Maia E. Smith: Portfolio - 2023

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Portfolio

interior architecture + furniture design

2023
m. of interior architecture kansas state university

Hi, I’m Maia.

Through my projects, I have come to discover the satisfaction and excitement that designing with experience in mind brings. I have a passion for creating with emotion and designing through users’ feelings and senses. Building spaces that relate to the user's identity and influence emotion, down to the smallest detail, is what drives my design solutions.

Crafting spaces that have a deep connection to their location and the people who will be using them inspires my design process. I'm encouraged to dive deeper into how communities and neighborhoods develop collective identities through shared history and experiences, and how those stories can inform and influence the design that follows.

Spaces are more than just a place to gather. They turn into the backdrop of people’s memories, the places where they form connections with others and tell their own stories. The ability to design successful, memorable, and impactful places is what motivates me to improve and develop my skills as a designer and person. I am lucky to have the opportunity to pursue my passion and let my love for others drive my excitement.

04 I 2 20 2 8 3 6 moon valley winery void continuum hearth photography

Continuum

project type location

time frame

recognition

commercial retail

kansas city, missouri

6 weeks

2nd place - Lang Lighting Design Competition

Located in the historic 18th + Vine District of jazz hotspot Kansas City, Missouri, Continuum enhances the city's evolving culture of jazz music. Kansas City has had a major role in the success, development, and celebration of the one truly American art from, even earning its own subgenre.

Continuum is a space that encourages a new generation to find their love for jazz by making it approachable, accessible, and welcoming. The smooth tones of jazz music are represented physically be the curving forms and rounded edges of the ceiling planes. Additionally, the constant evolution and style changes of jazz are present in the futuristic language employed within the space.

Located on the corner of 18th street and Vine street, it is the gem of the jazz district with its colorful neon lighting and reflective materials. Contrasting the futuristic forms with classic materials of the jazz era, and incorporating subtle nods to the city's jazz history and culture, Continuum looks to the future, in both its architecture and its mission.

software

revit, rhino 3d, enscape, adobe photoshop, adobe illustrator, adobe fresco

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05

Floor Plan

0 6 I 2 3 9 4 5 6 7 8 I0 II I2 1. 2. 3. 4. 5.
6. 7. 8. 9. 10. 11. 12. 13. 14. 15. instrument window display entry/exit instrument showroom retail/rental counter merchandise retail music retail recording studio instrument repair employee space practice rooms office waiting area ADA restrooms entry/exit (service) storage I3 I4 I5 continuum • interior architecture

Ceiling + Lighting Plan

Selected Fixtures Include:

intralighting - pipes RIO 100

custom column cove lighting

custom neon signage

3g lighting - 3Gi 48RSL

custom logo pendant

usai lighting - the littleones micro

custom LED strip cove lighting

exterior LED diffused strip lighting

focal point - seem 2 LED perimeter faro barcelona - magritte picture light

generic recessed downlighting

portfolio • maia e. smith 07

The jazz hub of Kansas City is the 18th + Vine historical district. At the heart of this district is the American Jazz Museum and its connected club, The Blue Room. The proposed location for Continuum would be on the southwest corner of 18th Street and Vine Street, replacing an existing parking lot.

Location Branding Design

BC ALPHAPIPE - SEMIBOLD SOFIA PRO - EXTRA LIGHT

Continuum's branding follows its round, flowing architectural language. Utilized in the design were fonts BC Alphapipe and Sofia Pro for their simplicity and readability. The logo and branding for Continuum is implemented in several spaces throughout the design including the signage on both front facades, a custom pendant light, and additional interior signage.

08 continuum • interior architecture
image via google maps

Community Outreach

To reinforce the client's mission of reaching out to the people of Kansas City, the concept of spatial extension was utilized within Continuum's design. This can be seen in the continuity of the ceiling planes and floor planes using form, color, and material.

Local Iconography

To give Continuum a design truly rooted in its community, the icon of the fountain, synonymous with Kansas City, was used as inspiration for the form of the column wraps used throughout the building. Also resembling the bell of brass instruments, the column forms tie the purpose and use of Continuum to its architecture. A mural by local artist Alexander Austin is featured on the east side of the building. Austin's artwork is inspired by historical events and figures local to the area, showcased in a modern art style.

portfolio • maia e. smith 09
cropped floor plan cropped ceiling + lighting plan
I 0 continuum • interior architecture north approach main entry/exit
portfolio • maia e. smith II
east approach recording studio

Void

coffee table

manhattan, kansas

8 weeks

selected for department display

A specific design movement within the realm of modernism, De Stijl was created as “an expression of human creative genius in its purity of ideas and concepts.” It was intended to create a universal style of true abstraction, something all artists, no matter the discipline could partake in and all viewers, no matter the background could understand.

