Departments
CHINESEART
info@chinese.marcopoloauctions.com
CarloSanti
HeadoftheChineseArtDepartment
c.santi@marcopoloauctions.com
WilliamArthurMartindale SeniorSpecialist ChineseJadesandStoneCarvings
FilippoComisi SeniorSpecialist HimalayanArt
JAPANESEART
info@japanese.marcopoloauctions.com
AndreaMastromauro HeadoftheJapaneseArtDeparment
INDIANANDSOUTHEASTASIANART
info@indian.marcopoloauctions.com
RenzoFreschi
HeadoftheIndianArtDepartment
ISLAMICART
info@islamic.marcopoloauctions.com
AilaSanti
HeadoftheIslamicArtDepartment
FedericaDuva SeniorSpecialist
Firstsession
ChineseArt
HimalayanArt
1
☼AREDMOMOCORALFIGURE, China,RepublicPeriod(1912-1949)
hcm13
€1.000/1.500
RepresentinglaughingBuddhawithafaninhislefthand. Weightg240.
☼FIGURAINCORALLOROSSOMOMO OCERASUOLO, Cina,RepubblicadiCina(1912-1949)
RaguranteBuddachesorrideconunventaglionellamano sinistra.Pesog240.
民国红珊瑚摆件
2
☼ASMALLMOMOCORALFIGURE, China,late19th/early20thcentury
hcm11
€500/700
Carveddepictingaladywithachildinherarms,restingonits woodenbase.Weightg121.
☼PICCOLAFIGURAINCORALLOMOMO OCERASUOLO, Cina,fineXIX/inizioXXsecolo
Intagliataraguranteunadamaconunbambinoinbraccio, posasullasuabaseinlegno.Pesog121
民国红珊瑚摆件
☼ACORALFIGURE, China,RepublicPeriod(1912-1949)
€800/1.000
Carvedintheshapeofaboy.Weightg128.
☼FIGURAINCORALLOMOMOOCERASUOLO, Cina,RepubblicadiCina(1912-1949)
Intagliatonellaformadiunragazzo.Pesog128.
3 4
民国红珊瑚孩童摆件
☼ASMALLREDCORALCARVING, China,late19th/early20thcentury
hcm10,5 hcm11
€600/800
Finelycarvedintheshapeofabalustercolumnvasewithalidadorned withblossomingtreesandflowerswrappingaroundit,withlittlebirds perchedupon;itrestsonitswoodenbase.Totalweight:g88.
☼PICCOLOINTAGLIOINCORALLOROSSO MOMOOCERASUOLO, Cina,fineXIX/inizioXXsecolo
Finementeintagliatonellaformadiunvasoacolonnadibalaustracon coperchioconalberifioritiefioricheloavvolgonoeuccellinichevisi appoggiano;poggiasullasuabaseinlegno.Pesotot.g88.
19世纪末/20世纪初红珊瑚透雕花瓶摆件
☼AREDMOMOCORALFIGURE, China,late19th/early20thcentury
€600/800
Finelycarved,itdepictsawomanholdingaflower;itstandsonits woodenbase.Totalweight:153grams.
☼FIGURAINCORALLOROSSOMOMO OCERASUOLO, Cina,fineXIXsecolo/inizioXXsecolo
Finementeintagliato,raguraunadonnaconunfioreinmano;sta sullasuabaseinlegno.Pesotot:g153.
19世纪末/20世纪初红珊瑚雕仕女摆件
htotcm18,5 hcm12,5
€1.200/1.500
☼AMOMOCORALFIGURE, China,firsthalfofthe20thcentury
Depictingawomanwithaphoenix.Weight:g114.
☼FIGURAINCORALLOMOMOOCERASUOLO, Cina,primametàXXsecolo
Raguranteunadonnaconunafenice.Pesog114.
民国红珊瑚仕女摆件 5 6
☼ACORALFIGURE, China,early20thcentury
€1.200/1.500
Depictingfourfiguresandtwophoenixes.Weight:g182.It restsonitsivorybase.
☼FIGURAINCORALLOROSSOMOMOO CERASUOLO,Cina,inizioXXsecolo
Ragurantequattrofigureeduefenici.Pesog182.Poggia sullasuabaseinavorio.
8 9
20世纪初红珊瑚人物摆件象牙底座
☼TWOCORALFIGURES, China,early20thcentury
€1.200/1.500
Carvedwithamaleandafemalefigure.Weight:181g.Itrests onanivorybase.
☼FIGUREINCORALLO, Cina,inizioXXsecolo hcm25 hcm11
Intagliatoconunafiguramaschileeunafemminile.Pesog181. Poggiasubaseinavorio.
清红珊瑚麻姑寿星祝寿摆件象牙底座
☼AMOMOCORALCARVING, China,early20thcentury
€600/800
Carvedintheshapeofawomanandachild.Weightg59.
☼PICCOLAFIGURAINCORALLOMOMOOCERASUOLO, Cina,inizioXXsecolo
Intagliatoaformadiunadonnaeunbambino.Pesog59.
20世纪初红珊瑚雕孩童摆件
☼ACORALCARVING, China,early20thcentury
€2.500/3.500
Carvedintheshapeofafishermanwithfish.Weightg249.
☼FIGURAINCORALLO, Cina,inizioXXsecolo
Intagliatoaformadipescatoreconpesci.Pesog249.
20世纪初红珊瑚雕摆件
☼ACORALCARVING, China,early20thcentury
€2.000/3.000
Carvedintheshapeofasagewithastaandafawn.Weightg184.
☼FIGURAINCORALLO, Cina,inizioXXsecolo hcm6,7 hcm26,5 hcm16,5
Intagliatoaformadiunsaggioconunbastoneeuncerbiatto.Pesog184.
20世纪初红珊瑚雕寿星摆件
13
☼ACORALFIGURE, China,RepublicPeriod(1912-1949)
hcm12,5
€400/600
FeaturinglaughingBuddha.Weightg196.
☼FIGURAINCORALLO, Cina,RepubblicadiCina(1912-1949)
RaguranteBuddachesorride.Pesog196.
14
☼ACORALFIGURE, China,firsthalfofthe20thcentury
hcm15,5
€1.200/1.500
DepictingGuanyinseatedonalotusflowerwithaflowerin hand.Weight:g277.
☼FIGURAINCORALLO, Cina,primametàXXsecolo
RaguranteunaGuanyinsedutasuunfioredilotoconunfiore inmano.Peso:g277.
民国红珊瑚观音摆件
民国红珊瑚摆件
☼AREDMOMOCORALCARVING, China,late19th/early20thcentury
hcm42
Carvedwiththreeladiesplayinginstrumentsandholdingflowers,surroundedby bunnies,birds,andplants,itrestsonitswoodenstand.Weightg1570.
☼FIGURAINCORALLOROSSOMOMOOCERASUOLO, Cina,fineXIX/inizioXXsecolo
Intagliatocontredamechesuonanoetengonofioricircondatedaconiglietti, uccelliniepiante,poggiasulsuosupportoinlegno.Pesog1570. 19/20世纪红珊瑚雕摆件 15 €10.000/15.000
16
☼ACORALFIGURE, China,early20thcentury
€1.200/2.200
Carvedintheshapeoftwoboysclimbingatreetrunk.Weight g189.
☼FIGURAINCORALLO, Cina,inizioXXsecolo
Intagliatoaformadidueragazzichesiarrampicanosuun tronco.Pesog189.
20世纪初红珊瑚雕孩童摆件
17
☼ACORALFIGURE, China,early20thcentury
€700/1.200
Carvedwithtwofemalefigures.Weightg334.
☼FIGURAINCORALLOPELLED’ANGELO, Cina,inizioXXsecolo hcm13 hcm17,5
Intagliatoconduefigurefemminili.Pesog334.
20世纪初珊瑚雕摆件
☼ACORALCARVING, China,early20thcentury
☼FIGURAINCORALLO, Cina,inizioXXsecolo hcm18
Carvedintheshapeofawomanholding basketsofflowers.Weightg325.
Intagliataaformadidonnaconinmanocesti difiori.Pesog325.
☼ALARGEREDMOMOCORALCARVING, China,late19th/early20thcentury ☼GRANDESCULTURAINCORALLOROSSOMOMO OCERASUOLO,Cina,fineXIX/inizioXXsecolo hcm48xlcm37xwcm9
Carvedwithsevenladiessurroundedbyphoenixes,birds,andflowers,with fourchildrenattheirfeet.Weightg2850.
Intagliatoconsettedamecircondatedafenici,uccelliefiorieconquattro bambiniailotopiedi.Pesog2850.
☼AREDMOMOCORALFIGURE, China,late19th/early20thcentury
hcm21xlcm30
Carvedwithfourfemalefiguresplayinginstrumentsandholdingflowers.Weightg 684.
☼FIGURAINCORALLOROSSOMOMOOCERASUOLO, Cina,fineXIX/inizioXXsecolo
Intagliatoconquattrofigurefemminilichesuonanoetengonofiori.Pesog684.
☼AMALACHITEANDCORALCLOCK, China/Europe,early20thcentury
€1.500/2.500
Thecoralcarvedintheshapeofalady,theclockinmalachite.
☼OROLOGIOINMALACHITEECORALLO, Cina/Europa,inizioXXsecolo
Ilcorallointagliatoaformadidama,l’orologioinmalachite.
20世纪初孔雀石钟红珊瑚雕件
AMALACHITEPARFUMEBOTTLE, China,Qingdynasty(1644-1911)
hcoralcm10,5 hcm12
€2.000/3.000
Wellcarvedinabaluster-shapedcolumnvase,thebodyisfinelycarved withtaotie;thelid,mountedinbronzewithascrewclosure,featuresa thintubethatservesasascentdiuser.
Provenance:-collectionofProfessorFerdinandoCappelletti,Rome.
PORTAPROFUMOINMALACHITE, Cina,dinastiaQing(1644-1911)
Benintagliatoaformadivasoacolonnadibalaustra,sulcorpoèben intagliatocontaotie;ilcoperchiomontatoinbronzoconchiusuraavite unsottiletubochefungedaspargiprofumo.
Provenienza:-collezioneProfessorFerdinandoCappelletti,Roma.
清（1644-1911）孔雀石饕餮纹花瓶
ANEXCEPTIONALLAPISLAZZULIVASE, China,Qingdynasty(1644-1911)
hcm25,5
Itismagnificentlycarvedandengravedinarobust,sinuousformthatrestsonaraisedfoot andfeaturestwoelephant-head-shapedhandlesonthesides.Thebodyiswell-decorated withtaotieandarchaicsymbols;boththebodyandthelidarehollowedout.
Provenance:-collectionofProfessorFerdinandoCappelletti,Rome.
ECCEZIONALEVASOCONCOPERCHIOINLAPISLAZZULI, Cina,dinastiaQing(1644-1911)
Èmagnificamenteintagliatoeincisoinunapossenteformasinuosachepoggiasuunpiede rialzatoechesuifianchipresentadueanseaformaditestadielefante;sulcorpoèben decoratocontaotieesimboliarcaici;siailcorpocheilcoperchiosonoscavati.
Provenienza:-collezioneProfessorFerdinandoCappelletti,Roma.
ASMALLTURQUOISEFIGURE, China,20thcentury
htotcm11
Depictingaseatedwomanholdingatraywiththreepeaches.
PICCOLAFIGURAINTURCHESE, Cina,XXsecolo
Raguranteunadonnasedutaconinmanounvassoiocontre pesche.
TURQUOISESNUFFBOTTLE, China,Qingdynasty,late19thcentury
lcm7
Carvedandengravedintheshapeofapig.
Provenance:-Privatecollection,Italy.
SNUFFBOTTLEINTURCHESE, Cina,dinastiaQing,fineXIXsecolo
Intagliataeincisaaformadimaiale. Provenienza:-Collezioneprivata,Italia.
26
LAPISLAZZULISNUFFBOTTLE, China,firsthalf20thcentury
hcm3,7
€150/250
Carvedwithflowersandsmallanimals.
SNUFFBOTTLEINLAPISLAZZULI, Cina,primametàXXsecolo
Intagliataconfioriepiccolianimali.
20世纪初青金石鼻烟壶
27
AGLASSSNUFFBOTTLE, China,Qingdynasty(1644-1911)
hcm6
€400/600
Carvedwithbats,thecapinmalachite.
SNUFFBOTTLEINVETRO, Cina,dinastiaQing(1644-1911)
Intagliataconpipistrelli,iltappoinmalachite.
十九/二十世纪玻璃鼻烟壶
AGOLDANDAGATESNUFFBOTTLE, China,Qingdynasty,19thcentury
€250/350
Globularinshape,theneckisingoldengravedwithleaves;thecap injadeite.
SNUFFBOTTLEINAGATAEORO, Cina,dinastiaQing,XIXsecolo
Diformaglobulare,ilcolloèinoroincisoconfoglie;iltappinoin giadeite.
清19世纪玛瑙鼻烟壶
hcm7 hcm8,5
€400/600
Carvedwithglobularbody.
ANAGATESNUFFBOTTLE, China,Qingdynasty,19thcentury
ANAGATESNUFFBOTTLE, Cina,dinastiaQing,XIXsecolo
Intagliataconcorpoglobulare.
清十九世纪玛瑙鼻烟壶 28 29
ROCKCRYSTALSNUFFBOTTLE, China,Qingdynasty,19thcentury
hcm7,3
€200/300
Squareinshape,itiscarvedoneachsidewithinscriptions, charactersandpeaches.Agatestopper.
Provenance:-PrivateCollection,Italy.
SNUFFBOTTLEINCRISTALLODIROCCA, Cina,dinastiaQing,XIXsecolo
Dallaformasquadrata,èintagliatasuognilatoconiscrizioni, personaggiepesche.Tappoinagata.
Provenienza:Collezioneprivata,Italia.
清19世纪水晶鼻烟壶
30 31
PORCELAINSNUFFBOTTLE, China,Qingdynasty,19thcentury
hcm7,9
€150/250
Mouldedandblue-glazed,depictingcharacters.
Provenance:-Privatecollection,Italy.
SNUFFBOTTLEINPORCELLANA, Cina,dinastiaQing,XIXsecolo
Modellataesmaltatadiblu,rappresentadeipersonaggi.
Provenienza:-Collezioneprivata,Italia.
清19世纪瓷鼻烟壶
AFAMILLEROSEPORCELAIN SNUFFBOTTLE, China,Qingdynasty,19thcentury
€200/300
MouldeddepictingthenineBuddhistlionsplayingwith brocadeballsintheclouds.
Provenance:-Privatecollection,Italy.
SNUFFBOTTLEINPORCELLANA FAMIGLIAROSA, Cina,dinastiaQing,XIXsecolo
Modellataragurandoinoveleonibuddhistichegiocano conpalledibroccatofralenuvole.
Provenienza:-Collezioneprivata,Italia.
清19世纪粉彩鼻烟壶
33
€400/600
APORCELAINSNUFFBOTTLE, China,Qingdynasty,19thcentury
Withaturquoisebackground,itiswellmodelledand engravedwithfloralmotifs;inthecentreithasrelief charactersenamelledinyellow.
Provenance:-fromaprivateItaliancollection
SNUFFBOTTLEINPORCELLANA, Cina,dinastiaQing,XIXsecolo hcm7,5 hcm7,5
Afondoturchese,èbenmodellataeincisaconmotivi floreali;alcentropresentadeicaratteriinrilievosmaltati ingiallo.Provenienza:-daunacollezioneprivataItaliana.
清19世纪瓷鼻烟壶 32
AQIANJIANGCAIPORCELAINSNUFF
BOTTLESIGNEDBYZHANHUANRONG, China,late19th/early20thcentury
hcm6,5
Finelypainted,thefrontdepictsaladywithachildinfrontofawriting desk;ontheback,thereareinscriptionsincludingthesignatureofthe artistZhanHuanrong(詹煥榮);onthebasebearstheapocryphalfourcharacteriron-redoverglazemarkofEmperorQianlong.
SNUFFBOTTLEINPORCELLANAQIANJIANG
FIRMATADAZHANHUANRONG, Cina,fineXIX/inizioXXsecolo
Bendipinta,sulfronteraguraunadamaconunbambinodifrontea unoscrittoio;sulretropresentaiscrizionitralequalilafirmadell’artista ZhanHuanrong(詹煥榮);sullabaserecailmarchioapocrifoaquattro caratteriinrossoferrosopracopertadell’ImperatoreQianlong.
19世纪末/20世纪初粉彩鼻烟壶‘詹煥榮’画
FOURSNUFFBOTTLES, China,19th/20thcentury
hmaxcm8,5
Twoinporcelainpaintedinunderglazeblueandred,thetalleronedepictingfiguresinalandscapeandbearinganapocryphal six-characterYongzhengmark,andtheotherdecoratedwithlotusscrolls;theothertwoarecloisonné,decoratedwithflowersand birds.
QUATTROSNUFFBOTTLE, Cina,XIX/XXsecolo
Dueinporcellanadipinteinbluerossosottocoperta,lapiùaltaragurantepersonaggiinunpaesaggioerecantemarchio apocrifoaseicaratteriYongzheng,l’altradecorataconlotusscroll;lealtredueincloisonnèdecorateconfiorieuccelli.
ARAREGLASSOVERLAYSNUFFBOTTLE, China,Qingdynasty(1644-1911)
hcm7
36 €1.000/1.500
Ofconvexform,thebottleiscarvedthroughapalepinktowhitishpinklayerwithrowsofoverlappingpetalsdepartingfroma curledlotusleaf.Thepetalsandleafarefinelyincisedtosimulateveiningandaresuperimposedonthewhitebody.Thecapis madeofglasspaste.
Provenance:-PrivateCollection,Italy.
Cataloguenotes:ComparewiththesnubottleillustratedinRobertHall,‘ChineseSnuBottlesII,IncludinganImportantSelection fromtheMarianMayerCollection’1989,p.67,no.48.
RARASNUFFBOTTLEINVETROCAMMEO, Cina,dinastiaQing(1644-1911)
Diformabombata,labottigliaèintagliataattraversolostratorosapallido-biancastroconfiledipetalisovrappostichesidipartono daunafogliadilotoarricciata.Ipetalielafogliasonofinementeincisipersimularelevenatureesonosovrappostialcorpobianco. Iltappinoinpastavitrea.
Provenienza:-Collezioneprivata,Italia.
Notedicatalogo:SiconfronticonlasnubottleillustratainRobertHall,ChineseSnuBottlesII,IncludinganImportantSelection fromtheMarianMayerCollection1989,pag.67,n°48.
清(1644-1911)莲花白红套料鼻烟壶
AJADEITESNUFFBOTTLE, China,19th/20thcentury
hcm7
€500/700
Carvedwithflowers.
SNUFFBOTTLEINGIADEITE, Cina,XIX/XXsecolo
Intagliatasulcorpoconfiori.
37 38
hcm19
€1.200/1.500
APAIROFJADEITECARVINGS, China,late19th/early20thcentury
Carvedintheshapeofphoenixesholdinglingzhimushroomsin theirmouths.
COPPIADIUCCELLIINGIADEITE, Cina,fineXIX/inizioXXsecolo
Intagliatiaformadifenicichetengonoinboccalingzhi. 翡翠鼻烟壶，中国，十九/二十世纪 19世纪末/20世纪初翡翠凤凰摆件一对
ALARGEJADEITECARVING, China,early20thcentury
Shapedlikealotusleafwithafrogandafishinside,itrestson alotusfruit.
GRANDEINTAGLIOINGIADEITE, Cina,inizioXXsecolo
Aformadifogliadifioredilotoconunaranocchiaeunpesceal suointerno,sipoggiasuunfruttodiloto.
lcm25,5 hcm25
€3.000/4.000 €3.500/5.500
ALARGEJADEITETRIPODCENSER, China,20thcentury
Thecompressedglobularbodyrestsonthreelegsthatcome outfromlionsjaws,onthesidesithasloopsintheshapeofa fairheadthatholdinthemouthanellus,thelidiscarvedwitha dragonandlingzhiholdingrings.
GRANDEINCENSIEREINGIADEITE, Cina,XXsecolo
Ilcorpoglobulareschiacciatosireggesutrezampeche fuoriesconodabocchedileone,ailatipresentaanseaforma ditestadifierachetengonoinboccaanelli,ilcoperchioè intagliatoconundragoneelingzhichetengonoanelli.
20世纪初翡翠雕荷叶型笔洗 翡翠香炉，中国，二十世纪
ASMALLJADEITEVASE,
China,20thcentury
hcm21
€1.200/1.500
Withanelongatedshapewithlid,itiscarvedonthebodywithrosesand lugswithringsinside;itrestsonitswoodenbase.
PICCOLOVASOINGIADEITE, Cina,XXsecolo
Dallaformaallungataconcoperchio,èintagliatasulcorpoconrosee anseconall’internoanelli;poggiasullasuabaselignea.
42
AJADEITEVASE, China,20thcentury
hcm30
€600/800
Carvedintheshapeofavasewithflowersandfruitandbirdsclingingto thebody;restsonwoodenbase.
VASOINGIADEITE, Cina,XXsecolo
Intagliatoaformadivasoconfioriefruttieuccellinichesiavvinghiano alcorpo;poggiasullabaseinlegno.
翡翠小花瓶，中国，二十世紀 20世纪透雕花卉翡翠花瓶摆件 41
AJADEITEVASE, China,firsthalfofthe20thcentury
hcm18,5
Carvedasabaluster-shapedvasewithrosesentwiningaround thebodyandthelid,thelatterattachedtothebodywitha chain;itrestsonitswoodenstand.
VASOINGIADEITE, Cina,primametàXXsecolo
Intagliatoaformadiunvasoacolonnadibalaustraconrose chesiavvinghianoalcorpoealcoperchio,quest’ultimolegatoal corpoconunacatenella;poggiasullasuabaseinlegno.
AJADEITEVASE,
China,late19th/early20thcentury
€2.500/3.500
Exquisitelycarvedinabaluster-shapedvasewithalid,onthe sidesappeartwohandlesshapedlikelionheadsfromwhose mouthscurledtonguesholdingtworingsemerge;fromtwo rocksonthebase,rosesandliliesgrow,wrappingaroundthe bodyandthelidonwhichlittlebirdsperch;restsonitscarved, pierced,andinlaidwoodenstand.
VASOINGIADEITE, Cina,fineXIX/inizioXXsecolo hcm33
Magnificamenteintagliatoaformadivasoacolonnadi balaustraconcoperchio,suilaticompaionodueanseaforma ditesteleoninedallecuifauciesconolinguearricciateche tengonodueanelli;dadueroccesullabasecresconorosee giglicheavvolgonoilcorpoeilcoperchioesuiqualipoggiano uccellini;poggiasullasuabaseinlegnointagliataeforatae intarsiata.
清19世纪末/20世纪初翡翠雕花鸟纹双活环狮耳盖瓶 此瓶以整块上等翡翠雕琢而成，质地细腻，翠色鲜 润，宝光满盈。采用高浮雕及活环工艺，技法精绝, 此种工艺难度之大令人叹为观止。
TWOAMBERPLAQUES, China,Qingdynasty,18th/19thcentury
lmaxcm6,5
Wellcarvedwithlotusscroll.
DUEPLACCHEINAMBRA, Cina,dinastiaQing,XVIII/XIXsecolo
Benintagliateconlotusscroll.
ANAGATEINTAGLIO, China,Qingdynasty(1644-1911)
hcm4,2
€500/700
Carvedintheshapeofachildholdingabranch;itrestsonits woodenstand.
INTAGLIOINAGATA, Cina,dinastiaQing(1644-1911)
Intagliataaformadibambinoconinmanounramo;poggiasulsuo standinlegno.
清十八/十九世纪蜜蜡帽花两块 清（1644-1911）玛瑙童子摆件
ACRYSTALROCKSCULPTURE, China,early20thcentury
hcm18,5
€500/700
Shapedliketwobirdsperchedonarock.
UCCELLIINCRISTALLODIROCCA, Cina,XXsecolo
Aformadidueuccellichepoggianosuunaroccia.
ACRYSTALROCKBRUSHREST, China,Qingdynasty(1644-1911)
hcm8,5xlcm17
€1.500/2.500
CarvedintheshapeofarockonwhichsitaseatedBuddhawithachild andarabbit.
POGGIAPENNELLIINCRISTALLODIROCCA, Cina,dinastiaQing(1644-1911)
IntagliatoaformadirocciasucuipoggianounBuddasedutoconun bambinoeunconiglio.
20世纪初双鸟水晶摆件 清（1644-1911）人物水晶笔架
AHUGECRYSTALROCKVASE,
China,Qingdynasty(1644-1911)
€6.000/8.000
Carvedintheshapeofagu-shapedvasewithalidrestingona rockbetweentwophoenixes,whilepinebranches,flowersand lingzhimushroomsentwinearoundthebody;thehandleofthe lidisintheshapeofaphoenix;itrestsonitspiercedwooden baseengravedwithruyimotifs.
GRANDEVASOINCRISTALLODIROCCA,
Cina,dinastiaQing(1644-1911) hcm38
Intagliatoaformadivasoguconcoperchiochepoggiasudi unarocciatraduefenici,mentrefrondedipino,fiorielingzhi siattorciglianoattornoalcorpo;ilmanicodelcoperchioèa formadifenice;poggiasullasuabaseinlegnoforataeincisa conmotiviruyi.
清（1644-1911）水晶花瓶摆件
FIVECARVINGS, China,19th/20thcentury
lmaxcm8
€1.500/2.500
Abeautifulbualoinrockcrystal,acarvingdepictingtwoelephantsinrockcrystal,abualoin turquoise,andafrogandalittlebirdinjadeite;allrestingontheirwoodenstands.
CINQUEINTAGLI, Cina,XIX/XXsecolo
Unbelbufaloincristallodirocca,unintaglioragurantedueelefantiincristallodirocca,unbufalo inturcheseeunaranocchiaeunuccellinoingiadeite;tuttipoggianosullelorobasiinlegno.
十九世纪/二十世纪水晶，翡翠，绿松等雕件一组五件
50 51
FIVEJADEANDJADEITECARVINGS, China,Qingdynasty(1644-1911)
hmaxcm5,4
€1.500/2.500
Fourinceladonjade,twoofwhichdepictcarvedandpiercedbuckles,oneadoublegourd,andone amonkey;theoneinjadeitecarvedasasmallleaf-shapedbrushwasherwithalittlecrab.
CINQUEINTAGLIINGIADAEGIADEITE, Cina,dinastiaQing(1644-1911)
Quattroingiadacéladon,duedeiqualiragurantifibbieintagliateeforate,unounadoppiazucca eunounascimmietta;quelloingiadeiteintagliatocomepiccolosciacquapennelliaformadifoglia conungranchietto.
清（1644-1911）翡翠和玉器五件
AJADECARVING,
China,Qingdynasty(1644-1911)
hcm5
€200/300
Carvedandpierceddepictingalittlebird.
INTAGLIOINGIADA, Cina,dinastiaQing(1644-1911)
Intagliataeforataraguranteunuccellino.
清（1644-1911）玉鹦鹉佩
AMOTTLEDJADEBRUSHPOT,
China,Qingdynasty(1644-1912)
hcm7xlcm10,5
€300/500
Carvedintheshapeofapinetrunkwithabranchwrapping aroundthebody.
PORTAPENNELLIINGIADASCREZIATA, Cina,dinastiaQing(1644-1912)
Intagliatoaformaditroncodipinoconunramochesiavvolge attornoalcorpo.
清（1644-1912）梅桩型玉笔架
AJADEVASE,
China,Qingdynasty(1644-1911)
htotcm11
€1.000/1.500
Withtwohandlesonthesidesintheshapeofqilongs,itisfinely carvedonthebodywithtaotiemotifs;itrestsonitsjadebase.
VASOINGIADA, Cina,dinastiaQing(1644-1911)
Condueanseailatiaformadiqilong,èbenintagliatosulcorpo contaotie;poggiasullasuabaseingiada.
清（1644-1911）青玉螭龙耳袖珍瓶
55
ASMALLJADECARVING, China,Qingdynasty(1644-1911)
hcm4,5
€200/300
Carvedinanuprightposition,itrestsonitswoodenstand.
PICCOLOPERSONAGGIOINGIADA, Cina,dinastiaQing(1644-1911)
Intagliatoinposizioneeretta,poggiasullasuabaseinlegno.
清(1644-1911)白玉童子 54
☼ASMALLJADEENAMELLEDSILVER ANDTORTOISESHELLBOX, China,Qingdynasty,19thcentury
hcm3,3xlcm5,7
€800/1.200
Drop-shaped,thelidconsistsofaMingdynasty(1368-1644)pale céladonpiercedandcarvedjadeplaquedepictingadeeramongtrees; itcontainsamirrorontheinside.
☼SCATOLINAINGIADAARGENTO SMALTATOETARTARUGA, Cina,dinastiaQing,XIXsecolo
Dallaformaagoccia,ilcoperchioècostituitodaunaplaccaingiada delladinastiaMing(1368-1644)colorcéladonchiaroforataeintagliata raguranteuncervotraglialberi;alsuointernocontieneunospecchio.
清代盒子镶嵌明代透雕鹿纹玉佩
AJADECARVING, China,Mingdynasty(1368-1644)
lcm6xwcm7
€1.000/1.200
Theplaque,carvedandpierced,depictingadragon;itrestsonits woodenstand.
INTAGLIOINGIADA, Cina,dinastiaMing(1368-1644)
Laplaccaintagliataeforataraguranteundragone;poggiasulsuo supportoinlegno.
明（1368-1644）透雕云龙纹玉带板
hcm6,6xlcm8,2
58 €800/1.200
Wellpiercedandcarved,itrepresentsafour-claweddragonamongleaves,flowers,swastikasand well-wishingsymbols.
Cataloguenotes:
SeeasimilarplaqueinthecollectionofthePalaceMuseuminBeijingillustratedin‘TheComplete CollectionofTreasuresofthePalaceMuseum,Jadeware(I)’,vol.22;HongKong,2008;p.243,no. 256.
SeealsotheplaquesoldbySotheby’s,Monochrome|ImportantChineseArt;2November2022, London;lot.259.
ARETICULATEDWHITEJADE‘DRAGON’BELTPLAQUE, China,Mingdynasty(1368-1644) PLACCADACINTURAINGIADABIANCA, Cina,dinastiaMing(1368-1644)
Benforataeintagliata,raguraundragoneaquattroartiglitrafoglie,fiori,svasticheesimboli benaugurali.
Notedicatalogo:
SivedaunaplaccaanaloganellacollezionedelPalaceMuseumdiPechinoillustratain“The CompleteCollectionofTreasuresofthePalaceMuseum,Jadeware(I)”,vol.22;HongKong,2008; pag.243,n°256.
SivedaanchelaplaccavendutadaSotheby’s,Monochrome|ImportantChineseArt;2Novembre 2022,Londra;lot.259.
明白玉透雕龙纹带板
JADEANDENAMELEDSILVERBROOCH,
China,Qingdynasty,19thcentury
hcm5xlcm5,5
€100/200
Thecarvedjadesage-shapedpieceinsertedinasilverpagodaenamelled withpolychromeenamels;ontheback,itbearsthehallmark.
SPILLAINGIADAEARGENTOSMALTATO,
Cina,dinastiaQing,XIXsecolo
Lagiadaintagliataaformadisaggioinseritainunapagodad’argento smaltataconsmaltipolicromi;sulretrorecailpunzone.
