethical Production

All of the space designs will be a platform for the community to contribute in DECENTRALISE BURNLEY which consists to all 5 points;

Conventional Masonry Exterior Walls

creating “creative” spaces for the youth to express themselves through skillsharing.

04

A modular space for the Youth model-making workshop in the new wing of the building.

03 05

02

01

Legend:

01 Sculpture Exhibition 02 Model Making 03 Studio Unit 04 Auditorium 05 Art Gallery (ITERATION) - Consolidated programmes are juxtaposed with the building analysis and this section illustrated how the auditorium of the building is embedded with the creative programmes such as Art Gallery, Sculpture Exhibition, Studio units and Model Making.

In this section, portrayed the programme spaces are connected to each other and there are clear links which relates to the concept of LOOP ( Learn, Gain, Make, Exhibit, Sell, Teach).

The initial form of the theatre before the new concept design are injected.

After using De-Growth method in reusing materials from the existing building.

Cycle of Programme in the Burnley Youth Skillsharing Hub Local Experts

Teaching

Exchanging

Learning

Exhibiting

D

WORK EXPERIENCE | SEMI-DETACHED HOUSE

FREELANCE | INTERIOR DESIGNER

Modern House Full Renovation.

Studio Client Type Site Software

: maysafarchitecture : Sub from an Interior Company : Residential : Selangor, Malaysia : Autodesk Sketchbook, AutoCAD, Adobe Photoshop, V-ray

1 As an interior designer, I was subcontracted to take on the design of this project as a freelancer. My role involved collaborating closely with the client to understand their needs and vision, while also working within the framework set by the company. I was responsible for developing the design concept, selecting materials, and providing detailed design documentation. Throughout the project, I managed the creative direction and execution, ensuring the final design met both the client’s expectations and the company’s standards. My ability to work independently, while maintaining clear communication with the company and client, allowed me to bring a fresh perspective and professional expertise to the project.

2 3

4

: New Proposal | Lower Ground Floor Plan

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6

5

Design Inspiration: The clients provided several pictures of interior designs which later derived into multiple moodboards for the entire aesthetics of the house.

Process: A great designer from the company who subcontracted me with the project provided guidance and support throughout the entire design process, helping me navigate key decisions and ensuring that each phase of the project aligned with the overall vision. Their expertise and direction were instrumental in shaping the final design, offering valuable insights and advice at every stage.

Material/supply: I utilised products sourced from the company I collaborated with [ Niro Ceramic (M) Sdn Bhd] as key references throughout the entire house design.

These products served as the foundation for material and design choices, ensuring consistency and quality across the project while aligning with the client’s vision.

As I have already familiar with materials; floor and wall tiles, from the company, it is easier for me to help the designer and clients for the quotation and quality control.

: New Proposal | Lower Ground Floor Plan

LEGEND: 1. Living Room 2. Study Area 3. Dining Area 4. Dry Kitchen 5. Wet Kitchen 6. Toilet 7. Maid Room 8. Powder Room : New Proposal | Lower Ground Floor Plan

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: New Proposal | Master Bedroom

2 3

1 6 : New Proposal | First Bedroom

: New Proposal | Ground Floor Plan : New Proposal | First Floor Plan

9 : New Proposal | Dining and Dry Kitchen

“Main” space for the family.

7

LEGEND: 8

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1. Car Porch 2. Entrance/Foyer 3. Family Room 4. Forth Bedroom 5. Fifth Bedroom 6. Stairs to LG Floor 7. Master Bedroom 8. First Bedroom 9. Second Room 10. Wardrobe Room 11. Master Bath

: New Proposal | Second Bedroom

“individual identity” The client expressed a desire for each bedroom to reflect its own distinct identity, creating unique, personalized spaces that resonate with the individual character and preferences of those who will inhabit them. Rather than a one-size-fits-all approach, the design aimed to capture the essence of each room’s intended user, allowing for tailored aesthetics, mood, and functionality.

This approach ensures that every bedroom feels like a personal sanctuary, offering both comfort and a sense of belonging.”

During festive seasons, the client’s tradition of cooking and sharing three meals a day with guests centers around the kitchen and dining areas. To enhance this experience, this design created an open, welcoming space where both cooking and dining flow seamlessly. The kitchen island, ample counter space, and an expansive dining area encourage interaction and togetherness.

