The British Philatelic Trophy Collection
THE FINEST COLLECTION OF BRITISH PHILATELIC TROPHY ASSETS EVER ASSEMBLED
Mike Hall CEO | Paul Fraser Collectibles
“The collection we proudly present is the result of our specialist team’s decade of effort and dedication to our objective to build the definitive collection of British philatelic trophy assets tracking the birth and early history of the postage stamp.”
In building the collection, we have travelled the globe meeting with many key figures in the world of philately to unearth and secure the most important and finest quality British philatelic rarities in existence.
The result of our work is a collection which would be impossible to replicate. The collection comprises many unique items meaning no other collection can aspire to compare.
The collection tells the important story of the early postal history of Great Britain and how a tiny piece of paper measuring 28.8mm2 completely transformed global communications and trade at the time.
The collection as a whole, undoubtedly, has a premium value to its component parts and represents a major portable tangible asset, alternative currency and a family heirloom imbued with history and quality. The pride of ownership is second to none in the world of philately.
The collection comprises some of the most elusive and valuable classic rarities and, as a complete collection, represents a work of miniature art in its own right, and a museum quality preservation of our postal history.
Authenticity and provenance were a core value to the selection process in building this collection. All items in the collection are accompanied with independent certificates of authenticity from the most prestigious philatelic societies in Great Britain, including the Royal Philatelic Society and British Philatelic Association.
In addition, every item in the collection includes
our own certificate of authenticity which provides the buyer with a lifetime moneyback guarantee of authenticity as a contractual term of sale.
The highest value treasure in the collection is the largest surviving block of mint penny blacks in existence, which last appeared on the market at auction in 2007 where it realised $1.15 million.
The collection also boasts ownership of Britain’s rarest and most valuable stamp – the legendary Plate 77, Penny Red. Of the three examples remaining in private hands, our collection holds the finest quality example of those three. It was last sold by the world’s oldest stamp dealer, Stanley Gibbons for £550,000 in 2012 (the record for a British stamp at that time).
Our internal market valuation estimate of the entire collection is between £8 million and £12 million. We hold the firm view that the value of this collection in the future would be much higher if sold through the right auction at the right time.
We have tracked the history of price appreciation of the collection based on the traded values of the philatelic rarities in the collection back to 1954. This showed a reported average annual compound growth rate of 9%.
The owner of this collection will be able to take pride in the knowledge they own the ultimate definitive collection of the most important philatelic rarities from Great Britain. It would represent the most important exhibit in any national postal museum telling the story of the birth of the postage stamp.
THE WORLD’S FIRST POSTAGE STAMP
- THE 1840 PENNY BLACK
The Penny Black was the world’s first adhesive postage stamp and marked the beginning of a communications revolution that changed the world. As the world’s first, it is the stamp all collectors aspire to own and is without a doubt the most famous stamp in the world. Featuring a portrait of Queen Victoria, its beauty rests in its classic simplicity and fine engraving.
Prior to its introduction, postage was very expensive and was paid by the recipient not the sender. Delivery was charged based on the miles travelled and the number of sheets of paper used. The recipient would typically be stung by a charge of several pounds. It was not unusual for delivery to fail because the recipient could not afford to pay.
The penny black changed all this and made sending letters affordable to everyone. It revolutionised worldwide communication.
At the time, many Victorians were illiterate. The penny black incentivised an entire generation to want to read and write. It also led to the expansion of commerce, banking and industry from which we all still benefit today.
The result was an increase in postal traffic from 75 million to 410 million in under 10 years.
It also marked the beginning of one of the biggest and most absorbing hobbies ever to captivate the world.
A man named Rowland Hill was the driving force behind the introduction of the world’s first postage stamp. He wrote extensively on the need for postal reform in the belief that a cheaper system would mean more people would use it and overall profits would increase.
After a national competition in 1939, Rowland Hill rejected all of the designs in favour of his own: a concept he had devised in 1837 for “a bit of paper just large enough to bear the stamp, and covered at the back with a glutinous wash…”
On 20th February, 1840 Queen Victoria approved the finished design for the Penny Black.
The stamps went on sale on the 1st May 1840 but were not authorised for postal usage until 6th May 1840.
The Penny Black represents a real landmark in British and worldwide history.
The collection includes the key philatelic pieces marking the dawn of the prepaid postal system including:
1 The first accepted printing die proof of the penny black
2 The largest surviving mint multiple of the penny black – the magnificent block of 18
3 The first legal contract sent through the post on the first day of issue, 6th May 1840
Victoria lived until she was 81 but, throughout her life, her portrait on
The first accepted printer die proof of the penny black. A major rarity being one of only 4 examples in private hands.
The Accepted Die for the One Penny Stamp, Die I March 1840, with “postage” and “one penny” and upper corner stars added, die proof in black on India paper.
The original proof is reduced and with the backing card (affixed with hinge).
There are some slight peripheral faults, well away from the design, and in no way detracting from the fine appearance of this pivotal proof which had reached the stage where official approval could be given to the final design for the world’s first Postage Stamp, the one penny black.
A highly important exhibition piece of exceptional rarity and one of the most important historical pieces of paper you can own to mark the dawn of the postage stamp and subsequent communications revolution.
GB Specialised Catalogue No: DP17b,
Provenance: ex Collection “TES”, Christies Robson Lowe, October 1995 and Chartwell Collection Spink sale (June 2011) where it realised £235,000, including premium.
The accepted die represented the finalised design of the penny black approved for production. The addition of “POSTAGE” at the top and “ONE PENNY” at the bottom was pivotal as this is what differentiated the new concept to prepay postage, which was revolutionary at the time.
The India paper used was a high quality thin paper used for proofs because of its ability to capture fine detail.
A spectacular and
very rare marginal example from
the first approved printing sheet of the important V.R. Official penny black.
A superbly unused, with original gum, close to large four margin bottom marginal imprimatur from the second registration sheet lettered ‘TC’; showing small part sheet inscription.
There are only 27 examples possible which were removed from the imprimatur sheet (the very first approved printing sheet), many of which are in institutional collections.
The V.R. Official penny blacks have always been considered extremely important in the world of early British stamp collecting. The imprimatur, being the equivalent to the first edition, is a major trophy asset of British postal history.
Provenance: Ex Maurice Burrus. Accompanied with a 1980 British Philatelic Association (BPA) Certificate of Authenticity.
The penny black VR Official was issued in May 1840 exclusively for use on official correspondence between government departments. The design is the same as the penny black in all respects other than the letters “VR” at the top of the stamp.
Because the Mulready was so disliked by the general public, it ended up being used by the government instead of the VR Official stamp. As a result, the stamp was abandoned and nearly all the supplies which had been printed were destroyed on 25th January, 1843.
First day of issue of the penny black cover with deep black impression including letter with important philatelic historical content.
A very fine used large four margin example neatly tied to small clean cover by a red Maltese Cross with an octagonal London datestamp on reverse for the first day of issue ‘MY.6.1840’.
The cover was sent locally within London and comes complete with original contents referring to the newly introduced stamps: “The stationers are furious at the Government allowing them so little profit on the new stamps”.
Wonderful quality for a penny black first day cover and a major rarity in this quality as penny black first day covers are mainly in poorer condition. The historical relevance of the letter contained within the cover is quite exceptional adding considerable value to a postal historian.
An exhibition item of the highest quality marking the dawn of the prepaid postal system.
Accompanied by a 2003 Royal Philatelic Society (RPS) Certificate of Authenticity.
The largest surviving mint multiple of the world’s first postage stamp remaining in private hands.
The magnificent unused, with original gum, left-hand marginal inscriptional block of 18, lettered ‘MA-OF’ (MF Double letter, OA-OB Re-entry) wonderfully well margined all round, vibrant colour and with practically full original gum.
There is some light gum wrinkling and negligible traces of foxing often associated with this paper and characteristic of the gum.
Accompanied by an unused horizontal strip of six lettered PA-PF reforming the original block of 24, and a stunning mint penny black multiple in its own right.
After years of being separated from the original multiple, it was miraculously reunited by Dr. Pichai Buranasombati in the late 1990’s and was one of the showpiece multiples contained in his Grand Prix winning collection of Line Engraved issues.
A stunning showpiece of the highest exhibition calibre and the largest surviving mint multiple of the world’s first postage stamp remaining in private hands. It should rightfully be displayed in a museum being one of the most iconic pieces of GB philatelic history. The opportunity for private ownership of the top items in philately is becoming increasingly challenging as museums take key items out of the market each year.