清十九世纪镶嵌玉寿星银珐琅胸针
ASILVERANDJADEMOUNTEDBRUSH, China,Qingdynasty,19thcentury
lcm11
Thecéladonjadeplaquecarvedwithtwobats,aswastika,anda Buddhistemblem;thesilvermountingchasedwithflowers.
SPAZZOLAMONTATAINARGENTOEGIADA, Cina,dinastiaQing,XIXsecolo
Laplaccaingiadacéladonintagliataconduepipistrelli,unasvasticae unemblemabuddista;lamontaturainargentocesellataconfiori.
清十九世纪嵌玉银刷子
ACELADONANDRUSSETJADECARVING, China,19th/20thcentury
hcm9,5xlcm11
Carvedintheformoftwovaseswithlidsonapiercedstand;eachwithtwohandles, oneisdecoratedonthebodywithtaotie,bothareengravedontheneckwithstylised greeksandpetals.
SCULTURAINGIADACELADONERUGGINE, Cina,XIX/XXsecolo
Intagliataformadiduevasiconcoperchisuunostandforato;ciascunocondueanse, unoèdecoratosulcorpocontaotie,entrambisonoincisisulcollocongrecheepetali stilizzati.
TWOJADECARVING, China,19th/20thcentury
€2.000/3.000
Carvedintheshapeofmalefigures,onewithachildathisfeet,holding branches;theyrestontheirwoodenstands.
DUEFIGUREINGIADABIANCA, Cina,XIX/XXsecolo
Intagliatiaformadifiguremaschili,unaconunbambinoaisuoipiedi,che tengonoramiinmano;poggianosullelorobasiinlegno.
ALARGEWHITEJADEBELTHOOK, China,Qingdynasty,18th/19thcentury
Theupperpartiscarvedinopenworkandundercutwithachilongcrawling towardsthedragon’sheadhook;thebackshowsacircularstud.
GRANDEGANCIODACINTURAINGIADABIANCA, Cina,dinastiaQing,XVIII/XIXsecolo
ltot.cm9,8
€1.000/1.500 €450/650
Lapartesuperioreèintagliataatraforoesottosquadroconunchilongche strisciaversoilgancioatestadidrago;sulretropresentaunaconborchia circolare.
AMOTTLEDJADEANDRUSSETCARVED BELTBUCKLE, Cina,19th/20thcentury
FIBBIADACINTURASCOLPITAINGIADA SCREZIATAERUGGINE, Cina,XIX/XXsecolo hmaxcm14,5 lcm13,5
Thebucklecarvedinopenworkdepictingbatsamongstleafypeach branches.Theclaspofthebuckleisdecoratedwiththeheadofalion.
Lafibbiaèscolpitaatraforoeragurapipistrellitraramidipescofrondosi; lachiusuradellafibbiaèdecorataconlatestadiunleone.
十九世纪/二十世纪白玉人物摆件 清18/19世纪玉雕苍龙教子带钩 玉带扣，中国，清朝，十九世纪
ALARGEJADEBELTHOOKANDBUCKLE, China,Qingdynasty,Qianlongperiod(1735-1796)
hcm12
€8.000/10.000
Carvedinopenwork,itdepictsqilongsamongleafybranches;thebuckleclosureis decoratedwiththeheadofalion.
Provenance:-Marchant,London,accordingtothelabel.
Catalognotes:
SeeChristie’s,liveauction3263,ImportantChineseCeramicsandWorksofArt (IncludingtheSuZhuAnCollectionofInkstones),23November2013,HongKong, lotn.3614.
GRANDEGANCIOEFIBBIADACINTURAINGIADA,
Cina,dinastiaQing,periodoQianlong(1735-1796)
Scolpitaatraforoeraguraqilongtraramifrondosi;lachiusuradellafibbiaè decorataconlatestadiunleone.
Provenienza:-Marchant,Londra,secondol’etichetta.
Notedicatalogo:
SivedaChristie’s,astanumero3263,ImportantChineseCeramicsandWorksofArt (IncludingtheSuZhuAnCollectionofInkstones),23Novembre2013,HongKong, lotn°3614.
清乾隆玉带扣
ASMALLWHITEAND
RUSSETJADECARVING, China,Qingdynasty(1644-1911)
hcm5,7
€300/500
Carvedintheshapeofarock,depictingononesideapheasant restingonabranch,ontheothertwoleaves;drilledonthe upperpart.
PICCOLOINTAGLIOINGIADABIANCAE RUGGINE,Cina,dinastiaQing(1644-1911)
Intagliataaformadiroccia,ragurantedaunlatounfagiano chepoggiasuunramo,dall’altraduefoglie.
清（1644-1911）雕花鸟玉牌
AJADECARVING, China,Qingdynasty(1644-1911)
hcm4xlcm5
€300/500
Carvedintheshapeofacatplayingwithtwopuppies.
GRUPPOINGIADACELADONCHIARO, Cina,dinastiaQing(1644-1911)
Raguranteungattochegiocaconduecuccioli.
清玉摆件
ACINNABARLACQUERANDJADESCREEN, China,RepublicPeriod(1912-1949)
hcm183xlcm250
€6.000/8.000
Consistingofsixlacqueredandcarvedpanelswitharchaisticmotifs,each panelisdecoratedwiththreereserves:theroundonesatthetopare enrichedwithcarvedjadesandhardstonesintheshapeofliteraryobjects, thelobedrectangularonesinthemiddlearedecoratedwithjadesand gildingdepictingcharactersindierentlandscapes,andthelobedsquare onesatthebottomaredecoratedwithjadesandhardstonesintheshape ofliteraryobjects;thebackisengravedandpaintedwithflowersandbirds, antiquitiesandsymbolsofhappinessshou,batsanddoublegourds.
PARAVENTOINLACCADICINABROEGIADA, Cina,RepubblicadiCina(1912-1949)
Compostodaseipannellilaccatieintagliatiamotiviarcaistici,ognipannello èdecoratocontreriserve:quelletondeinaltosonoarricchitedagiade epietredureintagliateaformadioggettidaletterato,quellediforma rettangolarilobatealcentrosonodecoratecongiadeedoratureraguranti personaggiindiversipaesaggiequellequadratelobateinbassosono decoratecongiadeepietredureaformadioggettodaletterato;sulretro èincisoedipintoconfiorieuccelli,antichitàesimbolidellafelicitàshou, pipistrelliedoppiezucche.
民国时期（1912-1949）大漆嵌八宝屏风
AJADECENSER, China,20thcentury
hcm34
Ofarchaicformstandingonfourfeet,withlionhead-shaped handles,thelidiscarvedwithadragon.
INCENSIEREINGIADA, Cina,XXsecolo
Dallaformaarcaisticachesireggesuquattropiedi,leansea formaditestadileone,ilcoperchioèintagliatoconundragone.
20世纪岫玉雕仿古兽钮盖瓶
AJADEITECARVING, China,20thcentury
INTAGLIOINGIADEITE, Cina,XXsecolo
20世纪玉雕麒麟摆件
ASOAPSTONESEAL, China,20thcentury
Thelargerhcm10xlcm13 hcm6
Depictingtwomythologicalanimals,onelargerandonesmaller (h4cmxl8cm),connectedbyachain;theyrestontheir woodenstands. Carvedwithalandscape,onthebaseithascharacters.
Ragurantedueanimalimitologiciunopiùgrandeeunopiù piccolo(hcm4xlcm8)connessidaunacatena;poggianosulle lorobasiinlegno.
SIGILLOINPIETRASAPONARIA, Cina,XXsecolo
Raguranteungattochegiocaconduecuccioli.
20世纪皂石摆件
AGILTGREENJADEPLAQUE, China,Qingdynasty,18th/19thcentury
UNAPLACCAINGIADASPINACIODECORATAD’ORO, Cina,dinastiaQing,XVIII/XIXsecolo hcm32xlcm22,7
Ononeside,asceneofamountainlandscapewithtwoscholarsintheforeground. Onthereverse,awalledpavilionamidgnarledpinetreesandsteepmountains.The backofthisplaqueisadornedwithascenedepictingapairofsparrowsperchedon abushofpeonies.Thestoneisofanintensespinachgreencolor.
Provenance:-collectionofProfessorFerdinandoCappelletti,Rome. Suunlatounascenadipaesaggiomontanoconduestudiosiinprimopiano.Sul retro,unpadiglionemuratotrapininodosiemontagnescoscese.Ilretrodiquesta placcaèdecoratoconunascenachemostraunacoppiadipasseriappollaiatisuun cespugliodipeonie.Lapietraèdicoloreverdespinaciointenso
Provenienza:-collezioneProfessorFerdinandoCappelletti,Roma.
ASMALLGILTBRONZE FIGUREOFAMITAYUS, Tibet-Nepal,18th/19thcentury
Seatedinvajrasanaonadoublelotusflowerbase,withhands holdingakalashavase,crownedbyafinelycrafteddiadem;the basesealedbyadoublevajramotif.
PICCOLOAMITAYUSINBRONZODORATO, Tibet-Nepal,XVIII/XIXsecolo
Sedutoinvajrasanasuunabaseadoppiofioreloto,conlemani chereggonounvasokalasha,coronatodaundiademafinemente lavorato;labasesigillatadaundoppiomotivovajra.
西藏-尼泊尔，十八/十九世纪铜鎏金无量寿佛坐像
ASMALLGILT BRONZEFIGUREOFMAHAKALA, Tibet,19thcentury
hcm9,5 hcm11
Seatedridingonaman,holdingaswordaloft.
PICCOLAFIGURADIMAHAKALAINBRONZO DORATO,Tibet,XIXsecolo
Sedutocavalcandounuomo,tieneinaltounaspada.
ARARESMALLGILTBRONZEFIGUREOFMAHAKALA, Tibet,18thcentury
hcm10
75 €3.000/5.000
Depictedinhissix-armedlegdenforminalidhasanaposition,holdinginthemainhandsacurved knifeandaskullcup,inthesecondaryarmsholdingarosarymadeofskullsandastawithaskull terminal,adamaru(drum),andalassointhelowertwohands,whiletramplingsupineGanapati.
Provenance:-ProfessorFerdinandoCappellettiCollection,Rome.
CatalogNotes: SeeBonhams,FineChineseArt,3Novembre2022,London,lotn.175.
RARAPICCOLAFIGURADIMAHAKALAINBRONZODORATO, Tibet,XVIIIsecolo
Raguratonellasuaformalegdenaseibracciainposizionealidhasana,tienenellemaniprincipali uncoltelloricurvoeunacalottacranica,nellebracciasecondarietieneunmalafattaditeschie unbastoneconunterminalediteschio,undamaru(tamburo)eunlazonelleduemaniinferiori, mentrecalpestaGanapatisupino.
Provenienza:-colleizioneProfessorFerdinandoCappelletti,Roma.
Notedicatalogo: SivedaBonhams,FineChineseArt,3Novembre2022,Londra,lotn°175.
ARAREGILT-BRONZEFIGUREOFMAHAKALA,
Tibet,15th-17thcentury hcm28
€3.000/5.000
Finelycastandimpeccablycraftedineverydetail,itdepictsasix-armedMahakalain alidhasanaposture.Inhismainhands,heholdsacurvedknifeandaskullcup,while inhissecondaryarms,hecarriesarosarymadeofskullsandatrident,adamaru (drum),andalassointhetwolowerhands,whiletramplingsupineGanapati.The base19thcentury.Accompainedbyanoldcertificate.
Provenance:-FromaprivateItaliancollection.
CatalogueNotes: MahakalaisconsideredtheprincipalprotectorofwisdominHimalayanandTibetan Buddhism.Insomecases,Mahakalacanalsobeameditativedeity(ishtadevata)inthe highestAnuttarayogaTantra.Generally,Mahakalaformsarewrathfulemanationsof theBuddhaVajradhara.AmongthevariousformsofMahakala,onlythisformof ShadbhujaisanemanationofthebodhisattvaofcompassionAvalokiteshvara.
Asimilarbronzeforqualityofcasting,facialexpression,movement,andposturecan beseeninthecollectionofDr.JohnLoomisinHimalayanArtResources,itemno. 34273.Alsofromaprivatecollection,seeitemno.15707.
RAROMAHAKALAINBRONZODORATO,
Tibet,XV-XVIIsecolo
Finementefusoeogniparteperfettamentelavorata,èraguratoa seibracciainposizionealidhasanamentretienenellemaniprincipali uncoltelloricurvoeunacalottacranica,nellebracciasecondarie tieneunmalafattoditeschieuntridente,undamaru(tamburo)e unlazonelleduemaniinferiori,mentrecalpestaGanapatisupino.La baseXIXsecolo.Accompagnatodaunvecchiocertificato.
Provenienza:-daunacollezioneprivataitaliana.
Notedicatalogo:
Mahakalaèconsideratoilprincipaleprotettoredellasaggezzadel buddismohimalayanoetibetano.Inalcunicasi,Mahakalapuòanche essereunadivinitàmeditativa(ishtadevata)neipiùaltiAnuttarayoga Tantra.IngeneraleleformeMahakalasonoemanazioniirate delBuddhaVajradhara.TralediverseformediMahakalasolo questaformadiShadbhujaèun’emanazionedelbodhisattvadella compassioneAvalokiteshvara.
Sivedaunbronzosimileperqualitàdifusione,espressionefacciale, movimentoeimpostazionedallacollezionedelDott.JohnLoomisin HimalayanArtResources,oggetton°34273.Sivedaanchel’oggetto n°15707daunacollezioneprivata.
西藏15至17世纪铜鎏金六臂大黑天造像
ALARGEGILT-BRONZE FIGUREOFVAIROCANA,
Nepal,KingdomofNepal
hcm31
€5.000/7.000
Seatedinvajraparyankasana,withelongatedearlobes,large flower-shapedearrings,andasumptuousfive-pointedcrown endingwithalargefriezeatthetop;thebodyiscoveredwith elaborateornaments,andthenecklaceandfinelyembroidered garmentstandout;thehandsareinthe“fistofwisdom” or“lightning”mudra,withtheindexfingerofthelefthand containedintheclosedrightfist;thegazeoftheelongated almond-shapedeyesissubtleandintense.
Provenance:-fromthecollectionofProfessorFerdinando Cappelletti,Rome.
GRANDEFIGURADIVAIROCANA INBRONZODORATO, Nepal,RegnodelNepal
Sedutoinvajraparyankasana,conlobiallungati,grandi orecchiniafioreeunasontuosacoronaacinquepunteche terminaconungrandefregiosullasommità;sulcorpoè ricopertodaelaboratimoniliespiccalacollanaelaveste finementericamata;halemaninellaposizionedel“pugno dellasaggezza”omudradel“fulmine”,conl’indicedellamano sinistracontenutoinquelladestrachiusaapugno;losguardo degliocchiallungatiamandorlaèsottileeintenso.
Provenienza:-collezioneProfessorFerdinandoCappelletti, Roma.
尼泊尔铜镀金毗卢佛
78
AGILT-BRONZEFIGURE OFTSONGKHAPA, Tibet,18thcentury
hcm16
€2.000/3.000
Rappresentatoassisoinpadmasanasudiuntronoadoppio fiorediloto,lemanisonoindarmachakramudra,sullatesta indossailcappellotipicodapandita.
Provenance:-fromthecollectionofProfessorFerdinando Cappelletti,Rome.
FIGURADITSONGKHAPA INBRONZODORATO, Tibet,XVIIIsecolo
Rappresentatoassisoinpadmasanasudiuntronoadoppio fiorediloto,lemanisonoindarmachakramudra,sullatesta indossailcappellotipicodapandita.
Provenienza:-collezioneprofessorFerdinandoCappelletti, Roma.
西藏十八世纪铜鎏金宗喀巴坐像
AGILT-COPPERALLOY
FIGUREOFSHAKYAMUNI, Tibet-Nepal,18thcentury
hcm20,5
€1.800/2.200
Finelymodeledseatedinpadmasanaonalotusflowerbasewiththeright handinbhumisparshamudra.
Provenance:-fromthecollectionofProfessorFerdinandoCappelletti,Rome.
FIGURADISHAKYAMUNIINRAMEDORATO, Tibet-Nepal,XVIIIsecolo
Finementemodellatosedutoinpadmasanasuunabasedifioredilotocon lamanodestrainbhumisparshamudra.
Provenienza:-collezioneProfessorFerdinandoCappelletti,Roma.
西藏-尼泊尔十八世纪铜镀金释迦牟尼像
80
AGILT-BRONZEFIGUREOFSHAKYAMUNI, Tibet-Nepal,18th/19thcentury
hcm16
€600/800
Seatedinpadmasanaonalotusflowerbasewiththerighthandin bhumisparshamudra.
FIGURADISHAKYAMUNIINBRONZODORATO, Tibet-Nepal,XVIII/XIXsecolo
Sedutoinpadmasanasuunabasedifioredilotoconlamanodestrain bhumisparshamudra.
西藏-尼泊尔十八/十九世纪铜镀金释迦牟尼像
81
ABRONZEFIGUREOF AVALOKITESVARA, Tibet,19thcentury
hcm16,5
€600/800
Seatedonadoublelotusthrone,withlegsinpadmasana,the mainhandsarejoinedinanjalimudra,whilethesecondary onesholdobjects;adornedwithsemi-preciousstones.
FIGURADIAVALOKITESVARAINBRONZO, Tibet,XIXsecolo
Sedutosuuntronoadoppiofiorediloto,conlegambein padmasana,lemaniprincipalisonogiunteinanjalimudra, mentrelesecondariereggonooggetti.ornatoconpietre semipreziose.
西藏十九世纪四臂观音像
82
AGILT-BRONZEFIGUREOFKHALI, Nepal,20thcentury
hcm18,5
€800/1.200
Shehasfourarmswieldingacleavertocutthroughignorance, aseveredheadinanotherhand,andaritualcup;shewearsa longnecklaceofskullsandprotrudeshertongueinaterrifying grin.
FIGURADIKALIINBRONZODORATO, Nepal,XXsecolo
Haquattrobracciacheimpugnanounamannaiaconcuirecide l’ignoranza,latestanell’altramano,eunacopparituale;porta unalungacollanaditeschiedestroflettelalinguainunghigno chegeneraterrore.
尼泊尔，二十世纪铜镀金度尔伽佛母像
AGILT-BRONZEFIGURE, China,Mingdynasty(1368-1644)
hcm20
€450/650
DepictingAvalokiteshvaraseatedonadoublelotusflowerbase.
FIGURAINBRONZODORATO, Cina,dinastiaMing(1368-1644)
RaguranteAvalokiteshvarainposizionesedutasudiunadoppiabase difioridiloto.
AGILT-BRONZEFIGURE, China,Mingdynasty(1368-1644)
hcm18,5
€450/650
DepictingAvalokiteshvaraseatedonadoublelotusflowerbase.
FIGURAINBRONZODORATO, Cina,dinastiaMing(1368-1644)
RaguranteAvalokiteshvarainposizionesedutasudiunadoppiabase difioridiloto. 明漆金菩萨坐像
AGILT-BRONZEFIGURE, China,Mingdynasty(1368-1644)
€450/650
DepictingBuddhaShakyamuniseatedonadoublelotusflower base.
FIGURAINBRONZODORATO, Cina,dinastiaMing(1368-1644)
RaguranteBuddhaShakyamuniinposizionesedutasuuna doppiabasedifioridiloto.
AGILTBRONZEFIGURE, China,Mingdynasty(1368-1644)
hcm18 hcm24
€450/650
Portrayedinaseatedpositionwithhandsrestingontheknees andattireadornedwithacentralmedallioninsideofwhicha dragonisdepicted.
FIGURAINBRONZODORATO, Cina,dinastiaMing(1368-1644)
Raguratainposizionesedutaconlemaniappoggiatesulle ginocchiaevesteornataconunmedaglionecentraleall’interno delqualeèraguratoundrago. 明漆金佛坐像
BRONZERITUALBELL, Tibet,19th/20thcentury
hcm23,5
€300/500
Decoratedwithvajra,thehandlerisesfromalotusflowerandculminates inaheadwearingavajra-shapedhat.
CAMPANELLAINBRONZO, Tibet,XIX/XXsecolo
Decorataconvajra,ilmanicosorgedaunfioredilotoeculminaconuna testacheindossauncappelloaformadivajra.
西藏19世纪/20世纪铜金刚铃
AGILT-BRONZEINCENSEBURNER, China,Qingdynasty(1644-1911)
hcm8,5xdcm18
€500/700
Withabeautifulshapefeaturingaglobularandcompressedbody,flankedbyapairofringhandles,thebodyisgildedandshows patchesofrust-redcolor;onthebase,therearetworaiseddragonssurroundingthefour-charactermarkNeitanJiaoshe(内坛郊社).
INCENSIEREINBRONZODORATO, Cina,dinastiaQing(1644-1911)
Dallabellaformaconcorpoglobulareecompresso,aancatodaunacoppiadianseadanello,ilcorpoèdoratoepresentachiazze dicolorrossoruggine;sullabasesonopresentiarilievoduedragonichecircondanoilmarchioaquattrocaratteriNeitanJiaoshe (内坛郊社).
清铜“内坛郊社”款蚰耳炉
ARAREGILT-SPLASHEDBRONZEINCENSEBURNER, China,17th/18thcentury
hcm3,2xdcm17,4
€5.000/7.000
Restingonthreeruyi-shapedfeet,theshortbodyisfinelycastinabandtoscalewidening upwardsfromwhichrisesthewidestmouthandwhichfallsinward;thewholebodyis wonderfullydecoratedwithgoldspots;atthecenterofthebasebearstheapocryphalcircular markoftheEmperorXuande,aswellasontheedgeistheapocryphalmarkengravedwith sixcharactersoftheEmperorXuandeandanumbercorrespondingto332(叁佰叁拾贰號), probablyaninventorynumber.
Provenance:fromanItalianprivatecollection.
RAROBRUCIAINCENSOINBRONZOCONSPLASHINORO, Cina,XVII/XVIIIsecolo
Poggiantesutrepiediaformadiruyi,ilcorpocortoèfinementefusoinunafasciaa scalareallargandosiversol’altodallaqualesorgelaboccapiùlargaecherientraverso l’interno;tuttoilcorpoèmeravigliosamentedecoratocondellemacchied’oro;alcentro dellabaserecailmarchioapocrifocircolaredell’ImperatoreXuande,cosìcomesulbordo èpresenteilmarchioapocrifoincisoaseicaratteridell’ImperatoreXuandeeunnumero corrispondenteal332(叁佰叁拾贰號),probabilmenteunnumerod’inventario. Provenienza:daunacollezioneprivataitaliana.
洒金铜香盘大明宣德年制款，中国，十七/十八世纪
APAIROFGILTCOPPERVASES,
China,Qingdynasty,19thcentury
hcm9,5
€500/700
Globularinshapewiththreedog-shapedhandles,theystandonthreefeet;thecentreofthebodyisdecoratedwithscenesofbirds amongflowers.
COPPIADIVASIINRAMEDORATO, Cina,dinastiaQing,XIXsecolo
Dallaformaglobularecontreanseaformadicanesireggonosutrepiedi;alcentrodelcorposonodecorateconscenediuccelli traifiori.
清18/19世纪三面开光螭龙耳铜香炉一对 宋/元时期铜夔纹贯耳瓶
ABRONZEARROWVASE, China,Song/Yuandynasty
hcm25
€2.500/3.500
Wellchased,itisdecoratedwithhorizontalbandsonthebody andthefootenclosingwaves,alternatingwithbandswith beehivemotifsthatalsocontaintrigramsonthebelly.
Provenance:-collectionofProfessorFerdinandoCappelletti, Rome.
CatalogNotes: SeethevasesoldbyBonhams,MichaelGoedhuisBrushand Bronze,May17,2023,London,lotno.321.
VASOINBRONZO, Cina,periodoSong/Yuan
Dall’arcaisticaformaafrecciaebencesellato,èdecoratocon fasceorizzontalisulcorpoesulpiedecheracchiudonoonde, alternatiafasceamotividialvearechesullapanciacontengono anchetrigrammi.
Provenienza:-collezioneProfessorFerdinandoCappelletti, Roma.
Notedicatalogo: SivedailvasovendutodaBonhams,MichaelGoedhuisBrush andBronze,17Maggio2023,Londra,lotn°321.
TWOFLAMBÉBALUSTER-SHAPED PORCELAINVASES, China,RepublicPeriod(1912-1949)
hmaxcm21,5
€300/500
DUEVASIINPORCELLANAFLAMBÉ, Cina,RepubblicadiCina(1912-1949)
Entrambidiformaacolonnadibalaustra,unosufondorossoeuno sufondocéladonchiaroconfiammeestriaturenereerossastre.
民国窑变釉花瓶一组
ASANG-DE-BOEUFPORCELAINVASE, China,Qingdynasty,19thcentury
hcm33
€500/700
Bothinbalustercolumnshape,onewitharedbackgroundandone withalightceladonbackgroundwithblackandreddishstreaksand flames. Withaglobularbody,longneck,andflaredrim,itiscompletely coveredinredglaze.
VASOINPORCELLANASANGUEDIBUE, Cina,dinastiaQing,XIXsecolo
Concorpoglobulare,collolungoebordosvasato,ècompletamente ricopertodaunosmaltorosso.
清十九世纪霁红釉花瓶
APAIROFLARGE
SANG-DE-BOEUFVASES, China,Qingdynasty,19thcentury
€500/700
Ofbalustradecolumnshape,theyareentirelycoveredwitha deepredglaze.
COPPIADIGRANDIVASI
MONOCROMISANG-DE-BOEUF, Cina,dinastiaQing,XIXsecolo
Diformaacolonnadibalaustra,sonocompletamentericoperti daunosmaltorossointenso.
清19世纪霁红釉观音瓶一对
95
ANIRONRUSTGLAZE
PORCELAINYENYENVASE, China,Qingdynasty(1644-1911)
hcm58 hcm34
€2.000/3.000
Intheclassic‘phoenix-tail’shape,itiscompletelycoveredwith abrownglazewithmetallicstreakssimulatingthecolorofrust.
Provenance:-collectionofProfessorFerdinandoCappelletti, Rome.
VASOMONOCROMOINPORCELLANA, Cina,dinastiaQing(1644-1911)
Dallaclassicaformayenyen(acodadifenice),ècompletamente ricopertodaunosmaltomarroneconstriaturemetalliche simulandoilcolorruggine.
Provenienza:-collezioneProfessorFerdinandoCappelletti, Roma.
清（1644-1911）单色瓷花瓶
ARARESQUARETURQUOISEPORCELAINVASE, China,Qingdynasty,18thcentury
RAROVASOINPORCELLANAMONOCROMA, Cina,dinastiaQing,XVIIIsecolo hcm32
Ofsquaresectionwithataperedbody,twolionhead-shapedhandlesareapplied onthesides,eachholdingaringinitsmouth;itisentirelycoveredwithaturquoise glazewithdrippingsthatblendintoadarkbluecolor.
Disezionequadrataconcorpoausolato,suilatisonoapplicatedueanseaforma ditestadileonechetengonoinboccaunanello;ècompletamentericopertodauno smaltoturcheseconsfumaturebluscure.
ACELADONPORCELAINVASE, China,Qingdynasty,18th/19thcentury
VASOINPORCELLANACELADON, Cina,dinastiaQing,XVIII/XIXsecolo
青釉刻花缠枝莲纹缸中国，清朝，十八/十九世纪
€350/550 €500/700
Thebeautifulsinuousshapethatrisesfromawidefoottoastep,whichwidensuptotheshouldertonarrowdowntothemouth, itiswellcarvedonthewholebodywithlotusscrollandiscompletelycoveredwithabeautifulolivegreenenamel.
Dallabellaformasinuosachesorgedaunpiedelargoascalino,chesiallargafinoallaspallaperrestringersifinoallabocca,èben incisosututtoilcorpoconlotusscrolledècompletamentericopertodaunbellosmaltoverdeoliva.
INCENSIEREINPORCELLANADEHUA,Cina, dinastiaQing,XVIII/XIXsecolo hcm19,5
ADEHUAPORCELAINCENSER, China,Qingdynasty,18th/19thcentury
Cylindricalinshape,slightlytapered,itrestsonthreesmallmolded feet;itiscompletelycoveredwithabeautifulivory-coloredglaze.
Diformacilindricaleggermenterastremata,sipoggiasutrepiccoli piedisagomati;ècompletamentericopertodaunbellosmaltocolor avorio.
清十八/十九世纪德化窑白釉筒式三足炉
99
ASMALLWHITE-GLAZEDPORCELAINPOTICHE, China,Mingdynasty(1368-1644)
hcm11
€3.500/4.500
Ofclassicshaperestingonaflatfoot,itislobedacrosstheentirebodyandthelid,which featuresawavyedge;itiscompletelycoveredwithanivoryglaze.
Provenance:-collectionofProfessorFerdinandoCappelletti,Rome.
PICCOLAPOTICHEINPORCELLANABIANCA, Cina,dinastiaMing(1368-1644)
Dallaclassicaformachepoggiasuunpiedepiatto,èlobatasututtoilcorpoesul coperchio,chepresentailbordoondulato;ècompletamentericopertadaunosmalto coloravorio.
Provenienza:-collezioneProfessorFerdinandoCappelletti,Roma. 明（1368-1644）白釉条纹荷叶罐
100
AMONOCHROMEWHITEPORCELAIN‘LOTUS’DISH, China,Qingdynasty,18th/19thcentury
dcm29
€1.500/2.000
Wellmodeled,lobed,andcarvedintheshapeofalotusflowerwitheighteenpetals, itfeaturesalobedcrowninthecenter,withinwhichmanysmallcirclesareengravedto simulatestigmasandseeds;itiscompletelycoveredwithatranslucentglaze.
Provenance:-collectionofProfessorFerdinandoCappelletti,Rome.
PIATTOINPORCELLANAMONOCROMABIANCA, Cina,dinastiaQing,XVIII/XIXsecolo
Benmodellato,lobatoeincisoaformadifioredilotocondiciottopetali,alcentropresentala coronalobataall’internodellaqualesonoincisitantipiccolicerchiasimularestimmiesemi; ècompletamentericopertodaunavetrinatraslucida.
Provenienza:-collezioneProfessorFerdinandoCappelletti,Roma.
清十八/十九世纪单色釉白瓷盘
BLANC-DE-CHINEPORCELAINFIGUREOF GUANGONGMARKEDBOJIJUREN, China,late19thcentury
€500/700
Wellmodelledinaseatedpositionwithhistypicalrobe,onthebackhehasthe markbojiyuren(博及渔人).
FIGURADIGUANGONGINPORCELLANA BLANC-DE-CHINEMARCATOBOJIJUREN, Cina,fineXIXsecolo
Benmodellatoinposizionesedutaconlasuatipicaveste,sullaschienaha impressoilmarchiobojiyuren(博及渔人).
晚清德化窑关公像“博及渔人”款
ADEHUAPORCELAINFIGUREOFGUANYIN, China,Qingdynasty(1644-1911)
hcm26
€600/800
Seatedonaburlwoodseatwithastandholdingavaseandascroll,holdingaruyi scepterinherhand.