The clients requested gray colour to most of the cabinetry incorporated with concrete-themed floor and wall tiles to make it more seamless.

E

WORK EXPERIENCE | SEMI-DETACHED HOUSE

INTERIOR SALES DESIGNER

“new pantry” House Renovation.

Company Client Type Site Software

: Niro Ceramic [M] Sdn Bhd : Mr Kenny Chen : Residential : Selangor, Malaysia : Autodesk Sketchbook, AutoCAD, Adobe Photoshop, V-ray

In this project, I was responsible for visualizing the conversion of the dining area into a kitchen pantry within the existing layout of the semi-detached house, with the goal of assisting the clients in realizing their vision for their ideal home. I was granted the freedom to reimagine the space, emphasizing modern design principles while exploring a variety of material options. Additionally, I supported the clients in selecting appropriate materials and cabinetry by liaising with trusted suppliers to ensure the final design met their expectations and needs.

: Before | Dining Area Design Inspiration: The clients provided several pictures of interior designs which later derived into multiple moodboards for the entire aesthetics of the house.

Moodboard: Stone + Concrete themed finishes Niro Ceramic Tiles options:

Murale: GM04 60x60

Clay Art: GGCA03 60x60

Clay Art: GGCA05 60x60

Clay Art: GGCA06 60x60

: After | Kitchen Pantry

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WORK EXPERIENCE | SEMI-DETACHED HOUSE

“Family Area” House Renovation.

Studio Clients Type Site Software

: maysafarchitecture : Azlin and Mazlan [Homeowner] : Residential : Selangor, Malaysia : Autodesk Sketchbook, AutoCAD, Adobe Photoshop, V-ray

In this project, I was responsible for visualizing the conversion of the overall ground floor within the existing layout of the bungalow house, with the goal of assisting the clients in realizing their vision for their ideal home. I was granted the freedom to reimagine the space, emphasizing modern design principles while exploring a variety of material options. Additionally, I supported the clients in selecting appropriate materials and cabinetry by liaising with trusted suppliers to ensure the final design met their expectations and needs.

Design Inspiration: The clients provided several pictures of interior designs which later derived into multiple moodboards for the entire aesthetics of the house.

Moodboard: Modern Interior Architecture The clients provided several pictures of interior designs which later derived into multiple moodboards for the entire aesthetics of the house.

FREELANCE | INTERIOR DESIGNER

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WORK EXPERIENCE | SEMI-DETACHED HOUSE

INTERIOR SALES DESIGNER

“simplicity and elegant” Retreat House.

Company Type Site Software

circulation

: Niro Ceramic [M] Sdn Bhd : Residential : Selangor, Malaysia : AutoCAD, Visoft, Vray and Procreate

with addition of kitchen island, circulation of the house will be dynamic thus providing more space for dining and food preparation.

In this project, my role was to provide visualisation of spaces throughout the existing layout of the semi-detached house. The clients have planned the whole renovation with another designer, however, it was in the stopped in the middle of designing stage. In order to help and guide the clients with the process of building their dream house.

I was given an opportunity to re-create the spaces with liberation on materiality with emphasis on modern design.

“before” Previous design of the house were extremely simple based on the necessity of small living space for a family. Boundary between public and private areas were not being properly drawn in the house. Therefore, in the new proposal, family space will be injected into the house.

Design Inspiration: Zen Design The clients provided several pictures of interior designs which later derived into multiple moodboards for the entire aesthetics of the house.

Moodboard: Modern Japanese Interior Architecture The clients provided several pictures of interior designs which later derived into multiple moodboards for the entire aesthetics of the house.

In the middle of complex surroundings, this house was design with simplicity to emphasis and enhance the inner peace for the dweller. The traquility of this retreat juxtapositioning with the naturalness of the context elevates the beauty and quality of spaces in the house.

With elements and priciples of Zen interior, private settings are naturally created as an escape for the people who seek relaxation. Adequate amount of comfortable living environment in the city is the main key aspects in designing the spaces in this retreat house.

Furthermore, transitioning spaces from one to another are yet renewed with nature, elegance and linear form of designs to encourage full functioning areas for the homeowners.

“layout” iteration The clients provided several pictures of interior designs which later derived into multiple moodboards for the entire aesthetics of the house.

