Experienced working in creative industries and currently indulging myself into architectural illustrations and graphics to have a thorough understanding of architecture from another perspectives. With the skills and knowledge attained, I aspired to expand my experiences into detailed specialisation in real-life practice.
Manchester amir.mahayudin@gmail.com
+ 44 7810675926
experiences.
Freelance Designer Part I
Desaminda Jaya Sdn Bhd
Involved from stage 0 to 3 (RIBA equivalent)
Residential - Renovation - Interior
Meeting clients for project discussion and also prepare presentations and visuals for iWnterior design projects. Utilising SketchUp and Vray
Interior Designer and Sales
Niro Ceramic (M) Sdn Bhd
Early phase design including building materiality
Commercial - Residential - Interior - Material
Through my skills in Visoft, providing the needs of spatial arrangement for the clients is the main key prospect for the practice.
Industrial Practice Part I
Neuformation Architects Sdn Bhd
Involved from stage 3 to 5 (RIBA equivalent)
Commercial - Industrial - Residential
Prepare the Technical Detailed drawings by using AutoCAD and authorities consultation for eight (8) projects involved.
education.
Manchester School of Architecture - The University Of Manchester. United Kingdom
Master of Architecture RIBA II
Graduated with Distinction
One of the Head of Manchester School of Architecture Live (MSALIVE) Group 8 with Ryebank Fields Volunteering Project
MARA Technology University Puncak Alam, Malaysia
Bachelor of Science (Hons) of Architecture RIBA I
Graduated with First Class Honour, 7 Consecutive Dean’s List Awards
MARA Junior Science College Parit, Malaysia
The Malaysian Certificate of Education
Graduated with Second Class-Upper
Design Thesis
Dance has become one of the main but exceptionally expensive interest for the people to indulge in. As a designer and also a person who is passionate in dancing, I did a research on how to intergrate daily basis routine with dance and architecture, “ Dance Body and Architecture ”.
Adaptive Reuse
Burnley Youth Skillsharing Hub is created due to lack of creative centres in Burnley for the young generation to express themselves and escalate their quality of life. Various arts specialisation will be injected into the programme of the refurbished building through the local experts.
skills. involvements and volunteering.
Infrastructure University Kuala Lumpur, Malaysia
One of the Head Performance Team
Prepare and design movements for performance team for closing Performance Night and Flashmob
AmalFSPU
MARA Technology University, Malaysia
Head of Fundraising Team
Gathering ideas on crowdfund from public through creative activities; busking, vendors and charities
MARA Technology University, Malaysia
Treasurer
Administrate and manage the financial expenses throughout annual activities and performances
University Science Malaysia, Malaysia
One of the Head Performance Team
Designing choreographies and backdrops for performances for annual architectural festivals
Performative Arts
Gardening
Digital Design
Exploring Nature
Food and Culinary Travelling
*available upon requests
High [3-5 Years]
Adobe Photoshop
Adobe InDesign
Microsoft Office
Autodesk AutoCAD
SketchUp
Visoft
Autodesk Sketchbook
Intermediate [<3 Years]
ArchiCAD
Adobe Illustrator
Lumion
VRay
Beginner [<1 Year]
Autodesk Revit
Rhino
language.
Malay
English Native/Fluent Fluent
“creative transcations” Burnley Youth Skill-sharing Hub. table of content.
“dancing as a the new language” Public Space Design. A Post-Capitalist Anarcho-Arts “Co”lony
Modern House Full Renovation.
“family Area” House Renovation.
“new pantry” House Renovation.
“landmark” Kuantan City.
“simplicity and elegant” Retreat House.
“Dancing as a the new language”
Commercial and Public Facilities
Mark Hammond
Samuel Holden
Commercial and Public Facilities
Manchester Piccadilly Gardens, UK
Autodesk Sketchbook, AutoCAD, Adobe Photoshop
The masterplan concludes all the interventions of public realm in Manchester city. It is the ultimate place to realise your sense of self, to bring back the sense of belonging and freedom. The spaces are interconnected and derived thoroughly on the movement of public-dancers. Journey into the interventions of public daily routines provide difference experiences for the end users of these spaces.