GUANYININPORCELLANADEHUA, Cina,dinastiaQing(1644-1911)
Assisasudiunasedutainradicaconunappoggiosulqualesitrovanounvasoe unrotolo,tieneinmanounoscettroruyi.
清（1644-1911）德化窑岩石观音瓷塑
ABLANCDECHINEPORCELAINGUANYIN, Cina,20thcentury
hcm46
€100/200
Inaseatedpositiononadoublelotusflowerbase;amanufacturingsealofHong Kongisstampedinside.
GUANYININPORCELLANABLANCDECHINE, Cina,XXsecolo hcm37,5
Inposizionesedutasuunadoppiabasedifioridiloto;all’internoèimpressoun sigillodimanifatturadiHongKong.
20世纪白瓷观音
ADEHUAPORCELAINGUANYIN, China,Qingdynasty(1644-1911)
hcm32
€1.200/1.500
Depictedinaseatedpositionholdingascrollinherrighthand.
GUANYININPORCELLANADEHUA, Cina,dinastiaQing(1644-1911)
Raguratainposizionesedutachetieneinmanounrotolosullamano destra.
清(1644-1911）德化窑持经观音像
AFAMILLEVERTEPORCELAINBUDDHA, China,Qingdynasty,18th/19thcentury
hcm19
€450/650
Representedsmilinginaseatedpositionheisdressedinarobe decoratedwithflowers,inhisrighthandheholdsaglobularvase paintedwithshousymbols.
Cataloguenotes:seeasimilarfiguresoldbySotheby’s,Cross-Currents inAmerica:TheWolfFamilyCollection;21April2023,NewYork;lotno. 647.
BUDDHAINPORCELLANAFAMIGLIAVERDE, Cina,dinastiaQing,XVIII/XIXsecolo
Raguratosorridenteinposizionesedutaèvestitoconunaveste decorataconfiori,sullamanodestratieneunvasoglobularedipinto consimbolishou.
Notedicatalogo:sivedaunafigurasimilevendutadaSotheby’s,CrossCurrentsinAmerica:TheWolfFamilyCollection;21Aprile2023,New York;lot.n°647.
清十八/十九世纪素三彩布袋和尚坐像
AQIANJIANGCAIPORCELAINVASE
SIGNEDBYWENXIN, China,late19th/early20thcentury
hcm38,5
€500/700
Nicelypaintedonapowderblueground,thebodyfeaturestwolobed reservesinthecenteroftheglobularbodydepictinglandscapeswith treesandmountains.Onthesides,therearetworoundreserveswith flowersandbirds,abovewhichtherearetwofan-shapedreserveswith inscriptions.Onthelongneck,therearetwolobedrectangularreserves, onewithflowersandbirds,andtheotherwithinscriptionsincludingthe signatureoftheartistWenxin(文心).
VASOINPORCELLANAQIANJIANG FIRMATODAWENXIN, Cina,fineXIX/inizioXXsecolo
Bendipintosufondocolorblupolvere,sulcorpopresentadueriserve lobatealcentrodelcorpoglobularenellequalisonodipintepaesaggi conalberiemontagne,ailatisonopresentidueriservetondecon fiorieuccellisopralequalisitrovanodueriserveaformadiventaglio all’internodellequalivisonoiscrizioni;sulcollolungosonopresentidue riserverettangolarilobatedovesonopresentiinunafiorieuccellie nell’altrascrittetralequalisitrovalafirmadell’artistaWenxin(文心).
清19世纪末/20世纪初浅降彩开窗山水人物诗文花鸟纹瓶
APORCELAINQIANJIANGCAIBASIN
SIGNEDBYYIMAO, China,Qingdynasty,1895dated
hcm9,5xdcm28,5
€400/600
Finelypaintedontheinteriorwithaladyleaningonawritingdeskwith achildembracingherunderabloomingfrond;inscriptionsarepresent ontherimincludingthesignatureofYimao(義茂)andthecyclicaldate yiwei(乙未)correspondingtotheyear1895.
Provenance:-fromanItalianprivatecollection
Catalognotes:
YimaowasaknownpainterduringthelateQingdynasty.Forreference, seethebasinofidenticalshapesignedbyYimaobutpaintedwitha landscapeanddated1892,inQianjiangWareintheLateQingPeriod byXuJinfanandChenBing,ShanghaiFineArtsPublishers,2011,page 491,no.360.
BACINELLAINPORCELLANA QIANJIANGFIRMATADAYIMAO, Cina,dinastiaQing,datata1895
Bendipintaall’internoconunadamaappoggiataadunoscrittoiocon unbambinochelaabbracciasottoadunafrondafiorita;sulbordosono presentiiscrizionitralequalicomparelafirmadiYimao(義茂)eladata ciclicayiwei(乙未)corrispondenteall’anno1895.
Provenienza:-daunacollezioneprivataitaliana.
Notedicatalogo:
YimaoeraunpittorenotonellatardadinastiaQing.Sivedalabacinella dallaidenticaformafirmatadaYimaomadipintaconunpaesaggioe datata1892inQianjiangWareintheLateQingPeriod;XuJinfan,Chen Bing,ShanghaiFineArtsPublishers,2011;pag491,n°360.
清1895年浅降彩大碗
ASMALLQIANJIANGCAIPORCELAIN
HIGHFOOTEDCUPSIGNEDBYWANGYOUTANG, China,Qingdynasty,late19thcentury
hcm3xl9,5
€200/300
Restingonatallfoot,thelobeddishwithfourpetalsfeaturesacentrallandscapepaintedwiththetypicaldelicatecolorsofthe qianjiangstyleonporcelain;atthetopbearsthesignatureoftheartistWangYoutang(汪友棠).
Cataloguenotes:
WangYoutang,anativeofBishaninYiCounty,AnhuiProvince,wasbornduringtheGuangxureign.Hewasoneofthemostfamous QianjiangmastersofthelateQingperiod.Skilledinpaintinglandscapes,figures,birds,andflowers,hislandscapepaintingsfollow thestyleofMiFu,depictingmist,woods,bamboogroves,androcks.Wangwasactivefromthe16thyear(1890)tothe33rdyear (1907)oftheGuangxureign.Hisworkswereoftenusedasgiftsamongocialsandscholars.
Theformsofdishes,plates,andbasinsfromthelateQingperiodfollowthetraditionoftheirMingandearly/mid-Qingpredecessors. Therefinedqianjiangplatesandbasinsgraduallyevolvedintoworksmeantfordisplayratherthandailyuse.Theirtypicalforms includeoval,chrysanthemumpetal-shaped,plumblossom-shaped,lobed(likethepresentpedestaldish),andcrabappleflowershaped,withtheirrimseitherflaredorevertedandtheirbodieseitherdeeporshallow.
Forreference,seethepedestaldishofidenticalshapebutdecoratedwithacraneamongtrees,signedbyJiangXichenanddated 1881,in“QianjiangWareintheLateQingPeriod”,XuJinfanandChenBing,ShanghaiFineArtsPublishers,2011,page477,no.346.
PICCOLAALZATINAINPORCELLANAQIANJIANGFIRMATADAWANGYOUTANG, Cina,dinastiaQing,fineXIXsecolo
Poggiantesuunaltopiede,ilpiattinolobatoinquattropetalialcentropresentaunpaesaggiodipintoconitipicicolorievanescenti qianjiangcai;inaltorecalafirmadell’artistaWangYoutang(汪友棠).
Notedicatalogo:
WangYoutang,nativodiBishan,neldistrettodiYi,provinciadiAnhui,natoduranteilregnodiGuangxu,èstatounodeipiùfamosi maestriQianjiangdeltardoperiodoQing.Eraabileneldipingerepaesaggi,figure,uccelliefiori.Isuoidipintidipaesaggiseguono lostilediMiFu,ragurandonebbia,boschi,boschettidibambùerocce.Wangfuattivodal16°anno(1890)al33°anno(1907)del regnodiGuangxu.Lesueoperevenivanospessoutilizzatecomedonitrafunzionariestudiosi. Leformedipiatti,piattiniebacinideltardoperiodoQingseguonolatradizionedeiloropredecessoriMingedeiprimi/metàQing. Iranatipiattiebaciniqianjiangsisonogradualmenteevolutiinoperedestinateall’esposizionepiuttostocheall’usoquotidiano. Leloroformetipicheincludonoquellaovale,apetalodicrisantemo,afioredipruno,lobata(comelapresentealzatina)eafioredi melo,conbordisvasatioarrotondatiecorpiprofondiopocoprofondi. Sivedal’alzatinadall’identicaformamadecorataconunagrutraglialberi,firmatadaJiangXichenedatata1881inQianjiangWare intheLateQingPeriod;XuJinfan,ChenBing,ShanghaiFineArtsPublishers,2011;pag477,n°346.
清十九世纪末“汪友棠”浅降彩小碟
ANEXTREMELYRAREPAIROFWOODENANDPOWDER-BLUE PORCELAINQIANJIANGCAIPANELSSIGNEDBYWANGJUNSHUN,
China,dated1902
€7.000/9.000
Beautifullypaintedonpowderbluebackground,eachpanelconsistsof:aroundplaqueatthetop(diameter26.5 cm)depictingtworabbitsandtwohorsesinlandscapesamongtreesandrocks,afan-shapedplaque(maximum length26.5cm)depictingscholar’sobjects,flowers,andantiques(peku),ahexagonalplaque(length26.5cm) depictingflowersandbirds,andasquareplaquedepictinglandscapeswithtrees,mountains,andrivers.Each plaquebearsgoldinscriptionswheretheartist’ssignatureWangJunshun(汪俊顺作)andthecyclicaldateRenYin( 壬寅),correspondingtotheyear1902,arefound.
Catalognotes:
Qianjiangliterallymeans“paleumber”andoriginatesfromagenreofpaintingonpaperthatemergedduringthe Yuandynasty(1279-1368)inChina,cateringtotheliteraticlass.Regardingporcelain,thetermqianjiangreferstoa stylethatdevelopedinthelate19thcentury,probablyduringthereignofEmperorTongzhi(1861-1875),andwas adoptedbymanyartistsofthetime,someofwhomwereevenpartoftheImperialKilns.Thisstyleofporcelain decorationiscloselylinkedtothelandscapepaintingsonpaperandsilkbythemasterHuangGongwang(12691354).
WangJunshunwasarenownedpainteroftheqianjiangstyleonporcelainduringthelateQingdynasty.Hewas activefrom1900to1905.
ESTREMAMENTERARACOPPIADIPANNELLIINLEGNO EPORCELLANAQIANJIANGFIRMATADAWANGJUNSHUN,
Cina,datate1902 hcm142,5xlcm40,5
Magnificamentedipintisufondoblupolvere,ciascunpannelloècompostoda:unaplaccatondainalto(dcm26,5) dovesonorispettivamenteraguratidueconiglieduecavalliindeipaesaggitraalberierocce,unaplaccaaforma diventaglio(lmaxcm26,5)dovesonoraguratioggettidaletterato,fiorieantichità(peku),unaplaccaesagonale (lcm26,5)dovesonoraguratifiorieuccellieunaplaccaquadratadovesonoraguratipaesaggiconalberi, montagneefiumi;ciascunaplaccarecadelleiscrizioniinorodovesitrovalafirmadell’artistaWangJunshun(汪俊 顺作)eladataciclicaRenYin(壬寅)corrispondenteall’anno1902.
Notedicatalogo:
Qianjiangsignificaletteralmente“tenuecolorterrad’ombra”ederivadaungeneredipitturasucartasortodurante ladinastiaYuan(1279-1368)inCinaerivoltoallaclassedeiletterati.IltermineQianjiang,perquantoriguardala porcellana,siriferisceaunostilenatoallafinedelXIXsecolo,probabilmenteduranteilregnodell’Imperatore Tongzhi(1861-1875),cheinteressòmoltiartistidell’epoca,alcuniaddiritturafacentipartedeiForniImperiali. Questostiledidecorazionesuporcellanaèstrettamentelegatoaidipintidipaesaggiosucartaesetadelmaestro HuangGongwang(1269-1354).
WangJunshunfuunfamosopittoredellostileQianjiangsuporcellanadellatardadinastiaQing.Fuattivodal1900 al1905.
清光绪汪俊顺浅绛彩人物花鸟山水博古纹两条屏
TWOFAMILLEROSEPORCELAINPLAQUESSIGNEDBYLIUXIREN, China,RepublicPeriod(1912-1949)
hcm39xlcm26
€3.000/5.000 110
Depictingeachasageandachildinagardenunderatreeamongrocks;atthetopright,theybearinscriptions includingtheartist’ssignatureLiuXiren(劉希任).
Cataloguenotes: LiuXirenwasoriginallyfromNanchanginJiangxi.Passionateaboutpaintingfromayoungage,bytheageof30hehad alreadyachievedacertainnotoriety,inparticularforhispaintingsoffiguresonporcelainplates. SeethefourplaquessoldatChristie’s,LiveAuctionn°2427,FineChineseCeramicsandWorksofArtPartIandPartII IncludingPropertyfromtheArthurM.SacklerCollections,24-25March2011,NewYork,lot1828.
DUEPLACCHEINPORCELLANAFAMIGLIAROSAFIRMATEDALIUXIREN, Cina,RepubblicadiCina(1912-1949)
Rappresentanticiascunaunsaggioeunbambinoinungiardinosottoadunalberotralerocce;inaltoadestra recanoiscrizionitracuilafirmadell’artistaLiuXiren(劉希任).
Notedicatalogo:
LiuXireneraoriginariodiNanchangnelloJiangxi.Appassionatodipitturasindagiovane,all’etàdi30anniaveva giàraggiuntounacertanotorietà,inparticolareperisuoidipintidifiguresuplacchediporcellana.
SivedanolequattroplacchevendutedaChristie’s,astaliven°2427,FineChineseCeramicsandWorksofArtPart IandPartIIIncludingPropertyfromtheArthurM.SacklerCollections,24-25Marzo2011,NewYork,lot.1828.
民国刘希任画粉彩人物故事图瓷板 东篱种菊、北苑梅华
刘希任（1906-1967）斋名再思轩、永华堂等，民国后期著名的瓷器艺人。其艺术生涯中以粉 彩人物见长。刘希任人物画造型准确，神态飘逸洒脱，衣纹勾勒更见功力。风格与王琦相近， 晚年常绘花鸟及雪景。
TWOFAMILLEROSEPORCELAINPLAQUE, China,RepublicPeriod(1912-1949) htotcm92xltotcm32
€1.500/2.500
Finelypaintedwithsagesandattendantsamidstrocksandtreesinlakeside landscapes;woodenframes.
DUEPLACCHEINPORCELLANAFAMIGLIAROSA, Cina,RepubblicadiCina(1912-1949)
Finementedipinteconsaggieattendentitrarocceealberiinpaesaggi lacustri;corniciinlegno.
PORCELAINVASES,China,RepublicPeriod(1912-1949) hcm75
€10.000/15.000
Withtwoqilong-shapedhandlesonthesidesholdinglingzhimushroomsintheirmouths, theyarefinelypaintedonthebodywithasceneofliteratiengrossedinreadingandwriting, servedbyattendantboysandwomenlisteningtoagirlplayingtheflute.Theneck,delimited byaruyi-shapedband,isdecoratedwithlotusscrollonaredbackground;atthecenterofthe base,theybeartheapocryphalsix-charactersealmarkinunderglazeblueofEmperorQianlong. Accompainedbyacertificatedated1969. 112
APAIROFLARGEFAMILLEROSEBALUSTER-SHAPED
COPPIADIGRANDIVASIINPORCELLANAFAMIGLIAROSA, Cina,RepubblicadiCina(1912-1949)
Diformaacolonnadibalaustraconailatidueanseaformadiqilongchetengonoin boccalingzhi,sonofinementedipintisullapanciaconunascenadiletteratiintentia leggereescrivereservitidaragazziloroattendentiedonnecheascoltanounaragazza suonareilflauto;ilcollo,delimitatodalcorpodaunafasciaaformadiruyièdecoratocon lotusscrollsufondorosso;alcentrodellabaserecanoilmarchioapocrifosigillareasei caratteriinblusottocopertadell’ImperatoreQianlong.Accompagnatidauncertificato datato1969.
晚清民国粉彩人物螭龙耳大瓶一对
此对螭龙耳瓶做工规整大气，胎质细腻，釉面光滑，螭龙耳雕刻极为精 细，采用重工粉彩勾边，画面人物刻画生动，色彩绚丽，是晚清民国时期 重工粉彩的典范。
APAIROFFAMILLEROSEPORCELAINHAT-STANDS, China,Qingdynasty,late19thcentury
hcm29
Wellpaintedalloverthebodywithacontinuoussceneoffiguresinapalaceandinagarden amongtreesandrocks;atthecenterofthebase,theybeartheapocryphalsix-characterTongzhi sealmarkstampedinred.
COPPIADIPORTACAPPELLIINPORCELLANAFAMIGLIAROSA, Cina,dinastiaQing,fineXIXsecolo
Bendipintisututtoilcorpoconunascenacontinuadipersonaggiinunpalazzoeinungiardino traalberierocce;alcentrodellabaserecanoilmarchioapocrifosigillarestampatoinrossoasei caratteridell’ImperatoreTongzhi.
清十九世纪末粉彩帽桶一对
TWOFAMILLEROSE‘HUNDREDDEER’PORCELAINVASES,HU,
China,late19thcentury/early20thcentury
hmaxcm46
€10.000/20.000
Withanarchaisticshaperisingfromastraightfoot,apairofhandlesintheshapeofstyliseddragonsare appliedtothesidesofthetaperedupperpartofthepyriformbody;theyarevividlypaintedwithaherdof spotteddeerpaintedinwhite,beigeandbrown,variouslydepictedgrazingandgallopinginanopenfield amongpinetrees,craggyrocksandlingzhi,nexttoameanderingstreamflowingfromthemountainsforming thebackdroptothescene;inthecentreofthebasetheybeartheapocryphalsix-charactersealmarkin underglazeblueofQianlongEmperor.
Catalognotes:
Aslightlysmallerbutverysimilarvasewithdecorationmirroringthesmallerone(44,5cm)wassoldby Bonhams,FineChineseArt,15May2015,London,NewBondStreet,lot.n°204.
SeealsothevasesoldatChristie’s,onlineauction18417;ChineseCeramicsandWorksofArt,7-24Luglio2020, NewYork,lotn°37.
DUEVASIINPORCELLANAFAMIGLIAROSAAMOTIVO“CENTOCERVI”, Cina,fineXIXsecolo/inizioXXsecolo
EntrambidallaclassicaformaHuchesisollevadaunpiededritto,suifianchidellapartesuperioreausolata delcorpopiriformesonoapplicateunacoppiadianseaformadidraghistilizzati;sonovivacementedipinticon unbrancodicervimaculatismaltatiinbianco,beigeemarrone,variamenteraguratialpascoloealgaloppo inuncampoapertotrapini,roccescosceseelingzhi,accantoaunruscelloserpeggiantechescorredalle montagnefacendodasfondoallascena;alcentrodellabaserecanoilmarchioapocrifosigillareaseicaratteri inblusottocopertadell’ImperatoreQianlong.
Notedicatalogo:
Unvasomoltosimileleggermentepiùpiccolocondecorazionespecularealvasoleggermentepiùpiccolo(h cm44,5)èstatovendutodaBonhams,FineChineseArt,15Maggio2015,Londra,NewBondStreet,lot.n°204.
SivedaancheilvasovendutodaChristie’s,astaonlinen°18417;ChineseCeramicsandWorksofArt,7-24 Luglio2020,NewYork,lotn°37.
19世纪末/20世纪初粉彩百鹿尊两只
底书“大清乾隆年制”六字篆书款。圆口，垂腹，圈足。通体施白釉，肩部饰鹿首耳。
又因器型多绘百鹿纹，所以又叫百鹿尊。胎体厚重，肩部附螭龙耳，造型端庄。器腹以粉彩 绘山水百鹿图，百鹿神态各异，或奔跑、或嬉戏、或觅食、或小憩，一派生机勃勃的景象， 四周衬以参天古树，山峦叠嶂及瀑布溪流，绘画形象生动，自然逼真。鹿与“禄”谐音，故 又称“百禄尊”。禄即俸禄，百禄形容俸禄之高厚，因此百鹿纹是祝颂加官进禄的吉祥图 案。
类似拍品；由邦瀚斯中国艺术拍卖行于2015年5月15日在伦敦新邦德街拍出。第204 号。
另见佳士得拍卖行拍卖的花瓶，编号18417；中国陶瓷及艺术品，2020年7月7日至24 日，纽约，拍品编号37。
ARAREGILTCORALGROUND ANDFAMILLEROSEPORCELAIN BALUSTER-SHAPEDVASE, China,RepublicPeriod(1912-1949)
hcm34,5
€450/650
Withashortfootandraisedrim,thebodyismagnificently paintedwithasceneofLiuHaiatthefootoflingzhi,aruyi scepter,andanattendantholdingthethree-leggedtoad;the reserveisenclosedbyacoralredbackgroundwithgoldlotus scrolls;thecenterofthebasebearsthefour-charactermarkJu RenTangZhi(居仁堂制).
Provenance:fromaprivateItaliancollection.
CatalogNotes:
JuRenTangZhitranslatesto“HallwhereBenevolenceResides” andwaslocatedinZhongnanhai,thebuildingwhereYuan Shikailivedandhadhisocearound1915.
RAROVASOINPORCELLANAFAMIGLIA ROSAMARCATOJURENTANGZHI, Cina,RepubblicadiCina(1912-1949)
Dallaformaacolonnadibalaustraconpiedecortoebordo rialzato,sulcorpoèmagnificamentedipintoconunascenadi LiuHaiaipiedideilingzhi,unoscettroruyieunattendenteche tieneilrospoatrezampe;lariservaèracchiusadaunfondo rossocoralloconlotusscrollinoro;alcentrodellabaserecail marchioaquattrocaratteriJuRenTangZhi(居仁堂制).
Provenienza:daunacollezioneprivataitaliana.
Notedicatalogo:
JuRenTangZhisitraducecome“SaladoveRisiedela Benevolenza”ederalocataaZhongnanhai,l’edificioincui vivevaYuanShikai,edoveavevailsuoucioattornoal1915.
民国时期（1912-1949）珊瑚红粉彩人物故事纹瓶“ 居仁堂制”款
APAIROFFAMILLEROSEPORCELAIN BALUSTER-SHAPEDVASES, China,RepublicPeriod(1912-1949)
hcm41
€600/800
Theyarefinelydecoratedonapinksgratogroundwithfloral motifs,featuringtwocircularreservesinsidewhichthereare flowers;atthecenterofthebase,theybearthefour-character overglazeiron-redmarkofEmperorHongxian.
COPPIADIVASIINPORCELLANAFAMIGLIA ROSA,Cina,RepubblicadiCina(1912-1949)
Dallaclassicaformaacolonnadibalaustra,sonobendecorati sufondorosasgratoamotiviflorealicondueriservecircolari all’internodellequalicisonofiori;alcentrodellabaserecano ilmarchioaquattrocaratterisopracopertainrossoferro dell’ImperatoreHongxian.
民国胭脂红轧道开窗粉彩花卉纹瓶
APAIROFFAMILLEROSEPORCELAINCUPS, China,late19th/early20thcentury
hcm7xdcm12
€800/1.200
Wellpainteddepictingladiesinagarden.
COPPIADICOPPEINPORCELLANAFAMIGLIAROSA, Cina,fineXIX/inizioXXsecolo
Bendipinteragurantidameinungiardino.
AFAMILLEROSEPORCELAINHU-SHAPEDVASE, China,RepublicPeriod(1912-1949)
hcm27
€1.500/2.500
Withiron-redloophandlesdescendingontothebodyanddecoratedinimitationof yangcaienamels,itisfinelypaintedonthebodywithabluebackgroundfeaturinglotus scrollsandbats,andwithtwocircularreserves,withinwhicharedepictedtwomountain landscapes;ontheneck,itisdecoratedwithabandonaredbackgroundwithfloral motifssurmountedbyanotherbandonayellowbackgrounddecoratedwithstylized petals;atthecenteroftheturquoisebase,itbearsthesix-characterapocryphalseal markofEmperorQianlonginironred.
VASOINPORCELLANAFAMIGLIAROSA, Cina,RepubblicadiCina(1912-1949)
Dall’arcaisticaformaHuconanseinrossoferrochescendonosulcorpoedecorato imitandoglismaltiyangcai,èbendipintosulcorposufondobluconlotusscrollepipistrelli econdueriservecircolari,all’internodellequalisonoraguratiduepaesaggimontuosi; sulcolloèdecoratoconunafasciaafondorossoconmotiviflorealisormontatada un’altrafasciaafondogiallodecorataconpetalistilizzati;alcentrodellabaseturchese recailmarchioapocrifosigillareaseicaratteriinrossoferrodell’ImperatoreQianlong.
民国粉彩开光山水纹如意双耳尊“大清乾隆年制”款 118
AFAMILLEROSEPORCELAINTEAPOT,
China,RepublicPeriod(1912-1949)
hcm9,5
€800/1.200
TEIERAINPORCELLANAFAMIGLIAROSA, Cina,RepubblicadiCina(1912-1949)
民国粉彩茶壶“洪宪年制”款
120
AFAMILLEROSEPORCELAINVASE, China,20thcentury
hcm30
€2.000/3.000
Decoratedonthebodywithaboyinagardenamongrocksand flowers,ontheliddecoratedwithtwobats;atthecenterofthebase bearsthefour-charactermarkinironredofEmperorHongxian. Shapedwithatallfoot,ovoidbody,shortflaredneckwithraised rim,itiswellpaintedonthebodywithacontinuoussceneof malecharactersintentonreadingandconversingamidstbamboo reeds;inthecentreofthebaseitbearstheapocryphalfour-square characteroverglazebluemarkoftheQianlongEmperor. Decoratasulcorpoconunragazzoinungiardinotrarocceefiori, sulcoperchioèdecoratoconduepipistrelli;alcentrodellabase recailmarchioaquattrocaratteriinrossoferrodell’Imperatore Hongxian.
VASOINPORCELLANAFAMIGIAROSA, Cina,XXsecolo
Dallaformaconpiedealto,corpoovoidale,collocortosvasatocon bordorialzato,èbendipintosulcorpoconunascenacontinua dipersonaggimaschiliintentialeggereeconversaretracanne dibambù;alcentrodellabaserecailmarchioapocrifoaquattro caratteriquadratoinblusopracopertadell’ImperatoreQianlong.
20世纪粉彩人物花瓶
TWOFAMILLEROSE PORCELAINBRUSHWASHER, China,People’sRepublicofChina (1949-present)
€200/300
Finelypaintedatthecenterwithamaleandafemalefigurein agarden,therimisdecoratedwitharuyibandandaGreekkey pattern;atthecenterofthebase,encircledbyadouble-ring foot,thereisanapocryphalsquareiron-redfour-character markoftheEmperorQianlong.
DUESCIACQUAPENNELLIIN PORCELLANAFAMIGLIAROSA, Cina,RepubblicaPopolareCinese (1949-presente)
AFAMILLEROSEPORCELAIN JARDINIERE, China,RepublicPeriod(1912-1949)
dcm13 hcm18xlcm27
€250/350
Ofhexagonalsection,itisfinelypaintedoneachpanel, alternatingwithinscriptionsfeaturingacharacter,alandscape, andflowersandrocks.
JARDINIEREINPORCELLANA FAMIGLIAROSA, Cina,RepubblicadiCina(1912-1949)
Bendipintialcentroconunafiguramaschileeunafemminile inungiardino,sulbordoèdecoratoconunafasciadiruyie unagreca;alcentrodellabasedelimitatadaunpiedeadoppio anelloèimpressoilmarchioapocrifoquadratoaquattro caratteriinrossoferrodell’ImperatoreQainlong. Disezioneesagonale,èbendipintosuognipannelloinmaniera alternataadiscrizioniconunpersonaggio,unpaesaggioefiori erocce. 中华人民共和国（1949年至今）粉彩人物笔洗一对
民国诗文人物山水花盆
AYELLOW-GROUNDSGRAFFITO
PORCELAINVASE, China,late19th/early20thcentury
hcm34,5
€200/300
Itiswelldecoratedonasgratoyellowbackgroundwithfloral medallions;theinterioristurquoise,asisthebase,whichbearsasixcharacterapocryphalsealmarkofEmperorQianlonginironredatthe
VASOINPORCELLANAFAMIGLIAROSA, Cina,fineXIX/inizioXXsecolo
Diformaacolonnadibalaustra,èbendecoratosufondogiallosgrato conmedaglionifloreali;l’internointurchese,cosìcomelabasecheal centrorecailmarchioapocrifosigillareaseicaratteriinrossoferro dell’ImperatoreQianlong.
晚清民国黄地轧道皮球花观音瓶
124
AFAMILLEJAUNEPORCELAIN
BALUSTER-SHAPEDVASE, China,Qingdynasty,19thcentury
hcm46
€500/700
Itisdecoratedingreenoverglazeonayellowgroundwithtwofiveclaweddragonschasingtheflamingpearl.Theneckfeaturesbandsof ruyiandkeyfretpatterns.
VASOINPORCELLANAFAMIGLIAGIALLA, Cina,dinastiaQing,XIXsecolo
Diformaacolonnadibalaustra,èdecoratoinverdesopracopertasu fondogialloconduedragoniacinqueartiglicheinseguonolaperla fiammeggiante;sulcollosonopresentifascediruyiegreche.
清十九世纪黄釉龙纹花瓶 123
A‘WUSHUANGPU’FAMILLEROSE BALUSTER-SHAPEDPORCELAINVASE, China,late19th/early20thcentury
hcm39
Withraisedfootandflaredrim,itisfinelypaintedintheWuShuangPu stylewithwarriorsandinscriptions;atthecenterofthebase,itbearsthe apocryphalsealmarkofEmperorQianlonginsixcharactersinironred.
VASOINPORCELLANAFAMIGLIAROSA, Cina,fineXIX/inizioXXsecolo
Aformadicolonnadibalaustraconpiederialzatoebordosvasato,èben dipintonellostilewushuangpuconguerrierieiscrizioni;alcentrodellabase recailmarchioapocrifosigillareaseicaratteriinrossoferrodell’Imperatore Qianlong.
晚清民国粉彩无双谱图花瓶
ARARE‘WUSHUANGPU’ CANTONPORCELAINBOWL, China,Xianfeng(1851-1861)markandperiod
hcm8,5xdcm20,5
€300/500
Well-paintedontheoutsideinfamillerosecoloursandintypicalCantonese stylewithgourd-shapedreservesinwhichinscriptionsandcharacters arealternated;ontheinsidethereistheclassiccantonrosemedallion decorationwithcourtscenes;inthecentreofthebaseitbearsthesixcharactersealmarkinoverglazeredoftheEmperorXianfeng.
RARACIOTOLAINPORCELLANA CANTONE“WUSHUANGPU”, Cina,marcatoXianfeng(1851-1861)edelperiodo
Bendipintaall’esternoneitonidellafamigliarosaeintipicostilecantonese conriserveaformadizuccaalcuiinternosialternanoiscrizioniepersonaggi; alsuointernositrovalaclassicadecorazionecantonrosemedallioncon scenedicorte;alcentrodellabaserecailmarchiosigillareaseicaratteriin rossosopracopertadell’ImperatoreXianfeng.