Gerrit Rietveld’s Red and Blue Chair was the primary inspiration for Void , as the first application of threedimensional art as furniture. The differing levels of the horizontal planes split the coffee table’s function into two separate surfaces, the upper one for working and serving, and the lower one for dècor and storage. The upper plane is painted blue and the lower one is painted red, inspired by the two colors of the functional planes in Rietveld’s Red and Blue Chair

Hidden dowel connections were integral in the success of Void in order to maintain a simple appearance to reinforce the dematerialized boundary and downplay of joints as characteristics of both Modernism and De Stijl movements.

materials red oak hardwood, soft maple hardwood, milk paint, wipe-on polyurethane

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project type location time frame recognition
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Concept: De Stijl

The De Stijl group of artists was founded by Dutch artists Piet Mondrian and Theo van Doesburg. They developed the art style, inspired by Mondrian’s paintings, to be a representation of the universe simplified to its most basic elements: right angles, primary colors, and black and white. One of the most influential designs created in the De Stijl style is the Red and Blue Chair , designed by Gerrit Rietveld in the early 1900s. Instead of letting the mass of the material lead the design of the chair, Rietveld worked instead with the space the chair contained and its boundaries, allowing the three dimensions to be tangible. Void implements the idea of art as a functional object and the methods of joinery, form, and color seen in the Red and Blue Chair .

I 4 void • furniture design
Piet Mondrian • Abstraction Gerrit Rietveld • Red and Blue Chair Gerrit Rietveld • Red and Blue Chair

Connection Details

These connections, while simple in appearance, are complicated in reality to maintain the dematerialized boundary and downplay of joints, fundamental aspects of both modernism and De Stijl. All twelve leg and beam connections are held together by dowels, resulting in twenty-four total dowel holes drilled. These dowel connections are created using the same method as those in the Red and Blue Chair. To maintain the floating, free plane appearance, especially for the side planes, domino connections were utilized. As a secondary connection, dowels were used to increase stability and prevent pivoting. Precision and attention to detail were necessary when designing and fabricating these connections, as all the components rely on each other.

I 5 portfolio • maia e. smith
A B Rietveld's
connection detail B connection detail A axonometric view fig. 3
connection method in his Red and Blue Chair
dowel connection, drawing Centraal Museum Utrecht.

Fabrication Process

Developing a part identification system for Void was integral for the fabrication process. This helped the most challenging portion of the fabrication process, designing, practicing, and creating the twelve connections of the legs and beams, go as smoothly as possible. Precise measuring, marking, and drilling were necessary to ensuring tight, secure connections. Void was finished using a pickling process for the legs and beams and application of milk paint to the planes of the table. Pickling is a chemical reaction that takes place between the pickling solution and the tannic acid in the wood. Red oak was the wood of choice for the legs and beams of Void because of its high tannin content. Lastly, the table was sealed using a satin finish wipe-on polyurethane.

I6 void • furniture design
test fitting the final dowel connections applying yellow milk paint to punctuate the leg and beam ends sanding individual beams and legs to finish
portfolio • maia e. smith I 7 16 1/2" 36" 11" 12 1/2" 11 3/4" 10 1/4" 10 1/4" 18" 17" 2" 2" 2" 3/4" 3/4" 3/4" 4" 3 1/4" side orthographic view top orthographic view 3/4"
I8 void •
furniture design
I 9

Hearth

project type location

time frame

recognition

hospitality manhattan, kansas

8 weeks selected for Made in Manhattan showcase

Inspired by the warm, cozy memory of baking cookies with Grandma during the holidays, Hearth is intended to encourage users to cherish and recognize the beauty of their own memories. Following the client’s mission of bringing awareness to memory loss diseases, Hearth illustrates the importance and impact memories have by creating an environment that invokes nostalgia and feelings reminiscent of the memory that inspired it.

Using protective mass forms, embracing arches, and warm colors and materials, a sense of safety and coziness is created. Representing the concept physically is the custom fireplace that provides conceptual, visual, and experiential continuity between floors. Additionally, the “sanctuary” booths provide a private, intimate experience that both meets the user’s need for personal space and the conceptual ideas of coziness and protection.

Hearth is the physical embodiment of a warm hug from Grandma. Here, old memories can be revisited and new ones can be made.

software

revit, rhino 3d, enscape, adobe photoshop, adobe illustrator, adobe fresco

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Ground Level

22 hearth • interior architecture I 2 9 4 5 6 7 8 I0 II I2
I3 I4 I5 4. 5. 6. bar seating queuing area ordering counter 1. 2. 3. main entry/exit merchandise bar + table seating 7. 8. 9. barista station prep area fireplace 10. 11. 12. kitchen booth seating activity kitchen 13. 14. 15. ADA restrooms lounge area secondary entry/exit 3 up

Mezzanine Level

portfolio • maia e. smith 23 I 2 4 5 6
4. 5. 6. table seating prep area booth seating 1. 2.
3. 3
hi-top table seating lounge area fireplace + table seating dn

Influence + Impact

The concept of Hearth was inspired by my own memory of baking cookies with my grandma during the holidays. Using a memory as inspiration and translating the corresponding feelings of that memory into tangible space changed the way I design. Since working on Hearth , I have discovered the impact that memory, feeling, and experience have on people and how interior spaces can influence all of those things.