Research Question:
Does designing specific public spaces dictating the public movement and unintentionally rejects the freedom of movement?
Methodology: Key of Dynamism in Dance
From the website, www.movedancelearn.com , the dynamism in dance has been define into 6 (six) types of movement which are; sustained, percussive, swinging, suspended, collapsed and vibratory. These kinds of techniques are practiced by all dancers in expressing or portraying messages and emotions explicitly. With the understanding of the musics itself, helps to evoke an individual emotions and eventually explicates and derives it into a dance routine.
Rather than relying on advanced materials and bold technologies, the new proposal embraces the principles of Degrowth, utilizing existing materials to sustainably shape the public space. This thoughtful approach emphasizes resourcefulness while ensuring the design remains deeply rooted in its environment. The main structures, inspired by the rhythmic movement of dancers, will embody fluidity and grace, celebrating the creative spirit of Manchester’s
and
into a living expression of
In this process, different demographics identified in the selected site to initiate the movement observation.
Percussive Swinging
Piccadilly
Piccadilly
These people uses the public spaces in daily basis as a checkpoint to their school, work and leisure but it has been neglected since the useless installations made by the council disturbs the existing circulations. Manchester
This design draws inspiration from the graceful movements of ballet, carefully traced from a local dancer’s performance. The rhythmic flow and fundamental motions were distilled and harmonized into a central focal point, forming the basis for intricate patterns that inform the structural frameworks on-site. This approach seamlessly merges artistry and architecture, bringing the elegance of dance into the fabric of the built environment.
resembles a dance movement that has derived into structures for a public ream facilities
Building upon the existing circulations and the potential pathways inspired by varying interests and attractions, six primary axes were identified radiating from the heart of Manchester Piccadilly Gardens. These axes serve as the foundation for a dynamic design, which was further developed through the lens of dance choreography. Just as a dancer moves with purpose and flow, the axes guide movement and interaction through the space, transforming the garden into a rhythmic, choreographed environment that invites exploration and engagement.
Sustained
These patterns were derived from the existing layout of Manchester Piccadilly Gardens to thoroughly understand its architectural language through the lens of Keys of Dynamism in dance.
Patterns then iterated aligned with the existing axis of circulation of the public on site to create a new layout and provide adequate spaces for performative activism.
multipurpose seatings platforms for any performative activism
illustrates the movement of dancers side by side to enhance the harmony of diversity
The installation functions as a place where people gather, be creative and performing arts.
INSTALLATION 3
Timber and cocrete blocks will be used as Marketplace to help the economy of public users
These structures help provides pocket spaces for public to rest, read, eat and play in the garden
The current state of Manchester Piccadilly Gardens, marked by safety concerns, antisocial behaviors, and inadequate facilities, has spurred a bold vision for its transformation, prioritizing the functional and social potential of public spaces. This thesis reimagines the area through the lens of dance as a dynamic language for designing public amenities, introducing transformative changes to enrich the experience of its diverse users and reinvigorate the urban fabric.
These thoughtfully designed amenities foster recreation, communal activities, and relaxation, creating an inviting space for people from all walks of life. Inspired by the artistry of dance, the design incorporates inventive footprints, textured patterns, and materials embedded in the ground, serving as an accessible starting point for those curious about the performative arts. This approach offers a unique opportunity for aspiring dancers, especially those who lack access to formal classes, to explore and cultivate their passion within a welcoming public setting.
“connectivity + creativity”
Located at the core of Manchester City Centre, Piccadilly Gardens holds untapped potential to evolve into a landmark of cultural and social vitality. Currently serving as little more than a transit corridor and a seasonal marketplace, the proposed design envisions a transformative space that integrates architectural and programmatic elements to host mini concerts, gigs, immersive light installations, and platforms for small businesses. This reimagined urban framework aspires to cultivate a dynamic, multifunctional environment, fostering connections across diverse communities and redefining the gardens as a cornerstone of Manchester’s public realm.
Instead of building a formal stage, dictating the public’s movement, using Aldo Van Eyck’s method of creating properties in public spaces will help the users to determine on how the object could possibly be utilised.