PAIROFBLUEANDWHITEFAMILLEROSEYELLOW-GROUND PORCELAINCUPS,China,RepublicPeriod(1912-1949)
127 €1.000/1.500
Nicelypaintedonayellowbackgroundwithflowersinfamilleroseenamels,onthebackareinscriptions; insidearedecoratedwithlotusflowers,bats,fruitandShoucharacters.Inthecentreofthebaseisthe apocryphalfour-charactersquaremarkinblueabovetheblanketofEmperorYongzheng.
Provenance:-SuzannaSamuelaBergmaCollection(1902-1997)
COPPIADICOPPEINPORCELLANAFAMIGLIAROSASUFONDOGIALLO EBIANCHEEBLU,Cina,RepubblicadiCina(1912-1949) dcm15,2
Bendipintesufondogiallocondeifiorineitonifamigliarosa,sulretrorecanodelleinscrizioni;all’internosono decoraticonfioridiloto,pipistrelli,fruttiecaratterishou.Alcentrodellabasec’èilmarchioapocrifoquadrato aquattrocaratteriinblusopracopertadell’ImperatoreYongzheng.
Provenienza:CollezioneSuzannaSamuelaBergma(1902-1997)
民国外粉彩内青花黄地缠枝莲诗文碗一对
APORCELAINBOTTLE-SHAPEDVASE, China,late19th/early20thcentury
VASOINPORCELLANA, Cina,fineXIX/inizioXXsecolo hcm35,5
Withahexagonal-sectionshape,longneck,andflaredrim,itiswellpaintedoneachfaceofthebodywithiron-redoverglazefive-clawed dragonschasingtheflamingpearlamongclouds,totalingtwentyfourdragons.Thebaseoftheneckfeaturessixbats,andtheneck isdecoratedwithlotusscrolls;thecenterofthebasebearsthesixcharacteriron-redoverglazemarkoftheEmperorXianfeng.
Dallalaformaasezioneesagonalecolcollolungoebordosvasato, èbendipintosuognifacciadelcorpocondragoniacinqueartigli inrossoferrosopracopertacheinseguonolaperlafiammeggiante fralenuvoleperuntotalediventiquattrodragoni;allabasedelcollo presentaseipipistrellieilcolloèdecoratoconlotusscroll;alcentro dellabaserecailmarchioaseicaratteriinrossoferrosopracoperta dell’ImperatoreXianfeng.
19世纪/20世纪矾红龙纹六方瓶“大清咸丰年制”款 128 €5.000/7.000
ALARGEPOWDER-BLUEANDFAMILLEVERTEPORCELAINVASE, China,Qingdynasty,late19thcentury
hcm52
€3.000/5.000
Restingonaraisedfoot,withaglobularbodyandshortflaredneck,adornedwithtwohandlesonthesides shapedlikemonsterheadswithringsintheirmouths,itisfinelydecoratedonapowderbluebackgroundwith reservespaintedwithflowersandbirds;atthecenterofthebase,itbearstheapocryphalsix-charactersealmark inunderglazeblueofEmperorQianlong.
GRANDEVASOINPORCELLANAFAMIGLIAVERDE, Cina,dinastiaQing,fineXIXsecolo
Poggiantesuunpiederialzato,corpoglobulareecollocortoesvasato,ailatidueanseaformaditestedimostro conanelloinbocca,èbendecoratosufondoblupolvereconriservedipinteconfiorieuccelli;alcentrodellabase recailmarchioapocrifosigillareaseicaratteriinblusottocopertadell’ImperatoreQianlong.
清十九世纪末洒蓝釉五彩开窗花鸟兽耳尊 129
AFAMILLEROSEPORCELAINPOTICHE, China,late19th/early20thcentury
hcm42
€300/500
Paintedonthebodyandlidwithflowers,birds,androcks;atthecenter ofthebase,itbearstheapocryphalfour-charactermarkinunderglaze blueofEmperorQianlonginsideadoublecircle.
POTICHEINPORCELLANAFAMIGLIAROSA, Cina,fineXIX/inizioXXsecolo
Dipintosulcorpoesulcoperchioconfiori,uccellierocce;alcentrodella baserecailmarchioapocrifoaquattrocaratteriinblusottocoperta dell’ImperatoreQianlongall’internodiundoppiocerchio.
晚清民国粉彩花鸟纹将军罐
AFAMILLEVERTEPORCELAIN ‘MEIPING’VASE, China,19th/20thcentury
hcm30,5
€500/700
Ispaintedalloverthebodywithbirdsamongfloweringbranchesand rocks.
VASOINPORCELLANAFAMIGLIAVERDE, Cina,XIX/XXsecolo
Aformadimeiping,èdipintosututtoilcorpoconuccellitraramifioriti erocce.
19世纪/20世纪五彩花鸟梅瓶
132 €10.000/15.000
TWOMASSIVEFAMILLEVERTEPORCELAINJARDINIERES, China,Qingdynasty,late19thcentury hcm39xdcm63
Withapowerfultaperedformandaraisedrim,thesidesfeaturetwolionheadhandlesholdingrings intheirmouths.Oneisfinelypaintedwithanopenscenecoveringtheentirebody,depictingmenand attendantsinagardenwithrocksandvarioustypesofplants,engaginginactivitiessuchasplayinggo, conversing,andhorsebackriding.Theotherispaintedwithphoenixes,birds,flowers,androcks.The baseshaveadrainageholeandrestontheir19th-centuryEuropeangildedwoodenstands.
DUEENORMIJARDINIERESINPORCELLANAFAMIGLIAVERDE, Cina,dinastiaQing,fineXIXsecolo
Dallapossenteformarastremataconbordorialzato,ailatipresentadueanseatestadileoneche reggonoinboccaanelli;unaèbendecorataascenaapertasututtoilcorpoconuominieattendenti,in ungiardinotrarocceediversitipidipiante,intentiagiocareago,aconversareeadandareacavallo; l’altraèdecorataconfenici,uccelli,fiorierocce;sullabasepresentanounforoperildrenaggiodell’acqua; poggianosullelorobasieuropeeinlegnodoratodelXIXsecolo.
清十九世纪末五彩人物花鸟兽耳折沿大花盆镀金木座
AHUGEFAMILLEROSEPORCELAINFISHBOWL, China,Qingdynasty,19thcentury
hcm54xdcm61
Finelydecoratedontheexteriorwithanopensceneinamountainouslandscapeamongpine trees,depictingwarriorsonhorsebackbattling,whileotherfiguresconverseindwellings.The outeredgeisadornedwithaGreekkeypatternandabandofiron-redbats.Therimfeatures sixteenbatsflyingamongclouds,andtheinteriorisfinelydecoratedwithredfishswimming amongalgae.
GRANDEVASCAPERPESCIINPORCELLANAFAMIGLIAROSA, Cina,dinastiaQing,XIXsecolo
Bendecoratasull’esternoascenaapertainunpaesaggiomontuosotrapiantedipinocon guerrieriacavallochesidannobattaglia,mentrealtripersonaggistannoconversandoin abitazioni,l’estremitàesternaèdecorataconunagrecaeunafasciadipipistrelliinrosso ferro;sulbordosonorappresentatisedicipipistrellichevolanotralenuvole;nell’internoè bendecoratoconpescirossichenuotanotraalghe.
AFAMILLEROSE
PORCELAINCACHEPOT, China,Qingdynasty,19thcentury
hcm41xdcm47
€3.000/5.000
Welldecoratedwithanopenscenecoveringtheentirebody, depictingpheasantsflyingandperchedonrocksamong bloomingpeoniesandpeachblossoms.
CACHEPOTINPORCELLANA FAMIGLIAROSA, Cina,dinastiaQing,XIXsecolo
清十九世纪粉彩花鸟纹卷缸
AFAMILLEROSE
PORCELAINCACHEPOT, China,late19th/early20thcentury
hcm40xdcm46
€800/1.200
Paintedonthebodywithacontinuoussceneofflowersand birds.
CACHEPOTINPORCELLANA FAMIGLIAROSA, Cina,fineXIX/inizioXXsecolo
Bendecorataascenaapertasututtoilcorpoconfagianiche volano,chestannosurocce,trapeoniefioriteefioridipesco. Dipintasulcorpoconunascenacontinuadifiorieuccelli.
19世纪末/20世纪初粉彩花鸟卷缸
ALARGEFAMILLEROSEPORCELAINBALUSTE-SHAPEDVASE,
China,Qingdynasty,early19thcenturyv
hcm86
€2.000/3.000
Featuringtwoqilong-shapedhandlesonthesidesandpaintedwithfamilleroseenamels,itisfinelydecorated onthebodyandneckwithtworeservesrespectivelydepictingmenandwomenconversinginsiderooms oringardens.Theceladongroundisadornedwithflowers,Buddha’shandfruits,butterflies,peaches, pomegranates,lychees,melons,andotherfruits.
GRANDEVASOINPORCELLANAFAMIGLIAROSA, Cina,dinastiaQing,inizioXIXsecolo
Dallabellaformaacolonnadibalaustraconailatidueanseaformadiqilongdipinticonsmaltifamigliarosa, èfinementedecoratosulcorpoesulcollorispettivamentecondueriserveconall’internouominiedonneche conversanoall’internodistanzeoingiardini;iltuttosuunfondoceladonsulqualecompaionofiori,manidi Budda,farfalle,pesche,melograni,lici,meloniealtrifrutti.
清十九世纪初粉彩人物花瓶 136
TWORAREANDLARGEFAMILLEROSEBALUSTERSHAPEDVASES, China,Qingdynasty,early19thcentury
hmax88cm
€6.000/8.000
Finelydecoratedinreliefwithacrackediceeectoncéladongroundfeaturingflowers,stylizedbananaleavesand stylizedpetalswithflowersinside;atthecenterofthebody,theyhavetwofinelypaintedreserveswithcourtscenesin roomsandgardens;onthesides,theyhavetwoqilong-shapedhandles.
DUEGRANDIRARIVASIINPORCELLANAFAMIGLIAROSA, Cina,dinastiaQing,inizioXIXsecolo
Dallaclassicaformaacolonadibalaustra,sonobendecoratiarilievoconeettoghiacciocrepatosufondocéladon confioriefogliedibananostilizzateepetalistilizzaticonall’internofiori;alcentrodelcorpopresentanodueriserve finementedipinteconscenedicorteinstanzeegiardini;suilatirecanodueanseaformadiqilong.
清嘉道粉彩冰梅地开光人物纹双耳大瓶
此瓶口沿夔凤耳描金，富丽辉煌，口沿以下冰裂纹为地，上以粉彩绘菊花芭蕉，其间点缀竹叶和梅 花，极富装饰效果。瓶身通体以冰梅菊花为地，开光描绘粉彩人物故事，人物逼真形象，惟妙惟 肖。
138
ALARGEFAMILLEROSEPORCELAINBALUSTER-SHAPEDVASE, China,early20thcentury
hcm80,5
€1.600/2.000
Itiswellpaintedonthebodyandneckwithcharactersinamountainouslandscapecrossedbyariveramong rocksandtrees.
GRANDEVASOINPORCELLANAFAMIGLIAROSA, Cina,inizioXXsecolo
Diformaacolonnadibalaustro,èbendipintosulcorpoesulcolloconpersonaggiinunpaesaggiomontuoso attraversatodaunfiumetrarocceealberi.
晚清民国粉彩山水人物大花瓶
ARAREPAIROFPORCELAINCANTONVASES, China,Qingdynasty,firsthalf19thcentury
RARACOPPIADIGRANDIVASICANTONINPORCELLANA, Cina,dinastiaQing,primametàXIXsecolo htotcm76
Withtwoqilong-shapedhandlesonthesides,theyarefinelypaintedwithpolychrome overglazeenamelsonthebodyonaceladonbackgroundfeaturinglakesidelandscapes withboatsamidstmountains,houses,andtrees.Atthecenterofthebody,theyrespectively featuretworeservesdepictingBuddhistscenes;ontheneck,theyrespectivelyhavetwo rectangularreservescontainingfiguresandanimals.TheyaremountedwithEuropean giltbronzebasesandlids.
Aformadicolonnadibalaustraconailatidueanseaformadiqilong,sonobendipinticon smaltipolicromisulcorposuunfondocéladonconpaesaggilacustriconimbarcazioni tramontagne,caseealberi;alcentrodelcorpopresentanorispettivamentedueriserve all’internodellequalisonoraguratescenebuddiste,sulcollopresentanorispettivamente dueriserverettangolariconall’internopersonaggieanimali;sonomontaticonbasie coperchiinbronzodoratoeuropeo.
清19世纪上半叶螭龙耳广彩花瓶一对 装饰有欧洲镀金黄铜底座和盖子，罕见的佛教故事题材纹饰 139 €2.500/3.500
140
APAIROFCANTONPORCELAINVASES,
China,Qingdynasty,early19thcentury
hcm59,5
€2.800/3.800
Withtwoblueunderglazeqilong-shapedhandlesonthesides,theyarefinely decoratedinreliefoncéladongroundwithpolychromeoverglazeenamels flowersandfruitsandunderglazeblueleaveswithgilding;onthebody,there aretwoquadrilobedreserveswithinwhichtherearescenesofmaleandfemale charactersingardensinunderglazeblueandgilded;ontheneck,therearetwo reservespaintedwithflowers;insidetherim,thereareflowersintheclassic ‘rosemedallion’style.
COPPIADIGRANDIVASICANTONINPORCELLANA, Cina,dinastiaQing,inizioXIXsecolo
Dallaformaacolonnadibalaustraconailatidueanseinblusottocopertaa formadiqilongstilizzati,sonobendecoratiarilievosufondocéladonconfiorie fruttiinsmaltipolicromisopracopertaefoglieinblusottocopertacondorature; sulcorposonopresentidueriservequadrilobateal’internodellequalisono presentiscenedipersonaggimaschiliefemminiliingiardiniinblusottocoperta edorati;sulcollositrovanodueriservedipinteconfiori;all’internodelbordosi trovanofiorinelclassicostile“rosemedallion”.
清十九世纪初一对广彩花瓶
ALARGEBALUSTER-SHAPED PORCELAINVASE, China,Qingdynasty,late19thcentury
hcm58,8
€800/1.200
Withtwolionhead-shapedhandlesonthesides,eachholdingringsin itsmouth,theneckoverlappingthebodywithablueunderglazeband intheshapeofruyi;thebodyisfinelypaintedwithablueunderglaze stripfeaturingtworeservesdecoratedwithcharactersingardens, surroundedbycloudsandstorks.
GRANDEVASOINPORCELLANA, Cina,dinastiaQing,fineXIXsecolo
Dallaformaacolonnadibalaustraconailatidueanseaformaditesta dileoneconinboccaanelli,conilcollosovrappostoalcorpoconuna fasciainblusottocopertaaformadiruyi;ilcorpoèbendipintoconuna fasciainblusottocopertacondueriservedecorateconpersonaggiin giardini,circondatedanuvoleecicogne.
清十九世纪末豆青釉青花人物双耳活环瓶
142
ABLUEANDWHITE PORCELAINBALUSTERVASE, China,Qingdynasty,late19thcentury
hcm63
€1.500/2.500
Fromtheclassicalshapebutwithanelongatedneck,itiswellpaintedin underglazebluewithbirdsamongtrees,rocks,andflowers.
GRANDEVASOINPORCELLANABIANCAEBLU, Cina,dinastiaQing,fineXIXsecolo
Dallaclassicaformaacolonnadibalaustraconcolloallungato,èben dipintoinblusottocopertaconuccellitraalberi,rocceefiori.
清青花冰梅凤凰花鸟纹兽钮盖瓶
AGILT-BRONZEANDPORCELAINSMALLTABLE, China,Qingdynasty,19thcentury
143 €3.000/3.500
Thetableiscomposedofacircularporcelainplate(diameter57cm),paintedunderglaze inblue,depictingariversidelandscapewithcharacters;atthecenterofthethreelegs, thereisaporcelainbowl(height7cmxdiameter23cm),paintedunderglazeinblue, depictingadragonandaphoenixamidstwavesandclouds;atthecenterofthebase,it bearstheapocryphalsix-charactersealmarkofEmperorKangxiwithinadoublecircle; thestructureisgildedbronze,European,19th/20thcentury.
TAVOLINOINBRONZODORATOEPORCELLANA, Cina,dinastiaQing,XIXsecolo htotcm70xltotcm58,5
Ilpianoècompostodaunaplaccacircolareinporcellana(dcm57)dipintainblusotto copertaconunpaesaggiofluvialeconpersonaggi;alcentrodelletregambeèpresente unaciotolainporcellanadipintablusottocoperta(hcm7xdcm23)raguranteun dragoeunafenicetraondeenuvole,alcentrodellabaserecailmarchioapocrifo sigillareaseicaratteridell’ImperatoreKangxiall’internodiundoppiocerchio;lastruttura inbronzodorato,Europa,XIX/XXsecolo.
清十九世纪镶嵌青花亭台楼阁山水人物大瓷板黄铜桌，青花龙纹笔洗 “大清康熙年制寄托款”
APAIROFBLUEANDWHITE PORCELAIN‘LOTUS’DISHES, China,Guangxu(1875-1908)markandperiod
dcm23,5
€600/800
Decoratedwithlotusscrolls,atthecenterofthebase,theybearthesix-characterunderglazebluemarkofEmperorGuangxu.
COPPIADIPIATTIINPORCELLANABIANCAEBLU, Cina,marchioeperiodoGuangxu(1875-1908)
Decoraticonlotusscroll,alcentrodellabaserecanoilmarchioaseicaratteriin blusottocopertadell’ImperatoreGuangxu.
清光绪（1875-1908）青花花卉纹盘一对
145
APAIROFBLUEANDWHITE PORCELAINCUPS, China,Qingdynasty,19thcentury
dcm6,8
€250/350
Decoratedontheexteriorwithtwofive-claweddragonschasingtheflaming pearlamongcloudsandwaves,whiletheinteriorispaintedwithwaves;atthe centerofthebase,theybearthesix-characterunderglazebluemarkofEmperor Kangxi.
COPPIADITAZZINEINPORCELLANABIANCAEBLU, Cina,dinastiaQing,XIXsecolo
Decorateall’esternoconduedragoniacinqueartiglicheinseguonolaperla fiammeggiantetranuvoleeonde,all’internosonodipintecononde;alcentro dellabaserecanoilmarchioaseicaratteriinblusottocopertadell’Imperatore Kangxi.
清十九世纪青花龙纹杯一对
ROUNDPORCELAINPLAQUEONWOODENSUPPORT, China,late19thcentury
h.82cm
Paintedinunderglazebluewithamythicalsceneoffourcharactersinalandscape.Thewooden supportiscarvedandpiercedwithplantmotifs.
PLACCATONDAINPORCELLANASUSUPPORTOINLEGNO, Cina,fineXIXsecolo
Dipintainblusottocopertaconunascenamiticadiquattropersonaggiinunpaesaggio.Il supportoinlegnoèintagliatoetraforatoconmotivivegetali. 清道光青花人物瓷板带木架
APAIROFDOUCAI
PORCELAINSMALLDISHES, China,late19th/early20thcentury
dcm18
€1.500/2.500
Insidedecoratedwithlotusscrolls,ontheouterrimarefivebats;in thecentreofthebaseisthesix-characterapocryphalsealmarkin overglazeblueofXuandeEmperor.
COPPIADIPIATTINIINPORCELLANADOUCAI, Cina,fineXIX/inizioXXsecolo
All’internodecoraticonlotusscroll,sulbordoesternopresentano cinquepipistrelli;alcentrodellabaserecailmarchioapocrifosigillarea seicaratteriinblusopracopertadell’ImperatoreXuande.
19世纪末/20世纪初斗彩青花缠枝莲纹盘一对
147 148
ABLUEANDWHITE PORCELAINTULIPVASE, China,Qingdynasty,late19thcentury
hcm26
€800/1.200
Withatallcentralstemendinginaflowerheadterminalemergingfrom alobedbaseenclosingfiveapertures;paintedinunderglazebluewith flowers,leaves,andpomegranates.
TULIPANIERAINPORCELLANABIANCAEBLU, Cina,dinastiaQing,fineXIXsecolo
Conaltofustocentraleconterminaleacapocchiadifiorecheparteda unabaselobatacheracchiudecinqueaperture;dipintoinblusotto copertaconfiori,foglieemelograni.
清十九世纪末青花花卉纹五孔瓶
AWUCAIPORCELAINBOX, China,RepublicPeriod(1912-1949)
Thecenteroftheouterlidisdecoratedwitharoundmedallion depictingasceneofawomanandachildinagarden,surrounded byscrollingleavesandbajixianmotifsrepeatedontheouterbody, dividedbytwobandsofGreekkeypatterns;atthecenterofthe innerbody,adragonispainted;atthecenterofthebase,itbears theapocryphalsix-characterWanliEmperormarkinunderglaze blue,aroundwhichtwooverglazegreenandbrownqilongsplay,all insideadoublecircleinunderglazeblue.
AccompaniedbyanoldcertificatefromtheMilanAntiquesMarket Exhibition,November11-19,1989.
Ilcentrodelcoperchioesternoèdecoratoconunmedaglione tondoconall’internounascenadiunadonnaeunbambinoinun giardino,circondatodascrolldifoglieebajixianchesiripetono nellaparteesternadelcorpo,divisidaduefascedigreche;alcentro dell’internodelcorpoèdipintoundrago;alcentrodellabaserecail marchioapocrifoaseicaratteriinblusottocopertadell’Imperatore Wanliintornoalqualegiocanodueqilongverdiemarronisopra coperta,iltuttoall’internodiundoppiocerchioinblusottocoperta. AccompagnatodaunvecchiocertificatodellaMostraMercatodegli AntiquariMilanesi,11-19Novembre1989.
民国（1912-1949）五彩瓷人物盖盒
ABLUEANDWHITE PORCELAINPOTICHE, China,Transitionalperiod,17thcentury SCATOLAINPORCELLANAWUCAI, Cina,RepubblicadiCina(1912-1949)
Theclassicalshaperaisefromaflatfootandwidenstowardsthe shoulders,witharaisedneckandisspontaneouslypaintedallover inunderglazeblue,withascenedepictingakirinamongtrees,rocks andmountains;theliddepictschildreninagardenandculminates inalion-shapedhandle;thecentreofthebaseisglazed.
POTICHEINPORCELLANABIANCAEBLU, Cina,periododiTransizione,XVIIsecolo
Dallaclassicaformachepartedaunpiedepiattoesiallargaversole spalle,concollorialzatoespontaneamentedipintosututtoilcorpo conblusottocoperta,conunascenaraguranteunkirintraalberi, rocceemontagne;ilcoperchioraguradeibambiniinungiardino eculminaconunmanicoaformadileone;ilcentrodellabaseè invetriato.
ABLUEANDWHITEPORCELAINDISH,
China,Mingdynasty,Jiajingperiod(1521-1567)
€400/600
Wellpaintedinunderglazeblue,inthecentreoftheinteriorisdecoratedwith alotusscrollcrownedbyfivefloralmedallions,ontheborderitiswellpainted withBuddhistsymbolsalternatingwithflowersandfruits;ontheexteriorithas floweringbranches,birdsandinsects;inthecentreofthebaseitbearsasquare markinunderglazeblue.
PIATTOINPORCELLANABIANCOEBLU, Cina,dinastiaMing,periodoJiajing(1521-1567) dcm31
Bendipintoinblusottocoperta,alcentrodell’internopresentaunoscrolldi fioridilotosormontatodacinquemedaglionifloreali,sulbordoèbendipinto consimbolibuddistichesialternanoafioriefrutti;sulbordoesternopresenta ramifioriti,uccellieinsetti,alcentrodellabaserecaunmarchioquadratoinblu sottocoperta.
ALARGEBLUEANDWHITEPORCELAINVASEANDCOVER,
China,Qingdynasty,Kangxiperiod(1661-1722)
hcm80
€2000/3000
Wellpaintedwithanintenseunderglazecobaltblue,theneckfeatureslotusscrollsandabandofstylized ruyimotifsdecoratedwithpeoniesinsideandalternatingwithBuddhisttreasuresoutside;thebody showcasesbloomingbranches,andthelidrepeatsthefloraldecorationofthebody,culminatingina lion-shapedfinial.
GRANDEVASOCONCOPERCHIOINPORCELLANABIANCAEBLU, Cina,DinastiaQing,PeriodoKangxi(1661-1722)
Bendipintoconunintensoblucobaltosottocoperta,sulcollopresentalotusscrollesottounafasciaa formadiruyistilizzatidecorataall’internoconpeonieealdifuoricontesoribuddistichesialternano;sul corpopresentaramifioriti;ilcoperchioripeteladecorazioneflorealedelcorpoeculminaconunapresa aformadileone.
清康熙时期（1661-1722年）狮钮青花将军罐
ABLUEANDWHITE‘LOTUS’PORCELAINBOWL, China,Kangximarkandperiod(1661-1722)
hcm9xdcm19
€400/600
Finelypaintedwithavividunderglazebluebothinsideandoutsidewithlotusscroll, atthecenterofthebaseitfeaturesthesix-characterunderglazebluemarkof EmperorKangxiwithinadoublecircle.
Cataloguenotes:
ApairofbowlswiththisdecorationisillustratedbyJ.AyersinTheBaurCollection, ChineseCeramics,Geneva,1974,vol.4,A510andA511,wheretheauthorcites similarexamplesintheNationalPalaceMuseuminTaipeiandtheMuséeGuimetin Paris(accessionnumberG4197).
Foravirtuallyidenticalexample,seethebowlsoldbyChristie’s,liveauction2427, FineChineseCeramicsandWorksofArtPartIandPartIIIncludingPropertyfrom theArthurM.SacklerCollection,March24-25,2011,NewYork,lotno.1665.Seealso Christie’s,liveauction2862,ImportantChineseCeramicsandWorksofArt,June1, 2011,HongKong,lotno.3914.
CIOTOLAINPORCELLANABIANCAEBLU,
Cina,marchioeperiodoKangxi(1661-1722)
Bendipintaconunintensoblusottocopertaall’internoeall’esternoconlotus scroll,alcentrodellabasepresentailmarchioaseicaratteriinblusottocoperta dell’ImperatoreKangxiall’internodiundoppiocerchio.
Notedicatalogo:
UnacoppiadiciotoleconquestadecorazioneèillustratadaJ.Ayers,TheBaur Collection,ChineseCeramics,Ginevra,1974,vol.4,A510eA511,dovel’autore citaesempisimilialNationalPalaceMuseumdiTaipeiealMuséeGuimetdiParigi (numerod’inventarioG4197).
PerunesemplarepraticamenteidenticosivedalaciotolavendutadaChristie’s, astalive2427,FineChineseCeramicsandWorksofArtPartIandPartIIIncluding PropertyfromtheArthurM.SacklerCollection,24-25Marzo2011,NewYork,lot.n° 1665.SivedaancheChristie’s,astalive2862,ImportantChineseCeramicsandWorks ofArt,1Giugno2011,HongKong,lot.n°3914.
清康熙青花瓷碗
ABLUEANDWHITE‘EIGHTHORSES OFWANGMU’DISH, China,Qingdynasty,Kangxiperiod (1661-1722)
Finelypaintedinunderglazeblue,featuringtheeighthorses ofWangMuinthecenterinalandscape,withtrees,mountains, androcksontheborder;thebackisdecoratedwithtwostylized branches,andatthecenterofthebasebearsanunderglazeblue markdepictingajueinsideadoublecircle.
PIATTOINPORCELLANABIANCAEBLU, Cina,dinastiaQing,periodoKangxi(1661-1722)
Bendipintoinblusottocoperta,alcentroraguragliottocavalli diWangMuinunpaesaggio,sulbordopresentaalberi,montagne erocce;sulretroèdecoratocondueramistilizzati,alcentrodella baserecaunmarchioinblusottocopertaraguranteunojueall’internodiundoppiocerchio.
清康熙时期（1661-1722）八马图青花盘
TWOBLUEAND
WHITEPORCELAINVASES, China,Qingdynasty,Kangxiperiod (1661-1722)
€800/1.200
Fromtheraisedandflaredfoot,ovoidbody,andlongneckwith flaredrim,withtwomonsterhead-shapedhandlesonthesides holdingrings;thebodyfeaturessixraisedpetalswithinwhich flowers,landscapes,andcharactersarepaintedinunderglazeblue.
DUEVASIINPORCELLANABIANCAEBLU, Cina,dinastiaQing,periodoKangxi(1661-1722) dcm22 hmaxcm22
Dalpiederialzatoescampanato,corpoovoidaleecollolungocon bordosvasatoconailatidueanseaformaditestedimostroche tengonoanelli;ilcorpopresentaseipetaliarilievoneiqualisono dipintifiori,paesaggiepersonaggiinblusottocoperta.
清康熙青花山水花卉纹兽耳瓶
ABLUEANDWHITE‘KLAPMUTS’ BOWL,China,Kangxiperiod(1661-1722)
€300/500
Well-paintedinbluebelowdeckwithtwocourtscenesdepicting charactersingardensontheoutside,threechildrenplayingin alandscapeintheinnercentre;ontheriminsideandoutsideit hasbeehivemotifsandfourreserveswithpeachesandBuddhist symbols;inthecentreofthebaseitbearsthesix-character apocryphalmarkinunderglazeofEmperorChenghuawithina doublecircle.
CIOTOLA“KLAPMUTS”INPORCELLANA, Cina,periodoKangxi(1661-1722)
Bendipintainblusottocopertaconall’esternoduescenedi corteragurantipersonaggiingiardini,all’internoalcentrocon trebambinichegiocanoinunpaesaggio;sulbordoall’internoe all’esternopresentamotiviadalveareequattroriserveconpesche esimbolibuddisti;alcentrodellabaserecailmarchioapocrifoa seicaratteriinblusottocopertaall’internodiundoppiocerchio dell’ImperatoreChenghua.
清康熙青花人物故事图碗
157
APAIROFPORCELAIN IMARIWINECOOLER, China,Qingdynasty,18th/19thcentury
hcm9,5xdcm20,8 hcm28,5xdcm24,5
€500/700
Cylindricalinshapewithhandlesintheformofbeastheads,they arebeautifullypaintedinunderglazeblueandoverglazeredwitha landscapeofhouses,pagodas,trees,rocksandmountainscrossed byariverwithboats.
COPPIADISECCHIELLIPERVINO INPORCELLANAIMARI, Cina,dinastiaQing,XVIII/XIXsecolo
Diformacilindricaconanseaformaditestadibestia,sono bendipintiinblusottocopertaeinrossosopracopertaconun paesaggioconcase,pagode,alberi,rocceemontagneattraversate daunfiumeconimbarcazioni.
清18/19世纪青花加彩冰桶
APORCELAINIMARIBARBERBOWL, China,Qingdynasty,Kangxiperiod(1661-1722)
€300/500
Ovalinshape,itiswellpaintedwithoverglazeiron-redandgoldandinunderglaze bluewithlotusscrolls;ontheouterrimithastwofloweringbranches,inthecentre ofthebaseitbearsasquaremarkinbluebelowcover;onthefootithastwoholes. Cataloguenotes:fromthePietroAccorsiCollection,Turin,accordingtothelabel.
