Hynek Martinec: The Birth of Tragedies

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Hynek Martinec

The Birth of Tragedies

Hynek Martinec The Birth of Tragedies

25 May – 15 July 2017

Hynek Martinec’s second solo exhibition at Parafin develops his work’s ongoing engagement with art history and his search for visual connections between diverse historical moments. Martinec’s paintings and drawings explore ideas about time, history, reality and spirituality, often appropriating imagery from vintage photographs and the Old Masters, and these new works have been developed in response to an invitation from the National Gallery in Prague to respond to the museum’s Baroque collection.

The exhibition includes both paintings and drawings. The upper gallery is devoted to Martinec’s technically extraordinary hyper-realist paintings. These grisaille works address different registers of reality by bringing together historical and contemporary references. Martinec’s works seem to suggest that multiple realities – including the present and moments from history –can potentially exist simultaneously. Thus motifs from Van Dyck, Zurbarán and Rubens are interwoven with references to a contemporary technologically-enabled mediasaturated reality. In Circus of Nightmares (2017) a Van Dyck Satyr wears a Virtual

Reality headset, while in The Boat on The Moon (2017) an ultrasound image of an unborn baby appears to float in a void next to a scroll bearing the signature of Zurbarán. In the lower gallery a selection of Martinec’s recent drawings appropriate imagery from Old Masters and vintage photographs and combine them with the instantly recognisable signatures of great artists including Picasso, Degas and Duchamp. That the images and signatures do not match suggests a strange hybridity but also hints at the ongoing mechanism of artistic influence across time.

The title of the exhibition is drawn from an important early text by Friedrich Nietzsche. In The Birth of Tragedy (1872) Nietzsche argues for an immersive form of art, emphasising the passionate Dionysian above the rational Apollonian. For Martinec, Nietzsche is also important for his radical critique of Truth as well as the existence of God. Martinec’s work demonstrates his conviction that ‘truth’ is a fluid concept, constantly changing. And in the present historical moment, at a time of conflict and unrest, Martinec’s use of the plural ‘tragedies’ implies an unsettling currency.

Parafin

18 Woodstock Street

London W1C 2AL

44 (0)20 7495 1969

info@parafin.co.uk www.parafin.co.uk

parafinlondon

Directors

Ben Tufnell, Matt Watkins, Nick Rhodes

Gallery Manager

Christina Friis

Gallery Assistant

Marta Jiménez Tubau

Technicians

Aethan Wills, Alex Duncan

Installation Photography

Peter Mallet

All artworks © the artist

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N RAFI A P • N E • GN L DNA O LOND •
Cover: Hynek Martinec Circus of Nightmares 2017

Flogging Baroque Horse

2017

Oil on canvas

150 cm diameter, 59 1/8 in diameter

Circus of Nightmares

2017

Oil on canvas

170 × 240 cm, 66 7/8 × 94 1/2 in

The Shepherd Paris

2016 Oil on canvas

170 × 240 cm, 66 7/8 × 94 1/2 in

Portrait of Cornelis van der Geest

2016 Oil on canvas

60 × 60 cm, 23 5/8 × 23 5/8 in

06

The Vision

2016

Oil on canvas

80 × 60 cm, 31 1/2 × 23 5/8 in

The Chocolate Labyrinth and Tea

2016

Oil on canvas

80 × 60 cm, 31 1/2 × 23 5/8 in

Cross the Line

2016

Oil on canvas

80 × 60 cm, 23 5/8 × 23 5/8 in

2016
in 
canvas
in  08 Brexit 2016
on canvas
60 cm,
in 
Goodbye
Oil on canvas 80 × 60 cm, 31 1/2 × 23 5/8
Songs From the Last Century 2016 Oil on
80 × 60 cm, 31 1/2 × 23 5/8
Oil
60 ×
23 5/8 × 23 5/8
09
Boat on The Moon 2017 Oil on canvas 170 × 240 cm, 66 7/8 × 94 1/2 in  Study of Baroque 2016 Oil on paper 56 × 77 cm, 22 1/8 × 30 1/4 in 
The