Unsurprisingly, the largest mint block of penny blacks in existence has graced some of the finest stamp collections ever formed, with the most recent famous owner being Bill Gross, the US billionaire fund manager of PIMCO.
The last time the reunited block of 24 mint penny blacks appeared for sale on the open market was in the Bill Gross Spink Shreves auction in 2007, where it realised $1,150,000.
One of the great classic rarities of Great Britain and world philately.
Provenance: Block of 18, Ex. HCV Adams Collection; “Daisy” Grand Prix Collection of 1840-41 Line Engraved Issues; Dr Pichai Buranasombati; legendary stamp collector and investor Bill Gross. Strip of six ex. “Tes”, Pichai & Bill Gross.
Accompanied with a 1996 independent certificate of authenticity issued by the British Philatelic Association.
The “Sandeman Port” penny black first day cover
Widely considered to be the finest quality single Penny Black first day cover in existence described as such in the “Collectors Club Philatelist” July-August 2006 edition.
May 6th, 1840, the first day of issue, “Sandeman Port” letter and invoice from Sandeman, Forster & Co. sent from Lombard Street to Norwich bearing a 1d black plate 1a lettered “QJ”, tied by a complete Maltese Cross cancellation and with Lombard Street Maltese Cross type “6 MY 6/1840” datestamp on reverse.
A stunning quality first day cover of the world’s first postage stamp marking the dawn of prepaid postage and spawning a communications revolution. Widely considered to be the finest quality single Penny Black first day cover in existence described as such in the “Collectors Club Philatelist” July-August 2006 edition.
A beautiful exhibition display piece of the ultimate trophy asset in philately.
Accompanied with two independent certificates of authenticity from the British Philatelic Association (BPA), the most recent dated 2002.
Provenance: Ex. Alan Holyoake Grand Prix Gold Medal Winning Collection “Mayflower”. Featured in “The World’s First Postage Stamp” book by Alan Holyoake published by the Royal Philatelic Society in 2013.
The Stanley Gibbons specialised catalogue (2011) listed a penny black 6th May cover at a price of £160,000.
GB Specialised Catalogue Number: A1ta.
Unique as the only known legal contract penny black first day cover benefiting further from including a pair of penny blacks. A world-famous cover and one of the most important pieces of British philately.
Great Britain 1840 (6th May) complete “Protestant Dissenters Assurance Company” insurance document sent from London to Stowmarket, Suffolk, franked with horizontal pair of 1840 1d black, plate 1a, lettered ‘ID-IF’ used to pay the 2d postage rate for an item weighing in excess of ½oz but below 1oz, SG2.
Cancelled by light red Maltese Crosses, handstamped with a London Chief Office circular datestamp of dispatch of “C/MY-6/1840” on the reverse (the time code “C” indicates the evening duty) and dated within “In witness... this sixth day of May 1840, First Day of Official Use.”
The document is a magnificently engraved Insurance Certificate issued by the “Protestant Dissenters & General Life & Fire Insurance Company” for loss or damage by fire up to an amount of £200, covering a Meeting House and two adjoining Cottages at Stowmarket, built of timber and tiles and owned by Robert Squirrell, Junior, and clearly officially signed, sealed and dated on 6th May 1840.
This is believed to be unique as the only known legal contract 1d black first day cover. A world-famous cover and one of the most important pieces of British philately.
Accompanied with a British Philatelic Association (BPA) certificate of authenticity, dated 3rd December 2001 and a David Brandon Expert Committee certificate of authenticity dated 22nd December 2001.
Provenance: Ex Alan Holyoake RDP FRPSL Grand Prix Collection, featuring on page 79 of his book, “The World’s First Postage Stamp” published in 2013.
One of the largest multiples of penny black on cover and one of only two in existence from the first 4 days of use.
A very fine used block of six lettered ‘OA-QB’ just touched at left, but with good to large margins on other sides.
The cover was used on a large solicitors entire letter from Chester to Manchester, neatly tied by crisp red Maltese Crosses with a red Chester circular date stamp on the reverse for ‘MY.7.1840’. The cover being also endorsed at the upper left “Under 3oz”.
Irrespective of a few minor faults, as to be expected, including the block has been lifted and pressed, it is nevertheless a spectacular and important philatelic showpiece.
Only two such covers now survive in private hands bearing large multiples from the first four days of use. This cover is from the second official day of use.
Provenance: Ex. Guggenheim, Griffiths and the “Mayflower” Grand Prix Gold Medal Collection.
Accompanied with a 1974 Royal Philatelic Society (RPS) Certificate of Authenticity.
A beautiful exhibition quality display cover from the second day of issue. The first time this cover has appeared on the market in over 50 years.
May 7th, 1840, the second day of issue, lettersheet sent from Keswick to London bearing a 1d black plate 1a lettered “TK” with very large margins, with Maltese Cross cancellation, and Keswick circular date stamp “MY 7 1840” on front.
A beautiful exhibition quality display cover bearing the world’s first postage stamp marking the dawn of prepaid postage and spawning a communications revolution.
This is the first time this cover has appeared on the market in over 50 years.
Accompanied with a 1994 Royal Philatelic Society (RPS) Certificate of Authenticity
The finest example of the few 10th May (first Sunday of the month) penny black covers known.
An entire letter from Darlington on first Sunday May date, May 10th, to House of Commons bearing an 1840 1d grey-black, plate 1a, lettered “AG” tied by Maltese Cross obliteration in red, backstamped Darlington 10.5.40 and 12.5.40.
A superb quality example used on cover to the House of Commons on Sunday May 10th 1840, the first Sunday of postal use. Recognised as one of the great rarities of early GB philately.
This is the finest example of the few 10th May 1d black covers known.
Accompanied with a 1992 British Philatelic Association (BPA) Certificate of Authenticity.
Believed to be one of the largest surviving worn plate multiples from the first printing plate.
A superb mint horizontal pair lettered FB-FC and a strip of three lettered FD-FF reforming an original strip of five, with original gum and all with four large margins, almost never seen.
Despite a light diagonal crease crossing the FB-FC it is nevertheless a stunning multiple with fresh gum and a magnificent grey-black worn impression. The strip of five is believed to be one of the largest surviving worn plate multiples from this printing plate.
Provenance: Ex. Percy de Worms & Grand Prix Gold Medal Winning Collection “Mayflower”.
Accompanied with two certificates of authenticity from the British Philatelic Society (BPA) from 2006 & 2010.
The Stanley Gibbons Great Britain Queen Victoria Specialised Catalogue lists the value of a block of four at a value of £160,000 and a pair at £48,000.
The first printing plate of the penny black was registered on 15 April 1840. As the plate had not been hardened it soon showed signs of wear. The plate was withdrawn due to the wear and extensive repairs were undertaken. The first printings prior to repairs are referred to as Plate 1a and the repaired state as Plate 1b.
Regarded as the finest used multiple of the penny black from this plate or any other plate.
Great Britain 1840 1d black plate 2, block of eight lettered ‘QIRL’, beautifully tied to a small piece, each stamp with a crisp and perfectly struck scarlet-vermilion Maltese Cross, SG2.
A magnificent block featuring the world’s first postage stamp. Widely regarded as the finest used multiple of the penny black from this plate or any other plate.
Without a doubt, the most visually appealing used block of penny blacks we have ever handled and a magnificent exhibition piece.
This iconic philatelic gem last appeared for sale on the market when it was offered by Stanley Gibbons in their monthly price list in 2010 for a price of £225,000.
Plate 2 was first registered on 22 April 1840 and was therefore amongst the first penny blacks issued on 6th May 1840.
One of the crown jewels of Great Britain philately - the largest known multiple from Plate 3 in private hands. Plate 3 is recognised as the printing plate which produced the finest impressions of the penny black.
• This mint block of 12 Penny Black stamps is the largest known multiple from Plate 3 in private hands
• Provenance from the esteemed Chartwell Collection
• Accompanied by a 2012 British Philatelic Association (BPA) certificate
The magnificent unused original gum, bottom marginal block of 12 is lettered SD-TI, with rare full deckle edge selvedge, four good margins, deep colour and sheet inscription.
Vertical creasing in “D” and “I” columns does not detract from this being one of the great mint multiples of this issue.
This is an extremely rare opportunity to own a sizable, mint condition multiple from the original stamp issue, which continues to be one of the most widely collected in the world.
Plate 3 was the first to be hardened before being put into press, resulting in stamps that were notably stable in printing, with even colour, and showing the deepest shades of black.
Providing some of the finest stamps of the issue, it soon became worn and was the first plate of the issue to be destroyed. As such, good quality stamps from this plate are a rarity.