CIOTOLADABARBIEREINPORCELLANAIMARI, Cina,dinastiaQing,periodoKangxi(1661-1722)
Diformaovale,èbendipintaconsmaltirossoferroeorosopracopertaeinblu sottocopertaconscrolldifioridiloto;sulbordoesternopresentadueramifioriti,al centrodellabaserecaunmarchioquadratoinblusottocoperta;sulpiedepresenta duefori.
Notedicatalogo:CollezionePietroAccorsi,Torino,secondol’etichetta.
AWUCAIPORCELAINBOWL,
China,Kangxiperiod(1661-1722)
€250/350
Withafinepoly-lobedshape,itiswellpaintedwithoverglazegreen,redandgold andunderglazebluewithflowers,rocks,treesandlingzhiontheoutsideandinthe centreoftheinsidewithabasketofflowerswithinadoublecircleinunderglazeblue surroundedbyflowers;thebaseismarkedwithadoublecircleinunderglazeblue.
CIOTOLAINPORCELLANAWUCAI, Cina,periodoKangxi(1661-1722)
Dallabellaformapoli-lobata,èbendipintaconsmalticolorverde,rossoeorosopra copertaeinblusottocopertaconfiori,rocce,alberielingzhisull’esternoealcentro dell’internoconuncestinodifioriracchiusodaundoppiocerchioinblusottocoperta circondatodafiori;labaseèmarcataconundoppiocerchioinblusottocoperta.
清康熙花卉纹五彩碗
lcm32,3 dcm27
€600/800
APAIROFFAMILLEVERTEPORCELAINDISHES, China,Qingdynasty,Kangxiperiod(1661-1722)
Wellpaintedwithancientobjects;onthereverseside,theybearaunderglazeblue markshapedlikeanartemisialeafinsideadoublecircle.
COPPIADIPIATTIINPORCELLANAFAMIGLIAVERDE, Cina,dinastiaQing,periodoKangxi(1661-1722)
Bendipinticonoggettiantichi;sulretrorecanounmarchioinblusottocopertaa formadifogliadiartemisiaall’internodiundoppiocerchio. 清康熙剃须盘
清康熙时期（1661-1722）五彩博古纹盘一对
161
AFAMILLEVERTEPORCELAINCHARGER, China,Qingdynasty,Kangxiperiod(1661-1722)
dcm35
€2.000/3.000
Finelypaintedatthecenterwithaladyandanattendantonaterraceamong plants,rocks,andflowervases,therimfeatureshoneycombpatternsandBuddhistsymbols;atthecenterofthebase,encircledbyadouble-ringfoot,thereis anunderglazebluemarkintheshapeofalingzhiwithinadoublecircle.
Cataloguenotes:
GRANDEPIATTOINPORCELLANAFAMIGLIAVERDE, Cina,dinastiaQing,periodoKangxi(1661-1722)
SeethesimilarplatesoldbySotheby’s,TheFamilyCollectionofthelateCountess MountbattenofBurma,March24,2021,London,lotno.157. Bendipintoalcentroconunadamaeunattendentesuunterrazzotra piante,rocceevasifioriti,sulbordopresentamotiviadalveareesimboli buddisti;alcentrodellabasedelimitatadaunpiedeadoppioanello,recaun marchioinblusottocopertaaformadilingzhiall’internodiundoppiocerchio.
Notedicatalogo:
SivedailpiattosimilevendutodaSotheby’s,TheFamilyCollectionofthelate CountessMountbattenofBurma,24Marzo2021,Londra,lotn°157.
清康熙(1661-1722)五彩三娘教子图大盘
ARAREPAIROFPORCELAINCUPSFORTHEOTTOMANMARKET, China,Qingdynasty,18thcentury
hcm4,5xdcm8
PaintedoverglazeonanintensecobaltbluebackgroundwithcrescentmoonsandstarswithQuranicinscriptionsingoldaround theedges,thebodyfeaturesthreelobedovalcartoucheswithredandgreenenameledborderswithQuranicinscriptionsingold inside;atthecenterinside,theyarepaintedwithagoldenchrysanthemumsurroundedbyafloralborderenameledinfamilleverte enamels,asonthefoot.
CatalogueNotes:
Forabowlandaplatewiththesamedecorationlikelyfromthesameservice,seeTheKhaliliCollections,inventorynumber:POT 1761.SeeatureenwithidenticaldecorationlikelyfromthesameservicesoldbySotheby’s,ArtsoftheIslamicWorld&Including FineRugsandCarpets,31March2021,London,lot.102.
RARACOPPIADITAZZINEINPORCELLANAPERILMERCATOOTTOMANO, Cina,dinastiaQing,XVIIIsecolo
Dipintesopracopertasuunfondoblucobaltointensoconfalcidilunaestelleconiscrizionicoranicheinorointornoaibordi,sul corpopresentatrecartiglioblunghilobaticonbordismaltatiinrossoeverdeconiscrizionicoranicheinoroall’interno;alcentro all’internosonodipinticonundicrisantemodoratocircondatodaunbordoflorealesmaltatoinsmaltifamigliaverde,comesul piede.
Notedicatalogo:
PerunaciotolaeunpiattoconlastessadecorazioneprobabilmentedallostessoserviziosivedaTheKhaliliCollections,numero d’inventario:POT1761.Sivedaunatureendall’identicadecorazioneprobabilmentedellostessoserviziovendutadaSotheby’s,Arts oftheIslamicWorld&IncludingFineRugsandCarpets,31Marzo2021,Londra,lot.102.
清十八世纪瓷杯一对
163
APAIROFPORCELAINDISHES, China,Qingdynasty,18thcentury
€250/350
Paintedwithpolychromeenamelsovergilt,theydepicttwofigureswithinareserve.
COPPIADIPIATTIINPORCELLANA, Cina,dinastiaQing,XVIIIsecolo dcm23
Dipinticonsmaltipolicromisopracopertacondorature,raguranoduepersonaggiall’interenodiunariserva.
清十八世纪描金人物瓷盘
AMASSIVEFAMILLEROSEPORCELAIN‘SOLDIERVASE’,
China,Qingdynasty,Qianlongperiod(1735-1796)
hcm130
€8.000/12.000
Fromitsimposingbalustershape,itismagnificentlypaintedonthebodywithoverglazeenamels depictingacontinuoussceneofflowers,blossomingtrees,butterflies,androcks,abandofstylized petalsabovethefootandruyi-shapedcartouchesenclosingflowersundertheneckencompassthe scene;ontheneckagainstapinkbackgroundwithfloralmotifs,therearefourlobedcartouches insidewhichlandscapesarepaintedininkwash;thelidmirrorsthedecorationoftheupperpartof thebodyandculminateswithalotusflower-shapedfinial.
Cataloguenotes:
SeethefourvasessoldbySotheby’s,auctionnumberN08758;PropertyofaPrivatePalmBeach Collection;March29,2011,lot59.
ENORMEVASOINPORCELLANAFAMIGLIAROSA, Cina,dinastiaQing,periodoQianlong(1735-1796)
Dall’imponenteformaacolonnadibalaustra,èmagnificamentedipintosulcorpoconsmaltisopra copertaconunascenacontinuadifiori,alberifioriti,farfalle,erocce,unafasciadipetalistilizzati soprailpiedeedeicartigliaformadiruyiconall’internofiorisottoalcolloracchiudonolascena;sul collosuunfondorosaconmotivifloreali,sonopresentiquattrocartiglilobatiall’internodeiquali sonodipintideipaesaggiinencre-de-chine;ilcoperchioriprendeladecorazionedellapartesuperiore delcorpoeculminaconunpomelloaformadifiorediloto.
Notedicatalogo:
SivedanoiquattrovasivendutidaSotheby’s,astanumeroN08758;PropertyofaPrivatePalmBeach Collection;29Marzo2011,lot59.
清乾隆时期（1735-1796）粉彩花卉纹大盖瓶
165
APAIROFENAMELONCOPPERTEAPOTS, China,Qingdynasty,18thcentury
hcm16,5
€3.000/5.000
Square-sectionedwithahandletoweringoverthebody,itispaintedoneach facewithantiquesandscholar’sobjects;thebaseismarkedwithaflower.
COPPIADITEIEREINRAMESMALTATO, Cina,dinastiaQing,XVIIIsecolo
Disezionequadrataconmanicochesovrastailcorpo,èdipintasuogni facciaconantichitàeoggettidaletterato;labaseèmarcataconunfiore.
清十八世纪博古纹铜胎画珐琅茶壶一对
ACLOISONNÉVASE, China,17thcentury
hcm15
€200/300
Withanovalsectionandalong,narrowshapestandingonfour ruyi-shapedfeet,thebodyisdecoratedwithlotusscrollsona turquoisebackground.
VASOINCLOISONNÉ, Cina,XVIIsecolo
Conunasezioneovaleeunaformalungaestrettachesireggesu quattropiediaformadiruyi,ilcorpoèdecoratoconmotividiloto susfondoturchese.
十七世纪景泰蓝花瓶
ACLOISONNÉVASE, China,Qingdynasty,19thcentury
hcm11
€250/350
Nicelydecoratedwithpolychromeenamelsonapinkbackground withinsectsandbutterfliesamongflowers.
VASOINCLOISONNÉ, Cina,dinastiaQing,XIXsecolo
Bendecoratoconsmaltipolicromisufondorosaconinsettie farfalletrafiori.
清十九世纪景泰蓝花瓶
168
ACLOISONNÉBOX, China,Qingdynasty,late19thcentury
hcm12xdcm10,5
Finelydecoratedonthebodyandlidwithbutterfliesandflowersonaturquoiseground.
SCATOLAINCLOISONNÉ, Cina,dinastiaQing,fineXIXsecolo
Bendecoratasulcorpoesulcoperchiosufondoturcheseconfarfalleefiori.
清十九世纪末景泰蓝盒子
169 €150/250
ACLOISONNEANDHARDSTONESFLOWERVASE, China,20thcentury
hcm55
€700/900
Thehexagonal-sectionvasecontainsflowersandleavesmadeofturquoise,agate,andother semi-preciousstones.
VASODIFIORIINCLOISONNÉEPIETREDURE, Cina,XXsecolo
Ilvasodisezioneesagonalecontienefioriefogliecompostidaturchese,agataealtrepietredure.
20世纪景泰蓝花盆玉石盆景
ARAREIMPERIALBROCADEEDICTFROMTHEQIANLONGPERIOD,
China,dated1761
hcm333xlcm31
€2.500/3.500
Writtenonvarioussilkbrocadesofdierentcolorswithadensecloudpatternontheinsideandalotusscrollontheoutside,it ismadeasanhandscrollreadablefromlefttorightinManchuandrepeatedfromrighttoleftinChinesecharacters,bearing inscriptionscorrespondingtothe26thyearoftheQianlongreign(1761);theopeningsectionisdecoratedwithtwodragons flankingthecharactersfengtiangaoming(‘imperialmandateofheaven’)asasymbolofauthenticity;theclosureismadeofwhite Hetianjade.
Provenance:-fromaprivateItaliancollection.
Cataloguenotes:
ThisedictwasissuedonNovember20thofthe26thyearoftheQianlongreign(1761)byEmperorQianlongtohonorthemeritsof theocialoftheInternalAairsOceandcouncilparticipant,Shutaì.ThedocumentconfershonorarytitlestoShutaì’sparents: hisfather,Ahalián,isbestowedthetitleofZhongxianDafu(GrandOceroftheConstitution),whilehismother,surnamedHu, receivedthetitleofGongren(LadyofReverence).
RefertoalateredictsoldbySotheby’s,Artsd’Asie,June10,2021,Paris,lotno.102.SeealsoChristie’s,auctionnumber15449,Fine ChineseCeramicsandWorksofArt,March22-23,2018,NewYork,lotno.980.
RAROEDITTOIMPERIALEINBROCCATODELPERIODOQIANLONG, Cina,datato1761
Scrittosudiversitessutidibroccatodisetadidierentecoloreconundensomotivodinuvoleall’internoesull’esternolotusscroll,è realizzatocomeunrotololeggibiledasinistraadestrainmanciù,eripetutodadestraasinistraincarattericinesi,recanteiscrizioni corrispondential26°annodelregnodiQianlong(1761);lasezionediaperturaèdecorataconduedragonicheaancanoicaratteri fengtiangaoming(‘mandatoimperialedelcielo’)comesimbolodiautenticità;lachiusuraèrealizzataingiadabiancadiHetian.
Provenienza:-daunacollezioneprivataitaliana.
Notedicatalogo:
Questoedittoèstatoemessoil20novembredelventiseiesimoannodelregnodiQianlong(cioèil1761)dall’imperatoreQianlong peronorareimeritidelfunzionariodell’UciodegliInterni,nonchépartecipantealconsiglio,Shutaì.Ildocumentoconferiscetitoli onorificiaigenitoridiShutaì:suopadre,Ahalián,vieneinsignitodeltitolodiZhongxianDafu(GrandeUcialedellaCostituzione), mentresuamadre,dicognomeHu,ricevetteiltitolodiGongren(SignoradiRiverenza).
Sivedal’editto(piùtardo)vendutodaSotheby’s,Artsd’Asie,10Giugno2021,Parigi,lotn°102.SivedaancheChristie’s,astanumero 15449,FineChineseCeramicsandWorksofArt,22-23Marzo2018,NewYork,lotn°980.
清乾隆二十六年（1761）圣旨
内务府郎中兼参领加二级舒泰之父母
此圣旨为诰命圣旨，同时用汉文和满文两种文字书写，是清乾隆二十六年十一月二十日（即公元1761年）乾 隆皇帝为了表彰有功官员内务府郎中兼参领舒泰，
特封赠舒泰的父亲阿哈廉为中宪大夫，他的母亲胡氏为恭人。圣旨的所用材料十分考究，为上好蚕丝制成的绫 锦织品，以卷云图案为底纹，绚丽多姿，雍容华贵，给人以威严肃穆之感。圣旨两端则有翻飞的银色巨龙作 为“防伪”标志，外用和田白玉别。品相完美，保存完好，圣旨不但具有史料价值，更具有极大的艺术欣赏价 值。
China,Qingdynasty(1644-1911)
hcm228xlcm134
Depictingtwosagesandtwoattendantsinalandscape amongtrees,rocks,flowers,andclouds.
GRANDEARAZZOINSETAKESI, Cina,dinastiaQing(1644-1911)
Raguranteduesaggiedueattendentiinunpaesaggio traalberi,rocce,fiorienuvole.
ALARGEPOSSIBLYIMPERIALSILKANDGOLDEMBROIDERY, China,Qingdynasty,18thcentury
€3.000/5.000
Embroideredonsilksatinoflargedimensions,itisfinelystitchedwithsilkandmetallicthread(goldfoil)using satinstitch,fullstitch,andlaidstitch.Thesubjectfallsintotheclassiccategoryof“flowersandbirds”(huaniao), wheretheprotagonistofthescene,alsoduetothesizewithwhichitisrepresented,isaphoenix(fenghuang). Perchedonalargecurvedbranchthatcentrallyoccupiesthescene,inChinesesymbolism,thebirdalludes totheempress.
Catalognotes:
Thesymbolismoftherepresentationwiththephoenix,queenofthebirds,standingwithitsbeakopenwhile singingandthesunasthebackgroundofthescene,alludestotheauspiciousphrase“alliswellintheworld” (tianxiataiping):thephoenixsymbolizeseverythingunderthesky(tianxia)whilethesun(taiyang)becomes allusiveto“greatpeace”(taiping).
GRANDERICAMOPROBABILMENTEIMPERIALEINSETAEORO, Cina,dinastiaQing,XVIIIsecolo
Ricamosurasodisetadigrandidimensioni,èfinementericamatoinsetaefilatometallico(orocartaceo)a puntoraso,puntopienoepuntoposato.Ilsoggettorientranellaclassicacategoria“fiorieuccelli”(huaniao), dovetuttavialaprotagonistadellascena,ancheperledimensioniconcuièrappresentataèunafenice (fenghuang).Appollaiatasudiungrossoramoricurvocheoccupacentralmentelascena,nellasimbologia cineseilvolatilealludeall’imperatrice.
Notedicatalogo:
Lasimbologiadicuisicomponelarappresentazioneconlafenice,reginadeivolatili,stantecolbeccoschiuso mentrecantaeilsolechefadasfondoallascena,alludeallafrasedibuonauspicio“vatuttobenenelmondo” (tianxiataiping):lafenicesimboleggiatuttociòchestasottoilcielo(tianxia)mentreilsole(taiyang)diventa allusivodi“grandepace”(taiping).
清粤绣花鸟五伦图
ASILKROBE, China,Qingdynasty,late19thcentury
hcm132xlcm186
€900/1.200
Embroideredwithbutterfliesandflowersonapinkbackground.
VESTITOINSETA, Cina,dinastiaQing,fineXIXsecolo
清十九世纪末红底花卉纹女服
ASILKEMBROIDERY, China,late19th/early20thcentury
Withframehcm103xlcm38,5
€300/500
Depictingapheasantonarockamongflowers. Ricamatoconfarfalleefiorisufondorosa.
RICAMOINSETA, Cina,fineXIX/inizioXXsecolo
Raguranteunfagianosuunarocciatrafiori.
19世纪末/20世纪初花鸟山石刺绣
ABAMBOOCARVING, China,17th/18thcentury
hcm10,5
175 €1.500/2.500
Magnificentlycarved,depictingLiuHaiinanuprightpositionwithhisleftarm raisedandhisthree-leggedtoadonhisrighthand.
Provenance:-collectionofProfessorFerdinandoCappelletti,Rome.
CatalogNotes:
LiuHaichanisaDaoistImmortal,oftendepictedwiththemythicalchanchu(the three-leggedtoad)andcoins,asheisconsideredareincarnationofCaishen,the godofwealth.
SeethebamboocarvingdepictingLiuHaisoldbySotheby’s,auctionnumber HK0722,ImportantChineseArt,April5,2017,HongKong,lotno.3650.Alsosee Sotheby’s,auctionnumberHK0572,TheRobertH.BlumenfieldCollectionof ChineseBambooCarvings,April6,2015,HongKong,lotno.3031.
RAROINTAGLIOINBAMBÙ, Cina,XVII/XVIIIsecolo
MagnificamenteintagliatoraguranteLiuHaiinposizioneerettacolbraccio sinistroalzatocolsuorospoatrezampesullamanodestra.
Provenienza:-collezioneProfessorFerdinandoCappelletti,Roma.
Notedicatalogo:
LiuHaichanèunImmortaleDaoista,èspessoraguratocolmitologico chanchu(ilrospoatrezampe)econdellemoneteessendoconsideratouna reincarnazionediCaishen,ildiodellaricchezza.
Sivedal’intagliodibambùraguranteLiuHaivendutodaSotheby’s,astanumero HK0722,ImportantChineseArt,05Aprile2017,HongKong,lotn°3650.Siveda ancheSotheby’s,astanumeroHK0572,TheRobertH.BlumenfieldCollectionof ChineseBambooCarvings,06Aprile2015,HongKong,lotn°3031.
十七世纪刘海戏金蟾竹雕
ASMALLBAMBOOCARVING, China,Qingdynasty(1644-1911)
hcm7xdcm9
176 €300/500
Finelycarvedandpierced,itdepictsaseatedfigurewithafaninhandandother figuresathisfeet.
PICCOLOGRUPPOINBAMBÙ, Cina,dinastiaQing(1644-1911)
Benintagliatoeforatoraguraunpersonaggiosedutoconunventaglioin manoealtripersonaggiaisuoipiedi.
清（1644-1911）竹雕钟馗摆件
ARAREWATCH-MOUNTEDGILT-METALGLASSCASCKET,
China,Qingdynasty,18thcentury hcm15xlcm12,5xwcm9,5
€6.000/8.000
Rectangularinshapewithroundedcorners,itissupportedbyfourfeetintheformofeagleclawsgrippingasphere. Theboxisfinelychiseledandembossedwithscrollsandleafymotifs,featuringunmistakablereferencestooriental taste,suchasthefourlotusflowersemergingfromtheredfiredenamelatthefourcornersofthelid.Thesameflower isthenrepeatedineachreservethatmakesupthecasket,withinwhichareverythinsheetsofsapphire-colored glass.Theedgeofthelidisadornedwithalternatingsetsapphiresandrubies,whichenrichandembellishtheobject, harmonizingwiththeblueandredenamelspresentonthebodyoftheboxandthelid.Theclockprotrudesfromthe lidandisalsosurroundedbyredenamel.Inside,therearenecessaire.
CatalogNotes:
ThepresentcasketisverysimilartoagroupofcasketsidentifiedasAnglo-Chinese,includingapairofagate-mounted caskets(seeDavidS.Howard,ATaleofThreeCities,Canton,Shanghai&HongKong,Sotheby’s,London,1997,cat. no.307,p.226)andasinglecasketinthecollectionofthePalaceMuseumintheForbiddenCity(seeTheComplete CollectionofTreasuresofthePalaceMuseum-ScientificandTechnicalInstrumentsoftheQingdynasty,vol.52,p.211, no.186).Itislikelythatallthesecasketsweremadeinthelastquarterofthe18thcentury.Consideringthatthetaste inEuropeatthattimewasfortheneoclassical,theuseofrococoandneoclassicalmotifsmixedwithsomeChinese decorationssuggeststhatthecasketswereprobablymadefortheChinesemarketandnotforexporttoEurope, especiallyconsideringthesimilarstyleofthemagnificentautomatonclocksandobjects,includingtheaforementioned casket,foundintheImperialCollection.Additionally,althoughthesepiecesareinthemannerofJamesCox(seeRoger Smith,JamesCox(c.1723-1800):ARevisedBiography,TheBurlingtonMagazine,Vol.142,No.1167,June2000,pp. 353-361),thequalityandtreatmentofthematerialsdonotseemtobeEnglishorEuropean.Therefore,itispossibleto concludethatthesepieceswerepossiblymadeinChinafortheChinesemarket,perhapsimitatingsomeofCox’sfiner piecesexecutedinagate,ormolu,andgold.
SeethecasketsoldbySotheby’s,S/OSaperstein,April19,2012,NewYork,lotno.253.AlsoseeSotheby’s,salenumber N09207,ImportantEuropeanDecorativeArts,October22,2014,NewYork,lotno.303.
RAROSCRIGNOMONTATOCONOROLOGIOINMETALLODORATOEVETRO, Cina,dinastiaQing,XVIIIsecolo
Diformarettangolareconangolistondati,èsorrettodaquattropiediniaguisadizampadiaquilaconartigliche aerranounasfera.Lascatolafinementecesellataesbalzataavoluteemotivifogliaceipresentadegliinequivocabili richiamialgustoorientale,comeiquattrofioridilotochefuoriesconodallosmaltoafuocorossostesoneiquattro angolidelcoperchio.Lostessofioreèpoiripreso,inogniriservadicuiècompostaloscrigno,all’internodellequali sitrovanodellesottilissimelastreinvetrocolorzaro.Lacordonaturadelcoperchioèstatarealizzataconzarie rubiniincastonatiinalternanzachearricchisconoedimpreziosisconol’oggettoesicombinanoarmoniosamenteagli smalti,bluerosso,presentisulcorpodellascatolaesulcoperchio.L’orologiofuoriescedalcoperchioeanch’essoè contornatodasmaltirossi.All’internosonopresentinecessaire.
Notedicatalogo:
Ilpresentecofanettoèmoltosimileaungruppodicofanettichesonostatiidentificaticomeinglesiecinesi,tracuiuna coppiadicofanettimontatiinagata(sivedaDavidS.Howard,ATaleofThreeCities,Canton,Shanghai&HongKong, Sotheby’s,London,1997cat.n°307,pag226)eunsingolocofanettonellacollezionedelMuseodelPalazzodellaCittà Proibita(sivedaTheCompleteCollectionofTreasuresofthePalaceMuseum-ScientificandTechnicalinstrumentsof theQingdynasty,vol.52pag211,n°186).Èprobabilechetuttiquestiscrignisianostatirealizzatinell’ultimoquarto delXVIIIsecolo.ConsiderandocheilgustoinEuropainquelperiodoeraperilneoclassico,l’usodimotivirococòe neoclassicimescolatiadalcunedecorazionicinesipresupponecheicofanettisianostatiprobabilmenterealizzatiper ilmercatocineseenonperl’esportazioneinEuropa,soprattuttosesiconsideralostilesimiledeimagnificiorologi automaticiedeglioggetti,tracuiilcofanettosopramenzionato,chesitrovanonellaCollezioneImperiale.Inoltre, sebbenequestipezzisianoallamanieradiJamesCox(sivedaRogerSmith,JamesCox(c.1723-1800):ARevised Biography,TheBurlingtonMagazine,Vol.142,No.1167,June,2000,pag353-361),laqualitàeiltrattamentodei materialinonsembranoessereinglesioeuropei.Pertanto,èpossibileconcluderechequestipezzifosserorealizzati probabilmenteinCinaperilmercatocinese,forseimitandoalcunideipezzipiùranatidiCoxeseguitiinagata, ormolueoro.
SivedailcofanettovendutodaSotheby’s,S/OSaperstein,19Aprile2012,NewYork,lotn°253.SivedaancheSotheby’s, astanumeroN09207,ImportantEuropeanDecorativeArts,22Ottobre2014,NewYork,lotn°303.
清十八世纪罕见铜鎏金镶嵌钟表贡盒套装
类似记录：参见苏富比拍卖行出售的套装，S/OSaperstein，2012年4月19日，纽约，拍品编号 253。另请参见苏富比拍卖行，拍卖编号N09207，重要欧洲装饰艺术，2014年10月22日，纽 约，拍品编号303。
SecondSession
AMASSIVEGUANDONG
CERAMICLANDSCAPE, China,Qingdynasty,19thcentury
€500/700
Wellmodeleddepictingamountainouslandscape,theuprightclihasan irregularandfissuredsurface,workedinvariousshadesofbrownsimulating rock,withnumerousfiguresoutsidethebuildingarrangedintiersand shadedintonesofblue,green,andochre,aprocessionofhorsebackfigures atthebasewithachannelalongthefacadeinwhichadragonandtwofish swim.
GRANDEPAESAGGIOINCERAMICAGUANDONG, Cina,dinastiaQing,XIXsecolo
Benmodellatoraguranteunpaesaggiomontuoso,larupeerettaha superficieirregolareefessurata,lavorataindiversitonidimarroneche simulanolaroccia,connumerosefigureall’esternodell’edificiodispostea gradoniedeclinateneitonidelblu,delverdeedell’ocra,uncorteodifigure acavalloallabaseconuncanalelungolafacciataincuinuotaundragoe duepesci.
清十九世纪广式大型陶瓷景观
TWOPORCELAINWOODENSCREEN, China,Qingdynasty,late19thcentury
€2.500/3.500
Eachconsistingoftwenty-sixporcelainplaques,theyarepaintedinthecoloursofthefamillerosewithlotusflowersandcharacters ingardensamongtreesandrocks.
DUESEPARÉINLEGNOEPORCELLANA, Cina,dinastiaQing,fineXIXsecolo
Ognunocompostodaventiseiplaccheinporcellana,sonodipinteneicoloridellafamigliarosaconconfioridilotoepersonaggiin giardinitraalberierocce.
清十九世纪末粉彩人物屏风两件
180
AFAMILLENOIRPORCELAINVASE, China,Qingdynasty,late19thcentury
€300/500
Fromthebaluster-shapedform,itispaintedonablackbackground withplumtrees;onthebase,itbearstheapocryphalsix-character KangxiEmperormarkinunderglazebluewithinadoublecircle.
VASOINPORCELLANAFAMIGLIANERA, Cina,dinastiaQing,fineXIXsecolo
Dallaformaacolonnadibalaustra,èdipintosufondonerocon alberidipruno;sullabaserecailmarchioapocrifoaseicaratteri inblusottocopertadell’ImperatoreKangxiall’internodiundoppio cerchio.
181
AFAMILLEVERTEPORCELAINVASE, China,Qingdynasty,late19thcentury
hcm45 hcm46
€500/700
Withaglobularbodyandalong,narrowneck,itiswellpainted alloverwithacontinuoussceneofwarriorsandhorsemenin alandscape;atthecenterofthebase,thereisadoublecirclein underglazeblue.
VASOINPORCELLANAFAMIGLIAVERDE, Cina,dinastiaQing,fineXIXsecolo
Dalcorpoglobulareconcollostrettoelungo,èbendipintosu tuttoilcorpoconunascenacontinuadiguerrieriecavalieriinun paesaggio;alcentrodellabaserecaundoppiocerchioinblusotto coperta.
清晚期墨地素三彩梅花纹观音瓶“大清康熙年制”寄托 款 清晚期五彩人物故事纹花瓶
ACELADONANDFAMILLEROSE HU-SHAPEDPORCELAINVASE, China,RepublicPeriod(1912-1949)
hcm31
€800/1.200
Thearchaisticformcoveredwithacéladonglazewithelephant-headshapedhandlespaintedwithpolychromeenamel;inthecentreofthebody itisdecoratedwithfourcircularmedallionsinsidewhichlandscapesare depicted;onthebaseitbearstheapocryphalsix-charactersealmarkin underglazeblueofQianlongEmperor.
VASOINPORCELLANAFAMIGLIAROSA, Cina,RepubblicadiCina(1912-1949)
DallaclassicaformaHuconanseaformaditestedielefantedipintecon smaltipolicromiericopertodaunosmaltocéladon;alcentrodelcorpoè decoratoconquattromedaglionicircolariall’internodeiqualisonoragurati deipaesaggi;sullabaserecailmarchioapocrifosigillareaseicaratteriinblu sottocopertadell’ImperatoreQianlong.
民国豆青釉粉彩开光四季山水象耳尊
APORCELAINFIGURE, China,People’sRepublicofChina (1949-present)
hcm46
€300/500
DepictingLuDongbin,heisportrayedseatedwithabrushinhisrighthand; onthebase,amarkisimpressed.
FIGURAINPORCELLANA, Cina,RepubblicaPopolareCinese(1949-presente)
RaguranteLuDongbin,èraguratosedutoconunpennellonellamano destra;sullabaseèimpressounmarchio.
中华人民共和国（1949年至今）吕洞宾瓷神像 182 183
184
APORCELAINFIGURE, China,People’sRepublicofChina (1949-present)
hcm40
€300/500
DepictingShouXinholdingapeachinhand;ithasanimpressedmarkon thebase.
FIGURAINPORCELLANA, Cina,RepubblicaPopolareCinese(1949-presente)
RaguranteShouXinconunapescainmano;recamarchiosullabase.
中华人民共和国（1949年至今）寿星瓷像
185
AFAMILLEROSEPORCELAINFIGUREOFA LAUGHINGBUDDHA, China,RepublicPeriod(1912-1949)
hcm19xlcm18
€150/200
ModeledintheshapeofaseatedBuddhawithfivechildrenclimbingon him,thebaseisimpressedwiththethree-charactermanufacturingmark ZhuMaosheng(朱茂盛).
FIGURADIBUDDHACHESORRIDEIN PORCELLANAFAMIGLIAROSA, Cina,RepubblicadiCina(1912-1949)
ModellatoaformadiBuddhainposizionesedutaconcinquebambinichesi arrampicanosudilui,sullabaseèimpressoilmarchiodimanifatturaatre caratteriZhuMaosheng(朱茂盛).
民国朱茂盛造粉彩五子弥勒佛
TWOPORCELAINFIGURES, China,20thcentury
hmaxcm22
Wellmodeledandpainted,depictingtwoscholarsreadingandwriting seatedatadesk;underneaththefigurewiththeorangerobebearsan impressedmark.