Any performative activism such as dancing, busking, martial arts and even daily basis activities could possibbly be conducted in the public spaces as the properties designed to provide freedom of movement.
“We walk in the city or in our neighbourhoods almost every day, but we are also almost always walking with an objective and or a destination in mind. We walk to work, to the train, to our cars, to the park, to meet a friend, to walk our dog and for exercise...”
- DERIVE: The Art of Getting Lost
The idea started with re-thinking of some circulations through the cities based on the axis of the existing public's movement and subsequently added more potential circulations for the diverse public to observe and experience the new spaces with different perspectives. This will also improves their wayfinding in navigating themselves to aa certain spots in the area regardless of any disabilities of each person.
Through intersections of public's movement on site, programme were then injected to the overlapping circulations to create inclusivity through accessibility. Programme will be various depends on each individual interest and interpretation of space.
The original layout of the tram station will be maintained as it does serve the function of a waiting area
The upper levels of the station will provide more spaces for any performative activism where the public can utilise it as their gathering spaces
New layers of public spaces were added to the station which creates high street where people can express themselves in any performative activism without disturbing the existing circulations of the streets. Giving access to the disabled people is one of the most prominent aspects in order to create an inclusive environment of public spaces
The original layout will be maintained as it does serve the function of a waiting area. Integration between greenery and leisure areas consolidate the definition of public realm design. The design of the seatings are incorporated into the landscape design and the process is most parallel to each other.
The escalated platforms will be developed to all Tram stations to make it accessible for diverse public from all parts of Manchester. The public can fully utilise it not just in the day, but for night activities as well. This idea is convenient for people who take tram in their daily routine. Expressing themselves before and after work will help their physical and mental health thus creating an inclusive environment in those public spaces.
Giving access to the disabled people is one of the most prominent aspects in order to create an inclusive environment of public spaces
Integration between greenery and leisure areas consolidate the definition of public realm design. The design of the seatings are incorporated into the landscape design and the process is most parallel to each other
The in-between spaces; communal facilities. 4| Market Street Follies
Mini vertical gardens accommodated in the follies help to calm the busy circulations Market Street Follies
Staggered platforms in the follie can facilitates different types of performances on the street
The section for the communal space; the children play areas provide spaces for families to have their leisure
The section for the communal space; the seatings, tables and a platform for any performative activism
The seatings and stairs provide more spaces for the to freely perform their talents on it
“Co”lony
Tutors
Studio Type
Site Software
&rchitecture
Joe Dempsey
Jamie Ashmore
Emma Haward
Residential and Public Facilities
Woodtop School Burnley, UK
SketchUp, AutoCAD, Adobe Illustrator, Adobe Photoshop, Autodesk Sketchbook
This project is a rumination on the marginalisation of young BAME people affected by our complex systems of living. This co-housing scheme has optimised arts as a medium for co-living. We hope this project serves as anti-thesis to our existing hyper-capitilised systems of working and living, and as a symbol that alternative methods can be developed in response to heightening racial dispossession.
Research Question:
Can co-housed living & creating enrich the lives of ethnic minority youths [18-25] trying to find their position in the society?
Methodology: Demographic Study: Decentralise Burnley
This proposed co-housing scheme is situated within the conceptual framing’s of Group 03s ANDPLAN from PS1 [MArch Year 1]. The ANDPLAN is a theoretical framework and antithesis to government ‘Levelling Up’ policies. Through using an atelier wide precedent of ‘Take Back the Economy’ (Gibson-Graham, Cameron, Healy, 2013) and direct conversations with diverse economic performers within Burnley, the new masterplan of Burnley called for equal distribution.