The finest and most impressive extract from the famous mint block of 28 from the Seymour Collection
A spectacular large four margin unused, with original gum, right hand marginal block of twelve (3 x 4) on experimental thin paper (Manuscript “24lb” in margin indicating the weight per ream). Also, with full deckle edge margin and sheet inscription “In Wetting the Back be careful not to remove the Cement”.
This block of twelve was extracted from the famous mint block of twenty-eight from the Seymour Collection (James Benjamin Seymour) sold through Robson Lowe (Lot 247) in 1951 after his death.
This is the finest and most impressive portion of that remarkable multiple with a deep rich colour and crisp fine impressions. Some minor and typical creasing at the right hand side but, overall, extremely fine making this one of the classic multiples of world philately and a stunning exhibition piece.
Because of a combination of its historical importance to early British philately and its exceptional quality, it has formed part of some of the most revered collections of early British stamps ever assembled in the past.
Provenance: Ex James Seymour, Largentiere Maximus, Hassan Shaida and Bill Gross.
Accompanied with a 1981 British Philatelic Association (BPA) Certificate of Authenticity.
The block was last sold to a private collector by Stanley Gibbons in 2013 for £480,000.
The largest surviving multiple of penny blacks from any plate in private hands either mint, used or on or off cover.
A unique legal wrapper bearing a spectacular block of twenty four 1d blacks (‘PA-QL’ in two complete rows) each neatly cancelled by a black Maltese Cross, with a Salisbury dispatch date stamp for ‘MR.22.1841’ and a Basingstoke arrival circular date stamp for the same day below.
A commanding quality penny black cover despite some slight toning and minor creasing as to be expected on such a large block. There is also a small tear to the top of the ‘PE’ stamp. Such minor imperfections are superficial when comparing to the quality of comparable rarities.
A small portion of the wrapper has been cut away, presumably bearing four further 1d blacks to make up the 2s4d rate as seen on a similar cover bearing fourteen 2d blues from the same correspondence.
A spectacular exhibition showpiece bearing the largest surviving multiple of 1d blacks from any plate in private hands either mint, used or on or off cover.
Accompanied with a 2011 British Philatelic Association (BPA) Certificate of Authenticity.
The rarest printing plate of the penny black in a mint block of four; a magnificent exhibition piece.
A very fine unused good to large four margin block of four lettered ‘DC-ED’ with original gum. Also, showing double “D” check letter on DD.
Light corner crease at bottom left of ‘EC’, which barely detracts from perfection and a magnificent exhibition piece with excellent colour and gum.
Plate 11, the elusive last printing plate, is considered the holy grail of penny black collecting. Only 168,000 were printed from this plate, representing a mere fraction of the total number of penny blacks printed of 68 million. Very few have survived from this plate number.
Very few mint blocks of the plate 11 penny black exist in private hands and this is the first we have ever handled.
Provenance: Ex. Largentiere Maximus (1970).
GB Specialised Catalogue No: AS73.
Accompanied with a 2012 British Philatelic Association (BPA) Certificate of Authenticity.
The printing plate 11 was originally created to print the new penny red stamps to replace the penny black. Its use for printing penny blacks was therefore severely limited.
THE ROMANTIC NOTION OF POSTAL BENEFITS – THE 1840 MULREADY POSTAL STATIONERY
Section 2 | The romantic notion of postal benefits – the 1840 Mulready Postal Stationery
Mulready stationery letter sheets were introduced as part of the British Post Office postal reforms at the same time as the Penny Black. They went on sale on 1 May 1840 and were valid for use from 6 May 1840.
William Mulready was a well-known Irish artist at the time and was commissioned to design the illustrations on the face of the letter sheet.
The social reformer, Sir Rowland Hill was responsible for the reform of the postal system based on the concept of prepaid postage with a uniform Penny Post. He expected the Mulready stationery to be more popular than postage stamps but, as we know, the postage stamp prevailed.
Within two months, the decision was made to scrap the Mulready stationery with the Penny Black becoming the clear winner with the public. Rowland Hill famously said at the time “I fear we shall have to substitute some other stamp for that design by Mulready... the public have shown their disregard and even distaste for beauty.”
The design was a romantic conception of what the worldwide benefits of cheap postage would bring.
The design features Britannia, with shield depicting the Union Flag and with the British Lion at her feet presiding over the ocean and despatching a winged messenger to each of the four points of the compass. Below the messengers there are sailing ships on the
left, and on the right a Laplander on a sleigh drawn by a reindeer.
To the left were oriental groups: Chinese with pigtails, laden camels, elephants, someone writing a letter and a child apparently reading some bad news to a bed ridden parent.
To the right were a group probably representing William Penn negotiating with some native Americans, women and children under a palm tree, a planter supervising the heading up of two casks and finally a mother reading a letter of good news to her children.
Artistically, the design is undeniably genius, although questionable in terms of being practicable for its purpose.
The collection includes three very important examples of the short-lived Mulready postal stationery:
1. The unique only known hand coloured 1d Mulready recorded on the first day of usage on 6th May, 1840
2 The only known Mulready envelope from the 9th of May, 1840 uprated with a penny black to cover 2d postage rate
3 One of only two recorded 6d frankings of the Mulready to cover postage weighing 3oz
1840 1d Mulready envelope Stereo A179, first day cover SGME2b
A unique philatelic item being the only known hand coloured 1d Mulready recorded on the first day of usage on the 6th of May.
Great Britain 6th May 1840 (first day of issue) hand coloured 1d Mulready envelope Stereo A179, SGME2b to Ipswich cancelled by a red Maltese Cross, with Finchurch Street handstamp.
Backstamped with black “B/MY-6/1840” and red “K/6 MY 6/1840” circular date stamps.
A superb quality hand coloured example of the 1d Mulready on the first official day of usage. A magnificent piece marking the beginning of the prepaid postage revolution.
A unique philatelic item being the only known hand coloured 1d Mulready recorded on the first day of usage on the 6th of May.
The hand-colouring of the design was performed by some Victorians to enhance its aesthetic appeal, turning the stationery into a piece of art. The practice of hand-colouring was a way of personalising the stationery and adds historical interest.
Accompanied with a British Philatelic Association (BPA) Certificate of Authenticity.
1840 1d Mulready letter sheet, Stereo A18, forme 2, 9th May, SGME1
Unique as the only uprated 1d Mulready recorded on this date known to exist.
Great Britain 1840 1d Mulready letter sheet, Stereo A18, forme 2, uprated to 2d for weight up to 1 ounce with 1d penny black, plate 1a, (SGME1, SG2).
The letter sheet was sent on May 9th, 1840 (the fourth day of issue) from London to Carlisle cancelled by two red Maltese Crosses.
This is the only uprated 1d Mulready recorded on this date known to exist.
Accompanied with an independent and clean Certificate of Authenticity from the Royal Philatelic Society (RPS).
An exceptional unique item of a very high quality and one for the connoisseur of early postal history.
Provenance: Ex. “Mayflower” Grand Prix Collection.
1840 2d Mulready envelope uprated to 6d, SGME4,2
A spectacular uprated franking of the ill-fated Mulready cover, one of only two recorded 6d frankings prepaid with four additional 1d blacks.
A very fine used example uprated to the 6d per 3oz rate with four additional 1d blacks from plate 8 lettered ‘QA’, ‘SE’, ‘SG’ & ‘SJ’ (SE & SG State 2 provisional printing) all neatly cancelled by crisp black Maltese Crosses.
Sent from London to Dulwich with a “T.P./Chief Office” handstamp and circular date stamp on reverse for ‘AU.19.1841;.
Despite some trivial soiling, this is, nevertheless, a spectacular uprated franking, one of only two recorded 6d frankings prepaid with four additional 1d blacks.
Provenance: Ex Yates & “Mayflower” Collections.
Accompanied by a 1996 British Philatelic Association (BPA) Certificate of Authenticity.
One of the great rarities of Great Britain Philately.
An ex Stanley Gibbons stock item.
10 TIMES RARER THAN THE PENNY BLACK
- THE 1840 TWO PENNY BLUE
The two penny blue was issued contemporary with the penny black and therefore shares the distinction of being one of the world’s first two postage stamps. Both stamps were first valid for postage from 6th May, 1840. Whilst the penny black is the jewel in the crown of many collections, any collector interested in Queen Victorian stamps will also want to secure a two penny blue. It is however much rarer and more difficult to find in pristine condition.
The 1840 two penny blue was issued for just one year and was used to cover postage on packages weighing over half an ounce. Sending letters was a new enough concept at the time, let alone parcels.