Study of Baroque

2017

Crayon and oil on paper

56 × 77 cm, 22 1/8 × 30 1/4 in

Joseph Beuys

2017

Pencil and oil on paper

77 × 56 cm, 22 1/8 × 15 in

Hermaphrodite (collaboration with Viktor Pivovarov)

2016-17

Crayon and charcoal on paper

56 × 38 cm, 22 1/8 × 15 in

 10

Born 1980, Broumov, Czech Republic

Lives and works in London

Education

2004 Cooper Union, New York

2002 Middlesex University, London

1999-2005 Academy of Fine Art (MgA.), Prague

Selected Solo Exhibitions

2018 National Gallery, Prague

2015 Intellectual Properties, Galerie Vaclava Spaly, Prague

2014 Every Minute You Are Closer To Death, Parafin, London

2013 Flowers Gallery, London

2010 Lucky Man, Caroline Wiseman, London

2009 At The Same Time, Cosa Gallery, London After Holiday 1986, Czech Centre Gallery, Sofia

2008 Lost in Time, Cosa Gallery, London

2007 Czech Centre Gallery, Paris

Selected Group Exhibitions

2015 Blow Up: Painting, Photography and Reality, Parafin, London

2014 John Moores Painting Prize, Walker Art Gallery, Liverpool

2013 BP Portrait Award, National Portrait Gallery, London

2012 Beyond Reality: British Painting Today, Galerie Rudolfinum, Prague Ein Weisses Feld, Schlachthaus Aschaffenburg

Coal and Steel, Candid Arts Trust Gallery, London

Coal and Steel, Czech Centre Gallery, Prague

2011 Encoded Systems, Read Gate Gallery, London

2010 BP Portrait Award, National Gallery of Scotland, Edinburgh

Passion for Freedom, UNIT 24 Gallery, London

TRANSFER, Czech National Building, New York

2009 BP Portrait Award, Southampton City Art Gallery, Southampton

BP Portrait Award, National Portrait Gallery, London

Prague Biennale 4, Prague

TRANSFER, MG Gallery, Brno

BP Portrait Award National Portrait Gallery, Edinburgh

2007 BP Portrait Award, Tyne & Wear Museums, Newcastle

BP Portrait Award, National Portrait Gallery, London

2006 BLACK Art Festival, Pardubice

2005 Prague Biennale, National Gallery, Prague Gallery Foundation M + J Anderle, Prague

Prague’s Studios, Novoměstká Radnice Gallery, Prague

2004 Cooper Union Gallery, New York

2003 Čtvercová leč ARTTODAY, Nová Síň Gallery, Prague

Awards

2008 The Changing Faces, London

BP Visitor Choice, National Scottish Portrait Gallery, Edinburgh

2007 BP Young Artist Award, National Portrait Gallery, London

BP Visitor Choice, National Portrait Gallery, London

2003 Studio Prize, Academy of Fine Art, Prague

Collections

British Museum, London National Gallery, Prague

Sammlung FIEDE, Aschaffenburg

Standard Chartered Bank, London WCIT Collection, London

Bibliography

Every Minute You Are Closer to Death, Parafin, London, 2014

Beyond Reality British Painting Today, Rudolfinum Gallery, Prague, 2012

500 Portraits, National Portrait Gallery, London, 2011

Umění vnímat Umění, Michael Třeštík, Gasset, Prague, 2011

Prague Biennale 4, Giancarlo Politi Editore, Milan, 2009

RE-READING THE FUTURE, Mobility, National Gallery, Prague, 2008

2008

TRANSFER, WhiteBOX Gallery, Munich

International Triennale of Contemprary Art, National Gallery, Prague

Re-Reading The Future, Project Mobility, National Gallery, Prague Defenestrace, Novoměstská radnice Gallery, Prague

Hynek Martinec Paintings 1999-2008, Czech Centre, London, 2008

Hynek Martinec Biography
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