The original design of toilet in Malaysia’s traditional houses were not ergonomic to certain group of people; disabled and elderly. In the new proposal, it will be up-to-date with standard dimension.

outdoor area The original design of toilet in Malaysia’s traditional houses were not ergonomic to certain group of people; disabled and elderly. In the new proposal, it will be up-to-date with standard dimension.

the new proposal.

“Rendering” outcomes

New proposal: Floor Plan [nts]

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New proposal: Entrance and public living room

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9 6 New proposal: Entrance and public living room

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LEGEND: 1. Entrance 2. Living Room/Foyer 3. Meditation Room 4. Dining and Kitchen 5. Family Room 6. Bedroom 7. Walk-in Wardrobe 8. Bathroom 9. Balcony/Deck 1 10. Balcony/Deck 2

New proposal: Meditation room and reading area

This sketch represents the concept for the redesigned bathroom, focusing on maximizing both functionality and aesthetic appeal. The layout has been carefully planned to ensure an efficient flow while providing distinct zones for key elements like the shower, vanity, and storage. The design incorporates modern fixtures and materials, with an emphasis on clean lines and a serene color palette to create a calming atmosphere. Key features include freestanding tub, couple-vanity and plants, all aimed at enhancing both the user experience and the visual harmony of the space. The sketch reflects the vision for a contemporary, yet timeless bathroom that balances comfort and style.

Wood Panels for Feature Walls Niro Ceramic’s Laminated Floor Tiles: Ashwood: GGAW05 Smokey Topaz

Niro Ceramic’s Porcelain Floor Tiles: Clay Art: GGCA05 Slate

New proposal: Entrance and public living room

Niro Ceramic’s Laminated Floor Tiles: Ashwood: GGAW36 Cigar Brown

pallette; warm pantone.

The company provided several pictures of interior designs which later derived into multiple moodboards for the entire aesthetics of the house. The vibrancy of colours and features in the house complimented with the nature while maintaining the visual harmony of the overall interior.

: New proposal | The Bathroom The final resutl of render from the sketches and the features were designed exactly as desired by the company.

New proposal: Entrance and public living room

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INDUSTRIAL PRACTICE

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Kuantan 188 Radio Tower.

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: Neuformation Architects Sdn Bhd : Commercial and Public Facilities : Pahang, Malaysia : AutoCAD

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WORK EXPERIENCE | KUANTAN RADIO TOWER

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LEGEND - REFLECTED CEILING PLAN

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During my industrial training at Neuformation Architects Sdn Bhd, I was actively involved in the technical drawing development for a radio tower project. My responsibilities included producing detailed architectural and structural drawings, coordinating with engineers, and ensuring compliance with technical specifications and regulatory standards. This experience enhanced my proficiency in precise drafting, construction detailing, and interdisciplinary collaboration.

MENARA TERUNTUM

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SKY DECK REFLECTED CEILING PLAN

Scale : 1 : 100

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“landmark” Kuantan City.

The radio tower project was designed not only as a functional telecommunications structure but also as a prominent city landmark and a hub for public engagement.

Its design integrates public facilities such as observation decks and communal spaces, enhancing its role as both an infrastructural necessity and a cultural icon within the urban landscape.

Kuantan 188 is a landmark observation tower in Kuantan, Malaysia. Standing at 188 meters, it is the second-tallest tower in Malaysia after KL Tower. The structure was designed to serve as a tourist attraction, city landmark, and public gathering space, featuring an observation deck with panoramic views of Kuantan and the surrounding riverfront.

The tower includes: An open-air sky deck for breathtaking city views A closed observation area for visitors Facilities for dining, events, and extreme sports activities like skywalks A modern LED lighting system, making it a nighttime icon These landscaped spaces serve as public recreational areas, promoting a seamless connection between the tower, Kuantan Riverfront, and Esplanade Park.

Key features include: Lush greenery and shaded walkways, creating a comfortable and inviting environment for visitors Public plazas and seating areas, encouraging social interaction and relaxation Integration with the riverfront, offering scenic views and promoting eco-tourism

ST4 ST4

Cultural and event spaces, allowing for community gatherings, performances, and festivals

FAN FAN ENCLOSURE ENCLOSURE

LAMAN TERUNTUM ESPLANADE ESPLANADE

These gardens help soften the transition between the tower and its surroundings, making Kuantan 188 not just a landmark but a vibrant public space.

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SKY DECK FLOOR FINISH PLAN

Scale : 1 : 100

Thank you!

I sincerely appreciate your time in reviewing my portfolio and considering my application.