With only two printing plates being used compared to 12 for the penny black, the 2d blue is 10 times scarcer than the penny black.
Consequently, examples of the 2d blue are much rarer and significantly more valuable than the penny black.
The design of the two penny blue is exactly the same as the penny black and was struck from the same die. The first 2d blue stamp differs from all subsequent 2d issues in having no white lines above the value and below “POSTAGE”.
The collection brings together some of the finest and rarest philatelic trophy items covering the two penny blue, including:
1. The first accepted printing die proof of the 2d blue
2 A magnificent unused block of six with original gum from the first printing plate
3 One of the finest recorded examples of an early cover including a horizontal pair of penny blacks and a 2d blue
The first accepted printer die proof of the 2d blue
A superb example printed in black on India paper with blank lower corner squares and engraved “Stars” in upper corners. A couple of light wrinkles of no importance and not detracting from this major philatelic world rarity, which is of exceptional quality for such a key rarity.
Only 6 examples have been recorded of which at least two are unavailable to collectors.
A stunning exhibition showpiece that has graced the world famous collections of Colonel Bates, Hassan Shaida and Pichai Buranasombati.
Most recently was a star item in the “Mayflower” Grand Prix Gold Medal Collection. Featured in the book by Alan Holyoake, “The World’s First Postage Stamp” published by the Royal Philatelic Society in 2013.
Accompanied with a 1995 British Philatelic Association (BPA) Certificate of Authenticity.
This is an opportunity to own a true philatelic treasure from the earliest days of the use of postage stamp.
Many people have heard of the world’s first stamp - the ‘Penny Black’ but very few are aware of its much rarer cousin - the Two Penny (or Tupenny) Blue. Whilst it is right that the Penny Black is the world’s most famous stamp the Two Penny Blue is much rarer and more valuable. In total 68 Million Penny Blacks were printed versus only 6.5 Million Two Penny Blues.
On the 6th May of 1840 the modern postal system was born. The 1 Pence and 2 Pence stamps themselves were released on the 1st May but were not eligible for use until the 6th (though the Two Penny Blue wasn’t available until the 8th). This ushered in a communications revolution that has been likened to how email has revolutionised communication in the 21st Century.
A scarce early May date usage on cover with a pair of 2d blues uprating postage rate to 4d.
A very fine envelope sent from Norwich to Fakenham bearing a four margin horizontal pair of 2d blues from Plate 1 lettered ‘CG-CH’ paying the 4d rate up to 2 ounces. Both stamps are neatly tied by crisp red Maltese Crosses.
Backstamped with a Norwich dispatch circular date stamp for ‘MY.15.1840’. A scarce multiple of this early “May date” usage, with such early covers rarely seen in such fine condition.
This important early piece of British philatelic history is illustrated in the “May Dates” publication by Mike Jackson on page 142.
GB Specialised Catalogue No: DSStf. Provenance: Ex Durham & Mayflower.
The catalogue value of a pair of unused 2d blue stamps off cover is £85,000.
Accompanied with a 1993 British Philatelic Association (BPA) Certificate of Authenticity.
An exceptional exhibition piece of the two penny blue stamps issued at the same time as the penny black.
A magnificent unused block of six with original gum, lettered ‘AE-CF’. The middle pair are unmounted mint. The ‘CF’ stamp shows shifted transfer printing variety at foot.
A couple of tiny gum thins at top and ‘CF’ just shaved at right. Nevertheless, condition such as this are minor in the context of what is an exceptional multiple and a wonderful exhibition showpiece with lovely fresh colour and gum.
A major rarity of GB philately.
GB Specialised Catalogue No: DS5c.
Stanley Gibbons catalogue value: £350,000.
Provenance: Ex. “Verus Collection”.
Because the 2d blue was issued contemporary with the 1d black, it shares the distinction of being one of the world’s first two postage stamps. The die for these first 2d stamps was taken indirectly from the original die of the 1d stamps.
1840 2d Blue, Plate 1, used horizontal strip of 10. SG5
One of the largest used strips of two penny blues in existence and a magnificent exhibition piece.
A magnificent used four margin horizontal strip of ten, divided into two strips of five lettered ‘KC-KG’ and ‘KH-KL’.
Lifted for inspection and neatly remounted to piece in what appears as a block of ten, neatly tied by crisply struck red Maltese Crosses.
A spectacular exhibition piece.
GB Specialised Catalogue No: DS5/j.
Provenance: Ex Victoria & “Mayflower” Grand Prix Gold Medal Collection.
Accompanied with a 2010 British Philatelic Association (BPA) Certificate of Authenticity. Ex Victoria & “Mayflower”.
One of the finest recorded examples of an early cover including horizontal pair of penny blacks and a 2d blue.
A very fine entire envelope sent from Devises to Salisbury bearing a close to large four margin 2d blue Plate 1 lettered, ‘TC’ and tied by a red Maltese Cross with a Salisbury arrival circular date stamp at left for ‘JU.28.1840’.
Turned and forwarded to London on the same day, bearing a close to huge four margin horizontal pair of 1d black’s, Plate 2, lettered ‘JE-JF’ cancelled by red Maltese Crosses with a Salisbury dispatch circular date stamp for ‘JU.28.1840’.
Backstamped by a London arrival circular date stamp for ‘JU.29.1840’.
A light horizontal filing crease through the 1d black pair is the only condition issue of note and does not detract from this magnificent “turned cover”.
A spectacular exhibition piece of significant postal history interest and without doubt one of the finest recorded examples.
Accompanied with a 2008 British Philatelic Association (BPA) Certificate of Authenticity.
Provenance: Ex. “Mayflower” Grand Prix Gold Medal Collection.
The earliest known registered cover bearing 1840 2d blue. Only three registered covers bearing the 1840 2d blue, plate 1 are recorded. Remarkably, the earliest known also bears a multiple of the 2d blue, which is rarely ever seen.
A fine cover with close to good margins, just cut into at left. Cancelled by a red Maltese Cross, marked Registered Letter in left corner and 1 shilling rate mark for registration and Sheffield despatch circular date stamp. The flaps have been trimmed. Overall a clean and appealing cover.
A delightful and remarkable cover which is the earliest known registered cover bearing 1840 2d blue. Only three registered covers bearing the 1840 2d blue, plate 1 are recorded. Particularly pleasing by the fact the earliest known also bears a multiple of the 2d blue, which is rarely ever seen.
Accompanied with a 1999 Royal Philatelic Society (RPS) Certificate of Authenticity.
Provenance: Ex Martin Willcocks (June 1999), Dr Pichai Buranasombati (March 2001) and Alan Holyoake RDP FRPSL, Grand Prix Collection of British and International Registered Mail.
The finest known of all 2d blue and 1d red combination usages and unique as the only cover known with the 1841 1d red-brown plate 1b
The finest known of all 2d blue and 1d red combination usages and unique as the only cover known with the 1841 1d red-brown plate 1b CE and CK, SGDS6, AS6.
The letter was sent on April 28th 1841 from Cork to Dublin with two stamps re-affixed after becoming loose and the cover has been unfolded at the left.
An exceptional unique piece from early GB philatelic history.
Provenance: Ex. “Mayflower” Grand Prix Collection.
Accompanied with a 1996 independent Certificate of Authenticity from the Royal Philatelic Society (RPS).
A superb unused, with original gum, close to large four margin horizontal block of six lettered ‘IA-JC’. Beautiful colour and gum, this magnificent multiple having been previously described as having a “Proof like impression”.
A major GB philatelic rarity in this quality.
Provenance: Ex. Sir Leonard Atkinson & Sir Gawaine Baillie.
White lines were added to the 1841 printings of the 2d blue to distinguish them from the original 1840 2d blue printings.
According to the Treasury Minute dated 17 December 1840, it had
proved impracticable to change the colour of the 2d blue to another light colour.
In accordance with the instructions “…as it may be important, hereafter, to have the means of distinguishing the new Twopenny Labels from the old ones, to make some alteration in the plate used for printing them,” the white lines were added.”
The design of the 2d blue was therefore changed with a horizontal white line being added at the top and bottom. The new design became known as the “white lines added issue”.
A quite magnificent exhibition piece, very rare in this quality.
A superb unused, with original gum, four margin horizontal strip of three lettered AJ-AL. Wonderful crisp impression.
A quite magnificent exhibition piece, very rare in this quality.
Accompanied with a 1993 British Philatelic Association (BPA) Certificate of Authenticity.
The Stanley Gibbons GB Specialised catalogue does not list a price for a strip of three. A block of four is, however, listed at a price of £35,000.