As a precursor to the manifesto outlined in PS1, Burnley is centralised - dominated by large capitalist enterprises. This top-down economic centrality trickles down to a community level, where cohesion is not optimised as production, formal, informal, infrastructural and urban opportunities are neglected. “DECENTRALISE BURNLEY” as a manifesto is realised. This allows for new spaces for informal gathering, creating, eating and growing are equally distributed through urban voids within the city. Locals of Burnley engage in the spaces of the “DECENTRALISE BURNLEY” such as Site A and Site C, learning creative skills of creation and workshopping. But what next? These locals are fuelled with knowledge and skills to take on the world with a fresh, anarchic perspective. They look around and see centralised businesses who go against the ethics they have developed during “DECENTRALISE BURNLEY”. How can they live closely to one another, work in proximity, and foster their creative tendencies in a way that does not jeopardise their values?
how does the old school turned into social housing?
A number of iteration has been made throughout the process of analysing and synthesising the site into a social housing for BAME youth. Precedent studies were then taken into consideration of design inspiration in the early stage of visualising the new proposal.
Iteration 1: Unite d’Habitation
Unite D’Habitation is an extremely high density project by Corbusier in Marseille, France. It consists of maisonettes around a gallery circulation system: revolving around the modernist notion of ‘streets in the sky’. The parallel block typology has been largely influential in dense housing design.
Iteration 2: Stitch Cooperative *selected
STITCH is a cooperative revolving around the users passion for music. The clients retreat to the site to embrace creativity. The simple structure with the embrace of landscaping allows for a clean, communal and open ambiance for the artists to explore their profession in peace.
EXPLODED MASSING ON SITE INTER-RELATIONSHIPS BETWEEN MASSES
CONNECTIONS + CIRCULATION
The above ground circulation matrix serves as not only a functional space to connect users to their dwellings but also a multifunctional space for the “Omega” themes of the project to be carried through. The outdoor system contains a distribution of external staircases and lift shafts to allow for an ease of access across the structure.
Ilchester Road is a series of terraced dwellings with one bedroom. They are inspired by the British cottage aesthetic. and exist around a pedestrianised corridor. The infill site meant spatial constraints for the masterplanning of the dwellings, though the constraints allowed a friendly proximity between units.
CONNECTIONS BETWEEN TYPOLOGIES LIGHTWEIGHT EXTERNAL STRUCTURE
ALLOWS FOR EXPANSION OF COHOUSING
The sectional perspective drawing captures all of the “Omega” activities occuring acorss the site for both the residents and the wider community. The residents share their space, and ownership of their housing units whilst still being able to make and grow produce. The space is open to be used by the wider community through markets and arts events.
A glimpse into a dense urban living space whereby the residents collaborate together over arts, growing and their commons. Their colony is a safe space where they are able to bond and meet people who have faced similar economic, class and race marginalisation as them.
Richard takes a glance into the communal courtyard over his morning coffee to see if his friend Serena is painting on the outdoor murals. He spots her! He will just take his last sip and join her for breakfast in the communal kitchen.
Artists, residents, guest residents and members of the wider community are invited on a Saturday morning to take part in a Yoga class. The raised structure on site can be used by all to take care of their well-being.
The circulatory raised timber grid structure on site serves as a multifunctional space for both ease of access between residents, as well as a space to be occupied by the “CO” activities developed from the brief - including creatively working; collaborating; growing; and distributing to the wider community. The image above is an exploration of the structure in full use, with the artist residents making full use of the space for collaborative workshops for exhibition and design.
Tutors
Studio Type
Site Software
&rchitecture
Joe Dempsey
Jamie Ashmore
Emma Haward
Commercial and Public Facilities
Burnley Empire Theatre, UK
Revit, SketchUp, AutoCAD, Adobe Illustrator,
Adobe Photoshop, Autodesk Sketchbook
In order to overcome the current pandemic, The Skillsharing Hub will serve as a centre where the experts engage with the local youth of Burnley in the progression of their quality of life thus the economic growth of Burnley. Through this hub, youth will attain various prominent knowledge inclusively in creative arts.
Research Question:
How can we help the “levelling up” strategy in creating a sense of belongings for the community without the capitalists’ transcations?
Methodology: Levelling Out: Decentralise Burnley
This proposed co-housing scheme is situated within the conceptual framing’s of Group 03s ANDPLAN from PS1 [MArch Year 1]. The ANDPLAN is a theoretical framework and antithesis to government ‘Levelling Up’ policies. Through using an atelier wide precedent of ‘Take Back the Economy’ (Gibson-Graham, Cameron, Healy, 2013) and direct conversations with diverse economic performers within Burnley, the new masterplan of Burnley called for equal distribution.