FIGUREINPORCELLANAFAMIGLIAROSA, Cina,XXsecolo
Benmodellateedipinteragurantidueletteraticheleggonoescrivono sedutidifronteaunascrivania;sottoallafiguraconlavestearancionereca unmarchioimpresso.
20世纪瓷塑一组
ANEROTICPORCELAINFIGURE, China,People’sRepublicofChina (1949-present)
186 187 €300/500 €200/300
Wellmodeledintheshapeofabualouponwhichthereareamananda womanineroticposes.
FIGURAEROTICAINPORCELLANA, Cina,RepubblicaPopolareCinese(1949-presente)
Benmodellataaformadibufalosulqualesitrovanounuomoeunadonna inatteggiamentierotici.
中华人民共和国（1949年～至今）粉彩人物瓷塑
188
ASMALLPORCELAINVASE, China,Qingdynasty,18th/19thcentury
hcm9
€200/300
Hexagonalinshape,itispaintedoneachfacewithcocksandflowers.
PICCOLOVASOINPORCELLANA, Cina,dinastiaQing,XVIII/XIXsecolo
Diformaesagonale,èdipintosuognifacciacongalliefiori.
清十八/十九世纪瓷瓶
189
APAIROFGILTBLUEGROUNDCUPS, China,Qingdynasty,19thcentury
dcm7
€150/250
Onabluebackground,decoratedingoldwithtwodragonschasingthe pearl;atthecenterofthebase,theybearunderglazebluemarks.
COPPIADITAZZINEINPORCELLANA, Cina,dinastiaQing,XIXsecolo
Afondoblu,decorateinoroconduedragonicheinseguonolaperla;al centrodellabaserecanomarchiinblusottocoperta.
清十九世纪霁蓝釉描金龙纹杯一对
APORCELAINGINGERJAR, China,late19thcentury/early20thcentury
Onanorangeground,itisdecoratedinunderglazebluewithbirdsamongrocksand flowers,nearbytherimthereisaturquoiseoverglazebandandablueunderglaze
VASODAGINGERINPORCELLANA, Cina,fineXIXsecolo/inizioXXsecolo
Sufondoarancione,èdecoratoinblusottocopertaconuccellitrarocceefiori,vicino albordopresentaunafasciaturchesesopracopertaeblusottocoperta;alcentro dellabasepresentaundoppiocerchioinblusottocoperta.
清晚期珊瑚红釉青花花鸟纹罐
APORCELAINTEAPOT, China,20thcentury
Ofrhomboidalsection,itispaintedwithcharacters;atthecenterofthebasebears theapocryphalsealmarkprintedinredofEmperorTongzhi.
TEIERAINPORCELLANA, Cina,XXsecolo
Disezioneromboidale,èdipintaconpersonaggi;alcentrodellabaserecailmarchio apocrifosigillarestampatoinrossodell’ImperatoreTongzhi.
20世纪粉彩茶壶
ASHUICAIPORCELAINVASE, China,RepublicPeriod(1912-1949)
hcm44,5
Shapedlikeabalustercolumnwithlionhead-shapedhandlesonthesidesholding ringsintheirmouths,itispaintedwithladiesandchildreninagarden,with inscriptionsonthereverseside.
VASOINPORCELLANASHUICAI, Cina,RepubblicadiCina(1912-1949) hcm16 hcm18
Aformadicolonnadibalaustraconailatidueanseaformaditestedileoneche tengonoinboccaanelli,èdipintocondameebambiniinungiardino,sulretroreca iscrizioni.
民国时期（1912-1949）粉彩仕女图双铺首撇口瓶
ABALUSTER-SHAPEDDAYAZHAISTYLEPORCELAIN VASE,China,RepublicPeriod(1912-1949)
hcm26
€200/300
Itispaintedwithpolychromeenamelsonaturquoisegroundwithabirdamidstflowering wisteriabranches,isinscribedonthebodyinkaishuwiththethreecharacters‘Dayazhai’;inthe centreofthebaseitbearstheapocryphalsix-charactersealmarkinoverglazeredandgoldof EmperorQianlong.
VASOINPORCELLANASTILEDAYAZHAI, Cina,RepubblicadiCina(1912-1949)
Diformaacolonnadibalaustra,èdipintoconsmaltipolicromisufondoturcheseconunuccello traramidiglicineinfiore,èinscrittoinkaishucoitrecaratteri“Dayazhai”;alcentrodellabasereca ilmarchioapocrifosigillareaseicaratteriinrossoeorosopracopertadell’ImperatoreQianlong.
民国蓝地粉彩花鸟纹瓶
194
APAIROFFAMILLEROSEPORCELAINCHARGERS, China,Qingdynasty,18thcentury
€100/150
Decoratedontheborderwithflowersandgourds,atthecentertheyfeatureapeachshapedcartoucheenclosingtwolionsplayingwithbrocadeballs.
COPPIAGRANDIPIATTIFAMIGLIAROSA, Cina,dinastiaQing,XVIIIsecolo
Decoratisulbordoconfioriezucche,alcentropresentanouncartiglioaformadipesca cheracchiudonodueleonichegiocanoconpalledibroccato.
清18世纪双狮戏球粉彩盘一对
195
AFAMILLEROSEPORCELAINPUNCH-BOWL, China,Qingdynasty,18thcentury
dcm38,5 hcm15,5xdcm36,5
€600/800
Adornedthroughouttheexteriorandinteriorwithflowers.
CIOTOLADAPUNCHINPORCELLANAFAMIGLIAROSA, Cina,dinastiaQing,XVIIIsecolo
Decoratosututtoilcorpoall’esternoeall’internoconfiori.
清乾隆粉彩过枝花卉纹潘趣碗
APORCELAINCHARGER, China,People’sRepublicofChina(1949-present)
dcm40,5
€200/250
Paintedwithpolychromeenamels,itdepictsBuddhaandBodhisattvas.
GRANDEPIATTOINPORCELLANA, Cina,RepubblicaPopolareCinese(1949-presente)
Dipintoconsmaltipolicromi,raguraBuddhaeBodhisattva.
中华人民共和国（1949年至今）彩绘绿度母像大盘
FOURPORCELAINPILLOWS, China,19th/20thcentury
hmaxcm12xlmaxcm26,5
€500/700
Polychromeenamelpaintingswithwomen,flowers,landscapesand birds.
QUATTROCUSCINIINPORCELLANA, Cina,XIX/XXsecolo
Dipintiinsmaltipolicromicondonne,fiori,paesaggieuccelli.
清19世纪/20世纪六个粉彩瓷枕
198
SIXPORCELAINPILLOWS, China,19th/20thcentury
hmax21xlmaxcm42
€500/700
Oneintheshapeofarecliningwoman,twointheshapeofacat,theotherthreein theclassicform.Eachwithdierentenamelsanddecorations.
SEICUSCINIINPORCELLANA, Cina,XIX/XXsecolo
Unodiformadidonnasdraiata,dueaformadigatto,glialtritredallaformaclassica. Ognunoconsmaltiedecorazionidierenti.
清19世纪/20世纪六个瓷枕
199
ALARGEPORCELAINSAMSONPLATE, France,19th/20thcentury
€200/300
Paintedwithpolychromeenamelsfeaturingflowers.
GRANDEPIATTOINPORCELLANASAMSON, Francia,XIX/XXsecolo
Dipinticonsmaltipolicromiconfiori.
200
ANAMBERNECKLACE, China,20thcentury
€800/1.200
Weightg238.
COLLANAINAMBRA, Cina,XXsecolo dcm50 dmaxcm3,5
Pesog238. 十九世纪/二十世纪SAMSON大瓷盘
20世纪圆珠蜜蜡项链重238克
201
ALARGEGILT-SILVERFIGUREOFBUDDHA, China,Qingdynasty(1644-1911)
hcm42
€4.000/6.000
Depictedwithasmilingfaceandinaseatedpositionholdingasphereinone handandasackintheother;thebasebearsthehallmarkYangQinghe(杨庆和). Weight:4070g.
GRANDEBUDDAINARGENTODORATO, Cina,dinastiaQing(1644-1911)
Raguratocolvoltosorridenteeinposizionesedutachetieneinmanouna sferaenell’altraunsacco;sullabaserecapunzoneYangQinghe(杨庆和).Peso: g4070.
清银镀金弥勒佛‘‘杨庆和’’款重4070克 杨庆和银楼创立于乾隆三十八年（1773年），是上海最早的银楼， 有“中国第一家银楼”之称。
202
AGILT-SILVERFIGUREOFBUDDHA, China,late19th/early20thcentury
htotcm24
€1.500/2.500
Standingonalotusbase.
BUDDHAINARGENTODORATO, Cina,fineXIX/inizioXXsecolo
Raguratoinposizioneerettasuunabasedifiorediloto.
19世纪/20世纪初银胎鎏金地藏王立像款 ‘上海元彰 造‘
203
ASILVERVASE, China,early20thcentury
hcm10,5xdcm13,5
€400/600
Finelydecoratedonthebodyandrimwithbirds,trees,andflowering branches;itbearsthreepunchesonthebase.Peso:g326.
VASOINARGENTO, Cina,inizioXXsecolo
Bendecoratosulcorpoesulbordoconuccelli,alberieramifioriti; sullabaserecatrepunzoni.Peso:326g.
204
ASILVERTEA-SET, China,late19th/early20thcentury
hmaxcm12,5xlmax23
€1.500/2.500
Comprisingateapot,creamer,andsugarbowl,eachintheshapeof apumpkincomposedofsixlobedsections,eachpanelisembossed withcharacters,flowers,animals.Atthecenterofthebase,they bearthreehallmarks.Weight925grams.
SETDATÉINARGENTO, Cina,fineXIX/inizioXXsecolo
Compostodateiera,lattieraezuccheriera,ognunodallaformaa zuccacompostadaseisezionilobate,ognipannelloèdecoratoa sbalzoconpersonaggi,fiori,animali.Alcentrodellabaserecanotre punzoni.Pesog925.
20世纪初银渣斗款’90WH泰昌隆’重326克 晚清民国银茶具三件套款“WH佳记90”重量925克
205
AHUGESILVERTRIPODCENSER, China,19th/20thcentury
hcm75xlcm56,5
€8.000/10.000
Itstandsonthreefeetshapedlikeelephantheads,thebodyischasedwithcranes,thelidpierced forthesmoketoescapeendsinahandleshapedlikeanelephantcarryingavaseonitsback. Weightg8090.
GRANDEINCENSIEREINARGENTO, Cina,XIX/XXsecolo
Sireggesutrepiediaformaditestadielefante,sulcorpoècesellatocongru,ilcoperchioforato perlafuoriuscitadelfumoterminainunmanicoaformadielefantecheportasullagroppaun vaso.Pesog8090.
晚清民国银质朝冠耳鼎式炉一件“凤祥裕记”款重8090克 “凤祥裕记银楼”便是上海老凤祥银楼的前身，于1848年创建。
此朝冠耳式样亦称判官耳，形制见于《宣德彝器图谱》，双耳上扬，器 形独特，因寓有“加官进爵”之吉兆，深受大众喜爱；此器体型硕大， 炉盖呈三层宝塔式，中层镂空花卉纹，炉顶饰太平有象，象背装饰华 丽，上托宝瓶；炉身双耳上扬外撇，线条舒展优美。
APAIROFSILVERCUPSANDSAUCERS, China,early20thcentury
hcupscm4-dsaucerscm7,5
€200/300
Enamelledandlacquered,decoratedwithalandscapeandflowers;they bearmarksonthebases.Weight144g.
COPPIADITAZZINEEPIATTINIINARGENTO, Cina,inizioXXsecolo
Smaltatielaccati,decoraticonunpaesaggioefiori;sullebasirecano marchi.Pesog144.
20世纪初银杯碟一对款“宝珍”重144克
FOURSMALLSILVERBOXES, China,RepublicPeriod(1912-1949)
maxhcm5xlcm4,5
€300/500
Totalweight:g136.
QUATTROSCATOLINEINARGENTO, Cina,RepubblicadiCina(1912-1949)
Pesotot:g136.
晚清民国4个银烟膏盒“宝华”、“足纹”等银楼款
FIVEBRACELETS, China,20thcentury
dmaxcm8
€200/300
Insilver,jade,lapislazuli,andbamboo.
CINQUEBRACCIALI, Cina,XXsecolo
Inargento,giada,lapislazzuliebambù.
20世纪5个银手镯镶嵌，玉石，青金石等
209
ASILVERTRAY, China,late19th/early20thcentury
hcm4xlcm59xwcm35
Ontheplate,itischiseledwithblossomingplumbranches,withinitialsengravedatthecenter;thepiercedand embossedborderdepictsdragonsamidstclouds;dragonhead-shapedhandles.Totalweight:2560grams.
VASSOIOINARGENTO, Cina,fineXIX/inizioXXsecolo
晚清镂空龙纹錾刻梅花外销大银盘“求记90WH”款重8090克
210
ASILVERBOWL, China,late19th/early20thcentury
hmaxcm10xdmaxcm19
€3.500/4.000 €600/800
Ofcircularshape,embossedwithadecorationdepictinglotusflowersandleaves,smoothinterior,sealed“HUNG CHONG”;weightg683. Sulpiattoècesellatoconramidiprunofioriti,alcentroèincisoconiniziali;bordotraforatoesbalzatoragurante draghitralenuvole;maniciaformaditestadidrago.Pesototg2560.
CIOTOLAINARGENTO, Cina,fineXIX/inizioXXsecolo
Diformacircolaresbalzatacondecorazioneragurantefioriefogliediloto,parteinternaliscia,punzonata“HUNG CHONG”;Pesog683.
晚清民国镂空花卉纹银碗“HUNGCHONG安昌”款重682克
211
ASILVERBOX, China,early20thcentury
hcm6,5xlcm22,5xwcm15,5
€1.000/2.000
Decoratedwithsquirrelsclimbingonvinebranchesamidstleavesandgrapeclusters,inthecenterbearsan inscription:“LesMembresdelaCommissionProvisoired’AdministrationMunicipaledelaConcessionFrançaise deChanghaiàLeurPresidentMonsieurJ.MeyrierChanghaile23Mars1927”;onthebase,itbearsthreesilver hallmarks.Weight1032grams.
Cataloguenotes:
SCATOLAINARGENTO, Cina,inizioXXsecolo
ConsulJacquesMeyrier,bornin1892,wasthesonofthefamousdiplomatGustaveMeyrier.Thelatterserved asviceconsulinTurkeyandlaterinArmenia,wherehedrewglobalattentiontotheterribleTurkishmassacres. JacquesMeyrierbeganhiscareerasviceconsulinConstantinoplein1916.In1924,hewasappointedviceconsul inChina,inShanghai,beforebecomingConsulinTianjinin1929.In1932,Frenchauthoritiestaskedhimwith replacingtheConsulGeneralofShanghai,Koechlin,duetothelatter’sallegedcollusionwiththelocalunderworld leaderofthe“GreenGang,”DuYuesheng.HistaskwastocleanuptheFrenchConcessionfromtheopiumtrade andreplacecorruptFrenchpoliceagents.In1936,heleftShanghaiforBeyruthandthenRabatin1942,under theFrenchProtectorate,inanattempttorestoretheauthorityofFreeFrance.However,in1945,hereturnedto ChinaastheFrenchambassador,wherehefrequentlymetwithChiangKaiShekandevenbefriendedZhouEnLai. Decorataconscoiattolichesalgonosutralcidivitetrafoglieegrappolid’uva,alcentrorecaun’iscrizione:“Les MembresdelaCommissionProvisoired’AdministrationMunicipaedelaConcessionFrançaisedeChanghaiàLeur PresidentMonsieurJ.MeyrierChanghaile23Mars1927”;sullabaserecatrepunzonidell’argento.Pesog1032.
Notedicatalogo:
IlConsoleJacquesMeyrierènatonel1892,figliodelfamosodiplomaticoGustaveMeyrier.Quest’ultimoèstatovice consoleinTurchiaepoiinArmenia,dovehamessoinguardial’opinionepubblicamondialedaiterribilimassacri turchi.ProprioaCostantinopoliilfiglioJacquesiniziòlasuacarrieracomeviceconsolenel1916.Funominatoin Cina,aShanghai,conlastessacaricanel1924,primadidiventareConsoleaTianjinnel1929.Nel1932,leautorità francesigliadaronolamissionedisostituireilConsolegeneralediShanghaiKoechlin,perlanotacollusionedi quest’ultimoconilcapodellamalavitalocaledella“BandaVerde”DuYuesheng.Ilsuocompitoeraquindiquellodi ripulirelaConcessionefrancesedaltracodioppioedisostituiregliagenticorrottidellaPoliziafrancese.Lasciò ShanghaiperBeyruthnel1936epoiRabatnel1942,sottoilProtettoratofrancese,neltentativodiripristinare l’autoritàdellaFranciaLibera.Nel1945,tuttavia,tornòinCinacomeambasciatorefrancese,doveincontròspesso ChiangKaiShekedivennepersinoamicodiZhouEnLai.
1927年法国驻上海工会赠送给法国驻上海总领事的礼物
TWOSILVERANDJADEVASES, China,19th/20thcentury
€1.000/1.200
Adornedwithsemi-preciousstonesandturquoise.Totalweight:1009grams.
DUEVASIINARGENTOEGIADA, Cina,XIX/XXsecolo
Abbelliticonpietredureeturchesi.Pesotot:g1009.
十九世纪/二十世纪银盒子两个镶嵌各种玉石
€150/200
Chiseledandembossed.
Cesellateesbalzate.
ASEALANDAPRAYERHOLDERINSILVER, Himalaya,19th/20thcentury
PORTAPREGHIEREESIGILLOINARGENTO, Himalaya,XIX/XXsecolo
喜马拉雅十九世纪/二十世纪祈祷轮和银印章
€500/700
STRUMENTOMUSICALE, Himalaya,XIX/XXsecolo hmaxcm14,5xdmaxcm17,5 hmaxcm20 hcm54
AMUSICALWINDHINSTRUMENT, Himalaya,19th/20thcentury
Composedofcarvedandchiseledsilver,adornedwithceladonjade,turquoise,and coral.
Compostodalegno,argentosbalzatoecesellatoeabbellitocongiadaceladon, turchesiecoralli.
喜马拉雅十九世纪/二十世纪银唢呐 手工錾刻花纹，镶嵌绿松石和红珊瑚等 212 213 214
TWOWOODENFIGURES, Nepal,Kathmandu,18th/19thcentury
hmaxcm91
215 €600/800
Twodecorativetemplebracketsdepictingtwogorgeouslyadornedfemaledeities dancingunderdensefloralvines.
DUEFIGUREINLEGNO, Nepal,Kathmandu,XVIII/XIXsecolo
Duemensoledecorativeditempio,rappresentanoduedivinitàfemminili sontuosamenteagghindatechedanzanosottofittitralcifloreali.
尼泊尔18/19世纪佛像木雕
216
AWOODENFURNITURE, China,19th/20thcentury
hcm190xlcm90xwcm41,5
€10.000/15.000
Standingonfoursshortlegs,thehualiwooddoorsarecarvedwithtwodragons eachamidstclouds,asarethepanelsbelow.
MOBILEINLEGNO, Cina,XIX/XXsecolo
Poggiantesuquattrocortegambe,leanteinlegnohualiinciseconduedragoni ciascunatranuvole,cosìcomeipannellisottostanti.
19/20世纪雕龙大木柜
217
hcm100xlcm100xpcm48
€500/700
Onthebackrestandhandles,itfeaturesmedallionscarved withqilong.
SEDUTAINLEGNOHUANGHUALI, Cina,XXsecolo
Sulloschienaleesuimanicipresentamedaglioniintagliati conqilong.
20世纪明式黄花梨椅
218
AHUANGHUALIWOODENCHAIR, China,20thcentury AHONGMUWOODENCHAIR, China,19th/20thcentury
hcm93xlcm44xwcm40
€300/500
Thestructureisfinelycarvedandpiercedwithdragons, clouds,andcharacters;thepillowisupholsteredinvelvet.
SEDIAINLEGNOHONGMU, Cina,XIX/XXsecolo
Lastrutturaèbenintagliataeforatacondraghi,nuvolee personaggi;ilcuscinofoderatoinvelluto.
19/20世纪镂空雕花红木椅
AWOODEN-LAQUEREDBOX, China,Qingdynasty,19thcentury
hcm14xlcm38xpcm31
€300/500
Oflobedhexagonalsectionandrestingonfourwingeddragon-shaped feet,itisrichlydecoratedingoldintheclassicCantonesestylewith reservescontainingcharactersingardens,dragons,andfloralmotifs. Inside,itcontainssevenboxesandtwelvesmallplateswiththesame exteriordecoration;theinteriorofthelidfeaturesbamboocanes.
SCATOLAINLEGNOLACCATO, Cina,dinastiaQing,XIXsecolo
Disezioneesagonalelobatachesireggesuquattropiediaformadi draghialati,èriccamentedecoratainoroinclassicostilecantonese conriserveall’internodellequalisonopresentipersonaggiingiardini, dragoniemotivifloreali;all’internocontienesettescatolineedodici piattiniconlastessadecorazionedell’esterno;l’internodelcoperchio recacannedibambù.
清（1644-1911）广式漆木描金茶叶盒
220
ATHANGKADEPICTING
PADMASAMBHAVA, Himalaya,19thcentury
hcm50xlcm35
€500/700
Depictedwithamatureappearance,sportingmustachesandasmall goatee,heisseatedonathronemadeoflotuspetalsandadorned withgoldearrings,necklaces,andbracelets.Hisheadiscoveredwitha hattoppedwithafeather.Withhisrighthand,heholdsagoldenvajra, whilehislefthand,placedinhislap,supportsaskullcupcontainingthe vaseoflonglifenectar.Leaningagainsthisleftshoulderisadecorated katvangasta.Belowhimarehistwoprincipalconsorts:ontheleft, Mandaravaindarmachakramudra,andontheright,YesheTsogyal holdingagoldenpitcherinherrighthandinvaradamudrawithherleft.
Provenance:-ProfessorFerdinandoCappellettiCollection,Rome.
CatalogNotes:
Padmasambhava,alsoknownasGuruRinpoche,isconsideredone ofthemainpropagatorsofBuddhisminTibetintheeighthcentury, alongsideTrisongDetsenandShantarakshita.
THANGKARAFFIGURANTEPADMASAMBHAVA, Himalaya,XIXsecolo
Raguratodiaspettomaturo,conbaeunpiccolopizzetto;assisosu untronodipetalidilotoeadornatoconorecchini,collaneebraccialiin oro,latestaècopertadauncappellosormontatodaunapiuma.Con lamanodestratieneunvajrad’oro,mentreconlasinistra,postain grembo,sorreggeunacalottacranicacontenenteilvasocolnettare dilungavita.Appoggiatoallaspallasinistrahaunbastonekatvanga decorato.Inbassocisonolesuedueprincipaliconsorti:asinistra MandaravaindarmachakramudraeadestraYesheTsogyalchetiene unabroccad’oronellamanodestrainvaradamudraconlasinistra.
Provenienza:-collezioneProfessorFerdinandoCappelletti,Roma.
Notedicatalogo: Padmasambhava,notoanchecomeGuruRimpoche,èconsiderato, insiemeaTrisongDetseneShantarakshita,unodeiprincipalidiusori delbuddhismoinTibetnell’ottavosecolo.
喜马拉雅十九世纪莲花生大士唐卡
ATHANKGKADEPICTINGMAITREYA,
Himalaya,18th/19thcentury
hcm137xlcm75,5
DepictedatthecenterofhiscelestialpalaceintheTushita paradise,seatedinpadmasanaonalotusthrone,handsin dharmachakramudra;hisbodyjewel-redandcrowned,behindhim onlotusstemsbloomaDharmawheelandavasecontainingthe nectaroflonglife;flankinghimarethebodhisattvasAtishaand Tsongkhapatohisrightandleft,whileallaroundareanarrayof divinitiesandlamas;retainsitsoriginalsilkcoverembellishedwith twostripsofbrocadesilk.
CatalogNotes:
THANGKARAFFIGURANTEMAITREYA, Himalaya,XVIII/XIXcentury
Maitreya(inTibetanByams-pa)isthebodhisattvawhowillbe theBuddhaofthenextcosmicage.Forathangkawiththesame iconography,seeSotheby’s,Indian,HimalayanandSoutheastAsian Art,March17,2015,NewYork,lotn°1011. Raguratoalcentrodelsuopalazzocelestenelparadisodi Tushita,assisoinpadmasanasuuntronodifiorediloto,lemani indharmachakramudra;ilcorpodicolorrossoingioiellatoeilcapo coronato,allesuespallesustelidifioredilotosboccianounaruota delDharmaeunvasoincuiècontenutoilnettaredilungavita; aancanoilbodhisattvaAtishaeTsongkhapaallasuadestrae sinistra,mentretutt’intornovisonounaschieradidivinitàedilama; conservaanchelasuacoperturaoriginaleinsetaabbellitadadue striscedisetadibroccato.
Notedicatalogo:
Maitreya(intibetanoByams-pa)èilbodhisattavachesaràilBuddha delprossimoevocosmico.Perunthangkaconlastessaiconografia sivedaSotheby’s,Indian,HimalayanandSoutheastAsianArt,17 Marzo2015,NewYork,lotn°1011.
ATHANGKAREPRESENTINGTSONGKHAPA, Himalaya,18th/19thcentury
hcm93xlcm113
Depictedseatedinpadmasanaonadoublelotusthrone,withhandsin darmachakramudra,whilewearingthetypicalpanditahatonthehead;other figuressurroundhim.
THANGKARAFFIGURANTETSONGKHAPA, Himalaya,XVIII/XIXsecolo
Raguratosedutoinpadmasanasudiuntronoadoppiofiorediloto,conle maniindarmachakramudra,mentreindossailcappellotipicodapanditasulla testa;altrefigurelocircondano.
PAINTINGONSILK, China,Qingdynasty(1644-1911)
Withframehcm49,5xlcm35,5
Depictinganelderlymanwithabeardandablackhat.
DIPINTOSUSETA, Cina,dinastiaQing(1644-1911)
Raguranteanzianoconbarbaecappellonero.
清十九世纪初绢本人像画 223 €600/800
PAINTINGONSILK, China,Qingdynasty(1644-1912)
Withframehcm54xlcm45
DIPINTOSUSETA, Cina,dinastiaQing(1644-1911)
Depictingacarriagewithtwoladiescrossingariverpulled byacamel.Thesceneiscompletedwithsixdignitarieson horsebackfollowingthecarriage. Itbearstworedsealsandaninscriptioninthelowerright corner. Ragurantecarrozzaconduedamecheattraversaun fiumetrainatadauncammello.Lascenasicompletacon seidignitariacavallocheseguonolacarrozza. Recaduesigillirossieuniscrizioneinbassoadx.
PAINTINGONSILK, China,Mingdynasty(1368-1644)
DIPINTOSUSETA, Cina,dinastiaMing(1368-1644) Withframehcm67xlcm54,5
Depictingamalefigurewithablackhat.Itbearsto therightaninscriptiononpaper,appliedtothepassepartoutandinscriptionsontheupperleftareglimpsed. Ragurantefiguramaschileconcappellonero.Recaa destraun’iscrizionesucartaapplicataalpasse-partout esiintravedonoiscrizioniinaltoasinistra.
APAINTINGONSILK,China,Qingdynasty,19thcentury
Withframehcm35xlcm240,5
€1.000/1.200
Depictingacourtsceneinagarden,withinscriptionsatthebottomleft.
DIPINTOSUSETA,Cina,dinastiaQing,XIXsecolo
Raguranteunascenadicorteinungiardino,inbassoasinistrarecadelleiscrizioni.
清十九世纪绢本画
APAINTINGONSILK,China,Qingdynasty,19thcentury
Withframehcm33,5xlcm252,5
€800/1.200
Itdepictswomenandchildreninagarden.
DIPINTOSUSETA,Cina,dinastiaQing,XIXsecolo
Raguradonneebambiniinungiardino.
清十九世纪绢本画
228
APAINTINGONSILK,China,Qingdynasty,19thcentury
Withframehcm36xlcm277
€1.500/2.000
Depictingcharactersinagarden.
DIPINTOSUSETA,Cina,dinastiaQing,XIXsecolo
Ragurantepersonaggiinungiardino.
清十九世纪绢本画 226 227
229
APAINTING, China,Qingdynasty(1644-1911)
hcm244xlcm84,5
€2.500/3.500
DIPINTOSUSETA, Cina,dinastiaQing(1644-1911)
Depictingatigerneararock,withinscriptionsabove onpaper. Raguranteunatigrevicinoaunaroccia,inaltoreca iscrizionisucarta. 清（1644-1911）绢本老虎图
THREEPAINTINGONPAPER, China,Qingdynasty(1644-1911)
hcm163xlcm79
€3.500/4.500
TREDIPINTISUCARTA, Cina,dinastiaQing(1644-1911)
DepictingDaoistImmortalsamongtheclouds. RagurantiImmortaliDaoistitralenuvole. 清（1644-1911）绢本神话人物画三幅
231
APAINTINGONPAPER, China,Qingdynasty(1644-1911)
hcm169xlcm79
€2.000/2.500
DepictingaDaoistImmortalwithtwofiguresamongthe clouds.
DIPINTOSUCARTA, Cina,dinastiaQing(1644-1911)
RaguranteunImmortaleDaoistaconduepersonaggitra lenuvole.
清（1644-1911）绢本神话人物画
232
APAINTINGONSILK,China, Qingdynasty,18th/19thcentury
hcm227xlcm77
€2.000/3.000
DepictingtwoDaoistImmortalswithsumptuousblue robesamongtheclouds.
DIPINTOSUSETA, Cina,dinastiaQing,XVIII/XIXsecolo
RagurantedueImmortaliDaoisticonsontuosevestiblu tralenuvole.
清十八/十九世纪绢本道家神像
APAINTINGONSILK, China,Qingdynasty(1644-1911)
Depictingsixcharactersonclouds.
DIPINTOSUSETA, Cina,dinastiaQing(1644-1911)
Raguranteseipersonaggisullenuvole.
Withframehcm115,5xlcm47,5 hcm177xlcm98
APAINTINGONSILK, China,Qingdynasty(1644-1911)
WellpaintedwithDaoistImmortalsontheclouds,andintheupperrightcorner, itbearstheinscription“zhutian”(诸天).
Provenance:-fromthecollectionofProfessorFerdinandoCappelletti.
CatalogueNote:
“Zhutian”means“allthecelestialworlds.”InChinesetraditionandmanyAsian religions,thisconceptisassociatedwiththepantheonofgodsordivinebeings thatinhabitthevariouslevelsofthecosmos.Thesecelestialrealmsorworlds areoftenconceivedasabodesofdeities,spirits,orspiritualbeings,eachwith theirownrolesandresponsibilities.InChinesemythology,itwasbelievedthat thereweredierent“heavens”or“worlds”inhabitedbyvariousgods,suchas theSupremeHeaven(Tian),theAbodeoftheCelestials(YuQing),theAbodeof theBlessed(FuXi),andsoon.Thesedivinerealmswereconsideredasplacesof peace,harmony,andimmortality.