The 2d blue plate 3 was finished on 25 February 1841, and printing commenced two days later. They were printed on Crown watermarked paper, which often shows considerable blueing. All sheets from this plate were issued imperforate.
The rarest shade of the 2d Blue – “The 2d Violet Blue” with less than 20 known surviving mint examples of this very rare stamp.
A superb unused, with original gum, good to large four margin example Iettered ‘RF’ of this rare shade variety. Beautiful fresh colour and gum.
In 1851 a few sheets of the new Twopenny Blue were printed and something went wrong…
The printing ink reacted with a bleaching agent in the paper creating the rarest shade of the 2d Blue – “The 2d Violet Blue”.
There are less than 20 known surviving mint examples of this very rare stamp.
GB Specialised catalogue no: ES16.
Accompanied with a 2012 British Philatelic Association (BPA) Certificate of Authenticity.
Stanley Gibbons catalogue value: £22,000.
THE STAMP WHICH REALLY DID CHANGE THE WORLD - THE 1841 PENNY RED
Whilst the penny black enjoys the accolade of being the stamp that changed the world, it did have one serious failing. It became apparent that the red cancellation used might be cleaned of the black stamp, allowing it to be reused. This failing was identified in the first month of issue of the penny black and trials began to find a better combination of stamp and cancellation colours. The end result was a decision to swap the colours around and introduce a red stamp with a black cancellation.
In February 1841, nine months after the issue of the penny black, it was replaced by the Penny Red. The imperforate penny red covered the standard letter rate in Great Britain until the arrival of perforated stamps in 1854 and consequently was the stamp most used during the Victorian Communication Revolution which changed the world.
The penny red is widely considered in philatelic circles as the poor man’s penny black. There is a truth to this label since standard penny red stamps cost a fraction of the equivalent penny black. This is because the penny black was on sale for only nine months, whereas the penny red proved a success and lasted for 13 years. During this period, both literacy and letter-writing grew at unprecedented rates.
The collection would not be complete without including the penny red, thus featuring the world’s first three postage stamps, not to mention the need to include the actual stamp which opened up letter writing to the world.
The collection includes the finest quality key rarities of the penny red, including:
1. The finest example of Britain’s rarest stamp, the legendary Plate “77” penny red
2. A magnificent exhibition quality mint block of sixteen
3. The Perkins Bacon perforation trials exhibition showpiece marking the birth of perforated stamps
A magnificent and very rare exhibition showpiece and one of the most prominent of “penny red” philatelic rarities.
A superb unused, with original gum, four margin bottom right hand corner marginal plate block of nine lettered ‘RJ-TL’, with full deckle edge selvedge, sheet marginal inscription, plate number “10”.
Spectacularly showing basal shift printing variety on ‘RK’ & ‘RL’, J flaw printing variety on ‘SJ’ & ‘TJ’ and “P converted into R by hand engraving” on ‘RJ’.
A magnificent and very rare exhibition showpiece and one of the most prominent of “penny red” philatelic rarities.
GB Specialised Catalogue No: AS69c/d/g.
Provenance: Ex. “Verus”.
The Stanley Gibbons Queen Victoria Specialised Catalogue does not list prices for these printing varieties in unused condition for these pre-provisional printings in red. The catalogue value for the “P converted into R” for printings in black is £30,000 and £28,000 for the basal shift variety and J flaw variety.
The pre-provisional printings in red using the original plates used for the penny black as notably scarce due to the very short initial printing in red in early January 1841.
Plate 10 was withdrawn from use soon after issue. It is believed its withdrawal was the result of a complaint from Rowland Hill referring to them as ‘badly printed’ stamps, possibly due to being a worn printing plate. It was destroyed on 21 February 1843.
A magnificent exhibition quality block of the highest pedigree of the penny red being the stamp responsible for the Victorian communications revolution.
A superb unused, with original gum, four margin right hand marginal block of sixteen lettered ‘II-LL’, with full deckle edge selvedge and sheet marginal inscription.
A magnificent exhibition quality block of the highest pedigree, lightly mounted on four stamps only.
Whilst the penny black enjoys the accolade of being the stamp that changed the world, it did have one serious failing. It became apparent that the red cancellation used might be cleaned from the black stamp, allowing it to be reused. This failing was identified in the first month of issue of the penny black and trials began to find a better combination of stamp and cancellation colours. The end result was a decision to swap the colours around and introduce a red stamp with a black cancellation.
In February 1841, nine months after the issue of the penny black, it was replaced by the Penny Red. The imperforate penny red covered the standard letter rate in Great Britain until the arrival of perforated stamps in 1854 and consequently was the stamp most used during the Victorian Communication Revolution which changed the world. During this period, both literacy and letter-writing grew at unprecedented rates.
GB Specialised Catalogue No: AS69.
Accompanied with a 2013 British Philatelic Association (BPA) Certificate of Authenticity.
One of the first printings of the penny red using the penny black printing plates, exceptionally rare as a mint block of four
A superb quality unused four margin block of four with original gum, lettered ‘LE-MF’, lightly mounted on the top two stamps only.
A very rare block in this exceptional level of preservation.
To prevent the cleaning and fraudulent re-use of black stamps, the colour was changed to red-brown in 1841. The penny black printing plates available at that time were used for printing the new colour.
Accompanied with a 2001 British Philatelic Association (BPA) Certificate of Authenticity.
The
Perkins Bacon perforation trials exhibition showpiece of the utmost rarity.
A superb unused, with original gum, right hand marginal block of ten lettered ‘BH-CL’.
The Perkins Bacon perforation trials used the balance of a sheet of the imperforate 1d red-brown, Plate 10, left over from the creation of postal notices in 1841. These were used by printers, Perkins Bacon for a perforation experiment in 1860.
The perforations measuring 11-12½ were used in the early 1860s for stamps of Antigua, Bahamas, Barbados, Grenada, St Vincent and Turks Islands.
A stunning exhibition showpiece of the utmost rarity.
Only this block of ten, an adjoining strip of five lettered ‘DH-DL’; Ex. (Ex. Daisy) and a block of four on cover from Hertford (Royal Philatelic Collection) are known to exist.
Provenance: Ex “Verus”.
The legendary Plate “77”. The finest example of Britain’s rarest and most valuable postage stamp.
A very fine used example lettered ‘PI’, used in combination with a 4d bright red, SG79, both neatly tied to a small piece by London “15” numerals.
Of the three examples of the legendary plate 77 penny red remaining in private hands, this is considered the finest example.
Only nine examples of this very rare plate have been recorded. This includes four unused examples:
‘AB’ acquired by King George V in 1919 and still remains in the Royal Philatelic Collection today
‘BA’ became part of the Thomas Tapling Collection which was bequeathed to the British Museum in 1891 - it is held in the British Library today
‘AC’ sold in a Robson Lowe auction in 1959 to Major Raphael, but his collection was stolen in 1965, and the stamp has not been seen since
Fourth example reputed to be in the Ferrary Collection but not seen since it was sold in the 1920s
There are five known used examples:
‘LL’ was heavily cancelled by an obliterator postmark, discovered by a Penny Red collector in 1906 and has since passed hands residing in a private collection which has not been seen since 1974
‘MI’ was discovered by Percy Jackson in 1944 and auctioned for £220 by Robson Lowe. It has not been seen since.
‘PH’ was discovered in 1924 and passed through several collections before being sold to H G Fletcher in 1956. His collection was bequeathed to a museum in 1989 and was transferred to the British Library where it remains today.
‘AA’ was in the Henry J Crocker Collection (one of the Fathers of Philately) but was lost in the 1906 San Francisco earthquake
This example, ‘PI’, is the adjoining stamp to the example in the British Library and has graced some of the finest stamp collections ever formed. It was originally discovered by a Manchester stamp dealer in 1920. It was auctioned by Robson Lowe in 1959 for £900 and was last sold in 2012 by Stanley Gibbons for £550,000 (a record for a British stamp).
It is not only a magnificent exhibition piece but one of the great rarities of GB and World Philately.
Provenance: Ex. H.J. Johnson (1920), J. de R. Philip (1959), Isleham (1987), Hassan Shaida and Dr. P. Burunasombati.
Accompanied with two independent Certificate of Authenticity, 1920 Royal Philatelic Society and 2011 British Philatelic Association.
THE FAILED STAMP EXPERIMENT – THE 1847-54 EMBOSSED ISSUES
The Embossed postage stamps from Great Britain were issued during the reign of Queen Victoria between 1847 and 1854. They were a very important part of the communications revolution taking place at the time.