24 hearth • interior architecture
maia and grandma baking holiday cookies • c. 2008

Vertical Relationships

Hearth's custom fireplace feature provides conceptual, experiential, and visual continuity between floors.

center of the home sanctuary

The private, intimate booths of Hearth provide conceptual reinforcement and meet user need for personal space, areas to study or work, and gather.

portfolio • maia e. smith 25
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hearth • interior architecture order counter + fireplace mezzanine entrance
portfolio • maia e. smith 27 mezzanine lounge area merchandise + bar seating

Moon Valley Winery

project type location

time frame

hospitality sonoma county, california

8 weeks

Located in the heart of Sonoma Valley, Moon Valley Winery uses the concept of Intertwined to create the physical representation of the relationship between the past and present.

Taking inspiration from the region’s rich history of grape growing, the major historical events that created setbacks for the industry and the thriving state of Wine Country today, Intertwined celebrates Sonoma’s collective past with a oneof-a-kind identity. The concept of time passing is tangible within Moon Valley Winery as classic architectural elements found in European wineries are juxtaposed with today’s California modern aesthetic.

Throughout this project, each space encourages users to reflect upon their own experience and how that has informed their own identity, as we are all Intertwined with history.

software

revit, rhino 3d, enscape, adobe photoshop, adobe illustrator, adobe fresco

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Axonometric Site Plan

1810s

1920s

Prohibition closes 80% of Sonoma's wineries.

1860s

European settlers bring new wine varieties and new growing practices.

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moon valley winery
interior architecture
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. guest parking primary entrance/exit primary building service parking outdoor lounge yard game area garden lounge outdoor dining secondary entrance/exit secondary building
I 2 9 4 5 6 7 8 I0 II I2 3 I3
outdoor lounge + bar greenspace outdoor stage Russian settlers plant the first vines in Sonoma.

Culture and history are celebrated and shared through telling stories, playing music, and sharing experiences at varying levels of activity and intimacy.

2 - 4 people

4 - 6 people

6 - 10 people

10 + people

Moon Valley Winery is organized in a way that allows visitors to curate their own experience, but still have the opportunity to reflect on the history and culture of Sonoma.

California wine gains international attention after the Paris Wine Tastings.

1950s

California Wine Country grows in popularity as a tourist destination.

guest service

1970s 2000s

Wildfires cost the California wine industry $3.7B in 2020 alone.

portfolio • maia e. smith
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1. 2. 3. 4. Primary
5. 6. 7. 8. 9. 10. 11. 12. guest entry/exit retail tasting + lounge lounge outdoor lounge tasting bar service entry + storage office trash/compost/recycling kitchen ADA restrooms private meeting/dining I 2 9 4 5 6 7 8 I0 II I2 3
moon valley winery • interior architecture
Building

Secondary Building

classic details "old" application traditional layout

sleek details "new" application complex function

Located at opposite ends of the site, each custom designed bar has its own identity in form and function, but are related through material and color.

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1. 2. 3. 4. 5. 6. 7. 8. entry/exit stairs to screen porch lounge indoor/outdoor bar ADA restroom outdoor lounge
I 2 4 5 6 3 up dn 7 8
stairs to lounge screened porch classic tasting bar indoor/outdoor bar

moon valley winery • interior architecture

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primary building approach tasting bar + lounge

secondary building approach

indoor/outdoor tasting bar

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Photography

I have always had an interest in photography and received my first camera when I very young. Since then, I have explored landscape and nature photography, portrait, sport photography, event, and architectural photography. I now focus on architectural and detail photography.

The history of the designed environment and learning about the iconic buildings and spaces of the past and how they’ve influenced spatial design and the industry today is something that deeply interests me. I enjoy traveling to buildings and sites I’ve learned about in school to experience their effects and impact first-hand.

Observing these spaces and recognizing their successes and failures influences me in my own design work. Walking through spaces and analyzing them through the eye of an artist opens a new perspective of how design can be implemented or experienced.

What inspires me the most is interplay between light and shadow and how design influences that dynamic.

apple photos, adobe lightroom, adobe photoshop, google photos

software 3 6
37 dallas, texas • usa
3 8 photography • light + shadow
durham cathedral • durham, england
portfolio • maia e. smith 39
cherokee, iowa • usa
40 photography • light + shadow
rietveld schröder house • utrecht, the netherlands
portfolio • maia e. smith 4 I
rietveld schröder house • utrecht, the netherlands
42 photography • light + shadow dallas, texas • usa
portfolio • maia e. smith 43 dallas, texas • usa

660.221.3902

Thank you.
Maia E. Smith m. of interior architecture kansas state university
maiaemily02@gmail.com linkedin.com/in/maiaemily02

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