DIPINTOSUSETA, Cina,dinastiaQing(1644-1911)
BendipintoconImmortaliDaoistisullenuvole,inaltoadestrarecainscrizioni zhutian(诸天)
Provenienza:-collezioneProfessorFerdinandoCappelletti.
Notedicatalogo: Zhutiansignifica“tuttiimondicelesti”.Nellatradizionecineseeinmoltereligioni asiatiche,taleconcettoèassociatoalpantheondeglideioagliesseridiviniche abitanoivarilivellidelcosmo.Questicieliomondicelestisonospessoconcepiti comedimoredidivinità,spiriti,oesserispirituali,ciascunoconilproprioruoloe leproprieresponsabilità.Nellamitologiacinese,sicredevachecifosserodiversi “cieli”o“mondi”abitatidavaridei,comeilCieloSupremo(Tian),laDimoradei Celesti(YuQing),laDimoradeiBeati(FuXi),ecosìvia.Questiregnidivinierano consideraticomeluoghidipace,armoniaeimmortalità.
清（1644-1911）绢本设色大威德天画像 清（1644-1911）诸天水陆画
TWOLARGERAREPAINTINGONSILK, China,17th/18thcentury hmaxcm185xlmaxcm91
€7.500/8.500
Magnificentlypaintedonsilkwithpolychromeenamels,theydepictrespectivelyTaoistscenesofmaleImmortals, boys,andadragonamongcurlingandcolorfulclouds,withothercharactersonthegroundconversingandplaying, andmaleandfemaleImmortalsamongtheclouds;bothbearinscriptions.
DUEGRANDIRARIDIPINTISUSETA,
Cina,XVII/XVIIIsecolo
Magnificamentedipintisusetaconsmaltipolicromi,raguranorispettivamentescenetaoistediImmortalimaschi, ragazzieundragonetranuvolearricciateecolorateesullaterraaltripersonaggicheconversanoegiocano,e Immortalimaschiefemminetralenuvole;recanoentrambiiscrizioni.
十七/十八世纪五福十神像和泰山娘娘圣母像水陆画两幅
ANCESTORPORTRAITONSILK, China,Qingdynasty,19thcentury
hcm222xlcm112
Depictingaseatedancestresswearingabluerobe,withawritingdeskand objectsbehindher.
Provenance:-fromthecollectionofProfessorFerdinandoCappelletti,Rome.
DIPINTOSUSETA, Cina,dinastiaQing,XIXsecolo
Raguranteantenatasedutacheindossaunavestebluconallespalleuno scrittoioconoggetti.
Provenienza:-collezioneprivataProfessorFerdinandoCappelletti,Roma.
ANANCESTORPORTRAITONSILK, China,Qingdynasty,19thcentury
hcm226xlcm118
Depictinganancestorseatedatopatigerpeltwearingabluerobe.
Provenance:-fromthecollectionofProfessorFerdinandoCappelletti,Rome.
DIPINTODIANTENATOSUSETA,Cina,dinastia Qing,XIXsecolo
Raguranteantenatosedutosopraunapellicciaditigrecheindossauna vesteblu.
Provenienza:-collezioneprivataProfessorFerdinandoCappelletti,Roma.
238
SEVENPAINTINGSONSILK, China,Qingdynasty,19thcentury
hcm29xlcm35
€500/700
Wellpaintedwithdierenttypesofflowers,allbearinscriptions andmarks.
SETTEDIPINTISUSETA, Cina,dinastiaQing,XIXsecolo
Bendipinticondiversetipologiedifiori,tuttirecanoiscrizioni emarchi.
丝绸画七幅，中国，清朝，十九世纪
239
THIRTEENPAINTINGS, China,19th/20thcentury
hmaxxlmaxcm26x35
€200/300
Onsilkandonpaper,theydepictcharacters,flowers,birds, andboats.
TREDICIDIPINTI, Cina,XIX/XXsecolo
Susetaesucarta,raguranopersonaggi,fiori,uccellie imbarcazioni.
十九世纪/二十世纪通草画，花鸟画等一组13幅
APAINTINGONSILK, China,Qingdynasty(1644-1911)
hcm216xlcm49
Finelypainteddepictingamountainouslandscapewithtreesandastream; inscriptionsarefoundintheupperleftcorner.
DIPINTOSUSETA, Cina,dinastiaQing(1644-1911)
Bendipintoraguranteunpaesaggiomontuosoconalberieuntorrente;inalto asinistrarecaiscrizioni.
清（1644-1911）山水人物图署名“房山高克恭”
APAINTINGONSILK, China,Qingdynasty(1644-1911)
hcm167xlcm77
€3.000/5.000
Depictingaphoenixandacraneonarockamongflowers,inscriptionsandared markarefoundontheleftside.
DIPINTOSUSETA, Cina,dinastiaQing(1644-1911)
Raguranteunafeniceeunagrusuunarocciatraifiori,sullasinistrareca iscrizionieunmarchiorosso.
清（1644-1911）祥禽仙鹤凤凰图
APAINTINGONPAPER,
China,Qingdynasty(1644-1911)
hcm211xlcm63
Depictingthreebirdsinapondamongbranches;ontheright itbearsinscriptions.
DIPINTOSUCARTA, Cina,dinastiaQing(1644-1911)
Ragurantetreuccelliinunostagnotrarami;sulla destrarecaiscrizioni.
清（1644-1911）花鸟设色纸本
PAINTINGONSILK, China,Qingdynasty(1644-1911)
Withframehcm85xlcm61
Depictingalandscapewithpagodasandfigures.
DIPINTOSUSETA, Cina,dinastiaQing(1644-1911)
Ragurantepaesaggioconpagodeepersonaggi.
清（1644-1911）山水人物画
244
APAINTINGONSILK, China,Qingdynasty(1644-1911)
Withframehcm115xlcm75
€500/700
Depictingaduckunderarockandplants;ontheleft side,thereareredmarks.
DIPINTOSUSETA, Cina,dinastiaQing(1644-1911)
Raguranteunanatrasottounarocciaepiante; sullasinistrarecamarchirossi.
清（1644-1911）绢本花石游鹅图
245
APAINTINGONPAPER, China,Qingdynasty(1644-1911)
Withframehcm147,5xlcm49
€150/250
Depictingabirdamongflowers;thereareinscriptions intheupperrightcorner.
DIPINTOSUCARTA, Cina,dinastiaQing(1644-1911)
Raguranteunuccellinotrafiori;inaltoadestrareca iscrizioni.
清（1644-1911）花鸟画署名“采芹”
246
APAINTINGONPAPER, China,19th/20thcentury
Withframehcm135,5xlcm56,5
€150/250
Depictingatigerinalandscape;thereareinscriptions intheupperrightcorner.
DIPINTOSUCARTA, Cina,XIX/XXsecolo
Raguranteunatigreinunpaesaggio;inaltoadestra recaiscrizioni.
虎啸山林图
247
APAINTINGONPAPER, China,Qingdynasty(1644-1911)
htotcm161xlcm53
€1.500/2.500
Depictingamanseatedunderatree;inscriptionsare presentintheupperrightcorner.
DIPINTOSUCARTA, Cina,dinastiaQing(1644-1911)
Raguranteunuomosedutosottoaunalbero;inalto adestrarecaiscrizioni.
清（1644-1911）纸本设色古木禅师署名禹 之鼎（1647年—1716年）清代画家
248
APAINTINGONSILK, China,19th/20thcentury
Withframehcm138xlcm61
€500/700
Depictingtwoducksamonglotusflowers.
DIPINTOSUSETA, Cina,XIX/XXsecolo
Ragurantedueanatretrafioridiloto.
清（1644-1911）绢本花石游鹅图
249
APAINTINGONSILK, China,Qingdynasty(1644-1911)
Withframehcm55xlcm96
€300/500
Finelypainted,itdepictstwoladiesplayinggoinagarden amongtrees,rocks,andflowers,whileawoman,seatedon achairinaroom,gazesoutsidefromacircularwindow;on theleftside,itfeaturesinscriptionsbearingtheapocryphal signatureQiuYing(仇英)andasealmarkinred,shaped likeadoublegourd.
DIPINTOSUSETA, Cina,dinastiaQing(1644-1911)
Finementedipinto,raguraduedamechegiocanoago inungiardinotraalberi,rocceefiori,mentreunadonna, sedutasuunasediainunastanza,guardal’esternodauna finestracircolare;sullasinistrapresentadelleiscrizioni recantilafirmaapocrifaQiuYing(仇英)eunmarchio sigillareinrossoaformadidoppiazucca.
清绢本设色绝代风华美人图仇英款
250
APAINTINGONPAPER, China,Qingdynasty(1644-1911)
Withframehcm137,5xlcm54
€300/500
Depictingamountainlandscape;inscriptionsare foundinthetopleftcorner.
DIPINTOSUCARTA, Cina,dinastiaQing(1644-1911)
Raguranteunpaesaggiomontano;inaltoasinistra reca iscrizioni.
清纸本设色中国山水画
251
APAINTINGONPAPER, China,19th/20thcentury
Withframehcm142xlcm40
€150/250
Depictingthreebirdsamongfloweringbranches;a markislocatedinthebottomrightcorner.
DIPINTOSUCARTA, Cina,XIX/XXsecolo
Ragurantetreuccellinitraramifioriti;inbassoa destrarecaunmarchio.
252
TWOLARGEPAINTINGONSILK, China,Qingdynasty(1644-1911)
Withframehcm183xlcm101,5
€1.000/1.500
Depictingrespectivelycharactersonaboatonariver amidstmountainsandtrees,andamountainous landscapewithapagodainthecenter;inscriptions arelocatedinthetopleftcorner.
DUEGRANDIDIPINTISUSETA,Cina, dinastiaQing(1644-1911)
Ragurantirispettivamentedeipersonaggisu un’imbarcazionesuunfiumetramontagneealberie unpaesaggiomontuosoconalcentrounapagodae inaltoasinistraiscrizioni.
清（1644-1911）绢本设色山水风景画一组两幅
253
TWOPAINTINGONSILK, China,Qingdynasty(1644-1911)
Thebiggerwithframehcm167xlcm60
€300/500
Onedepictingalandscape,theothertwomenundera tree;bothbearinscriptions.
DUEDIPINTISUSETA, Cina,dinastiaQing(1644-1911)
Unoraguranteunpaesaggio,l’altrodueuominisotto unalbero;entrambirecanoiscrizioni.
清（1644-1911）绢本风景人物画两幅
APAINTEDPAPERFAN, China,Qingdynasty,19thcentury
Fan:hcm23xlcm50
€200/300
Wellpaintedwithbirdsamongfloweringbranches, inscriptionontheleft.
VENTAGLIOINCARTADIPINTA, Cina,dinastiaQing,XIXsecolo
Bendipintoconuccellitraramifioriti,asinistrareca delleiscrizioni.
清十九世纪花鸟扇面
PAINTINGONSILK, China,Qingdynasty(1644-1911)
Withframehcm78xlcm49,5
€150/250
Depictingatigerwithacub.Itbearsinscriptionsandared sealintheupperrightcornerandanotherredsealinthe lowerleftcorner.
DIPINTOSUSETA, dinastiaQing(1644-1911)CIna,
清（1644-1911）猛虎图“张雄作”
APAINTINGONSILK, China,Qingdynasty(1644-1911)
Withframehcm132xlcm65,5
€100/200
Depictingalandscapewithinscriptions.
DIPINTOSUSETA, Cina,dinastiaQing(1644-1911)
Ragurantetigreconcucciolo.Recaiscrizioniesigillo rossoinaltoadestraesigillorossoinbassoasinistra. Rappresentanteunpaesaggioconiscrizioni.
清（1644-1911）汪廷儒松荫放鹤图
THREELARGEPAINTINGSONSILK, China,Qingdynasty(1644-1911)
Withframehcm161,5xlcm90
€1.500/2.000
Depictingcharactersandknightsbattlinginvariouslandscapes amongmountains,rocks,andpalaces.
TREGRANDIDIPINTISUSETA, Cina,dinastiaQing(1644-1911)
Raguranopersonaggiecavalierichesidannobattagliaindiversi paesaggitramontagne,rocceepalazzi.
清（1644-1911）纸本设色三国演义故事图一组三幅 257
258
APAINTINGONPAPER, China,late19th/early20thcentury
hcm253xlcm91
€3.000/5.000
DepictingamonkeyamidstrocksandplantsinthestyleofYiYuanji,withtheartist’ssignatureintheinscriptionson theleft;itbearsmanyredseals.
DIPINTOSUCARTA, Cina,fineXIXsecolo/inizioXXsecolo
RaguranteunascimmiatrarocceepiantenellostilediYiYuanji,delqualesitrovaunafirmanelleiscrizionia sinistra;recadiversisigillirossi.
19世纪末/20世纪初灵猴图署名“易元吉” 易元吉（生卒年不详，公元11世纪左右），字庆之，湖南长沙人。北宋时期著名画家。天资颖 异，灵机深敏，尤善画猿猴，被誉为“画猴第一人”。
并因此而闻名天下。古代绘画评论家把獐猿画看成是易元吉的专工独诣，认为是“世俗之所不得 窥其藩”的绝技。
259
AFRESCO, China,Yuandynasty(1279-1368)
hcm120xlcm88
€15.000/20.000
Paintedinpolychromeenamel,itdepictstwofemalefiguresridingadragonpulledbyanosering tiedtoastringbyamalefigure.AccompaniedbyacertificateonEskenaziletterheaddated1987.
Provenance:-EskenaziMilan,1987-ImportantItaliancollection
Cataloguenotes:seetheexamplesoldbySotheby’s,auctionnumberN10113,ImportantChinese Art,11September2019,NewYork,lotno.816.
AFFRESCO, Cina,dinastiaYuan(1279-1368)
Dipintoconsmaltipolicromi,raguraduefigurefemminiliingroppaadundragonetiratoperun anelloalnasolegatoaduncordoncinodaunpersonaggiomaschile.Accompagnatodalcertificatosu cartaintestatadiEskenazidel1987.
Provenienza:-EskenaziMilano,1987-ImportatecollezioneItaliana Notedicatalogo:sivedal’esemplarevendutodaSotheby’s,astanumeroN10113,ImportantChinese Art,11Settembre2019,NewYork,lotn°816.
元（1279-1368）壁画
出处：-埃斯肯纳齐米兰 附有Eskenazi1987年的证书。
260
FIVEALBUMINPAPER,
China,RepublicPeriod(1912-1949)
maxhcm30xlcm21
€300/500
Containingvariousprintswithdierentdepictions andinscriptions.
CINQUEALBUMINCARTA, Cina,RepubblicadiCina(1912-1949)
Contenentidiversestampeconvarieragurazionie iscrizioni.
晚清民国点石斋画报，李明仲营造法氏，石渠餘 紀等图册
261
ACARPET, China,RepublicPeriod(1912-1949)
hcm148xlcm122
€200/400
Bluegroundwithfloralmotifs.
TAPPETO, Cina,RepubblicadiCina(1912-1949)
Afondobluemotivifloreali.
中华民国（1912-1949）蓝地羊毛地毯
262
TWOHUNDREDANDSEVENTEEN SOTHEBY’SCATALOGS
€300/500
DUECENTODICIASSETTECATALOGHI SOTHEBY’S
约217本苏富比拍卖图录
263
TWOHUNDREDANDSIXTY-THREE CHRISTIE’SCATALOGS
€300/500
DUECENTOSESSANTATRECATALOGHI CHRISTIE’S
约263本佳士得拍卖图录
264
THIRTYTWOESKENAZICATALOGS
hcm14,5 hcm20 hcm21,4
€300/500
TRENTADUECATALOGHIESKENAZI
32本ESKENAZI艺术品图录
CIRCAONEHUNDRED ANDFIFTYBOOKS
Dierentthemes,authors,editors.
CIRCACENTOCINQUANTALIBRI,
Diversiautori,temi,caseeditrici.
各种艺术品图册（如图）
CIRCAONEHUNDRED ANDFIFTYBOOKS
hcm10,5
Dierentthemes,authors,editors.
CIRCACENTOCINQUANTALIBRI,
Diversiautori,temi,caseeditrici.
各种艺术品图册（如图）
CIRCATWOHUNDREDAND THIRTYASIANARTBOOKSAND MAGAZINES
hcm18,9
Dierentauthorsandeditors.
CIRCADUECENTOTRENTALIBRIE RIVISTEDIARTEASIATICA, hcm19
Diversiautoriecaseeditrici.
各种艺术品图册（如图）
☼ANIVORYCARVING, China,Qingdynasty,19thcentury
hcm47,5
€300/400
Intheshapeofasagewithalongstainhandandachild hugginghim,afawncrouchesathisfeet.
☼INTAGLIOINAVORIO, Cina,dinastiaQing,XIXsecolo
Aformadisaggioconunlungobastoneinmanoeun bambinocheloabbraccia,uncerbiattosiaccovacciaaisuoi piedi
清十九世纪象牙人物摆件
☼ANIVORYCARVING, China,Qingdynasty,19thcentury
htotcm17,5
€800/1.000
Carvedintheshapeofatrunkwithinscriptionsandtwo qilongclimbingonit,lingzhiatthebase;itrestsona piercedwoodenstand.
☼INTAGLIOINAVORIOELEGNO, Cina,dinastiaQing,XIXsecolo
Intagliatoaformaditroncoconiscrizioniedueqilongche visiarrampicano,aipiedilingzhi;poggiasuunabasein legnoforata.
清朝，十九世纪螭龙诗文象牙花插
☼TWOIVORYFIGURES, China,early20thcentury
hcm20
Depictingtheemperorandempressseatedonthroneswithbackrestsrespectivelycarvedwithadragonandaphoenix;onthe base,theybeartheapocryphalsealmarkofEmperorQianlonginfourcharacterswithinasquareofswastikas.
☼DUEFIGUREINAVORIO, Cina,inizioXXsecolo
Raguranteimperatoreeimperatricesedutisutroniconschienaleintagliatorispettivamentecondragoneeunafenice;sullabase recanoilmarchioapocrifosigillareaquattrocaratteridell’ImperatoreQianlongall’internodiunriquadrodisvastiche.
20世纪初皇帝皇后牙雕
☼ANIVORYCARVING, China,Qingdynasty,19thcentury
hcm18
DepictinglaughingBuddhawithchildrenclimbingonthe body;itrestsonawoodenbase.
☼FIGURAINAVORIO, Cina,dinastiaQing,XIXsecolo
RaguranteBuddachesorrideconbambinichesi arrampicanosulcorpo;poggiasubaseinlegno.
清十九世纪象牙人物摆件
JapaneseArt
☼AWOODANDIVORYFURNITURE, Japan,Meijiperiod(1868-1912)
hcm212xlcm135,5xwcm46,5
€3.000/5.000
Comprisingmanydrawers,secretcompartments,andshelves, itiswellperforated,carved,andadornedwithivoryfeaturing scenesofbirdsandflowers.
☼MOBILEINLEGNOEAVORIO, Giappone,periodoMeiji(1868-1912)
Compostodamolticassetti,segretieripiani,èbenforato,intagliatoeornatoconavorioconscenediuccelliefiori.
☼THREEIVORYNETSUKE, Japan,Meijiperiod(1868-1912)
hmaxcm4,2
€500/700
Depictingcharacters,signedbelow.
☼TRENETSUKEINAVORIO, Giappone,periodoMeiji(1868-1912)
Ragurantipersonaggi,sottofirmati.
273 274
☼THREEIVORYNETSUKE, Japan,Meijiperiod(1868-1912)
hmaxcm4
€500/700
Depictingcharacters,signedbelowone.
☼TRENETSUKEINAVORIO, Giappone,periodoMeiji(1868-1912)
Ragurantipersonaggi,sottounofirmato.
275
☼FIVEIVORYNETSUKE, Japan,Meijiperiod(1868-1912)
hmaxcm5,3
€300/500
Depictingcharacters,threesignedbelow.
☼CINQUENETSUKEINAVORIO, Giappone,periodoMeiji(1868-1912)
Ragurantipersonaggi,sottotrefirmati.
☼ANIVORYNETSUKE, Japan,Meijiperiod(1868-1912)
€550/650
Carvedintheshapeofaman.
☼NETSUKEINAVORIO, Giappone,periodoMeiji(1868-1912)
Intagliatoaformadiuomo.
277
☼ANIVORYNETSUKE, Japan,Meijiperiod(1868-1912)
€550/650
Carvedintheshapeofawiseman.
☼NETSUKEINAVORIO, Giappone,periodoMeiji(1868-1912)
278
Intagliatoaformadisaggio.
☼ANIVORYNETSUKE, Japan,Meijiperiod(1868-1912)
€550/650
Carvedintheshapeofawiseman.
☼NETSUKEINAVORIO, Giappone,periodoMeiji(1868-1912)
279
hcm8 hcm9 hcm7,6 hcm10,5
Diversiautoriecaseeditrici.
☼ANIVORYNETSUKE, Japan,Meijiperiod(1868-1912)
€550/650
Carvedintheshapeofawiseman.
☼NETSUKEINAVORIO, Giappone,periodoMeiji(1868-1912)
Intagliatoaformadisaggio. 276
☼ANIVORYOKIMONO, Japan,Meijiperiod(1868-1912)
€150/250
Carvedlikeageisha.Signed.
☼OKIMONOINAVORIO, Giappone,periodoMeiji(1868-1912)
€400/600
☼ANIVORYOKIMONO, Japan,Meijiperiod(1868-1912)
Intagliatoaformadivecchio;firmatosotto.
Carvedintheshapeofanoldman;signedunderneath.
☼OKIMONOINAVORIO, Giappone,periodoMeiji(1868-1912)
€400/600
Carvedintheshapeofaman;signedunderneath. Scolpitocomeungeisha.Firmato.
☼ANIVORYOKIMONO, Japan,Meijiperiod(1868-1912)
☼OKIMONOINAVORIO, Giappone,periodoMeiji(1868-1912) hcm24 hcm14 hcm13
Scolpitoraguranteunuomo;firmatosotto.
283
☼
ALAQUEREDWOODANDIVORYOKIMONO,
Japan,Meijiperiod(1868-1912)
hcm31,5
€2.000/3.000
InlaidwithShibayamawork,depictingtheGoddessKannonstandingonalotus flower-shapedwoodenbase.Sheholdsascrollinherrighthand;signedonthe backwithinamother-of-pearlinlay.
☼OKIMONOINLEGNOLACCATOEAVORIO, Giappone,periodoMeiji(1868-1912)
ConintarsiShibayamaragurantelaDeaKannoninposizioneerettasoprauna baseinlegnoaformadifiorediloto.Tieneunapergamenanellamanodestra; firmasulretroentrotasselloinmadreperla.
284
☼ASHIBAYAMAIVORYPAPERKNIFE, Japan,Meijiperiod(1868-1912)
lcm42
€500/700
Elegantlycarvedonthehandleintheshapeofbamboowith insects,ontheivorybladethereisafloraldecorationwithbirds andinsectsinlacquerandmother-of-pearl.
☼TAGLIACARTESHIBAYAMAINAVORIO, Giappone,periodoMeiji(1868-1912)
Elegantementescolpitosulmanicoaformadibambùconinsetti, sullalamainavorioèpresenteunadecorazioneflorealecon uccellieinsettiinlaccaemadreperla.
☼ASHIBAYAMAIVORYDISH, Japan,Meijiperiod(1868-1912)
dcm30
285 €500/700
Consistsofsixpanelsfinelydecoratedwithhardstonesdepictingancientobjects,flowers,andbirds, alternatedwithsixfinelycarvedpanelsdepictingmythologicalanimalsamongtheclouds;inthecenteris amedallioninwhichtwocranesandaduckareinlaidinalakesidelandscapeamongleavesandflowers.
☼PIATTOSHIBAYAMAINAVORIO, Giappone,periodoMeiji(1868-1912)
Compostodaseipannellifinementedecoraticonpietredureragurantioggettiantichi,fiorieuccelli, alternatiaseipannellifinementeintagliatiragurantianimalimitologicitralenuvole;alcentrositrovaun medaglioneincuisonointarsiateduegrueun’anatrainunpaesaggiolacustretrafoglieefiori.
286
☼ALAQUEREDWOODTRAY, Japan,Meijiperiod(1868-1912)
lcm54,5xwcm38
€3.500/4.500
AlacqueredwoodtraywithShibayamainlaytechniqueinivoryand polychromemother-of-pearldepictinganoutdoorscenewithfive Rakan.Nashijionthereverseside.
☼VASSOIOINLEGNOLACCATOEAVORIO, Giappone,periodoMeiji(1868-1912)
VassoioinlegnolaccatoconintarsinellatecnicaShibayamain avorioemadreperlapolicromaraguranteunascenaall’aperto concinqueRakan.Retroinnashiji.
ABLACKLACQUERJUBAKO,
Japan,Edoperiod,ca.1700
hcm22xlcm27xwcm22
€5.000/7.000
Rectangularinshape,slightlycurved,withcrests interspersedwithkarakusamotifs.Theinterior featuresriche-nashijiandmura-nashiji,withthelower compartmentequippedwithtwoloosemetalringsto accommodateorangesilkcordswithtassels.
Provenance: -Bowlescollection(accordingtothenoteinside). -CollectionofProfessorFerdinandoCappelletti,Rome.
CatalogNotes:
DisplayedattheExpositionUniverselle,Paris,1867,as indicatedbylabelno.1353insidethefrontplate.
JUBAKOINLACCANERA, Giappone,periodoEdo,1700ca.
Diformarettangolare,leggermentebombata,con monintervallatidamotivikarakusa.L’internodeiricchi e-nashijiemura-nashijiconlacassainferioredotatadi dueanellidimetalloscioltiperaccogliereicordonidi setaarancioneconnappe.
Provenienza: -collezioneBowles(secondoilbigliettoall’interno). -collezioneProfessorFerdinandoCappelletti,Roma.
Notedicatalogo:
Espostopressol’ExpositionUniverselle,Parigi,1867, comeindicatodall’etichettan.1353,all’internodelpiatto anteriore.
Japan,Meijiperiod(1868-1912) hcm6xlcm23xwcm26
Depictingtwosagesatthefootofabambooplantonthelid, theinteriorfinelydecoratedwithalandscape;itcontains theinkstoneandacylindrical-shapedbronzepaperweight finelydepictingalion;itcomeswithhiswoodenbox(cm 10x27,5x30,5).
Provenance:-fromthecollectionofProfessorFerdinando Cappelletti,Rome.
AMAKILACQUERSUZURIBAKO,
SUZURIBAKOINLACCAMAKI,
Giappone,periodoMeiji(1868-1912)
Raguranteduesaggiaipiedidiunapiantadibambù sulcoperchio,all’internoèfinementedecoratoconun paesaggio;contienelapietradainchiostroeunferma carteinbronzodiformacilindricaincuièbenragurato unleone;ècontenutonellasuascatoladilegno(cm10x 27,5x30,5).
Provenienza:-dallacollezionedelProfessorFerdinando Cappelletti,Roma.
AGILTANDLACQUEREDWOODENCOACH, Japan,Meijiperiod(1868-1912)
hcm32xlcm51,5
€200/300
Withitsslopingroof,simulatingtheroofofpagodas,adornedwithmetal applications.
CARROZZAINLEGNOLACCATODORATO, Giappone,periodoMeiji(1868-1912)
Coniltettospiovente,asimulareiltettodellepagode,conapplicazioniinmetallo.
ASUZURIBAKOLACQUEREDBOX, Japan,Meijiperiod(1868-1912)
hcm4,5xlcm20,5xwcm23,5
€500/700
Nicelydecoratedontheoutsidewithninecranesbyariverunderatree;inside withtwoturtles.
SCATOLADISUZURIBAKOINLACCA, Giappone,periodoMeiji(1868-1912)
Bendecorataall’esternoconnovegruinrivaaunfiumesottoaunalbero; all’internoconduetartarughe.
ALACQUERDBOX, Japan,Meijiperiod(1868-1912)
Nicelydecoratedwithasnailclimbingonadoublegourd; signedwithtwocharacters.
SCATOLAINLACCA, Giappone,periodoMeiji(1868-1912)
Bendecorataconunalumacachesalesuunadoppiazucca; firmataconduecaratteri.
ALACQUERGILTBOX, Japan,Meijiperiod(1868-1912)
hcm5,5xlcm1012,2xpcm10 dcm14,5
Circularinsection,itisnicelydecoratedwithgrapevines, grapes,andleaves,featuringtwofamilymon.
SCATOLAINLACCADORATA, Giappone,periodoMeiji(1868-1912)
Disezionecircolare,èbendecoratacontralcidiviteconuva efoglie,presentaduemondellafamigliadiappartenenza.
ABLACKLACQUEREDTEABOX, Japan,Meijiperiod(1868-1912)
hcm7
Decoratedwithfloralmotifs.
Provenance:-fromthecollectionofProfessorFerdinando Cappelletti,Rome.
SCATOLADATÉINLACCANERA, Giappone,periodoMeiji(1868-1912)
Decorataconmotivifloreali.
Provenienza:-collezioneProfessorFerdinandoCappelletti, Roma.
294
AWOODENNETSUKE, Japan,Meijiperiod(1868-1912)
hcm5
€650/850
295
AWOODENOKIMONO, Japan,Meijiperiod(1868-1912)
lcm58,5
€3.000/5.000
NETSUKEINLEGNO, Giappone,periodoMeiji(1868-1912)
Carvedwithturtles. Scolpitocontartarughe.
DepictingthefullyarticulateddragonRyu,bothin itsserpentinebody,intricatewithscalesanddorsal spines,andinitslimbs;movablejawandtongue.
OKIMONOINLEGNO, Giappone,periodoMeiji(1868-1912)
RagurantedragoRyucompletamentearticolatosia nelcorposerpentiforme,intricatoconscaglieespine dorsali,sianegliarti;mandibolaelinguamobili.
296
APAIROFCLOISONNÉSILVERVASES,
Japan,Meijiperiod(1868-1912)
hcm15xdcm8
€700/900
Craftedinsilverwireandpolychromeenamelsonamidnightblue background,depictingnaturalisticsceneswithnightingalesinflight amongbambooplants;onthefootrimitbearsthesilverseal.
COPPIADIVASICLOISONNÉEARGENTO,
Giappone,periodoMeiji(1868-1912)
Lavoratiinfilod’argentoesmaltipolicromisufondoblunotte, ragurantiscenenaturalisticheconusignoliinvolotrapiantedi bambù;sulpiederecailpunzonesilver.
297
ACLOISONNÉSILVERVASE, Japan,Meijiperiod(1868-1912)
hcm31xdcm34
€800/1.200
Craftedinsilverwireandpolychromeenamelsonablack background,depictingflyingbutterfliesandontheneckscrolling flowers,nearthefootstylizedpetals;onthefootrimitbearsthe silverseal.
VASOINARGENTOECLOISONNÉ, Giappone,periodoMeiji(1868-1912)
Lavoratoinfilod’argentoesmaltipolicromisufondonero,ragura farfallechevolanoesulcolloscrolldifiori,vicinoalpiedepetali stilizzati;sulpiederecailpunzonesilver.
298
ABRONZESCULPTURE, Japan,Meijiperiod(1868-1912)
hcm28xlcm40,5
€3.000/5.000
DepictingawingeddragonRyuinbronzeonarock withgildedparts.