They included three stamp values - 6d, 10d and 1 shilling. The 1-shilling rate was for postage to the USA, the 10d to Europe, including France and Italy and the 6d covered the rate to Belgium. These higher value embossed stamp issues opened up postal communication worldwide. It brought about staggering growth in international trade as the perfect partner to the steamship and railways of that time.
Embossed British stamps are particularly interesting as they include three features that are unique to British philately – the method of die production, the method of printing and the use of silk thread paper.
Britain’s experimentation with embossed stamps only lasted seven years when they were replaced by new surface printed definitive postage stamps. The embossed printing process was ridiculously laborious. Stamps were printed one at a time on silk thread paper. The design was raised and recessed to create a rough surface. The
working die had to be used to apply each impression individually to the printed sheet by hand. As a result, the impressions were usually poorly spaced, either being too close together or too far apart. It was quite common for stamps to overlap.
Postal workers would then often cut around the octagonal design before they were sold. In short, the process was totally ineffective. Few quality examples were produced from the printing process in the first place and most were used for postage. Because of this, good quality mint examples are very desirable to collectors, but difficult to find. Finding a mint, clean square-cut example with four clear margins is extremely difficult.
The collection provides very fine quality examples of each of the denominations – 1d, 6d and 10 shilling.
An exceptional quality rare multiple of the 6d embossed stamp.
Exceptionally fine and fresh unused original gum four margin vertical pair. Lovely fresh colour and greenish gum.
Embossed postage stamps from Great Britain were issued during the reign of Queen Victoria and were only in issue for a short period between 1847 and 1854. The 6d stamp covered the rate to Belgium.
The 6d stamp is quite unusual in that it has tinted gum. This was the result of a printing made in error on the gummed side of the paper.
The printing process for embossed stamps was laborious. Stamps were printed one at a time on silk thread paper. The design was raised and recessed to create a rough surface. The working die had to be used to apply each impression individually to the printed sheet by hand.
As a result, the impressions were usually poorly spaced, either being too close together or too far apart. It was quite common for stamps to overlap. Postal workers would then often cut around the octagonal design before they were sold.
Few quality examples were produced from the printing process in the first place. Most were used for postage. Because of this, good quality mint examples are very desirable to collectors, but very difficult to find.
Mint, clean square-cut examples with four clear margins are rare. Finding this quality in a pair is quite exceptional.
A very rare multiple accompanied by a 2003 Brandon Certificate of Authenticity.
GB Specialised Catalogue No: H3(2)g.
Exceptional cut-square mint example of the 1 shilling rate for US postage
Great Britain 1847 1s pale green, on Dickinson silk thread paper, (Embossed Die II), SG54.
A magnificent mint example with original gum and, exceptionally, cut square with four clear margins. A very rare stamp in such exquisite condition.
The 1-shilling rate was solely for postage to the USA. With its singlepurpose usage, printing was limited. Very few examples survive today in mint condition with clear margins.
The 1-shilling embossed stamp of 1847 represents one of the earliest uses of high value postage for international mail.
Accompanied with a British Philatelic Association (BPA) Certificate of Authenticity.
Exceptional cut-square mint example of the 10d rate for postage to Europe.
Great Britain 1850 10d brown Die II Embossed, on Dickinson paper with silk threads, SG57.
A very fine mint example with original gum and, exceptionally, cut square with four clear margins. A beautiful example of this rare stamp with lustrous colour.
The 10d rate was for postage to Europe, including France and Italy.
Accompanied with a 1997 Brandon Certificate of Authenticity.
– SURFACE PRINTED ISSUES 1855-1901
Surface printed stamps from Great Britain were first produced in 1855, and this printing method was used for all definitive stamps above the 2d denomination.
As demand for stamps rapidly expanded during the Victorian postal communications revolution, it outstripped the capability of the line-engraved printing methods deployed by Perkins, Bacon and Petch where the printing plates were rapidly worn in the attempts to produce the millions of stamps demanded by the public.
The new surface printed method of printing represented a triumph of the printers Thomas De La Rue & Co being faster, relatively inexpensive and with the plates holding up better to wear.
The surface printed stamps of Great Britain cover a lengthy period of production yet include some of Britain’s rarest stamps. They are widely sought after by collectors and include some of the most beautiful stamps ever produced.
This was a period of stamp experimentation providing collectors with a range of design changes, printing plate numbers and watermarks.
Surface printed stamps, particularly the higher value issues, are renowned for their rarity. Finding quality examples is challenging
as they are usually poorly centred and regularly show signs of damage. In many cases, very few examples became available to collectors and consequently they require a substantial financial investment to build a comprehensive collection.
The collection includes the most famous Queen Victorian surface printed rarities, focussing on the finest known examples in existence providing substantial premium value, including:
1. The 1882 £1 brown-lilac recognised as one of the world’s rarest stamps and one of the finest gems of British philately.
2. A stunning block of four of the controversial Long One Pound stamp of 1891, featuring a rare printing variety
3. An outstanding unmounted mint marginal block of four of Britain’s boldest stamp, the 1882 £5 Orange
9d Straw, Plate 4, imperforate, mint, SG110a
A wonderful Queen Victorian variety of the utmost rarity, believed to be one of only two imperforate pairs recorded in private hands.
A superb unused imperforate horizontal pair, with original gum, lettered TE-TF from the bottom row of the sheet.
A wonderful Queen Victorian variety of the utmost rarity, believed to be one of only two imperforate pairs recorded in private hands.
The 9d value was issued for use as the then rate to India, Australia and Brazil.
Provenance: Ex J.W. Phillips Collection of Great Britain.
A wonderful Victorian variety of the utmost rarity, believed to be one of only three imperforate pairs recorded in private hands.
A superb unused, with original gum, imperforate horizontal pair lettered ‘SA-SB’.
A wonderful Victorian variety of the utmost rarity, believed to be one of only three imperforate pairs recorded in private hands.
Provenance: Ex. collection of the famous and charismatic Scottish collector, Dr Douglas Latto.
The 10d value was introduced for prepayment of postage to India, Mauritius and Australia via Marseilles. The rate was changed in 1870 meaning there was little demand for the 10d stamp and it was withdrawn in 1877.
One of the greatest of all Queen Victorian surface printed rarities and one of the finest mint examples known.
Great Britain 1878 (26th September) 10s greenish grey Plate 1, lettered ‘HC’, watermark Maltese Cross, perforations 15½x15, SG128.
A very fine mint example with original gum of one of the greatest of all Queen Victorian surface printed rarities. Most appealing being exceptionally well centred as most of the few examples in existence show poor centering. Without a doubt, one of the finest mint examples known.
Only one printing plate (plate 1) was used for this value. Mint examples of this elusive stamp rarely appear on the open market for sale. The vast majority of examples have major faults, including repairs and/or regumming.
This is the first example of this iconic Victorian stamp we have enjoyed the privilege of handling in the past 25 years.
Accompanied with four independent certificates of authenticity from respected philatelic experts.
The
unfilled space in almost all collections, hardly ever seen so fine.
Great Britain 1883 10s greenish grey Plate 1, white paper, watermark Large Anchor, perforations 14, lettered ‘ED’’, SG135.
One of the finest mint examples in existence of this major GB philatelic rarity, with large part original gum. Most exceptionally perfectly centred, and with wonderful freshness and vibrant colour. Most other examples have condition issues and poor centering.
One of the hardest Queen Victorian surface printed stamps to find and an unfilled space in all but a precious few Queen Victorian stamp collections. We are both privileged and humbled to handle this elusive stamp for the first time in the past 25 year’s trading. Very few mint examples of this stamp exist.
Accompanied with three independent Certificate of Authenticity from leading experts.
Recognised as one of the world’s rarest stamps and one of the finest gems of British philately. The finest quality example we have handled.
A superb mint example with original gum and lovely fresh colour. The finest example we have ever seen.
Recognised as one of the world’s rarest stamps and one of the finest gems of British philately.
The rarity of this stamp is due to the high denomination which was only used in major cities at the time. The hobby of stamp collecting was only beginning to gain popularity in 1882 and very few collectors could afford to spend £1 on a stamp at that time (the equivalent to around £150 in today’s money terms).
Consequently, very few exist in unused condition today with most examples showing material condition flaws.
Accompanied with a 2007 Brandon Certificate of Authenticity.
An outstanding unmounted mint marginal block of four of Britain’s boldest stamp, the 1882 £5 Orange
A pristine, unmounted mint with full original gum, top left hand corner marginal block of four lettered ‘AA-BB’.
An exceptional quality example of Britain’s boldest stamp design and the first block we have handled in over 10 years.