Formal Spaces [Infrastructure]
Informal Spaces
Self-sustainability
Re-using Urban Voids
Localised Ethical Production
All of the space designs will be a platform for the community to contribute in DECENTRALISE BURNLEY which consists to all 5 points;
(ITERATION) - Consolidated programmes are juxtaposed with the building analysis and this section illustrated how the auditorium of the building is embedded with the creative programmes such as Art Gallery, Sculpture Exhibition, Studio units and Model Making. In this section, portrayed the programme spaces are connected to each other and there are clear links which relates to the concept of LOOP ( Learn, Gain, Make, Exhibit, Sell, Teach).
Full Renovation.
Studio
Client
Type
Site
Software
Sub from an Interior Company
Residential
Selangor, Malaysia
Autodesk Sketchbook, AutoCAD, Adobe Photoshop, V-ray maysafarchitecture
As an interior designer, I was subcontracted to take on the design of this project as a freelancer. My role involved collaborating closely with the client to understand their needs and vision, while also working within the framework set by the company. I was responsible for developing the design concept, selecting materials, and providing detailed design documentation. Throughout the project, I managed the creative direction and execution, ensuring the final design met both the client’s expectations and the company’s standards. My ability to work independently, while maintaining clear communication with the company and client, allowed me to bring a fresh perspective and professional expertise to the project.
Design Inspiration:
The clients provided several pictures of interior designs which later derived into multiple moodboards for the entire aesthetics of the house.
Process:
A great designer from the company who subcontracted me with the project provided guidance and support throughout the entire design process, helping me navigate key decisions and ensuring that each phase of the project aligned with the overall vision. Their expertise and direction were instrumental in shaping the final design, offering valuable insights and advice at every stage.
Material/supply:
I utilised products sourced from the company I collaborated with [ Niro Ceramic (M) Sdn Bhd] as key references throughout the entire house design. These products served as the foundation for material and design choices, ensuring consistency and quality across the project while aligning with the client’s vision.
As I have already familiar with materials; floor and wall tiles, from the company, it is easier for me to help the designer and clients for the quotation and quality control.
“Main” space for the family.
The client expressed a desire for each bedroom to reflect its own distinct identity, creating unique, personalized spaces that resonate with the individual character and preferences of those who will inhabit them. Rather than a one-size-fits-all approach, the design aimed to capture the essence of each room’s intended user, allowing for tailored aesthetics, mood, and functionality. This approach ensures that every bedroom feels like a personal sanctuary, offering both comfort and a sense of belonging.”
During festive seasons, the client’s tradition of cooking and sharing three meals a day with guests centers around the kitchen and dining areas. To enhance this experience, this design created an open, welcoming space where both cooking and dining flow
The
and
The clients requested gray colour to most of the cabinetry incorporated with concrete-themed floor and wall tiles to make it more seamless.
House Renovation.
Company
Client
Type
Site
Software
Niro Ceramic [M] Sdn Bhd
Mr Kenny Chen
Residential
Selangor, Malaysia
Autodesk Sketchbook, AutoCAD, Adobe Photoshop, V-ray
In this project, I was responsible for visualizing the conversion of the dining area into a kitchen pantry within the existing layout of the semi-detached house, with the goal of assisting the clients in realizing their vision for their ideal home. I was granted the freedom to reimagine the space, emphasizing modern design principles while exploring a variety of material options. Additionally, I supported the clients in selecting appropriate materials and cabinetry by liaising with trusted suppliers to ensure the final design met their expectations and needs.
Design Inspiration:
Studio
Clients
Type
Site
maysafarchitecture
Software Azlin and Mazlan [Homeowner]
Residential
Selangor, Malaysia
Autodesk Sketchbook, AutoCAD, Adobe Photoshop, V-ray
In this project, I was responsible for visualizing the conversion of the overall ground floor within the existing layout of the bungalow house, with the goal of assisting the clients in realizing their vision for their ideal home. I was granted the freedom to reimagine the space, emphasizing modern design principles while exploring a variety of material options. Additionally, I supported the clients in selecting appropriate materials and cabinetry by liaising with trusted suppliers to ensure the final design met their expectations and needs.