SCULTURAINBRONZO, Giappone,periodoMeiji(1868-1912)
RaguranteundragoRyualatoinbronzosuuna rocciaconpartidorate.
APATINATEDBRONZEOKIMONO, Japan,Meijiperiod(1868-1912)
hcm43
AdarkpatinadepictingaManchurianCranewithgoldeneyes onawoodenbasecarvedwithfloralmotifs.
OKIMONOINBRONZOPATINATO, Giappone,periodoMeiji(1868-1912)
ApatinascuraraguranteunaGrudellaManciuriaconocchi doratisuunabaseinlegnoscolpitaamotivifloreali.
ALARGEBRONZEOKIMONO, Japan,20thcentury
lcm42
€400/600
Depictingashishirestingwithitstwofrontpawsona largesphere,piercedwithfloralmotifs.
GRANDEOKIMONOINBRONZO, Giappone,XXsecolo
Raguranteunoshishiappoggiatoconleduezampe anteriorisuunagrossasfera,traforataamotivifloreali.
ABRONZEOKIMONO, Japan,Meijiperiod(1868-1912)
hcm11,5xlcm21
€600/800
Depictingarhinocerosbattlingtwotigers;onthe rhinoceros’sbellybearsasquaremark.
OKIMONOINBRONZO, Giappone,periodoMeiji(1868-1912)
Raguranteunrinocerontechelottacontroduetigri; sullapanciadelrinoceronterecaunmarchioquadrato. 300 301
ABRONZEFIGUREOFBUDDHA, Japan,Meijiperiod(1868-1912)
302 €1.000/1.500
Depictedinalotuspositionwithhandsclasped,seatedona lotus-shapedbaseequallywideanddeep,withamandorla decoratedwithcloudmotifsbehind.
FIGURADIBUDDAINBRONZO, Giappone,periodoMeiji(1868-1912) hcm33
Raguratonellaposizionedellotoconlemanigiunte,è sedutosuunabaseaformadifiordilotoaltrettantoampia eprofondacondietrounamandorladecorataconmotividi nuvole.
303
ASILVERVASE, Japan,Meijiperiod(1868-1912)
hmaxcm27
€300/500
Decoratedwithenamelsandstones,dragon-shaped handles;signedonthebase.
VASOINARGENTO, Giappone,periodoMeiji(1868-1912)
Decoratoconsmaltiepietre,anseaformadidraghi; firmatosullabase.
Octagonal-shapedfinelyembossedwithIrisflowersandleavesona hammeredbackground.Smoothinterior;markunderthebase.Weight g2423. Raguratonellaposizionedellotoconlemanigiunte,èsedutosuuna baseaformadifiordilotoaltrettantoampiaeprofondacondietrouna
305
ACERAMICSATSUMA INCENSEBURNER, Japan,Meijiperiod(1868-1912)
hcm27,5
€500/700
ShapedlikeaBonshodepictingsagesengrossedinreading ancienttexts;topgripintheformoftwodragonheads holdingthesacredBuddhistjewel;signedonthebase.
INCENSIEREINCERAMICASATSUMA, Giappone,periodoMeiji(1868-1912)
AformadiBonshoragurantesaggiintentinellalettura diantichitesti;presasuperioreaformadiduetestedi draghichesorreggonoilsacrogioiellobuddista;firmato sullabase.
306
ALARGECERAMICSATSUMA BOWLSIGNEDKINKOZAN, Japan,Meijiperiod(1868-1912)
€2.500/3.500
Adornedwithmillefioridecorationinpolychromeenamels andgoldleaftoenhanceeachindividualflower;fully decoratedintheroundontheouterandinnersides; signedKinkozan.
GRANDECIOTOLAINCERAMICA SATSUMAFIRMATAKINKOZAN, Giappone,periodoMeiji(1868-1912) dcm25,5
Condecoromillefioriinsmaltipolicromiedorozecchinoad esaltareognisingolofiore;decoropienoatuttotondosul latoesternoedinterno;firmataKinkozan.
307
ARARECERAMICSATSUMAVASE, Japan,Meijiperiod(1868-1912)
hcm24,5
€2.500/3.500
Enamelledandgilded,decoratedwithpolychromecarps swimminginalake;signedKinkozanunderthebase.
RAROVASOINCERAMICASATSUMA FIRMATOKINKOZAN, Giappone,periodoMeiji(1868-1912)
Smaltatoedorato,decoratoconcarpepolicromeche nuotanoinunlago;firmatoKinkozansottolabase.
308
ACERAMICSATSUMAVASE, Japan,Meijiperiod(1868-1912)
€400/600
VASOINCERAMICASATSUMA, Giappone,periodoMeiji(1868-1912)
309
TWOCERAMICSATSUMAVASES, Japan,Meijiperiod(1868-1912)
€200/300
Decoratedoncobaltbluebackgroundenrichedwith polychromeenamelsandgildingdepictingscenesofdaily life;signed. Atrumpet-shapedvasedecoratedwithindoublereserves onabluebackgrounddepictingoutdoorscenesofdailylife andacircular-shapedvasedepictingsagesandgeishas; signed.
Decoratosufondoblucobaltoarricchitodasmalti policromiedoratureragurantescenedivitaquotidiana; firmato.
DUECERAMICHESATSUMA, Giappone,periodoMeiji(1868-1912) hcm30 hmaxcm36,5
Unvasoaformaditrombadecoratoentrodoppiariserva sufondobluragurantescenedivitaquotidianaall’aperto eunvasodiformacircolareragurantesaggiegeishe; firmati.
310
ACERAMICSATSUMADISH, Japan,19th/20thcentury
€200/300
PIATTOINCERAMICASATSUMA, Giappone,XIX/XXsecolo dcm31,5
Depictingtwowarriorsinalandscape;onthebase,itbears amark. Ragurantedueguerrieriinunpaesaggio;sullabasereca unmarchio.
AIMARIPORCELAINVASE, Japan,Meijiperiod(1868-1912)
Lobedinshapeanddecoratedwithinadoublereserve,thedecoration depictsasceneofdailylifewithchildrenplayingoutdoors;thereliefhandles areshapedlikebutterflies.SignedFukagawaonthebottom.
VASOINPORCELLANAIMARI, Giappone,periodoMeiji(1868-1912)
Diformalobataedecoratoentrodoppiariserva,ladecorazionemostrauna scenadivitaquotidianaconalcunibambinichegiocanoall’aperto;ansea rilievoaformadifarfalla.FirmatosulfondoFukagawa.
ALARGEPORCELAINIMARIVESSEL, Japan,Meijiperiod(1868-1912)
Decoratedwithtworeservesfeaturingcharactersinagarden,against abackgroundpaintedwithfloralmotifs;onthesides,twolion-shaped handles.
GRANDEVASOINPORCELLANAIMARI, Giappone,periodoMeiji(1868-1912)
Bendecoratocondueriserveconpersonaggiinungiardino,sullosfondo dipintoconmotivifloreali;ailatidueanseaformadileoni.
ANIMARIPORCELAINBARBERBOWL, Japan,Edoperiod,18thcentury
dcm27,8
Decoratedinthecentrewithavasecontainingaplantandroses,onthe borderwheretherearetwoholesitispaintedwithdierenttypesofflowers; onthebackoftheborderitisdecoratedwithfloweringbranches.
CIOTOLADABARBIEREINPORCELLANAIMARI, Giappone,periodoEdo,XVIIIsecolo hcm37,5 hcm20,5xlcm43,5xpcm26
Decorataalcentroconunvasocontenenteunapiantaedellerose,sul bordoincuisonopresentidueforièdipintacondiversitipidifiori;sulretro delbordoèdecorataconramifioriti.
314
ATONKOTSU, Japan,Edoperiod,19thcentury
lcm22,4
Completewithapipeholder(kiseru)andatobacco pouchmadeofwood.
TONKOTSU, Giappone,periodoEdo,XIXsecolo
Completodiportapipa(kiseru)eportatabaccoinlegno.
315 €450/550
ATONKOTSU, Japan,Edoperiod,19thcentury
lcm21,5
€450/550
Completewithapipeholder(kiseru)madeofwood andatobaccopouchmadeofleather;signed.
TONKOTSU, Giappone,periodoEdo,XIXsecolo
Completodiportapipa(kiseru)inlegnoeporta tabaccoincuoio;firmato.
ANOHTEATREWOODENMASK, Japan,Meijiperiod(1868-1912)
hcm21
€250/350
RepresentingOkame.
MASCHERAIN
LEGNOLACCATODELTEATRONOH, Giappone,periodoMeiji(1868-1912)
RaguranteOkame.
316 317
ANOHTEATRE
PAINTEDWOODMASK, Japan,Meijiperiod(1868-1912)
hcm20,5
€200/300
RepresentingKoOmote
MASCHERAINLEGNO
DIPINTODELTEATRONOH, Giappone,periodoMeiji(1868-1912)
RaguranteKoOmote.
318
ANOHTEATREWOODEN PAINTEDMASK, Japan,20thcentury
€250/350
MASCHERAINLEGNODIPINTO DELTEATRONOH, Giappone,XXsecolo
319
ANOHTEATRE PAINTEDWOODMASK, Japan,20thcentury
hcm19 RepresentingTengu.
€250/350
RepresentingOkina.
MASCHERAINLEGNODIPINTO DELTEATRONOH, Giappone,XXsecolo lcm28
Completodiportapipa(kiseru)eportatabaccoinlegno. RaguranteTengu.
RaguranteOkina.
320
ASILKEMBROIDERY, Japan,Meijiperiod(1868-1912)
Withframehcm185xlcm145
€700/900
Wellembroideredwithbirdsamongchrysanthemums, peonies,lilies,andotherflowers.
GRANDERICAMOSUSETA, Giappone,periodoMeiji(1868-1912)
Benricamatoconuccellitracrisantemi,peonie,gigli ealtrifiori.
321
ASILKEMBROIDERY, Japan,Meijiperiod(1868-1912)
Withframehcm50,5xlcm50,5
€200/250
Depictingtworoostersandahenamongbamboo stalks.
RICAMOSUSETA, Giappone,periodoMeiji(1868-1912)
Raguranteduegallieunagallinatracannedibambù.
322
ASCREENONPAPER, Japan,Edoperiod,19thcentury
€1.500/2.500
Asix-panelfoldingscreenpaintedonpaperwithalight backgroundinanevocativemonochromeblackand goldpowder,depictingatraditionalJapanesehouse andfiguresbytheedgeofariversurroundedbyhills. Signed.
PARAVENTOSUCARTA, Giappone,periodoEdo,XIXsecolo hcm171xlcm377xwcm2
Pieghevoleaseipannellidipintisucartasufondo chiaroinunsuggestivomonocromoneroepolvere d’oro,raguranteunacasatradizionalegiapponesee personaggiaibordidiunfiumecircondatodacolline. Firmato.
ALACQUERIRONANDSILKARMOR, Japan,20thcentury
hcm157
€2.500/3.500
Completeinallitselementswithkabuto,mempo,anddo.Boththe woodencontainerandthecentralpartofthearmorbearthemon, indicatingthefamilytowhichitbelonged.
ARMATURAINLACCAFERROESETA, Giappone,XXsecolo
Completaintuttiisuoielementiconkabuto,mempoedo.Sianel contenitoreinlegnochenellapartecentraledell’armaturac’èil monchefariferimentoallafamigliaacuiapparteneva.
IndianandSouthEastAsianArt
IslamicArt
ASILVERBOX, SouthEastAsia,19th/20thcentury
hcm12xdcm18,5
€700/900
Decoratedinreliefwithtenpanelsandacentralmedallion ontheliddepictinganimals,flowers,andplants.Weight:878 grams.
SCATOLAINARGENTO, SudEstAsiatico,XIX/XXsecolo
Decorataasbalzocondiecipannelliesulcoperchioun medaglionecentraleragurantianimali,fioriepiante.Pesog 878.
SETOFFOURSILVERBOXES, SouthEastAsia,19th/20thcentury
€250/350
Decoratedinreliefandpiercedwithdragonandbirds.Total weight:313grams.
SETDIQUATTROSCATOLEINARGENTO, SudEstAsiatico,XIX/XXsecolo
Decorateasbalzoetraforatecondragoeuccelli.Pesototg 313.
326
SILVERBOWLANDBUCKLE, Burma,19th/20thcentury
Thebiggerhcm6xdcm9 hcupcm9,5xlcupcm18
€550/650
Thebowlfeaturestwohandlesdepictingdragons.Thebody ofthebowlischiseledandembossedwithdecorationsof charactersandleaves.Thebuckleischiseledandembossed, depictingthreedancingfemalefigures.Weight:309g.
COPPAEFIBBIAINARGENTO, Birmania,XIX/XXsecolo
Decorataalcentroconunvasocontenenteunapiantaedelle rose,sulbordoincuisonopresentidueforièdipintacondiversi tipidifiori;sulretrodelbordoèdecorataconramifioriti.
BOXWITHSILVERBASE, Burma,19th/20thcentury
SCATOLACONBASEINARGENTO, Birmania,XIX/XXsecolo hmaxcm43
Cesellataesbalzata,ragurapersonaggiemotivi floreali;labasesireggesucinquepiediaformadi zampe,ilmanicodelcoperchioèaformadifigura femminileconinmanounafoglia;sonopresentii punzonidell’argento.Pesototg2280. 327 €3.500/4.500
Chiseledandembossed,itdepictscharactersandfloral motifs;thebaseissupportedbyfivefeetshapedlike paws,thehandleofthelidisintheformofafemale figureholdingaleaf;silverhallmarksarepresent.Total weight:2280grams.
328
SIXTEENSILVERBRACELETS, SouthEastAsia,20thcentury
dmaxcm11
€800/1.200
Totalweight:1390grams
SEDICIBRACCIALIINARGENTO, SudEstAsiatico,XXsecolo
Pesototg1390
329
TWOSILVERBOXES, Burma,19th/20thcentury
hmaxcm11xlmaxcm10,5
€350/550
Embossedandchiselledwithcharacters.Weight581g.
DUESCATOLEINARGENTO, Birmania,XIX/XXsecolo
Sbalzateecesellateconpersonaggi.Pesog581.
PAIROFSMALLSILVERVASES, Iran,19th/20thcentury
hcm13,5
€500/600
Nicelydecoratedwithasnailclimbingonadoublegourd; signedwithtwocharacters.
COPPIADIPICCOLIVASIINARGENTO, Iran,XIX/XXsecolo
Inargentosbalzatoecesellato.Decoraticonuccelliefiori. Presentiipunzonidell’argento.Pesog656.
SETOFTHREESILVERVASES, Iran,19th/20thcentury
hmaxcm10
€350/450
Decoratedinreliefandengravedwithbirdsandflowers.Total weight:444grams.
SETDITREVASIINARGENTO, Iran,XIX/XXsecolo
Decoratiasbalzoecesellaticonuccelliefiori.Pesototg444.
TWOSILVERBOXES, Iran,19th/20thcentury
hmaxcm3,5xlmaxcm18,5
€600/800
Decoratedinreliefandengraveddepictingfigures,animals, andleaves.Totalweight:948grams.
DUESCATOLEINARGENTO, Iran,XIX/XXsecolo
Decorateasbalzoecesellateragurantipersonaggi,animalie foglie.Pesototg948. 330 331
333
APAINTINGONPAPER, Korea,19thcentury
hcm237xlcm111
€2.500/3.500
Depictingacrouchingtiger.
DIPINTOSUCARTA, Corea,XIXsecolo
Provenance:-fromthecollectionofProfessorFerdinandoCappelletti,Rome. Raguranteunatigreaccovacciata.
Provenienza:-collezioneProfessorFerdinandoCappelletti,Roma.
ALARGEWOODENFIGUREOFQUANAM, Vietnam,19th/20thcentury
€1.500/2.500
GRANDEFIGURADIQUANAMINLEGNOLACCATO, Vietnam,XIX/XXsecolo hcm71
Depictedwithabeautifulroundface,asweetandsereneexpression,andeyesclosedin meditation,shehaslongearlobesandasumptuoustiara.Shehastwelvearms:twoina prayergesture,tworestingonherlap,andtheothersholdingvariousritualattributes.
Catalognotes: SeetheoneintheMuseumofGrenoble,accessionnumberMG2010-0-1. Ragurataconununbelvisorotondoconl’espressionedolceeserenaegliocchichiusi assortiinmeditazione,lunghilobieunasontuosatiara;hadodicibraccia:duenelgesto dellapreghiera,dueposatesulgremboelealtrechereggonoivariattributirituali.
Notedicatalogo: Sivedal’esemplarealMuseodiGrenoble,numerodiinventarioMG2010-0-1.
335
ALARGEBRONZEFIGUREOFBUDDHA, Thailand,19th/20thcentury
hcm105
€800/1.200
Standingonadoublelotuspedestal,hewearsthetypicalmonk’sattire consistingofarobecoveringthebodyandashawlleavingoneshoulder exposed.
GRANDEFIGURADIBUDDAINBRONZO, Tailandia,XIX/XXsecolo
Raguranteinpiedisuunabaseadoppiofiorediloto,indossailtipico abitodamonacocompostodaunavestechecopreilcorpoedauno sciallechelasciascopertaunaspalla.
ABRONZEFIGURE, Thailand,19thcentury
336 €400/600
FIGURAINBRONZO, Tailandia,XIXsecolo hcm50
RepresentingseatedBuddha. RaguranteunBuddainposizioneseduta.
337
ABRONZEFIGURE, Thailand,19thcentury
htotcm100
€2.000/2.500
DepictingaBuddhainanuprightpositionwithhands stretchedforward.
FIGURAINBRONZO, Tailandia,XIXsecolo
RaguranteunBuddhainposizioneerettaconlemani proteseinavanti.
ABRONZEHEAD,
Thailand,19thcentury
hcm29
€400/600
RepresentingBuddha.
TESTAINBRONZO, Tailandia,XIXsecolo
RaguranteBuddha.
339
TWOLARGEWOODENFIGURES,
India,TamilNadu,20thcentury
hcm183
€500/600
Underneathalargemaskofaprotectivemythological animal,thetworeliefs,carvedfromasinglesolidwood slab,depicttwofemaledeities:Thefirst,richlydressedand particularlygraceful,caressesherlongbraidedhair,while thesecond,likelyKali,hassixarmsandpiercesademon withherlongtrident.
COPPIADIGRANDIFIGUREINLEGNO,
India,TamilNadu,XXsecolo
Sottounagrandemascheradiunprotettivoanimale mitologicoiduerilievi,scolpitidaun’unicalastradilegno massello,rappresentanoduedivinitàfemminili:Laprima riccamentevestitaeparticolarmenteaggraziata,accarezza lalungatrecciadicapelli,laseconda,probabilmente Kali,haseibracciaetrafiggeundemoneconilsuolungo tridente. 338
☼ARAREWOODANDIVORYPARADESTICK, India,19thcentury
€1.500/2.500
☼RAROBASTONEDAPARATAINLEGNOEAVORIO, India,XIXsecolo hcm53
Inastylizedformofaforksupportedbytwobeautifullycarvedfull-roundlions, thetwoendsterminatewithanelephanthead;itiscoveredwithivorysheetsin a”snakeskin”pattern.
CatalogNotes:ThisstalikelyservedtosupportthearmoftheMaharajaduring audiencesoraparade,anditsuseemphasizedthesolemnityoftheceremony. Aformastilizzatadiunaforcellasostenutadaduebellissimileoniscolpitiatutto tondo,Halaformastilizzatadiunaforcellasostenutadaduebellissimileoni scolpitiatuttotondo,ledueestremitàterminanoconunatestadielefante;è rivestitoconlamined’avorioa“pellediserpente”.
Notedicatalogo:Probabilmentequestobastoneservivaasostenereilbraccio delMaharajaduranteleudienzeounaparata,graziealsuousoilgesto enfatizzavalasolennitàdellacerimonia.
ABRONZEMUKHALINGA, India,Maharashtra,19thcentury
hcm22
HeadofShivainthetypicalstyleofCentralIndia:withlarge, protrudingeyes,thethirdeyeontheforehead,andasmall shivalinga,thephallicemblemofthegod,ontheneck.
Literature:”Mukhalinga,theCountenanceoftheHeroGod,” ArtsofAsia,1984.
MUKHALINGAINBRONZO, India,Maharashtra,XIXsecolo
TestadiShivanellostiletipicodell’Indiacentrale:occhienormi esporgenti,ilterzoocchiosullafronteesulcollounpiccolo shivalinga,emblemafallicodeldio.
Letteratura:“Mukhalinga,theCountenanceoftheHeroGod”, ArtsofAsia,1984.
ABRONZEMUKHALINGA, India,Maharashtra,19thcentury
hcm16
€400/600
Well-craftedandrefinedindetail,withlarge,intenseeyes,the figurewearsacrownofcobraheads,oneofShiva’ssymbols,with ashivalingaatthecenter.Thisalsosymbolizestheunionofthe phallus/lingawiththefemalesex/yoni,anotherrepresentation ofthegod.
MUKHALINGAINBRONZO, India,Maharashtra,XIXsecolo
Benmodellato,ranatoneiparticolari,congrandiocchidallo sguardointenso,sulcapoportaunacoronaditestedicobra, unodeisimbolidiShiva,conalcentrounoshivalinga,anche questosimbolodeldiocheunisceilfallo/lingaconilsesso femminile/yoni.
ABRONZEMUKHALINGA, India,Maharashtra,19thcentury
hcm17,5
€400/600
Thefaceismartial,well-sculpted,withlargecobra-shaped earrings.ThefigurewearsthetypicalheaddressoftheMaharata warriors.Atthecenterofthecrownisthesymbolofthesun, withthemoonsymbolbeneathit.Thebeardframestheface, andwell-groomedmustachesstandoutonthelips.
Literature:”IlvoltodiShiva,”FMR1983.
MUKHALINGAINBRONZO, India,Maharashtra,XIXsecolo
Ilvoltoèmarziale,benmodellato,congrandiorecchiniaforma dicobra.IndossailtipicocopricapodeiguerrieriMaharata.Al centrodellacoronasivedeilsimbolodelsoleesottoquello dellaluna.Labarbaincorniciailvisoesullelabbraspiccanoi babenpettinati.
Letteratura:“IlvoltodiShiva”,FMR1983.
ABRONZEMUKHALINGA, India,Maharashtra,19thcentury
hcm12
€200/300
HeadofShivawitharoundedshapeflaringatthebase, designedtobeplacedonastonelinga(phallus),asymbolof thegod.Itfeatureslargeearringsandapendant-container aroundtheneckwithasmalllingainside,whichwasworn byShivadevoteesfromthisregion.
Literature:“Mukhalinga,theCountenanceoftheHeroGod,”ArtsofAsia,1984.
MUKHALINGAINBRONZO, India,Maharashtra,XIXsecolo
TestadiShivadiformarotondeggianteesvasataallabase, alloscopodipoterlainseriresuunlinga(fallo)dipietra, simbolodeldio.Portagrandiorecchiniealcollohaun pendente-contenitoreconunpiccololingaall’interno,che venivaportatodaidevotidiShivadiquestaregione.
Letteratura:“Mukhalinga,theCountenanceoftheHeroGod”,ArtsofAsia,1984.
TWOMETALHEADS, India,20thcentury
hcm16
€200/300
Afemalehead,probablythelidofabox,andtheheadof aterrifyingdeitywithanopenmouth.
DUETESTEINMETALLO, India,XXsecolo
Unatestafemminile,probabilmenteilcoperchiodiuna scatola,elatestadiunadivinitàterrificaconlabocca spalancata.
ABRONZEFIGURE, India,19th/20thcentury
hcm18
€100/150
Depictingastandingfemalefigure.
FIGURUAINBRONZO,India, XIX/XXsecolo
Raguranteunafigurafemminileinpiedi.
SEVENBRONZEFIGURE, India,19thcentury
hcm13
€500/700
Thelotincludestwo“BabyKrishna”figures,astandingGanesh,a statuetteofVishnuwithfourarms,thegoddessParvatiwithfourarms, afemalefigure,andastandingdeitywithfourarms,probablyVishnu.
SETTEFIGUREINBRONZO, India,XIXsecolo
Illottocomprendedue“BabyKrishna”,unGaneshstante,una statuinadiVishnuconquattrobraccia,ladeaParvaticonquattro braccia,unafigurafemminileeunadivinitàerettaconquattrobraccia, probabilmenteVishnu.
FOURBRONZEFIGURES, India,19thcentury
hmaxcm19
€400/600
AbeautifulstatueofNandi,asmallaltarwiththebullNandipositionedin frontofaShivalingaprotectedbyacobraand,inthebackground,an“arch ofhonor”(prabha),asmallhorsetramplingtwoanimals,andfinally,aritual oillampconsistingofanelephantholdingtheburnerandafemalebust carryingtheoilcontainer.
QUATTROFIGUREINBRONZO, India,XIXsecolo
UnabellastatuadiNandi,unpiccoloaltareconiltoroNandipostodifronte aunoshivalingaprotettodauncobraesulfondouna“portadell’onore” (prabha),uncavallinochecalpestadueanimalieinfineunalampadarituale adoliocompostadaunelefantechereggeilfornelloeunbustofemminile cheportailcontenitoreperl’olio.
FIVEBRONZEFIGURES, India,19thcentury
hmaxcm23
€500/700
ThelotincludesasmallheadofShivaprotectedbyacobrahood,Lakshmias alampsupport,asmalltemplewithadeityinthecenter,abeautifulstatue ofVishnuwithfourarms,andanerectmaledeity.
CINQUEFIGUREINBRONZO, India,XIXsecolo
IllottocomprendeunapiccolatestadiShivaprotettadalcappucciodiun cobra,Lakshmicomesupportodiunalampada,untempiettoconuna divinitàalcentro,unabellastatuadiVishnuconquattrobracciaeuna divinitàmaschileeretta.
ABRONZERANDSILVERJAINALTAR, India,Gujarat,16thcentury
hcm15
Inthelotusposition,onanaltarsupportedbytwomythologicalanimals,stands oneofthe24mastersofJainism(tirthankara).Athisside,therearefourother tirthankaras,twoseatedandtwostanding.Thefiguresarepiercedinmetalto enhancetheirthree-dimensionalityandenrichedwiththeinsertionofprecious silverfoils.Ontheback,ritualformulasandtheyearwhenthealtarwasoered tothetempleareengraved.
ALTAREJAININBRONZOEARGENTO, India,Gujarat,XVIsecolo
Inposizionedelloto,suunaltaresostenutodadueanimalimitologici,c’èuno dei24maestridelJainismo(tirthankara).Alsuofiancosonopostialtriquattro tirthankara,duesedutiedueeretti.Lefiguresonotraforatenelmetalloper accentuarnelatridimensionalitàearricchiteconl’inserimentodipreziose lamined’argento.Sulretrosonoinciseformuleritualiel’annoincuil’altareè statooertoaltempio.
ABRONZEFIGUREOFRADHA, India,Orissa,19thcentury
hcm15
Portrayedonalotusflowerinagracefulandsensualdancestep,herbodywith sinuouslines-slenderwaist,softhips,broadshoulders,andamplebosomepitomizestheidealoffemininebeauty.
CatalogNotes:RadhaisKrishna’scompanionandisconsideredthesymbolof devotionandconjugallove.
FIGURADIRADHAINBRONZO, India,Orissa,XIXsecolo
Rappresentatasuunfioredilotoinunpassodidanzaaggraziatoesensuale, ilcorpodallelineesinuose–vitasottile,fianchimorbidi,spallelargheeseno abbondante–èl’idealedibellezzafemminile.
Notedicatalogo:RadhaèlacompagnadiKrishnaedèconsideratasimbolo delladevozioneedell’amoreconiugale.
ABRONZEFIGUREOFBUDDHA, NorthIndia,13th/15thcentury
hcm17
Standingonalotusflowerandsurroundedbyabeautiful,raredoublemandorla aureole,hisrighthandisinthegestureofdispellingfear,asifinvitingoneto surrendertotheMaster’steaching.
FIGURADIBUDDAINBRONZO, NordIndia,XIII-XVsecolo
Erettosuunfioredilotoècircondatodaunabella,raraaureolaadoppia mandorla,lamanodestraènelgestodell’allontanamentodellapauracome fosseuninvitoadabbandonarsiall’insegnamentodelMaestro.
QAJARBOOKCOVERINLAQUEREDPAPIERMACHE, Iran,19thcentury
Paintedwithillustrationsonbothsides,theoutersidedepictsadaytimesceneinaZenana (orharem),withfiguresseatedoncarpetsandelegantcushionssurroundedbyattendants, dancers,andmusicians;theinnersidefeaturesthemotifofgul-ebolbol,thenightingaleand therose,oneofthefavorediconographicthemesinPersianartduringtheSafavidandQajar periods.
COPERTINADILIBROQAJARINPAPIERMACHEELACCA, Iran,XIXsecolo
Conillustrazionidipintesuentrambiilati,lafacciaesternaraguraunascenadiurnain unoZenana(oharem),conpersonaggiassisisutappetiedeleganticuscinicircondatida attendenti,danzatriciemusiciste;lafacciainternapresentailmotivodelgul-ebolbol, l’usignoloelarosa,unodeitemiiconograficifavoritinell’artepersianadelperiodoSafavide eQajar.
ASMALLCOPPERANDSILVERINLAIDSMALLJUG, SyriaorEgypt,19thcentury
InNeo-Mamluk(orCairoware)style,thedecorationfeaturesinlayswithgeometric,vegetal, andcalligraphicmotifsthatadorntheentirebodyoftheobjectanditsneck;elegantThuluth scriptinscriptionsareprominentlydisplayedwithinlarge,foliatedmedallions.
BROCCHETTAINRAMEINTARSIANAINARGENTO, SiriaoEgitto,XIXsecolo
Instileneo-mamelucco(ocairoware),ladecorazioneaintarsioconmotivigeometrici,vegetali ecalligraficichesiarticolanosututtoilcorpodell’oggettoesulcollo;Elegantiiscrizioniinstile thuluthcampeggianoentroampimedaglionifoliati.
FIVEPIECESINCOPPERANDBRASS,
SyriaorEgypt,19th/20thcentury
hmaxcm27-dmaxcm35
€300/500
Acopperbasinwithtracesofengraveddecorationandinlays,andsilverplating,aglobular coppervasewithepigraphicandvegetalinlaydecorationincopperandsilver,apairof brassvaseswithelongatedpyriformbodiesandflaredrims,inlaidwithcopperandsilver anddecoratedwithelegantfoliatedmedallionsenrichedwithgeometricandpseudocalligraphicmotifs,andacopperboxwithsilverinlaydecorationfeaturingelegantfoliated andcalligraphicmotifs.
CINQUEOGGETTIINRAMEEOTTONE, SiriaoEgitto,XIX/XXsecolo lcm16xwcm23,5 hcm8,5
Unbacinoinramecontraccedidecorazioneincisaeintarsieplaccaturainargento,unvaso globulareinramecondecorazioneepigraficaevegetaleaintarsiodirameeargento,una coppiadivasiinottoneconcorpopiriformeallungatoeorloestroflesso,decoratiaintarsio dirameeargentoconelegantimedaglionifoliatiarricchiticonmotivigeometriciepseudocalligrafici,eunascatolainramecondecorazioneaintarsiodiargentoconelegantimotivi foliatiecalligrafici.