Because of the high face value, there was no postal need for this stamp issue.
It was first introduced as a Telegraphs stamp to account for payment of bulk telegrams and for those of individual high cost.
Telegraphs were withdrawn in 1881 and the same plate design was adapted for use as a postage stamp, but postal packages that warranted a £5 stamp were obviously going to be very few and far between.
That is why so few of these stamps exist. Dr. John Horsey’s book, aptly entitled “The £5 Orange”, analysed 3,534 examples of the £5 Orange and he calculated that to be nearly half of the £5 Oranges that still exist.
Accompanied with a 1992 British Philatelic Association (BPA) Certificate of Authenticity.
Recognised as one of the world’s rarest stamps.
A superb unused example with original gum, lettered ‘TD’. A lovely example with wonderful colour and gum. Without doubt one of the finest examples we have ever handled.
One of the rarest and most challenging Queen Victorian surface printed stamps to find in mint condition.
The £1 brown-lilac stamp is a heavyweight of British philately. The Long One Pound stamp is a stunning feature of Great Britain’s postal history. They are widely adored amongst collectors, but outside the financial reach of many because they are so rare and valuable.
The unique horizontal format caused a great stir at the time when it was first issued in 1884. These surface-printed stamps were produced by the printers, Thomas De La Rue.
It has an ornate style with corner letters which are different for each stamp in the sheet, typical of the stamps in the reign, to deter forgers.
The December 1887 printing of the £1 brown-lilac included just 997 sheets and they were printed on Orbs paper in error. It was easier to let it be issued than try to call back the paperwork and accounts. The precise issue date is unknown.
As a result of concern about a photographic forgery of the £1 brownlilac around the middle of 1890, it was decided to change to colour of the stamp to green.
Provenance: ex Sold by Stanley Gibbons in 2015 for £48,000.
A very fine unused, with original gum, bottom marginal block of four lettered ‘SA-TB’. The lower pair are unmounted mint, with full original gum, showing “Frame Broken” variety on ‘TA’. Folded through perforations and some light gum wrinkling as usually seen on multiples of this size, nevertheless a wonderful positional block with the major plate printing variety.
The broken frame varieties are only found on plate 2 stamps ‘JC’ and ‘TA’.
Exceptional provenance, previously featuring in the iconic and exceptional collection of British stamps assembled by Lou Manzi
The “Long One Pound” stamp is a stunning feature of Great Britain’s
postal history. They are widely adored amongst collectors, but outside the financial reach of many because they are so rare and valuable.
The unique horizontal format caused a great stir at the time when it was first issued in 1884. These surface-printed stamps were produced by the printers, Thomas De La Rue.
It has an ornate style with corner letters which are different for each stamp in the sheet, typical of the stamps in the reign, to deter forgers.
Initially the stamp was issued in brown-lilac. Due to concerns about a photographic forgery of the £1 brown-lilac around the middle of 1890, it was decided to change the colour of this stamp to green.
Stanley Gibbons catalogue value: £22,000+.
THE GOVERNMENT’S STAMPS – KING EDWARD VII
DEPARTMENTAL OFFICIALS 1902-1904
King Edward VII was only on the throne for a relatively short time yet this short period provides an eminently collectible subject area. The King came to the throne on the death of his mother, Queen Victoria on 22 January 1901 and he died on 6 May 1910.
An area of particular interest to collectors is the high value Official stamps issued for the sole use of essentially autonomous Government departments. Despite their value, they were not used for large heavy parcels, but rather to cover the composite postage on large bundles of letters. None of these “OFFICIAL” overprints were supposed to be sold, or otherwise made available to the public in unused condition. At one time the possession of mint Official stamps was even deemed a criminal offence. An underground trade still persisted although on a very small scale. In September 1903, a senior Inland Revenue employee, and A.B. Creeke, a well-known philatelist, were convicted and imprisoned for the illegal supply of I.R. Official overprints.
Because of the evident trading in departmental overprints, the Treasury withdrew all departmental overprints on 13 May 1904, which is recognised as the last day of authorised usage.
As a result, mint examples of such stamps are renowned for their scarcity and highly sought after by collectors. They have proved a very strong investment over the past 20 years as specialised collectors have become more interested in acquiring these elusive rarities.
The Official stamps, because of their value, can be found with forged overprints and collectors must be on their guard when buying. Some of the more sophisticated forgeries require the use of highly specialised equipment. It is therefore recommended that these stamps should only be purchased when supported by a certificate of authenticity from either the British Philatelic Association (BPA) or Royal Philatelic Society (RPS).
The collection contains three very fine examples of these major rarities, all accompanied with appropriate certificates of authenticity.
The finest example of the four in existence.
The magnificent and unique unmounted mint, with full original gum, marginal example of this rare Government departmental issue and one of the great rarities of GB philately.
There are only four examples believed to exist and this is considered the finest of those examples. A light gum bend is mentioned purely for accuracy and does not detract from its exceptional quality.
From 1882 to 1904 various Government departments overprinted stamps which were then current, for official use.
The stamps overprinted for The Board of Education were first issued in the reign of King Edward VII, available on 19 February 1902. The 5d and 1s stamps were not ready at that time and stamps bearing Queen Victoria’s portrait were used.
The majority were destroyed on the 14th of May 1904 when the general issue of the Officials ceased. The 1s stamps were never officially issued. However, one or two of the 1s were used by some high official and a very few of the 5d were also used.
Accompanied with two independent Certificate of Authenticity: 1992 Royal Philatelic Society (RPS) and 2007 British Philatelic Association (BPA).
Stanley Gibbons catalogue value: £160,000.
A very rare “Specimen” example of this Government Official intended solely for reference purposes.
A superb very lightly mounted unused, original gum, example of this very rare departmental issue overprinted “SPECIMEN” type 16.
Exceptional quality example of this major King Edward VII rarity. From 1882 to 1904 various Government departments overprinted stamps which were then current, for official use.
The stamps overprinted for The Board of Education were first issued in the reign of King Edward VII, available on 19 February 1902. The 5d and 1s stamps were not ready at that time and stamps bearing Queen Victoria’s portrait were used.
The majority were destroyed on the 14th of May 1904 when the general issue of the Officials ceased. The 1s stamps were never officially issued. However, one or two of the 1s were used by some high official and a very few of the 5d were also used.
Accompanied with a 1981 British Philatelic Association (BPA) Certificate of Authenticity.
Stanley Gibbons catalogue value: £30,000.
A superb unused, with original gum, lightly mounted example of this rare departmental issue showing the merest trace of a previous stamp hinge.
A magnificent example of one of the key rarities of GB philately.
Less than six mint examples are known in private hands and this is certainly the finest example of the two we have handled in the past 25 years and, quite probably, is the finest example in existence.
These stamps from King Edward VII’s reign were used by revenue officials in the provinces, for mail to and from Head Office passing without a stamp. The London Office used these stamps only for foreign mail.
Provenance: Ex. Maurice Burras (1963) and Lou Manzi (1997).
Accompanied by a 1987 British Philatelic Association (BPA) Certificate of Authenticity.
THE SHORT-LIVED KING – KING EDWARD VII
The stamp designs during the short reign of King Edward VII are renowned for their elegance and simplicity.
After a lengthy reign of 64 years, Queen Victoria died on January 22, 1901. Her reign oversaw the birth of the prepaid postal system, which led to a worldwide communications revolution.
The Prince of Wales, Albert Edward was already 60 years old on the death of his Mother.
Edward had always suffered from poor health, even as a young prince. He was coronated as King Edward VII on August 2, 1902 and died on May 6, 1910.
Edward was a popular King. He was adored by the public and the first King to connect with the “common” people. He was renowned for his zest for pleasure, but also had a strong sense of duty.
He was also affectionately known as the “Uncle of Europe” because of his many trips abroad during his reign.
Because he was King for such a short period, many of the stamps issued during his reign had only one print run. This makes them much scarcer and often more valuable. Stamps issued in his reign have become one of the most popular areas of philatelic study.
The collection includes three of the most famous rarities of British philately including the most important philatelic rarity from King Edward VII’s reign, the “Tyrian Plum”, which was withdrawn before issue due to the death of the King.
Stamp production during the short reign adopted a simpler and more refined design ethos. Their design captured the elegance and simplicity of the Edwardian era and marked a transition to a more modern world.
Due to the short reign and period of production, there were only 24 major-type definitive stamps issued. As a result, many are much rarer than Victorian stamps, particularly the high-value denominations.
One of the great rarities of GB philately with only 13 known examples, this being the only known surviving multiple and therefore unique.