Design Inspiration:
The clients provided several pictures of interior designs which later derived into multiple moodboards for the entire aesthetics of the house.
Moodboard: Modern Interior Architecture
The clients provided several pictures of interior designs which later derived into multiple moodboards for the entire aesthetics of the house.
“simplicity and elegant” Retreat House.
Niro Ceramic [M] Sdn Bhd Residential
Site Software Selangor, Malaysia AutoCAD, Visoft, Vray and Procreate
Previous design of the house were extremely simple based on the necessity of small living space for a family. Boundary between public and private areas were not being properly drawn in the house. Therefore, in the new proposal, family space will be injected into the house.
with addition of kitchen island, circulation of the house will be dynamic thus providing more space for dining and food preparation.
The original design of toilet in Malaysia’s traditional houses were not ergonomic to certain group of people; disabled and elderly. In the new proposal, it will be up-to-date with standard dimension.
outdoor area
The original design of toilet in
traditional houses were not ergonomic to certain group of people; disabled and elderly. In the new proposal, it will be up-to-date with standard dimension.
This sketch represents the concept for the redesigned bathroom, focusing on maximizing both functionality and aesthetic appeal. The layout has been carefully planned to ensure an efficient flow while providing distinct zones for key elements like the shower, vanity, and storage. The design incorporates modern fixtures and materials, with an emphasis on clean lines and a serene color palette to create a calming atmosphere. Key features include freestanding tub, couple-vanity and plants, all aimed at enhancing both the user experience and the visual harmony of the space. The sketch reflects the vision for a contemporary, yet timeless bathroom that balances comfort and style.
The company provided several pictures of interior designs which later derived into multiple moodboards for the entire aesthetics of the house. The vibrancy of colours and features in the house complimented with the nature while maintaining the visual harmony of the overall interior.
: New proposal | The Bathroom
The final resutl of render from the sketches and the features were designed exactly as desired
Kuantan 188
Radio Tower.
Company
Type
Site
Neuformation Architects Sdn Bhd
Commercial and Public Facilities
Software Pahang, Malaysia
AutoCAD
During my industrial training at Neuformation Architects Sdn Bhd, I was actively involved in the technical drawing development for a radio tower project. My responsibilities included producing detailed architectural and structural drawings, coordinating with engineers, and ensuring compliance with technical specifications and regulatory standards. This experience enhanced my proficiency in precise drafting, construction detailing, and interdisciplinary collaboration.
Kuantan 188 is a landmark observation tower in Kuantan, Malaysia. Standing at 188 meters, it is the second-tallest tower in Malaysia after KL Tower. The structure was designed to serve as a tourist attraction, city landmark, and public gathering space, featuring an observation deck with panoramic views of Kuantan and the surrounding riverfront.
The tower includes:
An open-air sky deck for breathtaking city views
A closed observation area for visitors
Facilities for dining, events, and extreme sports activities like skywalks
A modern LED lighting system, making it a nighttime icon
These landscaped spaces serve as public recreational areas, promoting a seamless connection between the tower, Kuantan Riverfront, and Esplanade Park.
Key features include:
Lush greenery and shaded walkways, creating a comfortable and inviting environment for visitors
Public plazas and seating areas, encouraging social interaction and relaxation
Integration with the riverfront, offering scenic views and promoting eco-tourism
Cultural and event spaces, allowing for community gatherings, performances, and festivals
These gardens help soften the transition between the tower and its surroundings, making Kuantan 188 not just a landmark but a vibrant public space.
“landmark” Kuantan City.
The radio tower project was designed not only as a functional telecommunications structure but also as a prominent city landmark and a hub for public engagement. Its design integrates public facilities such as observation decks and communal spaces, enhancing its role as both an infrastructural necessity and a cultural icon within the urban landscape.
Thank you!
I sincerely appreciate your time in reviewing my portfolio and considering my application.