A superb unused, with original gum, bottom marginal block of four from positions R.20/3-4 showing variety doubly printed from control H9. Most importantly, the printing varieties are unmounted mint.
One of the great rarities of GB philately with only 13 known examples, this being the only known surviving multiple and therefore unique. The printing variety occurred only on the bottom rows of one sheet with control H9, with 13 stamps showing partial or full doubling.
GB Specialised Catalogue No: M2(2)d.
Stanley Gibbons catalogue value: £75,000+.
The most important philatelic rarity from King Edward VII’s reign, the “Tyrian Plum”, which was withdrawn before issue due to the death of the King.
A magnificent unused example with original gum and superb bright colour. One of the finest examples of this iconic and famous stamp, which was withdrawn before issue due to the death of King Edward VII.
This example was last sold by Stanley Gibbons to a private collector in 2015 for £95,000.
Issued in May 1910, the stamp arose because of a desire to economise on the costs of stamp production. As a result, all stamps were issued in one colour to reduce ink costs.
A new 2d stamp, printed in the Tyrian Plum shade and bearing the portrait of King Edward VII, had been agreed and was in the process of being printed.
One hundred thousand sheets, totalling 24 million stamps were delivered to the post office stores for distribution to Postmasters.
However, following the death of Edward VII on 6 May 1910, it was decided not to go ahead with the new stamp and almost all the stock was destroyed.
There are believed to be only 12 known examples making this one of the great rarities of British philately.
Provenance: Ex Walter Bloch. Accompanied with a 1982 Royal Philatelic Society (RPS) Certificate of Authenticity.
One of the most important rarities from the short reign of King Edward VII, which was in circulation for just one day.
A superb unused example, with original gum, of this extremely rare Somerset House shade that was withdrawn from sale on the day it was issued.
Without a doubt, one of the most important rarities from the short reign of King Edward VII.
GB Specialised Catalogue No: M35.
Accompanied with a 1948 Royal Philatelic Society (RPS) Certificate of Authenticity.
This single beautiful design was one of a series of definitive stamps encapsulating the entire stamp-issuing output of King Edward VII’s reign.
The 6d bright magenta was issued posthumously on October 31, 1911. The next day, it was immediately withdrawn from use, and immediately replaced with 6d stamps issued on ordinary paper.
You see, there was a problem with this stamp…
There is no denying the bright magenta colour chosen for the six pence stamp was striking.
Unfortunately, it did not agree with the paper chosen by the printers at Somerset House.
They wanted to use chalk surfaced paper, which was believed to improve the quality of the impression and to make it more difficult for postmarks to be removed.
When printed, it became clear that the ink used reacted with the chalky surface of the paper and caused a variation in the colour.
What’s even more interesting is that you can see the paper itself is actually fluorescent bright lemon under a long wave ultraviolet light.
After being withdrawn, most copies were destroyed.
So today, it is now an iconic stamp, rarely ever seeing the light of day.
THE STAMP KING’S ISSUES
– KING GEORGE V 1911-1936
King George V is widely regarded as the all-time most famous stamp collector in the world. History has given him the title “The Stamp King” by virtue of the fact he started building the Royal Philatelic Collection, which is, today, the King’s most valuable personal asset and believed to be the most valuable stamp collection in the world.
The stamp issues of King George V’s reign reflect his passion for stamps as he was often heavily involved in the approval of the designs of new stamps. He was also involved in the print process and was obsessive about quality. Because of this, stamps from the reign of King George V are considered by many to represent the golden era of British Empire stamp designs. Issues from this reign are highly desirable, with a large and avid collector base.
Stamps during the King George V era were responsible for many of the “firsts” for British stamps. This included Britain’s first commemorative stamp, issued to mark the opening of the 1924 British Empire Exhibition.
The period included the issue of, arguably the most beautiful stamp ever designed, “the Seahorse”, first issued in 1913. The Seahorse stamps represent a miniature piece of propaganda on the eve of the Great War. They portray Britain’s image of herself screaming imperial power, might, tradition, pomp and circumstance. The Seahorse stamps were also the most successful British stamps ever issued.
They were in circulation longer than any other British high value stamp for 26 years from 1913 to 1939.
Probably the most famous stamp issued during King George V’s reign is the 1935 Silver Jubilee 21⁄2d Prussian Blue, which is the most iconic error of colour in British philately also known as “the King’s error”.
The collection includes perfect representative examples of the Seahorse issue and the most iconic stamp error in GB philately, the Prussian Blue.
A stunning exhibition display piece of the famous Seahorse stamp issues.
A superb unmounted mint, with full original gum, set of three in blocks of four, one rounded corner on the 5s block, overprinted “CANCELLED” type 33.
A wonderful exhibition piece of the highest rarity containing four of the six possible sets available.
Each block is accompanied with a 2005 British Philatelic Association (BPA) Certificate of Authenticity.
The intricacy of the design of the Seahorse stamp issue is the credit of the renowned Australian sculptor, Bertram Mackennal. The most famous stamp collector at the time (King George V) personally approved the designs.
They are beautifully engraved, being produced by the intaglio recess printing method. This meant they were of higher quality than most stamps before and after. You can really feel the engraved lines indented into the paper.
Four contractors were used to print over 100 million of the Seahorse stamps (Waterlow & Layton, De La Rue, Bradbury Wilkinson and Waterlow & Sons).
GB Specialised Catalogue Nos: N73(1)t, N74t, and N75t.
A very fine mint example of the most iconic stamp error in GB philately “The King’s error”.
A very fine and fresh unused, with original gum, top marginal example of this ever popular “error of colour” offered with the normal “blue’ shade for comparison.
Accompanied by a copy of a 2013 British Philatelic Association Certificate of Authenticity of a vertical pair from which this single was taken.
King George V (known as the “Stamp King”) was a passionate stamp collector. So, on June 6th 1934, when he was asked for his permission for a commemorative stamp issue to celebrate the 25th Anniversary of his Accession to the Throne, he was delighted to say “yes”.
The designers put forward 12 different design ideas but the King was not impressed by
any of them. So, On October 2nd 1934 the designers were sent back to the drawing board…On October 25th 1934, a further 22 designs were submitted. Finally, the design of Mr Barnett Freeman was accepted.
On January 7th 1935, the King approved the final design. Just one question remained… what colour did he want the stamp to be?
Given the choice of “Prussian blue” or “blue”, the King opted for the latter.
But, all didn’t go to plan, the printers, Harrison & Son, printed some sheets in the “Prussian blue” colour in error.
They realised their mistake and quickly destroyed the erroneous sheets, except for six sheets sent to the Post Office Stores for inspection.
The Superintendent Warehouseman was asked to destroy the six sheets apart from a block of four to be retained for reference purposes.
However, a further mistake was made and only two of the sheets were destroyed. The other four were accidentally placed with the correct colour sheets by a busy worker.
Three of these sheets were sent to the Edmonton Post Office in North London. The other sheet was issued to an unknown Post Office.
As a result, we know that only 480 of these stamps were ever issued.
This is the maximum possible number in existence. The actual number of surviving examples is much lower.
THE TROPHY COLLECTION
- MORE THAN THE SUM OF ITS PARTS
The Trophy Collection - more than the sum of its parts
Mike Hall CEO | Paul Fraser Collectibles
“This collection is not only a world first, it is a culmination of a combined 120 years of experience and dedication to this historic pastime, taking over a decade to build into a singular definitive collection.”
The process of building a collection such as this becomes increasingly challenging as more and more of the most important philatelic historical artefacts are taken out of the market by museums and other institutions.
It is more than a collection of some of the rarest British philatelic treasures still available to own privately. It tells a story, preserving history and curating a personal legacy.
Each piece of the collection holds individual value, but together, they create something far greater; a window into a time, culture and a permanent marker of mankind’s progress.
The opportunity to become a custodian of the definitive collection tracking the birth and early history of the humble postage stamp is, without exaggeration, an opportunity which may never come by again.
It has been an honour and privilege to be the curator of this collection. It would not have been possible without the assistance of some of the most esteemed philatelists of our generation, who I also consider as close friends – you know who you are! I am, as always, in your debt for the access you give me to your specialist expertise and for sharing with me your in depth philatelic knowledge.
Mike Hall CEO | Paul Fraser Collectibles
If you would like to be the next custodian, please contact us today at info@paulfrasercollectibles.com Alternatively, you can call our office on +44 (0) 1534 639998 and one of our experts will be on the other end of the line to speak to you.
If you have any questions, do not hesitate to contact me directly at mike@paulfrasercollectibles.com